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"content": "\u003cp>I’ve been trying to ignore the press releases for Dolly Parton’s imminent album \u003cem>Rockstar\u003c/em>, on which the country superstar is joined by guest stars to cover a variety of rock classics. (And also \u003ca href=\"https://www.youtube.com/watch?v=fLH_g2L3pKU\">Miley Cyrus’ pop hit “Wrecking Ball”\u003c/a> because: goddaughter). Some find Dolly duetting with the original artists (like “Every Breath You Take” featuring Sting, or “Heart of Glass” featuring Debbie Harry), and some feature random stars (like her version of “(I Can’t Get No) Satisfaction” with P!nk and Brandi Carlile). The album also contains a few original tracks, on which Dolly collaborates with the likes of \u003ca href=\"https://www.youtube.com/watch?v=hQTM3Dwpk0I\">Judas Priest’s Rob Halford\u003c/a> and human garbage truck Kid Rock.\u003c/p>\n\u003cp>[aside postid='arts_13889581']One of the first tastes we’re getting of \u003cem>Rockstar\u003c/em> is the brand new video for a solo Dolly performing Queen’s “We Are the Champions,” in anticipation of the Summer 2024 Olympics in Paris. Queen’s 1977 hit was already played out as a sporting anthem when the San Francisco Giants decided to play it into our unwilling ears at every game following their 2012 World Series win, but sure, let’s keep flogging that dead horse, shall we?\u003c/p>\n\u003cp>Dolly, perhaps keen to differentiate her sporty use of “We Are the Champions” from other sporty uses of “We Are the Champions,” has also tacked a gratuitous rendition of “We Will Rock You” onto the end. Because apparently good sense was entirely absent in the \u003cem>Rockstar\u003c/em> recording sessions.\u003c/p>\n\u003cp>The video for the final awkward-combo song was released today. As you might expect, it’s a thing to behold! Here then, is our (admittedly cynical) rundown of everything that happens in the video.\u003c/p>\n\u003cp>\u003cstrong>0:05\u003c/strong>: Dolly sits somberly on empty bleachers wearing the same facial expression she might adopt before singing “\u003ca href=\"https://www.youtube.com/watch?v=xRriGGC68A8\">Me and Little Andy\u003c/a>,” her classic track in which an abandoned six-year-old child and her cute little dog beg strangers for help, then unceremoniously drop dead. Who feels like goin’ to the Olympics?! Woo!\u003c/p>\n\u003cfigure id=\"attachment_13932127\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13932127\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.14.54-PM-800x483.png\" alt=\"Dolly Parton, wearing a white jumpsuit, sitting alone in the center of bleachers, head bowed.\" width=\"800\" height=\"483\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.14.54-PM-800x483.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.14.54-PM-160x97.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.14.54-PM-768x464.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.14.54-PM.png 934w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dolly Parton: Very much not at a pep rally and obviously sad about it. \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>0:36\u003c/strong>: Fireworks explode behind the Eiffel Tower and sports montages begin, complete with a backing track of roaring crowds. Do you feel that, everyone? It’s the sound of trying to get excited about something that doesn’t start for another year! Yay!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>0:40\u003c/strong>: Dolly’s wearing a gold dress now. You know: Like the medal. Because if this song isn’t literal enough already, by God, Dolly can and will hammer it home with a wardrobe choice.\u003c/p>\n\u003cp>\u003cstrong>0:49\u003c/strong>: She’s wearing silver now. Because winning a silver medal is also perfectly respectable, and Dolly wouldn’t want you to think otherwise. Inclusion!\u003c/p>\n\u003cp>\u003cstrong>0:52\u003c/strong>: An image of two athletes literally fighting to accompany the line “We’ll keep on fighting ’til the end.” Subtle imagery is everywhere!\u003c/p>\n\u003cp>\u003cstrong>0:56\u003c/strong>: Oh, snap! Dolly’s wearing bronze now! Five dollars says she’s about to show up dressed as a participation certificate.\u003c/p>\n\u003cp>\u003cstrong>0:59\u003c/strong>: Gold, silver and bronze Dolly are singing in front of the Eiffel Tower now, together. Strong bachelorette-party-with-too-many-of-your-drunk-aunts-in-Vegas vibes emanate from the screen.\u003c/p>\n\u003cfigure id=\"attachment_13932126\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13932126\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-800x425.png\" alt=\"Three Dolly Partons performing on stools together, wearing matching silver, gold and bronze dresses.\" width=\"800\" height=\"425\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-800x425.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-1020x542.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-160x85.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-768x408.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-1536x816.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-2048x1089.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-1920x1020.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cool. \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>1:26\u003c/strong>: The line “I’ve taken my bows” is accompanied by — what else? — a runner taking a bow. A handful of my brain cells just died.\u003c/p>\n\u003cp>\u003cstrong>1:40\u003c/strong>: A montage of athletes biting the dust, in slow motion, on their respective fields. “No time for losers” and now this? This doesn’t feel very supportive, Dolly!\u003c/p>\n\u003cp>\u003cstrong>2:28\u003c/strong>: Dolly is in the bleachers again, now surrounded by a wholesome group of perfectly still young people who stare intently at her face, even if it means twisting around in their seats to do so. Two questions: 1) Is this a cult? And, 2) Is there about to be a human sacrifice? ‘Cause this is weird. First one to move is the loser!\u003c/p>\n\u003cfigure id=\"attachment_13932125\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13932125\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-2.57.25-PM-800x463.png\" alt=\"Dolly Parton seated on bleachers surrounded by a diverse crowd of people of varying ages.\" width=\"800\" height=\"463\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-2.57.25-PM-800x463.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-2.57.25-PM-1020x590.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-2.57.25-PM-160x93.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-2.57.25-PM-768x444.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-2.57.25-PM.png 1144w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Hey, extra No. 46. You look a bit like Zendaya. Go ahead and sit directly behind Dolly.” \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>2:45\u003c/strong>: Oh, crap. The wholesome humans are singing along en masse now, thereby signaling that we’re \u003cem>all\u003c/em> losers.\u003c/p>\n\u003cp>\u003cstrong>3:04\u003c/strong>: Oh, crap. The “We Will Rock You” segue has begun and things are about to get considerably worse, I can just feel it.\u003c/p>\n\u003cp>[aside postid='arts_13922004']\u003cstrong>3:19\u003c/strong>: Director: “Hey, video people? Listen. Clearly some of you have no rhythm, so instead of doing full handclaps and foot stomps as Queen originally intended, just limply do a single handclap at the end of each section. Is that cool? Cool. We have zero faith in any of you.”\u003c/p>\n\u003cp>\u003cstrong>3:52\u003c/strong>: The camera pans out from Dolly’s corner of the stadium to show bleacher after bleacher of limply clapping people. Feel the American glory!\u003c/p>\n\u003cp>\u003cstrong>3:55\u003c/strong>: Diamonds with “Paris 2024” written inside them flash onscreen along with the NBC logo. I should’ve known that network had something to do with this. NBC was also responsible for the Dollywood/NBC infomercial that was Dolly Parton’s last (mind-melting) Christmas movie, \u003cem>\u003ca href=\"https://www.kqed.org/arts/13922004/dolly-partons-mountain-magic-christmas-special-nbc-miley-billy-ray-cyrus\">Dolly Parton’s Magic Mountain Christmas\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>You can watch Dolly Parton’s “We Are the Champions/We Will Rock You” in full below, if you dare:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4UYtJUYrGQQ\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Dolly Parton’s ‘Rockstar’ will be released on Nov. 17, 2023. You have been warned.\u003c/em>\u003c/p>\n\n",
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"excerpt": "It's also the video for Dolly’s cover of 'We Will Rock You.' Because why cover one of Queen's worst songs when you can do two?",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I’ve been trying to ignore the press releases for Dolly Parton’s imminent album \u003cem>Rockstar\u003c/em>, on which the country superstar is joined by guest stars to cover a variety of rock classics. (And also \u003ca href=\"https://www.youtube.com/watch?v=fLH_g2L3pKU\">Miley Cyrus’ pop hit “Wrecking Ball”\u003c/a> because: goddaughter). Some find Dolly duetting with the original artists (like “Every Breath You Take” featuring Sting, or “Heart of Glass” featuring Debbie Harry), and some feature random stars (like her version of “(I Can’t Get No) Satisfaction” with P!nk and Brandi Carlile). The album also contains a few original tracks, on which Dolly collaborates with the likes of \u003ca href=\"https://www.youtube.com/watch?v=hQTM3Dwpk0I\">Judas Priest’s Rob Halford\u003c/a> and human garbage truck Kid Rock.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>One of the first tastes we’re getting of \u003cem>Rockstar\u003c/em> is the brand new video for a solo Dolly performing Queen’s “We Are the Champions,” in anticipation of the Summer 2024 Olympics in Paris. Queen’s 1977 hit was already played out as a sporting anthem when the San Francisco Giants decided to play it into our unwilling ears at every game following their 2012 World Series win, but sure, let’s keep flogging that dead horse, shall we?\u003c/p>\n\u003cp>Dolly, perhaps keen to differentiate her sporty use of “We Are the Champions” from other sporty uses of “We Are the Champions,” has also tacked a gratuitous rendition of “We Will Rock You” onto the end. Because apparently good sense was entirely absent in the \u003cem>Rockstar\u003c/em> recording sessions.\u003c/p>\n\u003cp>The video for the final awkward-combo song was released today. As you might expect, it’s a thing to behold! Here then, is our (admittedly cynical) rundown of everything that happens in the video.\u003c/p>\n\u003cp>\u003cstrong>0:05\u003c/strong>: Dolly sits somberly on empty bleachers wearing the same facial expression she might adopt before singing “\u003ca href=\"https://www.youtube.com/watch?v=xRriGGC68A8\">Me and Little Andy\u003c/a>,” her classic track in which an abandoned six-year-old child and her cute little dog beg strangers for help, then unceremoniously drop dead. Who feels like goin’ to the Olympics?! Woo!\u003c/p>\n\u003cfigure id=\"attachment_13932127\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13932127\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.14.54-PM-800x483.png\" alt=\"Dolly Parton, wearing a white jumpsuit, sitting alone in the center of bleachers, head bowed.\" width=\"800\" height=\"483\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.14.54-PM-800x483.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.14.54-PM-160x97.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.14.54-PM-768x464.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.14.54-PM.png 934w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dolly Parton: Very much not at a pep rally and obviously sad about it. \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>0:36\u003c/strong>: Fireworks explode behind the Eiffel Tower and sports montages begin, complete with a backing track of roaring crowds. Do you feel that, everyone? It’s the sound of trying to get excited about something that doesn’t start for another year! Yay!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>0:40\u003c/strong>: Dolly’s wearing a gold dress now. You know: Like the medal. Because if this song isn’t literal enough already, by God, Dolly can and will hammer it home with a wardrobe choice.\u003c/p>\n\u003cp>\u003cstrong>0:49\u003c/strong>: She’s wearing silver now. Because winning a silver medal is also perfectly respectable, and Dolly wouldn’t want you to think otherwise. Inclusion!\u003c/p>\n\u003cp>\u003cstrong>0:52\u003c/strong>: An image of two athletes literally fighting to accompany the line “We’ll keep on fighting ’til the end.” Subtle imagery is everywhere!\u003c/p>\n\u003cp>\u003cstrong>0:56\u003c/strong>: Oh, snap! Dolly’s wearing bronze now! Five dollars says she’s about to show up dressed as a participation certificate.\u003c/p>\n\u003cp>\u003cstrong>0:59\u003c/strong>: Gold, silver and bronze Dolly are singing in front of the Eiffel Tower now, together. Strong bachelorette-party-with-too-many-of-your-drunk-aunts-in-Vegas vibes emanate from the screen.\u003c/p>\n\u003cfigure id=\"attachment_13932126\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13932126\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-800x425.png\" alt=\"Three Dolly Partons performing on stools together, wearing matching silver, gold and bronze dresses.\" width=\"800\" height=\"425\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-800x425.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-1020x542.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-160x85.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-768x408.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-1536x816.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-2048x1089.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-3.02.46-PM-1920x1020.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cool. \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>1:26\u003c/strong>: The line “I’ve taken my bows” is accompanied by — what else? — a runner taking a bow. A handful of my brain cells just died.\u003c/p>\n\u003cp>\u003cstrong>1:40\u003c/strong>: A montage of athletes biting the dust, in slow motion, on their respective fields. “No time for losers” and now this? This doesn’t feel very supportive, Dolly!\u003c/p>\n\u003cp>\u003cstrong>2:28\u003c/strong>: Dolly is in the bleachers again, now surrounded by a wholesome group of perfectly still young people who stare intently at her face, even if it means twisting around in their seats to do so. Two questions: 1) Is this a cult? And, 2) Is there about to be a human sacrifice? ‘Cause this is weird. First one to move is the loser!\u003c/p>\n\u003cfigure id=\"attachment_13932125\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13932125\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-2.57.25-PM-800x463.png\" alt=\"Dolly Parton seated on bleachers surrounded by a diverse crowd of people of varying ages.\" width=\"800\" height=\"463\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-2.57.25-PM-800x463.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-2.57.25-PM-1020x590.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-2.57.25-PM-160x93.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-2.57.25-PM-768x444.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-26-at-2.57.25-PM.png 1144w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Hey, extra No. 46. You look a bit like Zendaya. Go ahead and sit directly behind Dolly.” \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>2:45\u003c/strong>: Oh, crap. The wholesome humans are singing along en masse now, thereby signaling that we’re \u003cem>all\u003c/em> losers.\u003c/p>\n\u003cp>\u003cstrong>3:04\u003c/strong>: Oh, crap. The “We Will Rock You” segue has begun and things are about to get considerably worse, I can just feel it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cstrong>3:19\u003c/strong>: Director: “Hey, video people? Listen. Clearly some of you have no rhythm, so instead of doing full handclaps and foot stomps as Queen originally intended, just limply do a single handclap at the end of each section. Is that cool? Cool. We have zero faith in any of you.”\u003c/p>\n\u003cp>\u003cstrong>3:52\u003c/strong>: The camera pans out from Dolly’s corner of the stadium to show bleacher after bleacher of limply clapping people. Feel the American glory!\u003c/p>\n\u003cp>\u003cstrong>3:55\u003c/strong>: Diamonds with “Paris 2024” written inside them flash onscreen along with the NBC logo. I should’ve known that network had something to do with this. NBC was also responsible for the Dollywood/NBC infomercial that was Dolly Parton’s last (mind-melting) Christmas movie, \u003cem>\u003ca href=\"https://www.kqed.org/arts/13922004/dolly-partons-mountain-magic-christmas-special-nbc-miley-billy-ray-cyrus\">Dolly Parton’s Magic Mountain Christmas\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>You can watch Dolly Parton’s “We Are the Champions/We Will Rock You” in full below, if you dare:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4UYtJUYrGQQ'\n title='//www.youtube.com/embed/4UYtJUYrGQQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Dolly Parton’s ‘Rockstar’ will be released on Nov. 17, 2023. You have been warned.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Have you heard? Have you somehow \u003cem>not\u003c/em> heard? Are you waking from a six-month-long coma and desperately need someone to explain the phrase “\u003ca href=\"https://www.nme.com/news/music/stepson-missing-billionaire-titanic-submarine-blink-182-concert-3458659\" target=\"_blank\" rel=\"noopener\">Blink-182 submarine stepson\u003c/a>”?\u003c/p>\n\u003cp>Never mind all that, for Taylor Swift is coming to town. Specifically, the singer’s Eras extravaganza will bring her to Levi’s Stadium in Santa Clara on July 28 and 29, events for which the cheapest ticket on Stubhub is currently $1,200 \u003cem>for a nosebleed seat behind the stage\u003c/em>.\u003c/p>\n\u003cp>In theory, Swift is simply on tour, the way other artists go on tour, in that she is traveling to different cities for musical performances. In practice, her fans crashed Ticketmaster in such a spectacular fashion that it \u003ca href=\"https://www.npr.org/2023/01/24/1150942804/taylor-swift-ticketmaster-senate-hearing-live-nation\" target=\"_blank\" rel=\"noopener\">led to a Senate hearing\u003c/a>, and what she’s bringing to town is more like a circus put on by a small yet powerful nation-state. This thing has its own infrastructure and jurisdiction; it is its own GDP. As of June, the tour was bringing in an average of $13 million per show, putting it on track for the \u003ca href=\"https://www.cnbc.com/2023/07/04/taylor-swift-eras-tour-set-to-earn-record-breaking-1-billion-dollars-in-sales.html#:~:text=Taylor%20Swift%20is%20already%20one,setting%20%241%20billion%20in%20sales.\">highest-grossing tour in music history\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13925513\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925513\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The pre-sale debacle that confounded fans trying to buy Taylor Swift tickets last November brought renewed scrutiny to the giant Ticketmaster. \u003ccite>(Terry Wyatt/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Given the tour’s impact on local economies — her Chicago and Las Vegas shows were credited with briefly bringing tourism in those cities back to pre-pandemic levels — it makes sense that wherever Swift goes, politicians are stoked. Which is fine. Be stoked! Splurge on good seats, take the whole family, buy a \u003ca href=\"https://store.taylorswift.com/collections/taylor-swift-the-eras-tour-collection/products/taylor-swift-the-eras-tour-cropped-lavender-pullover\">$65 crop top\u003c/a>.\u003c/p>\n\u003cp>But please, I beg of you: \u003cem>Stop with the \u003ca href=\"https://www.billboard.com/lists/taylor-swift-eras-tour-cities-celebrating/glendale-arizona/\">corny-ass proclamations and city renamings and “honorary mayor” nonsense\u003c/a>.\u003c/em> I’m not sure which polls you’ve been reading, but none of the ones I’ve seen suggest that residents want their civic leaders to devote time and taxpayer dollars to working up a list of song references with their aides or daughters in a patronizing attempt to get said politician’s name in the news and ultimately appeal to white middle-class voters aged 18–42.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In Tampa, Swift was presented with a key to the city and named mayor for a day. Minneapolis officially became “Swiftie-apolis” for two days, while Nashville unveiled a bench with a plaque in honor of “Taylor Swift Homecoming Weekend.” Several other cities have named new streets for the singer; only New Jersey’s governor has declared that the \u003ca href=\"https://www.billboard.com/lists/taylor-swift-eras-tour-cities-celebrating/minneapolis-eras-tour/\">official state sandwich is now called a Taylor Swift Ham, Egg and Cheese\u003c/a>.\u003c/p>\n\u003cp>Santa Clara and San Francisco have both joined the fray in the past few days, getting in line to kneel in this embarrassing form of genuflection at the Altar of Swift. Santa Clara leaders, as a dozen headlines have told you by now, have \u003ca href=\"https://www.santaclaraca.gov/Home/Components/News/News/44597/3171\">temporarily renamed the city “Swiftie Clara”\u003c/a> and bestowed upon Swift an honorary mayorship. In San Francisco, Supervisor Matt Dorsey introduced, \u003ca href=\"https://www.tiktok.com/@sfstandard/video/7257635574117453099\">in a song title-laden speech\u003c/a>, a resolution that would make July 28–30 “Taylor Swift Weekend” in the city. I understand that this is supposed to be cringey-cute, but I cannot be alone here: my visceral reaction to said headlines is that they make me want to crawl under my desk and stay there forever.\u003c/p>\n\u003cp>[aside postID='pop_18933']Look, I get it. The tourism sector is struggling; the mall is closing; my friends back East keep gently asking if the streets are actually filled with zombies ransacking Walgreens. A positive, family-friendly event is coming to town, one that represents a weekend-long cash infusion for our hotels and restaurants, and maybe we \u003cem>should\u003c/em> all just feel grateful that Swift would deign to grace our poor, sad-sack city with her Midas touch.\u003c/p>\n\u003cp>But jeez, can we be grown-ups about it? Is it too much to ask our elected representatives — especially here in this supposed bastion of counterculture — to keep their attention trained on artists closer to home, on discussions about the value of live music and what the city can do to encourage a healthy arts scene that makes people want to come here and spend their money at our venues year-round?\u003c/p>\n\u003cfigure id=\"attachment_10900528\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10900528\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/08/TayMJ.jpg\" alt=\"Taylor Swift performs at Levi's Stadium, Aug. 14, 2015. \" width=\"1100\" height=\"619\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/TayMJ.jpg 1100w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/TayMJ-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/TayMJ-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/TayMJ-960x540.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Taylor Swift performs at Levi’s Stadium, Aug. 14, 2015. \u003ccite>(Emma Silvers/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the one hand, I’m well aware that I’m veering into Old Man Yells at Cloud territory here; “Taylor Swift Weekend” won’t hurt anyone. On the other, it improves absolutely nothing, except for — maybe? possibly? — the public image of the politicians, each of whom is hoping their proclamation speech goes viral, banking on media outlets \u003ca href=\"https://www.tiktok.com/@sfstandard/video/7257635574117453099\">reposting it without critique\u003c/a>.\u003c/p>\n\u003cp>[aside postid='arts_13931533']And here is where I acknowledge that I think Taylor Swift makes good pop songs, and I like a lot of them. While no one person should possess her current slice of market share — and while this tour illustrates so much of what’s currently broken and toxic about the music industry and perhaps, by extension, with free-market capitalism itself — none of that is exactly her fault. I respect her songwriting and her business acumen and this show is supposed to be impressive.\u003c/p>\n\u003cp>So if you have a spare $1,200 to $8,000 lying around, by all means, hit that resale ticket market, grab your clear backpack and go. \u003ca href=\"https://www.kqed.org/arts/10900446/live-review-taylor-swift-regular-super-normal-girl-like-you-and-me-at-levis-stadium\" target=\"_blank\" rel=\"noopener\">The last time I saw her was in 2015\u003c/a>, and instead of addressing the crowd as “Bay Area,” she kept saying stuff like “Thank you, Santa Clara, California!” Will she say “Swiftie Clara” this time? Or “Thank you for the Taylor Swift weekend, San Francisco”? Can someone record it and then we’ll play it on loop on a giant screen for people arriving at SFO? How can we milk this until the next tour?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I’ll be in the fetal position under my desk if anyone has ideas.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Have you heard? Have you somehow \u003cem>not\u003c/em> heard? Are you waking from a six-month-long coma and desperately need someone to explain the phrase “\u003ca href=\"https://www.nme.com/news/music/stepson-missing-billionaire-titanic-submarine-blink-182-concert-3458659\" target=\"_blank\" rel=\"noopener\">Blink-182 submarine stepson\u003c/a>”?\u003c/p>\n\u003cp>Never mind all that, for Taylor Swift is coming to town. Specifically, the singer’s Eras extravaganza will bring her to Levi’s Stadium in Santa Clara on July 28 and 29, events for which the cheapest ticket on Stubhub is currently $1,200 \u003cem>for a nosebleed seat behind the stage\u003c/em>.\u003c/p>\n\u003cp>In theory, Swift is simply on tour, the way other artists go on tour, in that she is traveling to different cities for musical performances. In practice, her fans crashed Ticketmaster in such a spectacular fashion that it \u003ca href=\"https://www.npr.org/2023/01/24/1150942804/taylor-swift-ticketmaster-senate-hearing-live-nation\" target=\"_blank\" rel=\"noopener\">led to a Senate hearing\u003c/a>, and what she’s bringing to town is more like a circus put on by a small yet powerful nation-state. This thing has its own infrastructure and jurisdiction; it is its own GDP. As of June, the tour was bringing in an average of $13 million per show, putting it on track for the \u003ca href=\"https://www.cnbc.com/2023/07/04/taylor-swift-eras-tour-set-to-earn-record-breaking-1-billion-dollars-in-sales.html#:~:text=Taylor%20Swift%20is%20already%20one,setting%20%241%20billion%20in%20sales.\">highest-grossing tour in music history\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13925513\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925513\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-1425749504-scaled-e1677268803208-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The pre-sale debacle that confounded fans trying to buy Taylor Swift tickets last November brought renewed scrutiny to the giant Ticketmaster. \u003ccite>(Terry Wyatt/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Given the tour’s impact on local economies — her Chicago and Las Vegas shows were credited with briefly bringing tourism in those cities back to pre-pandemic levels — it makes sense that wherever Swift goes, politicians are stoked. Which is fine. Be stoked! Splurge on good seats, take the whole family, buy a \u003ca href=\"https://store.taylorswift.com/collections/taylor-swift-the-eras-tour-collection/products/taylor-swift-the-eras-tour-cropped-lavender-pullover\">$65 crop top\u003c/a>.