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"content": "\u003cp>How do you know it’s time to quit? This wasn’t an easy question for Chester and Amy Nozaki of the San Jose Tofu Company. They’re the third generation of Nozakis to run this tiny storefront in San Jose’s Japantown.\u003c/p>\n\u003cp>“The wear and tear started to catch up with us,” Chester says, rubbing the small of his back. “It started to get to the point where our health is a lot more important than making as much money as possible.”\u003c/p>\n\u003cp>Chester’s 61 years old and Amy’s 59, but they say all these years of lugging 50 pound sacks of soybeans — and heavy pots filled with soybeans and water — has taken its toll.\u003c/p>\n\u003cp>“We are getting old. It’s too much physical work for us,” says Amy, who often starts in the kitchen at two in the morning. “It’s so sad to say goodbye, but nothing lasts forever.”\u003c/p>\n\u003cp>\u003cem>Back in 2007, reporter Lita Martinez profiled San Jose Tofu for the KQED program “Pacific Time.” Listen here.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/367179839″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>Amy married Chester Nozaki 25 years ago, so she hasn’t put in quite as many hours as Chester has. He grew up in the store his father ran before him, and his grandfather before that. Amy was part-time until Chester’s dad stopped working in 2007.\u003c/p>\n\u003cp>Chester’s dad made him takeover the family business. “Yeah, I was dragged into it. My dad convinced me not to continue with my college education and help out, because it’s a family business.”\u003c/p>\n\u003cp>They have two grown children, but neither of them wants to make tofu. “You know, we don’t want to put any pressure on the kids. It’s just going to end here,” Chester says.\u003c/p>\n\u003cp>Just the same, San Jose is sorry to see them go.\u003c/p>\n\u003cp>A steady stream of locals pop into the store to offer their rueful congratulations, and ask if there’s any tofu left. The store will stay open until the end of the month, but so many people are keen to get one last taste, the Nozakis run out of tofu daily around 11 a.m.\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/RDnews/2017/12/MyrowSanJoseTofu.mp3\" Image=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28448_Photo-Dec-07-3-41-42-PM-2-qut-800x450.jpg\" Title=\"San Jose Tofu Closing After 71 Years\" program=\"KQED News\"]\u003c/p>\n\u003cp>Most tofu makers use machines now, that can make up to 300 tofu bricks an hour. The Nozakis make 42 — and they use no preservatives, so their tofu lasts only two to three days. But the tofu melts in your mouth.\u003c/p>\n\u003cp>I ask about their favorite preparations. Chester likes mabo tofu: tofu in a garlicky, spicy meat sauce. Amy likes to eat it with a little finely chopped green onion, ground ginger and soy sauce. “You can really taste the tofu flavor.”\u003c/p>\n\u003cp>They do make enough to send some tofu to Santo Market in San Jose, Marukai Market in Cupertino, local Nijiya Markets, Berkeley Bowl and Tokyo Fish. That is, until the end of December.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Maybe local hipsters will want to revive the ancient tradition. If they’re hoping for a tutorial from the Nozakis, they’ll have to wait till the couple gets back from their first extended vacation in living memory.\u003c/p>\n\n",
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"title": "San Jose Tofu Company, a Japantown Institution, Closing After 71 Years | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>How do you know it’s time to quit? This wasn’t an easy question for Chester and Amy Nozaki of the San Jose Tofu Company. They’re the third generation of Nozakis to run this tiny storefront in San Jose’s Japantown.\u003c/p>\n\u003cp>“The wear and tear started to catch up with us,” Chester says, rubbing the small of his back. “It started to get to the point where our health is a lot more important than making as much money as possible.”\u003c/p>\n\u003cp>Chester’s 61 years old and Amy’s 59, but they say all these years of lugging 50 pound sacks of soybeans — and heavy pots filled with soybeans and water — has taken its toll.\u003c/p>\n\u003cp>“We are getting old. It’s too much physical work for us,” says Amy, who often starts in the kitchen at two in the morning. “It’s so sad to say goodbye, but nothing lasts forever.”\u003c/p>\n\u003cp>\u003cem>Back in 2007, reporter Lita Martinez profiled San Jose Tofu for the KQED program “Pacific Time.” Listen here.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/367179839″&visual=true&”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true”'\n title='”https://api.soundcloud.com/tracks/367179839″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Amy married Chester Nozaki 25 years ago, so she hasn’t put in quite as many hours as Chester has. He grew up in the store his father ran before him, and his grandfather before that. Amy was part-time until Chester’s dad stopped working in 2007.\u003c/p>\n\u003cp>Chester’s dad made him takeover the family business. “Yeah, I was dragged into it. My dad convinced me not to continue with my college education and help out, because it’s a family business.”\u003c/p>\n\u003cp>They have two grown children, but neither of them wants to make tofu. “You know, we don’t want to put any pressure on the kids. It’s just going to end here,” Chester says.\u003c/p>\n\u003cp>Just the same, San Jose is sorry to see them go.\u003c/p>\n\u003cp>A steady stream of locals pop into the store to offer their rueful congratulations, and ask if there’s any tofu left. The store will stay open until the end of the month, but so many people are keen to get one last taste, the Nozakis run out of tofu daily around 11 a.m.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Most tofu makers use machines now, that can make up to 300 tofu bricks an hour. The Nozakis make 42 — and they use no preservatives, so their tofu lasts only two to three days. But the tofu melts in your mouth.\u003c/p>\n\u003cp>I ask about their favorite preparations. Chester likes mabo tofu: tofu in a garlicky, spicy meat sauce. Amy likes to eat it with a little finely chopped green onion, ground ginger and soy sauce. “You can really taste the tofu flavor.”\u003c/p>\n\u003cp>They do make enough to send some tofu to Santo Market in San Jose, Marukai Market in Cupertino, local Nijiya Markets, Berkeley Bowl and Tokyo Fish. That is, until the end of December.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Maybe local hipsters will want to revive the ancient tradition. If they’re hoping for a tutorial from the Nozakis, they’ll have to wait till the couple gets back from their first extended vacation in living memory.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "PHOTOS: A Supermoon Rises Over the Bay Area",
"title": "PHOTOS: A Supermoon Rises Over the Bay Area",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>On Sunday, the Bay Area was treated to a \"\u003ca href=\"https://ww2.kqed.org/science/2017/11/29/dance-by-the-light-of-the-2017-supermoon-the-how-and-when/\" target=\"_blank\" rel=\"noopener\">supermoon\u003c/a>,\" which occurs when the moon's close distance to Earth makes it appear brighter and larger than usual. The last supermoon was in November 2016, and it was the closest the moon will get to Earth until 2034.\u003c/p>\n\u003cp>Even though this month's supermoon wasn't as big and bright as last year's, it's still unique as our first and only supermoon of the year.\u003c/p>\n\u003cp>Given the popularity of the lunar delight, we asked our viewers and listeners to send us their best photos from the Dec. 3 supermoon, and got these snaps from the Bay Area ... and beyond.\u003c/p>\n\u003cp>\u003cstrong>Castro Valley\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634732\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11634732 size-medium\" title=\"Elliot Lowe/Pointnshoot\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-520x347.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taken in Castro Valley by Elliot Lowe at 6:23 p.m. using a Canon EOS 1Dx with a 600mm lens and a 2x converter ISO 400 1/200 sec f/16. \u003ccite>(Elliot Lowe/Pointnshoot)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Francisco\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634764\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634764\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taken from an apartment in San Francisco. \u003ccite>(Michele Garcia Charles Nakashima)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Pleasanton\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634733\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634733\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Just after the moonrise. Supermoon and its reflection in Pleasanton by T3i- 300mm lens. \u003ccite>(Chi Panchal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Francisco\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634728\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg class=\"size-full wp-image-11634728\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28270_24232970_10213310269785543_8017824363221594367_n-qut.jpg\" alt=\"\" width=\"720\" height=\"960\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28270_24232970_10213310269785543_8017824363221594367_n-qut.jpg 720w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28270_24232970_10213310269785543_8017824363221594367_n-qut-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28270_24232970_10213310269785543_8017824363221594367_n-qut-240x320.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28270_24232970_10213310269785543_8017824363221594367_n-qut-375x500.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28270_24232970_10213310269785543_8017824363221594367_n-qut-520x693.jpg 520w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Supermoon above the Union Square ice rink in downtown San Francisco. \u003ccite>(Sharon Castellanos)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Maui\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634768\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634768\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-520x520.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taken from Maui while a cloud partially obscured the moon. \u003ccite>(Charles Nakashima)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Half Moon Bay\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634724\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634724\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-800x530.jpg\" alt=\"\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-800x530.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-1020x675.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-1180x781.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-960x636.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-240x159.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-375x248.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-520x344.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Moon rising over Pillar Point Harbor, Half Moon Bay \u003ccite>(T. Scott Pyne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Santa Clara\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634725\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634725\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-520x520.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Photo taken in front of Vicki Tran's home in Santa Clara. \u003ccite>(Vicki Tran)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Oakland\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634727\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634727\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut-800x502.jpg\" alt=\"\" width=\"800\" height=\"502\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut-800x502.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut-160x100.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut-240x151.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut-375x235.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut-520x326.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Supermoon from Oakland. \u003ccite>(Janice Quackenbush)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11634712\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634712\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28272_alt_652-800x525.jpg\" alt=\"\" width=\"800\" height=\"525\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-800x525.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-160x105.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-1020x669.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-1180x774.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-960x630.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-240x157.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-375x246.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-520x341.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652.jpg 1270w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The supermoon as seen from Quintin Chisolm's North Oakland backyard. \u003ccite>(Quintin Chisolm)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Redwood City\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634730\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11634730 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taken from a lookout in Emerald Hills of Redwood City. \u003ccite>(Alayna Maria)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Niles\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634726\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg class=\"size-full wp-image-11634726\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28267_24231982_843483815813867_2268584327502719133_n-qut.jpg\" alt=\"\" width=\"720\" height=\"960\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28267_24231982_843483815813867_2268584327502719133_n-qut.jpg 720w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28267_24231982_843483815813867_2268584327502719133_n-qut-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28267_24231982_843483815813867_2268584327502719133_n-qut-240x320.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28267_24231982_843483815813867_2268584327502719133_n-qut-375x500.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28267_24231982_843483815813867_2268584327502719133_n-qut-520x693.jpg 520w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Lora Douglas took this photo in the backyard of her Niles home. \u003ccite>(Lora Douglas)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sebastopol\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634729\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634729\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut-800x555.jpg\" alt=\"\" width=\"800\" height=\"555\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut-800x555.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut-160x111.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut-240x167.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut-375x260.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut-520x361.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Super moon in Sebastopol. \u003ccite>(Shirley McGill)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "December's supermoon, where the moon appears closer to Earth, was the first and last supermoon of 2017. ",
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"description": "December's supermoon, where the moon appears closer to Earth, was the first and last supermoon of 2017. ",
