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"content": "\u003cp>[dropcap]L[/dropcap]ake Merritt, the man-made lake at the center of Oakland, has been called the city’s beating heart. It is more than a body of water — it is where people gather to celebrate and protest, to party and to mourn.\u003c/p>\n\u003cp>After the election of President Trump, the lake is where liberal Oaklanders showed up to \u003ca href=\"https://www.eastbayexpress.com/SevenDays/archives/2016/11/13/protesters-join-hands-around-lake-merritt-in-oakland-to-protest-trump-hate-crimes\" target=\"_blank\" rel=\"noopener\">hold hands\u003c/a> around the 3.4-mile circumference. When the Ghost Ship fire took 36 lives in December 2016 — many deeply connected to the community — the lake is where people came to hold \u003ca href=\"https://oaklandnorth.net/2016/12/06/ghost-ship-fire-mourners-gather-at-lakeside-vigil-to-grieve-those-lost/\" target=\"_blank\" rel=\"noopener\">vigil\u003c/a>. And for 16 years — from 1982 until 1997 — the beloved Festival at the Lake captured the essence of Oakland.\u003c/p>\n\u003cp>If you stand at the amphitheater on the lake’s southwest corner and look left, you’ll see the Alameda County courthouse. In 1968,\u003ca href=\"http://picturethis.museumca.org/pictures/members-black-panthers-march-outside-alameda-county-courthouse-oakland-during-huey-newtons-\" target=\"_blank\" rel=\"noopener\"> protesters and Black Panthers party members\u003c/a> stood on \u003ca href=\"http://picturethis.museumca.org/pictures/two-black-panther-men-standing-steps-alameda-county-court-house-during-huey-p-newtons-trial\" target=\"_blank\" rel=\"noopener\">the courthouse steps\u003c/a>, holding signs that said “Free Huey,” during the murder trial of Black Panther co-founder Huey Newton. Turn your head, and you see 1200 Lakeshore Avenue. Newton later lived in the penthouse there, with an all-too-perfect view of those same steps, as he descended into drugs and paranoia and the party crumbled around him.\u003c/p>\n\u003cp>It was also here in 2015, right at the amphitheater, that \u003ca href=\"https://soundcloud.com/kqed/who-owns-communal-space-in-oakland\" target=\"_blank\" rel=\"noopener\">a group of black and brown drummers celebrating a red moon\u003c/a> had police called on them by a white resident.\u003c/p>\n\u003cp>The history of the lake tells a story of race and space, who gets to belong and who is permitted access to public space in Oakland. Lake Merritt has been fought over and policed, controlled and patrolled, by residents and city officials alike.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The lake became a flashpoint this summer, after \u003ca href=\"https://www.kqed.org/news/11668335/oaklands-response-to-grillingwhileblack-electric-slide\" target=\"_blank\" rel=\"noopener\">a white woman called the police on two black men who were barbecuing\u003c/a>. One of those men was Kenzie Smith.\u003c/p>\n\u003cp>“This lady said that she owned Lake Merritt,” Smith said. “She also told us we were trespassing. Do you not understand how crazy this is?”\u003c/p>\n\u003cfigure id=\"attachment_11692159\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11692159 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya8-1020x573.jpg\" alt=\""This was when Lake Merrit used to be poppin'!" writes @liljohn1tdk in an Instagram post about his experience at Festival at the Lake in the 80's.\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8.jpg 1080w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">“This was when Lake Merrit used to be poppin’!” writes @liljohn1tdk in an Instagram post about his experience at Festival at the Lake in the 1980s. \u003ccite>(Courtesy of @liljohn1tdk )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Smith said it was here at the lake, a place he’d been coming to since he was a child, that he saw his life flash before his eyes as he watched the woman on the phone with police. “In my mind, psychologically, I’m gonna be honest, I thought I was going to die,” he said. “I was like, this is how it ends.”\u003c/p>\n\u003cp>The incident went viral, becoming a kind of metaphor for the erasure and pushing out of black people by gentrification and a rising tide of racism. It also became one of a wave of stories of black people having police called on them by white people, for what many said was just being in public.\u003c/p>\n\u003cp>Oakland, specifically black Oakland, did not stay quiet. People gathered at the lake to \u003ca href=\"https://www.kqed.org/news/11668335/oaklands-response-to-grillingwhileblack-electric-slide\" target=\"_blank\" rel=\"noopener\">dance the electric slide\u003c/a>, and then on a Sunday in May, hundreds came here to \u003ca href=\"https://www.nytimes.com/2018/05/21/us/oakland-bbq-while-black.html\" target=\"_blank\" rel=\"noopener\">BBQ while black\u003c/a>.\u003c/p>\n\u003cp>Travis Watts lives by the lake, and he said that morning he headed out, like he does almost every Sunday morning, to hang out. “I packed up my baby girl, we got the stroller set up, I had a chair, a little bag and we just took a walk down.”\u003c/p>\n\u003cp>Watts said he could smell the barbecue smoke from his house, and as he drew closer he saw more and more people, gathering and grilling, even early in the morning.\u003c/p>\n\u003cp>“It was brothers out here, no shirt, flipping slabs of ribs, like he was in his backyard,” he said.\u003c/p>\n\u003cp>“I saw people bringing out brand-new grills,” Watts said with obvious joy. “They went to Target and Home Depot to buy a grill.” It was as if, Watts said, the whole community came together to say, “Oh no no. We’re going to BBQ today.”\u003c/p>\n\u003cp>Watts organizes an event called the \u003ca href=\"https://www.facebook.com/OAKFAMBAM/\" target=\"_blank\" rel=\"noopener\">Fam Bam\u003c/a> at Lake Merritt every Fourth of July. But the “BBQing While Black” event transported him back in time.\u003c/p>\n\u003cp>Watts stood by the pillars on the northeast side of the lake and pointed across the water and over the rolling green and concrete walkways at its edges. “From right here, it was just packed, packed. It was the best,” he said smiling. “That was the closest feeling to Festival at the Lake I have gotten to since then. That denseness of, and that variety of, black.”\u003c/p>\n\u003cfigure id=\"attachment_11692145\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11692145\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya6-1020x1219.jpg\" alt=\"\" width=\"800\" height=\"925\">\u003cfigcaption class=\"wp-caption-text\">The Festival at the Lake was part music festival, part block party. \u003ccite>(Courtesy of @willsap324)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Festival at the Lake\u003c/strong>\u003c/p>\n\u003cp>Festival at the Lake was part music festival, part block party. From 1982 to 1997 it was a gathering of folks from across the town — a multicultural meeting point for all of Oakland to come together.\u003c/p>\n\u003cp>For many who grew up in Oakland in the ’80s and ’90s, it was “the place to be,” said Nicole Lee.\u003c/p>\n\u003cp>Lee, who grew up in Oakland and went to the festival in the ’90s, now organizes \u003ca href=\"https://youthradio.org/arts/510-day-reclaiming-gentrified-spaces-in-oakland/\" target=\"_blank\" rel=\"noopener\">510 Day at Lake Merritt\u003c/a>.\u003c/p>\n\u003cp>“The daytime was kind of like Art + Soul Festival, or the county fair,” Lee said. “There were booths, and your Girl Scout troop, or your dance class from Mosswood Park might perform there and everyone would come out. There were also blues singers, I remember. I think I saw Etta James, actually.”\u003c/p>\n\u003cp>“It was one of those signature events,” said Davey D Cook, known as Davey D. He’s a journalist, DJ and Lake Merritt resident. Like \u003ca href=\"https://www.complex.com/pop-culture/2013/04/the-oral-history-of-freaknik\" target=\"_blank\" rel=\"noopener\">Freaknik in Atlanta\u003c/a>, or Taste of Chicago in Chicago, Festival at the Lake was a destination for black people to see and be seen.\u003c/p>\n\u003cp>“You don’t have a full appreciation of it, until you look back and be like, ‘Wow,’ ” Davey D said. “This is when black folks really came out, were here in full tilt, when Oakland was a chocolate city. And anybody who was anybody would come to this festival.”\u003c/p>\n\u003cp>While acts like Etta James performed on the main stages during the day, the draw for many young people came later. “I never even went to the festival. It wasn’t even about the festival for me,” Travis Watts said.\u003c/p>\n\u003cp>“The evening would be when all the teenagers and young adults would come out,” Lee said.\u003c/p>\n\u003cp>Lee was sitting with Kenzie Smith, who joined in laughing. “Yes, we would,” he said. “My first Festival at the Lake was like when I was 14. I’m not even gonna lie to you all, I went to Festival at the Lake ‘cause of girls.”\u003c/p>\n\u003cfigure id=\"attachment_11692143\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11692143\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya3.jpg\" alt='\"Back when Festival at the Lake was poppin!\" says @Caliqueen35 in an Instagram post about the Festival at the Lake. ' width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3.jpg 643w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Back when Festival at the Lake was poppin!” says @Caliqueen35 in an Instagram post about the Festival at the Lake. \u003ccite>(Courtesy of @caliqueen35)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That is one of the reasons Watts went, too. “It was just bonkers,” Watts said. “Streets packed, sidewalks packed, people overflowing into the streets.”\u003c/p>\n\u003cp>He remembers dressing up in his finest outfits, like one baby-blue number he described as a giant raincoat, deeply impractical and like a sauna in the hot summer sun. There was “a lot of flirtation, a whole lot,” he said. “You wore your best. You got cut, shaved up, you had your best outfit on, the women were looking good. And everybody was out flirting, strolling around.”\u003c/p>\n\u003cp>“You had to bring your A-game,” Smith said. “When I say your A-game, I mean you had to have your shoes matching with your outfit. You had to have your hair done, if you had gold ones in your mouth, you had to make sure they were super clean. ‘Cause like, women knew, they knew dirty gold. They were dudes walking around the lake with snakes wrapped around them. Like, literally, it was just going down.”\u003c/p>\n\u003cp>Young women got all dolled up, too, said Nicole Lee: “You would put your cutest outfit on, and at that time, you know, best friends would match. So we would like go to Bayfair and get special.” She paused and shook her head, laughing. “So embarrassing. We would get airbrushed T-shirts and matching outfits and go to Festival of the Lake.”\u003c/p>\n\u003cp>“It was a beautiful, beautiful event,” said Watts, sitting on the benches by the pillars. “I mean, right here. It’s like it was yesterday.”\u003c/p>\n\u003cfigure id=\"attachment_11692176\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11692176\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya10.jpg\" alt='\"Me playing firefighter at #FestivalAtTheLake,\" writes @_raven_nevermore in an Instagram post about her experience in 1987 at the Festival at the Lake.' width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10.jpg 612w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Me playing firefighter at #FestivalAtTheLake,” writes @_raven_nevermore in an Instagram post about her experience in 1987 at the Festival at the Lake. \u003ccite>(Courtesy of @_raven_nevermore)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Trouble at the Festival\u003c/strong>\u003c/p>\n\u003cp>Like so many things from one’s childhood, Festival at the Lake is now tinged in the rose-gray light of nostalgia.\u003c/p>\n\u003cp>“We all think of that in some ways as the renaissance era of our lifetime in Oakland,” Lee said. “It also was a challenging era. The early ’90s was a hard time in Oakland, you know. It was the height of the crack epidemic. So yeah, it was a complex time in the city of Oakland.”\u003c/p>\n\u003cp>It was also a time when the war on drugs was amplifying the over-policing of black bodies, especially when they gathered en masse, said Boots Riley, \u003ca href=\"https://www.kqed.org/news/11679230/boots-riley-tommy-orange-and-the-summer-of-the-oakland-artist\" target=\"_blank\" rel=\"noopener\">Oakland activist\u003c/a>, frontman of The Coup, and director of this summer’s breakout film, “\u003ca href=\"http://sorrytobotheryou.movie/\" target=\"_blank\" rel=\"noopener\">Sorry to Bother You\u003c/a>.”\u003c/p>\n\u003cp>“Festival at the Lake, like every year, there was something where at about 6 o’clock, the police would be like, ‘OK everybody go home,’ ” Riley said. “And people are there standing, and they’d start trying to clear people out. It would get to pushing, then pepper-spraying, and that happened a few times before there was rebellion in ‘94.”\u003c/p>\n\u003cp>Fights broke out and other types of violence, too. In a video posted on \u003ca href=\"https://www.youtube.com/watch?v=7p2EwQL4wyY\" target=\"_blank\" rel=\"noopener\">YouTube from around this time\u003c/a>, you can see some young men sexually harassing and possibly assaulting young women. Eventually, cruising laws made it criminal to drive more than once around the lake.\u003c/p>\n\u003cp>People would drink and sometimes become violent, said Davey D. But he said it didn’t have to be that way.\u003c/p>\n\u003cfigure id=\"attachment_11692162\" class=\"wp-caption alignright\" style=\"max-width: 612px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11692162\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya9.jpg\" alt='\"My mom told me she found this in her office,\" writes @erikalizette in a post on Instagram. \"I need these back in my life.\"' width=\"612\" height=\"612\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9.jpg 612w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-150x150.jpg 150w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003cfigcaption class=\"wp-caption-text\">“My mom told me she found this in her office,” writes @erikalizette in a post on Instagram. “I need these back in my life.” \u003ccite>(Courtesy of @erikalizette)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The festival itself, he said, was geared toward older people, even though it was clear young people from across the city were hungry for this kind of celebration. “When the Festival of the Lake was happening, I had meetings at my house with some of the people who were really reluctant to have hip-hop acts and acts for younger people … they didn’t know how to deal with that ’cause they were getting a large influx of younger people.\u003c/p>\n\u003cp>“Instead of saying, ‘Hey, there are popular groups out that would appeal to them,’ ” Davey D said, listing off Digital Underground, Souls of Mischief, Too Short, “they were like, ‘No, we’re not going to go there.’ ”\u003c/p>\n\u003cp>“So you have 100,000 people at Festival at the Lake, you have a good percentage of them being younger folks, and you had very reluctant folks who were putting it together to do something to be very intentional about occupying and accommodating them,” he said.\u003c/p>\n\u003cp>Giving young people something to do, Davey D said, could have changed what happened next.\u003c/p>\n\u003cp>“The tactics used to try and contain and control was a form of social engineering,” he said. “You could of socially engineered it another way, like putting a good party together and making sure that everyone leaves happy and satisfied, versus frustrated and angry.”\u003c/p>\n\u003cp>The festival was disbanded after violent incidents broke out, and the organizers ran out of money.\u003c/p>\n\u003cp>“It really got disbanded,” Davey D said, “because after long days, in the evening, about 6 o’clock when everything was shutting down, people were just hanging out, you’d have a crowd control problem. And one year I was out here, you had aggressive police.”\u003c/p>\n\u003cfigure id=\"attachment_11692155\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11692155\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya1-1020x1275.jpg\" alt=\"\" width=\"800\" height=\"960\">\u003cfigcaption class=\"wp-caption-text\">People dressed in their finest to come to Festival at the Lake. \u003ccite>(Courtesy of @cottonturner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>‘Black Folks Love This Lake’\u003c/strong>\u003c/p>\n\u003cp>What many remember so vividly about Festival at the Lake was a time when the lake was occupied by everyone.\u003c/p>\n\u003cp>“You know, just people being out, enjoying the city, looking cute, feeling like they could take up space, public space, in the city that belongs to us,” Nicole Lee said.\u003c/p>\n\u003cp>For Davey D, it was a lost opportunity. “I don’t think the city of Oakland at that time could fully appreciate how significant that was. I think the city has always kind of — in its leadership over the years — has always kind of taken for granted or downplayed things of significance that have a very different perception elsewhere.”\u003c/p>\n\u003cfigure id=\"attachment_11692173\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11692173\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya4-1020x1275.jpg\" alt=\""'Member this? #RealOakland. Where the playas showed up and showed out and the women came out to do one another in they biker shorts and asymmetrical perms... BUT still family friendly really bring the kiddies out," writes @antmooak in an Instagram post about the Festival at the Lake.\" width=\"800\" height=\"960\">\u003cfigcaption class=\"wp-caption-text\">“‘Member this? #RealOakland. Where the playas showed up and showed out and the women came out to do one another in they biker shorts and asymmetrical perms… BUT still family friendly really bring the kiddies out,” writes @antmooak in an Instagram post about the Festival at the Lake. \u003ccite>(Courtesy of @antmooak)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“In the ’90s Oakland was a cultural center for the country,” Lee said. “Like the music that came out of this city changed the face of hip-hop music. Really, literally. This city and black history, black culture and the legacy of black radical activism, you cannot separate those things.”\u003c/p>\n\u003cp>On Sundays after church, this is still where many black families come to grill and hang out. That has taken on a different meaning as many of them have moved out to surrounding areas and return home to Oakland on Sunday to go to church, and afterward to meet up at the lake.\u003c/p>\n\u003cp>“Black folks love this lake,” Travis Watts said. “This is a place where we have great memories, this is where we get to see each other en masse. That’s very important, especially in these times where we are kind of being marginalized even in our own city. This is a city where we really felt like, OK, this is where I’m home. Outside of Oakland I feel like a minority, on my job site I feel like a minority, but in Oakland we were the majority, we were the majority population here. And it felt like a place of rest. It was a place where we could just be comfortable.”\u003c/p>\n\u003cp>Oakland was never quite a majority black city. At the height of its black population in 1980, two years before the Festival at the Lake started, Oakland was 47 percent black.\u003c/p>\n\u003cp>In the 20 years since the Festival at the Lake ended in 1997, that number has been in steep decline, and is now just under 25 percent.\u003c/p>\n\u003cp>Travis Watts pauses. He knows that some of the newer festivals, like his own Fam Bam, or 510 Day, have worked to keep the lake alive for all of Oakland. But even he can’t escape the deeper changes in the city.\u003c/p>\n\u003cp>“It just used to be … you could just see more of a black presence, you know,” Watts said.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“When you get dirty looks walking into a restaurant in Oakland, and you’re like the only black person in a restaurant in Oakland, that’s weird.”\u003c/p>\n\n",
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"excerpt": "From 1982 to 1997, the event was a gathering of folks from across the town – a multicultural meeting point for all of Oakland to come together.",
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"title": "When Oakland Was a 'Chocolate City': A Brief History of Festival at the Lake | KQED",
"description": "From 1982 to 1997, the event was a gathering of folks from across the town – a multicultural meeting point for all of Oakland to come together.",
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"headline": "When Oakland Was a 'Chocolate City': A Brief History of Festival at the Lake",
