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"content": "\u003cp>It’s \u003ca href=\"http://www.sfpride.org/schedule/\" target=\"_blank\" rel=\"noopener noreferrer\">Pride\u003c/a> weekend in San Francisco. Get ready for a lot of rainbows and resistance on Saturday and Sunday. The theme this year is “A Celebration of Diversity.”\u003c/p>\n\u003cp>“We should serve one another not because of our common humanity but rather for our distinctiveness,” said Amy Sueyoshi, one of six Community Grand Marshals of this year’s San Francisco Pride Parade and March. “Get your queer on and make the world a better place.”\u003c/p>\n\u003cp>More than 20 builders and artists spent Thursday in a Mission Bay warehouse on San Francisco’s Pier 54 painting, sawing, nailing and rigging, tacking boas, attaching styrofoam balls and using a healthy dose of glitter to decorate some of the more than 40 floats expected to make their way down Market Street in Sunday’s parade.\u003c/p>\n\u003cfigure id=\"attachment_11528131\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11528131\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut.jpg\" alt=\"\" width=\"1920\" height=\"1082\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-520x293.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artists and organizers worked to prepare for the parade. \u003ccite>(Peter Arcuni/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Because it’s ‘Summer of Love,’ everybody’s getting into the ’60s psychedelic thing, which has been just a blast to work with,” said Stephanie Mufson, a veteran float builder.\u003c/p>\n\u003cp>Mufson roamed the warehouse keeping everyone organized and on task. She was backed up by a count-down clock hanging on the wall, reminding the volunteers that only three days and 20 hours remained until parade time.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[gallery type=\"rectangular\" ids=\"11528136,11528135,11528132,11528129\"]\u003c/p>\n\u003cp>“It’s a lot of putting on floral sheeting and trim and things like that,” said artist Yulia Rashkovskaya as she prepped an enchanted forest-themed float. “There’s a lot of fabrication: making these giant flowers, making the lips, making this tree out of styrofoam and wood.”\u003c/p>\n\u003cp>Gay pride parades have always been a combination of fun, pride and politics. In 1978, gay activist Harvey Milk led parade protests against Proposition 6, the so-called Briggs Initiative that would have banned openly gay school teachers in California. In other years, HIV/AIDS policies of the Reagan and Bush years were the targets of anger.\u003c/p>\n\u003cp>Here’s a KQED archival video from the 1979 parade, then called the “Gay Freedom Day Parade”:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VTFZBIju9Ok\u003c/p>\n\u003cp>This year, with President Trump in the White House, there will be an especially loud and clear statement about the community’s values.\u003c/p>\n\u003cp>“Many of us, in fact I’d say most in our community, recognize that resisting Donald Trump is part and parcel of every fiber of our being,” said San Francisco Supervisor Jeff Sheehy. He represents the city’s largely gay Castro neighborhood, where Trump got less than 2 percent of the vote in some precincts. Sheehy said part of the message in this year’s parade is that LGBT people are everywhere.\u003c/p>\n\u003cp>“Some of the first communities that have been attacked, like our Muslim brothers and sisters — well there’s LGBTQ Muslims, or immigrants. Any community includes LGBTQ folk,” Sheehy said.\u003c/p>\n\u003cfigure id=\"attachment_11528128\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11528128\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut.jpg\" alt=\"\" width=\"1920\" height=\"1082\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-520x293.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The San Francisco Pride parade and celebration will include political resistance. \u003ccite>(Peter Arcuni/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ahead of those colorful floats still being prepped, the parade will be led by what organizers are calling a “Resistant Contingent.”\u003c/p>\n\u003cp>“Eschewing the usual floats and music, representatives from about 20 diverse organizations will lead the parade with an all-on-foot march down Market Street,” organizers wrote \u003ca href=\"http://www.sfpride.org/resist/\" target=\"_blank\" rel=\"noopener noreferrer\">on their website\u003c/a>. “Highlighting concerns ranging from women’s rights to immigration policies and the profiling persecution of African Americans, these voices will lead the normally celebratory event with a political statement reminiscent of the very milestone it commemorates — The Stonewall Rebellion.”\u003c/p>\n\u003cp>The “Resistance Contingent” will include S.F. Black Community Matters, International Migrants Alliance, Indivisible and other groups.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>KQED’s Peter Arcuni contributed to this story.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s \u003ca href=\"http://www.sfpride.org/schedule/\" target=\"_blank\" rel=\"noopener noreferrer\">Pride\u003c/a> weekend in San Francisco. Get ready for a lot of rainbows and resistance on Saturday and Sunday. The theme this year is “A Celebration of Diversity.”\u003c/p>\n\u003cp>“We should serve one another not because of our common humanity but rather for our distinctiveness,” said Amy Sueyoshi, one of six Community Grand Marshals of this year’s San Francisco Pride Parade and March. “Get your queer on and make the world a better place.”\u003c/p>\n\u003cp>More than 20 builders and artists spent Thursday in a Mission Bay warehouse on San Francisco’s Pier 54 painting, sawing, nailing and rigging, tacking boas, attaching styrofoam balls and using a healthy dose of glitter to decorate some of the more than 40 floats expected to make their way down Market Street in Sunday’s parade.\u003c/p>\n\u003cfigure id=\"attachment_11528131\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11528131\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut.jpg\" alt=\"\" width=\"1920\" height=\"1082\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25802_DSCF2388-qut-520x293.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artists and organizers worked to prepare for the parade. \u003ccite>(Peter Arcuni/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Because it’s ‘Summer of Love,’ everybody’s getting into the ’60s psychedelic thing, which has been just a blast to work with,” said Stephanie Mufson, a veteran float builder.\u003c/p>\n\u003cp>Mufson roamed the warehouse keeping everyone organized and on task. She was backed up by a count-down clock hanging on the wall, reminding the volunteers that only three days and 20 hours remained until parade time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s a lot of putting on floral sheeting and trim and things like that,” said artist Yulia Rashkovskaya as she prepped an enchanted forest-themed float. “There’s a lot of fabrication: making these giant flowers, making the lips, making this tree out of styrofoam and wood.”\u003c/p>\n\u003cp>Gay pride parades have always been a combination of fun, pride and politics. In 1978, gay activist Harvey Milk led parade protests against Proposition 6, the so-called Briggs Initiative that would have banned openly gay school teachers in California. In other years, HIV/AIDS policies of the Reagan and Bush years were the targets of anger.\u003c/p>\n\u003cp>Here’s a KQED archival video from the 1979 parade, then called the “Gay Freedom Day Parade”:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VTFZBIju9Ok'\n title='//www.youtube.com/embed/VTFZBIju9Ok'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>This year, with President Trump in the White House, there will be an especially loud and clear statement about the community’s values.\u003c/p>\n\u003cp>“Many of us, in fact I’d say most in our community, recognize that resisting Donald Trump is part and parcel of every fiber of our being,” said San Francisco Supervisor Jeff Sheehy. He represents the city’s largely gay Castro neighborhood, where Trump got less than 2 percent of the vote in some precincts. Sheehy said part of the message in this year’s parade is that LGBT people are everywhere.\u003c/p>\n\u003cp>“Some of the first communities that have been attacked, like our Muslim brothers and sisters — well there’s LGBTQ Muslims, or immigrants. Any community includes LGBTQ folk,” Sheehy said.\u003c/p>\n\u003cfigure id=\"attachment_11528128\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11528128\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut.jpg\" alt=\"\" width=\"1920\" height=\"1082\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25791_DSCF2377-qut-520x293.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The San Francisco Pride parade and celebration will include political resistance. \u003ccite>(Peter Arcuni/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ahead of those colorful floats still being prepped, the parade will be led by what organizers are calling a “Resistant Contingent.”\u003c/p>\n\u003cp>“Eschewing the usual floats and music, representatives from about 20 diverse organizations will lead the parade with an all-on-foot march down Market Street,” organizers wrote \u003ca href=\"http://www.sfpride.org/resist/\" target=\"_blank\" rel=\"noopener noreferrer\">on their website\u003c/a>. “Highlighting concerns ranging from women’s rights to immigration policies and the profiling persecution of African Americans, these voices will lead the normally celebratory event with a political statement reminiscent of the very milestone it commemorates — The Stonewall Rebellion.”\u003c/p>\n\u003cp>The “Resistance Contingent” will include S.F. Black Community Matters, International Migrants Alliance, Indivisible and other groups.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>KQED’s Peter Arcuni contributed to this story.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Welcome to Nancy's Airport Cafe, Where Regulars Fly in for Pie",
"title": "Welcome to Nancy's Airport Cafe, Where Regulars Fly in for Pie",
"headTitle": "California Foodways | The California Report | KQED News",
"content": "\u003cp>Between Sacramento and Redding, Highway 5 cuts through the middle of rice country. Right next to rice fields outside the town of Willows, there’s a restaurant popular with travelers, farmers, truckers.\u003c/p>\n\u003cp>And pilots.\u003c/p>\n\u003cp>Before I even step inside Nancy’s Airport Cafe, I see Marty Blaker walk out of the restaurant, through a small gate, and onto the tarmac of the Willows-Glenn County Airport, heading toward a 1965 Cherokee 180 airplane. He’s carrying a tell-tale to-go bag.\u003c/p>\n\u003cp>“Everybody takes pie,” Blaker says. Then, he reaches in the bag, opens a plastic foam container, and says, “Here’s the treasure. Today it’s a piece of cherry pie, and I will enjoy it later this afternoon.”\u003c/p>\n\u003cp>He flew in this morning from Rough and Ready, California, a little town outside of Grass Valley. He says places like Nancy’s are a kind of beacon for recreational pilots.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“There’s a thing called a $100 hamburger. What that means is you spend more money getting to the airport than you do on the hamburger itself. These days it costs more than $100,” Blaker says with a laugh.\u003c/p>\n\u003cfigure id=\"attachment_11526228\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11526228\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/NancysExterior-800x541.jpg\" alt=\"Nancy's Airport Cafe just outside of Willows is a favorite of recreational pilots. \" width=\"800\" height=\"541\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-800x541.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-1020x690.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-1180x798.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-960x650.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-240x162.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-375x254.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-520x352.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nancy's Airport Cafe just outside of Willows is a favorite of recreational pilots. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But it’s all part of having an adventure, he says, sometimes solo, “sometimes there may be a rendezvous of two, four, 18 planes that all coordinate and descend on an airport café, and Nancy’s is a very popular Northern California destination for just such things.”\u003c/p>\n\u003cp>Blaker says he’s been flying his whole adult life and bought this plane 15 years ago.\u003c/p>\n\u003cp>“It’s simple, and that’s why I love it,” he says. “It gets me around California. I don’t need fancy.”\u003c/p>\n\u003caside class=\"pullquote alignright\">'This place was packed all the time, 24-7. Everyone knew about Nancy's.'\u003ccite>Greg Michael,\u003cbr>Pilot and Nancy's customer\u003c/cite>\u003c/aside>\n\u003cp>Flying, he says, is personal.\u003c/p>\n\u003cp>“Flying gives a different perspective,\" Blaker says. \"You see the world in a pretty different way from 2,000 to 10,000 feet above.”\u003c/p>\n\u003cp>Today, he saw the northern Sacramento Valley totally flooded.\u003c/p>\n\u003cp>“It’s on purpose,\" he says. \"All the rice fields have been flooded. Getting here was like flying over a big lake today.”\u003c/p>\n\u003cp>The Willows-Glenn County Airport is hopping. The three agriculture aviation businesses here have a constant rotation of crop dusters flying in, loading up with soaked rice seed, and taking off to plant those flooded fields from the air.\u003c/p>\n\u003cfigure id=\"attachment_11526288\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11526288\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/CubSwag-800x561.jpg\" alt=\"Willows resident Greg Michael at the hangar where he stores his 1946 J-3 Cub.\" width=\"800\" height=\"561\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-800x561.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-160x112.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-1020x715.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-1180x827.