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"content": "\u003cp>Some events are so much larger than life that one can really only apprehend them on a grand scale, as part of the sweep of history and not occurrences that turned the lives of actual individuals upside down. \u003c/p>\n\u003cp>Arguably, the assassination of Harvey Milk has become such an event. Over the years iconized in documentary, opera, major motion picture, one begins to understand how the murder of his co-victim, San Francisco Mayor George Moscone, became relegated to almost an after-thought.\u003c/p>\n\u003cp>\u003ca href=\"http://www.osfashland.org/browse/production.aspx?prod=207\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/ghostlight1.jpg\" alt=\"\" title=\"ghostlight\" width=\"490\" height=\"132\" class=\"aligncenter size-full wp-image-33690\">\u003c/a>But if Moscone lives on in the public’s consciousness as merely a subset of the Milk story, he plays a much bigger part in the mindset of Jonathan Moscone. He’s the \u003ca href=\"http://www.calshakes.org/\">Artistic Director of California Shakespeare Theater\u003c/a> who shares a last name with the former mayor because he happens to be his son.\u003c/p>\n\u003cp>Moscone delves into the effect of his father’s death on the 14-year-old boy that he was and the man that he became in \u003ca href=\"http://www.osfashland.org/browse/production.aspx?prod=207\">\u003cem>Ghost Light\u003c/em>\u003c/a>, which he conceived with Berkeley Rep’s \u003ca href=\"http://www.berkeleyrep.org/html/abouttherep/staff.html\">Tony Taccone\u003c/a>, who also wrote the script. Directed by Moscone, the play is now on stage at the Oregon Shakespeare Festival through November 5.\u003c/p>\n\u003cp>Theater critic Karen D’Souza writes this about \u003cem>Ghost Light\u003c/em> in her Mercury News \u003ca href=\"http://www.mercurynews.com/theater-dance/ci_18412682\">review\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>Moscone found himself caught between the fault lines of myth and history when his father, San Francisco Mayor George Moscone, was gunned down by Dan White in a bloody rampage that shook the Bay Area in 1978. He was just 14. Now, Moscone and his old friend Tony Taccone revisit that memory in a compelling exploration of how tragedy sculpts destiny…\u003c/p>\n\u003cp>“Ghost Light” shimmers with the force of repressed truths. Part of OSF’s insanely ambitious cycle of history plays, “American Revolutions,” this piece fuses the intimate and the epic with riveting results. While the play still feels unfinished, particularly in its second half, there’s a candor to the memoir that hits home.\n\u003c/p>\u003c/blockquote>\n\u003cp>Last week, KQED’s Cy Musiker interviewed Moscone about the play, his family, and the emotions he has had to cope with around his father’s death. Parts of the conversation are below; an edited transcript follows each audio clip:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone1fatherpolitics1.mp3\">\u003cstrong>Jonathan Moscone on the eclipsing of his father’s death by that of Harvey Milk\u003c/strong> \u003c/a>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone1fatherpolitics1.mp3|titles=moscone1fatherpolitics]\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cblockquote>\u003cp>\n\u003cstrong>It seems that your father’s story has been eclipsed by his fellow victim and the way that the gay movement has enshrined him. Why should George Moscone’s story be told, and why is that only a small piece of this story? \u003c/strong>\u003c/p>\n\u003cp>It’s actually the subtext of the entire play, the fact that he has been suppressed in the national consciousness, but also in the consciousness of the boy, the man, the son in the play. A lot of the play is about the fact that he’s repressed the kind of mourning that would keep his father alive for him. \u003c/p>\n\u003cp>And I think we as a country, we don’t mourn past a certain point. Back in the 1970s when this all happened, it turned pretty quickly into the 80s and Reagan, and the city of San Francisco grew exponentially; developed so fast and it changed its look and face forever. I think what started to submerge is the need for progressive politics, the definition of progressive politics as a necessary response to a status quo that had been running the country. Now progressivism is an extremist term. \u003c/p>\n\u003c/blockquote>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone2etchsketch.mp3\">\u003cstrong>On the connection of a particular scene to his life as a boy\u003c/strong>\u003c/a>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone2etchsketch.mp3|titles=moscone2etchsketch]\u003c/p>\n\u003cblockquote>\n\u003cp>I went to therapy when I was a kid, before my dad died, actually, and not after. Because I thought he was going to be killed, and I used to freak out and not want him to leave the house. So I remember going to a therapist, and one time I brought my Etch A Sketch with me…no, it was a Spirograph, but that’s not an easy prop to get on and off stage and to act with. \u003c/p>\n\u003cp>The iconography of this child’s life in the ’70s was the Etch a Sketch, the OP shirt, the watching “Thunderbirds are Go: on TV. That was my childhood. If I were to do any story of a child, I would probably reference those things. The Etch a Sketch was also his way of connecting to a reality that existed before his father died. \u003c/p>\n\u003c/blockquote>\n\u003cp>\u003ca>\u003c/a>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone3.mp3\">\u003cstrong>On the main character’s self-hatred, and on his grandfather\u003c/strong>\u003c/a>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone3.mp3|titles=moscone3]\u003c/p>\n\u003cblockquote>\u003cp>…The character of Jon uses Dan White’s gun, the .38 Smith & Wesson, to motivate him into killing off a part of himself that he hates.\u003c/p>\n\u003cp>\u003cstrong>What is that part? \u003c/strong>\u003c/p>\n\u003cp>It’s a hundred things. One of them is his self-hatred as a gay man. His anger at losing his dad. The part of himself that’s protecting himself. There’s a line in the play where Jon admits he always thought it was his mother who was trying to protect herself from grieving so she could hold on to her husband. But he realizes he’s the one that’s been holding on. And the boy right from the beginning is not going to let go. \u003c/p>\n\u003cp>That seeps into the character, so that 33 years later, what the character has done is create a kind of a shell of a human being that has a lot of self- motivated anger and cynicism and bitterness and incapacity for intimacy, and all that is in the body of a self that needs to be killed. \u003c/p>\n\u003cp>And that is embodied theatrically by his grandfather, whom he doesn’t recognize as his grandfather, because — as in my story — he never met his grandfather. In fact none of us met my grandfather. He was excised from my parents life from when my father was very young. We never talked about him. All I know about him is that he was a prison guard at San Quentin. \u003c/p>\n\u003cp>I think it might be an apocryphal story about him — but bringing my dad to San Quentin was one of the instigating reasons for my dad’s very strong stand against capital punishment. \u003c/p>\n\u003c/blockquote>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone4tombstone1.mp3\">\u003cstrong>On the privacy of pain and the issue of his father’s tombstone\u003c/strong>\u003c/a>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone4tombstone1.mp3|titles=moscone4tombstone]\u003c/p>\n\u003cblockquote>\u003cp>What Tony’s done in the play a lot is taken stories that I told him and almost like a psychiatrist translate them into a dramatic idea. Tony asked me what the name of my grandfather is. I answered it, and he called me and said “you’re wrong.” I said “really? I had no idea.” \u003c/p>\n\u003cp>And it’s about owning your own. It’s so private, so private, and someone gets inside of your own privacy, which is so insinuating. But what else are you going to do when