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"excerpt": "The Mitla Cafe in San Bernardino is proof that sometimes a restaurant is more than just a restaurant. Since the '30s, it's borne witness to and played a role in political change. It also happens to be an unlikely inspiration for how mainstream America sees and eats Mexican food. We \u003ca href=\"http://www.californiareport.org/archive/R201409121630?pid=RD8\" target=\"_self\" class=\"rssmi_more\" rel=\"noopener\"> ...read more\u003c/a>",
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"content": "\u003cp>\n\t\u003ci>By: Andrew Gilbert\u003c/i>\u003c/p>\n\u003cp>\n\tAs an artist rooted in jazz, pianist and arranger Billy Childs knows that the best way to honor another musician is not to try to recreate their sound. On his new concept album exploring the music of Laura Nyro, he takes a deeply personal journey on which many \u003ca href=\"http://www.californiareport.org/archive/R201409121630/d\" target=\"_self\" class=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source: \u003ca href=\"http://www.californiareport.org/archive/R201409121630/d\" target=\"_self\" title=\"Jazz Review: Billy Childs' 'Map to the Treasure: Reimagining Laura Nyro'\" rel=\"noopener\">TCR Music\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/eliza-gilkyson/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Eliza Gilkyson with Nina Gerber\u003c/h4>\n\u003cdiv class=\"event-desc\">Affecting Texas folk singer with in-demand accompanist.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Sept. 13, 2014\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Freight & Salvage\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/eliza-gilkyson/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>There’s a famous anecdote about the three-note guitar riff to “\u003ca href=\"https://www.youtube.com/watch?v=7aSLJQ8R0oA\" target=\"_blank\" rel=\"noopener\">Satisfaction\u003c/a>” coming to Keith Richards in the middle of the night, but what about whole songs? What about a whole album? \u003cem>The Nocturne Diaries\u003c/em>, the latest record from Texas folk singer \u003ca href=\"http://elizagilkyson.com/\" target=\"_blank\" rel=\"noopener\">Eliza Gilkyson\u003c/a>, is exactly that—a collection of songs manifesting themselves in the darkest hours of the day. Live as on record, Gilkyson is a master storyteller, her natural ease with an audience honed by a steady touring schedule; she returns to the erstwhile Freight & Salvage in Berkeley this week.\u003c/p>\n\u003cp>But the secret weapon here is Nina Gerber, who accompanies Gilkyson at the Freight. Gerber has long had an innate ability to get inside a song and spool out beautiful notes, and watching her play is like experiencing great jazz, full of improvisation and surprise. You could spend the entire day at Hardly Strictly Bluegrass and never hear a solo matching Gerber’s consummate taste and invention; surely this is rooted in her years spent alongside Northern California folk icon Kate Wolf, but her skill and acumen have only grown. It’s no surprise she’s so in-demand.\u003c/p>\n\u003cp>With Gilkyson’s songs and Gerber’s dressing, prepare for an evening of smart, affecting music.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/eliza-gilkyson/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Eliza Gilkyson with Nina Gerber\u003c/h4>\n\u003cdiv class=\"event-desc\">Affecting Texas folk singer with in-demand accompanist.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Sept. 13, 2014\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Freight & Salvage\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/eliza-gilkyson/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>There’s a famous anecdote about the three-note guitar riff to “\u003ca href=\"https://www.youtube.com/watch?v=7aSLJQ8R0oA\" target=\"_blank\" rel=\"noopener\">Satisfaction\u003c/a>” coming to Keith Richards in the middle of the night, but what about whole songs? What about a whole album? \u003cem>The Nocturne Diaries\u003c/em>, the latest record from Texas folk singer \u003ca href=\"http://elizagilkyson.com/\" target=\"_blank\" rel=\"noopener\">Eliza Gilkyson\u003c/a>, is exactly that—a collection of songs manifesting themselves in the darkest hours of the day. Live as on record, Gilkyson is a master storyteller, her natural ease with an audience honed by a steady touring schedule; she returns to the erstwhile Freight & Salvage in Berkeley this week.\u003c/p>\n\u003cp>But the secret weapon here is Nina Gerber, who accompanies Gilkyson at the Freight. Gerber has long had an innate ability to get inside a song and spool out beautiful notes, and watching her play is like experiencing great jazz, full of improvisation and surprise. You could spend the entire day at Hardly Strictly Bluegrass and never hear a solo matching Gerber’s consummate taste and invention; surely this is rooted in her years spent alongside Northern California folk icon Kate Wolf, but her skill and acumen have only grown. It’s no surprise she’s so in-demand.\u003c/p>\n\u003cp>With Gilkyson’s songs and Gerber’s dressing, prepare for an evening of smart, affecting music.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>With Cy Musiker away this week, Suzie Racho and David Wiegand scout the Bay Area for things to do this coming weekend and turn up a cabaret diva, a comedy fest, cerebral indie rock and more.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2014/09/20140912tdl.mp3\u003c/p>\n\u003c/aside>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003cfigure id=\"attachment_10142270\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10142270\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/meowmeow.sm_.CRED_.KevinBerne.jpg\" alt=\"Meow Meow\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/meowmeow.sm_.CRED_.KevinBerne.