"title": "PHOTOS: A Supermoon Rises Over the Bay Area | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Sunday, the Bay Area was treated to a \"\u003ca href=\"https://ww2.kqed.org/science/2017/11/29/dance-by-the-light-of-the-2017-supermoon-the-how-and-when/\" target=\"_blank\" rel=\"noopener\">supermoon\u003c/a>,\" which occurs when the moon's close distance to Earth makes it appear brighter and larger than usual. The last supermoon was in November 2016, and it was the closest the moon will get to Earth until 2034.\u003c/p>\n\u003cp>Even though this month's supermoon wasn't as big and bright as last year's, it's still unique as our first and only supermoon of the year.\u003c/p>\n\u003cp>Given the popularity of the lunar delight, we asked our viewers and listeners to send us their best photos from the Dec. 3 supermoon, and got these snaps from the Bay Area ... and beyond.\u003c/p>\n\u003cp>\u003cstrong>Castro Valley\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634732\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11634732 size-medium\" title=\"Elliot Lowe/Pointnshoot\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut-520x347.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28276_24302234_10156860401966258_864389401095549552_o-qut.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taken in Castro Valley by Elliot Lowe at 6:23 p.m. using a Canon EOS 1Dx with a 600mm lens and a 2x converter ISO 400 1/200 sec f/16. \u003ccite>(Elliot Lowe/Pointnshoot)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Francisco\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634764\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634764\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28278_24300946_10214048485473547_8900370197770175550_n-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taken from an apartment in San Francisco. \u003ccite>(Michele Garcia Charles Nakashima)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Pleasanton\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634733\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634733\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28277_24785008_10155670295515991_1964704161836844492_o-1-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Just after the moonrise. Supermoon and its reflection in Pleasanton by T3i- 300mm lens. \u003ccite>(Chi Panchal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Francisco\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634728\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg class=\"size-full wp-image-11634728\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28270_24232970_10213310269785543_8017824363221594367_n-qut.jpg\" alt=\"\" width=\"720\" height=\"960\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28270_24232970_10213310269785543_8017824363221594367_n-qut.jpg 720w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28270_24232970_10213310269785543_8017824363221594367_n-qut-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28270_24232970_10213310269785543_8017824363221594367_n-qut-240x320.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28270_24232970_10213310269785543_8017824363221594367_n-qut-375x500.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28270_24232970_10213310269785543_8017824363221594367_n-qut-520x693.jpg 520w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Supermoon above the Union Square ice rink in downtown San Francisco. \u003ccite>(Sharon Castellanos)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Maui\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634768\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634768\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-520x520.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28275_24294415_10211232388549661_6958481300916018625_n-qut-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taken from Maui while a cloud partially obscured the moon. \u003ccite>(Charles Nakashima)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Half Moon Bay\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634724\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634724\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-800x530.jpg\" alt=\"\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-800x530.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-1020x675.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-1180x781.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-960x636.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-240x159.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-375x248.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28265_24313041_10208474922909002_5005464644513676935_o-qut-520x344.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Moon rising over Pillar Point Harbor, Half Moon Bay \u003ccite>(T. Scott Pyne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Santa Clara\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634725\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634725\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-520x520.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28266_24294001_10100989358140222_3812040958554680539_n-qut-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Photo taken in front of Vicki Tran's home in Santa Clara. \u003ccite>(Vicki Tran)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Oakland\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634727\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634727\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut-800x502.jpg\" alt=\"\" width=\"800\" height=\"502\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut-800x502.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut-160x100.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut-240x151.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut-375x235.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28269_24177127_10214688604518179_8234874530089933156_n-qut-520x326.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Supermoon from Oakland. \u003ccite>(Janice Quackenbush)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11634712\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634712\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28272_alt_652-800x525.jpg\" alt=\"\" width=\"800\" height=\"525\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-800x525.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-160x105.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-1020x669.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-1180x774.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-960x630.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-240x157.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-375x246.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652-520x341.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28272_alt_652.jpg 1270w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The supermoon as seen from Quintin Chisolm's North Oakland backyard. \u003ccite>(Quintin Chisolm)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Redwood City\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634730\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11634730 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28273_24294057_10213194875039781_2433394024995171225_n-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taken from a lookout in Emerald Hills of Redwood City. \u003ccite>(Alayna Maria)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Niles\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634726\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg class=\"size-full wp-image-11634726\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28267_24231982_843483815813867_2268584327502719133_n-qut.jpg\" alt=\"\" width=\"720\" height=\"960\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28267_24231982_843483815813867_2268584327502719133_n-qut.jpg 720w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28267_24231982_843483815813867_2268584327502719133_n-qut-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28267_24231982_843483815813867_2268584327502719133_n-qut-240x320.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28267_24231982_843483815813867_2268584327502719133_n-qut-375x500.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28267_24231982_843483815813867_2268584327502719133_n-qut-520x693.jpg 520w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Lora Douglas took this photo in the backyard of her Niles home. \u003ccite>(Lora Douglas)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sebastopol\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11634729\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11634729\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut-800x555.jpg\" alt=\"\" width=\"800\" height=\"555\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut-800x555.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut-160x111.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut-240x167.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut-375x260.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28271_24312919_10214874986171966_8881236720761754463_n-qut-520x361.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Super moon in Sebastopol. \u003ccite>(Shirley McGill)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Your Weekend Reads: Oroville Dam, Shark Attacks and Bumpass Hell",
"title": "Your Weekend Reads: Oroville Dam, Shark Attacks and Bumpass Hell",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>We know it can be hard to keep up with everything that’s going on in the world, the country and your community. So here are five stories from the past week that you may have missed but really shouldn’t.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://ww2.kqed.org/news/2017/11/27/feds-ask-state-to-explain-cracks-in-new-concrete-on-oroville-spillway/\" target=\"_blank\" rel=\"noopener\">1. How did those cracks get there? Didn't you just build this thing?\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11633512\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/KJ_oroville_1926_10_19_17-e1511829691789.jpg\">\u003cimg class=\"size-medium wp-image-11633512\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/KJ_oroville_1926_10_19_17-800x591.jpg\" alt=\"\" width=\"800\" height=\"591\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The California Department of Water Resources says extensive steel reinforcement and other measures intended to make Oroville Dam's rebuilt spillway stronger have resulted in cracking of the spillway concrete. DWR says the small cracks should not affect the spillway's integrity. \u003ccite>(Ken James/ California Department of Water Resources)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The most popular story on our site this week chronicled the latest chapter in the effort to rebuild the Oroville Dam spillway, which failed last February and led to mass evacuations. Federal regulators asked state water officials to explain \u003ca href=\"http://ww2.kqed.org/news/2017/11/27/feds-ask-state-to-explain-cracks-in-new-concrete-on-oroville-spillway/\" target=\"_blank\" rel=\"noopener\">small cracks\u003c/a> that were found in some of the spillway's newly built concrete slabs.\u003c/p>\n\u003cp>A spokeswoman for the state Department of Water Resources said the cracks were the result of efforts to make the spillway stronger and were to be expected in concrete slabs of that size. But Robert Bea, a veteran analyst of structure failures, isn't quite convinced:\u003c/p>\n\u003cblockquote>\u003cp>“Cracking in high-strength reinforced concrete structures is never ‘to be expected,’ ” Bea said in an email. Even small cracks could increase stresses in the concrete when it is under “service loading” — for instance, when large volumes of water hurtle down the structure at speeds approaching 90 mph.\u003c/p>\u003c/blockquote>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/11/30/steinle-trial-verdict/\" target=\"_blank\" rel=\"noopener\">2. Beyond politics: understanding why the jury got to 'not guilty'\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11629419\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27583_alt_648.jpg\">\u003cimg class=\"size-medium wp-image-11629419\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27583_alt_648-800x543.jpg\" alt=\"Jose Ines Garcia Zarate, who is also known as Juan Francisco Lopez Sanchez, enters court for an arraignment on July 7, 2015 in San Francisco.\" width=\"800\" height=\"543\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-800x543.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-160x109.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-1020x692.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-1180x800.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-960x651.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-240x163.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-375x254.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-520x353.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Defendant Jose Ines Garcia Zarate, who is also known as Juan Francisco Lopez Sanchez, enters court for an arraignment on July 7, 2015, in San Francisco. \u003ccite>(Michael Macor-Pool/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A San Francisco jury has acquitted Jose Ines Garcia Zarate on murder and manslaughter charges in the 2015 death of Kathryn Steinle. Many people around the country -- including President Donald Trump and Attorney General Jeff Sessions -- have put a spotlight on the defendant's undocumented status and San Francisco's status as a so-called sanctuary city. But there was a lot \u003ca href=\"https://ww2.kqed.org/news/2017/11/30/steinle-trial-verdict/\" target=\"_blank\" rel=\"noopener\">more to this case\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli>The bullet that killed Steinle ricocheted off the ground before traveling 78 feet and hitting Stenile, suggesting an \u003ca href=\"https://ww2.kqed.org/news/2017/11/08/steinle-trial-defense-expert-says-facts-of-shooting-suggest-accidental-discharge/\" target=\"_blank\" rel=\"noopener\">accidental discharge\u003c/a>.\u003c/li>\n\u003cli>The prosecution was unable to present a motive for why Garcia Zarate would intentionally kill Steinle.\u003c/li>\n\u003cli>The gun used in the killing was \u003ca href=\"https://ww2.kqed.org/news/2017/07/07/court-filing-ids-fed-whose-stolen-gun-was-used-in-kate-steinle-killing/\" target=\"_blank\" rel=\"noopener\">stolen from the car\u003c/a> of a U.S. Bureau of Land Management ranger four days earlier. The ranger was \u003ca href=\"https://ww2.kqed.org/news/2017/10/20/federal-agency-promoted-ranger-just-months-after-his-gun-was-stolen-and-used-in-steinle-killing/\" target=\"_blank\" rel=\"noopener\">later promoted\u003c/a>.\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/11/29/risk-of-shark-attacks-in-california-has-plummeted-researchers-say/\" target=\"_blank\" rel=\"noopener\">3. Sharks don't find you \u003cem>that\u003c/em> tasty ... seals are yummier!\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11633959\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/iStock-503516024-e1512002719505.jpg\">\u003cimg class=\"size-medium wp-image-11633959\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/iStock-503516024-800x415.jpg\" alt=\"White Shark breaching in an attack.\" width=\"800\" height=\"415\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">White Shark breaching in an attack. \u003ccite>(USO/iStockphoto)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Good news! The risk of being attacked by a shark on the California coast has \u003ca href=\"https://ww2.kqed.org/news/2017/11/29/risk-of-shark-attacks-in-california-has-plummeted-researchers-say/\" target=\"_blank\" rel=\"noopener\">dropped by more than 91 percent\u003c/a> since 1950, according to Stanford researchers. Their best guess for the change is the resurgence of seals, sea lions and elephant seals, which provide sharks an attractive menu far from the California coastline.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/11/28/october-fires-44th-victim-a-creative-globetrotting-engineer-with-the-kindest-heart/\" target=\"_blank\" rel=\"noopener\">4. Northern California fires claim 44th Victim\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11633811\" class=\"wp-caption alignright\" style=\"max-width: 576px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/michelazarian.jpg\">\u003cimg class=\"size-full wp-image-11633811\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/michelazarian.jpg\" alt=\"\" width=\"576\" height=\"669\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/11/michelazarian.jpg 576w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/michelazarian-160x186.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/michelazarian-240x279.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/michelazarian-375x436.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/michelazarian-520x604.jpg 520w\" sizes=\"(max-width: 576px) 100vw, 576px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Michel Azarian, photographed during a recent trip. Azarian lived outside Santa Rosa and died Nov. 26 as the result of burns suffered during the Tubbs Fire in October. \u003ccite>(Courtesy of Khachik Papanyan)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Michel Azarian, 41, died last Sunday at UC Davis Medical Center from extensive burns he suffered when the Tubbs Fire trapped him outside his home on the outskirts of Santa Rosa. He is \u003ca href=\"https://ww2.kqed.org/news/2017/11/28/october-fires-44th-victim-a-creative-globetrotting-engineer-with-the-kindest-heart/\" target=\"_blank\" rel=\"noopener\">the 44th person\u003c/a> to have died as a result of the October wildfires that devastated huge swaths of the North Bay and other Northern California communities.\u003c/p>\n\u003cp>“For those of you who had the pleasure of knowing Michel, he had the kindest heart and an incredible lust for life,” wrote Mihran Aroian, parish counsel chairman for the Armenian Church of Austin, in an announcement of Azarian’s death. “He was also an active globetrotter and a brilliant photographer. He had a robust appreciation both for the quiet beauty in nature along with fun adventures and laughter with friends.”\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/12/01/going-to-bumpass-hell-better-watch-your-step/\" target=\"_blank\" rel=\"noopener\">5. Caution: Ground is hot\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11633666\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut.jpg\">\u003cimg class=\"size-full wp-image-11633666\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut.jpg\" alt=\"A sign on the boardwalk at Bumpass Hell warns visitors to stay on the path.\" width=\"640\" height=\"480\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut.jpg 640w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A sign on the boardwalk at Bumpass Hell warns visitors to stay on the path. \u003ccite>(Karen Haner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1865, Kendall Bumpass was leading a tour around the hot pools in what we know today as Lassen Volcanic National Park.\u003c/p>\n\u003cp>“Kendall was warning everyone to be careful of where they put their feet and stepped because he knew how crumbly the ground could be,” says Karen Haner, the chief of interpretation and education at Lassen. “Unfortunately, he took a misstep, and his leg plunged into the boiling, acidic water. It burned him very severely.”\u003c/p>\n\u003cp>And so, \u003ca href=\"https://ww2.kqed.org/news/2017/12/01/going-to-bumpass-hell-better-watch-your-step/\" target=\"_blank\" rel=\"noopener\">Bumpass Hell\u003c/a> was born.\u003c/p>\n\u003ch1>\u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">Before you go...\u003c/a>\u003c/h1>\n\u003cp>This weekend marks \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">one year\u003c/a> since the Ghost Ship fire that killed 36 Bay Area artists at an Oakland warehouse.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=xPTMdO_15MQ\u003c/p>\n\n",
