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"content": "\u003cp>Boxers are aggressive by nature, but \"\u003ca href=\"https://www.youtube.com/watch?v=l3LFML_pxlY\" target=\"_blank\">The Boxer\u003c/a>\" -- from Simon & Garfunkel's \u003cem>Bridge Over Troubled Water\u003c/em> -- ruminates on the more sensitive, vulnerable psychology of those whose chief profession it is to knock another man unconscious.\u003c/p>\n\u003cp>So it's fitting that at his concert at the Greek Theatre in Berkeley on Friday night, Paul Simon took a moment to inform the 8,000-capacity crowd of the breaking news: \"I'm sorry to tell you this way,\" he announced mid-song, \"but Muhammad Ali has passed away.\"\u003c/p>\n\u003cp>In the video above, hear the crowd react to the news, while also taking note that the moment comes with a little bit of a bubble burst: Paul Simon has repeatedly said that \"The Boxer\" is autobiographical, about his own bouts with critics, and not about actual left-hook throwing pugilists like Muhammad Ali. \u003c/p>\n\u003cp>Does that diminish the poignancy of the moment? As someone who knows many people who were in the Berkeley audience that night, I can say confidently: Not at all.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>It’s hard to imagine now: barely having a clue who the Beatles were, or the man who would become Muhammad Ali.\u003c/p>\n\u003cp>But that’s how things were when Robert Lipsyte found himself face-to-face with these future legends more than 50 years ago, through a chance of publicity matchmaking.\u003c/p>\n\u003cp>The New York Times had plucked Lipsyte from the feature department to go to Miami Beach and cover the heavyweight boxing title fight between champ Sonny Liston and the upstart Cassius Clay, who would later change his name to Ali. He barely knew who Clay was, and even less about the mop-haired singers who happened to show up during his visit.\u003c/p>\n\u003cp>“I wasn’t a teenage girl,” Lipsyte said. “I really didn’t know who the Beatles were or what they would become.”\u003c/p>\n\u003cp>A few days earlier they had appeared for the first time on television’s popular Ed Sullivan Show. Now they were being led up a stairway in the gym where Clay trained, with an unwitting Lipsyte swept along.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“They’re little guys with lots of hair and all wearing white terrycloth cabana jackets,” Lipsyte said. “They were yelling and cursing because they had just been told Clay wasn’t there yet, and they wanted to leave. But these big security types just kind of herded them up the stairs.”\u003c/p>\n\u003cp>Lipsyte found himself in a dressing room with the Beatles, who weren’t at all happy. They had gone earlier to Liston’s training, but Liston took one look at them and refused to pose for pictures.\u003c/p>\n\u003cp>Lipsyte introduced himself and asked for their prediction, which was for a first-round Liston knockout. Then they all waited for 10 or 15 minutes, with the Beatles complaining the whole time, for Clay to arrive.\u003c/p>\n\u003cp>“But suddenly the door burst open and there he is. He’s the most gorgeous creature I’ve ever seen. He kind of glows and he’s laughing, and he says, ‘Come on, Beatles, let’s go make some money.'”\u003c/p>\n\u003cp>Make some money they did. In photos that would become legendary, Clay is shown knocking the Beatles down like dominoes, and standing over them sprawled out in the ring.\u003c/p>\n\u003cp>It was as if they had all rehearsed it beforehand, Lipsyte said.\u003c/p>\n\u003cp>“There was a lot of laughter, and then they’re gone, off to their limo,” he said. “Cassius then started training in front of people who paid 50 cents to get in.”\u003c/p>\n\u003cp>After the workout, Clay went back to the dressing room for a rubdown, and Lipsyte crowded in with him. Clay recognized him as being in the room earlier, and beckoned him over with a question.\u003c/p>\n\u003cp>“Who were those little sissies?” he asked.\u003c/p>\n\u003cp>Clay, of course, would beat Liston and go on to even greater things as Muhammad Ali. Lipsyte would become a columnist for the Times and cover him for years.\u003c/p>\n\u003cp>And the Beatles? They ended up doing OK, too.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s hard to imagine now: barely having a clue who the Beatles were, or the man who would become Muhammad Ali.\u003c/p>\n\u003cp>But that’s how things were when Robert Lipsyte found himself face-to-face with these future legends more than 50 years ago, through a chance of publicity matchmaking.\u003c/p>\n\u003cp>The New York Times had plucked Lipsyte from the feature department to go to Miami Beach and cover the heavyweight boxing title fight between champ Sonny Liston and the upstart Cassius Clay, who would later change his name to Ali. He barely knew who Clay was, and even less about the mop-haired singers who happened to show up during his visit.\u003c/p>\n\u003cp>“I wasn’t a teenage girl,” Lipsyte said. “I really didn’t know who the Beatles were or what they would become.”\u003c/p>\n\u003cp>A few days earlier they had appeared for the first time on television’s popular Ed Sullivan Show. Now they were being led up a stairway in the gym where Clay trained, with an unwitting Lipsyte swept along.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“They’re little guys with lots of hair and all wearing white terrycloth cabana jackets,” Lipsyte said. “They were yelling and cursing because they had just been told Clay wasn’t there yet, and they wanted to leave. But these big security types just kind of herded them up the stairs.”\u003c/p>\n\u003cp>Lipsyte found himself in a dressing room with the Beatles, who weren’t at all happy. They had gone earlier to Liston’s training, but Liston took one look at them and refused to pose for pictures.\u003c/p>\n\u003cp>Lipsyte introduced himself and asked for their prediction, which was for a first-round Liston knockout. Then they all waited for 10 or 15 minutes, with the Beatles complaining the whole time, for Clay to arrive.\u003c/p>\n\u003cp>“But suddenly the door burst open and there he is. He’s the most gorgeous creature I’ve ever seen. He kind of glows and he’s laughing, and he says, ‘Come on, Beatles, let’s go make some money.'”\u003c/p>\n\u003cp>Make some money they did. In photos that would become legendary, Clay is shown knocking the Beatles down like dominoes, and standing over them sprawled out in the ring.\u003c/p>\n\u003cp>It was as if they had all rehearsed it beforehand, Lipsyte said.\u003c/p>\n\u003cp>“There was a lot of laughter, and then they’re gone, off to their limo,” he said. “Cassius then started training in front of people who paid 50 cents to get in.”\u003c/p>\n\u003cp>After the workout, Clay went back to the dressing room for a rubdown, and Lipsyte crowded in with him. Clay recognized him as being in the room earlier, and beckoned him over with a question.\u003c/p>\n\u003cp>“Who were those little sissies?” he asked.\u003c/p>\n\u003cp>Clay, of course, would beat Liston and go on to even greater things as Muhammad Ali. Lipsyte would become a columnist for the Times and cover him for years.\u003c/p>\n\u003cp>And the Beatles? They ended up doing OK, too.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Meet the Naturalist Who Sang Like an (Actual) Bird",
"title": "Meet the Naturalist Who Sang Like an (Actual) Bird",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>Charles Kellogg is remembered as a naturalist, a man who spent his life fighting to protect California’s forests in the late 19th and early 20th centuries. But Kellogg’s first claim has to do with his throat, not his activism. It was said that the man came into this world with the vocal chords of a bird.\u003c/p>\n\u003cfigure id=\"attachment_10969649\" class=\"wp-caption alignright\" style=\"max-width: 421px\">\u003cimg class=\"wp-image-10969649\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/the-tree-and-charles-800x1171.jpeg\" alt=\"Charles Kellogg travelled around the country telling people about the mighty trees of California.\" width=\"421\" height=\"616\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles-800x1171.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles-400x586.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles-960x1406.jpeg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles.jpeg 1049w\" sizes=\"(max-width: 421px) 100vw, 421px\">\u003cfigcaption class=\"wp-caption-text\">Charles Kellogg traveled around the country telling people about the mighty trees of California. \u003ccite>(Humboldt Redwoods Interpretive Assocation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kellogg was born in Susanville, a small town on the eastern edge of California. It was 1868 and old-growth trees around him were being logged to build towns and cities across the state. Kellogg would later tour the country to raise awareness about the destruction of these beautiful trees. First though, he toured vaudeville stages.\u003c/p>\n\u003cp>Back in the late 19th century, whistling bird songs was a big thing. Performers would imitate birds, or whistle bird songs to music. Kellogg claimed that he had a singular gift as a performer. Unlike others, Kellogg said he did not whistle with his lips, but made the songs with his throat, just like a bird. He opened his mouth and presto! Out came the mellifluous chirpings and songs of our ornithological friends.