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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>OK, before you start in on your first afternoon BART-less commute, take a few deep breaths and watch this \u003ca href=\"http://vimeo.com/simonchristen/adrift\" target=\"_blank\">time-lapse video\u003c/a>, posted today, of fog pouring in and rolling over the San Francisco Bay Area ....\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe src=\"http://player.vimeo.com/video/69445362?badge=0\" frameborder=\"0\" width=\"500\" height=\"270\">\u003c/iframe>\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>The video is called \"Adrift\" and its creator, Oakland photographer Simon Christen, writes this about its creation:\u003c/p>\n\u003cblockquote>\u003cp>\"Adrift\" is a love letter to the fog of the San Francisco Bay Area. I chased it for over two years to capture the magical interaction between the soft mist, the ridges of the California coast and the iconic Golden Gate Bridge ....\u003c/p>\n\u003cp>The weather conditions have to be just right for the fog to glide over the hills and under the bridge. I developed a system for trying to guess when to make the drive out to shoot, which involved checking the weather forecast, satellite images and webcams multiple times a day. For about 2 years, if the weather looked promising, I would set my alarm to 5am, recheck the webcams, and then set off on the 45-minute drive to the Marin Headlands.\u003c/p>\n\u003cp>I spent many mornings hiking in the dark to only find that the fog was too high, too low, or already gone by the time I got there. Luckily, once in a while the conditions would be perfect and I was able to capture something really special. Adrift is a collection of my favorite shots from these excursions into the ridges of the Marin Headlands.\u003c/p>\u003c/blockquote>\n\u003cp>Christen said he hopes his film is \"able to convey the feeling of happiness I felt when I experienced those stunning scenes.: Of course, if it's taking you three hours to get to and from work, you may be more in a state of mind to view this as a preview of the apocalypse.\u003c/p>\n\u003cp>Good luck out there.\u003c/p>\n\u003cfigure id=\"attachment_102240\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/time-lapse2.jpg\" alt='An Oakland photographer made the video \"Adrift\" as a love letter to the Bay Area. (Photo: Simon Christen)' width=\"640\" height=\"360\" class=\"size-full wp-image-102240\">\u003cfigcaption class=\"wp-caption-text\">An Oakland photographer made the video \"Adrift\" as a love letter to the Bay Area. (Photo: Simon Christen)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100788\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/Keystone.jpg\" alt=\"Keystone\" width=\"640\" height=\"450\">\u003cbr>\nNurses attending the National Nurses United conference took to the Golden Gate Bridge on June 20 to protest the Keystone XL Pipeline. They marched across the bridge dressed in red and carrying signs saying \"Our Planet, Our Patients, Our Future\" and \"Heal America, Stop Climate Change.\" The protesters are calling on the Obama administration to stop the Keystone XL Pipeline from going forward. (Deborah Svoboda / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100790\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/Keystone2.jpg\" alt=\"Keystone2\" width=\"640\" height=\"450\">\u003cbr>\nOne of the nurses marching across the Golden Gate Bridge in protest of the Keystone XL Pipeline project, Erin Carrera, said she has seen a drastic change in her patients' conditions due to environmental pollution. She said she was protesting \"for the health of our patients, which is tied to the health of our planet.\" (Deborah Svoboda / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100791\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130621FruitvaleSta.jpg\" alt=\"PhotoWeek130621FruitvaleSta\" width=\"640\" height=\"450\">\u003cbr>\n\"Fruitvale Station,\" the feature film about the Oscar Grant shooting in 2009, opened at the Grand Lake Theater on June 20. Directed by Oakland native Ryan Coogler, the film tells the story of the shooting that sparked protests around the Bay Area. The film will be released in select theaters nationwide on July 12. (Rachel Dornhelm / KQED)\u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100796\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130621Reclaiming.jpg\" alt=\"PhotoWeek130621Reclaiming\" width=\"640\" height=\"450\">\u003cbr>\nPeople gathered on San Francisco's Ocean Beach on June 20 to celebrate the summer solstice, the longest day of the year. Thursday's event near Taraval Street was organized by Reclaiming, a pagan group that has held the event for many years. The solstice gathering traditionally has included a bonfire, but the Golden Gate National Recreation Area restricts fires to a handful of fire pits on the north end of the federal beach. Several National Park police took up a post next to a pile of firewood at the event. (Tom Prete / \u003ca href=\"http://oceanbeachbulletin.com/\">Ocean Beach Bulletin\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100797\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/Whent.jpg\" alt=\"Whent\" width=\"640\" height=\"450\">\u003cbr>\nNew Oakland Police Chief Sean Whent stands next to Mayor Jean Quan as they talk to the press and community volunteers about the Oakland Police Department's priorities to \u003ca href=\"http://www.kqed.org/news/story/2013/06/20/122405/opd_optimistic_that_neighborhood_policing_will_lower_crime?category=bay+area\">reduce Oakland crime\u003c/a> and smile more. (Deborah Svoboda / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100798\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/Symphony.jpg\" alt=\"Symphony\" width=\"640\" height=\"450\">\u003cbr>\nMany people attended the San Francisco Symphony's open rehearsal in honor of the 100th anniversary of Igor Stravinsky’s Rite of