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/meowmeow.sm_.CRED_.KevinBerne-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Photo courtesy kevinberne.com \u003ccite>(Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>‘An Audience with Meow Meow’\u003c/h3>\n\u003cp>If you like your cabaret on the safe side, with softened sexuality and rote balladry, then by all means, feel free to miss this run at Berkeley Rep. But if you’re a theatergoer who believes cabaret should be thrilling, risk-taking and interactive, the Australian-born cabaret performer \u003ca href=\"http://www.meowmeowrevolution.com/\" target=\"_blank\" rel=\"noopener\">Meow Meow\u003c/a> never fails to deliver. Known for what’s been dubbed “kamikaze cabaret” (e.g., she occasionally crowdsurfs), the fearless artist injects a shot in the arm of the \u003ca href=\"http://www.youtube.com/watch?v=E3rkLRJ0m0k\" target=\"_blank\" rel=\"noopener\">Sally Bowles tradition\u003c/a> with every show. \u003ca href=\"http://ww2.kqed.org/events/pick/an-audience-with-meow-meow/\" target=\"_blank\" rel=\"noopener\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142268\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/LouisCK.jpg\" alt=\"LouisCK\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LouisCK.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LouisCK-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">The Oddball Comedy & Curiosity Festival\u003c/h3>\n\u003cp>San Francisco got lucky when comedian Louis CK chose Davies Symphony Hall as a venue on his 2012 tour, for which he sold \u003ca href=\"https://buy.louisck.net/news/im-going-on-the-road\" target=\"_blank\" rel=\"noopener\">$45 tickets with no service charges or sales tax\u003c/a> through his own website. Now, the top comedian in the country headlines at Shoreline Amphitheatre, and what lacks in venue this time around is made up for in the stellar lineup of openers: Sarah Silverman, Marc Maron, Demetri Martin, Jim Gaffigan, Chris Hardwick, Whitney Cummings and Moshe Kasher all make huddling on the lawn worth it. \u003ca href=\"http://ww2.kqed.org/events/pick/oddball-comedy-curiosity-festival/\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142266\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/OwenPallett.jpg\" alt=\"OwenPallett\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/OwenPallett.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/OwenPallett-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">Owen Pallett\u003c/h3>\n\u003cp>If you’ve ever been out in public in the past four years, there’s a 97% chance you’ve heard Katy Perry’s “Teenage Dream” squawking out of a speaker somewhere. Yet even those who cursed the overproduced earworm found catharsis in Owen Pallett’s \u003ca href=\"http://www.slate.com/articles/arts/culturebox/2014/03/katy_perry_s_teenage_dream_explaining_the_hit_using_music_theory.html\" target=\"_blank\" rel=\"noopener\">widely shared musicological dissection\u003c/a> of the \u003cdel>evil predatory forces at work\u003c/del> clever production and songwriting elements that made the track a monster hit. Despite the silly title of his first solo album (\u003cem>He Poos Clouds\u003c/em>), Pallett is a vastly smart composer and arranger, having received an Oscar nod for his \u003ca href=\"http://www.youtube.com/watch?v=KhK82a4nZMk\" target=\"_blank\" rel=\"noopener\">film score to \u003cem>Her\u003c/em>\u003c/a> and having shared stage and studio time with Arcade Fire. His latest full-length, \u003cem>In Conflict\u003c/em>, is poetically restrained; live, he can be transcendental. \u003ca href=\"http://ww2.kqed.org/events/pick/owen-pallett/\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003cfigure id=\"attachment_10142269\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10142269\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/MultipleMary.CRED_.AustinForbord.jpg\" alt=\"Photo: Austin Forbord / Rapt\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/MultipleMary.CRED_.AustinForbord.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/MultipleMary.CRED_.AustinForbord-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Photo: Austin Forbord / Rapt \u003ccite>(Austin Forbord / Rapt)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>‘Multiple Mary & Invisible Jane’\u003c/h3>\n\u003cp>For years, the all-female dance company \u003ca href=\"http://flyawayproductions.com/\" target=\"_blank\" rel=\"noopener\">Flyaway Productions\u003c/a> has surprised casual onlookers with free dance performances staged on fire escapes, billboards, cranes, rooftops and flaming chandeliers—”anywhere from two to 100 feet off the ground.” This is no flash-mob gambit, though; the company interweaves social justice into the vertical performances, as in \u003cem>Multiple Mary & Invisible Jane\u003c/em>, which seeks to shine a light on the plight of older homeless women in San Francisco. The show runs on the outside wall of UC Hastings near the Tenderloin sidewalks of so many of its subjects, in plain view, for free. \u003ca href=\"http://ww2.kqed.org/events/pick/multiple-mary-and-invisible-jane/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142267\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/RichardBuckner.jpg\" alt=\"RichardBuckner\" width=\"400\" height=\"272\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/RichardBuckner.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/RichardBuckner-300x204.