\u003c/p>\n\u003cp>But please, I beg of you: \u003cem>Stop with the \u003ca href=\"https://www.billboard.com/lists/taylor-swift-eras-tour-cities-celebrating/glendale-arizona/\">corny-ass proclamations and city renamings and “honorary mayor” nonsense\u003c/a>.\u003c/em> I’m not sure which polls you’ve been reading, but none of the ones I’ve seen suggest that residents want their civic leaders to devote time and taxpayer dollars to working up a list of song references with their aides or daughters in a patronizing attempt to get said politician’s name in the news and ultimately appeal to white middle-class voters aged 18–42.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In Tampa, Swift was presented with a key to the city and named mayor for a day. Minneapolis officially became “Swiftie-apolis” for two days, while Nashville unveiled a bench with a plaque in honor of “Taylor Swift Homecoming Weekend.” Several other cities have named new streets for the singer; only New Jersey’s governor has declared that the \u003ca href=\"https://www.billboard.com/lists/taylor-swift-eras-tour-cities-celebrating/minneapolis-eras-tour/\">official state sandwich is now called a Taylor Swift Ham, Egg and Cheese\u003c/a>.\u003c/p>\n\u003cp>Santa Clara and San Francisco have both joined the fray in the past few days, getting in line to kneel in this embarrassing form of genuflection at the Altar of Swift. Santa Clara leaders, as a dozen headlines have told you by now, have \u003ca href=\"https://www.santaclaraca.gov/Home/Components/News/News/44597/3171\">temporarily renamed the city “Swiftie Clara”\u003c/a> and bestowed upon Swift an honorary mayorship. In San Francisco, Supervisor Matt Dorsey introduced, \u003ca href=\"https://www.tiktok.com/@sfstandard/video/7257635574117453099\">in a song title-laden speech\u003c/a>, a resolution that would make July 28–30 “Taylor Swift Weekend” in the city. I understand that this is supposed to be cringey-cute, but I cannot be alone here: my visceral reaction to said headlines is that they make me want to crawl under my desk and stay there forever.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Look, I get it. The tourism sector is struggling; the mall is closing; my friends back East keep gently asking if the streets are actually filled with zombies ransacking Walgreens. A positive, family-friendly event is coming to town, one that represents a weekend-long cash infusion for our hotels and restaurants, and maybe we \u003cem>should\u003c/em> all just feel grateful that Swift would deign to grace our poor, sad-sack city with her Midas touch.\u003c/p>\n\u003cp>But jeez, can we be grown-ups about it? Is it too much to ask our elected representatives — especially here in this supposed bastion of counterculture — to keep their attention trained on artists closer to home, on discussions about the value of live music and what the city can do to encourage a healthy arts scene that makes people want to come here and spend their money at our venues year-round?\u003c/p>\n\u003cfigure id=\"attachment_10900528\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10900528\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/08/TayMJ.jpg\" alt=\"Taylor Swift performs at Levi's Stadium, Aug. 14, 2015. \" width=\"1100\" height=\"619\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/TayMJ.jpg 1100w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/TayMJ-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/TayMJ-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/TayMJ-960x540.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Taylor Swift performs at Levi’s Stadium, Aug. 14, 2015. \u003ccite>(Emma Silvers/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the one hand, I’m well aware that I’m veering into Old Man Yells at Cloud territory here; “Taylor Swift Weekend” won’t hurt anyone. On the other, it improves absolutely nothing, except for — maybe? possibly? — the public image of the politicians, each of whom is hoping their proclamation speech goes viral, banking on media outlets \u003ca href=\"https://www.tiktok.com/@sfstandard/video/7257635574117453099\">reposting it without critique\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>And here is where I acknowledge that I think Taylor Swift makes good pop songs, and I like a lot of them. While no one person should possess her current slice of market share — and while this tour illustrates so much of what’s currently broken and toxic about the music industry and perhaps, by extension, with free-market capitalism itself — none of that is exactly her fault. I respect her songwriting and her business acumen and this show is supposed to be impressive.\u003c/p>\n\u003cp>So if you have a spare $1,200 to $8,000 lying around, by all means, hit that resale ticket market, grab your clear backpack and go. \u003ca href=\"https://www.kqed.org/arts/10900446/live-review-taylor-swift-regular-super-normal-girl-like-you-and-me-at-levis-stadium\" target=\"_blank\" rel=\"noopener\">The last time I saw her was in 2015\u003c/a>, and instead of addressing the crowd as “Bay Area,” she kept saying stuff like “Thank you, Santa Clara, California!” Will she say “Swiftie Clara” this time? Or “Thank you for the Taylor Swift weekend, San Francisco”? Can someone record it and then we’ll play it on loop on a giant screen for people arriving at SFO? How can we milk this until the next tour?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I’ll be in the fetal position under my desk if anyone has ideas.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "The FBI, IRS and Other Cringe-Makers Trying To Reach Gen Z on Social Media",
"headTitle": "The FBI, IRS and Other Cringe-Makers Trying To Reach Gen Z on Social Media | KQED",
"content": "\u003cp>You know that feeling you get every time a Fox News presenter uses the word “woke”? That full-body cringe? You probably also experience it every time your dad says “on fleek” or your aunt talks about getting a “glow up.” And I’m fairly certain everyone who watched the \u003ca href=\"https://www.kqed.org/arts/13925510/senators-are-calling-on-the-justice-department-to-look-into-ticketmasters-practices\">Ticketmaster Senate hearing\u003c/a> last January knows exactly what I’m talking about. (Thanks for all the forced Taylor Swift references, politicians!)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Z347R_2R0HM\u003c/p>\n\u003cp>It’s become virtually impossible to avoid these kinds of pandering pop culture references and cringeworthy puns, even in what should be the dullest corners of the internet. There have lately been some major offenders! Let us now collectively point in their direction and judge them.\u003c/p>\n\u003ch2>The FBI Wants You to ‘Speak Now’\u003c/h2>\n\u003cp>Let’s take a moment to think this one through, because honestly, it boggles the mind on multiple levels.\u003c/p>\n\u003cp>Three days after Taylor Swift released her much-hyped \u003cem>Speak Now (Taylor’s Version) \u003c/em>album, someone at the actual Federal Bureau of Investigation noticed, had an incredibly misguided ‘ah-ha’ moment, then came up with … this.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/FBIWFO/status/1678524780230656000\u003c/p>\n\u003cp>Because, sure, one of the best ways to get federal crime tips is to wink at a bunch of Taylor Swift fans on Twitter and expect them to immediately spill the many felony-related secrets they’ve been harboring.\u003c/p>\n\u003cp>Snitching: Apparently just one well-placed “Better Than Revenge” reference away!\u003c/p>\n\u003ch2>H&R Block Goes to ‘Taxchella’\u003c/h2>\n\u003cp>Remember that nerdy kid from math club who decided one summer they were going to be cool next year? So they showed up Sophomore year wearing a brand new, stiff-as-all-get-out leather jacket over their regular nerd clothes, and thought that would do the trick? This H&R Block tweet reminds me of that kid.\u003c/p>\n\u003cp>https://twitter.com/HRBlock/status/1646875959537147906\u003c/p>\n\u003cp>I think we can all agree that Portugal, the Tax Pro is a real low point here.\u003c/p>\n\u003ch2>Velveeta Gets in on the Stupid Coachella Thing\u003c/h2>\n\u003cp>Say what you want about H&R Block’s abomination, but at least it was timed to coincide with the first day of Coachella. Velveeta (you heard me) waited two full months to hit the internet with this — a fake festival lineup full of dairy puns that uses the word “drip” repeatedly and still expects us to want to eat cheese afterwards.\u003c/p>\n\u003cp>https://www.instagram.com/p/CuUsRBiSyiA/\u003c/p>\n\u003cp>Really, Velveeta social media person? You’re just gonna go ahead and leave Cheesy XCX sitting there right above Cheesy XX? For shame.\u003c/p>\n\u003ch2>The State of New Jersey Knows a Song\u003c/h2>\n\u003cp>The scene: An over-decorated corner of an office block in Trenton, NJ. Two social media employees smile at each other, fresh from Photoshopping the state of New Jersey onto a picture of Baby Yoda.\u003c/p>\n\u003cp>Susan: Man. We are killing it, bro.\u003cbr>\nDave: I know, dude. What’s next?\u003cbr>\nSusan: I mean… I’ve got this GIF of a pier at sunset?\u003cbr>\nDave: Should we Photoshop Baby Yoda onto it?\u003cbr>\nSusan: Hold my Snapple, friend, because I’ve got an even better idea.\u003cbr>\nDave: Is the idea just “Lizzo”?\u003cbr>\nSusan: Yes!\u003cbr>\nDave: Isn’t she from Detroit though?\u003cbr>\nSusan: Yeah, but… That’s close enough though, right?\u003cbr>\nDave: Totally, dude. Still a genius idea. Just make sure you do the text in lowercase like The Kids do it.\u003cbr>\nSusan: Done!\u003cbr>\nDave and Susan: *high five*\u003c/p>\n\u003cp>https://twitter.com/NJGov/status/1227975614742876160\u003c/p>\n\u003cp>“How Deep is the Ocean?” by Frank Sinatra — who actually \u003cem>is\u003c/em> from New Jersey — was right there, Susan. Right friggin’ there.\u003c/p>\n\u003ch2>The IRS Wants You to Think It Gets Nintendo\u003c/h2>\n\u003cp>Someone at the IRS thinks that if you need a six-month extension on filing your taxes, you’re probably a Super Mario Bros. fan. (Gamers, amiright?)\u003c/p>\n\u003cp>Check out these killer and not at all boxy graphics!\u003c/p>\n\u003cp>https://www.instagram.com/p/CqrEcdsLZUR/?img_index=1\u003c/p>\n\u003cp>“No fire will come your way”? Really, IRS? This is not as seamless as you think it was.\u003c/p>\n\u003ch2>New York City’s Conflicts of Interest Board Has a Full-Blown Meltdown\u003c/h2>\n\u003cp>Not gonna lie, I did have to look up what the New York Conflicts of Interest Board does exactly. If you also don’t know — and to put it as briefly as possible — it’s a government agency that “seeks to prevent ethics questions from becoming ethics problems for public servants.”\u003c/p>\n\u003cp>Less easy to understand is why on God’s green Earth these tweets happened:\u003c/p>\n\u003cp>https://twitter.com/NYCCOIB/status/1228399887588392960\u003c/p>\n\u003cp>What just happened? I mean… What. Just. Happened?\u003c/p>\n\u003ch2>United Tries to Do a ‘Barbie’ Something\u003c/h2>\n\u003cp>Thanks, United. This makes no sense. No sense at all.\u003c/p>\n\u003cp>https://www.instagram.com/p/Cqq271EuOrh/?hl=en\u003c/p>\n\u003cp>The laziness is brazen.\u003c/p>\n\u003ch2>The TSA Turns ‘Barbie’ Into a Slasher Movie\u003c/h2>\n\u003cp>What is it with air travel-related accounts and Greta Gerwig’s friggin’ \u003cem>Barbie\u003c/em> movie?\u003c/p>\n\u003cp>Not to be outdone by United, someone at the TSA took it upon themselves to transform an amusing, tongue-in-cheek \u003cem>Barbie\u003c/em> publicity image into a Cronenberg-ian nightmare that:\u003c/p>\n\u003col>\n\u003cli>Extracts any and all semblance of humor from the image\u003c/li>\n\u003cli>Severs Barbie’s legs from her torso (!)\u003c/li>\n\u003cli>Jams Barbie’s body full of knives (!!)\u003c/li>\n\u003cli>Punishes anyone foolish enough to keep looking at this with a list of godawful puns\u003c/li>\n\u003c/ol>\n\u003cp>https://www.instagram.com/p/CqtMDJtP1AX/?img_index=1\u003c/p>\n\u003cp>This feels like an HR violation.\u003c/p>\n\u003ch2>Parks and … what the heck?\u003c/h2>\n\u003cp>New York City’s Parks Department is prone to leaning into hip-hop culture, posting recent clips of rappers Sean Combs, Fat Joe and Jim Jones. One still has to wonder what its social media team was trying to say when it posted \u003ca href=\"https://www.instagram.com/p/CMQwnSXgY2U/?hl=en\">this clip from 1991’s \u003cem>New Jack City\u003c/em>\u003c/a>:\u003c/p>\n\u003cp>https://www.instagram.com/p/CMQwnSXgY2U/?hl=en\u003c/p>\n\u003cp>Perhaps “Come hang out at our New York City playgrounds where guns are plentiful, men are intimidating and women wear terrible hats?” Slow clap, Parks and Rec department. Slow clap.\u003c/p>\n\u003ch2>Product Safety Folks Do … Whatever This is\u003c/h2>\n\u003cp>If you are a dull entity insisting on making pop culture references in your social media posts, the least you can do is reference things that normal people understand.\u003c/p>\n\u003cp>Let us ponder the wonder contained in this U.S. Consumer Product Safety Commission post:\u003c/p>\n\u003cp>https://twitter.com/USCPSC/status/1230277447859474433\u003c/p>\n\u003cp>I tried hard to understand what the bejesus was going on here and, beyond the obvious laser cat meme, all I managed to figure out is “Should have sent a poet” is a quote from (*checks notes*) the 1997 Jodie Foster alien movie \u003cem>Contact.\u003c/em> (Way to keep it current, guys!) Who Franklin and Dr. Jackson are remains a mystery that not even Google can solve.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Good luck out there.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>You know that feeling you get every time a Fox News presenter uses the word “woke”? That full-body cringe? You probably also experience it every time your dad says “on fleek” or your aunt talks about getting a “glow up.” And I’m fairly certain everyone who watched the \u003ca href=\"https://www.kqed.org/arts/13925510/senators-are-calling-on-the-justice-department-to-look-into-ticketmasters-practices\">Ticketmaster Senate hearing\u003c/a> last January knows exactly what I’m talking about. (Thanks for all the forced Taylor Swift references, politicians!)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Z347R_2R0HM'\n title='//www.youtube.com/embed/Z347R_2R0HM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It’s become virtually impossible to avoid these kinds of pandering pop culture references and cringeworthy puns, even in what should be the dullest corners of the internet. There have lately been some major offenders! Let us now collectively point in their direction and judge them.\u003c/p>\n\u003ch2>The FBI Wants You to ‘Speak Now’\u003c/h2>\n\u003cp>Let’s take a moment to think this one through, because honestly, it boggles the mind on multiple levels.\u003c/p>\n\u003cp>Three days after Taylor Swift released her much-hyped \u003cem>Speak Now (Taylor’s Version) \u003c/em>album, someone at the actual Federal Bureau of Investigation noticed, had an incredibly misguided ‘ah-ha’ moment, then came up with … this.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Because, sure, one of the best ways to get federal crime tips is to wink at a bunch of Taylor Swift fans on Twitter and expect them to immediately spill the many felony-related secrets they’ve been harboring.\u003c/p>\n\u003cp>Snitching: Apparently just one well-placed “Better Than Revenge” reference away!\u003c/p>\n\u003ch2>H&R Block Goes to ‘Taxchella’\u003c/h2>\n\u003cp>Remember that nerdy kid from math club who decided one summer they were going to be cool next year? So they showed up Sophomore year wearing a brand new, stiff-as-all-get-out leather jacket over their regular nerd clothes, and thought that would do the trick? This H&R Block tweet reminds me of that kid.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>I think we can all agree that Portugal, the Tax Pro is a real low point here.\u003c/p>\n\u003ch2>Velveeta Gets in on the Stupid Coachella Thing\u003c/h2>\n\u003cp>Say what you want about H&R Block’s abomination, but at least it was timed to coincide with the first day of Coachella. Velveeta (you heard me) waited two full months to hit the internet with this — a fake festival lineup full of dairy puns that uses the word “drip” repeatedly and still expects us to want to eat cheese afterwards.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Really, Velveeta social media person? You’re just gonna go ahead and leave Cheesy XCX sitting there right above Cheesy XX? For shame.\u003c/p>\n\u003ch2>The State of New Jersey Knows a Song\u003c/h2>\n\u003cp>The scene: An over-decorated corner of an office block in Trenton, NJ. Two social media employees smile at each other, fresh from Photoshopping the state of New Jersey onto a picture of Baby Yoda.\u003c/p>\n\u003cp>Susan: Man. We are killing it, bro.\u003cbr>\nDave: I know, dude. What’s next?\u003cbr>\nSusan: I mean… I’ve got this GIF of a pier at sunset?\u003cbr>\nDave: Should we Photoshop Baby Yoda onto it?\u003cbr>\nSusan: Hold my Snapple, friend, because I’ve got an even better idea.\u003cbr>\nDave: Is the idea just “Lizzo”?\u003cbr>\nSusan: Yes!\u003cbr>\nDave: Isn’t she from Detroit though?\u003cbr>\nSusan: Yeah, but… That’s close enough though, right?\u003cbr>\nDave: Totally, dude. Still a genius idea. Just make sure you do the text in lowercase like The Kids do it.\u003cbr>\nSusan: Done!\u003cbr>\nDave and Susan: *high five*\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>“How Deep is the Ocean?” by Frank Sinatra — who actually \u003cem>is\u003c/em> from New Jersey — was right there, Susan. Right friggin’ there.\u003c/p>\n\u003ch2>The IRS Wants You to Think It Gets Nintendo\u003c/h2>\n\u003cp>Someone at the IRS thinks that if you need a six-month extension on filing your taxes, you’re probably a Super Mario Bros. fan. (Gamers, amiright?)\u003c/p>\n\u003cp>Check out these killer and not at all boxy graphics!\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“No fire will come your way”? Really, IRS? This is not as seamless as you think it was.\u003c/p>\n\u003ch2>New York City’s Conflicts of Interest Board Has a Full-Blown Meltdown\u003c/h2>\n\u003cp>Not gonna lie, I did have to look up what the New York Conflicts of Interest Board does exactly. If you also don’t know — and to put it as briefly as possible — it’s a government agency that “seeks to prevent ethics questions from becoming ethics problems for public servants.”\u003c/p>\n\u003cp>Less easy to understand is why on God’s green Earth these tweets happened:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>What just happened? I mean… What. Just. Happened?\u003c/p>\n\u003ch2>United Tries to Do a ‘Barbie’ Something\u003c/h2>\n\u003cp>Thanks, United. This makes no sense. No sense at all.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The laziness is brazen.\u003c/p>\n\u003ch2>The TSA Turns ‘Barbie’ Into a Slasher Movie\u003c/h2>\n\u003cp>What is it with air travel-related accounts and Greta Gerwig’s friggin’ \u003cem>Barbie\u003c/em> movie?\u003c/p>\n\u003cp>Not to be outdone by United, someone at the TSA took it upon themselves to transform an amusing, tongue-in-cheek \u003cem>Barbie\u003c/em> publicity image into a Cronenberg-ian nightmare that:\u003c/p>\n\u003col>\n\u003cli>Extracts any and all semblance of humor from the image\u003c/li>\n\u003cli>Severs Barbie’s legs from her torso (!)\u003c/li>\n\u003cli>Jams Barbie’s body full of knives (!!)\u003c/li>\n\u003cli>Punishes anyone foolish enough to keep looking at this with a list of godawful puns\u003c/li>\n\u003c/ol>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This feels like an HR violation.\u003c/p>\n\u003ch2>Parks and … what the heck?\u003c/h2>\n\u003cp>New York City’s Parks Department is prone to leaning into hip-hop culture, posting recent clips of rappers Sean Combs, Fat Joe and Jim Jones. One still has to wonder what its social media team was trying to say when it posted \u003ca href=\"https://www.instagram.com/p/CMQwnSXgY2U/?hl=en\">this clip from 1991’s \u003cem>New Jack City\u003c/em>\u003c/a>:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Perhaps “Come hang out at our New York City playgrounds where guns are plentiful, men are intimidating and women wear terrible hats?” Slow clap, Parks and Rec department. Slow clap.\u003c/p>\n\u003ch2>Product Safety Folks Do … Whatever This is\u003c/h2>\n\u003cp>If you are a dull entity insisting on making pop culture references in your social media posts, the least you can do is reference things that normal people understand.\u003c/p>\n\u003cp>Let us ponder the wonder contained in this U.S. Consumer Product Safety Commission post:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cb>\u003ci>Editor’s note:\u003c/i>\u003c/b>\u003ci> This story is part of \u003c/i>\u003ca href=\"http://kqed.org/bayareahiphop\">That’s My Word\u003c/a>\u003ci>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop history\u003c/a>, with new content dropping all throughout 2023. \u003c/i>[aside postid='arts_13930886,arts_13931108,arts_13930867']\u003c/p>\n\u003cp>Since Too Short’s \u003cem>Born to Mack\u003c/em> dropped in 1987, countless Bay Area rap albums have portrayed pimps as folk heroes who get money and status through the sex trade. But there’s a grim reality behind this aspirational image. Although adult sex workers do consensually participate in the industry, the Bay Area is also an international hub for sex trafficking, including of minors, many of whom have survived abuse and neglect from their caregivers, and often go through the foster care system.\u003c/p>\n\u003cp>In a discussion with hip-hop artists \u003ca href=\"https://www.instagram.com/mad.lines/\">Maddy Clifford\u003c/a>, \u003ca href=\"https://www.msryannicole.com/\">RyanNicole\u003c/a> and \u003ca href=\"https://www.cocopeila.com/\">Coco Peila\u003c/a>, survivor advocate \u003ca href=\"https://www.instagram.com/bighairbawse/?hl=en\">Xenia St. Charles\u003c/a> explains how struggling young people get lured into exploitation. Later in the conversation, womanist writer and podcast host \u003ca href=\"https://www.instagram.com/bigmoufwoman/\">Tiara Mbonisi\u003c/a> of \u003cem>Big Mouf Woman\u003c/em> offers tools women can use to protect themselves in a misogynistic culture. \u003cem>— Nastia Voynovskaya, lead producer\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_-800x60.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://distrokid.com/hyperfollow/stillirise2/whats-pimpin-feat-ryannicole-madlines--coco-peila\">Listen to the track “What’s Pimpin’?”\u003c/a> by Still I Rise (MADlines, Coco Peila and RyanNicole).\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>If you or anyone you know is experiencing sexual violence, you can get free, confidential help at the RAINN hotline at 800-656-4673 or via chat at online.rainn.org. The National Human Trafficking Hotline is available at 1-888-373-7888 or via text message at 233733.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Since Too Short’s \u003cem>Born to Mack\u003c/em> dropped in 1987, countless Bay Area rap albums have portrayed pimps as folk heroes who get money and status through the sex trade. But there’s a grim reality behind this aspirational image. Although adult sex workers do consensually participate in the industry, the Bay Area is also an international hub for sex trafficking, including of minors, many of whom have survived abuse and neglect from their caregivers, and often go through the foster care system.\u003c/p>\n\u003cp>In a discussion with hip-hop artists \u003ca href=\"https://www.instagram.com/mad.lines/\">Maddy Clifford\u003c/a>, \u003ca href=\"https://www.msryannicole.com/\">RyanNicole\u003c/a> and \u003ca href=\"https://www.cocopeila.com/\">Coco Peila\u003c/a>, survivor advocate \u003ca href=\"https://www.instagram.com/bighairbawse/?hl=en\">Xenia St. Charles\u003c/a> explains how struggling young people get lured into exploitation. Later in the conversation, womanist writer and podcast host \u003ca href=\"https://www.instagram.com/bigmoufwoman/\">Tiara Mbonisi\u003c/a> of \u003cem>Big Mouf Woman\u003c/em> offers tools women can use to protect themselves in a misogynistic culture. \u003cem>— Nastia Voynovskaya, lead producer\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_-800x60.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://distrokid.com/hyperfollow/stillirise2/whats-pimpin-feat-ryannicole-madlines--coco-peila\">Listen to the track “What’s Pimpin’?”\u003c/a> by Still I Rise (MADlines, Coco Peila and RyanNicole).\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Threads! It’s mostly terrible, yes? But you’re also on it? And you’ve checked it 17 times since it launched last night? \u003c/p>\n\u003cp>Yes, Mark Zuckerberg’s Twitter-competitor app Threads is here, and already it’s amassed millions of users thanks to its close integration with Instagram. It has also amassed complaints, speculation, and every once in a while, a quality post. \u003c/p>\n\u003cp>Here, on the first full day of Threads’ availability to the public, some of us from the KQED Arts team offer our first impressions. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/IMG_0091.jpg\" alt=\"\" width=\"750\" height=\"325\" class=\"aligncenter size-full wp-image-13931267\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0091.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0091-160x69.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/p>\n\u003ch2>Give us a followers-only, chronological feed, jeez\u003c/h2>\n\u003cp>A followers-only, chronological feed is the only thing anybody wants in a social media app, and this is what Threads denies its users. The only reason to join a new social media platform is to revel in its followers-only, chronological feed, because five years down the line, it’s inevitably ruined by shoving a bunch of stuff in your face that nobody wants. Threads has decided to jump straight to this five-years-later point of \u003ca href=\"https://www.wired.com/story/tiktok-platforms-cory-doctorow/\">enshittification\u003c/a>: my feed is full of Mr. Beast, Complex, Wendy’s, crypto bros, tech reporters and other garbage I did not sign up to see. I’d love to say that this would mean the death knell for Threads, but Meta is essentially too big to fail; in nearly every other instance of stealing from other social media platforms, they’ve gotten away with it. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This morning, head of Instagram Adam Mosseri acknowledged the lack of a followers-only feed, along with the absence of search, hashtags, and DMs, and promised “we’re on it.” But for those who want to run screaming and delete their account now, sorry: if you delete your Threads account, you’re also \u003ca href=\"https://twitter.com/emilyhughes/status/1676775597735923719\">forced to delete your Instagram account with it\u003c/a>. \u003c/p>\n\u003cp>As for the upsides? “At least it isn’t Twitter” isn’t much of a glowing review. But I no longer want to supply free content to Elon Musk on his constantly malfunctioning platform, and I’m not alone. Time will tell if Zuckerberg’s crew can come up with features more compelling for what they are than what they aren’t.\u003cem>—Gabe Meline\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/IMG_0096.jpg\" alt=\"\" width=\"375\" height=\"650\" class=\"aligncenter size-full wp-image-13931271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0096.