window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"pop_13309": {
"type": "attachments",
"id": "pop_13309",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "13309",
"found": true
},
"parent": 13308,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/grimes-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/grimes.jpg",
"width": 640,
"height": 360
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/grimes-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/grimes-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/grimes-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/grimes-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/grimes-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1409163912,
"modified": 1409163912,
"caption": null,
"description": null,
"title": "grimes",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_13304": {
"type": "attachments",
"id": "pop_13304",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "13304",
"found": true
},
"parent": 13179,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater.jpg",
"width": 640,
"height": 360
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1409123377,
"modified": 1409123377,
"caption": "Photo: \u003ca href=\"https://www.flickr.com/photos/60035031@N06/7288061968/\">Al Case\u003c/a>, via Flickr",
"description": null,
"title": "concert-fox-theater",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10141164": {
"type": "attachments",
"id": "arts_10141164",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10141164",
"found": true
},
"parent": 10141155,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/interpol-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/interpol-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/interpol-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/interpol.jpg",
"width": 1120,
"height": 630
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/interpol-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/interpol-300x168.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 168
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/interpol-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/interpol-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/interpol-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/interpol-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1409077515,
"modified": 1409077515,
"caption": "Interpol's new album, El Pintor, comes out on Sept. 9.",
"description": "Interpol's new album, El Pintor, comes out on Sept. 9.",
"title": "interpol",
"credit": "Courtesy of the band",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10141176": {
"type": "attachments",
"id": "arts_10141176",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10141176",
"found": true
},
"parent": 10141175,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/10141175-thumb.png",
"width": 300,
"height": 300
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/10141175-thumb-96x96.png",
"width": 96,
"mimeType": "image/png",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/10141175-thumb-300x300.png",
"width": 300,
"mimeType": "image/png",
"height": 300
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/10141175-thumb-64x64.png",
"width": 64,
"mimeType": "image/png",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/10141175-thumb-75x75.png",
"width": 75,
"mimeType": "image/png",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/10141175-thumb-32x32.png",
"width": 32,
"mimeType": "image/png",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/10141175-thumb-128x128.png",
"width": 128,
"mimeType": "image/png",
"height": 128
}
},
"publishDate": 1409088397,
"modified": 1409088397,
"caption": null,
"description": null,
"title": "Thumbnail for 10141175",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10141205": {
"type": "attachments",
"id": "arts_10141205",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10141205",
"found": true
},
"parent": 10141200,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/BellsAtlas-400x266.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 266
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/BellsAtlas-670x372.jpg",
"width": 670,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/BellsAtlas.jpg",
"width": 670,
"height": 447
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/BellsAtlas-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/BellsAtlas-300x200.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 200
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/BellsAtlas-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/BellsAtlas-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/BellsAtlas-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/BellsAtlas-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1409092462,
"modified": 1409092462,
"caption": null,
"description": null,
"title": "Bells Atlas",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10141219": {
"type": "attachments",
"id": "arts_10141219",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10141219",
"found": true
},
"parent": 10141218,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/MissionOfBurma-400x266.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 266
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/MissionOfBurma-670x372.jpg",
"width": 670,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/MissionOfBurma.jpg",
"width": 670,
"height": 447
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/MissionOfBurma-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/MissionOfBurma-300x200.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 200
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/MissionOfBurma-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/MissionOfBurma-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/MissionOfBurma-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/MissionOfBurma-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1409095854,
"modified": 1409095854,
"caption": null,
"description": null,
"title": "MissionOfBurma",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_13232": {
"type": "attachments",
"id": "pop_13232",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "13232",
"found": true
},
"parent": 13228,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/protest-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/protest.jpg",
"width": 640,
"height": 360
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/protest-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/protest-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/protest-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/protest-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2014/08/protest-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1408661841,
"modified": 1408661841,
"caption": null,
"description": null,
"title": "protest",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10140965": {
"type": "attachments",
"id": "arts_10140965",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10140965",
"found": true
},
"parent": 10140964,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/Bosko-Kante-and-Pete-Miser-of-Electrospit-400x266.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 266
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/Bosko-Kante-and-Pete-Miser-of-Electrospit-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/Bosko-Kante-and-Pete-Miser-of-Electrospit.jpg",
"width": 800,
"height": 533
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/Bosko-Kante-and-Pete-Miser-of-Electrospit-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/Bosko-Kante-and-Pete-Miser-of-Electrospit-300x199.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 199
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/Bosko-Kante-and-Pete-Miser-of-Electrospit-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/Bosko-Kante-and-Pete-Miser-of-Electrospit-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/Bosko-Kante-and-Pete-Miser-of-Electrospit-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/Bosko-Kante-and-Pete-Miser-of-Electrospit-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1408651493,
"modified": 1408651493,
"caption": "Bosko Kante and Pete Miser of Electrospit at Zoo Labs",
"description": "Bosko Kante and Pete Miser of Electrospit at Zoo Labs",
"title": "Bosko Kante and Pete Miser of Electrospit",
"credit": "Courtesy of Zoo Labs",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10140798": {
"type": "attachments",
"id": "arts_10140798",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10140798",
"found": true
},
"parent": 10140797,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/3405-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/3405-400x324.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 324
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/3405-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/3405.jpg",
"width": 2400,
"height": 1949
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/3405-1440x1169.jpg",
"width": 1440,
"mimeType": "image/jpeg",
"height": 1169
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/3405-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/3405-300x243.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 243
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/3405-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/3405-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/3405-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/08/3405-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1408549323,
"modified": 1408549323,
"caption": "The Go! Team Deliver A Beautiful Instrumental Song",
"description": null,
"title": "The Go! Team Promo Photo",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"ehapsis": {
"type": "authors",
"id": "27",
"meta": {
"index": "authors_1716337520",
"id": "27",
"found": true
},
"name": "Emmanuel Hapsis",
"firstName": "Emmanuel",
"lastName": "Hapsis",
"slug": "ehapsis",
"email": "ehapsis@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Emmanuel Hapsis is the creator and editor of KQED Pop and also the host of \u003cem>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>\u003c/em>. He studied creative writing at University of Maryland and went on to receive his MFA in the field from California College of the Arts. In his free time, he sings his heart out at karaoke.",
"avatar": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g",
"twitter": "xcusemybeauty",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Emmanuel Hapsis | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ehapsis"
},
"cmusiker": {
"type": "authors",
"id": "32",
"meta": {
"index": "authors_1716337520",
"id": "32",
"found": true
},
"name": "Cy Musiker",
"firstName": "Cy",
"lastName": "Musiker",
"slug": "cmusiker",
"email": "cmusiker@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Cy Musiker is a former co-host of The Do List and a former reporter covering the arts for KQED News and The California Report. He loves live performance, especially great theater, jazz, roots music, anything by Mahler. Cy has an MJ from UC Berkeley's School of Journalism, and got his BA from Hampshire College. His work has been recognized by the Society for Professional Journalists with their Sigma Delta Chi Award for Public Service in Journalism. When he can, Cy likes to swim in Tomales Bay, run with his dog in the East Bay Hills, and hike the Sierra.",
"avatar": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "bayareabites",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Cy Musiker | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/cmusiker"
},
"kqedarts": {
"type": "authors",
"id": "92",
"meta": {
"index": "authors_1716337520",
"id": "92",
"found": true
},
"name": "KQED Arts",
"firstName": "KQED",
"lastName": "Arts",
"slug": "kqedarts",
"email": "arts@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Staff",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": "https://www.instagram.com/kqed_arts/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
},
{
"site": "science",
"roles": [
"author"
]
},
{
"site": "food",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "KQED Arts | KQED",
"description": "KQED Staff",
"ogImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kqedarts"
},
"noisepop": {
"type": "authors",
"id": "177",
"meta": {
"index": "authors_1716337520",
"id": "177",
"found": true
},
"name": "Noise Pop",
"firstName": "Noise",
"lastName": "Pop",
"slug": "noisepop",