"datePublished": "2018-09-14T14:13:47-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">L\u003c/span>\u003c/p>\u003cp>ake Merritt, the man-made lake at the center of Oakland, has been called the city’s beating heart. It is more than a body of water — it is where people gather to celebrate and protest, to party and to mourn.\u003c/p>\n\u003cp>After the election of President Trump, the lake is where liberal Oaklanders showed up to \u003ca href=\"https://www.eastbayexpress.com/SevenDays/archives/2016/11/13/protesters-join-hands-around-lake-merritt-in-oakland-to-protest-trump-hate-crimes\" target=\"_blank\" rel=\"noopener\">hold hands\u003c/a> around the 3.4-mile circumference. When the Ghost Ship fire took 36 lives in December 2016 — many deeply connected to the community — the lake is where people came to hold \u003ca href=\"https://oaklandnorth.net/2016/12/06/ghost-ship-fire-mourners-gather-at-lakeside-vigil-to-grieve-those-lost/\" target=\"_blank\" rel=\"noopener\">vigil\u003c/a>. And for 16 years — from 1982 until 1997 — the beloved Festival at the Lake captured the essence of Oakland.\u003c/p>\n\u003cp>If you stand at the amphitheater on the lake’s southwest corner and look left, you’ll see the Alameda County courthouse. In 1968,\u003ca href=\"http://picturethis.museumca.org/pictures/members-black-panthers-march-outside-alameda-county-courthouse-oakland-during-huey-newtons-\" target=\"_blank\" rel=\"noopener\"> protesters and Black Panthers party members\u003c/a> stood on \u003ca href=\"http://picturethis.museumca.org/pictures/two-black-panther-men-standing-steps-alameda-county-court-house-during-huey-p-newtons-trial\" target=\"_blank\" rel=\"noopener\">the courthouse steps\u003c/a>, holding signs that said “Free Huey,” during the murder trial of Black Panther co-founder Huey Newton. Turn your head, and you see 1200 Lakeshore Avenue. Newton later lived in the penthouse there, with an all-too-perfect view of those same steps, as he descended into drugs and paranoia and the party crumbled around him.\u003c/p>\n\u003cp>It was also here in 2015, right at the amphitheater, that \u003ca href=\"https://soundcloud.com/kqed/who-owns-communal-space-in-oakland\" target=\"_blank\" rel=\"noopener\">a group of black and brown drummers celebrating a red moon\u003c/a> had police called on them by a white resident.\u003c/p>\n\u003cp>The history of the lake tells a story of race and space, who gets to belong and who is permitted access to public space in Oakland. Lake Merritt has been fought over and policed, controlled and patrolled, by residents and city officials alike.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The lake became a flashpoint this summer, after \u003ca href=\"https://www.kqed.org/news/11668335/oaklands-response-to-grillingwhileblack-electric-slide\" target=\"_blank\" rel=\"noopener\">a white woman called the police on two black men who were barbecuing\u003c/a>. One of those men was Kenzie Smith.\u003c/p>\n\u003cp>“This lady said that she owned Lake Merritt,” Smith said. “She also told us we were trespassing. Do you not understand how crazy this is?”\u003c/p>\n\u003cfigure id=\"attachment_11692159\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11692159 size-large\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya8-1020x573.jpg\" alt=\""This was when Lake Merrit used to be poppin'!" writes @liljohn1tdk in an Instagram post about his experience at Festival at the Lake in the 80's.\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya8.jpg 1080w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">“This was when Lake Merrit used to be poppin’!” writes @liljohn1tdk in an Instagram post about his experience at Festival at the Lake in the 1980s. \u003ccite>(Courtesy of @liljohn1tdk )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Smith said it was here at the lake, a place he’d been coming to since he was a child, that he saw his life flash before his eyes as he watched the woman on the phone with police. “In my mind, psychologically, I’m gonna be honest, I thought I was going to die,” he said. “I was like, this is how it ends.”\u003c/p>\n\u003cp>The incident went viral, becoming a kind of metaphor for the erasure and pushing out of black people by gentrification and a rising tide of racism. It also became one of a wave of stories of black people having police called on them by white people, for what many said was just being in public.\u003c/p>\n\u003cp>Oakland, specifically black Oakland, did not stay quiet. People gathered at the lake to \u003ca href=\"https://www.kqed.org/news/11668335/oaklands-response-to-grillingwhileblack-electric-slide\" target=\"_blank\" rel=\"noopener\">dance the electric slide\u003c/a>, and then on a Sunday in May, hundreds came here to \u003ca href=\"https://www.nytimes.com/2018/05/21/us/oakland-bbq-while-black.html\" target=\"_blank\" rel=\"noopener\">BBQ while black\u003c/a>.\u003c/p>\n\u003cp>Travis Watts lives by the lake, and he said that morning he headed out, like he does almost every Sunday morning, to hang out. “I packed up my baby girl, we got the stroller set up, I had a chair, a little bag and we just took a walk down.”\u003c/p>\n\u003cp>Watts said he could smell the barbecue smoke from his house, and as he drew closer he saw more and more people, gathering and grilling, even early in the morning.\u003c/p>\n\u003cp>“It was brothers out here, no shirt, flipping slabs of ribs, like he was in his backyard,” he said.\u003c/p>\n\u003cp>“I saw people bringing out brand-new grills,” Watts said with obvious joy. “They went to Target and Home Depot to buy a grill.” It was as if, Watts said, the whole community came together to say, “Oh no no. We’re going to BBQ today.”\u003c/p>\n\u003cp>Watts organizes an event called the \u003ca href=\"https://www.facebook.com/OAKFAMBAM/\" target=\"_blank\" rel=\"noopener\">Fam Bam\u003c/a> at Lake Merritt every Fourth of July. But the “BBQing While Black” event transported him back in time.\u003c/p>\n\u003cp>Watts stood by the pillars on the northeast side of the lake and pointed across the water and over the rolling green and concrete walkways at its edges. “From right here, it was just packed, packed. It was the best,” he said smiling. “That was the closest feeling to Festival at the Lake I have gotten to since then. That denseness of, and that variety of, black.”\u003c/p>\n\u003cfigure id=\"attachment_11692145\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11692145\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya6-1020x1219.jpg\" alt=\"\" width=\"800\" height=\"925\">\u003cfigcaption class=\"wp-caption-text\">The Festival at the Lake was part music festival, part block party. \u003ccite>(Courtesy of @willsap324)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Festival at the Lake\u003c/strong>\u003c/p>\n\u003cp>Festival at the Lake was part music festival, part block party. From 1982 to 1997 it was a gathering of folks from across the town — a multicultural meeting point for all of Oakland to come together.\u003c/p>\n\u003cp>For many who grew up in Oakland in the ’80s and ’90s, it was “the place to be,” said Nicole Lee.\u003c/p>\n\u003cp>Lee, who grew up in Oakland and went to the festival in the ’90s, now organizes \u003ca href=\"https://youthradio.org/arts/510-day-reclaiming-gentrified-spaces-in-oakland/\" target=\"_blank\" rel=\"noopener\">510 Day at Lake Merritt\u003c/a>.\u003c/p>\n\u003cp>“The daytime was kind of like Art + Soul Festival, or the county fair,” Lee said. “There were booths, and your Girl Scout troop, or your dance class from Mosswood Park might perform there and everyone would come out. There were also blues singers, I remember. I think I saw Etta James, actually.”\u003c/p>\n\u003cp>“It was one of those signature events,” said Davey D Cook, known as Davey D. He’s a journalist, DJ and Lake Merritt resident. Like \u003ca href=\"https://www.complex.com/pop-culture/2013/04/the-oral-history-of-freaknik\" target=\"_blank\" rel=\"noopener\">Freaknik in Atlanta\u003c/a>, or Taste of Chicago in Chicago, Festival at the Lake was a destination for black people to see and be seen.\u003c/p>\n\u003cp>“You don’t have a full appreciation of it, until you look back and be like, ‘Wow,’ ” Davey D said. “This is when black folks really came out, were here in full tilt, when Oakland was a chocolate city. And anybody who was anybody would come to this festival.”\u003c/p>\n\u003cp>While acts like Etta James performed on the main stages during the day, the draw for many young people came later. “I never even went to the festival. It wasn’t even about the festival for me,” Travis Watts said.\u003c/p>\n\u003cp>“The evening would be when all the teenagers and young adults would come out,” Lee said.\u003c/p>\n\u003cp>Lee was sitting with Kenzie Smith, who joined in laughing. “Yes, we would,” he said. “My first Festival at the Lake was like when I was 14. I’m not even gonna lie to you all, I went to Festival at the Lake ‘cause of girls.”\u003c/p>\n\u003cfigure id=\"attachment_11692143\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11692143\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya3.jpg\" alt='\"Back when Festival at the Lake was poppin!\" says @Caliqueen35 in an Instagram post about the Festival at the Lake. ' width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3.jpg 643w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya3-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Back when Festival at the Lake was poppin!” says @Caliqueen35 in an Instagram post about the Festival at the Lake. \u003ccite>(Courtesy of @caliqueen35)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That is one of the reasons Watts went, too. “It was just bonkers,” Watts said. “Streets packed, sidewalks packed, people overflowing into the streets.”\u003c/p>\n\u003cp>He remembers dressing up in his finest outfits, like one baby-blue number he described as a giant raincoat, deeply impractical and like a sauna in the hot summer sun. There was “a lot of flirtation, a whole lot,” he said. “You wore your best. You got cut, shaved up, you had your best outfit on, the women were looking good. And everybody was out flirting, strolling around.”\u003c/p>\n\u003cp>“You had to bring your A-game,” Smith said. “When I say your A-game, I mean you had to have your shoes matching with your outfit. You had to have your hair done, if you had gold ones in your mouth, you had to make sure they were super clean. ‘Cause like, women knew, they knew dirty gold. They were dudes walking around the lake with snakes wrapped around them. Like, literally, it was just going down.”\u003c/p>\n\u003cp>Young women got all dolled up, too, said Nicole Lee: “You would put your cutest outfit on, and at that time, you know, best friends would match. So we would like go to Bayfair and get special.” She paused and shook her head, laughing. “So embarrassing. We would get airbrushed T-shirts and matching outfits and go to Festival of the Lake.”\u003c/p>\n\u003cp>“It was a beautiful, beautiful event,” said Watts, sitting on the benches by the pillars. “I mean, right here. It’s like it was yesterday.”\u003c/p>\n\u003cfigure id=\"attachment_11692176\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11692176\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya10.jpg\" alt='\"Me playing firefighter at #FestivalAtTheLake,\" writes @_raven_nevermore in an Instagram post about her experience in 1987 at the Festival at the Lake.' width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10.jpg 612w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya10-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Me playing firefighter at #FestivalAtTheLake,” writes @_raven_nevermore in an Instagram post about her experience in 1987 at the Festival at the Lake. \u003ccite>(Courtesy of @_raven_nevermore)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Trouble at the Festival\u003c/strong>\u003c/p>\n\u003cp>Like so many things from one’s childhood, Festival at the Lake is now tinged in the rose-gray light of nostalgia.\u003c/p>\n\u003cp>“We all think of that in some ways as the renaissance era of our lifetime in Oakland,” Lee said. “It also was a challenging era. The early ’90s was a hard time in Oakland, you know. It was the height of the crack epidemic. So yeah, it was a complex time in the city of Oakland.”\u003c/p>\n\u003cp>It was also a time when the war on drugs was amplifying the over-policing of black bodies, especially when they gathered en masse, said Boots Riley, \u003ca href=\"https://www.kqed.org/news/11679230/boots-riley-tommy-orange-and-the-summer-of-the-oakland-artist\" target=\"_blank\" rel=\"noopener\">Oakland activist\u003c/a>, frontman of The Coup, and director of this summer’s breakout film, “\u003ca href=\"http://sorrytobotheryou.movie/\" target=\"_blank\" rel=\"noopener\">Sorry to Bother You\u003c/a>.”\u003c/p>\n\u003cp>“Festival at the Lake, like every year, there was something where at about 6 o’clock, the police would be like, ‘OK everybody go home,’ ” Riley said. “And people are there standing, and they’d start trying to clear people out. It would get to pushing, then pepper-spraying, and that happened a few times before there was rebellion in ‘94.”\u003c/p>\n\u003cp>Fights broke out and other types of violence, too. In a video posted on \u003ca href=\"https://www.youtube.com/watch?v=7p2EwQL4wyY\" target=\"_blank\" rel=\"noopener\">YouTube from around this time\u003c/a>, you can see some young men sexually harassing and possibly assaulting young women. Eventually, cruising laws made it criminal to drive more than once around the lake.\u003c/p>\n\u003cp>People would drink and sometimes become violent, said Davey D. But he said it didn’t have to be that way.\u003c/p>\n\u003cfigure id=\"attachment_11692162\" class=\"wp-caption alignright\" style=\"max-width: 612px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11692162\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya9.jpg\" alt='\"My mom told me she found this in her office,\" writes @erikalizette in a post on Instagram. \"I need these back in my life.\"' width=\"612\" height=\"612\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9.jpg 612w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/sandhya9-150x150.jpg 150w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003cfigcaption class=\"wp-caption-text\">“My mom told me she found this in her office,” writes @erikalizette in a post on Instagram. “I need these back in my life.” \u003ccite>(Courtesy of @erikalizette)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The festival itself, he said, was geared toward older people, even though it was clear young people from across the city were hungry for this kind of celebration. “When the Festival of the Lake was happening, I had meetings at my house with some of the people who were really reluctant to have hip-hop acts and acts for younger people … they didn’t know how to deal with that ’cause they were getting a large influx of younger people.\u003c/p>\n\u003cp>“Instead of saying, ‘Hey, there are popular groups out that would appeal to them,’ ” Davey D said, listing off Digital Underground, Souls of Mischief, Too Short, “they were like, ‘No, we’re not going to go there.’ ”\u003c/p>\n\u003cp>“So you have 100,000 people at Festival at the Lake, you have a good percentage of them being younger folks, and you had very reluctant folks who were putting it together to do something to be very intentional about occupying and accommodating them,” he said.\u003c/p>\n\u003cp>Giving young people something to do, Davey D said, could have changed what happened next.\u003c/p>\n\u003cp>“The tactics used to try and contain and control was a form of social engineering,” he said. “You could of socially engineered it another way, like putting a good party together and making sure that everyone leaves happy and satisfied, versus frustrated and angry.”\u003c/p>\n\u003cp>The festival was disbanded after violent incidents broke out, and the organizers ran out of money.\u003c/p>\n\u003cp>“It really got disbanded,” Davey D said, “because after long days, in the evening, about 6 o’clock when everything was shutting down, people were just hanging out, you’d have a crowd control problem. And one year I was out here, you had aggressive police.”\u003c/p>\n\u003cfigure id=\"attachment_11692155\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11692155\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya1-1020x1275.jpg\" alt=\"\" width=\"800\" height=\"960\">\u003cfigcaption class=\"wp-caption-text\">People dressed in their finest to come to Festival at the Lake. \u003ccite>(Courtesy of @cottonturner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>‘Black Folks Love This Lake’\u003c/strong>\u003c/p>\n\u003cp>What many remember so vividly about Festival at the Lake was a time when the lake was occupied by everyone.\u003c/p>\n\u003cp>“You know, just people being out, enjoying the city, looking cute, feeling like they could take up space, public space, in the city that belongs to us,” Nicole Lee said.\u003c/p>\n\u003cp>For Davey D, it was a lost opportunity. “I don’t think the city of Oakland at that time could fully appreciate how significant that was. I think the city has always kind of — in its leadership over the years — has always kind of taken for granted or downplayed things of significance that have a very different perception elsewhere.”\u003c/p>\n\u003cfigure id=\"attachment_11692173\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11692173\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/sandhya4-1020x1275.jpg\" alt=\""'Member this? #RealOakland. Where the playas showed up and showed out and the women came out to do one another in they biker shorts and asymmetrical perms... BUT still family friendly really bring the kiddies out," writes @antmooak in an Instagram post about the Festival at the Lake.\" width=\"800\" height=\"960\">\u003cfigcaption class=\"wp-caption-text\">“‘Member this? #RealOakland. Where the playas showed up and showed out and the women came out to do one another in they biker shorts and asymmetrical perms… BUT still family friendly really bring the kiddies out,” writes @antmooak in an Instagram post about the Festival at the Lake. \u003ccite>(Courtesy of @antmooak)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“In the ’90s Oakland was a cultural center for the country,” Lee said. “Like the music that came out of this city changed the face of hip-hop music. Really, literally. This city and black history, black culture and the legacy of black radical activism, you cannot separate those things.”\u003c/p>\n\u003cp>On Sundays after church, this is still where many black families come to grill and hang out. That has taken on a different meaning as many of them have moved out to surrounding areas and return home to Oakland on Sunday to go to church, and afterward to meet up at the lake.\u003c/p>\n\u003cp>“Black folks love this lake,” Travis Watts said. “This is a place where we have great memories, this is where we get to see each other en masse. That’s very important, especially in these times where we are kind of being marginalized even in our own city. This is a city where we really felt like, OK, this is where I’m home. Outside of Oakland I feel like a minority, on my job site I feel like a minority, but in Oakland we were the majority, we were the majority population here. And it felt like a place of rest. It was a place where we could just be comfortable.”\u003c/p>\n\u003cp>Oakland was never quite a majority black city. At the height of its black population in 1980, two years before the Festival at the Lake started, Oakland was 47 percent black.\u003c/p>\n\u003cp>In the 20 years since the Festival at the Lake ended in 1997, that number has been in steep decline, and is now just under 25 percent.\u003c/p>\n\u003cp>Travis Watts pauses. He knows that some of the newer festivals, like his own Fam Bam, or 510 Day, have worked to keep the lake alive for all of Oakland. But even he can’t escape the deeper changes in the city.\u003c/p>\n\u003cp>“It just used to be … you could just see more of a black presence, you know,” Watts said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Much Beloved But Still Closing: An Elegy for Brennan's, a Berkeley Watering Hole",