Spring on June 20. (Deborah Svoboda / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100799\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130621goodsheperd.jpg\" alt=\"PhotoWeek130621goodsheperd\" width=\"640\" height=\"450\">\u003cbr>\nWhen an electrical fire devastated the Good Shepherd Episcopal Church last October, it gutted a community stalwart and one of Berkeley’s true architectural landmarks. Now the \u003ca href=\"http://www.berkeleyside.com/2013/06/20/good-shepherd-church-rebuilding-restarting-after-fire/\">church is being rebuilt\u003c/a>, and fundraising and restoration efforts are in full swing. (Lisa Sibony / \u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a>)\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100788\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/Keystone.jpg\" alt=\"Keystone\" width=\"640\" height=\"450\">\u003cbr>\nNurses attending the National Nurses United conference took to the Golden Gate Bridge on June 20 to protest the Keystone XL Pipeline. They marched across the bridge dressed in red and carrying signs saying \"Our Planet, Our Patients, Our Future\" and \"Heal America, Stop Climate Change.\" The protesters are calling on the Obama administration to stop the Keystone XL Pipeline from going forward. (Deborah Svoboda / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100790\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/Keystone2.jpg\" alt=\"Keystone2\" width=\"640\" height=\"450\">\u003cbr>\nOne of the nurses marching across the Golden Gate Bridge in protest of the Keystone XL Pipeline project, Erin Carrera, said she has seen a drastic change in her patients' conditions due to environmental pollution. She said she was protesting \"for the health of our patients, which is tied to the health of our planet.\" (Deborah Svoboda / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100791\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130621FruitvaleSta.jpg\" alt=\"PhotoWeek130621FruitvaleSta\" width=\"640\" height=\"450\">\u003cbr>\n\"Fruitvale Station,\" the feature film about the Oscar Grant shooting in 2009, opened at the Grand Lake Theater on June 20. Directed by Oakland native Ryan Coogler, the film tells the story of the shooting that sparked protests around the Bay Area. The film will be released in select theaters nationwide on July 12. (Rachel Dornhelm / KQED)\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100796\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130621Reclaiming.jpg\" alt=\"PhotoWeek130621Reclaiming\" width=\"640\" height=\"450\">\u003cbr>\nPeople gathered on San Francisco's Ocean Beach on June 20 to celebrate the summer solstice, the longest day of the year. Thursday's event near Taraval Street was organized by Reclaiming, a pagan group that has held the event for many years. The solstice gathering traditionally has included a bonfire, but the Golden Gate National Recreation Area restricts fires to a handful of fire pits on the north end of the federal beach. Several National Park police took up a post next to a pile of firewood at the event. (Tom Prete / \u003ca href=\"http://oceanbeachbulletin.com/\">Ocean Beach Bulletin\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100797\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/Whent.jpg\" alt=\"Whent\" width=\"640\" height=\"450\">\u003cbr>\nNew Oakland Police Chief Sean Whent stands next to Mayor Jean Quan as they talk to the press and community volunteers about the Oakland Police Department's priorities to \u003ca href=\"http://www.kqed.org/news/story/2013/06/20/122405/opd_optimistic_that_neighborhood_policing_will_lower_crime?category=bay+area\">reduce Oakland crime\u003c/a> and smile more. (Deborah Svoboda / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100798\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/Symphony.jpg\" alt=\"Symphony\" width=\"640\" height=\"450\">\u003cbr>\nMany people attended the San Francisco Symphony's open rehearsal in honor of the 100th anniversary of Igor Stravinsky’s Rite of Spring on June 20. (Deborah Svoboda / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-100799\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130621goodsheperd.jpg\" alt=\"PhotoWeek130621goodsheperd\" width=\"640\" height=\"450\">\u003cbr>\nWhen an electrical fire devastated the Good Shepherd Episcopal Church last October, it gutted a community stalwart and one of Berkeley’s true architectural landmarks. Now the \u003ca href=\"http://www.berkeleyside.com/2013/06/20/good-shepherd-church-rebuilding-restarting-after-fire/\">church is being rebuilt\u003c/a>, and fundraising and restoration efforts are in full swing. (Lisa Sibony / \u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a>)\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Watch Replay of Today's Facebook Event on Instagram Video ",
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"content": "\u003cp>NEW YORK (AP) — Facebook is adding video to its popular photo-sharing app Instagram, following in the heels of Twitter's growing video-sharing app, Vine.\u003c/p>\n\u003cp>Instagram co-founder Kevin Systrom said Thursday that users will be record and share 15-second clips by tapping a video icon in the app. They can also apply filters to videos to add contrast, make them black and white or different hues.\u003c/p>\n\u003cp>\"This is the same Instagram we all know and love but it moves,\" he said at an event held at Facebook's Menlo Park, Calif., headquarters.\u003c/p>\n\u003cp>Vine, which launched in January, has 13 million users and lets people create and share 6-second video clips. Instagram has 100 million users, up from 20 million when Facebook bought the company more than a year ago. If users like it, Facebook's move could propel mobile video sharing into the mainstream.\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://new.livestream.com/accounts/4371393/events/2174163\">Watch a replay\u003c/a> of the Facebook event...