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-960x673.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-240x168.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-375x263.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-520x365.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Willows resident Greg Michael at the hangar where he stores his 1946 J-3 Cub airplane. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the tarmac, I meet Willows resident Greg Michael, who just returned from a morning flight. He lets me into his hangar -- a sign outside says “Pilot Cave” -- which houses his 1946 J-3 Cub airplane. Inside, the walls are covered with flags, and photos of World War II airplanes, which makes sense given this airport’s history.\u003c/p>\n\u003cp>“It was pretty hush hush, but Jimmy Doolittle practiced his raids here” and at a couple other nearby airports, Michael says.\u003c/p>\n\u003cp>That’s World War II pilot Lt. Colonel Jimmy Doolittle, who led bombing raids on Tokyo soon after the attack on Pearl Harbor.\u003c/p>\n\u003cp>“These were big airports for heavy planes, built for military,” Michael says.\u003c/p>\n\u003cp>Another historic point? This is where aerial firefighting got its start in California.\u003c/p>\n\u003cp>Nancy’s Aiport Cafe has been a long presence in Michael’s life. He remembers when it was open 24 hours a day.\u003c/p>\n\u003cp>“I trucked for UPS, and you know where the good places to eat were,” he says. “This place was packed all the time 24-7. Everyone knew about Nancy’s.”\u003c/p>\n\u003cfigure id=\"attachment_11526290\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11526290\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/NancysWall-800x629.jpg\" alt=\"'Some people hang hats on the wall, we hang people’s pictures with their airplanes on the wall,' says Nancy's waitress Tricia Lawson.\" width=\"800\" height=\"629\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-800x629.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-160x126.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-1020x802.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-1180x928.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-960x755.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-240x189.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-375x295.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-520x409.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Some people hang hats on the wall, we hang people’s pictures with their airplanes on the wall,' says Nancy's waitress Tricia Lawson. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Finally, I get to see for myself. Inside Nancy’s, I meet waitress Tricia Lawson, who’s wearing the same name tag she put on 26 years ago when she first started working here. She points out the photos covering every inch of wall space in the restaurant.\u003c/p>\n\u003cp>“It’s just a thing here,\" she says. \"Some people hang hats on the wall. We hang people’s pictures with their airplanes on the wall.”\u003c/p>\n\u003cp>Pictures, and model planes.\u003c/p>\n\u003cp>[contextly_sidebar id=\"9U28lvATatrzxG4s4Kj3QMb0xVXBHBOQ\"]\u003c/p>\n\u003cp>“They actually donate them here, so we can have a piece of their history and a piece of our history,” says Lawson.\u003c/p>\n\u003cp>We stop by the cold box where Beverly Randolph raves about the cream pies on display.\u003c/p>\n\u003cp>“They’re delicious,\" she says. \"The lemon meringue is out of this world.”\u003c/p>\n\u003cp>She should know. She lives just down the road and Lawson tells me she eats here at least twice a week. I ask Randolph if she’s a pilot, too, and she laughs. “Not anymore. I used to be. I’m too old.” She tells me she’ll be 90 in a few days.\u003c/p>\n\u003cp>Lawson continues our tour, pointing to the tiny kitchen, where a lanky, laconic cook flies through orders.\u003c/p>\n\u003cp>“They say never trust a skinny cook, but that is such a lie! Michael is a robot.”\u003c/p>\n\u003cp>Then she leads me into the back kitchen.\u003c/p>\n\u003cp>“And this is ... Elizabeth!” she announces with a flourish.\u003c/p>\n\u003cfigure id=\"attachment_11524196\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11524196 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Baker Elizabeth Martinez holds peach and apple pies. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Elizabeth Martinez is Nancy’s shy but prolific maker of fruit and cream pies. I ask her how it feels to know that people fly from all over California to eat what she bakes.\u003c/p>\n\u003cp>“Gratitude ... That’s the best pay they can give me.”\u003c/p>\n\u003cp>Back in the dining room, Tricia Lawson refers to every customer by name. She says “In the first three hours of my shift, I don’t even use a ticket book because I know what they want!\"\u003c/p>\n\u003cp>Lawson says a handful of rice farmers are often at the door before 5:00 a.m., waiting for her to open the door.\u003c/p>\n\u003cp>“And don’t forget the truck drivers,” she says, to whom Nancy’s offers free coffee. “Give a truck driver free coffee, and he’s good to go.”\u003c/p>\n\u003cfigure id=\"attachment_11524197\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11524197 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tricia Lawson has worked as a server at Nancy's for 26 years. She still wears the name tag she got when she started. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though original owner Nancy Stokes sold the restaurant years ago, customer Colleen Brown says the place hasn’t changed. For 22 years, she and her husband always stopped in on drives between Lassen County and the East Bay.\u003c/p>\n\u003cp>“He passed away last year, and I’m still coming here,” Brown says.\u003c/p>\n\u003cp>She says even though they only came once or twice a year, “there were a couple waitresses who, when we walked in the door, they still remembered our names.”\u003c/p>\n\u003cp>As her husband’s health deteriorated, she started traveling alone.\u003c/p>\n\u003cp>“They’d always ask, ‘How’s he doing?’” she says. “It’s just like home. Nancy’s is a good spot.”\u003c/p>\n\u003cp>Brown advises, “Anybody traveling, stop and say, 'Hi.'”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>If you do, maybe take a cue from the regulars: get some pie to go. I took a whole lemon meringue home with me.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Between Sacramento and Redding, Highway 5 cuts through the middle of rice country. Right next to rice fields outside the town of Willows, there’s a restaurant popular with travelers, farmers, truckers.\u003c/p>\n\u003cp>And pilots.\u003c/p>\n\u003cp>Before I even step inside Nancy’s Airport Cafe, I see Marty Blaker walk out of the restaurant, through a small gate, and onto the tarmac of the Willows-Glenn County Airport, heading toward a 1965 Cherokee 180 airplane. He’s carrying a tell-tale to-go bag.\u003c/p>\n\u003cp>“Everybody takes pie,” Blaker says. Then, he reaches in the bag, opens a plastic foam container, and says, “Here’s the treasure. Today it’s a piece of cherry pie, and I will enjoy it later this afternoon.”\u003c/p>\n\u003cp>He flew in this morning from Rough and Ready, California, a little town outside of Grass Valley. He says places like Nancy’s are a kind of beacon for recreational pilots.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“There’s a thing called a $100 hamburger. What that means is you spend more money getting to the airport than you do on the hamburger itself. These days it costs more than $100,” Blaker says with a laugh.\u003c/p>\n\u003cfigure id=\"attachment_11526228\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11526228\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/NancysExterior-800x541.jpg\" alt=\"Nancy's Airport Cafe just outside of Willows is a favorite of recreational pilots. \" width=\"800\" height=\"541\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-800x541.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-1020x690.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-1180x798.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-960x650.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-240x162.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-375x254.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-520x352.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nancy's Airport Cafe just outside of Willows is a favorite of recreational pilots. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But it’s all part of having an adventure, he says, sometimes solo, “sometimes there may be a rendezvous of two, four, 18 planes that all coordinate and descend on an airport café, and Nancy’s is a very popular Northern California destination for just such things.”\u003c/p>\n\u003cp>Blaker says he’s been flying his whole adult life and bought this plane 15 years ago.\u003c/p>\n\u003cp>“It’s simple, and that’s why I love it,” he says. “It gets me around California. I don’t need fancy.”\u003c/p>\n\u003caside class=\"pullquote alignright\">'This place was packed all the time, 24-7. Everyone knew about Nancy's.'\u003ccite>Greg Michael,\u003cbr>Pilot and Nancy's customer\u003c/cite>\u003c/aside>\n\u003cp>Flying, he says, is personal.\u003c/p>\n\u003cp>“Flying gives a different perspective,\" Blaker says. \"You see the world in a pretty different way from 2,000 to 10,000 feet above.”\u003c/p>\n\u003cp>Today, he saw the northern Sacramento Valley totally flooded.\u003c/p>\n\u003cp>“It’s on purpose,\" he says. \"All the rice fields have been flooded. Getting here was like flying over a big lake today.”\u003c/p>\n\u003cp>The Willows-Glenn County Airport is hopping. The three agriculture aviation businesses here have a constant rotation of crop dusters flying in, loading up with soaked rice seed, and taking off to plant those flooded fields from the air.\u003c/p>\n\u003cfigure id=\"attachment_11526288\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11526288\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/CubSwag-800x561.jpg\" alt=\"Willows resident Greg Michael at the hangar where he stores his 1946 J-3 Cub.\" width=\"800\" height=\"561\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-800x561.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-160x112.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-1020x715.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-1180x827.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-960x673.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-240x168.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-375x263.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-520x365.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Willows resident Greg Michael at the hangar where he stores his 1946 J-3 Cub airplane. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the tarmac, I meet Willows resident Greg Michael, who just returned from a morning flight. He lets me into his hangar -- a sign outside says “Pilot Cave” -- which houses his 1946 J-3 Cub airplane. Inside, the walls are covered with flags, and photos of World War II airplanes, which makes sense given this airport’s history.\u003c/p>\n\u003cp>“It was pretty hush hush, but Jimmy Doolittle practiced his raids here” and at a couple other nearby airports, Michael says.\u003c/p>\n\u003cp>That’s World War II pilot Lt. Colonel Jimmy Doolittle, who led bombing raids on Tokyo soon after the attack on Pearl Harbor.\u003c/p>\n\u003cp>“These were big airports for heavy planes, built for military,” Michael says.\u003c/p>\n\u003cp>Another historic point? This is where aerial firefighting got its start in California.\u003c/p>\n\u003cp>Nancy’s Aiport Cafe has been a long presence in Michael’s life. He remembers when it was open 24 hours a day.\u003c/p>\n\u003cp>“I trucked for UPS, and you know where the good places to eat were,” he says. “This place was packed all the time 24-7. Everyone knew about Nancy’s.”\u003c/p>\n\u003cfigure id=\"attachment_11526290\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11526290\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/NancysWall-800x629.jpg\" alt=\"'Some people hang hats on the wall, we hang people’s pictures with their airplanes on the wall,' says Nancy's waitress Tricia Lawson.\" width=\"800\" height=\"629\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-800x629.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-160x126.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-1020x802.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-1180x928.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-960x755.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-240x189.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-375x295.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-520x409.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Some people hang hats on the wall, we hang people’s pictures with their airplanes on the wall,' says Nancy's waitress Tricia Lawson. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Finally, I get to see for myself. Inside Nancy’s, I meet waitress Tricia Lawson, who’s wearing the same name tag she put on 26 years ago when she first started working here. She points out the photos covering every inch of wall space in the restaurant.\u003c/p>\n\u003cp>“It’s just a thing here,\" she says. \"Some people hang hats on the wall. We hang people’s pictures with their airplanes on the wall.”\u003c/p>\n\u003cp>Pictures, and model planes.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“They actually donate them here, so we can have a piece of their history and a piece of our history,” says Lawson.\u003c/p>\n\u003cp>We stop by the cold box where Beverly Randolph raves about the cream pies on display.\u003c/p>\n\u003cp>“They’re delicious,\" she says. \"The lemon meringue is out of this world.”\u003c/p>\n\u003cp>She should know. She lives just down the road and Lawson tells me she eats here at least twice a week. I ask Randolph if she’s a pilot, too, and she laughs. “Not anymore. I used to be. I’m too old.” She tells me she’ll be 90 in a few days.\u003c/p>\n\u003cp>Lawson continues our tour, pointing to the tiny kitchen, where a lanky, laconic cook flies through orders.