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0096-160x277.jpg 160w\" sizes=\"(max-width: 375px) 100vw, 375px\">\u003c/p>\n\u003ch2>The calm? Yeah, that won’t last\u003c/h2>\n\u003cp>12 p.m. July 6: How is Threads? I wouldn’t know, baby! Having worked in social media and social-adjacent journalism roles for over a decade, I’m \u003ca href=\"https://www.kqed.org/explainers\">finally in a job\u003c/a> that does not require me to be wildly invested and involved in “the latest in social media” on a 24/7 basis. So like any reasonable person who wrests a degree of control back over their life, I am now — for the next few hours, anyway — gleefully flexing that control by not activating my Threads account (and let’s be real, if you have an Instagram account that’s all this really is — a de facto activation of the Threads account every Instagram user basically already now has.)\u003c/p>\n\u003cp>This calm won’t last, of course. Judging from the air of “oh, of course” inevitability with which the launch announcement was met among Twitter users, Threads is probably going to become the next Twitter pretty fast. Not just because of that portability of your account and your follower count from Instagram (although do you want to see what your most visual pals are writing in text format?) but because of the fact we’ve all been waiting for New Twitter and, like Goldilocks with a screen time problem, we’ve not found any of the previous options on offer to be Just Right. We’re all tired, and if there’s finally a new option that looks good enough, we’ll probably accept it, with all its wrinkles and evolving features. So, if enough folks make that compromise (and I think they will, fueled by what’s been done to their beloved Twitter since Musk’s takeover), I’ll do it too — basically, so as not to be left in the cold on both the personal and professional fronts. But for now… just let me have a day without Threads?\u003c/p>\n\u003cp>5 p.m. July 6: I am probably now on Threads.—\u003cem>Carly Severn\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/IMG_0095.jpg\" alt=\"\" width=\"750\" height=\"348\" class=\"aligncenter size-full wp-image-13931270\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0095.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0095-160x74.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/p>\n\u003ch2>Bring back anonymity!\u003c/h2>\n\u003cp>I was shaped/burned by the flames of Tumblr in the mid-to-late 2010s, so the first thing I noticed about Threads is that you need to link it with your Instagram. This makes it slightly more annoying to have alternate, somewhat-anonymous accounts, since Instagram tends to be more personable or influencer-y than, say, the K-pop stan accounts of Twitter and TikTok.\u003c/p>\n\u003cp>Not to imply that there isn’t a wide fandom scene on Instagram, but I have a hard time seeing those subcultures flourishing in an isolating environment like Threads. (I don’t know if that’s a good or bad thing.) There’s not a ton of opportunities to personalize one’s profile, like adding a header.\u003c/p>\n\u003cp>It’s also very ugly.—\u003cem>Nisa Khan\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/IMG_0090.jpg\" alt=\"\" width=\"750\" height=\"269\" class=\"aligncenter size-full wp-image-13931266\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0090.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0090-160x57.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/p>\n\u003ch2>Call it what it is: two billionaires in a tiresome pissing contest\u003c/h2>\n\u003cp>Most of what I’ve seen on Threads so far is (fittingly) very meta and therefore very boring. Threads about Threads. Beyond that, what I dislike most about the Current State of Social Media is knowing who’s calling the shots: a couple of billionaires engaged in a pissing contest over a form of communication and expression that has come to mean very much to very many. These bros are the frickin’ worst.\u003c/p>\n\u003cp>Mark Zuckerberg, a 39-year-old American man worth $101.5 billion and who employs tens of thousands of people, shitposted on Twitter yesterday for the first time in 11 years. \u003c/p>\n\u003cp>https://twitter.com/finkd/status/1676747594460962817?s=20\u003c/p>\n\u003cp>Meanwhile Twitter — owned by Elon Musk, a person I try to know as little about as possible (and who happens to be worth an unfathomable $249.4 billion) — is now \u003ca href=\"https://www.semafor.com/article/07/06/2023/twitter-is-threatening-to-sue-meta-over-threads\">threatening to sue Meta\u003c/a> over Threads. (The Twitter lawyer’s letter accuses Meta of hiring former Twitter employees with trade secrets.) It’s like a straight-up schoolyard scene over here, folks.\u003c/p>\n\u003cp>https://twitter.com/elonmusk/status/1677042708756439041?s=20\u003c/p>\n\u003cp>Concurrently, Twitter itself is being sued by former employees for a host of reasons, including, most recently, allegedly \u003ca href=\"https://www.theverge.com/2023/7/5/23784760/twitter-lawsuit-arbitration-laid-off-employees-jams-musk\">refusing to pay for legal arbitration fees\u003c/a>. Any time a reporter asks Twitter for comment, they get a poop emoji in response. \u003c/p>\n\u003cp>\u003cem>I do not want to know any of this\u003c/em>. Better yet, I don’t want the products that help me learn new things, connect with colleagues, look at art and stay in touch to do such fundamentally bad things that we need to constantly cover both their mistakes and willful wrongdoings. I am even mad at my editor for asking me to think about the Current State of Social Media and write something about it. Insert a “throwing up arms in disgust” emoji here.—\u003cem>Sarah Hotchkiss\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/IMG_0093.jpg\" alt=\"\" width=\"750\" height=\"320\" class=\"aligncenter size-full wp-image-13931269\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0093.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0093-160x68.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/p>\n\u003ch2>I hated everything before and I will probably hate this too\u003c/h2>\n\u003cp>I have, in my entire life, only willingly joined two social media platforms. The first was Friendster (yes, I’m old, shut your mouth, etc.) and the second was MySpace. (Miss you, Tom!) I was dragged kicking and screaming from MySpace when it became apparent that no one else was using it anymore. Fifteen years on, I am still cursing the first person in my Top 8 to defect to Facebook and take everyone else with them. (I HAVEN’T FORGOTTEN, JOE.) \u003c/p>\n\u003cp>Twitter was thrust upon me by my editor when I started working for JustinTimberlake.com in 2009. “It’s essential that you’re on this platform,” she said, entirely unaware that because of my refusal to ever interact with the site, no one would see my posts anyway. Still, I dutifully typed out dull sentences of 140 characters or less and links (that still populated as boring-ass URLs instead of actual article previews) for as long as I remained in Mr. Timberlake’s employ. \u003c/p>\n\u003cp>It’s only in the last six years that I’ve actually found Twitter useful at all. Writing about pop culture for KQED meant checking the “Trending” topics every single morning. Now I question whether the section even works anymore. When it comes to using Twitter, Elon Musk’s toolbaggery is a major turnoff, for sure, but — real talk — if Twitter still worked, I would still use it. I really do miss it being useful.\u003c/p>\n\u003cp>Inside Threads, for the first 20 minutes, I felt like Janet in \u003cem>The Good Place\u003c/em> — just staring into bare white nothingness, waiting for someone to summon me from the abyss. When I did finally find the “thread” portion — the place with actual posts — I was immediately reminded that \u003ca href=\"https://www.pilotonline.com/2020/08/05/with-tiktok-mired-in-uncertainty-facebook-pounces-with-instagram-reels/\">social media biter\u003c/a> Mark Zuckerberg is involved in this by the fact that the layout is basically identical to Twitter. (Is that legal? It feels like that shouldn’t be legal…) The second thing that struck me is that the people I primarily follow on Instagram are artists and friends, not the journalists I follow on Twitter. I have no idea how to find my favorite writers and commentators on Threads and I am 98% sure that I don’t have the patience to figure it out.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>So sure, I’m on Threads now. (Shrug emoji.) But like every other platform that isn’t Friendster or MySpace, I will probably only figure out how to use it about three years after the 38,763,893 other people who downloaded it before me. Probably see you there when I do. Because, really. Where else are we going to go?—\u003cem>Rae Alexandra\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Threads! It’s mostly terrible, yes? But you’re also on it? And you’ve checked it 17 times since it launched last night? \u003c/p>\n\u003cp>Yes, Mark Zuckerberg’s Twitter-competitor app Threads is here, and already it’s amassed millions of users thanks to its close integration with Instagram. It has also amassed complaints, speculation, and every once in a while, a quality post. \u003c/p>\n\u003cp>Here, on the first full day of Threads’ availability to the public, some of us from the KQED Arts team offer our first impressions. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/IMG_0091.jpg\" alt=\"\" width=\"750\" height=\"325\" class=\"aligncenter size-full wp-image-13931267\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0091.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0091-160x69.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/p>\n\u003ch2>Give us a followers-only, chronological feed, jeez\u003c/h2>\n\u003cp>A followers-only, chronological feed is the only thing anybody wants in a social media app, and this is what Threads denies its users. The only reason to join a new social media platform is to revel in its followers-only, chronological feed, because five years down the line, it’s inevitably ruined by shoving a bunch of stuff in your face that nobody wants. Threads has decided to jump straight to this five-years-later point of \u003ca href=\"https://www.wired.com/story/tiktok-platforms-cory-doctorow/\">enshittification\u003c/a>: my feed is full of Mr. Beast, Complex, Wendy’s, crypto bros, tech reporters and other garbage I did not sign up to see. I’d love to say that this would mean the death knell for Threads, but Meta is essentially too big to fail; in nearly every other instance of stealing from other social media platforms, they’ve gotten away with it. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This morning, head of Instagram Adam Mosseri acknowledged the lack of a followers-only feed, along with the absence of search, hashtags, and DMs, and promised “we’re on it.” But for those who want to run screaming and delete their account now, sorry: if you delete your Threads account, you’re also \u003ca href=\"https://twitter.com/emilyhughes/status/1676775597735923719\">forced to delete your Instagram account with it\u003c/a>. \u003c/p>\n\u003cp>As for the upsides? “At least it isn’t Twitter” isn’t much of a glowing review. But I no longer want to supply free content to Elon Musk on his constantly malfunctioning platform, and I’m not alone. Time will tell if Zuckerberg’s crew can come up with features more compelling for what they are than what they aren’t.\u003cem>—Gabe Meline\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/IMG_0096.jpg\" alt=\"\" width=\"375\" height=\"650\" class=\"aligncenter size-full wp-image-13931271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0096.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0096-160x277.jpg 160w\" sizes=\"(max-width: 375px) 100vw, 375px\">\u003c/p>\n\u003ch2>The calm? Yeah, that won’t last\u003c/h2>\n\u003cp>12 p.m. July 6: How is Threads? I wouldn’t know, baby! Having worked in social media and social-adjacent journalism roles for over a decade, I’m \u003ca href=\"https://www.kqed.org/explainers\">finally in a job\u003c/a> that does not require me to be wildly invested and involved in “the latest in social media” on a 24/7 basis. So like any reasonable person who wrests a degree of control back over their life, I am now — for the next few hours, anyway — gleefully flexing that control by not activating my Threads account (and let’s be real, if you have an Instagram account that’s all this really is — a de facto activation of the Threads account every Instagram user basically already now has.)\u003c/p>\n\u003cp>This calm won’t last, of course. Judging from the air of “oh, of course” inevitability with which the launch announcement was met among Twitter users, Threads is probably going to become the next Twitter pretty fast. Not just because of that portability of your account and your follower count from Instagram (although do you want to see what your most visual pals are writing in text format?) but because of the fact we’ve all been waiting for New Twitter and, like Goldilocks with a screen time problem, we’ve not found any of the previous options on offer to be Just Right. We’re all tired, and if there’s finally a new option that looks good enough, we’ll probably accept it, with all its wrinkles and evolving features. So, if enough folks make that compromise (and I think they will, fueled by what’s been done to their beloved Twitter since Musk’s takeover), I’ll do it too — basically, so as not to be left in the cold on both the personal and professional fronts. But for now… just let me have a day without Threads?\u003c/p>\n\u003cp>5 p.m. July 6: I am probably now on Threads.—\u003cem>Carly Severn\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/IMG_0095.jpg\" alt=\"\" width=\"750\" height=\"348\" class=\"aligncenter size-full wp-image-13931270\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0095.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0095-160x74.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/p>\n\u003ch2>Bring back anonymity!\u003c/h2>\n\u003cp>I was shaped/burned by the flames of Tumblr in the mid-to-late 2010s, so the first thing I noticed about Threads is that you need to link it with your Instagram. This makes it slightly more annoying to have alternate, somewhat-anonymous accounts, since Instagram tends to be more personable or influencer-y than, say, the K-pop stan accounts of Twitter and TikTok.\u003c/p>\n\u003cp>Not to imply that there isn’t a wide fandom scene on Instagram, but I have a hard time seeing those subcultures flourishing in an isolating environment like Threads. (I don’t know if that’s a good or bad thing.) There’s not a ton of opportunities to personalize one’s profile, like adding a header.\u003c/p>\n\u003cp>It’s also very ugly.—\u003cem>Nisa Khan\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/IMG_0090.jpg\" alt=\"\" width=\"750\" height=\"269\" class=\"aligncenter size-full wp-image-13931266\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0090.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0090-160x57.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/p>\n\u003ch2>Call it what it is: two billionaires in a tiresome pissing contest\u003c/h2>\n\u003cp>Most of what I’ve seen on Threads so far is (fittingly) very meta and therefore very boring. Threads about Threads. Beyond that, what I dislike most about the Current State of Social Media is knowing who’s calling the shots: a couple of billionaires engaged in a pissing contest over a form of communication and expression that has come to mean very much to very many. These bros are the frickin’ worst.\u003c/p>\n\u003cp>Mark Zuckerberg, a 39-year-old American man worth $101.5 billion and who employs tens of thousands of people, shitposted on Twitter yesterday for the first time in 11 years. \u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Meanwhile Twitter — owned by Elon Musk, a person I try to know as little about as possible (and who happens to be worth an unfathomable $249.4 billion) — is now \u003ca href=\"https://www.semafor.com/article/07/06/2023/twitter-is-threatening-to-sue-meta-over-threads\">threatening to sue Meta\u003c/a> over Threads. (The Twitter lawyer’s letter accuses Meta of hiring former Twitter employees with trade secrets.) It’s like a straight-up schoolyard scene over here, folks.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Concurrently, Twitter itself is being sued by former employees for a host of reasons, including, most recently, allegedly \u003ca href=\"https://www.theverge.com/2023/7/5/23784760/twitter-lawsuit-arbitration-laid-off-employees-jams-musk\">refusing to pay for legal arbitration fees\u003c/a>. Any time a reporter asks Twitter for comment, they get a poop emoji in response. \u003c/p>\n\u003cp>\u003cem>I do not want to know any of this\u003c/em>. Better yet, I don’t want the products that help me learn new things, connect with colleagues, look at art and stay in touch to do such fundamentally bad things that we need to constantly cover both their mistakes and willful wrongdoings. I am even mad at my editor for asking me to think about the Current State of Social Media and write something about it. Insert a “throwing up arms in disgust” emoji here.—\u003cem>Sarah Hotchkiss\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/IMG_0093.jpg\" alt=\"\" width=\"750\" height=\"320\" class=\"aligncenter size-full wp-image-13931269\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0093.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/IMG_0093-160x68.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/p>\n\u003ch2>I hated everything before and I will probably hate this too\u003c/h2>\n\u003cp>I have, in my entire life, only willingly joined two social media platforms. The first was Friendster (yes, I’m old, shut your mouth, etc.) and the second was MySpace. (Miss you, Tom!) I was dragged kicking and screaming from MySpace when it became apparent that no one else was using it anymore. Fifteen years on, I am still cursing the first person in my Top 8 to defect to Facebook and take everyone else with them. (I HAVEN’T FORGOTTEN, JOE.) \u003c/p>\n\u003cp>Twitter was thrust upon me by my editor when I started working for JustinTimberlake.com in 2009. “It’s essential that you’re on this platform,” she said, entirely unaware that because of my refusal to ever interact with the site, no one would see my posts anyway. Still, I dutifully typed out dull sentences of 140 characters or less and links (that still populated as boring-ass URLs instead of actual article previews) for as long as I remained in Mr. Timberlake’s employ. \u003c/p>\n\u003cp>It’s only in the last six years that I’ve actually found Twitter useful at all. Writing about pop culture for KQED meant checking the “Trending” topics every single morning. Now I question whether the section even works anymore. When it comes to using Twitter, Elon Musk’s toolbaggery is a major turnoff, for sure, but — real talk — if Twitter still worked, I would still use it. I really do miss it being useful.\u003c/p>\n\u003cp>Inside Threads, for the first 20 minutes, I felt like Janet in \u003cem>The Good Place\u003c/em> — just staring into bare white nothingness, waiting for someone to summon me from the abyss. When I did finally find the “thread” portion — the place with actual posts — I was immediately reminded that \u003ca href=\"https://www.pilotonline.com/2020/08/05/with-tiktok-mired-in-uncertainty-facebook-pounces-with-instagram-reels/\">social media biter\u003c/a> Mark Zuckerberg is involved in this by the fact that the layout is basically identical to Twitter. (Is that legal? It feels like that shouldn’t be legal…) The second thing that struck me is that the people I primarily follow on Instagram are artists and friends, not the journalists I follow on Twitter. I have no idea how to find my favorite writers and commentators on Threads and I am 98% sure that I don’t have the patience to figure it out.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So sure, I’m on Threads now. (Shrug emoji.) But like every other platform that isn’t Friendster or MySpace, I will probably only figure out how to use it about three years after the 38,763,893 other people who downloaded it before me. Probably see you there when I do. Because, really. Where else are we going to go?—\u003cem>Rae Alexandra\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>\u003ci>Editor’s note:\u003c/i>\u003c/b>\u003ci> This story is part of\u003c/i>\u003ca href=\"http://kqed.org/bayareahiphop\"> That’s My Word\u003c/a>\u003ci>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop history\u003c/a>, with new content dropping all throughout 2023. [aside postid='arts_13930886,arts_13931295,arts_13930867']\u003c/i>\u003c/p>\n\u003cp>Growing up in Oakland and San Francisco respectively, hip-hop artists \u003ca href=\"https://www.instagram.com/firstnameian/?hl=en\">Ian Kelly\u003c/a> and \u003ca href=\"https://www.instagram.com/dregs_one/?hl=en\">Dregs One\u003c/a> witnessed their peers enter the sex trade to make a living — a reality reflected in, and sometimes glamorized by, music and pop culture.\u003c/p>\n\u003cp>In a candid discussion with hosts \u003ca href=\"https://www.instagram.com/mad.lines/\">Maddy Clifford\u003c/a>, \u003ca href=\"https://www.msryannicole.com/\">RyanNicole\u003c/a> and \u003ca href=\"https://www.cocopeila.com/\">Coco Peila\u003c/a>, Dregs and Kelly share how growing up around pimping impacted their views of masculinity and relationships, and shaped the messages they now share in their music.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13930886/madlines-coco-peila-ryannicole-whats-pimpin-vodcast-1\">Catch up on episode one here\u003c/a> and stay tuned for the final episode of this three-part series dropping on July 12. \u003cem>— Nastia Voynovskaya, lead producer\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_-800x60.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>If you or anyone you know is experiencing sexual violence, you can get free, confidential help at the RAINN hotline at 800-656-4673 or via chat at online.rainn.org. The National Human Trafficking Hotline is available at 1-888-373-7888 or via text message at 233733.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/i>\u003c/p>\n\u003cp>Growing up in Oakland and San Francisco respectively, hip-hop artists \u003ca href=\"https://www.instagram.com/firstnameian/?hl=en\">Ian Kelly\u003c/a> and \u003ca href=\"https://www.instagram.com/dregs_one/?hl=en\">Dregs One\u003c/a> witnessed their peers enter the sex trade to make a living — a reality reflected in, and sometimes glamorized by, music and pop culture.\u003c/p>\n\u003cp>In a candid discussion with hosts \u003ca href=\"https://www.instagram.com/mad.lines/\">Maddy Clifford\u003c/a>, \u003ca href=\"https://www.msryannicole.com/\">RyanNicole\u003c/a> and \u003ca href=\"https://www.cocopeila.com/\">Coco Peila\u003c/a>, Dregs and Kelly share how growing up around pimping impacted their views of masculinity and relationships, and shaped the messages they now share in their music.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13930886/madlines-coco-peila-ryannicole-whats-pimpin-vodcast-1\">Catch up on episode one here\u003c/a> and stay tuned for the final episode of this three-part series dropping on July 12. \u003cem>— Nastia Voynovskaya, lead producer\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_-800x60.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cb>\u003ci>Editor’s note:\u003c/i>\u003c/b>\u003ci> This story is part of \u003c/i>\u003ca href=\"http://kqed.org/bayareahiphop\">That’s My Word\u003c/a>\u003ci>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop history\u003c/a>, with new content dropping all throughout 2023.\u003c/i>\u003c/p>\n\u003cp>Picture this: You’re on the dance floor at a Bay Area function, and “\u003ca href=\"https://youtu.be/6vE6oUc0t4o\">Feelin’ Myself\u003c/a>” by Mac Dre pumps through the speakers. The whole room erupts with joy, and everyone chants the lyrics: “I’m sicker than SARS / higher than Mars.” Then the beat stops and the crowd screams: “And I treat my bitch like an ATM card!”\u003c/p>\n\u003cp>There’s power in this ritual, which has been a mainstay at local clubs and house parties since Mac Dre’s hyphy anthem came out in 2004. The music allows us to \u003ca href=\"https://www.kqed.org/arts/13929461/at-mistah-f-a-b-s-hyphy-tour-going-dumb-was-spiritual\">partake in a collective experience\u003c/a>, and to feel a sense of Bay Area pride at a crucial time when so many have been pushed out of this unaffordable region.\u003c/p>\n\u003cp>But, scratching below the surface, “Feelin’ Myself” and many of our beloved, local ’90s and 2000s anthems — Dru Down’s “\u003ca href=\"https://youtu.be/HzaqvldQO3I\">Pimp of the Year\u003c/a>,” D-Lo’s “\u003ca href=\"https://youtu.be/HzaqvldQO3I\">No Hoe\u003c/a>” — contain casual references to violence against and the exploitation of women.\u003c/p>\n\u003cp>Pimp culture is in Bay Area hip-hop’s DNA as much as the liberation politics of the Black Panthers. Some of the region’s \u003ca href=\"https://www.kqed.org/arts/13924126/the-bay-area-was-hip-hop-before-there-was-hip-hop\">earliest rappers based their personas on blaxploitation films\u003c/a> like 1973’s \u003cem>The Mack\u003c/em>, which was shot in Oakland and featured real-life pimps and sex workers. Not to mention, \u003ca href=\"https://www.kqed.org/arts/13925761/magic-mike-richmond-calvin-t-rap-hip-hop\">some of these original MCs \u003cem>were\u003c/em> actual pimps\u003c/a>. As hip-hop \u003ca href=\"https://www.kqed.org/arts/13927349/bay-area-hip-hop-1980s\">became a commercial force in the late ’80s\u003c/a>, albums like Too Short’s \u003cem>Born to Mack\u003c/em> helped define the Bay Area’s style and identity for the rest of the nation.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But considering that the Bay Area is an international hub for sex trafficking, this art reflects a dangerous reality.\u003c/p>\n\u003cp>In our new vodcast, \u003cem>What’s Pimpin’?\u003c/em>, women rappers and activists \u003ca href=\"https://www.instagram.com/mad.lines/\">Maddy Clifford\u003c/a> (aka MADlines), \u003ca href=\"https://www.cocopeila.com/\">Coco Peila\u003c/a> and \u003ca href=\"https://www.msryannicole.com/\">RyanNicole\u003c/a> take back the mic. Across three episodes, the three hosts facilitate candid discussions about the disproportionate rates of violence Black women face, and how systemic racism and wealth inequality breed desperate conditions where pimp culture thrives. They also get deep, drawing from their personal experiences of moving through an Oakland rap scene that at times espouses both misogynistic and revolutionary ideals. [aside postid='arts_13930867,arts_13931295,arts_13931108']\u003c/p>\n\u003cp>As Clifford writes in her essay, “\u003ca href=\"https://www.kqed.org/arts/13930867/whats-pimpin-culture-hip-hop-rap-sexism-misogynoir-black-women\">It’s Time to Unpack Pimp Culture in Bay Area Hip-Hop\u003c/a>,” pimp culture has roots in the exploitative power dynamics that have been part of American culture since colonialism and slavery: “We can sugarcoat the truth, but at the root, pimp culture is about exploitation. Ignoring this reality risks harming some of the most marginalized people in the Bay Area. I’m talking about poor folks, and about Black, brown and Indigenous women, in addition to LGBTQ people. I promise you, they’re already paying the ultimate price.”\u003c/p>\n\u003cp>Stay tuned for \u003cem>What’s Pimpin’? \u003c/em>episodes two and three dropping on July 5 and July 12. \u003cem>\u003cspan style=\"font-weight: 400\">— Nastia Voynovskaya, lead producer\u003c/span>\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_-800x60.