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">Richard Buckner\u003c/h3>\n\u003cp>Ever the literary songwriter, Richard Buckner once released an album, \u003ca href=\"http://www.youtube.com/watch?v=4i2UsWrjBCI\" target=\"_blank\" rel=\"noopener\">\u003cem>The Hill\u003c/em>\u003c/a>, based entirely on characters from Edgar Lee Masters’ \u003cem>Spoon River Anthology\u003c/em>. Fourteen years later, Buckner’s affection for the small-town America depicted in Masters’ poems hasn’t ceased, having embarked on whole tours where he plays in strangers’ living rooms in minor cities that most artist tour itineraries overlook. Hailed by Bon Iver’s Justin Vernon as an influence, Buckner casts the sort of spell that can last for years in fandom. \u003ca href=\"http://ww2.kqed.org/events/pick/richard-buckner/\" target=\"_blank\" rel=\"noopener\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142271\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/LastWeekend.jpg\" alt=\"LastWeekend\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LastWeekend.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LastWeekend-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">‘Last Weekend’ with Tom Dolby\u003c/h3>\n\u003cp>Patricia Clarkson is no stranger to characters stuck in dysfunctional families; her defining television role in \u003cem>Six Feet Under\u003c/em> as Aunt Sarah, along with Academy and Golden Globe nominations for \u003cem>Pieces of April\u003c/em>, attest to her knack for the situation. In \u003cem>Last Weekend\u003c/em>, Clarkson is again at the center of family dysfunction in an acclaimed new film filmed entirely on location in Lake Tahoe. After this week’s screening at the Vogue Theatre, Do List co-host David Weigand conducts a Q&A with screenwriter / director Tom Dolby. \u003ca href=\"http://ww2.kqed.org/events/pick/last-weekend/\" target=\"_blank\" rel=\"noopener\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"title": "Radio Show: The One About Oddballs and Kamikaze Cabaret | KQED",
"description": "With Cy Musiker away this week, Suzie Racho and David Wiegand scout the Bay Area for things to do this coming weekend and turn up a cabaret diva, a comedy fest, cerebral indie rock and more. http://www.kqed.org/.stream/anon/radio/thedolist/2014/09/20140912tdl.mp3 'An Audience with Meow Meow' If you like your cabaret on the safe side, with softened sexuality and rote balladry, then by all means, feel free to miss this run at Berkeley Rep. But if you're a theatergoer who believes cabaret should be thrilling, risk-taking and interactive, the Australian-born cabaret performer Meow Meow never fails to deliver. Known for what's been dubbed "kamikaze",
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"headline": "Radio Show: The One About Oddballs and Kamikaze Cabaret",
"datePublished": "2014-09-11T19:00:18-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>With Cy Musiker away this week, Suzie Racho and David Wiegand scout the Bay Area for things to do this coming weekend and turn up a cabaret diva, a comedy fest, cerebral indie rock and more.\u003c/h4>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003cfigure id=\"attachment_10142270\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10142270\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/meowmeow.sm_.CRED_.KevinBerne.jpg\" alt=\"Meow Meow\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/meowmeow.sm_.CRED_.KevinBerne.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/meowmeow.sm_.CRED_.KevinBerne-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Photo courtesy kevinberne.com \u003ccite>(Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>‘An Audience with Meow Meow’\u003c/h3>\n\u003cp>If you like your cabaret on the safe side, with softened sexuality and rote balladry, then by all means, feel free to miss this run at Berkeley Rep. But if you’re a theatergoer who believes cabaret should be thrilling, risk-taking and interactive, the Australian-born cabaret performer \u003ca href=\"http://www.meowmeowrevolution.com/\" target=\"_blank\" rel=\"noopener\">Meow Meow\u003c/a> never fails to deliver. Known for what’s been dubbed “kamikaze cabaret” (e.g., she occasionally crowdsurfs), the fearless artist injects a shot in the arm of the \u003ca href=\"http://www.youtube.com/watch?v=E3rkLRJ0m0k\" target=\"_blank\" rel=\"noopener\">Sally Bowles tradition\u003c/a> with every show. \u003ca href=\"http://ww2.kqed.org/events/pick/an-audience-with-meow-meow/\" target=\"_blank\" rel=\"noopener\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142268\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/LouisCK.jpg\" alt=\"LouisCK\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LouisCK.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LouisCK-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">The Oddball Comedy & Curiosity Festival\u003c/h3>\n\u003cp>San Francisco got lucky when comedian Louis CK chose Davies Symphony Hall as a venue on his 2012 tour, for which he sold \u003ca href=\"https://buy.louisck.net/news/im-going-on-the-road\" target=\"_blank\" rel=\"noopener\">$45 tickets with no service charges or sales tax\u003c/a> through his own website. Now, the top comedian in the country headlines at Shoreline Amphitheatre, and what lacks in venue this time around is made up for in the stellar lineup of openers: Sarah Silverman, Marc Maron, Demetri Martin, Jim Gaffigan, Chris Hardwick, Whitney Cummings and Moshe Kasher all make huddling on the lawn worth it. \u003ca href=\"http://ww2.kqed.org/events/pick/oddball-comedy-curiosity-festival/\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142266\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/OwenPallett.jpg\" alt=\"OwenPallett\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/OwenPallett.