\u003c/p>\n\u003cp>Now most of us humans have larynges. Kellogg, on the other hand, said he possessed the larynx of a bird, a “syrinx.” Needless to say, your friends at The World According to Sound find this anatomical claim dubious. But back in the day it was a big hit. Kellogg traveled around the world singing his canti d’uccelli in vaudeville shows. The Western world couldn’t get enough of it.\u003c/p>\n\u003cp>Kellogg rose to pop star fame on account of his bird throat, but he is remembered for his conservationism. Always a lover of trees, Kellogg was particularly enamored of that majestic northern Californian evergreen, \u003ca href=\"http://www.conifers.org/cu/Sequoia.php\">sequoia sempervirens\u003c/a>, the giant redwood. The love ran so deep he built an RV out of the trunk of a fallen redwood. In it he traveled across the country -- four times! -- trumpeting the virtues of the sequoia to Americans totally ignorant of the giant tree. This must have taken forever, too. His RV topped out at 18 mph. Good Lord.\u003c/p>\n\u003cfigure id=\"attachment_10969651\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10969651\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/finished-log-800x712.jpg\" alt=\"Charles Kellogg built a mobile home from the log of a fallen redwood tree.\" width=\"800\" height=\"712\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-800x712.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-400x356.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-1180x1050.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-960x854.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log.jpg 1909w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charles Kellogg built a mobile home from the log of a fallen redwood tree. \u003ccite>(Humboldt Redwoods Interpretive Assocation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kellogg’s so-called Travel Log is a thing of beauty, and arguably the first modern-day mobile home in America. Add that to Kellogg’s quirky list of accomplishments. You can check out Kellogg’s old RV in person at \u003ca href=\"http://humboldtredwoods.org/\">Humboldt Redwoods State Park\u003c/a>. As for this sound, we have it thanks to the Library of Congress, which preserves this bird music along with countless other audio wonders in its extensive sound collection.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story comes from our friends Chris Hoff and Sam Harnett at \u003ca href=\"http://www.theworldaccordingtosound.org/\">The World According to Sound\u003c/a>. Check out their podcast for more unexpected and delightful audio treats.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Charles Kellogg is remembered as a naturalist, a man who spent his life fighting to protect California’s forests in the late 19th and early 20th centuries. But Kellogg’s first claim has to do with his throat, not his activism. It was said that the man came into this world with the vocal chords of a bird.\u003c/p>\n\u003cfigure id=\"attachment_10969649\" class=\"wp-caption alignright\" style=\"max-width: 421px\">\u003cimg class=\"wp-image-10969649\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/the-tree-and-charles-800x1171.jpeg\" alt=\"Charles Kellogg travelled around the country telling people about the mighty trees of California.\" width=\"421\" height=\"616\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles-800x1171.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles-400x586.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles-960x1406.jpeg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles.jpeg 1049w\" sizes=\"(max-width: 421px) 100vw, 421px\">\u003cfigcaption class=\"wp-caption-text\">Charles Kellogg traveled around the country telling people about the mighty trees of California. \u003ccite>(Humboldt Redwoods Interpretive Assocation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kellogg was born in Susanville, a small town on the eastern edge of California. It was 1868 and old-growth trees around him were being logged to build towns and cities across the state. Kellogg would later tour the country to raise awareness about the destruction of these beautiful trees. First though, he toured vaudeville stages.\u003c/p>\n\u003cp>Back in the late 19th century, whistling bird songs was a big thing. Performers would imitate birds, or whistle bird songs to music. Kellogg claimed that he had a singular gift as a performer. Unlike others, Kellogg said he did not whistle with his lips, but made the songs with his throat, just like a bird. He opened his mouth and presto! Out came the mellifluous chirpings and songs of our ornithological friends.\u003c/p>\n\u003cp>Now most of us humans have larynges. Kellogg, on the other hand, said he possessed the larynx of a bird, a “syrinx.” Needless to say, your friends at The World According to Sound find this anatomical claim dubious. But back in the day it was a big hit. Kellogg traveled around the world singing his canti d’uccelli in vaudeville shows. The Western world couldn’t get enough of it.\u003c/p>\n\u003cp>Kellogg rose to pop star fame on account of his bird throat, but he is remembered for his conservationism. Always a lover of trees, Kellogg was particularly enamored of that majestic northern Californian evergreen, \u003ca href=\"http://www.conifers.org/cu/Sequoia.php\">sequoia sempervirens\u003c/a>, the giant redwood. The love ran so deep he built an RV out of the trunk of a fallen redwood. In it he traveled across the country -- four times! -- trumpeting the virtues of the sequoia to Americans totally ignorant of the giant tree. This must have taken forever, too. His RV topped out at 18 mph. Good Lord.\u003c/p>\n\u003cfigure id=\"attachment_10969651\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10969651\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/finished-log-800x712.jpg\" alt=\"Charles Kellogg built a mobile home from the log of a fallen redwood tree.\" width=\"800\" height=\"712\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-800x712.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-400x356.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-1180x1050.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-960x854.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log.jpg 1909w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charles Kellogg built a mobile home from the log of a fallen redwood tree. \u003ccite>(Humboldt Redwoods Interpretive Assocation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kellogg’s so-called Travel Log is a thing of beauty, and arguably the first modern-day mobile home in America. Add that to Kellogg’s quirky list of accomplishments. You can check out Kellogg’s old RV in person at \u003ca href=\"http://humboldtredwoods.org/\">Humboldt Redwoods State Park\u003c/a>. As for this sound, we have it thanks to the Library of Congress, which preserves this bird music along with countless other audio wonders in its extensive sound collection.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story comes from our friends Chris Hoff and Sam Harnett at \u003ca href=\"http://www.theworldaccordingtosound.org/\">The World According to Sound\u003c/a>. Check out their podcast for more unexpected and delightful audio treats.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In the long, somber weeks since Prince's death, we've heard tributes from the likes of \u003ca href=\"http://ww2.kqed.org/pop/2016/05/17/live-review-beyonce-unexplainable-celestial-being-slays-at-levis-stadium/\" target=\"_blank\">Beyoncé\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=ifNyqjHHCGw\" target=\"_blank\">Bruce Springsteen\u003c/a>, \u003ca href=\"http://ww2.kqed.org/pop/2016/04/27/watch-dangelos-emotional-tribute-to-prince-with-help-from-maya-rudolph/\" target=\"_blank\">D'Angelo\u003c/a>, and more.\u003c/p>\n\u003cp>One group we haven't heard from, though I'm certain they would love to perform an elaborate rendition of \"Darling Nikki\" could they afford studio time, or, you know, comprehend and speak a human language: the entirety of the animal kingdom.\u003c/p>\n\u003cp>Why might they be mega-fans, you ask? Prince was a devoted vegan, a fact that did not go unnoticed by PETA, the national animal rights organization. That group celebrated its 20th anniversary in 1999 with a pretty damn good gift -- a song about veganism, written, recorded and donated by Prince himself. To mark what would have been the musician's 58th birthday next week, PETA has released a free stream of the track, \"Animal Kingdom,\" on \u003ca href=\"http://www.peta.org/wp-content/uploads/2016/05/prince_animal_kingdom.mp3\" target=\"_blank\">its website\u003c/a>.\u003c/p>\n\u003cp>Here's a YouTube version featuring a lovely montage of animals, in case that's more your thing.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VZtH9aZwMyM\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"I don't eat red meat or white fish, don't give me no blue cheese,\" croons Prince over a distorted guitar riff and a building chorus of animal sounds. \"We're all members of the animal kingdom, leave your brothers and sisters in the sea.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Even if the tune doesn't convince you to eschew all animal products for the rest of your life, might we suggest going veg just for July 7th -- Prince's birthday -- in order to rock out to this song properly, i.e., not while eating a roast beef sandwich? It's what the Great Purple one (not to mention those dolphins screeching at the track's end) would have wanted.