\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ciframe src=\"http://new.livestream.com/accounts/4371393/events/2174163/videos/22041761/player?autoPlay=false&height=360&mute=false&width=640\" frameborder=\"0\" scrolling=\"no\" width=\"640\" height=\"360\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>To use the video feature, Instagram users can tap on the same camera icon they use to snap photos. A new video camera icon will appear on the right side. Tap it and a screen with a red video button will let you record clips of sunsets, kids running in parks or co-workers staring at their computer screens.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003cstrong>\u003ca href=\"http://mashable.com/2013/06/20/instagram-video-hands-on/\" target=\"_blank\">How to Create an Instagram Video in 7 Simple Steps\u003c/a>\u003c/strong> (Mashable)\u003c/aside>\n\u003cp>The app will record as long as your finger is on the red button or for 15 seconds, whichever comes first. Not unlike Vine, taking your finger off the button will stop the recording, allowing you to shoot the scene from a different angle or record something else altogether. Once you have 15 seconds of footage, you can play it from the beginning and post it on Instagram to share with others.\u003c/p>\n\u003cp>Given Vine's popularity, \"it is perhaps more surprising that Facebook has not introduced video for Instagram sooner. There is no doubt Twitter will move quickly to up the ante on Vine and this could undercut Facebook's efforts with video on Instagram,\" said Eden Zoller, principal consumer analyst at Ovum, a technology research firm, in an email.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Facebook Inc. initially agreed to pay $1 billion in stock for Instagram in April 2012, but the value had fallen to $715 million by the time the deal closed last August. Facebook still hasn't proven it will be able to make money from Instagram as it has not introduced ads on the service.\u003c/p>\n\n",
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"content": "\u003cp>(Bay City News) Roses are red, violets are blue, San Mateo County is looking for its first poet laureate — and it could be you!\u003c/p>\n\u003cfigure id=\"attachment_100098\" class=\"wp-caption alignleft\" style=\"max-width: 255px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/John-Milton3.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-100098\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/John-Milton3.jpg\" alt=\"The poet John Milton--not born in San Mateo County.\" width=\"255\" height=\"255\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The poet John Milton–not born in San Mateo County.\u003c/figcaption>\u003c/figure>\n\u003cp>Now through July 31, the county is seeking nominations for poet laureate, someone who can act as an ambassador for literary arts in San Mateo County.The Board of Supervisors, at its April 23 meeting, created the honorary post to highlight county poets past and present who might not otherwise have been recognized.\u003c/p>\n\u003cp>A Poet Laureate Advisory Committee has been formed and consists of 12 members of the county’s literary arts community, including Poet Laureate of California Juan Felipe Herrera.\u003c/p>\n\u003cp>“We know there are many fine poets within San Mateo County who have never been recognized before,” Supervisor Warren Slocum said. “We look forward to celebrating the diversity of our county through the spoken word and literary arts.”\u003c/p>\n\u003cp>Those nominated for the position must be at least 18 years old, a county resident for at least three years and able to serve a two-year term beginning in October. The person should possess a demonstrated commitment to and passion for poetry and have been published or recognized for poetry and literary contributions, according to the Board of Supervisors.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\n\u003cul>\n\u003cli>\u003ca href=\"http://www.sanmateocountypoet.org/\" target=\"_blank\" rel=\"noopener\">\u003cstrong>San Mateo County Poet Laureate website\u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://www.sanmateocountypoet.org/pdf/Nomination-Form-2013.pdf\" target=\"_blank\" rel=\"noopener\">\u003cstrong>Nomination form\u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003c/ul>\u003c/aside>\n\u003cp>Supervisors say the poet laureate must be willing to travel within the county, the goal being to bring appropriate works to at least four selected county-sponsored events, and open a meeting each quarter in poem.The poet laureate is also expected to write a commemorative poem about the county.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“A Poet Laureate can act as a steward of language, providing opportunities to savor words and sound,” San Mateo County Supervisor Carole Groom said.\u003c/p>\n\u003cp>Nomination forms and guidelines are available online at www.sanmateocountypoet.org, as well as at local libraries and at the County Government Center.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Paper submissions can be sent to San Mateo County Poet Laureate, Supervisor Warren Slocum, Board of Supervisors, 400 County Center, Redwood City, CA, 94063.\n\n\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>(Bay City News) Roses are red, violets are blue, San Mateo County is looking for its first poet laureate — and it could be you!\u003c/p>\n\u003cfigure id=\"attachment_100098\" class=\"wp-caption alignleft\" style=\"max-width: 255px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/John-Milton3.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-100098\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/John-Milton3.jpg\" alt=\"The poet John Milton--not born in San Mateo County.\" width=\"255\" height=\"255\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The poet John Milton–not born in San Mateo County.