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"disqusTitle": "Tehama Deputies Were Called 21 Times in Year Before Shooting Rampage",
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"content": "\u003cp>Sheriff's records show that deputies responded 21 times in the past year to calls involving a Tehama County man who had been quarreling with neighbors -- disputes that culminated last week in shootings that left five dead.\u003c/p>\n\u003cp>The records, released to The Associated Press in response to a public records request, detail a quickly escalating feud between the gunman, Kevin Neal, and his neighbors along a dirt road in rural Rancho Tehama Reserve.\u003c/p>\n\u003cp>The yearlong dispute spiraled out of control when Neal killed his wife and two neighbors before shooting at an elementary school in what authorities say may have been an attempt to kill a neighbor's 7-year-old son.\u003c/p>\n\u003cp>[contextly_sidebar id=\"vXF9tLU14EhfAAEPZbs3zYsByPi33gs1\"]\u003c/p>\n\u003cp>Neal killed two other people and wounded eight more during the 45-minute rampage before he was killed in a shootout with police.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Neal was out on bail in January after being arrested that month on suspicion of stabbing neighbor Hailey Poland and accosting her and Diana Lee Steele, who was one of the first people killed in the rampage.\u003c/p>\n\u003cp>The women had called the Tehama County Sheriff's Department several times to report Neal had been firing a gun, sometimes at their homes and cars.\u003c/p>\n\u003cp>However, no one ever reported actually seeing Neal holding a gun or firing it at them, Assistant Sheriff Phil Johnston said Tuesday.\u003c/p>\n\u003cp>\"I've reviewed every one of those (dispatch records) and not one person could say they saw Mr. Neal with a firearm,\" Johnston said. \"No one could say they absolutely came from his residence.\"\u003c/p>\n\u003cp>Records show seven of the calls were initiated by Neal and his wife, Barbara Glisan, often reporting foul odors and neighbors possibly cooking methamphetamine.\u003c/p>\n\u003cp>Investigators believe Neal killed Glisan the day before the rampage and stuffed her body under the floorboards of their house. Authorities said neighbors had heard an altercation between the couple but didn't report it until after the rampage.\u003c/p>\n\u003cp>In the previous incident, the women told investigators they were walking to a nearby creek near Neal's house, when he jumped over a fence, pulled a knife and accused the women of trying to poison his dogs. Poland tried to record the altercation with her phone when Neal stabbed her, the reports said.\u003c/p>\n\u003cp>When deputies arrived, Neal used expletives to describe the women and told authorities that he believed they had thrown a box of rat poison into his backyard to kill his dogs.\u003c/p>\n\u003cp>He also alleged that Steele punched him when he confronted the women and that Poland must have stabbed herself.\u003c/p>\n\u003cp>Neal was arrested, an AR-15 rifle was seized from his home, and he was later released after posting $160,000 bail.\u003c/p>\n\u003cp>Poland filed for a restraining order a week later, writing in a plea to a judge that Neal \"is very unpredictable and unstable ... has anger issues.\"\u003c/p>\n\u003cp>A judge granted the order, compelling him to stay away from his neighbor and her family, and barred him from possessing guns. Records show Neal certified that he surrendered his weapons in February, but Johnston said investigators believe he used two homemade assault rifles and two handguns registered to someone else in the rampage.\u003c/p>\n\u003cp>District Attorney Gregg Cohen has said sheriff's officials never informed his office about the repeated calls accusing Neal of possibly firing a gun, which would have been a violation of the court order.\u003c/p>\n\u003cp>Johnston said prosecutors had access to the sheriff's records and could have reached out to the victims if they were concerned, but deputies didn't have probable cause to search Neal's house to see if he still had guns.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I'll say this: Were we confident that Mr. Neal surrendered all of his firearms? No. Did we have probable cause to search (for them)? No,\" Johnston said.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Neal was out on bail in January after being arrested that month on suspicion of stabbing neighbor Hailey Poland and accosting her and Diana Lee Steele, who was one of the first people killed in the rampage.\u003c/p>\n\u003cp>The women had called the Tehama County Sheriff's Department several times to report Neal had been firing a gun, sometimes at their homes and cars.\u003c/p>\n\u003cp>However, no one ever reported actually seeing Neal holding a gun or firing it at them, Assistant Sheriff Phil Johnston said Tuesday.\u003c/p>\n\u003cp>\"I've reviewed every one of those (dispatch records) and not one person could say they saw Mr. Neal with a firearm,\" Johnston said. \"No one could say they absolutely came from his residence.\"\u003c/p>\n\u003cp>Records show seven of the calls were initiated by Neal and his wife, Barbara Glisan, often reporting foul odors and neighbors possibly cooking methamphetamine.\u003c/p>\n\u003cp>Investigators believe Neal killed Glisan the day before the rampage and stuffed her body under the floorboards of their house. Authorities said neighbors had heard an altercation between the couple but didn't report it until after the rampage.\u003c/p>\n\u003cp>In the previous incident, the women told investigators they were walking to a nearby creek near Neal's house, when he jumped over a fence, pulled a knife and accused the women of trying to poison his dogs. Poland tried to record the altercation with her phone when Neal stabbed her, the reports said.\u003c/p>\n\u003cp>When deputies arrived, Neal used expletives to describe the women and told authorities that he believed they had thrown a box of rat poison into his backyard to kill his dogs.\u003c/p>\n\u003cp>He also alleged that Steele punched him when he confronted the women and that Poland must have stabbed herself.\u003c/p>\n\u003cp>Neal was arrested, an AR-15 rifle was seized from his home, and he was later released after posting $160,000 bail.\u003c/p>\n\u003cp>Poland filed for a restraining order a week later, writing in a plea to a judge that Neal \"is very unpredictable and unstable ... has anger issues.\"\u003c/p>\n\u003cp>A judge granted the order, compelling him to stay away from his neighbor and her family, and barred him from possessing guns. Records show Neal certified that he surrendered his weapons in February, but Johnston said investigators believe he used two homemade assault rifles and two handguns registered to someone else in the rampage.\u003c/p>\n\u003cp>District Attorney Gregg Cohen has said sheriff's officials never informed his office about the repeated calls accusing Neal of possibly firing a gun, which would have been a violation of the court order.\u003c/p>\n\u003cp>Johnston said prosecutors had access to the sheriff's records and could have reached out to the victims if they were concerned, but deputies didn't have probable cause to search Neal's house to see if he still had guns.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I'll say this: Were we confident that Mr. Neal surrendered all of his firearms? No. Did we have probable cause to search (for them)? No,\" Johnston said.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Federal regulators are on track to loosen regulations of cable and telecom companies.\u003c/p>\n\u003cp>The Federal Communications Commission will vote Dec. 14 on a plan to undo the landmark 2015 rules that had placed internet service providers like Comcast and Verizon under the strictest-ever regulatory oversight.\u003c/p>\n\u003cp>The vote is expected to repeal so-called net neutrality rules, which prevent broadband companies from slowing down or blocking any sites or apps, or otherwise deciding what content gets to users faster.\u003c/p>\n\u003cp>[contextly_sidebar id=\"Nj2A5tfy4q0y0Tpgw8UdUuRPuCltZ81S\"]FCC Chairman \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/01/23/510844936/trumps-telecom-chief-is-ajit-pai-critic-of-net-neutrality-rules\">Ajit Pai\u003c/a> on Tuesday said \u003ca href=\"https://www.wsj.com/articles/how-the-fcc-can-save-the-open-internet-1511281099?mod=e2two\">his repeal proposal\u003c/a> would \"stop micromanaging the internet.\" Instead his plan would require internet providers to disclose what exactly they're doing – for example, whether they allow some websites or apps to pay extra for faster streaming.\u003c/p>\n\u003cp>This would essentially shift the enforcement of net neutrality to the Federal Trade Commission, which polices violators rather than pre-empts the violations in the first place.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The five-member FCC has a Republican majority, including Pai, suggesting that his plan — called \"The Restoring Internet Freedom Order\" — will pass. As with \u003ca href=\"https://www.npr.org/tags/132227849/net-neutrality\">various iterations of the rules\u003c/a> over the past decade, the rules would likely face a lawsuit. The 2015 rules were the first version to be \u003ca href=\"https://www.npr.org/sections/thetwo-way/2016/06/14/471286113/u-s-appeals-court-holds-up-net-neutrality-rules-in-full\">upheld in court in full\u003c/a>.\u003c/p>\n\u003cp>Telecom and cable companies have long argued that the FCC's attempts to regulate privacy and internet behavior put them on an unequal footing with other internet companies that collect data on users, like Google and Netflix, which are only overseen by the FTC.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.nytimes.com/2017/11/21/technology/fcc-repeal-net-neutrality.html?_r=0\">New York Times has reported\u003c/a> that Pai's plan would put more power in the hands of internet providers \"to dictate people's online experiences\":\u003c/p>\n\u003cblockquote>\u003cp>\"Under a repeal, companies like AT&T and Comcast may be able to charge people higher fees to access certain websites and online services. The companies may also be able to prioritize their own services while disadvantaging websites run by rivals.\"\u003c/p>\u003c/blockquote>\n\u003cp>Pai — a free-market advocate who has staked his FCC chairmanship on deregulation — has argued that the FCC's 2015 rules have depressed companies' investments in building and expanding broadband networks and deterred them from coming up with new consumer-friendly business models.\u003c/p>\n\u003cp>As we've \u003ca href=\"https://www.npr.org/sections/alltechconsidered/2017/07/11/535804285/internet-companies-plan-online-campaign-to-keep-net-neutrality-rules\">reported before\u003c/a>, dozens of consumer advocacy groups, including Fight for the Future, Demand Progress and the ACLU, have supported the strong net neutrality rules — aligned with companies like Netflix, Google, Etsy, Vimeo, Reddit and Amazon.\u003c/p>\n\u003cp>\"We haven't actually lived in a world where fully the ISPs could block access,\" Denelle Dixon, chief legal and business officer at Mozilla, told NPR in the summer when Pai's plan began taking shape. \"This is the world we need to imagine now.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Editor's Note: NPR's legal counsel has filed comments with the FCC on the net neutrality proposal, in opposition to deregulation. \u003c/em>\u003ca href=\"https://ecfsapi.fcc.gov/file/10717112197099/NPR%20Restoring%20Internet%20Freedom%20Comments.Final.pdf\">\u003cem>You can read them here.\u003c/em>\u003c/a>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 \u003ca href=\"http://www.npr.org/\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>. \u003c/em>\u003c/div>\n\n",
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"disqusTitle": "Charlie Rose Fired By CBS After 8 Women Accused Him Of Sexual Harassment",
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"content": "\u003cp>\u003cstrong>Updated at 10:15 a.m. PST Tuesday\u003c/strong>\u003c/p>\n\u003cp>Veteran television host Charlie Rose has been fired by CBS, a day after eight women told \u003cem>The Washington Post\u003c/em> that he \u003ca href=\"https://www.washingtonpost.com/investigations/eight-women-say-charlie-rose-sexually-harassed-them--with-nudity-groping-and-lewd-calls/2017/11/20/9b168de8-caec-11e7-8321-481fd63f174d_story.html?utm_term=.816725596eca\">sexually harassed them\u003c/a> between the late 1990s and 2011.\u003c/p>\n\u003cp>The president of CBS News, David Rhodes, announced Rose's termination on Tuesday. His firing is effective immediately.\u003c/p>\n\u003cp>\"Despite Charlie's important journalistic contribution to our news division, there is absolutely nothing more important, in this or any organization, than ensuring a safe, professional workplace,\" Rhodes wrote. \" ... What may once have been accepted should not ever have been acceptable.\"\u003c/p>\n\u003cp>Rose has apologized for what he acknowledged was \"inappropriate behavior.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Three of the eight women with accusations against him spoke on the record, revealing their identities, says the \u003cem>Post.\u003c/em> Five others spoke on the condition of anonymity for fear of retaliation. The \u003cem>Post\u003c/em> says that all of the women were between the ages of 21 and 37 at the time of their unwanted encounters; had offered \"striking commonalities\" in their accounts; and all had confided with friends, family and colleagues about the incidents at the time.\u003c/p>\n\u003cp>Their allegations of Rose's groping, lewd phone calls and his walking around naked in their presence are laid out in a \u003ca href=\"https://www.washingtonpost.com/investigations/eight-women-say-charlie-rose-sexually-harassed-them--with-nudity-groping-and-lewd-calls/2017/11/20/9b168de8-caec-11e7-8321-481fd63f174d_story.html?utm_term=.816725596eca\">lengthy article\u003c/a> published Monday.\u003c/p>\n\u003cp>In the immediate aftermath of the \u003cem>Post\u003c/em>'s report, PBS said that it would halt distribution of his show.\u003c/p>\n\u003cp>Rose is the second major media news figure to be suspended from work Monday in the face of allegations of sexual improprieties.\u003c/p>\n\u003cp>\u003cem>The New York Times,\u003c/em> earlier in the day, \u003ca href=\"https://www.nytimes.com/2017/11/20/business/media/glenn-thrush-sexual-misconduct.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=first-column-region®ion=top-news&WT.nav=top-news&_r=0\">announced\u003c/a> that it has suspended one of its star reporters, White House correspondent Glenn Thrush, after several women accused him of unwanted kissing and touching.\u003c/p>\n\u003cp>The \u003cem>Charlie Rose\u003c/em> show airs on PBS. Rose, 75, is also a co-host of \u003cem>CBS This Morning\u003c/em> and a contributing correspondent for \u003cem>60 Minutes.\u003c/em>\u003c/p>\n\u003cp>The \u003cem>Post\u003c/em> reports:\u003c/p>\n\u003cblockquote>\u003cp>\"Most of the women said Rose alternated between fury and flattery in his interactions with them. Five described Rose putting his hand on their legs, sometimes their upper thigh, in what they perceived as a test to gauge their reactions. Two said that while they were working for Rose at his residences or were traveling with him on business, he emerged from the shower and walked naked in front of them. One said he groped her buttocks at a staff party.\"\u003c/p>\u003c/blockquote>\n\u003cp>In a statement provided to the\u003cem> Post,\u003c/em> Rose apologized for his past behavior.\u003c/p>\n\u003cblockquote>\u003cp>\"It is essential that these women know I hear them and that I deeply apologize for my inappropriate behavior. I am greatly embarrassed. I have behaved insensitively at times, and I accept responsibility for that, though I do not believe that all of these allegations are accurate. I always felt that I was pursuing shared feelings, even though I now realize I was mistaken.\"\u003c/p>\u003c/blockquote>\n\u003cp>The \u003cem>Post\u003c/em> reports that they found additional female former employees of Rose's who said they had been harassed. About two dozen spoke with the paper on the condition of anonymity.\u003c/p>\n\u003cblockquote>\u003cp>\"Six said they saw what they considered to be harassment, eight said they were uncomfortable with Rose's treatment of female employees, and 10 said they did not see or hear anything concerning.\u003c/p>\n\u003cp>\" 'He was always professional with me,' said Eleonore Marchand Mueller, a former assistant of Rose's who worked for him from 2003 to 2005. 'I never witnessed any unprofessional incidents.' \"\u003c/p>\u003c/blockquote>\n\u003cp>One woman, Kyle Godfrey-Ryan, described as one of Rose's assistants in the mid-2000s, said that she had reported the talk show host's unwanted advances to Rose's longtime executive producer, Yvette Vega.\u003c/p>\n\u003cp>For her part, Vega, in a statement to the \u003cem>Post,\u003c/em> said she should have protected the young women.\u003c/p>\n\u003cblockquote>\u003cp>\"I should have stood up for them,\" said Vega, 52, who has worked with Rose since the show was created in 1991. \"I failed. It is crushing. I deeply regret not helping them.\"\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>Allegations of long-standing patterns of sexual harassment have brought down multiple powerful men over the last few weeks — in Hollywood, in sports, in business, in politics and at media organizations, including NPR.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 \u003ca href=\"http://www.npr.org/\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>. \u003c/em>\u003c/div>\n\n",
