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"content": "\u003cp>Things are sizzling again at the corner of Hyde Street and Golden Gate Avenue.\u003c/p>\n\u003cp>\u003ca href=\"https://www.lacocinasf.org/\">La Cocina\u003c/a>, a San Francisco nonprofit that helps primarily immigrants and people of color create and run their own food businesses in the Bay Area, announced Thursday it has reopened as a catering kitchen after closing its popular food hall in the same Tenderloin location last fall.\u003c/p>\n\u003cp>Chefs like Daniel Morales are now renting out kitchen equipment and counter space at the 7,000-square-foot space. On a recent Friday, he and partner Lau Gelvez spent the afternoon testing menu items like tuna ceviche-style nachos to sell at this year’s Outside Lands Music Festival — a first for the Latin American food pop-up the couple started last year, called \u003ca href=\"https://www.instagram.com/pacificosf/\">Pacifico\u003c/a>.\u003c/p>\n\u003cp>“We’ve done private catering and events, and it’s been wonderful. But it’s a tough industry, you know. So we just need to keep pushing and doing all these festivals, street fairs, catering, pop-ups and everything,” Morales told KQED over a pot of frying corn tortilla chips.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After more than two years of operation, La Cocina shuttered its public cafeteria-style food hall in September. The organization cited economic struggles in the neighborhood and changing dining patterns from customers after the pandemic as reasons for closing—all challenges facing the city’s downtown business core and surrounding restaurants that rely on hungry lunch breakers.\u003c/p>\n\u003cp>“Places like the Marketplace can’t live on admiration alone,” Leticia Landa, executive director of La Cocina, told KQED. “Post-COVID, we thought we would turn a corner and see more foot traffic, but that never happened.”\u003c/p>\n\u003cp>Since then, the organization has been working with the city to reformat the space to serve as a catering facility for immigrant food entrepreneurs in the nonprofit’s business development program, which provides training and resources in business development, permitting, marketing and other elements of the food industry.\u003c/p>\n\u003cfigure id=\"attachment_11988122\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11988122\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-17-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-17-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-17-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-17-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-17-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-17-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Chef Daniel Morales prepares a tuna nacho with beet-infused tapioca for his restaurant pop-up, Pacifico, at La Cocina in San Francisco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Landa said the shared-use kitchen is more financially sustainable than a public-facing marketplace, largely due to having a much lower need for staff. At the time it closed the food hall, La Cocina’s director said the business was spending around $209,000 every month while bringing in about $24,000 and relying on grants and support from the city to make up the difference.\u003c/p>\n\u003cp>“In order to be open to the public, we had to have three security guards, a bartender, and service staff at all times,” Landa said. “So the biggest saving is on staffing.”\u003c/p>\n\u003cp>La Cocina on Hyde is the organization’s second catering facility, alongside the 19-year-old La Cocina on Folsom.\u003c/p>\n\u003cp>[aside label='More Food Coverage' tag='food']Morales, the owner of Pacifico, has worked out of La Cocina on Folsom but said it can be difficult to book space on busy days and having more space is welcome. He also lives within walking distance from the Tenderloin kitchen — a commute he prefers to the combined bus and BART ride to the other kitchen.\u003c/p>\n\u003cp>“It was kind of sad to see the marketplace closed, but it’s understandable too,” he said. “For me, having the community kitchen is better right now so we can just operate,” he said, referring to how space was less flexible in the food hall.\u003c/p>\n\u003cp>An initial 13 businesses are permitted and planning to work out of the new production facility, according to La Cocina.\u003c/p>\n\u003cp>“The way they have it set up on Hyde Street, because it was a food hall, they have all these almost private kitchens if you will, and that is so exciting,” Karla Rosales-Barrios, a La Cocina participant who owns \u003ca href=\"https://www.passthesauced.com/\">Pass the Sauced\u003c/a>, told KQED. “I like this idea that I can be with my community and my colleagues, and at the same time, I’m doing my own thing, and nobody’s invading my space.”\u003c/p>\n\u003cp>Chefs like \u003ca href=\"https://www.instagram.com/tilintilinsf/\">Julieta Del Rio of Tilín Tilín\u003c/a> and \u003ca href=\"https://www.instagram.com/suyos_catering/\">Norka Hernandez of Suyos\u003c/a> are among the first cohort planning to use the space, which La Cocina participants can rent out for $15 per hour.\u003c/p>\n\u003cp>“Suyos means regions, and my vision is to bring regional Peruvian cuisine to the Bay Area and San Francisco with my own style and California ingredients,” Hernandez said from La Cocina on Hyde while slicing up limes for a citrusy marinade inspired by Nikkei, a Japanese-Peruvian cuisine.\u003c/p>\n\u003cfigure id=\"attachment_11988119\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11988119\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-15-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-15-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-15-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-15-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-15-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-15-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Chef Norka Hernandez prepares shrimp ceviche for her pop-up restaurant Suyos at La Cocina in San Francisco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But even the new shared kitchen will be temporary. The city owns the building, and the marketplace was originally created as a pilot. La Cocina on Hyde’s lease was recently extended to December 2026, and its site is still slated to be used for affordable housing after that.\u003c/p>\n\u003cp>The city has not yet identified a developer for that project, however, and expects to by the end of the lease term, according to the Mayor’s Office of Housing and Community Development.\u003c/p>\n\u003cp>“We built it knowing that it was temporary, and it felt worth it still because it felt like this really cool opportunity for us to pilot actually having control of some real estate and being able to provide that to our entrepreneurs and figure out what that looks like,” Landa said.\u003c/p>\n\u003cp>The seven food businesses previously working out of the food hall have since moved on to open their own \u003ca href=\"https://bougcali.com/\">kiosks in the Ferry Building\u003c/a>, \u003ca href=\"https://www.estrellitassf.com/\">stalls at farmers markets\u003c/a> and \u003ca href=\"https://biniskitchen.com/\">full-service restaurants\u003c/a>.\u003c/p>\n\u003cp>The long-term future of the kitchen on Hyde is uncertain, but it’s already inspiring entrepreneurs like Rosales-Barrios for their next step.\u003c/p>\n\u003cp>“What I would love is, at some point, be able to have a team; that is what I’ve been dreaming about,” she said, “because being a small business is already hard enough.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Things are sizzling again at the corner of Hyde Street and Golden Gate Avenue.\u003c/p>\n\u003cp>\u003ca href=\"https://www.lacocinasf.org/\">La Cocina\u003c/a>, a San Francisco nonprofit that helps primarily immigrants and people of color create and run their own food businesses in the Bay Area, announced Thursday it has reopened as a catering kitchen after closing its popular food hall in the same Tenderloin location last fall.\u003c/p>\n\u003cp>Chefs like Daniel Morales are now renting out kitchen equipment and counter space at the 7,000-square-foot space. On a recent Friday, he and partner Lau Gelvez spent the afternoon testing menu items like tuna ceviche-style nachos to sell at this year’s Outside Lands Music Festival — a first for the Latin American food pop-up the couple started last year, called \u003ca href=\"https://www.instagram.com/pacificosf/\">Pacifico\u003c/a>.\u003c/p>\n\u003cp>“We’ve done private catering and events, and it’s been wonderful. But it’s a tough industry, you know. So we just need to keep pushing and doing all these festivals, street fairs, catering, pop-ups and everything,” Morales told KQED over a pot of frying corn tortilla chips.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After more than two years of operation, La Cocina shuttered its public cafeteria-style food hall in September. The organization cited economic struggles in the neighborhood and changing dining patterns from customers after the pandemic as reasons for closing—all challenges facing the city’s downtown business core and surrounding restaurants that rely on hungry lunch breakers.\u003c/p>\n\u003cp>“Places like the Marketplace can’t live on admiration alone,” Leticia Landa, executive director of La Cocina, told KQED. “Post-COVID, we thought we would turn a corner and see more foot traffic, but that never happened.”\u003c/p>\n\u003cp>Since then, the organization has been working with the city to reformat the space to serve as a catering facility for immigrant food entrepreneurs in the nonprofit’s business development program, which provides training and resources in business development, permitting, marketing and other elements of the food industry.\u003c/p>\n\u003cfigure id=\"attachment_11988122\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11988122\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-17-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-17-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-17-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-17-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-17-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-17-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Chef Daniel Morales prepares a tuna nacho with beet-infused tapioca for his restaurant pop-up, Pacifico, at La Cocina in San Francisco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Landa said the shared-use kitchen is more financially sustainable than a public-facing marketplace, largely due to having a much lower need for staff. At the time it closed the food hall, La Cocina’s director said the business was spending around $209,000 every month while bringing in about $24,000 and relying on grants and support from the city to make up the difference.\u003c/p>\n\u003cp>“In order to be open to the public, we had to have three security guards, a bartender, and service staff at all times,” Landa said. “So the biggest saving is on staffing.”\u003c/p>\n\u003cp>La Cocina on Hyde is the organization’s second catering facility, alongside the 19-year-old La Cocina on Folsom.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Morales, the owner of Pacifico, has worked out of La Cocina on Folsom but said it can be difficult to book space on busy days and having more space is welcome. He also lives within walking distance from the Tenderloin kitchen — a commute he prefers to the combined bus and BART ride to the other kitchen.\u003c/p>\n\u003cp>“It was kind of sad to see the marketplace closed, but it’s understandable too,” he said. “For me, having the community kitchen is better right now so we can just operate,” he said, referring to how space was less flexible in the food hall.\u003c/p>\n\u003cp>An initial 13 businesses are permitted and planning to work out of the new production facility, according to La Cocina.\u003c/p>\n\u003cp>“The way they have it set up on Hyde Street, because it was a food hall, they have all these almost private kitchens if you will, and that is so exciting,” Karla Rosales-Barrios, a La Cocina participant who owns \u003ca href=\"https://www.passthesauced.com/\">Pass the Sauced\u003c/a>, told KQED. “I like this idea that I can be with my community and my colleagues, and at the same time, I’m doing my own thing, and nobody’s invading my space.”\u003c/p>\n\u003cp>Chefs like \u003ca href=\"https://www.instagram.com/tilintilinsf/\">Julieta Del Rio of Tilín Tilín\u003c/a> and \u003ca href=\"https://www.instagram.com/suyos_catering/\">Norka Hernandez of Suyos\u003c/a> are among the first cohort planning to use the space, which La Cocina participants can rent out for $15 per hour.\u003c/p>\n\u003cp>“Suyos means regions, and my vision is to bring regional Peruvian cuisine to the Bay Area and San Francisco with my own style and California ingredients,” Hernandez said from La Cocina on Hyde while slicing up limes for a citrusy marinade inspired by Nikkei, a Japanese-Peruvian cuisine.\u003c/p>\n\u003cfigure id=\"attachment_11988119\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11988119\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-15-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-15-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-15-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-15-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-15-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240424-LaCocina-15-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Chef Norka Hernandez prepares shrimp ceviche for her pop-up restaurant Suyos at La Cocina in San Francisco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But even the new shared kitchen will be temporary. The city owns the building, and the marketplace was originally created as a pilot. La Cocina on Hyde’s lease was recently extended to December 2026, and its site is still slated to be used for affordable housing after that.\u003c/p>\n\u003cp>The city has not yet identified a developer for that project, however, and expects to by the end of the lease term, according to the Mayor’s Office of Housing and Community Development.\u003c/p>\n\u003cp>“We built it knowing that it was temporary, and it felt worth it still because it felt like this really cool opportunity for us to pilot actually having control of some real estate and being able to provide that to our entrepreneurs and figure out what that looks like,” Landa said.\u003c/p>\n\u003cp>The seven food businesses previously working out of the food hall have since moved on to open their own \u003ca href=\"https://bougcali.com/\">kiosks in the Ferry Building\u003c/a>, \u003ca href=\"https://www.estrellitassf.com/\">stalls at farmers markets\u003c/a> and \u003ca href=\"https://biniskitchen.com/\">full-service restaurants\u003c/a>.\u003c/p>\n\u003cp>The long-term future of the kitchen on Hyde is uncertain, but it’s already inspiring entrepreneurs like Rosales-Barrios for their next step.\u003c/p>\n\u003cp>“What I would love is, at some point, be able to have a team; that is what I’ve been dreaming about,” she said, “because being a small business is already hard enough.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>San Francisco Mayor London Breed and Supervisor Hillary Ronen on Tuesday outlined the beginnings of a plan to reform the Office of Sexual Harassment and Assault Response and Prevention, or SHARP, which has \u003ca href=\"https://www.kqed.org/news/11985525/failures-of-sf-office-on-sexual-assault-complaints-draw-scrutiny\">come under recent scrutiny\u003c/a> over its shortcomings since it was established six years ago.\u003c/p>\n\u003cp>Officials have said SHARP has failed in its mandate to help survivors of sexual harassment and assault navigate San Francisco’s bureaucratic systems, to report city officers should they fail to help, and to suggest policy reforms for government agencies to better help victims.\u003c/p>\n\u003cp>SHARP will be folded into a new office, the San Francisco Office of Victim and Witness Rights, which aims to help victims of all types of crime. Ronen’s office plans to introduce legislation in the coming weeks that will merge the entities and “clarify [the office’s] duties and powers to ensure it is best able to meet the needs of survivors,” she told KQED.\u003c/p>\n\u003cp>The new office’s inaugural director will be Ivy Lee, an attorney and former policy adviser to Breed, the mayor announced during a press conference on Tuesday at the West Portal Recreation Center.\u003c/p>\n\u003cp>“This office will have one purpose, which is to try to make government work better for survivors,” Lee said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Most recently, Lee was Breed’s policy adviser on public safety and victims’ rights. She also served on the City College of San Francisco Board of Trustees and as a legislative aide of former Supervisors Jane Kim and Norman Yee.\u003c/p>\n\u003cp>Ronen created SHARP in 2018 to respond to sexual assault victims who said the San Francisco Police Department did not adequately investigate their claims. The office’s deficiencies came to light in \u003ca href=\"https://www.sfchronicle.com/crime/article/sf-sharp-sex-assault-response-19429042.php\">a scathing investigation by the \u003cem>San Francisco Chronicle\u003c/em>\u003c/a>, which found SHARP did not propose any policy changes to the three largest city agencies that sexual assault survivors often encounter: the San Francisco Police Department, the district attorney’s office or San Francisco General Hospital.\u003c/p>\n\u003cp>[aside label=\"related coverage\" tag=\"sexual-assault\"]“Setting up SHARP was never easy. But Ivy is that person because she has the diplomacy, she has the credibility, she has the relationships,” Ronen said at Tuesday’s press conference. “That’s why I know SHARP is going to succeed like it never has before.”\u003c/p>\n\u003cp>Lee told KQED that SHARP would need a larger staff to do enough outreach to victims; right now, it has only two employees, \u003ca href=\"https://www.sharp-sf.org/our-team\">according to its website\u003c/a>.\u003c/p>\n\u003cp>“If we are going to have that public-facing aspect, you need to be staffed up appropriately,” Lee said. “If we want to help victims, then ask them what they need, ask them what they want, resource it, and deliver it.”\u003c/p>\n\u003cp>The creation of the Office of Victim and Witness Rights was mandated by the June 2022 voter passage of Proposition D, which was authored by Supervisor Catherine Stefani, who is running for state Assembly. Discussions of victims’ needs were at a fever pitch during 2022 as people debated the efficacy of former District Attorney Chesa Boudin, who was \u003ca href=\"https://www.kqed.org/news/11916212/chesa-boudin-recall-sf-voters-on-track-to-oust-district-attorney\">recalled in that same election\u003c/a>.\u003c/p>\n\u003cp>Surveys conducted after Proposition D’s passage showed a need for the new office to represent victims broadly, according to the mayor’s office: San Franciscans said they experienced challenges navigating the criminal legal process, had unmet emotional and mental health support needs, and lacked access to emergency financial relief after a traumatic or violent event.\u003c/p>\n\u003cp>SHARP is similar to the new Office of Victim and Witness Rights in purpose; only its focus is more narrowly tailored to help sexual assault survivors. In a City Hall hearing earlier this month, supervisors asked its leaders why SHARP hadn’t carried out its mission.\u003c/p>\n\u003cp>Sheryl Evans Davis, the executive director of the Human Rights Commission, which oversees SHARP, said the office instead focused on community education and prevention.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are apologetic and regretful, but we are also committed to doing better,” Davis said in the hearing. “We’ve had some shortcomings here.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco Mayor London Breed and Supervisor Hillary Ronen on Tuesday outlined the beginnings of a plan to reform the Office of Sexual Harassment and Assault Response and Prevention, or SHARP, which has \u003ca href=\"https://www.kqed.org/news/11985525/failures-of-sf-office-on-sexual-assault-complaints-draw-scrutiny\">come under recent scrutiny\u003c/a> over its shortcomings since it was established six years ago.\u003c/p>\n\u003cp>Officials have said SHARP has failed in its mandate to help survivors of sexual harassment and assault navigate San Francisco’s bureaucratic systems, to report city officers should they fail to help, and to suggest policy reforms for government agencies to better help victims.\u003c/p>\n\u003cp>SHARP will be folded into a new office, the San Francisco Office of Victim and Witness Rights, which aims to help victims of all types of crime. Ronen’s office plans to introduce legislation in the coming weeks that will merge the entities and “clarify [the office’s] duties and powers to ensure it is best able to meet the needs of survivors,” she told KQED.\u003c/p>\n\u003cp>The new office’s inaugural director will be Ivy Lee, an attorney and former policy adviser to Breed, the mayor announced during a press conference on Tuesday at the West Portal Recreation Center.\u003c/p>\n\u003cp>“This office will have one purpose, which is to try to make government work better for survivors,” Lee said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Most recently, Lee was Breed’s policy adviser on public safety and victims’ rights. She also served on the City College of San Francisco Board of Trustees and as a legislative aide of former Supervisors Jane Kim and Norman Yee.\u003c/p>\n\u003cp>Ronen created SHARP in 2018 to respond to sexual assault victims who said the San Francisco Police Department did not adequately investigate their claims. The office’s deficiencies came to light in \u003ca href=\"https://www.sfchronicle.com/crime/article/sf-sharp-sex-assault-response-19429042.php\">a scathing investigation by the \u003cem>San Francisco Chronicle\u003c/em>\u003c/a>, which found SHARP did not propose any policy changes to the three largest city agencies that sexual assault survivors often encounter: the San Francisco Police Department, the district attorney’s office or San Francisco General Hospital.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Setting up SHARP was never easy. But Ivy is that person because she has the diplomacy, she has the credibility, she has the relationships,” Ronen said at Tuesday’s press conference. “That’s why I know SHARP is going to succeed like it never has before.”\u003c/p>\n\u003cp>Lee told KQED that SHARP would need a larger staff to do enough outreach to victims; right now, it has only two employees, \u003ca href=\"https://www.sharp-sf.org/our-team\">according to its website\u003c/a>.\u003c/p>\n\u003cp>“If we are going to have that public-facing aspect, you need to be staffed up appropriately,” Lee said. “If we want to help victims, then ask them what they need, ask them what they want, resource it, and deliver it.”\u003c/p>\n\u003cp>The creation of the Office of Victim and Witness Rights was mandated by the June 2022 voter passage of Proposition D, which was authored by Supervisor Catherine Stefani, who is running for state Assembly. Discussions of victims’ needs were at a fever pitch during 2022 as people debated the efficacy of former District Attorney Chesa Boudin, who was \u003ca href=\"https://www.kqed.org/news/11916212/chesa-boudin-recall-sf-voters-on-track-to-oust-district-attorney\">recalled in that same election\u003c/a>.\u003c/p>\n\u003cp>Surveys conducted after Proposition D’s passage showed a need for the new office to represent victims broadly, according to the mayor’s office: San Franciscans said they experienced challenges navigating the criminal legal process, had unmet emotional and mental health support needs, and lacked access to emergency financial relief after a traumatic or violent event.\u003c/p>\n\u003cp>SHARP is similar to the new Office of Victim and Witness Rights in purpose; only its focus is more narrowly tailored to help sexual assault survivors. In a City Hall hearing earlier this month, supervisors asked its leaders why SHARP hadn’t carried out its mission.\u003c/p>\n\u003cp>Sheryl Evans Davis, the executive director of the Human Rights Commission, which oversees SHARP, said the office instead focused on community education and prevention.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are apologetic and regretful, but we are also committed to doing better,” Davis said in the hearing. “We’ve had some shortcomings here.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The man who invaded the Pelosis’ San Francisco home in an extremism-fueled attempt to kidnap the then-speaker of the House in late 2022 apologized to Paul Pelosi at a federal court hearing on Tuesday to reconsider his sentence after a court error had thrown his prison term into question.