you’re not accessing him. Jon refuses to meet (the character of) Basil, so what else is Basil going to do? He ‘s going to spend hours online researching him and his father. \u003c/p>\n\u003cp>There’s a site online called findagrave.com. For real. People can actually find a grave and read a grave site. It’s like people who slow down and watch accidents. Why are you watching other people’s pain? Why are you watching that happen? Why are you investigating it? It’s not yours. \u003c/p>\n\u003cp>And I finally admitted today, as I was looking at the grave site in the play, that I used to be much like Jon’s character, kind of angry at my mother, thinking it was inappropriate that it was a small, regular tombstone in Colma. \u003c/p>\n\u003cp>I finally admitted that my mother was onto something. It was kind of a classy move on her part to not erect a statue like Eva Peron or something. It was just about the family. He’s got a parking garage and a convention center and a couple of delicatessens and a park named after him. And the place where he died is just about us losing him. \u003c/p>\n\u003c/blockquote>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone5memory.mp3\">\u003cstrong>On his lack of knowledge about his father\u003c/strong>\u003c/a>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone5memory.mp3|titles=moscone5memory]\u003c/p>\n\u003cp>\u003cstrong>There’s a certain jealousy of the character, toward others who perhaps know his father better. How does that work in the character’s mind, or how did you experience it? \u003c/strong>\u003c/p>\n\u003cblockquote>\u003cp>There’s a documentary film that’s being made about my father, and there are people who have been talking about him, and I have been asked questions by the documentarian, and I’m like, “I have no idea.” \u003c/p>\n\u003cp>I ran into Phil Bronstein the other night, who covered my dad and knew him, and he was telling me stuff. And I’m like, Phil Bronstein knew this about George? I can barely remember him. \u003c/p>\u003c/blockquote>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone6bio.mp3\">\u003cstrong>On the inadequacy of the biographical form in narrative works\u003c/strong>\u003c/a>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone6bio.mp3|titles=moscone6bio]\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>The play is kind of a memoir but its not. How do you avoid the pitfall that it’ll be an act of self-pity to put on this play?\u003c/strong>\u003c/p>\n\u003cp>The head of the stagehands here said to me, “I thought I was going to hate you, I thought this was going to be some self-indulgent pity party, that it was going to be all about you. And it’s not like that at all.” \u003c/p>\n\u003cp>I’m not the smartest fellow in the world, but I had a really good instinct, that right when (Oregon Shakespeare Festival Artistic Director) Bill Rauch and I first thought of working on this, I knew I needed a colleague, one that was not going to be a subservient chronicler of my story. \u003c/p>\n\u003cp>The only biopic I’ve ever liked was the movie \u003cem>I’m Not There\u003c/em>. Because it admits it can’t ever begin to capture Bob Dylan. Because it’s a lie and a fantasy. And I felt at the end that I knew Bob Dylan more than I knew Ray Charles in \u003cem>Ray\u003c/em>or Johnny Cash in \u003cem>Ring of Fire\u003c/em>. In \u003cem>Milk\u003c/em>, there’s as much fantasy in that movie as there is fact. And yet it’s called Milk. So why is that any truer?\n\u003c/p>\u003c/blockquote>\n\n",
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"title": "Jonathan Moscone on \"Ghost Light,\" About Dealing With Death of His Father, George Moscone | KQED",
"description": "Some events are so much larger than life that one can really only apprehend them on a grand scale, as part of the sweep of history and not occurrences that turned the lives of actual individuals upside down. Arguably, the assassination of Harvey Milk has become such an event. Over the years iconized in documentary,",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Some events are so much larger than life that one can really only apprehend them on a grand scale, as part of the sweep of history and not occurrences that turned the lives of actual individuals upside down. \u003c/p>\n\u003cp>Arguably, the assassination of Harvey Milk has become such an event. Over the years iconized in documentary, opera, major motion picture, one begins to understand how the murder of his co-victim, San Francisco Mayor George Moscone, became relegated to almost an after-thought.\u003c/p>\n\u003cp>\u003ca href=\"http://www.osfashland.org/browse/production.aspx?prod=207\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/ghostlight1.jpg\" alt=\"\" title=\"ghostlight\" width=\"490\" height=\"132\" class=\"aligncenter size-full wp-image-33690\">\u003c/a>But if Moscone lives on in the public’s consciousness as merely a subset of the Milk story, he plays a much bigger part in the mindset of Jonathan Moscone. He’s the \u003ca href=\"http://www.calshakes.org/\">Artistic Director of California Shakespeare Theater\u003c/a> who shares a last name with the former mayor because he happens to be his son.\u003c/p>\n\u003cp>Moscone delves into the effect of his father’s death on the 14-year-old boy that he was and the man that he became in \u003ca href=\"http://www.osfashland.org/browse/production.aspx?prod=207\">\u003cem>Ghost Light\u003c/em>\u003c/a>, which he conceived with Berkeley Rep’s \u003ca href=\"http://www.berkeleyrep.org/html/abouttherep/staff.html\">Tony Taccone\u003c/a>, who also wrote the script. Directed by Moscone, the play is now on stage at the Oregon Shakespeare Festival through November 5.\u003c/p>\n\u003cp>Theater critic Karen D’Souza writes this about \u003cem>Ghost Light\u003c/em> in her Mercury News \u003ca href=\"http://www.mercurynews.com/theater-dance/ci_18412682\">review\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>Moscone found himself caught between the fault lines of myth and history when his father, San Francisco Mayor George Moscone, was gunned down by Dan White in a bloody rampage that shook the Bay Area in 1978. He was just 14. Now, Moscone and his old friend Tony Taccone revisit that memory in a compelling exploration of how tragedy sculpts destiny…\u003c/p>\n\u003cp>“Ghost Light” shimmers with the force of repressed truths. Part of OSF’s insanely ambitious cycle of history plays, “American Revolutions,” this piece fuses the intimate and the epic with riveting results. While the play still feels unfinished, particularly in its second half, there’s a candor to the memoir that hits home.\n\u003c/p>\u003c/blockquote>\n\u003cp>Last week, KQED’s Cy Musiker interviewed Moscone about the play, his family, and the emotions he has had to cope with around his father’s death. Parts of the conversation are below; an edited transcript follows each audio clip:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cblockquote>\u003cp>\n\u003cstrong>It seems that your father’s story has been eclipsed by his fellow victim and the way that the gay movement has enshrined him. Why should George Moscone’s story be told, and why is that only a small piece of this story? \u003c/strong>\u003c/p>\n\u003cp>It’s actually the subtext of the entire play, the fact that he has been suppressed in the national consciousness, but also in the consciousness of the boy, the man, the son in the play. A lot of the play is about the fact that he’s repressed the kind of mourning that would keep his father alive for him. \u003c/p>\n\u003cp>And I think we as a country, we don’t mourn past a certain point. Back in the 1970s when this all happened, it turned pretty quickly into the 80s and Reagan, and the city of San Francisco grew exponentially; developed so fast and it changed its look and face forever. I think what started to submerge is the need for progressive politics, the definition of progressive politics as a necessary response to a status quo that had been running the country. Now progressivism is an extremist