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the long, somber weeks since Prince's death, we've heard tributes from the likes of \u003ca href=\"http://ww2.kqed.org/pop/2016/05/17/live-review-beyonce-unexplainable-celestial-being-slays-at-levis-stadium/\" target=\"_blank\">Beyoncé\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=ifNyqjHHCGw\" target=\"_blank\">Bruce Springsteen\u003c/a>, \u003ca href=\"http://ww2.kqed.org/pop/2016/04/27/watch-dangelos-emotional-tribute-to-prince-with-help-from-maya-rudolph/\" target=\"_blank\">D'Angelo\u003c/a>, and more.\u003c/p>\n\u003cp>One group we haven't heard from, though I'm certain they would love to perform an elaborate rendition of \"Darling Nikki\" could they afford studio time, or, you know, comprehend and speak a human language: the entirety of the animal kingdom.\u003c/p>\n\u003cp>Why might they be mega-fans, you ask? Prince was a devoted vegan, a fact that did not go unnoticed by PETA, the national animal rights organization. That group celebrated its 20th anniversary in 1999 with a pretty damn good gift -- a song about veganism, written, recorded and donated by Prince himself. To mark what would have been the musician's 58th birthday next week, PETA has released a free stream of the track, \"Animal Kingdom,\" on \u003ca href=\"http://www.peta.org/wp-content/uploads/2016/05/prince_animal_kingdom.mp3\" target=\"_blank\">its website\u003c/a>.\u003c/p>\n\u003cp>Here's a YouTube version featuring a lovely montage of animals, in case that's more your thing.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VZtH9aZwMyM'\n title='//www.youtube.com/embed/VZtH9aZwMyM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"I don't eat red meat or white fish, don't give me no blue cheese,\" croons Prince over a distorted guitar riff and a building chorus of animal sounds. \"We're all members of the animal kingdom, leave your brothers and sisters in the sea.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Even if the tune doesn't convince you to eschew all animal products for the rest of your life, might we suggest going veg just for July 7th -- Prince's birthday -- in order to rock out to this song properly, i.e., not while eating a roast beef sandwich? It's what the Great Purple one (not to mention those dolphins screeching at the track's end) would have wanted.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Here’s your chance to see an iconic and profoundly influential band often cited as a catalyst for an entire movement in Country Rock and American Roots Music. With multi-platinum and gold records, strings of top ten hits such as \"Fishin\" In The Dark\" and \"Mr. Bojangles\", multiple Grammy, IBMA, CMA Awards and nominations, Nitty Gritty Dirt Band's accolades continue to accumulate. Interested in seeing the band live? You're in luck, we're giving away a pair of tickets to their show at The Mountain Winery on June 22.\u003c/p>\n\u003cp>\u003cstrong>To be in with a chance of winning them, just send an email to \u003ca style=\"color: #114999\" href=\"mailto:giveaway@kqed.org\">giveaway@kqed.org\u003c/a> with the subject \"Nitty Gritty\" that contains your full name.\u003c/strong>\u003c/p>\n\u003cp style=\"color: #000000\">From all entries we'll randomly select two winners for a pair of tickets (worth $50 each.) \u003cstrong>Deadline to enter is Tuesday, June at 14 at 11:59 pm.\u003c/strong> Winners will be notified by e-mail on Wednesday, and tickets will be held at Will Call. You must be a California resident and 18 years or older to participate. Employees of KQED are not eligible to enter.\u003c/p>\n\u003cp style=\"color: #000000\">\u003cstrong>\u003ca href=\"http://www.axs.com/events/308114/nitty-gritty-dirt-band-tickets?skin=mountainwinery\">\u003cspan style=\"text-decoration: underline\">Nitty Gritty Dirt Band at Mountain Winery\u003c/span>\u003c/a>\u003cem>\u003ca style=\"color: #114999\" href=\"https://deyoung.famsf.org/exhibitions/modernism-national-gallery-art-robert-jane-meyerhoff-collection?utm_source=kqed&utm_medium=promo&utm_campaign=meyerhoff\" target=\"_blank\">\u003cbr>\n\u003c/a>\u003c/em>\u003c/strong>\u003cb>Doors 5.30pm, Wednesday, June 22\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cstrong>\u003ca href=\"http://www.mountainwinery.com/\">The \u003c/a>\u003ca href=\"http://www.mountainwinery.com/\">Mountain Winery\u003c/a>\u003c/strong>\u003cbr>\n14831 Pierce Rd Saratoga, CA 95070\u003cbr>\n408.741.2822\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Calling all Pink Floyd fans! \u003cstrong>Brit Floyd\u003c/strong>, 'The World’s Greatest \u003cstrong>Pink Tribute Floyd\u003c/strong> Show,' is coming to Mountain Winery \u003cstrong>July 6 and 7\u003c/strong> and we’re giving away two pairs of tickets! Journey through fifty years of \u003cstrong>Pink Floyd music\u003c/strong> including gems like \u003cstrong>\u003cem>The Dark Side of the Moon\u003c/em>\u003c/strong>, \u003cstrong>\u003cem>Wish You Were Here\u003c/em>\u003c/strong>, \u003cstrong>\u003cem>Animals\u003c/em>\u003c/strong>, \u003cstrong>\u003cem>The Wall\u003c/em>\u003c/strong>\u003cem> \u003c/em>and\u003cem> \u003c/em>\u003cstrong>\u003cem>The Division Bell\u003c/em>\u003c/strong>\u003cstrong>. \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>To be in with a chance of winning them, just send an email to \u003ca style=\"color: #114999\" href=\"mailto:giveaway@kqed.org\">giveaway@kqed.org\u003c/a> with the subject \"FLOYD\" that contains your full name.\u003c/strong>\u003c/p>\n\u003cp style=\"color: #000000\">From all entries we'll randomly select two winners for a pair of tickets (worth $50 each.) \u003cstrong>Deadline to enter is Tuesday, June at 28 11:59 pm.\u003c/strong> Winners will be notified by e-mail on Wednesday, and tickets will be held at Will Call. You must be a California resident and 18 years or older to participate. Employees of KQED are not eligible to enter.\u003c/p>\n\u003cp style=\"color: #000000\">\u003cstrong>\u003cspan style=\"text-decoration: underline\">\u003ca href=\"http://www.mountainwinery.com/concerts/search?q=brit+floyd\">Brit Floyd at The Mountain Winery\u003c/a>\u003c/span>\u003cem>\u003ca style=\"color: #114999\" href=\"https://deyoung.famsf.org/exhibitions/modernism-national-gallery-art-robert-jane-meyerhoff-collection?utm_source=kqed&utm_medium=promo&utm_campaign=meyerhoff\" target=\"_blank\">\u003cbr>\n\u003c/a>\u003c/em>\u003c/strong>\u003cb>Doors 5.30pm, Wednesday, July 6 and \u003c/b>\u003cb>Thursday, July 7\u003cbr>\n\u003ca href=\"http://www.mountainwinery.com/\">\u003cstrong>The \u003c/strong>\u003c/a>\u003c/b>\u003ca href=\"http://www.mountainwinery.com/\">\u003cstrong>Mountain Winery\u003c/strong>\u003c/a>\u003cbr>\n14831 Pierce Rd Saratoga, CA 95070\u003cbr>\n408.741.2822\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Calling all Pink Floyd fans! \u003cstrong>Brit Floyd\u003c/strong>, 'The World’s Greatest \u003cstrong>Pink Tribute Floyd\u003c/strong> Show,' is coming to Mountain Winery \u003cstrong>July 6 and 7\u003c/strong> and we’re giving away two pairs of tickets! Journey through fifty years of \u003cstrong>Pink Floyd music\u003c/strong> including gems like \u003cstrong>\u003cem>The Dark Side of the Moon\u003c/em>\u003c/strong>, \u003cstrong>\u003cem>Wish You Were Here\u003c/em>\u003c/strong>, \u003cstrong>\u003cem>Animals\u003c/em>\u003c/strong>, \u003cstrong>\u003cem>The Wall\u003c/em>\u003c/strong>\u003cem> \u003c/em>and\u003cem> \u003c/em>\u003cstrong>\u003cem>The Division Bell\u003c/em>\u003c/strong>\u003cstrong>. \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>To be in with a chance of winning them, just send an email to \u003ca style=\"color: #114999\" href=\"mailto:giveaway@kqed.org\">giveaway@kqed.org\u003c/a> with the subject \"FLOYD\" that contains your full name.\u003c/strong>\u003c/p>\n\u003cp style=\"color: #000000\">From all entries we'll randomly select two winners for a pair of tickets (worth $50 each.) \u003cstrong>Deadline to enter is Tuesday, June at 28 11:59 pm.\u003c/strong> Winners will be notified by e-mail on Wednesday, and tickets will be held at Will Call. You must be a California resident and 18 years or older to participate. Employees of KQED are not eligible to enter.\u003c/p>\n\u003cp style=\"color: #000000\">\u003cstrong>\u003cspan style=\"text-decoration: underline\">\u003ca href=\"http://www.mountainwinery.com/concerts/search?q=brit+floyd\">Brit Floyd at The Mountain Winery\u003c/a>\u003c/span>\u003cem>\u003ca style=\"color: #114999\" href=\"https://deyoung.famsf.org/exhibitions/modernism-national-gallery-art-robert-jane-meyerhoff-collection?utm_source=kqed&utm_medium=promo&utm_campaign=meyerhoff\" target=\"_blank\">\u003cbr>\n\u003c/a>\u003c/em>\u003c/strong>\u003cb>Doors 5.30pm, Wednesday, July 6 and \u003c/b>\u003cb>Thursday, July 7\u003cbr>\n\u003ca href=\"http://www.mountainwinery.com/\">\u003cstrong>The \u003c/strong>\u003c/a>\u003c/b>\u003ca href=\"http://www.mountainwinery.com/\">\u003cstrong>Mountain Winery\u003c/strong>\u003c/a>\u003cbr>\n14831 Pierce Rd Saratoga, CA 95070\u003cbr>\n408.741.2822\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2016/06/TDL20160603.mp3\u003c/p>\n\u003c/aside>\n\u003cp>\u003cstrong>June 4\u003c/strong>: Bay Area blues harp player Charlie Musselwhite headlines \u003ca href=\"http://www.jazzonthehill.org/\" target=\"_blank\" rel=\"noopener\">Jazz on the Hill\u003c/a>, the annual free music fest put on by our fellow public radio station (KCSM Jazz 91) at the \u003ca href=\"http://collegeofsanmateo.edu/\" target=\"_blank\" rel=\"noopener\">College of San Mateo\u003c/a>. Also appearing: Etienne Charles and his Creole Soul; the San Francisco Latin Jazz Youth Ensemble; and Lynne Arriale, Grace Kelly, and Charenee Wade doing songs by great women in jazz: Abbey Lincoln, Nina Simone, and Joni Mitchell. Cheap Thrill! Details \u003ca href=\"http://www.jazzonthehill.org/artists.php\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=tenX8PiDo-s\u003c/p>\n\u003cp>\u003cstrong>June 3 & 5:\u003c/strong> The tireless Charlie Musselwhite also plays Friday night at Freight and Salvage in Berkeley: Details \u003ca href=\"http://thefreight.org/charlie-musselwhite\" target=\"_blank\" rel=\"noopener\">here.