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"content": "\u003cp>Can you make gentrification and climate change funny? The creators of the comedy web series, “\u003ca href=\"http://www.thenorthpoleshow.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The North Pole\u003c/a>” think so. The show revolves around a homegrown trio of best friends who find themselves an endangered species in a rapidly gentrifying Oakland. The California Report’s Sasha Khokha talks to \u003ca href=\"http://joshhealey.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Josh Healey\u003c/a>, writer and producer of “The North Pole,” which premieres online Sept. 12.\u003c/p>\n\u003cp>\u003cem>This interview was edited for brevity and clarity.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>This is a hilariously funny but also deadly serious web series about the Bay Area’s housing crisis. What gave you the idea to compare people of color getting pushed out of Oakland to polar bears on shrinking glaciers?\u003c/strong>\u003c/p>\n\u003cp>Josh Healey: “The North Pole” is a real nickname for the neighborhood of North Oakland. For me, that metaphor, that nickname just felt so real. To be in a city like Oakland or cities across California where it feels like the local climate is changing. The native species, the native communities, are getting pushed out almost to the point of extinction. It felt like a way to talk about these issues in a different way.\u003c/p>\n\u003cp>\u003cstrong>The show centers around three young people: Nina, a teacher at a charter school; Marcus, an aspiring designer; and their friend Benny. They all grew up together and they’re watching their neighborhood change all around them. Did the characters come first? Or did the story come first?\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Healey: We knew that we wanted to center this story on people who had deep roots in the neighborhood. And really we wanted to do something that showed the multiracial nature of Oakland, of the Bay Area, black and brown folks especially. A lot of these stories are based on real stories.\u003c/p>\n\u003cp>\u003cstrong>You’ve done a lot of work taking these issues of environmental justice and climate change and translating them into comedy. In “The North Pole” you’ve got this tech company called “Greengos,” which is basically designing fake trees. They would offset carbon emissions but they would also have surveillance cameras.\u003c/strong>\u003c/p>\n\u003cp>Healey: I love Al Gore, he’s cool. Bill Nye the Science Guy? That’s my dude. But the PowerPoint presentations and facts and figures are not enough to reach people. We wanted to do something that addresses the seriousness but also brought the humor, the joy. Comedy is the way to introduce complex issues. It’s a way to acknowledge that even when we’re thinking and talking about these serious things, we also have the little things that make us smile. If we don’t acknowledge those things, then we’re losing the humanity that we’re trying to fight for in the first place.\u003c/p>\n\u003cp>https://youtu.be/twITH7SxWOo\u003c/p>\n\u003cp>\u003cstrong>You produced this show in conjunction with a\u003ca href=\"http://movementgeneration.org/\" target=\"_blank\" rel=\"noopener noreferrer\"> nonprofit\u003c/a> that uses the arts to raise awareness around climate change. It was funded through a \u003ca href=\"https://www.kickstarter.com/projects/1895822190/the-north-pole-a-comedic-web-series-for-the-people\" target=\"_blank\" rel=\"noopener noreferrer\">Kickstarter\u003c/a> campaign, not through a big studio like Amazon or Netflix. What was your pitch to people who contributed?\u003c/strong>\u003c/p>\n\u003cp>Healey: If we’re going to change the politics or change the policies around these issues, we have to change the story. We have to rethink and re-imagine who are the heroes and who are the villains. You don’t have very many shows based in the Bay Area, centered on people of color, on young people who are trying to navigate these serious issues in a creative, fun way. It helps that we brought in a lot of our friends and homies in the artistic and activist community. Folks like comedian \u003ca href=\"http://www.wkamaubell.com/\" target=\"_blank\" rel=\"noopener noreferrer\">W. Kamau Bell\u003c/a>, rappers\u003ca href=\"http://realmistahfab.com/\" target=\"_blank\" rel=\"noopener noreferrer\"> Mistah F.A.B\u003c/a>. and Boots Riley and one of my great “sheroes,” \u003ca href=\"https://www.erickahuggins.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Ericka Huggins\u003c/a>, one of the former leaders of Black Panther Party.\u003c/p>\n\u003cp>\u003cstrong>“The North Pole” is a lot about feeling threatened by newcomers who are driving up prices. You are somewhat of an outsider too, from D.C., not Oakland. What was it like to come in and bring that kind of outsider perspective? \u003c/strong>\u003c/p>\n\u003cp>Healey: I’m the first to acknowledge I’m not from here originally. A lot of times these conversations get stuck in this cycle of outsider versus insider, homegrown versus newcomer. I look at it differently. Gentrification is just a new name on something that’s been going on in America for a long time. I’m a white boy from Washington, D.C. And I think climate change is just a new name on exacerbated environmental destruction that’s been going on for hundreds of years. No matter where you’re from, you have to acknowledge the root causes of these issues. It’s deeper than the new coffee shop or the new gluten-free doughnut spot on your block. Those are those are the immediate symbols of something that’s gone much deeper. Who are the companies and the politicians and the policies that are really pushing this?\u003c/p>\n\u003cp>\u003cstrong>After people watch this, what do you hope it empowers them to do?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Healey: We want people to stand up and to join with their neighbors, to join with their community, to join with their families and to be part of something. We want to activate audiences to become active participants in not just consuming information, but changing the story and becoming part of the story themselves. Individually watching a web series? That’s not going to do nothing. But we also know that some things can spark and become wildfires. And right now we need wildfires of hope. We need wildfires of joy. We need laughter and liberation. We’re trying to broaden the conversation, change the world and talk a little mess along the way.\u003c/p>\n\n",
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"excerpt": "A new comedy compares people getting pushed out by gentrification in Oakland to polar bears on shrinking glaciers.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Can you make gentrification and climate change funny? The creators of the comedy web series, “\u003ca href=\"http://www.thenorthpoleshow.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The North Pole\u003c/a>” think so. The show revolves around a homegrown trio of best friends who find themselves an endangered species in a rapidly gentrifying Oakland. The California Report’s Sasha Khokha talks to \u003ca href=\"http://joshhealey.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Josh Healey\u003c/a>, writer and producer of “The North Pole,” which premieres online Sept. 12.\u003c/p>\n\u003cp>\u003cem>This interview was edited for brevity and clarity.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>This is a hilariously funny but also deadly serious web series about the Bay Area’s housing crisis. What gave you the idea to compare people of color getting pushed out of Oakland to polar bears on shrinking glaciers?\u003c/strong>\u003c/p>\n\u003cp>Josh Healey: “The North Pole” is a real nickname for the neighborhood of North Oakland. For me, that metaphor, that nickname just felt so real. To be in a city like Oakland or cities across California where it feels like the local climate is changing. The native species, the native communities, are getting pushed out almost to the point of extinction. It felt like a way to talk about these issues in a different way.\u003c/p>\n\u003cp>\u003cstrong>The show centers around three young people: Nina, a teacher at a charter school; Marcus, an aspiring designer; and their friend Benny. They all grew up together and they’re watching their neighborhood change all around them. Did the characters come first? Or did the story come first?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Healey: We knew that we wanted to center this story on people who had deep roots in the neighborhood. And really we wanted to do something that showed the multiracial nature of Oakland, of the Bay Area, black and brown folks especially. A lot of these stories are based on real stories.\u003c/p>\n\u003cp>\u003cstrong>You’ve done a lot of work taking these issues of environmental justice and climate change and translating them into comedy. In “The North Pole” you’ve got this tech company called “Greengos,” which is basically designing fake trees. They would offset carbon emissions but they would also have surveillance cameras.\u003c/strong>\u003c/p>\n\u003cp>Healey: I love Al Gore, he’s cool. Bill Nye the Science Guy? That’s my dude. But the PowerPoint presentations and facts and figures are not enough to reach people. We wanted to do something that addresses the seriousness but also brought the humor, the joy. Comedy is the way to introduce complex issues. It’s a way to acknowledge that even when we’re thinking and talking about these serious things, we also have the little things that make us smile. If we don’t acknowledge those things, then we’re losing the humanity that we’re trying to fight for in the first place.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/twITH7SxWOo'\n title='//www.youtube.com/embed/twITH7SxWOo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>You produced this show in conjunction with a\u003ca href=\"http://movementgeneration.org/\" target=\"_blank\" rel=\"noopener noreferrer\"> nonprofit\u003c/a> that uses the arts to raise awareness around climate change. It was funded through a \u003ca href=\"https://www.kickstarter.com/projects/1895822190/the-north-pole-a-comedic-web-series-for-the-people\" target=\"_blank\" rel=\"noopener noreferrer\">Kickstarter\u003c/a> campaign, not through a big studio like Amazon or Netflix. What was your pitch to people who contributed?\u003c/strong>\u003c/p>\n\u003cp>Healey: If we’re going to change the politics or change the policies around these issues, we have to change the story. We have to rethink and re-imagine who are the heroes and who are the villains. You don’t have very many shows based in the Bay Area, centered on people of color, on young people who are trying to navigate these serious issues in a creative, fun way. It helps that we brought in a lot of our friends and homies in the artistic and activist community. Folks like comedian \u003ca href=\"http://www.wkamaubell.com/\" target=\"_blank\" rel=\"noopener noreferrer\">W. Kamau Bell\u003c/a>, rappers\u003ca href=\"http://realmistahfab.com/\" target=\"_blank\" rel=\"noopener noreferrer\"> Mistah F.A.B\u003c/a>. and Boots Riley and one of my great “sheroes,” \u003ca href=\"https://www.erickahuggins.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Ericka Huggins\u003c/a>, one of the former leaders of Black Panther Party.\u003c/p>\n\u003cp>\u003cstrong>“The North Pole” is a lot about feeling threatened by newcomers who are driving up prices. You are somewhat of an outsider too, from D.C., not Oakland. What was it like to come in and bring that kind of outsider perspective? \u003c/strong>\u003c/p>\n\u003cp>Healey: I’m the first to acknowledge I’m not from here originally. A lot of times these conversations get stuck in this cycle of outsider versus insider, homegrown versus newcomer. I look at it differently. Gentrification is just a new name on something that’s been going on in America for a long time. I’m a white boy from Washington, D.C. And I think climate change is just a new name on exacerbated environmental destruction that’s been going on for hundreds of years. No matter where you’re from, you have to acknowledge the root causes of these issues. It’s deeper than the new coffee shop or the new gluten-free doughnut spot on your block. Those are those are the immediate symbols of something that’s gone much deeper. Who are the companies and the politicians and the policies that are really pushing this?\u003c/p>\n\u003cp>\u003cstrong>After people watch this, what do you hope it empowers them to do?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Healey: We want people to stand up and to join with their neighbors, to join with their community, to join with their families and to be part of something. We want to activate audiences to become active participants in not just consuming information, but changing the story and becoming part of the story themselves. Individually watching a web series? 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"content": "\u003cp>California is full of incredible, unique places. Even for those of us who have lived here all our lives, there are still secret, off-the-beaten-path spots we’ve never even heard of.\u003c/p>\n\u003cp>Every summer, we put together a special show about some of those hidden gems.\u003c/p>\n\u003cp>I decided to host this year’s show from a \u003ca href=\"https://www.sonomacanopytours.com/\" target=\"_blank\" rel=\"noopener noreferrer\">zipline in Sonoma County\u003c/a>, with help from our intrepid producer Suzie Racho. Soaring above the redwoods — with our microphones, headphones and tape recorders — was nerve-wracking.\u003c/p>\n\u003cp>[gallery type=\"rectangular\" ids=\"11526701,11526697\"]\u003c/p>\n\u003cp>I’ve hiked through redwoods and tried to put my arms around them. But I’ve never flown above them suspended from a cable or seen the treetop canopy from a 100-foot-high platform. It gave me a different perspective on one of California’s greatest treasures.