\u003c/p>\n\u003cp>However, David DePape’s approximately 90-second statement stopped short of showing remorse for his broader plan to target and capture a diverse list of public figures and political leaders.\u003c/p>\n\u003cp>“I should have left the house when I learned Nancy Pelosi wasn’t there,” DePape said.\u003c/p>\n\u003cp>A day after DePape was \u003ca href=\"https://www.kqed.org/news/11986718/david-depape-sentenced-to-30-years-in-federal-prison-for-attack-on-nancy-pelosis-husband\">sentenced to 30 years\u003c/a> in federal prison earlier this month, the judge presiding over the case \u003ca href=\"https://www.kqed.org/news/11986847/federal-judge-orders-new-sentencing-hearing-for-david-depape-in-trial-over-pelosi-attack\">ordered a redo\u003c/a>, acknowledging that the court had failed to ask him if he would like to make a statement first. U.S. District Judge Jacqueline Scott Corley issued an unchanged sentence after DePape spoke Tuesday, totaling 30 years in federal prison.\u003c/p>\n\u003cp>DePape had taken public transportation overnight from the East Bay to the Pelosis’ home in San Francisco’s Pacific Heights neighborhood, arriving in the early hours of Oct. 28, 2022. He broke into the home by repeatedly hitting a sliding glass door until it shattered, according to security camera video played during DePape’s federal trial that \u003ca href=\"https://www.kqed.org/news/11967595/david-depape-found-guilty-in-paul-pelosi-hammer-attack\">ended with a guilty verdict\u003c/a> in November.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He awoke Paul Pelosi asking the now-infamous phrase, “Where’s Nancy?”\u003c/p>\n\u003cp>Paul Pelosi managed to call 911 after DePape decided to wait with him for his wife to return home. When two officers confronted both men in the front doorway to the home, DePape suddenly turned and struck Paul Pelosi multiple times in the head with a hammer as the officers rushed in and eventually restrained him.\u003c/p>\n\u003cp>DePape’s defense argued before sentencing that undiagnosed mental illness and a difficult relationship with the mother of his children had left the 44-year-old \u003ca href=\"https://www.kqed.org/news/11966865/defense-focuses-on-conspiracy-theories-in-first-day-of-trial-over-attempted-nancy-pelosi-kidnapping\">vulnerable to conspiracy theories\u003c/a> that he consumed with increasing frequency in online videos.\u003c/p>\n\u003cp>By the time he launched his \u003ca href=\"https://www.kqed.org/news/11967247/david-depape-on-witness-stand-details-grand-plan-to-violently-interrogate-nancy-pelosi\">plan to kidnap then-Speaker Nancy Pelosi\u003c/a>, DePape was obsessed with exposing what he believed was a cabal of politicians promoting child abuse and corruption. Among his other targets: actor Tom Hanks, Rep. Adam Schiff, former Vice President Mike Pence and the president’s son Hunter Biden.\u003c/p>\n\u003cp>[aside label=\"related coverage\" tag=\"david-depape\"]Corley apologized to DePape at the beginning of his “reopened” sentencing hearing on Tuesday for neglecting to ask him to make a statement when she initially sentenced him on May 17.\u003c/p>\n\u003cp>“I’m truly sorry for my mistake,” Corley said from the bench. But she denied a defense motion to assign DePape’s sentencing to another judge.\u003c/p>\n\u003cp>After DePape’s statement, the judge reiterated the seriousness of his crimes.\u003c/p>\n\u003cp>“You can’t break into the speaker of the House’s home,” Corley said. “It’s hard to overstate the seriousness of that and the damage it has caused.”\u003c/p>\n\u003cp>The sentencing do-over in federal court has affected scheduling for the beginning of a second trial for DePape on state-level charges, including attempted murder and aggravated kidnapping, which carries a potential life sentence without the possibility of parole. Opening statements in that case were initially set to begin by Tuesday.\u003c/p>\n\u003cp>Instead, a San Francisco Superior Court judge heard this morning from DePape’s local public defenders, who argue that California-specific protections against double jeopardy \u003ca href=\"https://www.kqed.org/news/11987752/depape-faces-new-state-charges-defense-argues-double-jeopardy\">require several charges be dismissed\u003c/a> following his federal conviction. The judge declined to rule on the motion, saying he’ll wait for local prosecutors to present their case.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Alex Hall of KQED News contributed to this report.\u003c/em>\u003c/p>\n\n",
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"excerpt": "David DePape told the court in a brief statement that he wishes he’d left the home he’d broken into after he discovered Nancy Pelosi wasn’t there.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The man who invaded the Pelosis’ San Francisco home in an extremism-fueled attempt to kidnap the then-speaker of the House in late 2022 apologized to Paul Pelosi at a federal court hearing on Tuesday to reconsider his sentence after a court error had thrown his prison term into question.\u003c/p>\n\u003cp>However, David DePape’s approximately 90-second statement stopped short of showing remorse for his broader plan to target and capture a diverse list of public figures and political leaders.\u003c/p>\n\u003cp>“I should have left the house when I learned Nancy Pelosi wasn’t there,” DePape said.\u003c/p>\n\u003cp>A day after DePape was \u003ca href=\"https://www.kqed.org/news/11986718/david-depape-sentenced-to-30-years-in-federal-prison-for-attack-on-nancy-pelosis-husband\">sentenced to 30 years\u003c/a> in federal prison earlier this month, the judge presiding over the case \u003ca href=\"https://www.kqed.org/news/11986847/federal-judge-orders-new-sentencing-hearing-for-david-depape-in-trial-over-pelosi-attack\">ordered a redo\u003c/a>, acknowledging that the court had failed to ask him if he would like to make a statement first. U.S. District Judge Jacqueline Scott Corley issued an unchanged sentence after DePape spoke Tuesday, totaling 30 years in federal prison.\u003c/p>\n\u003cp>DePape had taken public transportation overnight from the East Bay to the Pelosis’ home in San Francisco’s Pacific Heights neighborhood, arriving in the early hours of Oct. 28, 2022. He broke into the home by repeatedly hitting a sliding glass door until it shattered, according to security camera video played during DePape’s federal trial that \u003ca href=\"https://www.kqed.org/news/11967595/david-depape-found-guilty-in-paul-pelosi-hammer-attack\">ended with a guilty verdict\u003c/a> in November.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He awoke Paul Pelosi asking the now-infamous phrase, “Where’s Nancy?”\u003c/p>\n\u003cp>Paul Pelosi managed to call 911 after DePape decided to wait with him for his wife to return home. When two officers confronted both men in the front doorway to the home, DePape suddenly turned and struck Paul Pelosi multiple times in the head with a hammer as the officers rushed in and eventually restrained him.\u003c/p>\n\u003cp>DePape’s defense argued before sentencing that undiagnosed mental illness and a difficult relationship with the mother of his children had left the 44-year-old \u003ca href=\"https://www.kqed.org/news/11966865/defense-focuses-on-conspiracy-theories-in-first-day-of-trial-over-attempted-nancy-pelosi-kidnapping\">vulnerable to conspiracy theories\u003c/a> that he consumed with increasing frequency in online videos.\u003c/p>\n\u003cp>By the time he launched his \u003ca href=\"https://www.kqed.org/news/11967247/david-depape-on-witness-stand-details-grand-plan-to-violently-interrogate-nancy-pelosi\">plan to kidnap then-Speaker Nancy Pelosi\u003c/a>, DePape was obsessed with exposing what he believed was a cabal of politicians promoting child abuse and corruption. Among his other targets: actor Tom Hanks, Rep. Adam Schiff, former Vice President Mike Pence and the president’s son Hunter Biden.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Corley apologized to DePape at the beginning of his “reopened” sentencing hearing on Tuesday for neglecting to ask him to make a statement when she initially sentenced him on May 17.\u003c/p>\n\u003cp>“I’m truly sorry for my mistake,” Corley said from the bench. But she denied a defense motion to assign DePape’s sentencing to another judge.\u003c/p>\n\u003cp>After DePape’s statement, the judge reiterated the seriousness of his crimes.\u003c/p>\n\u003cp>“You can’t break into the speaker of the House’s home,” Corley said. “It’s hard to overstate the seriousness of that and the damage it has caused.”\u003c/p>\n\u003cp>The sentencing do-over in federal court has affected scheduling for the beginning of a second trial for DePape on state-level charges, including attempted murder and aggravated kidnapping, which carries a potential life sentence without the possibility of parole. Opening statements in that case were initially set to begin by Tuesday.\u003c/p>\n\u003cp>Instead, a San Francisco Superior Court judge heard this morning from DePape’s local public defenders, who argue that California-specific protections against double jeopardy \u003ca href=\"https://www.kqed.org/news/11987752/depape-faces-new-state-charges-defense-argues-double-jeopardy\">require several charges be dismissed\u003c/a> following his federal conviction. The judge declined to rule on the motion, saying he’ll wait for local prosecutors to present their case.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Alex Hall of KQED News contributed to this report.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "carnaval-san-francisco-celebrates-46-years-with-spectacular-mission-street-parade",
"title": "Carnaval San Francisco Celebrates 46 Years With Spectacular Mission Street Parade",
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"content": "\u003cp>On Sunday, San Francisco’s Mission Street resonated with a very specific sound: a blend of samba, cumbia, dancehall and reggaetón — a deep pulsing rhythm only heard when it’s Carnaval San Francisco.\u003c/p>\n\u003cp>The community celebration — now in its 46th year — brought together thousands of musicians and dancers from all over California as part of its Grand Parade, which moved through 20 blocks in the Mission District. Over 60 contingents participated this year, each representing a different culture from Latin America and the Caribbean.\u003c/p>\n\u003cp>KQED’s Beth LaBerge was there to capture the festivities. See some of the most colorful and lively moments from the parade.\u003c/p>\n\u003cfigure id=\"attachment_11987817\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987817\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL.jpg\" alt=\"A woman wearing colorful clothing adjusts the hat of another woman.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">San Simón Cochabamba Filial California member Stephanie Nonalaya (right) helps Kasandra Barrientos with her hat before dancing in the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The crowds filled the sidewalks of the Mission by the thousands, cheering for every performance. After all, each contingent made it to Carnaval this year after thousands of hours of dance practice, costume preparation and float design. The result of all that effort is apparent: the perfect coordination \u003ca href=\"https://www.kqed.org/arts/13956554/loco-bloco-mission-district-carnaval-jediah-pratt\">between percussion and choreography of Loco Bloco\u003c/a>, the elaborate details \u003ca href=\"https://www.kqed.org/news/11987673/carnaval-putleco-brings-a-oaxacan-festival-of-colors-to-the-bay-area\">on each tiliche suit of Carnaval Putleco\u003c/a>, the sea of colorful feathers in the costumes of Flavaz of D’ Caribbean.\u003c/p>\n\u003cfigure id=\"attachment_11987831\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987831 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2.jpg\" alt=\"Side-by-side images of women dressed in elaborate attire for a parade.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Left: Jediah Pratt, 15, dances with Loco Bloco in the Carnaval Grand Parade. Right: Loco Bloco dancers perform. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And, of course, the warmth exuded from \u003ca href=\"https://www.kqed.org/event/3963\">this year’s Carnaval King and Queen\u003c/a>: Yeison Andrés Jiménez and Mónica Mendoza, who did not stop dancing for any of the 20 blocks that made up the parade route.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This year’s theme was “Honor Indigenous Roots,” chosen by the event’s organizers, who point out that Carnaval — both in San Francisco and in all its different iterations throughout Latin America — has continued to thrive thanks to the contributions of Indigenous communities throughout the continent. Rigoberta Menchú, a 1992 Nobel Peace Prize laureate, led the parade as Grand Marshall.\u003c/p>\n\u003cfigure id=\"attachment_11987826\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987826 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL.jpg\" alt=\"Two women dressed in decorative attire for a parade look at each other outside.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Alma Mejia (left) and Sandra Sandoval, from the group Xiuhcoatl Danza Azteca, talk before the Carnaval Grand Parade in San Francisco’s Mission District. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11987819\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987819 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL.jpg\" alt=\"A woman looks at herself in a gold mirror.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A member of the Brazilian group Sambaxé looks at herself in a mirror during the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Menchú has worked for decades to protect the rights of Indigenous people in her home country of Guatemala and the rest of Latin America. She was easily recognizable by many in the crowd, who proudly flew Guatemalan flags in the air.\u003c/p>\n\u003cfigure id=\"attachment_11987835\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987835\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL.jpg\" alt=\"Several people dressed in green hold up decorations and costumes as they walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Beautiful Beginnings Arts Collective march in the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11987820\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987820\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL.jpg\" alt=\"Several people dressed in decorative attire walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Amando Herrera Villa (center) wears a tiliche handmade by his wife, Martha Cortés Rojas, with beads and ayoyote shells, during the Carnaval Grand Parade. Herrera Villa is part of the Oaxacan group Carnaval Putleco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11987825\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987825\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL.jpg\" alt=\"A man and woman dance in white clothing and colorful dresses in the street.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Members of the group Mi Tierra Colombiana practice before the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11987836\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987836\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-scaled.jpg\" alt=\"A side-by-side image of a person dressed in a colorful costume next to a man looking to the right on scaffolding behind a mural.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: A member of Grupo Folklórico Guatemalteco Xelaju dances during the Carnaval parade. Right: A spectator watches the parade with ‘Carnaval Mural’ in the background. The mural was originally painted In 1983 by Daniel Galvez and is based on photographs by Lou Dematteis from the 1979 Carnaval. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Carnaval is in San Francisco, but it takes all of the Bay Area to make it happen. Our region has folks from every corner of Latin America and the Caribbean. It makes sense for Carnaval to reflect that diversity. Carnaval is also a testament to the resilience of our communities in the face of recent challenges like COVID-19, the high cost of living and deportations.\u003c/p>\n\u003cfigure id=\"attachment_11987823\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987823\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1.jpg\" alt=\"Several people dressed in red walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Danza Mestiza celebrates Selena during the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>“Carnaval is a space where you come to feel good. To feel accepted. To feel at home,” Carnaval Executive Director Rodrigo Durán told KQED before the celebrations.\u003c/p>\n\u003cfigure id=\"attachment_11987822\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987822\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL.jpg\" alt=\"Several people dance on the sidewalk during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Spectators dance during the Carnaval Grand Parade in San Francisco’s Mission District. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11987821\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987821\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL.jpg\" alt=\"Several people dressed in decorative attire walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Groups from Oaxaca dance on Mission Street during the parade.\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "The Latino community from around the Bay Area came together for another unforgettable Carnaval with floats, parties, parades and pride as thousands descended on Mission Street for a day of celebration. ",
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"title": "Carnaval San Francisco Celebrates 46 Years With Spectacular Mission Street Parade | KQED",
"description": "The Latino community from around the Bay Area came together for another unforgettable Carnaval with floats, parties, parades and pride as thousands descended on Mission Street for a day of celebration. ",
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"headline": "Carnaval San Francisco Celebrates 46 Years With Spectacular Mission Street Parade",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Sunday, San Francisco’s Mission Street resonated with a very specific sound: a blend of samba, cumbia, dancehall and reggaetón — a deep pulsing rhythm only heard when it’s Carnaval San Francisco.\u003c/p>\n\u003cp>The community celebration — now in its 46th year — brought together thousands of musicians and dancers from all over California as part of its Grand Parade, which moved through 20 blocks in the Mission District. Over 60 contingents participated this year, each representing a different culture from Latin America and the Caribbean.\u003c/p>\n\u003cp>KQED’s Beth LaBerge was there to capture the festivities. See some of the most colorful and lively moments from the parade.\u003c/p>\n\u003cfigure id=\"attachment_11987817\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987817\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL.jpg\" alt=\"A woman wearing colorful clothing adjusts the hat of another woman.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">San Simón Cochabamba Filial California member Stephanie Nonalaya (right) helps Kasandra Barrientos with her hat before dancing in the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The crowds filled the sidewalks of the Mission by the thousands, cheering for every performance. After all, each contingent made it to Carnaval this year after thousands of hours of dance practice, costume preparation and float design. The result of all that effort is apparent: the perfect coordination \u003ca href=\"https://www.kqed.org/arts/13956554/loco-bloco-mission-district-carnaval-jediah-pratt\">between percussion and choreography of Loco Bloco\u003c/a>, the elaborate details \u003ca href=\"https://www.kqed.org/news/11987673/carnaval-putleco-brings-a-oaxacan-festival-of-colors-to-the-bay-area\">on each tiliche suit of Carnaval Putleco\u003c/a>, the sea of colorful feathers in the costumes of Flavaz of D’ Caribbean.\u003c/p>\n\u003cfigure id=\"attachment_11987831\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987831 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2.jpg\" alt=\"Side-by-side images of women dressed in elaborate attire for a parade.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Left: Jediah Pratt, 15, dances with Loco Bloco in the Carnaval Grand Parade. Right: Loco Bloco dancers perform. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And, of course, the warmth exuded from \u003ca href=\"https://www.kqed.org/event/3963\">this year’s Carnaval King and Queen\u003c/a>: Yeison Andrés Jiménez and Mónica Mendoza, who did not stop dancing for any of the 20 blocks that made up the parade route.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This year’s theme was “Honor Indigenous Roots,” chosen by the event’s organizers, who point out that Carnaval — both in San Francisco and in all its different iterations throughout Latin America — has continued to thrive thanks to the contributions of Indigenous communities throughout the continent. Rigoberta Menchú, a 1992 Nobel Peace Prize laureate, led the parade as Grand Marshall.\u003c/p>\n\u003cfigure id=\"attachment_11987826\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987826 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL.jpg\" alt=\"Two women dressed in decorative attire for a parade look at each other outside.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Alma Mejia (left) and Sandra Sandoval, from the group Xiuhcoatl Danza Azteca, talk before the Carnaval Grand Parade in San Francisco’s Mission District. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11987819\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987819 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL.jpg\" alt=\"A woman looks at herself in a gold mirror.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-19-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A member of the Brazilian group Sambaxé looks at herself in a mirror during the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Menchú has worked for decades to protect the rights of Indigenous people in her home country of Guatemala and the rest of Latin America. She was easily recognizable by many in the crowd, who proudly flew Guatemalan flags in the air.\u003c/p>\n\u003cfigure id=\"attachment_11987835\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987835\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL.jpg\" alt=\"Several people dressed in green hold up decorations and costumes as they walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-10-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Beautiful Beginnings Arts Collective march in the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11987820\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987820\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL.jpg\" alt=\"Several people dressed in decorative attire walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-22-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Amando Herrera Villa (center) wears a tiliche handmade by his wife, Martha Cortés Rojas, with beads and ayoyote shells, during the Carnaval Grand Parade. Herrera Villa is part of the Oaxacan group Carnaval Putleco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11987825\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987825\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL.jpg\" alt=\"A man and woman dance in white clothing and colorful dresses in the street.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-18-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Members of the group Mi Tierra Colombiana practice before the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11987836\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987836\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-scaled.jpg\" alt=\"A side-by-side image of a person dressed in a colorful costume next to a man looking to the right on scaffolding behind a mural.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych3-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: A member of Grupo Folklórico Guatemalteco Xelaju dances during the Carnaval parade. Right: A spectator watches the parade with ‘Carnaval Mural’ in the background. The mural was originally painted In 1983 by Daniel Galvez and is based on photographs by Lou Dematteis from the 1979 Carnaval. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Carnaval is in San Francisco, but it takes all of the Bay Area to make it happen. Our region has folks from every corner of Latin America and the Caribbean. It makes sense for Carnaval to reflect that diversity. Carnaval is also a testament to the resilience of our communities in the face of recent challenges like COVID-19, the high cost of living and deportations.\u003c/p>\n\u003cfigure id=\"attachment_11987823\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987823\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1.jpg\" alt=\"Several people dressed in red walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Danza Mestiza celebrates Selena during the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>“Carnaval is a space where you come to feel good. To feel accepted. To feel at home,” Carnaval Executive Director Rodrigo Durán told KQED before the celebrations.\u003c/p>\n\u003cfigure id=\"attachment_11987822\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987822\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL.jpg\" alt=\"Several people dance on the sidewalk during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-26-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Spectators dance during the Carnaval Grand Parade in San Francisco’s Mission District. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11987821\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987821\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL.jpg\" alt=\"Several people dressed in decorative attire walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Groups from Oaxaca dance on Mission Street during the parade.\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"slug": "carnaval-san-francisco-2024-parade-route-bands-parking",