\u003c/a> And Sunday he plays Rancho Nicasio: Details\u003ca href=\"http://www.ranchonicasio.com/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fUZvItNwMAQ\u003c/p>\n\u003cp>\u003cstrong>June 3-12:\u003c/strong> It will be hot in wine country this coming week, so a dose of cool jazz and a good Sonoma rosé is in order. The Healdsburg Jazz Festival has become one of the best and most intimate in the Bay Area. There’s a \u003ca href=\"https://ww2.kqed.org/arts/2016/05/31/billy-hart-honored-in-heladsburg-picks-his-five-most-important-recordings/\" target=\"_blank\" rel=\"noopener\">tribute to drummer Billy Hart\u003c/a> (50 years of jazz) Berkeley born guitar wizard Charlie Hunter is there, and pianist Fred Hersch and clarinetist Anat Cohen, perform miracles as a duo. Tickets are selling fast. Details \u003ca href=\"http://www.healdsburgjazzfestival.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_i3KUfVjAjE\u003c/p>\n\u003cp>\u003cstrong>June 3-19:\u003c/strong> It’s a festival-themed Do List this week. \u003ca href=\"http://worldartswest.org/main/edf_index.asp\" target=\"_blank\" rel=\"noopener\">The San Francisco Ethnic Dance Festival\u003c/a> is the first of two we’re highlighting. The festival celebrates the Bay Area’s enormous ethnic diversity and exceptional dancing from groups like Chinese Performing Arts of America (San Jose), the San Francisco Flamenco Dance Company, Kathak from San Franciscan Aliah Najmabadi, and many others over the next three weekends. It opens with a free performance at noon today by El Tunante (Peruvian dance) at San Francisco City Hall. Details \u003ca href=\"http://worldartswest.org/main/edf_index.asp\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://vimeo.com/127576119\u003c/p>\n\u003cp>\u003cstrong>June 3 & 4:\u003c/strong> That trove of dance creativity, ODC, opens its fifth \u003ca href=\"https://www.odcdance.org/performance.php?param=275\" target=\"_blank\" rel=\"noopener\">Walking Distance Dance Festival\u003c/a> tonight, with a focus on “Identity.” The festival showcases work by ODC/Dance, Kim Epifano’s Epiphany Productions, Dance Brigade, 13th Floor, David Herrera Performance Company, and Smith/Wymore Disappearing Acts all at locations in the Mission within walking distance of ODC’s home campus at 17th and Shotwell in San Francisco. Details \u003ca href=\"https://www.odcdance.org/performance.php?param=275\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=C7l-xs2GF-0\u003c/p>\n\u003cp>\u003cstrong>June 5:\u003c/strong> Cymande is back on the road. Last year, this British funk band put out its first studio album in forty years. But they haven’t lost their smooth and soulful touch. The band has mostly stuck together: Steve Scipio (Bass, vocals) Patrick Patterson (Guitar, vocals) Sam Kelly (Drums) Mike Rose (Sax, flute, percussion) Pablo Gonsales (Percussion, vocals) and Derek Gibbs (Sax), and they combine a little Calypso, a little reggae, a little Curtis Mayfield, and a bit of smooth jazz. Details for their show at the Regency Ballroom in San Francisco are \u003ca href=\"http://www.theregencyballroom.com/events/detail/308513\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=g7NIvS4IBdc\u003c/p>\n\u003cp>\u003cstrong>June 4 & 7\u003c/strong>: \u003ca href=\"http://www.natashaleggero.com/\" target=\"_blank\" rel=\"noopener\">Natasha Leggero\u003c/a> and the Bay Area’s own \u003ca href=\"http://moshekasher.com/\" target=\"_blank\" rel=\"noopener\">Moshe Kasher \u003c/a>are both alums of \u003cem>Chelsea Lately; t\u003c/em>hey’re also newly married and on their “Honeymoon tour.” Leggero has been talking (see the \u003cem>Conan\u003c/em> clip above) about converting to Judaism for the marriage, and pioneering new (and humorous) ways to offend Jews and Catholics alike. While on tour, Kasher claims they’re camping out some nights in a little camper trailer (\u003ca href=\"http://www.scamptrailers.com/\" target=\"_blank\" rel=\"noopener\">a Scamp\u003c/a>). This should be like \u003ca href=\"https://www.youtube.com/watch?v=yDCjhLOaNZI\" target=\"_blank\" rel=\"noopener\">Burns and Allen\u003c/a> with naughty words. Details for their sol- out New Parish show on Saturday are \u003ca href=\"http://thenewparish.com/event.cfm?id=232899&cart\" target=\"_blank\" rel=\"noopener\">here\u003c/a>, and for their show at Matthews Hall in Santa Cruz \u003ca href=\"http://www.brownpapertickets.com/event/2512423\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3B4FSeeXUaE\u003c/p>\n\u003cp>\u003cstrong>June 3: \u003c/strong>Oakland blues man \u003ca href=\"http://www.fantasticnegrito.com/\" target=\"_blank\" rel=\"noopener\">Fantastic Negrito\u003c/a> wants to give back. After winning NPR’s Tiny Desk Contest last year, he won praise for his work at SXSW, and then toured the US and Europe. Now he’s released a new album, \u003ca href=\"http://www.npr.org/2016/05/26/478235309/first-listen-fantastic-negrito-the-last-days-of-oakland\" target=\"_blank\" rel=\"noopener\">\u003cem>The Last Days of Oakland\u003c/em>\u003c/a>, about how gentrification is driving African Americans and artists like himself out of the city. “That era of the Bay Area in Oakland that I grew up with,” he told me, “That’s over. There’s something new now. And I look at it as an opportunity for us all to collectively get together and make some sense out of it. So when I say ‘the last days of Oakland,’ I mean it in a very hopeful way. I want to look at how we can make things happen. Not how we can’t.” He’ll kick off that conversation in a free concert at First Fridays Oakland. Details \u003ca href=\"http://oaklandfirstfridays.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11641752\" class=\"wp-caption aligncenter\" style=\"max-width: 630px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11641752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-630x600.jpg\" alt=\"East Bay Open Studios 2016\" width=\"630\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-630x600.jpg 630w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-400x381.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-768x732.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604.jpg 781w\" sizes=\"(max-width: 630px) 100vw, 630px\">\u003cfigcaption class=\"wp-caption-text\">East Bay Open Studios 2016 \u003ccite>(Photo: Courtesy Pro-Arts Oakland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 4-12:\u003c/strong> After you recover from First Friday, stay in the East Bay and hit some artist studios. \u003ca href=\"http://www.proartsgallery.org/\" target=\"_blank\" rel=\"noopener\">Pro-Arts \u003c/a>in Oakland sponsors this opportunity to visit and support your local artist over the next two weekends, and keep them from being priced out of the Bay Area. Details \u003ca href=\"http://www.proartsgallery.org/ebos/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\n\u003cp>\u003cstrong>June 4\u003c/strong>: Bay Area blues harp player Charlie Musselwhite headlines \u003ca href=\"http://www.jazzonthehill.org/\" target=\"_blank\" rel=\"noopener\">Jazz on the Hill\u003c/a>, the annual free music fest put on by our fellow public radio station (KCSM Jazz 91) at the \u003ca href=\"http://collegeofsanmateo.edu/\" target=\"_blank\" rel=\"noopener\">College of San Mateo\u003c/a>. Also appearing: Etienne Charles and his Creole Soul; the San Francisco Latin Jazz Youth Ensemble; and Lynne Arriale, Grace Kelly, and Charenee Wade doing songs by great women in jazz: Abbey Lincoln, Nina Simone, and Joni Mitchell. Cheap Thrill! Details \u003ca href=\"http://www.jazzonthehill.org/artists.php\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tenX8PiDo-s'\n title='//www.youtube.com/embed/tenX8PiDo-s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 3 & 5:\u003c/strong> The tireless Charlie Musselwhite also plays Friday night at Freight and Salvage in Berkeley: Details \u003ca href=\"http://thefreight.org/charlie-musselwhite\" target=\"_blank\" rel=\"noopener\">here.\u003c/a> And Sunday he plays Rancho Nicasio: Details\u003ca href=\"http://www.ranchonicasio.com/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fUZvItNwMAQ'\n title='//www.youtube.com/embed/fUZvItNwMAQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 3-12:\u003c/strong> It will be hot in wine country this coming week, so a dose of cool jazz and a good Sonoma rosé is in order. The Healdsburg Jazz Festival has become one of the best and most intimate in the Bay Area. There’s a \u003ca href=\"https://ww2.kqed.org/arts/2016/05/31/billy-hart-honored-in-heladsburg-picks-his-five-most-important-recordings/\" target=\"_blank\" rel=\"noopener\">tribute to drummer Billy Hart\u003c/a> (50 years of jazz) Berkeley born guitar wizard Charlie Hunter is there, and pianist Fred Hersch and clarinetist Anat Cohen, perform miracles as a duo. Tickets are selling fast. Details \u003ca href=\"http://www.healdsburgjazzfestival.