term. \u003c/p>\n\u003c/blockquote>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone2etchsketch.mp3\">\u003cstrong>On the connection of a particular scene to his life as a boy\u003c/strong>\u003c/a>\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cblockquote>\n\u003cp>I went to therapy when I was a kid, before my dad died, actually, and not after. Because I thought he was going to be killed, and I used to freak out and not want him to leave the house. So I remember going to a therapist, and one time I brought my Etch A Sketch with me…no, it was a Spirograph, but that’s not an easy prop to get on and off stage and to act with. \u003c/p>\n\u003cp>The iconography of this child’s life in the ’70s was the Etch a Sketch, the OP shirt, the watching “Thunderbirds are Go: on TV. That was my childhood. If I were to do any story of a child, I would probably reference those things. The Etch a Sketch was also his way of connecting to a reality that existed before his father died. \u003c/p>\n\u003c/blockquote>\n\u003cp>\u003ca>\u003c/a>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone3.mp3\">\u003cstrong>On the main character’s self-hatred, and on his grandfather\u003c/strong>\u003c/a>\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cblockquote>\u003cp>…The character of Jon uses Dan White’s gun, the .38 Smith & Wesson, to motivate him into killing off a part of himself that he hates.\u003c/p>\n\u003cp>\u003cstrong>What is that part? \u003c/strong>\u003c/p>\n\u003cp>It’s a hundred things. One of them is his self-hatred as a gay man. His anger at losing his dad. The part of himself that’s protecting himself. There’s a line in the play where Jon admits he always thought it was his mother who was trying to protect herself from grieving so she could hold on to her husband. But he realizes he’s the one that’s been holding on. And the boy right from the beginning is not going to let go. \u003c/p>\n\u003cp>That seeps into the character, so that 33 years later, what the character has done is create a kind of a shell of a human being that has a lot of self- motivated anger and cynicism and bitterness and incapacity for intimacy, and all that is in the body of a self that needs to be killed. \u003c/p>\n\u003cp>And that is embodied theatrically by his grandfather, whom he doesn’t recognize as his grandfather, because — as in my story — he never met his grandfather. In fact none of us met my grandfather. He was excised from my parents life from when my father was very young. We never talked about him. All I know about him is that he was a prison guard at San Quentin. \u003c/p>\n\u003cp>I think it might be an apocryphal story about him — but bringing my dad to San Quentin was one of the instigating reasons for my dad’s very strong stand against capital punishment. \u003c/p>\n\u003c/blockquote>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/moscone4tombstone1.mp3\">\u003cstrong>On the privacy of pain and the issue of his father’s tombstone\u003c/strong>\u003c/a>\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cp>A group is planning a protest this afternoon at the Civic Center BART station in San Francisco, where BART police shot and killed a knife-wielding man last week.\u003c/p>\n\u003cp>The group No Justice, No BART said it is demanding that the BART Police Department be disbanded, and that both of the two officers involved in the July 3 shooting of 45-year-old Charles Hill be fired and criminally charged if it is found that the shooting was not justified.\u003c/p>\n\u003cp>Today's protest is scheduled for 4:30 p.m. on the platform of the Civic Center station.\u003c/p>\n\u003cp>BART spokesman Linton Johnson said such a protest would be illegal.\u003c/p>\n\u003cp>\"Disruptive protests like this planned one on small platforms with fast moving trains and large crowds are against the law because they put ... riders, BART workers, journalists and protesters at serious risk of injury or death,\" he said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Hill was wielding a knife and a broken alcohol bottle before BART police shot him on the train platform, Johnson said.\u003c/p>\n\u003cp>BART police said Hill was aggressive and combative and did not comply with orders. One of the officers suffered minor cuts during the confrontation, BART officials said.\u003c/p>\n\u003cp>A Facebook page has been set up for this afternoon's rally, and as of this morning, more than 370 people had indicated they would attend.\u003c/p>\n\u003cp>The group No Justice, No BART was formed in response to the New Year's Day 2009 shooting of Oscar Grant III. Grant, a 22-year-old Hayward resident who was unarmed, was shot and killed by then-BART police Officer Johannes Mehserle at the Fruitvale station in Oakland. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Meanwhile, BART's new Independent Police Auditor, Mark T. Smith, begins working today. KGO radio has a \u003ca href=\"http://www.kgoam810.com/FlashPlayer/default.asp?SPID=0&ID=2234014\">report and interview\u003c/a> with Smith that covers the Hill shooting. BART officials decided to create a police auditor and a citizen review board after the shooting death of unarmed passenger Oscar Grant III, 22, of Hayward, at the hands of then-BART police Officer Johannes Mehserle.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hill was wielding a knife and a broken alcohol bottle before BART police shot him on the train platform, Johnson said.\u003c/p>\n\u003cp>BART police said Hill was aggressive and combative and did not comply with orders. One of the officers suffered minor cuts during the confrontation, BART officials said.\u003c/p>\n\u003cp>A Facebook page has been set up for this afternoon's rally, and as of this morning, more than 370 people had indicated they would attend.\u003c/p>\n\u003cp>The group No Justice, No BART was formed in response to the New Year's Day 2009 shooting of Oscar Grant III. Grant, a 22-year-old Hayward resident who was unarmed, was shot and killed by then-BART police Officer Johannes Mehserle at the Fruitvale station in Oakland. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Meanwhile, BART's new Independent Police Auditor, Mark T. Smith, begins working today. KGO radio has a \u003ca href=\"http://www.kgoam810.com/FlashPlayer/default.asp?SPID=0&ID=2234014\">report and interview\u003c/a> with Smith that covers the Hill shooting. BART officials decided to create a police auditor and a citizen review board after the shooting death of unarmed passenger Oscar Grant III, 22, of Hayward, at the hands of then-BART police Officer Johannes Mehserle.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It’s summertime in the Bay Area, which means that \u003ca href=\"http://www.sfmt.org/index.php\">San Francisco Mime Troupe\u003c/a> season is in full swing. (Disclaimer: I once did some script development work for the group. Disclaimer to the disclaimer: Hardly any of it made it in the show.) \u003c/p>\n\u003cp>The 52-year-old muckraking musical theater company, which once won a Tony Award in the \u003ca href=\"http://en.wikipedia.org/wiki/Regional_Theatre_Award#Award_winners\">Regional Theatre category\u003c/a>, is back with, “2012 – The Musical.” Here’s the troupe’s description of the show: \u003c/p>\n\u003cblockquote>\u003cp>A small political theater company, Theater BAM!, finds itself at a crossroads: should they keep telling the stories they feel can change the world (and starve while telling them), or feed at the corporate trough, sell out, and be the mouthpiece for The Man. Tough decision. But before having to make it, they are offered an artistic commission that may save the company; all they have to do is create a new play, “2012 – The Musical!” But is it political? Will it keep with the company’s original mission? What’s the true purpose of this frivolous production, and who’s really bankrolling the thing?