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"excerpt": "The star of the highly regarded PBS talk show \u003cem>Charlie Rose\u003c/em> and co-host of \u003cem>CBS This Morning\u003c/em> issued a statement apologizing for his actions. On Tuesday, CBS announced it had terminated his employment.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Updated at 10:15 a.m. PST Tuesday\u003c/strong>\u003c/p>\n\u003cp>Veteran television host Charlie Rose has been fired by CBS, a day after eight women told \u003cem>The Washington Post\u003c/em> that he \u003ca href=\"https://www.washingtonpost.com/investigations/eight-women-say-charlie-rose-sexually-harassed-them--with-nudity-groping-and-lewd-calls/2017/11/20/9b168de8-caec-11e7-8321-481fd63f174d_story.html?utm_term=.816725596eca\">sexually harassed them\u003c/a> between the late 1990s and 2011.\u003c/p>\n\u003cp>The president of CBS News, David Rhodes, announced Rose's termination on Tuesday. His firing is effective immediately.\u003c/p>\n\u003cp>\"Despite Charlie's important journalistic contribution to our news division, there is absolutely nothing more important, in this or any organization, than ensuring a safe, professional workplace,\" Rhodes wrote. \" ... What may once have been accepted should not ever have been acceptable.\"\u003c/p>\n\u003cp>Rose has apologized for what he acknowledged was \"inappropriate behavior.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Three of the eight women with accusations against him spoke on the record, revealing their identities, says the \u003cem>Post.\u003c/em> Five others spoke on the condition of anonymity for fear of retaliation. The \u003cem>Post\u003c/em> says that all of the women were between the ages of 21 and 37 at the time of their unwanted encounters; had offered \"striking commonalities\" in their accounts; and all had confided with friends, family and colleagues about the incidents at the time.\u003c/p>\n\u003cp>Their allegations of Rose's groping, lewd phone calls and his walking around naked in their presence are laid out in a \u003ca href=\"https://www.washingtonpost.com/investigations/eight-women-say-charlie-rose-sexually-harassed-them--with-nudity-groping-and-lewd-calls/2017/11/20/9b168de8-caec-11e7-8321-481fd63f174d_story.html?utm_term=.816725596eca\">lengthy article\u003c/a> published Monday.\u003c/p>\n\u003cp>In the immediate aftermath of the \u003cem>Post\u003c/em>'s report, PBS said that it would halt distribution of his show.\u003c/p>\n\u003cp>Rose is the second major media news figure to be suspended from work Monday in the face of allegations of sexual improprieties.\u003c/p>\n\u003cp>\u003cem>The New York Times,\u003c/em> earlier in the day, \u003ca href=\"https://www.nytimes.com/2017/11/20/business/media/glenn-thrush-sexual-misconduct.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=first-column-region®ion=top-news&WT.nav=top-news&_r=0\">announced\u003c/a> that it has suspended one of its star reporters, White House correspondent Glenn Thrush, after several women accused him of unwanted kissing and touching.\u003c/p>\n\u003cp>The \u003cem>Charlie Rose\u003c/em> show airs on PBS. Rose, 75, is also a co-host of \u003cem>CBS This Morning\u003c/em> and a contributing correspondent for \u003cem>60 Minutes.\u003c/em>\u003c/p>\n\u003cp>The \u003cem>Post\u003c/em> reports:\u003c/p>\n\u003cblockquote>\u003cp>\"Most of the women said Rose alternated between fury and flattery in his interactions with them. Five described Rose putting his hand on their legs, sometimes their upper thigh, in what they perceived as a test to gauge their reactions. Two said that while they were working for Rose at his residences or were traveling with him on business, he emerged from the shower and walked naked in front of them. One said he groped her buttocks at a staff party.\"\u003c/p>\u003c/blockquote>\n\u003cp>In a statement provided to the\u003cem> Post,\u003c/em> Rose apologized for his past behavior.\u003c/p>\n\u003cblockquote>\u003cp>\"It is essential that these women know I hear them and that I deeply apologize for my inappropriate behavior. I am greatly embarrassed. I have behaved insensitively at times, and I accept responsibility for that, though I do not believe that all of these allegations are accurate. I always felt that I was pursuing shared feelings, even though I now realize I was mistaken.\"\u003c/p>\u003c/blockquote>\n\u003cp>The \u003cem>Post\u003c/em> reports that they found additional female former employees of Rose's who said they had been harassed. About two dozen spoke with the paper on the condition of anonymity.\u003c/p>\n\u003cblockquote>\u003cp>\"Six said they saw what they considered to be harassment, eight said they were uncomfortable with Rose's treatment of female employees, and 10 said they did not see or hear anything concerning.\u003c/p>\n\u003cp>\" 'He was always professional with me,' said Eleonore Marchand Mueller, a former assistant of Rose's who worked for him from 2003 to 2005. 'I never witnessed any unprofessional incidents.' \"\u003c/p>\u003c/blockquote>\n\u003cp>One woman, Kyle Godfrey-Ryan, described as one of Rose's assistants in the mid-2000s, said that she had reported the talk show host's unwanted advances to Rose's longtime executive producer, Yvette Vega.\u003c/p>\n\u003cp>For her part, Vega, in a statement to the \u003cem>Post,\u003c/em> said she should have protected the young women.\u003c/p>\n\u003cblockquote>\u003cp>\"I should have stood up for them,\" said Vega, 52, who has worked with Rose since the show was created in 1991. \"I failed. It is crushing. I deeply regret not helping them.\"\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>Allegations of long-standing patterns of sexual harassment have brought down multiple powerful men over the last few weeks — in Hollywood, in sports, in business, in politics and at media organizations, including NPR.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 \u003ca href=\"http://www.npr.org/\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>. \u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A federal judge on Monday permanently blocked President Trump's executive order to cut funding from cities that limit cooperation with U.S. immigration authorities.\u003c/p>\n\u003cp>U.S. District Court Judge William Orrick rejected the administration's argument that the executive order applies only to a relatively small pot of money and said Trump cannot set new conditions on spending approved by Congress.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/news/2017/04/25/federal-judge-blocks-trump-order-on-sanctuary-city-funding/\" target=\"_blank\" rel=\"noopener\">The judge had previously made the same arguments in a ruling\u003c/a> that put a temporary hold on the executive order targeting so-called sanctuary cities. The Trump administration has appealed that decision to the 9th U.S. Circuit Court of Appeals.\u003c/p>\n\u003cp>\"The District Court exceeded its authority today when it barred the President from instructing his cabinet members to enforce existing law,\" said Department of Justice spokesman Devin O'Malley in a statement late Monday. \"The Justice Department will vindicate the President's lawful authority to direct the executive branch.\"\u003c/p>\n\u003cp>[contextly_sidebar id=\"ytCvOKr5VYy6NFS2m6JOAoXVIvlxjEsJ\"]Orrick's ruling came in lawsuits brought by two California counties, San Francisco and Santa Clara.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>San Francisco City Attorney Dennis Herrera said the ruling was \"a victory for the American people and the rule of law.\"\u003c/p>\n\u003cp>\"President Trump might be able to tweet whatever comes to mind, but he can't grant himself new authority because he feels like it,\" he said in a statement.\u003c/p>\n\u003cp>A lawyer for the DOJ argued during a hearing before Orrick in April that the executive order applied to only a few grants that would affect less than $1 million for Santa Clara County and possibly no money for San Francisco.\u003c/p>\n\u003cp>But the judge disagreed, saying in his rulings that the order was written broadly to \"reach all federal grants\" and potentially jeopardized hundreds of millions of dollars in funding to San Francisco and Santa Clara.\u003c/p>\n\u003cp>He cited comments by the president and Attorney General Jeff Sessions as evidence that the order was intended to target a wide array of federal funding. And he said the president himself had called it a \"weapon\" to use against recalcitrant cities.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Trump administration separately has also moved to withhold one particular law enforcement grant from sanctuary cities, prompting \u003ca href=\"https://ww2.kqed.org/news/2017/08/14/s-f-and-california-attorney-general-announce-lawsuit-challenging-latest-trump-sanctuary-city-policies/\" target=\"_blank\" rel=\"noopener\">a new round of lawsuits\u003c/a> that are still pending.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A federal judge on Monday permanently blocked President Trump's executive order to cut funding from cities that limit cooperation with U.S. immigration authorities.\u003c/p>\n\u003cp>U.S. District Court Judge William Orrick rejected the administration's argument that the executive order applies only to a relatively small pot of money and said Trump cannot set new conditions on spending approved by Congress.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/news/2017/04/25/federal-judge-blocks-trump-order-on-sanctuary-city-funding/\" target=\"_blank\" rel=\"noopener\">The judge had previously made the same arguments in a ruling\u003c/a> that put a temporary hold on the executive order targeting so-called sanctuary cities. The Trump administration has appealed that decision to the 9th U.S. Circuit Court of Appeals.\u003c/p>\n\u003cp>\"The District Court exceeded its authority today when it barred the President from instructing his cabinet members to enforce existing law,\" said Department of Justice spokesman Devin O'Malley in a statement late Monday. \"The Justice Department will vindicate the President's lawful authority to direct the executive branch.\"\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>Orrick's ruling came in lawsuits brought by two California counties, San Francisco and Santa Clara.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>San Francisco City Attorney Dennis Herrera said the ruling was \"a victory for the American people and the rule of law.\"\u003c/p>\n\u003cp>\"President Trump might be able to tweet whatever comes to mind, but he can't grant himself new authority because he feels like it,\" he said in a statement.\u003c/p>\n\u003cp>A lawyer for the DOJ argued during a hearing before Orrick in April that the executive order applied to only a few grants that would affect less than $1 million for Santa Clara County and possibly no money for San Francisco.\u003c/p>\n\u003cp>But the judge disagreed, saying in his rulings that the order was written broadly to \"reach all federal grants\" and potentially jeopardized hundreds of millions of dollars in funding to San Francisco and Santa Clara.\u003c/p>\n\u003cp>He cited comments by the president and Attorney General Jeff Sessions as evidence that the order was intended to target a wide array of federal funding. And he said the president himself had called it a \"weapon\" to use against recalcitrant cities.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Trump administration separately has also moved to withhold one particular law enforcement grant from sanctuary cities, prompting \u003ca href=\"https://ww2.kqed.org/news/2017/08/14/s-f-and-california-attorney-general-announce-lawsuit-challenging-latest-trump-sanctuary-city-policies/\" target=\"_blank\" rel=\"noopener\">a new round of lawsuits\u003c/a> that are still pending.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The lead prosecutor in the case against a Mexican citizen accused of murder in the 2015 slaying of \u003ca href=\"https://ww2.kqed.org/news/tag/kathryn-steinle/\" target=\"_blank\" rel=\"noopener\">Kathryn Steinle\u003c/a> told a San Francisco jury Monday that the defendant \"was playing his own secret version of Russian roulette\" when he decided to fire the fatal shot.\u003c/p>\n\u003cp>Jose Ines Garcia Zarate's lead defense attorney responded that the largely circumstantial evidence -- including the bullet's ricochet off the concrete pier before it struck Steinle -- doesn't support beyond a reasonable doubt the theory that the shot was intentional.\u003c/p>\n\u003cp>Both sides gave closing arguments Monday after nearly a month of testimony in the \u003ca href=\"https://ww2.kqed.org/news/2017/10/19/how-a-san-francisco-killing-became-part-of-the-u-s-immigration-debate/\" target=\"_blank\" rel=\"noopener\">high-profile case\u003c/a> that has been cited by conservative politicians and pundits as an example of violence committed by undocumented immigrants under the protection of so-called sanctuary cities like San Francisco.\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/tcr/2017/11/SteinleTrialEmslie.mp3\" Image=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27826_IMG_3413-qut-1180x885.jpg\" Title=\"Defendant's Intent Debated as Steinle Murder Trial Closes\" program=\"News Fix\"]\u003c/p>\n\u003cp>\"Kate Steinle was wiped off the face of this Earth while in her father's arms because of this man's actions,\" prosecutor Diana Garcia said as she pointed toward Garcia Zarate.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The shot's origin is not in dispute, but Garcia Zarate's intentions are. According to \u003ca href=\"https://www.documentcloud.org/documents/4254818-171120-Jury-Instructions.html\" target=\"_blank\" rel=\"noopener\">instructions read to the jury\u003c/a>, if Steinle's killing on July 1, 2015, was willful, deliberate and premeditated, it would justify a first-degree murder conviction. If her killing was the result of a dangerous act likely to cause someone's death, the jury could find Garcia Zarate guilty of second-degree murder. If he didn't intend to kill anyone but was criminally negligent in handling a loaded firearm, he could be convicted of involuntary manslaughter.\u003c/p>\n\u003cp>The jury of six men and six women also will consider the separate charges of being a felon in possession of a handgun and assault with a semi-automatic weapon.\u003c/p>\n\u003cp>The defense has said throughout the trial that Garcia Zarate -- impoverished and homeless on the streets of San Francisco for over two months -- picked up an unknown object that was wrapped in cloth while he was sitting on San Francisco's Pier 14. He didn't know what he was holding until it went off, the defense argues.\u003c/p>\n\u003cp>Prosecutor Diana Garcia said that interpretation of the evidence is not reasonable.\u003c/p>\n\u003cp>\"This gun had value to him because it gave him power,\" she told the jury. \"He wanted to fire this gun. ... Who's he going to shoot? It's a big game to him.\"\u003c/p>\n\u003cp>The gun was stolen four days before Steinle's death from a \u003ca href=\"https://ww2.kqed.org/news/2017/10/20/federal-agency-promoted-ranger-just-months-after-his-gun-was-stolen-and-used-in-steinle-killing/\" target=\"_blank\" rel=\"noopener\">Bureau of Land Management ranger\u003c/a> who had left the weapon in his car. There is no evidence tying Garcia Zarate to the auto burglary, and the jury was instructed to assume he didn't steal the gun.\u003c/p>\n\u003cp>But according to prosecutor Garica, he had the gun with him when he walked onto the pier. She showed photographs taken by a tourist that incidentally captured Garcia Zarate sitting in one of eight rotating metal chairs. She said one shows him \"leering\" at a woman as she jogged by. Another shows him turned, appearing to look in the direction of Steinle as she took a photo of her father and a family friend.\u003c/p>\n\u003cp>\"Look where he's looking -- in her direction, right at her,\" Garcia said. \"He's deciding where he wanted to fire that gun. This is only minutes before he fired it.\"\u003c/p>\n\u003cp>Garcia said the defendant \"was trying to shoot someone without getting caught\" and \"jerked the trigger\" as he tried to aim the gun while he held it between his knees. A since-retired San Francisco \u003ca href=\"https://ww2.kqed.org/news/2017/11/13/steinle-trial-defense-attorneys-question-credibility-of-key-prosecution-witness/\" target=\"_blank\" rel=\"noopener\">crime scene investigator\u003c/a> \u003ca href=\"https://ww2.kqed.org/news/2017/10/30/bullet-trajectory-and-ricochet-shot-central-to-steinle-murder-trial/\" target=\"_blank\" rel=\"noopener\">testified earlier in the trial\u003c/a> that \"jerking the trigger\" would cause the gun's muzzle to drop, firing the bullet lower than the shooter intended.