"disqusIdentifier": "11634497 https://ww2.kqed.org/news/?p=11634497",
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"excerpt": "Here are five stories from the past week that you may have missed but really shouldn’t.",
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"description": "Here are five stories from the past week that you may have missed but really shouldn’t.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>We know it can be hard to keep up with everything that’s going on in the world, the country and your community. So here are five stories from the past week that you may have missed but really shouldn’t.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://ww2.kqed.org/news/2017/11/27/feds-ask-state-to-explain-cracks-in-new-concrete-on-oroville-spillway/\" target=\"_blank\" rel=\"noopener\">1. How did those cracks get there? Didn't you just build this thing?\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11633512\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/KJ_oroville_1926_10_19_17-e1511829691789.jpg\">\u003cimg class=\"size-medium wp-image-11633512\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/KJ_oroville_1926_10_19_17-800x591.jpg\" alt=\"\" width=\"800\" height=\"591\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The California Department of Water Resources says extensive steel reinforcement and other measures intended to make Oroville Dam's rebuilt spillway stronger have resulted in cracking of the spillway concrete. DWR says the small cracks should not affect the spillway's integrity. \u003ccite>(Ken James/ California Department of Water Resources)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The most popular story on our site this week chronicled the latest chapter in the effort to rebuild the Oroville Dam spillway, which failed last February and led to mass evacuations. Federal regulators asked state water officials to explain \u003ca href=\"http://ww2.kqed.org/news/2017/11/27/feds-ask-state-to-explain-cracks-in-new-concrete-on-oroville-spillway/\" target=\"_blank\" rel=\"noopener\">small cracks\u003c/a> that were found in some of the spillway's newly built concrete slabs.\u003c/p>\n\u003cp>A spokeswoman for the state Department of Water Resources said the cracks were the result of efforts to make the spillway stronger and were to be expected in concrete slabs of that size. But Robert Bea, a veteran analyst of structure failures, isn't quite convinced:\u003c/p>\n\u003cblockquote>\u003cp>“Cracking in high-strength reinforced concrete structures is never ‘to be expected,’ ” Bea said in an email. Even small cracks could increase stresses in the concrete when it is under “service loading” — for instance, when large volumes of water hurtle down the structure at speeds approaching 90 mph.\u003c/p>\u003c/blockquote>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/11/30/steinle-trial-verdict/\" target=\"_blank\" rel=\"noopener\">2. Beyond politics: understanding why the jury got to 'not guilty'\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11629419\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27583_alt_648.jpg\">\u003cimg class=\"size-medium wp-image-11629419\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27583_alt_648-800x543.jpg\" alt=\"Jose Ines Garcia Zarate, who is also known as Juan Francisco Lopez Sanchez, enters court for an arraignment on July 7, 2015 in San Francisco.\" width=\"800\" height=\"543\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-800x543.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-160x109.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-1020x692.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-1180x800.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-960x651.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-240x163.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-375x254.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS27583_alt_648-520x353.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Defendant Jose Ines Garcia Zarate, who is also known as Juan Francisco Lopez Sanchez, enters court for an arraignment on July 7, 2015, in San Francisco. \u003ccite>(Michael Macor-Pool/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A San Francisco jury has acquitted Jose Ines Garcia Zarate on murder and manslaughter charges in the 2015 death of Kathryn Steinle. Many people around the country -- including President Donald Trump and Attorney General Jeff Sessions -- have put a spotlight on the defendant's undocumented status and San Francisco's status as a so-called sanctuary city. But there was a lot \u003ca href=\"https://ww2.kqed.org/news/2017/11/30/steinle-trial-verdict/\" target=\"_blank\" rel=\"noopener\">more to this case\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli>The bullet that killed Steinle ricocheted off the ground before traveling 78 feet and hitting Stenile, suggesting an \u003ca href=\"https://ww2.kqed.org/news/2017/11/08/steinle-trial-defense-expert-says-facts-of-shooting-suggest-accidental-discharge/\" target=\"_blank\" rel=\"noopener\">accidental discharge\u003c/a>.\u003c/li>\n\u003cli>The prosecution was unable to present a motive for why Garcia Zarate would intentionally kill Steinle.\u003c/li>\n\u003cli>The gun used in the killing was \u003ca href=\"https://ww2.kqed.org/news/2017/07/07/court-filing-ids-fed-whose-stolen-gun-was-used-in-kate-steinle-killing/\" target=\"_blank\" rel=\"noopener\">stolen from the car\u003c/a> of a U.S. Bureau of Land Management ranger four days earlier. The ranger was \u003ca href=\"https://ww2.kqed.org/news/2017/10/20/federal-agency-promoted-ranger-just-months-after-his-gun-was-stolen-and-used-in-steinle-killing/\" target=\"_blank\" rel=\"noopener\">later promoted\u003c/a>.\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/11/29/risk-of-shark-attacks-in-california-has-plummeted-researchers-say/\" target=\"_blank\" rel=\"noopener\">3. Sharks don't find you \u003cem>that\u003c/em> tasty ... seals are yummier!\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11633959\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/iStock-503516024-e1512002719505.jpg\">\u003cimg class=\"size-medium wp-image-11633959\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/iStock-503516024-800x415.jpg\" alt=\"White Shark breaching in an attack.\" width=\"800\" height=\"415\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">White Shark breaching in an attack. \u003ccite>(USO/iStockphoto)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Good news! The risk of being attacked by a shark on the California coast has \u003ca href=\"https://ww2.kqed.org/news/2017/11/29/risk-of-shark-attacks-in-california-has-plummeted-researchers-say/\" target=\"_blank\" rel=\"noopener\">dropped by more than 91 percent\u003c/a> since 1950, according to Stanford researchers. Their best guess for the change is the resurgence of seals, sea lions and elephant seals, which provide sharks an attractive menu far from the California coastline.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/11/28/october-fires-44th-victim-a-creative-globetrotting-engineer-with-the-kindest-heart/\" target=\"_blank\" rel=\"noopener\">4. Northern California fires claim 44th Victim\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11633811\" class=\"wp-caption alignright\" style=\"max-width: 576px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/michelazarian.jpg\">\u003cimg class=\"size-full wp-image-11633811\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/michelazarian.jpg\" alt=\"\" width=\"576\" height=\"669\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/11/michelazarian.jpg 576w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/michelazarian-160x186.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/michelazarian-240x279.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/michelazarian-375x436.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/michelazarian-520x604.jpg 520w\" sizes=\"(max-width: 576px) 100vw, 576px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Michel Azarian, photographed during a recent trip. Azarian lived outside Santa Rosa and died Nov. 26 as the result of burns suffered during the Tubbs Fire in October. \u003ccite>(Courtesy of Khachik Papanyan)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Michel Azarian, 41, died last Sunday at UC Davis Medical Center from extensive burns he suffered when the Tubbs Fire trapped him outside his home on the outskirts of Santa Rosa. He is \u003ca href=\"https://ww2.kqed.org/news/2017/11/28/october-fires-44th-victim-a-creative-globetrotting-engineer-with-the-kindest-heart/\" target=\"_blank\" rel=\"noopener\">the 44th person\u003c/a> to have died as a result of the October wildfires that devastated huge swaths of the North Bay and other Northern California communities.\u003c/p>\n\u003cp>“For those of you who had the pleasure of knowing Michel, he had the kindest heart and an incredible lust for life,” wrote Mihran Aroian, parish counsel chairman for the Armenian Church of Austin, in an announcement of Azarian’s death. “He was also an active globetrotter and a brilliant photographer. He had a robust appreciation both for the quiet beauty in nature along with fun adventures and laughter with friends.”\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/news/2017/12/01/going-to-bumpass-hell-better-watch-your-step/\" target=\"_blank\" rel=\"noopener\">5. Caution: Ground is hot\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11633666\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut.jpg\">\u003cimg class=\"size-full wp-image-11633666\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut.jpg\" alt=\"A sign on the boardwalk at Bumpass Hell warns visitors to stay on the path.\" width=\"640\" height=\"480\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut.jpg 640w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28182_HydroTherm-Warning-Sign-Bumpass-Hell_NPS-Photo-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A sign on the boardwalk at Bumpass Hell warns visitors to stay on the path. \u003ccite>(Karen Haner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1865, Kendall Bumpass was leading a tour around the hot pools in what we know today as Lassen Volcanic National Park.\u003c/p>\n\u003cp>“Kendall was warning everyone to be careful of where they put their feet and stepped because he knew how crumbly the ground could be,” says Karen Haner, the chief of interpretation and education at Lassen. “Unfortunately, he took a misstep, and his leg plunged into the boiling, acidic water. It burned him very severely.”\u003c/p>\n\u003cp>And so, \u003ca href=\"https://ww2.kqed.org/news/2017/12/01/going-to-bumpass-hell-better-watch-your-step/\" target=\"_blank\" rel=\"noopener\">Bumpass Hell\u003c/a> was born.\u003c/p>\n\u003ch1>\u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">Before you go...\u003c/a>\u003c/h1>\n\u003cp>This weekend marks \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">one year\u003c/a> since the Ghost Ship fire that killed 36 Bay Area artists at an Oakland warehouse.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/xPTMdO_15MQ'\n title='//www.youtube.com/embed/xPTMdO_15MQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"disqusTitle": "PHOTOS: Victims of Ghost Ship Fire Remembered One Year Later",
"title": "PHOTOS: Victims of Ghost Ship Fire Remembered One Year Later",
"headTitle": "News Fix | KQED News",
"content": "\u003cp>The \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">36 victims\u003c/a> of last year's Ghost Ship fire in Oakland were memorialized with song, dance and prayer on Saturday afternoon, the anniversary of the tragedy.\u003c/p>\n\u003cp>Dozens of friends, family and community members gathered in front of the burned-out warehouse in the city's Fruitvale neighborhood where the fire took place.\u003c/p>\n\u003cfigure id=\"attachment_11634542\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11634542 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-520x390.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musicians from Oakland's Patten Academy of Christian Education performed throughout Saturday's memorial. \u003ccite>(Guy Marzorati/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11634555\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut.jpg\">\u003cimg class=\"size-medium wp-image-11634555\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-800x600.jpg\" alt=\"Oakland artist Gonzalo Hidalgo describes the altar he created for fire victims.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Oakland artist Gonzalo Hidalgo describes the altar he created for fire victims. \u003ccite>(Guy Marzorati/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11634556\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28255_Image-uploaded-from-iOS-13-qut.jpg\">\u003cimg class=\"wp-image-11634556 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28255_Image-uploaded-from-iOS-13-qut-e1512263934517-800x712.jpg\" alt=\"Friends of the victims of the Ghost Ship fire pay tribute at a memorial marking the one year anniversary of the fire.\" width=\"800\" height=\"712\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Friends of the victims of the Ghost Ship fire pay tribute at a memorial marking the one year anniversary of the fire. \u003ccite>(Guy Marzorati/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11634548\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11634548 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-800x635.jpg\" alt=\"\" width=\"800\" height=\"635\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-800x635.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-160x127.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-1020x809.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-1920x1523.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-1180x936.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-960x762.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-240x190.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-375x297.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-520x413.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Visitors of the memorial were invited to write how the victims of the fire should be honored. Similar cards are currently on display at the Oakland Museum of California. \u003ccite>(Guy Marzorati/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11634546\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11634546 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/gs-art-e1512261856218-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-520x390.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Family and friends of the Ghost Ship fire victims laid flowers and art beneath this memorial. \u003ccite>(Guy Marzorati/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "The 36 victims of Oakland's Ghost Ship Fire were memorialized on Saturday, the anniversary of the tragedy.\r\n\r\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">36 victims\u003c/a> of last year's Ghost Ship fire in Oakland were memorialized with song, dance and prayer on Saturday afternoon, the anniversary of the tragedy.\u003c/p>\n\u003cp>Dozens of friends, family and community members gathered in front of the burned-out warehouse in the city's Fruitvale neighborhood where the fire took place.\u003c/p>\n\u003cfigure id=\"attachment_11634542\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11634542 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368-520x390.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-patten-academy-e1512261173368.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musicians from Oakland's Patten Academy of Christian Education performed throughout Saturday's memorial. \u003ccite>(Guy Marzorati/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11634555\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut.jpg\">\u003cimg class=\"size-medium wp-image-11634555\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-800x600.jpg\" alt=\"Oakland artist Gonzalo Hidalgo describes the altar he created for fire victims.