\u003c/p>\u003c/blockquote>\n\u003cp>Certainly, you may not like the show’s politics, but you’ll definitely like the price: free, at various Bay Area parks and other outdoor venues through September 25. Check the \u003ca href=\"http://www.sfmt.org/schedule/\">\u003cstrong>schedule\u003c/strong>\u003c/a> for shows coming up this Wednesday, Thursday, Saturday, Sunday (Palo Alto, Mill Valley, Berkeley, San Francisco) and beyond.\u003c/p>\n\u003cp>Here’s a \u003ca href=\"http://abclocal.go.com/kgo/story?section=news/entertainment&id=8230854\">preview\u003c/a> from KGO TV last week\u003c/p>\n\u003cp>And here’s a good five minutes of the show from \u003ca href=\"http://www.youtube.com/watch?v=Hm4-pWTpqZQ\">YouTube\u003c/a>:\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/Hm4-pWTpqZQ\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Reviews from the Hurwitts, Robert and Sam, in the \u003ca href=\"http://articles.sfgate.com/2011-07-06/entertainment/29742011_1_bruce-barthol-victor-toman-san-francisco-mime-troupe\">Chronicle\u003c/a> and \u003ca href=\"http://www.marinij.com/lifestyles/ci_18420339\">Marin Independent Journal\u003c/a>, respectively.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On a related note, you may recall that one of the Mime Troupe’s longtime members, Ed Holmes, made international news of sorts in May by \u003ca href=\"http://ww2.kqed.org/news/2011/05/22/video-mime-troupes-ed-holmes-releases-balloon-animals-outside-campings-family-radio/\">releasing balloon animals\u003c/a> outside of Harold Camping’s Family Radio on the Rapture Day that wasn’t. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s summertime in the Bay Area, which means that \u003ca href=\"http://www.sfmt.org/index.php\">San Francisco Mime Troupe\u003c/a> season is in full swing. (Disclaimer: I once did some script development work for the group. Disclaimer to the disclaimer: Hardly any of it made it in the show.) \u003c/p>\n\u003cp>The 52-year-old muckraking musical theater company, which once won a Tony Award in the \u003ca href=\"http://en.wikipedia.org/wiki/Regional_Theatre_Award#Award_winners\">Regional Theatre category\u003c/a>, is back with, “2012 – The Musical.” Here’s the troupe’s description of the show: \u003c/p>\n\u003cblockquote>\u003cp>A small political theater company, Theater BAM!, finds itself at a crossroads: should they keep telling the stories they feel can change the world (and starve while telling them), or feed at the corporate trough, sell out, and be the mouthpiece for The Man. Tough decision. But before having to make it, they are offered an artistic commission that may save the company; all they have to do is create a new play, “2012 – The Musical!” But is it political? Will it keep with the company’s original mission? What’s the true purpose of this frivolous production, and who’s really bankrolling the thing?\u003c/p>\u003c/blockquote>\n\u003cp>Certainly, you may not like the show’s politics, but you’ll definitely like the price: free, at various Bay Area parks and other outdoor venues through September 25. Check the \u003ca href=\"http://www.sfmt.org/schedule/\">\u003cstrong>schedule\u003c/strong>\u003c/a> for shows coming up this Wednesday, Thursday, Saturday, Sunday (Palo Alto, Mill Valley, Berkeley, San Francisco) and beyond.\u003c/p>\n\u003cp>Here’s a \u003ca href=\"http://abclocal.go.com/kgo/story?section=news/entertainment&id=8230854\">preview\u003c/a> from KGO TV last week\u003c/p>\n\u003cp>And here’s a good five minutes of the show from \u003ca href=\"http://www.youtube.com/watch?v=Hm4-pWTpqZQ\">YouTube\u003c/a>:\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/Hm4-pWTpqZQ\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Reviews from the Hurwitts, Robert and Sam, in the \u003ca href=\"http://articles.sfgate.com/2011-07-06/entertainment/29742011_1_bruce-barthol-victor-toman-san-francisco-mime-troupe\">Chronicle\u003c/a> and \u003ca href=\"http://www.marinij.com/lifestyles/ci_18420339\">Marin Independent Journal\u003c/a>, respectively.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On a related note, you may recall that one of the Mime Troupe’s longtime members, Ed Holmes, made international news of sorts in May by \u003ca href=\"http://ww2.kqed.org/news/2011/05/22/video-mime-troupes-ed-holmes-releases-balloon-animals-outside-campings-family-radio/\">releasing balloon animals\u003c/a> outside of Harold Camping’s Family Radio on the Rapture Day that wasn’t. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_33316\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/pocketpenguinscreen_shots_960x640-California-Acadmey-of-Sciences.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-33316 \" title=\"pocketpenguinscreen_shots_960x640 California Acadmey of Sciences\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/pocketpenguinscreen_shots_960x640-California-Acadmey-of-Sciences-300x200.jpg\" alt=\"A screenshot of the Pocket Penguin app.\" width=\"300\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A screenshot of the new Pocket Penguin application. Photo: Courtesy of The California Academy of Sciences\u003c/figcaption>\u003c/figure>\n\u003cp>Bosses and project managers, meet your new enemy: the \u003ca href=\"http://www.calacademy.org/\" target=\"_blank\" rel=\"noopener\">California Academy of Sciences\u003c/a>‘ \u003ca href=\"http://www.calacademy.org/apps/penguins/\">Pocket Penguins\u003c/a>, a smart phone application that lets you view the Academy’s African penguin exhibit 24 hours a day.\u003c/p>\n\u003cp>The app was released earlier this week and allows one to “watch the birds swim, dive, flirt, nest and relax from any one of three live webcams.”\u003c/p>\n\u003cp>Flirt and nest? I’m captivated simply watching these \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=89951043\" target=\"_blank\" rel=\"noopener\">cute little guys\u003c/a> (and gals) walk.\u003c/p>\n\u003cp>According to the app description, the penguins are especially animated at meal time, around 10:30 a.m. and 3:00 p.m. A spokesperson for the Academy said that the app has been downloaded more than 1,700 times since it launched 48 hours ago.\u003c/p>\n\u003cp>Pocket Penguins is available for iPhone and Android systems for free, though a donation of $5.00 is encouraged.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And if staring at your phone is too obvious, there’s always this live web feed\u003cbr>\nLet the oohing and ahhing begin.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_33316\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/pocketpenguinscreen_shots_960x640-California-Acadmey-of-Sciences.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-33316 \" title=\"pocketpenguinscreen_shots_960x640 California Acadmey of Sciences\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/pocketpenguinscreen_shots_960x640-California-Acadmey-of-Sciences-300x200.jpg\" alt=\"A screenshot of the Pocket Penguin app.\" width=\"300\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A screenshot of the new Pocket Penguin application. Photo: Courtesy of The California Academy of Sciences\u003c/figcaption>\u003c/figure>\n\u003cp>Bosses and project managers, meet your new enemy: the \u003ca href=\"http://www.calacademy.org/\" target=\"_blank\" rel=\"noopener\">California Academy of Sciences\u003c/a>‘ \u003ca href=\"http://www.calacademy.org/apps/penguins/\">Pocket Penguins\u003c/a>, a smart phone application that lets you view the Academy’s African penguin exhibit 24 hours a day.\u003c/p>\n\u003cp>The app was released earlier this week and allows one to “watch the birds swim, dive, flirt, nest and relax from any one of three live webcams.”\u003c/p>\n\u003cp>Flirt and nest? I’m captivated simply watching these \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=89951043\" target=\"_blank\" rel=\"noopener\">cute little guys\u003c/a> (and gals) walk.\u003c/p>\n\u003cp>According to the app description, the penguins are especially animated at meal time, around 10:30 a.m. and 3:00 p.m. A spokesperson for the Academy said that the app has been downloaded more than 1,700 times since it launched 48 hours ago.\u003c/p>\n\u003cp>Pocket Penguins is available for iPhone and Android systems for free, though a donation of $5.00 is encouraged.