\u003c/p>\n\u003cp>“They say never trust a skinny cook, but that is such a lie! Michael is a robot.”\u003c/p>\n\u003cp>Then she leads me into the back kitchen.\u003c/p>\n\u003cp>“And this is ... Elizabeth!” she announces with a flourish.\u003c/p>\n\u003cfigure id=\"attachment_11524196\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11524196 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Baker Elizabeth Martinez holds peach and apple pies. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Elizabeth Martinez is Nancy’s shy but prolific maker of fruit and cream pies. I ask her how it feels to know that people fly from all over California to eat what she bakes.\u003c/p>\n\u003cp>“Gratitude ... That’s the best pay they can give me.”\u003c/p>\n\u003cp>Back in the dining room, Tricia Lawson refers to every customer by name. She says “In the first three hours of my shift, I don’t even use a ticket book because I know what they want!\"\u003c/p>\n\u003cp>Lawson says a handful of rice farmers are often at the door before 5:00 a.m., waiting for her to open the door.\u003c/p>\n\u003cp>“And don’t forget the truck drivers,” she says, to whom Nancy’s offers free coffee. “Give a truck driver free coffee, and he’s good to go.”\u003c/p>\n\u003cfigure id=\"attachment_11524197\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11524197 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tricia Lawson has worked as a server at Nancy's for 26 years. She still wears the name tag she got when she started. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though original owner Nancy Stokes sold the restaurant years ago, customer Colleen Brown says the place hasn’t changed. For 22 years, she and her husband always stopped in on drives between Lassen County and the East Bay.\u003c/p>\n\u003cp>“He passed away last year, and I’m still coming here,” Brown says.\u003c/p>\n\u003cp>She says even though they only came once or twice a year, “there were a couple waitresses who, when we walked in the door, they still remembered our names.”\u003c/p>\n\u003cp>As her husband’s health deteriorated, she started traveling alone.\u003c/p>\n\u003cp>“They’d always ask, ‘How’s he doing?’” she says. “It’s just like home. Nancy’s is a good spot.”\u003c/p>\n\u003cp>Brown advises, “Anybody traveling, stop and say, 'Hi.'”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If you do, maybe take a cue from the regulars: get some pie to go. I took a whole lemon meringue home with me.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Report Details Death, Panic in Oakland Ghost Ship Fire",
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"content": "\u003cp>Voices screamed out, \"Fire!\" Suddenly, the lights went out and it got harder to breathe.\u003c/p>\n\u003cp>Many of the 36 people killed in the Ghost Ship warehouse fire in Oakland huddled together in the dark, and that's where they died of smoke inhalation.\u003c/p>\n\u003cp>Some of the young partygoers were found wrapped together in rugs.\u003c/p>\n\u003cp>More than six months after the Dec. 2 blaze at the warehouse that authorities said was illegally converted into living quarters, the Oakland Fire Department has released \u003ca href=\"http://www2.oaklandnet.com/oakca1/groups/ceda/documents/report/oak064503.pdf\" target=\"_blank\">a 50-page report\u003c/a> filled with harrowing details of death and panic as the flames and deadly smoke spread.\u003c/p>\n\u003cp>The report contains previously unknown details about the deadliest structure fire in the nation in more than 14 years and says investigators could not determine the cause due to the extensive damage.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The report is the first official account of what survivors and witnesses told investigators, and how some 52 firefighters battled the blaze at the warehouse, an artist colony that was hosting an electronic music party that night.\u003c/p>\n\u003cp>The report also gives a vivid description of the warehouse's interior — a maze-like labyrinth with makeshift hallways constructed not of walls but of \"pianos, organs, windows, wood benches, lumber\" and stacks of other scavenged items that blocked possible exits and fueled the blaze.[contextly_sidebar id=\"9ha7lQmq8AyAKxDjfczHxvCyYvsKCpTH\"]\u003c/p>\n\u003cp>The warehouse had no sprinklers and an ad hoc electrical system of power strips and extension cords that drew \"electricity from the body shop next door,\" Max Harris, the self-described \"creative director\" and second-in-command of the Ghost Ship, told investigators.\u003c/p>\n\u003cp>Harris, 27, and Derick Almena, 47, who leased the warehouse from the owner, were \u003ca href=\"https://ww2.kqed.org/news/2017/06/05/criminal-charges-announced-oakland-ghost-ship-fire/\" target=\"_blank\">charged this month\u003c/a> with 36 counts of involuntary manslaughter.\u003c/p>\n\u003cp>Prosecutors say the men knowingly created a fire trap in a building not licensed for housing or entertainment.\u003c/p>\n\u003cp>Lawyers for the men say they are scapegoats and that the building's owner Chor Ng, who denies knowledge that people lived in the warehouse, should face criminal charges. Harris and Almena have not yet entered pleas to the charges.\u003c/p>\n\u003cp>One victim was found just 10 feet from the front door, buried under debris, the report said.\u003c/p>\n\u003cp>Seven bodies were found clustered near a couch upstairs, the report said.\u003c/p>\n\u003cp>Eight others were found together wrapped in a rug on the first floor. But \"it was determined that all eight victims had fallen from the second floor,\" much of which collapsed in the inferno.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://www2.oaklandnet.com/oakca1/groups/ceda/documents/report/oak064503.pdf\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Voices screamed out, \"Fire!\" Suddenly, the lights went out and it got harder to breathe.\u003c/p>\n\u003cp>Many of the 36 people killed in the Ghost Ship warehouse fire in Oakland huddled together in the dark, and that's where they died of smoke inhalation.\u003c/p>\n\u003cp>Some of the young partygoers were found wrapped together in rugs.\u003c/p>\n\u003cp>More than six months after the Dec. 2 blaze at the warehouse that authorities said was illegally converted into living quarters, the Oakland Fire Department has released \u003ca href=\"http://www2.oaklandnet.com/oakca1/groups/ceda/documents/report/oak064503.pdf\" target=\"_blank\">a 50-page report\u003c/a> filled with harrowing details of death and panic as the flames and deadly smoke spread.\u003c/p>\n\u003cp>The report contains previously unknown details about the deadliest structure fire in the nation in more than 14 years and says investigators could not determine the cause due to the extensive damage.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The report is the first official account of what survivors and witnesses told investigators, and how some 52 firefighters battled the blaze at the warehouse, an artist colony that was hosting an electronic music party that night.\u003c/p>\n\u003cp>The report also gives a vivid description of the warehouse's interior — a maze-like labyrinth with makeshift hallways constructed not of walls but of \"pianos, organs, windows, wood benches, lumber\" and stacks of other scavenged items that blocked possible exits and fueled the blaze.\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The warehouse had no sprinklers and an ad hoc electrical system of power strips and extension cords that drew \"electricity from the body shop next door,\" Max Harris, the self-described \"creative director\" and second-in-command of the Ghost Ship, told investigators.\u003c/p>\n\u003cp>Harris, 27, and Derick Almena, 47, who leased the warehouse from the owner, were \u003ca href=\"https://ww2.kqed.org/news/2017/06/05/criminal-charges-announced-oakland-ghost-ship-fire/\" target=\"_blank\">charged this month\u003c/a> with 36 counts of involuntary manslaughter.\u003c/p>\n\u003cp>Prosecutors say the men knowingly created a fire trap in a building not licensed for housing or entertainment.\u003c/p>\n\u003cp>Lawyers for the men say they are scapegoats and that the building's owner Chor Ng, who denies knowledge that people lived in the warehouse, should face criminal charges. Harris and Almena have not yet entered pleas to the charges.\u003c/p>\n\u003cp>One victim was found just 10 feet from the front door, buried under debris, the report said.\u003c/p>\n\u003cp>Seven bodies were found clustered near a couch upstairs, the report said.\u003c/p>\n\u003cp>Eight others were found together wrapped in a rug on the first floor. But \"it was determined that all eight victims had fallen from the second floor,\" much of which collapsed in the inferno.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://www2.oaklandnet.com/oakca1/groups/ceda/documents/report/oak064503.pdf\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "When Your Father Figure Leaves You Half an Iconic L.A. Carousel",
"title": "When Your Father Figure Leaves You Half an Iconic L.A. Carousel",
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"content": "\u003cp>In the heart of Griffith Park in Los Angeles, nestled in a carpet of green grass at the bottom of a slope, sits “a beautiful jewel.” At least, that’s how co-owner Julio Gosdinski thinks of it.\u003c/p>\n\u003cp>Gosdinski has worked at the \u003ca href=\"http://www.laparks.org/griffithpark/griffith-park-merry-go-round\" target=\"_blank\" rel=\"noopener noreferrer\">Griffith Park Carousel\u003c/a> since he was in high school. But he never dreamed he’d eventually become one of its owners.\u003c/p>\n\u003cp>“We're one of the fastest merry-go-rounds,” he tells me proudly. “We go 14 miles an hour.”\u003c/p>\n\u003cp>Most carousels rotate at less than half that speed.\u003c/p>\n\u003cp>“It’s more of a thrill ride than anything,” he adds. Gosdinski is 45, but with his tiny frame, thick dark hair and luminous blue eyes, he doesn’t look much older than most of his customers.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The carousel was built by the Spillman Engineering Company, of North Tonawanda, New York, in 1926. It was brought to San Diego for the 1936 World’s Fair and from there to its permanent home in Griffith Park. Everything on it is authentic, from the belts and gears that drive it to the hand-painted panels that circle its crown -- lush images of tigers, elk, swans, mountains, lakes and other scenery.\u003c/p>\n\u003cfigure id=\"attachment_11514950\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11514950\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The carousel’s mirrored, jeweled and hand-painted crown \u003ccite>(Photo by Anny Celsi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And of course, there are the horses.\u003c/p>\n\u003cp>“We have 66 horses, all jumpers,” Gosdinski says, meaning no stationary horses. “We have a few horses that were carved back in 1895, so they’re actually older than the merry-go-round. Those are the jewels of the carousel.”\u003c/p>\n\u003cp>All the horses have real horse tails and real horse shoes, with lifelike expressions -- some spirited, some docile and friendly. All of them seem to be saying, “Pick me!” And they each have their own personality, as Gosdinski will attest.\u003c/p>\n\u003cp>“My favorite horse, we call him Diablo,” he laughs. “Cause he can kick you when you're not paying attention!”\u003c/p>\n\u003cp>He goes on to explain: “Most of the horses have their hind legs tucked in. His has one leg sticking out, and if you don't pay attention, he kind of kicks you, right? Well last year, he took a chunk of my skin off and I was bleeding. I'm like, 'damn you, Diablo!'”\u003c/p>\n\u003cfigure id=\"attachment_11514955\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11514955\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The carousel’s original ticket booth \u003ccite>(Photo by Anny Celsi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gosdinski moved to Los Angeles from Peru when he was 12 years old. A few years later, he found his first job helping out at the carousel on weekends. And he found something else he’d been looking for in its owner, Warren Deasy.\u003c/p>\n\u003cp>“I grew up without my dad,” Gosdinski tells me as we sit on a bench near the carousel. “My mom was my dad and mom. I mean, my mom did such a great job. But you still need that father, that relationship. And I think I developed that with him.”\u003c/p>\n\u003cp>Over the years, Deasy and his partner, Rosemary West, became the young man’s second family.\u003c/p>\n\u003cp>“Warren was such a caring person,” he remembers. “I mean, there's no words that can describe how much he meant to a lot of us. He walked one of the girls down the aisle when she got married. Every Father's Day I would give him a card. I looked up to him, you know?”\u003c/p>\n\u003cp>When Deasy passed away in 2011, he left his employee an incredible gift: half of the carousel. To say Gosdinski was surprised is an understatement.\u003c/p>\n\u003cp>“He had mentioned it before, but I was young, and like 'oh, you're gonna live forever,' you know? But when it happened I was like, wow, really! Wow!\"\u003c/p>\n\u003cp>Now, Gosdinski and West are partners. She takes care of maintaining the horses and carousel and has beautifully restored the hand-painted scenes. Gosdinski handles the day-to-day tasks: selling tickets, operating the machinery and greeting the hundreds of children who visit each day. Many of them are regulars who have been coming back for years and return to ride even as adults. Gosdinski knows many of his customers by name, and they greet him like an old friend.\u003c/p>\n\u003cp>Each morning, before he opens up for the day, Gosdinski loads the paper rolls that play the music pumped out by the carousel’s Stinson 165 Military Band Organ. There are hundreds of rolls to choose from in boxes stacked on shelves from floor to ceiling.\u003c/p>\n\u003cfigure id=\"attachment_11514952\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" class=\"size-medium wp-image-11514952\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paper rolls play music on the carousel’s vintage organ. Gosdinski picsks from the dozens of options. \u003ccite>(Photo by Anny Celsi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11514951\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" class=\"size-medium wp-image-11514951\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The vintage Stinson 165 Military Band organ. The figures move in time to the music.\u003c/figcaption>\u003c/figure>\n\u003cp>Gosdinski loads two paper rolls into either side of the organ in the back and switches it on. The jets start to whir, the rolls turn and the air is filled with the grand sound of the \u003ca href=\"https://www.youtube.com/watch?v=zyDKwIhdvYg\" target=\"_blank\" rel=\"noopener noreferrer\">\"Morning, Noon and Night in Vienna Overture.\"\u003c/a>\u003c/p>\n\u003cp>But it’s not all work and no play. After all, what’s the point of owning a carousel if you don’t ride it yourself once in a while?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"Anything that happens out there in the real world, you come to the park, you open up the merry-go-round, eleven o’clock you turn on the organ — it just changes your attitude completely,” Gosdinski smiles. “It's like you're in a different world.”\u003c/p>\n\n",