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/RS28254_Image-uploaded-from-iOS-12-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Oakland artist Gonzalo Hidalgo describes the altar he created for fire victims. \u003ccite>(Guy Marzorati/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11634556\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28255_Image-uploaded-from-iOS-13-qut.jpg\">\u003cimg class=\"wp-image-11634556 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/RS28255_Image-uploaded-from-iOS-13-qut-e1512263934517-800x712.jpg\" alt=\"Friends of the victims of the Ghost Ship fire pay tribute at a memorial marking the one year anniversary of the fire.\" width=\"800\" height=\"712\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Friends of the victims of the Ghost Ship fire pay tribute at a memorial marking the one year anniversary of the fire. \u003ccite>(Guy Marzorati/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11634548\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11634548 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-800x635.jpg\" alt=\"\" width=\"800\" height=\"635\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-800x635.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-160x127.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-1020x809.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-1920x1523.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-1180x936.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-960x762.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-240x190.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-375x297.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615-520x413.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/ghost-ship-letter-e1512263005615.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Visitors of the memorial were invited to write how the victims of the fire should be honored. Similar cards are currently on display at the Oakland Museum of California. \u003ccite>(Guy Marzorati/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11634546\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11634546 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/12/gs-art-e1512261856218-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218-520x390.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/12/gs-art-e1512261856218.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Family and friends of the Ghost Ship fire victims laid flowers and art beneath this memorial. \u003ccite>(Guy Marzorati/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>This weekend marks the one-year anniversary of the tragic \u003ca href=\"https://ww2.kqed.org/news/tag/ghost-ship-fire/\">Ghost Ship fire \u003c/a>that killed 36 people in a converted Oakland warehouse.\u003c/p>\n\u003cp>[contextly_sidebar id=\"XFnTREGfaPcl3W2G4D00BoYUxRGfky9E\"]\u003c/p>\n\u003cp>The people who lost their lives in the fire were very active in the Bay Area art community and are \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\">profiled here\u003c/a>.\u003c/p>\n\u003cp>In September, two men charged with turning the warehouse space into a dangerous firetrap \u003ca href=\"https://ww2.kqed.org/news/2017/09/27/suspects-in-oakland-ghost-ship-warehouse-fire-that-killed-36-plead-not-guilty/\" rel=\"noopener\" target=\"_blank\">each pleaded not guilty\u003c/a> to 36 counts of involuntary manslaughter.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This weekend marks the one-year anniversary of the tragic \u003ca href=\"https://ww2.kqed.org/news/tag/ghost-ship-fire/\">Ghost Ship fire \u003c/a>that killed 36 people in a converted Oakland warehouse.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The people who lost their lives in the fire were very active in the Bay Area art community and are \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\">profiled here\u003c/a>.\u003c/p>\n\u003cp>In September, two men charged with turning the warehouse space into a dangerous firetrap \u003ca href=\"https://ww2.kqed.org/news/2017/09/27/suspects-in-oakland-ghost-ship-warehouse-fire-that-killed-36-plead-not-guilty/\" rel=\"noopener\" target=\"_blank\">each pleaded not guilty\u003c/a> to 36 counts of involuntary manslaughter.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "the-sons-of-the-soul-revivers-lifting-up-spirits-outside-the-church-walls",
"title": "The Sons of the Soul Revivers: Lifting Up Spirits, Outside the Church Walls",
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"content": "\u003cp>Some families figure out their groove together by making music, like the Vallejo-based gospel quartet, \u003ca href=\"https://www.facebook.com/TheSonsOfTheSoulReviversOfSanFranciscoCA/\" target=\"_blank\" rel=\"noopener\">The Sons of the Soul Revivers\u003c/a>. The Morgan brothers – Dwayne, James and Walter Jr. have been singing together in church since they were kids. Now, together with their nephew Quantae Johnson, they’re moving beyond church walls to reach a broader audience with their new album, \u003ca href=\"https://store.cdbaby.com/cd/thesongsofthesoulreviver\" target=\"_blank\" rel=\"noopener\">Live at Rancho Nicasio\u003c/a>.\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/tcrmag/2017/11/SonsoftheSoulRevivers.mp3\" Image=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/sonsedit-960x427.jpg\" Title=\"The Sons of the Soul Revivers: Lifting Up Spirits, Outside the Church Walls\" program=\"The California Report\"]\u003c/p>\n\u003cp>The following is an excerpt from a conversation with Sasha Khokha, host of the California Report Magazine. They joined her in studio to talk religion, family, and what has kept their music full of life after more than 40 years. They also played a little in-studio concert!\u003c/p>\n\u003cp>\u003cem>On their name:\u003c/em>\u003c/p>\n\u003cp>Walter Morgan, Jr.: “Our fathers were the Soul Revivers, and the year was 1970. I was around the age of eight, and a cousin of mine, we decided we wanted to form a group and we couldn’t think of a name. So we said well temporarily we’ll call ourselves The Sons of the Soul Revivers and the name just stuck.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-11632781\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28112_sons4-qut.jpg\" alt=\"\" width=\"464\" height=\"528\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28112_sons4-qut.jpg 464w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28112_sons4-qut-160x182.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28112_sons4-qut-240x273.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28112_sons4-qut-375x427.jpg 375w\" sizes=\"(max-width: 464px) 100vw, 464px\">\u003c/p>\n\u003cp>\u003cem>On performing with family members:\u003c/em>\u003c/p>\n\u003cp>James Morgan: “It’s a joy to be able to get up there and sing with my brothers and nephew. The feeling I get when I hit the stage is just hard to describe. I mean it’s just one of the greatest feelings I ever felt. And it’s a blessing; it’s a privilege for me to be a part of this group.”\u003c/p>\n\u003cp>Quantae Johnson: “Man, it’s a dream come true. I was watching these guys since I was a little guy, and so to be able to be on the same level as them, it feels great.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11632780 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28113_sons2-qut.jpg\" alt=\"\" width=\"480\" height=\"401\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28113_sons2-qut.jpg 480w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28113_sons2-qut-160x134.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28113_sons2-qut-240x201.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28113_sons2-qut-375x313.jpg 375w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003c/p>\n\u003cp>\u003cem>On what inspires them:\u003c/em>\u003c/p>\n\u003cp>Dwayne Morgan: “[Our] belief in Jesus Christ, our Savior. It’s a way for us to express the gospel through song. We just love to sing. And it’s a joy to watch the audience. Sometimes people are down and out, and sometimes a song can be very uplifting. So that’s what we’re all about. We like to spread joy through our music, and we love what we do.”\u003c/p>\n\u003cp>Walter Morgan: “Sometimes the words, through the song, can settle the mind. Whatever you’re going through, it gives you hope. It’s been tough on a lot of folks this year. And when people get so depressed, they don’t where to turn to, you need something to fall back on, a kind word, a beautiful song. Anything that can help lift a burden.”\u003c/p>\n\u003cfigure id=\"attachment_11632743\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11632743\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-800x533.jpg\" alt=\"Dwayne, Walter Jr, and James Morgan -- the Sons of the Soul Revivers -- have been singing together for 47 years.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dwayne, Walter Jr, and James Morgan — the Sons of the Soul Revivers — have been singing together for 47 years. \u003ccite>(Courtesy of The Sons of the Soul Revivers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>On reaching a broader audience outside of church, through their new album produced by the \u003ca href=\"http://littlevillagefoundation.com/\" target=\"_blank\" rel=\"noopener\">Little Village Foundation:\u003c/a>\u003c/em>\u003c/p>\n\u003cp>James Morgan: “It’s a thrill. What’s cool about it for me is we can be ourselves. We don’t have to pretend to be who we’re not. Sometimes I feel like a rock star. People will be surrounding me. We’re all having a good time. After 47 years of being together as a group, the difference between singing for a traditional church and going to these festivals, it’s incredible. We’re having the time of our lives.”\u003c/p>\n\u003cp>Dwayne Morgan: “It’s wonderful to see people smile. You may not believe it, but there a lot of people that are really searching, looking for that something spiritual. And then you get to be able to share Christ with them, and what we believe in. There’s people that might be suicidal and come to you and say, ‘You know what, I wanted to end my life. But when I heard you sing, I had a change of mind.'”\u003c/p>\n\u003cfigure id=\"attachment_11633011\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11633011\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/band1-800x533.jpg\" alt=\"Quantae Johnson and his uncle, Dwayne Morgan, of the Sons of the Soul Revivers, perform in KQED's studios on Nov. 21, 2017.\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">Quantae Johnson and his uncle, Dwayne Morgan, of the Sons of the Soul Revivers, perform in KQED’s studios on Nov. 21, 2017. \u003ccite>(Sarah Craig/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>On having a day job:\u003c/em>\u003c/p>\n\u003cp>Dwayne Morgan: “I’m a school bus driver, but I’m ready to go on the road . And when people hear me sing at the yards, they ask me ‘What are you doing here? Why are you here? Your calling is out there. You know you always talk about faith. You need to have faith and move on and go on the road.'”\u003c/p>\n\u003cp>James Morgan: “I used to deliver uniforms until I slipped and fell on the job. Unfortunately for me, I’m on disability. It is what it is. I’m learning to deal with the pain I’m in. But it has not replaced who I am. It has not replaced my joy.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Quantae Johnson: “I’m a touring musician. I do this for a living. Music is what I do. I breathe it. I’ve been a drummer for Fantastic Negrito, out of Oakland. It’s the same thing, people in the audience are going crazy. But to know what you’re singing about, I can appreciate that more. I like singing with my family.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Some families figure out their groove together by making music, like the Vallejo-based gospel quartet, \u003ca href=\"https://www.facebook.com/TheSonsOfTheSoulReviversOfSanFranciscoCA/\" target=\"_blank\" rel=\"noopener\">The Sons of the Soul Revivers\u003c/a>. The Morgan brothers – Dwayne, James and Walter Jr. have been singing together in church since they were kids. Now, together with their nephew Quantae Johnson, they’re moving beyond church walls to reach a broader audience with their new album, \u003ca href=\"https://store.cdbaby.com/cd/thesongsofthesoulreviver\" target=\"_blank\" rel=\"noopener\">Live at Rancho Nicasio\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The following is an excerpt from a conversation with Sasha Khokha, host of the California Report Magazine. They joined her in studio to talk religion, family, and what has kept their music full of life after more than 40 years. They also played a little in-studio concert!\u003c/p>\n\u003cp>\u003cem>On their name:\u003c/em>\u003c/p>\n\u003cp>Walter Morgan, Jr.: “Our fathers were the Soul Revivers, and the year was 1970. I was around the age of eight, and a cousin of mine, we decided we wanted to form a group and we couldn’t think of a name. So we said well temporarily we’ll call ourselves The Sons of the Soul Revivers and the name just stuck.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-11632781\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28112_sons4-qut.jpg\" alt=\"\" width=\"464\" height=\"528\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28112_sons4-qut.jpg 464w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28112_sons4-qut-160x182.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28112_sons4-qut-240x273.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28112_sons4-qut-375x427.jpg 375w\" sizes=\"(max-width: 464px) 100vw, 464px\">\u003c/p>\n\u003cp>\u003cem>On performing with family members:\u003c/em>\u003c/p>\n\u003cp>James Morgan: “It’s a joy to be able to get up there and sing with my brothers and nephew. The feeling I get when I hit the stage is just hard to describe. I mean it’s just one of the greatest feelings I ever felt. And it’s a blessing; it’s a privilege for me to be a part of this group.”\u003c/p>\n\u003cp>Quantae Johnson: “Man, it’s a dream come true. I was watching these guys since I was a little guy, and so to be able to be on the same level as them, it feels great.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11632780 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28113_sons2-qut.jpg\" alt=\"\" width=\"480\" height=\"401\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28113_sons2-qut.jpg 480w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28113_sons2-qut-160x134.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28113_sons2-qut-240x201.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28113_sons2-qut-375x313.jpg 375w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003c/p>\n\u003cp>\u003cem>On what inspires them:\u003c/em>\u003c/p>\n\u003cp>Dwayne Morgan: “[Our] belief in Jesus Christ, our Savior. It’s a way for us to express the gospel through song. We just love to sing. And it’s a joy to watch the audience. Sometimes people are down and out, and sometimes a song can be very uplifting. So that’s what we’re all about. We like to spread joy through our music, and we love what we do.”\u003c/p>\n\u003cp>Walter Morgan: “Sometimes the words, through the song, can settle the mind. Whatever you’re going through, it gives you hope. It’s been tough on a lot of folks this year. And when people get so depressed, they don’t where to turn to, you need something to fall back on, a kind word, a beautiful song. Anything that can help lift a burden.”\u003c/p>\n\u003cfigure id=\"attachment_11632743\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11632743\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-800x533.jpg\" alt=\"Dwayne, Walter Jr, and James Morgan -- the Sons of the Soul Revivers -- have been singing together for 47 years.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28111_Son-of-The-Soul-Revivers3500-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dwayne, Walter Jr, and James Morgan — the Sons of the Soul Revivers — have been singing together for 47 years. \u003ccite>(Courtesy of The Sons of the Soul Revivers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>On reaching a broader audience outside of church, through their new album produced by the \u003ca href=\"http://littlevillagefoundation.com/\" target=\"_blank\" rel=\"noopener\">Little Village Foundation:\u003c/a>\u003c/em>\u003c/p>\n\u003cp>James Morgan: “It’s a thrill. What’s cool about it for me is we can be ourselves. We don’t have to pretend to be who we’re not. Sometimes I feel like a rock star. People will be surrounding me. We’re all having a good time. After 47 years of being together as a group, the difference between singing for a traditional church and going to these festivals, it’s incredible. We’re having the time of our lives.”\u003c/p>\n\u003cp>Dwayne Morgan: “It’s wonderful to see people smile. You may not believe it, but there a lot of people that are really searching, looking for that something spiritual. And then you get to be able to share Christ with them, and what we believe in. There’s people that might be suicidal and come to you and say, ‘You know what, I wanted to end my life. But when I heard you sing, I had a change of mind.'”\u003c/p>\n\u003cfigure id=\"attachment_11633011\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11633011\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/band1-800x533.jpg\" alt=\"Quantae Johnson and his uncle, Dwayne Morgan, of the Sons of the Soul Revivers, perform in KQED's studios on Nov. 21, 2017.