\u003c/p>\n\u003cp>The bullet ricocheted 12 to 15 feet from Garcia Zarate and flew 78 more feet before it struck Steinle in the lower back.\u003c/p>\n\u003cp>Lead defense attorney Matt Gonzalez cautioned the jury in his closing argument against believing the prosecution's conclusions about the evidence.\u003c/p>\n\u003cp>\"Be careful when you're asked to draw wild interpretations about his desire to hurt someone he doesn't know,\" Gonzalez told the jury. \"You cannot take these trivial circumstances and decide that the conclusion they reach is one pointing to guilt.\"\u003c/p>\n\u003cp>Gonzalez said the case never should have been charged as murder, and he has said previously that it's the only case involving a ricochet shot charged as a murder in San Francisco history.\u003c/p>\n\u003cp>\"He missed Ms. Steinle by 78 feet,\" Gonzalez said. \"But for that ricochet, he did not hit her.\"\u003c/p>\n\u003cp>Most of the evidence presented during the defense's case went toward supporting some of Garcia Zarate's statement to homicide inspectors the night of Steinle's death. He was arrested within an hour of the shooting and repeatedly told police he found the gun at the pier. He said it was wrapped in cloth and that he threw it into the bay to stop it from continuing to fire.\u003c/p>\n\u003cp>\"You know that that's ridiculous,\" prosecutor Garcia told the jury. \"It was not going to keep going off by itself. It's not a firecracker.\"\u003c/p>\n\u003cp>She pointed out that he was sitting on the pier for 23 minutes before firing the fatal shot, throwing the gun into the bay and walking away.\u003c/p>\n\u003cp>Police divers recovered the gun the day after Steinle was killed, and it has been displayed to the jury several times.\u003c/p>\n\u003cp>The defense wants jurors to test-fire the gun and determine for themselves how easy or hard it would be to pull the trigger accidentally. Gonzalez told the jury they could demand the opportunity once they begin deliberations.\u003c/p>\n\u003cp>\"That would give you a real sense of what this trigger pull is like,\" Gonzalez said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The defense is expected to continue closing arguments Tuesday morning.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The lead prosecutor in the case against a Mexican citizen accused of murder in the 2015 slaying of \u003ca href=\"https://ww2.kqed.org/news/tag/kathryn-steinle/\" target=\"_blank\" rel=\"noopener\">Kathryn Steinle\u003c/a> told a San Francisco jury Monday that the defendant \"was playing his own secret version of Russian roulette\" when he decided to fire the fatal shot.\u003c/p>\n\u003cp>Jose Ines Garcia Zarate's lead defense attorney responded that the largely circumstantial evidence -- including the bullet's ricochet off the concrete pier before it struck Steinle -- doesn't support beyond a reasonable doubt the theory that the shot was intentional.\u003c/p>\n\u003cp>Both sides gave closing arguments Monday after nearly a month of testimony in the \u003ca href=\"https://ww2.kqed.org/news/2017/10/19/how-a-san-francisco-killing-became-part-of-the-u-s-immigration-debate/\" target=\"_blank\" rel=\"noopener\">high-profile case\u003c/a> that has been cited by conservative politicians and pundits as an example of violence committed by undocumented immigrants under the protection of so-called sanctuary cities like San Francisco.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"Kate Steinle was wiped off the face of this Earth while in her father's arms because of this man's actions,\" prosecutor Diana Garcia said as she pointed toward Garcia Zarate.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The shot's origin is not in dispute, but Garcia Zarate's intentions are. According to \u003ca href=\"https://www.documentcloud.org/documents/4254818-171120-Jury-Instructions.html\" target=\"_blank\" rel=\"noopener\">instructions read to the jury\u003c/a>, if Steinle's killing on July 1, 2015, was willful, deliberate and premeditated, it would justify a first-degree murder conviction. If her killing was the result of a dangerous act likely to cause someone's death, the jury could find Garcia Zarate guilty of second-degree murder. If he didn't intend to kill anyone but was criminally negligent in handling a loaded firearm, he could be convicted of involuntary manslaughter.\u003c/p>\n\u003cp>The jury of six men and six women also will consider the separate charges of being a felon in possession of a handgun and assault with a semi-automatic weapon.\u003c/p>\n\u003cp>The defense has said throughout the trial that Garcia Zarate -- impoverished and homeless on the streets of San Francisco for over two months -- picked up an unknown object that was wrapped in cloth while he was sitting on San Francisco's Pier 14. He didn't know what he was holding until it went off, the defense argues.\u003c/p>\n\u003cp>Prosecutor Diana Garcia said that interpretation of the evidence is not reasonable.\u003c/p>\n\u003cp>\"This gun had value to him because it gave him power,\" she told the jury. \"He wanted to fire this gun. ... Who's he going to shoot? It's a big game to him.\"\u003c/p>\n\u003cp>The gun was stolen four days before Steinle's death from a \u003ca href=\"https://ww2.kqed.org/news/2017/10/20/federal-agency-promoted-ranger-just-months-after-his-gun-was-stolen-and-used-in-steinle-killing/\" target=\"_blank\" rel=\"noopener\">Bureau of Land Management ranger\u003c/a> who had left the weapon in his car. There is no evidence tying Garcia Zarate to the auto burglary, and the jury was instructed to assume he didn't steal the gun.\u003c/p>\n\u003cp>But according to prosecutor Garica, he had the gun with him when he walked onto the pier. She showed photographs taken by a tourist that incidentally captured Garcia Zarate sitting in one of eight rotating metal chairs. She said one shows him \"leering\" at a woman as she jogged by. Another shows him turned, appearing to look in the direction of Steinle as she took a photo of her father and a family friend.\u003c/p>\n\u003cp>\"Look where he's looking -- in her direction, right at her,\" Garcia said. \"He's deciding where he wanted to fire that gun. This is only minutes before he fired it.\"\u003c/p>\n\u003cp>Garcia said the defendant \"was trying to shoot someone without getting caught\" and \"jerked the trigger\" as he tried to aim the gun while he held it between his knees. A since-retired San Francisco \u003ca href=\"https://ww2.kqed.org/news/2017/11/13/steinle-trial-defense-attorneys-question-credibility-of-key-prosecution-witness/\" target=\"_blank\" rel=\"noopener\">crime scene investigator\u003c/a> \u003ca href=\"https://ww2.kqed.org/news/2017/10/30/bullet-trajectory-and-ricochet-shot-central-to-steinle-murder-trial/\" target=\"_blank\" rel=\"noopener\">testified earlier in the trial\u003c/a> that \"jerking the trigger\" would cause the gun's muzzle to drop, firing the bullet lower than the shooter intended.\u003c/p>\n\u003cp>The bullet ricocheted 12 to 15 feet from Garcia Zarate and flew 78 more feet before it struck Steinle in the lower back.\u003c/p>\n\u003cp>Lead defense attorney Matt Gonzalez cautioned the jury in his closing argument against believing the prosecution's conclusions about the evidence.\u003c/p>\n\u003cp>\"Be careful when you're asked to draw wild interpretations about his desire to hurt someone he doesn't know,\" Gonzalez told the jury. \"You cannot take these trivial circumstances and decide that the conclusion they reach is one pointing to guilt.\"\u003c/p>\n\u003cp>Gonzalez said the case never should have been charged as murder, and he has said previously that it's the only case involving a ricochet shot charged as a murder in San Francisco history.\u003c/p>\n\u003cp>\"He missed Ms. Steinle by 78 feet,\" Gonzalez said. \"But for that ricochet, he did not hit her.\"\u003c/p>\n\u003cp>Most of the evidence presented during the defense's case went toward supporting some of Garcia Zarate's statement to homicide inspectors the night of Steinle's death. He was arrested within an hour of the shooting and repeatedly told police he found the gun at the pier. He said it was wrapped in cloth and that he threw it into the bay to stop it from continuing to fire.\u003c/p>\n\u003cp>\"You know that that's ridiculous,\" prosecutor Garcia told the jury. \"It was not going to keep going off by itself. It's not a firecracker.\"\u003c/p>\n\u003cp>She pointed out that he was sitting on the pier for 23 minutes before firing the fatal shot, throwing the gun into the bay and walking away.\u003c/p>\n\u003cp>Police divers recovered the gun the day after Steinle was killed, and it has been displayed to the jury several times.\u003c/p>\n\u003cp>The defense wants jurors to test-fire the gun and determine for themselves how easy or hard it would be to pull the trigger accidentally. Gonzalez told the jury they could demand the opportunity once they begin deliberations.\u003c/p>\n\u003cp>\"That would give you a real sense of what this trigger pull is like,\" Gonzalez said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The defense is expected to continue closing arguments Tuesday morning.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Trump Tweets for NFL to Suspend Marshawn Lynch -- Oakland's Mayor Claps Back",
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"content": "\u003cp>In an early morning tweet, President Trump took aim at another U.S. athlete, calling on the NFL to suspend \u003ca href=\"http://www.raiders.com/\" target=\"_blank\" rel=\"noopener\">Oakland Raiders \u003c/a>running back \u003ca href=\"http://www.raiders.com/team/roster/Marshawn-Lynch/b498f0ab-d224-467c-8a52-27c40df950a3\" target=\"_blank\" rel=\"noopener\">Marshawn Lynch\u003c/a>.\u003c/p>\n\u003cp>Before Sunday’s game against the New England Patriots in Mexico City, Lynch sat during most of the U.S. national anthem and stood for the Mexican anthem. Trump tweeted, “Great disrespect! Next time the NFL should suspend him for the remainder of the season.”\u003c/p>\n\u003cp>https://twitter.com/realDonaldTrump/status/932570628451954688\u003c/p>\n\u003cp>Lynch is among many players who have taken a knee, sat or raised a fist during the anthem to protest racial inequality and police brutality. He has not stood for the anthem since returning from his retirement season.\u003c/p>\n\u003cp>\u003ca href=\"https://beta.oaklandca.gov/officials/libby-schaaf\" target=\"_blank\" rel=\"noopener\">Oakland Mayor Libby Schaaf\u003c/a> quickly fired back at the commander-in-chief: “Let’s suspend @realDonaldTrump instead.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/LibbySchaaf/status/932636761875820545\u003c/p>\n\u003cp>Lynch’s mother, Delisa Lynch, also lobbed a tweet Trump’s way asking what NFL team he owns. “Oh yeah, they wouldn’t let him have one.”\u003c/p>\n\u003cp>https://twitter.com/MommaLynch24/status/932686328218599426\u003c/p>\n\u003cp>Former San Francisco 49ers quarterback Colin Kaepernick started the movement last season of taking a knee during the anthem.\u003c/p>\n\u003cp>Since leaving the 49ers, Kaepernick has not been offered another NFL contract.\u003c/p>\n\u003cp>Trump has tweeted dozens of times against the mostly African-American players engaging in the protest.\u003c/p>\n\u003cp>“He has been targeting athletes largely from regions where he has no hope of winning the electoral vote,” said \u003ca href=\"http://annenberg.usc.edu/faculty/communication/daniel-durbin\" target=\"_blank\" rel=\"noopener\">Daniel Durbin,\u003c/a> director of the USC Annenberg Institute of Sports, Media & Society.\u003c/p>\n\u003cp>“It makes it easy to use them as whipping posts — in order to try and foment interest and support from people who are not from those regions of the country,” he said.\u003c/p>\n\u003cp>Over the weekend Trump called out three UCLA basketball players, saying he should have left them in jail in China after they were caught shoplifting in Hangzhou. Trump helped arrange their release, but said in a Sunday tweet that the father of player LiAngelo Ball was “unaccepting” of his efforts.\u003c/p>\n\u003cp>White House Press Secretary Sarah Huckabee Sanders said on Monday that Trump was just being rhetorical when he said he should have left the players in a Chinese jail.\u003c/p>\n\u003cp>Durbin said Trump is adept at using his Twitter account “to disrupt conversation and direct it in ways that benefit him.” Since he’s the president of the United States, Durbin says, the press is forced to cover his constant tweets.\u003c/p>\n\u003cp>Earlier this year, Trump called on the NFL to fire all players who kneel during the anthem.\u003c/p>\n\u003cp>To date, the NFL has said it will not force players to stand for the anthem.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Neither the NFL nor the players union responded to requests for comment on Trump’s latest tweet against Lynch.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In an early morning tweet, President Trump took aim at another U.S. athlete, calling on the NFL to suspend \u003ca href=\"http://www.raiders.com/\" target=\"_blank\" rel=\"noopener\">Oakland Raiders \u003c/a>running back \u003ca href=\"http://www.raiders.com/team/roster/Marshawn-Lynch/b498f0ab-d224-467c-8a52-27c40df950a3\" target=\"_blank\" rel=\"noopener\">Marshawn Lynch\u003c/a>.\u003c/p>\n\u003cp>Before Sunday’s game against the New England Patriots in Mexico City, Lynch sat during most of the U.S. national anthem and stood for the Mexican anthem. Trump tweeted, “Great disrespect! Next time the NFL should suspend him for the remainder of the season.”\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Lynch is among many players who have taken a knee, sat or raised a fist during the anthem to protest racial inequality and police brutality. He has not stood for the anthem since returning from his retirement season.\u003c/p>\n\u003cp>\u003ca href=\"https://beta.oaklandca.gov/officials/libby-schaaf\" target=\"_blank\" rel=\"noopener\">Oakland Mayor Libby Schaaf\u003c/a> quickly fired back at the commander-in-chief: “Let’s suspend @realDonaldTrump instead.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Lynch’s mother, Delisa Lynch, also lobbed a tweet Trump’s way asking what NFL team he owns. “Oh yeah, they wouldn’t let him have one.”\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Former San Francisco 49ers quarterback Colin Kaepernick started the movement last season of taking a knee during the anthem.\u003c/p>\n\u003cp>Since leaving the 49ers, Kaepernick has not been offered another NFL contract.\u003c/p>\n\u003cp>Trump has tweeted dozens of times against the mostly African-American players engaging in the protest.\u003c/p>\n\u003cp>“He has been targeting athletes largely from regions where he has no hope of winning the electoral vote,” said \u003ca href=\"http://annenberg.usc.edu/faculty/communication/daniel-durbin\" target=\"_blank\" rel=\"noopener\">Daniel Durbin,\u003c/a> director of the USC Annenberg Institute of Sports, Media & Society.\u003c/p>\n\u003cp>“It makes it easy to use them as whipping posts — in order to try and foment interest and support from people who are not from those regions of the country,” he said.\u003c/p>\n\u003cp>Over the weekend Trump called out three UCLA basketball players, saying he should have left them in jail in China after they were caught shoplifting in Hangzhou. Trump helped arrange their release, but said in a Sunday tweet that the father of player LiAngelo Ball was “unaccepting” of his efforts.\u003c/p>\n\u003cp>White House Press Secretary Sarah Huckabee Sanders said on Monday that Trump was just being rhetorical when he said he should have left the players in a Chinese jail.\u003c/p>\n\u003cp>Durbin said Trump is adept at using his Twitter account “to disrupt conversation and direct it in ways that benefit him.” Since he’s the president of the United States, Durbin says, the press is forced to cover his constant tweets.\u003c/p>\n\u003cp>Earlier this year, Trump called on the NFL to fire all players who kneel during the anthem.\u003c/p>\n\u003cp>To date, the NFL has said it will not force players to stand for the anthem.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Neither the NFL nor the players union responded to requests for comment on Trump’s latest tweet against Lynch.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "BART Says It Has Ironed Out Problems With New Cars, and You Can Ride ... Soonish",