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_i3KUfVjAjE'\n title='//www.youtube.com/embed/_i3KUfVjAjE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 3-19:\u003c/strong> It’s a festival-themed Do List this week. \u003ca href=\"http://worldartswest.org/main/edf_index.asp\" target=\"_blank\" rel=\"noopener\">The San Francisco Ethnic Dance Festival\u003c/a> is the first of two we’re highlighting. The festival celebrates the Bay Area’s enormous ethnic diversity and exceptional dancing from groups like Chinese Performing Arts of America (San Jose), the San Francisco Flamenco Dance Company, Kathak from San Franciscan Aliah Najmabadi, and many others over the next three weekends. It opens with a free performance at noon today by El Tunante (Peruvian dance) at San Francisco City Hall. Details \u003ca href=\"http://worldartswest.org/main/edf_index.asp\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>June 3 & 4:\u003c/strong> That trove of dance creativity, ODC, opens its fifth \u003ca href=\"https://www.odcdance.org/performance.php?param=275\" target=\"_blank\" rel=\"noopener\">Walking Distance Dance Festival\u003c/a> tonight, with a focus on “Identity.” The festival showcases work by ODC/Dance, Kim Epifano’s Epiphany Productions, Dance Brigade, 13th Floor, David Herrera Performance Company, and Smith/Wymore Disappearing Acts all at locations in the Mission within walking distance of ODC’s home campus at 17th and Shotwell in San Francisco. Details \u003ca href=\"https://www.odcdance.org/performance.php?param=275\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/C7l-xs2GF-0'\n title='//www.youtube.com/embed/C7l-xs2GF-0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 5:\u003c/strong> Cymande is back on the road. Last year, this British funk band put out its first studio album in forty years. But they haven’t lost their smooth and soulful touch. The band has mostly stuck together: Steve Scipio (Bass, vocals) Patrick Patterson (Guitar, vocals) Sam Kelly (Drums) Mike Rose (Sax, flute, percussion) Pablo Gonsales (Percussion, vocals) and Derek Gibbs (Sax), and they combine a little Calypso, a little reggae, a little Curtis Mayfield, and a bit of smooth jazz. Details for their show at the Regency Ballroom in San Francisco are \u003ca href=\"http://www.theregencyballroom.com/events/detail/308513\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/g7NIvS4IBdc'\n title='//www.youtube.com/embed/g7NIvS4IBdc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 4 & 7\u003c/strong>: \u003ca href=\"http://www.natashaleggero.com/\" target=\"_blank\" rel=\"noopener\">Natasha Leggero\u003c/a> and the Bay Area’s own \u003ca href=\"http://moshekasher.com/\" target=\"_blank\" rel=\"noopener\">Moshe Kasher \u003c/a>are both alums of \u003cem>Chelsea Lately; t\u003c/em>hey’re also newly married and on their “Honeymoon tour.” Leggero has been talking (see the \u003cem>Conan\u003c/em> clip above) about converting to Judaism for the marriage, and pioneering new (and humorous) ways to offend Jews and Catholics alike. While on tour, Kasher claims they’re camping out some nights in a little camper trailer (\u003ca href=\"http://www.scamptrailers.com/\" target=\"_blank\" rel=\"noopener\">a Scamp\u003c/a>). This should be like \u003ca href=\"https://www.youtube.com/watch?v=yDCjhLOaNZI\" target=\"_blank\" rel=\"noopener\">Burns and Allen\u003c/a> with naughty words. Details for their sol- out New Parish show on Saturday are \u003ca href=\"http://thenewparish.com/event.cfm?id=232899&cart\" target=\"_blank\" rel=\"noopener\">here\u003c/a>, and for their show at Matthews Hall in Santa Cruz \u003ca href=\"http://www.brownpapertickets.com/event/2512423\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3B4FSeeXUaE'\n title='//www.youtube.com/embed/3B4FSeeXUaE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 3: \u003c/strong>Oakland blues man \u003ca href=\"http://www.fantasticnegrito.com/\" target=\"_blank\" rel=\"noopener\">Fantastic Negrito\u003c/a> wants to give back. After winning NPR’s Tiny Desk Contest last year, he won praise for his work at SXSW, and then toured the US and Europe. Now he’s released a new album, \u003ca href=\"http://www.npr.org/2016/05/26/478235309/first-listen-fantastic-negrito-the-last-days-of-oakland\" target=\"_blank\" rel=\"noopener\">\u003cem>The Last Days of Oakland\u003c/em>\u003c/a>, about how gentrification is driving African Americans and artists like himself out of the city. “That era of the Bay Area in Oakland that I grew up with,” he told me, “That’s over. There’s something new now. And I look at it as an opportunity for us all to collectively get together and make some sense out of it. So when I say ‘the last days of Oakland,’ I mean it in a very hopeful way. I want to look at how we can make things happen. Not how we can’t.” He’ll kick off that conversation in a free concert at First Fridays Oakland. Details \u003ca href=\"http://oaklandfirstfridays.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11641752\" class=\"wp-caption aligncenter\" style=\"max-width: 630px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11641752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-630x600.jpg\" alt=\"East Bay Open Studios 2016\" width=\"630\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-630x600.jpg 630w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-400x381.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-768x732.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604.jpg 781w\" sizes=\"(max-width: 630px) 100vw, 630px\">\u003cfigcaption class=\"wp-caption-text\">East Bay Open Studios 2016 \u003ccite>(Photo: Courtesy Pro-Arts Oakland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 4-12:\u003c/strong> After you recover from First Friday, stay in the East Bay and hit some artist studios. \u003ca href=\"http://www.proartsgallery.org/\" target=\"_blank\" rel=\"noopener\">Pro-Arts \u003c/a>in Oakland sponsors this opportunity to visit and support your local artist over the next two weekends, and keep them from being priced out of the Bay Area. Details \u003ca href=\"http://www.proartsgallery.org/ebos/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>On the night of January 19, 1996, Equipto’s best friend JoJo White was shot and killed in a random act of violence. JoJo had been a teacher, community organizer, and beloved member of Equipto’s hip-hop group, Bored Stiff, and Equipto held him during his final moments.\u003c/p>\n\u003cp>“That changed everything,” Equipto says.\u003c/p>\n\u003cp>In the intro to “\u003ca href=\"http://https://www.youtube.com/watch?v=UG6ma-pCh48\">JoJo’s Song\u003c/a>,” from Bored Stiff’s 2001 album \u003cem>Ghetto Research\u003c/em>, JoJo’s mother Naomi White — an outspoken activist against the death penalty — says \u003cem>Bored Stiff\u003c/em> helped JoJo find other like-minded people “who were trying to collectively respond to a very frightening society, and to respond creatively, with hope.”\u003c/p>\n\u003cp>\u003cem>“They got Mumia locked up / They got me locked up / And they had Bill Clinton stressin’ at the White House / Powers that be is thicker than the X-Files / Got pictures of me and my crew as a child.” — “JoJo’s Song,” from ‘Ghetto Research’\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11632316\" class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11632316\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/1-400x267.jpg\" alt=\"On May 3rd, the group marched to City Hall assisted by White Coats for Black Lives, a coalition of concerned doctors from UCSF.\" width=\"400\" height=\"267\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1-960x640.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">On May 3rd, the Frisco Five marched to City Hall assisted by White Coats for Black Lives, a coalition of concerned doctors from UCSF. \u003ccite>(Photo: Rafael Roy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fast forward 20 years to the present day, and Equipto (born Ilych Sato) shows signs of the weight he lost from a high-profile 17-day hunger strike against police brutality. What kept him going, he says, was the thought of Mario Woods’ mother and Alex Nieto’s mother, “who wake up everyday with the loss of their child.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>During the strike, Equipto slept in a tent, and occupied the sidewalk directly in front of the Mission Police Station. Just a few steps from the site of his protest stands a freshly painted mural dedicated to the four other community organizers who took part in the strike — his mother, educator Cristina Gutierrez; two hip-hop artists and local activists, Sellassie Blackwell and Ike Pinkston (who, as Ike Plump, rhymed alongside Equipto in Bored Stiff); and Edwin Lindo, a lawyer and candidate for District 9 supervisor.\u003c/p>\n\u003cfigure id=\"attachment_11632317\" class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11632317\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/2-400x267.jpg\" alt=\"Hundreds of local youth rally through the Mission District towards City Hall.