"title": "Carnaval San Francisco 2024: From the Parade Route to Parking, Here's What to Know",
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"headTitle": "Carnaval San Francisco 2024: From the Parade Route to Parking, Here’s What to Know | KQED",
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"content": "\u003cp>\u003ca href=\"https://carnavalsanfrancisco.org/\">Carnaval San Francisco\u003c/a> is when the city’s Mission District fills up with the colors and sounds of hundreds of artists — and tens of thousands of families celebrating the region’s Latin American and Caribbean culture. And this year, Carnaval will take place this Memorial Day holiday weekend across Saturday, May 25 and Sunday, May 26.\u003c/p>\n\u003cp>Consisting of a two-day day festival, musical performances all over the neighborhood, and the Grand Parade on Sunday that features over 60 different contingents, Carnaval is one of San Francisco’s most emblematic celebrations. And on top of that, it’s all completely free to attend and enjoy.\u003c/p>\n\u003cp>\u003cb>Jump straight to:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#whattimecarnavalsf\">What time does the Carnaval San Francisco schedule start this weekend?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#wheretoseecarnavalsfparade\">MAP: Where can I watch the Carnaval San Francisco parade?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#bandscarnavalsf\">Who’s playing at Carnaval San Francisco this year?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>If you’ve never been to Carnaval San Francisco before, picture Mission Street not with its usual traffic of Muni buses and commuters — but instead brimming with beautifully decorated floats accompanied by thousands of dancers and live musicians.\u003c/p>\n\u003cp>And that’s just a glimpse of what’s happening on Sunday alone. As someone who’s been to Carnaval every year since the age of 10, I can tell you that you never run out of things to do during this special weekend. And with all that fun in mind, keep reading for all the information you need to make the most of Carnaval this weekend.\u003c/p>\n\u003ch2>What’s so special about Carnaval San Francisco 2024?\u003c/h2>\n\u003cp>First held at Precita Park in 1979, Carnaval was organized by artists and organizers who wanted to pay homage to the historic Carnaval celebrations that take place all over Latin America and the Caribbean — and, at the same time, provide a platform for local musicians and dancers to come together and pass on traditions. This community celebration has now grown to include twenty blocks of the Mission District, making it one of the biggest celebrations of its kind on the West Coast.\u003c/p>\n\u003cp>And what makes this city’s Carnaval distinct from other Carnaval celebrations you may see in Rio de Janeiro or Barranquilla is that it reflects not just one national culture but also celebrates the incredible diversity of California’s Latin American and Caribbean diasporas.\u003c/p>\n\u003cfigure id=\"attachment_11987250\" class=\"wp-caption alignnone\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987250 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_374_qut.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_374_qut.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_374_qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_374_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_374_qut-160x107.jpg 160w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Members of the Batalá San Francisco comparsa sound their drums through Mission Street during the Grand Parade of Carnaval San Francisco on May 28, 2023. \u003ccite>(Courtesy of Daniel Beck)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“That’s what we do at Carnaval — we bring different worlds together under one roof,” Carnaval Executive Director Rodrigo Durán said. For pretty much his whole life, Durán has been involved in Carnaval one way or another (even as a toddler, he was already one of the dancers in the Grand Parade). But this year, he said, there’s something special.\u003c/p>\n\u003cp>“There’s a movement among Carnaval members and the community to put our Indigenous heritage in the forefront, to highlight and celebrate it,” he said. That’s why organizers chose ‘Honor Indigenous Roots’ as this year’s theme.\u003c/p>\n\u003cp>Rigoberta Menchú, a 1992 Nobel Peace Prize laureate, will lead Sunday’s Grand Parade. She has dedicated her life to advocating for the rights of Indigenous people in her home country of Guatemala and the rest of Latin America.\u003c/p>\n\u003ch2>\u003ca id=\"whattimecarnavalsf\">\u003c/a>When and where in the Mission District is Carnaval San Francisco? What’s the schedule?\u003c/h2>\n\u003cp>Carnaval has two main components: the festival and the Grand Parade.\u003c/p>\n\u003cp>The festival happens on Saturday and Sunday, with gates opening at 11 a.m. and the performance schedule starting at that same time on both days. (\u003ca href=\"#wheretoseecarnavalsfparade\">Jump to information about the Grand Parade.\u003c/a>)\u003c/p>\n\u003cfigure id=\"attachment_11987245\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987245\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/2024_Festival_Map_v2-2048x1583-1.png\" alt=\"\" width=\"1920\" height=\"1484\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/2024_Festival_Map_v2-2048x1583-1.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/2024_Festival_Map_v2-2048x1583-1-800x618.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/2024_Festival_Map_v2-2048x1583-1-1020x788.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/2024_Festival_Map_v2-2048x1583-1-160x124.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/2024_Festival_Map_v2-2048x1583-1-1536x1187.png 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A map of the Carnaval San Francisco festival on Saturday, May 25 and Sunday, May 26 \u003ccite>(Carnaval San Francisco)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The festival will take place on Harrison Street, from 16th to 24th street. Hundreds of artisans and food vendors fill up this space, with DJs jamming out at block parties on 18th, 19th, 20th and 22nd streets.\u003c/p>\n\u003cp>Five stages will be set up throughout the festival, featuring performances from headliners Noel Torres, Pirulo y la Tribu, Franco and Banda Blanca, along with dozens of local musicians and dance groups.\u003c/p>\n\u003ch2>\u003ca id=\"wheretoseecarnavalsfparade\">\u003c/a>When does the Carnaval Grand Parade start, and what’s the route?\u003c/h2>\n\u003cp>The Grand Parade, which features dozens of floats and hundreds of dancers moving through the entire neighborhood, takes place on Sunday and starts at 9:30 a.m.\u003c/p>\n\u003cp>As for the Carnaval parade route, the parade starts at Bryant and 24th, then moves through 24th Street, takes a right on Mission Street, stays on that street all the way to 15th Street, and wraps up at Harrison and 15th Street.\u003c/p>\n\u003cp>And yes — the dancers and musicians in the parade perform nonstop the whole way, which is a particularly impressive feat when you consider that some of the most elaborate outfits can weigh up to 40 pounds.\u003c/p>\n\u003cp>On top of that, there’s a contest element – as contingents, or comparsas, compete against each other in multiple categories. Judges will rank each comparsa on originality, choreography and production design.\u003c/p>\n\u003cfigure id=\"attachment_11987246\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987246 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map.png\" alt=\"\" width=\"1920\" height=\"2677\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map-800x1115.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map-1020x1422.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map-160x223.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map-1102x1536.png 1102w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map-1469x2048.png 1469w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A map of the Carnaval San Francisco Grand Parade route on Sunday, May 26. \u003ccite>(Carlos Cabrera-Lomelí )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Iif you can’t make it exactly at the 9:30 a.m. parade start time, don’t worry. The parade goes on for multiple hours and ends at 2:30 p.m.\u003c/p>\n\u003cp>And if you can’t make it in person at all, \u003ca href=\"https://www.youtube.com/@cbssf\">KPIX will be streaming the parade online\u003c/a>.\u003c/p>\n\u003ch2>A few things to look for at the Carnaval San Francisco Grand Parade\u003c/h2>\n\u003cp>Several award-winning comparsas are back again this year:\u003c/p>\n\u003cul>\n\u003cli>Fogo Na Roupa, a Brazilian dance and percussion ensemble that practices in San Francisco but whose members hail from all over the Bay Area;\u003c/li>\n\u003cli>Karibbean Vibrationz, a group that travels all over California celebrating Afro-Caribbean culture;\u003c/li>\n\u003cli>Flavaz of D’ Caribbean, known for having some of the most colorful costumes, accompanied by a hot pink bus, and loudly repping the music of Trinidad and Tobago.\u003c/li>\n\u003c/ul>\n\u003cp>This year’s Carnaval King and Queen are Yeison Andrés Jiménez and Mónica Mendoza, two Bay Area dancers who have participated in multiple international contests and won their crowns earlier this year \u003ca href=\"https://www.kqed.org/event/3963\">in a competition held at KQED’s headquarters\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11987247\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987247 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220529_110814_qut.jpg\" alt=\"\" width=\"1920\" height=\"1442\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220529_110814_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220529_110814_qut-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220529_110814_qut-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220529_110814_qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220529_110814_qut-1536x1154.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">This year’s theme for Carnaval San Francisco is ‘Honor Indigenous Roots.’ Dance groups from all over California representing different Indigenous cultures of the Americas dance in the Grand Parade. Traditional Oaxacan dancers move through Mission Street on Sunday, May 29, 2022. \u003ccite>(Carlos Cabrera-Lomelí)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Several contingents are making their Carnaval debut this year as well, including Negritud Yanga USA, a collective that celebrates the Afro-Mexican culture of the city of Yanga in the coastal state of Veracruz. In the early 17th century, formerly enslaved Africans founded Yanga — one of the first settlements of its kind in the Americas.\u003c/p>\n\u003cp>“The Carnaval parade is the gem, the heartbeat of our celebration,” Durán said. “Art is what pushes our culture forward, what gives us strength and happiness.”\u003c/p>\n\u003cp>\u003ca href=\"https://carnavalsanfrancisco.org/parade/\">See the full list of participating comparsas at Carnaval San Francisco.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>Is the Carnaval San Francisco Grand Parade free?\u003c/h2>\n\u003cp>Yes! And you don’t need to register beforehand. Just show up anywhere along the parade route and enjoy the show.\u003c/p>\n\u003cp>However, if you want to have a unique vantage point, \u003ca href=\"https://givebutter.com/2024CSFGrandstandsTix\">you can purchase special Grand Stand seats\u003c/a> for the Carnaval parade. These are elevated bleachers along Mission Street between 22nd and 23rd streets. What makes these spots unique is that they’re next to the judges’ tables, where each contingent will pause and perform for an extra amount of time.\u003c/p>\n\u003cp>If you plan to show up and find a spot, that works too. If you watch the parade from 24th Street, you’ll be much closer to the performers, but you’ll perhaps be a bit more cramped with foot traffic. If you’re on Mission Street, you’ll definitely have a lot more room to move around (speaking from experience.)\u003c/p>\n\u003cfigure id=\"attachment_11987242\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987242 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20230527_162416_qut.jpg\" alt=\"\" width=\"1920\" height=\"1281\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20230527_162416_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20230527_162416_qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20230527_162416_qut-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20230527_162416_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20230527_162416_qut-1536x1025.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">For more than four decades, many Bay Area families have set aside Memorial Day weekend to spend it in San Francisco’s Mission District to make the most of Carnaval celebrations. A family waits for a performance to begin on Harrison and 17th Street on May 27, 2023. \u003ccite>(Carlos Cabrera-Lomelí)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca id=\"bandscarnavalsf\">\u003c/a>Who’s playing this year at Carnaval San Francisco?\u003c/h2>\n\u003cp>Over 50 musicians, DJs and dance groups will perform on the Carnaval San Francisco schedule throughout the weekend across the five stages located on Harrison Street. \u003ca href=\"https://carnavalsanfrancisco.org/festival/\">See the full list of performers at Carnaval San Francisco.\u003c/a>\u003c/p>\n\u003cp>This year’s headliners are:\u003c/p>\n\u003cul>\n\u003cli>Noel Torres: Known for songs like “El Comando del Diablo” and “Me Interesas,” this regional mexicano artist has performed all over Mexico and the United States. If you’re into corridos, Noel is the right guy for you.\u003c/li>\n\u003cli>Pirulo y la Tribu: Coming all the way from Puerto Rico to play at Carnaval San Francisco, Pirulo will keep you dancing all day to a fusion of tropical and old-school reggaetón.\u003c/li>\n\u003cli>Franco: If you’re with your tías and want to have them singing along to some baladas románticas, take them to Franco — and soon you’ll too be singing along to “Toda la Vida.”\u003c/li>\n\u003cli>Banda Blanca: Perhaps best known for “Sopa de Caracol,” Banda Blanca has helped bring punta, a genre of dance and music originally created by the Garífuna people, to a global audience.\u003c/li>\n\u003c/ul>\n\u003cp>And for the first time, the festival will have a “Colores de Amor” stage, celebrating the role of LGBTQ+ artists in the Latino community with performances by drag performers like Dulce De Leche and Per Sia.\u003c/p>\n\u003cfigure id=\"attachment_11987249\" class=\"wp-caption alignnone\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987249\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_401_qut.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_401_qut.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_401_qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_401_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_401_qut-160x107.jpg 160w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">A skater performs a trick at the festival’s skate jam on May 27, 2023. For the second year in a row, Carnaval San Francisco will have a designated space where people of all ages can skateboard. \u003ccite>(Courtesy of Daniel Beck)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Is Carnaval San Francisco family-friendly?\u003c/h2>\n\u003cp>Yes! For many Bay Area residents, going to Carnaval with the kids, teens and grandparents is a tradition.\u003c/p>\n\u003cp>In the festival space, organizers have set up a kid-friendly zone at Harrison and 18th Street where families can paint, dance and play drums. There’s also an area set up for skateboarding on 23rd and Treat, next to a health and wellness pavilion that offers testing both for COVID-19 and blood pressure.\u003c/p>\n\u003cp>Consuming alcohol is allowed in the festival, but only in specific enclosed areas requiring visitors to provide identification for access. Entrance to the festival is free, and security staff will be present at each entrance to check bags.\u003c/p>\n\u003ch2>How do I get to Carnaval San Francisco? What about parking?\u003c/h2>\n\u003cp>If you’re planning to drive into the Mission during Carnaval weekend, it’s not going to be easy.\u003c/p>\n\u003cfigure id=\"attachment_11987243\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987243 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220528_140210_qut.jpg\" alt=\"\" width=\"1920\" height=\"1442\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220528_140210_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220528_140210_qut-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220528_140210_qut-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220528_140210_qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220528_140210_qut-1536x1154.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">As part of the celebrations, Harrison Street fills up for a two-day festival where vendors, artisans and performers fill up the space between 16th and 24th Street. Thousands of residents pass through the festival space on Saturday, May 28, 2022. \u003ccite>(Carlos Cabrera-Lomelí)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The areas surrounding Harrison Street, from 16th to 24th street, will be closed off to cars the whole weekend, which means a lot of the neighborhood’s parking spots will be off-limits. Even residents will have to move their cars to make way for the festival, so there’ll be a lot of competition for the few remaining spots left.\u003c/p>\n\u003cp>On Sunday, all cars parked along the Grand Parade route will have to move, including Mission Street from 24th Street to 15th Street, chunks of 24th and 15th Street as well, and sections of Bryant Street.\u003c/p>\n\u003cp>If you live on any of the streets in area that Carnaval will take up this weekend and need to move your car in/out of the garage, look for a Carnaval staff member so they can escort your vehicle through the emergency access lanes.\u003c/p>\n\u003cp>\u003cstrong>Taking public transit to Carnaval San Francisco\u003c/strong>\u003c/p>\n\u003cp>If at all possible, consider taking public transport: BART will continue operating with a weekday schedule at both 16th and 24th Mission stations. On Saturday, you can ride the 22, 33, 55 and 48 bus routes, which will pass by the festival entrances, and the 9, 12, 14, 14R and 49 bus lines can drop you off a few blocks away.\u003c/p>\n\u003cp>However, keep in mind that on Sunday, the following bus lines will reroute for most of the day: 12, 14, 14R, 22, 27, 33, 48, 49, 55, 67. If you need to take a bus that normally drive through Mission Street (the 14, 14R, 33, 49 lines, for example) during the parade, there will be temporary bus stops along Guerrero Street from 14th to 25th streets.\u003c/p>\n\u003cp>If you want to avoid congestion caused by all the changes to Muni service, your best bet would be to take BART to either 16th or 24th Mission BART stations.\u003c/p>\n\u003cp>\u003ci>Note: KQED is one of the sponsors of the Carnaval San Francisco Grand Parade. A version of this story originally published on May 22.\u003c/i>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "San Francisco Carnaval 2024 is happening this Memorial Day weekend. Here's everything to know, from the Grand Parade route to how to get there (and why parking in the Mission District will be tricky).",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://carnavalsanfrancisco.org/\">Carnaval San Francisco\u003c/a> is when the city’s Mission District fills up with the colors and sounds of hundreds of artists — and tens of thousands of families celebrating the region’s Latin American and Caribbean culture. And this year, Carnaval will take place this Memorial Day holiday weekend across Saturday, May 25 and Sunday, May 26.\u003c/p>\n\u003cp>Consisting of a two-day day festival, musical performances all over the neighborhood, and the Grand Parade on Sunday that features over 60 different contingents, Carnaval is one of San Francisco’s most emblematic celebrations. And on top of that, it’s all completely free to attend and enjoy.\u003c/p>\n\u003cp>\u003cb>Jump straight to:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#whattimecarnavalsf\">What time does the Carnaval San Francisco schedule start this weekend?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#wheretoseecarnavalsfparade\">MAP: Where can I watch the Carnaval San Francisco parade?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#bandscarnavalsf\">Who’s playing at Carnaval San Francisco this year?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>If you’ve never been to Carnaval San Francisco before, picture Mission Street not with its usual traffic of Muni buses and commuters — but instead brimming with beautifully decorated floats accompanied by thousands of dancers and live musicians.\u003c/p>\n\u003cp>And that’s just a glimpse of what’s happening on Sunday alone. As someone who’s been to Carnaval every year since the age of 10, I can tell you that you never run out of things to do during this special weekend. And with all that fun in mind, keep reading for all the information you need to make the most of Carnaval this weekend.\u003c/p>\n\u003ch2>What’s so special about Carnaval San Francisco 2024?\u003c/h2>\n\u003cp>First held at Precita Park in 1979, Carnaval was organized by artists and organizers who wanted to pay homage to the historic Carnaval celebrations that take place all over Latin America and the Caribbean — and, at the same time, provide a platform for local musicians and dancers to come together and pass on traditions. This community celebration has now grown to include twenty blocks of the Mission District, making it one of the biggest celebrations of its kind on the West Coast.\u003c/p>\n\u003cp>And what makes this city’s Carnaval distinct from other Carnaval celebrations you may see in Rio de Janeiro or Barranquilla is that it reflects not just one national culture but also celebrates the incredible diversity of California’s Latin American and Caribbean diasporas.\u003c/p>\n\u003cfigure id=\"attachment_11987250\" class=\"wp-caption alignnone\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987250 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_374_qut.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_374_qut.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_374_qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_374_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_374_qut-160x107.jpg 160w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Members of the Batalá San Francisco comparsa sound their drums through Mission Street during the Grand Parade of Carnaval San Francisco on May 28, 2023. \u003ccite>(Courtesy of Daniel Beck)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“That’s what we do at Carnaval — we bring different worlds together under one roof,” Carnaval Executive Director Rodrigo Durán said. For pretty much his whole life, Durán has been involved in Carnaval one way or another (even as a toddler, he was already one of the dancers in the Grand Parade). But this year, he said, there’s something special.\u003c/p>\n\u003cp>“There’s a movement among Carnaval members and the community to put our Indigenous heritage in the forefront, to highlight and celebrate it,” he said. That’s why organizers chose ‘Honor Indigenous Roots’ as this year’s theme.