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/OwenPallett-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">Owen Pallett\u003c/h3>\n\u003cp>If you’ve ever been out in public in the past four years, there’s a 97% chance you’ve heard Katy Perry’s “Teenage Dream” squawking out of a speaker somewhere. Yet even those who cursed the overproduced earworm found catharsis in Owen Pallett’s \u003ca href=\"http://www.slate.com/articles/arts/culturebox/2014/03/katy_perry_s_teenage_dream_explaining_the_hit_using_music_theory.html\" target=\"_blank\" rel=\"noopener\">widely shared musicological dissection\u003c/a> of the \u003cdel>evil predatory forces at work\u003c/del> clever production and songwriting elements that made the track a monster hit. Despite the silly title of his first solo album (\u003cem>He Poos Clouds\u003c/em>), Pallett is a vastly smart composer and arranger, having received an Oscar nod for his \u003ca href=\"http://www.youtube.com/watch?v=KhK82a4nZMk\" target=\"_blank\" rel=\"noopener\">film score to \u003cem>Her\u003c/em>\u003c/a> and having shared stage and studio time with Arcade Fire. His latest full-length, \u003cem>In Conflict\u003c/em>, is poetically restrained; live, he can be transcendental. \u003ca href=\"http://ww2.kqed.org/events/pick/owen-pallett/\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003cfigure id=\"attachment_10142269\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10142269\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/MultipleMary.CRED_.AustinForbord.jpg\" alt=\"Photo: Austin Forbord / Rapt\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/MultipleMary.CRED_.AustinForbord.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/MultipleMary.CRED_.AustinForbord-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Photo: Austin Forbord / Rapt \u003ccite>(Austin Forbord / Rapt)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>‘Multiple Mary & Invisible Jane’\u003c/h3>\n\u003cp>For years, the all-female dance company \u003ca href=\"http://flyawayproductions.com/\" target=\"_blank\" rel=\"noopener\">Flyaway Productions\u003c/a> has surprised casual onlookers with free dance performances staged on fire escapes, billboards, cranes, rooftops and flaming chandeliers—”anywhere from two to 100 feet off the ground.” This is no flash-mob gambit, though; the company interweaves social justice into the vertical performances, as in \u003cem>Multiple Mary & Invisible Jane\u003c/em>, which seeks to shine a light on the plight of older homeless women in San Francisco. The show runs on the outside wall of UC Hastings near the Tenderloin sidewalks of so many of its subjects, in plain view, for free. \u003ca href=\"http://ww2.kqed.org/events/pick/multiple-mary-and-invisible-jane/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142267\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/RichardBuckner.jpg\" alt=\"RichardBuckner\" width=\"400\" height=\"272\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/RichardBuckner.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/RichardBuckner-300x204.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">Richard Buckner\u003c/h3>\n\u003cp>Ever the literary songwriter, Richard Buckner once released an album, \u003ca href=\"http://www.youtube.com/watch?v=4i2UsWrjBCI\" target=\"_blank\" rel=\"noopener\">\u003cem>The Hill\u003c/em>\u003c/a>, based entirely on characters from Edgar Lee Masters’ \u003cem>Spoon River Anthology\u003c/em>. Fourteen years later, Buckner’s affection for the small-town America depicted in Masters’ poems hasn’t ceased, having embarked on whole tours where he plays in strangers’ living rooms in minor cities that most artist tour itineraries overlook. Hailed by Bon Iver’s Justin Vernon as an influence, Buckner casts the sort of spell that can last for years in fandom. \u003ca href=\"http://ww2.kqed.org/events/pick/richard-buckner/\" target=\"_blank\" rel=\"noopener\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142271\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/LastWeekend.jpg\" alt=\"LastWeekend\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LastWeekend.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LastWeekend-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">‘Last Weekend’ with Tom Dolby\u003c/h3>\n\u003cp>Patricia Clarkson is no stranger to characters stuck in dysfunctional families; her defining television role in \u003cem>Six Feet Under\u003c/em> as Aunt Sarah, along with Academy and Golden Globe nominations for \u003cem>Pieces of April\u003c/em>, attest to her knack for the situation. In \u003cem>Last Weekend\u003c/em>, Clarkson is again at the center of family dysfunction in an acclaimed new film filmed entirely on location in Lake Tahoe. After this week’s screening at the Vogue Theatre, Do List co-host David Weigand conducts a Q&A with screenwriter / director Tom Dolby. \u003ca href=\"http://ww2.kqed.org/events/pick/last-weekend/\" target=\"_blank\" rel=\"noopener\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Ariana Grande's Good Side: Diva Demand or Symptom of Body Dysmorphia?",
"title": "Ariana Grande's Good Side: Diva Demand or Symptom of Body Dysmorphia?",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cfigure id=\"attachment_13459\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-13459\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/ariana-grande.jpg\" alt=\"Photo: Tom Munro / V Magazine\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/ariana-grande.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/ariana-grande-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: Tom Munro / V Magazine\u003c/figcaption>\u003c/figure>\n\u003cp>You might not know her name, but you definitely know her music. This summer, Ariana Grande \u003ca href=\"http://www.billboard.com/articles/columns/chart-beat/6236643/ariana-grande-my-everything-debut-billboard-200\">matched Adele's record\u003c/a> of having three singles in the top 10 of \u003ci>Billboard\u003c/i>'s Hot 100. And just last week, she scored her second number one album in less than a year. But this success is not what people are talking about. Instead, the focus is on which side of her face Ariana prefers and what a diva that makes her.