\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">Quantae Johnson and his uncle, Dwayne Morgan, of the Sons of the Soul Revivers, perform in KQED’s studios on Nov. 21, 2017. \u003ccite>(Sarah Craig/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>On having a day job:\u003c/em>\u003c/p>\n\u003cp>Dwayne Morgan: “I’m a school bus driver, but I’m ready to go on the road . And when people hear me sing at the yards, they ask me ‘What are you doing here? Why are you here? Your calling is out there. You know you always talk about faith. You need to have faith and move on and go on the road.'”\u003c/p>\n\u003cp>James Morgan: “I used to deliver uniforms until I slipped and fell on the job. Unfortunately for me, I’m on disability. It is what it is. I’m learning to deal with the pain I’m in. But it has not replaced who I am. It has not replaced my joy.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Quantae Johnson: “I’m a touring musician. I do this for a living. Music is what I do. I breathe it. I’ve been a drummer for Fantastic Negrito, out of Oakland. It’s the same thing, people in the audience are going crazy. But to know what you’re singing about, I can appreciate that more. I like singing with my family.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"http://californiatypewritermovie.com\">“California Typewriter”\u003c/a> is a new documentary film by Doug Nichol. It’s an ode to analog, a visual poem dedicated to the typewriter. It’s named for a \u003ca href=\"https://www.californiatypewriter.com/\">Berkeley repair shop \u003c/a>struggling to stay afloat in the digital age.\u003c/em>\u003c/p>\n\u003cp>Filmmaker Doug Nichol told Sasha Khokha, host of The California Report Magazine, about a few of the typewriter-obsessed people who appear in the film:\u003c/p>\n\u003cp>\u003cstrong>Ken Alexander, typewriter repair technician at California Typewriter in Berkeley\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631631\" class=\"wp-caption alignright\" style=\"max-width: 411px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11631631\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-800x1123.jpg\" alt=\"\" width=\"411\" height=\"577\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-800x1123.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-160x225.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-1020x1432.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-1180x1656.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-960x1348.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-240x337.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-375x526.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-520x730.jpg 520w\" sizes=\"(max-width: 411px) 100vw, 411px\">\u003cfigcaption class=\"wp-caption-text\">California Typewriter repair expert Ken Alexander, wheeling typewriters to a Berkeley car wash to hose them down before repairing them. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“I feel something for these machines. I’ll look at ’em and my mind just goes, ‘Where has this machine been at?’ If they could talk, they could tell some stories. You never know where these typewriters come from. One could have come from some famous person’s library across the world, and it made it to this shop in Berkeley.”\u003c/em>\u003cem> – Ken Alexander\u003c/em>\u003c/p>\n\u003cp>Doug Nichol: Ken Alexander loves repairing typewriters. But Ken’s job is really the first casualty of the digital revolution. We didn’t need typewriters anymore once computers came around. So you didn’t need a typewriter repairman. But he’s been working for the last 30 years trying to keep it going for the few people who love typewriters. At the shop, most of the new customers are all kids. They’re bringing in their parents, telling them they want a typewriter. They’ve grown up touching glass, touching iPhones and iPads, and I think they find it interesting to see how you push a letter and it forms a letter on the page.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Silvi Alcivar, poet\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631830\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631830\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Silvi Alcivar is a San Francisco-based “poet on demand,” who hand-types original poems for customers at her mobile store. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“If you were to ask me to speak a poem, I couldn’t do it. If you were to put me in front of a typewriter, it happens. My typewriter is the truest love of my life. There’s something about it that’s built well, and if you care for it, it’s just going to keep working. I do worry that someday there might not be somebody who knows how to fix it.\u003c/em>\u003c/p>\n\u003cp>“I often think about what I do as counseling. People come to me with some big stuff. I write a lot of poems about death. I wrote a poem for a man who had lost his wife three months ago, and they had been married for 43 years. When he made his request, he could barely talk. Somebody’s desire for words sometimes is a desire for something more.” – \u003ca href=\"http://thepoetrystore.net/\">Silvi Alcivar,\u003c/a> poet\u003c/p>\n\u003cp>\u003cstrong>Tom Hanks, actor\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631637\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631637\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-800x453.jpg\" alt=\"\" width=\"800\" height=\"453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-800x453.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-1020x577.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-1180x668.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-960x543.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-240x136.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-520x294.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut.jpg 1909w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tom Hanks has a collection of more than 250 typewriters. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“There is a wonderful way to spend time typing. You get to think about it. You get to romantically sit back and ponder what your next words are going to be. And that is a pleasant, tactile action. It actually turns writing or composing into a very specific, physical process that has a soundtrack to it.” – Tom Hanks\u003c/em>\u003c/p>\n\u003cp>Nichol: When we filmed Tom Hanks, he had 270 typewriters. He loves the sound of typewriters, the difference between a Smith-Corona and Olympia. Every one of them have their own sound. They’re like snowflakes in a way. Every one of them is unique, from their sound to the letters that they make. Every font is slightly different. They’re totally original.\u003c/p>\n\u003cp>\u003cstrong>Jeremy Mayer, West Oakland artist\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631653\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631653\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland sculptor Jeremy Mayer makes new, futuristic creations out of old typewriters. \u003ccite>(Still from California Typewriter, Courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“This is how I choose to appreciate the typewriter. By dissecting it and bringing out the little bits and pieces that are us in them. Some of my favorite things to do are the human figures, because I find every curve on the human body in here in one of these typewriters.” – Jeremy Mayer\u003c/em>\u003c/p>\n\u003cp>Nichol: \u003ca href=\"http://jeremymayer.com/Artist.asp?ArtistID=18688&Akey=23SVCF6T\">Jeremy Mayer\u003c/a> was one of the first people I met at California Typewriter. He loves the typewriters, but he loves what’s in them. He sees the typewriter as a kind of erector set, where he can take them all apart, the pieces, and put them back together. One of his sculptures is in Mark Zuckerberg’s office, and his work has taken off. The tech folks understand the role the typewriter played. They appreciate that tactile quality that’s disappearing as we touch glass and are removed from more tangible things.\u003c/p>\n\u003cp>\u003cstrong>David McCullough, historian and writer\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11631655 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Historian and author David McCullough has written every one of his books on the same typewriter, including his Pulitzer Prize-winning books “Truman” and “John Adams.” \u003ccite>(Still from California Typewriter, Courtesy Doug Nichol )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“People tell me I could do much better, I could go faster and have less to contend with if I were to use a computer. But I don’t want to go faster. If anything, I prefer to go slower. To me, it’s understandable. I press the key and another key comes up and prints a letter on a piece of paper, and you can pull it out and it’s a piece of paper on which you have printed something. You have made that. It’s tangible. It’s real.” – David McCullough\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nichol: David McCullough has written every one of his books on that same typewriter. He believes it’s a tool. When you write on a typewriter you have to think about what you’re going to write before you commit it to paper.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"http://californiatypewritermovie.com\">“California Typewriter”\u003c/a> is a new documentary film by Doug Nichol. It’s an ode to analog, a visual poem dedicated to the typewriter. It’s named for a \u003ca href=\"https://www.californiatypewriter.com/\">Berkeley repair shop \u003c/a>struggling to stay afloat in the digital age.\u003c/em>\u003c/p>\n\u003cp>Filmmaker Doug Nichol told Sasha Khokha, host of The California Report Magazine, about a few of the typewriter-obsessed people who appear in the film:\u003c/p>\n\u003cp>\u003cstrong>Ken Alexander, typewriter repair technician at California Typewriter in Berkeley\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631631\" class=\"wp-caption alignright\" style=\"max-width: 411px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11631631\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-800x1123.jpg\" alt=\"\" width=\"411\" height=\"577\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-800x1123.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-160x225.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-1020x1432.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-1180x1656.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-960x1348.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-240x337.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-375x526.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-520x730.jpg 520w\" sizes=\"(max-width: 411px) 100vw, 411px\">\u003cfigcaption class=\"wp-caption-text\">California Typewriter repair expert Ken Alexander, wheeling typewriters to a Berkeley car wash to hose them down before repairing them. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“I feel something for these machines. I’ll look at ’em and my mind just goes, ‘Where has this machine been at?’ If they could talk, they could tell some stories. You never know where these typewriters come from. One could have come from some famous person’s library across the world, and it made it to this shop in Berkeley.”\u003c/em>\u003cem> – Ken Alexander\u003c/em>\u003c/p>\n\u003cp>Doug Nichol: Ken Alexander loves repairing typewriters. But Ken’s job is really the first casualty of the digital revolution. We didn’t need typewriters anymore once computers came around. So you didn’t need a typewriter repairman. But he’s been working for the last 30 years trying to keep it going for the few people who love typewriters. At the shop, most of the new customers are all kids. They’re bringing in their parents, telling them they want a typewriter. They’ve grown up touching glass, touching iPhones and iPads, and I think they find it interesting to see how you push a letter and it forms a letter on the page.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Silvi Alcivar, poet\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631830\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631830\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Silvi Alcivar is a San Francisco-based “poet on demand,” who hand-types original poems for customers at her mobile store. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“If you were to ask me to speak a poem, I couldn’t do it. If you were to put me in front of a typewriter, it happens. My typewriter is the truest love of my life. There’s something about it that’s built well, and if you care for it, it’s just going to keep working. I do worry that someday there might not be somebody who knows how to fix it.\u003c/em>\u003c/p>\n\u003cp>“I often think about what I do as counseling. People come to me with some big stuff. I write a lot of poems about death. I wrote a poem for a man who had lost his wife three months ago, and they had been married for 43 years. When he made his request, he could barely talk. Somebody’s desire for words sometimes is a desire for something more.” – \u003ca href=\"http://thepoetrystore.net/\">Silvi Alcivar,\u003c/a> poet\u003c/p>\n\u003cp>\u003cstrong>Tom Hanks, actor\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631637\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631637\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-800x453.jpg\" alt=\"\" width=\"800\" height=\"453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-800x453.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-1020x577.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-1180x668.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-960x543.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-240x136.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-520x294.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut.jpg 1909w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tom Hanks has a collection of more than 250 typewriters. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“There is a wonderful way to spend time typing. You get to think about it. You get to romantically sit back and ponder what your next words are going to be. And that is a pleasant, tactile action. It actually turns writing or composing into a very specific, physical process that has a soundtrack to it.” – Tom Hanks\u003c/em>\u003c/p>\n\u003cp>Nichol: When we filmed Tom Hanks, he had 270 typewriters. He loves the sound of typewriters, the difference between a Smith-Corona and Olympia. Every one of them have their own sound. They’re like snowflakes in a way. Every one of them is unique, from their sound to the letters that they make. Every font is slightly different. They’re totally original.\u003c/p>\n\u003cp>\u003cstrong>Jeremy Mayer, West Oakland artist\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631653\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631653\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland sculptor Jeremy Mayer makes new, futuristic creations out of old typewriters. \u003ccite>(Still from California Typewriter, Courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“This is how I choose to appreciate the typewriter. By dissecting it and bringing out the little bits and pieces that are us in them. Some of my favorite things to do are the human figures, because I find every curve on the human body in here in one of these typewriters.” – Jeremy Mayer\u003c/em>\u003c/p>\n\u003cp>Nichol: \u003ca href=\"http://jeremymayer.com/Artist.asp?ArtistID=18688&Akey=23SVCF6T\">Jeremy Mayer\u003c/a> was one of the first people I met at California Typewriter. He loves the typewriters, but he loves what’s in them. He sees the typewriter as a kind of erector set, where he can take them all apart, the pieces, and put them back together. One of his sculptures is in Mark Zuckerberg’s office, and his work has taken off. The tech folks understand the role the typewriter played. They appreciate that tactile quality that’s disappearing as we touch glass and are removed from more tangible things.\u003c/p>\n\u003cp>\u003cstrong>David McCullough, historian and writer\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11631655 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Historian and author David McCullough has written every one of his books on the same typewriter, including his Pulitzer Prize-winning books “Truman” and “John Adams.” \u003ccite>(Still from California Typewriter, Courtesy Doug Nichol )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“People tell me I could do much better, I could go faster and have less to contend with if I were to use a computer. But I don’t want to go faster. If anything, I prefer to go slower. To me, it’s understandable. I press the key and another key comes up and prints a letter on a piece of paper, and you can pull it out and it’s a piece of paper on which you have printed something. You have made that. It’s tangible. It’s real.” – David McCullough\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nichol: David McCullough has written every one of his books on that same typewriter. He believes it’s a tool. When you write on a typewriter you have to think about what you’re going to write before you commit it to paper.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "crowdsourcing-a-vanished-view-of-san-francisco",
"title": "Mystery Solved: Crowdsourcing a Vanished View of San Francisco",
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"headTitle": "Mystery Solved: Crowdsourcing a Vanished View of San Francisco | KQED",