\u003c/p>\n\u003cp>Rigoberta Menchú, a 1992 Nobel Peace Prize laureate, will lead Sunday’s Grand Parade. She has dedicated her life to advocating for the rights of Indigenous people in her home country of Guatemala and the rest of Latin America.\u003c/p>\n\u003ch2>\u003ca id=\"whattimecarnavalsf\">\u003c/a>When and where in the Mission District is Carnaval San Francisco? What’s the schedule?\u003c/h2>\n\u003cp>Carnaval has two main components: the festival and the Grand Parade.\u003c/p>\n\u003cp>The festival happens on Saturday and Sunday, with gates opening at 11 a.m. and the performance schedule starting at that same time on both days. (\u003ca href=\"#wheretoseecarnavalsfparade\">Jump to information about the Grand Parade.\u003c/a>)\u003c/p>\n\u003cfigure id=\"attachment_11987245\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987245\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/2024_Festival_Map_v2-2048x1583-1.png\" alt=\"\" width=\"1920\" height=\"1484\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/2024_Festival_Map_v2-2048x1583-1.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/2024_Festival_Map_v2-2048x1583-1-800x618.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/2024_Festival_Map_v2-2048x1583-1-1020x788.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/2024_Festival_Map_v2-2048x1583-1-160x124.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/2024_Festival_Map_v2-2048x1583-1-1536x1187.png 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A map of the Carnaval San Francisco festival on Saturday, May 25 and Sunday, May 26 \u003ccite>(Carnaval San Francisco)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The festival will take place on Harrison Street, from 16th to 24th street. Hundreds of artisans and food vendors fill up this space, with DJs jamming out at block parties on 18th, 19th, 20th and 22nd streets.\u003c/p>\n\u003cp>Five stages will be set up throughout the festival, featuring performances from headliners Noel Torres, Pirulo y la Tribu, Franco and Banda Blanca, along with dozens of local musicians and dance groups.\u003c/p>\n\u003ch2>\u003ca id=\"wheretoseecarnavalsfparade\">\u003c/a>When does the Carnaval Grand Parade start, and what’s the route?\u003c/h2>\n\u003cp>The Grand Parade, which features dozens of floats and hundreds of dancers moving through the entire neighborhood, takes place on Sunday and starts at 9:30 a.m.\u003c/p>\n\u003cp>As for the Carnaval parade route, the parade starts at Bryant and 24th, then moves through 24th Street, takes a right on Mission Street, stays on that street all the way to 15th Street, and wraps up at Harrison and 15th Street.\u003c/p>\n\u003cp>And yes — the dancers and musicians in the parade perform nonstop the whole way, which is a particularly impressive feat when you consider that some of the most elaborate outfits can weigh up to 40 pounds.\u003c/p>\n\u003cp>On top of that, there’s a contest element – as contingents, or comparsas, compete against each other in multiple categories. Judges will rank each comparsa on originality, choreography and production design.\u003c/p>\n\u003cfigure id=\"attachment_11987246\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987246 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map.png\" alt=\"\" width=\"1920\" height=\"2677\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map-800x1115.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map-1020x1422.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map-160x223.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map-1102x1536.png 1102w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CSF24_Parade_Map-1469x2048.png 1469w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A map of the Carnaval San Francisco Grand Parade route on Sunday, May 26. \u003ccite>(Carlos Cabrera-Lomelí )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Iif you can’t make it exactly at the 9:30 a.m. parade start time, don’t worry. The parade goes on for multiple hours and ends at 2:30 p.m.\u003c/p>\n\u003cp>And if you can’t make it in person at all, \u003ca href=\"https://www.youtube.com/@cbssf\">KPIX will be streaming the parade online\u003c/a>.\u003c/p>\n\u003ch2>A few things to look for at the Carnaval San Francisco Grand Parade\u003c/h2>\n\u003cp>Several award-winning comparsas are back again this year:\u003c/p>\n\u003cul>\n\u003cli>Fogo Na Roupa, a Brazilian dance and percussion ensemble that practices in San Francisco but whose members hail from all over the Bay Area;\u003c/li>\n\u003cli>Karibbean Vibrationz, a group that travels all over California celebrating Afro-Caribbean culture;\u003c/li>\n\u003cli>Flavaz of D’ Caribbean, known for having some of the most colorful costumes, accompanied by a hot pink bus, and loudly repping the music of Trinidad and Tobago.\u003c/li>\n\u003c/ul>\n\u003cp>This year’s Carnaval King and Queen are Yeison Andrés Jiménez and Mónica Mendoza, two Bay Area dancers who have participated in multiple international contests and won their crowns earlier this year \u003ca href=\"https://www.kqed.org/event/3963\">in a competition held at KQED’s headquarters\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11987247\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987247 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220529_110814_qut.jpg\" alt=\"\" width=\"1920\" height=\"1442\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220529_110814_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220529_110814_qut-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220529_110814_qut-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220529_110814_qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220529_110814_qut-1536x1154.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">This year’s theme for Carnaval San Francisco is ‘Honor Indigenous Roots.’ Dance groups from all over California representing different Indigenous cultures of the Americas dance in the Grand Parade. Traditional Oaxacan dancers move through Mission Street on Sunday, May 29, 2022. \u003ccite>(Carlos Cabrera-Lomelí)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Several contingents are making their Carnaval debut this year as well, including Negritud Yanga USA, a collective that celebrates the Afro-Mexican culture of the city of Yanga in the coastal state of Veracruz. In the early 17th century, formerly enslaved Africans founded Yanga — one of the first settlements of its kind in the Americas.\u003c/p>\n\u003cp>“The Carnaval parade is the gem, the heartbeat of our celebration,” Durán said. “Art is what pushes our culture forward, what gives us strength and happiness.”\u003c/p>\n\u003cp>\u003ca href=\"https://carnavalsanfrancisco.org/parade/\">See the full list of participating comparsas at Carnaval San Francisco.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>Is the Carnaval San Francisco Grand Parade free?\u003c/h2>\n\u003cp>Yes! And you don’t need to register beforehand. Just show up anywhere along the parade route and enjoy the show.\u003c/p>\n\u003cp>However, if you want to have a unique vantage point, \u003ca href=\"https://givebutter.com/2024CSFGrandstandsTix\">you can purchase special Grand Stand seats\u003c/a> for the Carnaval parade. These are elevated bleachers along Mission Street between 22nd and 23rd streets. What makes these spots unique is that they’re next to the judges’ tables, where each contingent will pause and perform for an extra amount of time.\u003c/p>\n\u003cp>If you plan to show up and find a spot, that works too. If you watch the parade from 24th Street, you’ll be much closer to the performers, but you’ll perhaps be a bit more cramped with foot traffic. If you’re on Mission Street, you’ll definitely have a lot more room to move around (speaking from experience.)\u003c/p>\n\u003cfigure id=\"attachment_11987242\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987242 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20230527_162416_qut.jpg\" alt=\"\" width=\"1920\" height=\"1281\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20230527_162416_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20230527_162416_qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20230527_162416_qut-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20230527_162416_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20230527_162416_qut-1536x1025.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">For more than four decades, many Bay Area families have set aside Memorial Day weekend to spend it in San Francisco’s Mission District to make the most of Carnaval celebrations. A family waits for a performance to begin on Harrison and 17th Street on May 27, 2023. \u003ccite>(Carlos Cabrera-Lomelí)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca id=\"bandscarnavalsf\">\u003c/a>Who’s playing this year at Carnaval San Francisco?\u003c/h2>\n\u003cp>Over 50 musicians, DJs and dance groups will perform on the Carnaval San Francisco schedule throughout the weekend across the five stages located on Harrison Street. \u003ca href=\"https://carnavalsanfrancisco.org/festival/\">See the full list of performers at Carnaval San Francisco.\u003c/a>\u003c/p>\n\u003cp>This year’s headliners are:\u003c/p>\n\u003cul>\n\u003cli>Noel Torres: Known for songs like “El Comando del Diablo” and “Me Interesas,” this regional mexicano artist has performed all over Mexico and the United States. If you’re into corridos, Noel is the right guy for you.\u003c/li>\n\u003cli>Pirulo y la Tribu: Coming all the way from Puerto Rico to play at Carnaval San Francisco, Pirulo will keep you dancing all day to a fusion of tropical and old-school reggaetón.\u003c/li>\n\u003cli>Franco: If you’re with your tías and want to have them singing along to some baladas románticas, take them to Franco — and soon you’ll too be singing along to “Toda la Vida.”\u003c/li>\n\u003cli>Banda Blanca: Perhaps best known for “Sopa de Caracol,” Banda Blanca has helped bring punta, a genre of dance and music originally created by the Garífuna people, to a global audience.\u003c/li>\n\u003c/ul>\n\u003cp>And for the first time, the festival will have a “Colores de Amor” stage, celebrating the role of LGBTQ+ artists in the Latino community with performances by drag performers like Dulce De Leche and Per Sia.\u003c/p>\n\u003cfigure id=\"attachment_11987249\" class=\"wp-caption alignnone\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987249\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_401_qut.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_401_qut.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_401_qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_401_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Carnaval_2023_Day_02_Photos_Daniel_Beck_LowRes_401_qut-160x107.jpg 160w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">A skater performs a trick at the festival’s skate jam on May 27, 2023. For the second year in a row, Carnaval San Francisco will have a designated space where people of all ages can skateboard. \u003ccite>(Courtesy of Daniel Beck)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Is Carnaval San Francisco family-friendly?\u003c/h2>\n\u003cp>Yes! For many Bay Area residents, going to Carnaval with the kids, teens and grandparents is a tradition.\u003c/p>\n\u003cp>In the festival space, organizers have set up a kid-friendly zone at Harrison and 18th Street where families can paint, dance and play drums. There’s also an area set up for skateboarding on 23rd and Treat, next to a health and wellness pavilion that offers testing both for COVID-19 and blood pressure.\u003c/p>\n\u003cp>Consuming alcohol is allowed in the festival, but only in specific enclosed areas requiring visitors to provide identification for access. Entrance to the festival is free, and security staff will be present at each entrance to check bags.\u003c/p>\n\u003ch2>How do I get to Carnaval San Francisco? What about parking?\u003c/h2>\n\u003cp>If you’re planning to drive into the Mission during Carnaval weekend, it’s not going to be easy.\u003c/p>\n\u003cfigure id=\"attachment_11987243\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11987243 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220528_140210_qut.jpg\" alt=\"\" width=\"1920\" height=\"1442\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220528_140210_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220528_140210_qut-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220528_140210_qut-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220528_140210_qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20220528_140210_qut-1536x1154.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">As part of the celebrations, Harrison Street fills up for a two-day festival where vendors, artisans and performers fill up the space between 16th and 24th Street. Thousands of residents pass through the festival space on Saturday, May 28, 2022. \u003ccite>(Carlos Cabrera-Lomelí)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The areas surrounding Harrison Street, from 16th to 24th street, will be closed off to cars the whole weekend, which means a lot of the neighborhood’s parking spots will be off-limits. Even residents will have to move their cars to make way for the festival, so there’ll be a lot of competition for the few remaining spots left.\u003c/p>\n\u003cp>On Sunday, all cars parked along the Grand Parade route will have to move, including Mission Street from 24th Street to 15th Street, chunks of 24th and 15th Street as well, and sections of Bryant Street.\u003c/p>\n\u003cp>If you live on any of the streets in area that Carnaval will take up this weekend and need to move your car in/out of the garage, look for a Carnaval staff member so they can escort your vehicle through the emergency access lanes.\u003c/p>\n\u003cp>\u003cstrong>Taking public transit to Carnaval San Francisco\u003c/strong>\u003c/p>\n\u003cp>If at all possible, consider taking public transport: BART will continue operating with a weekday schedule at both 16th and 24th Mission stations. On Saturday, you can ride the 22, 33, 55 and 48 bus routes, which will pass by the festival entrances, and the 9, 12, 14, 14R and 49 bus lines can drop you off a few blocks away.\u003c/p>\n\u003cp>However, keep in mind that on Sunday, the following bus lines will reroute for most of the day: 12, 14, 14R, 22, 27, 33, 48, 49, 55, 67. If you need to take a bus that normally drive through Mission Street (the 14, 14R, 33, 49 lines, for example) during the parade, there will be temporary bus stops along Guerrero Street from 14th to 25th streets.\u003c/p>\n\u003cp>If you want to avoid congestion caused by all the changes to Muni service, your best bet would be to take BART to either 16th or 24th Mission BART stations.\u003c/p>\n\u003cp>\u003ci>Note: KQED is one of the sponsors of the Carnaval San Francisco Grand Parade. A version of this story originally published on May 22.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "big-money-looms-over-sf-mayor-race-and-other-takeaways-from-1st-candidate-forum",
"title": "Big Money Looms Over SF Mayor Race and Other Takeaways From 1st Candidate Forum",
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"headTitle": "Big Money Looms Over SF Mayor Race and Other Takeaways From 1st Candidate Forum | KQED",
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"content": "\u003cp>Daniel Lurie is rich, and he knows San Franciscans might have qualms about it.\u003c/p>\n\u003cp>An heir to the Levi Strauss fortune and candidate for San Francisco mayor, Lurie leaned into his upbringing on Tuesday night at the first mayoral election forum this year. The Harvey Milk LGBTQ Democratic Club hosted it at the First Unitarian Universalist Church & Center on Franklin Street.\u003c/p>\n\u003cp>Lurie said he had no choice in growing up wealthy. Instead, the choice he made was to create an anti-poverty nonprofit, Tipping Point, to try to help people using his resources, he told Jeffrey Kwong, president of the Milk Club and the forum’s moderator.\u003c/p>\n\u003cp>“Every door that’s been open for me, I’ve tried to bring along as many people as possible,” Lurie told Kwong on stage. ”There’s no buying this election. This is why you’re not going to see a candidate work as hard as me.”\u003c/p>\n\u003cp>Kwong bluntly told Lurie that people have a “visceral” response to seeing such a wealthy person enter the mayor’s race. Some fear his money could sway the election, Kwong said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“If you read about me these days, the first thing you hear is ‘Levi’s,’” Lurie told the crowd. “I run toward that.”\u003c/p>\n\u003cp>As the five mayoral candidates faced questions about their policies and personal histories from the club of progressive Democrats, Lurie wasn’t the only one to be grilled about his finances.\u003c/p>\n\u003cp>Mark Farrell, a former supervisor and mayor, denied his campaign had any unethical ties with independent political groups that wield significant spending power.\u003c/p>\n\u003cp>Text messages revealed by Mission Local and the San Francisco Chronicle suggest coordination between independent political groups \u003ca href=\"https://missionlocal.org/2024/05/mark-farrell-consultant-texts-that-togethersf-head-is-guiding-the-ship/\">TogetherSF\u003c/a>, \u003ca href=\"https://www.sfchronicle.com/sf/article/moderate-groups-influence-election-2024-19416954.php\">Neighbors for a Better San Francisco\u003c/a> — which have spent millions from wealthy tech funders on behalf of moderate Democratic causes — and Farrell’s campaign. Some coordination between such groups may flout state and local ethics laws. The Milk Club’s members pressed Farrell on the issue.\u003c/p>\n\u003cp>“These are all organizations that every single candidate, I’m sure, that is up on the stage is courting,” Farrell told Kwong on stage. “And they have independent boards, and I hope to earn their support.”\u003c/p>\n\u003cfigure id=\"attachment_11987395\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987395\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/1000020306_qut.jpg\" alt=\"\" width=\"1920\" height=\"1446\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/1000020306_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/1000020306_qut-800x603.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/1000020306_qut-1020x768.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/1000020306_qut-160x121.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/1000020306_qut-1536x1157.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco mayoral candidate Mark Farrell, right, speaks onstage with Jeffrey Kwong, president of the Harvey Milk LGBTQ Democratic Club, during a candidate forum hosted by the club on May 21, 2024. \u003ccite>(Joe Fitzgerald Rodriguez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Speaking to KQED, Farrell denied that \u003ca href=\"https://www.kqed.org/news/11984718/kanishka-cheng-the-most-influential-san-franciscan-youve-never-heard-of\">Kanishka Cheng, TogetherSF Action’s CEO\u003c/a>, and her husband Jay Cheng, head of Neighbors for a Better San Francisco, unethically coordinated with his campaign.\u003c/p>\n\u003cp>“Kanishka was someone who used to work for me in City Hall. She’s done amazing things running her organization inside of City Hall, and she’s a friend, and that’s it,” Farrell said after the event. When pressed to answer directly whether either of the Chengs coordinated with his campaign, he said “no.”\u003c/p>\n\u003cp>\u003cstrong>Catch up fast:\u003c/strong> The forum gave San Franciscans their first public glimpse into the policies and character of the top contenders in the mayor’s race: Lurie, Farrell, Mayor London Breed, Supervisor Ahsha Safai and Board of Supervisors President Aaron Peskin.\u003c/p>\n\u003cp>Kwong interviewed each candidate for 30 minutes in front of roughly 200 attendees, with no debate between candidates. The forum was announced after San Francisco’s \u003ca href=\"https://www.kqed.org/news/11986393/first-sf-mayoral-debate-continues-to-crumble-as-third-candidate-may-drop-out\">first planned mayoral debate began to crumble\u003c/a> last week over the alleged ties between Farrell’s campaign and political advocacy organizations. That debate would have been hosted by TogetherSF Action until Breed and Peskin questioned its independence.\u003c/p>\n\u003cp>It’s a novel election, as incumbent mayors are not usually challenged. A \u003ca href=\"https://www.sfchronicle.com/sf/article/mayor-london-breed-election-18678601.php\">poll conducted for the\u003cem> San Francisco Chronicle\u003c/em>\u003c/a> in February showed that 71% of San Franciscans did not approve of Breed’s job performance as mayor, a result mirrored in multiple polls, revealing Breed to be vulnerable to challenge.\u003c/p>\n\u003cp>[aside label=\"related coverage\" tag=\"san-francisco-mayors-race\"]\u003cstrong>Why it matters:\u003c/strong> Lurie’s opponents have publicly mocked \u003ca href=\"https://www.sfgate.com/politics/article/billionaire-mom-gives-1m-to-son-s-sf-mayoral-race-18638051.php\">a billboard funded by his mother, Mimi Haas\u003c/a>, touting her $1 million donation to a group supporting her son’s candidacy. The candidates have all taken turns alleging Lurie is unequipped to be mayor because he’s never held public office.\u003c/p>\n\u003cp>Lurie’s messaging during the forum previewed what he may say on the campaign trail to rebut those claims. Jim Ross, a political consultant who ran Gov. Gavin Newsom’s successful 2003 campaign for mayor, said every campaign has a question to answer, almost like a central thesis.\u003c/p>\n\u003cp>“Lurie’s obvious question he has to answer is basically, ‘Is being rich enough of a qualification to be mayor?’” Ross said.\u003c/p>\n\u003cp>As for Farrell, ethics laws bar certain types of cooperation between such groups. That firewall forms the backbone of campaign finance law that allows independent political groups to fundraise in any amount to support multiple candidates, as opposed to candidate-controlled campaigns, which can only accept a maximum donation of $500.\u003c/p>\n\u003cp>Ross said TogetherSF mishandled its bad press, saying that a statement backing Farrell might have eased off some of the scrutiny the group has come under.\u003c/p>\n\u003cp>“Because they kind of are trying to seem neutral or hide it and come off as independent, it’s making it a story,” Ross said. “It’s not the scandal, it’s the cover-up.”\u003c/p>\n\u003cp>\u003cstrong>Other candidates in the hot seat:\u003c/strong> Lurie and Farrell weren’t the only ones questioned on controversial topics by Kwong.\u003c/p>\n\u003cp>Kwong told Breed that progressive Democrats bristle at her support for police and her relatively silent treatment around the need for police reform after the 2020 murder of George Floyd by a Minneapolis officer. Breed disagreed with Kwong’s characterization but ultimately doubled down on supporting police and public safety. Audience members shouted slogans against the police department during the discussion.\u003c/p>\n\u003cp>“People are hollering ‘defund the police,’” Breed said, “but let something happen to you, and you’re calling 911 and wondering why the police didn’t get there. I get that people have issues and concerns, and they’re not perfect, but I’ve worked really hard to build those bridges.”\u003c/p>\n\u003cp>Kwong said Peskin’s critics have characterized him as a NIMBY and dislike that he blocks housing in his home neighborhood, North Beach.\u003c/p>\n\u003cp>“We can grow San Francisco without destroying our neighborhoods,” Peskin said, who cited his work to build 10,000 housing units in the Mission, South of Market and Central Waterfront \u003ca href=\"https://www.kqed.org/news/11979849/peskins-rumored-mayor-run-has-same-strength-and-weakness-housing\">as part of the Eastern Neighborhoods Plan\u003c/a>, among other efforts.\u003c/p>\n\u003cp>Safai was challenged on his progressive bonafides. He said he’s the only candidate with a long history in the labor movement, working with a local janitors’ union for a decade.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>What we’re watching:\u003c/strong> Peskin, Lurie, Farrell and Safai all had critical words for Breed, but due to the format, Breed had no opportunity to rebut them. Breed is a skilled orator; it’ll be fascinating to watch the first debate where Breed and her challengers can engage in dialogue together — even if it’s not yet certain when that will be.\u003c/p>\n\n",