\u003c/p>\n\u003cp>\u003cem>The Atlantic\u003c/em>'s Trey Taylor \u003ca href=\"http://www.theatlantic.com/entertainment/archive/2014/09/the-humanity-in-ariana-grandes-right-cheek/379958/\">took on Grande's \"\u003c/a>\u003cspan style=\"color: #000000\">\u003ca href=\"http://www.theatlantic.com/entertainment/archive/2014/09/the-humanity-in-ariana-grandes-right-cheek/379958/\">portside motif\"\u003c/a> and charted the long lineage of stars wanting to control how the public interacts with their faces: from Barbra Streisand making Oprah change her set, to Mariah Carey \u003ca href=\"http://gawker.com/5975358/watch-mariah-carey-suffer-a-crisis-while-attempting-to-preserve-her-good-side\">uncomfortably trying to keep it cute\u003c/a>, all the way back to old Hollywood star Claudette Colbert covering her \"bad side\" with green greasepaint to remind the cameraman of her best angles.\u003c/span>\u003c/p>\n\u003cp>[contextly_sidebar id=\"IfRCbDpPjMxZ2Xy5kg0vr0247iw2xVu5\"]\u003c/p>\n\u003cp>This obsession with putting one's best face forward is not exclusive to the famous, though. In \u003ca href=\"http://blogs.kqed.org/pop/2013/07/17/please-like-me-how-instagram-and-facebook-feed-our-insecurity/\">this Instagram age\u003c/a>, everything we do is judged based on how we made it look and how we looked doing it. When is the last time you took one selfie, instead of approx. 22? We all care about what people think of our faces, and a large number of us know which angles work best for us and try to stick to those. We live in a beauty-obsessed culture and we're vain products of it. \u003c/p>\n\u003cp>So think about all the posturing you do for your 200 followers and multiply that by a million and you have Ariana Grande. We've seen what fame and all the pressures that come with it can do to a young girl (see: Britney Spears' head-shaving revolt against the beauty paradigm), and that was before social media! Grande lives in a world where opinions about her hairstyle, her outfits, her dancing, her dimple, etc. are tweeted directly to her. Under this microscope, a loose preference for a certain side of one's face could easily turn into an obsession.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Body dysmorphia disorder, a condition that shares qualities with eating and obsessive compulsive disorders, is defined as \"\u003cspan style=\"color: #252525\">a \u003c/span>mental illness\u003cspan style=\"color: #252525\"> that involves belief that one's own appearance is unusually defective (worthy of hiding or fixing), although the perceived flaw might be nonexistent.\" Ariana's \u003ca href=\"http://www.news.com.au/entertainment/music/ariana-grande-cancels-australian-media-photo-shoots-after-issuing-long-list-of-demands/story-e6frfn09-1227051833588\">alleged demands\u003c/a> at photo shoots and left-side-only media presence fall in line with symptoms of BDD. And this is not at all surprising. Her face is a public commodity, on which we feel the right to express our opinions and project our own insecurities. The same person who will say \u003cem>Her nose is ugly\u003c/em> will later say \u003cem>Ew, she got a nose job\u003c/em>. We expect our female pop stars to be perfect, and that's exactly what Ariana Grande is attempting to do, yet that very attempt has become the problem.\u003c/span>\u003c/p>\n\u003cp>On top of the \"good side\" controversy, Ariana Grande is also getting flack for being rude and not having enough of a personality. How dare she not want to discuss ex-boyfriends, being in Mariah Carey's shadow, and her dead grandfather in every interview? This is the same vilification that Christina Aguilera experienced in the early aughts, as she was slut shamed and branded rude in comparison to polite, girl-next-door Britney Spears.\u003c/p>\n\u003cp>Then and now, I wonder the same thing: if rumors of a bad attitude are in fact true, who cares? A musician is expected to make good music. Judging by her record-breaking summer, Grande is doing that. So why do we have to want to be best friends with her? Why has pop music become a pageant? And why don't we ever hold male artists to the Goldilocks standard: be sassy, but not too sassy; sexy, but not too sexy, etc?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But back to the facial question: Ariana Grande became famous as a teenager, a time when most adolescents figure out who they are and how they feel about themselves. Most of us get to do that without pressure from network/record label execs and input from the public. Most of us aren't told: If you want to do what you love, you have to be beautiful. Yes, there are perks to being a pop star, but there's also a shadow side, which, for Ariana, has taken the form of the right side of her face. We forget about the dark parts of fame because celebrities hide them from the camera, to protect themselves from us, and to protect us from what we do to them.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13459\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-13459\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/ariana-grande.jpg\" alt=\"Photo: Tom Munro / V Magazine\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/ariana-grande.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/ariana-grande-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: Tom Munro / V Magazine\u003c/figcaption>\u003c/figure>\n\u003cp>You might not know her name, but you definitely know her music. This summer, Ariana Grande \u003ca href=\"http://www.billboard.com/articles/columns/chart-beat/6236643/ariana-grande-my-everything-debut-billboard-200\">matched Adele's record\u003c/a> of having three singles in the top 10 of \u003ci>Billboard\u003c/i>'s Hot 100. And just last week, she scored her second number one album in less than a year. But this success is not what people are talking about. Instead, the focus is on which side of her face Ariana prefers and what a diva that makes her.