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"content": "\u003cp>[dropcap]Y[/dropcap]ou’ve heard this one before: A much-beloved bar, regarded by many as a community and cultural treasure, gets a rent increase. The owners call it quits.\u003c/p>\n\u003cp>In a last round of teary, boozy excess, the regulars — and the folks who remember when they were regulars, and those who wish they had been — crowd the place.\u003c/p>\n\u003cp>Then, as the lights are turned out and the doors are locked for the last time, they wander out, savoring the memories but maybe wondering whether they’ll see such a good time again.\u003c/p>\n\u003cp>This is the process — a sort of community wake — occurring right now at Brennan’s, in Berkeley. The \u003ca href=\"https://www.berkeleyside.com/2018/08/16/almost-60-year-old-brennans-restaurant-in-berkeley-is-closing\" target=\"_blank\" rel=\"noopener\">word went around last month\u003c/a> that the proprietors had been hit with a 25 percent rent increase and would shut the doors on Sept. 15. That's tomorrow, if you're checking your calendar.\u003c/p>\n\u003cp>My wife and I — we've had a long run at Brennan's — dropped in on a weekend afternoon just after we heard about the closing and found the place jammed. Lots of gray heads — and lots of younger people, too, a strikingly diverse crowd — lining up for a last chance at a turkey-mashed potato-lots-of-gravy dinner.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Day after day, night after night, the parade of last-chancers has continued. We saw it again on a second visit with one of our kids’ friends, whose grandparents had been among the establishment’s first customers in the late 1950s. While we sat at the bar, members of his extended family filtered in for a final Brennan’s afternoon. It was a reminder of Brennan's roots — originally a magnet for workers in all-but-vanished industrial West Berkeley, a place that was friendly to families and, well, just friendly.\u003c/p>\n\u003cfigure id=\"attachment_11692423\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/brennans180913a.jpg\">\u003cimg class=\"size-medium wp-image-11692423\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/brennans180913a-800x572.jpg\" alt=\"\" width=\"800\" height=\"572\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-800x572.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-160x114.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-1020x729.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-1200x858.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-1180x844.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-960x687.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-240x172.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-375x268.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-520x372.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The long, long line Thursday night for dinner at Brennan's. \u003ccite>(Patricia Yollin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The bar’s winding down has made me reflect a little on my own history with the place. Mostly, it was the same connection most of us have with a place where we socialize. But there was something more — something that made me reflect on the declining arc of Brennan’s more than a decade ago. Now, I’ll turn over the rest of this piece to \u003ca href=\"http://infospigot.com/2007/04/15/elegy_for_a_wat/\" target=\"_blank\" rel=\"noopener\">my 2007 self\u003c/a>, and what I wrote then.\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 2.5em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">* * *\u003c/span>\u003c/p>\n\u003cp>[dropcap]T[/dropcap]he first place I went out and had a drink in Berkeley after I got here in the mid-'70s was a bar down under the University Avenue overpass called Brennan's. \"Had a drink\" is true if a little off the point, because the reason friends took me there, and the reason the place was probably very profitable, was the Irish coffee it served.\u003c/p>\n\u003cp>Besides the Irish coffee and beer and the rest of the alcohol, it also featured — still does — a cafeteria-style buffet; and the buffet featured turkey and corned beef and mashed potatoes and gravy; you know, stick-to-your-ribs stuff, and cheap. The bar is a 50-foot-long ellipse down by the buffet line, and the rest of the barnlike room is open and filled with plain, low wooden tables and chairs and a couple of big-screen TVs. The walls are hung with large photo portraits of a jowly but good-natured-looking middle-aged guy with assorted family members and an assortment of bovines in cattle-show settings; I figure he's the Brennan who started up the bar.\u003c/p>\n\u003cfigure id=\"attachment_11692442\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/brennans180913c.jpg\">\u003cimg class=\"size-medium wp-image-11692442\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/brennans180913c-800x574.jpg\" alt=\"\" width=\"800\" height=\"574\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-800x574.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-160x115.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-1020x732.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-1200x861.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-1180x846.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-960x689.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-240x172.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-375x269.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-520x373.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Typical Brennan's: Inexpensive, basic, stick-to-your-ribs stuff. \u003ccite>(Dan Brekke/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When I first started to go down to Brennan's — often enough but never too often — it always seemed to have a crowd. If you happened in at noontime, local workers (Berkeley had an industrial district back then, though one that was already in decline) were loading up on turkey neck lunches and grabbing beers. Early in the evening almost any night you'd find families enjoying the cheap eats. Later, the place would get going; on Friday and Saturday nights it wasn't unusual to find virtually every seat at every table taken and a crush of bodies waiting for drink orders that four or five bartenders would be hustling to fill. The business seemed to run full bore nearly till closing time, 2 a.m.\u003c/p>\n\u003cp>Tastes and habits change. Over time, going into Brennan's after a softball game, maybe, or when my wife and I would go in for an Irish coffee after an evening out, we started to notice the crowds weren't quite so big. Some nights, just two bartenders were working, even on the weekends. Then just one. And the place would be virtually deserted by midnight; and then, if you got there at midnight, it would be closed. It would take a long time-lapse to capture the process, but the nighttime business has evaporated.\u003c/p>\n\u003cp>It's about to change in other ways, too: A developer showed up and bought the property upon which Brennan's plebeian box of a building sits. A big residential and commercial project is planned for the site. As part of the deal, the bar will be relocated to the old Southern Pacific station across the parking lot, a building that last housed a very good Asian fusion restaurant called Xanadu that went belly up several years ago.\u003c/p>\n\u003cp>I'm not sure where everyone went. Probably to establishments that are about more than getting a drink, draining it, and getting a refill and another refill and another, long into the night, talking about whatever you're going to talk about as you get less lucid and more eloquent. Berkeley has some nice bistros that serve food in elegant and pricey bites; you order alcohol off a wine menu or choose from a list of microbrews and retro and nouveau cocktails. Everything is well thought out and modern, everything tastes good, and the atmosphere tends toward the genteel; enough so that I think you'd get a funny look from the sharply dressed drinkologist across the zinc bar if you asked for an Irish coffee.\u003c/p>\n\u003cp>Last night, after a day of little jobs around the house and finally getting the taxes done, my wife asked if I wanted to go out and get an Irish coffee, shorthand for, \"Do you want to go down to Brennan's?\" Through one thing and another, we didn't leave the house until just after 11. We drove over to University, then headed west toward the freeway. When we got to Fourth Street, the Brennan's corner, I looked over at the place. The lights inside were on, but there was something about the scene that said \"closed.\"\u003c/p>\n\u003cp>We parked and went up to what used to look like the main entrance. The doors were locked. But we could see people inside, and we knew that sometimes those doors aren't used at night. So we walked to a side entrance off the street. Locked again. Then around into the parking lot, and finally, an open door. It was 11:20, and there were about eight people inside, mostly grouped in pairs.\u003c/p>\n\u003cp>We walked up to the bar, where one of the proprietors, a woman I believe is one of the founders' granddaughters, kept her back to us as she studied papers on a clipboard. Then a guy who might have been the bartender, said, \"Sorry, folks, we're closed.\" So no Irish coffee for us. We drove around Berkeley a little afterward and decided that there was no place we could think of that would both serve an Irish coffee and fit our notion of comfort. So we wound up stopping at the store, buying the ingredients, and making our own at home.\u003c/p>\n\u003cp>But: a real, honest-to-goodness bar locked up at 40 minutes to midnight?\u003c/p>\n\u003cp>On the one hand, you can hardly blame the proprietors for saying \"last call\" as they watch eight die-hards nurse their drinks as the clock drags toward midnight. That level of patronage doesn't even pay the electric bill. On the other, the whole point of Brennan's for me was a place you could stop by without thinking about the time. That part of the business is dead, and it's hard to imagine that new quarters, without some fundamental change in the business — Brennan's bistro? Chez Brennan's? — will bring it back.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>I know: a small loss in the big scheme. The meaning is entirely personal. Still, the place had a good run, and it gave me somewhere to make a proposal one night a long time ago. Long life to the memories.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Day after day, night after night, the parade of last-chancers has continued. We saw it again on a second visit with one of our kids’ friends, whose grandparents had been among the establishment’s first customers in the late 1950s. While we sat at the bar, members of his extended family filtered in for a final Brennan’s afternoon. It was a reminder of Brennan's roots — originally a magnet for workers in all-but-vanished industrial West Berkeley, a place that was friendly to families and, well, just friendly.\u003c/p>\n\u003cfigure id=\"attachment_11692423\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/brennans180913a.jpg\">\u003cimg class=\"size-medium wp-image-11692423\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/brennans180913a-800x572.jpg\" alt=\"\" width=\"800\" height=\"572\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-800x572.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-160x114.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-1020x729.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-1200x858.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-1180x844.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-960x687.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-240x172.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-375x268.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913a-520x372.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The long, long line Thursday night for dinner at Brennan's. \u003ccite>(Patricia Yollin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The bar’s winding down has made me reflect a little on my own history with the place. Mostly, it was the same connection most of us have with a place where we socialize. But there was something more — something that made me reflect on the declining arc of Brennan’s more than a decade ago. Now, I’ll turn over the rest of this piece to \u003ca href=\"http://infospigot.com/2007/04/15/elegy_for_a_wat/\" target=\"_blank\" rel=\"noopener\">my 2007 self\u003c/a>, and what I wrote then.\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 2.5em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">* * *\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">T\u003c/span>\u003c/p>\u003cp>he first place I went out and had a drink in Berkeley after I got here in the mid-'70s was a bar down under the University Avenue overpass called Brennan's. \"Had a drink\" is true if a little off the point, because the reason friends took me there, and the reason the place was probably very profitable, was the Irish coffee it served.\u003c/p>\n\u003cp>Besides the Irish coffee and beer and the rest of the alcohol, it also featured — still does — a cafeteria-style buffet; and the buffet featured turkey and corned beef and mashed potatoes and gravy; you know, stick-to-your-ribs stuff, and cheap. The bar is a 50-foot-long ellipse down by the buffet line, and the rest of the barnlike room is open and filled with plain, low wooden tables and chairs and a couple of big-screen TVs. The walls are hung with large photo portraits of a jowly but good-natured-looking middle-aged guy with assorted family members and an assortment of bovines in cattle-show settings; I figure he's the Brennan who started up the bar.\u003c/p>\n\u003cfigure id=\"attachment_11692442\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/brennans180913c.jpg\">\u003cimg class=\"size-medium wp-image-11692442\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/brennans180913c-800x574.jpg\" alt=\"\" width=\"800\" height=\"574\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-800x574.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-160x115.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-1020x732.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-1200x861.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-1180x846.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-960x689.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-240x172.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-375x269.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/09/brennans180913c-520x373.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Typical Brennan's: Inexpensive, basic, stick-to-your-ribs stuff. \u003ccite>(Dan Brekke/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When I first started to go down to Brennan's — often enough but never too often — it always seemed to have a crowd. If you happened in at noontime, local workers (Berkeley had an industrial district back then, though one that was already in decline) were loading up on turkey neck lunches and grabbing beers. Early in the evening almost any night you'd find families enjoying the cheap eats. Later, the place would get going; on Friday and Saturday nights it wasn't unusual to find virtually every seat at every table taken and a crush of bodies waiting for drink orders that four or five bartenders would be hustling to fill. The business seemed to run full bore nearly till closing time, 2 a.m.\u003c/p>\n\u003cp>Tastes and habits change. Over time, going into Brennan's after a softball game, maybe, or when my wife and I would go in for an Irish coffee after an evening out, we started to notice the crowds weren't quite so big. Some nights, just two bartenders were working, even on the weekends. Then just one. And the place would be virtually deserted by midnight; and then, if you got there at midnight, it would be closed. It would take a long time-lapse to capture the process, but the nighttime business has evaporated.\u003c/p>\n\u003cp>It's about to change in other ways, too: A developer showed up and bought the property upon which Brennan's plebeian box of a building sits. A big residential and commercial project is planned for the site. As part of the deal, the bar will be relocated to the old Southern Pacific station across the parking lot, a building that last housed a very good Asian fusion restaurant called Xanadu that went belly up several years ago.\u003c/p>\n\u003cp>I'm not sure where everyone went. Probably to establishments that are about more than getting a drink, draining it, and getting a refill and another refill and another, long into the night, talking about whatever you're going to talk about as you get less lucid and more eloquent. Berkeley has some nice bistros that serve food in elegant and pricey bites; you order alcohol off a wine menu or choose from a list of microbrews and retro and nouveau cocktails. Everything is well thought out and modern, everything tastes good, and the atmosphere tends toward the genteel; enough so that I think you'd get a funny look from the sharply dressed drinkologist across the zinc bar if you asked for an Irish coffee.\u003c/p>\n\u003cp>Last night, after a day of little jobs around the house and finally getting the taxes done, my wife asked if I wanted to go out and get an Irish coffee, shorthand for, \"Do you want to go down to Brennan's?\" Through one thing and another, we didn't leave the house until just after 11. We drove over to University, then headed west toward the freeway. When we got to Fourth Street, the Brennan's corner, I looked over at the place. The lights inside were on, but there was something about the scene that said \"closed.\"\u003c/p>\n\u003cp>We parked and went up to what used to look like the main entrance. The doors were locked. But we could see people inside, and we knew that sometimes those doors aren't used at night. So we walked to a side entrance off the street. Locked again. Then around into the parking lot, and finally, an open door. It was 11:20, and there were about eight people inside, mostly grouped in pairs.\u003c/p>\n\u003cp>We walked up to the bar, where one of the proprietors, a woman I believe is one of the founders' granddaughters, kept her back to us as she studied papers on a clipboard. Then a guy who might have been the bartender, said, \"Sorry, folks, we're closed.\" So no Irish coffee for us. We drove around Berkeley a little afterward and decided that there was no place we could think of that would both serve an Irish coffee and fit our notion of comfort. So we wound up stopping at the store, buying the ingredients, and making our own at home.\u003c/p>\n\u003cp>But: a real, honest-to-goodness bar locked up at 40 minutes to midnight?\u003c/p>\n\u003cp>On the one hand, you can hardly blame the proprietors for saying \"last call\" as they watch eight die-hards nurse their drinks as the clock drags toward midnight. That level of patronage doesn't even pay the electric bill. On the other, the whole point of Brennan's for me was a place you could stop by without thinking about the time. That part of the business is dead, and it's hard to imagine that new quarters, without some fundamental change in the business — Brennan's bistro? Chez Brennan's? — will bring it back.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I know: a small loss in the big scheme. The meaning is entirely personal. Still, the place had a good run, and it gave me somewhere to make a proposal one night a long time ago. Long life to the memories.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The Oakland Pride Parade and Festival took over downtown Oakland on Sunday. Though less well-known than its San Francisco counterpart, Oakland Pride is seen as more family-friendly and has become a go-to event for \u003ca href=\"https://www.kqed.org/news/11691299/oakland-pride-expects-to-draw-record-number-of-families\">queer families\u003c/a>.\u003c/p>\n\u003cp>Organizers say more than 50,000 people attended this year, making it one of the biggest Oakland Pride’s since the celebration started nine years ago.\u003c/p>\n\u003cfigure id=\"attachment_11691410\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11691410\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/IMG_6749-e1536529265300.jpg\" alt=\"BART Board President Robert Raburn says it's going to be a tough budget year for BART, but he "twisted arms" to make sure the BARTmobile could take part in Oakland Pride on Sunday.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">BART Board President Robert Raburn says it’s going to be a tough budget year for BART, but he “twisted arms” to make sure the BARTmobile could take part in Oakland Pride on Sunday. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11691411\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11691411\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/IMG_6750-e1536529391704.jpg\" alt=\"Legacies of the Pacific prepare to hula their way through Oakland Pride.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Legacies of the Pacific prepare to hula their way through Oakland Pride. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11691412\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11691412 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/IMG_6738-1-e1536529569907.jpg\" alt=\"\" width=\"1920\" height=\"2880\">\u003cfigcaption class=\"wp-caption-text\">From Left to Right: Jon Sarriugarte, Krysten Mate, Lauren Winter and Zolie Sarriugarte (on top of the snail). This crew built their ‘Snail/The Golden Mean’ mobile 10 years ago when Zolie was 2-years-old, it contains a place she used to sleep inside when she was small. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11691413\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11691413\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/IMG_6739-2-e1536529779378.jpg\" alt='Jerry Edwards has been selling at pride for seven years. \"The people are great,\" he said.' width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Jerry Edwards has been selling at pride for seven years. “The people are great,” he said. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11691414\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" class=\"size-medium wp-image-11691414\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-375x563.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-520x780.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Left to Right: Parents Nikkole Gadsen and Paula Williamson of Richmond with 19-month old twins Kingston (left) and Cayman (right) and 5-year old Croix (left). It’s the family’s first Oakland Pride parade. Croix signals his “thumbs up” to the event. \u003ccite>(Sara Hossaini/KQED )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Oakland Pride Parade and Festival took over downtown Oakland on Sunday. Though less well-known than its San Francisco counterpart, Oakland Pride is seen as more family-friendly and has become a go-to event for \u003ca href=\"https://www.kqed.org/news/11691299/oakland-pride-expects-to-draw-record-number-of-families\">queer families\u003c/a>.\u003c/p>\n\u003cp>Organizers say more than 50,000 people attended this year, making it one of the biggest Oakland Pride’s since the celebration started nine years ago.\u003c/p>\n\u003cfigure id=\"attachment_11691410\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11691410\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/IMG_6749-e1536529265300.jpg\" alt=\"BART Board President Robert Raburn says it's going to be a tough budget year for BART, but he "twisted arms" to make sure the BARTmobile could take part in Oakland Pride on Sunday.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">BART Board President Robert Raburn says it’s going to be a tough budget year for BART, but he “twisted arms” to make sure the BARTmobile could take part in Oakland Pride on Sunday. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11691411\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11691411\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/IMG_6750-e1536529391704.jpg\" alt=\"Legacies of the Pacific prepare to hula their way through Oakland Pride.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Legacies of the Pacific prepare to hula their way through Oakland Pride. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11691412\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11691412 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/IMG_6738-1-e1536529569907.jpg\" alt=\"\" width=\"1920\" height=\"2880\">\u003cfigcaption class=\"wp-caption-text\">From Left to Right: Jon Sarriugarte, Krysten Mate, Lauren Winter and Zolie Sarriugarte (on top of the snail). This crew built their ‘Snail/The Golden Mean’ mobile 10 years ago when Zolie was 2-years-old, it contains a place she used to sleep inside when she was small. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11691413\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11691413\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/IMG_6739-2-e1536529779378.jpg\" alt='Jerry Edwards has been selling at pride for seven years. \"The people are great,\" he said.' width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Jerry Edwards has been selling at pride for seven years. “The people are great,” he said. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11691414\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" class=\"size-medium wp-image-11691414\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-375x563.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/IMG_6741-1-e1536529854262-520x780.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Left to Right: Parents Nikkole Gadsen and Paula Williamson of Richmond with 19-month old twins Kingston (left) and Cayman (right) and 5-year old Croix (left). It’s the family’s first Oakland Pride parade. Croix signals his “thumbs up” to the event. \u003ccite>(Sara Hossaini/KQED )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Oakland’s ninth annual Pride celebration kicks off Sunday, and while San Francisco Pride might be more well-known, \u003ca href=\"https://www.kqed.org/news/11691252/know-before-you-go-oakland-pride\" rel=\"noopener\" target=\"_blank\">Oakland Pride\u003c/a> is becoming the go-to event for queer families.\u003c/p>\n\u003cp>They include people like Sacramento native Noelle Kaplan, who moved back to Oakland with her then-pregnant wife Stacey back in 2016 after a stint on the East Coast. Kaplan says the couple considered San Francisco, the historic hub of gay life, but quickly settled on Oakland. \u003c/p>\n\u003cp>Cost was the main factor, but Kaplan also says, “We knew we would be happy here, and we knew there would be other queer families.”\u003c/p>\n\u003cp>But connecting with other LGBTQ families was harder than Kaplan expected.\u003c/p>\n\u003cp>Once her now two-year old was born, Kaplan says she tried to start a meetup group for queer families with newborns. No one came. She took to slipping her number to other cool moms at birthday parties, something she laughingly refers to as platonic “mom dating.” She eventually started her own blog, called \u003ca href=\"http://queertribe.com/\" rel=\"noopener\" target=\"_blank\">Queer Tribe\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I’ve joined tons of mommy groups and spend a bunch of time at the park, and it’s still rare to see queer families,” Kaplan says.\u003c/p>\n\u003cp>Renata Moreira heads up Our Family Coalition, a nonprofit that’s working to fill that void across the region, connecting queer families to essential resources and to each other. She says her group is doing more and more work in the East Bay, including a doubling of attendance at play groups and parent education seminars over the past three years.\u003c/p>\n\u003cp>Moreira says \u003ca href=\"https://www.kqed.org/news/11634601/is-the-castro-getting-less-gay\" rel=\"noopener\" target=\"_blank\">despite changing demographics\u003c/a>, a lot of support is still focused on San Francisco.\u003c/p>\n\u003cp>“We have a lot of LGBTQI immigrant families in the East Bay, and a lot of our families end up seeking support in faith-based organizations, but then they go back in the closet,” Moreira says. “They end up really not sharing out their family composition, receiving less than ideal support because they’re going to face yet again relentless homophobia and transphobia. So often times when they come to us, they’ve navigated many kinds of social services before and have experienced trauma.”\u003c/p>\n\u003cfigure id=\"attachment_11691283\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-800x800.jpeg\" alt=\"The Family and Children's Garden at Oakland Pride.\" width=\"800\" height=\"800\" class=\"size-medium wp-image-11691283\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-240x240.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-375x375.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-520x520.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-32x32.jpeg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-50x50.jpeg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-64x64.jpeg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-96x96.jpeg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-128x128.jpeg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-150x150.jpeg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Family and Children’s Garden at Oakland Pride. \u003ccite>(Oakland Pride)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Moreira says the Coalition is helping to make its clientele a focus of Oakland Pride via the Family and Children’s Garden, which is expected to attract 1,500 LGBTQ families, more than any other Bay Area pride celebration, according to Moreira.\u003c/p>\n\u003cp>“Oakland Pride is the most family-friendly pride really in the nation, and I think it’s a model in terms of inclusion, really every single racial background, social class, religion and so forth. It’s really just a beautiful community space,” says Moreira.\u003c/p>\n\u003cp>In that family spirit, while Dykes on Bikes lead the San Francisco parade, the Oakland celebration will be led by Tykes on Trikes.\u003c/p>\n\u003cp>Oakland Pride co-chair Carlos Uribe says the event has plenty for people of all ages who want a sex-positive experience, including four stages and tents for seniors and teens.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The day’s festivities start with a pre-pride pancake breakfast near Oakland City Hall. The parade and festival kick off at 11 a.m. in downtown Oakland.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland’s ninth annual Pride celebration kicks off Sunday, and while San Francisco Pride might be more well-known, \u003ca href=\"https://www.kqed.org/news/11691252/know-before-you-go-oakland-pride\" rel=\"noopener\" target=\"_blank\">Oakland Pride\u003c/a> is becoming the go-to event for queer families.\u003c/p>\n\u003cp>They include people like Sacramento native Noelle Kaplan, who moved back to Oakland with her then-pregnant wife Stacey back in 2016 after a stint on the East Coast. Kaplan says the couple considered San Francisco, the historic hub of gay life, but quickly settled on Oakland. \u003c/p>\n\u003cp>Cost was the main factor, but Kaplan also says, “We knew we would be happy here, and we knew there would be other queer families.”\u003c/p>\n\u003cp>But connecting with other LGBTQ families was harder than Kaplan expected.\u003c/p>\n\u003cp>Once her now two-year old was born, Kaplan says she tried to start a meetup group for queer families with newborns. No one came. She took to slipping her number to other cool moms at birthday parties, something she laughingly refers to as platonic “mom dating.” She eventually started her own blog, called \u003ca href=\"http://queertribe.com/\" rel=\"noopener\" target=\"_blank\">Queer Tribe\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’ve joined tons of mommy groups and spend a bunch of time at the park, and it’s still rare to see queer families,” Kaplan says.\u003c/p>\n\u003cp>Renata Moreira heads up Our Family Coalition, a nonprofit that’s working to fill that void across the region, connecting queer families to essential resources and to each other. She says her group is doing more and more work in the East Bay, including a doubling of attendance at play groups and parent education seminars over the past three years.\u003c/p>\n\u003cp>Moreira says \u003ca href=\"https://www.kqed.org/news/11634601/is-the-castro-getting-less-gay\" rel=\"noopener\" target=\"_blank\">despite changing demographics\u003c/a>, a lot of support is still focused on San Francisco.\u003c/p>\n\u003cp>“We have a lot of LGBTQI immigrant families in the East Bay, and a lot of our families end up seeking support in faith-based organizations, but then they go back in the closet,” Moreira says. “They end up really not sharing out their family composition, receiving less than ideal support because they’re going to face yet again relentless homophobia and transphobia. So often times when they come to us, they’ve navigated many kinds of social services before and have experienced trauma.”\u003c/p>\n\u003cfigure id=\"attachment_11691283\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-800x800.jpeg\" alt=\"The Family and Children's Garden at Oakland Pride.\" width=\"800\" height=\"800\" class=\"size-medium wp-image-11691283\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-240x240.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-375x375.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-520x520.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-32x32.jpeg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-50x50.jpeg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-64x64.jpeg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-96x96.jpeg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-128x128.jpeg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-150x150.jpeg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Family and Children’s Garden at Oakland Pride. \u003ccite>(Oakland Pride)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Moreira says the Coalition is helping to make its clientele a focus of Oakland Pride via the Family and Children’s Garden, which is expected to attract 1,500 LGBTQ families, more than any other Bay Area pride celebration, according to Moreira.\u003c/p>\n\u003cp>“Oakland Pride is the most family-friendly pride really in the nation, and I think it’s a model in terms of inclusion, really every single racial background, social class, religion and so forth. It’s really just a beautiful community space,” says Moreira.\u003c/p>\n\u003cp>In that family spirit, while Dykes on Bikes lead the San Francisco parade, the Oakland celebration will be led by Tykes on Trikes.\u003c/p>\n\u003cp>Oakland Pride co-chair Carlos Uribe says the event has plenty for people of all ages who want a sex-positive experience, including four stages and tents for seniors and teens.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The day’s festivities start with a pre-pride pancake breakfast near Oakland City Hall. The parade and festival kick off at 11 a.m. in downtown Oakland.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The ninth annual \u003ca href=\"https://www.oaklandpride.org/page/about-oakland-pride/\" target=\"_blank\" rel=\"noopener\">Oakland Pride\u003c/a> will be taking over downtown Oakland on Sunday. Here’s what you need to know before you go.\u003c/p>\n\u003cp>\u003cstrong>What is Oakland Pride?\u003c/strong>\u003c/p>\n\u003cp>Part parade and part festival, the event is dedicated to showcasing “the cultures and diversity of the Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) community in Oakland and the East Bay” through education and community building.\u003c/p>\n\u003cp>\u003cstrong>When is it?\u003c/strong>\u003c/p>\n\u003cp>The parade and festival both open on Sunday, Sept. 9 from 11 a.m. to 7 p.m.\u003c/p>\n\u003cp>\u003cstrong>Where is it?\u003c/strong>\u003c/p>\n\u003cp>The parade goes up Broadway, starting at 14th Street and ending at 20th Street in downtown Oakland.\u003c/p>\n\u003cfigure id=\"attachment_11691255\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11691255 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/a.jpg-800x407.jpg\" alt=\"The Oakland Pride parade route.\" width=\"800\" height=\"407\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-800x407.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-160x81.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-1020x520.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-1200x611.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-1180x601.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-960x489.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-240x122.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-375x191.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-520x265.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Oakland Pride parade route. \u003ccite>(Oakland Pride)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The festival is right next to the parade finish area, with a main entrance at Broadway and 20th Street. The festival includes a “Family and Children’s Garden,” and there will be four stages with their own unique lineups.\u003c/p>\n\u003cp>\u003cstrong>Does it cost to attend?\u003c/strong>\u003c/p>\n\u003cp>General admission to the festival is $10, and tickets for children under 12 are $5. The parade is free unless you want VIP seating.\u003c/p>\n\u003cp>\u003cstrong>What should you bring?\u003c/strong>\u003c/p>\n\u003cp>Phone, money for admission, sunscreen and transit cards.\u003c/p>\n\u003cp>\u003cstrong>Are there any age restrictions?\u003c/strong>\u003c/p>\n\u003cp>There are no age restrictions at Oakland Pride, which calls itself one of the “most diverse and family friendly” pride celebrations in the country. The \u003ca href=\"https://www.oaklandpride.org/page/pride-family-fun-zone/\" target=\"_blank\" rel=\"noopener\">Family and Children’s Garden\u003c/a> will be open from 11 a.m.-4 p.m., featuring programs and activities specially designed for children and their family.\u003c/p>\n\u003cfigure id=\"attachment_11691283\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11691283 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-800x800.jpeg\" alt=\"The Family and Children's Garden at Oakland Pride.\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-240x240.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-375x375.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-520x520.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-32x32.jpeg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-50x50.jpeg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-64x64.jpeg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-96x96.jpeg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-128x128.jpeg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-150x150.jpeg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Family and Children’s Garden at Oakland Pride. \u003ccite>(Oakland Pride)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>How should you get there?\u003c/strong>\u003c/p>\n\u003cp>BART is your best bet to get Oakland Pride, with the 12th Street/Oakland City Center and 19th Street stations in Oakland being the closest stops. There will be very limited parking near the event.\u003c/p>\n\u003cp>https://twitter.com/SFBARTable/status/1038487176277839873\u003c/p>\n\u003cp>AC Transit will have \u003ca href=\"http://www.actransit.org/2018/08/31/oakland-pride-downtown-detours-september-8-to-10/\" target=\"_blank\" rel=\"noopener\">detours in place\u003c/a> for routes that go through the area. Some of these closures began Saturday morning.\u003c/p>\n\u003cp>https://twitter.com/rideact/status/1038517588744126464\u003c/p>\n\u003cp>\u003cstrong>What hashtag should people use on social media?\u003c/strong>\u003c/p>\n\u003cp>#OaklandPride\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The ninth annual \u003ca href=\"https://www.oaklandpride.org/page/about-oakland-pride/\" target=\"_blank\" rel=\"noopener\">Oakland Pride\u003c/a> will be taking over downtown Oakland on Sunday. Here’s what you need to know before you go.\u003c/p>\n\u003cp>\u003cstrong>What is Oakland Pride?\u003c/strong>\u003c/p>\n\u003cp>Part parade and part festival, the event is dedicated to showcasing “the cultures and diversity of the Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) community in Oakland and the East Bay” through education and community building.\u003c/p>\n\u003cp>\u003cstrong>When is it?\u003c/strong>\u003c/p>\n\u003cp>The parade and festival both open on Sunday, Sept. 9 from 11 a.m. to 7 p.m.\u003c/p>\n\u003cp>\u003cstrong>Where is it?\u003c/strong>\u003c/p>\n\u003cp>The parade goes up Broadway, starting at 14th Street and ending at 20th Street in downtown Oakland.\u003c/p>\n\u003cfigure id=\"attachment_11691255\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11691255 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/a.jpg-800x407.jpg\" alt=\"The Oakland Pride parade route.\" width=\"800\" height=\"407\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-800x407.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-160x81.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-1020x520.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-1200x611.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-1180x601.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-960x489.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-240x122.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-375x191.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg-520x265.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/a.jpg.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Oakland Pride parade route. \u003ccite>(Oakland Pride)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The festival is right next to the parade finish area, with a main entrance at Broadway and 20th Street. The festival includes a “Family and Children’s Garden,” and there will be four stages with their own unique lineups.\u003c/p>\n\u003cp>\u003cstrong>Does it cost to attend?\u003c/strong>\u003c/p>\n\u003cp>General admission to the festival is $10, and tickets for children under 12 are $5. The parade is free unless you want VIP seating.\u003c/p>\n\u003cp>\u003cstrong>What should you bring?\u003c/strong>\u003c/p>\n\u003cp>Phone, money for admission, sunscreen and transit cards.\u003c/p>\n\u003cp>\u003cstrong>Are there any age restrictions?\u003c/strong>\u003c/p>\n\u003cp>There are no age restrictions at Oakland Pride, which calls itself one of the “most diverse and family friendly” pride celebrations in the country. The \u003ca href=\"https://www.oaklandpride.org/page/pride-family-fun-zone/\" target=\"_blank\" rel=\"noopener\">Family and Children’s Garden\u003c/a> will be open from 11 a.m.-4 p.m., featuring programs and activities specially designed for children and their family.\u003c/p>\n\u003cfigure id=\"attachment_11691283\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11691283 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-800x800.jpeg\" alt=\"The Family and Children's Garden at Oakland Pride.\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-240x240.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-375x375.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-520x520.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-32x32.jpeg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-50x50.jpeg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-64x64.jpeg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-96x96.jpeg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-128x128.jpeg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/09/Oakland-Pride-Family.jpeg-150x150.jpeg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Family and Children’s Garden at Oakland Pride. \u003ccite>(Oakland Pride)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>How should you get there?\u003c/strong>\u003c/p>\n\u003cp>BART is your best bet to get Oakland Pride, with the 12th Street/Oakland City Center and 19th Street stations in Oakland being the closest stops. There will be very limited parking near the event.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>AC Transit will have \u003ca href=\"http://www.actransit.org/2018/08/31/oakland-pride-downtown-detours-september-8-to-10/\" target=\"_blank\" rel=\"noopener\">detours in place\u003c/a> for routes that go through the area. Some of these closures began Saturday morning.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cstrong>What hashtag should people use on social media?\u003c/strong>\u003c/p>\n\u003cp>#OaklandPride\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "After The Wildfires: Artist Captures Plight of Napa's Undocumented Workers",