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>If you or anyone you know is experiencing sexual violence, you can get free, confidential help from the \u003ca href=\"https://www.rainn.org/\">RAINN\u003c/a> hotline at 800-656-4673 or via chat at \u003ca href=\"http://online.rainn.org\">online.rainn.org\u003c/a>. The \u003ca href=\"https://humantraffickinghotline.org/en\">National Human Trafficking Hotline\u003c/a> is available at 888-373-7888 or via text message at 233733.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>\u003ci>Editor’s note:\u003c/i>\u003c/b>\u003ci> This story is part of \u003c/i>\u003ca href=\"http://kqed.org/bayareahiphop\">That’s My Word\u003c/a>\u003ci>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop history\u003c/a>, with new content dropping all throughout 2023.\u003c/i>\u003c/p>\n\u003cp>Picture this: You’re on the dance floor at a Bay Area function, and “\u003ca href=\"https://youtu.be/6vE6oUc0t4o\">Feelin’ Myself\u003c/a>” by Mac Dre pumps through the speakers. The whole room erupts with joy, and everyone chants the lyrics: “I’m sicker than SARS / higher than Mars.” Then the beat stops and the crowd screams: “And I treat my bitch like an ATM card!”\u003c/p>\n\u003cp>There’s power in this ritual, which has been a mainstay at local clubs and house parties since Mac Dre’s hyphy anthem came out in 2004. The music allows us to \u003ca href=\"https://www.kqed.org/arts/13929461/at-mistah-f-a-b-s-hyphy-tour-going-dumb-was-spiritual\">partake in a collective experience\u003c/a>, and to feel a sense of Bay Area pride at a crucial time when so many have been pushed out of this unaffordable region.\u003c/p>\n\u003cp>But, scratching below the surface, “Feelin’ Myself” and many of our beloved, local ’90s and 2000s anthems — Dru Down’s “\u003ca href=\"https://youtu.be/HzaqvldQO3I\">Pimp of the Year\u003c/a>,” D-Lo’s “\u003ca href=\"https://youtu.be/HzaqvldQO3I\">No Hoe\u003c/a>” — contain casual references to violence against and the exploitation of women.\u003c/p>\n\u003cp>Pimp culture is in Bay Area hip-hop’s DNA as much as the liberation politics of the Black Panthers. Some of the region’s \u003ca href=\"https://www.kqed.org/arts/13924126/the-bay-area-was-hip-hop-before-there-was-hip-hop\">earliest rappers based their personas on blaxploitation films\u003c/a> like 1973’s \u003cem>The Mack\u003c/em>, which was shot in Oakland and featured real-life pimps and sex workers. Not to mention, \u003ca href=\"https://www.kqed.org/arts/13925761/magic-mike-richmond-calvin-t-rap-hip-hop\">some of these original MCs \u003cem>were\u003c/em> actual pimps\u003c/a>. As hip-hop \u003ca href=\"https://www.kqed.org/arts/13927349/bay-area-hip-hop-1980s\">became a commercial force in the late ’80s\u003c/a>, albums like Too Short’s \u003cem>Born to Mack\u003c/em> helped define the Bay Area’s style and identity for the rest of the nation.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But considering that the Bay Area is an international hub for sex trafficking, this art reflects a dangerous reality.\u003c/p>\n\u003cp>In our new vodcast, \u003cem>What’s Pimpin’?\u003c/em>, women rappers and activists \u003ca href=\"https://www.instagram.com/mad.lines/\">Maddy Clifford\u003c/a> (aka MADlines), \u003ca href=\"https://www.cocopeila.com/\">Coco Peila\u003c/a> and \u003ca href=\"https://www.msryannicole.com/\">RyanNicole\u003c/a> take back the mic. Across three episodes, the three hosts facilitate candid discussions about the disproportionate rates of violence Black women face, and how systemic racism and wealth inequality breed desperate conditions where pimp culture thrives. They also get deep, drawing from their personal experiences of moving through an Oakland rap scene that at times espouses both misogynistic and revolutionary ideals. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As Clifford writes in her essay, “\u003ca href=\"https://www.kqed.org/arts/13930867/whats-pimpin-culture-hip-hop-rap-sexism-misogynoir-black-women\">It’s Time to Unpack Pimp Culture in Bay Area Hip-Hop\u003c/a>,” pimp culture has roots in the exploitative power dynamics that have been part of American culture since colonialism and slavery: “We can sugarcoat the truth, but at the root, pimp culture is about exploitation. Ignoring this reality risks harming some of the most marginalized people in the Bay Area. I’m talking about poor folks, and about Black, brown and Indigenous women, in addition to LGBTQ people. I promise you, they’re already paying the ultimate price.”\u003c/p>\n\u003cp>Stay tuned for \u003cem>What’s Pimpin’? \u003c/em>episodes two and three dropping on July 5 and July 12. \u003cem>\u003cspan style=\"font-weight: 400\">— Nastia Voynovskaya, lead producer\u003c/span>\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_-800x60.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>If you or anyone you know is experiencing sexual violence, you can get free, confidential help from the \u003ca href=\"https://www.rainn.org/\">RAINN\u003c/a> hotline at 800-656-4673 or via chat at \u003ca href=\"http://online.rainn.org\">online.rainn.org\u003c/a>. The \u003ca href=\"https://humantraffickinghotline.org/en\">National Human Trafficking Hotline\u003c/a> is available at 888-373-7888 or via text message at 233733.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "It’s Time to Unpack Pimp Culture in Bay Area Hip-Hop",
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"content": "\u003cfigure id=\"attachment_13930933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930933\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/pimp-culture-essay-800x450.png\" alt=\"A yellow-and-blue collage features cultural figures that represent Black feminism and pimp culture, two themes explored in our new vodcast, 'What's Pimpin'?'\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-1020x574.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-1536x864.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">In our new vodcast ‘What’s Pimpin’?,’ hosts Maddy Clifford, Coco Peila and RyanNicole dissect why Oakland came to be known as “the land of pimps and Panthers.” Clockwise from left: Maya Angelou; Too Short; Dru Down; Frank Ward and Max Julien in ‘The Mack;’ and women of the Black Panther Party. \u003ccite>(Michael Ochs Archives/Getty Images; Jive Records/Dangerous Music; C-Note Records; New Line Cinema; Pirkle Jones and Ruth-Marion Baruch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>\u003ci>Editor’s note:\u003c/i>\u003c/b>\u003ci> This story is part of\u003c/i>\u003ca href=\"http://kqed.org/bayareahiphop\"> That’s My Word\u003c/a>\u003ci>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop history\u003c/a>, with new content dropping all throughout 2023. \u003c/i>\u003c/p>\n\u003cp>I’m a teaching artist standing before 20 teenage boys, mostly Black and brown. They’re inquisitive at the moment, which means I have just minutes to grab their attention before they zone out. Oh, and by the way, they’re incarcerated in the high-security unit at San Francisco Juvenile Hall.\u003c/p>\n\u003cp>“So feminism is…”\u003c/p>\n\u003cp>I trail off. The white, male teacher assigned to leading discussions for Women’s History Month eyes me. I’m nervous he’ll interrupt again, launching into a mansplanation about why the unit should care about the girls in their community.\u003c/p>\n\u003cp>“I know it’s sometimes hard for y’all to understand feminism because y’all go through so much,” I continue.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s true. Most of them sleep on concrete beds each night. They’re at a pivotal age, a time when they’re in desperate need of positive direction. Unfortunately, they’re locked up instead. And they’re inundated with notions of toxic masculinity.\u003c/p>\n\u003cp>It doesn’t help that most of the rap music they love reinforces the idea that women are objects. Sometimes they waste sharp wits cooking up ways to exploit young women in their lives. I remember one boy telling me: “I can’t wait to have a wife so she can pay for all my shit.” I guess that Mac Dre line — “\u003ca href=\"https://www.youtube.com/watch?v=6vE6oUc0t4o\">I treat my bitch like an ATM card\u003c/a>” — already got to him.\u003c/p>\n\u003cp>To combat this messaging, I handpick rap bars for our creative writing lessons. 2pac’s “\u003ca href=\"https://youtu.be/Mb1ZvUDvLDY\">Dear Mama\u003c/a>” is essentially an epistolary poem, and “\u003ca href=\"https://youtu.be/vYJCT8EqbtU\">Birds Eye View\u003c/a>” by Zion I is a great example of personification. But how am I supposed to compete with the allure of patriarchy?\u003c/p>\n\u003cp>I clear my throat and keep talking.\u003c/p>\n\u003cp>“Y’all probably heard about the #MeToo movement, right? Well, I met \u003ca href=\"https://www.taranaburke.com/\">Tarana Burke\u003c/a>. She’s the founder of the movement. She told me #MeToo isn’t a women’s movement, it’s a survivors’ movement.”\u003c/p>\n\u003cp>To my delight, some of my students nod. Furrowed brows begin to soften, and empathy permeates the room. It makes sense. Almost \u003ca href=\"https://kidsimprisoned.news21.com/foster-care-kids-juvenile-justice-system/\">60% of incarcerated youth\u003c/a> have been through the foster care system. And, according to one Johns Hopkins University study, foster youth are \u003ca href=\"https://www.focusforhealth.org/sex-abuse-and-the-foster-care-system/\">four times as likely to experience sexual abuse\u003c/a> as their peers. I wasn’t merely standing in front of a group of teenage boys. I was standing with fellow survivors. [aside postid='arts_13930886' hero='https://ww2.kqed.org/app/uploads/sites/2/2023/06/Whats-Pimpin-Episode-1-Wordpress-Thumbnail.jpg']\u003c/p>\n\u003cp>For decades, hip-hop has empowered and given voice to countless young people like my students. And now, the culture has grown up. In light of its 50th anniversary, isn’t it time we seriously examine hip-hop’s contradictions? If Bay Area hip-hop is “\u003ca href=\"https://www.kqed.org/arts/13923938/thats-my-word-intro\">the product of pimps and hustlers just as much as activists and intellectuals\u003c/a>,” how do we uplift its innovative potential while holding space to look at all the ways it falls short?\u003c/p>\n\u003cp>Throughout my decade-plus of experience as an educator, MC and community organizer, I’ve seen firsthand how hip-hop’s glorification of pimp culture harms people of all genders. Pimping obviously predates hip-hop. But that doesn’t mean we should normalize antiquated ideas about gender, or push played-out power dynamics. We can sugarcoat the truth, but at its root, pimp culture is about exploitation. Ignoring this reality risks harming some of the most marginalized people in the Bay Area. I’m talking about poor folks, and about Black, brown and Indigenous women, in addition to LGBTQ people. I promise you, they’re already paying the ultimate price.\u003c/p>\n\u003cp>In my poetry classes in juve, the poem “Still I Rise” by Maya Angelou was a favorite, especially among incarcerated girls. Something about rising “like dust” against all odds resonated with them. Still I Rise is also the name of a recent creative collaboration among myself and the Bay Area-rooted rappers \u003ca href=\"https://www.kqed.org/arts/13890558/with-labor-ryannicole-uplifts-black-womens-invisible-work\">RyanNicole\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13915289/hip-hop-songs-lyrics-abortion\">Coco Peila\u003c/a>. Together we’ve created a three-part video podcast, \u003ca href=\"https://www.kqed.org/arts/13930886/madlines-coco-peila-ryannicole-whats-pimpin-vodcast-1\">\u003ci>What’s Pimpin’?\u003c/i>\u003c/a> A new episode drops each Wednesday on \u003ca href=\"https://www.youtube.com/channel/UCS7Oxr5knNkZ8SlryFZnq0g\">KQED Arts & Culture’s YouTube channel\u003c/a> June 28–July 12, and our EP of the same title is coming soon. The project examines pimp culture, with a particular focus on misogynoir. Our goal: having tough conversations and cultivating solutions.\u003c/p>\n\u003cp>[pullquote size=\"large\" citation=\"Maddy Clifford, artist and co-host of 'What's Pimpin'?'\"]We want to separate hip-hop culture from pimp culture, which mirrors the exploitation and domination of colonialism, slavery and racial capitalism.[/pullquote]\u003c/p>\n\u003cp>Despite its flaws, Bay Area hip-hop is incredibly creative and full of liberatory potential. I saw this as a young rapper growing up in Seattle, when I had Andre Nickatina’s “\u003ca href=\"https://youtu.be/Ad4Bx8QCKSU\">Jungle\u003c/a>” on repeat. There was something wildly unique about his sound. He was nerdy — referencing \u003ci>Alice in Wonderland\u003c/i> and \u003ci>Star Wars\u003c/i> in his rhymes — yet dangerous. I could relate. Other Bay Area rappers shared my desire to use the music for revolutionary change. I sang along to Mystic’s “\u003ca href=\"https://youtu.be/GoK01XY52Uc\">The Life\u003c/a>” because it captured my passion to alleviate suffering. Bay Area hip-hop influenced my decision to move to Oakland in my early 20s, over a decade ago. It’s as multifaceted as the streets where it originates. [aside postid='arts_13931108' hero='https://ww2.kqed.org/app/uploads/sites/2/2023/07/Episode-2-Youtube-Thumbnail.jpg']\u003c/p>\n\u003cp>The conversations we’re having in \u003ci>What’s Pimpin’?\u003c/i> are challenging because critiquing Bay Area hip-hop can feel like airing out dirty laundry. The Bay Area often gets overlooked in the music industry despite its outsized influence. Since the \u003ca href=\"https://slate.com/podcasts/slow-burn/s3/biggie-and-tupac/e4/c-delores-tucker-against-hip-hop\">gangsta rap moral panic\u003c/a> of the early ’90s, white \u003ca href=\"https://apnews.com/article/a249c215c523dbd528710412cb91b193\">politicians\u003c/a>, pundits and other outsiders have bolstered their careers by vilifying hip-hop. And our racist criminal justice system has used \u003ca href=\"https://www.nbcnews.com/news/us-news/black-rappers-call-double-standard-using-hip-hop-lyrics-evidence-rappe-rcna65529\">rap lyrics to put people behind bars\u003c/a>. Fans are rightfully protective.\u003c/p>\n\u003cp>But as hip-hop artists who believe in gender equality, we want to push the culture forward. We want to separate hip-hop culture from pimp culture, which mirrors the exploitation and domination of colonialism, slavery and racial capitalism — it didn’t start in 1973 with the movie \u003ci>The Mack\u003c/i> and didn’t end the day Too Short got a \u003ca href=\"https://www.kqed.org/arts/13922548/too-short-way-oakland-street-renamed\">street named after him\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13930868\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930868\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/SIR-artists-2-800x533.jpg\" alt=\"Three young Black female MCs pose together wearing black. A shadow falls over their faces.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">RyanNicole, Coco Peila and Maddy Clifford are Still I Rise. \u003ccite>(DIFF WORKS LLC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rapping about pimping is profitable, but behind the glamorous image are real-world statistics about how Black women and girls are particularly vulnerable to exploitation and violence. A 2011 study tracking a two-year period showed that \u003ca href=\"https://rights4girls.org/wp-content/uploads/2019/05/Racial-Disparties-FactSheet-_Jan-2021.pdf\">94% of U.S. sex-trafficking victims were female\u003c/a>. Of those victims, 40% were Black and 24% were Latinx. Meanwhile, buyers are overwhelmingly white men.\u003c/p>\n\u003cp>Protecting Black women and girls is particularly difficult because they’re less likely to be reported missing. According to a \u003ca href=\"https://www.oaklandca.gov/news/2023/council-unanimously-votes-in-favor-of-councilmember-reids-resolution-supporting-the-establishment-of-a-statewide-ebony-alert-to-help-locate-missing-black-women-and-girls\">May statement from Oakland City Councilmember Treva Reid\u003c/a>, of the 1,500 missing-persons cases in Oakland this year, 400 of them are Black women. The stakes couldn’t be higher.\u003c/p>\n\u003cp>I’m a firm believer in the kind of love that Assata Shakur describes as “contraband in hell.” She says it’s as powerful as “an acid that eats away bars.” If we love our Bay Area community, then we can’t expect to actualize that love without having some uncomfortable conversations. My love for the men in my community motivates me to hold them accountable instead of coddling harmful behavior. My love has inspired me to spend almost a decade uplifting youth trapped in jail cells. My love isn’t about censorship — it’s about owning up to what’s being said. [aside postid='arts_13931295' hero='https://ww2.kqed.org/app/uploads/sites/2/2023/07/Whats-Pimpin-Episode-3-Wordpress-Thumbnail.jpg']\u003c/p>\n\u003cp>But I can’t love alone. I need men to step up and question their own conditioning. Our project \u003ca href=\"https://www.kqed.org/arts/13930886/madlines-coco-peila-ryannicole-whats-pimpin-vodcast-1\">\u003ci>What’s Pimpin’?\u003c/i>\u003c/a> isn’t the first to ask an age-old question about exploitation, coercion and control. I can only hope it won’t be the last.\u003c/p>\n\u003ch2>Resources\u003c/h2>\n\u003cp>The \u003ca href=\"https://humantraffickinghotline.org/en\">National Human Trafficking Hotline\u003c/a> is available at 1-888-373-7888 or via text message at 233733.\u003c/p>\n\u003cp>\u003ca href=\"https://bayareaworkerssupport.org/\">Bay Area Worker Support\u003c/a> offers mutual aid, social support and resources to people working in the sex trade.\u003c/p>\n\u003cp>\u003ca href=\"https://www.loveneverfailsus.com/\">Love Never Fails\u003c/a> provides housing and support to human-trafficking survivors.\u003c/p>\n\u003cp>\u003ca href=\"https://www.npr.org/podcasts/510357/louder-than-a-riot\">\u003cem>Louder Than a Riot\u003c/em>\u003c/a>, an NPR Podcast, examines misogynoir and homophobia in hip-hop.\u003c/p>\n\u003cp>\u003ca href=\"https://misssey.org/\">MISSSEY\u003c/a> works to prevent girls and gender-expansive youth from being sexually exploited, and supports survivors.\u003c/p>\n\u003cp>\u003ca href=\"https://www.rainn.org/\">RAINN\u003c/a> offers free, confidential help for survivors of sexual violence at 800-656-4673 or via chat at \u003ca href=\"http://online.rainn.org\">online.rainn.org\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://rights4girls.org/\">Rights4Girls\u003c/a> offers numerous educational resources about sex trafficking.\u003c/p>\n\u003cp>The \u003ca href=\"https://southbayendtrafficking.org/\">South Bay Coalition to End Human Trafficking\u003c/a> provides resources to survivors in Santa Clara and San Benito counties.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ca href=\"https://www.shademovement.org/about-us\">Survivors Healing, Advising and Dedicated to Empowerment (SHADE)\u003c/a> offers support groups, crisis response, peer counseling and more to human-trafficking survivors.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13930933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930933\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/pimp-culture-essay-800x450.png\" alt=\"A yellow-and-blue collage features cultural figures that represent Black feminism and pimp culture, two themes explored in our new vodcast, 'What's Pimpin'?'\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-1020x574.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-1536x864.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">In our new vodcast ‘What’s Pimpin’?,’ hosts Maddy Clifford, Coco Peila and RyanNicole dissect why Oakland came to be known as “the land of pimps and Panthers.” Clockwise from left: Maya Angelou; Too Short; Dru Down; Frank Ward and Max Julien in ‘The Mack;’ and women of the Black Panther Party. \u003ccite>(Michael Ochs Archives/Getty Images; Jive Records/Dangerous Music; C-Note Records; New Line Cinema; Pirkle Jones and Ruth-Marion Baruch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>\u003ci>Editor’s note:\u003c/i>\u003c/b>\u003ci> This story is part of\u003c/i>\u003ca href=\"http://kqed.org/bayareahiphop\"> That’s My Word\u003c/a>\u003ci>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop history\u003c/a>, with new content dropping all throughout 2023. \u003c/i>\u003c/p>\n\u003cp>I’m a teaching artist standing before 20 teenage boys, mostly Black and brown. They’re inquisitive at the moment, which means I have just minutes to grab their attention before they zone out. Oh, and by the way, they’re incarcerated in the high-security unit at San Francisco Juvenile Hall.\u003c/p>\n\u003cp>“So feminism is…”\u003c/p>\n\u003cp>I trail off. The white, male teacher assigned to leading discussions for Women’s History Month eyes me. I’m nervous he’ll interrupt again, launching into a mansplanation about why the unit should care about the girls in their community.\u003c/p>\n\u003cp>“I know it’s sometimes hard for y’all to understand feminism because y’all go through so much,” I continue.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s true. Most of them sleep on concrete beds each night. They’re at a pivotal age, a time when they’re in desperate need of positive direction. Unfortunately, they’re locked up instead. And they’re inundated with notions of toxic masculinity.\u003c/p>\n\u003cp>It doesn’t help that most of the rap music they love reinforces the idea that women are objects. Sometimes they waste sharp wits cooking up ways to exploit young women in their lives. I remember one boy telling me: “I can’t wait to have a wife so she can pay for all my shit.” I guess that Mac Dre line — “\u003ca href=\"https://www.youtube.com/watch?v=6vE6oUc0t4o\">I treat my bitch like an ATM card\u003c/a>” — already got to him.\u003c/p>\n\u003cp>To combat this messaging, I handpick rap bars for our creative writing lessons. 2pac’s “\u003ca href=\"https://youtu.be/Mb1ZvUDvLDY\">Dear Mama\u003c/a>” is essentially an epistolary poem, and “\u003ca href=\"https://youtu.be/vYJCT8EqbtU\">Birds Eye View\u003c/a>” by Zion I is a great example of personification. But how am I supposed to compete with the allure of patriarchy?\u003c/p>\n\u003cp>I clear my throat and keep talking.\u003c/p>\n\u003cp>“Y’all probably heard about the #MeToo movement, right? Well, I met \u003ca href=\"https://www.taranaburke.com/\">Tarana Burke\u003c/a>. She’s the founder of the movement. She told me #MeToo isn’t a women’s movement, it’s a survivors’ movement.”\u003c/p>\n\u003cp>To my delight, some of my students nod. Furrowed brows begin to soften, and empathy permeates the room. It makes sense. Almost \u003ca href=\"https://kidsimprisoned.news21.com/foster-care-kids-juvenile-justice-system/\">60% of incarcerated youth\u003c/a> have been through the foster care system. And, according to one Johns Hopkins University study, foster youth are \u003ca href=\"https://www.focusforhealth.org/sex-abuse-and-the-foster-care-system/\">four times as likely to experience sexual abuse\u003c/a> as their peers. I wasn’t merely standing in front of a group of teenage boys. I was standing with fellow survivors. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For decades, hip-hop has empowered and given voice to countless young people like my students. And now, the culture has grown up. In light of its 50th anniversary, isn’t it time we seriously examine hip-hop’s contradictions? If Bay Area hip-hop is “\u003ca href=\"https://www.kqed.org/arts/13923938/thats-my-word-intro\">the product of pimps and hustlers just as much as activists and intellectuals\u003c/a>,” how do we uplift its innovative potential while holding space to look at all the ways it falls short?\u003c/p>\n\u003cp>Throughout my decade-plus of experience as an educator, MC and community organizer, I’ve seen firsthand how hip-hop’s glorification of pimp culture harms people of all genders. Pimping obviously predates hip-hop. But that doesn’t mean we should normalize antiquated ideas about gender, or push played-out power dynamics. We can sugarcoat the truth, but at its root, pimp culture is about exploitation. Ignoring this reality risks harming some of the most marginalized people in the Bay Area. I’m talking about poor folks, and about Black, brown and Indigenous women, in addition to LGBTQ people. I promise you, they’re already paying the ultimate price.\u003c/p>\n\u003cp>In my poetry classes in juve, the poem “Still I Rise” by Maya Angelou was a favorite, especially among incarcerated girls. Something about rising “like dust” against all odds resonated with them. Still I Rise is also the name of a recent creative collaboration among myself and the Bay Area-rooted rappers \u003ca href=\"https://www.kqed.org/arts/13890558/with-labor-ryannicole-uplifts-black-womens-invisible-work\">RyanNicole\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13915289/hip-hop-songs-lyrics-abortion\">Coco Peila\u003c/a>. Together we’ve created a three-part video podcast, \u003ca href=\"https://www.kqed.org/arts/13930886/madlines-coco-peila-ryannicole-whats-pimpin-vodcast-1\">\u003ci>What’s Pimpin’?\u003c/i>\u003c/a> A new episode drops each Wednesday on \u003ca href=\"https://www.youtube.com/channel/UCS7Oxr5knNkZ8SlryFZnq0g\">KQED Arts & Culture’s YouTube channel\u003c/a> June 28–July 12, and our EP of the same title is coming soon. The project examines pimp culture, with a particular focus on misogynoir. Our goal: having tough conversations and cultivating solutions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Despite its flaws, Bay Area hip-hop is incredibly creative and full of liberatory potential. I saw this as a young rapper growing up in Seattle, when I had Andre Nickatina’s “\u003ca href=\"https://youtu.be/Ad4Bx8QCKSU\">Jungle\u003c/a>” on repeat. There was something wildly unique about his sound. He was nerdy — referencing \u003ci>Alice in Wonderland\u003c/i> and \u003ci>Star Wars\u003c/i> in his rhymes — yet dangerous. I could relate. Other Bay Area rappers shared my desire to use the music for revolutionary change. I sang along to Mystic’s “\u003ca href=\"https://youtu.be/GoK01XY52Uc\">The Life\u003c/a>” because it captured my passion to alleviate suffering. Bay Area hip-hop influenced my decision to move to Oakland in my early 20s, over a decade ago. It’s as multifaceted as the streets where it originates. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The conversations we’re having in \u003ci>What’s Pimpin’?\u003c/i> are challenging because critiquing Bay Area hip-hop can feel like airing out dirty laundry. The Bay Area often gets overlooked in the music industry despite its outsized influence. Since the \u003ca href=\"https://slate.com/podcasts/slow-burn/s3/biggie-and-tupac/e4/c-delores-tucker-against-hip-hop\">gangsta rap moral panic\u003c/a> of the early ’90s, white \u003ca href=\"https://apnews.com/article/a249c215c523dbd528710412cb91b193\">politicians\u003c/a>, pundits and other outsiders have bolstered their careers by vilifying hip-hop. And our racist criminal justice system has used \u003ca href=\"https://www.nbcnews.com/news/us-news/black-rappers-call-double-standard-using-hip-hop-lyrics-evidence-rappe-rcna65529\">rap lyrics to put people behind bars\u003c/a>. Fans are rightfully protective.\u003c/p>\n\u003cp>But as hip-hop artists who believe in gender equality, we want to push the culture forward. We want to separate hip-hop culture from pimp culture, which mirrors the exploitation and domination of colonialism, slavery and racial capitalism — it didn’t start in 1973 with the movie \u003ci>The Mack\u003c/i> and didn’t end the day Too Short got a \u003ca href=\"https://www.kqed.org/arts/13922548/too-short-way-oakland-street-renamed\">street named after him\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13930868\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930868\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/SIR-artists-2-800x533.jpg\" alt=\"Three young Black female MCs pose together wearing black. A shadow falls over their faces.