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"content": "\u003cfigure id=\"attachment_127164\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5036.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-127164\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5036-640x426.jpg\" alt=\"Artist and designer Gregory Kloehn sits in the doorway of his latest tiny house, which he calls the Chuckwagon. (Mark Andrew Boyer/KQED)\" width=\"640\" height=\"426\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist and designer Gregory Kloehn sits in the doorway of his latest tiny house, which he calls the Chuckwagon. (Mark Andrew Boyer/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Oakland artist and designer Gregory Kloehn was thrust into the national spotlight in 2011, when he famously transformed a dumpster into a home. Kloehn is again working with tiny structures, but now he’s building them from found materials, and he’s donating the finished structures to homeless people.\u003c/p>\n\u003caside class=\"pullquote alignleft\">‘I just ripped a page from the homeless person’s book, and then took my basic construction skills and came up with something.’\u003ccite>— Artist Gregory Kloehn\u003c/cite>\u003c/aside>\n\u003cp>The homes, all built on wheels, range in size from small boxes that are just big enough to sleep in, to larger structures that you can stand up in. Despite the attention, Kloehn downplays what he’s doing, arguing that his structures are just an upgrade on the many lean-tos and improvised structures homeless people make for themselves. \u003c/p>\n\u003cp>“I just ripped a page from the homeless person’s book, and then took my basic construction skills, and came up with something,” he said.\u003c/p>\n\u003cfigure id=\"attachment_127166\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5078-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-127166\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5078-copy-640x426.jpg\" alt=\"The Chuckwagon is one of the largest structures Kloehn has made for homeless people. (Mark Andrew Boyer/KQED)\" width=\"640\" height=\"426\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Chuckwagon is one of the largest structures Kloehn has made for homeless people. (Mark Andrew Boyer/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>It all started about two years ago, when Kloehn was working on a self-published book about homeless shelters. He walked around Oakland, observing the makeshift lean-tos and shelters homeless people had created, and he documented them with iPhone photos.\u003c/p>\n\u003cp>“I became enamored of them,” he said, while flipping through the photos. So he gathered some materials and got to work building a structure of his own, to see if he could build a home from found materials for no money. (He actually ended up spending about $40 on that home.) Since then, Kloehn has built about 10 tiny homes for homeless people, and he’s ramping up his operation.\u003c/p>\n\u003cfigure id=\"attachment_127167\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_4661-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-127167\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_4661-copy-640x426.jpg\" alt=\"Kloehn fits a wooden gutter on the exterior of a tiny house he refers to as the 'Uni-bomber Shack.' (Mark Andrew Boyer/KQED)\" width=\"640\" height=\"426\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kloehn fits a wooden gutter on the exterior of a tiny house he refers to as the ‘Uni-bomber Shack.’ (Mark Andrew Boyer/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Kloehn’s studio is located near West Oakland’s Alliance Recycling Center, a popular place for homeless people to return cans for the deposit. Homeless people with shopping carts full of cans — and their possessions — are a common sight in the neighborhood. Several of his structures can be seen throughout the neighborhood. “Sometimes they don’t make it very far,” he says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Kloehn, who has worked as a sculptor, says it’s rewarding to make functional objects that are made to be lived in. \u003c/p>\n\u003cp>“Every one is unique, and every one is different, and every one offers a different challenge,” he says. And because he’s working with found materials and there is no pressure to recoup his costs, he has the freedom to experiment. “For me, this is exciting,” he says.