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"content": "\u003cp>When wildfires ripped through California’s Napa Valley in October 2017, local artist \u003ca href=\"https://www.correavalencia.com/\" rel=\"noopener\" target=\"_blank\">Arleene Correa Valencia\u003c/a> was shocked to hear that farm workers were continuing to work in the vineyards — even as smoke surrounded the area, and the locals were evacuating.\u003c/p>\n\u003cp>Outraged, Correa turned to her art — painting — to highlight the dangerous conditions in which immigrant workers, particularly undocumented ones, are forced to labor. She took photos of the scene to create oil paintings, which are the focus of her upcoming series, \u003cem>En Tiempo de Crisis, In Times of Crisis.\u003c/em>\u003c/p>\n\u003cp>Standing on the edge of a manicured vineyard on Silverado Road, the main road of Napa Valley’s world-renowned wineries, Correa recalls what she saw as the fires raged.\u003c/p>\n\u003cp>“The moon was out, it was red orange, highlighted by the fires, it was something out of a movie, it was beautiful,” says Correa. “But underneath all that, there were people, and they were not safe. They were hustling up and down these long stretches of vineyard, just running to save the grape.”\u003c/p>\n\u003cp>Correa was born in Michoacán, Mexico, and raised in Napa Valley. Now 24, she is a recipient of Deferred Action for Childhood Arrivals, or DACA — the program that allows undocumented immigrants brought here as children to live and work in the U.S legally. Growing up, she experienced firsthand the contradictions of living in a wealthy area as an undocumented immigrant.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“My parents, two siblings and I shared a two-bedroom apartment with 16 people,” says Correa. “We lived in this tiny little place and everybody there were my uncles, my aunts, my cousins. Everybody was just working so that we could all pay rent collectively.”\u003c/p>\n\u003cp>Many of her family members worked in the vineyards. Immigrants play a crucial role in the Napa economy, making up a majority of the \u003ca href=\"https://www.nytimes.com/2017/10/17/us/california-fires-immigrants.html?action=click&module=RelatedCoverage&pgtype=Article®ion=Footer\" rel=\"noopener\" target=\"_blank\">55,000\u003c/a> people employed by its wine industry.\u003c/p>\n\u003cfigure id=\"attachment_11690088\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/arleene3_enl-22c3597a6abb520526d6f705aed8842cdae9fe4b-e1535835667110.jpg\" alt=\"In one of Correa's oil paintings, a woman harvesting grapes at night ties a bandana around her mouth and nose to protect herself from the smoke permeating the fields.\" width=\"1920\" height=\"1279\" class=\"size-full wp-image-11690088\">\u003cfigcaption class=\"wp-caption-text\">In one of Correa’s oil paintings, a woman harvesting grapes at night ties a bandana around her mouth and nose to protect herself from the smoke permeating the fields. \u003ccite>(Rachael Bongiorno for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But when a natural disaster strikes, undocumented immigrants are ineligible for most disaster aid or unemployment benefits. Even if an undocumented parent has U.S-born children who are eligible for federal emergency relief funds, the personal information required by these agencies can discourage \u003ca href=\"https://www.sfchronicle.com/bayarea/article/Some-immigrant-fire-victims-forgo-aid-fearing-12306830.php\" rel=\"noopener\" target=\"_blank\">them from applying.\u003c/a> During the 2017 fires, rumors circulated that Immigration and Customs Enforcement (ICE) was going to local evacuation centers. Those rumours were unfounded, but they \u003ca href=\"https://www.sacbee.com/news/state/california/fires/article178502386.html\" rel=\"noopener\" target=\"_blank\">deterred\u003c/a> undocumented immigrants all the same.\u003c/p>\n\u003cp>During last year’s fires, Correa recalls seeing “a flock of people sleeping in the Walmart parking lot in their cars, because they were too afraid to go down to the community college and get a couple of blankets and a cot for their children. … The fear of being deported is keeping them from being helped.”\u003c/p>\n\u003cp>Correa documented what she saw, and the photographs she took inspired her latest oil paintings. In one painting, a woman is bent over a large bin of freshly cut grapes. It’s dark, so she’s wearing a neon orange safety vest, a headlamp to see her work and a bandana tied around her mouth and nose to protect herself from the smoke permeating the fields.\u003c/p>\n\u003cp>Correa, who has asthma, says when she shot the photo the painting is based on, in a local vineyard, she was wearing a particulate respirator mask, yet she still struggled to breathe. But she says the workers she saw were not wearing masks, and only some — like the woman in the painting — wore a bandana over their faces.\u003c/p>\n\u003cp>“Everyone was coughing, especially because they were running up and down, but no one was complaining,” says Correa.\u003c/p>\n\u003cp>Winemakers were under pressure to save the grapes from the fires, as well as from \u003ca href=\"https://www.npr.org/sections/thesalt/2017/12/13/570188980/winemakers-worry-wildfires-will-leave-whiff-of-ashtray-in-their-wine\" rel=\"noopener\" target=\"_blank\">smoke damage\u003c/a>\u003ca href=\"http://www.slate.com/articles/health_and_science/science/2017/10/how_the_fires_might_affect_california_wine.html\" rel=\"noopener\" target=\"_blank\">.\u003c/a> The wine country fires of 2017 proved to be among the costliest in California’s history, generating nearly \u003ca href=\"http://www.latimes.com/local/lanow/la-me-ln-fire-insurance-claims-california-20180131-story.html\" rel=\"noopener\" target=\"_blank\">$10 billion\u003c/a> in insurance claims. Farmworkers felt the pressure, too, Correa says.\u003c/p>\n\u003cp>“This is when they were making the most money,” says Correa, so farmworkers “don’t have the luxury to say, ‘I’m leaving town because it’s unsafe’ or because ‘I don’t want to breathe the air.’ ”\u003c/p>\n\u003cp>When Correa asked the woman she photographed how much money she was making, she said she didn’t know. The woman told her that laborers make around $2,000 per ton of grapes, but this is divided among a complex arrangement of subcontractors, as well as the 20 or so grape pickers for that shift.\u003c/p>\n\u003cp>“They’re independent contractors, so they don’t have to provide them with health insurance, living assistance. They don’t have to provide any of the benefits any normal worker would get,” says Correa. “At the end of the day, these people are doing extremely rigorous physical labor for absolutely nothing.”\u003c/p>\n\u003cfigure id=\"attachment_11690089\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/arleene2_enl-8018745d9d2a0777c97b9daf39e63a4d6a261d74-e1535835704700.jpg\" alt=\"Arleene Correa Valencia stands by the creek on the Silverado Trail in Napa Valley.\" width=\"1920\" height=\"1279\" class=\"size-full wp-image-11690089\">\u003cfigcaption class=\"wp-caption-text\">Arleene Correa Valencia stands by the creek on the Silverado Trail in Napa Valley. \u003ccite>(Rachael Bongiorno for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s been 10 months since the Napa fires, and organizations that serve the local immigrant communities say that undocumented immigrants are still fearful of accessing services, despite the significant challenges which they experience \u003cstrong>— \u003c/strong>including family trauma, unemployment and a lack of housing.\u003c/p>\n\u003cp>“Landlords have said they need to renovate the apartments after the fires, and then they jack up the rent,” says Josefina Hurtado, executive director of \u003ca href=\"https://www.puertasabiertasnapa.org/\" rel=\"noopener\" target=\"_blank\">Puertas Abiertas Community Resource Center\u003c/a>, an organization which offers counseling, disaster relief, English classes and other social services. “We have families moving from entire apartments to just one room.”\u003c/p>\n\u003cp>When fires burned earlier this summer across central and northern California, ICE issued a statement saying it would suspend routine immigration enforcement operations in the affected areas. But advocacy groups say the overall climate of fear around ICE gives immigrants little reassurance.\u003c/p>\n\u003cp>Correa says even though she is a recipient of DACA, the fear and anxiety of being undocumented hasn’t gone away. But she sees it as her responsibility to use her art to humanize the experience of undocumented immigrants and immigrant workers in general.\u003c/p>\n\u003cp>“My work is made to talk about not only my experience, but the collective experience of the Latino immigrant in the Napa Valley,” says Correa. She is hoping to exhibit the series in a Napa museum in the spring.\u003c/p>\n\u003cp>As someone who appreciates a good glass of Napa Valley wine, she also hopes her art will change the way people think about what goes into making it.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Rachael Bongiorno is a freelance multimedia journalist based in New York City. She often reports on the intersection of immigration, culture, politics and food.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=After+The+Wildfires%3A+Artist+Captures+Plight+Of+Napa%27s+Undocumented+Workers+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When wildfires ripped through California’s Napa Valley in October 2017, local artist \u003ca href=\"https://www.correavalencia.com/\" rel=\"noopener\" target=\"_blank\">Arleene Correa Valencia\u003c/a> was shocked to hear that farm workers were continuing to work in the vineyards — even as smoke surrounded the area, and the locals were evacuating.\u003c/p>\n\u003cp>Outraged, Correa turned to her art — painting — to highlight the dangerous conditions in which immigrant workers, particularly undocumented ones, are forced to labor. She took photos of the scene to create oil paintings, which are the focus of her upcoming series, \u003cem>En Tiempo de Crisis, In Times of Crisis.\u003c/em>\u003c/p>\n\u003cp>Standing on the edge of a manicured vineyard on Silverado Road, the main road of Napa Valley’s world-renowned wineries, Correa recalls what she saw as the fires raged.\u003c/p>\n\u003cp>“The moon was out, it was red orange, highlighted by the fires, it was something out of a movie, it was beautiful,” says Correa. “But underneath all that, there were people, and they were not safe. They were hustling up and down these long stretches of vineyard, just running to save the grape.”\u003c/p>\n\u003cp>Correa was born in Michoacán, Mexico, and raised in Napa Valley. Now 24, she is a recipient of Deferred Action for Childhood Arrivals, or DACA — the program that allows undocumented immigrants brought here as children to live and work in the U.S legally. Growing up, she experienced firsthand the contradictions of living in a wealthy area as an undocumented immigrant.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“My parents, two siblings and I shared a two-bedroom apartment with 16 people,” says Correa. “We lived in this tiny little place and everybody there were my uncles, my aunts, my cousins. Everybody was just working so that we could all pay rent collectively.”\u003c/p>\n\u003cp>Many of her family members worked in the vineyards. Immigrants play a crucial role in the Napa economy, making up a majority of the \u003ca href=\"https://www.nytimes.com/2017/10/17/us/california-fires-immigrants.html?action=click&module=RelatedCoverage&pgtype=Article®ion=Footer\" rel=\"noopener\" target=\"_blank\">55,000\u003c/a> people employed by its wine industry.\u003c/p>\n\u003cfigure id=\"attachment_11690088\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/arleene3_enl-22c3597a6abb520526d6f705aed8842cdae9fe4b-e1535835667110.jpg\" alt=\"In one of Correa's oil paintings, a woman harvesting grapes at night ties a bandana around her mouth and nose to protect herself from the smoke permeating the fields.\" width=\"1920\" height=\"1279\" class=\"size-full wp-image-11690088\">\u003cfigcaption class=\"wp-caption-text\">In one of Correa’s oil paintings, a woman harvesting grapes at night ties a bandana around her mouth and nose to protect herself from the smoke permeating the fields. \u003ccite>(Rachael Bongiorno for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But when a natural disaster strikes, undocumented immigrants are ineligible for most disaster aid or unemployment benefits. Even if an undocumented parent has U.S-born children who are eligible for federal emergency relief funds, the personal information required by these agencies can discourage \u003ca href=\"https://www.sfchronicle.com/bayarea/article/Some-immigrant-fire-victims-forgo-aid-fearing-12306830.php\" rel=\"noopener\" target=\"_blank\">them from applying.\u003c/a> During the 2017 fires, rumors circulated that Immigration and Customs Enforcement (ICE) was going to local evacuation centers. Those rumours were unfounded, but they \u003ca href=\"https://www.sacbee.com/news/state/california/fires/article178502386.html\" rel=\"noopener\" target=\"_blank\">deterred\u003c/a> undocumented immigrants all the same.\u003c/p>\n\u003cp>During last year’s fires, Correa recalls seeing “a flock of people sleeping in the Walmart parking lot in their cars, because they were too afraid to go down to the community college and get a couple of blankets and a cot for their children. … The fear of being deported is keeping them from being helped.”\u003c/p>\n\u003cp>Correa documented what she saw, and the photographs she took inspired her latest oil paintings. In one painting, a woman is bent over a large bin of freshly cut grapes. It’s dark, so she’s wearing a neon orange safety vest, a headlamp to see her work and a bandana tied around her mouth and nose to protect herself from the smoke permeating the fields.\u003c/p>\n\u003cp>Correa, who has asthma, says when she shot the photo the painting is based on, in a local vineyard, she was wearing a particulate respirator mask, yet she still struggled to breathe. But she says the workers she saw were not wearing masks, and only some — like the woman in the painting — wore a bandana over their faces.\u003c/p>\n\u003cp>“Everyone was coughing, especially because they were running up and down, but no one was complaining,” says Correa.\u003c/p>\n\u003cp>Winemakers were under pressure to save the grapes from the fires, as well as from \u003ca href=\"https://www.npr.org/sections/thesalt/2017/12/13/570188980/winemakers-worry-wildfires-will-leave-whiff-of-ashtray-in-their-wine\" rel=\"noopener\" target=\"_blank\">smoke damage\u003c/a>\u003ca href=\"http://www.slate.com/articles/health_and_science/science/2017/10/how_the_fires_might_affect_california_wine.html\" rel=\"noopener\" target=\"_blank\">.\u003c/a> The wine country fires of 2017 proved to be among the costliest in California’s history, generating nearly \u003ca href=\"http://www.latimes.com/local/lanow/la-me-ln-fire-insurance-claims-california-20180131-story.html\" rel=\"noopener\" target=\"_blank\">$10 billion\u003c/a> in insurance claims. Farmworkers felt the pressure, too, Correa says.\u003c/p>\n\u003cp>“This is when they were making the most money,” says Correa, so farmworkers “don’t have the luxury to say, ‘I’m leaving town because it’s unsafe’ or because ‘I don’t want to breathe the air.’ ”\u003c/p>\n\u003cp>When Correa asked the woman she photographed how much money she was making, she said she didn’t know. The woman told her that laborers make around $2,000 per ton of grapes, but this is divided among a complex arrangement of subcontractors, as well as the 20 or so grape pickers for that shift.\u003c/p>\n\u003cp>“They’re independent contractors, so they don’t have to provide them with health insurance, living assistance. They don’t have to provide any of the benefits any normal worker would get,” says Correa. “At the end of the day, these people are doing extremely rigorous physical labor for absolutely nothing.”\u003c/p>\n\u003cfigure id=\"attachment_11690089\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/09/arleene2_enl-8018745d9d2a0777c97b9daf39e63a4d6a261d74-e1535835704700.jpg\" alt=\"Arleene Correa Valencia stands by the creek on the Silverado Trail in Napa Valley.\" width=\"1920\" height=\"1279\" class=\"size-full wp-image-11690089\">\u003cfigcaption class=\"wp-caption-text\">Arleene Correa Valencia stands by the creek on the Silverado Trail in Napa Valley. \u003ccite>(Rachael Bongiorno for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s been 10 months since the Napa fires, and organizations that serve the local immigrant communities say that undocumented immigrants are still fearful of accessing services, despite the significant challenges which they experience \u003cstrong>— \u003c/strong>including family trauma, unemployment and a lack of housing.\u003c/p>\n\u003cp>“Landlords have said they need to renovate the apartments after the fires, and then they jack up the rent,” says Josefina Hurtado, executive director of \u003ca href=\"https://www.puertasabiertasnapa.org/\" rel=\"noopener\" target=\"_blank\">Puertas Abiertas Community Resource Center\u003c/a>, an organization which offers counseling, disaster relief, English classes and other social services. “We have families moving from entire apartments to just one room.”\u003c/p>\n\u003cp>When fires burned earlier this summer across central and northern California, ICE issued a statement saying it would suspend routine immigration enforcement operations in the affected areas. But advocacy groups say the overall climate of fear around ICE gives immigrants little reassurance.\u003c/p>\n\u003cp>Correa says even though she is a recipient of DACA, the fear and anxiety of being undocumented hasn’t gone away. But she sees it as her responsibility to use her art to humanize the experience of undocumented immigrants and immigrant workers in general.\u003c/p>\n\u003cp>“My work is made to talk about not only my experience, but the collective experience of the Latino immigrant in the Napa Valley,” says Correa. She is hoping to exhibit the series in a Napa museum in the spring.\u003c/p>\n\u003cp>As someone who appreciates a good glass of Napa Valley wine, she also hopes her art will change the way people think about what goes into making it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Rachael Bongiorno is a freelance multimedia journalist based in New York City. She often reports on the intersection of immigration, culture, politics and food.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=After+The+Wildfires%3A+Artist+Captures+Plight+Of+Napa%27s+Undocumented+Workers+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"slug": "the-whole-story-faith-and-fraud-in-mt-shasta",
"title": "A Mysterious Hole Appeared on Mt. Shasta. Each Theory Behind It Tells a Different Story",
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"headTitle": "A Mysterious Hole Appeared on Mt. Shasta. Each Theory Behind It Tells a Different Story | KQED",
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"content": "\u003cp>[dropcap]E[/dropcap]lijah Sullivan has spent the last six years trying to solve a mystery. About 10 years ago, a hole — about 60 feet deep — appeared on the side of Mount Shasta, California’s highest volcano.\u003c/p>\n\u003cp>It seemed to have been dug by hand at night, using a makeshift pulley system to remove the dirt. The only clues the diggers left behind were a ladder, some buckets and a plastic water bottle.\u003c/p>\n\u003cp>Sullivan grew up in Mount Shasta, a former logging town that lies at the base of the mountain.\u003c/p>\n\u003cp>“Most people know me as the guy from the video store,” says Sullivan, who works at an independent movie store in the city.\u003c/p>\n\u003cp>But he’s even better known for his quest to solve the mystery of the giant hole for a documentary film he’s making called\u003ca href=\"https://www.facebook.com/TheHoleStoryMovie/\"> “The Hole Story\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_11685046\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11685046 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-520x347.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Elijah Sullivan stands on the spot where, about 10 years ago, Forest Service agents discovered a mysterious 60-foot-deep hole that seemed to have been dug completely by hand. The hole has since been filled in, but traces of the dig remain, including a plastic 5-gallon bucket and scratch marks on the trees that held a pulley system the diggers used to remove the dirt. \u003ccite>(Cat Schuknecht/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sullivan says he’s been tracking three main theories about what someone was looking for at the bottom of the hole, and each theory tells a different story about the region’s history.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“All the different competing theories mirrored everybody’s different beliefs around here,” Sullivan says.\u003c/p>\n\u003cp>For example, belief in the legend of Lemuria.\u003c/p>\n\u003ch3>The Lost Continent of Lemuria\u003c/h3>\n\u003cp>Some people in Mount Shasta believe that a lost continent called Lemuria is hidden beneath the mountain, along with its capital crystalline city, Telos.\u003c/p>\n\u003cp>The name Lemuria originated with a 19th century English zoologist who believed that lemurs had used the lost continent as a land bridge to migrate from India to Madagascar.\u003c/p>\n\u003cp>While some people think Lemuria exists only in the mind, others say they’ve seen tall robed Lemurians shopping in town, or traveling in and out of the mountain in cloud-shaped UFOs.\u003c/p>\n\u003cfigure id=\"attachment_11685051\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11685051\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">At Mount Shasta’s visitor center, books on the mountain’s myths and legends seem to outnumber guides to the mountain’s other attractions, like hiking and backpacking. \u003ccite>(Cat Schuknecht/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>So, when Sullivan heard about the giant hole, his first thought was that the diggers were trying to get to the underground world.\u003c/p>\n\u003cp>“You’ll hear a lot of people talking about Lemuria, maybe even asking for directions,” says Sullivan. “People make pilgrimages here — it’s like a New Age mecca.”\u003c/p>\n\u003cfigure id=\"attachment_11685047\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11685047 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A shop window on Mount Shasta’s main boulevard displays a book on Lemurian portals. Some people believe that the lost continent of Lemuria is hidden beneath Mount Shasta, along with its capital city, Telos. \u003ccite>(Cat Schuknecht/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1987, an event called the Harmonic Convergence marked Mount Shasta as a destination for New Age spirituality. It was a huge production — one news report from the time called the gathering a “spiritual Woodstock.”\u003c/p>\n\u003cp>But Mount Shasta has a spiritual reputation that long predates the New Age movement.\u003c/p>\n\u003ch3>A Sacred Mountain for Native Americans\u003c/h3>\n\u003cp>The mountain is sacred to the \u003ca href=\"http://www.winnememwintu.us/\">Winnemem Wintu\u003c/a> tribe, which is indigenous to the McCloud River area of Northern California.\u003c/p>\n\u003cp>“We heard about the hole,” says the tribe’s leader, Caleen Sisk, who worries that spiritual and recreational visitors are harming Mount Shasta. “We came out of that mountain, so we’re obligated to be the watchers of the mountain.”\u003c/p>\n\u003cp>That’s why Sullivan’s second theory — about why someone dug a giant hole on Mount Shasta — is that they were looking for Native American artifacts.\u003c/p>\n\u003cp>“There’s a pretty long history of Native American artifact-looting here,” says Sullivan. “It makes sense because so many tribes have been here over so many centuries.”\u003c/p>\n\u003cfigure id=\"attachment_11685052\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11685052\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mount Shasta is California’s highest volcano, and it towers above the surrounding landscape. \u003ccite>(Cat Schuknecht/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Digging for artifacts like arrowheads or human remains without a permit is a serious crime. First-time offenders can be fined up to $20,000, and imprisoned for up to a year. The penalty is five times worse for second-time offenders.\u003c/p>\n\u003cp>A few years ago, there was a big looting investigation just across the border in Oregon’s Klamath County.\u003c/p>\n\u003cp>“I called two Oregon state police officers who have worked on looting cases,” says Sullivan. “They said, ‘Oh yeah, that looks like looters.’ ” Sullivan said the officers told him that looters often work at night and remove the dirt from the dig site for processing, which is what the diggers did on Mount Shasta.\u003c/p>\n\u003cp>But the Forest Service disagrees with Sullivan’s sources. They said there aren’t many Native American artifacts on the mountain because it’s a sacred site, so tools and ceremonial items would have been packed out.\u003c/p>\n\u003cp>The Forest Service has its own theory about what the diggers were looking for.\u003c/p>\n\u003ch3>Does it Just Come Down to Gold?\u003c/h3>\n\u003cp>“Somebody was doing some mining,” says Carolyn Napper, the district ranger for the Shasta McCloud management unit of the Shasta-Trinity National Forest. She says the diggers were looking for gold, and that someone was eventually prosecuted for digging the hole.\u003c/p>\n\u003cfigure id=\"attachment_11685048\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11685048\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A sign advertises gold panning in Yreka, a city north of Mount Shasta. The Forest Service says that the diggers were looking for gold on the mountain, even though the volcanic geology of the area makes it unlikely that they found any. \u003ccite>(Cat Schuknecht/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It wouldn’t be totally unprecedented; there is a history of Gold Rush-era mining in the area. But Napper says it isn’t likely that there’s any gold where the hole was, due to the volcanic geology of that part of the mountain.\u003c/p>\n\u003cp>“It’s somewhat far-fetched that it would be a mining claim in this area, but probably stranger things have happened,” says Napper. “It’s the beauty of Mount Shasta.”\u003c/p>\n\u003cp>No matter what the diggers were looking for — an underground world, Native American artifacts, or gold — Sullivan isn’t ready to let go of the mystery.\u003c/p>\n\u003cp>“There [are] always going to be questions — are any of these people telling the truth?” says Sullivan, who sees the hole as a kind of Rorschach test for people in Mount Shasta.\u003c/p>\n\u003cp>“It’s a perfect blank slate for people to project,” he says. “Every conceivable thing that a person would look for is at the bottom of that hole, to somebody.”\u003c/p>\n\u003cp>Sullivan is still working on his documentary film about the hole, but he likes the idea of it ending mysteriously.\u003c/p>\n\u003cp>“I don’t know if any one answer could live up to the whole mystery of it,” says Sullivan. “Answers are disappointing, aren’t they?”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\" rel=\"noopener\" target=\"_blank\">Listen to this and more in-depth storytelling by subscribing to The California Report Magazine podcast.\u003c/a>\u003c/em>\u003c/p>\n\n",