\u003c/p>\n\u003cp>\u003cem>The Atlantic\u003c/em>'s Trey Taylor \u003ca href=\"http://www.theatlantic.com/entertainment/archive/2014/09/the-humanity-in-ariana-grandes-right-cheek/379958/\">took on Grande's \"\u003c/a>\u003cspan style=\"color: #000000\">\u003ca href=\"http://www.theatlantic.com/entertainment/archive/2014/09/the-humanity-in-ariana-grandes-right-cheek/379958/\">portside motif\"\u003c/a> and charted the long lineage of stars wanting to control how the public interacts with their faces: from Barbra Streisand making Oprah change her set, to Mariah Carey \u003ca href=\"http://gawker.com/5975358/watch-mariah-carey-suffer-a-crisis-while-attempting-to-preserve-her-good-side\">uncomfortably trying to keep it cute\u003c/a>, all the way back to old Hollywood star Claudette Colbert covering her \"bad side\" with green greasepaint to remind the cameraman of her best angles.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>This obsession with putting one's best face forward is not exclusive to the famous, though. In \u003ca href=\"http://blogs.kqed.org/pop/2013/07/17/please-like-me-how-instagram-and-facebook-feed-our-insecurity/\">this Instagram age\u003c/a>, everything we do is judged based on how we made it look and how we looked doing it. When is the last time you took one selfie, instead of approx. 22? We all care about what people think of our faces, and a large number of us know which angles work best for us and try to stick to those. We live in a beauty-obsessed culture and we're vain products of it. \u003c/p>\n\u003cp>So think about all the posturing you do for your 200 followers and multiply that by a million and you have Ariana Grande. We've seen what fame and all the pressures that come with it can do to a young girl (see: Britney Spears' head-shaving revolt against the beauty paradigm), and that was before social media! Grande lives in a world where opinions about her hairstyle, her outfits, her dancing, her dimple, etc. are tweeted directly to her. Under this microscope, a loose preference for a certain side of one's face could easily turn into an obsession.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Body dysmorphia disorder, a condition that shares qualities with eating and obsessive compulsive disorders, is defined as \"\u003cspan style=\"color: #252525\">a \u003c/span>mental illness\u003cspan style=\"color: #252525\"> that involves belief that one's own appearance is unusually defective (worthy of hiding or fixing), although the perceived flaw might be nonexistent.\" Ariana's \u003ca href=\"http://www.news.com.au/entertainment/music/ariana-grande-cancels-australian-media-photo-shoots-after-issuing-long-list-of-demands/story-e6frfn09-1227051833588\">alleged demands\u003c/a> at photo shoots and left-side-only media presence fall in line with symptoms of BDD. And this is not at all surprising. Her face is a public commodity, on which we feel the right to express our opinions and project our own insecurities. The same person who will say \u003cem>Her nose is ugly\u003c/em> will later say \u003cem>Ew, she got a nose job\u003c/em>. We expect our female pop stars to be perfect, and that's exactly what Ariana Grande is attempting to do, yet that very attempt has become the problem.\u003c/span>\u003c/p>\n\u003cp>On top of the \"good side\" controversy, Ariana Grande is also getting flack for being rude and not having enough of a personality. How dare she not want to discuss ex-boyfriends, being in Mariah Carey's shadow, and her dead grandfather in every interview? This is the same vilification that Christina Aguilera experienced in the early aughts, as she was slut shamed and branded rude in comparison to polite, girl-next-door Britney Spears.\u003c/p>\n\u003cp>Then and now, I wonder the same thing: if rumors of a bad attitude are in fact true, who cares? A musician is expected to make good music. Judging by her record-breaking summer, Grande is doing that. So why do we have to want to be best friends with her? Why has pop music become a pageant? And why don't we ever hold male artists to the Goldilocks standard: be sassy, but not too sassy; sexy, but not too sexy, etc?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But back to the facial question: Ariana Grande became famous as a teenager, a time when most adolescents figure out who they are and how they feel about themselves. Most of us get to do that without pressure from network/record label execs and input from the public. Most of us aren't told: If you want to do what you love, you have to be beautiful. Yes, there are perks to being a pop star, but there's also a shadow side, which, for Ariana, has taken the form of the right side of her face. We forget about the dark parts of fame because celebrities hide them from the camera, to protect themselves from us, and to protect us from what we do to them.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Sick of All Your Music? Here Are the New Fall Albums You Need",
"title": "Sick of All Your Music? Here Are the New Fall Albums You Need",
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"content": "\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/09/11/sick-of-all-your-music-here-are-all-the-new-albums-you-need-banks-fka-twigs-interpol-iamamiwhoami/pic-frame-rock-stars/\" rel=\"attachment wp-att-13440\">\u003cimg class=\"aligncenter size-full wp-image-13440\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/pic-frame-rock-stars.jpg\" alt=\"pic frame rock stars\" width=\"563\" height=\"563\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars.jpg 563w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-75x75.jpg 75w\" sizes=\"(max-width: 563px) 100vw, 563px\">\u003c/a>\u003c/p>\n\u003cp>Last April, one of my favorite moody boys, Robert Alfons of Trust, came through the city and I missed him! I will not be making that mistake twice. Instead, I'll be dancing my head off to Trust's \"\u003ca href=\"http://www.vmagazine.com/site/content/2373/robert-alfons-trust-issues#!