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"content": "\u003cp>Sometimes, crowdsourcing works.\u003c/p>\n\u003cp>When it does, it can lead to improbable gatherings, like the one Friday morning in Noe Valley. There were five of us: a legendary lensman, an interior designer, a retired PG&E electrician, an engineer for United Airlines and me, a fan of photography and geography.\u003c/p>\n\u003cp>After \u003ca href=\"https://ww2.kqed.org/news/2017/11/09/photographer-fred-lyon-is-93-and-still-in-love-with-san-francisco/\">my story\u003c/a> earlier this month about 93-year-old photographer \u003ca href=\"http://www.fredlyon.com/\">Fred Lyon,\u003c/a> KQED asked readers to figure out where the picture \u003ca href=\"https://www.facebook.com/KQEDnews/photos/a.117611171646622.21467.107786349295771/1668921303182260/?type=3&theater\">“Houses on the Hills”\u003c/a> was shot. The image can be seen in his current “San Francisco Noir” exhibition at the \u003ca href=\"http://gallery.leicastoresf.com/exhibitions/current-exhibitions\">Leica Gallery\u003c/a> and in his \u003ca href=\"https://www.leicastoresf.com/248638\">new book\u003c/a> of the same name.\u003c/p>\n\u003cfigure id=\"attachment_11629489\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11629489 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut.jpg\" alt=\"Fred Lyon has taken so many pictures that he doesn't always remember when or where they were shot. He and his wife have spent hours driving around San Francisco trying to figure out the neighborhood where "Houses on the Hills" is located.\" width=\"1500\" height=\"1166\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-800x622.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-1020x793.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-1180x917.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-960x746.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-240x187.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-375x292.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-520x404.jpg 520w\" sizes=\"(max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Fred Lyon has taken so many pictures that he doesn’t always remember when or where they were shot. He and his wife spent hours driving around San Francisco searching for the location of ‘Houses on the Hills.’ \u003ccite>(Fred Lyon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lyon, a fourth-generation San Franciscan, has taken tens of thousands of photos in a career that began more than 70 years ago. When I asked where the houses were located, he said: “That’s a question we’ve been wrestling with ever since we discovered this negative about a year ago. Penny and I have spent hours driving around, but to no avail.”\u003c/p>\n\u003cp>Lyon and his wife, interior designer \u003ca href=\"http://www.pennyrozis.com/\">Penelope Rozis,\u003c/a> believed he was looking west, because of the position of the sun, and suspected the houses were in the Excelsior or Crocker-Amazon. But it turns out they’re actually in Noe Valley, on Worth Street. Lyon’s photo, shot facing east from upper Grand View Avenue, captured the back of those dwellings.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Two San Francisco residents solved the puzzle separately — with very different approaches — after they spotted KQED’s call for help on Facebook.\u003c/p>\n\u003cp>Robert Aranda Jr. moved to the neighborhood 58 years ago with his parents, after they emigrated from Guatemala. He recognized the scene immediately because his house on 22nd Street is just steps from Worth Street. Eric Chesmar, on the other hand, relied on Google Maps and \u003ca href=\"https://www.facebook.com/photo.php?fbid=10214758672623284&set=p.10214758672623284&type=3&theater\">Google Earth.\u003c/a>\u003c/p>\n\u003cp>“You did it with the new technology,” Aranda told Chesmar when we all met up on Worth Street. “Me, I live here.”\u003c/p>\n\u003cp>Chesmar said, “I spent a lot of time zooming in, trying to match the rooflines.”\u003c/p>\n\u003cp>Lyon was thrilled to meet them — and vice versa. “This has been the greatest mystery,” he told Chesmar and Aranda. “I was convinced they had moved a couple of large hills — the government does that, you know.”\u003c/p>\n\u003cp>He added, more seriously, “I was afraid the houses were gone.”\u003c/p>\n\u003cp>But those houses haven’t gone anywhere. And neither have most of the people who live on Worth Street, which is only one block long.\u003c/p>\n\u003cp>“People who live here have been here a long time,” said retired carpenter David Meites, 77, who I chatted with earlier in the morning and has lived on Worth more than 40 years. “It’s like a very small bar. Even if you’re not all that friendly, you’re pushed into saying hello.”\u003c/p>\n\u003cp>Although Worth Street hasn’t changed much since Lyon took his photo in the late ’40s or early ’50s, the same can’t be said for Grand View Avenue, where he was standing when he shot “Houses on the Hills.” He and Rozis could have driven around San Francisco for years without ever solving the puzzle.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘I assumed that the camera was pointed west, into the afternoon sun. Actually, it was east, and the morning sun. It’s an incredible relief to know where that is.’\u003ccite>Photographer Fred Lyon\u003c/cite>\u003c/aside>\n\u003cp>That’s because a large brown-shingle house was built on lower Grand View in 1979, and it blocks most of the view that the photographer had enjoyed. After we’d made our way from Worth Street to upper Grand View, we saw how much things had changed. Lyon shuddered and shook his head.\u003c/p>\n\u003cp>“At that time there were many empty lots,” said Lyon, whose memory of being there quickly returned. “I came here because it was a viewpoint.”\u003c/p>\n\u003cfigure id=\"attachment_11632353\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632353 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut.jpg\" alt=\"\" width=\"1920\" height=\"880\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-160x73.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-800x367.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-1020x468.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-1180x541.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-960x440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-240x110.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-375x172.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-520x238.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Here’s a screen shot of an aerial photograph of Worth Street in 1938, on the website of the San Francisco Planning Department. \u003ccite>(David Rumsey Map Collection)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Aranda was on a beach in Zihuatanejo, Mexico, when his wife spotted KQED’s request for help. “She said, ‘I bet you can figure this out.’ But I was leery I was correct until I saw the building behind the houses,” he said.\u003c/p>\n\u003cp>That building is \u003ca href=\"http://alvaradoschool.net/\">Alvarado Elementary School\u003c/a> on Douglass Street. It’s where Aranda, 63, a retired electrician at PG&E substations, went to grade school, not long after he arrived from Central America. The ornate cornices that can be glimpsed in the photograph are long gone, Aranda said, because of concerns about earthquake safety.\u003c/p>\n\u003cfigure id=\"attachment_11632361\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11632361\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-1020x765.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Robert Aranda Jr. takes a selfie on Worth Street in San Francisco with photographer Fred Lyon, whose work he has admired for many years. \u003ccite>(Patricia Yollin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chesmar, a composite engineer with United Airlines at SFO who lives in Bernal Heights, used a different strategy, scouring satellite photos on Google Maps to pinpoint the location: He looked for a hill with a contour that fit Lyon’s picture and for a second taller hill nearby, from where the photo was taken. Since the sun was to the right of the hill — and too high to be west — Lyon must have been facing east or south. Then he searched for buildings with those shapes and windows.\u003c/p>\n\u003cp>That process consumed about two hours. But after he noticed the steep stairway on 22nd Street, between Diamond and Collingwood, it took only another 15 minutes to zero in on where Lyon was standing almost seven decades ago. Then he verified his conclusion on Google Earth.\u003c/p>\n\u003cp>“I had plenty of time,” said Chesmar, 56, who is recovering from a mountain bike accident on Mount Tamalpais that broke his femur six weeks ago. He was recently allowed to drive a car again, but is still on crutches.\u003c/p>\n\u003cfigure id=\"attachment_11632362\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632362 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-1020x765.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Eric Chesmar, left, brought his iPad and Fred Lyon brought his camera to the very spot on upper Grand View Avenue in San Francisco where Lyon shot ‘Houses on the Hills.’ \u003ccite>(Patricia Yollin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Days earlier, when I told Lyon where the houses were situated, he said, “That makes perfect sense — and proves once again that one’s brain and memory are totally unreliable. I assumed that the camera was pointed west, into the afternoon sun. Actually, it was east, and the morning sun. It’s an incredible relief to know where that is.”\u003c/p>\n\u003cp>Leica Gallery director Alex Ramos, who was immensely curious about the location of the houses, also thought it was a sunset photograph with afternoon fog. “My guess was way off,” he said. “Fred must have gotten up early to make this one.”\u003c/p>\n\u003cp>On Friday morning, Lyon and Rozis marveled as Chesmar used his iPad to explain his methodology. “What great detective work,” Rozis remarked. “I can’t tell you how amazing I think it is that you identified this,” Lyon said.\u003c/p>\n\u003cp>When KQED readers took a stab at the elusive location, they were as mystified as Lyon had been. Their guesses included: Potrero Hill, Bernal Heights, the Excelsior, Crocker-Amazon, Daly City, Silver Terrace, the Portola, South San Francisco, the Mission District, Hunters Point and the Inner Sunset.\u003c/p>\n\u003cp>Lyon stood on upper Grand View Avenue — the spot where he’d been with his 4×5 Linhof and tripod around the middle of the last century — and took a few pictures of what is now a vastly altered view. “A lot has changed, but a lot is still the same,” he said of the city.\u003c/p>\n\u003cp>These days, Lyon is usually in discovery mode, looking at old photos and deciding what to keep and what to toss. He continually spots new things — and so do some of the people who look at his pictures.\u003c/p>\n\u003cp>Lyon described his image of three men pushing a cable car at the Powell Street turnaround. A woman told him that her father was one of them — his pipe was clenched in his mouth and he always wore his hat that way. “And I thought, isn’t this a sweet moment,” Lyon recalled. “And then she said, ‘One day he took the family Cadillac and his secretary, and nobody’s seen him since.’ Don’t tell me these things. I’m a romantic and I don’t want to know that.”\u003c/p>\n\u003cp>Unlike many of the photographs Lyon made for Life, Look and other publications, “Houses on the Hills” is horizontal. “I realized early on that magazine pages were vertical and you got paid by the page,” he said. “I didn’t want to settle for horizontals, so I forced verticals. And I thought that was fine because I was starving.”\u003c/p>\n\u003cp>“You’re not now,” Aranda said.\u003c/p>\n\u003cp>“No,” Lyon agreed. “If anything, I’m overfed.”\u003c/p>\n\u003cfigure id=\"attachment_11632363\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632363 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-1020x765.jpg\" alt=\"Fred Lyon gave Robert Aranda Jr. a digital print of his "Houses on the Hills" photograph. It is temporarily keeping company with tequila bottles on Aranda's dining room table in the Noe Valley neighborhood of San Francisco.\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Fred Lyon gave Robert Aranda Jr. a digital print of his ‘Houses on the Hills’ photograph. It is temporarily keeping company with tequila bottles on Aranda’s dining room table in the Noe Valley neighborhood of San Francisco. \u003ccite>(Patricia Yollin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When it was time to leave, a grateful Lyon presented Aranda and Chesmar with digital prints of “Houses on the Hills.” Aranda started to choke up. When I mentioned that the silver gelatin version on display at the Leica Gallery is priced at $5,000, they looked even more stunned.\u003c/p>\n\u003cp>Aranda, a big fan of Lyon’s work, said he’ll get the photograph matted and framed as soon as he can. We walked over to his house and he showed me exactly where it will go, in a prominent spot in the front hallway. Then he propped it up on the dining room table. surrounded by tequila bottles, and admired the view Lyon had enjoyed — one that has seemingly vanished.\u003c/p>\n\u003cp>But there \u003cem>is\u003c/em> a way to see it. Vincent Galea, 80, who has lived on Worth for 40-plus years, invited me to climb to the top of his terraced backyard garden, behind his house on the west side of the street. That is where Lyon’s houses on the hills can still be seen.\u003c/p>\n\u003cp>Galea’s home, in fact, is one of those houses. But he hadn’t realized it until that moment, when we looked at a photocopy of the image that I’d brought along.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“I’d seen the picture before and I didn’t put it together,” Galea said. “But I knew it was in the neighborhood.”\u003c/p>\n\u003cfigure id=\"attachment_11632354\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632354 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-1020x765.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The backs of the Worth Street houses that Fred Lyon photographed decades ago can still be seen behind the home of Vincent Galea, at the top of his lush terraced garden. \u003ccite>(Patricia Yollin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "Fred Lyon, 93, the city's most famous and prolific photographer, couldn't remember where he shot 'Houses on the Hills' almost seven decades ago. Two KQED readers figured it out.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sometimes, crowdsourcing works.\u003c/p>\n\u003cp>When it does, it can lead to improbable gatherings, like the one Friday morning in Noe Valley. There were five of us: a legendary lensman, an interior designer, a retired PG&E electrician, an engineer for United Airlines and me, a fan of photography and geography.\u003c/p>\n\u003cp>After \u003ca href=\"https://ww2.kqed.org/news/2017/11/09/photographer-fred-lyon-is-93-and-still-in-love-with-san-francisco/\">my story\u003c/a> earlier this month about 93-year-old photographer \u003ca href=\"http://www.fredlyon.com/\">Fred Lyon,\u003c/a> KQED asked readers to figure out where the picture \u003ca href=\"https://www.facebook.com/KQEDnews/photos/a.117611171646622.21467.107786349295771/1668921303182260/?type=3&theater\">“Houses on the Hills”\u003c/a> was shot. The image can be seen in his current “San Francisco Noir” exhibition at the \u003ca href=\"http://gallery.leicastoresf.com/exhibitions/current-exhibitions\">Leica Gallery\u003c/a> and in his \u003ca href=\"https://www.leicastoresf.com/248638\">new book\u003c/a> of the same name.\u003c/p>\n\u003cfigure id=\"attachment_11629489\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11629489 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut.jpg\" alt=\"Fred Lyon has taken so many pictures that he doesn't always remember when or where they were shot. He and his wife have spent hours driving around San Francisco trying to figure out the neighborhood where "Houses on the Hills" is located.\" width=\"1500\" height=\"1166\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-800x622.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-1020x793.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-1180x917.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-960x746.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-240x187.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-375x292.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27942_houses-on-hill-qut-520x404.jpg 520w\" sizes=\"(max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Fred Lyon has taken so many pictures that he doesn’t always remember when or where they were shot. He and his wife spent hours driving around San Francisco searching for the location of ‘Houses on the Hills.’ \u003ccite>(Fred Lyon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lyon, a fourth-generation San Franciscan, has taken tens of thousands of photos in a career that began more than 70 years ago. When I asked where the houses were located, he said: “That’s a question we’ve been wrestling with ever since we discovered this negative about a year ago. Penny and I have spent hours driving around, but to no avail.”\u003c/p>\n\u003cp>Lyon and his wife, interior designer \u003ca href=\"http://www.pennyrozis.com/\">Penelope Rozis,\u003c/a> believed he was looking west, because of the position of the sun, and suspected the houses were in the Excelsior or Crocker-Amazon. But it turns out they’re actually in Noe Valley, on Worth Street. Lyon’s photo, shot facing east from upper Grand View Avenue, captured the back of those dwellings.