"email": "dawson@noisepop.com",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": "The Noise Pop Podcast is a bi-monthly series that showcases the most noteworthy and soon-to-be-buzzing music. Hosts, Olivia LaRoche and Dawson Ludwig provide witty and interesting context behind the songs played on the podcast.",
"avatar": "https://secure.gravatar.com/avatar/5f453b166405b70819c53d7e1ef223bc?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Noise Pop | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/5f453b166405b70819c53d7e1ef223bc?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5f453b166405b70819c53d7e1ef223bc?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/noisepop"
},
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
}
},
"pagesReducer": {
"arts_category_music": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"score": 10.847683
},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"title": "Music",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 353
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=music",
"seeMore": false,
"paginated": true,
"page": 353
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"pop_13308": {
"type": "posts",
"id": "pop_13308",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "13308",
"score": null,
"sort": [
1409165428000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1409165428,
"format": "aside",
"disqusTitle": "Grimes' New Music Video \"Go\" Inspired by Dante, KoRn and the X-Men",
"title": "Grimes' New Music Video \"Go\" Inspired by Dante, KoRn and the X-Men",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13309\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/grimes.jpg\" alt=\"grimes\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/grimes.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/grimes-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cbr>\nGrimes fans, myself included, have been waiting impatiently like a pet dog scratching at the front door for her to return to the music scene, and now that aural drought is finally over! Two years after \u003cem>Visions\u003c/em>, Grimes (a.k.a. Claire Boucher) has delivered \"Go,\" a collaboration with producer Blood Diamonds that was initially intended for Rihanna. The song is more up Ri Ri's alley with its trap music breakdown, but the music video is exactly the weirdness we've come to expect of Grimes. Boucher, who conceptualized and edited the video herself, took a page out of \u003cem>Inferno\u003c/em> (with touches of KoRn, X-Men, and the Metal Gear video games) to create this journey through the circles of hell. If this is what eternal damnation looks like, I'll keep on sinning.\u003c/p>\n\u003cp>http://youtu.be/vIi57zhDl78\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"disqusIdentifier": "13308 http://blogs.kqed.org/pop/?p=13308",
"disqusUrl": "https://ww2.kqed.org/pop/2014/08/27/grimes-new-music-video-go-inspired-by-dante-korn-and-the-x-men/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 154,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 3
},
"modified": 1409165573,
"excerpt": "Grimes returns with a hell-raising music video that'll make you want to keep on sinning.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Grimes returns with a hell-raising music video that'll make you want to keep on sinning.",
"title": "Grimes' New Music Video \"Go\" Inspired by Dante, KoRn and the X-Men | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Grimes' New Music Video \"Go\" Inspired by Dante, KoRn and the X-Men",
"datePublished": "2014-08-27T11:50:28-07:00",
"dateModified": "2014-08-27T11:52:53-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "grimes-new-music-video-go-inspired-by-dante-korn-and-the-x-men",
"status": "publish",
"path": "/pop/13308/grimes-new-music-video-go-inspired-by-dante-korn-and-the-x-men",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13309\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/grimes.jpg\" alt=\"grimes\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/grimes.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/grimes-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cbr>\nGrimes fans, myself included, have been waiting impatiently like a pet dog scratching at the front door for her to return to the music scene, and now that aural drought is finally over! Two years after \u003cem>Visions\u003c/em>, Grimes (a.k.a. Claire Boucher) has delivered \"Go,\" a collaboration with producer Blood Diamonds that was initially intended for Rihanna. The song is more up Ri Ri's alley with its trap music breakdown, but the music video is exactly the weirdness we've come to expect of Grimes. Boucher, who conceptualized and edited the video herself, took a page out of \u003cem>Inferno\u003c/em> (with touches of KoRn, X-Men, and the Metal Gear video games) to create this journey through the circles of hell. If this is what eternal damnation looks like, I'll keep on sinning.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vIi57zhDl78'\n title='//www.youtube.com/embed/vIi57zhDl78'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/13308/grimes-new-music-video-go-inspired-by-dante-korn-and-the-x-men",
"authors": [
"27"
],
"categories": [
"pop_4"
],
"tags": [
"pop_376",
"pop_25"
],
"featImg": "pop_13309",
"label": "pop"
},
"arts_10141093": {
"type": "posts",
"id": "arts_10141093",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10141093",
"score": null,
"sort": [
1409159753000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1409159753,
"format": "standard",
"title": "Roy Hargrove Returns to Rocket Skyward",
"headTitle": "Roy Hargrove Returns to Rocket Skyward | KQED",
"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/roy-hargrove-quintet/2014-08-27/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Roy Hargrove Quintet\u003c/h4>\n\u003cdiv class=\"event-desc\">Pioneering jazz trumpeter.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Aug. 27-30, 2014\u003c/h4>\n\u003cp>8pm & 10pm\u003c/p>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Yoshi’s, San Francisco\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/roy-hargrove-quintet/2014-08-27/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>The prevailing narrative on Roy Hargrove is like a roller coaster, full of twists and turns.\u003c/p>\n\u003cp>The Chicago-based trumpeter could have easily turned in the Grammy-winning 1997 album \u003cem>Habana\u003c/em> with his Afro-Cuban band Crisol, gone to sleep for 15 years and cemented his place in modern jazz history. Instead, he hooked up with hip-hop producers Questlove and J. Dilla to became a key player in the nascent neo-soul movement, contributing to watershed albums like Common’s \u003cem>Like Water for Chocolate\u003c/em>, Erykah Badu’s \u003cem>Mama’s Gun\u003c/em> and D’Angelo’s \u003cem>Voodoo\u003c/em>. Two years later, he’d found the RH Factor, a swampy, funk-laden outfit, and in 2008 he released \u003cem>Earfood\u003c/em>, an deep quintet release taking up prime real estate on many critics’ year-end lists.\u003c/p>\n\u003cp>Then, for the past five years, Hargrove hasn’t released even one new album.\u003c/p>\n\u003cp>Roller coasters also have ups and downs, and yeah, Hargrove this year has had some of \u003ca href=\"http://nypost.com/2014/05/29/roy-hargrove-admits-to-cocaine-possession/\">those\u003c/a>, too. After postponing dates in March, he returns this week to assign his narrative back in the skyward direction, and he brings an incredible quintet of Justin Robinson, Sullivan Fortner, Ameen Saleem and Quincy Phillips as rocket fuel. Funk, hard bop and lightning-fast playing propel Hargrove’s uptempo numbers, while on ballads, his embouchure is capable of pure silk.\u003c/p>\n\u003cp>More recent \u003ca href=\"http://www.youtube.com/playlist?list=PLNkfhiwzE6_pJr5037_PcJJ5bjlQTsvwt\">live performances\u003c/a> have shown the Hargrove quintet in full force. When they return to Yoshi’s this week, well, it’s like Bette Davis said in \u003cem>All About Eve\u003c/em>: Fasten your seatbelts—it’s going to be a bumpy night.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 302,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705048390,
"excerpt": "The Grammy-winning trumpeter appears with a stellar quintet this week.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Grammy-winning trumpeter appears with a stellar quintet this week.",
"title": "Roy Hargrove Returns to Rocket Skyward | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Roy Hargrove Returns to Rocket Skyward",
"datePublished": "2014-08-27T10:15:53-07:00",
"dateModified": "2024-01-12T00:33:10-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "roy-hargrove-returns-to-rocket-skyward",
"status": "publish",
"sticky": false,
"path": "/arts/10141093/roy-hargrove-returns-to-rocket-skyward",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/roy-hargrove-quintet/2014-08-27/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Roy Hargrove Quintet\u003c/h4>\n\u003cdiv class=\"event-desc\">Pioneering jazz trumpeter.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Aug. 27-30, 2014\u003c/h4>\n\u003cp>8pm & 10pm\u003c/p>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Yoshi’s, San Francisco\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/roy-hargrove-quintet/2014-08-27/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>The prevailing narrative on Roy Hargrove is like a roller coaster, full of twists and turns.\u003c/p>\n\u003cp>The Chicago-based trumpeter could have easily turned in the Grammy-winning 1997 album \u003cem>Habana\u003c/em> with his Afro-Cuban band Crisol, gone to sleep for 15 years and cemented his place in modern jazz history. Instead, he hooked up with hip-hop producers Questlove and J. Dilla to became a key player in the nascent neo-soul movement, contributing to watershed albums like Common’s \u003cem>Like Water for Chocolate\u003c/em>, Erykah Badu’s \u003cem>Mama’s Gun\u003c/em> and D’Angelo’s \u003cem>Voodoo\u003c/em>. Two years later, he’d found the RH Factor, a swampy, funk-laden outfit, and in 2008 he released \u003cem>Earfood\u003c/em>, an deep quintet release taking up prime real estate on many critics’ year-end lists.\u003c/p>\n\u003cp>Then, for the past five years, Hargrove hasn’t released even one new album.\u003c/p>\n\u003cp>Roller coasters also have ups and downs, and yeah, Hargrove this year has had some of \u003ca href=\"http://nypost.com/2014/05/29/roy-hargrove-admits-to-cocaine-possession/\">those\u003c/a>, too. After postponing dates in March, he returns this week to assign his narrative back in the skyward direction, and he brings an incredible quintet of Justin Robinson, Sullivan Fortner, Ameen Saleem and Quincy Phillips as rocket fuel. Funk, hard bop and lightning-fast playing propel Hargrove’s uptempo numbers, while on ballads, his embouchure is capable of pure silk.\u003c/p>\n\u003cp>More recent \u003ca href=\"http://www.youtube.com/playlist?list=PLNkfhiwzE6_pJr5037_PcJJ5bjlQTsvwt\">live performances\u003c/a> have shown the Hargrove quintet in full force. When they return to Yoshi’s this week, well, it’s like Bette Davis said in \u003cem>All About Eve\u003c/em>: Fasten your seatbelts—it’s going to be a bumpy night.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10141093/roy-hargrove-returns-to-rocket-skyward",
"authors": [
"185"
],
"categories": [
"arts_69"
],
"featImg": "arts_10141094",
"label": "arts"
},
"pop_13179": {
"type": "posts",
"id": "pop_13179",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "13179",
"score": null,
"sort": [
1409145024000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1409145024,
"format": "aside",
"disqusTitle": "Fall Preview: 12 Concerts You Can't Miss",