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"excerpt": "Julio Gosdinski grew up an immigrant boy in L.A. without a Dad. His boss became a father figure -- and left him half the Griffith Park carousel.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the heart of Griffith Park in Los Angeles, nestled in a carpet of green grass at the bottom of a slope, sits “a beautiful jewel.” At least, that’s how co-owner Julio Gosdinski thinks of it.\u003c/p>\n\u003cp>Gosdinski has worked at the \u003ca href=\"http://www.laparks.org/griffithpark/griffith-park-merry-go-round\" target=\"_blank\" rel=\"noopener noreferrer\">Griffith Park Carousel\u003c/a> since he was in high school. But he never dreamed he’d eventually become one of its owners.\u003c/p>\n\u003cp>“We're one of the fastest merry-go-rounds,” he tells me proudly. “We go 14 miles an hour.”\u003c/p>\n\u003cp>Most carousels rotate at less than half that speed.\u003c/p>\n\u003cp>“It’s more of a thrill ride than anything,” he adds. Gosdinski is 45, but with his tiny frame, thick dark hair and luminous blue eyes, he doesn’t look much older than most of his customers.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The carousel was built by the Spillman Engineering Company, of North Tonawanda, New York, in 1926. It was brought to San Diego for the 1936 World’s Fair and from there to its permanent home in Griffith Park. Everything on it is authentic, from the belts and gears that drive it to the hand-painted panels that circle its crown -- lush images of tigers, elk, swans, mountains, lakes and other scenery.\u003c/p>\n\u003cfigure id=\"attachment_11514950\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11514950\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The carousel’s mirrored, jeweled and hand-painted crown \u003ccite>(Photo by Anny Celsi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And of course, there are the horses.\u003c/p>\n\u003cp>“We have 66 horses, all jumpers,” Gosdinski says, meaning no stationary horses. “We have a few horses that were carved back in 1895, so they’re actually older than the merry-go-round. Those are the jewels of the carousel.”\u003c/p>\n\u003cp>All the horses have real horse tails and real horse shoes, with lifelike expressions -- some spirited, some docile and friendly. All of them seem to be saying, “Pick me!” And they each have their own personality, as Gosdinski will attest.\u003c/p>\n\u003cp>“My favorite horse, we call him Diablo,” he laughs. “Cause he can kick you when you're not paying attention!”\u003c/p>\n\u003cp>He goes on to explain: “Most of the horses have their hind legs tucked in. His has one leg sticking out, and if you don't pay attention, he kind of kicks you, right? Well last year, he took a chunk of my skin off and I was bleeding. I'm like, 'damn you, Diablo!'”\u003c/p>\n\u003cfigure id=\"attachment_11514955\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11514955\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The carousel’s original ticket booth \u003ccite>(Photo by Anny Celsi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gosdinski moved to Los Angeles from Peru when he was 12 years old. A few years later, he found his first job helping out at the carousel on weekends. And he found something else he’d been looking for in its owner, Warren Deasy.\u003c/p>\n\u003cp>“I grew up without my dad,” Gosdinski tells me as we sit on a bench near the carousel. “My mom was my dad and mom. I mean, my mom did such a great job. But you still need that father, that relationship. And I think I developed that with him.”\u003c/p>\n\u003cp>Over the years, Deasy and his partner, Rosemary West, became the young man’s second family.\u003c/p>\n\u003cp>“Warren was such a caring person,” he remembers. “I mean, there's no words that can describe how much he meant to a lot of us. He walked one of the girls down the aisle when she got married. Every Father's Day I would give him a card. I looked up to him, you know?”\u003c/p>\n\u003cp>When Deasy passed away in 2011, he left his employee an incredible gift: half of the carousel. To say Gosdinski was surprised is an understatement.\u003c/p>\n\u003cp>“He had mentioned it before, but I was young, and like 'oh, you're gonna live forever,' you know? But when it happened I was like, wow, really! Wow!\"\u003c/p>\n\u003cp>Now, Gosdinski and West are partners. She takes care of maintaining the horses and carousel and has beautifully restored the hand-painted scenes. Gosdinski handles the day-to-day tasks: selling tickets, operating the machinery and greeting the hundreds of children who visit each day. Many of them are regulars who have been coming back for years and return to ride even as adults. Gosdinski knows many of his customers by name, and they greet him like an old friend.\u003c/p>\n\u003cp>Each morning, before he opens up for the day, Gosdinski loads the paper rolls that play the music pumped out by the carousel’s Stinson 165 Military Band Organ. There are hundreds of rolls to choose from in boxes stacked on shelves from floor to ceiling.\u003c/p>\n\u003cfigure id=\"attachment_11514952\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" class=\"size-medium wp-image-11514952\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paper rolls play music on the carousel’s vintage organ. Gosdinski picsks from the dozens of options. \u003ccite>(Photo by Anny Celsi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11514951\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" class=\"size-medium wp-image-11514951\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The vintage Stinson 165 Military Band organ. The figures move in time to the music.\u003c/figcaption>\u003c/figure>\n\u003cp>Gosdinski loads two paper rolls into either side of the organ in the back and switches it on. The jets start to whir, the rolls turn and the air is filled with the grand sound of the \u003ca href=\"https://www.youtube.com/watch?v=zyDKwIhdvYg\" target=\"_blank\" rel=\"noopener noreferrer\">\"Morning, Noon and Night in Vienna Overture.\"\u003c/a>\u003c/p>\n\u003cp>But it’s not all work and no play. After all, what’s the point of owning a carousel if you don’t ride it yourself once in a while?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"Anything that happens out there in the real world, you come to the park, you open up the merry-go-round, eleven o’clock you turn on the organ — it just changes your attitude completely,” Gosdinski smiles. “It's like you're in a different world.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "The Monterey International Pop Festival Returns, 50 Years Later",
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"content": "\u003cp>It’s hard to imagine a time when no one really knew \u003ca href=\"https://montereyinternationalpopfestival.com/pages/the-jimi-hendrix-experience\">Jimi Hendrix\u003c/a>. But the 1967 \u003ca href=\"https://montereyinternationalpopfestival.com/\">Monterey International Pop Festival\u003c/a> was that time. When Hendrix took the stage that summer, he hadn’t made his mark on the American music scene.\u003c/p>\n\u003cp>That all changed when he finished his set with his song \"Wild Thing.\" That’s when Hendrix became a legend for lighting his guitar on fire.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_-7toYWFEyk\u003c/p>\n\u003cp>Janis Joplin was another big name who was virtually unknown until she made her appearance at the Monterey County Fairgrounds in Monterey. She blew the audience away with her band Big Brother & The Holding Company.\u003c/p>\n\u003cp>Many of the musicians went on to become superstars, if they weren’t already. The lineup for the three-day celebration of rock ‘n' roll included \u003ca href=\"https://www.facebook.com/The-Mamas-The-Papas-1447013488863117/\">The Mamas & the Papas\u003c/a>, \u003ca href=\"http://www.dead.net/\">Grateful Dead\u003c/a>, \u003ca href=\"http://www.thewho.com/\">The Who \u003c/a>and \u003ca href=\"https://www.otisredding.com/\">Otis Redding\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Monterey Pop also became a model for future festivals like Woodstock and Coachella. It was a one-time event -- until now. \u003c/p>\n\u003cp>The 50th anniversary will be celebrated with a return of the \u003ca href=\"https://montereypopfestival50.com/\">Monterey Pop\u003c/a> this weekend, June 16-18.\u003c/p>\n\u003cp>Penny Vierrege attended all three days the original festival in 1967. \u003c/p>\n\u003cp>“It had the cream of it all. L.A., England, San Francisco, and there was just so much love. So much incredible love,\" she says.\u003c/p>\n\u003cp>[contextly_sidebar id=\"tLkfKcz48hnAG160tLPZPBRYqLlbWdcx\"]\u003c/p>\n\u003cp>She remembers booths selling crystals, strangers handing out flowers and a man and his pregnant wife who set up a teepee in the middle of the fairgrounds.\u003c/p>\n\u003cp>“Mostly I was wandering around stoned, you know, appreciating everything,” says Vierrege.\u003c/p>\n\u003cp>Her late husband, Paul, was stage manager of the event. She says she generally stayed in the audience.\u003c/p>\n\u003cp>“Well I’m sitting there watching all of these chickies hanging from the set and around and stuff like that, all the followers. And I said to my husband, on Sunday afternoon, I’m going to be on that stage. Ravi is my man, and I’m going to be as close as possible,” she says.\u003c/p>\n\u003cp>Vierrege, now 88, lives in Big Sur. She pulls a record off her shelf. It’s \"Live: Ravi Shankar at the Monterey International Pop Festival.\" The album cover has faded with time, but there she is in the corner practically on stage.\u003c/p>\n\u003cfigure id=\"attachment_11513107\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/AlbumCover-800x600.jpg\" alt=\"Penny Vierrege on the back fold-out of Ravi Shankar's album: "Ravi Shankar at the Monterey Pop International Festival, Live."\" width=\"800\" height=\"600\" class=\"size-medium wp-image-11513107\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Penny Vierrege on the back fold-out of Ravi Shankar's album: \"Ravi Shankar at the Monterey Pop International Festival, Live.\"\u003cbr> \u003ccite>(Krista Almanzan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Also in the audience throughout the three-day festival were the performers themselves. \u003c/p>\n\u003cp>“There was no social media before that, so a lot of these performers had never spoken to or seen a performance by the other artists,” says Lou Adler, one of the co-producers of the original Monterey Pop.\u003c/p>\n\u003cp>The idea behind the event was to bring respect to rock 'n' roll as an art form. And it did that. Adler says after all these performers got together they were empowered.\u003c/p>\n\u003cp>“Up until that time, the record companies pretty much dictated how many albums you would do, what the cover would look like, how it would be marketed. That all changed after Monterey.\"\u003c/p>\n\u003cp>He says right away they knew it was such an iconic event that it could never be repeated.\u003c/p>\n\u003cp>That said there are connections between 1967 and this weekend’s Monterey International Pop Festival.\u003c/p>\n\u003cp>Eric Burdon and the Animals -- who also played at the original festival -- take the stage on Friday. \u003c/p>\n\u003cp>https://twitter.com/MIPFofficial/status/875775362717945856\u003c/p>\n\u003cp>Norah Jones will perform Saturday night; she’s Ravi Shankar’s daughter. And Phil Lesh from the Grateful Dead, which also played the original Monterey Pop, will close out the show Sunday night.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>There are unfamiliar names in the \u003ca href=\"https://montereypopfestival50.com/schedule/\">lineup\u003c/a> too. Perhaps, 50 years from now we’ll be amazed that they were once virtually unknown.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s hard to imagine a time when no one really knew \u003ca href=\"https://montereyinternationalpopfestival.com/pages/the-jimi-hendrix-experience\">Jimi Hendrix\u003c/a>. But the 1967 \u003ca href=\"https://montereyinternationalpopfestival.com/\">Monterey International Pop Festival\u003c/a> was that time. When Hendrix took the stage that summer, he hadn’t made his mark on the American music scene.\u003c/p>\n\u003cp>That all changed when he finished his set with his song \"Wild Thing.\" That’s when Hendrix became a legend for lighting his guitar on fire.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_-7toYWFEyk'\n title='//www.youtube.com/embed/_-7toYWFEyk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Janis Joplin was another big name who was virtually unknown until she made her appearance at the Monterey County Fairgrounds in Monterey. She blew the audience away with her band Big Brother & The Holding Company.