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">RyanNicole, Coco Peila and Maddy Clifford are Still I Rise. \u003ccite>(DIFF WORKS LLC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rapping about pimping is profitable, but behind the glamorous image are real-world statistics about how Black women and girls are particularly vulnerable to exploitation and violence. A 2011 study tracking a two-year period showed that \u003ca href=\"https://rights4girls.org/wp-content/uploads/2019/05/Racial-Disparties-FactSheet-_Jan-2021.pdf\">94% of U.S. sex-trafficking victims were female\u003c/a>. Of those victims, 40% were Black and 24% were Latinx. Meanwhile, buyers are overwhelmingly white men.\u003c/p>\n\u003cp>Protecting Black women and girls is particularly difficult because they’re less likely to be reported missing. According to a \u003ca href=\"https://www.oaklandca.gov/news/2023/council-unanimously-votes-in-favor-of-councilmember-reids-resolution-supporting-the-establishment-of-a-statewide-ebony-alert-to-help-locate-missing-black-women-and-girls\">May statement from Oakland City Councilmember Treva Reid\u003c/a>, of the 1,500 missing-persons cases in Oakland this year, 400 of them are Black women. The stakes couldn’t be higher.\u003c/p>\n\u003cp>I’m a firm believer in the kind of love that Assata Shakur describes as “contraband in hell.” She says it’s as powerful as “an acid that eats away bars.” If we love our Bay Area community, then we can’t expect to actualize that love without having some uncomfortable conversations. My love for the men in my community motivates me to hold them accountable instead of coddling harmful behavior. My love has inspired me to spend almost a decade uplifting youth trapped in jail cells. My love isn’t about censorship — it’s about owning up to what’s being said. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But I can’t love alone. I need men to step up and question their own conditioning. Our project \u003ca href=\"https://www.kqed.org/arts/13930886/madlines-coco-peila-ryannicole-whats-pimpin-vodcast-1\">\u003ci>What’s Pimpin’?\u003c/i>\u003c/a> isn’t the first to ask an age-old question about exploitation, coercion and control. I can only hope it won’t be the last.\u003c/p>\n\u003ch2>Resources\u003c/h2>\n\u003cp>The \u003ca href=\"https://humantraffickinghotline.org/en\">National Human Trafficking Hotline\u003c/a> is available at 1-888-373-7888 or via text message at 233733.\u003c/p>\n\u003cp>\u003ca href=\"https://bayareaworkerssupport.org/\">Bay Area Worker Support\u003c/a> offers mutual aid, social support and resources to people working in the sex trade.\u003c/p>\n\u003cp>\u003ca href=\"https://www.loveneverfailsus.com/\">Love Never Fails\u003c/a> provides housing and support to human-trafficking survivors.\u003c/p>\n\u003cp>\u003ca href=\"https://www.npr.org/podcasts/510357/louder-than-a-riot\">\u003cem>Louder Than a Riot\u003c/em>\u003c/a>, an NPR Podcast, examines misogynoir and homophobia in hip-hop.\u003c/p>\n\u003cp>\u003ca href=\"https://misssey.org/\">MISSSEY\u003c/a> works to prevent girls and gender-expansive youth from being sexually exploited, and supports survivors.\u003c/p>\n\u003cp>\u003ca href=\"https://www.rainn.org/\">RAINN\u003c/a> offers free, confidential help for survivors of sexual violence at 800-656-4673 or via chat at \u003ca href=\"http://online.rainn.org\">online.rainn.org\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://rights4girls.org/\">Rights4Girls\u003c/a> offers numerous educational resources about sex trafficking.\u003c/p>\n\u003cp>The \u003ca href=\"https://southbayendtrafficking.org/\">South Bay Coalition to End Human Trafficking\u003c/a> provides resources to survivors in Santa Clara and San Benito counties.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.shademovement.org/about-us\">Survivors Healing, Advising and Dedicated to Empowerment (SHADE)\u003c/a> offers support groups, crisis response, peer counseling and more to human-trafficking survivors.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Banko Brown’s Black Trans Life Mattered",
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"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>an Francisco has long positioned itself as a progressive foil for the rest of the country, especially in the realm of LGBTQ+ rights. And while red states scramble to pass increasingly hateful anti-trans laws, California has become a \u003ca href=\"https://www.kqed.org/news/11929233/california-becomes-first-sanctuary-state-for-transgender-youth-seeking-medical-care\">sanctuary state for trans youth healthcare\u003c/a>.\u003c/p>\n\u003cp>LGBTQ+ culture and history is rich and deep here. We have San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13901451/the-worlds-first-transgender-district-creates-a-support-system-in-san-francisco\">Transgender Cultural District\u003c/a>, the first of its kind in the world, tons of trans-inclusive nightlife spaces and a number of beloved, influential queer and trans folks in politics and the arts.\u003c/p>\n\u003cp>But undercutting all of that is a sheer disregard — and sometimes utter disdain — for this city’s poorest residents, a disproportionate number of whom are LGBTQ+. If San Francisco wants to live up to its progressive ideals, Banko Brown’s life must be treated like it actually mattered.\u003c/p>\n\u003cfigure id=\"attachment_13928880\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928880\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/banko-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/banko-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/banko-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/banko-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/banko-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/banko.jpg 1392w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Banko Brown. \u003ccite>(GoFundMe/Illustration by Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Brown was a 24-year-old trans man shot and killed by a downtown Walgreens security guard, Michael Earle-Wayne Anthony, on April 27 on Market Street. San Francisco police have told reporters that Brown was suspected of shoplifting, and that he was unarmed.\u003c/p>\n\u003cp>Anthony was arrested, jailed and released three days later, when District Attorney Brooke Jenkins declined to file charges, claiming that the security guard acted in self-defense. But given the fact that Brown had no weapons on him, and that a \u003ca href=\"https://missionlocal.org/2023/05/walgreens-banko-brown-michael-earl-wayne-anthony-video/\">witness told Mission Local\u003c/a> that Anthony followed Brown outside and shot him in the chest, Jenkins’ decision has come under public scrutiny. On Monday, after pressure grew stronger, the DA asked the San Francisco Police Department to reopen the investigation. [aside postid='news_11948964']\u003c/p>\n\u003cp>Brown’s family and supporters are urging Jenkins to release the video of the shooting. (On May 9, San Francisco’s Board of Supervisors unanimously \u003ca href=\"https://www.kqed.org/news/11948964/san-francisco-supervisors-raise-pressure-on-da-to-release-video-of-banko-brown-killing\">passed a resolution asking Jenkins to release evidence\u003c/a>.)\u003c/p>\n\u003cp>Brown’s death is a gross illustration of the cruelty permeating San Francisco, a supposedly inclusive beacon. Brown was said to be homeless or housing insecure for the past 10 years, since he was 14 years old. This is a sadly common predicament for LGBTQ+ youth, especially trans youth, whose homelessness rates hover at close to 40%, often because of family rejection, according to a \u003ca href=\"https://www.thetrevorproject.org/wp-content/uploads/2022/02/Trevor-Project-Homelessness-Report.pdf\">2021 national survey from the Trevor Project\u003c/a>. According to Mayor London Breed’s office, trans and gender-nonconforming people are \u003ca href=\"https://sf.gov/news/mayor-london-breed-announces-housing-subsidies-transgender-and-gender-nonconforming\">18 times more likely to experience homelessness\u003c/a> than the rest of the population.\u003c/p>\n\u003cfigure id=\"attachment_13928894\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928894\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People walk past a memorial for Banko Brown outside of a Walgreens in San Francisco on May 9, 2023, where he was shot to death by a store security guard on April 27. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sleeping on the street, as Brown — himself an advocate for trans rights at the \u003ca href=\"https://youngwomenfree.org/?gad=1&gclid=CjwKCAjw3ueiBhBmEiwA4BhspFyWOPlBO4kg2BS_6QPxZkEfYbJWTv-dijgkNYWCb9kWJb6kZ0DrVhoCpZwQAvD_BwE\">Young Women’s Freedom Center\u003c/a> — was said to have done recently, puts individuals in grave danger of violence. And being in moment-to-moment survival mode makes it incredibly challenging to access the labyrinthian bureaucracy of social services, let alone earn enough income to rent a room in San Francisco or the greater Bay Area.\u003c/p>\n\u003cp>Despite enormous structural problems — primarily the astronomical gap between the average rent and minimum wage — that make it difficult for poor San Franciscans to hold on to their housing, there’s a pervasively condescending attitude towards homelessness among the public. Many otherwise thoughtful people view this visible suffering as an inconvenience to the housed, rather than a human rights violation we step over and shun everyday. [ad fullwidth]\u003c/p>\n\u003cp>As wealth inequality and homelessness rates continue to grow, it’s inevitable that more people will steal for survival. And as the privileged among us continue to fixate on property crime and ignore root causes, more corporations like Walgreens will employ armed security guards to protect their property. (On the topic of of stealing, Walgreens \u003ca href=\"https://www.theguardian.com/commentisfree/2021/dec/07/want-to-be-a-criminal-in-america-stealing-billions-is-your-best-bet-to-go-scot-free\">recently paid $4.5 million\u003c/a> in a wage settlement with 2,650 California employees.)\u003c/p>\n\u003cp>Coupled with the news that, in New York during the same week, a homeless cis Black man, Jordan Neely, was \u003ca href=\"https://www.nytimes.com/2023/05/04/opinion/jordan-neely-killed.html\">killed by a vigilante for making a disturbance on a train\u003c/a>, it’s easy to imagine a future with more Banko Browns.\u003c/p>\n\u003cfigure id=\"attachment_13928897\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928897\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A poster with a photo of Banko Brown says, ‘Gone But Never Forgotten’ on a fence outside of a Walgreens in San Francisco on May 9, 2023, where he was shot to death by a store security guard on April 27. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Although activist movements have made gains towards police accountability over the past decade, the role of private security in violent oppression has largely gone unaddressed. Brown’s death calls to mind the \u003ca href=\"https://www.kqed.org/arts/13920198/zumbi-zion-i-improper-restraint-at-hospital\">ongoing fight for justice for beloved Oakland hip-hop artist Zumbi\u003c/a>, who died after Alta Bates hospital staff and Allied Universal security guards piled on top of him while he was in treatment for a mental health crisis. His family’s lawyer compared his manner of death to that of George Floyd, and while the coroner ruled his death a homicide, former Alameda County District Attorney Nancy O’Malley initially declined to file charges. Like Jenkins, she \u003ca href=\"https://www.kqed.org/arts/13920004/zumbi-homicide-investigation-criminal-charges\">reopened the investigation\u003c/a>, which is still ongoing, after a massive public outcry.\u003c/p>\n\u003cp>These cases illustrate the difficulty of holding private security guards accountable for violence. Unlike police, their conduct is not public record, making it possible for the powerful, multinational corporations that employ them to make allegations disappear.\u003c/p>\n\u003cp>Many San Franciscans say they care about LGBTQ+ rights and racial justice, and Brown’s death shows that these issues run so much deeper than representation in entertainment and electoral politics. It means creating a city where all of us can live in dignity. Mayor Breed \u003ca href=\"https://sfmayor.org/article/mayor-london-breed-announces-plan-end-trans-homelessness-2027\">vowed to end trans homelessness by 2027\u003c/a>. Right now, we’re far from it.\u003c/p>\n\u003cp>As one of Banko Brown’s supporters said during public comment at the May 2 San Francisco Board of Supervisors meeting, “The shit that’s being put on is a front. San Francisco is a front.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Banko Brown’s family is \u003ca href=\"https://www.gofundme.com/f/in-memory-and-support-for-banko-brown\">seeking support on GoFundMe\u003c/a>. Follow the \u003ca href=\"https://www.instagram.com/young_women_free/\">Young Women’s Freedom Center\u003c/a> for calls to action. \u003c/em>\u003c/p>\n\u003cp>\u003cem>This story was updated to include the result of the Board of Supervisors’ May 9 vote. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>an Francisco has long positioned itself as a progressive foil for the rest of the country, especially in the realm of LGBTQ+ rights. And while red states scramble to pass increasingly hateful anti-trans laws, California has become a \u003ca href=\"https://www.kqed.org/news/11929233/california-becomes-first-sanctuary-state-for-transgender-youth-seeking-medical-care\">sanctuary state for trans youth healthcare\u003c/a>.\u003c/p>\n\u003cp>LGBTQ+ culture and history is rich and deep here. We have San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13901451/the-worlds-first-transgender-district-creates-a-support-system-in-san-francisco\">Transgender Cultural District\u003c/a>, the first of its kind in the world, tons of trans-inclusive nightlife spaces and a number of beloved, influential queer and trans folks in politics and the arts.\u003c/p>\n\u003cp>But undercutting all of that is a sheer disregard — and sometimes utter disdain — for this city’s poorest residents, a disproportionate number of whom are LGBTQ+. If San Francisco wants to live up to its progressive ideals, Banko Brown’s life must be treated like it actually mattered.\u003c/p>\n\u003cfigure id=\"attachment_13928880\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928880\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/banko-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/banko-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/banko-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/banko-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/banko-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/banko.jpg 1392w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Banko Brown. \u003ccite>(GoFundMe/Illustration by Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Brown was a 24-year-old trans man shot and killed by a downtown Walgreens security guard, Michael Earle-Wayne Anthony, on April 27 on Market Street. San Francisco police have told reporters that Brown was suspected of shoplifting, and that he was unarmed.\u003c/p>\n\u003cp>Anthony was arrested, jailed and released three days later, when District Attorney Brooke Jenkins declined to file charges, claiming that the security guard acted in self-defense. But given the fact that Brown had no weapons on him, and that a \u003ca href=\"https://missionlocal.org/2023/05/walgreens-banko-brown-michael-earl-wayne-anthony-video/\">witness told Mission Local\u003c/a> that Anthony followed Brown outside and shot him in the chest, Jenkins’ decision has come under public scrutiny. On Monday, after pressure grew stronger, the DA asked the San Francisco Police Department to reopen the investigation. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Brown’s family and supporters are urging Jenkins to release the video of the shooting. (On May 9, San Francisco’s Board of Supervisors unanimously \u003ca href=\"https://www.kqed.org/news/11948964/san-francisco-supervisors-raise-pressure-on-da-to-release-video-of-banko-brown-killing\">passed a resolution asking Jenkins to release evidence\u003c/a>.)\u003c/p>\n\u003cp>Brown’s death is a gross illustration of the cruelty permeating San Francisco, a supposedly inclusive beacon. Brown was said to be homeless or housing insecure for the past 10 years, since he was 14 years old. This is a sadly common predicament for LGBTQ+ youth, especially trans youth, whose homelessness rates hover at close to 40%, often because of family rejection, according to a \u003ca href=\"https://www.thetrevorproject.org/wp-content/uploads/2022/02/Trevor-Project-Homelessness-Report.pdf\">2021 national survey from the Trevor Project\u003c/a>. According to Mayor London Breed’s office, trans and gender-nonconforming people are \u003ca href=\"https://sf.gov/news/mayor-london-breed-announces-housing-subsidies-transgender-and-gender-nonconforming\">18 times more likely to experience homelessness\u003c/a> than the rest of the population.\u003c/p>\n\u003cfigure id=\"attachment_13928894\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928894\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/009_KQED_WalgreensBankoBrown_05092023.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People walk past a memorial for Banko Brown outside of a Walgreens in San Francisco on May 9, 2023, where he was shot to death by a store security guard on April 27. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sleeping on the street, as Brown — himself an advocate for trans rights at the \u003ca href=\"https://youngwomenfree.org/?gad=1&gclid=CjwKCAjw3ueiBhBmEiwA4BhspFyWOPlBO4kg2BS_6QPxZkEfYbJWTv-dijgkNYWCb9kWJb6kZ0DrVhoCpZwQAvD_BwE\">Young Women’s Freedom Center\u003c/a> — was said to have done recently, puts individuals in grave danger of violence. And being in moment-to-moment survival mode makes it incredibly challenging to access the labyrinthian bureaucracy of social services, let alone earn enough income to rent a room in San Francisco or the greater Bay Area.\u003c/p>\n\u003cp>Despite enormous structural problems — primarily the astronomical gap between the average rent and minimum wage — that make it difficult for poor San Franciscans to hold on to their housing, there’s a pervasively condescending attitude towards homelessness among the public. Many otherwise thoughtful people view this visible suffering as an inconvenience to the housed, rather than a human rights violation we step over and shun everyday. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As wealth inequality and homelessness rates continue to grow, it’s inevitable that more people will steal for survival. And as the privileged among us continue to fixate on property crime and ignore root causes, more corporations like Walgreens will employ armed security guards to protect their property. (On the topic of of stealing, Walgreens \u003ca href=\"https://www.theguardian.com/commentisfree/2021/dec/07/want-to-be-a-criminal-in-america-stealing-billions-is-your-best-bet-to-go-scot-free\">recently paid $4.5 million\u003c/a> in a wage settlement with 2,650 California employees.)\u003c/p>\n\u003cp>Coupled with the news that, in New York during the same week, a homeless cis Black man, Jordan Neely, was \u003ca href=\"https://www.nytimes.com/2023/05/04/opinion/jordan-neely-killed.html\">killed by a vigilante for making a disturbance on a train\u003c/a>, it’s easy to imagine a future with more Banko Browns.\u003c/p>\n\u003cfigure id=\"attachment_13928897\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928897\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/001_KQED_WalgreensBankoBrown_05092023.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A poster with a photo of Banko Brown says, ‘Gone But Never Forgotten’ on a fence outside of a Walgreens in San Francisco on May 9, 2023, where he was shot to death by a store security guard on April 27. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Although activist movements have made gains towards police accountability over the past decade, the role of private security in violent oppression has largely gone unaddressed. Brown’s death calls to mind the \u003ca href=\"https://www.kqed.org/arts/13920198/zumbi-zion-i-improper-restraint-at-hospital\">ongoing fight for justice for beloved Oakland hip-hop artist Zumbi\u003c/a>, who died after Alta Bates hospital staff and Allied Universal security guards piled on top of him while he was in treatment for a mental health crisis. His family’s lawyer compared his manner of death to that of George Floyd, and while the coroner ruled his death a homicide, former Alameda County District Attorney Nancy O’Malley initially declined to file charges. Like Jenkins, she \u003ca href=\"https://www.kqed.org/arts/13920004/zumbi-homicide-investigation-criminal-charges\">reopened the investigation\u003c/a>, which is still ongoing, after a massive public outcry.\u003c/p>\n\u003cp>These cases illustrate the difficulty of holding private security guards accountable for violence. Unlike police, their conduct is not public record, making it possible for the powerful, multinational corporations that employ them to make allegations disappear.\u003c/p>\n\u003cp>Many San Franciscans say they care about LGBTQ+ rights and racial justice, and Brown’s death shows that these issues run so much deeper than representation in entertainment and electoral politics. It means creating a city where all of us can live in dignity. Mayor Breed \u003ca href=\"https://sfmayor.org/article/mayor-london-breed-announces-plan-end-trans-homelessness-2027\">vowed to end trans homelessness by 2027\u003c/a>. Right now, we’re far from it.\u003c/p>\n\u003cp>As one of Banko Brown’s supporters said during public comment at the May 2 San Francisco Board of Supervisors meeting, “The shit that’s being put on is a front. San Francisco is a front.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Banko Brown’s family is \u003ca href=\"https://www.gofundme.com/f/in-memory-and-support-for-banko-brown\">seeking support on GoFundMe\u003c/a>. Follow the \u003ca href=\"https://www.instagram.com/young_women_free/\">Young Women’s Freedom Center\u003c/a> for calls to action. \u003c/em>\u003c/p>\n\u003cp>\u003cem>This story was updated to include the result of the Board of Supervisors’ May 9 vote. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "how-watching-the-warriors-helped-me-process-my-fathers-death",
"title": "How Watching the Warriors Helped Me Process My Father’s Death",
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"headTitle": "How Watching the Warriors Helped Me Process My Father’s Death | KQED",
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"content": "\u003cfigure id=\"attachment_13928761\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BR.WarriorsGame.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13928761 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BR.WarriorsGame-800x600.jpg\" alt=\"a young white man in a flannel shirt and an older man, his father, in a blue button up shirt, with their arms around each other, smiling for the camera at a basketball game\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.WarriorsGame-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.WarriorsGame-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.WarriorsGame-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.WarriorsGame-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.WarriorsGame.jpg 1429w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The author and his father, John, at a Warriors game. \u003ccite>(Courtesy Brent Rose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>ome of my clearest memories from childhood take place around basketball courts. While I never really played beyond the school yard with friends, my dad did. There was a rec league at his work, and my dad had games every week, it seemed. These games often happened to be on the Tuesdays or every-other-weekends that my brother and I spent with him starting around when I was seven.\u003c/p>\n\u003cp>A chemical engineer by trade and standing 6’2”, my dad wasn’t an amazing athlete, but he would work his ass off out there. He’d make the occasional shot, but he was an absolute pest on defense. He always took us home straight after the final whistle blew, and the scent of his sweat would take over every cubic inch of airspace in his big brown Buick. It smelled aggressively sweet, somehow, and he never stank, aside from his shoes — the original Nike Air Jordans from 1985. One year he hurt his leg on the court but kept playing for the rest of the game. He only realized that he’d broken it the next day when it swelled up like a balloon, and I believe that was the end of his intramural career.\u003c/p>\n\u003cfigure id=\"attachment_13928759\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BR.hs_.team_.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928759\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BR.hs_.team_-800x584.jpg\" alt=\"a black and white photo shows a high school basketball team from the 1960s\" width=\"800\" height=\"584\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.hs_.team_-800x584.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.hs_.team_-1020x745.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.hs_.team_-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.hs_.team_-768x561.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.hs_.team_-1536x1122.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.hs_.team_.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">John’s high school basketball team — he’s fourth from the left, No. 5. Chevy Chase, MD, 1965. \u003ccite>(Courtesy Brent Rose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dad was always looking for cheap things he could do with us when it was his weekend with the boys. We lived about 20 minutes from the Oakland Coliseum, so that meant a lot of bleacher and upper-deck seats for A’s games. But once a year or so we’d get to go see the Warriors as a special treat. This was back during the Run TMC days, when they were so good, yet somehow only ever won a single playoff series. We blamed Don Nelson, who we agreed was a great coach, but somehow also very bad at coaching. I remember seeing Manute Bol taking impossibly long strides down the court, still the tallest human I’ve ever seen with my own eyes. Then our hopes fell to Latrell Sprewell and then Chris Webber to be the team’s savior, but it never panned out. We would still go every year, if only as a pretext for hitting Flint’s BBQ before the game.\u003c/p>\n\u003cp>As rosy as that all sounds, the truth was my dad and I didn’t get along very well. He and I fought bitterly and frequently. By the time I was a junior in high school, I’d stopped going to his house at all, and we didn’t go to games anymore, either. While we’d still see each other, it was better when we kept our distance.