"title": "Fall Preview: 12 Concerts You Can't Miss",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cfigure id=\"attachment_13304\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-13304\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/concert-fox-theater.jpg\" alt=\"Photo: Al Case, via Flickr\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://www.flickr.com/photos/60035031@N06/7288061968/\">Al Case\u003c/a>, via Flickr\u003c/figcaption>\u003c/figure>\n\u003cp>Fall is perfect for a lot of things: experiencing nostalgia overload in front of back-to-school displays at Target, playing in leaves, eating your weight in pumpkin pie and/or candy corn, and spending cozy nights with your favorite bands. With the summer festival circuit in the rearview, it's the perfect time to get up close and personal with the musicians who keep you moving all year long. Here are 12 must-see concerts coming to the Bay Area this season.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13278\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/owen.jpg\" alt=\"owen\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen.jpg 1365w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Owen Pallett\u003c/strong>\u003cbr>\nSeptember 12, 2014\u003cbr>\nThe Great American Music Hall\u003c/p>\n\u003cp>You might not expect a whole lot from someone who names one of his first albums \u003cem>He Poos Clouds\u003c/em>, but you'd be surprised. Since getting his start under the moniker Final Fantasy, Owen Pallett has been making gorgeous violin-heavy albums that feel like novels read aloud by a choir boy. When he's not telling his own stories, Pallett gets nominated for Oscars (he worked on the score for \u003cem>Her\u003c/em>) and lends his talent to musicians like Arcade Fire, Taylor Swift, R.E.M. and Grizzly Bear.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13294\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/drake-lil-wayne.jpg\" alt=\"drake-lil-wayne\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Drake vs Lil Wayne\u003c/strong>\u003cbr>\nSeptember 16, 2014\u003cbr>\nShoreline Ampitheatre\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/08/07/beyonce-and-jay-z-divorce-on-the-run-tour-san-francisco/\">Beyonce and Jay Z pretty much perfected\u003c/a> the co-headlining template, so it'll be interesting to see what these two bring to the table. The match-up is being touted as a rap battle combined with a '90s fighting game. Capcom, maker of \u003cem>Street Fighter\u003c/em>, is a cosponsor of the tour and has crafted an app that allows the audience to vote on superhero versions of the rappers, with a winner being crowned at the end of the night. So who are you putting your money on: Drake, the smooth-talking crooner, or Lil Wayne, the troublemaking MC?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13280\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/chvrches.jpg\" alt=\"chvrches\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">CHVRCHES\u003c/strong>\u003cbr>\nSeptember 18, 2014\u003cbr>\nThe Fox Theater\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/08/11/outside-lands-2014-kanye-kim-kardashian-macklemore-and-everything-else-you-missed/\">Due to drama at a Canadian airport\u003c/a>, CHVRCHES was forced to stand up hundreds of fans at this year's Outside Lands Music Festival. But the Scottish trio hope to make up for it with this headlining Oakland gig. Their sound has been likened to \"\u003cspan style=\"color: #252525\">a godless hurricane of kinetic pop energy.\" If that description doesn't get your pulse buzzing, call a doctor.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13281\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/lykke-li.jpeg\" alt=\"lykke li\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li.jpeg 512w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-400x400.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-32x32.jpeg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-64x64.jpeg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-96x96.jpeg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-128x128.jpeg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-75x75.jpeg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Lykke Li\u003c/strong>\u003cbr>\nSeptember 21, 2014\u003cbr>\nFox Theater\u003c/p>\n\u003cp>Lykke Li is only 28, but her voice carries the wisdom and pain of a much older woman. Listening to her latest album, \u003cem>I Never Learn\u003c/em>, feels like falling through a tear in the time/space continuum and ending up smack dab in the middle of your last breakup, wailing on the bathroom floor. We've all been there and it's therapeutic to shout out the lyrics of love lost with a bunch of strangers, followed by dancing it all off to her earlier, spunkier work. Fun fact: Lykke Li split her youth between Sweden, a mountaintop in Portugal, Morocco, India, and Nepal. \u003ca href=\"http://up-ship.com/blog/wp-content/uploads/2014/07/themoreyouknow.gif\">The more you know\u003c/a>!\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13282\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/trust.jpg\" alt=\"trust\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Trust\u003c/strong>\u003cbr>\nSeptember 28, 2014\u003cbr>\nMezzanine\u003c/p>\n\u003cp>Downsizing from a duo to a solo project could derail the sound or lead to just calling it quits. Thankfully, Robert Alfons didn't throw in the towel; instead, he made a brilliant electronic record that would make Kate Bush and the Cocteau Twins proud, and will make you dance like you just don't care.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13283\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/lorde.jpg\" alt=\"lorde\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde.jpg 988w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Lorde\u003c/strong>\u003cbr>\nOctober 2, 2014\u003cbr>\nGreek Theatre - U.C. Berkeley\u003c/p>\n\u003cp>You already know the details: she's from New Zealand, ridiculously young and even more talented. The first woman to top the Billboard Alternative Songs chart since Tracy Bonham in 1996 (which happens to be the year she was born), Lorde is just getting started (just imagine what she will be capable of when she graduates high school!). Go for the music, stay for \u003ca href=\"http://s3.amazonaws.com/images.hitfix.com/assets/3617/big.gif\">the weird dancing\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13284\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/cibo.jpg\" alt=\"cibo matto\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo.jpg 805w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Hardly Strictly Bluegrass\u003c/strong>\u003cbr>\nOctober 3 - 5, 2014\u003cbr>\nGolden Gate Park\u003c/p>\n\u003cp>It doesn't matter whether you know the bands or not; the experience makes it all worthwhile. There's the friendly, all-American vibe, the shared whiskey on blankets, the fog through the park, and the fact that all the merriment is free! This year's lineup includes Cibo Matto, Emmylou Harris, Yo La Tengo, Chris Isaak, Thao & The Get Down Stay Down, and dozens more.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13285\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/outkast.jpg\" alt=\"outkast\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast.jpg 658w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Treasure Island Music Festival\u003c/strong>\u003cbr>\nOctober 18, 2014\u003cbr>\nTreasure Island\u003c/p>\n\u003cp>Imagine watching a reunited Outkast on an island in the middle of the Bay while the golden sun dips behind San Francisco's hills. Pinch yourself; this could be your real life. To sweeten the deal, Massive Attack, TV on the Radio, The New Pornographers, alt-J, Washed Out, Banks, and Janelle Monáe will also be there. Here's \u003ca href=\"http://blogs.kqed.org/pop/2014/06/17/treasure-island-music-festival-2014-lineup-announced-heres-the-only-playlist-you-need-to-get-ready-outkast/\">a playlist to help you get ready\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13286\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/big-freedia.jpg\" alt=\"big-freedia\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia.jpg 430w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Big Freedia\u003c/strong>\u003cbr>\nOctober 23, 2014\u003cbr>\nMezzanine\u003c/p>\n\u003cp>Fresh off \u003ca href=\"http://blogs.kqed.org/pop/2014/08/11/outside-lands-2014-kanye-kim-kardashian-macklemore-and-everything-else-you-missed/\">booty bouncing while passing out beignets at Outside Lands\u003c/a>, Big Freedia is coming back to shake things up again. Guaranteed to slap a smile on your face.\u003c/p>\n\u003cp> \u003cbr>\n \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13288\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/rhye.jpg\" alt=\"rhye\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye.jpg 458w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Rhye\u003c/strong>\u003cbr>\nNovember 9, 2014\u003cbr>\nThe Fox Theater\u003c/p>\n\u003cp>The heart eyes emoji was invented to express how one feels after listening to Rhye. Romance coupled with soul hasn't been done this well since Sade. Take someone you love, even if that person is yourself!\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13289\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Justin-Timberlake-LP.png\" alt=\"Justin-Timberlake-LP\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP.png 575w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-400x400.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-75x75.png 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Justin Timberlake\u003c/strong>\u003cbr>\nNovember 22, 2014\u003cbr>\nOracle Arena\u003c/p>\n\u003cp>We owe Justin Timberlake a great deal for bringing sexy back, not to mention all \u003ca href=\"http://www.buzzfeed.com/sarahguy/30-lol-worthy-pictures-of-nsync-that-are-seriousl-9yqw\">those LOL-worthy looks\u003c/a> from the NSYNC days. The least we can do is attend this show and sing along to every word.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13290\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n.jpg\" alt=\"fleetwood mac\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n.jpg 900w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Fleetwood Mac\u003c/strong>\u003cbr>\nNovember 25, 2014\u003cbr>\nSAP Center at San Jose\u003c/p>\n\u003cp>I saved the best for last. No, really, Fleetwood Mac is the best. The breakups, the makeups, the accusations of witchcraft, the drugs, the music they recorded in Sausalito, it's all so legendary. The band toured just last year, but, this time around, they have Christine McVie on board, which marks the first time the band has performed together since 1998! You would be a fool to miss this.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Which shows are you most looking forward to this fall?\u003c/p>\n\n",
"disqusIdentifier": "13179 http://blogs.kqed.org/pop/?p=13179",
"disqusUrl": "https://ww2.kqed.org/pop/2014/08/27/fall-preview-12-concerts-you-cant-miss-san-francisco-bay-area/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1015,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 28
},
"modified": 1410904455,
"excerpt": "With the summer festival circuit in the rearview, it's the perfect time to get up close and personal with your favorite bands.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "With the summer festival circuit in the rearview, it's the perfect time to get up close and personal with your favorite bands.",
"title": "Fall Preview: 12 Concerts You Can't Miss | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Fall Preview: 12 Concerts You Can't Miss",
"datePublished": "2014-08-27T06:10:24-07:00",
"dateModified": "2014-09-16T14:54:15-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "fall-preview-12-concerts-you-cant-miss-san-francisco-bay-area",
"status": "publish",