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"excerpt": "Levi Strauss heir Daniel Lurie says he has used his fortune for good, and former Mayor Mark Farrell denies having unethical ties with billionaire-funded political groups.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Daniel Lurie is rich, and he knows San Franciscans might have qualms about it.\u003c/p>\n\u003cp>An heir to the Levi Strauss fortune and candidate for San Francisco mayor, Lurie leaned into his upbringing on Tuesday night at the first mayoral election forum this year. The Harvey Milk LGBTQ Democratic Club hosted it at the First Unitarian Universalist Church & Center on Franklin Street.\u003c/p>\n\u003cp>Lurie said he had no choice in growing up wealthy. Instead, the choice he made was to create an anti-poverty nonprofit, Tipping Point, to try to help people using his resources, he told Jeffrey Kwong, president of the Milk Club and the forum’s moderator.\u003c/p>\n\u003cp>“Every door that’s been open for me, I’ve tried to bring along as many people as possible,” Lurie told Kwong on stage. ”There’s no buying this election. This is why you’re not going to see a candidate work as hard as me.”\u003c/p>\n\u003cp>Kwong bluntly told Lurie that people have a “visceral” response to seeing such a wealthy person enter the mayor’s race. Some fear his money could sway the election, Kwong said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“If you read about me these days, the first thing you hear is ‘Levi’s,’” Lurie told the crowd. “I run toward that.”\u003c/p>\n\u003cp>As the five mayoral candidates faced questions about their policies and personal histories from the club of progressive Democrats, Lurie wasn’t the only one to be grilled about his finances.\u003c/p>\n\u003cp>Mark Farrell, a former supervisor and mayor, denied his campaign had any unethical ties with independent political groups that wield significant spending power.\u003c/p>\n\u003cp>Text messages revealed by Mission Local and the San Francisco Chronicle suggest coordination between independent political groups \u003ca href=\"https://missionlocal.org/2024/05/mark-farrell-consultant-texts-that-togethersf-head-is-guiding-the-ship/\">TogetherSF\u003c/a>, \u003ca href=\"https://www.sfchronicle.com/sf/article/moderate-groups-influence-election-2024-19416954.php\">Neighbors for a Better San Francisco\u003c/a> — which have spent millions from wealthy tech funders on behalf of moderate Democratic causes — and Farrell’s campaign. Some coordination between such groups may flout state and local ethics laws. The Milk Club’s members pressed Farrell on the issue.\u003c/p>\n\u003cp>“These are all organizations that every single candidate, I’m sure, that is up on the stage is courting,” Farrell told Kwong on stage. “And they have independent boards, and I hope to earn their support.”\u003c/p>\n\u003cfigure id=\"attachment_11987395\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987395\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/1000020306_qut.jpg\" alt=\"\" width=\"1920\" height=\"1446\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/1000020306_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/1000020306_qut-800x603.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/1000020306_qut-1020x768.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/1000020306_qut-160x121.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/1000020306_qut-1536x1157.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco mayoral candidate Mark Farrell, right, speaks onstage with Jeffrey Kwong, president of the Harvey Milk LGBTQ Democratic Club, during a candidate forum hosted by the club on May 21, 2024. \u003ccite>(Joe Fitzgerald Rodriguez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Speaking to KQED, Farrell denied that \u003ca href=\"https://www.kqed.org/news/11984718/kanishka-cheng-the-most-influential-san-franciscan-youve-never-heard-of\">Kanishka Cheng, TogetherSF Action’s CEO\u003c/a>, and her husband Jay Cheng, head of Neighbors for a Better San Francisco, unethically coordinated with his campaign.\u003c/p>\n\u003cp>“Kanishka was someone who used to work for me in City Hall. She’s done amazing things running her organization inside of City Hall, and she’s a friend, and that’s it,” Farrell said after the event. When pressed to answer directly whether either of the Chengs coordinated with his campaign, he said “no.”\u003c/p>\n\u003cp>\u003cstrong>Catch up fast:\u003c/strong> The forum gave San Franciscans their first public glimpse into the policies and character of the top contenders in the mayor’s race: Lurie, Farrell, Mayor London Breed, Supervisor Ahsha Safai and Board of Supervisors President Aaron Peskin.\u003c/p>\n\u003cp>Kwong interviewed each candidate for 30 minutes in front of roughly 200 attendees, with no debate between candidates. The forum was announced after San Francisco’s \u003ca href=\"https://www.kqed.org/news/11986393/first-sf-mayoral-debate-continues-to-crumble-as-third-candidate-may-drop-out\">first planned mayoral debate began to crumble\u003c/a> last week over the alleged ties between Farrell’s campaign and political advocacy organizations. That debate would have been hosted by TogetherSF Action until Breed and Peskin questioned its independence.\u003c/p>\n\u003cp>It’s a novel election, as incumbent mayors are not usually challenged. A \u003ca href=\"https://www.sfchronicle.com/sf/article/mayor-london-breed-election-18678601.php\">poll conducted for the\u003cem> San Francisco Chronicle\u003c/em>\u003c/a> in February showed that 71% of San Franciscans did not approve of Breed’s job performance as mayor, a result mirrored in multiple polls, revealing Breed to be vulnerable to challenge.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cstrong>Why it matters:\u003c/strong> Lurie’s opponents have publicly mocked \u003ca href=\"https://www.sfgate.com/politics/article/billionaire-mom-gives-1m-to-son-s-sf-mayoral-race-18638051.php\">a billboard funded by his mother, Mimi Haas\u003c/a>, touting her $1 million donation to a group supporting her son’s candidacy. The candidates have all taken turns alleging Lurie is unequipped to be mayor because he’s never held public office.\u003c/p>\n\u003cp>Lurie’s messaging during the forum previewed what he may say on the campaign trail to rebut those claims. Jim Ross, a political consultant who ran Gov. Gavin Newsom’s successful 2003 campaign for mayor, said every campaign has a question to answer, almost like a central thesis.\u003c/p>\n\u003cp>“Lurie’s obvious question he has to answer is basically, ‘Is being rich enough of a qualification to be mayor?’” Ross said.\u003c/p>\n\u003cp>As for Farrell, ethics laws bar certain types of cooperation between such groups. That firewall forms the backbone of campaign finance law that allows independent political groups to fundraise in any amount to support multiple candidates, as opposed to candidate-controlled campaigns, which can only accept a maximum donation of $500.\u003c/p>\n\u003cp>Ross said TogetherSF mishandled its bad press, saying that a statement backing Farrell might have eased off some of the scrutiny the group has come under.\u003c/p>\n\u003cp>“Because they kind of are trying to seem neutral or hide it and come off as independent, it’s making it a story,” Ross said. “It’s not the scandal, it’s the cover-up.”\u003c/p>\n\u003cp>\u003cstrong>Other candidates in the hot seat:\u003c/strong> Lurie and Farrell weren’t the only ones questioned on controversial topics by Kwong.\u003c/p>\n\u003cp>Kwong told Breed that progressive Democrats bristle at her support for police and her relatively silent treatment around the need for police reform after the 2020 murder of George Floyd by a Minneapolis officer. Breed disagreed with Kwong’s characterization but ultimately doubled down on supporting police and public safety. Audience members shouted slogans against the police department during the discussion.\u003c/p>\n\u003cp>“People are hollering ‘defund the police,’” Breed said, “but let something happen to you, and you’re calling 911 and wondering why the police didn’t get there. I get that people have issues and concerns, and they’re not perfect, but I’ve worked really hard to build those bridges.”\u003c/p>\n\u003cp>Kwong said Peskin’s critics have characterized him as a NIMBY and dislike that he blocks housing in his home neighborhood, North Beach.\u003c/p>\n\u003cp>“We can grow San Francisco without destroying our neighborhoods,” Peskin said, who cited his work to build 10,000 housing units in the Mission, South of Market and Central Waterfront \u003ca href=\"https://www.kqed.org/news/11979849/peskins-rumored-mayor-run-has-same-strength-and-weakness-housing\">as part of the Eastern Neighborhoods Plan\u003c/a>, among other efforts.\u003c/p>\n\u003cp>Safai was challenged on his progressive bonafides. He said he’s the only candidate with a long history in the labor movement, working with a local janitors’ union for a decade.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>What we’re watching:\u003c/strong> Peskin, Lurie, Farrell and Safai all had critical words for Breed, but due to the format, Breed had no opportunity to rebut them. Breed is a skilled orator; it’ll be fascinating to watch the first debate where Breed and her challengers can engage in dialogue together — even if it’s not yet certain when that will be.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "after-58-years-ccsfs-longest-tenured-professor-nears-landmark-achievement",
"title": "After 58 Years, CCSF Music Chair Closer Than Ever to Realizing Her Dream",
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"headTitle": "After 58 Years, CCSF Music Chair Closer Than Ever to Realizing Her Dream | KQED",
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"content": "\u003cp>After 58 years of sharing her passion for music and the arts with City College of San Francisco students, music department chair Madeline Mueller may finally get what she’s always wanted.\u003c/p>\n\u003cp>As the college’s longest-tenured employee, Mueller is just as committed to advocating for a much overdue performing arts auditorium as she is to using her vast musical knowledge, sharp eye for detail and willingness to do any job to keep the music department running.\u003c/p>\n\u003cp>Only then, Mueller said, will she consider retirement.\u003c/p>\n\u003cp>“I could have retired years ago,” Mueller said. “But I made a promise to myself and to the administration that I wouldn’t retire — I used to say until they built the auditorium.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For Mueller, the issue is simple: City College is an incomplete campus without a proper auditorium to support its performing arts majors, including music and theater.\u003c/p>\n\u003cp>The college has been discussing the project for years and even came close to breaking ground in 2012. However, after budget cuts and state roadblocks, Mueller said she was left feeling more like Charlie Brown from the \u003cem>Peanuts\u003c/em> comic strips.\u003c/p>\n\u003cp>“It’s like Lucy and the football,” Mueller said.\u003c/p>\n\u003cp>Lucy is the state, the administration and budget cuts — everything that has stopped the theater from being built. Mueller is Charlie Brown.\u003c/p>\n\u003cp>However, with renewed plans for the theater to go to the state for approval, City College seems closer than ever to building the performing arts auditorium of Mueller’s dreams. The project has an architect, design plans and a contractor.\u003c/p>\n\u003cfigure id=\"attachment_11986926\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986926\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL.jpg\" alt=\"What appear to be detailed architectural renderings, including mock-up illustrations of an interior space, are displayed in a glass case\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Plans for a new performing arts center hang in the City College of San Francisco music department on May 17, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>City College is hopeful the state will approve the plans before the end of 2024, and media reports have the auditorium tentatively \u003ca href=\"https://www.theartnewspaper.com/2023/06/21/new-theatre-building-will-house-famous-diego-rivera-mural-in-san-francisco\">scheduled to open in 2027\u003c/a>.\u003c/p>\n\u003cp>“She’s been working for over 40 years to get our performing arts center designed,” said Steven Brown, horticulture department chair, who sits on the facilities committee with Mueller.\u003c/p>\n\u003cp>But before Mueller started her quest for a major auditorium at City College, she was an aspiring concert pianist, following in Beethoven’s footsteps.\u003c/p>\n\u003ch2>‘She’s a brilliant pianist’\u003c/h2>\n\u003cp>As a girl in Bakersfield, Mueller studied under Ethel McManus Shaver, her link to an illustrious chain of five pianists that stretches back to Beethoven. But like many aspiring performers, Mueller needed a backup plan, and hers was a community college teaching credential.\u003c/p>\n\u003cp>In 1965, two weeks into its fall semester, City College’s band director departed for a new position at San Francisco State, leaving his old post vacant. The music department suddenly needed a full-time substitute teacher.\u003c/p>\n\u003cfigure id=\"attachment_11986922\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986922\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL.jpg\" alt=\"A detailed close-up photograph of hands playing a piano\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Music department chair Madeline Mueller plays piano at the City College of San Francisco on May 17, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mueller stepped into her new teaching role that year. She fell in love with the college immediately.\u003c/p>\n\u003cp>“I was enchanted,” she said. “The school had such diversity. And the students were so smart and appreciative.”\u003c/p>\n\u003cp>Even after she began teaching, Mueller continued to perform — and not just at faculty recitals — at concerts throughout the Bay Area.\u003c/p>\n\u003cp>“She could have gone on to a career as an accompanist,” said Lenny Carlson, a retired City College music professor and jazz musician. “She’s a brilliant pianist.”\u003c/p>\n\u003cp>Carlson often chose Mueller, who’s premiered a lot of modern music as a soloist and as a part of an ensemble, to debut his compositions.\u003c/p>\n\u003cp>“I really enjoy writing music that has humor in it because I know that she will get it, however subtle it is,” Carlson said, who’s an accomplished jazz guitarist and composer.\u003c/p>\n\u003cp>Many of Mueller’s colleagues agree she has been the primary force in shaping the college’s music department over the decades. Her influence, whether teaching music or championing the department’s auditorium, is significant.\u003c/p>\n\u003cp>“This department wouldn’t exist without Madeline,” said Lynette Warfield, the former music department secretary. “And if it did, it would be an empty shell.”\u003c/p>\n\u003cfigure id=\"attachment_11986920\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986920\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL.jpg\" alt=\"An older woman wearing glasses and a pink coat speaks to a younger student as he plays a grand piano\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Music department chair Madeline Mueller works with piano student Francisco Guijarro at the City College of San Francisco on May 17, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Once, Warfield said she witnessed an intradepartmental argument reach what she described as the point of no return — one person accused the other of having a terrible voice.\u003c/p>\n\u003cp>“After they talked to Madeline, the two were singing together,” Warfield said. “When Madeline is in the office, there’s harmony.”\u003c/p>\n\u003cp>For nearly 60 years, Mueller’s advocacy for the performing arts department at City College was witnessed at local gatherings with City College’s Board of Trustees, the Academic Senate and the Facilities Committee. Without fail, Mueller always made it a point to be present, often remaining until she was the sole occupant in the room.\u003c/p>\n\u003cp>“She’s always been an advocate,” Carlson said. “She was one of the founders of the Academic Senate and the Department Chairs’ Council.”\u003c/p>\n\u003cp>Mueller also serves on the Facilities Committee, which has overseen the planning of the new performing arts theater. Now, the project is the top priority on the Facilities Committee’s latest five-year plan and has a $185 million budget. Plans for the new theater are currently in front of the Division of the State Architect — and the committee hopes to have approval by December 2024.\u003c/p>\n\u003ch2>‘We’re clawing back’\u003c/h2>\n\u003cp>As plans slowly inch forward, City College’s lack of an auditorium to support its performing arts majors continues to be a goal Mueller and other faculty members rally around.\u003c/p>\n\u003cp>“We’re the only school in the whole system that doesn’t have an auditorium,” Mueller said. “It’s embarrassing.”\u003c/p>\n\u003cfigure id=\"attachment_11986925\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986925\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Students walk down steps leading to the planned site for a new performing arts center at the City College of San Francisco on May 17, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The music department is not alone.\u003c/p>\n\u003cp>Brown, of the City College horticulture department, recalled a faculty meeting from early in his tenure with such a large number of participants that it couldn’t be hosted at the school’s Diego Rivera Theater.\u003c/p>\n\u003cp>“We had to rent the Riordan auditorium,” Brown said. “The private Catholic high school across the street has a bigger auditorium than City College, even though City College’s student body is 10 times bigger.”\u003c/p>\n\u003cp>During her tenure, Mueller said she’s watched CCSF prioritize other department buildings over the proposed performing arts center.\u003c/p>\n\u003cp>In 2000, Mueller said planning for a new auditorium began in earnest. Yet, after the performing arts and PE departments expressed a need for new facilities in 2001, an internal agreement stipulated that the PE department would prioritize the first portion of the construction.\u003c/p>\n\u003cp>The Wellness Center, which contains new gym facilities, was completed in 2008.\u003c/p>\n\u003cfigure id=\"attachment_11986919\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986919\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Music department chair Madeline Mueller looks through a 2016 issue of Etc Magazine, which features photos of herself at the City College of San Francisco on May 17, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the following years, the college hired an architecture firm, TEF Design, to draw up plans for the new performing arts center, but it was unable to obtain state-matching funds for several years. Instead, City College prioritized the construction of the new Multi-Use Building (MUB).\u003c/p>\n\u003cp>The MUB was finished in 2012 and cost $77 million.\u003c/p>\n\u003cp>Since 2000, when the initial planning for the performing arts center began, San Francisco voters have passed three propositions to fund new CCSF construction. These propositions in 2000, 2005 and 2020, all called Proposition A, authorized nearly $1.3 billion combined in bond funds for City College.[aside postID=news_11966741 hero='https://ww2.kqed.org/app/uploads/sites/10/2023/11/231101-MusicTherapyHMBFarmworkers-24-BL-KQED-1020x680.jpg']Still, Mueller points to the delays her department has endured over the last 20 years as tantamount to ignoring the will of the voters.\u003c/p>\n\u003cp>“Three times the voters of San Francisco have put up major funding for this project,” Mueller said. “They said: Do it.”\u003c/p>\n\u003cp>But City College hindered its progress, Mueller claims.\u003c/p>\n\u003cp>In 2012, the Accrediting Commission for Community and Junior College (ACCJC) produced a “show-cause” order against CCSF, accusing the college of poor financial management. A show-cause order is a warning that a college is in danger of losing its accreditation unless it changes its practices. City College had to make immediate budget cuts.\u003c/p>\n\u003cp>In a February 2013 interview with \u003cem>The Guardsman\u003c/em>, interim chancellor Thelma Scott-Skillman announced that she asked the board not to move forward with constructing the new performing arts center.\u003c/p>\n\u003cp>Then, in September 2013, special trustee Robert Agrella officially announced that the project would not break ground.\u003c/p>\n\u003cp>“The college has no means to fund this excess cost,” Agrella said in an open letter to the college.\u003c/p>\n\u003cfigure id=\"attachment_11986923\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986923\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL.jpg\" alt=\"An older woman wearing glasses and a pink coat smiles as she leans on a grand piano\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Music department chair Madeline Mueller poses for a portrait at the City College of San Francisco on May 17, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mueller felt like Charlie Brown once again.\u003c/p>\n\u003cp>“Madeline wasn’t happy about it, but there was nothing she could do,” said Brown, who is also the co-chair of the Facilities Committee.\u003c/p>\n\u003cp>Adding to the frustration, Folsom Lake College, another California community college campus, received what Carlson deemed as “an exact replica of the design” that was meant for CCSF. Folsom’s performing arts theater was completed in 2011 before Agrella announced that CCSF’s project would be delayed.\u003c/p>\n\u003cp>“This was personal,” Carlson said. “This was a thumb in Madeline’s eye by administrators at the state level.”\u003c/p>\n\u003cp>The delay had a financial cost, too.\u003c/p>\n\u003cp>City College had to forfeit $22 million in matching funds from the state that it had planned to use in the construction of the performing arts theater.[aside postID=news_11966749 hero='https://ww2.kqed.org/app/uploads/sites/10/2023/11/230928-ArleneOwseichik-024-BL-qut-1020x680.jpg']In 2017, the ACCJC reaffirmed City College’s accreditation status, restoring some stability to the struggling school. Mueller, who had spent the last four years fighting against budget cuts in the music department, once again started to think about a new performing arts theater.\u003c/p>\n\u003cp>“We’re clawing back,” she said. “We’ve got our band back, we’ve got our choir back, and we’re desperately nagging them to get my orchestra back.”\u003c/p>\n\u003cp>For the first time in years, she’s cautiously optimistic about the future of the performing arts center. In late December, plans for it went before California’s Division of the State Architect, a key part of the approval process.\u003c/p>\n\u003cp>“It’s the first time we’ve had all our ducks in a row,” Mueller said.\u003c/p>\n\u003cp>Talks to build the new theater were restarted in 2020, according to Mueller, the same year San Francisco voters approved \u003ca href=\"https://www.spur.org/voter-guide/2020-03/sf-prop-a-city-college-facilities-bond#:~:text=What%20the%20Measure%20Would%20Do,major%20renovations%20since%20the%201970s.\">Proposition A, an $845 million bond measure for City College\u003c/a>. In 2021, the City College board approved a new design for the Performing Arts Center. Two years later, the architects for the new building, LMN Architects and TEF Design, were officially announced.\u003c/p>\n\u003cp>There was one change to the design: a large glass lobby to hold Diego Rivera’s \u003cem>Pan American Unity\u003c/em> mural, one of City College’s crown jewels.\u003c/p>\n\u003cp>“That was the component we never thought of,” Mueller said. “It did raise the cost, but it will preserve the iconic mural.”\u003c/p>\n\u003cp>With so many projects on her plate, it’s hard to imagine Mueller retiring any time soon.\u003c/p>\n\u003cp>For most of her career, her promise to bow out once the performing arts center was complete was an empty threat. Now, that time may come, after all.\u003c/p>\n\u003cp>“I’ll play it by ear,” she said.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After 58 years of sharing her passion for music and the arts with City College of San Francisco students, music department chair Madeline Mueller may finally get what she’s always wanted.\u003c/p>\n\u003cp>As the college’s longest-tenured employee, Mueller is just as committed to advocating for a much overdue performing arts auditorium as she is to using her vast musical knowledge, sharp eye for detail and willingness to do any job to keep the music department running.\u003c/p>\n\u003cp>Only then, Mueller said, will she consider retirement.\u003c/p>\n\u003cp>“I could have retired years ago,” Mueller said. “But I made a promise to myself and to the administration that I wouldn’t retire — I used to say until they built the auditorium.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For Mueller, the issue is simple: City College is an incomplete campus without a proper auditorium to support its performing arts majors, including music and theater.