\u003c/figcaption>\u003c/figure>\n\u003cp>Now through July 31, the county is seeking nominations for poet laureate, someone who can act as an ambassador for literary arts in San Mateo County.The Board of Supervisors, at its April 23 meeting, created the honorary post to highlight county poets past and present who might not otherwise have been recognized.\u003c/p>\n\u003cp>A Poet Laureate Advisory Committee has been formed and consists of 12 members of the county’s literary arts community, including Poet Laureate of California Juan Felipe Herrera.\u003c/p>\n\u003cp>“We know there are many fine poets within San Mateo County who have never been recognized before,” Supervisor Warren Slocum said. “We look forward to celebrating the diversity of our county through the spoken word and literary arts.”\u003c/p>\n\u003cp>Those nominated for the position must be at least 18 years old, a county resident for at least three years and able to serve a two-year term beginning in October. The person should possess a demonstrated commitment to and passion for poetry and have been published or recognized for poetry and literary contributions, according to the Board of Supervisors.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\n\u003cul>\n\u003cli>\u003ca href=\"http://www.sanmateocountypoet.org/\" target=\"_blank\" rel=\"noopener\">\u003cstrong>San Mateo County Poet Laureate website\u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://www.sanmateocountypoet.org/pdf/Nomination-Form-2013.pdf\" target=\"_blank\" rel=\"noopener\">\u003cstrong>Nomination form\u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003c/ul>\u003c/aside>\n\u003cp>Supervisors say the poet laureate must be willing to travel within the county, the goal being to bring appropriate works to at least four selected county-sponsored events, and open a meeting each quarter in poem.The poet laureate is also expected to write a commemorative poem about the county.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cstrong>By Cy Musiker\u003c/strong>\u003c/p>\n\u003cp>Composer \u003ca href=\"http://www.markadamo.com/\" target=\"_blank\" rel=\"noopener\">Mark Adamo\u003c/a> has made some beautiful operas out of classic stories. He wrote the music and libretto for an operatic version of Louisa May Alcott’s “\u003ca href=\"http://www.schirmer.com/default.aspx?tabId=2420&State_2874=2&workId_2874=23697\" target=\"_blank\" rel=\"noopener\">Little Women\u003c/a>,” among the most produced American operas today. And he gave a modern turn to Greek drama in his interpretation of Aristophanes’ “\u003ca href=\"http://www.nytimes.com/2006/03/23/arts/music/23lysi.html?_r=0\" target=\"_blank\" rel=\"noopener\">Lysistrata\u003c/a>.” Now Adamo has finished a commission for the San Francisco Opera called “\u003ca href=\"http://sfopera.com/Season-Tickets/2012-2013-Season/The-Gospel-of-Mary-Magdalene.aspx\" target=\"_blank\" rel=\"noopener\">The Gospel of Mary Magdalene\u003c/a>.” It’s his version of the story of Jesus, his disciples and a woman whose role in the story has always been up for debate. Adamo’s version mixes orthodox tradition with a radical interpretation of Christianity’s central narrative.\u003c/p>\n\u003cfigure id=\"attachment_99778\" class=\"wp-caption alignleft\" style=\"max-width: 200px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/gospel.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-99778\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/gospel-200x300.jpg\" alt=\"Nathan Gunn (Yeshua) and Sasha Cooke (Mary Magdalene). (Photo: J. Henry Fair/San Francisco Opera)\" width=\"200\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Nathan Gunn (Yeshua) and Sasha Cooke (Mary Magdalene). (Photo J. Henry Fair/San Francisco Opera)\u003c/figcaption>\u003c/figure>\n\u003cp>You could say that Adamo has been thinking about this Christian drama since his South Jersey boyhood. His mother had divorced her first husband, who was abusive, and the church she loved barred her from taking Communion.\u003c/p>\n\u003cp>Adamo says there was something in that penalty that didn’t add up.\u003c/p>\n\u003cp>“I challenged my mother and said, ‘Why are you not angry? You’re sending us off to Catholic school and Mass and you would like to come with us, but you accept this idea that you can’t come because something you did ended up saving yours and our lives, but somebody said, ‘You colored outside the lines, and therefore you’re not welcome.’ Why aren’t you angry?’ So I got angry on her behalf.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Adamo is gay and has a husband, and that, too, colors his relationship with his faith. But he didn’t imagine writing a New Testament opera until six years ago, when he read \u003ca href=\"http://www.newyorker.com/archive/2006/02/13/060213fa_fact2\" target=\"_blank\" rel=\"noopener\">a New Yorker article about Mary Magdalene\u003c/a>. She’s a biblical figure sometimes conflated with other Marys and often depicted as a prostitute forgiven and raised up by Jesus.\u003c/p>\n\u003cp>“It seemed to me that, in context, Mary Magdalene was the madwoman in the attic of the Christian tradition,” Adamo says. “Because she was associated with the body and sexuality, and she was the opposite of the stainless virgin.” \u003c!--more-->\u003c/p>\n\u003cp>The New Yorker article also covered the 1945 discovery of the \u003ca href=\"http://www.pbs.org/wgbh/pages/frontline/shows/religion/story/pagels.html\" target=\"_blank\" rel=\"noopener\">Gnostic Gospels\u003c/a>, early Christian texts offering an alternative to the traditional Gospels. They present a Mary who is Jesus’ best pupil. And in her, Adamo saw a heroine for a new opera.\u003c/p>\n\u003cp>Adamo introduces Mary singing lines borrowed from the Old Testament \u003ca href=\"http://en.wikipedia.org/wiki/Song_of_Songs\" target=\"_blank\" rel=\"noopener\">Song of Songs\u003c/a>, which uses sexual metaphors to express a spiritual longing for God. “My goal for this was to place sexuality in general and female sexuality in particular — to put that back into the center of the myth,” Adamo says.