"path": "/pop/13179/fall-preview-12-concerts-you-cant-miss-san-francisco-bay-area",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13304\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-13304\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/concert-fox-theater.jpg\" alt=\"Photo: Al Case, via Flickr\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://www.flickr.com/photos/60035031@N06/7288061968/\">Al Case\u003c/a>, via Flickr\u003c/figcaption>\u003c/figure>\n\u003cp>Fall is perfect for a lot of things: experiencing nostalgia overload in front of back-to-school displays at Target, playing in leaves, eating your weight in pumpkin pie and/or candy corn, and spending cozy nights with your favorite bands. With the summer festival circuit in the rearview, it's the perfect time to get up close and personal with the musicians who keep you moving all year long. Here are 12 must-see concerts coming to the Bay Area this season.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13278\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/owen.jpg\" alt=\"owen\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen.jpg 1365w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Owen Pallett\u003c/strong>\u003cbr>\nSeptember 12, 2014\u003cbr>\nThe Great American Music Hall\u003c/p>\n\u003cp>You might not expect a whole lot from someone who names one of his first albums \u003cem>He Poos Clouds\u003c/em>, but you'd be surprised. Since getting his start under the moniker Final Fantasy, Owen Pallett has been making gorgeous violin-heavy albums that feel like novels read aloud by a choir boy. When he's not telling his own stories, Pallett gets nominated for Oscars (he worked on the score for \u003cem>Her\u003c/em>) and lends his talent to musicians like Arcade Fire, Taylor Swift, R.E.M. and Grizzly Bear.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13294\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/drake-lil-wayne.jpg\" alt=\"drake-lil-wayne\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Drake vs Lil Wayne\u003c/strong>\u003cbr>\nSeptember 16, 2014\u003cbr>\nShoreline Ampitheatre\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/08/07/beyonce-and-jay-z-divorce-on-the-run-tour-san-francisco/\">Beyonce and Jay Z pretty much perfected\u003c/a> the co-headlining template, so it'll be interesting to see what these two bring to the table. The match-up is being touted as a rap battle combined with a '90s fighting game. Capcom, maker of \u003cem>Street Fighter\u003c/em>, is a cosponsor of the tour and has crafted an app that allows the audience to vote on superhero versions of the rappers, with a winner being crowned at the end of the night. So who are you putting your money on: Drake, the smooth-talking crooner, or Lil Wayne, the troublemaking MC?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13280\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/chvrches.jpg\" alt=\"chvrches\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">CHVRCHES\u003c/strong>\u003cbr>\nSeptember 18, 2014\u003cbr>\nThe Fox Theater\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/08/11/outside-lands-2014-kanye-kim-kardashian-macklemore-and-everything-else-you-missed/\">Due to drama at a Canadian airport\u003c/a>, CHVRCHES was forced to stand up hundreds of fans at this year's Outside Lands Music Festival. But the Scottish trio hope to make up for it with this headlining Oakland gig. Their sound has been likened to \"\u003cspan style=\"color: #252525\">a godless hurricane of kinetic pop energy.\" If that description doesn't get your pulse buzzing, call a doctor.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13281\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/lykke-li.jpeg\" alt=\"lykke li\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li.jpeg 512w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-400x400.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-32x32.jpeg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-64x64.jpeg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-96x96.jpeg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-128x128.jpeg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-75x75.jpeg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Lykke Li\u003c/strong>\u003cbr>\nSeptember 21, 2014\u003cbr>\nFox Theater\u003c/p>\n\u003cp>Lykke Li is only 28, but her voice carries the wisdom and pain of a much older woman. Listening to her latest album, \u003cem>I Never Learn\u003c/em>, feels like falling through a tear in the time/space continuum and ending up smack dab in the middle of your last breakup, wailing on the bathroom floor. We've all been there and it's therapeutic to shout out the lyrics of love lost with a bunch of strangers, followed by dancing it all off to her earlier, spunkier work. Fun fact: Lykke Li split her youth between Sweden, a mountaintop in Portugal, Morocco, India, and Nepal. \u003ca href=\"http://up-ship.com/blog/wp-content/uploads/2014/07/themoreyouknow.gif\">The more you know\u003c/a>!\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13282\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/trust.jpg\" alt=\"trust\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Trust\u003c/strong>\u003cbr>\nSeptember 28, 2014\u003cbr>\nMezzanine\u003c/p>\n\u003cp>Downsizing from a duo to a solo project could derail the sound or lead to just calling it quits. Thankfully, Robert Alfons didn't throw in the towel; instead, he made a brilliant electronic record that would make Kate Bush and the Cocteau Twins proud, and will make you dance like you just don't care.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13283\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/lorde.jpg\" alt=\"lorde\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde.jpg 988w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Lorde\u003c/strong>\u003cbr>\nOctober 2, 2014\u003cbr>\nGreek Theatre - U.C. Berkeley\u003c/p>\n\u003cp>You already know the details: she's from New Zealand, ridiculously young and even more talented. The first woman to top the Billboard Alternative Songs chart since Tracy Bonham in 1996 (which happens to be the year she was born), Lorde is just getting started (just imagine what she will be capable of when she graduates high school!). Go for the music, stay for \u003ca href=\"http://s3.amazonaws.com/images.hitfix.com/assets/3617/big.gif\">the weird dancing\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13284\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/cibo.jpg\" alt=\"cibo matto\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo.jpg 805w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Hardly Strictly Bluegrass\u003c/strong>\u003cbr>\nOctober 3 - 5, 2014\u003cbr>\nGolden Gate Park\u003c/p>\n\u003cp>It doesn't matter whether you know the bands or not; the experience makes it all worthwhile. There's the friendly, all-American vibe, the shared whiskey on blankets, the fog through the park, and the fact that all the merriment is free! This year's lineup includes Cibo Matto, Emmylou Harris, Yo La Tengo, Chris Isaak, Thao & The Get Down Stay Down, and dozens more.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13285\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/outkast.jpg\" alt=\"outkast\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast.jpg 658w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Treasure Island Music Festival\u003c/strong>\u003cbr>\nOctober 18, 2014\u003cbr>\nTreasure Island\u003c/p>\n\u003cp>Imagine watching a reunited Outkast on an island in the middle of the Bay while the golden sun dips behind San Francisco's hills. Pinch yourself; this could be your real life. To sweeten the deal, Massive Attack, TV on the Radio, The New Pornographers, alt-J, Washed Out, Banks, and Janelle Monáe will also be there. Here's \u003ca href=\"http://blogs.kqed.org/pop/2014/06/17/treasure-island-music-festival-2014-lineup-announced-heres-the-only-playlist-you-need-to-get-ready-outkast/\">a playlist to help you get ready\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13286\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/big-freedia.jpg\" alt=\"big-freedia\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia.jpg 430w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Big Freedia\u003c/strong>\u003cbr>\nOctober 23, 2014\u003cbr>\nMezzanine\u003c/p>\n\u003cp>Fresh off \u003ca href=\"http://blogs.kqed.org/pop/2014/08/11/outside-lands-2014-kanye-kim-kardashian-macklemore-and-everything-else-you-missed/\">booty bouncing while passing out beignets at Outside Lands\u003c/a>, Big Freedia is coming back to shake things up again. Guaranteed to slap a smile on your face.\u003c/p>\n\u003cp> \u003cbr>\n \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13288\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/rhye.jpg\" alt=\"rhye\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye.jpg 458w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Rhye\u003c/strong>\u003cbr>\nNovember 9, 2014\u003cbr>\nThe Fox Theater\u003c/p>\n\u003cp>The heart eyes emoji was invented to express how one feels after listening to Rhye. Romance coupled with soul hasn't been done this well since Sade. Take someone you love, even if that person is yourself!\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13289\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Justin-Timberlake-LP.png\" alt=\"Justin-Timberlake-LP\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP.png 575w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-400x400.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-75x75.png 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Justin Timberlake\u003c/strong>\u003cbr>\nNovember 22, 2014\u003cbr>\nOracle Arena\u003c/p>\n\u003cp>We owe Justin Timberlake a great deal for bringing sexy back, not to mention all \u003ca href=\"http://www.buzzfeed.com/sarahguy/30-lol-worthy-pictures-of-nsync-that-are-seriousl-9yqw\">those LOL-worthy looks\u003c/a> from the NSYNC days. The least we can do is attend this show and sing along to every word.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13290\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n.jpg\" alt=\"fleetwood mac\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n.jpg 900w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Fleetwood Mac\u003c/strong>\u003cbr>\nNovember 25, 2014\u003cbr>\nSAP Center at San Jose\u003c/p>\n\u003cp>I saved the best for last. No, really, Fleetwood Mac is the best. The breakups, the makeups, the accusations of witchcraft, the drugs, the music they recorded in Sausalito, it's all so legendary. The band toured just last year, but, this time around, they have Christine McVie on board, which marks the first time the band has performed together since 1998! You would be a fool to miss this.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Which shows are you most looking forward to this fall?\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/13179/fall-preview-12-concerts-you-cant-miss-san-francisco-bay-area",
"authors": [
"27"
],
"categories": [
"pop_4"
],
"tags": [
"pop_25"
],
"featImg": "pop_13304",
"label": "pop"
},
"arts_10141155": {
"type": "posts",
"id": "arts_10141155",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10141155",
"score": null,
"sort": [
1409103046000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1409103046,
"format": "standard",
"title": "Watch Interpol Live In Concert, Performing Songs from New Album",
"headTitle": "Watch Interpol Live In Concert, Performing Songs from New Album | KQED",
"content": "\u003cp>The indie rock band that helped resuscitate the New York music scene in the early aughts recently with the classic album, \u003ci>Turn On The Bright Lights,\u003c/i> is about to release its fifth record. The upcoming album, \u003cem>El Pintor\u003c/em>, is the band’s first since 2010. The album’s lead single, “All The Rage Back Home,” hit No. 1 on Billboard’s Twitter chart. \u003c/p>\n\u003cp>The band will be playing tonight in Los Angeles will begin streaming on NPR Music at approximately at 10 p.m. ET (7 p.m. PT). The band will play songs from \u003cem>El Pintor\u003c/em> (out Sept. 9) in public for the first time.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://www.npr.org/templates/event/eventCard.php?storyId=340189598&http://ww2.kqed.org/arts/2014/08/26/watch-interpol-live-in-concert-performing-songs-from-new-album/&twittersource=@KQEDarts\" width=\"650\" height=\"1000\">\u003c/iframe>\u003c/p>\n\u003cp>The band is also streaming their new album on \u003ca href=\"http://www.npr.org/2014/08/26/341629732/first-listen-interpol-el-pintor\" target=\"_blank\" rel=\"noopener\"> on NPR Music.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": true,
"hasAudio": false,
"hasPolis": false,
"wordCount": 125,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [
"http://www.npr.org/templates/event/eventCard.php"
],
"paragraphCount": 6
},
"modified": 1705048398,
"excerpt": null,
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The indie rock band that helped resuscitate the New York music scene in the early aughts recently with the classic album, Turn On The Bright Lights, is about to release its fifth record. The upcoming album, El Pintor, is the band’s first since 2010. The album’s lead single, “All The Rage Back Home,” hit No.",
"title": "Watch Interpol Live In Concert, Performing Songs from New Album | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Watch Interpol Live In Concert, Performing Songs from New Album",
"datePublished": "2014-08-26T18:30:46-07:00",
"dateModified": "2024-01-12T00:33:18-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "watch-interpol-live-in-concert-performing-songs-from-new-album",
"status": "publish",
"sticky": false,