\u003c/p>\n\u003cp>Time has a way of mellowing people, though. We started actively — if casually — working on repairing our relationship when I was in my 20s and living in New York. Then, in 2007, he called me to tell me that he had prostate cancer, and I realized that I needed to try to let go of whatever grudges I still harbored and do my best to enjoy however much time I was going to get with him. He was 60 years old and stage 4, but he assured me that there were a lot of treatment options available, and he was going to do everything he could to stick around for a long time. And he did.\u003c/p>\n\u003cfigure id=\"attachment_13928758\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/br.trail_.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928758\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/br.trail_-800x450.jpg\" alt=\"a group of four men, two younger, two older, pose behind a sign that reads 'Bright angel trailhead' \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.trail_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.trail_-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.trail_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.trail_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.trail_-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.trail_.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The author, his father, his brother Matt, and his dad’s best friend Butch after they climbed out of the Grand Canyon for a camping trip to celebrate John’s 70th birthday. \u003ccite>(Courtesy Brent Rose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I moved back to California in 2013, and though I lived in LA, visiting the Bay was a whole lot easier. At the same time, my dad started showing interest in the NBA again. “We should go see a Warriors game again next time you’re in town,” he said one day. “They’ve got these three young guys named Steph, Klay, and Draymond, and they’re just amazing!” I think I just harumphed. I hadn’t paid attention to the NBA in years, and I think I flashed back to the close-but-not-quite trio from my youth. I’d been hurt before. But I was still looking for ways to reconnect with my dad, so I said sure. We started going once a year again, and obviously it turned out to be a pretty good era to reemerge from a 20-year basketball coma as a Warriors fan.\u003c/p>\n\u003cp>It’s not a stretch to say that the Warriors brought us closer together over the next decade. We’d watch games on TV together whenever I was in town. We’d even pick which nights I’d come over based on whether a game would be on. When I was away, if one of us texted the other, “You watching?” we both knew exactly what that meant. If we were both tuned in, we’d text back and forth, or sometimes after the game. “Curry got 51 tonight — did you see it?” (Feb. 25, 2016), or “Klay got something like 51 in 26 minutes (including 14 threes)” (Oct. 29, 2018). Even when we weren’t together, watching those games and talking about them made us feel closer. I got sucked back into NBA fandom, and my bond with my dad was stronger than it had ever been.[aside postid='arts_13922115']\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">M\u003c/span>y dad was lucky that his treatments were generally mild, and he experienced virtually no symptoms for most of his time living with cancer. That streak lasted for the better part of a whopping 13 years. Things took a turn, though, right around when COVID hit. It had spread throughout his lymphatic system, and it was in his spine, all of which caused him incredible pain in his back and legs. His treatments got more aggressive, his side effects got wildly more unpleasant, and he got less and less benefit from each subsequent treatment.\u003c/p>\n\u003cp>In February 2022, he told the family that he was done fighting and would be entering home hospice, receiving palliative care, but no more treatment. I asked him if he was sure he was ready to throw in the towel. “The wheels are coming off, Brent,” he told me. “This body is used up, and it’s just no fun being in it anymore.” How can you argue with that? A couple weeks later he announced that on April 18, he would be making his big exit. California recently became a Death with Dignity / Right-to-Die state, and my brother and my dad’s siblings could all be there the weekend leading up to that Monday. As hard as it was, none of us tried to talk him out of it.\u003c/p>\n\u003cp>I was fortunate that I had booked a TV gig shooting in San Jose that started that January. Since retiring, my dad lived just over the mountains in Santa Cruz, which meant I got to visit him pretty much every week. After their two injury-riddled seasons, the Warriors were finally good again, and we watched any weekend games they played — along with his new wife, who was now hooked on the Dubs, too. Dad was over the moon to see Klay Thompson come back, his wife’s favorite was the promising rookie Jonathan Kuminga, and we all marveled any time Curry was on one. Pops was less mobile by this point, but he could put his feet up, pop an edible, and still enjoy the game, sometimes while donning his inflatable lymphedema compression pants.\u003c/p>\n\u003cfigure id=\"attachment_13928763\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/br.teren_.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928763\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/br.teren_-800x563.jpg\" alt=\"an older woman and man with grey hair smiling at a dinner table. she wears an orange hoodie over a striped black and white shirt and he wears a blue and yellow warriors jersey\" width=\"800\" height=\"563\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.teren_-800x563.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.teren_-1020x718.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.teren_-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.teren_-768x540.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.teren_-1536x1081.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.teren_.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">John — wearing the jersey he would later give his son, claiming it was new — and his wife Teren in 2020. \u003ccite>(Courtesy Brent Rose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The last thing we ever watched together was Game 1 of the Warriors’ first playoff series against the Nuggets on April 16. The Warriors won 123 to 107, but my dad had fallen asleep by halftime, and though he had DVR’d it, we never got around to watching the ending. He used every last bit of his energy that weekend spending time with his family, tying up loose ends, and, ever the goofball, wearing gigantic, fuzzy bunny ears on Easter. While going through some boxes in his garage, I found that pair of original Jordans he used to play in. I was amazed that he’d had the good sense to keep them. He said I should have them, and my brother and stepmom agreed.\u003c/p>\n\u003cp class=\"p1\">On the morning of Monday, April 18, the whole family showed up wearing Hawaiian shirts, as he had requested. He didn’t want his death to be a somber affair. The prior Christmas he had gifted me a Steph Curry jersey, making a point of telling me it was brand-new, which I thought was a bit odd. I’ve never been the jersey-wearing type, as I always kind of thought of it as “big boy cosplay for bros,” but for the occasion I wore the jersey with the Hawaiian shirt unbuttoned so he could see it. I would later find out that it was actually his jersey, which he was sneakily regifting to me, but that just made it more special to me.\u003c/p>\n\u003cp>He had decided a month in advance that he would take the life-ending medication at 10 a.m., and that, before then, each of his family members would go into his bedroom to have two or three minutes of one-on-one time with him. I was the second-to-last to go in.\u003c/p>\n\u003cp>“Hey! You’re wearing that jersey!” he exclaimed when I came in and sat on the bed next to him. “It looks good on you! Boy, Curry is just amazing. I don’t think there will ever be a better shooter.”\u003c/p>\n\u003cp>“Yeah, he’s great, Dad…”\u003c/p>\n\u003cp>“You should check my dresser, though, because I used to have a Kobe jersey, too. Did you ever watch him? Man, 81 points in a game! I’ve never seen anything like it! He could score from anywhere…”\u003c/p>\n\u003cp>At this point I had to interrupt to remind him that these were my last two minutes with him ever, so maybe we should talk about something other than basketball. “Oh yeah, okay, good point, good point,” he said, but he added that if he could, he would try to help the Warriors in their postseason run from the other side. He also thought it would be a good time to take one last selfie together.\u003c/p>\n\u003cfigure id=\"attachment_13928762\" class=\"wp-caption aligncenter\" style=\"max-width: 561px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BR.Selfie.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13928762\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BR.Selfie.jpg\" alt=\"a young man in a blue and yellow warriors jersey next to an older man with grey hair in a white coat, both smiling for the camera.\" width=\"561\" height=\"748\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.Selfie.jpg 561w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.Selfie-160x213.jpg 160w\" sizes=\"(max-width: 561px) 100vw, 561px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The author and his father. \u003ccite>(Courtesy Brent Rose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">M\u003c/span>y dad’s death was about as sweet and as perfect as any of us could hope for. More importantly, it went just the way he’d hoped. While that helps soften the blow a little, it was still an emotional A-bomb. My dad lived with stage 4 cancer for an incredible 15 years, finally giving up the ghost at the age of 75 (like his father, and his father before him). When I sent out the email to all his friends and relatives, he instructed me to use the subject line, “John has left the building!” He was a funny guy to the very end.\u003c/p>\n\u003cp>I’ve never been religious or prone to magical thinking, but something happens when, minutes before your dad dies, he effectively says, “I’ll try to help the Warriors from the spirit realm.” Even if you don’t really believe it, you’re hoping for some sign or confirmation that your loved one is still out there, existing in one form or another. It wasn’t subtle for me. Starting with Game 2 of the series, the evening after he died, I found myself looking for meaning in every clutch three, like, “Was that you, Dad?” The Warriors won that game by 20.\u003c/p>\n\u003cp>I probably don’t have to tell you that the Warriors won the 21/22 Championship. Watching Game 6 in a hotel room in San Diego and wearing the Curry jersey, as a win looked inevitable in late the fourth quarter, I felt like I was losing my mind. The Warriors had been considered underdogs that season. After that final conversation with my dad, it was just too poetic, too storybook-ending to be real. When the final horn blew, I cheered and cried like I never had before while watching any game in any sport in my life. It felt like the closing of a chapter.\u003c/p>\n\u003cfigure id=\"attachment_13928764\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/br.jordans.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928764\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/br.jordans-800x602.jpg\" alt=\"a pair of vintage red, white and black Nike Air Jordans\" width=\"800\" height=\"602\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.jordans-800x602.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.jordans-1020x768.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.jordans-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.jordans-768x578.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.jordans-1536x1156.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.jordans.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">John’s original Air Jordan 1 sneakers. \u003ccite>(Courtesy Brent Rose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>My dad’s well-used Air Jordan 1s now sit in a case on my bookshelf. To this day, I still watch almost every Warriors game, and now my stepmom and I text about it, like me and my dad did. It’s been the weirdest season for the Dubs — maybe my dad had better things to do in the afterlife than try to shepherd them along to another title. But as the one-year anniversary of his passing arrived, and as the Warriors continue in the playoffs again, watching them has continued to be a great comfort. I still miss him a lot, and I imagine I will for the rest of my life. But when a game is on, I can still hear him hooting and hollering. Remembering his almost cartoonish “Yahoooo!”makes him feel not quite so far away.\u003c/p>\n\u003cp>I’m still watching, Dad. I wonder if you are, too.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Brent Rose is a journalist, actor and filmmaker\u003c/em>. \u003cem>Find him online at \u003ca href=\"http://www.brentrose.com\">brentrose.com\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Basketball helped bring me and my dad back together. Now, it keeps his memory alive.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13928761\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BR.WarriorsGame.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13928761 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BR.WarriorsGame-800x600.jpg\" alt=\"a young white man in a flannel shirt and an older man, his father, in a blue button up shirt, with their arms around each other, smiling for the camera at a basketball game\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.WarriorsGame-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.WarriorsGame-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.WarriorsGame-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.WarriorsGame-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.WarriorsGame.jpg 1429w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The author and his father, John, at a Warriors game. \u003ccite>(Courtesy Brent Rose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>ome of my clearest memories from childhood take place around basketball courts. While I never really played beyond the school yard with friends, my dad did. There was a rec league at his work, and my dad had games every week, it seemed. These games often happened to be on the Tuesdays or every-other-weekends that my brother and I spent with him starting around when I was seven.\u003c/p>\n\u003cp>A chemical engineer by trade and standing 6’2”, my dad wasn’t an amazing athlete, but he would work his ass off out there. He’d make the occasional shot, but he was an absolute pest on defense. He always took us home straight after the final whistle blew, and the scent of his sweat would take over every cubic inch of airspace in his big brown Buick. It smelled aggressively sweet, somehow, and he never stank, aside from his shoes — the original Nike Air Jordans from 1985. One year he hurt his leg on the court but kept playing for the rest of the game. He only realized that he’d broken it the next day when it swelled up like a balloon, and I believe that was the end of his intramural career.\u003c/p>\n\u003cfigure id=\"attachment_13928759\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BR.hs_.team_.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928759\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BR.hs_.team_-800x584.jpg\" alt=\"a black and white photo shows a high school basketball team from the 1960s\" width=\"800\" height=\"584\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.hs_.team_-800x584.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.hs_.team_-1020x745.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.hs_.team_-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.hs_.team_-768x561.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.hs_.team_-1536x1122.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.hs_.team_.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">John’s high school basketball team — he’s fourth from the left, No. 5. Chevy Chase, MD, 1965. \u003ccite>(Courtesy Brent Rose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dad was always looking for cheap things he could do with us when it was his weekend with the boys. We lived about 20 minutes from the Oakland Coliseum, so that meant a lot of bleacher and upper-deck seats for A’s games. But once a year or so we’d get to go see the Warriors as a special treat. This was back during the Run TMC days, when they were so good, yet somehow only ever won a single playoff series. We blamed Don Nelson, who we agreed was a great coach, but somehow also very bad at coaching. I remember seeing Manute Bol taking impossibly long strides down the court, still the tallest human I’ve ever seen with my own eyes. Then our hopes fell to Latrell Sprewell and then Chris Webber to be the team’s savior, but it never panned out. We would still go every year, if only as a pretext for hitting Flint’s BBQ before the game.\u003c/p>\n\u003cp>As rosy as that all sounds, the truth was my dad and I didn’t get along very well. He and I fought bitterly and frequently. By the time I was a junior in high school, I’d stopped going to his house at all, and we didn’t go to games anymore, either. While we’d still see each other, it was better when we kept our distance.\u003c/p>\n\u003cp>Time has a way of mellowing people, though. We started actively — if casually — working on repairing our relationship when I was in my 20s and living in New York. Then, in 2007, he called me to tell me that he had prostate cancer, and I realized that I needed to try to let go of whatever grudges I still harbored and do my best to enjoy however much time I was going to get with him. He was 60 years old and stage 4, but he assured me that there were a lot of treatment options available, and he was going to do everything he could to stick around for a long time. And he did.\u003c/p>\n\u003cfigure id=\"attachment_13928758\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/br.trail_.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928758\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/br.trail_-800x450.jpg\" alt=\"a group of four men, two younger, two older, pose behind a sign that reads 'Bright angel trailhead' \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.trail_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.trail_-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.trail_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.trail_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.trail_-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.trail_.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The author, his father, his brother Matt, and his dad’s best friend Butch after they climbed out of the Grand Canyon for a camping trip to celebrate John’s 70th birthday. \u003ccite>(Courtesy Brent Rose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I moved back to California in 2013, and though I lived in LA, visiting the Bay was a whole lot easier. At the same time, my dad started showing interest in the NBA again. “We should go see a Warriors game again next time you’re in town,” he said one day. “They’ve got these three young guys named Steph, Klay, and Draymond, and they’re just amazing!” I think I just harumphed. I hadn’t paid attention to the NBA in years, and I think I flashed back to the close-but-not-quite trio from my youth. I’d been hurt before. But I was still looking for ways to reconnect with my dad, so I said sure. We started going once a year again, and obviously it turned out to be a pretty good era to reemerge from a 20-year basketball coma as a Warriors fan.\u003c/p>\n\u003cp>It’s not a stretch to say that the Warriors brought us closer together over the next decade. We’d watch games on TV together whenever I was in town. We’d even pick which nights I’d come over based on whether a game would be on. When I was away, if one of us texted the other, “You watching?” we both knew exactly what that meant. If we were both tuned in, we’d text back and forth, or sometimes after the game. “Curry got 51 tonight — did you see it?” (Feb. 25, 2016), or “Klay got something like 51 in 26 minutes (including 14 threes)” (Oct. 29, 2018). Even when we weren’t together, watching those games and talking about them made us feel closer. I got sucked back into NBA fandom, and my bond with my dad was stronger than it had ever been.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">M\u003c/span>y dad was lucky that his treatments were generally mild, and he experienced virtually no symptoms for most of his time living with cancer. That streak lasted for the better part of a whopping 13 years. Things took a turn, though, right around when COVID hit. It had spread throughout his lymphatic system, and it was in his spine, all of which caused him incredible pain in his back and legs. His treatments got more aggressive, his side effects got wildly more unpleasant, and he got less and less benefit from each subsequent treatment.\u003c/p>\n\u003cp>In February 2022, he told the family that he was done fighting and would be entering home hospice, receiving palliative care, but no more treatment. I asked him if he was sure he was ready to throw in the towel. “The wheels are coming off, Brent,” he told me. “This body is used up, and it’s just no fun being in it anymore.” How can you argue with that? A couple weeks later he announced that on April 18, he would be making his big exit. California recently became a Death with Dignity / Right-to-Die state, and my brother and my dad’s siblings could all be there the weekend leading up to that Monday. As hard as it was, none of us tried to talk him out of it.\u003c/p>\n\u003cp>I was fortunate that I had booked a TV gig shooting in San Jose that started that January. Since retiring, my dad lived just over the mountains in Santa Cruz, which meant I got to visit him pretty much every week. After their two injury-riddled seasons, the Warriors were finally good again, and we watched any weekend games they played — along with his new wife, who was now hooked on the Dubs, too. Dad was over the moon to see Klay Thompson come back, his wife’s favorite was the promising rookie Jonathan Kuminga, and we all marveled any time Curry was on one. Pops was less mobile by this point, but he could put his feet up, pop an edible, and still enjoy the game, sometimes while donning his inflatable lymphedema compression pants.\u003c/p>\n\u003cfigure id=\"attachment_13928763\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/br.teren_.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928763\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/br.teren_-800x563.jpg\" alt=\"an older woman and man with grey hair smiling at a dinner table. she wears an orange hoodie over a striped black and white shirt and he wears a blue and yellow warriors jersey\" width=\"800\" height=\"563\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.teren_-800x563.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.teren_-1020x718.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.teren_-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.teren_-768x540.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.teren_-1536x1081.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.teren_.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">John — wearing the jersey he would later give his son, claiming it was new — and his wife Teren in 2020. \u003ccite>(Courtesy Brent Rose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The last thing we ever watched together was Game 1 of the Warriors’ first playoff series against the Nuggets on April 16. The Warriors won 123 to 107, but my dad had fallen asleep by halftime, and though he had DVR’d it, we never got around to watching the ending. He used every last bit of his energy that weekend spending time with his family, tying up loose ends, and, ever the goofball, wearing gigantic, fuzzy bunny ears on Easter. While going through some boxes in his garage, I found that pair of original Jordans he used to play in. I was amazed that he’d had the good sense to keep them. He said I should have them, and my brother and stepmom agreed.\u003c/p>\n\u003cp class=\"p1\">On the morning of Monday, April 18, the whole family showed up wearing Hawaiian shirts, as he had requested. He didn’t want his death to be a somber affair. The prior Christmas he had gifted me a Steph Curry jersey, making a point of telling me it was brand-new, which I thought was a bit odd. I’ve never been the jersey-wearing type, as I always kind of thought of it as “big boy cosplay for bros,” but for the occasion I wore the jersey with the Hawaiian shirt unbuttoned so he could see it. I would later find out that it was actually his jersey, which he was sneakily regifting to me, but that just made it more special to me.\u003c/p>\n\u003cp>He had decided a month in advance that he would take the life-ending medication at 10 a.m., and that, before then, each of his family members would go into his bedroom to have two or three minutes of one-on-one time with him. I was the second-to-last to go in.\u003c/p>\n\u003cp>“Hey! You’re wearing that jersey!” he exclaimed when I came in and sat on the bed next to him. “It looks good on you! Boy, Curry is just amazing. I don’t think there will ever be a better shooter.”\u003c/p>\n\u003cp>“Yeah, he’s great, Dad…”\u003c/p>\n\u003cp>“You should check my dresser, though, because I used to have a Kobe jersey, too. Did you ever watch him? Man, 81 points in a game! I’ve never seen anything like it! He could score from anywhere…”\u003c/p>\n\u003cp>At this point I had to interrupt to remind him that these were my last two minutes with him ever, so maybe we should talk about something other than basketball. “Oh yeah, okay, good point, good point,” he said, but he added that if he could, he would try to help the Warriors in their postseason run from the other side. He also thought it would be a good time to take one last selfie together.\u003c/p>\n\u003cfigure id=\"attachment_13928762\" class=\"wp-caption aligncenter\" style=\"max-width: 561px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BR.Selfie.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13928762\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BR.Selfie.jpg\" alt=\"a young man in a blue and yellow warriors jersey next to an older man with grey hair in a white coat, both smiling for the camera.\" width=\"561\" height=\"748\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.Selfie.jpg 561w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BR.Selfie-160x213.jpg 160w\" sizes=\"(max-width: 561px) 100vw, 561px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The author and his father. \u003ccite>(Courtesy Brent Rose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">M\u003c/span>y dad’s death was about as sweet and as perfect as any of us could hope for. More importantly, it went just the way he’d hoped. While that helps soften the blow a little, it was still an emotional A-bomb. My dad lived with stage 4 cancer for an incredible 15 years, finally giving up the ghost at the age of 75 (like his father, and his father before him). When I sent out the email to all his friends and relatives, he instructed me to use the subject line, “John has left the building!” He was a funny guy to the very end.\u003c/p>\n\u003cp>I’ve never been religious or prone to magical thinking, but something happens when, minutes before your dad dies, he effectively says, “I’ll try to help the Warriors from the spirit realm.” Even if you don’t really believe it, you’re hoping for some sign or confirmation that your loved one is still out there, existing in one form or another. It wasn’t subtle for me. Starting with Game 2 of the series, the evening after he died, I found myself looking for meaning in every clutch three, like, “Was that you, Dad?” The Warriors won that game by 20.\u003c/p>\n\u003cp>I probably don’t have to tell you that the Warriors won the 21/22 Championship. Watching Game 6 in a hotel room in San Diego and wearing the Curry jersey, as a win looked inevitable in late the fourth quarter, I felt like I was losing my mind. The Warriors had been considered underdogs that season. After that final conversation with my dad, it was just too poetic, too storybook-ending to be real. When the final horn blew, I cheered and cried like I never had before while watching any game in any sport in my life. It felt like the closing of a chapter.\u003c/p>\n\u003cfigure id=\"attachment_13928764\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/br.jordans.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928764\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/br.jordans-800x602.jpg\" alt=\"a pair of vintage red, white and black Nike Air Jordans\" width=\"800\" height=\"602\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.jordans-800x602.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.jordans-1020x768.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.jordans-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.jordans-768x578.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.jordans-1536x1156.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/br.jordans.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">John’s original Air Jordan 1 sneakers. \u003ccite>(Courtesy Brent Rose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>My dad’s well-used Air Jordan 1s now sit in a case on my bookshelf. To this day, I still watch almost every Warriors game, and now my stepmom and I text about it, like me and my dad did. It’s been the weirdest season for the Dubs — maybe my dad had better things to do in the afterlife than try to shepherd them along to another title. But as the one-year anniversary of his passing arrived, and as the Warriors continue in the playoffs again, watching them has continued to be a great comfort. I still miss him a lot, and I imagine I will for the rest of my life. But when a game is on, I can still hear him hooting and hollering. Remembering his almost cartoonish “Yahoooo!”makes him feel not quite so far away.\u003c/p>\n\u003cp>I’m still watching, Dad. I wonder if you are, too.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Brent Rose is a journalist, actor and filmmaker\u003c/em>. \u003cem>Find him online at \u003ca href=\"http://www.brentrose.com\">brentrose.com\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Remembering Chris Strachwitz's Many Gifts to the World",