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"content": "\u003cp>BART says it has unraveled two problems that delayed the debut of its new train cars and -- wait for it -- the agency could begin carrying paying passengers on its Fleet of the Future by mid-December.\u003c/p>\n\u003cp>The new cars suffered \u003ca href=\"https://ww2.kqed.org/news/2017/11/08/bart-faces-new-delay-in-rolling-out-fleet-of-the-future/\" target=\"_blank\" rel=\"noopener\">an embarrassing failure\u003c/a> earlier this month with inspectors from the California Public Utilities Commission on board -- with a 10-car train deciding it was actually a three-car train and doors on seven of 10 cars refusing to open.\u003c/p>\n\u003cp>The agency has been subjecting the new cars to rigorous testing for more than a year. With 10 cars of the eventual 775-car fleet on hand, the agency had hoped to begin carrying passengers this week.\u003c/p>\n\u003cp>BART spokesman Jim Allison said Monday that the cars' manufacturer, Montreal-based Bombardier, had traced the failure to two issues: fluctuating voltage in the electrical cable connecting the 10 cars and a failed circuit board that prevented doors from opening.\u003c/p>\n\u003cp>Allison said the fluctuating voltage caused the train to go into a safe mode that recognized only three cars as operational.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"And so the trailing seven cars were essentially drones -- the doors wouldn't open and the train operator wasn't able to control those cars,\" Allison said. \"That was a relatively simple fix to make with hardware.\"\u003c/p>\n\u003cp>Bombardier also found that one of two circuit boards needed for doors to open had failed on one of the cars.\u003c/p>\n\u003cp>\"These two circuit boards that are on the train cars -- they have to match in terms of the signal that the doors are OK to open,\" Allison said. \"So one of those boards physically failed. We replaced that board ... and then the other thing we did was a software fix, so that if a circuit board does fail, the train car searches for another circuit board farther down the train that will give it a match and therefore open the doors.\"\u003c/p>\n\u003cp>With those problems apparently fixed, BART will reschedule a test ride with inspectors from the CPUC, which regulates the state's transit agencies. The test run will take the new 10-car train through all 46 BART stations.\u003c/p>\n\u003cp>Paul Oversier, BART's assistant general manager for operations, told the agency's board of directors last week that \"depending on any other hiccups we have,\" and assuming the test goes well and the CPUC gives its OK, the new cars could begin carrying paying passengers sometime between the end of November and Dec. 15. Long ago, BART talked about putting the first cars of the $2.6 billion new fleet on the rails by late 2016.\u003c/p>\n\u003cp>BART officials have said that once they have dealt with all bugs in the new cars -- vehicles that Allison likened to new airliners in their complexity -- that Bombardier will rapidly ramp up production.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>BART recently received its 11th car, and the 12th is expected to arrive, on a flatbed truck from the Bombardier plant in Plattsburgh, New York, any day now. Another 15 cars are currently on the New York production line. The shells for two more cars, which are being fabricated at Bombardier's facility in Sahagun, Mexico, and shipped to New York, are complete. The shell for car number 30 is expected to ship in mid-December, Oversier said.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>BART says it has unraveled two problems that delayed the debut of its new train cars and -- wait for it -- the agency could begin carrying paying passengers on its Fleet of the Future by mid-December.\u003c/p>\n\u003cp>The new cars suffered \u003ca href=\"https://ww2.kqed.org/news/2017/11/08/bart-faces-new-delay-in-rolling-out-fleet-of-the-future/\" target=\"_blank\" rel=\"noopener\">an embarrassing failure\u003c/a> earlier this month with inspectors from the California Public Utilities Commission on board -- with a 10-car train deciding it was actually a three-car train and doors on seven of 10 cars refusing to open.\u003c/p>\n\u003cp>The agency has been subjecting the new cars to rigorous testing for more than a year. With 10 cars of the eventual 775-car fleet on hand, the agency had hoped to begin carrying passengers this week.\u003c/p>\n\u003cp>BART spokesman Jim Allison said Monday that the cars' manufacturer, Montreal-based Bombardier, had traced the failure to two issues: fluctuating voltage in the electrical cable connecting the 10 cars and a failed circuit board that prevented doors from opening.\u003c/p>\n\u003cp>Allison said the fluctuating voltage caused the train to go into a safe mode that recognized only three cars as operational.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"And so the trailing seven cars were essentially drones -- the doors wouldn't open and the train operator wasn't able to control those cars,\" Allison said. \"That was a relatively simple fix to make with hardware.\"\u003c/p>\n\u003cp>Bombardier also found that one of two circuit boards needed for doors to open had failed on one of the cars.\u003c/p>\n\u003cp>\"These two circuit boards that are on the train cars -- they have to match in terms of the signal that the doors are OK to open,\" Allison said. \"So one of those boards physically failed. We replaced that board ... and then the other thing we did was a software fix, so that if a circuit board does fail, the train car searches for another circuit board farther down the train that will give it a match and therefore open the doors.\"\u003c/p>\n\u003cp>With those problems apparently fixed, BART will reschedule a test ride with inspectors from the CPUC, which regulates the state's transit agencies. The test run will take the new 10-car train through all 46 BART stations.\u003c/p>\n\u003cp>Paul Oversier, BART's assistant general manager for operations, told the agency's board of directors last week that \"depending on any other hiccups we have,\" and assuming the test goes well and the CPUC gives its OK, the new cars could begin carrying paying passengers sometime between the end of November and Dec. 15. Long ago, BART talked about putting the first cars of the $2.6 billion new fleet on the rails by late 2016.\u003c/p>\n\u003cp>BART officials have said that once they have dealt with all bugs in the new cars -- vehicles that Allison likened to new airliners in their complexity -- that Bombardier will rapidly ramp up production.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>BART recently received its 11th car, and the 12th is expected to arrive, on a flatbed truck from the Bombardier plant in Plattsburgh, New York, any day now. Another 15 cars are currently on the New York production line. The shells for two more cars, which are being fabricated at Bombardier's facility in Sahagun, Mexico, and shipped to New York, are complete. The shell for car number 30 is expected to ship in mid-December, Oversier said.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "'California Typewriter': An Ode to Analog",
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"content": "\u003cp>\u003cem>\u003ca href=\"http://californiatypewritermovie.com\">“California Typewriter”\u003c/a> is a new documentary film by Doug Nichol. It’s an ode to analog, a visual poem dedicated to the typewriter. It’s named for a \u003ca href=\"https://www.californiatypewriter.com/\">Berkeley repair shop \u003c/a>struggling to stay afloat in the digital age.\u003c/em>\u003c/p>\n\u003cp>Filmmaker Doug Nichol told Sasha Khokha, host of The California Report Magazine, about a few of the typewriter-obsessed people who appear in the film:\u003c/p>\n\u003cp>\u003cstrong>Ken Alexander, typewriter repair technician at California Typewriter in Berkeley\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631631\" class=\"wp-caption alignright\" style=\"max-width: 411px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11631631\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-800x1123.jpg\" alt=\"\" width=\"411\" height=\"577\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-800x1123.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-160x225.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-1020x1432.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-1180x1656.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-960x1348.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-240x337.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-375x526.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-520x730.jpg 520w\" sizes=\"(max-width: 411px) 100vw, 411px\">\u003cfigcaption class=\"wp-caption-text\">California Typewriter repair expert Ken Alexander, wheeling typewriters to a Berkeley car wash to hose them down before repairing them. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“I feel something for these machines. I’ll look at ’em and my mind just goes, ‘Where has this machine been at?’ If they could talk, they could tell some stories. You never know where these typewriters come from. One could have come from some famous person’s library across the world, and it made it to this shop in Berkeley.”\u003c/em>\u003cem> – Ken Alexander\u003c/em>\u003c/p>\n\u003cp>Doug Nichol: Ken Alexander loves repairing typewriters. But Ken’s job is really the first casualty of the digital revolution. We didn’t need typewriters anymore once computers came around. So you didn’t need a typewriter repairman. But he’s been working for the last 30 years trying to keep it going for the few people who love typewriters. At the shop, most of the new customers are all kids. They’re bringing in their parents, telling them they want a typewriter. They’ve grown up touching glass, touching iPhones and iPads, and I think they find it interesting to see how you push a letter and it forms a letter on the page.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Silvi Alcivar, poet\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631830\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631830\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Silvi Alcivar is a San Francisco-based “poet on demand,” who hand-types original poems for customers at her mobile store. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“If you were to ask me to speak a poem, I couldn’t do it. If you were to put me in front of a typewriter, it happens. My typewriter is the truest love of my life. There’s something about it that’s built well, and if you care for it, it’s just going to keep working. I do worry that someday there might not be somebody who knows how to fix it.\u003c/em>\u003c/p>\n\u003cp>“I often think about what I do as counseling. People come to me with some big stuff. I write a lot of poems about death. I wrote a poem for a man who had lost his wife three months ago, and they had been married for 43 years. When he made his request, he could barely talk. Somebody’s desire for words sometimes is a desire for something more.” – \u003ca href=\"http://thepoetrystore.net/\">Silvi Alcivar,\u003c/a> poet\u003c/p>\n\u003cp>\u003cstrong>Tom Hanks, actor\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631637\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631637\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-800x453.jpg\" alt=\"\" width=\"800\" height=\"453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-800x453.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-1020x577.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-1180x668.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-960x543.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-240x136.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-520x294.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut.jpg 1909w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tom Hanks has a collection of more than 250 typewriters. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“There is a wonderful way to spend time typing. You get to think about it. You get to romantically sit back and ponder what your next words are going to be. And that is a pleasant, tactile action. It actually turns writing or composing into a very specific, physical process that has a soundtrack to it.” – Tom Hanks\u003c/em>\u003c/p>\n\u003cp>Nichol: When we filmed Tom Hanks, he had 270 typewriters. He loves the sound of typewriters, the difference between a Smith-Corona and Olympia. Every one of them have their own sound. They’re like snowflakes in a way. Every one of them is unique, from their sound to the letters that they make. Every font is slightly different. They’re totally original.\u003c/p>\n\u003cp>\u003cstrong>Jeremy Mayer, West Oakland artist\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631653\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631653\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland sculptor Jeremy Mayer makes new, futuristic creations out of old typewriters. \u003ccite>(Still from California Typewriter, Courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“This is how I choose to appreciate the typewriter. By dissecting it and bringing out the little bits and pieces that are us in them. Some of my favorite things to do are the human figures, because I find every curve on the human body in here in one of these typewriters.” – Jeremy Mayer\u003c/em>\u003c/p>\n\u003cp>Nichol: \u003ca href=\"http://jeremymayer.com/Artist.asp?ArtistID=18688&Akey=23SVCF6T\">Jeremy Mayer\u003c/a> was one of the first people I met at California Typewriter. He loves the typewriters, but he loves what’s in them. He sees the typewriter as a kind of erector set, where he can take them all apart, the pieces, and put them back together. One of his sculptures is in Mark Zuckerberg’s office, and his work has taken off. The tech folks understand the role the typewriter played. They appreciate that tactile quality that’s disappearing as we touch glass and are removed from more tangible things.\u003c/p>\n\u003cp>\u003cstrong>David McCullough, historian and writer\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11631655 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Historian and author David McCullough has written every one of his books on the same typewriter, including his Pulitzer Prize-winning books “Truman” and “John Adams.” \u003ccite>(Still from California Typewriter, Courtesy Doug Nichol )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“People tell me I could do much better, I could go faster and have less to contend with if I were to use a computer. But I don’t want to go faster. If anything, I prefer to go slower. To me, it’s understandable. I press the key and another key comes up and prints a letter on a piece of paper, and you can pull it out and it’s a piece of paper on which you have printed something. You have made that. It’s tangible. It’s real.” – David McCullough\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nichol: David McCullough has written every one of his books on that same typewriter. He believes it’s a tool. When you write on a typewriter you have to think about what you’re going to write before you commit it to paper.\u003c/p>\n\n",