\u003c/p>\n\u003cp>Many of the musicians went on to become superstars, if they weren’t already. The lineup for the three-day celebration of rock ‘n' roll included \u003ca href=\"https://www.facebook.com/The-Mamas-The-Papas-1447013488863117/\">The Mamas & the Papas\u003c/a>, \u003ca href=\"http://www.dead.net/\">Grateful Dead\u003c/a>, \u003ca href=\"http://www.thewho.com/\">The Who \u003c/a>and \u003ca href=\"https://www.otisredding.com/\">Otis Redding\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Monterey Pop also became a model for future festivals like Woodstock and Coachella. It was a one-time event -- until now. \u003c/p>\n\u003cp>The 50th anniversary will be celebrated with a return of the \u003ca href=\"https://montereypopfestival50.com/\">Monterey Pop\u003c/a> this weekend, June 16-18.\u003c/p>\n\u003cp>Penny Vierrege attended all three days the original festival in 1967. \u003c/p>\n\u003cp>“It had the cream of it all. L.A., England, San Francisco, and there was just so much love. So much incredible love,\" she says.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>She remembers booths selling crystals, strangers handing out flowers and a man and his pregnant wife who set up a teepee in the middle of the fairgrounds.\u003c/p>\n\u003cp>“Mostly I was wandering around stoned, you know, appreciating everything,” says Vierrege.\u003c/p>\n\u003cp>Her late husband, Paul, was stage manager of the event. She says she generally stayed in the audience.\u003c/p>\n\u003cp>“Well I’m sitting there watching all of these chickies hanging from the set and around and stuff like that, all the followers. And I said to my husband, on Sunday afternoon, I’m going to be on that stage. Ravi is my man, and I’m going to be as close as possible,” she says.\u003c/p>\n\u003cp>Vierrege, now 88, lives in Big Sur. She pulls a record off her shelf. It’s \"Live: Ravi Shankar at the Monterey International Pop Festival.\" The album cover has faded with time, but there she is in the corner practically on stage.\u003c/p>\n\u003cfigure id=\"attachment_11513107\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/AlbumCover-800x600.jpg\" alt=\"Penny Vierrege on the back fold-out of Ravi Shankar's album: "Ravi Shankar at the Monterey Pop International Festival, Live."\" width=\"800\" height=\"600\" class=\"size-medium wp-image-11513107\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/AlbumCover-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Penny Vierrege on the back fold-out of Ravi Shankar's album: \"Ravi Shankar at the Monterey Pop International Festival, Live.\"\u003cbr> \u003ccite>(Krista Almanzan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Also in the audience throughout the three-day festival were the performers themselves. \u003c/p>\n\u003cp>“There was no social media before that, so a lot of these performers had never spoken to or seen a performance by the other artists,” says Lou Adler, one of the co-producers of the original Monterey Pop.\u003c/p>\n\u003cp>The idea behind the event was to bring respect to rock 'n' roll as an art form. And it did that. Adler says after all these performers got together they were empowered.\u003c/p>\n\u003cp>“Up until that time, the record companies pretty much dictated how many albums you would do, what the cover would look like, how it would be marketed. That all changed after Monterey.\"\u003c/p>\n\u003cp>He says right away they knew it was such an iconic event that it could never be repeated.\u003c/p>\n\u003cp>That said there are connections between 1967 and this weekend’s Monterey International Pop Festival.\u003c/p>\n\u003cp>Eric Burdon and the Animals -- who also played at the original festival -- take the stage on Friday. \u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Norah Jones will perform Saturday night; she’s Ravi Shankar’s daughter. And Phil Lesh from the Grateful Dead, which also played the original Monterey Pop, will close out the show Sunday night.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>There are unfamiliar names in the \u003ca href=\"https://montereypopfestival50.com/schedule/\">lineup\u003c/a> too. Perhaps, 50 years from now we’ll be amazed that they were once virtually unknown.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The \u003ca href=\"https://ww2.kqed.org/news/2017/06/13/its-really-big-and-really-stinks-but-people-cant-wait-to-see-s-f-s-corpse-flower/\">corpse flower at The San Francisco Conservatory of Flowers is blooming\u003c/a>. \u003c/p>\n\u003cp>It smells like death, and attracts both flies and humans. With hot weather forecast, I imagine it will be especially pungent!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"disqusTitle": "San Francisco Finalizes Plans for Treasure Island Art",
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"content": "\u003cp>There isn’t much to look at around Treasure Island’s historic Administration Building -- just a parking lot and a snack shop. But the parking lot at one of the man-made island’s few legacy buildings is about to be transformed.\u003c/p>\n\u003cp>Developers and San Francisco officials plan to open a landscaped plaza there in early 2020, at the center of which will stand a major work of public art. The piece will be among the first of an estimated $50 million in art projects to be commissioned for Treasure and Yerba Buena islands over the next two decades.\u003c/p>\n\u003cp>The Treasure Island Development Authority (TIDA) votes tomorrow on a master plan to allocate that money. The plan includes temporary and permanent installations, artists’ residencies and a recurring \"treasure hunt\" in which guests will search for temporary works by local and international artists using a map.\u003c/p>\n\u003cp>The art is part of a multibillion-dollar development plan for Treasure Island that includes 8,000 units of housing, 300 acres of parks, a ferry terminal and one of the world's largest investments in public art.\u003c/p>\n\u003cp>The city of San Francisco has a mandate requiring all development projects of this nature to set aside 1 percent of their budgets for public art. The San Francisco Art Commission (SFAC), which is overseeing the implementation of the art on Treasure Island, approved the master plan in early June.\u003c/p>\n\u003cfigure id=\"attachment_11500430\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11500430 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-800x375.jpg\" alt=\"\" width=\"800\" height=\"375\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-800x375.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-160x75.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-1020x478.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-1920x899.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-1180x553.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-960x450.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-240x112.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-375x176.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-520x244.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Architectural rendering of the forthcoming new plaza in front of Treasure Island's Administration Building. \u003ccite>(Photo: Treasure Island Community Development/Andrea Cochran Landscape Architecture)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jill Manton, SFAC's director of Public Art Trust and Special Initiatives, says she hopes to commission work from artists working in a wide variety of media.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"I envision a program that is diverse and dynamic, from traditional or monumental free-standing sculpture, to performance and light projections that might be created specifically for the island,\" Manton says.\u003c/p>\n\u003cp>First in line for funding are three permanent installations, one along the island’s western edge, another at the top of the hill on Yerba Buena Island, and a third in front of the Administration Building.\u003c/p>\n\u003cp>Each work will adorn a newly designed public park. The developers hope to build a permanent public art collection for the island.\u003c/p>\n\u003cp>“I want a known artist, and a monumental piece that will say, ‘This is of stature,’” says Chris Meany of Treasure Island Community Development, LLC (TICD), the joint venture of private developers undertaking construction on the island.\u003c/p>\n\u003cp>These first pieces will likely be sculptures, and SFAC expects to send out a call for artists in the coming weeks. San Francisco and Treasure Island residents will be invited to review and provide input on the final proposals in early 2018.\u003c/p>\n\u003cp>“Public art is not always the result of popular opinion,\" Manton says. \"But we want the public to have the right to be heard.\" A selection panel of art experts and TIDA will make the final decision.\u003c/p>\n\u003cp>Each project will have a budget between $1 million and $2 million, and Manton hopes to draw top artists from all over the world. She says future projects will specifically welcome local artists with studios on the island.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Update, 12:34 p.m. Thursday, June 15:\u003c/strong> On June 14th, the Treasure Island Development Authority and San Francisco Arts Commission unanimously approved the $50 million allocation.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There isn’t much to look at around Treasure Island’s historic Administration Building -- just a parking lot and a snack shop. But the parking lot at one of the man-made island’s few legacy buildings is about to be transformed.\u003c/p>\n\u003cp>Developers and San Francisco officials plan to open a landscaped plaza there in early 2020, at the center of which will stand a major work of public art. The piece will be among the first of an estimated $50 million in art projects to be commissioned for Treasure and Yerba Buena islands over the next two decades.\u003c/p>\n\u003cp>The Treasure Island Development Authority (TIDA) votes tomorrow on a master plan to allocate that money. The plan includes temporary and permanent installations, artists’ residencies and a recurring \"treasure hunt\" in which guests will search for temporary works by local and international artists using a map.\u003c/p>\n\u003cp>The art is part of a multibillion-dollar development plan for Treasure Island that includes 8,000 units of housing, 300 acres of parks, a ferry terminal and one of the world's largest investments in public art.\u003c/p>\n\u003cp>The city of San Francisco has a mandate requiring all development projects of this nature to set aside 1 percent of their budgets for public art. The San Francisco Art Commission (SFAC), which is overseeing the implementation of the art on Treasure Island, approved the master plan in early June.\u003c/p>\n\u003cfigure id=\"attachment_11500430\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11500430 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-800x375.jpg\" alt=\"\" width=\"800\" height=\"375\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-800x375.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-160x75.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-1020x478.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-1920x899.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-1180x553.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-960x450.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-240x112.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-375x176.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-520x244.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Architectural rendering of the forthcoming new plaza in front of Treasure Island's Administration Building. \u003ccite>(Photo: Treasure Island Community Development/Andrea Cochran Landscape Architecture)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jill Manton, SFAC's director of Public Art Trust and Special Initiatives, says she hopes to commission work from artists working in a wide variety of media.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"I envision a program that is diverse and dynamic, from traditional or monumental free-standing sculpture, to performance and light projections that might be created specifically for the island,\" Manton says.\u003c/p>\n\u003cp>First in line for funding are three permanent installations, one along the island’s western edge, another at the top of the hill on Yerba Buena Island, and a third in front of the Administration Building.\u003c/p>\n\u003cp>Each work will adorn a newly designed public park. The developers hope to build a permanent public art collection for the island.\u003c/p>\n\u003cp>“I want a known artist, and a monumental piece that will say, ‘This is of stature,’” says Chris Meany of Treasure Island Community Development, LLC (TICD), the joint venture of private developers undertaking construction on the island.\u003c/p>\n\u003cp>These first pieces will likely be sculptures, and SFAC expects to send out a call for artists in the coming weeks. San Francisco and Treasure Island residents will be invited to review and provide input on the final proposals in early 2018.\u003c/p>\n\u003cp>“Public art is not always the result of popular opinion,\" Manton says. \"But we want the public to have the right to be heard.\" A selection panel of art experts and TIDA will make the final decision.\u003c/p>\n\u003cp>Each project will have a budget between $1 million and $2 million, and Manton hopes to draw top artists from all over the world. She says future projects will specifically welcome local artists with studios on the island.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Update, 12:34 p.m. Thursday, June 15:\u003c/strong> On June 14th, the Treasure Island Development Authority and San Francisco Arts Commission unanimously approved the $50 million allocation.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "california-arts-council-announces-record-breaking-grants-worth-15-million",
"title": "California Arts Council Announces Record-Breaking Grants Worth $15 Million",
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"headTitle": "California Arts Council Announces Record-Breaking Grants Worth $15 Million | KQED",