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>Update 1:35 p.m\u003c/em>: KQED's Stephanie Martin will talk about the BART shooting with Golden Gate University law professor Peter Keane at 5:30 p.m. today. You can listen on the radio at 88.5 FM or \u003ca href=\"http://www.kqed.org/radio/listen/\">online right here\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Earlier post:\u003c/em>\u003cbr>\nThe San Francisco Medical Examiner \u003ca href=\"http://www.baycitizen.org/transportation/story/coroner-ids-man-shot-bart-police/\">identifed\u003c/a> the man shot dead by BART police at the Civic Center station last Sunday as Charles Hill, 45. After the shooting, BART Police Chief Kenton Rainey said the man was wielding a knife and a broken alcohol bottle.\u003c/p>\n\u003cp>Yesterday, BART police held a press conference about the shooting, which occurred on the station platform. Below is a \u003ca href=\"http://www.youtube.com/watch?v=uqSg8QBNgCA&feature=player_embedded\">video\u003c/a> of the press conference (\u003ca href=\"http://www.bart.gov/news/articles/2011/news20110706b.aspx\">transcript here\u003c/a>), at which BART Deputy Police Chief Daniel Hartwig said BART would not release a \u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/07/06/BAPQ1K6KKO.DTL\">security video\u003c/a> of the incident until all witnesses were interviewed. He said no cell phone video of the event has emerged yet.\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/uqSg8QBNgCA\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>One witness who has been interviewed, at least by the \u003ca href=\"http://www.baycitizen.org/transportation/story/witness-man-shot-bart-police-running/\">\u003cstrong>Bay Citizen\u003c/strong>\u003c/a>, is Myleen Hollero, of San Francisco, who criticized the shooting.\u003c/p>\n\u003cblockquote>\u003cp>Hollero said that from her view of the incident, police officers should “absolutely not” have shot the man, who she said “just looked like a drunk hippie...”\u003c/p>\n\u003cp>She said she was getting off the BART train with her bike at Civic Center when she heard glass break. She turned and saw the man across the platform who, she said, was wearing a green tie-dye shirt and had long white hair. She thought he was just “another drunk guy acting up.”\u003c/p>\n\u003cp>“I heard yelling, and I stopped and I looked again,” said Hollero. “I saw he was interacting with cops and then I was like, ‘S***, those cops have guns out.'”\u003c/p>\n\u003cp>Hollero said she couldn’t hear what the officers were saying and so didn’t understand the context of the exchange.\u003c/p>\n\u003cp>But she said she saw the BART cops with their guns drawn and the man moving slowly toward them.\u003c/p>\n\u003cp>She said the man moved \"like Frankenstein.” She said she couldn’t tell if he had a knife.\u003c/p>\n\u003cp>“Then,” she said, “they shot him.\" \u003c/p>\n\u003cp>“I didn’t see who did it,” Hollero continued. “I heard three shots. It made no sense.” \u003c/p>\n\u003c/blockquote>\n\u003cp>Read the \u003ca href=\"http://www.baycitizen.org/transportation/story/witness-man-shot-bart-police-running/2/\">full account\u003c/a> at the Bay Citizen.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Update 1:35 p.m\u003c/em>: KQED's Stephanie Martin will talk about the BART shooting with Golden Gate University law professor Peter Keane at 5:30 p.m. today. You can listen on the radio at 88.5 FM or \u003ca href=\"http://www.kqed.org/radio/listen/\">online right here\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Earlier post:\u003c/em>\u003cbr>\nThe San Francisco Medical Examiner \u003ca href=\"http://www.baycitizen.org/transportation/story/coroner-ids-man-shot-bart-police/\">identifed\u003c/a> the man shot dead by BART police at the Civic Center station last Sunday as Charles Hill, 45. After the shooting, BART Police Chief Kenton Rainey said the man was wielding a knife and a broken alcohol bottle.\u003c/p>\n\u003cp>Yesterday, BART police held a press conference about the shooting, which occurred on the station platform. Below is a \u003ca href=\"http://www.youtube.com/watch?v=uqSg8QBNgCA&feature=player_embedded\">video\u003c/a> of the press conference (\u003ca href=\"http://www.bart.gov/news/articles/2011/news20110706b.aspx\">transcript here\u003c/a>), at which BART Deputy Police Chief Daniel Hartwig said BART would not release a \u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/07/06/BAPQ1K6KKO.DTL\">security video\u003c/a> of the incident until all witnesses were interviewed. He said no cell phone video of the event has emerged yet.\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/uqSg8QBNgCA\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>One witness who has been interviewed, at least by the \u003ca href=\"http://www.baycitizen.org/transportation/story/witness-man-shot-bart-police-running/\">\u003cstrong>Bay Citizen\u003c/strong>\u003c/a>, is Myleen Hollero, of San Francisco, who criticized the shooting.\u003c/p>\n\u003cblockquote>\u003cp>Hollero said that from her view of the incident, police officers should “absolutely not” have shot the man, who she said “just looked like a drunk hippie...”\u003c/p>\n\u003cp>She said she was getting off the BART train with her bike at Civic Center when she heard glass break. She turned and saw the man across the platform who, she said, was wearing a green tie-dye shirt and had long white hair. She thought he was just “another drunk guy acting up.”\u003c/p>\n\u003cp>“I heard yelling, and I stopped and I looked again,” said Hollero. “I saw he was interacting with cops and then I was like, ‘S***, those cops have guns out.'”\u003c/p>\n\u003cp>Hollero said she couldn’t hear what the officers were saying and so didn’t understand the context of the exchange.\u003c/p>\n\u003cp>But she said she saw the BART cops with their guns drawn and the man moving slowly toward them.\u003c/p>\n\u003cp>She said the man moved \"like Frankenstein.” She said she couldn’t tell if he had a knife.\u003c/p>\n\u003cp>“Then,” she said, “they shot him.\" \u003c/p>\n\u003cp>“I didn’t see who did it,” Hollero continued. “I heard three shots. It made no sense.” \u003c/p>\n\u003c/blockquote>\n\u003cp>Read the \u003ca href=\"http://www.baycitizen.org/transportation/story/witness-man-shot-bart-police-running/2/\">full account\u003c/a> at the Bay Citizen.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/picasso1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/picasso1.jpg\" alt=\"\" title=\"picasso\" width=\"196\" height=\"157\" class=\"alignright size-full wp-image-33289\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>Update 11:30 a.m.\u003c/em> KQED’s Peter Jon Shuler attended a police press conference today about the arrest of a suspect in the \u003cem>Case of the Stolen Picasso (Caught on Video)\u003c/em>. Some details about the arrestee:\u003c/p>\n\u003cul>\n\u003cli>The suspect’s name is Mark Lugo, 30, from Hoboken, New Jersey.\u003c/li>\n\u003cli>No prior serious arrests; one arrest in a minor alcohol-related incident.\u003c/li>\n\u003cli>Acting alone, as far as police know.\n\u003c/li>\u003cli>He was arrested in Napa, where he was visiting friends, who aren’t suspected of complicity in the crime. The artwork was recovered there, without the frame.\n\u003c/li>\u003c/ul>\n\u003cp>More at the \u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/07/07/BAC41K7JHQ.DTL&tsp=1\">Chronicle\u003c/a>…\u003c/p>\n\u003cp>\u003cem>Previous post\u003c/em>\u003cbr>\nThat didn’t take long. \u003c/p>\n\u003cp>In what was not a masterpiece of thievery, yesterday a man walked out of the Weinstein Gallery on Union Square with a Picasso drawing under his arm . Problem was that he was recorded on a security camera of Lefty O’Doul’s, the restaurant next door. (\u003ca href=\"http://ww2.kqed.org/news/2011/07/06/alleged-picasso-drawing-art-thief-caught-on-video/\">Watch the video here\u003c/a>.) The man fled in a cab, which the police later tracked down. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Today San Francisco police say they have arrested a suspect in the crime. Read about it at \u003ca href=\"http://www.ktvu.com/news/28473279/detail.html\">KTVU\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cp>Boy it’s hard to steal anything these days without winding up the subject of a worldwide manhunt conducted over the Internet. \u003c/p>\n\u003cp>The latest example: Someone nabbed a 1965 Picasso drawing called “Tete de Femme” (on sale for more than $200,000, according to the \u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/07/06/BAPQ1K6LFE.DTL\">Chronicle\u003c/a>) from a San Francisco gallery in Union Square. That was yesterday. Today… the obligatory security video. \u003c/p>\n\u003cp>At a press event today, the restaurant Lefty O’Doul’s, located next to the Weinstein Gallery on Geary Street, released the video, captured by its security cameras. The video shows the alleged thief strolling down the block with what looks to be a framed picture tucked under his arm. A gallery worker then appears, vainly searching for the man who took off in a cab, according to police.\u003c/p>\n\u003cp>\u003ca href=\"http://www.ktvu.com/video/28464379/index.html\">\u003cstrong>Watch the video\u003c/strong>\u003c/a> on KTVU, or the following KGO \u003ca href=\"http://abclocal.go.com/kgo/story?section=news/local/san_francisco&id=8234837\">report\u003c/a> from Lefty O’Doul’s:\u003c/p>\n\u003cp>In May, the Global Film Initiative released a \u003ca href=\"http://blog.globalfilm.org/?tag=computer-theft\">security video\u003c/a> of someone who stole equipment from its SOMA office over a five-hour period. Later that month, a laptop thief was \u003ca href=\"http://mashable.com/2011/05/31/hidden-macbook-thief/\">exposed\u003c/a> and \u003ca href=\"http://www.wtop.com/?nid=681&sid=2405699\">arrested\u003c/a> through a series of webcam pictures taken by a hidden application on the Mac computer he’d stolen.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Also in May, an alleged thief was caught on \u003ca href=\"http://www.youtube.com/watch?v=W2jd1-WlwzY&feature=player_embedded\">video\u003c/a> stealing a rare violin on Muni. The suspect was \u003ca href=\"http://abclocal.go.com/kgo/story?section=news/local/san_francisco&id=8115383\">arrested\u003c/a> a few days later.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Last month, Oakland police released \u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/06/oaklandassault2.mov\">video\u003c/a> of a burglary and assault suspect that was recorded by the victim on her cell phone. The suspect was later \u003ca href=\"http://www.baycitizen.org/blogs/pulse-of-the-bay/victim-cellphone-video-police-arrest-sex/\">charged\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Boy it’s hard to steal anything these days without winding up the subject of a worldwide manhunt conducted over the Internet. \u003c/p>\n\u003cp>The latest example: Someone nabbed a 1965 Picasso drawing called “Tete de Femme” (on sale for more than $200,000, according to the \u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/07/06/BAPQ1K6LFE.DTL\">Chronicle\u003c/a>) from a San Francisco gallery in Union Square. That was yesterday. Today… the obligatory security video. \u003c/p>\n\u003cp>At a press event today, the restaurant Lefty O’Doul’s, located next to the Weinstein Gallery on Geary Street, released the video, captured by its security cameras. The video shows the alleged thief strolling down the block with what looks to be a framed picture tucked under his arm. A gallery worker then appears, vainly searching for the man who took off in a cab, according to police.\u003c/p>\n\u003cp>\u003ca href=\"http://www.ktvu.com/video/28464379/index.html\">\u003cstrong>Watch the video\u003c/strong>\u003c/a> on KTVU, or the following KGO \u003ca href=\"http://abclocal.go.com/kgo/story?section=news/local/san_francisco&id=8234837\">report\u003c/a> from Lefty O’Doul’s:\u003c/p>\n\u003cp>In May, the Global Film Initiative released a \u003ca href=\"http://blog.globalfilm.org/?tag=computer-theft\">security video\u003c/a> of someone who stole equipment from its SOMA office over a five-hour period. Later that month, a laptop thief was \u003ca href=\"http://mashable.com/2011/05/31/hidden-macbook-thief/\">exposed\u003c/a> and \u003ca href=\"http://www.wtop.com/?nid=681&sid=2405699\">arrested\u003c/a> through a series of webcam pictures taken by a hidden application on the Mac computer he’d stolen.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Also in May, an alleged thief was caught on \u003ca href=\"http://www.youtube.com/watch?v=W2jd1-WlwzY&feature=player_embedded\">video\u003c/a> stealing a rare violin on Muni. The suspect was \u003ca href=\"http://abclocal.go.com/kgo/story?section=news/local/san_francisco&id=8115383\">arrested\u003c/a> a few days later.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Last month, Oakland police released \u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/06/oaklandassault2.mov\">video\u003c/a> of a burglary and assault suspect that was recorded by the victim on her cell phone. The suspect was later \u003ca href=\"http://www.baycitizen.org/blogs/pulse-of-the-bay/victim-cellphone-video-police-arrest-sex/\">charged\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>From Bay City News:\u003c/p>\n\u003cblockquote>\u003cp>SAN FRANCISCO (BCN) – Investigators are still trying to piece together details about a Sunday night shooting at the BART Civic Center station that left one suspect dead and a BART police officer suffering from cuts and bruises on his arm, a BART spokesman said.\u003c/p>\n\u003cp>Two BART police officers apparently shot the suspect, a man who was allegedly armed with knife, at about 9:45 p.m., spokesman Linton Johnson said. Paramedics took the suspect to the hospital, where he later died around 10:45 a.m.\u003c/p>\n\u003cp>The two officers were responding to reports of a “wobbly drunk” near the train platform at about 9:30 p.m., Johnson said. Police are trying to determine whether the shooting is connected with the drunk person, he said.\u003c/p>\n\u003cp>Investigators have also discovered glass from what appears to be a shattered bottle and knives at the scene, Johnson said. \t The two officers have been placed on administrative leave while the investigation takes place, he said.\u003c/p>\n\u003cp>The San Francisco Police Department is performing a criminal investigation, while BART police provide an administrative inquiry, including whether BART policies and procedures were followed, Johnson said. \t The Civic Center station, which has been closed to both BART and San Francisco Municipal Railway light-rail vehicle passengers since about 10:15 p.m. Sunday, is expected to reopen at 8 a.m. today. Trains will be running on a Sunday schedule due to Independence Day.\u003c/p>\u003c/blockquote>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>From Bay City News:\u003c/p>\n\u003cblockquote>\u003cp>SAN FRANCISCO (BCN) – Investigators are still trying to piece together details about a Sunday night shooting at the BART Civic Center station that left one suspect dead and a BART police officer suffering from cuts and bruises on his arm, a BART spokesman said.\u003c/p>\n\u003cp>Two BART police officers apparently shot the suspect, a man who was allegedly armed with knife, at about 9:45 p.m., spokesman Linton Johnson said. Paramedics took the suspect to the hospital, where he later died around 10:45 a.m.\u003c/p>\n\u003cp>The two officers were responding to reports of a “wobbly drunk” near the train platform at about 9:30 p.m., Johnson said. Police are trying to determine whether the shooting is connected with the drunk person, he said.\u003c/p>\n\u003cp>Investigators have also discovered glass from what appears to be a shattered bottle and knives at the scene, Johnson said. \t The two officers have been placed on administrative leave while the investigation takes place, he said.\u003c/p>\n\u003cp>The San Francisco Police Department is performing a criminal investigation, while BART police provide an administrative inquiry, including whether BART policies and procedures were followed, Johnson said. \t The Civic Center station, which has been closed to both BART and San Francisco Municipal Railway light-rail vehicle passengers since about 10:15 p.m. Sunday, is expected to reopen at 8 a.m. today. Trains will be running on a Sunday schedule due to Independence Day.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "hold-your-horses-farmville-to-go-public",