\u003c/p>\n\u003cp>Adamo spent a year researching the story and poured his learning into his libretto. It has 116 footnotes. But Adamo veers far from any of the traditional Gospels when he has Mary and Jesus become lovers and marry. \u003ca href=\"http://www.nathangunn.com/index.php\" target=\"_blank\" rel=\"noopener\">Nathan Gunn\u003c/a>, the baritone who sings the role of Jesus — called by his Hebrew name Yeshua in the opera — says that twist adds a crucial human dimension to the story.\u003c/p>\n\u003cp>“I know a lot of people get hung up on her being his lover,” Gunn says. “They fall in love. It’s a very human and beautiful thing.”\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://e.issuu.com/embed.html#0/3355335\" frameborder=\"0\" width=\"525\" height=\"525\">\u003c/iframe>\u003c/p>\n\u003cp>The role of Mary is sung by mezzo-soprano \u003ca href=\"http://sashacooke.instantencore.com/web/home.aspx\" target=\"_blank\" rel=\"noopener\">Sasha Cooke\u003c/a>, who says the role brings an ancient mystery back to life. “One thing I love. I tell people I’m doing Mary Magdalene, they say, ‘Oh well, she could have been married to him.’ Why not? We don’t know.”\u003c/p>\n\u003cp>San Francisco Opera General Director David Gockley says he’s ready for “Mary Magdalene” to stir controversy. “I’m kind of waiting for some kind of kerfuffle to happen, and yet the natives are quiet.” he says. A Roman Catholic radio show canceled an interview with Adamo, but he held a meeting to talk about the work with local priests and rabbis without incident.\u003c/p>\n\u003cp>More significantly, though, no other opera companies came forward to commission “Mary Magdalene” when Gockley went looking for help mounting this $1.2 million world premiere. He says some companies backed away, saying the subject matter is just too controversial.\u003c/p>\n\u003cp>“They admitted that to me,” Gockley says. “Others said, ‘We’re busy doing our own projects.’ But I knew when we took this on that it wasn’t going to be everybody’s cup of tea. And I’ve been proven right.”\u003c/p>\n\u003cp>But Adamo welcomes the scrutiny and says he expects a good number of critics and many an opera director will be in the audience on opening night. “The theatre is a safe place to talk about risky things,” he says, adding that he hopes audiences will understand that he’s not trying to scorn the Christian tradition.\u003c/p>\n\u003cp>“I love this tradition,” he says. “I would not have been able to write it as I wrote it, unless I thought the story would gain rather than lose nobility and credibility and passion if everyone involved was a human being, born into the same bodies that we are suffering through life with, and if they made momentous decisions guided by moral intuition and the light they had to see by.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The Gospel of Mary Magdalene” opens next Wednesday, June 19, at the San Francisco Opera.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Cy Musiker\u003c/strong>\u003c/p>\n\u003cp>Composer \u003ca href=\"http://www.markadamo.com/\" target=\"_blank\" rel=\"noopener\">Mark Adamo\u003c/a> has made some beautiful operas out of classic stories. He wrote the music and libretto for an operatic version of Louisa May Alcott’s “\u003ca href=\"http://www.schirmer.com/default.aspx?tabId=2420&State_2874=2&workId_2874=23697\" target=\"_blank\" rel=\"noopener\">Little Women\u003c/a>,” among the most produced American operas today. And he gave a modern turn to Greek drama in his interpretation of Aristophanes’ “\u003ca href=\"http://www.nytimes.com/2006/03/23/arts/music/23lysi.html?_r=0\" target=\"_blank\" rel=\"noopener\">Lysistrata\u003c/a>.” Now Adamo has finished a commission for the San Francisco Opera called “\u003ca href=\"http://sfopera.com/Season-Tickets/2012-2013-Season/The-Gospel-of-Mary-Magdalene.aspx\" target=\"_blank\" rel=\"noopener\">The Gospel of Mary Magdalene\u003c/a>.” It’s his version of the story of Jesus, his disciples and a woman whose role in the story has always been up for debate. Adamo’s version mixes orthodox tradition with a radical interpretation of Christianity’s central narrative.\u003c/p>\n\u003cfigure id=\"attachment_99778\" class=\"wp-caption alignleft\" style=\"max-width: 200px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/gospel.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-99778\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/gospel-200x300.jpg\" alt=\"Nathan Gunn (Yeshua) and Sasha Cooke (Mary Magdalene). (Photo: J. Henry Fair/San Francisco Opera)\" width=\"200\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Nathan Gunn (Yeshua) and Sasha Cooke (Mary Magdalene). (Photo J. Henry Fair/San Francisco Opera)\u003c/figcaption>\u003c/figure>\n\u003cp>You could say that Adamo has been thinking about this Christian drama since his South Jersey boyhood. His mother had divorced her first husband, who was abusive, and the church she loved barred her from taking Communion.\u003c/p>\n\u003cp>Adamo says there was something in that penalty that didn’t add up.\u003c/p>\n\u003cp>“I challenged my mother and said, ‘Why are you not angry? You’re sending us off to Catholic school and Mass and you would like to come with us, but you accept this idea that you can’t come because something you did ended up saving yours and our lives, but somebody said, ‘You colored outside the lines, and therefore you’re not welcome.’ Why aren’t you angry?’ So I got angry on her behalf.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Adamo is gay and has a husband, and that, too, colors his relationship with his faith. But he didn’t imagine writing a New Testament opera until six years ago, when he read \u003ca href=\"http://www.newyorker.com/archive/2006/02/13/060213fa_fact2\" target=\"_blank\" rel=\"noopener\">a New Yorker article about Mary Magdalene\u003c/a>. She’s a biblical figure sometimes conflated with other Marys and often depicted as a prostitute forgiven and raised up by Jesus.