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"content": "\u003cp>The state’s Arts Council has announced more than 1,000 grants statewide totaling $15 million. California’s plowing more money into the arts than ever before — but it’s not clear how long that will last.\u003c/p>\n\u003cp>The California Arts Council funds programs focused largely on veterans, former inmates and kids. The Council’s Director of Public Affairs Caitlin Fitzwater says this year’s record-setting budget will deliver new programs for pre-schools, as well as field trips, and after-school and summer programs.\u003c/p>\n\u003cp>“Young people, we know, want to come to school and stay in school in many cases, because they have arts programs,” Fitzwater said.\u003c/p>\n\u003cfigure id=\"attachment_13426433\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13426433\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/RS25624_image1-qut-160x227.jpg\" alt=\"The School of Arts & Culture at San Jose’s Mexican Heritage Plaza serves roughly 70,000 people a year, mostly children and their families. The organization has won two grants this year from the California Arts Council.\" width=\"600\" height=\"852\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/RS25624_image1-qut-160x227.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/RS25624_image1-qut-240x341.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/RS25624_image1-qut-375x532.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/RS25624_image1-qut-520x738.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/RS25624_image1-qut.jpg 749w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">The School of Arts & Culture at San Jose’s Mexican Heritage Plaza serves roughly 70,000 people a year, mostly children and their families. The organization has won two grants this year from the California Arts Council. \u003ccite>(Photo: Courtesy of Mexican Heritage Plaza)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tamara Alvarado heads the \u003ca href=\"http://schoolofartsandculture.org/\" target=\"_blank\" rel=\"noopener noreferrer\">School of Arts & Culture\u003c/a> at San Jose’s Mexican Heritage Plaza, “providing high quality arts education primarily through mariachi music and Mexican folkloric dance.” The School is getting two grants, worth roughly $170,000, for arts education and creative place-making in San Jose.\u003c/p>\n\u003cp>“These are pretty significant for us,” Alvarado said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Organizations can also ask for more money this fiscal year: the maximum grant request has gone from $12,000 to 18,000.\u003c/p>\n\u003cp>\u003cstrong>How long will the good times last?\u003c/strong>\u003c/p>\n\u003cp>Brad Erickson, of \u003ca href=\"http://www.theatrebayarea.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Theatre Bay Area\u003c/a>, explains the Council has been enjoying steady budget increases over the last four years after a long dry spell.\u003c/p>\n\u003cp>The \u003ca href=\"http://nasaa-arts.org/nasaa_research/per-capita-ranking-estimation-tool/\" target=\"_blank\" rel=\"noopener noreferrer\">National Assembly of State Arts Agencies\u003c/a> ranks states according to arts funding in four different ways, but in terms of total state agency spending, California ranks 40th out of 50 states in per-capita funding, after years of languishing near last place.\u003c/p>\n\u003cp>But Erickson warns much of the new spending comes in the form of huge one-time payments that constitute close to half of the council’s total budget. This year, that one-time allocation is $6.8 million out of $15 million.\u003c/p>\n\u003cp>“We still have a long way to go in terms of investing in the arts in the way that other states do,” Erickson says.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>What happens to the budget next year? It’s anyone’s guess.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The state’s Arts Council has announced more than 1,000 grants statewide totaling $15 million. California’s plowing more money into the arts than ever before — but it’s not clear how long that will last.\u003c/p>\n\u003cp>The California Arts Council funds programs focused largely on veterans, former inmates and kids. The Council’s Director of Public Affairs Caitlin Fitzwater says this year’s record-setting budget will deliver new programs for pre-schools, as well as field trips, and after-school and summer programs.\u003c/p>\n\u003cp>“Young people, we know, want to come to school and stay in school in many cases, because they have arts programs,” Fitzwater said.\u003c/p>\n\u003cfigure id=\"attachment_13426433\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13426433\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/RS25624_image1-qut-160x227.jpg\" alt=\"The School of Arts & Culture at San Jose’s Mexican Heritage Plaza serves roughly 70,000 people a year, mostly children and their families. The organization has won two grants this year from the California Arts Council.\" width=\"600\" height=\"852\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/RS25624_image1-qut-160x227.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/RS25624_image1-qut-240x341.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/RS25624_image1-qut-375x532.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/RS25624_image1-qut-520x738.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/RS25624_image1-qut.jpg 749w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">The School of Arts & Culture at San Jose’s Mexican Heritage Plaza serves roughly 70,000 people a year, mostly children and their families. The organization has won two grants this year from the California Arts Council. \u003ccite>(Photo: Courtesy of Mexican Heritage Plaza)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tamara Alvarado heads the \u003ca href=\"http://schoolofartsandculture.org/\" target=\"_blank\" rel=\"noopener noreferrer\">School of Arts & Culture\u003c/a> at San Jose’s Mexican Heritage Plaza, “providing high quality arts education primarily through mariachi music and Mexican folkloric dance.” The School is getting two grants, worth roughly $170,000, for arts education and creative place-making in San Jose.\u003c/p>\n\u003cp>“These are pretty significant for us,” Alvarado said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Organizations can also ask for more money this fiscal year: the maximum grant request has gone from $12,000 to 18,000.\u003c/p>\n\u003cp>\u003cstrong>How long will the good times last?\u003c/strong>\u003c/p>\n\u003cp>Brad Erickson, of \u003ca href=\"http://www.theatrebayarea.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Theatre Bay Area\u003c/a>, explains the Council has been enjoying steady budget increases over the last four years after a long dry spell.\u003c/p>\n\u003cp>The \u003ca href=\"http://nasaa-arts.org/nasaa_research/per-capita-ranking-estimation-tool/\" target=\"_blank\" rel=\"noopener noreferrer\">National Assembly of State Arts Agencies\u003c/a> ranks states according to arts funding in four different ways, but in terms of total state agency spending, California ranks 40th out of 50 states in per-capita funding, after years of languishing near last place.\u003c/p>\n\u003cp>But Erickson warns much of the new spending comes in the form of huge one-time payments that constitute close to half of the council’s total budget. This year, that one-time allocation is $6.8 million out of $15 million.\u003c/p>\n\u003cp>“We still have a long way to go in terms of investing in the arts in the way that other states do,” Erickson says.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>What happens to the budget next year? It’s anyone’s guess.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A 41-foot-high art installation that the city of San Francisco planned to unveil as part of its new $6 billion \u003ca href=\"http://transbaycenter.org/project/transit-center\" target=\"_blank\" rel=\"noopener noreferrer\">Transbay Transit Center\u003c/a> has been canceled and its lead artist released from his contract.\u003c/p>\n\u003cp>The \u003ca href=\"http://www.sfartscommission.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Arts Commission\u003c/a> (SFAC) and Transbay Joint Powers Authority (TJPA) hired artist \u003ca href=\"http://transbaycenter.org/artists/tim-hawkinson\" target=\"_blank\" rel=\"noopener noreferrer\">Tim Hawkinson\u003c/a> to create the installation using materials salvaged from the old Transbay Terminal. It was to be one of five major public art installations planned for the new center.\u003c/p>\n\u003cp>The art installation was originally budgeted at $1.67 million. But the TJPA and SFAC decided to cancel the project after they realized that the actual cost of completing the artwork would come in around $3.7 million. They also said the project would be overdue and it wouldn’t debut until after the transit center opened.\u003c/p>\n\u003cp>In a statement released Wednesday, the TJPA said the sculpture “has proven to be a particularly complex engineering task.” The statement cited “the nature of the materials, the sculpture’s size, and its location” as reasons for the cancellation.\u003c/p>\n\u003cp>In a statement sent to KQED, SFAC spokeswoman Kate Patterson cited many of the same reasons. Patterson also said she hopes SFAC will get to work with the artist again. “Tim Hawkinson is a brilliant artist,” Patterson said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The TJPA said it has spent $840,000 of the original budget on salvaging and moving materials for the project and paying Hawkinson his full $200,000 artist fee. The TJPA expects to save $830,000 of the original budget and hasn’t said what it plans to do with the remaining money or if it will hire another artist and install a new sculpture.\u003c/p>\n\u003cp>Hawkinson couldn’t be reached for comment. But Dianne Dec, Hawkinson’s gallerist, defended the artist. “There have just been extensive delays in the whole construction project,” she said. “But it wasn’t an issue that the artist hadn’t delivered on his promise.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>One of San Francisco’s biggest projects to date, the transit center is designed to be a five-story hub that will connect passengers with Caltrain, BART, Muni and Amtrak, among other services. It is also expected to house retail shops and include a 5.4-acre park on its roof.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A 41-foot-high art installation that the city of San Francisco planned to unveil as part of its new $6 billion \u003ca href=\"http://transbaycenter.org/project/transit-center\" target=\"_blank\" rel=\"noopener noreferrer\">Transbay Transit Center\u003c/a> has been canceled and its lead artist released from his contract.\u003c/p>\n\u003cp>The \u003ca href=\"http://www.sfartscommission.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Arts Commission\u003c/a> (SFAC) and Transbay Joint Powers Authority (TJPA) hired artist \u003ca href=\"http://transbaycenter.org/artists/tim-hawkinson\" target=\"_blank\" rel=\"noopener noreferrer\">Tim Hawkinson\u003c/a> to create the installation using materials salvaged from the old Transbay Terminal. It was to be one of five major public art installations planned for the new center.\u003c/p>\n\u003cp>The art installation was originally budgeted at $1.67 million. But the TJPA and SFAC decided to cancel the project after they realized that the actual cost of completing the artwork would come in around $3.7 million. They also said the project would be overdue and it wouldn’t debut until after the transit center opened.\u003c/p>\n\u003cp>In a statement released Wednesday, the TJPA said the sculpture “has proven to be a particularly complex engineering task.” The statement cited “the nature of the materials, the sculpture’s size, and its location” as reasons for the cancellation.\u003c/p>\n\u003cp>In a statement sent to KQED, SFAC spokeswoman Kate Patterson cited many of the same reasons. Patterson also said she hopes SFAC will get to work with the artist again. “Tim Hawkinson is a brilliant artist,” Patterson said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The TJPA said it has spent $840,000 of the original budget on salvaging and moving materials for the project and paying Hawkinson his full $200,000 artist fee. The TJPA expects to save $830,000 of the original budget and hasn’t said what it plans to do with the remaining money or if it will hire another artist and install a new sculpture.\u003c/p>\n\u003cp>Hawkinson couldn’t be reached for comment. But Dianne Dec, Hawkinson’s gallerist, defended the artist. “There have just been extensive delays in the whole construction project,” she said. “But it wasn’t an issue that the artist hadn’t delivered on his promise.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>One of San Francisco’s biggest projects to date, the transit center is designed to be a five-story hub that will connect passengers with Caltrain, BART, Muni and Amtrak, among other services. It is also expected to house retail shops and include a 5.4-acre park on its roof.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Horrific Ghost Ship Fire Tests Oakland Firefighters' Culture of Not Seeking Help",
"title": "Horrific Ghost Ship Fire Tests Oakland Firefighters' Culture of Not Seeking Help",
"headTitle": "KQED Future of You | KQED Science",