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Two San Francisco residents solved the puzzle separately — with very different approaches — after they spotted KQED’s call for help on Facebook.\u003c/p>\n\u003cp>Robert Aranda Jr. moved to the neighborhood 58 years ago with his parents, after they emigrated from Guatemala. He recognized the scene immediately because his house on 22nd Street is just steps from Worth Street. Eric Chesmar, on the other hand, relied on Google Maps and \u003ca href=\"https://www.facebook.com/photo.php?fbid=10214758672623284&set=p.10214758672623284&type=3&theater\">Google Earth.\u003c/a>\u003c/p>\n\u003cp>“You did it with the new technology,” Aranda told Chesmar when we all met up on Worth Street. “Me, I live here.”\u003c/p>\n\u003cp>Chesmar said, “I spent a lot of time zooming in, trying to match the rooflines.”\u003c/p>\n\u003cp>Lyon was thrilled to meet them — and vice versa. “This has been the greatest mystery,” he told Chesmar and Aranda. “I was convinced they had moved a couple of large hills — the government does that, you know.”\u003c/p>\n\u003cp>He added, more seriously, “I was afraid the houses were gone.”\u003c/p>\n\u003cp>But those houses haven’t gone anywhere. And neither have most of the people who live on Worth Street, which is only one block long.\u003c/p>\n\u003cp>“People who live here have been here a long time,” said retired carpenter David Meites, 77, who I chatted with earlier in the morning and has lived on Worth more than 40 years. “It’s like a very small bar. Even if you’re not all that friendly, you’re pushed into saying hello.”\u003c/p>\n\u003cp>Although Worth Street hasn’t changed much since Lyon took his photo in the late ’40s or early ’50s, the same can’t be said for Grand View Avenue, where he was standing when he shot “Houses on the Hills.” He and Rozis could have driven around San Francisco for years without ever solving the puzzle.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘I assumed that the camera was pointed west, into the afternoon sun. Actually, it was east, and the morning sun. It’s an incredible relief to know where that is.’\u003ccite>Photographer Fred Lyon\u003c/cite>\u003c/aside>\n\u003cp>That’s because a large brown-shingle house was built on lower Grand View in 1979, and it blocks most of the view that the photographer had enjoyed. After we’d made our way from Worth Street to upper Grand View, we saw how much things had changed. Lyon shuddered and shook his head.\u003c/p>\n\u003cp>“At that time there were many empty lots,” said Lyon, whose memory of being there quickly returned. “I came here because it was a viewpoint.”\u003c/p>\n\u003cfigure id=\"attachment_11632353\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632353 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut.jpg\" alt=\"\" width=\"1920\" height=\"880\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-160x73.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-800x367.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-1020x468.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-1180x541.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-960x440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-240x110.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-375x172.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28074_1938-worth-st-qut-520x238.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Here’s a screen shot of an aerial photograph of Worth Street in 1938, on the website of the San Francisco Planning Department. \u003ccite>(David Rumsey Map Collection)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Aranda was on a beach in Zihuatanejo, Mexico, when his wife spotted KQED’s request for help. “She said, ‘I bet you can figure this out.’ But I was leery I was correct until I saw the building behind the houses,” he said.\u003c/p>\n\u003cp>That building is \u003ca href=\"http://alvaradoschool.net/\">Alvarado Elementary School\u003c/a> on Douglass Street. It’s where Aranda, 63, a retired electrician at PG&E substations, went to grade school, not long after he arrived from Central America. The ornate cornices that can be glimpsed in the photograph are long gone, Aranda said, because of concerns about earthquake safety.\u003c/p>\n\u003cfigure id=\"attachment_11632361\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11632361\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-1020x765.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28070_mystery-robert-fred-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Robert Aranda Jr. takes a selfie on Worth Street in San Francisco with photographer Fred Lyon, whose work he has admired for many years. \u003ccite>(Patricia Yollin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chesmar, a composite engineer with United Airlines at SFO who lives in Bernal Heights, used a different strategy, scouring satellite photos on Google Maps to pinpoint the location: He looked for a hill with a contour that fit Lyon’s picture and for a second taller hill nearby, from where the photo was taken. Since the sun was to the right of the hill — and too high to be west — Lyon must have been facing east or south. Then he searched for buildings with those shapes and windows.\u003c/p>\n\u003cp>That process consumed about two hours. But after he noticed the steep stairway on 22nd Street, between Diamond and Collingwood, it took only another 15 minutes to zero in on where Lyon was standing almost seven decades ago. Then he verified his conclusion on Google Earth.\u003c/p>\n\u003cp>“I had plenty of time,” said Chesmar, 56, who is recovering from a mountain bike accident on Mount Tamalpais that broke his femur six weeks ago. He was recently allowed to drive a car again, but is still on crutches.\u003c/p>\n\u003cfigure id=\"attachment_11632362\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632362 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-1020x765.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28071_msytery-eric-fred-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Eric Chesmar, left, brought his iPad and Fred Lyon brought his camera to the very spot on upper Grand View Avenue in San Francisco where Lyon shot ‘Houses on the Hills.’ \u003ccite>(Patricia Yollin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Days earlier, when I told Lyon where the houses were situated, he said, “That makes perfect sense — and proves once again that one’s brain and memory are totally unreliable. I assumed that the camera was pointed west, into the afternoon sun. Actually, it was east, and the morning sun. It’s an incredible relief to know where that is.”\u003c/p>\n\u003cp>Leica Gallery director Alex Ramos, who was immensely curious about the location of the houses, also thought it was a sunset photograph with afternoon fog. “My guess was way off,” he said. “Fred must have gotten up early to make this one.”\u003c/p>\n\u003cp>On Friday morning, Lyon and Rozis marveled as Chesmar used his iPad to explain his methodology. “What great detective work,” Rozis remarked. “I can’t tell you how amazing I think it is that you identified this,” Lyon said.\u003c/p>\n\u003cp>When KQED readers took a stab at the elusive location, they were as mystified as Lyon had been. Their guesses included: Potrero Hill, Bernal Heights, the Excelsior, Crocker-Amazon, Daly City, Silver Terrace, the Portola, South San Francisco, the Mission District, Hunters Point and the Inner Sunset.\u003c/p>\n\u003cp>Lyon stood on upper Grand View Avenue — the spot where he’d been with his 4×5 Linhof and tripod around the middle of the last century — and took a few pictures of what is now a vastly altered view. “A lot has changed, but a lot is still the same,” he said of the city.\u003c/p>\n\u003cp>These days, Lyon is usually in discovery mode, looking at old photos and deciding what to keep and what to toss. He continually spots new things — and so do some of the people who look at his pictures.\u003c/p>\n\u003cp>Lyon described his image of three men pushing a cable car at the Powell Street turnaround. A woman told him that her father was one of them — his pipe was clenched in his mouth and he always wore his hat that way. “And I thought, isn’t this a sweet moment,” Lyon recalled. “And then she said, ‘One day he took the family Cadillac and his secretary, and nobody’s seen him since.’ Don’t tell me these things. I’m a romantic and I don’t want to know that.”\u003c/p>\n\u003cp>Unlike many of the photographs Lyon made for Life, Look and other publications, “Houses on the Hills” is horizontal. “I realized early on that magazine pages were vertical and you got paid by the page,” he said. “I didn’t want to settle for horizontals, so I forced verticals. And I thought that was fine because I was starving.”\u003c/p>\n\u003cp>“You’re not now,” Aranda said.\u003c/p>\n\u003cp>“No,” Lyon agreed. “If anything, I’m overfed.”\u003c/p>\n\u003cfigure id=\"attachment_11632363\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632363 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-1020x765.jpg\" alt=\"Fred Lyon gave Robert Aranda Jr. a digital print of his "Houses on the Hills" photograph. It is temporarily keeping company with tequila bottles on Aranda's dining room table in the Noe Valley neighborhood of San Francisco.\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28072_mystery-tequila-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Fred Lyon gave Robert Aranda Jr. a digital print of his ‘Houses on the Hills’ photograph. It is temporarily keeping company with tequila bottles on Aranda’s dining room table in the Noe Valley neighborhood of San Francisco. \u003ccite>(Patricia Yollin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When it was time to leave, a grateful Lyon presented Aranda and Chesmar with digital prints of “Houses on the Hills.” Aranda started to choke up. When I mentioned that the silver gelatin version on display at the Leica Gallery is priced at $5,000, they looked even more stunned.\u003c/p>\n\u003cp>Aranda, a big fan of Lyon’s work, said he’ll get the photograph matted and framed as soon as he can. We walked over to his house and he showed me exactly where it will go, in a prominent spot in the front hallway. Then he propped it up on the dining room table. surrounded by tequila bottles, and admired the view Lyon had enjoyed — one that has seemingly vanished.\u003c/p>\n\u003cp>But there \u003cem>is\u003c/em> a way to see it. Vincent Galea, 80, who has lived on Worth for 40-plus years, invited me to climb to the top of his terraced backyard garden, behind his house on the west side of the street. That is where Lyon’s houses on the hills can still be seen.\u003c/p>\n\u003cp>Galea’s home, in fact, is one of those houses. But he hadn’t realized it until that moment, when we looked at a photocopy of the image that I’d brought along.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’d seen the picture before and I didn’t put it together,” Galea said. “But I knew it was in the neighborhood.”\u003c/p>\n\u003cfigure id=\"attachment_11632354\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632354 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-1020x765.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28073_mystery-houses-on-worth-qut-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The backs of the Worth Street houses that Fred Lyon photographed decades ago can still be seen behind the home of Vincent Galea, at the top of his lush terraced garden. \u003ccite>(Patricia Yollin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Which 'Book' Would You Take Out at This Human Library?",
"title": "Which 'Book' Would You Take Out at This Human Library?",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>People go to libraries to learn something new, to escape into a different world. But what if a trip to the library let you spend time with someone you would never otherwise hang out with? That’s what happened at a community college in the Central Valley. Come with us as we visit a human library.\u003c/p>\n\u003cp>Browse the shelves at a more typical library and you’ll find titles like \"Good Night Moon,\" \"Harry Potter and the Sorcerer’s Stone\" and \"The Grapes of Wrath.\" At a Human Library, though, these are the books: Danny Kim, a genocide survivor; Briana Sawyer, a black student; and Bertha Reyes, an immigrant.\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/tcrmag/2017/11/TCRMagHumanLibrary2.mp3\" Image=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-800x533.jpg\" Title=\"Which ‘Book’ Would You Take Out at This Human Library?\" program=\"The California Report\"]\u003c/p>\n\u003cp>Last week, these and about two dozen other so-called “books” gathered at Reedley College to take part in the school’s first Human Library. They’re called books because they have their own unique stories to tell, with titles like “Catholic,” “child of deaf adults” or “vegan.” Under a tent on the Reedley College quad, they sit along one side of a long banquet table — called a “bookshelf” — and wait for \"readers\" to sit down and strike up conversation.\u003c/p>\n\u003cp>In a throng of readers waiting for an open chair, Mykel Saucedo looks contemplatively at the list of book titles. He’s already spoken to an LGBTQ individual and a student with autism, and he’s excited to fit in one more conversation before class.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“You need to put yourself into other people's shoes to learn some things,” says Saucedo, a Reedley sophomore studying communications.\u003c/p>\n\u003cfigure id=\"attachment_11632289\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut.jpg\">\u003cimg class=\"size-medium wp-image-11632289\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-800x533.jpg\" alt=\"Organizers printed up this introduction and guide to help readers strike up conversation with books at Reedley College's Human Library event.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Organizers printed up this introduction and guide to help readers strike up conversation with books at Reedley College's Human Library event. \u003ccite>(Kerry Klein/KVPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He chooses a visually impaired man and wastes hardly any time on small talk. He asks a question that in other circumstances may be considered impolite.\u003c/p>\n\u003cp>“Do people make assumptions about you based on your appearance and your visual impairment?” he asks.\u003c/p>\n\u003cp>But the book, a student named Jeffrey Sites living with Bardet-Biedl syndrome, is ready. He explains he’s had to develop a sense of humor about his near blindness.\u003c/p>\n\u003cp>“My last name is Sites, for crying out loud,” he laughs, “so let's just be honest right there.”\u003c/p>\n\u003cp>This is probably the kind of conversation that Rebecca al Haider is hoping for. She teaches English as a Second Language on campus, and she organized the event. She designed it to function similar to a kind of cultural speed dating.\u003c/p>\n\u003cp>Readers “sit down at what we call a bookshelf, the books are there and the books are human, and they get to interview them about the identifiers and ask questions that break stereotypes and prejudices,\" she says.\u003c/p>\n\u003cp>The human library concept was introduced almost 20 years ago by activists protesting violence in Denmark. Since then, it’s grown to a global movement, with events held in dozens of countries and cities all across the U.S. The general objective is to expose people to vastly different life experiences.\u003c/p>\n\u003cp>That’s what inspired Al Haider, too. She advises the college’s multicultural club and encounters lots of students who struggle with discrimination and cultural misunderstandings.\u003c/p>\n\u003cp>“I thought, 'If only people knew my students the way that I know them and their personal stories,'” she says.\u003c/p>\n\u003cp>Although Al Haider may hope for big cultural transformations, she set readers up with some more manageable goals.\u003c/p>\n\u003cp>“We have handed out these papers that have just one question: what's the most important point you learned from this event?” she says. “And if they learned one new point, then we're happy and we see that as success.”\u003c/p>\n\u003cp>The event is packed. Al Haider estimates at least 200 readers have passed through. Some books, like the Muslim and Sikh individuals, have had no breaks — just a constant stream of curious participants.\u003c/p>\n\u003cfigure id=\"attachment_11632288\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut.jpg\">\u003cimg class=\"size-medium wp-image-11632288\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-800x533.jpg\" alt=\"The event's 25 book titles included "Black," "Visually impaired/blind," "Muslim," and "Survivor of domestic violence."\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The event's 25 book titles included \"Black,\" \"Visually impaired/blind,\" \"Muslim,\" and \"Survivor of domestic violence.\" \u003ccite>(Kerry Klein/KVPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Most readers tell me they think the event is a great idea. I met one who isn’t even a student at Reedley and drove 12 miles from Orosi just for a chance to have some unusual conversations.