\u003c/p>\n\u003cfigure id=\"attachment_127168\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5111-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-127168\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5111-copy-640x426.jpg\" alt=\"A pair of tiny houses are currently occupied down the street from Kloehn's West Oakland studio. (Mark Andrew Boyer/KQED)\" width=\"640\" height=\"426\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A pair of tiny houses are currently occupied down the street from Kloehn’s West Oakland studio. (Mark Andrew Boyer/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Kloehn spends a lot of time building the structures, but it doesn’t cost him very much. “I’ll buy gas to drive around, and I’ll buy screws,” he says. But most of the materials come from industrial waste and illegal dump sites around Oakland. He also finds a lot of paint that is illegally dumped in Oakland alleys. He applies several coats of that found paint to his structures so they hold up in the elements.\u003c/p>\n\u003cp>“Within a week I can find enough materials for a home — or maybe even two homes,” he says.\u003c/p>\n\u003cfigure id=\"attachment_127169\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_4886-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-127169\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_4886-copy-640x426.jpg\" alt=\"Kloehn works on his newest tiny house, which is made mostly from old beds. (Mark Andrew Boyer/KQED)\" width=\"640\" height=\"426\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kloehn works on his newest tiny house, which is made mostly from old beds. (Mark Andrew Boyer/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Kloehn’s latest structure is going to be made almost entirely from beds. Most of the home’s frame is made from backboards, and he plans to use a matching triangular headboard and footboard set as the support for a pitched roof. “I let my materials dictate the size and shape of the homes,” Kloehn says. “The challenge is for you to make it work.”\u003c/p>\n\u003cfigure id=\"attachment_127170\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/greg-kloehn-sketches.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-127170\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/greg-kloehn-sketches-640x426.jpg\" alt=\"Kloehn shows off sketches of some of his previous tiny homes. (Mark Andrew Boyer/KQED)\" width=\"640\" height=\"426\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kloehn shows off sketches of some of his previous tiny homes. (Mark Andrew Boyer/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Since word has gotten out about Kloehn’s tiny homes, he’s been getting more volunteers to help build them. And he’s been invited to hold workshops up the coast in Portland, in Boston, and in South Africa. Soon, he’ll be ramping up his operations and moving to a bigger work space at American Steel Studios in West Oakland. But even as he produces more homes, Kloehn acknowledges that he isn’t making much of a dent in the Bay Area’s homeless problem.\u003c/p>\n\u003cp>“It’s not like I’m trying to end homelessness,” he says. But he’s providing a few people who have no homes a more comfortable place to lay their heads.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5059-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-127171\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5059-copy-640x426.jpg\" alt=\"Gregory Kloehn's tiny houses for homeless people\" width=\"640\" height=\"426\">\u003c/a>\u003c/p>\n\n",
"blocks": [],
"excerpt": "Sculptor builds tiny mobile structures that afford privacy and shelter for some of his neighbors. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_127164\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5036.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-127164\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5036-640x426.jpg\" alt=\"Artist and designer Gregory Kloehn sits in the doorway of his latest tiny house, which he calls the Chuckwagon. (Mark Andrew Boyer/KQED)\" width=\"640\" height=\"426\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist and designer Gregory Kloehn sits in the doorway of his latest tiny house, which he calls the Chuckwagon. (Mark Andrew Boyer/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Oakland artist and designer Gregory Kloehn was thrust into the national spotlight in 2011, when he famously transformed a dumpster into a home. Kloehn is again working with tiny structures, but now he’s building them from found materials, and he’s donating the finished structures to homeless people.\u003c/p>\n\u003caside class=\"pullquote alignleft\">‘I just ripped a page from the homeless person’s book, and then took my basic construction skills and came up with something.’\u003ccite>— Artist Gregory Kloehn\u003c/cite>\u003c/aside>\n\u003cp>The homes, all built on wheels, range in size from small boxes that are just big enough to sleep in, to larger structures that you can stand up in. Despite the attention, Kloehn downplays what he’s doing, arguing that his structures are just an upgrade on the many lean-tos and improvised structures homeless people make for themselves. \u003c/p>\n\u003cp>“I just ripped a page from the homeless person’s book, and then took my basic construction skills, and came up with something,” he said.