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"excerpt": "The documentary film \"California Typewriter\" celebrates the old-fashioned way of getting words on the page. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"http://californiatypewritermovie.com\">“California Typewriter”\u003c/a> is a new documentary film by Doug Nichol. It’s an ode to analog, a visual poem dedicated to the typewriter. It’s named for a \u003ca href=\"https://www.californiatypewriter.com/\">Berkeley repair shop \u003c/a>struggling to stay afloat in the digital age.\u003c/em>\u003c/p>\n\u003cp>Filmmaker Doug Nichol told Sasha Khokha, host of The California Report Magazine, about a few of the typewriter-obsessed people who appear in the film:\u003c/p>\n\u003cp>\u003cstrong>Ken Alexander, typewriter repair technician at California Typewriter in Berkeley\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631631\" class=\"wp-caption alignright\" style=\"max-width: 411px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11631631\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-800x1123.jpg\" alt=\"\" width=\"411\" height=\"577\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-800x1123.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-160x225.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-1020x1432.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-1180x1656.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-960x1348.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-240x337.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-375x526.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-520x730.jpg 520w\" sizes=\"(max-width: 411px) 100vw, 411px\">\u003cfigcaption class=\"wp-caption-text\">California Typewriter repair expert Ken Alexander, wheeling typewriters to a Berkeley car wash to hose them down before repairing them. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“I feel something for these machines. I’ll look at ’em and my mind just goes, ‘Where has this machine been at?’ If they could talk, they could tell some stories. You never know where these typewriters come from. One could have come from some famous person’s library across the world, and it made it to this shop in Berkeley.”\u003c/em>\u003cem> – Ken Alexander\u003c/em>\u003c/p>\n\u003cp>Doug Nichol: Ken Alexander loves repairing typewriters. But Ken’s job is really the first casualty of the digital revolution. We didn’t need typewriters anymore once computers came around. So you didn’t need a typewriter repairman. But he’s been working for the last 30 years trying to keep it going for the few people who love typewriters. At the shop, most of the new customers are all kids. They’re bringing in their parents, telling them they want a typewriter. They’ve grown up touching glass, touching iPhones and iPads, and I think they find it interesting to see how you push a letter and it forms a letter on the page.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Silvi Alcivar, poet\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631830\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631830\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Silvi Alcivar is a San Francisco-based “poet on demand,” who hand-types original poems for customers at her mobile store. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“If you were to ask me to speak a poem, I couldn’t do it. If you were to put me in front of a typewriter, it happens. My typewriter is the truest love of my life. There’s something about it that’s built well, and if you care for it, it’s just going to keep working. I do worry that someday there might not be somebody who knows how to fix it.\u003c/em>\u003c/p>\n\u003cp>“I often think about what I do as counseling. People come to me with some big stuff. I write a lot of poems about death. I wrote a poem for a man who had lost his wife three months ago, and they had been married for 43 years. When he made his request, he could barely talk. Somebody’s desire for words sometimes is a desire for something more.” – \u003ca href=\"http://thepoetrystore.net/\">Silvi Alcivar,\u003c/a> poet\u003c/p>\n\u003cp>\u003cstrong>Tom Hanks, actor\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631637\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631637\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-800x453.jpg\" alt=\"\" width=\"800\" height=\"453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-800x453.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-1020x577.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-1180x668.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-960x543.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-240x136.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-520x294.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut.jpg 1909w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tom Hanks has a collection of more than 250 typewriters. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“There is a wonderful way to spend time typing. You get to think about it. You get to romantically sit back and ponder what your next words are going to be. And that is a pleasant, tactile action. It actually turns writing or composing into a very specific, physical process that has a soundtrack to it.” – Tom Hanks\u003c/em>\u003c/p>\n\u003cp>Nichol: When we filmed Tom Hanks, he had 270 typewriters. He loves the sound of typewriters, the difference between a Smith-Corona and Olympia. Every one of them have their own sound. They’re like snowflakes in a way. Every one of them is unique, from their sound to the letters that they make. Every font is slightly different. They’re totally original.\u003c/p>\n\u003cp>\u003cstrong>Jeremy Mayer, West Oakland artist\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631653\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631653\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland sculptor Jeremy Mayer makes new, futuristic creations out of old typewriters. \u003ccite>(Still from California Typewriter, Courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“This is how I choose to appreciate the typewriter. By dissecting it and bringing out the little bits and pieces that are us in them. Some of my favorite things to do are the human figures, because I find every curve on the human body in here in one of these typewriters.” – Jeremy Mayer\u003c/em>\u003c/p>\n\u003cp>Nichol: \u003ca href=\"http://jeremymayer.com/Artist.asp?ArtistID=18688&Akey=23SVCF6T\">Jeremy Mayer\u003c/a> was one of the first people I met at California Typewriter. He loves the typewriters, but he loves what’s in them. He sees the typewriter as a kind of erector set, where he can take them all apart, the pieces, and put them back together. One of his sculptures is in Mark Zuckerberg’s office, and his work has taken off. The tech folks understand the role the typewriter played. They appreciate that tactile quality that’s disappearing as we touch glass and are removed from more tangible things.\u003c/p>\n\u003cp>\u003cstrong>David McCullough, historian and writer\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11631655 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Historian and author David McCullough has written every one of his books on the same typewriter, including his Pulitzer Prize-winning books “Truman” and “John Adams.” \u003ccite>(Still from California Typewriter, Courtesy Doug Nichol )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“People tell me I could do much better, I could go faster and have less to contend with if I were to use a computer. But I don’t want to go faster. If anything, I prefer to go slower. To me, it’s understandable. I press the key and another key comes up and prints a letter on a piece of paper, and you can pull it out and it’s a piece of paper on which you have printed something. You have made that. It’s tangible. It’s real.” – David McCullough\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nichol: David McCullough has written every one of his books on that same typewriter. He believes it’s a tool. When you write on a typewriter you have to think about what you’re going to write before you commit it to paper.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "keystone-xl-pipeline-gets-regulators-ok-in-nebraska-clearing-key-hurdle",
"title": "Keystone XL Pipeline Gets Regulators' OK in Nebraska, Clearing Key Hurdle",
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"headTitle": "Keystone XL Pipeline Gets Regulators’ OK in Nebraska, Clearing Key Hurdle | KQED",
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"content": "\u003cp>The Keystone XL pipeline, an $8 billion project that has attracted significant protest from environmental groups, has cleared a major regulatory hurdle on its path to completion. On Monday, the Nebraska Public Service Commission \u003ca href=\"http://www.psc.nebraska.gov/natgas/Keystone/Orders/2017.11.20.Final%20Order.pdf\" target=\"_blank\" rel=\"noopener\">certified the pipeline\u003c/a> to run through the state.\u003c/p>\n\u003cp>The commission — “an elected panel of four Republicans and one Democrat,” \u003ca href=\"https://www.nytimes.com/2017/11/20/us/nebraska-pipeline-keystone-xl.html\" target=\"_blank\" rel=\"noopener\">according to the New York Times\u003c/a> — approved the project by a 3-2 vote Monday. Though they did so with some reservations: The regulators rejected TransCanada’s preferred route through the state, suggesting another one farther east that would avoid \u003ca href=\"https://visitnebraska.com/personal_trip/sandhills-journey-scenic-byway\" target=\"_blank\" rel=\"noopener\">the state’s Sandhills region\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.omaha.com/news/nebraska/nebraska-public-service-commission-approves-keystone-xl-pipeline-route/article_58ad0982-cbe1-11e7-8db6-07270bf564b6.html\" target=\"_blank\" rel=\"noopener\">The Omaha World-Herald explains\u003c/a> how this might complicate matters:\u003c/p>\n\u003cblockquote>\u003cp>“The alternative route selected by the PSC runs east of TransCanada’s preferred route and makes the pipeline cross parts of six counties not previously in the path of Keystone XL. So it would require the company to reach property easement agreements with a new group of landowners. …\u003c/p>\n\u003cp>“The state’s OK does not mean the pipeline will be built. Opponents have promised to file lawsuits to challenge the project, and TransCanada has said it won’t decide until December if it has enough shippers to make the $8 billion project financially feasible.”\u003c/p>\u003c/blockquote>\n\u003cp>Nevertheless, the move marks something of a victory for the Trump administration and other Republicans, who have thrown their political muscle behind the proposed pipeline to transport crude oil between Canada and Texas’ Gulf Coast. They and other supporters of the pipeline argue that it will lower fuel prices and create jobs.\u003c/p>\n\u003cp>Earlier this year, the State Department \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/03/23/521305788/state-department-set-to-certify-keystone-xl-pipeline-is-in-national-interest\" target=\"_blank\" rel=\"noopener\">issued a presidential permit\u003c/a> for the pipeline’s construction, reversing an Obama-era decision that prevented the project from progressing due to environmental concerns.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[contextly_sidebar id=”XNmJjllN2cznVs6vZMLoqrLkUqBO4Hh8″]\u003c/p>\n\u003cp>The decision Monday comes after years of regulatory review — and less than a week after TransCanada, the company behind the Keystone XL, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/16/564705368/keystone-pipeline-oil-spill-reported-in-south-dakota\" target=\"_blank\" rel=\"noopener\">reported a spill\u003c/a> of some 210,000 gallons of oil from another of its conduits near Amherst, South Dakota. \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/16/564705368/keystone-pipeline-oil-spill-reported-in-south-dakota\" target=\"_blank\" rel=\"noopener\">As NPR’s Richard Gonzalez noted\u003c/a>, the spill — while it affected a different pipeline — did “nothing to enhance prospects for the XL Pipeline, which critics argue should not be allowed to operate” and which some landowners have been leery to see built near them.\u003c/p>\n\u003cp>The decision Monday by no means spells the end of that controversy, which is expected to shift from the regulators’ meeting rooms to the courtroom.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sierraclub.org/press-releases/2017/11/sierra-club-response-nebraska-psc-s-conditional-approval-keystone-xl\" target=\"_blank\" rel=\"noopener\">In a statement\u003c/a>, the Sierra Club called the commission’s vote merely a “conditional approval,” noting that the route it suggested was one that TransCanada had “claimed would be unworkable.”\u003c/p>\n\u003cp>“Whatever the route, shipping more dirty tar sands through America’s heartland at the expense of our climate and communities remains unacceptable. Regardless of the Public Service Commission’s decision today, millions of people across the country will continue to speak out and demand that the Keystone XL project never gets built,” Sierra Club Executive Director Michael Brune said in the statement.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The Sierra Club and our allies will continue to explore all legal options to fight back against this project and protect our water, our health, our communities, and our climate from Keystone XL,” he added. “Our movement defeated this pipeline once, and we will do it again.”\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Keystone+XL+Pipeline+Gets+Regulators%27+OK+In+Nebraska%2C+Clearing+Key+Hurdle&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "The Nebraska Public Service Commission approved the controversial pipeline to run through the state — but not on the route preferred by TransCanada.",
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"title": "Keystone XL Pipeline Gets Regulators' OK in Nebraska, Clearing Key Hurdle | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Keystone XL pipeline, an $8 billion project that has attracted significant protest from environmental groups, has cleared a major regulatory hurdle on its path to completion. On Monday, the Nebraska Public Service Commission \u003ca href=\"http://www.psc.nebraska.gov/natgas/Keystone/Orders/2017.11.20.Final%20Order.pdf\" target=\"_blank\" rel=\"noopener\">certified the pipeline\u003c/a> to run through the state.\u003c/p>\n\u003cp>The commission — “an elected panel of four Republicans and one Democrat,” \u003ca href=\"https://www.nytimes.com/2017/11/20/us/nebraska-pipeline-keystone-xl.html\" target=\"_blank\" rel=\"noopener\">according to the New York Times\u003c/a> — approved the project by a 3-2 vote Monday. Though they did so with some reservations: The regulators rejected TransCanada’s preferred route through the state, suggesting another one farther east that would avoid \u003ca href=\"https://visitnebraska.com/personal_trip/sandhills-journey-scenic-byway\" target=\"_blank\" rel=\"noopener\">the state’s Sandhills region\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.omaha.com/news/nebraska/nebraska-public-service-commission-approves-keystone-xl-pipeline-route/article_58ad0982-cbe1-11e7-8db6-07270bf564b6.html\" target=\"_blank\" rel=\"noopener\">The Omaha World-Herald explains\u003c/a> how this might complicate matters:\u003c/p>\n\u003cblockquote>\u003cp>“The alternative route selected by the PSC runs east of TransCanada’s preferred route and makes the pipeline cross parts of six counties not previously in the path of Keystone XL. So it would require the company to reach property easement agreements with a new group of landowners. …\u003c/p>\n\u003cp>“The state’s OK does not mean the pipeline will be built. Opponents have promised to file lawsuits to challenge the project, and TransCanada has said it won’t decide until December if it has enough shippers to make the $8 billion project financially feasible.”\u003c/p>\u003c/blockquote>\n\u003cp>Nevertheless, the move marks something of a victory for the Trump administration and other Republicans, who have thrown their political muscle behind the proposed pipeline to transport crude oil between Canada and Texas’ Gulf Coast. They and other supporters of the pipeline argue that it will lower fuel prices and create jobs.\u003c/p>\n\u003cp>Earlier this year, the State Department \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/03/23/521305788/state-department-set-to-certify-keystone-xl-pipeline-is-in-national-interest\" target=\"_blank\" rel=\"noopener\">issued a presidential permit\u003c/a> for the pipeline’s construction, reversing an Obama-era decision that prevented the project from progressing due to environmental concerns.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The decision Monday comes after years of regulatory review — and less than a week after TransCanada, the company behind the Keystone XL, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/16/564705368/keystone-pipeline-oil-spill-reported-in-south-dakota\" target=\"_blank\" rel=\"noopener\">reported a spill\u003c/a> of some 210,000 gallons of oil from another of its conduits near Amherst, South Dakota. \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/16/564705368/keystone-pipeline-oil-spill-reported-in-south-dakota\" target=\"_blank\" rel=\"noopener\">As NPR’s Richard Gonzalez noted\u003c/a>, the spill — while it affected a different pipeline — did “nothing to enhance prospects for the XL Pipeline, which critics argue should not be allowed to operate” and which some landowners have been leery to see built near them.\u003c/p>\n\u003cp>The decision Monday by no means spells the end of that controversy, which is expected to shift from the regulators’ meeting rooms to the courtroom.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sierraclub.org/press-releases/2017/11/sierra-club-response-nebraska-psc-s-conditional-approval-keystone-xl\" target=\"_blank\" rel=\"noopener\">In a statement\u003c/a>, the Sierra Club called the commission’s vote merely a “conditional approval,” noting that the route it suggested was one that TransCanada had “claimed would be unworkable.”\u003c/p>\n\u003cp>“Whatever the route, shipping more dirty tar sands through America’s heartland at the expense of our climate and communities remains unacceptable. Regardless of the Public Service Commission’s decision today, millions of people across the country will continue to speak out and demand that the Keystone XL project never gets built,” Sierra Club Executive Director Michael Brune said in the statement.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The Sierra Club and our allies will continue to explore all legal options to fight back against this project and protect our water, our health, our communities, and our climate from Keystone XL,” he added. “Our movement defeated this pipeline once, and we will do it again.”\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Keystone+XL+Pipeline+Gets+Regulators%27+OK+In+Nebraska%2C+Clearing+Key+Hurdle&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"slug": "crowdsourcing-a-vanished-view-of-san-francisco",