"title": "Hold Your Horses, FarmVille to Go Public",
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"content": "\u003cfigure id=\"attachment_32989\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/111039779.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-32989\" title=\"NY: Sheep Parade Through New York City Streets In Celebration Of The Global Launch Of Zynga's FarmVille English Countryside\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/111039779-300x221.jpg\" alt=\"\" width=\"300\" height=\"221\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">In celebration of Zynga's new chapter in FarmVille \"FarmVille English Countryside\" farmers and their herd of sheep parade down Broadway while taking in downtown Manhattan on March 29, 2011. (Michael Loccisano/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>NPR is \u003ca href=\"http://www.npr.org/2011/07/01/137557886/farmvilles-zynga-plans-1-billion-public-offering\">reporting\u003c/a> today that \u003ca href=\"http://\">Zynga\u003c/a>, the San Francisco-based maker of hugely popular (and some say addictive) online games, is looking to raise $1 billion from investors.\u003c/p>\n\u003cblockquote>\u003cp>Zynga Inc. hopes to raise up to $1 billion in an initial public offering that follows LinkedIn’s sizzling stock market debut last month. The amount of money Zynga is seeking in its IPO will likely change as its bankers determine how many shares should be sold and at what price. That process typically takes three to four months.\u003c/p>\n\u003cp>There’s pent-up demand for the stock of large social media companies because so few of them have gone public while they have been steadily expanding their reach for several years. The opening of the floodgates could culminate next year in a long-awaited IPO of Facebook, the biggest social network of them all.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c!--more-->NPR’s Two-Way Blog answers (very concisely) the oft-asked question: How does Zynga make money? The answer: “Users buy virtual goods using real money.”\u003c/p>\n\u003cp>Unfortunately, the author of this blog post knows about this all too well, as his credit card number was stolen and used to purchase Zynga “points.” A customer service representative at the company told me that this kind of thing was very common, and they had policies and procedures in place to deal with it. No questions asked, they returned my money and deleted the account of the person who used my card. I guess I can’t really blame them — I wouldn’t want to spend my own money on virtual goods either.\u003c/p>\n\u003cp>But back to the slightly unsettling sense of deja vu we’re all having. Are we at the beginning of another (hopefully smarter) tech bubble in the Bay Area? According to the NPR article, “It may take several more years to determine whether any of this generation of Internet stars will grow into huge companies or leave investors with a bad case of buyer’s remorse.”\u003c/p>\n\u003cp>Read more:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.npr.org/2011/07/01/137557886/farmvilles-zynga-plans-1-billion-public-offering\">Farmville’s Zynga Plans $1 Billion Public Offering\u003c/a> (at NPR.org)\u003c/li>\n\u003cli>\u003ca href=\"http://www.npr.org/blogs/thetwo-way/2011/07/01/137562828/maker-of-social-game-farmville-files-to-become-a-public-company?ft=1&f=103943429\">Maker Of Social Game ‘FarmVille’ Files To Become A Public Company\u003c/a> (from NPR’s The Two-Way)\u003c/li>\n\u003cli>\u003ca href=\"http://www.marketwatch.com/story/zynga-files-for-ipo-of-up-to-1-billion-2011-07-01?dist=afterbell\">Zynga files for IPO of up to $1 billion\u003c/a> (at MarketWatch.com)\u003c/li>\n\u003c/ul>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_32989\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/111039779.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-32989\" title=\"NY: Sheep Parade Through New York City Streets In Celebration Of The Global Launch Of Zynga's FarmVille English Countryside\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/07/111039779-300x221.jpg\" alt=\"\" width=\"300\" height=\"221\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">In celebration of Zynga's new chapter in FarmVille \"FarmVille English Countryside\" farmers and their herd of sheep parade down Broadway while taking in downtown Manhattan on March 29, 2011. (Michael Loccisano/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>NPR is \u003ca href=\"http://www.npr.org/2011/07/01/137557886/farmvilles-zynga-plans-1-billion-public-offering\">reporting\u003c/a> today that \u003ca href=\"http://\">Zynga\u003c/a>, the San Francisco-based maker of hugely popular (and some say addictive) online games, is looking to raise $1 billion from investors.\u003c/p>\n\u003cblockquote>\u003cp>Zynga Inc. hopes to raise up to $1 billion in an initial public offering that follows LinkedIn’s sizzling stock market debut last month. The amount of money Zynga is seeking in its IPO will likely change as its bankers determine how many shares should be sold and at what price. That process typically takes three to four months.\u003c/p>\n\u003cp>There’s pent-up demand for the stock of large social media companies because so few of them have gone public while they have been steadily expanding their reach for several years. The opening of the floodgates could culminate next year in a long-awaited IPO of Facebook, the biggest social network of them all.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c!--more-->NPR’s Two-Way Blog answers (very concisely) the oft-asked question: How does Zynga make money? The answer: “Users buy virtual goods using real money.”\u003c/p>\n\u003cp>Unfortunately, the author of this blog post knows about this all too well, as his credit card number was stolen and used to purchase Zynga “points.” A customer service representative at the company told me that this kind of thing was very common, and they had policies and procedures in place to deal with it. No questions asked, they returned my money and deleted the account of the person who used my card. I guess I can’t really blame them — I wouldn’t want to spend my own money on virtual goods either.\u003c/p>\n\u003cp>But back to the slightly unsettling sense of deja vu we’re all having. Are we at the beginning of another (hopefully smarter) tech bubble in the Bay Area? According to the NPR article, “It may take several more years to determine whether any of this generation of Internet stars will grow into huge companies or leave investors with a bad case of buyer’s remorse.”\u003c/p>\n\u003cp>Read more:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.npr.org/2011/07/01/137557886/farmvilles-zynga-plans-1-billion-public-offering\">Farmville’s Zynga Plans $1 Billion Public Offering\u003c/a> (at NPR.org)\u003c/li>\n\u003cli>\u003ca href=\"http://www.npr.org/blogs/thetwo-way/2011/07/01/137562828/maker-of-social-game-farmville-files-to-become-a-public-company?ft=1&f=103943429\">Maker Of Social Game ‘FarmVille’ Files To Become A Public Company\u003c/a> (from NPR’s The Two-Way)\u003c/li>\n\u003cli>\u003ca href=\"http://www.marketwatch.com/story/zynga-files-for-ipo-of-up-to-1-billion-2011-07-01?dist=afterbell\">Zynga files for IPO of up to $1 billion\u003c/a> (at MarketWatch.com)\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/06/zyngalogo.png\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/06/zyngalogo.png\" alt=\"\" title=\"zyngalogo\" width=\"225\" height=\"55\" class=\"alignleft size-full wp-image-32858\">\u003c/a>A couple of days ago Fortune magazine talked to Ed Lee about the city's moratorium (.