\u003c/p>\n\u003cfigure id=\"attachment_127166\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5078-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-127166\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5078-copy-640x426.jpg\" alt=\"The Chuckwagon is one of the largest structures Kloehn has made for homeless people. (Mark Andrew Boyer/KQED)\" width=\"640\" height=\"426\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Chuckwagon is one of the largest structures Kloehn has made for homeless people. (Mark Andrew Boyer/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>It all started about two years ago, when Kloehn was working on a self-published book about homeless shelters. He walked around Oakland, observing the makeshift lean-tos and shelters homeless people had created, and he documented them with iPhone photos.\u003c/p>\n\u003cp>“I became enamored of them,” he said, while flipping through the photos. So he gathered some materials and got to work building a structure of his own, to see if he could build a home from found materials for no money. (He actually ended up spending about $40 on that home.) Since then, Kloehn has built about 10 tiny homes for homeless people, and he’s ramping up his operation.\u003c/p>\n\u003cfigure id=\"attachment_127167\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_4661-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-127167\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_4661-copy-640x426.jpg\" alt=\"Kloehn fits a wooden gutter on the exterior of a tiny house he refers to as the 'Uni-bomber Shack.' (Mark Andrew Boyer/KQED)\" width=\"640\" height=\"426\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kloehn fits a wooden gutter on the exterior of a tiny house he refers to as the ‘Uni-bomber Shack.’ (Mark Andrew Boyer/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Kloehn’s studio is located near West Oakland’s Alliance Recycling Center, a popular place for homeless people to return cans for the deposit. Homeless people with shopping carts full of cans — and their possessions — are a common sight in the neighborhood. Several of his structures can be seen throughout the neighborhood. “Sometimes they don’t make it very far,” he says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Kloehn, who has worked as a sculptor, says it’s rewarding to make functional objects that are made to be lived in. \u003c/p>\n\u003cp>“Every one is unique, and every one is different, and every one offers a different challenge,” he says. And because he’s working with found materials and there is no pressure to recoup his costs, he has the freedom to experiment. “For me, this is exciting,” he says.\u003c/p>\n\u003cfigure id=\"attachment_127168\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5111-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-127168\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5111-copy-640x426.jpg\" alt=\"A pair of tiny houses are currently occupied down the street from Kloehn's West Oakland studio. (Mark Andrew Boyer/KQED)\" width=\"640\" height=\"426\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A pair of tiny houses are currently occupied down the street from Kloehn’s West Oakland studio. (Mark Andrew Boyer/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Kloehn spends a lot of time building the structures, but it doesn’t cost him very much. “I’ll buy gas to drive around, and I’ll buy screws,” he says. But most of the materials come from industrial waste and illegal dump sites around Oakland. He also finds a lot of paint that is illegally dumped in Oakland alleys. He applies several coats of that found paint to his structures so they hold up in the elements.\u003c/p>\n\u003cp>“Within a week I can find enough materials for a home — or maybe even two homes,” he says.\u003c/p>\n\u003cfigure id=\"attachment_127169\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_4886-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-127169\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_4886-copy-640x426.jpg\" alt=\"Kloehn works on his newest tiny house, which is made mostly from old beds. (Mark Andrew Boyer/KQED)\" width=\"640\" height=\"426\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kloehn works on his newest tiny house, which is made mostly from old beds. (Mark Andrew Boyer/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Kloehn’s latest structure is going to be made almost entirely from beds. Most of the home’s frame is made from backboards, and he plans to use a matching triangular headboard and footboard set as the support for a pitched roof. “I let my materials dictate the size and shape of the homes,” Kloehn says. “The challenge is for you to make it work.”\u003c/p>\n\u003cfigure id=\"attachment_127170\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/greg-kloehn-sketches.