/2\">ecstatic glee and exquisite gloom\u003c/a>\" on September 28 at \u003ca href=\"http://mezzaninesf.com/\">Mezzanine\u003c/a> (you can too; tickets are still available!). And that's just scratching the surface of all the bands who have new offerings in the works for fall. Here are some of our favorites:\u003c/p>\n\u003cp>http://youtu.be/NL9T42SVnN0\u003c/p>\n\u003cp>The long awaited, much anticipated debut album of Banks is here! \u003cem>Goddess\u003c/em> is everything I wanted and hoped it would be as I fervently replayed her singles over and over these past few months. And at a whopping 18 songs, you can get your Banks fix for over an hour, which feels downright luxurious. She will be part of the \u003ca href=\"http://blogs.kqed.org/pop/2014/06/17/treasure-island-music-festival-2014-lineup-announced-heres-the-only-playlist-you-need-to-get-ready-outkast/\">Treasure Island Music Festival\u003c/a> on October 18, 2014.\u003c/p>\n\u003cp>http://youtu.be/740GRF5FCDM\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Roberto Carlos Lange, a.k.a. Helado Negro, has a new album out too. \u003cem>\u003ca href=\"http://www.heladonegro.com/\">Double Youth\u003c/a>\u003c/em> \"grapples with memory and its uncanny tendency to wear away despite our best intentions to preserve it.\" I'm starting to notice a pattern amongst my favorite bands; they all give me the urge to intermittently dance and then feel emotional and then dance again. However, that downplays the special brand of evocative coolness that Helado Negro embodies. See for yourself when he plays The Independent on September 20, 2014 (opening for Son Lux) or October 19, 2014 (opening for Sinkane, who is also on my list with his awesome new album, \u003cem>\u003ca href=\"http://sinkane.com/\">Mean Love\u003c/a>\u003c/em>). Lucky us!\u003c/p>\n\u003cp>http://youtu.be/-u6DvRyyKGU\u003c/p>\n\u003cp>Lately, there are also quite a few bands tapping into my nostalgic wistfulness (the perfect sensation for fall!). Interpol's newest, \u003cem>El Pintor\u003c/em>, reminds me of the summer of 2002 when I was 22 and lived in New York City and listened to \u003cem>Turn on the Bright Lights\u003c/em> all the time. Guilty pleasure as this new album is, it's still a pleasure.\u003c/p>\n\u003cp>http://youtu.be/oTvqMfvVWYQ\u003c/p>\n\u003cp>Then there's \u003ca href=\"http://thequietus.com/articles/16199-karen-o-interview-yeah-yeah-yeahs\">Karen O's solo album, \u003c/a>\u003cem>\u003ca href=\"http://thequietus.com/articles/16199-karen-o-interview-yeah-yeah-yeahs\">Crush Songs\u003c/a>. \u003c/em>\"When I was 27 I crushed a lot,\" she writes of these songs. Me too, Karen, me too! While I miss the snarl and fury of her with the Yeah Yeah Yeahs, I can't help but feel how I always do about Karen O -- that she is the awesomest.\u003c/p>\n\u003cp>http://youtu.be/HGON2HeyQXc\u003c/p>\n\u003cp>Rounding out the group of old school loves courting me anew are Blonde Redhead, with \u003cem>Barragán\u003c/em>. I can only imagine a band that's been around for 21 years has been able to do so by having the recklessness, malleability, and inventiveness to make some phenomenal albums and some more lackluster ones too. This might be the latter, but I'm going to give it a few more listens before I truly decide because I whole heartedly appreciate any band staying relevant and interesting for over two decades! However, for nostalgia's sake, I'm including an older song, one of my all-time faves.\u003c/p>\n\u003cp>http://youtu.be/vhSUh7tx9J4\u003c/p>\n\u003cp>Some newfound discoveries are \u003ca href=\"http://pitchfork.com/reviews/albums/19590-twigs-lp1/\">FKA Twigs\u003c/a> and \u003ca href=\"http://www.mybrightestdiamond.com/\">My Brightest Diamond\u003c/a>, both with new albums. You can catch FKA Twigs at the Warfield on November 20, 2014 and My Brightest Diamond at Great American Music Hall on December 10, 2014.\u003c/p>\n\u003cp>http://youtu.be/SJxXYHQIF40\u003c/p>\n\u003cp>And I'll leave you with two things to look forward to: T.I.'s latest will be out in October (I can't help it, he got me with \u003ca href=\"http://youtu.be/nQJACVmankY\">\"Whatever You Like\"\u003c/a> and I've never looked back), and my beloved crazy lady iamamiwhoami's latest will be out in November (there are a few \u003ca href=\"http://youtu.be/WKbunk6ZMmA\">singles\u003c/a> to satiate you until then).\u003c/p>\n\u003cp>http://youtu.be/WckSWlEf2nM\u003c/p>\n\u003cp>But the encore belongs to the ominous rock-n-roll of \u003ca href=\"http://esbenandthewitch.co.uk/\">Esben and the Witch\u003c/a>, a band my 15-year-old self would have loved and so I do too. With a penchant for 10 minute songs and sometimes sounding like PJ Harvey, they are just right for these shorter, darker days. Their new album, \u003cem>A New Nature\u003c/em>, is out now.\u003c/p>\n\u003cp>Happy listening and check out this Spotify playlist for a mix of all these awesome bands!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ciframe src=\"https://embed.spotify.com/?uri=spotify:user:1213029062:playlist:5Q1DlNQDeJbtlYNMrE0r9J\" width=\"300\" height=\"380\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/09/11/sick-of-all-your-music-here-are-all-the-new-albums-you-need-banks-fka-twigs-interpol-iamamiwhoami/pic-frame-rock-stars/\" rel=\"attachment wp-att-13440\">\u003cimg class=\"aligncenter size-full wp-image-13440\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/pic-frame-rock-stars.jpg\" alt=\"pic frame rock stars\" width=\"563\" height=\"563\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars.jpg 563w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-75x75.jpg 75w\" sizes=\"(max-width: 563px) 100vw, 563px\">\u003c/a>\u003c/p>\n\u003cp>Last April, one of my favorite moody boys, Robert Alfons of Trust, came through the city and I missed him! I will not be making that mistake twice. Instead, I'll be dancing my head off to Trust's \"\u003ca href=\"http://www.vmagazine.com/site/content/2373/robert-alfons-trust-issues#!