\u003c/p>\n\u003cp>The college has been discussing the project for years and even came close to breaking ground in 2012. However, after budget cuts and state roadblocks, Mueller said she was left feeling more like Charlie Brown from the \u003cem>Peanuts\u003c/em> comic strips.\u003c/p>\n\u003cp>“It’s like Lucy and the football,” Mueller said.\u003c/p>\n\u003cp>Lucy is the state, the administration and budget cuts — everything that has stopped the theater from being built. Mueller is Charlie Brown.\u003c/p>\n\u003cp>However, with renewed plans for the theater to go to the state for approval, City College seems closer than ever to building the performing arts auditorium of Mueller’s dreams. The project has an architect, design plans and a contractor.\u003c/p>\n\u003cfigure id=\"attachment_11986926\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986926\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL.jpg\" alt=\"What appear to be detailed architectural renderings, including mock-up illustrations of an interior space, are displayed in a glass case\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-28-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Plans for a new performing arts center hang in the City College of San Francisco music department on May 17, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>City College is hopeful the state will approve the plans before the end of 2024, and media reports have the auditorium tentatively \u003ca href=\"https://www.theartnewspaper.com/2023/06/21/new-theatre-building-will-house-famous-diego-rivera-mural-in-san-francisco\">scheduled to open in 2027\u003c/a>.\u003c/p>\n\u003cp>“She’s been working for over 40 years to get our performing arts center designed,” said Steven Brown, horticulture department chair, who sits on the facilities committee with Mueller.\u003c/p>\n\u003cp>But before Mueller started her quest for a major auditorium at City College, she was an aspiring concert pianist, following in Beethoven’s footsteps.\u003c/p>\n\u003ch2>‘She’s a brilliant pianist’\u003c/h2>\n\u003cp>As a girl in Bakersfield, Mueller studied under Ethel McManus Shaver, her link to an illustrious chain of five pianists that stretches back to Beethoven. But like many aspiring performers, Mueller needed a backup plan, and hers was a community college teaching credential.\u003c/p>\n\u003cp>In 1965, two weeks into its fall semester, City College’s band director departed for a new position at San Francisco State, leaving his old post vacant. The music department suddenly needed a full-time substitute teacher.\u003c/p>\n\u003cfigure id=\"attachment_11986922\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986922\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL.jpg\" alt=\"A detailed close-up photograph of hands playing a piano\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-23-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Music department chair Madeline Mueller plays piano at the City College of San Francisco on May 17, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mueller stepped into her new teaching role that year. She fell in love with the college immediately.\u003c/p>\n\u003cp>“I was enchanted,” she said. “The school had such diversity. And the students were so smart and appreciative.”\u003c/p>\n\u003cp>Even after she began teaching, Mueller continued to perform — and not just at faculty recitals — at concerts throughout the Bay Area.\u003c/p>\n\u003cp>“She could have gone on to a career as an accompanist,” said Lenny Carlson, a retired City College music professor and jazz musician. “She’s a brilliant pianist.”\u003c/p>\n\u003cp>Carlson often chose Mueller, who’s premiered a lot of modern music as a soloist and as a part of an ensemble, to debut his compositions.\u003c/p>\n\u003cp>“I really enjoy writing music that has humor in it because I know that she will get it, however subtle it is,” Carlson said, who’s an accomplished jazz guitarist and composer.\u003c/p>\n\u003cp>Many of Mueller’s colleagues agree she has been the primary force in shaping the college’s music department over the decades. Her influence, whether teaching music or championing the department’s auditorium, is significant.\u003c/p>\n\u003cp>“This department wouldn’t exist without Madeline,” said Lynette Warfield, the former music department secretary. “And if it did, it would be an empty shell.”\u003c/p>\n\u003cfigure id=\"attachment_11986920\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986920\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL.jpg\" alt=\"An older woman wearing glasses and a pink coat speaks to a younger student as he plays a grand piano\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-10-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Music department chair Madeline Mueller works with piano student Francisco Guijarro at the City College of San Francisco on May 17, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Once, Warfield said she witnessed an intradepartmental argument reach what she described as the point of no return — one person accused the other of having a terrible voice.\u003c/p>\n\u003cp>“After they talked to Madeline, the two were singing together,” Warfield said. “When Madeline is in the office, there’s harmony.”\u003c/p>\n\u003cp>For nearly 60 years, Mueller’s advocacy for the performing arts department at City College was witnessed at local gatherings with City College’s Board of Trustees, the Academic Senate and the Facilities Committee. Without fail, Mueller always made it a point to be present, often remaining until she was the sole occupant in the room.\u003c/p>\n\u003cp>“She’s always been an advocate,” Carlson said. “She was one of the founders of the Academic Senate and the Department Chairs’ Council.”\u003c/p>\n\u003cp>Mueller also serves on the Facilities Committee, which has overseen the planning of the new performing arts theater. Now, the project is the top priority on the Facilities Committee’s latest five-year plan and has a $185 million budget. Plans for the new theater are currently in front of the Division of the State Architect — and the committee hopes to have approval by December 2024.\u003c/p>\n\u003ch2>‘We’re clawing back’\u003c/h2>\n\u003cp>As plans slowly inch forward, City College’s lack of an auditorium to support its performing arts majors continues to be a goal Mueller and other faculty members rally around.\u003c/p>\n\u003cp>“We’re the only school in the whole system that doesn’t have an auditorium,” Mueller said. “It’s embarrassing.”\u003c/p>\n\u003cfigure id=\"attachment_11986925\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986925\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-33-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Students walk down steps leading to the planned site for a new performing arts center at the City College of San Francisco on May 17, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The music department is not alone.\u003c/p>\n\u003cp>Brown, of the City College horticulture department, recalled a faculty meeting from early in his tenure with such a large number of participants that it couldn’t be hosted at the school’s Diego Rivera Theater.\u003c/p>\n\u003cp>“We had to rent the Riordan auditorium,” Brown said. “The private Catholic high school across the street has a bigger auditorium than City College, even though City College’s student body is 10 times bigger.”\u003c/p>\n\u003cp>During her tenure, Mueller said she’s watched CCSF prioritize other department buildings over the proposed performing arts center.\u003c/p>\n\u003cp>In 2000, Mueller said planning for a new auditorium began in earnest. Yet, after the performing arts and PE departments expressed a need for new facilities in 2001, an internal agreement stipulated that the PE department would prioritize the first portion of the construction.\u003c/p>\n\u003cp>The Wellness Center, which contains new gym facilities, was completed in 2008.\u003c/p>\n\u003cfigure id=\"attachment_11986919\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986919\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-02-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Music department chair Madeline Mueller looks through a 2016 issue of Etc Magazine, which features photos of herself at the City College of San Francisco on May 17, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the following years, the college hired an architecture firm, TEF Design, to draw up plans for the new performing arts center, but it was unable to obtain state-matching funds for several years. Instead, City College prioritized the construction of the new Multi-Use Building (MUB).\u003c/p>\n\u003cp>The MUB was finished in 2012 and cost $77 million.\u003c/p>\n\u003cp>Since 2000, when the initial planning for the performing arts center began, San Francisco voters have passed three propositions to fund new CCSF construction. These propositions in 2000, 2005 and 2020, all called Proposition A, authorized nearly $1.3 billion combined in bond funds for City College.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Still, Mueller points to the delays her department has endured over the last 20 years as tantamount to ignoring the will of the voters.\u003c/p>\n\u003cp>“Three times the voters of San Francisco have put up major funding for this project,” Mueller said. “They said: Do it.”\u003c/p>\n\u003cp>But City College hindered its progress, Mueller claims.\u003c/p>\n\u003cp>In 2012, the Accrediting Commission for Community and Junior College (ACCJC) produced a “show-cause” order against CCSF, accusing the college of poor financial management. A show-cause order is a warning that a college is in danger of losing its accreditation unless it changes its practices. City College had to make immediate budget cuts.\u003c/p>\n\u003cp>In a February 2013 interview with \u003cem>The Guardsman\u003c/em>, interim chancellor Thelma Scott-Skillman announced that she asked the board not to move forward with constructing the new performing arts center.\u003c/p>\n\u003cp>Then, in September 2013, special trustee Robert Agrella officially announced that the project would not break ground.\u003c/p>\n\u003cp>“The college has no means to fund this excess cost,” Agrella said in an open letter to the college.\u003c/p>\n\u003cfigure id=\"attachment_11986923\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986923\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL.jpg\" alt=\"An older woman wearing glasses and a pink coat smiles as she leans on a grand piano\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240517-CCSFProfileMadelineMueller-24-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Music department chair Madeline Mueller poses for a portrait at the City College of San Francisco on May 17, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mueller felt like Charlie Brown once again.\u003c/p>\n\u003cp>“Madeline wasn’t happy about it, but there was nothing she could do,” said Brown, who is also the co-chair of the Facilities Committee.\u003c/p>\n\u003cp>Adding to the frustration, Folsom Lake College, another California community college campus, received what Carlson deemed as “an exact replica of the design” that was meant for CCSF. Folsom’s performing arts theater was completed in 2011 before Agrella announced that CCSF’s project would be delayed.\u003c/p>\n\u003cp>“This was personal,” Carlson said. “This was a thumb in Madeline’s eye by administrators at the state level.”\u003c/p>\n\u003cp>The delay had a financial cost, too.\u003c/p>\n\u003cp>City College had to forfeit $22 million in matching funds from the state that it had planned to use in the construction of the performing arts theater.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In 2017, the ACCJC reaffirmed City College’s accreditation status, restoring some stability to the struggling school. Mueller, who had spent the last four years fighting against budget cuts in the music department, once again started to think about a new performing arts theater.\u003c/p>\n\u003cp>“We’re clawing back,” she said. “We’ve got our band back, we’ve got our choir back, and we’re desperately nagging them to get my orchestra back.”\u003c/p>\n\u003cp>For the first time in years, she’s cautiously optimistic about the future of the performing arts center. In late December, plans for it went before California’s Division of the State Architect, a key part of the approval process.\u003c/p>\n\u003cp>“It’s the first time we’ve had all our ducks in a row,” Mueller said.\u003c/p>\n\u003cp>Talks to build the new theater were restarted in 2020, according to Mueller, the same year San Francisco voters approved \u003ca href=\"https://www.spur.org/voter-guide/2020-03/sf-prop-a-city-college-facilities-bond#:~:text=What%20the%20Measure%20Would%20Do,major%20renovations%20since%20the%201970s.\">Proposition A, an $845 million bond measure for City College\u003c/a>. In 2021, the City College board approved a new design for the Performing Arts Center. Two years later, the architects for the new building, LMN Architects and TEF Design, were officially announced.\u003c/p>\n\u003cp>There was one change to the design: a large glass lobby to hold Diego Rivera’s \u003cem>Pan American Unity\u003c/em> mural, one of City College’s crown jewels.\u003c/p>\n\u003cp>“That was the component we never thought of,” Mueller said. “It did raise the cost, but it will preserve the iconic mural.”\u003c/p>\n\u003cp>With so many projects on her plate, it’s hard to imagine Mueller retiring any time soon.\u003c/p>\n\u003cp>For most of her career, her promise to bow out once the performing arts center was complete was an empty threat. Now, that time may come, after all.\u003c/p>\n\u003cp>“I’ll play it by ear,” she said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "peskin-ballot-measure-aims-to-pay-rent-for-thousands-of-low-income-households-in-sf",
"title": "Peskin Ballot Measure Aims to Pay Rent for Thousands of Low-Income Households in SF",
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"headTitle": "Peskin Ballot Measure Aims to Pay Rent for Thousands of Low-Income Households in SF | KQED",
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"content": "\u003cp>Thousands of impoverished San Francisco seniors and people with disabilities may soon get help paying the rent under a proposed amendment to the city charter.\u003c/p>\n\u003cp>The charter amendment, which Board of Supervisors President Aaron Peskin plans to introduce Tuesday, would dedicate millions of dollars a year to creating a Housing Opportunity Fund primarily to help pay rent for people 62 or older living in affordable housing developments.\u003c/p>\n\u003cp>“A just society takes care of our grandmas and grandpas, our seniors, and our disabled,” Peskin told a crowd of more than 100 supporters gathered Monday in the courtyard of the Mary Helen Rogers Senior Community housing development, where he announced the proposal.\u003c/p>\n\u003cp>One potential recipient of the new funding is the Senior Operating Subsidy program, which was created in 2019 by the Board of Supervisors and first funded by the California Department of Housing and Community Development. It has helped hundreds of extremely low-income seniors pay their rent so far, Peskin said. However, housing advocates at the event said the city hasn’t consistently funded the program.\u003c/p>\n\u003cp>Advocates say the need for rental assistance among seniors is growing: 18% of San Francisco’s 897,000 residents were seniors in 2020, but that is expected to jump to 26% by 2030, according to a Senior Operating Subsidy program policy brief authored by the city last year.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Under Peskin’s new charter amendment, the Housing Opportunity Fund would increase by $8.3 million a year for four years starting in 2026 but would be capped at $33 million in fiscal year 2029–2030. That would help pay rent for roughly 2,200 households, Peskin’s office estimates.\u003c/p>\n\u003cp>Single seniors with a monthly income of $1,500 would qualify, as would single people with a disability making $1,493 monthly. Some families would also qualify, including those with single parents working a full-time minimum-wage job with two kids making $3,111 monthly.\u003c/p>\n\u003cp>[aside label='More Housing Stories' tag='housing']\u003c/p>\n\u003cp>Chinese seniors who are members of the Community Tenants Association, an organization that supported Peskin’s mayoral campaign kickoff in April, attended the rally in support. They carried signs reading “Real Affordability Now” in English and with Chinese-language messages such as “Waited for 17 years, still no affordable housing.”\u003c/p>\n\u003cp>The organization’s president, Wing Hoo Leung, said this measure was long overdue.\u003c/p>\n\u003cp>“We have many members who have been waiting for senior housing for over 10 years on the waiting list,” Leung said in Cantonese, with the aid of an English-speaking interpreter. “Then some of them finally receive offer of housing, but are then told they do not qualify because their income is way too low. This is not justice.”\u003c/p>\n\u003cp>The proposal comes as Peskin, who has long counted on the support of Chinatown groups that aid low-income seniors and families, aims to strengthen his bona fides with his core supporters ahead of November’s mayoral election.\u003c/p>\n\u003cp>Gen Fujioka, a policy director with the Chinatown Community Development Center, said Peskin’s proposal was based on community frustration. Many tenants would come to the Chinatown Community Development Center’s housing clinic on Clay Street and ask the staff for help when they could no longer afford their rent as they grew older.\u003c/p>\n\u003cp>The housing clinic staffers often have no city resources to offer extremely low-income seniors, Fujioka told KQED.\u003c/p>\n\u003cp>“We have no place to tell them except when you actually get put on the street, where you go to find shelter. That’s it,” Fujioka said. “That wears down our souls.”\u003c/p>\n\u003cp>Theresa Flandrich, a North Beach resident \u003ca href=\"https://www.sfgate.com/bayarea/article/2-North-Beach-tenants-landlord-settle-Ellis-Act-6451988.php\">who famously fought back an Ellis Act eviction in 2015\u003c/a>, said the senior housing funding would have given her neighbors another option during their eviction battle.\u003c/p>\n\u003cp>“My upstairs neighbor actually died during our eviction because there was no place to go,” Flandrich said. “She had crossed the entire city trying to find housing that was affordable, and there were waitlists that were closed for five years, for eight years. And that hasn’t changed much in the last decade because there’s not enough truly affordable housing.”\u003c/p>\n\u003cp>The measure does not involve tax increases or bonds; instead, it would draw from the city’s general fund to create the Housing Opportunity Fund, which would exclusively help extremely low-income households.\u003c/p>\n\u003cp>Funding increases may be a tough sell with the Board of Supervisors \u003ca href=\"https://www.kqed.org/news/11985465/youth-and-nonprofits-rally-against-cuts-to-sf-family-support-programs\">as the city faces a budget deficit of $1.3 billion over the next five years\u003c/a>. In a December memo, Mayor London Breed asked departments to freeze the creation of new positions and to make reductions. Peskin said he’s open to tweaking the charter amendment should his colleagues have budgetary concerns.\u003c/p>\n\u003cp>“It’s going to be tough to do,” Peskin said. “But there’s never a good time, and now is the time.”\u003c/p>\n\u003cp>A state-mandated goal for San Francisco to build 82,000 housing units by 2031 may favor the proposal. Of that housing, 14,000 units are supposed to be for extremely low-income households.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If passed by the Board of Supervisors, Peskin’s proposed charter amendment would appear before voters this November and require a simple majority for approval.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Thousands of impoverished San Francisco seniors and people with disabilities may soon get help paying the rent under a proposed amendment to the city charter.\u003c/p>\n\u003cp>The charter amendment, which Board of Supervisors President Aaron Peskin plans to introduce Tuesday, would dedicate millions of dollars a year to creating a Housing Opportunity Fund primarily to help pay rent for people 62 or older living in affordable housing developments.\u003c/p>\n\u003cp>“A just society takes care of our grandmas and grandpas, our seniors, and our disabled,” Peskin told a crowd of more than 100 supporters gathered Monday in the courtyard of the Mary Helen Rogers Senior Community housing development, where he announced the proposal.\u003c/p>\n\u003cp>One potential recipient of the new funding is the Senior Operating Subsidy program, which was created in 2019 by the Board of Supervisors and first funded by the California Department of Housing and Community Development. It has helped hundreds of extremely low-income seniors pay their rent so far, Peskin said. However, housing advocates at the event said the city hasn’t consistently funded the program.\u003c/p>\n\u003cp>Advocates say the need for rental assistance among seniors is growing: 18% of San Francisco’s 897,000 residents were seniors in 2020, but that is expected to jump to 26% by 2030, according to a Senior Operating Subsidy program policy brief authored by the city last year.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Under Peskin’s new charter amendment, the Housing Opportunity Fund would increase by $8.3 million a year for four years starting in 2026 but would be capped at $33 million in fiscal year 2029–2030. That would help pay rent for roughly 2,200 households, Peskin’s office estimates.\u003c/p>\n\u003cp>Single seniors with a monthly income of $1,500 would qualify, as would single people with a disability making $1,493 monthly. Some families would also qualify, including those with single parents working a full-time minimum-wage job with two kids making $3,111 monthly.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Chinese seniors who are members of the Community Tenants Association, an organization that supported Peskin’s mayoral campaign kickoff in April, attended the rally in support. They carried signs reading “Real Affordability Now” in English and with Chinese-language messages such as “Waited for 17 years, still no affordable housing.”\u003c/p>\n\u003cp>The organization’s president, Wing Hoo Leung, said this measure was long overdue.\u003c/p>\n\u003cp>“We have many members who have been waiting for senior housing for over 10 years on the waiting list,” Leung said in Cantonese, with the aid of an English-speaking interpreter. “Then some of them finally receive offer of housing, but are then told they do not qualify because their income is way too low. This is not justice.”\u003c/p>\n\u003cp>The proposal comes as Peskin, who has long counted on the support of Chinatown groups that aid low-income seniors and families, aims to strengthen his bona fides with his core supporters ahead of November’s mayoral election.\u003c/p>\n\u003cp>Gen Fujioka, a policy director with the Chinatown Community Development Center, said Peskin’s proposal was based on community frustration. Many tenants would come to the Chinatown Community Development Center’s housing clinic on Clay Street and ask the staff for help when they could no longer afford their rent as they grew older.\u003c/p>\n\u003cp>The housing clinic staffers often have no city resources to offer extremely low-income seniors, Fujioka told KQED.\u003c/p>\n\u003cp>“We have no place to tell them except when you actually get put on the street, where you go to find shelter. That’s it,” Fujioka said. “That wears down our souls.”\u003c/p>\n\u003cp>Theresa Flandrich, a North Beach resident \u003ca href=\"https://www.sfgate.com/bayarea/article/2-North-Beach-tenants-landlord-settle-Ellis-Act-6451988.php\">who famously fought back an Ellis Act eviction in 2015\u003c/a>, said the senior housing funding would have given her neighbors another option during their eviction battle.\u003c/p>\n\u003cp>“My upstairs neighbor actually died during our eviction because there was no place to go,” Flandrich said. “She had crossed the entire city trying to find housing that was affordable, and there were waitlists that were closed for five years, for eight years. And that hasn’t changed much in the last decade because there’s not enough truly affordable housing.”\u003c/p>\n\u003cp>The measure does not involve tax increases or bonds; instead, it would draw from the city’s general fund to create the Housing Opportunity Fund, which would exclusively help extremely low-income households.