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-127170\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/greg-kloehn-sketches-640x426.jpg\" alt=\"Kloehn shows off sketches of some of his previous tiny homes. (Mark Andrew Boyer/KQED)\" width=\"640\" height=\"426\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kloehn shows off sketches of some of his previous tiny homes. (Mark Andrew Boyer/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Since word has gotten out about Kloehn’s tiny homes, he’s been getting more volunteers to help build them. And he’s been invited to hold workshops up the coast in Portland, in Boston, and in South Africa. Soon, he’ll be ramping up his operations and moving to a bigger work space at American Steel Studios in West Oakland. But even as he produces more homes, Kloehn acknowledges that he isn’t making much of a dent in the Bay Area’s homeless problem.\u003c/p>\n\u003cp>“It’s not like I’m trying to end homelessness,” he says. But he’s providing a few people who have no homes a more comfortable place to lay their heads.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5059-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-127171\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/IMG_5059-copy-640x426.jpg\" alt=\"Gregory Kloehn's tiny houses for homeless people\" width=\"640\" height=\"426\">\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Good Read: 'Dogtown Redemption,' Saga of Oakland Recyclers, Gets Sundance Consideration",
"title": "Good Read: 'Dogtown Redemption,' Saga of Oakland Recyclers, Gets Sundance Consideration",
"headTitle": "News Fix | KQED News",
"content": "\u003cfigure id=\"attachment_119736\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/2013/12/02/good-read/9244241786_7a1cc23704_o/\" rel=\"attachment wp-att-119736\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/9244241786_7a1cc23704_o-e1386008051128.jpg\" alt=\"A group of West Oakland recyclers featured in Amir Soltani's "Dogtown Redemption." (Image Copyright 2013, Redemption). \" width=\"640\" height=\"417\" class=\"size-full wp-image-119736\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A group of West Oakland recyclers featured in Amir Soltani's \"Dogtown Redemption.\" (Image Copyright 2013, \u003ca href=\"http://www.redemptiondoc.com/\" target=\"_blank\">Redemption\u003c/a>).\u003c/figcaption>\u003c/figure>\n\u003cp>The Los Angeles Times ran \u003ca href=\"http://www.latimes.com/local/la-me-west-oakland-recyclers-20131201,0,7535591.story#axzz2mL79uBrg\" target=\"_blank\">a nice piece\u003c/a> over the weekend on \"\u003ca href=\"http://www.redemptiondoc.com/index.html\" target=\"_blank\">Dogtown Redemption\u003c/a>,\" a documentary on West Oakland's street recyclers. The story traces how co-director Amir Soltani arrived in the neighborhood and what he found happening in the streets there:\u003c/p>\n\u003cblockquote>\u003cp>The clang clang of the shopping carts formed a spectral nighttime symphony as recyclers congregated from miles around. Some pushed loads of as much as a thousand pounds on rigs lashed together with street ingenuity. Their destination: Alliance Recycling.\u003c/p>\n\u003cp>Local residents had long clashed with Alliance, and transplanted professionals who bought into the townhouse complex were even more vocal in their displeasure. The sounds were cacophonous, and the cash disbursed for glass and aluminum pilfered from private cans was often spent on drugs, booze and sex in plain sight.\u003c/p>\n\u003cp>Soltani saw a bigger picture: the legacy of poor urban planning that had turned a thriving African American enclave into a destitute landscape pocked by industry. And now, gentrification and mounting tensions.\u003c/p>\n\u003cp>He quit his job, bought a camera and became a fixture at Alliance.\u003c/p>\n\u003cp>Six years later, \"Dogtown Redemption,\" the documentary he created with co-director and cinematographer Chihiro Wimbush, is in the hands of judges who will announce this week whether it wins a coveted slot in the \u003ca href=\"http://www.sundance.org/festival/\" target=\"_blank\">Sundance Film Festival\u003c/a>.\n\u003c/p>\u003c/blockquote>\n\u003cp>If \"Dogtown Redemption\" makes the cut, it will be the second Oakland story in as many years to get into the January festival. Last winter, \"\u003ca href=\"http://filmguide.sundance.org/film/13025/fruitvale\" target=\"_blank\">Fruitvale\u003c/a>\" was screened there and won the Grand Jury Prize and audience award for best U.S. feature film. The movie recounts the last day of Oscar Grant, the BART passenger killed on Jan. 1, 2009, by transit police Officer Johannes Mehserle. \u003c/p>\n\u003cp>Here's the trailer for \"Dogtown Redemption\":\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe width=\"560\" height=\"315\" src=\"//www.youtube.com/embed/f91smr3ndno\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_119736\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/2013/12/02/good-read/9244241786_7a1cc23704_o/\" rel=\"attachment wp-att-119736\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/9244241786_7a1cc23704_o-e1386008051128.jpg\" alt=\"A group of West Oakland recyclers featured in Amir Soltani's "Dogtown Redemption." (Image Copyright 2013, Redemption). \" width=\"640\" height=\"417\" class=\"size-full wp-image-119736\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A group of West Oakland recyclers featured in Amir Soltani's \"Dogtown Redemption.