\u003c/p>\n\u003cp>“It seemed to me that, in context, Mary Magdalene was the madwoman in the attic of the Christian tradition,” Adamo says. “Because she was associated with the body and sexuality, and she was the opposite of the stainless virgin.” \u003c!--more-->\u003c/p>\n\u003cp>The New Yorker article also covered the 1945 discovery of the \u003ca href=\"http://www.pbs.org/wgbh/pages/frontline/shows/religion/story/pagels.html\" target=\"_blank\" rel=\"noopener\">Gnostic Gospels\u003c/a>, early Christian texts offering an alternative to the traditional Gospels. They present a Mary who is Jesus’ best pupil. And in her, Adamo saw a heroine for a new opera.\u003c/p>\n\u003cp>Adamo introduces Mary singing lines borrowed from the Old Testament \u003ca href=\"http://en.wikipedia.org/wiki/Song_of_Songs\" target=\"_blank\" rel=\"noopener\">Song of Songs\u003c/a>, which uses sexual metaphors to express a spiritual longing for God. “My goal for this was to place sexuality in general and female sexuality in particular — to put that back into the center of the myth,” Adamo says.\u003c/p>\n\u003cp>Adamo spent a year researching the story and poured his learning into his libretto. It has 116 footnotes. But Adamo veers far from any of the traditional Gospels when he has Mary and Jesus become lovers and marry. \u003ca href=\"http://www.nathangunn.com/index.php\" target=\"_blank\" rel=\"noopener\">Nathan Gunn\u003c/a>, the baritone who sings the role of Jesus — called by his Hebrew name Yeshua in the opera — says that twist adds a crucial human dimension to the story.\u003c/p>\n\u003cp>“I know a lot of people get hung up on her being his lover,” Gunn says. “They fall in love. It’s a very human and beautiful thing.”\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://e.issuu.com/embed.html#0/3355335\" frameborder=\"0\" width=\"525\" height=\"525\">\u003c/iframe>\u003c/p>\n\u003cp>The role of Mary is sung by mezzo-soprano \u003ca href=\"http://sashacooke.instantencore.com/web/home.aspx\" target=\"_blank\" rel=\"noopener\">Sasha Cooke\u003c/a>, who says the role brings an ancient mystery back to life. “One thing I love. I tell people I’m doing Mary Magdalene, they say, ‘Oh well, she could have been married to him.’ Why not? We don’t know.”\u003c/p>\n\u003cp>San Francisco Opera General Director David Gockley says he’s ready for “Mary Magdalene” to stir controversy. “I’m kind of waiting for some kind of kerfuffle to happen, and yet the natives are quiet.” he says. A Roman Catholic radio show canceled an interview with Adamo, but he held a meeting to talk about the work with local priests and rabbis without incident.\u003c/p>\n\u003cp>More significantly, though, no other opera companies came forward to commission “Mary Magdalene” when Gockley went looking for help mounting this $1.2 million world premiere. He says some companies backed away, saying the subject matter is just too controversial.\u003c/p>\n\u003cp>“They admitted that to me,” Gockley says. “Others said, ‘We’re busy doing our own projects.’ But I knew when we took this on that it wasn’t going to be everybody’s cup of tea. And I’ve been proven right.”\u003c/p>\n\u003cp>But Adamo welcomes the scrutiny and says he expects a good number of critics and many an opera director will be in the audience on opening night. “The theatre is a safe place to talk about risky things,” he says, adding that he hopes audiences will understand that he’s not trying to scorn the Christian tradition.\u003c/p>\n\u003cp>“I love this tradition,” he says. “I would not have been able to write it as I wrote it, unless I thought the story would gain rather than lose nobility and credibility and passion if everyone involved was a human being, born into the same bodies that we are suffering through life with, and if they made momentous decisions guided by moral intuition and the light they had to see by.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The Gospel of Mary Magdalene” opens next Wednesday, June 19, at the San Francisco Opera.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In what is bound to be the best movie in which both Cate Blanchett and Andrew Dice Clay appear, Woody Allen's \"\u003ca href=\"http://www.imdb.com/title/tt2334873/\" target=\"_blank\">Blue Jasmine\u003c/a>\" will open in theaters on Jul 26. This is the director's San Francisco project, shot on locations around the Bay Area, which we so \u003ca href=\"http://ww2.kqed.org/news/tag/woody-allen/\" target=\"_blank\">assiduously chronicled\u003c/a> last June.\u003c/p>\n\u003cp>Here's the \u003ca href=\"http://www.youtube.com/watch?feature=player_embedded&v=FER3C394aI8\" target=\"_blank\">trailer\u003c/a> for the film ...\u003c/p>\n\u003cp>\u003ciframe src=\"http://movies.yahoo.com/video/blue-jasmine-trailer-162016683.html?format=embed&player_autoplay=false\" frameborder=\"0\" scrolling=\"no\" width=\"624\" height=\"351\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Below is the \u003ca href=\"http://storify.com/kqednews/woody-allen-spotting\" target=\"_blank\">Storify\u003c/a> we did last year of a bunch of Woody-on-the-set photos we found ...\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://storify.com/kqednews/woody-allen-spotting\u003c/p>\n\n",