\u003c/p>\n\u003cp>Funding increases may be a tough sell with the Board of Supervisors \u003ca href=\"https://www.kqed.org/news/11985465/youth-and-nonprofits-rally-against-cuts-to-sf-family-support-programs\">as the city faces a budget deficit of $1.3 billion over the next five years\u003c/a>. In a December memo, Mayor London Breed asked departments to freeze the creation of new positions and to make reductions. Peskin said he’s open to tweaking the charter amendment should his colleagues have budgetary concerns.\u003c/p>\n\u003cp>“It’s going to be tough to do,” Peskin said. “But there’s never a good time, and now is the time.”\u003c/p>\n\u003cp>A state-mandated goal for San Francisco to build 82,000 housing units by 2031 may favor the proposal. Of that housing, 14,000 units are supposed to be for extremely low-income households.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If passed by the Board of Supervisors, Peskin’s proposed charter amendment would appear before voters this November and require a simple majority for approval.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The Harvey Milk LGBTQ Democratic Club announced Thursday that it will host a forum for the top five mayoral candidates, the first time they will share a stage to speak about their policy platforms.\u003c/p>\n\u003cp>It will take place at 6:30 p.m. Tuesday at the First Unitarian Universalist Church & Center on Franklin Street. There won’t be a debate. Instead, the format will allow each candidate to discuss their campaigns for half an hour.\u003c/p>\n\u003cp>It’s been a roller coaster week for San Franciscans wanting to hear candidates argue ideas to chart the city’s future. First, the candidates were set to debate on Monday hosted by the political advocacy group TogetherSF Action. But last week Mission Local reported that \u003ca href=\"https://missionlocal.org/2024/05/mark-farrell-consultant-texts-that-togethersf-head-is-guiding-the-ship/\">TogetherSF Action may be working with candidate and former supervisor Mark Farrell’s campaign\u003c/a>.\u003c/p>\n\u003cp>The event subsequently \u003ca href=\"https://www.kqed.org/news/11986393/first-sf-mayoral-debate-continues-to-crumble-as-third-candidate-may-drop-out\">crumbled\u003c/a> as two candidates — Mayor London Breed and Board of Supervisors President Aaron Peskin — lost faith in the group’s independence. When journalist moderators then jumped ship, candidate Daniel Lurie, the Levi Strauss heir and former nonprofit CEO, threatened to also abandon the event. He has now fully backed out, his campaign confirmed on Thursday.\u003c/p>\n\u003cp>“Daniel remains eager to debate these insiders but with only 72 hours to go there remains too much uncertainty and things continue changing,” Lurie’s campaign said in a statement.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Milk Club said it drew a contrast between itself and TogetherSF Action.\u003c/p>\n\u003cp>“Milk Club is clearly progressive and we clearly don’t have anything to hide in terms of our biases and views,” said club president Jeffrey Kwong. “So that’s how I sold it to them.”\u003c/p>\n\u003cp>Breed and Peskin were also set to hold an alternative debate together on the same night as the TogetherSF Action event at Manny’s, a venue in the Mission. That fell through on Thursday, too.\u003c/p>\n\u003cp>In a text message, the venue’s owner, Manny Yekutiel, said that it made sense to cancel the event since he’s hosting another candidate debate with City Arts & Lectures next month.\u003c/p>\n\u003cp>“We’re disappointed that the voters won’t have a chance to hear from Mayor Breed and Aaron Peskin at Manny’s,” Joe Arellano, a spokesperson for Breed’s campaign, said in a statement. “There will be plenty of debates over the next several months. We look forward to participating in those.”\u003c/p>\n\u003cp>Peskin’s campaign thinks there may be another reason Yekutiel canceled the event.\u003c/p>\n\u003cp>“I believe both campaigns are confused about why Manny would offer his space, sell tickets and then out of the blue cancel,” Jim Stearns, a campaign consultant for Peskin, told KQED. “Obviously, TogetherSF was embarrassed and they may have applied pressure. Not sure if it was financial or political.”\u003c/p>\n\u003cp>Jane Natoli, organizing director for San Francisco YIMBY, a housing advocacy group, characterized the whole situation as ridiculous, citing a \u003ca href=\"https://www.sfchronicle.com/bayarea/nevius/article/Chiu-a-moderate-in-SF-but-a-radical-in-Sacramento-8348850.php\">locally famous line about how fierce San Francisco politics can be\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I’m downgrading San Francisco politics from ‘knife fight in a phone booth’ to ‘slap fight in a phone booth’ after watching this debate debacle,” she said.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Harvey Milk LGBTQ Democratic Club announced Thursday that it will host a forum for the top five mayoral candidates, the first time they will share a stage to speak about their policy platforms.\u003c/p>\n\u003cp>It will take place at 6:30 p.m. Tuesday at the First Unitarian Universalist Church & Center on Franklin Street. There won’t be a debate. Instead, the format will allow each candidate to discuss their campaigns for half an hour.\u003c/p>\n\u003cp>It’s been a roller coaster week for San Franciscans wanting to hear candidates argue ideas to chart the city’s future. First, the candidates were set to debate on Monday hosted by the political advocacy group TogetherSF Action. But last week Mission Local reported that \u003ca href=\"https://missionlocal.org/2024/05/mark-farrell-consultant-texts-that-togethersf-head-is-guiding-the-ship/\">TogetherSF Action may be working with candidate and former supervisor Mark Farrell’s campaign\u003c/a>.\u003c/p>\n\u003cp>The event subsequently \u003ca href=\"https://www.kqed.org/news/11986393/first-sf-mayoral-debate-continues-to-crumble-as-third-candidate-may-drop-out\">crumbled\u003c/a> as two candidates — Mayor London Breed and Board of Supervisors President Aaron Peskin — lost faith in the group’s independence. When journalist moderators then jumped ship, candidate Daniel Lurie, the Levi Strauss heir and former nonprofit CEO, threatened to also abandon the event. He has now fully backed out, his campaign confirmed on Thursday.\u003c/p>\n\u003cp>“Daniel remains eager to debate these insiders but with only 72 hours to go there remains too much uncertainty and things continue changing,” Lurie’s campaign said in a statement.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Milk Club said it drew a contrast between itself and TogetherSF Action.\u003c/p>\n\u003cp>“Milk Club is clearly progressive and we clearly don’t have anything to hide in terms of our biases and views,” said club president Jeffrey Kwong. “So that’s how I sold it to them.”\u003c/p>\n\u003cp>Breed and Peskin were also set to hold an alternative debate together on the same night as the TogetherSF Action event at Manny’s, a venue in the Mission. That fell through on Thursday, too.\u003c/p>\n\u003cp>In a text message, the venue’s owner, Manny Yekutiel, said that it made sense to cancel the event since he’s hosting another candidate debate with City Arts & Lectures next month.\u003c/p>\n\u003cp>“We’re disappointed that the voters won’t have a chance to hear from Mayor Breed and Aaron Peskin at Manny’s,” Joe Arellano, a spokesperson for Breed’s campaign, said in a statement. “There will be plenty of debates over the next several months. We look forward to participating in those.”\u003c/p>\n\u003cp>Peskin’s campaign thinks there may be another reason Yekutiel canceled the event.\u003c/p>\n\u003cp>“I believe both campaigns are confused about why Manny would offer his space, sell tickets and then out of the blue cancel,” Jim Stearns, a campaign consultant for Peskin, told KQED. “Obviously, TogetherSF was embarrassed and they may have applied pressure. Not sure if it was financial or political.”\u003c/p>\n\u003cp>Jane Natoli, organizing director for San Francisco YIMBY, a housing advocacy group, characterized the whole situation as ridiculous, citing a \u003ca href=\"https://www.sfchronicle.com/bayarea/nevius/article/Chiu-a-moderate-in-SF-but-a-radical-in-Sacramento-8348850.php\">locally famous line about how fierce San Francisco politics can be\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I’m downgrading San Francisco politics from ‘knife fight in a phone booth’ to ‘slap fight in a phone booth’ after watching this debate debacle,” she said.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The overall number of people experiencing homelessness in San Francisco increased 7% to more than 8,300 people since the last count in 2022, according to \u003ca href=\"https://hsh.sfgov.org/about/research-and-reports/pit/\">data\u003c/a> released Thursday.\u003c/p>\n\u003cp>Every two years, the federal government requires cities to survey their unhoused populations for one night, called the \u003ca href=\"https://www.kqed.org/news/11974385/heres-how-san-francisco-counts-unhoused-residents\">Point in Time Count\u003c/a>. The data is used to allocate funding to local governments to spend on homeless services, such as shelters, and is generally believed to be an undercount.\u003c/p>\n\u003cp>Results released Thursday found that while the overall total number of homeless people has climbed, the number of people in San Francisco sleeping in tents, cars and RVs — or what’s known as “unsheltered homelessness” — decreased 1% since 2022 and 16% since 2019. In January this year, \u003ca href=\"https://www.kqed.org/news/11974385/heres-how-san-francisco-counts-unhoused-residents\">volunteers and city workers counted\u003c/a> 2,912 people sleeping unsheltered on San Francisco’s streets.\u003c/p>\n\u003cp>Nearly half, or 48%, of the city’s more than 8,300 unhoused residents are now living in shelters. In 2022, there were 43%.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“As we grapple with the repercussions of the housing crisis, it is crucial that we continue to invest in the city’s homelessness response system that includes programs to problem solve and prevent people from ever having to experience homelessness,” San Francisco Department of Homelessness and Supportive Housing (HSH) executive director, Shireen McSpadden, said in a statement. “The Point in Time Count’s data will inform our programs and our mission to make homelessness rare, brief and one-time.”\u003c/p>\n\u003cp>However, HSH also found a significant and disturbing spike in the number of families who are experiencing homelessness. There were 437 unhoused families counted in 2024, up 94% since 2022.\u003c/p>\n\u003cp>“The loss of COVID protections and end of eviction moratorium absolutely is driving some of these numbers,” said Jennifer Friedenbach, director of the Coalition on Homelessness. “We continue to underinvest in affordable housing, and we need to restore the nation’s commitment to low-income housing. We will continue to see homelessness increase until we get serious about this issue.”\u003c/p>\n\u003cp>San Francisco has increased shelter availability by 60% since 2018, according to HSH. Earlier this year, officials announced they were bringing 300 shelter beds back online, returning the shelters to their pre-pandemic size after cutting capacity to prevent COVID-19 transmission.\u003c/p>\n\u003cp>As of Thursday, 108 people were still \u003ca href=\"https://hsh.sfgov.org/services/how-to-get-services/accessing-temporary-shelter/adult-temporary-shelter/shelter-reservation-waitlist/\">on the waiting list\u003c/a>.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" title=\"San Francisco PIT homeless count results since 2013\" aria-label=\"Stacked Columns\" id=\"datawrapper-chart-aVh0x\" src=\"https://datawrapper.dwcdn.net/aVh0x/3/\" scrolling=\"no\" frameborder=\"0\" style=\"border: none;\" width=\"800\" height=\"600\" data-external=\"1\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>“It’s not great to see an increase, but it could have been much, much worse,” said Shanti Singh, communications and legislative director for Tenants Together. She said the city’s right-to-counsel program, which provides all renters access to legal representation, and rent relief program played a role in preventing even more people from experiencing homelessness.\u003c/p>\n\u003cp>According to city data, over 5,400 San Franciscans avoided homelessness since 2019 because of the right-to-counsel program. The emergency rent relief program prevented 10,000 evictions, \u003ca href=\"https://sfbos.org/sites/default/files/BLA.ERAP_.042324.pdf\">a city analysis released \u003c/a>in April found.\u003c/p>\n\u003cp>Along with opening more temporary and permanent housing, city teams placed around 1,500 people from the streets into shelter or housing last year — 22% more than the year before, according to homeless street operations data released earlier this year. It tracked a 17% drop in the number of tents on city streets.\u003c/p>\n\u003cp>The city made a major push to clear downtown encampments ahead of the APEC summit in November. As of April, the city \u003ca href=\"https://www.sf.gov/data/healthy-streets-data-and-information\">counted 513 encampments\u003c/a>.\u003c/p>\n\u003cp>“We are working every day to move people off our streets and into shelter, housing and care,” Mayor London Breed said in a press statement. “This is safer and healthier for people on our streets, and it is better for all of us that want a cleaner and safer San Francisco.”[aside label='Related Coverage' tag='housing']Those operations have come under fire, however, after advocates for people experiencing homelessness \u003ca href=\"https://www.kqed.org/news/11926891/unhoused-san-francisco-residents-sue-city-over-displacement-rights-violations\">sued the city in 2022\u003c/a> for violating its own policies around how it clears homeless encampments.\u003c/p>\n\u003cp>That court battle is currently \u003ca href=\"https://www.sfexaminer.com/news/politics/major-san-francisco-homeless-case-paused-for-supreme-court/article_51b1deac-d29a-11ee-9181-cbcb211887f1.html\">paused\u003c/a> until the \u003ca href=\"https://www.kqed.org/news/11983492/how-a-pivotal-case-on-homelessness-could-redefine-policies-in-california-and-the-nation\">U.S. Supreme Court takes up a similar case in Grants Pass, Oregon\u003c/a>. Still, the Ninth Circuit in 2023 agreed to uphold an injunction that allowed the city to clear encampments so long as it follows its policies, including offering shelter to people and that those who refuse offers of shelter can be required to move.\u003c/p>\n\u003cp>But helping people afford to stay in their homes permanently to slow the rate of homelessness is an ongoing struggle in the Bay Area’s expensive housing market. Officials at HSH estimate that for every person the department resolves homelessness for annually, three people become homeless.\u003c/p>\n\u003cp>It’s a dilemma shared by other communities.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11977258/despite-progress-santa-clara-county-sees-sharp-rise-in-first-time-homelessness\">A report on Santa Clara County’s efforts\u003c/a> found the rate of new people falling into homelessness spiked 24% last year, even as the county housed more people than ever before in a single year. Service providers in Santa Clara County point to ongoing rent increases, stagnant wages and the expiration of pandemic-era protections as the source of the increase.\u003c/p>\n\u003cp>Meanwhile, across the Bay, total \u003ca href=\"https://www.kqed.org/news/11986443/alameda-countys-homeless-count-decreases-for-first-time-in-a-decade\">homelessness across Alameda County dipped 3%\u003c/a> since the last count — marking the first decrease in nearly a decade, according to preliminary data from its Point in Time count — dropping to 9,450 from 9,747 unhoused people in 2022. Oakland experienced an increase in the total number of people experiencing homelessness, though the increase was at a slower rate than in past years.\u003c/p>\n\u003cp>After the count in January, teams of researchers in San Francisco followed up with survey respondents to gather more information about their demographics, such as race, gender and sexual identities. That more detailed report will be released later this summer.\u003c/p>\n\u003cp>“Our city workforce is dedicated to making a difference,” Breed said. “We will keep working to get tents off our streets, bring people indoors and change the conditions in our neighborhoods.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The overall number of people experiencing homelessness in San Francisco increased 7% to more than 8,300 people since the last count in 2022, according to \u003ca href=\"https://hsh.sfgov.org/about/research-and-reports/pit/\">data\u003c/a> released Thursday.\u003c/p>\n\u003cp>Every two years, the federal government requires cities to survey their unhoused populations for one night, called the \u003ca href=\"https://www.kqed.org/news/11974385/heres-how-san-francisco-counts-unhoused-residents\">Point in Time Count\u003c/a>. The data is used to allocate funding to local governments to spend on homeless services, such as shelters, and is generally believed to be an undercount.\u003c/p>\n\u003cp>Results released Thursday found that while the overall total number of homeless people has climbed, the number of people in San Francisco sleeping in tents, cars and RVs — or what’s known as “unsheltered homelessness” — decreased 1% since 2022 and 16% since 2019. In January this year, \u003ca href=\"https://www.kqed.org/news/11974385/heres-how-san-francisco-counts-unhoused-residents\">volunteers and city workers counted\u003c/a> 2,912 people sleeping unsheltered on San Francisco’s streets.\u003c/p>\n\u003cp>Nearly half, or 48%, of the city’s more than 8,300 unhoused residents are now living in shelters. In 2022, there were 43%.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“As we grapple with the repercussions of the housing crisis, it is crucial that we continue to invest in the city’s homelessness response system that includes programs to problem solve and prevent people from ever having to experience homelessness,” San Francisco Department of Homelessness and Supportive Housing (HSH) executive director, Shireen McSpadden, said in a statement. “The Point in Time Count’s data will inform our programs and our mission to make homelessness rare, brief and one-time.”\u003c/p>\n\u003cp>However, HSH also found a significant and disturbing spike in the number of families who are experiencing homelessness. There were 437 unhoused families counted in 2024, up 94% since 2022.\u003c/p>\n\u003cp>“The loss of COVID protections and end of eviction moratorium absolutely is driving some of these numbers,” said Jennifer Friedenbach, director of the Coalition on Homelessness. “We continue to underinvest in affordable housing, and we need to restore the nation’s commitment to low-income housing. We will continue to see homelessness increase until we get serious about this issue.”\u003c/p>\n\u003cp>San Francisco has increased shelter availability by 60% since 2018, according to HSH. Earlier this year, officials announced they were bringing 300 shelter beds back online, returning the shelters to their pre-pandemic size after cutting capacity to prevent COVID-19 transmission.\u003c/p>\n\u003cp>As of Thursday, 108 people were still \u003ca href=\"https://hsh.sfgov.org/services/how-to-get-services/accessing-temporary-shelter/adult-temporary-shelter/shelter-reservation-waitlist/\">on the waiting list\u003c/a>.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" title=\"San Francisco PIT homeless count results since 2013\" aria-label=\"Stacked Columns\" id=\"datawrapper-chart-aVh0x\" src=\"https://datawrapper.dwcdn.net/aVh0x/3/\" scrolling=\"no\" frameborder=\"0\" style=\"border: none;\" width=\"800\" height=\"600\" data-external=\"1\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>“It’s not great to see an increase, but it could have been much, much worse,” said Shanti Singh, communications and legislative director for Tenants Together. She said the city’s right-to-counsel program, which provides all renters access to legal representation, and rent relief program played a role in preventing even more people from experiencing homelessness.\u003c/p>\n\u003cp>According to city data, over 5,400 San Franciscans avoided homelessness since 2019 because of the right-to-counsel program. The emergency rent relief program prevented 10,000 evictions, \u003ca href=\"https://sfbos.org/sites/default/files/BLA.ERAP_.042324.pdf\">a city analysis released \u003c/a>in April found.\u003c/p>\n\u003cp>Along with opening more temporary and permanent housing, city teams placed around 1,500 people from the streets into shelter or housing last year — 22% more than the year before, according to homeless street operations data released earlier this year. It tracked a 17% drop in the number of tents on city streets.\u003c/p>\n\u003cp>The city made a major push to clear downtown encampments ahead of the APEC summit in November. As of April, the city \u003ca href=\"https://www.sf.gov/data/healthy-streets-data-and-information\">counted 513 encampments\u003c/a>.\u003c/p>\n\u003cp>“We are working every day to move people off our streets and into shelter, housing and care,” Mayor London Breed said in a press statement. “This is safer and healthier for people on our streets, and it is better for all of us that want a cleaner and safer San Francisco.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Those operations have come under fire, however, after advocates for people experiencing homelessness \u003ca href=\"https://www.kqed.org/news/11926891/unhoused-san-francisco-residents-sue-city-over-displacement-rights-violations\">sued the city in 2022\u003c/a> for violating its own policies around how it clears homeless encampments.\u003c/p>\n\u003cp>That court battle is currently \u003ca href=\"https://www.sfexaminer.com/news/politics/major-san-francisco-homeless-case-paused-for-supreme-court/article_51b1deac-d29a-11ee-9181-cbcb211887f1.html\">paused\u003c/a> until the \u003ca href=\"https://www.kqed.org/news/11983492/how-a-pivotal-case-on-homelessness-could-redefine-policies-in-california-and-the-nation\">U.S. Supreme Court takes up a similar case in Grants Pass, Oregon\u003c/a>. Still, the Ninth Circuit in 2023 agreed to uphold an injunction that allowed the city to clear encampments so long as it follows its policies, including offering shelter to people and that those who refuse offers of shelter can be required to move.\u003c/p>\n\u003cp>But helping people afford to stay in their homes permanently to slow the rate of homelessness is an ongoing struggle in the Bay Area’s expensive housing market. Officials at HSH estimate that for every person the department resolves homelessness for annually, three people become homeless.\u003c/p>\n\u003cp>It’s a dilemma shared by other communities.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11977258/despite-progress-santa-clara-county-sees-sharp-rise-in-first-time-homelessness\">A report on Santa Clara County’s efforts\u003c/a> found the rate of new people falling into homelessness spiked 24% last year, even as the county housed more people than ever before in a single year. Service providers in Santa Clara County point to ongoing rent increases, stagnant wages and the expiration of pandemic-era protections as the source of the increase.\u003c/p>\n\u003cp>Meanwhile, across the Bay, total \u003ca href=\"https://www.kqed.org/news/11986443/alameda-countys-homeless-count-decreases-for-first-time-in-a-decade\">homelessness across Alameda County dipped 3%\u003c/a> since the last count — marking the first decrease in nearly a decade, according to preliminary data from its Point in Time count — dropping to 9,450 from 9,747 unhoused people in 2022. Oakland experienced an increase in the total number of people experiencing homelessness, though the increase was at a slower rate than in past years.\u003c/p>\n\u003cp>After the count in January, teams of researchers in San Francisco followed up with survey respondents to gather more information about their demographics, such as race, gender and sexual identities. That more detailed report will be released later this summer.\u003c/p>\n\u003cp>“Our city workforce is dedicated to making a difference,” Breed said. “We will keep working to get tents off our streets, bring people indoors and change the conditions in our neighborhoods.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Less than half of all San Francisco pharmacies carry one of the most powerful medications used to treat opioid addiction, according to San Francisco’s Department of Public Health.\u003c/p>\n\u003cp>The lack of availability of buprenorphine, a medication that can curb cravings and withdrawal symptoms associated with opioid addiction, comes as San Francisco recently experienced its \u003ca href=\"https://www.kqed.org/news/11972898/2023-was-san-franciscos-deadliest-year-for-drug-overdoses-new-data-confirms#:~:text=2023%20Was%20San%20Francisco's%20Deadliest,KQED\">worst year for overdoses on record in 2023\u003c/a>.