\" (Image Copyright 2013, \u003ca href=\"http://www.redemptiondoc.com/\" target=\"_blank\">Redemption\u003c/a>).\u003c/figcaption>\u003c/figure>\n\u003cp>The Los Angeles Times ran \u003ca href=\"http://www.latimes.com/local/la-me-west-oakland-recyclers-20131201,0,7535591.story#axzz2mL79uBrg\" target=\"_blank\">a nice piece\u003c/a> over the weekend on \"\u003ca href=\"http://www.redemptiondoc.com/index.html\" target=\"_blank\">Dogtown Redemption\u003c/a>,\" a documentary on West Oakland's street recyclers. The story traces how co-director Amir Soltani arrived in the neighborhood and what he found happening in the streets there:\u003c/p>\n\u003cblockquote>\u003cp>The clang clang of the shopping carts formed a spectral nighttime symphony as recyclers congregated from miles around. Some pushed loads of as much as a thousand pounds on rigs lashed together with street ingenuity. Their destination: Alliance Recycling.\u003c/p>\n\u003cp>Local residents had long clashed with Alliance, and transplanted professionals who bought into the townhouse complex were even more vocal in their displeasure. The sounds were cacophonous, and the cash disbursed for glass and aluminum pilfered from private cans was often spent on drugs, booze and sex in plain sight.\u003c/p>\n\u003cp>Soltani saw a bigger picture: the legacy of poor urban planning that had turned a thriving African American enclave into a destitute landscape pocked by industry. And now, gentrification and mounting tensions.\u003c/p>\n\u003cp>He quit his job, bought a camera and became a fixture at Alliance.\u003c/p>\n\u003cp>Six years later, \"Dogtown Redemption,\" the documentary he created with co-director and cinematographer Chihiro Wimbush, is in the hands of judges who will announce this week whether it wins a coveted slot in the \u003ca href=\"http://www.sundance.org/festival/\" target=\"_blank\">Sundance Film Festival\u003c/a>.\n\u003c/p>\u003c/blockquote>\n\u003cp>If \"Dogtown Redemption\" makes the cut, it will be the second Oakland story in as many years to get into the January festival. Last winter, \"\u003ca href=\"http://filmguide.sundance.org/film/13025/fruitvale\" target=\"_blank\">Fruitvale\u003c/a>\" was screened there and won the Grand Jury Prize and audience award for best U.S. feature film. The movie recounts the last day of Oscar Grant, the BART passenger killed on Jan. 1, 2009, by transit police Officer Johannes Mehserle. \u003c/p>\n\u003cp>Here's the trailer for \"Dogtown Redemption\":\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe width=\"560\" height=\"315\" src=\"//www.youtube.com/embed/f91smr3ndno\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_119480\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/11/8718490840_9ca00d5689_o-e1385576348171.jpg\">\u003cimg class=\"size-full wp-image-119480\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/11/8718490840_9ca00d5689_o-e1385576348171.jpg\" alt=\"(Dan Brekke/KQED)\" width=\"640\" height=\"427\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(Dan Brekke/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>For the third time since August, independent truckers at the Port of Oakland are staging a work stoppage to protest working conditions and the cost of retrofitting their vehicles to meet state air regulations.\u003c/p>\n\u003cp>Picketing began before dawn, and protesters succeeded in slowing down truck and car traffic around the port. Video from CBS5 (below) shows several dozen picketing truckers and supporters facing off with Oakland police officers assigned to keep the roads around the port clear. The Bay Area News Group reports that police cited half a dozen people for blocking a public roadway.\u003c/p>\n\u003cp>The Port of Oakland Truckers Association \u003ca href=\"http://ww2.kqed.org/news/2013/11/18/port-of-oakland-independent-truckers-protest\" target=\"_blank\">issued a list of demands\u003c/a> to officials from the port, city and state earlier this month. Those demands, voiced during a meeting with Mayor Jean Quan and Port Director Chris Lytle, include an extension on a Jan. 1, 2014, deadline for truckers to acquire newer, cleaner engines to cut down on the volume of particulates the diesels spew into the air. The association is also asking for an emissions fee of $50 per load for all Port of Oakland truck drivers to help offset the costs of updating vehicles to comply new diesel emissions standards that take effect on Jan. 1.