/2\">ecstatic glee and exquisite gloom\u003c/a>\" on September 28 at \u003ca href=\"http://mezzaninesf.com/\">Mezzanine\u003c/a> (you can too; tickets are still available!). And that's just scratching the surface of all the bands who have new offerings in the works for fall. Here are some of our favorites:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NL9T42SVnN0'\n title='//www.youtube.com/embed/NL9T42SVnN0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The long awaited, much anticipated debut album of Banks is here! \u003cem>Goddess\u003c/em> is everything I wanted and hoped it would be as I fervently replayed her singles over and over these past few months. And at a whopping 18 songs, you can get your Banks fix for over an hour, which feels downright luxurious. She will be part of the \u003ca href=\"http://blogs.kqed.org/pop/2014/06/17/treasure-island-music-festival-2014-lineup-announced-heres-the-only-playlist-you-need-to-get-ready-outkast/\">Treasure Island Music Festival\u003c/a> on October 18, 2014.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/740GRF5FCDM'\n title='//www.youtube.com/embed/740GRF5FCDM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Roberto Carlos Lange, a.k.a. Helado Negro, has a new album out too. \u003cem>\u003ca href=\"http://www.heladonegro.com/\">Double Youth\u003c/a>\u003c/em> \"grapples with memory and its uncanny tendency to wear away despite our best intentions to preserve it.\" I'm starting to notice a pattern amongst my favorite bands; they all give me the urge to intermittently dance and then feel emotional and then dance again. However, that downplays the special brand of evocative coolness that Helado Negro embodies. See for yourself when he plays The Independent on September 20, 2014 (opening for Son Lux) or October 19, 2014 (opening for Sinkane, who is also on my list with his awesome new album, \u003cem>\u003ca href=\"http://sinkane.com/\">Mean Love\u003c/a>\u003c/em>). Lucky us!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-u6DvRyyKGU'\n title='//www.youtube.com/embed/-u6DvRyyKGU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Lately, there are also quite a few bands tapping into my nostalgic wistfulness (the perfect sensation for fall!). Interpol's newest, \u003cem>El Pintor\u003c/em>, reminds me of the summer of 2002 when I was 22 and lived in New York City and listened to \u003cem>Turn on the Bright Lights\u003c/em> all the time. Guilty pleasure as this new album is, it's still a pleasure.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oTvqMfvVWYQ'\n title='//www.youtube.com/embed/oTvqMfvVWYQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Then there's \u003ca href=\"http://thequietus.com/articles/16199-karen-o-interview-yeah-yeah-yeahs\">Karen O's solo album, \u003c/a>\u003cem>\u003ca href=\"http://thequietus.com/articles/16199-karen-o-interview-yeah-yeah-yeahs\">Crush Songs\u003c/a>. \u003c/em>\"When I was 27 I crushed a lot,\" she writes of these songs. Me too, Karen, me too! While I miss the snarl and fury of her with the Yeah Yeah Yeahs, I can't help but feel how I always do about Karen O -- that she is the awesomest.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/HGON2HeyQXc'\n title='//www.youtube.com/embed/HGON2HeyQXc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Rounding out the group of old school loves courting me anew are Blonde Redhead, with \u003cem>Barragán\u003c/em>. I can only imagine a band that's been around for 21 years has been able to do so by having the recklessness, malleability, and inventiveness to make some phenomenal albums and some more lackluster ones too. This might be the latter, but I'm going to give it a few more listens before I truly decide because I whole heartedly appreciate any band staying relevant and interesting for over two decades! However, for nostalgia's sake, I'm including an older song, one of my all-time faves.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vhSUh7tx9J4'\n title='//www.youtube.com/embed/vhSUh7tx9J4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Some newfound discoveries are \u003ca href=\"http://pitchfork.com/reviews/albums/19590-twigs-lp1/\">FKA Twigs\u003c/a> and \u003ca href=\"http://www.mybrightestdiamond.com/\">My Brightest Diamond\u003c/a>, both with new albums. 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With a penchant for 10 minute songs and sometimes sounding like PJ Harvey, they are just right for these shorter, darker days. Their new album, \u003cem>A New Nature\u003c/em>, is out now.\u003c/p>\n\u003cp>Happy listening and check out this Spotify playlist for a mix of all these awesome bands!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ciframe src=\"https://embed.spotify.com/?uri=spotify:user:1213029062:playlist:5Q1DlNQDeJbtlYNMrE0r9J\" width=\"300\" height=\"380\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
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}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/news/series/baycurious",
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"source": "kqed",
"order": 3
},
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"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
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}
},
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"id": "bbc-world-service",
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"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
"meta": {
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
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}
},
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"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"officialWebsiteLink": "/podcasts/closealltabs",
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"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
"site": "radio",
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
"link": "/forum",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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