\" width=\"400\" height=\"267\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/2-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/2-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/2-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/2-960x640.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds of local youth rally through the Mission District towards City Hall. \u003ccite>(Photo: Rafael Roy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The hunger strikers arrived with a single demand — the removal of Police Chief Greg Suhr, who’d presided over the SFPD’s most turbulent period in recent memory. The SFPD had been involved in nine fatal shootings since 2014, including the highly criticized shootings of Woods and Nieto, and two scandals involving the exchange of racist text messages between officers had fueled mistrust between the department and the communities they patrol.\u003c/p>\n\u003cp>On May 20, after police shot and killed an unarmed woman of color in Bayview, Suhr resigned at the behest of Mayor Ed Lee. (Equipto’s own history with Lee includes accosting the mayor at Max’s Opera House Cafe about displacement in San Francisco in a \u003ca href=\"https://www.youtube.com/watch?v=YY7y6yamBt8\" target=\"_blank\" rel=\"noopener\">video that swiftly went viral\u003c/a>.)\u003c/p>\n\u003cp>Equipto’s roots in San Francisco and the Bay Area’s music scene run deep. He’s recorded music for over 25 years; he’s shared the stage with legends like KRS-One, De La Soul and Nas; and he’s toured internationally with \u003cem>Bored Stiff\u003c/em> and collaborated extensively with Fillmore neighborhood rapper Andre Nickatina.\u003c/p>\n\u003cfigure id=\"attachment_11632318\" class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11632318\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/3-400x267.jpg\" alt=\"Equipto welcomes his role as a mentor for the next generation.\" width=\"400\" height=\"267\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/3-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/3-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/3-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/3-960x640.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Equipto welcomes his role as a mentor for the next generation. \u003ccite>(Photo: Rafael Roy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These days, Equipto still records and performs, but he’s also highly involved in mentoring local artists and neighborhood youth. The independent label he founded, Solidarity Records, gives support to the current underground hip-hop scene, while his work as an educator at Los Compañeros Del Barrio, the Mission-area preschool that his mother founded, ensures that he’s in the ear of local youth for a long time to come.\u003c/p>\n\u003cp>“It’s humbling to put on some of these shows and tours for these youngsters,” he says. “It’s fulfilling because a lot of this stuff wasn’t done for us…. That’s our job, and I pride myself on being a regular motherf––r too. I’m not standing for the people, I’m with the people. I never want to lose that.”\u003c/p>\n\u003cp>In lyrics from his 2015 album, \u003cem>Baby Steps\u003c/em>, from a collaboration with local Bay Area rapper Otayo Dubb called “Yuk The World,” he’s self-deprecating about passing the torch to the next generation:\u003c/p>\n\u003cp>\u003ci>“Many have sacrificed just so we can speak our minds / And I hoped the true ones wouldn’t leave my side, a deep sigh / Lookin’ at my proud stumble / At the fam party I’m now the loud uncle.” — “Yuk The World,” from ‘Baby Steps’\u003c/i>\u003c/p>\n\u003cp>For Equipto, hip-hop is more than just music or a career; he remembers the way it shaped the city. “It was a revolution in the streets,” he says, “it was all these different ways for the community to come together and express themselves, without violence.”\u003c/p>\n\u003cp>As Equipto takes a step back from his musical career, he eyes a future in activism. “What I’ve discovered through this life in community activism is that others have been through these struggles,” he says.\u003c/p>\n\u003cp>“When I started learning more about Ed Lee, Willie Brown, Ron Conway, Gavin Newsom, all these politicians, I realized that if I claimed I loved my city so much, I had to \u003cem>fight\u003c/em> for it.”\u003c/p>\n\u003cp>https://soundcloud.com/equipto/justice4mariowoods\u003c/p>\n\u003cblockquote>\n\u003cdiv>From Frisco to Ferguson\u003c/div>\n\u003cdiv>Gentrified cities trying to make the change permanent\u003c/div>\n\u003cdiv>Developers, investors intention’s to wipe out the culture\u003c/div>\n\u003cdiv>Conditionin’ the mind of young soldiers\u003c/div>\n\u003cdiv>But if we organize in the name of Alex and Mario\u003c/div>\n\u003cdiv>Unite every hood, community in the barrio\u003c/div>\n\u003cdiv>Stand up and show em that black lives matter\u003c/div>\n\u003cdiv>Power of influence of entertainers and rappers\u003c/div>\n\u003cdiv>Get together our demands to the committee\u003c/div>\n\u003cdiv>And fight for it\u003c/div>\n\u003cdiv>Then we gon’ take back the city\u003c/div>\n\u003cdiv>— Justice for Mario Woods Coalition, 2016\u003c/div>\n\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On the night of January 19, 1996, Equipto’s best friend JoJo White was shot and killed in a random act of violence. JoJo had been a teacher, community organizer, and beloved member of Equipto’s hip-hop group, Bored Stiff, and Equipto held him during his final moments.\u003c/p>\n\u003cp>“That changed everything,” Equipto says.\u003c/p>\n\u003cp>In the intro to “\u003ca href=\"http://https://www.youtube.com/watch?v=UG6ma-pCh48\">JoJo’s Song\u003c/a>,” from Bored Stiff’s 2001 album \u003cem>Ghetto Research\u003c/em>, JoJo’s mother Naomi White — an outspoken activist against the death penalty — says \u003cem>Bored Stiff\u003c/em> helped JoJo find other like-minded people “who were trying to collectively respond to a very frightening society, and to respond creatively, with hope.”\u003c/p>\n\u003cp>\u003cem>“They got Mumia locked up / They got me locked up / And they had Bill Clinton stressin’ at the White House / Powers that be is thicker than the X-Files / Got pictures of me and my crew as a child.” — “JoJo’s Song,” from ‘Ghetto Research’\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11632316\" class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11632316\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/1-400x267.jpg\" alt=\"On May 3rd, the group marched to City Hall assisted by White Coats for Black Lives, a coalition of concerned doctors from UCSF.\" width=\"400\" height=\"267\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1-960x640.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">On May 3rd, the Frisco Five marched to City Hall assisted by White Coats for Black Lives, a coalition of concerned doctors from UCSF. \u003ccite>(Photo: Rafael Roy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fast forward 20 years to the present day, and Equipto (born Ilych Sato) shows signs of the weight he lost from a high-profile 17-day hunger strike against police brutality. What kept him going, he says, was the thought of Mario Woods’ mother and Alex Nieto’s mother, “who wake up everyday with the loss of their child.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>During the strike, Equipto slept in a tent, and occupied the sidewalk directly in front of the Mission Police Station. Just a few steps from the site of his protest stands a freshly painted mural dedicated to the four other community organizers who took part in the strike — his mother, educator Cristina Gutierrez; two hip-hop artists and local activists, Sellassie Blackwell and Ike Pinkston (who, as Ike Plump, rhymed alongside Equipto in Bored Stiff); and Edwin Lindo, a lawyer and candidate for District 9 supervisor.\u003c/p>\n\u003cfigure id=\"attachment_11632317\" class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11632317\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/2-400x267.jpg\" alt=\"Hundreds of local youth rally through the Mission District towards City Hall.\" width=\"400\" height=\"267\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/2-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/2-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/2-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/2-960x640.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds of local youth rally through the Mission District towards City Hall. \u003ccite>(Photo: Rafael Roy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The hunger strikers arrived with a single demand — the removal of Police Chief Greg Suhr, who’d presided over the SFPD’s most turbulent period in recent memory. The SFPD had been involved in nine fatal shootings since 2014, including the highly criticized shootings of Woods and Nieto, and two scandals involving the exchange of racist text messages between officers had fueled mistrust between the department and the communities they patrol.\u003c/p>\n\u003cp>On May 20, after police shot and killed an unarmed woman of color in Bayview, Suhr resigned at the behest of Mayor Ed Lee. (Equipto’s own history with Lee includes accosting the mayor at Max’s Opera House Cafe about displacement in San Francisco in a \u003ca href=\"https://www.youtube.com/watch?v=YY7y6yamBt8\" target=\"_blank\" rel=\"noopener\">video that swiftly went viral\u003c/a>.)