"headTitle": "Remembering Chris Strachwitz’s Many Gifts to the World | KQED",
"content": "\u003cfigure id=\"attachment_13928741\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Chris.Strachwitz.full_.jpg\" alt=\"\" width=\"1024\" height=\"762\" class=\"size-full wp-image-13928741\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Chris.Strachwitz.full_.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Chris.Strachwitz.full_-800x595.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Chris.Strachwitz.full_-1020x759.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Chris.Strachwitz.full_-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Chris.Strachwitz.full_-768x572.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Chris Strachwitz at his Down Home Records store in El Cerrito, Calif. in 2014. The founder of the popular local music store and Arhoolie Records died Friday at age 91. \u003ccite>(Paul Chinn/The San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first time that Chris Strachwitz blew my mind open was in the mid-1990s.\u003c/p>\n\u003cp>It was my first pilgrimage to \u003ca href=\"https://www.downhomemusic.com/\">Down Home Music\u003c/a>, the El Cerrito record store that serves as home base for Arhoolie Records, the label that Strachwitz founded in 1960. Intrigued by the cover art of \u003cem>\u003ca href=\"https://folkways.si.edu/pachuco-boogie/jazz-ragtime/music/album/smithsonian\">Pachuco Boogie\u003c/a>\u003c/em>, I added the CD to my stack, allowing me to discover a liminal moment when Mexican-American musicians started absorbing the jump blues and early R&B of their Black neighbors in 1940s Los Angeles. The irresistible sound sparked an epiphany about the buried cultural geography of my hometown, which had recently been torn apart by the LA riots.\u003c/p>\n\u003cp>[aside postID='arts_13928746']Strachwitz, who \u003ca href=\"https://www.kqed.org/arts/13928746/chris-strachwitz-legendary-roots-music-preservationist-dies-at-91\">died at his apartment in Marin on May 5 at the age of 91\u003c/a>, appreciated that story. A tireless ethnomusicologist, he seemed to experience life as an ongoing series of musical revelations, and he liked nothing better than sharing those transformative sounds. Running into Strachwitz, a longtime Berkeley resident, at a show or on BART was always a treat, as he was garrulous, opinionated and usually bubbling over with enthusiasm about something he’d recently heard.\u003c/p>\n\u003cp>Strachwitz spent his life documenting, preserving, producing and releasing a far-flung roster of roots music traditions, including country blues, gospel, bluegrass, jazz, zydeco, Cajun and Tex-Mex music. His massive catalog of Arhoolie albums and compilation projects introduced several generations of listeners to sounds assiduously avoided by mainstream outlets.\u003c/p>\n\u003cfigure id=\"attachment_13928753\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/mousemusic800.jpg\" alt=\"\" width=\"800\" height=\"509\" class=\"size-full wp-image-13928753\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/mousemusic800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/mousemusic800-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/mousemusic800-768x489.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chris Strachwitz with Texas blues musician Mance Lipscomb in an undated photo. \u003ccite>(Arhoolie Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I didn’t care for the slick R&B,” he told me in \u003ca href=\"https://eastbayexpress.com/at-50-arhoolie-records-looks-back-and-goes-forward-1/\">an interview for Arhoolie’s 50th anniversary\u003c/a>. “I liked the raggedy stuff, the stuff where the musicians are obviously expressing themselves. I like honking bands, the beat, the powerful rhythm, and I don’t care if it’s hillbilly or gospel.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Arhoolie wasn’t a commercial powerhouse, but the sounds that Strachwitz captured or uncovered influenced countless musicians, including Bonnie Raitt, Bob Dylan, Taj Mahal, Ry Cooder and the Rolling Stones (whom Strachwitz successfully pursued for royalties due to ailing bluesman Fred McDowell for “You Gotta Move,” a track on 1971’s \u003cem>Sticky Fingers\u003c/em>).\u003c/p>\n\u003cp>The influence of his work soaked into the roots of the communities he treasured, according to Maureen Gosling, who with Chris Simon directed and produced the feature documentary \u003cem>This Ain’t\u003c/em> \u003cem>No Mouse Music! The Story of Chris Strachwitz and Arhoolie Records\u003c/em>.\u003cbr>\nhttps://www.youtube.com/watch?v=eYyNAgs4T5o\u003c/p>\n\u003cp>Speaking from New Orleans, where a \u003ca href=\"https://www.wwoz.org/blog/901596\">program celebrating the legacy of Arhoolie\u003c/a> concluded just hours before his death, Gosling had been to a screening with Simon of Les Blank’s Cajun and zydeco music documentary \u003cem>\u003ca href=\"https://lesblank.com/films/jai-ete-au-bal-i-went-to-the-dance-1989-2/\">J’ai Été Au Bal / I Went to the Dance\u003c/a>\u003c/em>. Cajun folklorist Barry Ancelet said, “‘We knew about these recordings, but to see these compilations of Cajun music combined in a historical context was mind-blowing,’” Gosling said. “Michael Doucet listened to them and got excited about playing Cajun music.”\u003c/p>\n\u003cp>Gosling and Simon got to know Strachwitz when they were part of Blank’s Flower Film team, which ended up being based upstairs from Down Home Music when Blank was working on the classic 1976 documentary about Norteño music, \u003cem>\u003ca href=\"https://lesblank.com/films/chulas-fronteras-1976-2/\">Chulas Fronteras\u003c/a>\u003c/em>. Strachwitz and Blank had met each other in the 1960s at the Ash Grove folk club in Los Angeles, and Strachwitz ended up serving as an advisor, guide and resource for many of Blank’s films.\u003c/p>\n\u003cfigure id=\"attachment_13928752\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Arhoolie-Records-Founder-Chris-Strachwitz-photo-by-Alain-McLaughlin-1-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13928752\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Arhoolie-Records-Founder-Chris-Strachwitz-photo-by-Alain-McLaughlin-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Arhoolie-Records-Founder-Chris-Strachwitz-photo-by-Alain-McLaughlin-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Arhoolie-Records-Founder-Chris-Strachwitz-photo-by-Alain-McLaughlin-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Arhoolie-Records-Founder-Chris-Strachwitz-photo-by-Alain-McLaughlin-1-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Arhoolie-Records-Founder-Chris-Strachwitz-photo-by-Alain-McLaughlin-1.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Arhoolie Records founder Chris Strachwitz. \u003ccite>(Alain McLaughlin/Arhoolie Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“He has that energy and excitement,” Simon said. “They balanced each other out. Les was reserved and wanted to observe. Chris was all excited about everything. He was more interested in the music. Les wanted to get at the person and culture, the surroundings bringing that music forth.”\u003c/p>\n\u003cp>The sheer scope of Strachwitz’s work was almost unimaginable. While Arhoolie released some 400 albums, that barely accounts for the music that Strachwitz compiled. At a time when Mexican music was largely invisible to non-Latino audiences, he started acquiring records that documented a constellation of styles, with a particular focus on accordion-driven norteño music.\u003cbr>\nhttps://www.youtube.com/watch?v=wlhDaing95Q\u003c/p>\n\u003cp>Strachwitz ended up compiling the Frontera Collection, the world’s largest private archive of Mexican and Mexican-American music. A grant from the San Jose norteño band Los Tigres del Norte’s foundation launched the digitizing process (via UCLA’s Chicano Studies Research Center), and two decades later, in 2022, the process was completed, encompassing 162,860 tracks.\u003c/p>\n\u003cp>Blues and Mexican music was part of Strachwitz’s introduction to the United States. Born into an aristocratic Prussian family, he was a teenager when his family resettled in Santa Barbara after being displaced at the end of World War II (his hometown, Gross Reichenau, is now the Polish city Bogaczów). It wasn’t long before American roots music became an abiding obsession.\u003c/p>\n\u003cp>[aside postID='forum_2010101854728']“I first heard it around 1948 on a radio station from Santa Paula that had some Mexican music, mostly mariachi, but some accordion too,” he told me in 2011. “I loved the sound of it. I thought it was just like hillbilly music, but in a different language.”\u003c/p>\n\u003cp>He followed that passion across the South to record Delta blue musicians, and into the Southwest to capture the sounds of the border.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“He was out there when no one else was,” Gosling said. “Alan Lomax was recording for archives, all those folk ballads. But Chris wanted to capture music that people \u003cem>danced\u003c/em> to.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13928741\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Chris.Strachwitz.full_.jpg\" alt=\"\" width=\"1024\" height=\"762\" class=\"size-full wp-image-13928741\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Chris.Strachwitz.full_.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Chris.Strachwitz.full_-800x595.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Chris.Strachwitz.full_-1020x759.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Chris.Strachwitz.full_-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Chris.Strachwitz.full_-768x572.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Chris Strachwitz at his Down Home Records store in El Cerrito, Calif. in 2014. The founder of the popular local music store and Arhoolie Records died Friday at age 91. \u003ccite>(Paul Chinn/The San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first time that Chris Strachwitz blew my mind open was in the mid-1990s.\u003c/p>\n\u003cp>It was my first pilgrimage to \u003ca href=\"https://www.downhomemusic.com/\">Down Home Music\u003c/a>, the El Cerrito record store that serves as home base for Arhoolie Records, the label that Strachwitz founded in 1960. Intrigued by the cover art of \u003cem>\u003ca href=\"https://folkways.si.edu/pachuco-boogie/jazz-ragtime/music/album/smithsonian\">Pachuco Boogie\u003c/a>\u003c/em>, I added the CD to my stack, allowing me to discover a liminal moment when Mexican-American musicians started absorbing the jump blues and early R&B of their Black neighbors in 1940s Los Angeles. The irresistible sound sparked an epiphany about the buried cultural geography of my hometown, which had recently been torn apart by the LA riots.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Strachwitz, who \u003ca href=\"https://www.kqed.org/arts/13928746/chris-strachwitz-legendary-roots-music-preservationist-dies-at-91\">died at his apartment in Marin on May 5 at the age of 91\u003c/a>, appreciated that story. A tireless ethnomusicologist, he seemed to experience life as an ongoing series of musical revelations, and he liked nothing better than sharing those transformative sounds. Running into Strachwitz, a longtime Berkeley resident, at a show or on BART was always a treat, as he was garrulous, opinionated and usually bubbling over with enthusiasm about something he’d recently heard.\u003c/p>\n\u003cp>Strachwitz spent his life documenting, preserving, producing and releasing a far-flung roster of roots music traditions, including country blues, gospel, bluegrass, jazz, zydeco, Cajun and Tex-Mex music. His massive catalog of Arhoolie albums and compilation projects introduced several generations of listeners to sounds assiduously avoided by mainstream outlets.\u003c/p>\n\u003cfigure id=\"attachment_13928753\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/mousemusic800.jpg\" alt=\"\" width=\"800\" height=\"509\" class=\"size-full wp-image-13928753\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/mousemusic800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/mousemusic800-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/mousemusic800-768x489.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chris Strachwitz with Texas blues musician Mance Lipscomb in an undated photo. \u003ccite>(Arhoolie Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I didn’t care for the slick R&B,” he told me in \u003ca href=\"https://eastbayexpress.com/at-50-arhoolie-records-looks-back-and-goes-forward-1/\">an interview for Arhoolie’s 50th anniversary\u003c/a>. “I liked the raggedy stuff, the stuff where the musicians are obviously expressing themselves. I like honking bands, the beat, the powerful rhythm, and I don’t care if it’s hillbilly or gospel.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Arhoolie wasn’t a commercial powerhouse, but the sounds that Strachwitz captured or uncovered influenced countless musicians, including Bonnie Raitt, Bob Dylan, Taj Mahal, Ry Cooder and the Rolling Stones (whom Strachwitz successfully pursued for royalties due to ailing bluesman Fred McDowell for “You Gotta Move,” a track on 1971’s \u003cem>Sticky Fingers\u003c/em>).\u003c/p>\n\u003cp>The influence of his work soaked into the roots of the communities he treasured, according to Maureen Gosling, who with Chris Simon directed and produced the feature documentary \u003cem>This Ain’t\u003c/em> \u003cem>No Mouse Music! The Story of Chris Strachwitz and Arhoolie Records\u003c/em>.\u003cbr>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eYyNAgs4T5o'\n title='//www.youtube.com/embed/eYyNAgs4T5o'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Speaking from New Orleans, where a \u003ca href=\"https://www.wwoz.org/blog/901596\">program celebrating the legacy of Arhoolie\u003c/a> concluded just hours before his death, Gosling had been to a screening with Simon of Les Blank’s Cajun and zydeco music documentary \u003cem>\u003ca href=\"https://lesblank.com/films/jai-ete-au-bal-i-went-to-the-dance-1989-2/\">J’ai Été Au Bal / I Went to the Dance\u003c/a>\u003c/em>. Cajun folklorist Barry Ancelet said, “‘We knew about these recordings, but to see these compilations of Cajun music combined in a historical context was mind-blowing,’” Gosling said. “Michael Doucet listened to them and got excited about playing Cajun music.”\u003c/p>\n\u003cp>Gosling and Simon got to know Strachwitz when they were part of Blank’s Flower Film team, which ended up being based upstairs from Down Home Music when Blank was working on the classic 1976 documentary about Norteño music, \u003cem>\u003ca href=\"https://lesblank.com/films/chulas-fronteras-1976-2/\">Chulas Fronteras\u003c/a>\u003c/em>. Strachwitz and Blank had met each other in the 1960s at the Ash Grove folk club in Los Angeles, and Strachwitz ended up serving as an advisor, guide and resource for many of Blank’s films.\u003c/p>\n\u003cfigure id=\"attachment_13928752\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Arhoolie-Records-Founder-Chris-Strachwitz-photo-by-Alain-McLaughlin-1-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13928752\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Arhoolie-Records-Founder-Chris-Strachwitz-photo-by-Alain-McLaughlin-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Arhoolie-Records-Founder-Chris-Strachwitz-photo-by-Alain-McLaughlin-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Arhoolie-Records-Founder-Chris-Strachwitz-photo-by-Alain-McLaughlin-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Arhoolie-Records-Founder-Chris-Strachwitz-photo-by-Alain-McLaughlin-1-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Arhoolie-Records-Founder-Chris-Strachwitz-photo-by-Alain-McLaughlin-1.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Arhoolie Records founder Chris Strachwitz. \u003ccite>(Alain McLaughlin/Arhoolie Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“He has that energy and excitement,” Simon said. “They balanced each other out. Les was reserved and wanted to observe. Chris was all excited about everything. He was more interested in the music. Les wanted to get at the person and culture, the surroundings bringing that music forth.”\u003c/p>\n\u003cp>The sheer scope of Strachwitz’s work was almost unimaginable. While Arhoolie released some 400 albums, that barely accounts for the music that Strachwitz compiled. At a time when Mexican music was largely invisible to non-Latino audiences, he started acquiring records that documented a constellation of styles, with a particular focus on accordion-driven norteño music.\u003cbr>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wlhDaing95Q'\n title='//www.youtube.com/embed/wlhDaing95Q'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Strachwitz ended up compiling the Frontera Collection, the world’s largest private archive of Mexican and Mexican-American music. A grant from the San Jose norteño band Los Tigres del Norte’s foundation launched the digitizing process (via UCLA’s Chicano Studies Research Center), and two decades later, in 2022, the process was completed, encompassing 162,860 tracks.\u003c/p>\n\u003cp>Blues and Mexican music was part of Strachwitz’s introduction to the United States. Born into an aristocratic Prussian family, he was a teenager when his family resettled in Santa Barbara after being displaced at the end of World War II (his hometown, Gross Reichenau, is now the Polish city Bogaczów). It wasn’t long before American roots music became an abiding obsession.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I first heard it around 1948 on a radio station from Santa Paula that had some Mexican music, mostly mariachi, but some accordion too,” he told me in 2011. “I loved the sound of it. I thought it was just like hillbilly music, but in a different language.”\u003c/p>\n\u003cp>He followed that passion across the South to record Delta blue musicians, and into the Southwest to capture the sounds of the border.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“He was out there when no one else was,” Gosling said. “Alan Lomax was recording for archives, all those folk ballads. But Chris wanted to capture music that people \u003cem>danced\u003c/em> to.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "It's Met Gala 2023! Let's All Pretend Karl Lagerfeld Was Cool!",
"headTitle": "It’s Met Gala 2023! Let’s All Pretend Karl Lagerfeld Was Cool! | KQED",
"content": "\u003cp>Oh, hey, look everybody! It’s the first Monday in May! That can mean only one thing: Celebrities trying to out-fashion each other on the Metropolitan Museum’s red carpet in New York. Except that this year’s Met Gala also happened to fall on \u003ca href=\"https://www.britannica.com/topic/May-Day-international-observance\">May Day\u003c/a> — a day traditionally dedicated to the workers of the world uniting and pushing back against the powers that be. (Somewhere, in the back of a limo, someone’s assistant was wearing Fruit of the Loom underwear in solidarity.)\u003c/p>\n\u003cp>[aside postid='arts_13912817']Also making the 2023 Met Gala even weirder this year? The damn theme: \u003cem>Karl Lagerfeld: A Line of Beauty\u003c/em>. Lagerfeld was a hateful little man who proudly wore his misogyny, fatphobia and \u003ca href=\"https://www.theguardian.com/fashion/2017/nov/13/karl-lagerfeld-sparks-outrage-over-migrant-holocaust-comments\">Islamaphobia\u003c/a> on his impeccably tailored sleeve. He also spent 36 years of his life working for Chanel — the fashion house founded by \u003ca href=\"https://www.pbs.org/wgbh/roadshow/stories/articles/2022/1/3/coco-chanel-fashion-designer-and-nazi-informant#:~:text=Gabrielle%20%E2%80%9CCoco%E2%80%9D%20Chanel%20was%20a,a%20Nazi%20sympathizer%20and%20informer.\">known Nazi sympathizer and secret agent, Coco Chanel\u003c/a>. Oh, and then there was that time in 2013 when \u003ca href=\"https://theweek.com/articles/493757/claudia-schiffers-blackface-photos-defensible\">he put Claudia Schiffer in blackface and an afro\u003c/a>. Hurray!\u003c/p>\n\u003cp>Is everyone feeling super awkward and uncomfortable yet? Like Kim Kardashian in that \u003ca href=\"https://www.wmagazine.com/story/kim-kardashian-met-gala-corset-mugler-mr-pearl\">very corseted Thierry Mugler dress\u003c/a> at 2019’s Met Gala? Good. Then let’s take a look at the fashion!\u003c/p>\n\u003ch2>Penélope Cruz and Dua Lipa\u003c/h2>\n\u003cfigure id=\"attachment_13928511\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928511\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-800x533.jpg\" alt=\"Two women with pale flawless skin and dark brown hair stand side by side. One is wearing a corseted white dress with black stitching. The other is a wearing a plunging, belted white dress with a transparent white hood.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A nun and a milkmaid walk into a museum… \u003ccite>(Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Penélope Cruz arrived in a Chanel take on Elsa from \u003cem>Frozen,\u003c/em> while Dua Lipa donned 1992 Chanel that was giving fancy-ass milkmaid. Cruz is a mom of two and therefore a reminder of that time Lagerfeld told a journalist at \u003cem>Interview \u003c/em>magazine\u003cem>: “\u003c/em>You’re lucky because [your children] are very beautiful. \u003ca href=\"https://www.interviewmagazine.com/fashion/carine-roitfeld\">It would have been difficult to have an ugly daughter\u003c/a>.” He continued: “If I were a woman, I would love to have lots of kids. But for men, I don’t believe in it.”\u003c/p>\n\u003cp>Nice!\u003c/p>\n\u003ch2>Salma Hayek\u003c/h2>\n\u003cfigure id=\"attachment_13928518\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928518\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-800x533.jpg\" alt=\"A striking movie star stands on a red carpet wearing a red, tiered gown and bodice, hand on her hip. Photographers are lined up behind her.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Salma Hayek: 10 out of 10, no notes. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The iconic actress provided a rare pop of color to the black and white-centric gala, in a stunning red, tiered, full-length gown and rubber bodice. For some reason — maybe because Hayek survived nightmarish harassment by Harvey Weinstein and \u003ca href=\"https://www.nytimes.com/interactive/2017/12/13/opinion/contributors/salma-hayek-harvey-weinstein.html?smid=tw-nytopinion&smtyp=cur&mtrref=t.co&assetType=opinion&mtrref=theplaylist.net&gwh=58685C1FA7FF98DAD582641F4BB2C2C9&gwt=pay&assetType=PAYWALL\">wrote a powerful essay about it\u003c/a>? — I can’t help but think about that time Karl Lagerfeld said he was “fed up” with the #MeToo movement.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“What shocks me most in all of this,” \u003ca href=\"https://www.hollywoodreporter.com/lifestyle/style/karl-lagerfeld-metoo-comments-you-don-t-want-your-pants-pulled-don-t-become-a-model-1102596/\">the designer said\u003c/a>, “are the starlets who have taken 20 years to remember what happened.”\u003c/p>\n\u003cp>Literally stunning!\u003c/p>\n\u003ch2>Cara Delevingne\u003c/h2>\n\u003cfigure id=\"attachment_13928520\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928520\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-800x533.jpg\" alt=\"A white woman with cropped shaggy silver hair stands on a red carpet surrounded by photographers, fanning out a huge white cape from a mini dress. Her legs are covered with black leather sheaths.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cara Delevingne being di(la)vine at the 2023 Met Gala. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cara Delevingne is one of the most in-demand models in the world not just because of her looks, but because of her tough persona and assertive edge. I wonder if she remembers that time in 2018 when \u003ca href=\"https://www.hollywoodreporter.com/lifestyle/style/karl-lagerfeld-metoo-comments-you-don-t-want-your-pants-pulled-don-t-become-a-model-1102596/\">Karl Lagerfeld wanted models to stop speaking up for themselves\u003c/a>?\u003c/p>\n\u003cp>“I read somewhere that now you must ask a model if she is comfortable with posing,” Lagerfeld said. “It’s simply too much; from now on, as a designer, you can’t do anything. It’s unbelievable. If you don’t want your pants pulled about, don’t become a model. Join a nunnery. There’ll always be a place for you in the convent.”\u003c/p>\n\u003cp>Sensational!\u003c/p>\n\u003ch2>Cardi B\u003c/h2>\n\u003cfigure id=\"attachment_13928522\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928522\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486936357-800x554.jpg\" alt=\"A Black woman wearing a dramatic black gown with white sleeveless collared shirt and black tie underneath, stands on the red carpet, gloved arms outstretched. She is wearing a long, straight, silver wig.\" width=\"800\" height=\"554\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-800x554.