\u003c/p>\n\u003ch3>Some of This Year’s Hidden Gems\u003c/h3>\n\u003cp>At \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/nancys-airport-cafe-where-regulars-fly-in-for-pie/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Nancy’s Airport Cafe\u003c/strong>\u003c/a>, steps from the tarmac in rural Glenn County, the pie is so good that small-plane pilots fly in just for the food.\u003c/p>\n\u003cfigure id=\"attachment_11524197\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/nancys-airport-cafe-where-regulars-fly-in-for-pie/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11524197 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tricia Lawson has worked as a server at Nancy’s for 26 years. She still wears the nametag she got when she started. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Madame Ganna Walska, an eccentric Polish opera diva, planted lush gardens near Santa Barbara where you can still walk among plants that predate the dinosaurs. \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/33-years-after-her-death-eccentric-opera-singers-garden-still-grows/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>She called it Lotusland\u003c/strong>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11524458\" class=\"wp-caption aligncenter\" style=\"max-width: 660px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/33-years-after-her-death-eccentric-opera-singers-garden-still-grows/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11524458 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut.jpg\" alt=\"\" width=\"660\" height=\"444\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut.jpg 660w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-240x161.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-375x252.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-520x350.jpg 520w\" sizes=\"(max-width: 660px) 100vw, 660px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Madame Ganna Walska poses for a photographer in the garden. \u003ccite>(Courtesy of Lotusland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Want to get giant, fresh and legendary strawberry doughnuts near Los Angeles in the middle of the night? \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/are-these-the-best-donuts-in-southern-california/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Meet the Donut Man\u003c/strong>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11528631\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/are-these-the-best-donuts-in-southern-california/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11528631\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-800x685.jpg\" alt=\"Katelyn Johnson displays The Donut Man's calling card: the strawberry donut.\" width=\"800\" height=\"685\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-160x137.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-240x206.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-375x321.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-520x445.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Katelyn Johnson displays the Donut Man’s calling card: the strawberry doughnut. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nestled among the vineyards of Napa County, there’s a place dating back to when California was part of Mexico. At 36 feet tall, \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/when-in-napa-skip-the-wine-and-head-for-the-mill/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>the Bale Grist Mill’s\u003c/strong>\u003c/a> waterwheel is one of the tallest in North America.\u003c/p>\n\u003cfigure id=\"attachment_11528633\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/when-in-napa-skip-the-wine-and-head-for-the-mill/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11528633 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-800x530.jpg\" alt=\"\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-1020x676.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-1180x782.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-960x636.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-375x248.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Bale Grist Mill. (Ryan Levi/KQED) \u003ccite>(Ryan Levi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Layers of sandstone form buttes and towering cliffs. Joshua Trees stand guard on the desert floor, and there are way more lizards than people. It’s no wonder this place has been the backdrop for a lot of Westerns. Not far from Hollywood, \u003ca href=\"https://ww2.kqed.org/news/2017/06/26/not-far-from-hollywood-this-state-park-is-a-scene-stealer/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Red Rock Canyon State Park is a scene-stealer\u003c/strong>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11533693\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11533693\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RedRockMain-800x506.jpg\" alt=\"Red Rock Canyon looks a little like Utah, except for all the Joshua Trees.\" width=\"800\" height=\"506\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-800x506.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-1020x645.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-1180x746.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-960x607.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-375x237.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-520x329.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Red Rock Canyon looks a little like Utah, except for all the Joshua Trees. \u003ccite>(Alice Daniel/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "We visit a garden founded by a Polish opera diva, eat what might be Southern California's best doughnuts and stop by a cafe with pie so good the pilots fly in for it.",
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"title": "An Audio Road Trip: Unearthing California's Hidden Gems | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>California is full of incredible, unique places. Even for those of us who have lived here all our lives, there are still secret, off-the-beaten-path spots we’ve never even heard of.\u003c/p>\n\u003cp>Every summer, we put together a special show about some of those hidden gems.\u003c/p>\n\u003cp>I decided to host this year’s show from a \u003ca href=\"https://www.sonomacanopytours.com/\" target=\"_blank\" rel=\"noopener noreferrer\">zipline in Sonoma County\u003c/a>, with help from our intrepid producer Suzie Racho. Soaring above the redwoods — with our microphones, headphones and tape recorders — was nerve-wracking.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I’ve hiked through redwoods and tried to put my arms around them. But I’ve never flown above them suspended from a cable or seen the treetop canopy from a 100-foot-high platform. It gave me a different perspective on one of California’s greatest treasures.\u003c/p>\n\u003ch3>Some of This Year’s Hidden Gems\u003c/h3>\n\u003cp>At \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/nancys-airport-cafe-where-regulars-fly-in-for-pie/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Nancy’s Airport Cafe\u003c/strong>\u003c/a>, steps from the tarmac in rural Glenn County, the pie is so good that small-plane pilots fly in just for the food.\u003c/p>\n\u003cfigure id=\"attachment_11524197\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/nancys-airport-cafe-where-regulars-fly-in-for-pie/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11524197 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tricia Lawson has worked as a server at Nancy’s for 26 years. She still wears the nametag she got when she started. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Madame Ganna Walska, an eccentric Polish opera diva, planted lush gardens near Santa Barbara where you can still walk among plants that predate the dinosaurs. \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/33-years-after-her-death-eccentric-opera-singers-garden-still-grows/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>She called it Lotusland\u003c/strong>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11524458\" class=\"wp-caption aligncenter\" style=\"max-width: 660px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/33-years-after-her-death-eccentric-opera-singers-garden-still-grows/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11524458 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut.jpg\" alt=\"\" width=\"660\" height=\"444\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut.jpg 660w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-240x161.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-375x252.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-520x350.jpg 520w\" sizes=\"(max-width: 660px) 100vw, 660px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Madame Ganna Walska poses for a photographer in the garden. \u003ccite>(Courtesy of Lotusland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Want to get giant, fresh and legendary strawberry doughnuts near Los Angeles in the middle of the night? \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/are-these-the-best-donuts-in-southern-california/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Meet the Donut Man\u003c/strong>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11528631\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/are-these-the-best-donuts-in-southern-california/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11528631\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-800x685.jpg\" alt=\"Katelyn Johnson displays The Donut Man's calling card: the strawberry donut.\" width=\"800\" height=\"685\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-160x137.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-240x206.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-375x321.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-520x445.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Katelyn Johnson displays the Donut Man’s calling card: the strawberry doughnut. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nestled among the vineyards of Napa County, there’s a place dating back to when California was part of Mexico. At 36 feet tall, \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/when-in-napa-skip-the-wine-and-head-for-the-mill/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>the Bale Grist Mill’s\u003c/strong>\u003c/a> waterwheel is one of the tallest in North America.\u003c/p>\n\u003cfigure id=\"attachment_11528633\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/when-in-napa-skip-the-wine-and-head-for-the-mill/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11528633 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-800x530.jpg\" alt=\"\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-1020x676.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-1180x782.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-960x636.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-375x248.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Bale Grist Mill. (Ryan Levi/KQED) \u003ccite>(Ryan Levi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Layers of sandstone form buttes and towering cliffs. Joshua Trees stand guard on the desert floor, and there are way more lizards than people. It’s no wonder this place has been the backdrop for a lot of Westerns. Not far from Hollywood, \u003ca href=\"https://ww2.kqed.org/news/2017/06/26/not-far-from-hollywood-this-state-park-is-a-scene-stealer/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Red Rock Canyon State Park is a scene-stealer\u003c/strong>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11533693\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11533693\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RedRockMain-800x506.jpg\" alt=\"Red Rock Canyon looks a little like Utah, except for all the Joshua Trees.\" width=\"800\" height=\"506\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-800x506.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-1020x645.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-1180x746.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-960x607.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-375x237.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-520x329.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Red Rock Canyon looks a little like Utah, except for all the Joshua Trees. \u003ccite>(Alice Daniel/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Family Ties Shape New Albums by Douyé, and The Sons of the Soul Revivers",