\u003c/p>\n\u003cp>Equipto’s roots in San Francisco and the Bay Area’s music scene run deep. He’s recorded music for over 25 years; he’s shared the stage with legends like KRS-One, De La Soul and Nas; and he’s toured internationally with \u003cem>Bored Stiff\u003c/em> and collaborated extensively with Fillmore neighborhood rapper Andre Nickatina.\u003c/p>\n\u003cfigure id=\"attachment_11632318\" class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11632318\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/3-400x267.jpg\" alt=\"Equipto welcomes his role as a mentor for the next generation.\" width=\"400\" height=\"267\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/3-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/3-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/3-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/3-960x640.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Equipto welcomes his role as a mentor for the next generation. \u003ccite>(Photo: Rafael Roy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These days, Equipto still records and performs, but he’s also highly involved in mentoring local artists and neighborhood youth. The independent label he founded, Solidarity Records, gives support to the current underground hip-hop scene, while his work as an educator at Los Compañeros Del Barrio, the Mission-area preschool that his mother founded, ensures that he’s in the ear of local youth for a long time to come.\u003c/p>\n\u003cp>“It’s humbling to put on some of these shows and tours for these youngsters,” he says. “It’s fulfilling because a lot of this stuff wasn’t done for us…. That’s our job, and I pride myself on being a regular motherf––r too. I’m not standing for the people, I’m with the people. I never want to lose that.”\u003c/p>\n\u003cp>In lyrics from his 2015 album, \u003cem>Baby Steps\u003c/em>, from a collaboration with local Bay Area rapper Otayo Dubb called “Yuk The World,” he’s self-deprecating about passing the torch to the next generation:\u003c/p>\n\u003cp>\u003ci>“Many have sacrificed just so we can speak our minds / And I hoped the true ones wouldn’t leave my side, a deep sigh / Lookin’ at my proud stumble / At the fam party I’m now the loud uncle.” — “Yuk The World,” from ‘Baby Steps’\u003c/i>\u003c/p>\n\u003cp>For Equipto, hip-hop is more than just music or a career; he remembers the way it shaped the city. “It was a revolution in the streets,” he says, “it was all these different ways for the community to come together and express themselves, without violence.”\u003c/p>\n\u003cp>As Equipto takes a step back from his musical career, he eyes a future in activism. “What I’ve discovered through this life in community activism is that others have been through these struggles,” he says.\u003c/p>\n\u003cp>“When I started learning more about Ed Lee, Willie Brown, Ron Conway, Gavin Newsom, all these politicians, I realized that if I claimed I loved my city so much, I had to \u003cem>fight\u003c/em> for it.”\u003c/p>\n\u003cp>https://soundcloud.com/equipto/justice4mariowoods\u003c/p>\n\u003cblockquote>\n\u003cdiv>From Frisco to Ferguson\u003c/div>\n\u003cdiv>Gentrified cities trying to make the change permanent\u003c/div>\n\u003cdiv>Developers, investors intention’s to wipe out the culture\u003c/div>\n\u003cdiv>Conditionin’ the mind of young soldiers\u003c/div>\n\u003cdiv>But if we organize in the name of Alex and Mario\u003c/div>\n\u003cdiv>Unite every hood, community in the barrio\u003c/div>\n\u003cdiv>Stand up and show em that black lives matter\u003c/div>\n\u003cdiv>Power of influence of entertainers and rappers\u003c/div>\n\u003cdiv>Get together our demands to the committee\u003c/div>\n\u003cdiv>And fight for it\u003c/div>\n\u003cdiv>Then we gon’ take back the city\u003c/div>\n\u003cdiv>— Justice for Mario Woods Coalition, 2016\u003c/div>\n\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Prince Died of Opioid Overdose, According to Law Enforcement Official",
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"content": "\u003cp>Tests show that Prince died of an opioid overdose, a law-enforcement official told The Associated Press on Thursday.\u003c/p>\n\u003cp>The 57-year-old singer was found dead April 21 at his Minneapolis-area estate.\u003c/p>\n\u003cp>The official, who is close to the investigation, spoke on condition of anonymity because he was not authorized to speak to the media.\u003c/p>\n\u003cp>[contextly_sidebar id=”6tD3AV6PyZDxvtsLAlsIoj3MVopKRow1″]\u003c/p>\n\u003cp>The findings confirm suspicions that opioids played a role in the musician’s death. After he died, authorities began reviewing whether an overdose was to blame and whether he had been prescribed drugs in the preceding weeks.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Prince’s death came less than a week after his plane made an emergency stop in Moline, Illinois, for medical treatment as he was returning from an Atlanta concert. The Associated Press and other media reported, based on anonymous sources, that Prince was found unconscious on the plane, and first responders gave him a shot of Narcan, an antidote used in suspected opioid overdoses.\u003c/p>\n\u003cp>At least two doctors’ names have come up in the death investigation being conducted by the Carver County Sheriff’s Office, the U.S. Attorney’s Office in Minnesota and the Drug Enforcement Administration.\u003c/p>\n\u003cp>Dr. Michael Todd Schulenberg, a family practitioner, treated Prince twice in the weeks before his death and told investigators he prescribed medications for the singer. The medications were not specified in a search warrant for the Minnesota hospital that employed Schulenberg at the time.\u003c/p>\n\u003cp>Schulenberg saw Prince April 7 and April 20 — the day before his death — according to the warrant. Schulenberg’s attorney has declined to comment on the case.\u003c/p>\n\u003cp>Dr. Howard Kornfeld, a California addiction specialist, was asked by Prince’s representatives on April 20 to help the singer.\u003c/p>\n\u003cp>Kornfeld sent his son Andrew on a redeye flight that night, and Andrew was among the people who found Prince’s unresponsive body the next morning, according to Kornfeld’s attorney, William Mauzy.\u003c/p>\n\u003cp>The younger Kornfeld, who is not a doctor, was carrying buprenorphine, a medication that can be used to treat opioid addiction by easing cravings and withdrawal symptoms, Mauzy said, explaining that Andrew Kornfeld intended to give the medication to a Minnesota doctor who had cleared his schedule to see Prince on April 21.\u003c/p>\n\u003cp>Mauzy has refused to identify that doctor. Schulenberg is not authorized to prescribe buprenorphine.\u003c/p>\n\u003cp>Prince’s death came two weeks after he canceled concerts in Atlanta, saying he wasn’t feeling well. He played a pair of makeup shows April 14 in that city, and then came the emergency landing in Moline. He was scheduled to perform two shows in St. Louis but canceled them shortly before his death.\u003c/p>\n\u003cp>The superstar had a reputation for clean living, and some friends said they never saw any sign of drug use. But longtime friend and collaborator Sheila E. has told the AP that Prince had physical issues from performing, citing hip and knee problems that she said came from years of jumping off risers and stage speakers in heels.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Tests show that Prince died of an opioid overdose, a law-enforcement official told The Associated Press on Thursday.\u003c/p>\n\u003cp>The 57-year-old singer was found dead April 21 at his Minneapolis-area estate.\u003c/p>\n\u003cp>The official, who is close to the investigation, spoke on condition of anonymity because he was not authorized to speak to the media.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The findings confirm suspicions that opioids played a role in the musician’s death. After he died, authorities began reviewing whether an overdose was to blame and whether he had been prescribed drugs in the preceding weeks.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Prince’s death came less than a week after his plane made an emergency stop in Moline, Illinois, for medical treatment as he was returning from an Atlanta concert. The Associated Press and other media reported, based on anonymous sources, that Prince was found unconscious on the plane, and first responders gave him a shot of Narcan, an antidote used in suspected opioid overdoses.\u003c/p>\n\u003cp>At least two doctors’ names have come up in the death investigation being conducted by the Carver County Sheriff’s Office, the U.S. Attorney’s Office in Minnesota and the Drug Enforcement Administration.\u003c/p>\n\u003cp>Dr. Michael Todd Schulenberg, a family practitioner, treated Prince twice in the weeks before his death and told investigators he prescribed medications for the singer. The medications were not specified in a search warrant for the Minnesota hospital that employed Schulenberg at the time.\u003c/p>\n\u003cp>Schulenberg saw Prince April 7 and April 20 — the day before his death — according to the warrant. Schulenberg’s attorney has declined to comment on the case.\u003c/p>\n\u003cp>Dr. Howard Kornfeld, a California addiction specialist, was asked by Prince’s representatives on April 20 to help the singer.