\u003c/p>\n\u003cp>And despite efforts to make medication-assisted treatments like buprenorphine more available, access is still so scarce that some people seeking these medications \u003ca href=\"https://www.kqed.org/news/11945418/san-francisco-has-doubled-participants-of-this-opioid-treatment-heres-why\">have had to turn to street-level dealers for it\u003c/a>.\u003c/p>\n\u003cp>“It is critical that people in recovery have easy access to effective and life-saving medications such as buprenorphine and methadone if they are going to be successful entering and staying in treatment,” says Dr. Grant Colfax, Director of the San Francisco Department of Public Health, in a press statement. “With treatment and support, recovery from opioid use disorder is possible for every individual.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>San Francisco is not an outlier when it comes to the availability of buprenorphine or other medications that help reduce opioid cravings, like methadone. Just 47% of retail pharmacies across California carried buprenorphine, according to a \u003ca href=\"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10220511/\">2023 study\u003c/a> published in JAMA Network Open.\u003c/p>\n\u003cp>In San Francisco, where more than 3,000 people have died of overdose since 2020, only 44% of pharmacies carried buprenorphine and were able to fill a two-week prescription within the same day, according to a DPH survey of 84 responding pharmacies.\u003c/p>\n\u003cp>The Food and Drug Administration has \u003ca href=\"https://www.fda.gov/drugs/information-drug-class/information-about-medication-assisted-treatment-mat\">approved\u003c/a> three medications to treat opioid use disorder: buprenorphine, methadone and naltrexone. All three have been found to reduce opioid cravings and withdrawal and are widely considered to be powerful tools for recovery when combined with counseling and other social support.\u003c/p>\n\u003cfigure id=\"attachment_11986534\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986534\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/021_KQED_OBICBuprenorphineClinic_03292023_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/021_KQED_OBICBuprenorphineClinic_03292023_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/021_KQED_OBICBuprenorphineClinic_03292023_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/021_KQED_OBICBuprenorphineClinic_03292023_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/021_KQED_OBICBuprenorphineClinic_03292023_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/021_KQED_OBICBuprenorphineClinic_03292023_qut-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Buprenorphine and Naloxone tablets sit on a counter at the Community Behavior Health Services pharmacy in San Francisco on March 29, 2023, while signs in the background say, ‘You are Loved’ and ‘Recovery, Wellness, Family.’ \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>However, experts say that significant barriers to taking the medication exist. For example, people who take methadone, which has been used to treat opioid addiction since the 1970s, historically have had to meet strict prescriber regulations compared to most medications. This includes having to visit clinics daily in person to access their prescriptions under supervision and take frequent drug tests.\u003c/p>\n\u003cp>Those rules are slowly starting to shift.\u003c/p>\n\u003cp>This year, the federal government agreed to expand access to methadone by removing a requirement for practitioners to complete additional training and obtain a special waiver before prescribing the medication.\u003c/p>\n\u003cp>The regulations change also allows for take-home medications rather than showing up daily when appropriate, as well as the option to prescribe larger doses as the potency of opioids in the illicit drug market has changed. For instance, fentanyl, which was involved in the majority of overdose deaths in San Francisco in 2023, is 50 times stronger than heroin.\u003c/p>\n\u003cp>At the state level, \u003ca href=\"https://www.kqed.org/science/1992298/a-bay-area-lawmaker-pushes-to-expand-access-to-methadone\">Assemblymember Matt Haney\u003c/a>, who represents San Francisco, has proposed a bill that aims to align California law with federal regulations to reduce barriers to treatment for opioid use disorder.\u003c/p>\n\u003cp>Despite those efforts and having more people available to prescribe buprenorphine, utilization of the medication has not dramatically changed, according to one \u003ca href=\"https://www.nejm.org/doi/pdf/10.1056/NEJMc2312906\">2024 study\u003c/a>. That’s led lawmakers and health experts to seek other ways to expand access.\u003c/p>\n\u003cp>This week, a handful of city leaders announced they want to \u003ca href=\"https://www.documentcloud.org/documents/24663736-file_7040\">require pharmacies to stock the medication\u003c/a>.\u003c/p>\n\u003cp>“If San Francisco will be successful in incentivizing long-term recovery from addiction, we need to make sure that buprenorphine is available at pharmacies,” Supervisor Matt Dorsey told KQED. “I don’t know what the excuse is for not carrying it, but we need to end that excuse and make sure it’s a requirement to carry.”\u003c/p>\n\u003cp>Supervisors Rafael Mandelman, Hillary Ronen and Dean Preston are co-sponsoring the legislation, which SFDPH believes is the first of its kind in the country. The new law would update the city’s health code so that any pharmacy that carries controlled substances must stock buprenorphine for at least two new prescriptions.[aside postID=news_11986128 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-OVERDOSE-DEATH-RALLY-SJ-01-KQED-1020x680.jpg']“When my office worked with DPH to create the city’s first \u003ca href=\"https://www.sf.gov/reports/october-2022/overdose-prevention-plan-2022\">Overdose Prevention Plan\u003c/a>, expanding access to buprenorphine and other medications was identified as a key area of need,” Supervisor Dean Preston told KQED, referring to the city’s 2022 blueprint to combat overdoses. “I am proud to co-sponsor this sensible and important legislation to ensure that buprenorphine is available in every neighborhood for anyone who needs it.”\u003c/p>\n\u003cp>Last year, Dorsey proposed legislation that would \u003ca href=\"https://sfstandard.com/2023/06/27/sf-pharmacies-carry-drug-overdose-reversal-meds/\">require all pharmacies to carry Naloxone\u003c/a>, a nasal spray that can reverse an opioid overdose. The \u003ca href=\"https://www.fda.gov/news-events/press-announcements/fda-approves-first-over-counter-naloxone-nasal-spray\">FDA approved over-the-counter Naloxone\u003c/a> in 2023.\u003c/p>\n\u003cp>Experts say making buprenorphine available as soon as someone decides they want to change their drug use patterns is essential to helping people move into and through recovery.\u003c/p>\n\u003cp>People who used medication-assisted treatments such as methadone or buprenorphine were 80% less likely to die of an opioid overdose compared to people in treatment without the medications, according to a \u003ca href=\"https://onlinelibrary.wiley.com/doi/10.1111/add.14991\">2020 study\u003c/a> in the medical journal \u003cem>Addiction\u003c/em>.\u003c/p>\n\u003cp>San Francisco is already building out new pathways to access buprenorphine, such as home delivery programs for people living in the city’s permanent supportive housing and expanding hours for the public behavioral health pharmacy. But leaders on both sides of the political aisle say there’s still plenty of work to do.\u003c/p>\n\u003cp>“In today’s fentanyl era, anyone who makes the brave choice to seek recovery from opioid use disorder is really in a race against the clock on overpowering cravings and debilitating withdrawal symptoms,” Dorsey told KQED. “If that medication is not readily available to offer relief, we know life-threatening drugs are available on the streets.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Less than half of all San Francisco pharmacies carry one of the most powerful medications used to treat opioid addiction, according to San Francisco’s Department of Public Health.\u003c/p>\n\u003cp>The lack of availability of buprenorphine, a medication that can curb cravings and withdrawal symptoms associated with opioid addiction, comes as San Francisco recently experienced its \u003ca href=\"https://www.kqed.org/news/11972898/2023-was-san-franciscos-deadliest-year-for-drug-overdoses-new-data-confirms#:~:text=2023%20Was%20San%20Francisco's%20Deadliest,KQED\">worst year for overdoses on record in 2023\u003c/a>.\u003c/p>\n\u003cp>And despite efforts to make medication-assisted treatments like buprenorphine more available, access is still so scarce that some people seeking these medications \u003ca href=\"https://www.kqed.org/news/11945418/san-francisco-has-doubled-participants-of-this-opioid-treatment-heres-why\">have had to turn to street-level dealers for it\u003c/a>.\u003c/p>\n\u003cp>“It is critical that people in recovery have easy access to effective and life-saving medications such as buprenorphine and methadone if they are going to be successful entering and staying in treatment,” says Dr. Grant Colfax, Director of the San Francisco Department of Public Health, in a press statement. “With treatment and support, recovery from opioid use disorder is possible for every individual.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>San Francisco is not an outlier when it comes to the availability of buprenorphine or other medications that help reduce opioid cravings, like methadone. Just 47% of retail pharmacies across California carried buprenorphine, according to a \u003ca href=\"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10220511/\">2023 study\u003c/a> published in JAMA Network Open.\u003c/p>\n\u003cp>In San Francisco, where more than 3,000 people have died of overdose since 2020, only 44% of pharmacies carried buprenorphine and were able to fill a two-week prescription within the same day, according to a DPH survey of 84 responding pharmacies.\u003c/p>\n\u003cp>The Food and Drug Administration has \u003ca href=\"https://www.fda.gov/drugs/information-drug-class/information-about-medication-assisted-treatment-mat\">approved\u003c/a> three medications to treat opioid use disorder: buprenorphine, methadone and naltrexone. All three have been found to reduce opioid cravings and withdrawal and are widely considered to be powerful tools for recovery when combined with counseling and other social support.\u003c/p>\n\u003cfigure id=\"attachment_11986534\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986534\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/021_KQED_OBICBuprenorphineClinic_03292023_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/021_KQED_OBICBuprenorphineClinic_03292023_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/021_KQED_OBICBuprenorphineClinic_03292023_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/021_KQED_OBICBuprenorphineClinic_03292023_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/021_KQED_OBICBuprenorphineClinic_03292023_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/021_KQED_OBICBuprenorphineClinic_03292023_qut-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Buprenorphine and Naloxone tablets sit on a counter at the Community Behavior Health Services pharmacy in San Francisco on March 29, 2023, while signs in the background say, ‘You are Loved’ and ‘Recovery, Wellness, Family.’ \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>However, experts say that significant barriers to taking the medication exist. For example, people who take methadone, which has been used to treat opioid addiction since the 1970s, historically have had to meet strict prescriber regulations compared to most medications. This includes having to visit clinics daily in person to access their prescriptions under supervision and take frequent drug tests.\u003c/p>\n\u003cp>Those rules are slowly starting to shift.\u003c/p>\n\u003cp>This year, the federal government agreed to expand access to methadone by removing a requirement for practitioners to complete additional training and obtain a special waiver before prescribing the medication.\u003c/p>\n\u003cp>The regulations change also allows for take-home medications rather than showing up daily when appropriate, as well as the option to prescribe larger doses as the potency of opioids in the illicit drug market has changed. For instance, fentanyl, which was involved in the majority of overdose deaths in San Francisco in 2023, is 50 times stronger than heroin.\u003c/p>\n\u003cp>At the state level, \u003ca href=\"https://www.kqed.org/science/1992298/a-bay-area-lawmaker-pushes-to-expand-access-to-methadone\">Assemblymember Matt Haney\u003c/a>, who represents San Francisco, has proposed a bill that aims to align California law with federal regulations to reduce barriers to treatment for opioid use disorder.\u003c/p>\n\u003cp>Despite those efforts and having more people available to prescribe buprenorphine, utilization of the medication has not dramatically changed, according to one \u003ca href=\"https://www.nejm.org/doi/pdf/10.1056/NEJMc2312906\">2024 study\u003c/a>. That’s led lawmakers and health experts to seek other ways to expand access.\u003c/p>\n\u003cp>This week, a handful of city leaders announced they want to \u003ca href=\"https://www.documentcloud.org/documents/24663736-file_7040\">require pharmacies to stock the medication\u003c/a>.\u003c/p>\n\u003cp>“If San Francisco will be successful in incentivizing long-term recovery from addiction, we need to make sure that buprenorphine is available at pharmacies,” Supervisor Matt Dorsey told KQED. “I don’t know what the excuse is for not carrying it, but we need to end that excuse and make sure it’s a requirement to carry.”\u003c/p>\n\u003cp>Supervisors Rafael Mandelman, Hillary Ronen and Dean Preston are co-sponsoring the legislation, which SFDPH believes is the first of its kind in the country. The new law would update the city’s health code so that any pharmacy that carries controlled substances must stock buprenorphine for at least two new prescriptions.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“When my office worked with DPH to create the city’s first \u003ca href=\"https://www.sf.gov/reports/october-2022/overdose-prevention-plan-2022\">Overdose Prevention Plan\u003c/a>, expanding access to buprenorphine and other medications was identified as a key area of need,” Supervisor Dean Preston told KQED, referring to the city’s 2022 blueprint to combat overdoses. “I am proud to co-sponsor this sensible and important legislation to ensure that buprenorphine is available in every neighborhood for anyone who needs it.”\u003c/p>\n\u003cp>Last year, Dorsey proposed legislation that would \u003ca href=\"https://sfstandard.com/2023/06/27/sf-pharmacies-carry-drug-overdose-reversal-meds/\">require all pharmacies to carry Naloxone\u003c/a>, a nasal spray that can reverse an opioid overdose. The \u003ca href=\"https://www.fda.gov/news-events/press-announcements/fda-approves-first-over-counter-naloxone-nasal-spray\">FDA approved over-the-counter Naloxone\u003c/a> in 2023.\u003c/p>\n\u003cp>Experts say making buprenorphine available as soon as someone decides they want to change their drug use patterns is essential to helping people move into and through recovery.\u003c/p>\n\u003cp>People who used medication-assisted treatments such as methadone or buprenorphine were 80% less likely to die of an opioid overdose compared to people in treatment without the medications, according to a \u003ca href=\"https://onlinelibrary.wiley.com/doi/10.1111/add.14991\">2020 study\u003c/a> in the medical journal \u003cem>Addiction\u003c/em>.\u003c/p>\n\u003cp>San Francisco is already building out new pathways to access buprenorphine, such as home delivery programs for people living in the city’s permanent supportive housing and expanding hours for the public behavioral health pharmacy. But leaders on both sides of the political aisle say there’s still plenty of work to do.\u003c/p>\n\u003cp>“In today’s fentanyl era, anyone who makes the brave choice to seek recovery from opioid use disorder is really in a race against the clock on overpowering cravings and debilitating withdrawal symptoms,” Dorsey told KQED. “If that medication is not readily available to offer relief, we know life-threatening drugs are available on the streets.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "SF Jury Acquits Man Accused of Castro Hate Crimes After Nearly a Year in Jail",
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"content": "\u003cp>A San Francisco jury acquitted a man who spent nearly a year in custody after he was accused of shouting anti-gay slurs and throwing a glass object at two men in the Castro, his attorneys said Wednesday.\u003c/p>\n\u003cp>Muhammed Abdullah, 21, was wrongly charged with battery, theft, assault and hate crime allegations in connection with two incidents from last June, according to the San Francisco public defender’s office. He had no previous criminal record.\u003c/p>\n\u003cp>A police officer admitted in court that “he had misrepresented the facts in a police report” from June 3, the public defender’s office said, adding that police also failed to investigate a separate June 5 incident properly.\u003c/p>\n\u003cp>The San Francisco Police Department and the district attorney’s office did not immediately respond to a request for comment.\u003c/p>\n\u003cp>In the June 3 incident, the original police report said Abdullah attacked someone unprovoked. But Abdullah was acquitted of battery because he fought back in self-defense after he was grabbed from behind by someone offended by a sign Abdullah was carrying, the public defender’s office wrote.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the June 5 incident, Mission Station SFPD officers detained Abdullah on 18th and Church streets after reports of an aggravated assault, according to an SFPD statement at the time. Police alleged Abdullah was following two men down the street, shouting anti-LGBTQ language at them. Abdullah was booked on counts of assault with a deadly weapon and two counts of committing a hate crime, as well as resisting arrest.\u003c/p>\n\u003cp>“These kinds of attacks are unacceptable,” Police Chief William Scott said in a statement last year. “It’s especially troubling that this incident took place as we celebrate Pride month in San Francisco. Anyone who threatens or harms someone based on being a member of the LGBTQ community will be held accountable.”\u003c/p>\n\u003cp>The district attorney’s office wrote, in a statement, that they take every case seriously and put forward their best case based on the evidence and legal burden of proof. \u003c/p>\n\u003cp>“Our office was presented with evidence that Mr. Abdullah attacked three members of the LGBTQ community in the Castro on June 3, 2023, and June 5, 2023, and when he did so, he expressed homophobic views verbally and in writing,” said the DA’s statement sent to KQED.\u003c/p>\n\u003cp>However, according to the public defender’s office, “police failed to gather any forensic evidence or available surveillance footage to support” the claim that Abdullah had thrown a glass object at the men.\u003c/p>\n\u003cp>“The jury was rightfully critical of the misleading police work and held the state to its burden of proof, which was wholly insufficient in this case,” said Tal Klement, a deputy public defender who represented Abdullah.\u003c/p>\n\u003cp>Abdullah was in a mental health crisis the day he was arrested, the public defender’s office said. \u003c/p>\n\u003cp>He continued to speak out against LGTBQ people in court, the Bay Area Reporter wrote in June last year. The LGBTQ community is “against God” and “going against families,” Abdullah said, \u003ca href=\"https://www.ebar.com/story.php?ch=news&sc=crime&id=325948\">according to the newspaper\u003c/a>.\u003c/p>\n\u003cp>The newspaper also reported Abdullah was screaming to himself in jail before he appeared before Superior Court Judge Victor Hwang in June.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Abdullah was jailed ahead of trial because the court ruled he was a risk to public safety, denying his petition for a mental health diversion, according to the district attorney’s office.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A San Francisco jury acquitted a man who spent nearly a year in custody after he was accused of shouting anti-gay slurs and throwing a glass object at two men in the Castro, his attorneys said Wednesday.\u003c/p>\n\u003cp>Muhammed Abdullah, 21, was wrongly charged with battery, theft, assault and hate crime allegations in connection with two incidents from last June, according to the San Francisco public defender’s office. He had no previous criminal record.\u003c/p>\n\u003cp>A police officer admitted in court that “he had misrepresented the facts in a police report” from June 3, the public defender’s office said, adding that police also failed to investigate a separate June 5 incident properly.\u003c/p>\n\u003cp>The San Francisco Police Department and the district attorney’s office did not immediately respond to a request for comment.\u003c/p>\n\u003cp>In the June 3 incident, the original police report said Abdullah attacked someone unprovoked. But Abdullah was acquitted of battery because he fought back in self-defense after he was grabbed from behind by someone offended by a sign Abdullah was carrying, the public defender’s office wrote.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the June 5 incident, Mission Station SFPD officers detained Abdullah on 18th and Church streets after reports of an aggravated assault, according to an SFPD statement at the time. Police alleged Abdullah was following two men down the street, shouting anti-LGBTQ language at them. Abdullah was booked on counts of assault with a deadly weapon and two counts of committing a hate crime, as well as resisting arrest.\u003c/p>\n\u003cp>“These kinds of attacks are unacceptable,” Police Chief William Scott said in a statement last year. “It’s especially troubling that this incident took place as we celebrate Pride month in San Francisco. Anyone who threatens or harms someone based on being a member of the LGBTQ community will be held accountable.”\u003c/p>\n\u003cp>The district attorney’s office wrote, in a statement, that they take every case seriously and put forward their best case based on the evidence and legal burden of proof. \u003c/p>\n\u003cp>“Our office was presented with evidence that Mr. Abdullah attacked three members of the LGBTQ community in the Castro on June 3, 2023, and June 5, 2023, and when he did so, he expressed homophobic views verbally and in writing,” said the DA’s statement sent to KQED.\u003c/p>\n\u003cp>However, according to the public defender’s office, “police failed to gather any forensic evidence or available surveillance footage to support” the claim that Abdullah had thrown a glass object at the men.\u003c/p>\n\u003cp>“The jury was rightfully critical of the misleading police work and held the state to its burden of proof, which was wholly insufficient in this case,” said Tal Klement, a deputy public defender who represented Abdullah.\u003c/p>\n\u003cp>Abdullah was in a mental health crisis the day he was arrested, the public defender’s office said. \u003c/p>\n\u003cp>He continued to speak out against LGTBQ people in court, the Bay Area Reporter wrote in June last year. The LGBTQ community is “against God” and “going against families,” Abdullah said, \u003ca href=\"https://www.ebar.com/story.php?ch=news&sc=crime&id=325948\">according to the newspaper\u003c/a>.\u003c/p>\n\u003cp>The newspaper also reported Abdullah was screaming to himself in jail before he appeared before Superior Court Judge Victor Hwang in June.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Abdullah was jailed ahead of trial because the court ruled he was a risk to public safety, denying his petition for a mental health diversion, according to the district attorney’s office.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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},
"closealltabs": {
"id": "closealltabs",
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"order": 9
},
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"id": "freakonomics-radio",
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"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
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"npr": "https://www.npr.org/podcasts/432309616/perspectives",
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
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