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"disqusTitle": "News Pix: Lake Merritt Restoration, Oakland Ex-Cons Give Back, Environmental Drones",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-99122\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130607bridge.jpg\" alt=\"PhotoWeek130607bridge\" width=\"640\" height=\"450\">\u003cbr>\nWorkers began demolishing parts of the Richmond-San Rafael Bridge over San Pablo Bay this week in preparation for repairs on the eastbound section. The work is expected to take 90 days. (Tawanda Kanhema / \u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003cbr>\n\u003cimg class=\"aligncenter size-full wp-image-99124\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130607kayaks.jpg\" alt=\"PhotoWeek130607kayaks\" width=\"640\" height=\"450\">\u003cbr>\nMore than 10 years after Oakland residents approved the nearly $200 million Measure DD, the restoration of Lake Merritt is nearing completion. The priciest component of the lake work was a channel opening the lake to the estuary and returning tidal properties to the body of water. This will bring more oxygen to wildlife in the lake. In this photo, a middle school group enjoys a kayaking field trip along the channel and under the new boulevard that replaced a 12-lane mini-freeway. (Rachel Dornhelm / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-99125\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130607menofinfluence.jpg\" alt=\"PhotoWeek130607menofinfluence\" width=\"640\" height=\"450\">\u003cbr>\nRichard Shaw, age 49, mentors youth with \u003ca href=\"http://ww2.kqed.org/news/2013/05/14/men-of-influence/\">The Men of Influence\u003c/a>. He also runs a handyman and repair business, and he is seen here at work, getting supplies out of the back of his truck. The Men of Influence meet every Saturday at the Rainbow Recreation Center in Oakland, to \u003ca href=\"http://ww2.kqed.org/news/2013/04/02/stopping-violence-before-it-begins-in-oakland/\">show that they care\u003c/a> and that there are other ways besides violence. (Deborah Svoboda / KQED)\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-99126\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130607drones.jpg\" alt=\"PhotoWeek130607drones\" width=\"640\" height=\"450\">\u003cbr>\nDrones have gotten a lot of attention for their military applications, but Bay Area residents are proving the sky is the limit for drones when it comes to studying science and the environment. John Cherbini (left) and Joshua Ott (right), of 3D Robotics, set up a thermal imaging camera for infrared shots. This 12-rotor drone weighs about 6 pounds and cost about $1,500 to build – not including the camera. (Aarti Shahani / KQED)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-99128\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130607ChevronProte.jpg\" alt=\"PhotoWeek130607ChevronProte\" width=\"640\" height=\"450\">\u003cbr>\nBishop Andre Jackson of Carriage Hills Community Church, who is board chair of Healthy Communities in Richmond, said he spoke on behalf of people that don't have jobs or representation at a rally against Chevron's treatment of the city of Richmond. Richmond City Council members Tom Butt and Jael Myrick have proposed a plan asking for at least $1 million in scholarships per year from Chevron as part of compensation for the Aug. 6 refinery fire. (Tyler Orsburn / \u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-99129\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130607art.jpg\" alt=\"PhotoWeek130607art\" width=\"640\" height=\"450\">\u003cbr>\nOakland students' artwork will be on display and for sale at the 15th annual \u003ca href=\"http://ahc-oakland.org/2013/02/27/15th-annual-artesteem-exhibition/\">ArtEsteem \u003c/a>exhibition: Self as Superhero. The organization works with K-12 students in Oakland and beyond to integrate art into the curriculum at schools that otherwise wouldn't have it. The art can be seen at American Steel Studios in West Oakland Saturday 3-6 p.m. (Rachel Dornhelm / KQED)\u003c/p>\n\n",
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"description": "Workers began demolishing parts of the Richmond-San Rafael Bridge over San Pablo Bay this week in preparation for repairs on the eastbound section. The work is expected to take 90 days. (Tawanda Kanhema / Richmond Confidential) More than 10 years after Oakland residents approved the nearly $200 million Measure DD, the restoration of Lake Merritt",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"aligncenter size-full wp-image-99122\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130607bridge.jpg\" alt=\"PhotoWeek130607bridge\" width=\"640\" height=\"450\">\u003cbr>\nWorkers began demolishing parts of the Richmond-San Rafael Bridge over San Pablo Bay this week in preparation for repairs on the eastbound section. The work is expected to take 90 days. (Tawanda Kanhema / \u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003cbr>\n\u003cimg class=\"aligncenter size-full wp-image-99124\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130607kayaks.jpg\" alt=\"PhotoWeek130607kayaks\" width=\"640\" height=\"450\">\u003cbr>\nMore than 10 years after Oakland residents approved the nearly $200 million Measure DD, the restoration of Lake Merritt is nearing completion. The priciest component of the lake work was a channel opening the lake to the estuary and returning tidal properties to the body of water. This will bring more oxygen to wildlife in the lake. In this photo, a middle school group enjoys a kayaking field trip along the channel and under the new boulevard that replaced a 12-lane mini-freeway. (Rachel Dornhelm / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-99125\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130607menofinfluence.jpg\" alt=\"PhotoWeek130607menofinfluence\" width=\"640\" height=\"450\">\u003cbr>\nRichard Shaw, age 49, mentors youth with \u003ca href=\"http://ww2.kqed.org/news/2013/05/14/men-of-influence/\">The Men of Influence\u003c/a>. He also runs a handyman and repair business, and he is seen here at work, getting supplies out of the back of his truck. The Men of Influence meet every Saturday at the Rainbow Recreation Center in Oakland, to \u003ca href=\"http://ww2.kqed.org/news/2013/04/02/stopping-violence-before-it-begins-in-oakland/\">show that they care\u003c/a> and that there are other ways besides violence. (Deborah Svoboda / KQED)\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-99126\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130607drones.jpg\" alt=\"PhotoWeek130607drones\" width=\"640\" height=\"450\">\u003cbr>\nDrones