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"excerpt": "Ten years ago, a 60-foot hole appeared on the side of Mount Shasta. A local began a quest to solve the mystery, and says each of the three main theories tells a different story about the region’s history.",
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"title": "A Mysterious Hole Appeared on Mt. Shasta. Each Theory Behind It Tells a Different Story | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">E\u003c/span>\u003c/p>\u003cp>lijah Sullivan has spent the last six years trying to solve a mystery. About 10 years ago, a hole — about 60 feet deep — appeared on the side of Mount Shasta, California’s highest volcano.\u003c/p>\n\u003cp>It seemed to have been dug by hand at night, using a makeshift pulley system to remove the dirt. The only clues the diggers left behind were a ladder, some buckets and a plastic water bottle.\u003c/p>\n\u003cp>Sullivan grew up in Mount Shasta, a former logging town that lies at the base of the mountain.\u003c/p>\n\u003cp>“Most people know me as the guy from the video store,” says Sullivan, who works at an independent movie store in the city.\u003c/p>\n\u003cp>But he’s even better known for his quest to solve the mystery of the giant hole for a documentary film he’s making called\u003ca href=\"https://www.facebook.com/TheHoleStoryMovie/\"> “The Hole Story\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_11685046\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11685046 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS31963_Elijah2-qut-520x347.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Elijah Sullivan stands on the spot where, about 10 years ago, Forest Service agents discovered a mysterious 60-foot-deep hole that seemed to have been dug completely by hand. The hole has since been filled in, but traces of the dig remain, including a plastic 5-gallon bucket and scratch marks on the trees that held a pulley system the diggers used to remove the dirt. \u003ccite>(Cat Schuknecht/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sullivan says he’s been tracking three main theories about what someone was looking for at the bottom of the hole, and each theory tells a different story about the region’s history.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“All the different competing theories mirrored everybody’s different beliefs around here,” Sullivan says.\u003c/p>\n\u003cp>For example, belief in the legend of Lemuria.\u003c/p>\n\u003ch3>The Lost Continent of Lemuria\u003c/h3>\n\u003cp>Some people in Mount Shasta believe that a lost continent called Lemuria is hidden beneath the mountain, along with its capital crystalline city, Telos.\u003c/p>\n\u003cp>The name Lemuria originated with a 19th century English zoologist who believed that lemurs had used the lost continent as a land bridge to migrate from India to Madagascar.\u003c/p>\n\u003cp>While some people think Lemuria exists only in the mind, others say they’ve seen tall robed Lemurians shopping in town, or traveling in and out of the mountain in cloud-shaped UFOs.\u003c/p>\n\u003cfigure id=\"attachment_11685051\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11685051\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32207_VisitorCenter2-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">At Mount Shasta’s visitor center, books on the mountain’s myths and legends seem to outnumber guides to the mountain’s other attractions, like hiking and backpacking. \u003ccite>(Cat Schuknecht/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>So, when Sullivan heard about the giant hole, his first thought was that the diggers were trying to get to the underground world.\u003c/p>\n\u003cp>“You’ll hear a lot of people talking about Lemuria, maybe even asking for directions,” says Sullivan. “People make pilgrimages here — it’s like a New Age mecca.”\u003c/p>\n\u003cfigure id=\"attachment_11685047\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11685047 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32211_LemuriaBook1-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A shop window on Mount Shasta’s main boulevard displays a book on Lemurian portals. Some people believe that the lost continent of Lemuria is hidden beneath Mount Shasta, along with its capital city, Telos. \u003ccite>(Cat Schuknecht/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1987, an event called the Harmonic Convergence marked Mount Shasta as a destination for New Age spirituality. It was a huge production — one news report from the time called the gathering a “spiritual Woodstock.”\u003c/p>\n\u003cp>But Mount Shasta has a spiritual reputation that long predates the New Age movement.\u003c/p>\n\u003ch3>A Sacred Mountain for Native Americans\u003c/h3>\n\u003cp>The mountain is sacred to the \u003ca href=\"http://www.winnememwintu.us/\">Winnemem Wintu\u003c/a> tribe, which is indigenous to the McCloud River area of Northern California.\u003c/p>\n\u003cp>“We heard about the hole,” says the tribe’s leader, Caleen Sisk, who worries that spiritual and recreational visitors are harming Mount Shasta. “We came out of that mountain, so we’re obligated to be the watchers of the mountain.”\u003c/p>\n\u003cp>That’s why Sullivan’s second theory — about why someone dug a giant hole on Mount Shasta — is that they were looking for Native American artifacts.\u003c/p>\n\u003cp>“There’s a pretty long history of Native American artifact-looting here,” says Sullivan. “It makes sense because so many tribes have been here over so many centuries.”\u003c/p>\n\u003cfigure id=\"attachment_11685052\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11685052\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32206_MtShasta4-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mount Shasta is California’s highest volcano, and it towers above the surrounding landscape. \u003ccite>(Cat Schuknecht/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Digging for artifacts like arrowheads or human remains without a permit is a serious crime. First-time offenders can be fined up to $20,000, and imprisoned for up to a year. The penalty is five times worse for second-time offenders.\u003c/p>\n\u003cp>A few years ago, there was a big looting investigation just across the border in Oregon’s Klamath County.\u003c/p>\n\u003cp>“I called two Oregon state police officers who have worked on looting cases,” says Sullivan. “They said, ‘Oh yeah, that looks like looters.’ ” Sullivan said the officers told him that looters often work at night and remove the dirt from the dig site for processing, which is what the diggers did on Mount Shasta.\u003c/p>\n\u003cp>But the Forest Service disagrees with Sullivan’s sources. They said there aren’t many Native American artifacts on the mountain because it’s a sacred site, so tools and ceremonial items would have been packed out.\u003c/p>\n\u003cp>The Forest Service has its own theory about what the diggers were looking for.\u003c/p>\n\u003ch3>Does it Just Come Down to Gold?\u003c/h3>\n\u003cp>“Somebody was doing some mining,” says Carolyn Napper, the district ranger for the Shasta McCloud management unit of the Shasta-Trinity National Forest. She says the diggers were looking for gold, and that someone was eventually prosecuted for digging the hole.\u003c/p>\n\u003cfigure id=\"attachment_11685048\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11685048\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32209_GoldSign3-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A sign advertises gold panning in Yreka, a city north of Mount Shasta. The Forest Service says that the diggers were looking for gold on the mountain, even though the volcanic geology of the area makes it unlikely that they found any. \u003ccite>(Cat Schuknecht/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It wouldn’t be totally unprecedented; there is a history of Gold Rush-era mining in the area. But Napper says it isn’t likely that there’s any gold where the hole was, due to the volcanic geology of that part of the mountain.\u003c/p>\n\u003cp>“It’s somewhat far-fetched that it would be a mining claim in this area, but probably stranger things have happened,” says Napper. “It’s the beauty of Mount Shasta.”\u003c/p>\n\u003cp>No matter what the diggers were looking for — an underground world, Native American artifacts, or gold — Sullivan isn’t ready to let go of the mystery.\u003c/p>\n\u003cp>“There [are] always going to be questions — are any of these people telling the truth?” says Sullivan, who sees the hole as a kind of Rorschach test for people in Mount Shasta.\u003c/p>\n\u003cp>“It’s a perfect blank slate for people to project,” he says. “Every conceivable thing that a person would look for is at the bottom of that hole, to somebody.”\u003c/p>\n\u003cp>Sullivan is still working on his documentary film about the hole, but he likes the idea of it ending mysteriously.\u003c/p>\n\u003cp>“I don’t know if any one answer could live up to the whole mystery of it,” says Sullivan. “Answers are disappointing, aren’t they?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Supporters of a \u003ca href=\"https://www.kqed.org/arts/13832148/new-sf-cultural-districts-ordinance-aims-to-counteract-gentrification\" target=\"_blank\" rel=\"noopener\">plan\u003c/a> to allocate city funds to cultural districts throughout San Francisco are dealing with a new reality: The districts will be receiving far less tax dollars than originally anticipated.\u003c/p>\n\u003cp>When the San Francisco Board of Supervisors approved a \"Cultural Districts Ordinance\" in May that would, among other provisions, have allowed these districts to get city money for the first time, the suggested funding allocation was $1 million in tax dollars per year for each district.\u003c/p>\n\u003cp>But now that amount is looking closer to $400,000, depending on the number of cultural districts in existence at the time the funds are dispersed.\u003c/p>\n\u003cp>There are currently five cultural districts across the city, with at least two more in the works.\u003c/p>\n\u003cp>Each has a special identity.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Mission's Calle 24 Latino Cultural District is packed with Latino businesses and vibrant murals; Compton's Transgender Cultural District in the Tenderloin has historical significance as the site of game-changing battles over transgender rights.\u003c/p>\n\u003cfigure id=\"attachment_11668349\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11668349\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/ww2.kqed_.orgCalle24.MAIN_-800x450-bf1d5058119499f97e9fee58a15a5519be462420-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\">\u003cfigcaption class=\"wp-caption-text\">A street sign on 24th Street in the Mission denoting the neighborhood's status as a San Francisco cultural district.\u003c/figcaption>\u003c/figure>\n\u003cp>And each cultural district is threatened by gentrification and displacement.\u003c/p>\n\u003cp>\"Slowly, we’re seeing the erosion of these really unique communities in San Francisco that make it special,\" said San Francisco Supervisor Hillary Ronen. She successfully championed the Cultural District Ordinance earlier this year.\u003c/p>\n\u003cp>The funding for cultural districts would come from \u003ca href=\"https://sfelections.sfgov.org/sites/default/files/Documents/BSC/2018%20Nov/2-Final_digest.pdf\" target=\"_blank\" rel=\"noopener\">Proposition E\u003c/a>, which the\u003ca href=\"https://www.kqed.org/news/11684107/sf-board-of-supervisors-votes-to-put-hotel-tax-arts-measure-on-november-ballot\" target=\"_blank\" rel=\"noopener\"> Board of Supervisors recently approved for appearance on the November ballot\u003c/a>.\u003c/p>\n\u003cp>Proposition E would allocate 1.5 percent of the money raised from the current 8 percent base hotel tax to arts and culture organizations, venues and activities. It would not change the total hotel tax rate of 14 percent.\u003c/p>\n\u003cfigure id=\"attachment_11668345\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11668345 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/ww2.kqed_.orgronen-800x600-1301d4c3a95b297c7943017c2ebe3a45ba254822-800x600.jpg\" alt=\"Supervisor Hillary Ronen.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">San Francisco Supervisor Hillary Ronen.\u003c/figcaption>\u003c/figure>\n\u003cp>\"Prop. E would provide the most stable source of funding to these districts of any source,\" said Ronen, noting that cultural districts could also obtain funding from other sources, such as foundations and real estate developers.\u003c/p>\n\u003cp>\"If I had written Prop. E, I would have put more money for cultural districts,\" Ronen said. \"But I didn't, and that was the grand bargain that was struck between the authors of the legislation and the arts organizations and the cultural district advocates.\"\u003c/p>\n\u003cp>Proposition E stakeholders, including cultural districts, arts groups and city officials, spent three months earlier this year negotiating how to divvy up the funds.\u003c/p>\n\u003cfigure id=\"attachment_11689628\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11689628\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/kevin-seaman-800x600.jpg\" alt=\"Proposition E campaign organizer Kevin Seaman.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prop E campaign organizer Kevin Seaman. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"We decided upon a shared process to make decisions as a group and came to an unanimous consensus around Prop. E allocations,\" Proposition E campaign organizer Kevin Seaman said.\u003c/p>\n\u003cp>The stakeholders agreed to allocate a total of $3 million to be split equally between the cultural districts.\u003c/p>\n\u003cp>Seaman said the Proposition E coalition values cultural districts and wants to give them more money.\u003c/p>\n\u003cp>\"Unfortunately, we can't give them everything they ask for,\" Seaman said. \"But this is coming a long way from having no dedicated funding to having a big piece of dedicated funding.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Both Seaman and Ronen hope the funding for cultural districts will grow as hotel tax revenue grows. But it won't materialize at all unless Proposition E passes by a two-thirds majority in November.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Supporters of a \u003ca href=\"https://www.kqed.org/arts/13832148/new-sf-cultural-districts-ordinance-aims-to-counteract-gentrification\" target=\"_blank\" rel=\"noopener\">plan\u003c/a> to allocate city funds to cultural districts throughout San Francisco are dealing with a new reality: The districts will be receiving far less tax dollars than originally anticipated.\u003c/p>\n\u003cp>When the San Francisco Board of Supervisors approved a \"Cultural Districts Ordinance\" in May that would, among other provisions, have allowed these districts to get city money for the first time, the suggested funding allocation was $1 million in tax dollars per year for each district.\u003c/p>\n\u003cp>But now that amount is looking closer to $400,000, depending on the number of cultural districts in existence at the time the funds are dispersed.\u003c/p>\n\u003cp>There are currently five cultural districts across the city, with at least two more in the works.\u003c/p>\n\u003cp>Each has a special identity.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Mission's Calle 24 Latino Cultural District is packed with Latino businesses and vibrant murals; Compton's Transgender Cultural District in the Tenderloin has historical significance as the site of game-changing battles over transgender rights.\u003c/p>\n\u003cfigure id=\"attachment_11668349\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11668349\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/ww2.kqed_.orgCalle24.MAIN_-800x450-bf1d5058119499f97e9fee58a15a5519be462420-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\">\u003cfigcaption class=\"wp-caption-text\">A street sign on 24th Street in the Mission denoting the neighborhood's status as a San Francisco cultural district.\u003c/figcaption>\u003c/figure>\n\u003cp>And each cultural district is threatened by gentrification and displacement.\u003c/p>\n\u003cp>\"Slowly, we’re seeing the erosion of these really unique communities in San Francisco that make it special,\" said San Francisco Supervisor Hillary Ronen. She successfully championed the Cultural District Ordinance earlier this year.\u003c/p>\n\u003cp>The funding for cultural districts would come from \u003ca href=\"https://sfelections.sfgov.org/sites/default/files/Documents/BSC/2018%20Nov/2-Final_digest.pdf\" target=\"_blank\" rel=\"noopener\">Proposition E\u003c/a>, which the\u003ca href=\"https://www.kqed.org/news/11684107/sf-board-of-supervisors-votes-to-put-hotel-tax-arts-measure-on-november-ballot\" target=\"_blank\" rel=\"noopener\"> Board of Supervisors recently approved for appearance on the November ballot\u003c/a>.\u003c/p>\n\u003cp>Proposition E would allocate 1.5 percent of the money raised from the current 8 percent base hotel tax to arts and culture organizations, venues and activities. It would not change the total hotel tax rate of 14 percent.\u003c/p>\n\u003cfigure id=\"attachment_11668345\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11668345 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/ww2.kqed_.orgronen-800x600-1301d4c3a95b297c7943017c2ebe3a45ba254822-800x600.jpg\" alt=\"Supervisor Hillary Ronen.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">San Francisco Supervisor Hillary Ronen.\u003c/figcaption>\u003c/figure>\n\u003cp>\"Prop. E would provide the most stable source of funding to these districts of any source,\" said Ronen, noting that cultural districts could also obtain funding from other sources, such as foundations and real estate developers.\u003c/p>\n\u003cp>\"If I had written Prop. E, I would have put more money for cultural districts,\" Ronen said. \"But I didn't, and that was the grand bargain that was struck between the authors of the legislation and the arts organizations and the cultural district advocates.\"\u003c/p>\n\u003cp>Proposition E stakeholders, including cultural districts, arts groups and city officials, spent three months earlier this year negotiating how to divvy up the funds.\u003c/p>\n\u003cfigure id=\"attachment_11689628\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11689628\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/kevin-seaman-800x600.jpg\" alt=\"Proposition E campaign organizer Kevin Seaman.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/08/kevin-seaman-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prop E campaign organizer Kevin Seaman. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"We decided upon a shared process to make decisions as a group and came to an unanimous consensus around Prop. E allocations,\" Proposition E campaign organizer Kevin Seaman said.\u003c/p>\n\u003cp>The stakeholders agreed to allocate a total of $3 million to be split equally between the cultural districts.\u003c/p>\n\u003cp>Seaman said the Proposition E coalition values cultural districts and wants to give them more money.\u003c/p>\n\u003cp>\"Unfortunately, we can't give them everything they ask for,\" Seaman said. \"But this is coming a long way from having no dedicated funding to having a big piece of dedicated funding.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Both Seaman and Ronen hope the funding for cultural districts will grow as hotel tax revenue grows. But it won't materialize at all unless Proposition E passes by a two-thirds majority in November.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>More than 3,000 people, including prominent director Ava DuVernay and actors Sterling K. Brown and Jane Fonda, have signed a letter calling on the entertainment industry to end the wage gap between male and female production workers in Hollywood. \u003c/p>\n\u003cp>The letter has not yet been delivered to large studios and industry officials, but there are plans to distribute it once it receives more signatures. \u003c/p>\n\u003cp>The effort is being spearheaded by the International Alliance of Theatrical Stage Employees (IATSE) Local 871. \u003c/p>\n\u003cp>In June, the union commissioned a study which found that female-dominated crafts in the film and television industry -- like script supervisors and art department coordinators -- are routinely paid hundreds or even thousands of dollars less than their male counterparts. \u003c/p>\n\u003cp>\"There’s been a conversation happening in Hollywood for quite a while about the issue of pay equity for women actors,\" says Leslie Simon, who works as a Business Representative with the union. \"However, the issue of below-the-line women has not been part of that dialogue at all.\" \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>According to Simon, and as mentioned in the letter, the entertainment industry is largely violating the California Fair Pay Act, which requires equal pay for employees who perform “substantially similar work.” \u003c/p>\n\u003cp>Marisa Shipley works as an art department coordinator on television shows like Netflix’s \"Grace and Frankie\" and the Starz show “Vida.” \u003c/p>\n\u003cp>\"Film, and particularly behind the scenes and below the line is very collaborative,\" she says. \"And you work very closely with your team. And so, to be a young woman who makes one-third to one-half of what anyone else in my department is making is really discouraging.\"\u003c/p>\n\u003cp>The study also found that more than 50 percent of the women surveyed say they’ve seen or experienced sexual harassment at work. \u003c/p>\n\u003cp>Miranda Cristofani is on the Board of Directors at IATSE and worked as an art department coordinator in the industry for 14 years. She says you can draw a direct line between harassment and pay equity. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"If you’re paid peanuts,\" explains Cristofani, \"you’re treated as peanuts.\"\u003c/p>\n\n",