"path": "/arts/10141155/watch-interpol-live-in-concert-performing-songs-from-new-album",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The indie rock band that helped resuscitate the New York music scene in the early aughts recently with the classic album, \u003ci>Turn On The Bright Lights,\u003c/i> is about to release its fifth record. The upcoming album, \u003cem>El Pintor\u003c/em>, is the band’s first since 2010. The album’s lead single, “All The Rage Back Home,” hit No. 1 on Billboard’s Twitter chart. \u003c/p>\n\u003cp>The band will be playing tonight in Los Angeles will begin streaming on NPR Music at approximately at 10 p.m. ET (7 p.m. PT). The band will play songs from \u003cem>El Pintor\u003c/em> (out Sept. 9) in public for the first time.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://www.npr.org/templates/event/eventCard.php?storyId=340189598&http://ww2.kqed.org/arts/2014/08/26/watch-interpol-live-in-concert-performing-songs-from-new-album/&twittersource=@KQEDarts\" width=\"650\" height=\"1000\">\u003c/iframe>\u003c/p>\n\u003cp>The band is also streaming their new album on \u003ca href=\"http://www.npr.org/2014/08/26/341629732/first-listen-interpol-el-pintor\" target=\"_blank\" rel=\"noopener\"> on NPR Music.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10141155/watch-interpol-live-in-concert-performing-songs-from-new-album",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"featImg": "arts_10141164",
"label": "arts"
},
"arts_10141175": {
"type": "posts",
"id": "arts_10141175",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10141175",
"score": null,
"sort": [
1409088382000
]
},
"guestAuthors": [],
"slug": "burning-man-weather-rain-and-muck-followed-by-sun-and-rave-2",
"title": "Burning Man Weather: Rain and Muck, Followed by Sun and Rave",
"publishDate": 1409088382,
"format": "standard",
"headTitle": "Burning Man Weather: Rain and Muck, Followed by Sun and Rave | KQED",
"labelTerm": {
"site": "news"
},
"content": "\u003cdiv>\n\u003cp>A Monday image from Burning Man webcam showing inundated playa at Black Rock City.\u003c/p>\n\u003c/div>\n\u003cp>The weather forecast for the rest of the week at Burning Man: perfect. T\u003ca target=\"_self\" href=\"http://forecast.weather.gov/MapClick.php?map.x=178&map.y=68&minlon=-123&maxlon=-115&minlat=37.19&maxlat=42.03&mapwidth=354&site=rev&zmx=1&zmy=1#.U_zB9Ly0-AQ\" rel=\"noopener\">he National Weather Service says\u003c/a> the weather will be clear and hot — temperatures in the mid-80s today ranging into the low- \u003ca href=\"http://ww2.kqed.org/news/2014/08/26/burning-man-weather-forecast/\" target=\"_self\" class=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source: \u003ca href=\"http://ww2.kqed.org/news/2014/08/26/burning-man-weather-forecast/\" target=\"_self\" title=\"Burning Man Weather: Rain and Muck, Followed by Sun and Rave\" rel=\"noopener\">News Fix Arts\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "\u003cdiv>\n\u003cp>A Monday image from Burning Man webcam showing inundated playa at Black Rock City.\u003c/p>\n\u003c/div>\n\u003cp>The weather forecast for the rest of the week at Burning Man: perfect. T\u003ca target=\"_self\" href=\"http://forecast.weather.gov/MapClick.php?map.x=178&map.y=68&minlon=-123&maxlon=-115&minlat=37.19&maxlat=42.03&mapwidth=354&site=rev&zmx=1&zmy=1#.U_zB9Ly0-AQ\" rel=\"noopener\">he National Weather Service says\u003c/a> the weather will be clear and hot — temperatures in the mid-80s today ranging into the low- \u003ca href=\"http://ww2.kqed.org/news/2014/08/26/burning-man-weather-forecast/\" target=\"_self\" class=\"rssmi_more\" rel=\"noopener\"> ...read more\u003c/a>",
"status": "publish",
"parent": 0,
"modified": 1726788479,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 5,
"wordCount": 59
},
"headData": {
"title": "Burning Man Weather: Rain and Muck, Followed by Sun and Rave | KQED",
"description": "\nA Monday image from Burning Man webcam showing inundated playa at Black Rock City.\n\nThe weather forecast for the rest of the week at Burning Man: perfect. The National Weather Service says the weather will be clear and hot — temperatures in the mid-80s today ranging into the low- ...read more",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Burning Man Weather: Rain and Muck, Followed by Sun and Rave",
"datePublished": "2014-08-26T14:26:22-07:00",
"dateModified": "2024-09-19T16:27:59-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"redirect": {
"type": "external",
"url": "http://ww2.kqed.org/news/2014/08/26/burning-man-weather-forecast/"
},
"rssmiSourceLink": "http://ww2.kqed.org/news/2014/08/26/burning-man-weather-forecast/",
"sticky": false,
"path": "/arts/10141175/burning-man-weather-rain-and-muck-followed-by-sun-and-rave-2",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cdiv>\n\u003cp>A Monday image from Burning Man webcam showing inundated playa at Black Rock City.\u003c/p>\n\u003c/div>\n\u003cp>The weather forecast for the rest of the week at Burning Man: perfect. T\u003ca target=\"_self\" href=\"http://forecast.weather.gov/MapClick.php?map.x=178&map.y=68&minlon=-123&maxlon=-115&minlat=37.19&maxlat=42.03&mapwidth=354&site=rev&zmx=1&zmy=1#.U_zB9Ly0-AQ\" rel=\"noopener\">he National Weather Service says\u003c/a> the weather will be clear and hot — temperatures in the mid-80s today ranging into the low- \u003ca href=\"http://ww2.kqed.org/news/2014/08/26/burning-man-weather-forecast/\" target=\"_self\" class=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source: \u003ca href=\"http://ww2.kqed.org/news/2014/08/26/burning-man-weather-forecast/\" target=\"_self\" title=\"Burning Man Weather: Rain and Muck, Followed by Sun and Rave\" rel=\"noopener\">News Fix Arts\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "http://ww2.kqed.org/news/2014/08/26/burning-man-weather-forecast/",
"authors": [
"92"
],
"categories": [
"arts_69",
"arts_235",
"arts_75",
"arts_70"
],
"featImg": "arts_10141176",
"label": "arts"
},
"arts_10141200": {
"type": "posts",
"id": "arts_10141200",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10141200",
"score": null,
"sort": [
1408986800000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1408986800,
"format": "standard",
"title": "Bells Atlas Get Back in the Highlife Again",
"headTitle": "Bells Atlas Get Back in the Highlife Again | KQED",
"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/bells-atlas/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Bells Atlas\u003c/h4>\n\u003cdiv class=\"event-desc\">Oakland’s own plays with Guy Fox and Brass Magic.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Aug. 29, 2014\u003c/h4>\n\u003cp>8:30pm\u003c/p>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Rickshaw Stop\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/bells-atlas/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Ever since Vampire Weekend’s debut, indie pop has opened the floodgates to an infusion of various forms of African music. In the Bay Area, tUnE-yArDs may be the highest-profile practitioner of this hybrid, but a less-jagged, more soulful approach comes via Oakland’s \u003ca href=\"http://www.bellsatlas.com/\" target=\"_blank\" rel=\"noopener\">Bells Atlas\u003c/a>. Combining the looping effects so expertly mastered by tUnE-yArDs’ Merrill Garbus with soulful vocals reminiscent of Meshell Ndegeocello, Bells Atlas frontwoman Sandra Lawson-Ndu soars atop a rhythmic stew of vibes, bass and guitar. Imagine if Cal Tjader and Ali Farka Touré sat in on a Dirty Projectors cover of a Ghanian highlife track, and you’re in the ballpark.\u003c/p>\n\u003cp>To see Bells Atlas live is to see creativity unfold in real time, and it helps that their songs are innately catchy. This week they’re at the Rickshaw Stop, but don’t miss them for free in Union Square on Sept. 17, and then, on Sept. 20, at the Great American Music Hall opening for—hey, look at that!—Meshell Ndegeocello.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 208,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 5
},
"modified": 1705048409,
"excerpt": "Oakland's own Bells Atlas plays the Rickshaw Stop.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Oakland's own Bells Atlas plays the Rickshaw Stop.",
"title": "Bells Atlas Get Back in the Highlife Again | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Bells Atlas Get Back in the Highlife Again",
"datePublished": "2014-08-25T10:13:20-07:00",
"dateModified": "2024-01-12T00:33:29-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "bells-atlas-get-back-in-the-highlife-again",
"status": "publish",
"sticky": false,
"path": "/arts/10141200/bells-atlas-get-back-in-the-highlife-again",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/bells-atlas/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Bells Atlas\u003c/h4>\n\u003cdiv class=\"event-desc\">Oakland’s own plays with Guy Fox and Brass Magic.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Aug. 29, 2014\u003c/h4>\n\u003cp>8:30pm\u003c/p>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Rickshaw Stop\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/bells-atlas/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Ever since Vampire Weekend’s debut, indie pop has opened the floodgates to an infusion of various forms of African music. In the Bay Area, tUnE-yArDs may be the highest-profile practitioner of this hybrid, but a less-jagged, more soulful approach comes via Oakland’s \u003ca href=\"http://www.bellsatlas.com/\" target=\"_blank\" rel=\"noopener\">Bells Atlas\u003c/a>. Combining the looping effects so expertly mastered by tUnE-yArDs’ Merrill Garbus with soulful vocals reminiscent of Meshell Ndegeocello, Bells Atlas frontwoman Sandra Lawson-Ndu soars atop a rhythmic stew of vibes, bass and guitar. Imagine if Cal Tjader and Ali Farka Touré sat in on a Dirty Projectors cover of a Ghanian highlife track, and you’re in the ballpark.\u003c/p>\n\u003cp>To see Bells Atlas live is to see creativity unfold in real time, and it helps that their songs are innately catchy. This week they’re at the Rickshaw Stop, but don’t miss them for free in Union Square on Sept. 17, and then, on Sept. 20, at the Great American Music Hall opening for—hey, look at that!—Meshell Ndegeocello.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10141200/bells-atlas-get-back-in-the-highlife-again",
"authors": [
"185"
],
"categories": [
"arts_69"
],
"featImg": "arts_10141205",
"label": "arts"
},
"arts_10141218": {
"type": "posts",
"id": "arts_10141218",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10141218",
"score": null,
"sort": [
1408813910000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1408813910,
"format": "standard",
"title": "No Ho-Hum Reunion for Boston's Bold Missionaries",
"headTitle": "No Ho-Hum Reunion for Boston’s Bold Missionaries | KQED",
"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/mission-of-burma/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Mission of Burma\u003c/h4>\n\u003cdiv class=\"event-desc\">Reunited band brings the goods.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Aug. 29, 2014\u003c/h4>\n\u003cp>8:30pm\u003c/p>\n\u003c/div>\n\u003cdiv class=\"event-venue\">The Independent\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/mission-of-burma/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Any band that names their first two releases \u003cem>Academy Fight Song\u003c/em> and \u003cem>Signals, Calls and Marches\u003c/em> is clearly out to make a statement, and in the case of Mission of Burma, that statement was made rather loudly. So loudly, in fact, that just two years after their debut, guitarist Roger Miller developed tinnitus, left the band, and that was that. Mission of Burma was no more.\u003c/p>\n\u003cp>Or so it seemed. After being hailed by key figures in grunge as an influence, and a high-profile reissue campaign, the groundbreaking post-punk Boston band reunited—this time, with a plexiglass sound barrier around the drums to protect Miller’s ears. The result, since 2002, has been one of the most fruitful band reunions amidst the glut of cash-in, go-through-the-motions, greatest-hits reunions as of late. Mission of Burma took the novel step of actually writing, recording and releasing new music, which bears the band’s influences of free jazz and 20th-century classical infusing their trademark \u003cem>strum und bang\u003c/em>.\u003c/p>\n\u003cp>If you’ve ever suffered through a rote, dull reunion by a band that clearly isn’t into it, you know the pain of watching old heroes fade away. Since their hiatus, Mission of Burma have kept a vibrant spirit, one that’s still loud, and still inspirational.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 248,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705048413,