"title": "Family Ties Shape New Albums by Douyé, and The Sons of the Soul Revivers",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>Musical traditions are often passed down from one generation to another, but that transmission can take very different forms. New albums by vocalist Douyé and gospel combo The Sons of the Soul Revivers represent exemplary work by artists honoring their families, while walking very different paths.\u003c/p>\n\u003ch3>Douyé\u003c/h3>\n\u003cp>Born in Nigeria,\u003ca href=\"http://douyemusic.com\"> Douyé\u003c/a> (pronounced doe-yay) was well on her way to establishing herself as a Sade-inspired R&B vocalist when she felt the pull of a deathbed request made by her father. While she was growing up in Lagos he filled their house with the sounds of legendary jazz singers Ella Fitzgerald, Billie Holiday, Sarah Vaughan and Dinah Washington. He died when she was only 11, and at the end he beseeched her to follow her love of music into jazz.\u003c/p>\n\u003cp>\u003cimg class=\"wp-image-11614412 alignleft\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-800x728.jpg\" alt=\"\" width=\"300\" height=\"273\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-800x728.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-160x146.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-1020x928.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-1180x1074.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-960x874.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-240x218.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-375x341.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-520x473.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/p>\n\u003cp>Her pursuit of a musical education took her to London and then Los Angeles, where she studied at the Musicians Institute and released two sultry albums of slow-burning R&B: 2008’s “Journey” and 2014’s “So Much Love.” But in between those projects she felt the call of her father’s wish and started getting acquainted with the L.A. jazz scene, sitting in at jam sessions at \u003ca href=\"http://www.theworldstage.org\">the World Stage\u003c/a> in Leimert Park.\u003c/p>\n\u003cp>With “Daddy Said So” (Groove Note Records), she more than fulfills her commitment to her father. Teaming up with some of jazz’s greatest musicians, Douyé effectively applies her compressed range and smoky tone to a program of lush ballads. Her cool delivery often brings to mind the understated approach of Chet Baker and Julie London on their definitive 1950s recordings, and she’s well served by her strong cast of arrangers, who create a shifting array of settings for her appealing sound.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=rrovR1hn838\u003c/p>\n\u003cp>Douyé mines the L.A. scene on “Round Midnight” and “In A Sentimental Mood,” which feature pianist John Beasley’s savvy arrangements and first-call players like saxophonist Bob Sheppard, bassist John Clayton and drummer Roy McCurdy. But she also taps New York talent on “Mood Indigo” and “I Loves You Porgy,” featuring piano great Kenny Barron’s trio. “But Beautiful,” taken at a Shirley Horn time-stopping tempo, and re-harmonized “All the Things You Are,” feature impressive work by Nigerian tenor-saxophonist Zem Audu (and Nigerian-American bassist Essiet Essiet).\u003c/p>\n\u003cp>The album’s only real drawback is the lack of surprises when it comes to repertoire. Douyé brings her less-is-more sensibility to dramatic standards like “Lush Life,” “Autumn Leaves” “I Loves You Porgy,” but doesn’t change the way we hear these familiar tunes (a tall order, given how often they’ve been interpreted by jazz’s greatest artists). She’s definitely fulfilled her promise to her father. It will be interesting to see what she does next, for herself.\u003c/p>\n\u003ch3>The Sons of the Soul Revivers\u003c/h3>\n\u003cp>\u003ca href=\"http://littlevillagefoundation.com/the-sons-of-the-soul-revivers/\">The Sons of the Soul Revivers\u003c/a> are also following in their parents’ footsteps, but their journey started as kids back in the early 1970s (building on the foundation of their family’s well-regarded gospel group the Soul Revivers).\u003c/p>\n\u003cp>\u003cimg class=\"wp-image-11614414 alignleft\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/SOTSR-HR-Cover2-800x799.jpg\" alt=\"\" width=\"301\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-800x799.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-1020x1019.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-1180x1179.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-960x959.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-520x520.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-150x150.jpg 150w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2.jpg 1483w\" sizes=\"(max-width: 301px) 100vw, 301px\">\u003c/p>\n\u003cp>A rousing gospel ensemble from Vallejo, the Sons are built around three brothers, James, Dwayne and Walter Morgan Jr., who are steeped in the classic gospel quartet sound that was one of the mightiest currents running through African-American culture in the middle decades of the 20th century.\u003c/p>\n\u003cp>Captured in the heat of the action on “Live! Rancho Nicasio” (Little Village Foundation), the Sons draw directly from the glorious golden-age gospel groups like the Dixie Hummingbirds, the Mighty Clouds of Joy, the Silver Leaf Quartet and the Soul Stirrers, which had huge popular followings and launched the careers of soul pioneers like Sam Cooke (and more recently Raphael Saadiq).\u003c/p>\n\u003cp>On “Rancho Nicasio” the Sons seamlessly mix rollicking arrangements of traditional songs like “Pilgrim and a Stranger” and “Come Over Here” with Dwayne Morgan’s beautifully wrought originals, like the ecstatic “Joy” and roof-raising “Shook.” Imbued with warmth and grit, the brothers’ voices deliver the good news with the authority of masters (augmented by bassist/vocalist DeQuantae Johnson, who lays irresistible grooves with commanding drummer Oliver Calloway).\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=YG9uSWdEmNM\u003c/p>\n\u003cp>They’ve released several acclaimed albums over the years, and made a big impression on the East Bay music scene in the 1980s while providing an early jolt of inspiration for Raphael Saadiq and Tony! Toni! Toné!\u003c/p>\n\u003cp>[contextly_sidebar id=\"duq25hc30AgO3uuNTsHLJVHphXjARe3P\"]\u003c/p>\n\u003cp>But “Rancho Nicasio” seems ideally suited to introduce the Sons to a new audience. Veteran blues organist Jim Pugh, who contributes to the album, launched the \u003ca href=\"http://littlevillagefoundation.com\">Little Village Foundation\u003c/a> label to document roots music in California, and this album is part of a second batch of releases that include excellent albums by blues guitar great Chris Cain, Americana songsmith Maurice Tani and \u003ca href=\"https://ww2.kqed.org/news/2017/07/18/at-17-this-mariachi-veteran-is-releasing-her-first-poetry-album/\" target=\"_blank\" rel=\"noopener noreferrer\">Xochitl Morales\u003c/a>, a 17-year-old mariachi trumpeter, vocalist and slam poet from Delano.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More than maintaining a family tradition, the Morgan brothers ensure that a joyous sound woven into the DNA of American music doesn’t get swamped by subsequent styles. Whatever one’s faith, the Sons of Soul Revivers offer a potent cure for the travails of everyday life.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Musical traditions are often passed down from one generation to another, but that transmission can take very different forms. New albums by vocalist Douyé and gospel combo The Sons of the Soul Revivers represent exemplary work by artists honoring their families, while walking very different paths.\u003c/p>\n\u003ch3>Douyé\u003c/h3>\n\u003cp>Born in Nigeria,\u003ca href=\"http://douyemusic.com\"> Douyé\u003c/a> (pronounced doe-yay) was well on her way to establishing herself as a Sade-inspired R&B vocalist when she felt the pull of a deathbed request made by her father. While she was growing up in Lagos he filled their house with the sounds of legendary jazz singers Ella Fitzgerald, Billie Holiday, Sarah Vaughan and Dinah Washington. He died when she was only 11, and at the end he beseeched her to follow her love of music into jazz.\u003c/p>\n\u003cp>\u003cimg class=\"wp-image-11614412 alignleft\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-800x728.jpg\" alt=\"\" width=\"300\" height=\"273\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-800x728.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-160x146.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-1020x928.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-1180x1074.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-960x874.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-240x218.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-375x341.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy-520x473.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/Douye_DSS_HRes-copy.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/p>\n\u003cp>Her pursuit of a musical education took her to London and then Los Angeles, where she studied at the Musicians Institute and released two sultry albums of slow-burning R&B: 2008’s “Journey” and 2014’s “So Much Love.” But in between those projects she felt the call of her father’s wish and started getting acquainted with the L.A. jazz scene, sitting in at jam sessions at \u003ca href=\"http://www.theworldstage.org\">the World Stage\u003c/a> in Leimert Park.\u003c/p>\n\u003cp>With “Daddy Said So” (Groove Note Records), she more than fulfills her commitment to her father. Teaming up with some of jazz’s greatest musicians, Douyé effectively applies her compressed range and smoky tone to a program of lush ballads. Her cool delivery often brings to mind the understated approach of Chet Baker and Julie London on their definitive 1950s recordings, and she’s well served by her strong cast of arrangers, who create a shifting array of settings for her appealing sound.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/rrovR1hn838'\n title='//www.youtube.com/embed/rrovR1hn838'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Douyé mines the L.A. scene on “Round Midnight” and “In A Sentimental Mood,” which feature pianist John Beasley’s savvy arrangements and first-call players like saxophonist Bob Sheppard, bassist John Clayton and drummer Roy McCurdy. But she also taps New York talent on “Mood Indigo” and “I Loves You Porgy,” featuring piano great Kenny Barron’s trio. “But Beautiful,” taken at a Shirley Horn time-stopping tempo, and re-harmonized “All the Things You Are,” feature impressive work by Nigerian tenor-saxophonist Zem Audu (and Nigerian-American bassist Essiet Essiet).\u003c/p>\n\u003cp>The album’s only real drawback is the lack of surprises when it comes to repertoire. Douyé brings her less-is-more sensibility to dramatic standards like “Lush Life,” “Autumn Leaves” “I Loves You Porgy,” but doesn’t change the way we hear these familiar tunes (a tall order, given how often they’ve been interpreted by jazz’s greatest artists). She’s definitely fulfilled her promise to her father. It will be interesting to see what she does next, for herself.\u003c/p>\n\u003ch3>The Sons of the Soul Revivers\u003c/h3>\n\u003cp>\u003ca href=\"http://littlevillagefoundation.com/the-sons-of-the-soul-revivers/\">The Sons of the Soul Revivers\u003c/a> are also following in their parents’ footsteps, but their journey started as kids back in the early 1970s (building on the foundation of their family’s well-regarded gospel group the Soul Revivers).\u003c/p>\n\u003cp>\u003cimg class=\"wp-image-11614414 alignleft\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/SOTSR-HR-Cover2-800x799.jpg\" alt=\"\" width=\"301\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-800x799.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-1020x1019.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-1180x1179.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-960x959.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-520x520.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2-150x150.jpg 150w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/SOTSR-HR-Cover2.jpg 1483w\" sizes=\"(max-width: 301px) 100vw, 301px\">\u003c/p>\n\u003cp>A rousing gospel ensemble from Vallejo, the Sons are built around three brothers, James, Dwayne and Walter Morgan Jr., who are steeped in the classic gospel quartet sound that was one of the mightiest currents running through African-American culture in the middle decades of the 20th century.\u003c/p>\n\u003cp>Captured in the heat of the action on “Live! Rancho Nicasio” (Little Village Foundation), the Sons draw directly from the glorious golden-age gospel groups like the Dixie Hummingbirds, the Mighty Clouds of Joy, the Silver Leaf Quartet and the Soul Stirrers, which had huge popular followings and launched the careers of soul pioneers like Sam Cooke (and more recently Raphael Saadiq).\u003c/p>\n\u003cp>On “Rancho Nicasio” the Sons seamlessly mix rollicking arrangements of traditional songs like “Pilgrim and a Stranger” and “Come Over Here” with Dwayne Morgan’s beautifully wrought originals, like the ecstatic “Joy” and roof-raising “Shook.” Imbued with warmth and grit, the brothers’ voices deliver the good news with the authority of masters (augmented by bassist/vocalist DeQuantae Johnson, who lays irresistible grooves with commanding drummer Oliver Calloway).\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/YG9uSWdEmNM'\n title='//www.youtube.com/embed/YG9uSWdEmNM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>They’ve released several acclaimed albums over the years, and made a big impression on the East Bay music scene in the 1980s while providing an early jolt of inspiration for Raphael Saadiq and Tony! Toni! Toné!\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>But “Rancho Nicasio” seems ideally suited to introduce the Sons to a new audience. Veteran blues organist Jim Pugh, who contributes to the album, launched the \u003ca href=\"http://littlevillagefoundation.com\">Little Village Foundation\u003c/a> label to document roots music in California, and this album is part of a second batch of releases that include excellent albums by blues guitar great Chris Cain, Americana songsmith Maurice Tani and \u003ca href=\"https://ww2.kqed.org/news/2017/07/18/at-17-this-mariachi-veteran-is-releasing-her-first-poetry-album/\" target=\"_blank\" rel=\"noopener noreferrer\">Xochitl Morales\u003c/a>, a 17-year-old mariachi trumpeter, vocalist and slam poet from Delano.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More than maintaining a family tradition, the Morgan brothers ensure that a joyous sound woven into the DNA of American music doesn’t get swamped by subsequent styles. Whatever one’s faith, the Sons of Soul Revivers offer a potent cure for the travails of everyday life.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "For This Obsessive Button Collector, It's About the Joy of the Hunt",