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"content": "\u003cp>A forthcoming biography of Oscar Wilde reveals for the first time the likely identity of the famous author’s mystery San Francisco lover.\u003c/p>\n\u003cp>In his new book “\u003ca href=\"https://www.amazon.com/Oscar-Life-Matthew-Sturgis-ebook/dp/B079YWDXZY/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1534982603&sr=1-1\" target=\"_blank\" rel=\"noopener\">Oscar: A Life\u003c/a>“, biographer Matthew Sturgis claims Harriet Crocker — the daughter of San Francisco railroad magnate Charles Crocker — to be the probable object of Wilde’s affection.\u003c/p>\n\u003cp>The celebrated Irish writer would have met the wealthy young heiress on a lecture tour around the United States in 1882. He named her only as “Hattie” in a letter, and her identity has been a mystery until now.\u003c/p>\n\u003cfigure id=\"attachment_11688371\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11688371\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/crockers-800x449.png\" alt=\"The Crocker family. Harriet Crocker poses in the middle next to her brothers.\" width=\"800\" height=\"449\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-800x449.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-1020x572.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-1200x673.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-1180x662.png 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-960x538.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-240x135.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-375x210.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-520x292.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers.png 1694w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crocker family. Harriet Crocker poses in the middle next to her brothers. \u003ccite>(Courtesy of the San Mateo County Historical Association)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://www.oscarwildeinamerica.org/about/john-cooper.html\" target=\"_blank\" rel=\"noopener\">John Cooper\u003c/a>, an independent scholar who focuses on Wilde’s American connections, said Crocker could well have turned the ambitious Wilde’s head when he visited San Francisco.\u003c/p>\n\u003cp>“She was someone Wilde might have found eligible, I think, at a time when he was looking for someone to support his writing career,” Cooper said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The revelation is based on evidence gleaned from several sources, including San Francisco’s 1880 census records, in which Sturgis searched for Harriets who fit the description.\u003c/p>\n\u003cp>But some Bay Area history experts are skeptical about the biography’s attempt to link Wilde with Crocker. Mitch Postel, president of the \u003ca href=\"http://www.historysmc.org/hmcrocker\" target=\"_blank\" rel=\"noopener\">San Mateo County Historical Association\u003c/a>, said the two moved in very different social circles.\u003c/p>\n\u003cp>“His pedigree may not have been high enough up the ladder in a social way for him to have had much contact with somebody like Hattie Crocker,” Postel said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Wilde went on to marry a well-to-do Irish woman, Constance Lloyd, and then famously had an affair with Lord Alfred Douglas. Meanwhile, Harriet Crocker got herself hitched to a wealthy man and moved to New York.\u003c/p>\n\n",
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"excerpt": "The new book \"Oscar: A Life\" by Matthew Sturgis, reveals Harriet Crocker -- the daughter of San Francisco railroad magnate Charles Crocker -- to be the likely object of Wilde's affection.",
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"title": "New Biography Reveals Possible Identity of Oscar Wilde's San Francisco Paramour | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A forthcoming biography of Oscar Wilde reveals for the first time the likely identity of the famous author’s mystery San Francisco lover.\u003c/p>\n\u003cp>In his new book “\u003ca href=\"https://www.amazon.com/Oscar-Life-Matthew-Sturgis-ebook/dp/B079YWDXZY/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1534982603&sr=1-1\" target=\"_blank\" rel=\"noopener\">Oscar: A Life\u003c/a>“, biographer Matthew Sturgis claims Harriet Crocker — the daughter of San Francisco railroad magnate Charles Crocker — to be the probable object of Wilde’s affection.\u003c/p>\n\u003cp>The celebrated Irish writer would have met the wealthy young heiress on a lecture tour around the United States in 1882. He named her only as “Hattie” in a letter, and her identity has been a mystery until now.\u003c/p>\n\u003cfigure id=\"attachment_11688371\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11688371\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/crockers-800x449.png\" alt=\"The Crocker family. Harriet Crocker poses in the middle next to her brothers.\" width=\"800\" height=\"449\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-800x449.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-1020x572.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-1200x673.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-1180x662.png 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-960x538.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-240x135.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-375x210.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers-520x292.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/crockers.png 1694w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crocker family. Harriet Crocker poses in the middle next to her brothers. \u003ccite>(Courtesy of the San Mateo County Historical Association)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://www.oscarwildeinamerica.org/about/john-cooper.html\" target=\"_blank\" rel=\"noopener\">John Cooper\u003c/a>, an independent scholar who focuses on Wilde’s American connections, said Crocker could well have turned the ambitious Wilde’s head when he visited San Francisco.\u003c/p>\n\u003cp>“She was someone Wilde might have found eligible, I think, at a time when he was looking for someone to support his writing career,” Cooper said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The revelation is based on evidence gleaned from several sources, including San Francisco’s 1880 census records, in which Sturgis searched for Harriets who fit the description.\u003c/p>\n\u003cp>But some Bay Area history experts are skeptical about the biography’s attempt to link Wilde with Crocker. Mitch Postel, president of the \u003ca href=\"http://www.historysmc.org/hmcrocker\" target=\"_blank\" rel=\"noopener\">San Mateo County Historical Association\u003c/a>, said the two moved in very different social circles.\u003c/p>\n\u003cp>“His pedigree may not have been high enough up the ladder in a social way for him to have had much contact with somebody like Hattie Crocker,” Postel said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Wilde went on to marry a well-to-do Irish woman, Constance Lloyd, and then famously had an affair with Lord Alfred Douglas. Meanwhile, Harriet Crocker got herself hitched to a wealthy man and moved to New York.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Who's Behind the Knitted Animals in San Francisco's Civic Center?",
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"content": "\u003cp>Art is all around us in San Francisco, from the \u003ca href=\"http://www.precitaeyes.org/murals-2013-2016.html\">Mission murals\u003c/a> to \u003ca href=\"http://thebaylights.org/\">the Bay Lights\u003c/a>. It even looms over us with the new \u003ca href=\"https://www.kqed.org/arts/13832983/what-are-those-weird-images-on-top-of-the-salesforce-tower\">video installation\u003c/a> atop Salesforce Tower.\u003c/p>\n\u003cp>It has become such a part of our everyday visual inventory that it’s easy to overlook. Especially somewhere as busy as the Civic Center.\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>But Bay Curious listener Robin Duryee says she loves looking for unusual things when she’s walking around the city. The retired nurse has lived in San Francisco for 43 years. On a recent trek from BART, she spotted adorable knitted animals near City Hall: chameleons with leopard spots, brown fuzzy otters and giraffes licking branches with long pink tongues.\u003c/p>\n\u003cp>Which brings us to Robin’s question: \u003cb>\u003ci>What’s the story behind the knitted creatures on the trees in Civic Center?\u003c/i>\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>What Robin saw in the Civic Center were yarn bombs: street art made from knitted or crocheted fabric. They can be as simple as a green snake wrapped around a bike rack or as elaborate as \u003ca href=\"https://knitthebridge.wordpress.com/about/\">covering an entire bridge\u003c/a>. It’s been called a \u003ca href=\"https://www.nytimes.com/2011/05/19/fashion/creating-graffiti-with-yarn.html\">feminist answer to graffiti\u003c/a>.\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/new-bay-curious/2018/08/YarnBombers.mp3\" Image=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32512_photo-sep-08-3-52-53-pm.jpg\" Title=\"LISTEN: Who's Behind The Knitted Animals In San Francisco's Civic Center?\" program=\"Bay Curious\"]\u003c/p>\n\u003cp>Yarn bombing is often traced back to Texas artist \u003ca href=\"http://www.magdasayeg.com/\">Magda Sayeg.\u003c/a> In the mid-2000s, she crocheted a door handle for her Houston boutique. That was followed by a knitted tube around a stop sign pole. She eventually moved on to much larger yarn bombs (including a\u003ca href=\"https://www.flickr.com/photos/knitta/sets/72157622253164125/\"> bus in Mexico City\u003c/a>), and inspired and encouraged knitters\u003ca href=\"https://www.ted.com/talks/magda_sayeg_how_yarn_bombing_grew_into_a_worldwide_movement?utm_campaign=tedspread&utm_medium=referral&utm_source=tedcomshare\"> worldwide\u003c/a> to create yarn bombs of their own.\u003c/p>\n\u003cfigure id=\"attachment_11688070\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11688070 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-800x461.jpg\" alt=\"Lorna and Jill Watt (aka Knits for Life) make repairs to a giraffe.\" width=\"800\" height=\"461\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-800x461.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-160x92.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-1020x587.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-1200x691.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-1180x680.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-960x553.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-240x138.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-375x216.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-520x300.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1.jpg 1257w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lorna and Jill Watt (aka Knits for Life) make repairs to a giraffe. (J.P. Dobrin/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>The \u003ca href=\"https://groundplaysf.org/projects/knitting-the-commons/#tab4\">animals\u003c/a> in the Civic Center were created by Lorna and Jill Watt, sisters from San Mateo. Each piece takes about a week to make. The rotating installation — which occupies Civic Center Plaza, a block of Fulton Street and U.N. Plaza — is part of an ongoing project called \u003ca href=\"https://protect-us.mimecast.com/s/bp_FCrkYKnfgJMws7-wF7?domain=groundplaysf.org\">Knitting the Commons\u003c/a>.\u003c/p>\n\u003cp>Working with the city, a nonprofit called \u003ca href=\"https://www.tpl.org/\" target=\"_blank\" rel=\"noopener\">the Trust For Public Land\u003c/a> hopes to turn locations like the Civic Center into “joyful community places.”\u003c/p>\n\u003cfigure id=\"attachment_11688071\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11688071 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32501_Otter-800x463.jpg\" alt=\"Sea Otters hanging out in Civic Center. (J.P. Dobrin/KQED)\" width=\"800\" height=\"463\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-800x463.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-1020x590.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-1200x694.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-1180x682.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-960x555.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-240x139.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-375x217.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-520x301.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter.jpg 1228w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A sea otter hanging out in Civic Center. (J.P. Dobrin/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>For six years, the sisters have made this kind of work their full-time gig, creating all kinds of yarn and string art under the moniker \u003ca href=\"https://knitsforlife.com\">Knits For Life\u003c/a>.\u003c/p>\n\u003cp>“Yarn bombing is the perfect way to make something and then put it somewhere that is not our closet,” Jill says, laughing.\u003c/p>\n\u003cp>But one thing that\u003ci> makes\u003c/i> a yarn bomb is the sense of surprise. Like graffiti, a lot of yarn bombs get put up when no one is looking.\u003c/p>\n\u003cfigure id=\"attachment_11688132\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11688132 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32506_pay-phone-before-and-after1-qut.jpg\" alt=\"One of Knits For Life's early yarn bombs was this knitted iPhone in San Mateo. (Photo courtesy: Knits For Life)\" width=\"640\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32506_pay-phone-before-and-after1-qut.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32506_pay-phone-before-and-after1-qut-160x142.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32506_pay-phone-before-and-after1-qut-240x212.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32506_pay-phone-before-and-after1-qut-375x332.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32506_pay-phone-before-and-after1-qut-520x460.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">One of Knits For Life’s early yarn bombs was this knitted iPhone in San Mateo. (Photo courtesy: Knits For Life)\u003c/figcaption>\u003c/figure>\n\u003cp>“That first yarn bomb is so nerve-wracking, and you feel like such a vandal, and such a criminal,” Lorna says.\u003c/p>\n\u003cp>“We went after dark and she was installing them and I was a lookout,” says Jill. “A cop car passed … didn’t care. We did it and we didn’t get in trouble.”\u003c/p>\n\u003cp>That yarn bomb was so successful that it eventually led to work with companies like \u003ca href=\"https://knitsforlife.com/portfolio/old-navy-style-truck/\">Old Navy\u003c/a>, \u003ca href=\"https://knitsforlife.com/portfolio/twitter-oneteam-string-art/\">Twitter\u003c/a> and \u003ca href=\"https://knitsforlife.com/portfolio/google-bikes-yarn-bomb/\">Google\u003c/a>.\u003c/p>\n\u003cp>But the sisters haven’t forgotten their crafty roots. To encourage more folks to get into yarn bombing, they recently hosted a \u003ca href=\"https://knitsforlife.com/mfybal/\">Yarn-Bomb-Along.\u003c/a>\u003c/p>\n\u003cp>Ready to give it a go? Check out their patterns for \u003ca href=\"https://www.ravelry.com/patterns/library/monster-feet-yarn-bomb\">Monster Feet \u003c/a>and \u003ca href=\"https://www.etsy.com/listing/202482213/snake-yarnbomb-knitting-pattern-pdf-bike?ref=shop_home_active_6&ep_click=1\">Snakes\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\n",
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"excerpt": "Some have called yarn bombing a feminist response to graffiti. Meet the sisters behind one of San Francisco's most prominent displays. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Art is all around us in San Francisco, from the \u003ca href=\"http://www.precitaeyes.org/murals-2013-2016.html\">Mission murals\u003c/a> to \u003ca href=\"http://thebaylights.org/\">the Bay Lights\u003c/a>. It even looms over us with the new \u003ca href=\"https://www.kqed.org/arts/13832983/what-are-those-weird-images-on-top-of-the-salesforce-tower\">video installation\u003c/a> atop Salesforce Tower.\u003c/p>\n\u003cp>It has become such a part of our everyday visual inventory that it’s easy to overlook. Especially somewhere as busy as the Civic Center.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>But Bay Curious listener Robin Duryee says she loves looking for unusual things when she’s walking around the city. The retired nurse has lived in San Francisco for 43 years. On a recent trek from BART, she spotted adorable knitted animals near City Hall: chameleons with leopard spots, brown fuzzy otters and giraffes licking branches with long pink tongues.\u003c/p>\n\u003cp>Which brings us to Robin’s question: \u003cb>\u003ci>What’s the story behind the knitted creatures on the trees in Civic Center?\u003c/i>\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>What Robin saw in the Civic Center were yarn bombs: street art made from knitted or crocheted fabric. They can be as simple as a green snake wrapped around a bike rack or as elaborate as \u003ca href=\"https://knitthebridge.wordpress.com/about/\">covering an entire bridge\u003c/a>. It’s been called a \u003ca href=\"https://www.nytimes.com/2011/05/19/fashion/creating-graffiti-with-yarn.html\">feminist answer to graffiti\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Yarn bombing is often traced back to Texas artist \u003ca href=\"http://www.magdasayeg.com/\">Magda Sayeg.\u003c/a> In the mid-2000s, she crocheted a door handle for her Houston boutique. That was followed by a knitted tube around a stop sign pole. She eventually moved on to much larger yarn bombs (including a\u003ca href=\"https://www.flickr.com/photos/knitta/sets/72157622253164125/\"> bus in Mexico City\u003c/a>), and inspired and encouraged knitters\u003ca href=\"https://www.ted.com/talks/magda_sayeg_how_yarn_bombing_grew_into_a_worldwide_movement?utm_campaign=tedspread&utm_medium=referral&utm_source=tedcomshare\"> worldwide\u003c/a> to create yarn bombs of their own.\u003c/p>\n\u003cfigure id=\"attachment_11688070\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11688070 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-800x461.jpg\" alt=\"Lorna and Jill Watt (aka Knits for Life) make repairs to a giraffe.\" width=\"800\" height=\"461\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-800x461.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-160x92.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-1020x587.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-1200x691.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-1180x680.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-960x553.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-240x138.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-375x216.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1-520x300.