"excerpt": "Reunited Boston band plays the Independent.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Reunited Boston band plays the Independent.",
"title": "No Ho-Hum Reunion for Boston's Bold Missionaries | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "No Ho-Hum Reunion for Boston's Bold Missionaries",
"datePublished": "2014-08-23T10:11:50-07:00",
"dateModified": "2024-01-12T00:33:33-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "no-ho-hum-reunion-for-bostons-bold-missionaries",
"status": "publish",
"sticky": false,
"path": "/arts/10141218/no-ho-hum-reunion-for-bostons-bold-missionaries",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/mission-of-burma/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Mission of Burma\u003c/h4>\n\u003cdiv class=\"event-desc\">Reunited band brings the goods.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Aug. 29, 2014\u003c/h4>\n\u003cp>8:30pm\u003c/p>\n\u003c/div>\n\u003cdiv class=\"event-venue\">The Independent\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/mission-of-burma/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Any band that names their first two releases \u003cem>Academy Fight Song\u003c/em> and \u003cem>Signals, Calls and Marches\u003c/em> is clearly out to make a statement, and in the case of Mission of Burma, that statement was made rather loudly. So loudly, in fact, that just two years after their debut, guitarist Roger Miller developed tinnitus, left the band, and that was that. Mission of Burma was no more.\u003c/p>\n\u003cp>Or so it seemed. After being hailed by key figures in grunge as an influence, and a high-profile reissue campaign, the groundbreaking post-punk Boston band reunited—this time, with a plexiglass sound barrier around the drums to protect Miller’s ears. The result, since 2002, has been one of the most fruitful band reunions amidst the glut of cash-in, go-through-the-motions, greatest-hits reunions as of late. Mission of Burma took the novel step of actually writing, recording and releasing new music, which bears the band’s influences of free jazz and 20th-century classical infusing their trademark \u003cem>strum und bang\u003c/em>.\u003c/p>\n\u003cp>If you’ve ever suffered through a rote, dull reunion by a band that clearly isn’t into it, you know the pain of watching old heroes fade away. Since their hiatus, Mission of Burma have kept a vibrant spirit, one that’s still loud, and still inspirational.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10141218/no-ho-hum-reunion-for-bostons-bold-missionaries",
"authors": [
"185"
],
"categories": [
"arts_69"
],
"featImg": "arts_10141219",
"label": "arts"
},
"pop_13228": {
"type": "posts",
"id": "pop_13228",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "13228",
"score": null,
"sort": [
1408713050000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1408713050,
"format": "aside",
"disqusTitle": "Ferguson Inspires Protest Music by J. Cole and Lauryn Hill",
"title": "Ferguson Inspires Protest Music by J. Cole and Lauryn Hill",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cfigure id=\"attachment_13233\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13233\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Abernathy_Children_on_front_line_leading_the_SELMA_TO_MONTGOMERY_MARCH_for_the_RIGHT_TO_VOTE-1024x694.jpg\" alt=\"Photo: Wiki Commons\" width=\"640\" height=\"434\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://commons.wikimedia.org/wiki/File:Abernathy_Children_on_front_line_leading_the_SELMA_TO_MONTGOMERY_MARCH_for_the_RIGHT_TO_VOTE.JPG\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Music is a multi-purpose tool. It can help you \u003ca href=\"http://blogs.kqed.org/pop/2013/02/01/heartbreak-kqed-pop-forum-help-you-through-breakups/\">get over a breakup\u003c/a> or resuscitate happy childhood memories or even neurologically \u003ca href=\"http://youtu.be/Fw7Y78aqf_I\">bring you out of an Alzheimer's-induced haze\u003c/a>. There's something about listening to music, singing along to it and creating it that is primal, a full body experience; the senses wake up, hearts are laid out, we feel alive.\u003c/p>\n\u003cp>During particularly trying times throughout history, this musical power has been harnessed in the form of protest songs that express pain, foster a sense of unity, allow the space to process, and hold up the promise of a better tomorrow. Spirituals like \"\u003ca href=\"http://youtu.be/2NDwW8onaoA\">Sometimes I Feel Like a Motherless Child\u003c/a>\" and \"\u003ca href=\"http://youtu.be/SP5EfwBWgg0\">Go Down, Moses\u003c/a>\" gave voice to the oppression of 19th century slave life. Billie Holiday's \"\u003ca href=\"http://youtu.be/h4ZyuULy9zs\">Strange Fruit\u003c/a>\" pushed back against lynching in the 1930s. And the civil rights movement of the 1960s brought out songs about terrible injustice (Bob Dylan's \"\u003ca href=\"http://www.dailymotion.com/video/xpo27l_bob-dylan-the-lonesome-death-of-hattie-carroll_music\">The Lonesome Death of Hattie Carroll\u003c/a>\") and the hope that it would end (\"\u003ca href=\"http://youtu.be/2b24Ewk934g\">We Shall Overcome\u003c/a>\" and Sam Cooke's \"\u003ca href=\"http://youtu.be/gbO2_077ixs\">A Change Is Gonna Come\u003c/a>\").\u003c/p>\n\u003cp>The events in Ferguson over the past few weeks have reminded us of the ugly reality of our country: we have made progress, but we still have a long way to go and plenty left to sing about. Inspired by Michael Brown's murder and the aftermath, J. Cole and Lauryn Hill are separately continuing the tradition of protest music.\u003c/p>\n\u003cp>\u003ciframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/163235131&color=0066cc&auto_play=false&hide_related=true&show_comments=false&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\">\u003c/iframe>\u003c/p>\n\u003cp>In \"Be Free,\" Cole pairs goosebump-inducing lines like \"All we wanna do is take the chains off / All we wanna do is be free\" and \"...\u003cspan style=\"color: #000000\">ain't no gun they can make that could kill my soul\" with witness testimony from Michael Brown's friend. Warning: this will make you cry.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/164022059&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\">\u003c/iframe>\u003c/p>\n\u003cp>Set to the tune of \u003cem>The Sound of Music\u003c/em>'s \"My Favorite Things,\" Lauryn Hill's \"Black Rage\" isn't directly about Michael Brown (she's been performing it since 2012), but she dedicated the song to his memory this week because in a way it is about Michael in that it spells out all the foundational racism that led to his murder being possible.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Martin Luther King famously reassured a nation, \"The arc of the moral universe is long, but it bends towards justice.\" We will get there someday. Until then, it's important to have songs like these for the long road ahead.\u003c/p>\n\n",
"disqusIdentifier": "13228 http://blogs.kqed.org/pop/?p=13228",
"disqusUrl": "https://ww2.kqed.org/pop/2014/08/22/ferguson-inspires-protest-music-by-j-cole-and-lauryn-hill-michael-brown/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": true,
"hasPolis": false,
"wordCount": 412,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1408691741,
"excerpt": "In the wake of Ferguson, J. Cole and Lauryn Hill join a long tradition of using music to process injustice.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "In the wake of Ferguson, J. Cole and Lauryn Hill join a long tradition of using music to process injustice.",
"title": "Ferguson Inspires Protest Music by J. Cole and Lauryn Hill | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Ferguson Inspires Protest Music by J. Cole and Lauryn Hill",
"datePublished": "2014-08-22T06:10:50-07:00",
"dateModified": "2014-08-22T00:15:41-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "ferguson-inspires-protest-music-by-j-cole-and-lauryn-hill-michael-brown",
"status": "publish",
"path": "/pop/13228/ferguson-inspires-protest-music-by-j-cole-and-lauryn-hill-michael-brown",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13233\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13233\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Abernathy_Children_on_front_line_leading_the_SELMA_TO_MONTGOMERY_MARCH_for_the_RIGHT_TO_VOTE-1024x694.jpg\" alt=\"Photo: Wiki Commons\" width=\"640\" height=\"434\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://commons.wikimedia.org/wiki/File:Abernathy_Children_on_front_line_leading_the_SELMA_TO_MONTGOMERY_MARCH_for_the_RIGHT_TO_VOTE.JPG\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Music is a multi-purpose tool. It can help you \u003ca href=\"http://blogs.kqed.org/pop/2013/02/01/heartbreak-kqed-pop-forum-help-you-through-breakups/\">get over a breakup\u003c/a> or resuscitate happy childhood memories or even neurologically \u003ca href=\"http://youtu.be/Fw7Y78aqf_I\">bring you out of an Alzheimer's-induced haze\u003c/a>. There's something about listening to music, singing along to it and creating it that is primal, a full body experience; the senses wake up, hearts are laid out, we feel alive.\u003c/p>\n\u003cp>During particularly trying times throughout history, this musical power has been harnessed in the form of protest songs that express pain, foster a sense of unity, allow the space to process, and hold up the promise of a better tomorrow. Spirituals like \"\u003ca href=\"http://youtu.be/2NDwW8onaoA\">Sometimes I Feel Like a Motherless Child\u003c/a>\" and \"\u003ca href=\"http://youtu.be/SP5EfwBWgg0\">Go Down, Moses\u003c/a>\" gave voice to the oppression of 19th century slave life. Billie Holiday's \"\u003ca href=\"http://youtu.be/h4ZyuULy9zs\">Strange Fruit\u003c/a>\" pushed back against lynching in the 1930s. And the civil rights movement of the 1960s brought out songs about terrible injustice (Bob Dylan's \"\u003ca href=\"http://www.dailymotion.com/video/xpo27l_bob-dylan-the-lonesome-death-of-hattie-carroll_music\">The Lonesome Death of Hattie Carroll\u003c/a>\") and the hope that it would end (\"\u003ca href=\"http://youtu.be/2b24Ewk934g\">We Shall Overcome\u003c/a>\" and Sam Cooke's \"\u003ca href=\"http://youtu.be/gbO2_077ixs\">A Change Is Gonna Come\u003c/a>\").\u003c/p>\n\u003cp>The events in Ferguson over the past few weeks have reminded us of the ugly reality of our country: we have made progress, but we still have a long way to go and plenty left to sing about. Inspired by Michael Brown's murder and the aftermath, J. Cole and Lauryn Hill are separately continuing the tradition of protest music.\u003c/p>\n\u003cp>\u003ciframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/163235131&color=0066cc&auto_play=false&hide_related=true&show_comments=false&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\">\u003c/iframe>\u003c/p>\n\u003cp>In \"Be Free,\" Cole pairs goosebump-inducing lines like \"All we wanna do is take the chains off / All we wanna do is be free\" and \"...\u003cspan style=\"color: #000000\">ain't no gun they can make that could kill my soul\" with witness testimony from Michael Brown's friend. Warning: this will make you cry.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/164022059&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\">\u003c/iframe>\u003c/p>\n\u003cp>Set to the tune of \u003cem>The Sound of Music\u003c/em>'s \"My Favorite Things,\" Lauryn Hill's \"Black Rage\" isn't directly about Michael Brown (she's been performing it since 2012), but she dedicated the song to his memory this week because in a way it is about Michael in that it spells out all the foundational racism that led to his murder being possible.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Martin Luther King famously reassured a nation, \"The arc of the moral universe is long, but it bends towards justice.\" We will get there someday. Until then, it's important to have songs like these for the long road ahead.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/13228/ferguson-inspires-protest-music-by-j-cole-and-lauryn-hill-michael-brown",
"authors": [
"27"
],
"categories": [
"pop_4"
],
"tags": [
"pop_1665",
"pop_1664",
"pop_25",
"pop_1666",
"pop_406"
],
"featImg": "pop_13232",
"label": "pop"
},
"arts_10140964": {
"type": "posts",
"id": "arts_10140964",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10140964",
"score": null,