\u003c/p>\n\u003cp>Officials from the California Air Resources Board say truckers have had years to comply with the law and that there's no money left to help pay for retrofitting older trucks.\u003c/p>\n\u003cp>The port truckers group staged protests in August and October that partially shut down Oakland's cargo operations. In addition to the pollution regulations, they also want the port to agree to pay for time they spend waiting to load or unload cargo. They're also seeking improvements in working conditions, such as better access to restrooms during waits that can last as long as six hours.\u003c/p>\n\u003cdiv class=\"mceItemEmbedly\">\n\u003cdiv class=\"embedly\">\u003cimg src=\"http://CBSSF.images.worldnow.com/images/9577617_vt.jpg\" class=\"thumb embedly-thumbnail-small\">\u003ca class=\"embedly-title\" target=\"_blank\" href=\"http://sanfrancisco.cbslocal.com/video?autoStart=true&topVideoCatNo=default&clipId=9577617\">Raw Video: Truckers Picket, Block Traffic At Port Of Oakland\u003c/a>Independent truck drivers staged a work stoppage at the Port of Oakland Wednesday over air pollution regulations set to take effect January 1st. The truckers say they need financial help upgrading their rigs to meet the new requirement or they will lose their jobs.\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003cp>\u003cspan class=\"embedly-powered\" style=\"float:right\">\u003ca target=\"_blank\" href=\"http://embed.ly/code?url=http%3A%2F%2Fsanfrancisco.cbslocal.com%2Fvideo%3FautoStart%3Dtrue%26topVideoCatNo%3Ddefault%26clipId%3D9577617\" title=\"Powered by Embedly\">\u003cimg src=\"http://static.embed.ly/images/logos/embedly-powered-small-light.png\" alt=\"Embedly Powered\">\u003c/a>\u003c/span>\u003c/p>\n\u003cdiv class=\"media-attribution\">\u003cspan>via \u003c/span>\u003ca href=\"http://sanfrancisco.cbslocal.com\" class=\"media-attribution-link\" target=\"_blank\">Cbslocal\u003c/a>\u003c/div>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cfigure id=\"attachment_75617\" class=\"wp-caption alignleft\" style=\"max-width: 149px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/09/Dana-Harvey.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-75617\" title=\"Dana Harvey\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/09/Dana-Harvey.jpg\" alt=\"\" width=\"149\" height=\"168\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Courtesy of Mandela Marketplace\u003c/figcaption>\u003c/figure>\n\u003cp>West Oakland activist Dana Harvey has been honored by the White House as one of 11 “\u003ca href=\"http://www.whitehouse.gov/champions\" target=\"_blank\" rel=\"noopener\">Champions of Change,\u003c/a>” who’ve worked to improve healthy food access. Harvey helped bring farm fresh produce to West Oakland’s food desert as the executive director of \u003ca href=\"http://www.mandelamarketplace.org/\" target=\"_blank\" rel=\"noopener\">Mandela MarketPlace\u003c/a>, a network of community businesses that includes a grocery co-op, a produce distributor, and a youth group that brings fresh fruit and vegetables to local liquor stores.\u003c/p>\n\u003cp>Harvey tells KQED’s Nina Thorsen that she didn’t even know she was being considered for the White House honor–she had been quietly nominated by one of her staff members.\u003c/p>\n\u003cp>“When I got the email recognizing that I was getting this award, I sent it to one of my staff and I said, ‘Is this spam?’ Because I didn’t believe it.”\u003c/p>\n\u003cp>Harvey began working with the community to improve access to healthy food more than a decade ago. She says residents and stake holders told her, “what we need is community-owned businesses. We need to work with our corner markets. We need to support our minority farmers and we need to provide education to our community.”\u003c/p>\n\u003cp>Out of that grew Mandela MarketPlace.\u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It’s great to have a Whole Foods or a Trader Joe’s… in your neighborhood,” Harvey said. “But if I don’t have access to transportation, and I don’t have access to a way to provide me an income with dignity, then I’m at the mercy of whatever is in my community. And if I have to shop cheap, then I’m buying boxed and frozen. And I’m not able to by bulk and fresh.”\u003c/p>\n\u003cp>Harvey and her colleagues are also working with neighbors in the unincorporated Ashland-Cherryland area of Hayward, who want to set up a similar market there. In the meantime, they’re planning to expand Mandela MarketPlace.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Champions of Change is a program created by the Obama Administration that recognizes community leaders from different industries every week.\u003c/p>\n\n",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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