"title": "For This Obsessive Button Collector, It's About the Joy of the Hunt",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>Alan Rosenzweig started collecting buttons 50 years ago when he was just 12 years old as a competition with his friend Bobby.\u003c/p>\n\u003cp>Bobby got out to the early lead with 70 buttons to Rosenzweig’s 50, but Rosenzweig refused to be defeated. He nearly tripled his stash to 130 while Bobby stagnated at 80 before eventually conceding defeat and giving his collection up to Rosenzweig.\u003c/p>\n\u003cp>“I just never stopped,” Rosenzweig said. “I didn’t say, ‘I’m going to start collecting buttons for the rest of my life.’ It just kind of happened.”\u003c/p>\n\u003cp>Fifty years later, his collection has grown to nearly a quarter-million buttons.\u003c/p>\n\u003cp>[audio src=\"http://www.kqed.org/.stream/anon/radio/tcr/2017/08/ButtonMan.mp3\" Image=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26172_Button-Collector-qut-800x530.jpg\" Title=\"Do You Know the Button Man? He Lives in Sebastopol\" program=\"The California Report\"]\u003c/p>\n\u003ch3>The Hunt\u003c/h3>\n\u003cp>Rosenzweig is not a passive collector.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Any store he walks into, any restaurant he eats at, any vacation he’s on is an opportunity to get more buttons. He’ll even walk up to strangers on the street and ask them for the button off their shirt.\u003c/p>\n\u003cp>He’s also a flea market regular.\u003c/p>\n\u003cp>“I go to the flea market every Sunday,” he said. “I never miss.”\u003c/p>\n\u003cp>A good day at a flea market can net him hundreds of new buttons, Rosenzweig said.\u003c/p>\n\u003cp>“It's like fishing,” he said. “You go every weekend and you try to catch something. Sometimes you do, and sometimes you don't.”\u003c/p>\n\u003cfigure id=\"attachment_11611701\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11611701\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-800x530.jpg\" alt=\"Alan Rosenzweig looks through a box of buttons at a flea market on Sunday, Aug. 6, 2017. Rosenzweig goes to at least one and often two flea markets every Sunday to add to his button collection.\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-800x530.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-1020x676.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-1180x782.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-960x636.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-240x159.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-375x248.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alan Rosenzweig looks through a box of buttons at a flea market on Sunday, Aug. 6, 2017. Rosenzweig goes to at least one and often two flea markets every Sunday to add to his button collection. \u003ccite>(Ryan Levi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rosenzweig has done pretty well at a particular market in downtown Santa Rosa, thanks in large part to Earl Gwynne. In the six months he’s been going there, he said he has bought more than 500 buttons from Gwynne, and the two men have become friends: sharing stories of their kids, where they grew up, and the news of the day.\u003c/p>\n\u003cp>Rosenzweig has done some buying and trading on eBay, but he is not much of a fan. He prefers the community feel of seeing the same people every week at the flea market and searching for his buttons.\u003c/p>\n\u003cp>“The hunt is more fun,” he said of flea markets. “On eBay, everything is right there. It’s not much of a hunt.”\u003c/p>\n\u003ch3>A Building All Their Own\u003c/h3>\n\u003cp>When Rosenzweig and his wife bought their house in Sebastopol a few years ago, he had a few requirements. He needed a workshop, space to keep chickens and ducks, a garden and a building for his button collection.\u003c/p>\n\u003cp>Yes, a whole building.\u003c/p>\n\u003cp>The unassuming building previously served as a living quarters with a bathroom, wood-burning stove, kitchen and bedrooms. Now, the walls of the main room are covered floor to ceiling with sheets of burlap filled with buttons of every shape, size, color and message.\u003c/p>\n\u003cp>“Anybody who comes to the house, a maintenance guy, electrician, I’ll say, ‘Hey, I got to show you something,’ ” Rosenzweig said. “We'll go in the button room and I won't tell them what I'm showing them until they get in there. And they get in there and they go, ‘Oh wow, oh wow.’ They’ve never seen anything like this.”\u003c/p>\n\u003cp>[gallery type=\"rectangular\" ids=\"11611708,11611705,11611706,11611707,11611704\"]\u003c/p>\n\u003cp>Each burlap sheet is home to a different category of buttons: presidential campaigns, sports, colleges, social justice, movies, Disney, advertising, music and more and more.\u003c/p>\n\u003cp>But most of the 40,000 buttons he has here (another 200,000 duplicates are in boxes at his apartment in San Francisco) aren’t on the wall. They’re in boxes and bags on the floor waiting to be sorted. Rosenzweig said if all he did was eat, sleep and put up buttons, it would take him two to three years to get his whole collection mounted.\u003c/p>\n\u003cp>“Of course I'll never get them all up because I'll always be going to a flea market and getting more,” he said with a laugh.\u003c/p>\n\u003cp>There is one slice of wall not covered by burlap and buttons. It is in the far-right corner of the main room, and it is a door to a smaller room that houses another one of Rosenzweig’s collections.\u003c/p>\n\u003cp>“Anything that has John F. Kennedy’s image on it, I will buy,” Rosenzweig said as he stood surrounded by hundreds of pieces of JFK memorabilia.\u003c/p>\n\u003cfigure id=\"attachment_11611710\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11611710\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-800x530.jpg\" alt=\"Alan Rosenzweig's John F. Kennedy memorabilia room. He has more than 400 pieces in this collection.\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-800x530.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-1020x676.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-1180x782.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-960x636.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-240x159.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-375x248.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alan Rosenzweig's John F. Kennedy memorabilia room. He has more than 400 pieces in this collection. \u003ccite>(Ryan Levi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Numerous busts of the late president sit on a shelf, and several colorful rugs bearing his likeness encircle the room, manufactured around the world. He even has two “Jack and Jackie O’ Lanterns.” They are orange Halloween candy holders with the president and first lady’s faces “carved” into the plastic.\u003c/p>\n\u003cp>Politics has been a fascination for Rosenzweig as long as he’s been collecting. He worked on Hubert Humphrey’s unsuccessful 1968 presidential campaign as a 13-year-old.\u003c/p>\n\u003cp>“When the campaign was over and it was clear that he lost the election, they started dumping boxes of buttons and other political items from the campaign into the dumpster,” Rosenzweig recalled. “And I said to myself, ‘I don't think it belongs in a dumpster.’ ”\u003c/p>\n\u003cfigure id=\"attachment_11611711\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11611711\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-800x530.jpg\" alt=\"Alan Rosenzweig poses with one of his favorite pieces of John F. Kennedy memorabilia: Jack and Jackie O' Lanterns.\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-800x530.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-1020x676.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-1180x782.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-960x636.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-240x159.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-375x248.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alan Rosenzweig poses with one of his favorite pieces of John F. Kennedy memorabilia: Jack and Jackie O' Lanterns. \u003ccite>(Ryan Levi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He went dumpster diving and took home hundreds of Humphrey buttons, which helped jump-start his fledgling collection.\u003c/p>\n\u003cp>“I started working on political campaigns for local assemblymen and congressional campaigns and getting buttons from those, and I just took off with it,” Rosenzweig said. \"Fifty years later, I have over 40,000.”\u003c/p>\n\u003ch3>'I See My Whole Life'\u003c/h3>\n\u003cp>Most of the people in Rosenzweig’s life have supported his collecting, but it hasn’t always gone over well.\u003c/p>\n\u003cp>For instance, there was the period he was living with his then-wife in San Francisco. They had a house with three bedrooms: one for his daughter downstairs, one for him and his wife upstairs, and another upstairs for his buttons. When the couple had another baby, his wife wanted to put the newborn in the second bedroom upstairs and move the buttons downstairs. Rosenzweig begrudgingly agreed.\u003c/p>\n\u003cp>“I really love my daughter, and I love having her, and I'm glad she was born, but I didn't want to move my buttons,” he said.\u003c/p>\n\u003cp>It’s not surprising that Rosenzweig feels such a strong connection to a collection that has been with him for decades, through cross-country moves, the beginnings and ends of relationships, and everything in between.\u003c/p>\n\u003cp>“People that know me know me as the Button Man,\" he said. “It's the one thing that's been continuous in my life since I was 12 years old.”\u003c/p>\n\u003cp>Rosenzweig stands in his button room, surrounded by his collection. He points to the button New York City Mayor Ed Koch handed him off his own shirt at a rally. He turns to the buttons he got at the 1984 Olympics in Los Angeles. Then, he looks at the French Canadian buttons he collected when he lived in Canada.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“It just keeps my past, my history alive with me all the time,” Rosenzweig said. “I come in here, and I see my whole life.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Alan Rosenzweig started collecting buttons 50 years ago when he was just 12 years old as a competition with his friend Bobby.\u003c/p>\n\u003cp>Bobby got out to the early lead with 70 buttons to Rosenzweig’s 50, but Rosenzweig refused to be defeated. He nearly tripled his stash to 130 while Bobby stagnated at 80 before eventually conceding defeat and giving his collection up to Rosenzweig.\u003c/p>\n\u003cp>“I just never stopped,” Rosenzweig said. “I didn’t say, ‘I’m going to start collecting buttons for the rest of my life.’ It just kind of happened.”\u003c/p>\n\u003cp>Fifty years later, his collection has grown to nearly a quarter-million buttons.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch3>The Hunt\u003c/h3>\n\u003cp>Rosenzweig is not a passive collector.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Any store he walks into, any restaurant he eats at, any vacation he’s on is an opportunity to get more buttons. He’ll even walk up to strangers on the street and ask them for the button off their shirt.\u003c/p>\n\u003cp>He’s also a flea market regular.\u003c/p>\n\u003cp>“I go to the flea market every Sunday,” he said. “I never miss.”\u003c/p>\n\u003cp>A good day at a flea market can net him hundreds of new buttons, Rosenzweig said.\u003c/p>\n\u003cp>“It's like fishing,” he said. “You go every weekend and you try to catch something. Sometimes you do, and sometimes you don't.”\u003c/p>\n\u003cfigure id=\"attachment_11611701\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11611701\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-800x530.jpg\" alt=\"Alan Rosenzweig looks through a box of buttons at a flea market on Sunday, Aug. 6, 2017. Rosenzweig goes to at least one and often two flea markets every Sunday to add to his button collection.\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-800x530.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-1020x676.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-1180x782.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-960x636.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-240x159.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-375x248.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26179_Flea-Market-Wide-qut-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alan Rosenzweig looks through a box of buttons at a flea market on Sunday, Aug. 6, 2017. Rosenzweig goes to at least one and often two flea markets every Sunday to add to his button collection. \u003ccite>(Ryan Levi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rosenzweig has done pretty well at a particular market in downtown Santa Rosa, thanks in large part to Earl Gwynne. In the six months he’s been going there, he said he has bought more than 500 buttons from Gwynne, and the two men have become friends: sharing stories of their kids, where they grew up, and the news of the day.\u003c/p>\n\u003cp>Rosenzweig has done some buying and trading on eBay, but he is not much of a fan. He prefers the community feel of seeing the same people every week at the flea market and searching for his buttons.\u003c/p>\n\u003cp>“The hunt is more fun,” he said of flea markets. “On eBay, everything is right there. It’s not much of a hunt.”\u003c/p>\n\u003ch3>A Building All Their Own\u003c/h3>\n\u003cp>When Rosenzweig and his wife bought their house in Sebastopol a few years ago, he had a few requirements. He needed a workshop, space to keep chickens and ducks, a garden and a building for his button collection.\u003c/p>\n\u003cp>Yes, a whole building.\u003c/p>\n\u003cp>The unassuming building previously served as a living quarters with a bathroom, wood-burning stove, kitchen and bedrooms. Now, the walls of the main room are covered floor to ceiling with sheets of burlap filled with buttons of every shape, size, color and message.\u003c/p>\n\u003cp>“Anybody who comes to the house, a maintenance guy, electrician, I’ll say, ‘Hey, I got to show you something,’ ” Rosenzweig said. “We'll go in the button room and I won't tell them what I'm showing them until they get in there. And they get in there and they go, ‘Oh wow, oh wow.’ They’ve never seen anything like this.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Each burlap sheet is home to a different category of buttons: presidential campaigns, sports, colleges, social justice, movies, Disney, advertising, music and more and more.\u003c/p>\n\u003cp>But most of the 40,000 buttons he has here (another 200,000 duplicates are in boxes at his apartment in San Francisco) aren’t on the wall. They’re in boxes and bags on the floor waiting to be sorted. Rosenzweig said if all he did was eat, sleep and put up buttons, it would take him two to three years to get his whole collection mounted.\u003c/p>\n\u003cp>“Of course I'll never get them all up because I'll always be going to a flea market and getting more,” he said with a laugh.\u003c/p>\n\u003cp>There is one slice of wall not covered by burlap and buttons. It is in the far-right corner of the main room, and it is a door to a smaller room that houses another one of Rosenzweig’s collections.\u003c/p>\n\u003cp>“Anything that has John F. Kennedy’s image on it, I will buy,” Rosenzweig said as he stood surrounded by hundreds of pieces of JFK memorabilia.\u003c/p>\n\u003cfigure id=\"attachment_11611710\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11611710\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-800x530.jpg\" alt=\"Alan Rosenzweig's John F. Kennedy memorabilia room. He has more than 400 pieces in this collection.\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-800x530.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-1020x676.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-1180x782.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-960x636.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-240x159.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-375x248.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26182_JFK-Room-qut-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alan Rosenzweig's John F. Kennedy memorabilia room. He has more than 400 pieces in this collection. \u003ccite>(Ryan Levi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Numerous busts of the late president sit on a shelf, and several colorful rugs bearing his likeness encircle the room, manufactured around the world. He even has two “Jack and Jackie O’ Lanterns.” They are orange Halloween candy holders with the president and first lady’s faces “carved” into the plastic.\u003c/p>\n\u003cp>Politics has been a fascination for Rosenzweig as long as he’s been collecting. He worked on Hubert Humphrey’s unsuccessful 1968 presidential campaign as a 13-year-old.\u003c/p>\n\u003cp>“When the campaign was over and it was clear that he lost the election, they started dumping boxes of buttons and other political items from the campaign into the dumpster,” Rosenzweig recalled. “And I said to myself, ‘I don't think it belongs in a dumpster.’ ”\u003c/p>\n\u003cfigure id=\"attachment_11611711\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11611711\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-800x530.jpg\" alt=\"Alan Rosenzweig poses with one of his favorite pieces of John F. Kennedy memorabilia: Jack and Jackie O' Lanterns.\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-800x530.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-1020x676.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-1180x782.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-960x636.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-240x159.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-375x248.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26166_Alan-and-Jack-o-lanterns-qut-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alan Rosenzweig poses with one of his favorite pieces of John F. Kennedy memorabilia: Jack and Jackie O' Lanterns. \u003ccite>(Ryan Levi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He went dumpster diving and took home hundreds of Humphrey buttons, which helped jump-start his fledgling collection.\u003c/p>\n\u003cp>“I started working on political campaigns for local assemblymen and congressional campaigns and getting buttons from those, and I just took off with it,” Rosenzweig said. \"Fifty years later, I have over 40,000.”\u003c/p>\n\u003ch3>'I See My Whole Life'\u003c/h3>\n\u003cp>Most of the people in Rosenzweig’s life have supported his collecting, but it hasn’t always gone over well.\u003c/p>\n\u003cp>For instance, there was the period he was living with his then-wife in San Francisco. They had a house with three bedrooms: one for his daughter downstairs, one for him and his wife upstairs, and another upstairs for his buttons. When the couple had another baby, his wife wanted to put the newborn in the second bedroom upstairs and move the buttons downstairs. Rosenzweig begrudgingly agreed.\u003c/p>\n\u003cp>“I really love my daughter, and I love having her, and I'm glad she was born, but I didn't want to move my buttons,” he said.\u003c/p>\n\u003cp>It’s not surprising that Rosenzweig feels such a strong connection to a collection that has been with him for decades, through cross-country moves, the beginnings and ends of relationships, and everything in between.\u003c/p>\n\u003cp>“People that know me know me as the Button Man,\" he said. “It's the one thing that's been continuous in my life since I was 12 years old.”\u003c/p>\n\u003cp>Rosenzweig stands in his button room, surrounded by his collection. He points to the button New York City Mayor Ed Koch handed him off his own shirt at a rally. He turns to the buttons he got at the 1984 Olympics in Los Angeles. Then, he looks at the French Canadian buttons he collected when he lived in Canada.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Despite some violence, the overwhelming majority of people \u003ca href=\"https://ww2.kqed.org/news/2017/08/27/no-hate-no-fear-large-protests-in-berkeley-against-far-right-rally/\">rallying against the far-right\u003c/a> over the weekend were peaceful. \u003c/p>\n\u003cp>[contextly_sidebar id=”s2tejRwsRGNaiFC70nKrMXkRqNImgg1C”]\u003c/p>\n\u003cp>With many clever and creative signs scattered throughout the crowds marching against the far-right, it wasn’t until late in the day Sunday that black clad people with covered faces clashed violently with far-right supporters.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"slug": "photos-san-francisco-protests-far-right-events",
"title": "PHOTOS: This Is How San Francisco Protests the Far Right",
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"content": "\u003cp>Authorities in San Francisco and Alameda counties prepared for the influx of fringe-right supporters over the weekend, hoping to squelch the assemblies from turning violent — like they have in the past — through a series of legal maneuvers and bureaucratic red tape.\u003c/p>\n\u003cp>And it seems to be working.\u003c/p>\n\u003cp>Patriot Prayer organizer Joey Gibson canceled his initial rally for Saturday afternoon at San Francisco’s Crissy Field and announced a press conference at Alamo Square. Then, on Saturday morning, he scrapped the Alamo Square event. It was unclear if he intended to organize other events.\u003c/p>\n\u003cp>In the meantime, it appeared that the protests of the far-right rallies could dwarf any activities by Patriot Prayer or fringe-right activists planning another gathering in Berkeley on Sunday.\u003c/p>\n\u003cp>Here are photos of some of the action on Saturday.\u003c/p>\n\u003cfigure id=\"attachment_11614163\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11614163\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/Crowd-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gathered at Civic Center to protest far-right activities in S.F. on Saturday, Aug. 26, 2017. \u003ccite>(Sheraz Sadiq/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614133\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614133\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut.jpg\" alt=\"\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-520x693.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">An image of Heather Heyer, an anti-racist demonstrator killed while protesting in Charlottesville, Virginia, can be seen in the crowd of people rallying against far-right events planned for San Francisco (those activities have now been canceled). \u003ccite>(David Markus/KQED Arts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614136\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614136\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">“We are just here to spread love and peace,” says S.F. based Jenny Elephantae Fou at Civic Center. \u003ccite>(Farida Jhabvala/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614092\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614092\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/Yoga-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">At Civic Center, people did yoga as a form of resistance against far-right rallies planned in San Francisco and the Bay Area on Saturday, Aug. 26, 2017. “We’re not here to fight Nazis … We want to make a safe place for everybody.” \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614123\" class=\"wp-caption aligncenter\" style=\"max-width: 569px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614123\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26402_femmes-qut-1.jpg\" alt=\"\" width=\"569\" height=\"538\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26402_femmes-qut-1.jpg 569w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26402_femmes-qut-1-160x151.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26402_femmes-qut-1-240x227.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26402_femmes-qut-1-375x355.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26402_femmes-qut-1-520x492.jpg 520w\" sizes=\"(max-width: 569px) 100vw, 569px\">\u003cfigcaption class=\"wp-caption-text\">Protester at Alamo Square where people had gathered to protest the far-right organizer Patriot Prayer. \u003ccite>(Eric Westervelt/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614137\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614137\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut.jpg\" alt=\"\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-520x693.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Protester near Alamo Square holds up sign reading, “What Would Mr. Rogers Do?” in response to Saturday’s far-right events. \u003ccite>(Christina Reagan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614126\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11614126\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/Solidarity-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Crowd of thousands marched through the Mission District, near Alamo Square on Saturday, Aug. 26, 2017 \u003ccite>(Alex Emslie/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614138\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614138\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Protester near Alamo Square holds up sign reading, “Never Forget/Queer Resistance” in response to Saturday’s far-right events. \u003ccite>(Christina Reagan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614090\" class=\"wp-caption aligncenter\" style=\"max-width: 1381px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614090\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut.jpg\" alt=\"\" width=\"1381\" height=\"1381\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut.jpg 1381w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-150x150.jpg 150w\" sizes=\"(max-width: 1381px) 100vw, 1381px\">\u003cfigcaption class=\"wp-caption-text\">San Franciscans living on Alamo Square, where far-right Patriot Prayer planned to hold an event Saturday afternoon that was later called off, posted a few signs ahead of it. The San Francisco Police Department has limited access to Alamo Park. Patriot Prayer scrapped a rally it had initially planned for Crissy Field. \u003ccite>(Polly Stryker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614085\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614085\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1.jpg\" alt=\"\" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-150x150.jpg 150w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Signs at San Francisco’s Alamo Square, where the far-right group Patriot Prayer had planned to hold an event Saturday afternoon that’s now been called off. The San Francisco Police Department has limited access to the square. \u003ccite>(Scott Shafer/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614095\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614095\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">James Morrison, 70, from Oakland grew up with the threat of the Ku Klux Klan attacking his grade school in Baton Rouge LA. He says “the most important thing is to show up … the KKK, Nazis never left. Now with Trump, they have some credence.’ \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614097\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614097\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Counterprotesters pose for a photo at the Conservatory of Flowers before starting their march. Many attendees heard of the event through their schools and arrived with dozens of people in attendance. \u003ccite>(Creo Noveno/KQED Arts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614115\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11614115 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/Aguilar2-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People protest at Alamo Square where Patriot Prayer had planned to hold a gathering on Saturday, Aug. 26, 2017. \u003ccite>(Erika Aguilar/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614098\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614098\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The sounds of the Velvet Underground’s “Who Loves the Sun” was the soundtrack that kicked off the rally in the Castro. \u003ccite>(Kevin Jones/KQED Arts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614108\" class=\"wp-caption aligncenter\" style=\"max-width: 4608px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614108\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41.jpg\" alt=\"\" width=\"4608\" height=\"3072\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41.jpg 4608w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-520x347.jpg 520w\" sizes=\"(max-width: 4608px) 100vw, 4608px\">\u003cfigcaption class=\"wp-caption-text\">Humera Nawaz (L) and Amina Haque (R), are from Pakistan and today live in Pleasanton. “I feel as a Muslim Hijabi woman, I need to be present and build bridges and make my voice heard where hate is being thrown out not only against Muslims but also other minorities.” — Humera Nawaz \u003ccite>(Sheraz Sadiq/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614129\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11614129\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/20170826_112857-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A police officer among protesters near Alamo Square in San Francisco on Aug. 26, 2017 \u003ccite>(Alex Emslie/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614130\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11614130\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Police join a line on Aug. 26, 2017 near Alamo Square in San Francisco. \u003ccite>(Alex Emslie/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">[askquestions]\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "People protesting the far-right activities in San Francisco turned out in large numbers, appearing to outnumber fringe-right activists.",