"content": "\u003cp>The day was dawning clear and sunny as Dan Robertson picked his way through the remnants of the inferno. The veteran firefighter was with a few of the other guys, making a final sweep to check that all the flames were out, when morbid curiosity got the better of them. He was cold and wet from water and sweat, and his knees told him it was time to go home. But he wondered, what does a warehouse look like, all burnt up from the inside out?\u003c/p>\n\u003cp>They walked over charcoal debris; some stuff they could recognize, like rugs and alarm clocks. Other stuff had melted into dark indecipherable shapes. The winter air smelled like that moment when you pour water on a big log-filled campfire, but with scents of burning plastic and chemicals mixed in.\u003c/p>\n\u003cp>What Robertson noticed most were the pianos. There were singed pianos everywhere, at least four or five in the front, near the doorway. He remembered being inside six hours earlier, at the height of the blaze, a piano blocking his path as he tried to carry a hose through the crackling flames.\u003c/p>\n\u003cp>[contextly_sidebar id=\"FWeW0K2AmQ9JTRMadzqx4CF7Jv6E82U1\"]By the time they had finished exploring the Ghost Ship warehouse that morning of Dec. 3, 2016, nine people had been confirmed dead; 27 more victims would be found by the end of that week in the building, which had been converted into an artists collective.\u003c/p>\n\u003cp>It wasn’t until Robertson was back at the firehouse, showering and changing into fresh clothes, that his experiences that night finally caught up to him. He drove his Toyota Tundra home and found his wife, Cheri, awake. She had just heard about the fire, and asked whether he was OK. He tried to speak, but nothing came out. He just started sobbing.\u003c/p>\n\u003caside class=\"pullquote alignright\">Many Oakland firefighters told STAT they are still struggling with the emotional fallout from that night six months ago.\u003c/aside>\n\u003cp>Many Oakland firefighters told STAT they are still struggling with the emotional fallout from that night six months ago. But few have sought mental health treatment, because of stigma within the department, combined with a limit on free counseling sessions provided by the city.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Now the Ghost Ship fire has become a catalyst for change in the Oakland Fire Department, where Robertson, a 54-year-old lieutenant and the president of the Oakland firefighters union, and other firefighters are pushing to create a peer counseling program. Firefighters in general are at high risk of developing post-traumatic stress disorder, which can lead to anxiety, substance abuse and even suicide, and that has spurred firefighters in numerous cities to demand that their mental health be treated as urgently as any other injury sustained on the job.\u003c/p>\n\u003cp>Oakland fire officials insist that existing mental health services are sufficient but underused. Deputy Chief Mark Hoffmann pointed to the city’s “incredibly robust workers comp system,” and noted that firefighters who were at the Ghost Ship fire have been offered extra employee assistance program sessions, though few have claimed them.\u003c/p>\n\u003cp>Robertson disagrees. The fact that few firefighters use the current services, he said, is proof that they aren’t working. “Is it underutilized because it’s not needed, or is it underutilized because people have no faith in it?” Robertson asked.\u003c/p>\n\u003cfigure id=\"attachment_403984\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-403984\" src=\"https://ww2.kqed.org/futureofyou/wp-content/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534-768x513.jpg 768w, https://ww2.kqed.org/app/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Firefighters clear debris from the entrance to the Ghost Ship warehouse in Oakland, where a fire killed 36 people on Dec. 2, 2016. \u003ccite>((Elijah Nouvelage/Getty Images))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>‘That Was Going to Sit With Me’\u003c/strong>\u003c/p>\n\u003cp>After the fire came the search for bodies. Eight men and women who participated in the recovery efforts said it was the most difficult aspect of the whole week. One fire captain, who has been with the department for more than 20 years, said thinking about it still makes him feel like he is teetering on the edge of a breakdown. He could see 10 bodies in the ash and rubble when he arrived, and he knew from the way the building collapsed that there would be more.\u003c/p>\n\u003cp>The victims died of smoke inhalation, not fire, so all their features were recognizable. The firefighters could see every detail: The cellphones in their pockets flooded with missed calls. Their tattoos. Their eyelashes. “There was no question,” said another firefighter, “that was going to sit with me for a while.”\u003c/p>\n\u003cp>All of them spoke about that day on condition of anonymity because they weren’t authorized to speak to the news media.\u003c/p>\n\u003cp>The firefighters were quick to emphasize that the Ghost Ship fire was just one in a long series of traumatic events over the course of their careers. In a big city like Oakland, they respond to everything from stubbed toes to heart attacks, from shootings to wildfires to structure fires. When asked to think back on a call that stuck with them, all the firefighters were able to conjure up several memories in perfect detail.\u003c/p>\n\u003cp>There was the firefighter-paramedic who still remembers the faces of two teenage girls shot in the head execution-style on a street. Another firefighter, in the department for less than five years, described a day when they drove an alcoholic to the hospital to get detoxed; as the man left the hospital that evening to go home, he was shot in a botched robbery, and the same team was called back to the scene to pronounce him dead.\u003c/p>\n\u003cp>Firefighters have a metaphor for their emotional baggage: the backpack. After every traumatic event, more junk is thrown into their symbolic backpacks for them to carry around each day. Eventually it will get too heavy; it will drag them down. “My backpack’s full,” said a firefighter still in his 18-month probation period. “It’s super full.”\u003c/p>\n\u003cp>PTSD and other post-trauma mental health issues can be tricky to identify in first responders, said psychologist Mark Kemena, a lead clinician for the West Coast Post-trauma Retreat, because it often builds up over time. It is like having a car alarm that is triggered when even the slightest wind passes by, said Michael Palmertree, a psychologist who has worked extensively with the Oakland Police Department.\u003c/p>\n\u003cp>There have been many studies about rates of PTSD in veterans and police, but reliable statistics for mental trauma in firefighters are hard to find. Suzy Gulliver, director of the Warriors Research Institute, is one of the few clinicians who has done studies on firefighter mental health. Over the course of a lifetime, she said, 20 to 22 percent of firefighters in the United States will experience PTSD — the same rate as returning combat veterans.\u003c/p>\n\u003cp>The consequences can be tragic. According to estimates from the National Fallen Firefighters Foundation, firefighters are three times more likely to die of suicide than in the line of duty. And many PTSD sufferers self-medicate with drugs or alcohol. Robertson said excessive drinking and substance use, including marijuana, have always been common in the fire department, particularly in young members. He himself had to go to drug rehab early in his career.\u003c/p>\n\u003caside class=\"pullquote alignright\">'When you do this for a little while, you’re scarred mentally for sure'\u003ccite>Chris Foley, Veteran fire captain\u003c/cite>\u003c/aside>\n\u003cp>“When you do this for a little while,” said Chris Foley, a veteran fire captain helping Robertson start the peer counseling program, “you’re scarred mentally for sure.”\u003c/p>\n\u003cp>\u003cstrong>Firefighters Wary of \u003c/strong>\u003cstrong>Treatment\u003c/strong>\u003c/p>\n\u003cp>Firefighters like to say that the fire service is 150 years of tradition, unimpeded by progress. When Robertson was a new recruit in the early 1990s, mental health wasn’t talked about in the firehouse. Back then, veterans from World War II, Korea, and Vietnam were on the crew, men who had already experienced their fair share of trauma.\u003c/p>\n\u003cp>“You can’t handle it?” Robertson recalled them saying if they saw a new crew member getting emotional after a run. “Then you need to go somewhere else.”\u003c/p>\n\u003cp>The culture has started changing, Robertson said, but many firefighters still won’t admit that a call affected them, fearing it would be seen as weakness and make their coworkers trust them a little less. In a recent survey conducted by the NBC Bay Area investigative news team, almost 50 percent of the 700 firefighters that responded said that concerns about colleagues not trusting their judgment contributed to the stigma of seeking mental health treatment.\u003c/p>\n\u003cp>Only one of the eight firefighters STAT interviewed who were at the scene that night has sought regular mental health treatment. For the few who do try to seek help, options are limited and, they say, often confusing.\u003c/p>\n\u003cp>Firefighters in Oakland are offered the same counseling program that every Oakland city employee gets: three free therapy sessions every six months through their employee assistance program (EAP). Tom Farris, president of Claremont EAP, which runs the city’s program, said it is designed to be a bridge to longer-term care, though firefighters have to pay for additional sessions through insurance copayments or out of pocket.\u003c/p>\n\u003cp>Complex mental health problems like PTSD are “absolutely not” resolved within three sessions, said Farris, who is a licensed psychologist. But “that’s not really what EAPs are scoped out to handle,” he said. Farris noted that in many cities, first responders are offered six to 10 EAP sessions, not three. More benefits for public safety employees “is a good idea,” he said.\u003c/p>\n\u003cp>Another resource in the fire department is a Critical Incident Stress Management team that is dispatched to fire stations after big events such as the Ghost Ship fire. The team members can vary from priests to other firefighters to experienced psychologists to brand-new therapists trying to boost their resume, and firefighters are required to sit together and debrief the incident.\u003c/p>\n\u003cp>Reactions to CISM are mixed. While psychologists say it can be very helpful, some firefighters say the team members often can’t relate to their experiences. Robertson said many of the CISM therapists wouldn’t be able to hold their own in a burning building. “Why the hell would I open up to you?” he said.\u003c/p>\n\u003cp>Hoffmann, the deputy chief who has been in the fire department 37 years, acknowledged that CISM has been “poorly applied at times” and said team members hadn’t received training “in about two years,” but he believes that it is an effective behavioral health tool.\u003c/p>\n\u003cp>Unsatisfied with the current treatment options, Robertson, along with Foley, has made it his mission in his last two years before retirement to launch a peer counseling program. They want to follow in the steps of other departments, including Phoenix and New York City, that have been using this model for years. Several other Bay Area cities have these programs, including neighboring Berkeley.\u003c/p>\n\u003cp>The International Association of Fire Fighters (IAFF) started offering peer counseling training courses last year and so far has offered 24 courses across North America. Elaine Viccora, a behavioral specialist at IAFF, said it plans to offer three to four trainings each month.\u003c/p>\n\u003cp>Robertson hopes to model the Oakland peer counseling program after the one in Phoenix. Brian French, a Phoenix firefighter, helped develop it in 2010 after four members of the department committed suicide within seven months.\u003c/p>\n\u003cp>Their model, French said, is “listen, refer, support.” Peer counselors are trained to reach out to individual station members after a critical incident and encourage them to get professional counseling if they think it is needed. French also oversees the day-to-day operations of a website called Firestrong, an online portal where fire departments around the country can list area-specific mental health resources for their members.\u003c/p>\n\u003cp>Robertson faces two main barriers as he tries to get the peer-counseling program off the ground: persuading the firefighters to admit when they need help, and convincing Hoffmann and other city administrators to pay for it.\u003c/p>\n\u003cp>It costs more than $250 for one firefighter to be trained as a peer counselor through the IAFF program, and membership to the Firestrong website is an additional $1,500 per year. So far, the union has paid for the training, and Robertson plans to push for city money in union negotiations this August.\u003c/p>\n\u003cp>But Hoffmann said he is worried that the peer counseling program won’t be inclusive and that the people chosen as counselors could just be winners of a popularity contest within the union. “The way they’re describing doing their program,” Hoffman said, “I can’t spend city money on that.”\u003c/p>\n\u003cp>\u003cstrong>‘Just Doing Our Job’\u003c/strong>\u003c/p>\n\u003cp>In early April, Robertson attended an IAFF conference in Phoenix and was surprised to receive a plaque commending the Oakland firefighters on their actions the night of the Ghost Ship fire. The honor made him distinctly uncomfortable. It was weird, he said, to get a plaque “for us just doing our job.” Especially, he added, on a night when 36 people lost their lives.\u003c/p>\n\u003cp>Robertson frowns at any mention of leaving a legacy in the department. That’s not why he’s creating the peer counseling program, he said, though it’s hard for him to come up with the words to describe why firefighter PTSD is such an important issue for him personally.\u003c/p>\n\u003cp>“It’s probably because I’m all fucked up myself by it,” he said.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>This story was \u003ca href=\"https://www.statnews.com/2017/06/02/ghost-ship-firefighters/\" target=\"_blank\" rel=\"noopener noreferrer\">originally published by STAT\u003c/a>, an online publication of Boston Globe Media that covers health, medicine, and scientific discovery.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The day was dawning clear and sunny as Dan Robertson picked his way through the remnants of the inferno. The veteran firefighter was with a few of the other guys, making a final sweep to check that all the flames were out, when morbid curiosity got the better of them. He was cold and wet from water and sweat, and his knees told him it was time to go home. But he wondered, what does a warehouse look like, all burnt up from the inside out?\u003c/p>\n\u003cp>They walked over charcoal debris; some stuff they could recognize, like rugs and alarm clocks. Other stuff had melted into dark indecipherable shapes. The winter air smelled like that moment when you pour water on a big log-filled campfire, but with scents of burning plastic and chemicals mixed in.