"title": "Mystery Solved: Crowdsourcing a Vanished View of San Francisco",
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"headTitle": "Mystery Solved: Crowdsourcing a Vanished View of San Francisco | KQED",
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"content": "\u003cp>Sometimes, crowdsourcing works.\u003c/p>\n\u003cp>When it does, it can lead to improbable gatherings, like the one Friday morning in Noe Valley. There were five of us: a legendary lensman, an interior designer, a retired PG&E electrician, an engineer for United Airlines and me, a fan of photography and geography.\u003c/p>\n\u003cp>After \u003ca href=\"https://ww2.kqed.org/news/2017/11/09/photographer-fred-lyon-is-93-and-still-in-love-with-san-francisco/\">my story\u003c/a> earlier this month about 93-year-old photographer \u003ca href=\"http://www.fredlyon.com/\">Fred Lyon,\u003c/a> KQED asked readers to figure out where the picture \u003ca href=\"https://www.facebook.com/KQEDnews/photos/a.117611171646622.21467.107786349295771/1668921303182260/?type=3&theater\">“Houses on the Hills”\u003c/a> was shot. The image can be seen in his current “San Francisco Noir” exhibition at the \u003ca href=\"http://gallery.leicastoresf.com/exhibitions/current-exhibitions\">Leica Gallery\u003c/a> and in his \u003ca href=\"https://www.leicastoresf.com/248638\">new book\u003c/a> of the same name.\u003c/p>\n\u003cfigure id=\"attachment_11629489\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11629489 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut.jpg\" alt=\"Fred Lyon has taken so many pictures that he doesn't always remember when or where they were shot. He and his wife have spent hours driving around San Francisco trying to figure out the neighborhood where "Houses on the Hills" is located.\" width=\"1500\" height=\"1166\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-800x622.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-1020x793.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-1180x917.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-960x746.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-240x187.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-375x292.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-520x404.jpg 520w\" sizes=\"(max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Fred Lyon has taken so many pictures that he doesn’t always remember when or where they were shot. He and his wife spent hours driving around San Francisco searching for the location of ‘Houses on the Hills.’ \u003ccite>(Fred Lyon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lyon, a fourth-generation San Franciscan, has taken tens of thousands of photos in a career that began more than 70 years ago. When I asked where the houses were located, he said: “That’s a question we’ve been wrestling with ever since we discovered this negative about a year ago. Penny and I have spent hours driving around, but to no avail.”\u003c/p>\n\u003cp>Lyon and his wife, interior designer \u003ca href=\"http://www.pennyrozis.com/\">Penelope Rozis,\u003c/a> believed he was looking west, because of the position of the sun, and suspected the houses were in the Excelsior or Crocker-Amazon. But it turns out they’re actually in Noe Valley, on Worth Street. Lyon’s photo, shot facing east from upper Grand View Avenue, captured the back of those dwellings.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Two San Francisco residents solved the puzzle separately — with very different approaches — after they spotted KQED’s call for help on Facebook.\u003c/p>\n\u003cp>Robert Aranda Jr. moved to the neighborhood 58 years ago with his parents, after they emigrated from Guatemala. He recognized the scene immediately because his house on 22nd Street is just steps from Worth Street. Eric Chesmar, on the other hand, relied on Google Maps and \u003ca href=\"https://www.facebook.com/photo.php?fbid=10214758672623284&set=p.10214758672623284&type=3&theater\">Google Earth.\u003c/a>\u003c/p>\n\u003cp>“You did it with the new technology,” Aranda told Chesmar when we all met up on Worth Street. “Me, I live here.”\u003c/p>\n\u003cp>Chesmar said, “I spent a lot of time zooming in, trying to match the rooflines.”\u003c/p>\n\u003cp>Lyon was thrilled to meet them — and vice versa. “This has been the greatest mystery,” he told Chesmar and Aranda. “I was convinced they had moved a couple of large hills — the government does that, you know.”\u003c/p>\n\u003cp>He added, more seriously, “I was afraid the houses were gone.”\u003c/p>\n\u003cp>But those houses haven’t gone anywhere. And neither have most of the people who live on Worth Street, which is only one block long.\u003c/p>\n\u003cp>“People who live here have been here a long time,” said retired carpenter David Meites, 77, who I chatted with earlier in the morning and has lived on Worth more than 40 years. “It’s like a very small bar. Even if you’re not all that friendly, you’re pushed into saying hello.”\u003c/p>\n\u003cp>Although Worth Street hasn’t changed much since Lyon took his photo in the late ’40s or early ’50s, the same can’t be said for Grand View Avenue, where he was standing when he shot “Houses on the Hills.” He and Rozis could have driven around San Francisco for years without ever solving the puzzle.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘I assumed that the camera was pointed west, into the afternoon sun. Actually, it was east, and the morning sun. It’s an incredible relief to know where that is.’\u003ccite>Photographer Fred Lyon\u003c/cite>\u003c/aside>\n\u003cp>That’s because a large brown-shingle house was built on lower Grand View in 1979, and it blocks most of the view that the photographer had enjoyed. After we’d made our way from Worth Street to upper Grand View, we saw how much things had changed. Lyon shuddered and shook his head.\u003c/p>\n\u003cp>“At that time there were many empty lots,” said Lyon, whose memory of being there quickly returned. “I came here because it was a viewpoint.”\u003c/p>\n\u003cfigure id=\"attachment_11632353\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632353 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut.jpg\" alt=\"\" width=\"1920\" height=\"880\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-160x73.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-800x367.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-1020x468.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-1180x541.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-960x440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-240x110.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-375x172.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-520x238.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Here’s a screen shot of an aerial photograph of Worth Street in 1938, on the website of the San Francisco Planning Department. \u003ccite>(David Rumsey Map Collection)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Aranda was on a beach in Zihuatanejo, Mexico, when his wife spotted KQED’s request for help. “She said, ‘I bet you can figure this out.’ But I was leery I was correct until I saw the building behind the houses,” he said.\u003c/p>\n\u003cp>That building is \u003ca href=\"http://alvaradoschool.net/\">Alvarado Elementary School\u003c/a> on Douglass Street. It’s where Aranda, 63, a retired electrician at PG&E substations, went to grade school, not long after he arrived from Central America. The ornate cornices that can be glimpsed in the photograph are long gone, Aranda said, because of concerns about earthquake safety.\u003c/p>\n\u003cfigure id=\"attachment_11632361\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11632361\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-1020x765.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Robert Aranda Jr. takes a selfie on Worth Street in San Francisco with photographer Fred Lyon, whose work he has admired for many years. \u003ccite>(Patricia Yollin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chesmar, a composite engineer with United Airlines at SFO who lives in Bernal Heights, used a different strategy, scouring satellite photos on Google Maps to pinpoint the location: He looked for a hill with a contour that fit Lyon’s picture and for a second taller hill nearby, from where the photo was taken. Since the sun was to the right of the hill — and too high to be west — Lyon must have been facing east or south. Then he searched for buildings with those shapes and windows.\u003c/p>\n\u003cp>That process consumed about two hours. But after he noticed the steep stairway on 22nd Street, between Diamond and Collingwood, it took only another 15 minutes to zero in on where Lyon was standing almost seven decades ago. Then he verified his conclusion on Google Earth.\u003c/p>\n\u003cp>“I had plenty of time,” said Chesmar, 56, who is recovering from a mountain bike accident on Mount Tamalpais that broke his femur six weeks ago. He was recently allowed to drive a car again, but is still on crutches.\u003c/p>\n\u003cfigure id=\"attachment_11632362\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632362 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-1020x765.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Eric Chesmar, left, brought his iPad and Fred Lyon brought his camera to the very spot on upper Grand View Avenue in San Francisco where Lyon shot ‘Houses on the Hills.’ \u003ccite>(Patricia Yollin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Days earlier, when I told Lyon where the houses were situated, he said, “That makes perfect sense — and proves once again that one’s brain and memory are totally unreliable. I assumed that the camera was pointed west, into the afternoon sun. Actually, it was east, and the morning sun. It’s an incredible relief to know where that is.”\u003c/p>\n\u003cp>Leica Gallery director Alex Ramos, who was immensely curious about the location of the houses, also thought it was a sunset photograph with afternoon fog. “My guess was way off,” he said. “Fred must have gotten up early to make this one.”\u003c/p>\n\u003cp>On Friday morning, Lyon and Rozis marveled as Chesmar used his iPad to explain his methodology. “What great detective work,” Rozis remarked. “I can’t tell you how amazing I think it is that you identified this,” Lyon said.\u003c/p>\n\u003cp>When KQED readers took a stab at the elusive location, they were as mystified as Lyon had been. Their guesses included: Potrero Hill, Bernal Heights, the Excelsior, Crocker-Amazon, Daly City, Silver Terrace, the Portola, South San Francisco, the Mission District, Hunters Point and the Inner Sunset.\u003c/p>\n\u003cp>Lyon stood on upper Grand View Avenue — the spot where he’d been with his 4×5 Linhof and tripod around the middle of the last century — and took a few pictures of what is now a vastly altered view. “A lot has changed, but a lot is still the same,” he said of the city.\u003c/p>\n\u003cp>These days, Lyon is usually in discovery mode, looking at old photos and deciding what to keep and what to toss. He continually spots new things — and so do some of the people who look at his pictures.\u003c/p>\n\u003cp>Lyon described his image of three men pushing a cable car at the Powell Street turnaround. A woman told him that her father was one of them — his pipe was clenched in his mouth and he always wore his hat that way. “And I thought, isn’t this a sweet moment,” Lyon recalled. “And then she said, ‘One day he took the family Cadillac and his secretary, and nobody’s seen him since.’ Don’t tell me these things. I’m a romantic and I don’t want to know that.”\u003c/p>\n\u003cp>Unlike many of the photographs Lyon made for Life, Look and other publications, “Houses on the Hills” is horizontal. “I realized early on that magazine pages were vertical and you got paid by the page,” he said. “I didn’t want to settle for horizontals, so I forced verticals. And I thought that was fine because I was starving.”\u003c/p>\n\u003cp>“You’re not now,” Aranda said.\u003c/p>\n\u003cp>“No,” Lyon agreed. “If anything, I’m overfed.”\u003c/p>\n\u003cfigure id=\"attachment_11632363\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632363 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-1020x765.jpg\" alt=\"Fred Lyon gave Robert Aranda Jr. a digital print of his "Houses on the Hills" photograph. It is temporarily keeping company with tequila bottles on Aranda's dining room table in the Noe Valley neighborhood of San Francisco.\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Fred Lyon gave Robert Aranda Jr. a digital print of his ‘Houses on the Hills’ photograph. It is temporarily keeping company with tequila bottles on Aranda’s dining room table in the Noe Valley neighborhood of San Francisco. \u003ccite>(Patricia Yollin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When it was time to leave, a grateful Lyon presented Aranda and Chesmar with digital prints of “Houses on the Hills.” Aranda started to choke up. When I mentioned that the silver gelatin version on display at the Leica Gallery is priced at $5,000, they looked even more stunned.\u003c/p>\n\u003cp>Aranda, a big fan of Lyon’s work, said he’ll get the photograph matted and framed as soon as he can. We walked over to his house and he showed me exactly where it will go, in a prominent spot in the front hallway. Then he propped it up on the dining room table. surrounded by tequila bottles, and admired the view Lyon had enjoyed — one that has seemingly vanished.\u003c/p>\n\u003cp>But there \u003cem>is\u003c/em> a way to see it. Vincent Galea, 80, who has lived on Worth for 40-plus years, invited me to climb to the top of his terraced backyard garden, behind his house on the west side of the street. That is where Lyon’s houses on the hills can still be seen.\u003c/p>\n\u003cp>Galea’s home, in fact, is one of those houses. But he hadn’t realized it until that moment, when we looked at a photocopy of the image that I’d brought along.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“I’d seen the picture before and I didn’t put it together,” Galea said. “But I knew it was in the neighborhood.”\u003c/p>\n\u003cfigure id=\"attachment_11632354\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632354 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-1020x765.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The backs of the Worth Street houses that Fred Lyon photographed decades ago can still be seen behind the home of Vincent Galea, at the top of his lush terraced garden. \u003ccite>(Patricia Yollin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "Fred Lyon, 93, the city's most famous and prolific photographer, couldn't remember where he shot 'Houses on the Hills' almost seven decades ago. Two KQED readers figured it out.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sometimes, crowdsourcing works.\u003c/p>\n\u003cp>When it does, it can lead to improbable gatherings, like the one Friday morning in Noe Valley. There were five of us: a legendary lensman, an interior designer, a retired PG&E electrician, an engineer for United Airlines and me, a fan of photography and geography.\u003c/p>\n\u003cp>After \u003ca href=\"https://ww2.kqed.org/news/2017/11/09/photographer-fred-lyon-is-93-and-still-in-love-with-san-francisco/\">my story\u003c/a> earlier this month about 93-year-old photographer \u003ca href=\"http://www.fredlyon.com/\">Fred Lyon,\u003c/a> KQED asked readers to figure out where the picture \u003ca href=\"https://www.facebook.com/KQEDnews/photos/a.117611171646622.21467.107786349295771/1668921303182260/?type=3&theater\">“Houses on the Hills”\u003c/a> was shot. The image can be seen in his current “San Francisco Noir” exhibition at the \u003ca href=\"http://gallery.leicastoresf.com/exhibitions/current-exhibitions\">Leica Gallery\u003c/a> and in his \u003ca href=\"https://www.leicastoresf.com/248638\">new book\u003c/a> of the same name.\u003c/p>\n\u003cfigure id=\"attachment_11629489\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11629489 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut.jpg\" alt=\"Fred Lyon has taken so many pictures that he doesn't always remember when or where they were shot. He and his wife have spent hours driving around San Francisco trying to figure out the neighborhood where "Houses on the Hills" is located.\" width=\"1500\" height=\"1166\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-800x622.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-1020x793.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-1180x917.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-960x746.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-240x187.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-375x292.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-520x404.jpg 520w\" sizes=\"(max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Fred Lyon has taken so many pictures that he doesn’t always remember when or where they were shot. He and his wife spent hours driving around San Francisco searching for the location of ‘Houses on the Hills.’ \u003ccite>(Fred Lyon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lyon, a fourth-generation San Franciscan, has taken tens of thousands of photos in a career that began more than 70 years ago. When I asked where the houses were located, he said: “That’s a question we’ve been wrestling with ever since we discovered this negative about a year ago. Penny and I have spent hours driving around, but to no avail.”\u003c/p>\n\u003cp>Lyon and his wife, interior designer \u003ca href=\"http://www.pennyrozis.com/\">Penelope Rozis,\u003c/a> believed he was looking west, because of the position of the sun, and suspected the houses were in the Excelsior or Crocker-Amazon. But it turns out they’re actually in Noe Valley, on Worth Street. Lyon’s photo, shot facing east from upper Grand View Avenue, captured the back of those dwellings.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Two San Francisco residents solved the puzzle separately — with very different approaches — after they spotted KQED’s call for help on Facebook.\u003c/p>\n\u003cp>Robert Aranda Jr. moved to the neighborhood 58 years ago with his parents, after they emigrated from Guatemala. He recognized the scene immediately because his house on 22nd Street is just steps from Worth Street. Eric Chesmar, on the other hand, relied on Google Maps and \u003ca href=\"https://www.facebook.com/photo.php?fbid=10214758672623284&set=p.10214758672623284&type=3&theater\">Google Earth.\u003c/a>\u003c/p>\n\u003cp>“You did it with the new technology,” Aranda told Chesmar when we all met up on Worth Street. “Me, I live here.”\u003c/p>\n\u003cp>Chesmar said, “I spent a lot of time zooming in, trying to match the rooflines.”\u003c/p>\n\u003cp>Lyon was thrilled to meet them — and vice versa. “This has been the greatest mystery,” he told Chesmar and Aranda. “I was convinced they had moved a couple of large hills — the government does that, you know.”\u003c/p>\n\u003cp>He added, more seriously, “I was afraid the houses were gone.”\u003c/p>\n\u003cp>But those houses haven’t gone anywhere. And neither have most of the people who live on Worth Street, which is only one block long.\u003c/p>\n\u003cp>“People who live here have been here a long time,” said retired carpenter David Meites, 77, who I chatted with earlier in the morning and has lived on Worth more than 40 years. “It’s like a very small bar. Even if you’re not all that friendly, you’re pushed into saying hello.”\u003c/p>\n\u003cp>Although Worth Street hasn’t changed much since Lyon took his photo in the late ’40s or early ’50s, the same can’t be said for Grand View Avenue, where he was standing when he shot “Houses on the Hills.” He and Rozis could have driven around San Francisco for years without ever solving the puzzle.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘I assumed that the camera was pointed west, into the afternoon sun. Actually, it was east, and the morning sun. It’s an incredible relief to know where that is.’\u003ccite>Photographer Fred Lyon\u003c/cite>\u003c/aside>\n\u003cp>That’s because a large brown-shingle house was built on lower Grand View in 1979, and it blocks most of the view that the photographer had enjoyed. After we’d made our way from Worth Street to upper Grand View, we saw how much things had changed. Lyon shuddered and shook his head.\u003c/p>\n\u003cp>“At that time there were many empty lots,” said Lyon, whose memory of being there quickly returned. “I came here because it was a viewpoint.”\u003c/p>\n\u003cfigure id=\"attachment_11632353\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632353 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut.jpg\" alt=\"\" width=\"1920\" height=\"880\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-160x73.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-800x367.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-1020x468.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-1180x541.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-960x440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-240x110.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-375x172.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-520x238.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Here’s a screen shot of an aerial photograph of Worth Street in 1938, on the website of the San Francisco Planning Department. \u003ccite>(David Rumsey Map Collection)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Aranda was on a beach in Zihuatanejo, Mexico, when his wife spotted KQED’s request for help. “She said, ‘I bet you can figure this out.’ But I was leery I was correct until I saw the building behind the houses,” he said.\u003c/p>\n\u003cp>That building is \u003ca href=\"http://alvaradoschool.net/\">Alvarado Elementary School\u003c/a> on Douglass Street. It’s where Aranda, 63, a retired electrician at PG&E substations, went to grade school, not long after he arrived from Central America. The ornate cornices that can be glimpsed in the photograph are long gone, Aranda said, because of concerns about earthquake safety.\u003c/p>\n\u003cfigure id=\"attachment_11632361\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11632361\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-1020x765.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Robert Aranda Jr. takes a selfie on Worth Street in San Francisco with photographer Fred Lyon, whose work he has admired for many years. \u003ccite>(Patricia Yollin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chesmar, a composite engineer with United Airlines at SFO who lives in Bernal Heights, used a different strategy, scouring satellite photos on Google Maps to pinpoint the location: He looked for a hill with a contour that fit Lyon’s picture and for a second taller hill nearby, from where the photo was taken. Since the sun was to the right of the hill — and too high to be west — Lyon must have been facing east or south. Then he searched for buildings with those shapes and windows.\u003c/p>\n\u003cp>That process consumed about two hours. But after he noticed the steep stairway on 22nd Street, between Diamond and Collingwood, it took only another 15 minutes to zero in on where Lyon was standing almost seven decades ago. Then he verified his conclusion on Google Earth.\u003c/p>\n\u003cp>“I had plenty of time,” said Chesmar, 56, who is recovering from a mountain bike accident on Mount Tamalpais that broke his femur six weeks ago. He was recently allowed to drive a car again, but is still on crutches.\u003c/p>\n\u003cfigure id=\"attachment_11632362\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632362 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-1020x765.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Eric Chesmar, left, brought his iPad and Fred Lyon brought his camera to the very spot on upper Grand View Avenue in San Francisco where Lyon shot ‘Houses on the Hills.’ \u003ccite>(Patricia Yollin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Days earlier, when I told Lyon where the houses were situated, he said, “That makes perfect sense — and proves once again that one’s brain and memory are totally unreliable. I assumed that the camera was pointed west, into the afternoon sun. Actually, it was east, and the morning sun. It’s an incredible relief to know where that is.”\u003c/p>\n\u003cp>Leica Gallery director Alex Ramos, who was immensely curious about the location of the houses, also thought it was a sunset photograph with afternoon fog. “My guess was way off,” he said. “Fred must have gotten up early to make this one.”\u003c/p>\n\u003cp>On Friday morning, Lyon and Rozis marveled as Chesmar used his iPad to explain his methodology. “What great detective work,” Rozis remarked. “I can’t tell you how amazing I think it is that you identified this,” Lyon said.\u003c/p>\n\u003cp>When KQED readers took a stab at the elusive location, they were as mystified as Lyon had been. Their guesses included: Potrero Hill, Bernal Heights, the Excelsior, Crocker-Amazon, Daly City, Silver Terrace, the Portola, South San Francisco, the Mission District, Hunters Point and the Inner Sunset.\u003c/p>\n\u003cp>Lyon stood on upper Grand View Avenue — the spot where he’d been with his 4×5 Linhof and tripod around the middle of the last century — and took a few pictures of what is now a vastly altered view. “A lot has changed, but a lot is still the same,” he said of the city.\u003c/p>\n\u003cp>These days, Lyon is usually in discovery mode, looking at old photos and deciding what to keep and what to toss. He continually spots new things — and so do some of the people who look at his pictures.\u003c/p>\n\u003cp>Lyon described his image of three men pushing a cable car at the Powell Street turnaround. A woman told him that her father was one of them — his pipe was clenched in his mouth and he always wore his hat that way. “And I thought, isn’t this a sweet moment,” Lyon recalled. “And then she said, ‘One day he took the family Cadillac and his secretary, and nobody’s seen him since.’ Don’t tell me these things. I’m a romantic and I don’t want to know that.”\u003c/p>\n\u003cp>Unlike many of the photographs Lyon made for Life, Look and other publications, “Houses on the Hills” is horizontal. “I realized early on that magazine pages were vertical and you got paid by the page,” he said. “I didn’t want to settle for horizontals, so I forced verticals. And I thought that was fine because I was starving.”\u003c/p>\n\u003cp>“You’re not now,” Aranda said.\u003c/p>\n\u003cp>“No,” Lyon agreed. “If anything, I’m overfed.”\u003c/p>\n\u003cfigure id=\"attachment_11632363\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632363 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-1020x765.jpg\" alt=\"Fred Lyon gave Robert Aranda Jr. a digital print of his "Houses on the Hills" photograph. It is temporarily keeping company with tequila bottles on Aranda's dining room table in the Noe Valley neighborhood of San Francisco.\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Fred Lyon gave Robert Aranda Jr. a digital print of his ‘Houses on the Hills’ photograph. It is temporarily keeping company with tequila bottles on Aranda’s dining room table in the Noe Valley neighborhood of San Francisco. \u003ccite>(Patricia Yollin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When it was time to leave, a grateful Lyon presented Aranda and Chesmar with digital prints of “Houses on the Hills.” Aranda started to choke up. When I mentioned that the silver gelatin version on display at the Leica Gallery is priced at $5,000, they looked even more stunned.\u003c/p>\n\u003cp>Aranda, a big fan of Lyon’s work, said he’ll get the photograph matted and framed as soon as he can. We walked over to his house and he showed me exactly where it will go, in a prominent spot in the front hallway. Then he propped it up on the dining room table. surrounded by tequila bottles, and admired the view Lyon had enjoyed — one that has seemingly vanished.\u003c/p>\n\u003cp>But there \u003cem>is\u003c/em> a way to see it. Vincent Galea, 80, who has lived on Worth for 40-plus years, invited me to climb to the top of his terraced backyard garden, behind his house on the west side of the street. That is where Lyon’s houses on the hills can still be seen.\u003c/p>\n\u003cp>Galea’s home, in fact, is one of those houses. But he hadn’t realized it until that moment, when we looked at a photocopy of the image that I’d brought along.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’d seen the picture before and I didn’t put it together,” Galea said. “But I knew it was in the neighborhood.”\u003c/p>\n\u003cfigure id=\"attachment_11632354\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632354 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-1020x765.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The backs of the Worth Street houses that Fred Lyon photographed decades ago can still be seen behind the home of Vincent Galea, at the top of his lush terraced garden. \u003ccite>(Patricia Yollin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Following Harassment Allegations, Assemblyman Raul Bocanegra Won't Run Again",
"title": "Following Harassment Allegations, Assemblyman Raul Bocanegra Won't Run Again",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>California Assemblyman Raul Bocanegra (D-Pacoima) says he won't seek re-election after \u003ca href=\"https://ww2.kqed.org/news/2017/10/27/assemblyman-named-in-sexual-harassment-scandal-at-capitol/\" target=\"_blank\" rel=\"noopener\">allegations were made that he sexually harassed a colleague\u003c/a>.\u003c/p>\n\u003cp>The Los Angeles Democrat is the first political casualty in a wave of sexual harassment allegations at the Capitol.\u003c/p>\n\u003cp>Legislative staffer Elise Flynn Gyore says Bocanegra put his hands inside her blouse at an after-work event at a Sacramento nightclub in 2009. At the time, Bocanegra was chief of staff to then-Assemblyman Felipe Fuentes. He was later elected to the Assembly in 2012.\u003c/p>\n\u003cp>Gyore is now chief of staff for Sen. Richard Roth (D-Riverside).\u003c/p>\n\u003cp>\u003ca href=\"http://www.latimes.com/politics/la-pol-ca-raul-bocanegra-harassment-20171027-htmlstory.html\" target=\"_blank\" rel=\"noopener\">The Los Angeles Times reported\u003c/a> an investigation was conducted at the time and found “it is more likely than not that Bocanegra engaged in behavior that night which does not meet the Assembly’s expectations for professionalism,\" according to \u003ca href=\"https://www.documentcloud.org/documents/4147452-Raul-Bocanegra-letter.html\" target=\"_blank\" rel=\"noopener\">a letter\u003c/a> from the then-chief administrative officer.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On Friday, Bocanegra \u003ca href=\"https://ww2.kqed.org/news/2017/10/27/assemblyman-named-in-sexual-harassment-scandal-at-capitol/\" target=\"_blank\" rel=\"noopener\">issued a statement apologizing for his behavior\u003c/a>. “This unfortunate experience I was involved in as a staffer nearly 10 years ago was something I regret and learned from,\" he said.\u003c/p>\n\u003cp>Monday he said he will immediately step down from his leadership post as majority whip, but plans to remain in office until September 2018. He said he wants to avoid a costly special election or leaving his constituents without representation.\u003c/p>\n\u003cp>In a \u003ca href=\"https://www.facebook.com/AsmBocanegra/posts/1500340720033108\" target=\"_blank\" rel=\"noopener\">statement\u003c/a>, he said he regretted the 2009 encounter and is \"very sorry.\"\u003c/p>\n\u003cp>\"These news reports have since fueled persistent rumors and speculation, and I do not believe that this is in the best interest of my constituents to continue to serve next term,\" he wrote.\u003c/p>\n\u003cp>Assembly Speaker Anthony Rendon (D-Lakewood) released \u003ca href=\"https://twitter.com/Rendon63rd/status/932711561612861440/photo/1\" target=\"_blank\" rel=\"noopener\">his own statement\u003c/a> that suggested he had removed Bocanegra from his leadership and committee positions. Rendon also said an independent investigation was ongoing. \"The decision to deny constituents the representation of their elected official can be a difficult one, but make no mistake: If the investigation affirms the allegations, I will move to immediately expel Mr. Bocanegra from the Assembly,\" he said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Recently, hundreds of women working in the Capitol signed an open letter \u003ca href=\"https://ww2.kqed.org/news/2017/10/17/enough-californias-women-in-politics-call-out-sexual-harassment/\">condemning an atmosphere of sexual harassment. \u003c/a>The \u003ca href=\"https://ww2.kqed.org/news/2017/10/23/state-senate-hires-outside-firms-to-investigate-sexual-harassment/\">state Senate\u003c/a> has hired an outside law firm to investigate the claims and \u003ca href=\"https://ww2.kqed.org/news/2017/10/24/state-assembly-hearings-will-address-sexual-harassment/\">the Assembly\u003c/a> has said it will hold hearings on the issue.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>California Assemblyman Raul Bocanegra (D-Pacoima) says he won't seek re-election after \u003ca href=\"https://ww2.kqed.org/news/2017/10/27/assemblyman-named-in-sexual-harassment-scandal-at-capitol/\" target=\"_blank\" rel=\"noopener\">allegations were made that he sexually harassed a colleague\u003c/a>.\u003c/p>\n\u003cp>The Los Angeles Democrat is the first political casualty in a wave of sexual harassment allegations at the Capitol.\u003c/p>\n\u003cp>Legislative staffer Elise Flynn Gyore says Bocanegra put his hands inside her blouse at an after-work event at a Sacramento nightclub in 2009. At the time, Bocanegra was chief of staff to then-Assemblyman Felipe Fuentes. He was later elected to the Assembly in 2012.\u003c/p>\n\u003cp>Gyore is now chief of staff for Sen. Richard Roth (D-Riverside).