"sort": [
1408654209000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1408654209,
"format": "audio",
"title": "Zoo Labs, a Musician’s Incubator in West Oakland",
"headTitle": "Zoo Labs, a Musician’s Incubator in West Oakland | KQED",
"content": "\u003caside class=\"aligncenter\">\n\u003ch4>Listen to Cy Musiker’s piece on the West Oakland recording studio Zoo Labs:\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/RDnews/2014/08/MusikerZooLabsFeature.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>The pop music industry may not be dead, but it’s in serious disarray. There’s are plenty of musicians writing and performing songs, but they almost have to give away their music, and clubs don’t pay very well. So how do they make a living if they’re not named Beyoncé or Paul McCartney?\u003c/p>\n\u003cp>Zoo Labs may have an answer. It’s a music studio in West Oakland, a kind of band incubator, offering two week all-expenses paid workshops where musicians can learn the same skills as those wielded by a Silicon Valley entrepreneur. \u003c/p>\n\u003cp>“Musicians are start-ups also,” Anna Acquistapace said recently. She co-founded the Zoo Labs residency program with an old business school friend Vinitha Watson. \u003c/p>\n\u003cp>“There’s just a fundamental place that music plays in people’s lives,” says Watson. “But the plight of the musician not being able to pay their rent, or support their families or their art was really confounding to me.”\u003c/p>\n\u003cfigure id=\"attachment_10140969\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas.jpg\" alt=\"Doug Stuart, Derek Barber, Geneva Harrison, Sandra Lawson Ndu of Bells Atlas (Courtesy of Zoo Labs)\" width=\"800\" height=\"652\" class=\"size-full wp-image-10140969\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas-400x326.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas-300x244.jpg 300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Doug Stuart, Derek Barber, Geneva Harrison, Sandra Lawson Ndu of Bells Atlas (Courtesy of Zoo Labs)\u003c/figcaption>\u003c/figure>\n\u003cp>So starting in January of this year, Acquistapace and Watson began recruiting bands for the residency program, bands with what Acquistapace called “hustle and resource magnetism, that can be innovative in their approach to their music.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The most recent beneficiaries have been two Oakland groups: Afropop innovators \u003ca href=\"http://www.bellsatlas.com/\" target=\"_blank\" rel=\"noopener\">Bells Atlas\u003c/a> and hip-hop futurists \u003ca href=\"http://boskolive.com/tag/electrospit/\" target=\"_blank\" rel=\"noopener\">Electrospit.\u003c/a>\u003c/p>\n\u003cp>“A lot of times we focus so much on the music, the business aspect of things feels like work, says Bells Atlas bassist and co-founder Doug Stuart. “And these workshops have been really refreshing, because its offered us ways of coming at this business in a creative way.” \u003c/p>\n\u003cp>I talked to Stuart and his band mates at nine in the morning on day four of the residency. Percussionist Geneva Harrison was still in her bedroll, finishing a bowl of cereal. During the residency, the band members bunk and eat in a mini-suites next to a full kitchen, staffed by a chef hired to feed the musicians. Harrison said the workshops are forcing band members to ask and answer hard questions like “What is the dream? And what is it you’re trying to build around that?” \u003c/p>\n\u003cp>And how do you deal with marketing issues many artists wish they could ignore, “Like how do you brand yourself,” Harrison said. “I’m turning this thing that I love into a product and that’s so in-genuine and weird.”\u003c/p>\n\u003cp>Not that Harrison and Bells Atlas singer Sandra Lawson Ndu don’t want everyone to be downloading their songs off iTunes. \u003c/p>\n\u003cp>“This is more like using our imagination and putting it out there,” Ndu said. “And that’s what it means to brand in a more beautiful way.”\u003c/p>\n\u003cp>Bells Atlas learned more about branding and generating revenue from about two dozen presenters during the residency. On day four, they gathered in a Zoo Labs meeting room for a seminar with design consultant Sven Newman of the firm Daylight. He suggested the band members keep Post-its or some other note-taking tool to track audience preferences for everything from songs to instrumentation.\u003c/p>\n\u003cp>“That is where design thinking is being like an anthropologist, or a therapist.” Newman offered, while marking up a whiteboard. “So you’re really trying to get to the whys. Why aren’t people coming to our shows, or why do they just love that song?”\u003c/p>\n\u003cfigure id=\"attachment_10140971\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs.jpg\" alt=\"Bosko Kante at Zoo Labs (courtesy of Zoo Labs)\" width=\"800\" height=\"1200\" class=\"size-full wp-image-10140971\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs-400x600.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs-200x300.jpg 200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bosko Kante at Zoo Labs (courtesy of Zoo Labs)\u003c/figcaption>\u003c/figure>\n\u003cp>There were other seminars: how to make a viral video and how to improve team (band) dynamics. And the bands get hours and hours of a precious resource, time in the studio to record new songs. Zoo Labs, a non-profit founded by Watson’s husband, is a working studio, with gorgeous new digital and analog equipment.\u003c/p>\n\u003cp>I came back at 10:30 the same night to visit with members of Electrospit, the other band in this Zoo Labs session, as they worked on a new song. (I’ll explain the name in a minute.) \u003c/p>\n\u003cp>Bosko Kante founded this brand new ensemble. He’s a musician who’s worked with Big Boi and Kanye West, but he said he’d sought the Zoo Labs residency to learn how to make his own music, and still make a decent living. \u003c/p>\n\u003cp>“Being able to do all the things necessary for a release,” said Kante. “The social media, the marketing, the visuals, the video.”\u003c/p>\n\u003cp>Kante’s instrument is the Talk Box — a little known device that’s been around for decades that consists of a plastic tube that connects to the player’s mouth and to a midi keyboard. Kante plays the keyboard and uses his mouth, but not his larynx, to shape the notes into words, and that wet-ware meets hard-ware device gave the band its name.\u003c/p>\n\u003cp>Electrospit DJ and producer Pete Miser says the residency allowed the band to work on a business plan for the talk-box itself, making it more portable for starters. \u003c/p>\n\u003cp>“And now we’re having discussions about downloadable voice profiles, and giving voice lifts to people who have lost their larynx,” said Miser. “It’s that Bay Area start up optimism is making us realize… that so many things are possible.”\u003c/p>\n\u003cp>The Electrospit and Bells Atlas residency was just the third for Zoo Labs, so it’s not clear yet how well it’s working to create what Vinitha Watson calls her utopia: “a middle class of musicians.”\u003c/p>\n\u003cp>Bells Atlas plays a show at the Rickshaw Stop on Aug. 29.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Another pair of bands, one from Los Angeles and one from Connecticut, move into Zoo Labs in September. \u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": true,
"hasPolis": false,
"wordCount": 1035,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 25
},
"modified": 1705048427,
"excerpt": "In a world where pop music is in serious disarray, how do musicians make a living? Oakland's Zoo Labs might have the answer.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "In a world where pop music is in serious disarray, how do musicians make a living? Oakland's Zoo Labs might have the answer.",
"title": "Zoo Labs, a Musician’s Incubator in West Oakland | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Zoo Labs, a Musician’s Incubator in West Oakland",
"datePublished": "2014-08-21T13:50:09-07:00",
"dateModified": "2024-01-12T00:33:47-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "zoo-labs-a-musicians-incubator-in-west-oakland",
"status": "publish",
"sticky": false,
"path": "/arts/10140964/zoo-labs-a-musicians-incubator-in-west-oakland",
"audioUrl": "http://www.kqed.org/.stream/anon/radio/RDnews/2014/08/MusikerZooLabsFeature.mp3",
"audioDuration": null,
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>Listen to Cy Musiker’s piece on the West Oakland recording studio Zoo Labs:\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/RDnews/2014/08/MusikerZooLabsFeature.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>The pop music industry may not be dead, but it’s in serious disarray. There’s are plenty of musicians writing and performing songs, but they almost have to give away their music, and clubs don’t pay very well. So how do they make a living if they’re not named Beyoncé or Paul McCartney?\u003c/p>\n\u003cp>Zoo Labs may have an answer. It’s a music studio in West Oakland, a kind of band incubator, offering two week all-expenses paid workshops where musicians can learn the same skills as those wielded by a Silicon Valley entrepreneur. \u003c/p>\n\u003cp>“Musicians are start-ups also,” Anna Acquistapace said recently. She co-founded the Zoo Labs residency program with an old business school friend Vinitha Watson. \u003c/p>\n\u003cp>“There’s just a fundamental place that music plays in people’s lives,” says Watson. “But the plight of the musician not being able to pay their rent, or support their families or their art was really confounding to me.”\u003c/p>\n\u003cfigure id=\"attachment_10140969\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas.jpg\" alt=\"Doug Stuart, Derek Barber, Geneva Harrison, Sandra Lawson Ndu of Bells Atlas (Courtesy of Zoo Labs)\" width=\"800\" height=\"652\" class=\"size-full wp-image-10140969\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas-400x326.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas-300x244.jpg 300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Doug Stuart, Derek Barber, Geneva Harrison, Sandra Lawson Ndu of Bells Atlas (Courtesy of Zoo Labs)\u003c/figcaption>\u003c/figure>\n\u003cp>So starting in January of this year, Acquistapace and Watson began recruiting bands for the residency program, bands with what Acquistapace called “hustle and resource magnetism, that can be innovative in their approach to their music.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The most recent beneficiaries have been two Oakland groups: Afropop innovators \u003ca href=\"http://www.bellsatlas.com/\" target=\"_blank\" rel=\"noopener\">Bells Atlas\u003c/a> and hip-hop futurists \u003ca href=\"http://boskolive.com/tag/electrospit/\" target=\"_blank\" rel=\"noopener\">Electrospit.\u003c/a>\u003c/p>\n\u003cp>“A lot of times we focus so much on the music, the business aspect of things feels like work, says Bells Atlas bassist and co-founder Doug Stuart. “And these workshops have been really refreshing, because its offered us ways of coming at this business in a creative way.” \u003c/p>\n\u003cp>I talked to Stuart and his band mates at nine in the morning on day four of the residency. Percussionist Geneva Harrison was still in her bedroll, finishing a bowl of cereal. During the residency, the band members bunk and eat in a mini-suites next to a full kitchen, staffed by a chef hired to feed the musicians. Harrison said the workshops are forcing band members to ask and answer hard questions like “What is the dream? And what is it you’re trying to build around that?” \u003c/p>\n\u003cp>And how do you deal with marketing issues many artists wish they could ignore, “Like how do you brand yourself,” Harrison said. “I’m turning this thing that I love into a product and that’s so in-genuine and weird.”\u003c/p>\n\u003cp>Not that Harrison and Bells Atlas singer Sandra Lawson Ndu don’t want everyone to be downloading their songs off iTunes. \u003c/p>\n\u003cp>“This is more like using our imagination and putting it out there,” Ndu said. “And that’s what it means to brand in a more beautiful way.”\u003c/p>\n\u003cp>Bells Atlas learned more about branding and generating revenue from about two dozen presenters during the residency. On day four, they gathered in a Zoo Labs meeting room for a seminar with design consultant Sven Newman of the firm Daylight. He suggested the band members keep Post-its or some other note-taking tool to track audience preferences for everything from songs to instrumentation.