\u003c/p>\n\u003cp>What Robertson noticed most were the pianos. There were singed pianos everywhere, at least four or five in the front, near the doorway. He remembered being inside six hours earlier, at the height of the blaze, a piano blocking his path as he tried to carry a hose through the crackling flames.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>By the time they had finished exploring the Ghost Ship warehouse that morning of Dec. 3, 2016, nine people had been confirmed dead; 27 more victims would be found by the end of that week in the building, which had been converted into an artists collective.\u003c/p>\n\u003cp>It wasn’t until Robertson was back at the firehouse, showering and changing into fresh clothes, that his experiences that night finally caught up to him. He drove his Toyota Tundra home and found his wife, Cheri, awake. She had just heard about the fire, and asked whether he was OK. He tried to speak, but nothing came out. He just started sobbing.\u003c/p>\n\u003caside class=\"pullquote alignright\">Many Oakland firefighters told STAT they are still struggling with the emotional fallout from that night six months ago.\u003c/aside>\n\u003cp>Many Oakland firefighters told STAT they are still struggling with the emotional fallout from that night six months ago. But few have sought mental health treatment, because of stigma within the department, combined with a limit on free counseling sessions provided by the city.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Now the Ghost Ship fire has become a catalyst for change in the Oakland Fire Department, where Robertson, a 54-year-old lieutenant and the president of the Oakland firefighters union, and other firefighters are pushing to create a peer counseling program. Firefighters in general are at high risk of developing post-traumatic stress disorder, which can lead to anxiety, substance abuse and even suicide, and that has spurred firefighters in numerous cities to demand that their mental health be treated as urgently as any other injury sustained on the job.\u003c/p>\n\u003cp>Oakland fire officials insist that existing mental health services are sufficient but underused. Deputy Chief Mark Hoffmann pointed to the city’s “incredibly robust workers comp system,” and noted that firefighters who were at the Ghost Ship fire have been offered extra employee assistance program sessions, though few have claimed them.\u003c/p>\n\u003cp>Robertson disagrees. The fact that few firefighters use the current services, he said, is proof that they aren’t working. “Is it underutilized because it’s not needed, or is it underutilized because people have no faith in it?” Robertson asked.\u003c/p>\n\u003cfigure id=\"attachment_403984\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-403984\" src=\"https://ww2.kqed.org/futureofyou/wp-content/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534-768x513.jpg 768w, https://ww2.kqed.org/app/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/13/2017/06/RS23048_GettyImages-627450192-qut-800x534-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Firefighters clear debris from the entrance to the Ghost Ship warehouse in Oakland, where a fire killed 36 people on Dec. 2, 2016. \u003ccite>((Elijah Nouvelage/Getty Images))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>‘That Was Going to Sit With Me’\u003c/strong>\u003c/p>\n\u003cp>After the fire came the search for bodies. Eight men and women who participated in the recovery efforts said it was the most difficult aspect of the whole week. One fire captain, who has been with the department for more than 20 years, said thinking about it still makes him feel like he is teetering on the edge of a breakdown. He could see 10 bodies in the ash and rubble when he arrived, and he knew from the way the building collapsed that there would be more.\u003c/p>\n\u003cp>The victims died of smoke inhalation, not fire, so all their features were recognizable. The firefighters could see every detail: The cellphones in their pockets flooded with missed calls. Their tattoos. Their eyelashes. “There was no question,” said another firefighter, “that was going to sit with me for a while.”\u003c/p>\n\u003cp>All of them spoke about that day on condition of anonymity because they weren’t authorized to speak to the news media.\u003c/p>\n\u003cp>The firefighters were quick to emphasize that the Ghost Ship fire was just one in a long series of traumatic events over the course of their careers. In a big city like Oakland, they respond to everything from stubbed toes to heart attacks, from shootings to wildfires to structure fires. When asked to think back on a call that stuck with them, all the firefighters were able to conjure up several memories in perfect detail.\u003c/p>\n\u003cp>There was the firefighter-paramedic who still remembers the faces of two teenage girls shot in the head execution-style on a street. Another firefighter, in the department for less than five years, described a day when they drove an alcoholic to the hospital to get detoxed; as the man left the hospital that evening to go home, he was shot in a botched robbery, and the same team was called back to the scene to pronounce him dead.\u003c/p>\n\u003cp>Firefighters have a metaphor for their emotional baggage: the backpack. After every traumatic event, more junk is thrown into their symbolic backpacks for them to carry around each day. Eventually it will get too heavy; it will drag them down. “My backpack’s full,” said a firefighter still in his 18-month probation period. “It’s super full.”\u003c/p>\n\u003cp>PTSD and other post-trauma mental health issues can be tricky to identify in first responders, said psychologist Mark Kemena, a lead clinician for the West Coast Post-trauma Retreat, because it often builds up over time. It is like having a car alarm that is triggered when even the slightest wind passes by, said Michael Palmertree, a psychologist who has worked extensively with the Oakland Police Department.\u003c/p>\n\u003cp>There have been many studies about rates of PTSD in veterans and police, but reliable statistics for mental trauma in firefighters are hard to find. Suzy Gulliver, director of the Warriors Research Institute, is one of the few clinicians who has done studies on firefighter mental health. Over the course of a lifetime, she said, 20 to 22 percent of firefighters in the United States will experience PTSD — the same rate as returning combat veterans.\u003c/p>\n\u003cp>The consequences can be tragic. According to estimates from the National Fallen Firefighters Foundation, firefighters are three times more likely to die of suicide than in the line of duty. And many PTSD sufferers self-medicate with drugs or alcohol. Robertson said excessive drinking and substance use, including marijuana, have always been common in the fire department, particularly in young members. He himself had to go to drug rehab early in his career.\u003c/p>\n\u003caside class=\"pullquote alignright\">'When you do this for a little while, you’re scarred mentally for sure'\u003ccite>Chris Foley, Veteran fire captain\u003c/cite>\u003c/aside>\n\u003cp>“When you do this for a little while,” said Chris Foley, a veteran fire captain helping Robertson start the peer counseling program, “you’re scarred mentally for sure.”\u003c/p>\n\u003cp>\u003cstrong>Firefighters Wary of \u003c/strong>\u003cstrong>Treatment\u003c/strong>\u003c/p>\n\u003cp>Firefighters like to say that the fire service is 150 years of tradition, unimpeded by progress. When Robertson was a new recruit in the early 1990s, mental health wasn’t talked about in the firehouse. Back then, veterans from World War II, Korea, and Vietnam were on the crew, men who had already experienced their fair share of trauma.\u003c/p>\n\u003cp>“You can’t handle it?” Robertson recalled them saying if they saw a new crew member getting emotional after a run. “Then you need to go somewhere else.”\u003c/p>\n\u003cp>The culture has started changing, Robertson said, but many firefighters still won’t admit that a call affected them, fearing it would be seen as weakness and make their coworkers trust them a little less. In a recent survey conducted by the NBC Bay Area investigative news team, almost 50 percent of the 700 firefighters that responded said that concerns about colleagues not trusting their judgment contributed to the stigma of seeking mental health treatment.\u003c/p>\n\u003cp>Only one of the eight firefighters STAT interviewed who were at the scene that night has sought regular mental health treatment. For the few who do try to seek help, options are limited and, they say, often confusing.\u003c/p>\n\u003cp>Firefighters in Oakland are offered the same counseling program that every Oakland city employee gets: three free therapy sessions every six months through their employee assistance program (EAP). Tom Farris, president of Claremont EAP, which runs the city’s program, said it is designed to be a bridge to longer-term care, though firefighters have to pay for additional sessions through insurance copayments or out of pocket.\u003c/p>\n\u003cp>Complex mental health problems like PTSD are “absolutely not” resolved within three sessions, said Farris, who is a licensed psychologist. But “that’s not really what EAPs are scoped out to handle,” he said. Farris noted that in many cities, first responders are offered six to 10 EAP sessions, not three. More benefits for public safety employees “is a good idea,” he said.\u003c/p>\n\u003cp>Another resource in the fire department is a Critical Incident Stress Management team that is dispatched to fire stations after big events such as the Ghost Ship fire. The team members can vary from priests to other firefighters to experienced psychologists to brand-new therapists trying to boost their resume, and firefighters are required to sit together and debrief the incident.\u003c/p>\n\u003cp>Reactions to CISM are mixed. While psychologists say it can be very helpful, some firefighters say the team members often can’t relate to their experiences. Robertson said many of the CISM therapists wouldn’t be able to hold their own in a burning building. “Why the hell would I open up to you?” he said.\u003c/p>\n\u003cp>Hoffmann, the deputy chief who has been in the fire department 37 years, acknowledged that CISM has been “poorly applied at times” and said team members hadn’t received training “in about two years,” but he believes that it is an effective behavioral health tool.\u003c/p>\n\u003cp>Unsatisfied with the current treatment options, Robertson, along with Foley, has made it his mission in his last two years before retirement to launch a peer counseling program. They want to follow in the steps of other departments, including Phoenix and New York City, that have been using this model for years. Several other Bay Area cities have these programs, including neighboring Berkeley.\u003c/p>\n\u003cp>The International Association of Fire Fighters (IAFF) started offering peer counseling training courses last year and so far has offered 24 courses across North America. Elaine Viccora, a behavioral specialist at IAFF, said it plans to offer three to four trainings each month.\u003c/p>\n\u003cp>Robertson hopes to model the Oakland peer counseling program after the one in Phoenix. Brian French, a Phoenix firefighter, helped develop it in 2010 after four members of the department committed suicide within seven months.\u003c/p>\n\u003cp>Their model, French said, is “listen, refer, support.” Peer counselors are trained to reach out to individual station members after a critical incident and encourage them to get professional counseling if they think it is needed. French also oversees the day-to-day operations of a website called Firestrong, an online portal where fire departments around the country can list area-specific mental health resources for their members.\u003c/p>\n\u003cp>Robertson faces two main barriers as he tries to get the peer-counseling program off the ground: persuading the firefighters to admit when they need help, and convincing Hoffmann and other city administrators to pay for it.\u003c/p>\n\u003cp>It costs more than $250 for one firefighter to be trained as a peer counselor through the IAFF program, and membership to the Firestrong website is an additional $1,500 per year. So far, the union has paid for the training, and Robertson plans to push for city money in union negotiations this August.\u003c/p>\n\u003cp>But Hoffmann said he is worried that the peer counseling program won’t be inclusive and that the people chosen as counselors could just be winners of a popularity contest within the union. “The way they’re describing doing their program,” Hoffman said, “I can’t spend city money on that.”\u003c/p>\n\u003cp>\u003cstrong>‘Just Doing Our Job’\u003c/strong>\u003c/p>\n\u003cp>In early April, Robertson attended an IAFF conference in Phoenix and was surprised to receive a plaque commending the Oakland firefighters on their actions the night of the Ghost Ship fire. The honor made him distinctly uncomfortable. It was weird, he said, to get a plaque “for us just doing our job.” Especially, he added, on a night when 36 people lost their lives.\u003c/p>\n\u003cp>Robertson frowns at any mention of leaving a legacy in the department. That’s not why he’s creating the peer counseling program, he said, though it’s hard for him to come up with the words to describe why firefighter PTSD is such an important issue for him personally.\u003c/p>\n\u003cp>“It’s probably because I’m all fucked up myself by it,” he said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"id": "baycurious",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
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"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
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"source": "Commonwealth Club of California"
},
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"title": "Forum",
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"meta": {
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"source": "WNYC"
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"id": "fresh-air",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
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"id": "latino-usa",
"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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