\u003c/p>\n\u003cp>Kornfeld sent his son Andrew on a redeye flight that night, and Andrew was among the people who found Prince’s unresponsive body the next morning, according to Kornfeld’s attorney, William Mauzy.\u003c/p>\n\u003cp>The younger Kornfeld, who is not a doctor, was carrying buprenorphine, a medication that can be used to treat opioid addiction by easing cravings and withdrawal symptoms, Mauzy said, explaining that Andrew Kornfeld intended to give the medication to a Minnesota doctor who had cleared his schedule to see Prince on April 21.\u003c/p>\n\u003cp>Mauzy has refused to identify that doctor. Schulenberg is not authorized to prescribe buprenorphine.\u003c/p>\n\u003cp>Prince’s death came two weeks after he canceled concerts in Atlanta, saying he wasn’t feeling well. He played a pair of makeup shows April 14 in that city, and then came the emergency landing in Moline. He was scheduled to perform two shows in St. Louis but canceled them shortly before his death.\u003c/p>\n\u003cp>The superstar had a reputation for clean living, and some friends said they never saw any sign of drug use. But longtime friend and collaborator Sheila E. has told the AP that Prince had physical issues from performing, citing hip and knee problems that she said came from years of jumping off risers and stage speakers in heels.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "records-doctors-call-prompted-search-for-sinead-oconnor",
"title": "Records: Doctor's Call Prompted Search For Sinead O'Connor",
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"content": "\u003cp>A search last month in suburban Chicago for Sinead O’Connor was launched after a doctor concerned about her welfare contacted authorities, according to police documents obtained Wednesday.\u003c/p>\n\u003cp>The May 15 call prompted a search of hotels by 10 police departments, according to the documents from the Wilmette Police Department that The Associated Press obtained through a Freedom of Information Act request. The name of the doctor who called police is blacked out, but the report says she was calling about a patient.\u003c/p>\n\u003cp>The search for the Irish singer-songwriter began within an hour of the doctor’s call, the documents show. O’Connor was found later that day at an unidentified hotel. The police report doesn’t indicate her condition at the time.\u003c/p>\n\u003cp>A rambling message posted that evening on O’Connor’s official Facebook page referred to emotional trauma she had been through over the years.\u003c/p>\n\u003cp>O’Connor scored an international hit in 1990 with her rendition of Prince’s ballad “Nothing Compares 2 U.” But her blunt-spoken manner often drew criticism, notably in 1992 after she ripped up a picture of Pope John Paul II on “Saturday Night Live.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>O’Connor said she was diagnosed with bipolar disorder more than a decade ago and has spoken publicly of her mental health problems.\u003c/p>\n\u003cp>_____\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A search last month in suburban Chicago for Sinead O’Connor was launched after a doctor concerned about her welfare contacted authorities, according to police documents obtained Wednesday.\u003c/p>\n\u003cp>The May 15 call prompted a search of hotels by 10 police departments, according to the documents from the Wilmette Police Department that The Associated Press obtained through a Freedom of Information Act request. The name of the doctor who called police is blacked out, but the report says she was calling about a patient.\u003c/p>\n\u003cp>The search for the Irish singer-songwriter began within an hour of the doctor’s call, the documents show. O’Connor was found later that day at an unidentified hotel. The police report doesn’t indicate her condition at the time.\u003c/p>\n\u003cp>A rambling message posted that evening on O’Connor’s official Facebook page referred to emotional trauma she had been through over the years.\u003c/p>\n\u003cp>O’Connor scored an international hit in 1990 with her rendition of Prince’s ballad “Nothing Compares 2 U.” But her blunt-spoken manner often drew criticism, notably in 1992 after she ripped up a picture of Pope John Paul II on “Saturday Night Live.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "district-upset-fetty-wap-got-ok-to-shoot-music-video-at-school",
"title": "District Upset Fetty Wap Got OK to Shoot Music Video at School",
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"content": "\u003cp>A New Jersey school district is investigating how rapper Fetty Wap was allowed to record a music video that included drug references and a pole dancer in his old high school.\u003c/p>\n\u003cp>The Paterson native released the video for “Wake Up” last week.\u003c/p>\n\u003cp>Paterson school district spokeswoman Terry Corallo \u003ca href=\"http://www.nj.com/passaic-county/index.ssf/2016/06/should_this_fetty_wap_video_been_filmed_in_a_pater.html#incart_2box_nj-homepage-featured\" target=\"_blank\" rel=\"noopener\">told NJ.com\u003c/a> the district is investigating whether procedures were followed in allowing parts of the video to be recorded at Eastside High School. Fetty Wap dropped out of the school.\u003c/p>\n\u003cp>Corallo said the district doesn’t endorse the content of the video. It was shot during non-instructional hours and didn’t include students, she said.\u003c/p>\n\u003cp>The video released April 20 includes numerous drug references and features a scantily clad woman dancing on a pole inside a classroom. Numerous banners and posters seen in the video read, “Go Team Kush,” which references a strain of marijuana.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Toward the end of the video, a woman presumed to be a teacher takes an apple from her desk and uses it as a bong.\u003c/p>\n\u003cp>Some community leaders questioned why a video they say glamorizes negative behaviors was allowed to be filmed at the school.\u003c/p>\n\u003cp>“I’m from Paterson and I’m proud of his success, but as a parent and school board member I think it sends the wrong message,” Kenneth Simmons told The Record. “To me, it glorifies dropping out of high school and getting high.”\u003c/p>\n\u003cp>In a statement issued Wednesday afternoon, the rapper defended his actions.\u003c/p>\n\u003cp>“I went back to my old high school because I love my city,” he said. “I wanted to show the students of Paterson that someone who walked those same hallways they walk every day and sat in the same classrooms shown in the video has become successful. If I can do it they can do it too.”\u003c/p>\n\u003cp>His recording label, 300 Entertainment, also voiced support for Wap.\u003c/p>\n\u003cp>The label “encourages and champions artistic expression and creativity from our artists,” the company said.\u003c/p>\n\u003cp>Fetty Wap performed a free show for city high school students in August.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A New Jersey school district is investigating how rapper Fetty Wap was allowed to record a music video that included drug references and a pole dancer in his old high school.\u003c/p>\n\u003cp>The Paterson native released the video for “Wake Up” last week.\u003c/p>\n\u003cp>Paterson school district spokeswoman Terry Corallo \u003ca href=\"http://www.nj.com/passaic-county/index.ssf/2016/06/should_this_fetty_wap_video_been_filmed_in_a_pater.html#incart_2box_nj-homepage-featured\" target=\"_blank\" rel=\"noopener\">told NJ.com\u003c/a> the district is investigating whether procedures were followed in allowing parts of the video to be recorded at Eastside High School. Fetty Wap dropped out of the school.\u003c/p>\n\u003cp>Corallo said the district doesn’t endorse the content of the video. It was shot during non-instructional hours and didn’t include students, she said.\u003c/p>\n\u003cp>The video released April 20 includes numerous drug references and features a scantily clad woman dancing on a pole inside a classroom. Numerous banners and posters seen in the video read, “Go Team Kush,” which references a strain of marijuana.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Toward the end of the video, a woman presumed to be a teacher takes an apple from her desk and uses it as a bong.\u003c/p>\n\u003cp>Some community leaders questioned why a video they say glamorizes negative behaviors was allowed to be filmed at the school.\u003c/p>\n\u003cp>“I’m from Paterson and I’m proud of his success, but as a parent and school board member I think it sends the wrong message,” Kenneth Simmons told The Record. “To me, it glorifies dropping out of high school and getting high.”\u003c/p>\n\u003cp>In a statement issued Wednesday afternoon, the rapper defended his actions.\u003c/p>\n\u003cp>“I went back to my old high school because I love my city,” he said. “I wanted to show the students of Paterson that someone who walked those same hallways they walk every day and sat in the same classrooms shown in the video has become successful. If I can do it they can do it too.”\u003c/p>\n\u003cp>His recording label, 300 Entertainment, also voiced support for Wap.\u003c/p>\n\u003cp>The label “encourages and champions artistic expression and creativity from our artists,” the company said.\u003c/p>\n\u003cp>Fetty Wap performed a free show for city high school students in August.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"soldout": {
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