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-1020x707.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-768x532.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-1536x1064.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-2048x1419.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-1920x1330.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Talented rapper and tattooed human, Cardi B. \u003ccite>(Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The rapper arrived in a bell-shaped gown paired with boss-lady collared shirt and black tie. Cardi’s silver wig was a nod to Lagerfeld’s own strange mane, which is super fun when you think about that time the designer said: “I think tattoos are horrible. It’s like living in a Pucci dress full-time.”\u003c/p>\n\u003cp>Hope you like Pucci, Cardi!\u003c/p>\n\u003ch2>Janelle Monáe\u003c/h2>\n\u003cfigure id=\"attachment_13928521\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928521\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486933737-800x533.jpg\" alt=\"A Black woman wearing a stunned facial expression stands wearing an oversized conical black and white suit coat, held up by a wired underskirt.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe doing iconic weeble business. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Janelle Monáe upped the theatricality with an avant-garde, oversized, conical-shaped, black and white coat that she later whipped off to reveal a structured, mesh underskirt. While there is zero evidence to support this theory, I am hoping this illusion of largeness was a nod to the time Karl Lagerfeld said: “The hole in social security, it’s also [because of] all the diseases caught by people who are too fat.”\u003c/p>\n\u003cp>Cool!\u003c/p>\n\u003ch2>David Byrne\u003c/h2>\n\u003cfigure id=\"attachment_13928512\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928512\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486913679-800x533.jpg\" alt=\"A man in a crisp white suit and casual sneakers stands on a red carpet with a bicycle, smiling.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Byrne and his bicycle. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Talking Heads legend David Byrne showed up in a crisp white suit with his bicycle — an excellent accessory, tailor-made to get grease all over your couture as you haul it up the stairs. Something about this striking look was reminiscent of the time Karl Lagerfeld declared: “\u003ca href=\"https://www.harpersbazaar.com/fashion/designers/a26405187/karl-lagerfeld-quotes/\">I hate intellectual conversation with intellectuals because I only care about my opinion\u003c/a>.”\u003c/p>\n\u003cp>Perfection!\u003c/p>\n\u003ch2>Lil Nas X\u003c/h2>\n\u003cfigure id=\"attachment_13928517\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928517\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486925234-800x559.jpg\" alt=\"A man in silver body paint and crystal-encrusted face mask strikes a pose in front of a white curtain. He is wearing only a loin cloth.\" width=\"800\" height=\"559\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-800x559.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-1020x712.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-768x536.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-1536x1073.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-2048x1431.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-1920x1341.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil Nas X in a typically understated silver ensemble. \u003ccite>(Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lil Nas X showed up in a subtle silver number that emphasized his, uh, assets. Because of his status as a queer icon, it’s hard not to think about the time Karl Lagerfeld endorsed marriage equality on the runway, then immediately told everyone \u003ca href=\"https://www.theguardian.com/fashion/2013/jan/22/karl-lagerfeld-chanel-gay-marriage\">he was “less keen” on gay couples being allowed to adopt\u003c/a> children.\u003c/p>\n\u003cp>So awesome!\u003c/p>\n\u003ch2>Michaela Coel\u003c/h2>\n\u003cfigure id=\"attachment_13928516\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928516\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-800x533.jpg\" alt=\"A beautiful black woman with feline features and cornrows wears a heavily beaded gold gown.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A look so perfect, it would have rendered even Karl Lagerfeld speechless. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Holy crap. Michaela Coel looked so dazzling, I briefly stopped thinking about what a troll Karl Lagerfeld was.\u003c/p>\n\u003cp>Thank you, Michaela Coel, for allowing me to not think about Karl Lagerfeld for three minutes.\u003c/p>\n\u003ch2>Gisele Bündchen\u003c/h2>\n\u003cfigure id=\"attachment_13928514\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928514\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-800x570.jpg\" alt=\"A beautiful woman spins on the red carpet wearing a full-length crystal-beaded gown and a full length feather shrug.\" width=\"800\" height=\"570\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-800x570.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-1020x727.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-768x548.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-1536x1095.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gisele Bündchen wearing about 57,000 birds. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Giselle had a sparkly, swan-inspired moment on the red carpet, spinning her full-length feather cape for awaiting photographers. It was hard to see all those feathers without recalling the time in 2009 when Karl Lagerfeld insisted on \u003ca href=\"http://fashion.telegraph.co.uk/news-features/TMG4075783/Karl-Lagerfeld-defends-fur-industry-saying-beasts-would-kill-us-if-we-didnt-kill-them.html\">giving his two cents about the use of animal products\u003c/a> in couture.\u003c/p>\n\u003cp>“In a meat-eating world, wearing leather for shoes and clothes and even handbags, the discussion of fur is childish.” He was also careful to note that the dead animals in question were merely “beasts who would kill us if they could.”\u003c/p>\n\u003cp>Screw you, fluffy animals!\u003c/p>\n\u003ch2>Lizzo and Jared Leto\u003c/h2>\n\u003cfigure id=\"attachment_13928519\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928519\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-800x533.jpg\" alt=\"A plus-sized Black woman in a full-length black gown covered in strings of white pearls stands on a busy red carpet talking to someone in a giant fluffy cat costume.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jared Leto, dressed as Karl Lagerfeld’s cat Choupette, chats with Lizzo. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I was super into watching Lizzo converse with a human-sized cat until I:\u003c/p>\n\u003cp>(a) found out that the cat costume was, in fact, inhabited by \u003ca href=\"https://www.kqed.org/arts/13865555/thirty-seconds-to-mars-jared-leto-started-a-cult-because-of-course-he-did\">human pretension factory Jared Leto\u003c/a>, and,\u003c/p>\n\u003cp>(b) remembered that time Karl Lagerfeld said of another plus-sized songstress, Adele: “She’s a little too fat but she has a beautiful face.” Later Lagerfeld implied that his unsolicited comments about her physique actually did Adele a favor. “After that,” he said, “she lost eight kilos [17.6 pounds] so I think the message was not that bad.”\u003c/p>\n\u003cp>Give me strength, Lord.\u003c/p>\n\u003ch2>Doja Cat\u003c/h2>\n\u003cfigure id=\"attachment_13928523\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928523\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-800x533.jpg\" alt=\"A Black woman wearing face enhancements that make her look like a cat poses on the red carpet. She's wearing a silver gown with hood that has cat ear embellishments.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat = Literal cat now. Cool. \u003ccite>(Theo Wargo/Getty Images for Karl Lagerfeld)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One time, offering unsolicited commentary about Lana Del Rey’s appearance, Karl Lagerfeld said: “In her photos, she is beautiful. Is she a construct with all her implants?”\u003c/p>\n\u003cp>How’s this for a construct, Karl? Doja Cat is an actual cat now.\u003c/p>\n\u003cp>Mic drop!\u003c/p>\n\u003ch2>Ashley Graham\u003c/h2>\n\u003cfigure id=\"attachment_13928515\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928515\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486923634-800x593.jpg\" alt=\"A beautiful white woman wearing a tight fitting pink and black off-the-shoulder gown with embellishments around her ankles, hips and elbows to emphasize her curves.\" width=\"800\" height=\"593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-800x593.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-1020x757.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-768x570.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-1536x1139.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-2048x1519.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-1920x1424.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ashley Graham in a stunning pink and black off-the-shoulder gown. \u003ccite>(Theo Wargo/Getty Images for Karl Lagerfeld)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Body positivity leader and plus-sized model Ashley Graham was stunning in a figure-hugging gown with embellishments that served to emphasize her curves. One can’t help but wonder how Karl Lagerfeld would receive this look today, given his 2009 statement that: “\u003ca href=\"https://www.smh.com.au/lifestyle/fashion/no-one-wants-to-see-curvy-women-karl-lagerfeld-20091012-gskk.html\">No one wants to see curvy women\u003c/a>.”\u003c/p>\n\u003cp>Get outta here, you!\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>May next year’s theme be much, much easier to not think about.\u003c/p>\n\n",
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"excerpt": "The most prestigious night in fashion pays homage to a guy who hated almost everyone and couldn't wait to talk about it. Stunning!",
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"title": "It's Met Gala 2023! Let's All Pretend Karl Lagerfeld Was Cool! | KQED",
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"headline": "It's Met Gala 2023! Let's All Pretend Karl Lagerfeld Was Cool!",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oh, hey, look everybody! It’s the first Monday in May! That can mean only one thing: Celebrities trying to out-fashion each other on the Metropolitan Museum’s red carpet in New York. Except that this year’s Met Gala also happened to fall on \u003ca href=\"https://www.britannica.com/topic/May-Day-international-observance\">May Day\u003c/a> — a day traditionally dedicated to the workers of the world uniting and pushing back against the powers that be. (Somewhere, in the back of a limo, someone’s assistant was wearing Fruit of the Loom underwear in solidarity.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Also making the 2023 Met Gala even weirder this year? The damn theme: \u003cem>Karl Lagerfeld: A Line of Beauty\u003c/em>. Lagerfeld was a hateful little man who proudly wore his misogyny, fatphobia and \u003ca href=\"https://www.theguardian.com/fashion/2017/nov/13/karl-lagerfeld-sparks-outrage-over-migrant-holocaust-comments\">Islamaphobia\u003c/a> on his impeccably tailored sleeve. He also spent 36 years of his life working for Chanel — the fashion house founded by \u003ca href=\"https://www.pbs.org/wgbh/roadshow/stories/articles/2022/1/3/coco-chanel-fashion-designer-and-nazi-informant#:~:text=Gabrielle%20%E2%80%9CCoco%E2%80%9D%20Chanel%20was%20a,a%20Nazi%20sympathizer%20and%20informer.\">known Nazi sympathizer and secret agent, Coco Chanel\u003c/a>. Oh, and then there was that time in 2013 when \u003ca href=\"https://theweek.com/articles/493757/claudia-schiffers-blackface-photos-defensible\">he put Claudia Schiffer in blackface and an afro\u003c/a>. Hurray!\u003c/p>\n\u003cp>Is everyone feeling super awkward and uncomfortable yet? Like Kim Kardashian in that \u003ca href=\"https://www.wmagazine.com/story/kim-kardashian-met-gala-corset-mugler-mr-pearl\">very corseted Thierry Mugler dress\u003c/a> at 2019’s Met Gala? Good. Then let’s take a look at the fashion!\u003c/p>\n\u003ch2>Penélope Cruz and Dua Lipa\u003c/h2>\n\u003cfigure id=\"attachment_13928511\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928511\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-800x533.jpg\" alt=\"Two women with pale flawless skin and dark brown hair stand side by side. One is wearing a corseted white dress with black stitching. The other is a wearing a plunging, belted white dress with a transparent white hood.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A nun and a milkmaid walk into a museum… \u003ccite>(Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Penélope Cruz arrived in a Chanel take on Elsa from \u003cem>Frozen,\u003c/em> while Dua Lipa donned 1992 Chanel that was giving fancy-ass milkmaid. Cruz is a mom of two and therefore a reminder of that time Lagerfeld told a journalist at \u003cem>Interview \u003c/em>magazine\u003cem>: “\u003c/em>You’re lucky because [your children] are very beautiful. \u003ca href=\"https://www.interviewmagazine.com/fashion/carine-roitfeld\">It would have been difficult to have an ugly daughter\u003c/a>.” He continued: “If I were a woman, I would love to have lots of kids. But for men, I don’t believe in it.”\u003c/p>\n\u003cp>Nice!\u003c/p>\n\u003ch2>Salma Hayek\u003c/h2>\n\u003cfigure id=\"attachment_13928518\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928518\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-800x533.jpg\" alt=\"A striking movie star stands on a red carpet wearing a red, tiered gown and bodice, hand on her hip. Photographers are lined up behind her.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Salma Hayek: 10 out of 10, no notes. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The iconic actress provided a rare pop of color to the black and white-centric gala, in a stunning red, tiered, full-length gown and rubber bodice. For some reason — maybe because Hayek survived nightmarish harassment by Harvey Weinstein and \u003ca href=\"https://www.nytimes.com/interactive/2017/12/13/opinion/contributors/salma-hayek-harvey-weinstein.html?smid=tw-nytopinion&smtyp=cur&mtrref=t.co&assetType=opinion&mtrref=theplaylist.net&gwh=58685C1FA7FF98DAD582641F4BB2C2C9&gwt=pay&assetType=PAYWALL\">wrote a powerful essay about it\u003c/a>? — I can’t help but think about that time Karl Lagerfeld said he was “fed up” with the #MeToo movement.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“What shocks me most in all of this,” \u003ca href=\"https://www.hollywoodreporter.com/lifestyle/style/karl-lagerfeld-metoo-comments-you-don-t-want-your-pants-pulled-don-t-become-a-model-1102596/\">the designer said\u003c/a>, “are the starlets who have taken 20 years to remember what happened.”\u003c/p>\n\u003cp>Literally stunning!\u003c/p>\n\u003ch2>Cara Delevingne\u003c/h2>\n\u003cfigure id=\"attachment_13928520\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928520\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-800x533.jpg\" alt=\"A white woman with cropped shaggy silver hair stands on a red carpet surrounded by photographers, fanning out a huge white cape from a mini dress. Her legs are covered with black leather sheaths.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cara Delevingne being di(la)vine at the 2023 Met Gala. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cara Delevingne is one of the most in-demand models in the world not just because of her looks, but because of her tough persona and assertive edge. I wonder if she remembers that time in 2018 when \u003ca href=\"https://www.hollywoodreporter.com/lifestyle/style/karl-lagerfeld-metoo-comments-you-don-t-want-your-pants-pulled-don-t-become-a-model-1102596/\">Karl Lagerfeld wanted models to stop speaking up for themselves\u003c/a>?\u003c/p>\n\u003cp>“I read somewhere that now you must ask a model if she is comfortable with posing,” Lagerfeld said. “It’s simply too much; from now on, as a designer, you can’t do anything. It’s unbelievable. If you don’t want your pants pulled about, don’t become a model. Join a nunnery. There’ll always be a place for you in the convent.”\u003c/p>\n\u003cp>Sensational!\u003c/p>\n\u003ch2>Cardi B\u003c/h2>\n\u003cfigure id=\"attachment_13928522\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928522\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486936357-800x554.jpg\" alt=\"A Black woman wearing a dramatic black gown with white sleeveless collared shirt and black tie underneath, stands on the red carpet, gloved arms outstretched. She is wearing a long, straight, silver wig.\" width=\"800\" height=\"554\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-800x554.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-1020x707.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-768x532.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-1536x1064.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-2048x1419.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-1920x1330.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Talented rapper and tattooed human, Cardi B. \u003ccite>(Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The rapper arrived in a bell-shaped gown paired with boss-lady collared shirt and black tie. Cardi’s silver wig was a nod to Lagerfeld’s own strange mane, which is super fun when you think about that time the designer said: “I think tattoos are horrible. It’s like living in a Pucci dress full-time.”\u003c/p>\n\u003cp>Hope you like Pucci, Cardi!\u003c/p>\n\u003ch2>Janelle Monáe\u003c/h2>\n\u003cfigure id=\"attachment_13928521\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928521\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486933737-800x533.jpg\" alt=\"A Black woman wearing a stunned facial expression stands wearing an oversized conical black and white suit coat, held up by a wired underskirt.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe doing iconic weeble business. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Janelle Monáe upped the theatricality with an avant-garde, oversized, conical-shaped, black and white coat that she later whipped off to reveal a structured, mesh underskirt. While there is zero evidence to support this theory, I am hoping this illusion of largeness was a nod to the time Karl Lagerfeld said: “The hole in social security, it’s also [because of] all the diseases caught by people who are too fat.”\u003c/p>\n\u003cp>Cool!\u003c/p>\n\u003ch2>David Byrne\u003c/h2>\n\u003cfigure id=\"attachment_13928512\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928512\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486913679-800x533.jpg\" alt=\"A man in a crisp white suit and casual sneakers stands on a red carpet with a bicycle, smiling.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Byrne and his bicycle. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Talking Heads legend David Byrne showed up in a crisp white suit with his bicycle — an excellent accessory, tailor-made to get grease all over your couture as you haul it up the stairs. Something about this striking look was reminiscent of the time Karl Lagerfeld declared: “\u003ca href=\"https://www.harpersbazaar.com/fashion/designers/a26405187/karl-lagerfeld-quotes/\">I hate intellectual conversation with intellectuals because I only care about my opinion\u003c/a>.”\u003c/p>\n\u003cp>Perfection!\u003c/p>\n\u003ch2>Lil Nas X\u003c/h2>\n\u003cfigure id=\"attachment_13928517\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928517\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486925234-800x559.jpg\" alt=\"A man in silver body paint and crystal-encrusted face mask strikes a pose in front of a white curtain. He is wearing only a loin cloth.\" width=\"800\" height=\"559\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-800x559.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-1020x712.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-768x536.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-1536x1073.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-2048x1431.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-1920x1341.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil Nas X in a typically understated silver ensemble. \u003ccite>(Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lil Nas X showed up in a subtle silver number that emphasized his, uh, assets. Because of his status as a queer icon, it’s hard not to think about the time Karl Lagerfeld endorsed marriage equality on the runway, then immediately told everyone \u003ca href=\"https://www.theguardian.com/fashion/2013/jan/22/karl-lagerfeld-chanel-gay-marriage\">he was “less keen” on gay couples being allowed to adopt\u003c/a> children.\u003c/p>\n\u003cp>So awesome!\u003c/p>\n\u003ch2>Michaela Coel\u003c/h2>\n\u003cfigure id=\"attachment_13928516\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928516\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-800x533.jpg\" alt=\"A beautiful black woman with feline features and cornrows wears a heavily beaded gold gown.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A look so perfect, it would have rendered even Karl Lagerfeld speechless. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Holy crap. Michaela Coel looked so dazzling, I briefly stopped thinking about what a troll Karl Lagerfeld was.\u003c/p>\n\u003cp>Thank you, Michaela Coel, for allowing me to not think about Karl Lagerfeld for three minutes.\u003c/p>\n\u003ch2>Gisele Bündchen\u003c/h2>\n\u003cfigure id=\"attachment_13928514\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928514\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-800x570.jpg\" alt=\"A beautiful woman spins on the red carpet wearing a full-length crystal-beaded gown and a full length feather shrug.\" width=\"800\" height=\"570\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-800x570.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-1020x727.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-768x548.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-1536x1095.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gisele Bündchen wearing about 57,000 birds. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Giselle had a sparkly, swan-inspired moment on the red carpet, spinning her full-length feather cape for awaiting photographers. It was hard to see all those feathers without recalling the time in 2009 when Karl Lagerfeld insisted on \u003ca href=\"http://fashion.telegraph.co.uk/news-features/TMG4075783/Karl-Lagerfeld-defends-fur-industry-saying-beasts-would-kill-us-if-we-didnt-kill-them.html\">giving his two cents about the use of animal products\u003c/a> in couture.\u003c/p>\n\u003cp>“In a meat-eating world, wearing leather for shoes and clothes and even handbags, the discussion of fur is childish.” He was also careful to note that the dead animals in question were merely “beasts who would kill us if they could.”\u003c/p>\n\u003cp>Screw you, fluffy animals!\u003c/p>\n\u003ch2>Lizzo and Jared Leto\u003c/h2>\n\u003cfigure id=\"attachment_13928519\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928519\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-800x533.jpg\" alt=\"A plus-sized Black woman in a full-length black gown covered in strings of white pearls stands on a busy red carpet talking to someone in a giant fluffy cat costume.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jared Leto, dressed as Karl Lagerfeld’s cat Choupette, chats with Lizzo. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I was super into watching Lizzo converse with a human-sized cat until I:\u003c/p>\n\u003cp>(a) found out that the cat costume was, in fact, inhabited by \u003ca href=\"https://www.kqed.org/arts/13865555/thirty-seconds-to-mars-jared-leto-started-a-cult-because-of-course-he-did\">human pretension factory Jared Leto\u003c/a>, and,\u003c/p>\n\u003cp>(b) remembered that time Karl Lagerfeld said of another plus-sized songstress, Adele: “She’s a little too fat but she has a beautiful face.” Later Lagerfeld implied that his unsolicited comments about her physique actually did Adele a favor. “After that,” he said, “she lost eight kilos [17.6 pounds] so I think the message was not that bad.”\u003c/p>\n\u003cp>Give me strength, Lord.\u003c/p>\n\u003ch2>Doja Cat\u003c/h2>\n\u003cfigure id=\"attachment_13928523\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928523\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-800x533.jpg\" alt=\"A Black woman wearing face enhancements that make her look like a cat poses on the red carpet. She's wearing a silver gown with hood that has cat ear embellishments.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat = Literal cat now. Cool. \u003ccite>(Theo Wargo/Getty Images for Karl Lagerfeld)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One time, offering unsolicited commentary about Lana Del Rey’s appearance, Karl Lagerfeld said: “In her photos, she is beautiful. Is she a construct with all her implants?”\u003c/p>\n\u003cp>How’s this for a construct, Karl? Doja Cat is an actual cat now.\u003c/p>\n\u003cp>Mic drop!\u003c/p>\n\u003ch2>Ashley Graham\u003c/h2>\n\u003cfigure id=\"attachment_13928515\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928515\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486923634-800x593.jpg\" alt=\"A beautiful white woman wearing a tight fitting pink and black off-the-shoulder gown with embellishments around her ankles, hips and elbows to emphasize her curves.\" width=\"800\" height=\"593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-800x593.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-1020x757.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-768x570.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-1536x1139.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-2048x1519.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-1920x1424.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ashley Graham in a stunning pink and black off-the-shoulder gown. \u003ccite>(Theo Wargo/Getty Images for Karl Lagerfeld)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Body positivity leader and plus-sized model Ashley Graham was stunning in a figure-hugging gown with embellishments that served to emphasize her curves. One can’t help but wonder how Karl Lagerfeld would receive this look today, given his 2009 statement that: “\u003ca href=\"https://www.smh.com.au/lifestyle/fashion/no-one-wants-to-see-curvy-women-karl-lagerfeld-20091012-gskk.html\">No one wants to see curvy women\u003c/a>.”\u003c/p>\n\u003cp>Get outta here, you!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>May next year’s theme be much, much easier to not think about.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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},
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"order": 8
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},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
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"source": "Commonwealth Club of California"
},
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
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"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
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