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32500_Screenshot-1.jpg 1257w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lorna and Jill Watt (aka Knits for Life) make repairs to a giraffe. (J.P. Dobrin/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>The \u003ca href=\"https://groundplaysf.org/projects/knitting-the-commons/#tab4\">animals\u003c/a> in the Civic Center were created by Lorna and Jill Watt, sisters from San Mateo. Each piece takes about a week to make. The rotating installation — which occupies Civic Center Plaza, a block of Fulton Street and U.N. Plaza — is part of an ongoing project called \u003ca href=\"https://protect-us.mimecast.com/s/bp_FCrkYKnfgJMws7-wF7?domain=groundplaysf.org\">Knitting the Commons\u003c/a>.\u003c/p>\n\u003cp>Working with the city, a nonprofit called \u003ca href=\"https://www.tpl.org/\" target=\"_blank\" rel=\"noopener\">the Trust For Public Land\u003c/a> hopes to turn locations like the Civic Center into “joyful community places.”\u003c/p>\n\u003cfigure id=\"attachment_11688071\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11688071 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32501_Otter-800x463.jpg\" alt=\"Sea Otters hanging out in Civic Center. (J.P. Dobrin/KQED)\" width=\"800\" height=\"463\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-800x463.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-1020x590.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-1200x694.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-1180x682.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-960x555.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-240x139.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-375x217.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter-520x301.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32501_Otter.jpg 1228w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A sea otter hanging out in Civic Center. (J.P. Dobrin/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>For six years, the sisters have made this kind of work their full-time gig, creating all kinds of yarn and string art under the moniker \u003ca href=\"https://knitsforlife.com\">Knits For Life\u003c/a>.\u003c/p>\n\u003cp>“Yarn bombing is the perfect way to make something and then put it somewhere that is not our closet,” Jill says, laughing.\u003c/p>\n\u003cp>But one thing that\u003ci> makes\u003c/i> a yarn bomb is the sense of surprise. Like graffiti, a lot of yarn bombs get put up when no one is looking.\u003c/p>\n\u003cfigure id=\"attachment_11688132\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11688132 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/RS32506_pay-phone-before-and-after1-qut.jpg\" alt=\"One of Knits For Life's early yarn bombs was this knitted iPhone in San Mateo. (Photo courtesy: Knits For Life)\" width=\"640\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32506_pay-phone-before-and-after1-qut.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32506_pay-phone-before-and-after1-qut-160x142.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32506_pay-phone-before-and-after1-qut-240x212.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32506_pay-phone-before-and-after1-qut-375x332.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/RS32506_pay-phone-before-and-after1-qut-520x460.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">One of Knits For Life’s early yarn bombs was this knitted iPhone in San Mateo. (Photo courtesy: Knits For Life)\u003c/figcaption>\u003c/figure>\n\u003cp>“That first yarn bomb is so nerve-wracking, and you feel like such a vandal, and such a criminal,” Lorna says.\u003c/p>\n\u003cp>“We went after dark and she was installing them and I was a lookout,” says Jill. “A cop car passed … didn’t care. We did it and we didn’t get in trouble.”\u003c/p>\n\u003cp>That yarn bomb was so successful that it eventually led to work with companies like \u003ca href=\"https://knitsforlife.com/portfolio/old-navy-style-truck/\">Old Navy\u003c/a>, \u003ca href=\"https://knitsforlife.com/portfolio/twitter-oneteam-string-art/\">Twitter\u003c/a> and \u003ca href=\"https://knitsforlife.com/portfolio/google-bikes-yarn-bomb/\">Google\u003c/a>.\u003c/p>\n\u003cp>But the sisters haven’t forgotten their crafty roots. To encourage more folks to get into yarn bombing, they recently hosted a \u003ca href=\"https://knitsforlife.com/mfybal/\">Yarn-Bomb-Along.\u003c/a>\u003c/p>\n\u003cp>Ready to give it a go? Check out their patterns for \u003ca href=\"https://www.ravelry.com/patterns/library/monster-feet-yarn-bomb\">Monster Feet \u003c/a>and \u003ca href=\"https://www.etsy.com/listing/202482213/snake-yarnbomb-knitting-pattern-pdf-bike?ref=shop_home_active_6&ep_click=1\">Snakes\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "atlas-fire-bubbling-well-pet-memorial-park",
"title": "A Long Recovery for Iconic Napa Pet Cemetery Swept by October Fire",
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"content": "\u003cp>[dropcap]F[/dropcap]irst, Dan Harberts heard the wind.\u003c/p>\n\u003cp>At home on Atlas Peak Road, on a hillside overlooking the Napa Valley, he noticed the breeze rising all evening after a beautiful October day.\u003c/p>\n\u003cp>“It started picking up to the point where as we got into bed, branches were falling on the roof and making a racket,” Harberts says.\u003c/p>\n\u003cp>An hour or so later, for no reason he can explain, Harberts climbed out of bed to take a look outside.\u003c/p>\n\u003cp>“I didn’t hear anything, I didn’t see anything,” he says. “I just got up. I walked to the front of our bedroom, and I looked out over the valley, and there was a wall of fire that was coming.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Harberts says one thought leapt to mind: “That I better be making very good decisions because this is a critical situation.” He called to his wife, Peggy, ” ‘Honey, get up, we have got to get out \u003cem>now\u003c/em>.’ ”\u003c/p>\n\u003cp>Harberts had to make sure other people got out, too, including two tenants on the property and his 97-year-old mother and her caregiver.\u003c/p>\n\u003cp>And one other family member: his son’s dog, a black Labrador retriever named Drake.\u003c/p>\n\u003cp>But by the time Harberts and his family were moving, there was no way to get off of Atlas Peak Road — a steep, winding, narrow ribbon of asphalt with just one way in and out.\u003c/p>\n\u003cp>Harberts knew the fire was climbing the slope from the valley, so he tried to drive uphill. But he immediately encountered neighbors who said the fire was blocking the road in that direction.\u003c/p>\n\u003cp>For an anxious hour or so, Harberts and his family wondered whether help would come.\u003c/p>\n\u003cfigure id=\"attachment_11688343\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/danharberts1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11688343\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/danharberts1-1020x574.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-520x293.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bubbling Well Pet Memorial Park owner Dan Harberts. \u003ccite>(Adam Grossberg/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then, a man in a California Highway Patrol flight suit appeared, seemingly out of nowhere.\u003c/p>\n\u003cp>“And I got out of my car,” Harberts says. “I ran up to him and said, ‘I’ve got a 97-year-old mother. Do you have a plan? We gotta get out of here.’ ”\u003c/p>\n\u003cp>The man was part of a two-person CHP helicopter crew that had landed \u003ca href=\"https://vimeo.com/258335788\" target=\"_blank\" rel=\"noopener\">to try to rescue people\u003c/a> trapped by the advancing flames.\u003c/p>\n\u003cp>“He said, ‘You know, right up the street there, right up the road, there is a field, and we have a helicopter and we can get you out.’ ”\u003c/p>\n\u003cp>But the chopper was already full when Harberts arrived with his family. After another wait, the helicopter crew returned for more evacuees.\u003c/p>\n\u003cp>“He said, ‘You guys get in,’ ” Harberts recalls. “So there was four of us: my mom, her caregiver, my wife. And when we had loaded them up I said, ‘I’ve got my dog.’ I told the pilot we’ve got our dog. And he said, ‘No dogs.’ ”\u003c/p>\n\u003cp>So, Drake, the black Lab, was left behind in a pickup truck. The next morning, a family friend made it through police lines — and found the truck intact and the dog waiting.\u003c/p>\n\u003cp>“He looked in the window, and there’s Drake, saying, ‘Why did you leave me?’ ” Harberts says. “And he was perfectly fine. Perfectly fine.”\u003c/p>\n\u003cp>https://youtu.be/PrA5mCFRcgg\u003c/p>\n\u003cp>[dropcap]T[/dropcap]hat happy ending has an extra poignancy in Harberts’ case. He has spent the better part of his 66 years attending to the special needs of thousands and thousands of Bay Area pet owners.\u003c/p>\n\u003cp>He owns and runs Bubbling Well Pet Memorial Park — yes, a pet cemetery.\u003c/p>\n\u003cp>If you’re a documentary film fanatic, the name might be familiar. That’s because Bubbling Well was featured in the widely celebrated “\u003ca href=\"http://www.errolmorris.com/film/gates.html\" target=\"_blank\" rel=\"noopener\">Gates of Heaven\u003c/a>,” the first feature by filmmaker Errol Morris, released 40 years ago this year.\u003c/p>\n\u003cp>The movie captures Bubbling Well and the Harberts family in the park’s early years. The cemetery was created by Dan’s father, the late John Calvin Harberts, an entrepreneur who thought he detected a new need in a society that was placing a new importance on four-legged family members.\u003c/p>\n\u003cp>Dan Harberts says he was a student at Chico State in the early 1970s when he got a phone call from his father.\u003c/p>\n\u003cp>“And he said, ‘Son, I’ve got an idea. We’re going to start a pet cemetery up on the hill.’ And I said, ‘Dad, I don’t think that’s the greatest idea in the world.’ But he was a visionary.”\u003c/p>\n\u003cp>Morris’ documentary took its title from a Cal Harberts soliloquy near the end of the film in which he explains his project’s spiritual dimension.\u003c/p>\n\u003cp>“God is supposed to know when the sparrow falls, when the lilies of the field bloom,” the elder Harberts told Morris. “So surely, at the gates of heaven, an all-compassionate god … is surely not going to say, ‘Well, you’re walking in on two legs, you can go in; you’re walking in on four legs, we can’t take you.”\u003c/p>\n\u003cp>[dropcap]C[/dropcap]al Harberts also spoke confidently about the promise of Bubbling Well. He expected it to continue long into the future, and it has.\u003c/p>\n\u003cp>Even immediately after the Atlas Peak fire, the pet cemetery’s well-watered landscaping was verdant and looked largely untouched.\u003c/p>\n\u003cp>But as Dan Harberts pointed out on a recent tour of the grounds, whatever could burn at Bubbling Well, did. The cemetery’s business office, chapel and workshop were all destroyed. So was Harberts’ home, along with two other residences on the property.\u003c/p>\n\u003cfigure id=\"attachment_11688345\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/41491428445_39ea9ce81c_k-e1534980821124.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11688345\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/41491428445_39ea9ce81c_k-1020x1289.jpg\" alt=\"\" width=\"640\" height=\"809\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A sculpture at Napa’s Bubbling Well Pet Memorial Park, which suffered damage from the Atlas Peak fire in October 2017. \u003ccite>(Dan Brekke/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But the cemetery, which works with more than three hundred veterinarians and clinics in Northern California to handle recently deceased dogs, cats and other pets, has continued to operate from a temporary office several miles away in Napa.\u003c/p>\n\u003cp>“We have a lot of pet owners who have pre-need arrangements where they have burial sites that they’ve already purchased,” Harberts says. “We have people who want to bury their pets here, so we’re having to drive back and forth to do the business up here.”\u003c/p>\n\u003cp>Rebuilding has been slow. Harberts says preliminary work like grading the property for construction probably won’t begin until the end of the summer.\u003c/p>\n\u003cp>Much of the fire debris has been hauled away. But the areas around the park’s entrance and home sites are raw, still marked by blackened foundations and charred trees.\u003c/p>\n\u003cp>“I’m sure once we start grading and start actually having activity — I know I’m going to feel a lot better when I start seeing things happen,” he says. “But to see it in this state, it’s really a kind of depressing thing for me.”\u003c/p>\n\u003cp>But Harberts also says he’s looking ahead. He says he expects the business to continue to grow and that his son David, 29, plans to take over some day.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“We are third generation. Our location is premier; there is nothing like it in the United States,” Harberts says. “I fully expected to keep on keeping on.”\u003c/p>\n\n",
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"excerpt": "The Bubbling Well Pet Memorial Park -- a place of solace for pet lovers and a cult-film landmark -- is among many North Bay businesses still trying to get back to normal. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">F\u003c/span>\u003c/p>\u003cp>irst, Dan Harberts heard the wind.\u003c/p>\n\u003cp>At home on Atlas Peak Road, on a hillside overlooking the Napa Valley, he noticed the breeze rising all evening after a beautiful October day.\u003c/p>\n\u003cp>“It started picking up to the point where as we got into bed, branches were falling on the roof and making a racket,” Harberts says.\u003c/p>\n\u003cp>An hour or so later, for no reason he can explain, Harberts climbed out of bed to take a look outside.\u003c/p>\n\u003cp>“I didn’t hear anything, I didn’t see anything,” he says. “I just got up. I walked to the front of our bedroom, and I looked out over the valley, and there was a wall of fire that was coming.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Harberts says one thought leapt to mind: “That I better be making very good decisions because this is a critical situation.” He called to his wife, Peggy, ” ‘Honey, get up, we have got to get out \u003cem>now\u003c/em>.’ ”\u003c/p>\n\u003cp>Harberts had to make sure other people got out, too, including two tenants on the property and his 97-year-old mother and her caregiver.\u003c/p>\n\u003cp>And one other family member: his son’s dog, a black Labrador retriever named Drake.\u003c/p>\n\u003cp>But by the time Harberts and his family were moving, there was no way to get off of Atlas Peak Road — a steep, winding, narrow ribbon of asphalt with just one way in and out.\u003c/p>\n\u003cp>Harberts knew the fire was climbing the slope from the valley, so he tried to drive uphill. But he immediately encountered neighbors who said the fire was blocking the road in that direction.\u003c/p>\n\u003cp>For an anxious hour or so, Harberts and his family wondered whether help would come.\u003c/p>\n\u003cfigure id=\"attachment_11688343\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/danharberts1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11688343\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/danharberts1-1020x574.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/08/danharberts1-520x293.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bubbling Well Pet Memorial Park owner Dan Harberts. \u003ccite>(Adam Grossberg/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then, a man in a California Highway Patrol flight suit appeared, seemingly out of nowhere.\u003c/p>\n\u003cp>“And I got out of my car,” Harberts says. “I ran up to him and said, ‘I’ve got a 97-year-old mother. Do you have a plan? We gotta get out of here.’ ”\u003c/p>\n\u003cp>The man was part of a two-person CHP helicopter crew that had landed \u003ca href=\"https://vimeo.com/258335788\" target=\"_blank\" rel=\"noopener\">to try to rescue people\u003c/a> trapped by the advancing flames.\u003c/p>\n\u003cp>“He said, ‘You know, right up the street there, right up the road, there is a field, and we have a helicopter and we can get you out.’ ”\u003c/p>\n\u003cp>But the chopper was already full when Harberts arrived with his family. After another wait, the helicopter crew returned for more evacuees.\u003c/p>\n\u003cp>“He said, ‘You guys get in,’ ” Harberts recalls. “So there was four of us: my mom, her caregiver, my wife. And when we had loaded them up I said, ‘I’ve got my dog.’ I told the pilot we’ve got our dog. And he said, ‘No dogs.’ ”\u003c/p>\n\u003cp>So, Drake, the black Lab, was left behind in a pickup truck. The next morning, a family friend made it through police lines — and found the truck intact and the dog waiting.\u003c/p>\n\u003cp>“He looked in the window, and there’s Drake, saying, ‘Why did you leave me?’ ” Harberts says. “And he was perfectly fine. Perfectly fine.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PrA5mCFRcgg'\n title='//www.youtube.com/embed/PrA5mCFRcgg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">T\u003c/span>\u003c/p>\u003cp>hat happy ending has an extra poignancy in Harberts’ case. He has spent the better part of his 66 years attending to the special needs of thousands and thousands of Bay Area pet owners.\u003c/p>\n\u003cp>He owns and runs Bubbling Well Pet Memorial Park — yes, a pet cemetery.\u003c/p>\n\u003cp>If you’re a documentary film fanatic, the name might be familiar. That’s because Bubbling Well was featured in the widely celebrated “\u003ca href=\"http://www.errolmorris.com/film/gates.html\" target=\"_blank\" rel=\"noopener\">Gates of Heaven\u003c/a>,” the first feature by filmmaker Errol Morris, released 40 years ago this year.\u003c/p>\n\u003cp>The movie captures Bubbling Well and the Harberts family in the park’s early years. The cemetery was created by Dan’s father, the late John Calvin Harberts, an entrepreneur who thought he detected a new need in a society that was placing a new importance on four-legged family members.\u003c/p>\n\u003cp>Dan Harberts says he was a student at Chico State in the early 1970s when he got a phone call from his father.\u003c/p>\n\u003cp>“And he said, ‘Son, I’ve got an idea. We’re going to start a pet cemetery up on the hill.’ And I said, ‘Dad, I don’t think that’s the greatest idea in the world.’ But he was a visionary.”\u003c/p>\n\u003cp>Morris’ documentary took its title from a Cal Harberts soliloquy near the end of the film in which he explains his project’s spiritual dimension.\u003c/p>\n\u003cp>“God is supposed to know when the sparrow falls, when the lilies of the field bloom,” the elder Harberts told Morris. “So surely, at the gates of heaven, an all-compassionate god … is surely not going to say, ‘Well, you’re walking in on two legs, you can go in; you’re walking in on four legs, we can’t take you.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">C\u003c/span>\u003c/p>\u003cp>al Harberts also spoke confidently about the promise of Bubbling Well. He expected it to continue long into the future, and it has.\u003c/p>\n\u003cp>Even immediately after the Atlas Peak fire, the pet cemetery’s well-watered landscaping was verdant and looked largely untouched.\u003c/p>\n\u003cp>But as Dan Harberts pointed out on a recent tour of the grounds, whatever could burn at Bubbling Well, did. The cemetery’s business office, chapel and workshop were all destroyed. So was Harberts’ home, along with two other residences on the property.\u003c/p>\n\u003cfigure id=\"attachment_11688345\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/41491428445_39ea9ce81c_k-e1534980821124.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11688345\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/08/41491428445_39ea9ce81c_k-1020x1289.jpg\" alt=\"\" width=\"640\" height=\"809\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A sculpture at Napa’s Bubbling Well Pet Memorial Park, which suffered damage from the Atlas Peak fire in October 2017. \u003ccite>(Dan Brekke/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But the cemetery, which works with more than three hundred veterinarians and clinics in Northern California to handle recently deceased dogs, cats and other pets, has continued to operate from a temporary office several miles away in Napa.\u003c/p>\n\u003cp>“We have a lot of pet owners who have pre-need arrangements where they have burial sites that they’ve already purchased,” Harberts says. “We have people who want to bury their pets here, so we’re having to drive back and forth to do the business up here.”\u003c/p>\n\u003cp>Rebuilding has been slow. Harberts says preliminary work like grading the property for construction probably won’t begin until the end of the summer.\u003c/p>\n\u003cp>Much of the fire debris has been hauled away. But the areas around the park’s entrance and home sites are raw, still marked by blackened foundations and charred trees.\u003c/p>\n\u003cp>“I’m sure once we start grading and start actually having activity — I know I’m going to feel a lot better when I start seeing things happen,” he says. “But to see it in this state, it’s really a kind of depressing thing for me.”\u003c/p>\n\u003cp>But Harberts also says he’s looking ahead. He says he expects the business to continue to grow and that his son David, 29, plans to take over some day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We are third generation. Our location is premier; there is nothing like it in the United States,” Harberts says. “I fully expected to keep on keeping on.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"masters-of-scale": {
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"on-the-media": {
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"link": "/radio/program/on-the-media",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
},
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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},
"radiolab": {
"id": "radiolab",
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