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"title": "PHOTOS: This Is How San Francisco Protests the Far Right | KQED",
"description": "People protesting the far-right activities in San Francisco turned out in large numbers, appearing to outnumber fringe-right activists.",
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"headline": "PHOTOS: This Is How San Francisco Protests the Far Right",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Authorities in San Francisco and Alameda counties prepared for the influx of fringe-right supporters over the weekend, hoping to squelch the assemblies from turning violent — like they have in the past — through a series of legal maneuvers and bureaucratic red tape.\u003c/p>\n\u003cp>And it seems to be working.\u003c/p>\n\u003cp>Patriot Prayer organizer Joey Gibson canceled his initial rally for Saturday afternoon at San Francisco’s Crissy Field and announced a press conference at Alamo Square. Then, on Saturday morning, he scrapped the Alamo Square event. It was unclear if he intended to organize other events.\u003c/p>\n\u003cp>In the meantime, it appeared that the protests of the far-right rallies could dwarf any activities by Patriot Prayer or fringe-right activists planning another gathering in Berkeley on Sunday.\u003c/p>\n\u003cp>Here are photos of some of the action on Saturday.\u003c/p>\n\u003cfigure id=\"attachment_11614163\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11614163\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/Crowd-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Crowd-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gathered at Civic Center to protest far-right activities in S.F. on Saturday, Aug. 26, 2017. \u003ccite>(Sheraz Sadiq/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614133\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614133\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut.jpg\" alt=\"\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26404_Image-uploaded-from-iOS-46-qut-520x693.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">An image of Heather Heyer, an anti-racist demonstrator killed while protesting in Charlottesville, Virginia, can be seen in the crowd of people rallying against far-right events planned for San Francisco (those activities have now been canceled). \u003ccite>(David Markus/KQED Arts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614136\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614136\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26406_IMG_0301-2-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">“We are just here to spread love and peace,” says S.F. based Jenny Elephantae Fou at Civic Center. \u003ccite>(Farida Jhabvala/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614092\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614092\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/Yoga-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Yoga-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">At Civic Center, people did yoga as a form of resistance against far-right rallies planned in San Francisco and the Bay Area on Saturday, Aug. 26, 2017. “We’re not here to fight Nazis … We want to make a safe place for everybody.” \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614123\" class=\"wp-caption aligncenter\" style=\"max-width: 569px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614123\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26402_femmes-qut-1.jpg\" alt=\"\" width=\"569\" height=\"538\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26402_femmes-qut-1.jpg 569w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26402_femmes-qut-1-160x151.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26402_femmes-qut-1-240x227.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26402_femmes-qut-1-375x355.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26402_femmes-qut-1-520x492.jpg 520w\" sizes=\"(max-width: 569px) 100vw, 569px\">\u003cfigcaption class=\"wp-caption-text\">Protester at Alamo Square where people had gathered to protest the far-right organizer Patriot Prayer. \u003ccite>(Eric Westervelt/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614137\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614137\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut.jpg\" alt=\"\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26408_Image-uploaded-from-iOS-43-qut-520x693.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Protester near Alamo Square holds up sign reading, “What Would Mr. Rogers Do?” in response to Saturday’s far-right events. \u003ccite>(Christina Reagan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614126\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11614126\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/Solidarity-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Solidarity-qut.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Crowd of thousands marched through the Mission District, near Alamo Square on Saturday, Aug. 26, 2017 \u003ccite>(Alex Emslie/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614138\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614138\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26407_Image-uploaded-from-iOS-44-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Protester near Alamo Square holds up sign reading, “Never Forget/Queer Resistance” in response to Saturday’s far-right events. \u003ccite>(Christina Reagan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614090\" class=\"wp-caption aligncenter\" style=\"max-width: 1381px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614090\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut.jpg\" alt=\"\" width=\"1381\" height=\"1381\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut.jpg 1381w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/VictorianHouse-qut-150x150.jpg 150w\" sizes=\"(max-width: 1381px) 100vw, 1381px\">\u003cfigcaption class=\"wp-caption-text\">San Franciscans living on Alamo Square, where far-right Patriot Prayer planned to hold an event Saturday afternoon that was later called off, posted a few signs ahead of it. The San Francisco Police Department has limited access to Alamo Park. Patriot Prayer scrapped a rally it had initially planned for Crissy Field. \u003ccite>(Polly Stryker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614085\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614085\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1.jpg\" alt=\"\" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/AlamoSquaresign-qut-1-150x150.jpg 150w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Signs at San Francisco’s Alamo Square, where the far-right group Patriot Prayer had planned to hold an event Saturday afternoon that’s now been called off. The San Francisco Police Department has limited access to the square. \u003ccite>(Scott Shafer/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614095\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614095\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26396_IMG_0274-1-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">James Morrison, 70, from Oakland grew up with the threat of the Ku Klux Klan attacking his grade school in Baton Rouge LA. He says “the most important thing is to show up … the KKK, Nazis never left. Now with Trump, they have some credence.’ \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614097\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614097\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26397_20170826_113648-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Counterprotesters pose for a photo at the Conservatory of Flowers before starting their march. Many attendees heard of the event through their schools and arrived with dozens of people in attendance. \u003ccite>(Creo Noveno/KQED Arts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614115\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11614115 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/Aguilar2-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Aguilar2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People protest at Alamo Square where Patriot Prayer had planned to hold a gathering on Saturday, Aug. 26, 2017. \u003ccite>(Erika Aguilar/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614098\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614098\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26398_Image-uploaded-from-iOS-6-1-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The sounds of the Velvet Underground’s “Who Loves the Sun” was the soundtrack that kicked off the rally in the Castro. \u003ccite>(Kevin Jones/KQED Arts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614108\" class=\"wp-caption aligncenter\" style=\"max-width: 4608px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11614108\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41.jpg\" alt=\"\" width=\"4608\" height=\"3072\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41.jpg 4608w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/Image-uploaded-from-iOS-41-520x347.jpg 520w\" sizes=\"(max-width: 4608px) 100vw, 4608px\">\u003cfigcaption class=\"wp-caption-text\">Humera Nawaz (L) and Amina Haque (R), are from Pakistan and today live in Pleasanton. “I feel as a Muslim Hijabi woman, I need to be present and build bridges and make my voice heard where hate is being thrown out not only against Muslims but also other minorities.” — Humera Nawaz \u003ccite>(Sheraz Sadiq/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614129\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11614129\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/20170826_112857-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/20170826_112857-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A police officer among protesters near Alamo Square in San Francisco on Aug. 26, 2017 \u003ccite>(Alex Emslie/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11614130\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11614130\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/DILqup9UIAAT3x-.jpg-large.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Police join a line on Aug. 26, 2017 near Alamo Square in San Francisco. \u003ccite>(Alex Emslie/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">[askquestions]\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "is-masculine-anxiety-fueling-the-rise-of-nostalgic-barbershops",
"title": "Is Masculine Anxiety Fueling the Rise of Nostalgic Barbershops?",
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"headTitle": "Is Masculine Anxiety Fueling the Rise of Nostalgic Barbershops? | KQED",