\u003c/p>\n\u003cp>But how did the human books feel about this? Did their singular labels leave them feeling misunderstood, or reduced? The consensus is no.\u003c/p>\n\u003cp>Jack DiGiacamo, a Reedley student with autism, says addressing his diagnosis head-on was refreshing.\u003c/p>\n\u003cp>“I wouldn't be the person I am without autism,” he says. “I love talking and sharing with people more about autism.”\u003c/p>\n\u003cp>Darlene Murray, a Reedley professor and the teen mom book, said for her, that label was just a path into a bigger conversation about all of her intersecting labels.\u003c/p>\n\u003cp>“Biracial, female, former teen mom, first generation college student,\" Murray listed them off. \"Whether it's one identifier over another, it's my story and I think that we can learn a lot.”\u003c/p>\n\u003cp>Some conversations feel natural, like two people just trying to get to know each other. But others? Fireworks.\u003c/p>\n\u003cp>Sammy Ashworth is a detective with the Fresno Police Department and one of today’s books. He says one reader who approached him is an ex-con. They both realized this was an opportunity they probably wouldn’t get anywhere else.\u003c/p>\n\u003cp>“They actually told me, 'When I was growing up, before I went to prison, I hated law enforcement. I would just as soon have killed you as be sitting here with you, and now we're sitting here together openly talking together and we have a good dialogue, a good bridge built between us,'” Ashworth says. “It was an amazing conversation.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Eventually, Al Haider hopes to run the event annually. She’s already thinking about books she’ll recruit next time.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>People go to libraries to learn something new, to escape into a different world. But what if a trip to the library let you spend time with someone you would never otherwise hang out with? That’s what happened at a community college in the Central Valley. Come with us as we visit a human library.\u003c/p>\n\u003cp>Browse the shelves at a more typical library and you’ll find titles like \"Good Night Moon,\" \"Harry Potter and the Sorcerer’s Stone\" and \"The Grapes of Wrath.\" At a Human Library, though, these are the books: Danny Kim, a genocide survivor; Briana Sawyer, a black student; and Bertha Reyes, an immigrant.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Last week, these and about two dozen other so-called “books” gathered at Reedley College to take part in the school’s first Human Library. They’re called books because they have their own unique stories to tell, with titles like “Catholic,” “child of deaf adults” or “vegan.” Under a tent on the Reedley College quad, they sit along one side of a long banquet table — called a “bookshelf” — and wait for \"readers\" to sit down and strike up conversation.\u003c/p>\n\u003cp>In a throng of readers waiting for an open chair, Mykel Saucedo looks contemplatively at the list of book titles. He’s already spoken to an LGBTQ individual and a student with autism, and he’s excited to fit in one more conversation before class.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“You need to put yourself into other people's shoes to learn some things,” says Saucedo, a Reedley sophomore studying communications.\u003c/p>\n\u003cfigure id=\"attachment_11632289\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut.jpg\">\u003cimg class=\"size-medium wp-image-11632289\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-800x533.jpg\" alt=\"Organizers printed up this introduction and guide to help readers strike up conversation with books at Reedley College's Human Library event.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28067_HumanLibrary3-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Organizers printed up this introduction and guide to help readers strike up conversation with books at Reedley College's Human Library event. \u003ccite>(Kerry Klein/KVPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He chooses a visually impaired man and wastes hardly any time on small talk. He asks a question that in other circumstances may be considered impolite.\u003c/p>\n\u003cp>“Do people make assumptions about you based on your appearance and your visual impairment?” he asks.\u003c/p>\n\u003cp>But the book, a student named Jeffrey Sites living with Bardet-Biedl syndrome, is ready. He explains he’s had to develop a sense of humor about his near blindness.\u003c/p>\n\u003cp>“My last name is Sites, for crying out loud,” he laughs, “so let's just be honest right there.”\u003c/p>\n\u003cp>This is probably the kind of conversation that Rebecca al Haider is hoping for. She teaches English as a Second Language on campus, and she organized the event. She designed it to function similar to a kind of cultural speed dating.\u003c/p>\n\u003cp>Readers “sit down at what we call a bookshelf, the books are there and the books are human, and they get to interview them about the identifiers and ask questions that break stereotypes and prejudices,\" she says.\u003c/p>\n\u003cp>The human library concept was introduced almost 20 years ago by activists protesting violence in Denmark. Since then, it’s grown to a global movement, with events held in dozens of countries and cities all across the U.S. The general objective is to expose people to vastly different life experiences.\u003c/p>\n\u003cp>That’s what inspired Al Haider, too. She advises the college’s multicultural club and encounters lots of students who struggle with discrimination and cultural misunderstandings.\u003c/p>\n\u003cp>“I thought, 'If only people knew my students the way that I know them and their personal stories,'” she says.\u003c/p>\n\u003cp>Although Al Haider may hope for big cultural transformations, she set readers up with some more manageable goals.\u003c/p>\n\u003cp>“We have handed out these papers that have just one question: what's the most important point you learned from this event?” she says. “And if they learned one new point, then we're happy and we see that as success.”\u003c/p>\n\u003cp>The event is packed. Al Haider estimates at least 200 readers have passed through. Some books, like the Muslim and Sikh individuals, have had no breaks — just a constant stream of curious participants.\u003c/p>\n\u003cfigure id=\"attachment_11632288\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut.jpg\">\u003cimg class=\"size-medium wp-image-11632288\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-800x533.jpg\" alt=\"The event's 25 book titles included "Black," "Visually impaired/blind," "Muslim," and "Survivor of domestic violence."\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/11/RS28068_HumanLibrary2-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The event's 25 book titles included \"Black,\" \"Visually impaired/blind,\" \"Muslim,\" and \"Survivor of domestic violence.\" \u003ccite>(Kerry Klein/KVPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Most readers tell me they think the event is a great idea. I met one who isn’t even a student at Reedley and drove 12 miles from Orosi just for a chance to have some unusual conversations.\u003c/p>\n\u003cp>But how did the human books feel about this? Did their singular labels leave them feeling misunderstood, or reduced? The consensus is no.\u003c/p>\n\u003cp>Jack DiGiacamo, a Reedley student with autism, says addressing his diagnosis head-on was refreshing.\u003c/p>\n\u003cp>“I wouldn't be the person I am without autism,” he says. “I love talking and sharing with people more about autism.”\u003c/p>\n\u003cp>Darlene Murray, a Reedley professor and the teen mom book, said for her, that label was just a path into a bigger conversation about all of her intersecting labels.\u003c/p>\n\u003cp>“Biracial, female, former teen mom, first generation college student,\" Murray listed them off. \"Whether it's one identifier over another, it's my story and I think that we can learn a lot.”\u003c/p>\n\u003cp>Some conversations feel natural, like two people just trying to get to know each other. But others? Fireworks.\u003c/p>\n\u003cp>Sammy Ashworth is a detective with the Fresno Police Department and one of today’s books. He says one reader who approached him is an ex-con. They both realized this was an opportunity they probably wouldn’t get anywhere else.\u003c/p>\n\u003cp>“They actually told me, 'When I was growing up, before I went to prison, I hated law enforcement. I would just as soon have killed you as be sitting here with you, and now we're sitting here together openly talking together and we have a good dialogue, a good bridge built between us,'” Ashworth says. “It was an amazing conversation.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Eventually, Al Haider hopes to run the event annually. She’s already thinking about books she’ll recruit next time.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Bay Area Farmers Markets Push for Locally-Sourced Thanksgiving Meals",
"headTitle": "Bay Area Farmers Markets Push for Locally-Sourced Thanksgiving Meals | KQED",
"content": "\u003cp>With Thanksgiving just days away, many people are planning just what exactly will be on the dinner table this Thursday. But vendors at Bay Area farmers markets have been getting ready for this week for months. \u003c/p>\n\u003cp>Now all that preparation is paying off. \u003c/p>\n\u003cp>This Sunday, the San Rafael Civic Center Market saw thousands of shoppers looking for Thanksgiving staples such as beans, potatoes and carrots.\u003c/p>\n\u003cfigure id=\"attachment_11632260\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632260 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Julie Rosotti of Rosotti Ranch sells several turkey alternatives including goat, veal and chicken. Rosotti recommends roasting a heritage chicken for those hosting a small Thanksgiving. \u003ccite>(Tiffany Camhi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Agricultural Institute of Marin puts on this market, which regularly sees more than 10,000 people every Sunday. It’s the organizations largest market with more than 200 local vendors, according to CEO Bridgitte Moran.\u003c/p>\n\u003cp>“We’re trying to get the word out to make this a locally-sourced holiday,” Moran said. “Our vendors are small family farmers, and we need to support them.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>One of those farmers is Ken Orchard, of Orchard Farms in Sebastopol. Orchard says he’s been planning for Thanksgiving week since March. Now he’s offering parsnips, rutabagas, celery, sage, shallots and several other vegetables at his stall.\u003c/p>\n\u003cfigure id=\"attachment_11632262\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11632262\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ken Orchard sells Thanksgiving staples including sage and root vegetables. \u003ccite>(Tiffany Camhi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I’m selling everything I could think of that’s required in a Thanksgiving recipe,” Orchard said.\u003c/p>\n\u003cp>Another Thanksgiving staple for many Bay Area families is dungeness crab thanks to a fishing season that coincides with the holiday. \u003c/p>\n\u003cp>Gary Root from Sausalito’s Same Day Seafood has been taking crab pre-orders since August.\u003c/p>\n\u003cp>“We have been fishing like crazy this week, and we’re already sold out of dungeness crab this morning,” Root said.\u003c/p>\n\u003cfigure id=\"attachment_11632259\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632259 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gary Root filets coho salmon at his market stand. He had sold out of dungeness crab by 10 a.m. \u003ccite>(Tiffany Camhi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Thanksgiving is one of Root’s favorite weeks to work at the San Rafael market because he says the holiday is really all about the food.\u003c/p>\n\u003cp>“It’s so much fun to see so many people excited about locally produced food,” he said. “That’s the great part of Thanksgiving, that we can feed ourselves here.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Several Bay Area farmers markets organizations including \u003ca href=\"https://cuesa.org/\">CUESA\u003c/a>, \u003ca href=\"https://agriculturalinstitute.org/\">Agricultural Institute of Marin\u003c/a> and \u003ca href=\"http://www.cafarmersmkts.com/#home\">California Farmers’ Market Association\u003c/a> will be holding a special Wednesday markets this week for folks looking to make last minute purchases for Thursday’s meal.\u003c/p>\n\u003cfigure id=\"attachment_11632263\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11632263\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Don’t forget dinner table centerpieces. Several farmers market floral vendors are offering special holiday centerpieces this week. \u003ccite>(Tiffany Camhi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "Bay Area farmers markets want to put locally-sourced food on this year’s Thanksgiving dinner table.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>With Thanksgiving just days away, many people are planning just what exactly will be on the dinner table this Thursday. But vendors at Bay Area farmers markets have been getting ready for this week for months. \u003c/p>\n\u003cp>Now all that preparation is paying off. \u003c/p>\n\u003cp>This Sunday, the San Rafael Civic Center Market saw thousands of shoppers looking for Thanksgiving staples such as beans, potatoes and carrots.\u003c/p>\n\u003cfigure id=\"attachment_11632260\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632260 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28059_IMG_1274-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Julie Rosotti of Rosotti Ranch sells several turkey alternatives including goat, veal and chicken. Rosotti recommends roasting a heritage chicken for those hosting a small Thanksgiving. \u003ccite>(Tiffany Camhi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Agricultural Institute of Marin puts on this market, which regularly sees more than 10,000 people every Sunday. It’s the organizations largest market with more than 200 local vendors, according to CEO Bridgitte Moran.\u003c/p>\n\u003cp>“We’re trying to get the word out to make this a locally-sourced holiday,” Moran said. “Our vendors are small family farmers, and we need to support them.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One of those farmers is Ken Orchard, of Orchard Farms in Sebastopol. Orchard says he’s been planning for Thanksgiving week since March. Now he’s offering parsnips, rutabagas, celery, sage, shallots and several other vegetables at his stall.\u003c/p>\n\u003cfigure id=\"attachment_11632262\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11632262\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28062_IMG_1287-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ken Orchard sells Thanksgiving staples including sage and root vegetables. \u003ccite>(Tiffany Camhi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I’m selling everything I could think of that’s required in a Thanksgiving recipe,” Orchard said.\u003c/p>\n\u003cp>Another Thanksgiving staple for many Bay Area families is dungeness crab thanks to a fishing season that coincides with the holiday. \u003c/p>\n\u003cp>Gary Root from Sausalito’s Same Day Seafood has been taking crab pre-orders since August.\u003c/p>\n\u003cp>“We have been fishing like crazy this week, and we’re already sold out of dungeness crab this morning,” Root said.\u003c/p>\n\u003cfigure id=\"attachment_11632259\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11632259 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28058_IMG_1271-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gary Root filets coho salmon at his market stand. He had sold out of dungeness crab by 10 a.m. \u003ccite>(Tiffany Camhi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Thanksgiving is one of Root’s favorite weeks to work at the San Rafael market because he says the holiday is really all about the food.\u003c/p>\n\u003cp>“It’s so much fun to see so many people excited about locally produced food,” he said. “That’s the great part of Thanksgiving, that we can feed ourselves here.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Several Bay Area farmers markets organizations including \u003ca href=\"https://cuesa.org/\">CUESA\u003c/a>, \u003ca href=\"https://agriculturalinstitute.org/\">Agricultural Institute of Marin\u003c/a> and \u003ca href=\"http://www.cafarmersmkts.com/#home\">California Farmers’ Market Association\u003c/a> will be holding a special Wednesday markets this week for folks looking to make last minute purchases for Thursday’s meal.\u003c/p>\n\u003cfigure id=\"attachment_11632263\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11632263\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28063_IMG_1289-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Don’t forget dinner table centerpieces. Several farmers market floral vendors are offering special holiday centerpieces this week. \u003ccite>(Tiffany Camhi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
"meta": {
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"here-and-now": {
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
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"order": 18
},
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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