\u003c/p>\n\u003cp>\u003ca href=\"http://www.latimes.com/politics/la-pol-ca-raul-bocanegra-harassment-20171027-htmlstory.html\" target=\"_blank\" rel=\"noopener\">The Los Angeles Times reported\u003c/a> an investigation was conducted at the time and found “it is more likely than not that Bocanegra engaged in behavior that night which does not meet the Assembly’s expectations for professionalism,\" according to \u003ca href=\"https://www.documentcloud.org/documents/4147452-Raul-Bocanegra-letter.html\" target=\"_blank\" rel=\"noopener\">a letter\u003c/a> from the then-chief administrative officer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On Friday, Bocanegra \u003ca href=\"https://ww2.kqed.org/news/2017/10/27/assemblyman-named-in-sexual-harassment-scandal-at-capitol/\" target=\"_blank\" rel=\"noopener\">issued a statement apologizing for his behavior\u003c/a>. “This unfortunate experience I was involved in as a staffer nearly 10 years ago was something I regret and learned from,\" he said.\u003c/p>\n\u003cp>Monday he said he will immediately step down from his leadership post as majority whip, but plans to remain in office until September 2018. He said he wants to avoid a costly special election or leaving his constituents without representation.\u003c/p>\n\u003cp>In a \u003ca href=\"https://www.facebook.com/AsmBocanegra/posts/1500340720033108\" target=\"_blank\" rel=\"noopener\">statement\u003c/a>, he said he regretted the 2009 encounter and is \"very sorry.\"\u003c/p>\n\u003cp>\"These news reports have since fueled persistent rumors and speculation, and I do not believe that this is in the best interest of my constituents to continue to serve next term,\" he wrote.\u003c/p>\n\u003cp>Assembly Speaker Anthony Rendon (D-Lakewood) released \u003ca href=\"https://twitter.com/Rendon63rd/status/932711561612861440/photo/1\" target=\"_blank\" rel=\"noopener\">his own statement\u003c/a> that suggested he had removed Bocanegra from his leadership and committee positions. Rendon also said an independent investigation was ongoing. \"The decision to deny constituents the representation of their elected official can be a difficult one, but make no mistake: If the investigation affirms the allegations, I will move to immediately expel Mr. Bocanegra from the Assembly,\" he said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Recently, hundreds of women working in the Capitol signed an open letter \u003ca href=\"https://ww2.kqed.org/news/2017/10/17/enough-californias-women-in-politics-call-out-sexual-harassment/\">condemning an atmosphere of sexual harassment. \u003c/a>The \u003ca href=\"https://ww2.kqed.org/news/2017/10/23/state-senate-hires-outside-firms-to-investigate-sexual-harassment/\">state Senate\u003c/a> has hired an outside law firm to investigate the claims and \u003ca href=\"https://ww2.kqed.org/news/2017/10/24/state-assembly-hearings-will-address-sexual-harassment/\">the Assembly\u003c/a> has said it will hold hearings on the issue.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The traffic in the Bay Area regularly ranks among the nation's worst — and sitting in traffic isn't just irritating; there's some downright unhealthy stuff in that air you're breathing.\u003c/p>\n\u003caside class=\"pullquote alignright\">You can greatly reduce air pollution while biking by riding a block off of a busy road.\u003c/aside>\n\u003cp>Breathing in air pollution can irritate the lungs and aggravate both asthma and cardiovascular disease. However, a \u003ca href=\"http://www.sciencedirect.com/science/article/pii/S1352231017305290?via%3Dihub\" target=\"_blank\" rel=\"noopener\">recent study\u003c/a> from the California Air Resources Board shows that \u003cem>how\u003c/em> you get to work makes a big difference.\u003c/p>\n\u003cp>Commuters participating in the study wore backpacks crammed with instruments to measure soot from diesel engines and other pollution while they biked, drove, bused or rode the train to work in Sacramento.\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/science/2017/11/McClurgCommuterAirQuality.mp3\" /]\u003c/p>\n\u003cp>I decided to try it on my own daily commute from Oakland to San Francisco, using the same gear borrowed from the Air Resources Board. Over the course of a few days I measured the pollution while I biked, then rode BART, and finally drove to my office. Even though my little experiment was clearly not scientifically significant, the results generally matched what the researchers found in Sacramento.\u003c/p>\n\u003cfigure id=\"attachment_437110\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-437110 size-medium\" src=\"https://ww2.kqed.org/futureofyou/wp-content/uploads/sites/13/2017/11/IMG_0823-e1510936683987-800x835.jpg\" alt=\"\" width=\"800\" height=\"835\">\u003cfigcaption class=\"wp-caption-text\">Lesley McClurg preparing air pollution measuring devices before her morning commute.\u003c/figcaption>\u003c/figure>\n\u003cp>BART was the clear winner for me. Light rail also exposed Sacramento commuters to the least polluted air. Driving came in second for me, and biking exposed me to the most smog. The researchers found pollution levels to be pretty similar for cars, buses and bicycle trips.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I didn't take a diesel-powered train, but the Air Board noted that older Amtrak trains on the Capitol Corridor exposed participants to the worst air. However, Amtrak is updating its locomotive fleet with newer models, so future trips should be a lot cleaner. Incidentally, high-speed Rail, when in service, will be even cleaner.\u003c/p>\n\u003cp>Fortunately, none of the pollution levels I recorded during my commute — biking or driving — were dangerous. Study participants in Sacramento were also well within safe exposures.\u003c/p>\n\u003cfigure id=\"attachment_437181\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-large wp-image-437181\" src=\"https://ww2.kqed.org/futureofyou/wp-content/uploads/sites/13/2017/11/Screen-Shot-2017-11-17-at-8.26.27-AM-1-1020x444.png\" alt=\"\" width=\"640\" height=\"279\">\u003cfigcaption class=\"wp-caption-text\">A street-by-street look at pollutants in San Francisco and Oakland. Aclima and Google plan to soon offer an interactive map where you can click on a particular street for more detailed information. To learn \u003ca href=\"https://blog.aclima.io/examining-air-quality-in-san-francisco-bay-area-d308b341be45\" target=\"_blank\" rel=\"noopener\">more.\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Below is a list of ways to protect yourself from nasty air while taking various forms of transportation.\u003c/p>\n\u003caside class=\"alignright\">\n\u003ch2>Pollutants in the Air\u003c/h2>\n\u003cul>\n\u003cli>\u003cstrong>Black Carbon:\u003c/strong> Known more commonly as soot. It usually comes from diesel trucks, but ships, diesel trains, vehicles, residential wood fires and even certain types of cooking can also release black carbon. It can worsen asthma and heart disease.\u003c/li>\n\u003cli>\u003cstrong>Nitric Oxide (NO):\u003c/strong> A gas emitted by power plants, vehicles, aircraft, ships, trains, soils, nitrogen fertilizers, the burning of biomass and gas-fired appliances. High levels can irritate skin, eyes and mucous membranes, triggering coughing fits and a burning sensation in the chest.\u003c/li>\n\u003cli>\u003cstrong>Nitrogen Dioxide (NO2)\u003c/strong> : A gas released by burning fuel, forest fires and emissions from vehicles, power plants and off-road equipment. Breathing NO2 also irritates the lungs. When NO2 combines with other chemicals in the atmosphere it can lead to acid rain.\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>\u003cstrong>1) Travel by Light Rail\u003c/strong>\u003c/p>\n\u003cp>My trip on BART from Oakland to San Francisco offered the best air. In general, the Air Board found electrically powered light rail to be the cleanest mode of transportation. That's likely because the trains themselves do not release any exhaust. However, the researchers cautioned the results may be different if the route is near a freeway.\u003c/p>\n\u003cp>\u003cstrong>2) Set the AC to Recirculate\u003c/strong>\u003c/p>\n\u003cp>My car trip was the second best. The Air Board said turning the air-conditioning on and setting it to recirculate (versus pulling in air from outside) can reduce pollution levels by up to 75 percent. In other words, roll up your windows and prevent as much air as possible from entering when driving through congestion.\u003c/p>\n\u003cp>\u003cstrong>3) Cycle On Bike Paths\u003c/strong>\u003c/p>\n\u003cp>As an avid cyclist, I was disappointed to learn that I was exposed to the dirtiest air while on two wheels. I'm going to try to find a less congested route because the Air Board says you can greatly reduce air pollution simply by cycling a block off a busy road or on bike paths away from heavy traffic.\u003c/p>\n\u003cp>\u003cstrong>4) Avoid Exhaust\u003c/strong>\u003c/p>\n\u003cp>Researchers found that commuters taking diesel trains were exposed to the worst air over other modes of transportation. It's best to avoid older diesel-powered trains that push rail cars, which were worse than engines that pulled cars. If you must take an older train, try to get a seat in a cabin away from the locomotive engine.\u003c/p>\n\u003cp>\u003cstrong>5) Check the Air Forecast\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp>Air quality can change day-by-day and block-by-block. It's a good idea to check the current pollution levels before deciding what mode of transportation to take. You can check your neighborhood at \u003ca href=\"https://airnow.gov/\" target=\"_blank\" rel=\"noopener\">airnow.gov\u003c/a>, or \u003ca href=\"http://sparetheair.org\" target=\"_blank\" rel=\"noopener\">sparetheair.org. \u003c/a>This is especially important when there is a wildfire burning in the region or a temperature inversion layer puts a lid on the area, preventing pollutants from escaping.\u003c/p>\n\u003cp>\u003cstrong>6) Carpool\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Sharing a vehicle not only shortens the trip because you can zip along in the carpool lane, it also means you're on the road for less time breathing bad air. Plus carpooling is a win for everyone because it means fewer cars are on the road spewing emissions and adding to congestion.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I decided to try it on my own daily commute from Oakland to San Francisco, using the same gear borrowed from the Air Resources Board. Over the course of a few days I measured the pollution while I biked, then rode BART, and finally drove to my office. Even though my little experiment was clearly not scientifically significant, the results generally matched what the researchers found in Sacramento.\u003c/p>\n\u003cfigure id=\"attachment_437110\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-437110 size-medium\" src=\"https://ww2.kqed.org/futureofyou/wp-content/uploads/sites/13/2017/11/IMG_0823-e1510936683987-800x835.jpg\" alt=\"\" width=\"800\" height=\"835\">\u003cfigcaption class=\"wp-caption-text\">Lesley McClurg preparing air pollution measuring devices before her morning commute.\u003c/figcaption>\u003c/figure>\n\u003cp>BART was the clear winner for me. Light rail also exposed Sacramento commuters to the least polluted air. Driving came in second for me, and biking exposed me to the most smog. The researchers found pollution levels to be pretty similar for cars, buses and bicycle trips.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I didn't take a diesel-powered train, but the Air Board noted that older Amtrak trains on the Capitol Corridor exposed participants to the worst air. However, Amtrak is updating its locomotive fleet with newer models, so future trips should be a lot cleaner. Incidentally, high-speed Rail, when in service, will be even cleaner.\u003c/p>\n\u003cp>Fortunately, none of the pollution levels I recorded during my commute — biking or driving — were dangerous. Study participants in Sacramento were also well within safe exposures.\u003c/p>\n\u003cfigure id=\"attachment_437181\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-large wp-image-437181\" src=\"https://ww2.kqed.org/futureofyou/wp-content/uploads/sites/13/2017/11/Screen-Shot-2017-11-17-at-8.26.27-AM-1-1020x444.png\" alt=\"\" width=\"640\" height=\"279\">\u003cfigcaption class=\"wp-caption-text\">A street-by-street look at pollutants in San Francisco and Oakland. Aclima and Google plan to soon offer an interactive map where you can click on a particular street for more detailed information. To learn \u003ca href=\"https://blog.aclima.io/examining-air-quality-in-san-francisco-bay-area-d308b341be45\" target=\"_blank\" rel=\"noopener\">more.\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Below is a list of ways to protect yourself from nasty air while taking various forms of transportation.\u003c/p>\n\u003caside class=\"alignright\">\n\u003ch2>Pollutants in the Air\u003c/h2>\n\u003cul>\n\u003cli>\u003cstrong>Black Carbon:\u003c/strong> Known more commonly as soot. It usually comes from diesel trucks, but ships, diesel trains, vehicles, residential wood fires and even certain types of cooking can also release black carbon. It can worsen asthma and heart disease.\u003c/li>\n\u003cli>\u003cstrong>Nitric Oxide (NO):\u003c/strong> A gas emitted by power plants, vehicles, aircraft, ships, trains, soils, nitrogen fertilizers, the burning of biomass and gas-fired appliances. High levels can irritate skin, eyes and mucous membranes, triggering coughing fits and a burning sensation in the chest.\u003c/li>\n\u003cli>\u003cstrong>Nitrogen Dioxide (NO2)\u003c/strong> : A gas released by burning fuel, forest fires and emissions from vehicles, power plants and off-road equipment. Breathing NO2 also irritates the lungs. When NO2 combines with other chemicals in the atmosphere it can lead to acid rain.\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>\u003cstrong>1) Travel by Light Rail\u003c/strong>\u003c/p>\n\u003cp>My trip on BART from Oakland to San Francisco offered the best air. In general, the Air Board found electrically powered light rail to be the cleanest mode of transportation. That's likely because the trains themselves do not release any exhaust. However, the researchers cautioned the results may be different if the route is near a freeway.\u003c/p>\n\u003cp>\u003cstrong>2) Set the AC to Recirculate\u003c/strong>\u003c/p>\n\u003cp>My car trip was the second best. The Air Board said turning the air-conditioning on and setting it to recirculate (versus pulling in air from outside) can reduce pollution levels by up to 75 percent. In other words, roll up your windows and prevent as much air as possible from entering when driving through congestion.\u003c/p>\n\u003cp>\u003cstrong>3) Cycle On Bike Paths\u003c/strong>\u003c/p>\n\u003cp>As an avid cyclist, I was disappointed to learn that I was exposed to the dirtiest air while on two wheels. I'm going to try to find a less congested route because the Air Board says you can greatly reduce air pollution simply by cycling a block off a busy road or on bike paths away from heavy traffic.\u003c/p>\n\u003cp>\u003cstrong>4) Avoid Exhaust\u003c/strong>\u003c/p>\n\u003cp>Researchers found that commuters taking diesel trains were exposed to the worst air over other modes of transportation. It's best to avoid older diesel-powered trains that push rail cars, which were worse than engines that pulled cars. If you must take an older train, try to get a seat in a cabin away from the locomotive engine.\u003c/p>\n\u003cp>\u003cstrong>5) Check the Air Forecast\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp>Air quality can change day-by-day and block-by-block. It's a good idea to check the current pollution levels before deciding what mode of transportation to take. You can check your neighborhood at \u003ca href=\"https://airnow.gov/\" target=\"_blank\" rel=\"noopener\">airnow.gov\u003c/a>, or \u003ca href=\"http://sparetheair.org\" target=\"_blank\" rel=\"noopener\">sparetheair.org. \u003c/a>This is especially important when there is a wildfire burning in the region or a temperature inversion layer puts a lid on the area, preventing pollutants from escaping.\u003c/p>\n\u003cp>\u003cstrong>6) Carpool\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Sharing a vehicle not only shortens the trip because you can zip along in the carpool lane, it also means you're on the road for less time breathing bad air. Plus carpooling is a win for everyone because it means fewer cars are on the road spewing emissions and adding to congestion.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/news/series/baycurious",
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"source": "kqed",
"order": 3
},
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}
},
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"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"source": "kqed",
"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
"site": "radio",
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},
"link": "/radio/program/code-switch-life-kit",
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
"link": "/forum",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
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