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"content": "\u003cp>In Bay Area cities, a new kind of barbershop is popping up to attend to men’s beards, coif their hair, even perform manly manipedis. The shops have an old-timey look and relatively high prices. Men are drawn to these nostalgic barbershops, and the reason may go beyond the desire to sport a craft haircut and shave.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/339174921″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>In a lot of ways Fellow Barber in San Francisco is like any other corner barbershop. Hair gets snipped, buzzed and blow-dried. The barbers and clients banter — about dating, work and travel. But the place doesn’t look like any old corner barbershop, at least not one from this century.\u003c/p>\n\u003cp>Fellow Barber has a distinctly turn-of-the-20th-century feel. There is lots of wood, antiques, old maps and black-and-white photos of Yosemite National Park. The guys getting trimmed sit in front of mirrors built into a sculpted wooden fixture along the wall.\u003c/p>\n\u003cp>It’s from the Chicago World’s Fair in 1893. The fixture embodies the aesthetic of the space. It’s solid mahogany, 9½-feet tall and has carved mermaids.\u003c/p>\n\u003cfigure id=\"attachment_11611357\" class=\"wp-caption alignright\" style=\"max-width: 414px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11611357\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/IMG_1389-800x600.jpg\" alt=\"\" width=\"414\" height=\"311\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-520x390.jpg 520w\" sizes=\"(max-width: 414px) 100vw, 414px\">\u003cfigcaption class=\"wp-caption-text\">Jonah Buffa co-owns Fellow Barber with his brother, Sam \u003ccite>(Sam Harnett/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jonah Buffa owns the place with his brother, Sam. Barbershops like theirs are popping up in San Francisco, Oakland and cities across the country. The aesthetics of the shops range from frontier Gold Rush to 1960s “Mad Men.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The male beautification or “manscaping” that happens inside these places has a whole new lingo, explained Kristen Barber, a professor of sociology at Southern Illinois University. She’s written a book about these new barbershops.\u003c/p>\n\u003cp>“Manicures become hand-detailing and pedicures become foot-detailing, like their cars. Highlights become man-lights and hair color becomes color camo,” Barber said.\u003c/p>\n\u003cp>Barber said the rise of these kind of barbershops is connected to anxiety over masculinity and the improving economic position women have in society.\u003c/p>\n\u003cp>“It is certainly a shift in economics and shift in gender relations that is pushing men to buy into a consumer masculinity in a way they haven’t in the past,” Barber said.\u003c/p>\n\u003cp>She said men are shelling out for haircuts and beard trims to get in touch with the masculinity of bygone eras.\u003c/p>\n\u003cp>Sean Trainor said the nostalgic atmosphere of these barbershops hearkens back to a time when white men had more power over women and minorities.\u003c/p>\n\u003cp>“Invoking them, even if in a very different way, still seems very problematic to me,” said Trainor, who teaches history as the University of Florida and researches male grooming.\u003c/p>\n\u003cp>He said male anxiety is nothing new. When women were gaining political power in the 19th century, men started growing beards.\u003c/p>\n\u003cp>“The beard became this way for men to more visibly distinguish themselves from women when they felt like a lot of the old distinctions between men and women were being eroded by the women’s rights movement,” Trainor said.\u003c/p>\n\u003cp>Fellow Barber’s co-owner, Sam Buffa — who lives in New York where he has several other barbershops — said he’s just focused on bringing back the craft of barbering.\u003c/p>\n\u003cp>“I really do truly feel that people are looking for authenticity,” he said. “They are looking for something that is solid, something that is tactile. It happens to be that that era, around a hundred years ago, there was craft there.”\u003c/p>\n\u003cp>The clients I spoke with at Fellow Barber said this isn’t about being masculine, but just looking good. That’s why Clifford Chiu started coming to get a trim.\u003c/p>\n\u003cp>“It was summer, and I’m like man, I’m single, I should try to look better!” Chiu said.\u003c/p>\n\u003cp>And Chiu and others are willing to pay for it.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Haircuts at Fellow Barber cost between $45 and $55. Whatever the reason, in 2017, men are willing to pony that up for a new look.\u003c/p>\n\n",
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"excerpt": "Men are now shelling out between $45 and $55 to get a haircut in a nostalgic setting.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In Bay Area cities, a new kind of barbershop is popping up to attend to men’s beards, coif their hair, even perform manly manipedis. The shops have an old-timey look and relatively high prices. Men are drawn to these nostalgic barbershops, and the reason may go beyond the desire to sport a craft haircut and shave.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/339174921″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/339174921″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>In a lot of ways Fellow Barber in San Francisco is like any other corner barbershop. Hair gets snipped, buzzed and blow-dried. The barbers and clients banter — about dating, work and travel. But the place doesn’t look like any old corner barbershop, at least not one from this century.\u003c/p>\n\u003cp>Fellow Barber has a distinctly turn-of-the-20th-century feel. There is lots of wood, antiques, old maps and black-and-white photos of Yosemite National Park. The guys getting trimmed sit in front of mirrors built into a sculpted wooden fixture along the wall.\u003c/p>\n\u003cp>It’s from the Chicago World’s Fair in 1893. The fixture embodies the aesthetic of the space. It’s solid mahogany, 9½-feet tall and has carved mermaids.\u003c/p>\n\u003cfigure id=\"attachment_11611357\" class=\"wp-caption alignright\" style=\"max-width: 414px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11611357\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/IMG_1389-800x600.jpg\" alt=\"\" width=\"414\" height=\"311\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/IMG_1389-520x390.jpg 520w\" sizes=\"(max-width: 414px) 100vw, 414px\">\u003cfigcaption class=\"wp-caption-text\">Jonah Buffa co-owns Fellow Barber with his brother, Sam \u003ccite>(Sam Harnett/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jonah Buffa owns the place with his brother, Sam. Barbershops like theirs are popping up in San Francisco, Oakland and cities across the country. The aesthetics of the shops range from frontier Gold Rush to 1960s “Mad Men.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The male beautification or “manscaping” that happens inside these places has a whole new lingo, explained Kristen Barber, a professor of sociology at Southern Illinois University. She’s written a book about these new barbershops.\u003c/p>\n\u003cp>“Manicures become hand-detailing and pedicures become foot-detailing, like their cars. Highlights become man-lights and hair color becomes color camo,” Barber said.\u003c/p>\n\u003cp>Barber said the rise of these kind of barbershops is connected to anxiety over masculinity and the improving economic position women have in society.\u003c/p>\n\u003cp>“It is certainly a shift in economics and shift in gender relations that is pushing men to buy into a consumer masculinity in a way they haven’t in the past,” Barber said.\u003c/p>\n\u003cp>She said men are shelling out for haircuts and beard trims to get in touch with the masculinity of bygone eras.\u003c/p>\n\u003cp>Sean Trainor said the nostalgic atmosphere of these barbershops hearkens back to a time when white men had more power over women and minorities.\u003c/p>\n\u003cp>“Invoking them, even if in a very different way, still seems very problematic to me,” said Trainor, who teaches history as the University of Florida and researches male grooming.\u003c/p>\n\u003cp>He said male anxiety is nothing new. When women were gaining political power in the 19th century, men started growing beards.\u003c/p>\n\u003cp>“The beard became this way for men to more visibly distinguish themselves from women when they felt like a lot of the old distinctions between men and women were being eroded by the women’s rights movement,” Trainor said.\u003c/p>\n\u003cp>Fellow Barber’s co-owner, Sam Buffa — who lives in New York where he has several other barbershops — said he’s just focused on bringing back the craft of barbering.\u003c/p>\n\u003cp>“I really do truly feel that people are looking for authenticity,” he said. “They are looking for something that is solid, something that is tactile. It happens to be that that era, around a hundred years ago, there was craft there.”\u003c/p>\n\u003cp>The clients I spoke with at Fellow Barber said this isn’t about being masculine, but just looking good. That’s why Clifford Chiu started coming to get a trim.\u003c/p>\n\u003cp>“It was summer, and I’m like man, I’m single, I should try to look better!” Chiu said.\u003c/p>\n\u003cp>And Chiu and others are willing to pay for it.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Haircuts at Fellow Barber cost between $45 and $55. Whatever the reason, in 2017, men are willing to pony that up for a new look.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Debate over \u003ca href=\"https://ww2.kqed.org/news/2017/08/22/debate-reignites-over-removal-of-s-f-monument/\">San Francisco's Pioneer Monument\u003c/a> has been reignited amid national efforts to remove Confederate statues. \u003ca href=\"http://www.nytimes.com/1996/05/07/us/san-francisco-journal-a-monument-caught-in-the-middle.html\">This isn't the first time\u003c/a> the Pioneer Monument has sparked a debate. Created in 1894, one part of the expansive statue features a Native American on the ground below a missionary and a Spanish vaquero.\u003c/p>\n\u003cp>If people want to remove statues that offend or glorify injustice, one option is to make them available for the public to see in another venue, like a museum. That is a way to avoid wiping away history and risk forgetting the sins of the past.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>The debate over whether to take down the Pioneer Monument in San Francisco’s Civic Center emerged again amid national efforts to remove Confederate statues in the South.\u003c/p>\n\u003cp>The monument has drawn criticism in the past for its depiction of a Spanish vaquero, fist in the air, standing over a nearly naked Native American. A missionary also bends over the man with a finger pointed toward the sky.\u003c/p>\n\u003cp>With recent efforts to take down Confederate statues in cities such as Charlottesville and Baltimore, critics of the Pioneer Monument formed a group on Facebook calling for its removal.\u003c/p>\n\u003cp>An \u003ca href=\"https://www.facebook.com/events/1721120078192047/?acontext=%7B%22action_history%22%3A%22null%22%7D\" target=\"_blank\" rel=\"noopener noreferrer\">event\u003c/a> on Facebook also asks supporters to speak out against the monument. Its description begins:\u003c/p>\n\u003cblockquote>\u003cp>“Who is done with these white supremacist colonization states?\u003c/p>\n\u003cp>Who is tired of seeing Natives depicted as savage, less than, not here anymore or unworthy of being human?\u003c/p>\n\u003cp>Who wants to get rid of this white supremist [sic] statue right here in SF?”\u003c/p>\u003c/blockquote>\n\u003cp>There’s also an online \u003ca href=\"https://www.change.org/p/san-francisco-arts-commission-tear-down-the-pioneer-statue-in-downtown-sf-now/nftexp4/control/14153866?recruiter=14153866&utm_source=share_petition&utm_medium=facebook&utm_campaign=share_for_starters_page&utm_content=nafta_share_post_title_en_7%3Acontrol\" target=\"_blank\" rel=\"noopener noreferrer\">petition\u003c/a> titled, “It’s Time to Take Down San Francisco’s Monument to White Supremacy!”\u003c/p>\n\u003cfigure id=\"attachment_11613428\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11613428\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-375x563.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-520x780.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Pioneer Monument photographed on Aug. 22, 2017. \u003ccite>(Arash Malekzadeh/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The push to remove the monument has gained support from San Francisco Mayor Ed Lee, who says he thinks it’s time the statue came down.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Certainly on the streets of San Francisco, there ought to be symbols that don’t oppress people or remind them of oppression,” Lee said Tuesday. “That symbol continues to be a symbol that bothers [Native Americans], and it bothers all of us if it bothers them.”\u003c/p>\n\u003cp>Supervisor Jane Kim, who represents the district, has also called for the statue’s removal, saying it doesn’t reflect the city’s values.\u003c/p>\n\u003cp>“Preserving a monument for the sake of history holds less weight than respecting all of our community members,” Kim said. She also said that as a sanctuary city, San Francisco should be welcoming to everyone.\u003c/p>\n\u003cp>But Melanie Chan, a visitor to San Francisco, says the issue is more complicated and should be given a great deal of consideration.\u003c/p>\n\u003cp>“Think ahead to the future,” she said. “What will you replace it with? Don’t destroy it for destruction’s sake.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Any decision on the statue’s future is up to the city’s Arts Commission, which says it will discuss the issue at its Oct. 2 meeting.\u003c/p>\n\u003cfigure id=\"attachment_11613429\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11613429\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A plaque for the Pioneer Monument photographed on Aug. 22, 2017. \u003ccite>(Arash Malekzadeh/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The debate over whether to take down the Pioneer Monument in San Francisco’s Civic Center emerged again amid national efforts to remove Confederate statues in the South.\u003c/p>\n\u003cp>The monument has drawn criticism in the past for its depiction of a Spanish vaquero, fist in the air, standing over a nearly naked Native American. A missionary also bends over the man with a finger pointed toward the sky.\u003c/p>\n\u003cp>With recent efforts to take down Confederate statues in cities such as Charlottesville and Baltimore, critics of the Pioneer Monument formed a group on Facebook calling for its removal.\u003c/p>\n\u003cp>An \u003ca href=\"https://www.facebook.com/events/1721120078192047/?acontext=%7B%22action_history%22%3A%22null%22%7D\" target=\"_blank\" rel=\"noopener noreferrer\">event\u003c/a> on Facebook also asks supporters to speak out against the monument. Its description begins:\u003c/p>\n\u003cblockquote>\u003cp>“Who is done with these white supremacist colonization states?\u003c/p>\n\u003cp>Who is tired of seeing Natives depicted as savage, less than, not here anymore or unworthy of being human?\u003c/p>\n\u003cp>Who wants to get rid of this white supremist [sic] statue right here in SF?”