\u003c/p>\n\u003cp>“That is where design thinking is being like an anthropologist, or a therapist.” Newman offered, while marking up a whiteboard. “So you’re really trying to get to the whys. Why aren’t people coming to our shows, or why do they just love that song?”\u003c/p>\n\u003cfigure id=\"attachment_10140971\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs.jpg\" alt=\"Bosko Kante at Zoo Labs (courtesy of Zoo Labs)\" width=\"800\" height=\"1200\" class=\"size-full wp-image-10140971\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs-400x600.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs-200x300.jpg 200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bosko Kante at Zoo Labs (courtesy of Zoo Labs)\u003c/figcaption>\u003c/figure>\n\u003cp>There were other seminars: how to make a viral video and how to improve team (band) dynamics. And the bands get hours and hours of a precious resource, time in the studio to record new songs. Zoo Labs, a non-profit founded by Watson’s husband, is a working studio, with gorgeous new digital and analog equipment.\u003c/p>\n\u003cp>I came back at 10:30 the same night to visit with members of Electrospit, the other band in this Zoo Labs session, as they worked on a new song. (I’ll explain the name in a minute.) \u003c/p>\n\u003cp>Bosko Kante founded this brand new ensemble. He’s a musician who’s worked with Big Boi and Kanye West, but he said he’d sought the Zoo Labs residency to learn how to make his own music, and still make a decent living. \u003c/p>\n\u003cp>“Being able to do all the things necessary for a release,” said Kante. “The social media, the marketing, the visuals, the video.”\u003c/p>\n\u003cp>Kante’s instrument is the Talk Box — a little known device that’s been around for decades that consists of a plastic tube that connects to the player’s mouth and to a midi keyboard. Kante plays the keyboard and uses his mouth, but not his larynx, to shape the notes into words, and that wet-ware meets hard-ware device gave the band its name.\u003c/p>\n\u003cp>Electrospit DJ and producer Pete Miser says the residency allowed the band to work on a business plan for the talk-box itself, making it more portable for starters. \u003c/p>\n\u003cp>“And now we’re having discussions about downloadable voice profiles, and giving voice lifts to people who have lost their larynx,” said Miser. “It’s that Bay Area start up optimism is making us realize… that so many things are possible.”\u003c/p>\n\u003cp>The Electrospit and Bells Atlas residency was just the third for Zoo Labs, so it’s not clear yet how well it’s working to create what Vinitha Watson calls her utopia: “a middle class of musicians.”\u003c/p>\n\u003cp>Bells Atlas plays a show at the Rickshaw Stop on Aug. 29.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Another pair of bands, one from Los Angeles and one from Connecticut, move into Zoo Labs in September. \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10140964/zoo-labs-a-musicians-incubator-in-west-oakland",
"authors": [
"32"
],
"categories": [
"arts_69"
],
"featImg": "arts_10140965",
"label": "arts"
},
"arts_10140797": {
"type": "posts",
"id": "arts_10140797",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10140797",
"score": null,
"sort": [
1408564855000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 146
},
"blocks": [],
"publishDate": 1408564855,
"format": "audio",
"title": "The Best Instrumental Songs",
"headTitle": "The Best Instrumental Songs | KQED",
"content": "\u003caside class=\"aligncenter\">\n\u003ch4>Listen to the Noise Pop Podcast’s mix of the best instrumental songs in rock, pop and electronic:\u003c/h4>\n\u003cp>http://traffic.libsyn.com/noisepop/Instrumental_1.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>Who needs lyrics? There are so many great songs that kill the vocals and let the rest of the band do the talking. This episode celebrates some of the best instrumental songs in rock, pop, and electronic music. The one rule we applied to this is that the artist has to historically be a vocal-fronted band (i.e. no Dick Dale, Explosions in The Sky, Budos Band, etc…). So, enjoy! We’ll leave you with the immortal lyrics of a saccharine late ’80s country hit “…you say it best, when you say nothing at all.”\n\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">Track Listing:\u003c/span>\u003c/p>\n\u003col>\n\u003cli>“Yoga Means Union” – Ambulance LTD, \u003ci>Ambulance LTD\u003c/i>\u003c/li>\n\u003cli>“I Am Citizen Insane” – Radiohead, \u003ci>COM LAG (2plus2isfive)\u003c/i>\u003c/li>\n\u003cli>“The Commercial” – Wire, \u003ci>Pink Flag\u003c/i>\u003c/li>\n\u003cli>“Det Du Tänker Idag Är Du Imorn” – Dungen, \u003ci>Ta Det Lungt\u003c/i>\u003c/li>\n\u003cli>“Theme For A Pretty Girl That Makes You Believe God Exists” – Eels, \u003ci>Blinking Lights and Other Revelations\u003c/i>\u003c/li>\n\u003cli>“Swarfiga” – Kasabian, \u003ci>Ryder Pauper Lunatic Asylum\u003c/i>\u003c/li>\n\u003cli>“45:33” – LCD Soundsystem, \u003ci>45:33\u003c/i>\u003c/li>\n\u003cli>“Everyone’s A VIP To Someone” – The Go! Team, \u003ci>Thunder, Lightning, Strike\u003c/i>\u003c/li>\n\u003cli>“Bron Yr Aur” – Led Zeppelin, \u003ci>Physical Graffiti\u003c/i>\u003c/li>\n\u003cli>“Year of the Dragon” – Sufjan Stevens (Arranged by Nico Muhly), \u003ci>Run Rabbit Run\u003c/i>\u003c/li>\n\u003cli>“Cecilia Ann” – Pixies, \u003ci>Bossanova\u003c/i>\u003c/li>\n\u003c/ol>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 265,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 4
},
"modified": 1705048434,
"excerpt": "Who needs lyrics? There are so many great songs that kill the vocals and let the rest of the band do the talking.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Who needs lyrics? There are so many great songs that kill the vocals and let the rest of the band do the talking.",
"title": "The Best Instrumental Songs | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Best Instrumental Songs",
"datePublished": "2014-08-20T13:00:55-07:00",
"dateModified": "2024-01-12T00:33:54-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the-best-instrumental-songs",
"status": "publish",
"sticky": false,
"path": "/arts/10140797/the-best-instrumental-songs",
"audioUrl": "http://traffic.libsyn.com/noisepop/Instrumental_1.mp3",
"audioDuration": null,
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>Listen to the Noise Pop Podcast’s mix of the best instrumental songs in rock, pop and electronic:\u003c/h4>\n\u003cp>http://traffic.libsyn.com/noisepop/Instrumental_1.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>Who needs lyrics? There are so many great songs that kill the vocals and let the rest of the band do the talking. This episode celebrates some of the best instrumental songs in rock, pop, and electronic music. The one rule we applied to this is that the artist has to historically be a vocal-fronted band (i.e. no Dick Dale, Explosions in The Sky, Budos Band, etc…). So, enjoy! We’ll leave you with the immortal lyrics of a saccharine late ’80s country hit “…you say it best, when you say nothing at all.”\n\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">Track Listing:\u003c/span>\u003c/p>\n\u003col>\n\u003cli>“Yoga Means Union” – Ambulance LTD, \u003ci>Ambulance LTD\u003c/i>\u003c/li>\n\u003cli>“I Am Citizen Insane” – Radiohead, \u003ci>COM LAG (2plus2isfive)\u003c/i>\u003c/li>\n\u003cli>“The Commercial” – Wire, \u003ci>Pink Flag\u003c/i>\u003c/li>\n\u003cli>“Det Du Tänker Idag Är Du Imorn” – Dungen, \u003ci>Ta Det Lungt\u003c/i>\u003c/li>\n\u003cli>“Theme For A Pretty Girl That Makes You Believe God Exists” – Eels, \u003ci>Blinking Lights and Other Revelations\u003c/i>\u003c/li>\n\u003cli>“Swarfiga” – Kasabian, \u003ci>Ryder Pauper Lunatic Asylum\u003c/i>\u003c/li>\n\u003cli>“45:33” – LCD Soundsystem, \u003ci>45:33\u003c/i>\u003c/li>\n\u003cli>“Everyone’s A VIP To Someone” – The Go! Team, \u003ci>Thunder, Lightning, Strike\u003c/i>\u003c/li>\n\u003cli>“Bron Yr Aur” – Led Zeppelin, \u003ci>Physical Graffiti\u003c/i>\u003c/li>\n\u003cli>“Year of the Dragon” – Sufjan Stevens (Arranged by Nico Muhly), \u003ci>Run Rabbit Run\u003c/i>\u003c/li>\n\u003cli>“Cecilia Ann” – Pixies, \u003ci>Bossanova\u003c/i>\u003c/li>\n\u003c/ol>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10140797/the-best-instrumental-songs",
"authors": [
"177"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_146"
],
"featImg": "arts_10140798",
"label": "arts_146"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=music": {
"isFetching": false,
"latestQuery": {
"from": 4224,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 4897,
"relation": "eq"
},
"items": [
"pop_13308",
"arts_10141093",
"pop_13179",
"pop_13179",
"arts_10141155",
"arts_10141175",
"arts_10141200",
"arts_10141218",
"pop_13228",
"pop_13228",
"arts_10140964",
"arts_10140797"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_music": {
"isLoading": true
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"pop_4": {
"type": "terms",
"id": "pop_4",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "4",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4,
"slug": "music",
"isLoading": false,
"link": "/pop/category/music"
},
"pop_376": {
"type": "terms",
"id": "pop_376",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "376",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Grimes",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Grimes Archives | KQED Arts",
"ogDescription": null
},
"ttid": 376,
"slug": "grimes",
"isLoading": false,
"link": "/pop/tag/grimes"
},
"pop_25": {
"type": "terms",
"id": "pop_25",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "25",
"found": true
},
"relationships": {},
"featImg": null,
"name": "music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 25,
"slug": "music-2",
"isLoading": false,
"link": "/pop/tag/music-2"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"pop_1665": {
"type": "terms",
"id": "pop_1665",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "1665",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Ferguson",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Ferguson Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1670,
"slug": "ferguson",
"isLoading": false,
"link": "/pop/tag/ferguson"
},
"pop_1664": {
"type": "terms",
"id": "pop_1664",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "1664",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Michael Brown",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Michael Brown Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1669,
"slug": "michael-brown",
"isLoading": false,
"link": "/pop/tag/michael-brown"
},
"pop_1666": {
"type": "terms",
"id": "pop_1666",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "1666",
"found": true
},
"relationships": {},
"featImg": null,
"name": "protest",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "protest Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1671,
"slug": "protest",
"isLoading": false,
"link": "/pop/tag/protest"
},
"pop_406": {
"type": "terms",
"id": "pop_406",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "406",
"found": true
},
"relationships": {},
"featImg": null,
"name": "racism",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "racism Archives | KQED Arts",
"ogDescription": null
},
"ttid": 406,
"slug": "racism",
"isLoading": false,
"link": "/pop/tag/racism"
},
"arts_146": {
"type": "terms",
"id": "arts_146",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "146",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/masthead-noisepop1.png",
"name": "Noise Pop",
"description": "The Noise Pop Podcast is a bi-monthly series showcasing noteworthy new releases from the independent and underground music scene, produced by Noise Pop: San Francisco’s favorite indie music, arts and film festival. KQED Arts has discontinued distributing the podcast, but you can find it \u003ca href=\"http://www.noisepop.com/podcast/\" target=\"_blank\">on their website\u003c/a>. ",
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "The Noise Pop Podcast is a bi-monthly series showcasing noteworthy new releases from the independent and underground music scene, produced by Noise Pop: San Francisco’s favorite indie music, arts and film festival. KQED Arts has discontinued distributing the podcast, but you can find it on their website.",
"title": "Noise Pop Archives | KQED Arts",
"ogDescription": null
},
"ttid": 147,
"slug": "noise-pop",
"isLoading": false,
"link": "/arts/affiliate/noise-pop"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}