\u003ca href=\"http://www.sfbos.org/ftp/uploadedfiles/bdsupvrs/ordinances11/o0087-11.pdf\">pdf of bill\u003c/a>) on its \u003ca href=\"http://techcrunch.com/2011/02/18/san-francisco-wants-to-tax-your-stock-options-all-of-them/\">tax\u003c/a> on stock options. (\u003ca href=\"http://money.cnn.com/video/technology/2011/06/27/ctd_sf_mayor_zynga.fortune/\">\u003cstrong>Video of the Fortune interview here\u003c/strong>\u003c/a>.) Lee explains why the city passed the legislation and has some kind words for San Francisco-based Zynga, the maker of Farmville and other games that have cut your productivity in half.\u003c/p>\n\u003cp>Here's an edited transcript: \u003c/p>\n\u003cblockquote>\u003cp>We're one of the very few cities...where we actually tax stock options as part of compensation... We didn't realize that stock options (are) something very special to tech companies, and as they've grown they've educated us about how valuable those stock options are. \u003c/p>\n\u003cp>Some of them at the beginning, when they're offering (them) to very key employees, they're not worth much of anything. But as the value of the company increases, because of the product rollout they have with the brilliant engineers they hire, then those stocks become valuable over time. When they're about to be paid out, that's when they want to retain those employees the most. \u003c/p>\n\u003cp>Our taxing of those (was) viewed as a punishment to companies that had been successful. So we thought as a matter of course that many of the companies would suffer when they went to public stock and this changeover would really hurt them. A slew of small companies whose names you wouldn't even recognize were concerned they'd have to move out of the city to avoid that tax.\u003c/p>\n\u003cp>\u003cem>Although there's one very big company that's rumored to be going public very soon. This will have a big impact on Zynga employees...\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>Absolutely. And Zynga had just done a marvelous thing for the city. They signed a long-term lease for some 270,000 square feet in the southern part of Mission Bay and they're a major game developer, and we want all those game developers to be here because they employ the kind of engineers that are graduating from the wonderful Bay Area schools and these are great long-term jobs.\u003c/p>\u003c/blockquote>\n\u003cp>For a \u003ca href=\"http://www.sfbg.com/politics/2011/05/16/twitter-mirkarimi-and-stock-options-taxes\">different view\u003c/a> on the stock-options issue, The Bay Guardian's Tim Redmond had one back in May.\u003c/p>\n\u003cp>Anyway, Zynga, according to \u003ca href=\"http://www.google.com/search?q=zynga+public\">everyone on the Internet\u003c/a>, is set to file for an IPO. So a lot of those employees are about to get \u003ca href=\"http://www.csmonitor.com/Business/Latest-News-Wires/2011/0630/Zynga-IPO-suggests-it-s-worth-up-to-20-billion\">really, really paid\u003c/a>...\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>(Bay City News) A wanted parolee considered armed and dangerous was shot and wounded by police this morning on a busy San Francisco thoroughfare during the morning commute.\u003c/p>\n\u003cp>Investigators had been searching for the 36-year-old man, who was wanted on a $75,000 warrant and is believed to have fired an assault weapon last week, police said.\u003c/p>\n\u003cp>This morning, they received information that he was in the 1000 block of Gough Street.\u003c/p>\n\u003cp>Two plainclothes officers spotted him near the corner of Gough and Ellis streets a few minutes before 8 a.m., Police Chief Greg Suhr said.\u003c/p>\n\u003cp>The officers identified themselves and tried to apprehend the man, but he shot at them and tried to escape in a gray four-door Honda Accord, police said. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The officers returned fire, hitting the suspect, and he crashed into a parked car in the 1000 block of Gough Street, according to police. \u003c!--more-->\u003c/p>\n\u003cp>The man was taken to San Francisco General Hospital to be treated for injuries that are not life-threatening, Dangerfield said. Police are now interviewing him and have not yet released his name. \u003c/p>\n\u003cp>No one else was injured in the shooting. \u003c/p>\n\u003cp>Investigators recovered two weapons from inside the Honda -- an AK47 assault rifle and a handgun, police said.\u003c/p>\n\u003cp>Several blocks of Gough Street were shut while detectives surveyed the crime scene.\u003c/p>\n\u003cp>A gardener who was planting a tree at Jefferson Square Park near the corner of Gough and Eddy streets said he heard two distinct shots, followed by heavy gunfire. \u003c/p>\n\u003cp>Immediately after the succession of gunshots, the gardener heard a loud crash. He said he ran toward the Honda Accord, shovel in hand, and saw two plainclothes officers crouched near the car with guns pointed at vehicle.\u003c/p>\n\u003cp>The driver was slumped over the wheel and his head was moving slightly, said the gardener, who didn't want to be identified.\u003c/p>\n\u003cp>\"Cops were here in rapid time,\" he said.\u003c/p>\n\u003cp>Peter Gorman, who lives on Ellis near Gough, also said he heard two shots then a rapid succession of five to 10 shots. \u003c/p>\n\u003cp>He later went outside with his dog to see what had happened and found the street filled with police. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Sacred Heart Cathedral Preparatory is located near where the shooting happened, but a woman answering the phone there said the school was not affected. \u003c/p>\n\n",
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"content": "\u003cp>The \u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?file=/c/a/2011/06/27/MNE41K2VHD.DTL\">San Francisco Pride Parade\u003c/a> has existed in in one \u003ca href=\"http://en.wikipedia.org/wiki/San_Francisco_Pride#History\">form\u003c/a> or another for 41 years now, its latest incarnation having rolled down Market Street last Sunday.\u003c/p>\n\u003cp>To mark the occasion, Chronicle blogger Peter Hartlaub dug up some great historical \u003ca href=\"http://www.sfgate.com/cgi-bin/blogs/parenting/detail?entry_id=91571\">photos\u003c/a> of the parade from the paper's morgue. And I found the following \u003ca href=\"http://www.youtube.com/results?search_query=san+francisco+gay+parade&aq=f\">YouTube clips\u003c/a> of some of the earliest parades, from the 1970s.\u003c/p>\n\u003cp>Sunday's celebration came right on the heels of a huge victory for the LGBT-rights movement, New York State's passage of a law allowing same-sex marriage. Pretty remarkable to think of the gains made over the years as you watch the earliest activists -- and revelers -- take to the streets...\u003c/p>\n\u003cp>\u003cem>1975, featuring a lot of feather boas and costumes\u003c/em>\u003c/p>\n\u003cp>\u003ciframe width=\"425\" height=\"349\" src=\"http://www.youtube.com/embed/2uLkpwTw3hI\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003cem>1977, featuring a heavy musical dose of Sylvester\u003c/em>\u003c/p>\n\u003cp>\u003ciframe width=\"425\" height=\"349\" src=\"http://www.youtube.com/embed/UhCuk3cAQXI\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>1978. Harvey Milk shows up at around :40.\u003c/em>\u003c/p>\n\u003cp>\u003ciframe width=\"425\" height=\"349\" src=\"http://www.youtube.com/embed/jD3GF_1D4U0\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Here's a great 1979 KTVU report, which deals in part with the Milk assassination and its political ramifications in the city\u003c/em>. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ciframe width=\"425\" height=\"349\" src=\"http://www.youtube.com/embed/WUEcljVX7Zg\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\n",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"filters": [
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},
"cuisine": {
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}