\u003c/p>\u003c/blockquote>\n\u003cp>There’s also an online \u003ca href=\"https://www.change.org/p/san-francisco-arts-commission-tear-down-the-pioneer-statue-in-downtown-sf-now/nftexp4/control/14153866?recruiter=14153866&utm_source=share_petition&utm_medium=facebook&utm_campaign=share_for_starters_page&utm_content=nafta_share_post_title_en_7%3Acontrol\" target=\"_blank\" rel=\"noopener noreferrer\">petition\u003c/a> titled, “It’s Time to Take Down San Francisco’s Monument to White Supremacy!”\u003c/p>\n\u003cfigure id=\"attachment_11613428\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11613428\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-375x563.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26292_IMG_2369-qut-520x780.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Pioneer Monument photographed on Aug. 22, 2017. \u003ccite>(Arash Malekzadeh/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The push to remove the monument has gained support from San Francisco Mayor Ed Lee, who says he thinks it’s time the statue came down.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Certainly on the streets of San Francisco, there ought to be symbols that don’t oppress people or remind them of oppression,” Lee said Tuesday. “That symbol continues to be a symbol that bothers [Native Americans], and it bothers all of us if it bothers them.”\u003c/p>\n\u003cp>Supervisor Jane Kim, who represents the district, has also called for the statue’s removal, saying it doesn’t reflect the city’s values.\u003c/p>\n\u003cp>“Preserving a monument for the sake of history holds less weight than respecting all of our community members,” Kim said. She also said that as a sanctuary city, San Francisco should be welcoming to everyone.\u003c/p>\n\u003cp>But Melanie Chan, a visitor to San Francisco, says the issue is more complicated and should be given a great deal of consideration.\u003c/p>\n\u003cp>“Think ahead to the future,” she said. “What will you replace it with? Don’t destroy it for destruction’s sake.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Any decision on the statue’s future is up to the city’s Arts Commission, which says it will discuss the issue at its Oct. 2 meeting.\u003c/p>\n\u003cfigure id=\"attachment_11613429\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11613429\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/08/RS26294_IMG_2479-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A plaque for the Pioneer Monument photographed on Aug. 22, 2017. \u003ccite>(Arash Malekzadeh/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "At ‘Sound Maze’ Exhibit in Napa, Everyone Is a Musician",
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"content": "\u003cp>When stuffy classical music doesn't work for you, make your own instrument. Artist Paul Dresher did exactly that.\u003c/p>\n\u003cp>Dresher is a composer and musician who has been inventing his own musical instruments since high school. His love of all things musical is loud and clear at his latest exhibit at the Napa Valley Museum, called \"\u003ca href=\"http://napavalleymuseum.org/exhibition/sound-maze-by-paul-dresher/\">Sound Maze\u003c/a>.\"\u003c/p>\n\u003cfigure id=\"attachment_11612441\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11612441 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-520x347.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut.jpg 1363w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artist and musician Paul Dresher plays \"A-Frame\", a 17-foot pendulum with instruments attached. \u003ccite>(Tom McFadden)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"Sound Maze\" doesn't look or sound like anything you're used to seeing at a museum. In the center of the exhibit, a massive 17-foot metal pendulum swings, hitting vintage school bells on one side and snare drums on the other. Nearby, a metal hula hoop spins and clatters to the floor. In the back of the room, a silver pipe organ, its pipes tied together with string, blares.\u003c/p>\n\u003cp>Everything in the Sound Maze is meant to be pressed, spun, strummed, knocked and played by everybody, no matter their musical talent, said Dresher.\u003c/p>\n\u003cp>\"When you put some energy into them, the instruments play themselves,\" he said. \"That's part of the idea of this installation. You don’t have to a skilled musician or practice for years to get interesting sonic results.\"\u003c/p>\n\u003cfigure id=\"attachment_11612469\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11612469\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-520x347.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut.jpg 1363w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lily Gutierrez plays the Sound Maze's pipe organ. \u003ccite>(Tom McFadden)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It's 7-year-old Lily Gutierrez's first time at \"Sound Maze\" -- and her first time at any museum, ever -- and she's ready for her turn at the \"Big Wheel.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The \"Big Wheel\" is a 4-foot-tall wooden wheel filled with golf balls, pingpong balls and wooden balls. When you spin it, the balls bounce around noisily until they get spit out a hole in the back, where they roll down a xylophone that chimes delightfully.\u003c/p>\n\u003cp>She pushes the wheel with both hands and squeals with delight as the balls go flying.\u003c/p>\n\u003cp>\"Oh look it! It's cool, they fall down! They're really jumping!\" she said.\u003c/p>\n\u003cp>After her turn at the \"Big Wheel,\" she moves on to a row of skinny steel rods swaying back and forth with wood blocks on the end. This instrument is called \"Field of Flowers.\" It does look like flowers, too, but out of a \u003ca href=\"https://www.pinterest.com/pin/452119250066052299/\">Dr. Seuss Book\u003c/a> rather than a garden.\u003c/p>\n\u003cfigure id=\"attachment_11612457\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11612457\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26236_alt_611-800x553.jpg\" alt=\"\" width=\"800\" height=\"553\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-800x553.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-160x111.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-1020x705.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-1180x815.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-960x663.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-240x166.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-375x259.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-520x359.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611.jpg 1290w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lily plays \"Field of Flowers\", a row of wooden blocks atop steel rods. \u003ccite>(Tom McFadden)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lily pulls the wooden blocks back and lets them go, listening as they knock together in a rhythmic wave.\u003c/p>\n\u003cp>\"Whoa ... cool...,\" she said.\u003c/p>\n\u003cp>The sound of wooden blocks mixes with the sound of the nearly dozen other instruments being played by people at the exhibit, and the sound swells to a loud din.\u003c/p>\n\u003cp>Dresher uses the word \"cacophony\" to describe all the noise. To him it sounds like kids and adults finding their inner musician. And that, he said, is music to his ears.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>You can see \"Sound Maze\" for yourself at the \u003ca href=\"http://napavalleymuseum.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Napa Valley Museum\u003c/a> through Sunday, August 20.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When stuffy classical music doesn't work for you, make your own instrument. Artist Paul Dresher did exactly that.\u003c/p>\n\u003cp>Dresher is a composer and musician who has been inventing his own musical instruments since high school. His love of all things musical is loud and clear at his latest exhibit at the Napa Valley Museum, called \"\u003ca href=\"http://napavalleymuseum.org/exhibition/sound-maze-by-paul-dresher/\">Sound Maze\u003c/a>.\"\u003c/p>\n\u003cfigure id=\"attachment_11612441\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11612441 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut-520x347.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26235_IMG_2630-qut.jpg 1363w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artist and musician Paul Dresher plays \"A-Frame\", a 17-foot pendulum with instruments attached. \u003ccite>(Tom McFadden)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"Sound Maze\" doesn't look or sound like anything you're used to seeing at a museum. In the center of the exhibit, a massive 17-foot metal pendulum swings, hitting vintage school bells on one side and snare drums on the other. Nearby, a metal hula hoop spins and clatters to the floor. In the back of the room, a silver pipe organ, its pipes tied together with string, blares.\u003c/p>\n\u003cp>Everything in the Sound Maze is meant to be pressed, spun, strummed, knocked and played by everybody, no matter their musical talent, said Dresher.\u003c/p>\n\u003cp>\"When you put some energy into them, the instruments play themselves,\" he said. \"That's part of the idea of this installation. You don’t have to a skilled musician or practice for years to get interesting sonic results.\"\u003c/p>\n\u003cfigure id=\"attachment_11612469\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11612469\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut-520x347.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26238_IMG_2750-qut.jpg 1363w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lily Gutierrez plays the Sound Maze's pipe organ. \u003ccite>(Tom McFadden)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It's 7-year-old Lily Gutierrez's first time at \"Sound Maze\" -- and her first time at any museum, ever -- and she's ready for her turn at the \"Big Wheel.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The \"Big Wheel\" is a 4-foot-tall wooden wheel filled with golf balls, pingpong balls and wooden balls. When you spin it, the balls bounce around noisily until they get spit out a hole in the back, where they roll down a xylophone that chimes delightfully.\u003c/p>\n\u003cp>She pushes the wheel with both hands and squeals with delight as the balls go flying.\u003c/p>\n\u003cp>\"Oh look it! It's cool, they fall down! They're really jumping!\" she said.\u003c/p>\n\u003cp>After her turn at the \"Big Wheel,\" she moves on to a row of skinny steel rods swaying back and forth with wood blocks on the end. This instrument is called \"Field of Flowers.\" It does look like flowers, too, but out of a \u003ca href=\"https://www.pinterest.com/pin/452119250066052299/\">Dr. Seuss Book\u003c/a> rather than a garden.\u003c/p>\n\u003cfigure id=\"attachment_11612457\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11612457\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/08/RS26236_alt_611-800x553.jpg\" alt=\"\" width=\"800\" height=\"553\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-800x553.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-160x111.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-1020x705.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-1180x815.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-960x663.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-240x166.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-375x259.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611-520x359.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/08/RS26236_alt_611.jpg 1290w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lily plays \"Field of Flowers\", a row of wooden blocks atop steel rods. \u003ccite>(Tom McFadden)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lily pulls the wooden blocks back and lets them go, listening as they knock together in a rhythmic wave.\u003c/p>\n\u003cp>\"Whoa ... cool...,\" she said.\u003c/p>\n\u003cp>The sound of wooden blocks mixes with the sound of the nearly dozen other instruments being played by people at the exhibit, and the sound swells to a loud din.\u003c/p>\n\u003cp>Dresher uses the word \"cacophony\" to describe all the noise. To him it sounds like kids and adults finding their inner musician. And that, he said, is music to his ears.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>You can see \"Sound Maze\" for yourself at the \u003ca href=\"http://napavalleymuseum.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Napa Valley Museum\u003c/a> through Sunday, August 20.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"id": "commonwealth-club",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"order": 9
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"airtime": "SUN 7:30pm-8pm",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
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"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"source": "American Public Media"
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"masters-of-scale": {
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"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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},
"mindshift": {
"id": "mindshift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
"id": "morning-edition",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"order": 11
},
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"on-the-media": {
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"link": "/radio/program/on-the-media",
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},
"pbs-newshour": {
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"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
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},
"perspectives": {
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"order": 14
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
},
"link": "/podcasts/politicalbreakdown",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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