have gotten a lot of attention for their military applications, but Bay Area residents are proving the sky is the limit for drones when it comes to studying science and the environment. John Cherbini (left) and Joshua Ott (right), of 3D Robotics, set up a thermal imaging camera for infrared shots. This 12-rotor drone weighs about 6 pounds and cost about $1,500 to build – not including the camera. (Aarti Shahani / KQED)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-99128\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130607ChevronProte.jpg\" alt=\"PhotoWeek130607ChevronProte\" width=\"640\" height=\"450\">\u003cbr>\nBishop Andre Jackson of Carriage Hills Community Church, who is board chair of Healthy Communities in Richmond, said he spoke on behalf of people that don't have jobs or representation at a rally against Chevron's treatment of the city of Richmond. Richmond City Council members Tom Butt and Jael Myrick have proposed a plan asking for at least $1 million in scholarships per year from Chevron as part of compensation for the Aug. 6 refinery fire. (Tyler Orsburn / \u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-99129\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/06/PhotoWeek130607art.jpg\" alt=\"PhotoWeek130607art\" width=\"640\" height=\"450\">\u003cbr>\nOakland students' artwork will be on display and for sale at the 15th annual \u003ca href=\"http://ahc-oakland.org/2013/02/27/15th-annual-artesteem-exhibition/\">ArtEsteem \u003c/a>exhibition: Self as Superhero. The organization works with K-12 students in Oakland and beyond to integrate art into the curriculum at schools that otherwise wouldn't have it. The art can be seen at American Steel Studios in West Oakland Saturday 3-6 p.m. (Rachel Dornhelm / KQED)\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "San Francisco-Based Zynga to Lay Off 520 Employees ",
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"content": "\u003cp>There's no joy in Farmville today as Zynga, the San Francisco-based online gaming company, has announced \"a workforce reduction and closure of various office locations.\"\u003c/p>\n\u003cfigure id=\"attachment_84470\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/01/Zynga-by-Dan-Brekke.jpg\">\u003cimg class=\"size-medium wp-image-84470\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/01/Zynga-by-Dan-Brekke-300x234.jpg\" alt=\"Zynga's headquarters (Dan Brekke/KQED)\" width=\"300\" height=\"234\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Zynga's headquarters in San Francisco (Dan Brekke/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Zynga says it will lay off a total of 18 percent, or 520 employees, just the latest downsizing in a series of them over the last year.\u003c/p>\n\u003cp>\"The workforce reduction will occur across all functions and is expected to be substantially complete by August 2013,\" the company wrote in a press release.\u003c/p>\n\u003cp>\u003ca href=\"http://allthingsd.com/20130603/zynga-to-lay-off-520-employees-18-percent-of-staff-and-shutter-new-york-and-la-offices/\" target=\"_blank\">AllThingsD is reporting\u003c/a> Zynga will shutter its offices in New York, L.A., and Dallas.\u003c/p>\n\u003cp>The company also said it expected to lose more money than was forecast in its previous guidance, and that its bookings would end up in the lower half of estimates.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>NASDAQ halted trading on shares at one point before they finished at $2.99, a loss of over 12 percent on the day.\u003c!--more-->A spokesperson told us the company would have no comment beyond its press release and what company founder and CEO Mark Pincus wrote in a \u003ca href=\"http://blog.zynga.com/2013/06/03/ceo-update-4/\" target=\"_blank\">blog post\u003c/a> today, which includes this ...\u003c/p>\n\u003cblockquote>\u003cp>None of us ever expected to face a day like today, especially when so much of our culture has been about growth. But I think we all know this is necessary to move forward. The scale that served us so well in building and delivering the leading social gaming service on the Web is now making it hard to successfully lead across mobile and multiplatform, which is where social games are going to be played.\u003c/p>\u003c/blockquote>\n\u003cp>In April, \u003ca href=\"http://venturebeat.com/2013/04/25/as-it-aims-for-better-profits-zynga-cuts-even-deeper-into-once-beloved-games-interview/\" target=\"_blank\">VentureBeat reported\u003c/a> that Zynga was \"no longer the largest gaming company,\" having ceded that title to London-based \u003ca href=\"http://www.king.com/\" target=\"_blank\">King\u003c/a>. (Forbes told the \u003ca href=\"http://www.forbes.com/sites/tomiogeron/2013/03/26/how-king-com-zoomed-up-the-social-gaming-charts/\" target=\"_blank\">story of that rise\u003c/a> in March.)\u003c/p>\n\u003cp>Zynga went public in late 2011 amid a mini-resurgence in the tech IPO market. But the initial offering \u003ca href=\"http://ww2.kqed.org/news/2011/12/16/zynga-goes-public-real-time-stock-quotes/\">landed with a thud\u003c/a>. The stock hit a high of almost $16 in Mar 2012; it's now trading at about $3.\u003c/p>\n\u003cp>Zyngas's fortunes have often seemed closely tied with those of Facebook, where its games have been tightly integrated. As the \u003ca href=\"http://blogs.wsj.com/digits/2013/03/21/as-zynga-becomes-more-independent-facebook-tightens-access/\" target=\"_blank\">Wall Street Journal reported\u003c/a> in March ...\u003c/p>\n\u003cblockquote>\u003cp>Founded in 2007, the game maker grew rapidly by leveraging Facebook’s social network, taking advantage of its structure and its sharing tools to encourage players to connect with their friends. In 2011, the company made up about 12% of Facebook’s revenue.\u003c/p>\n\u003cp>However, the relationship, at times, has been strained. And, in more recent quarters, Facebook and Zynga have drifted further apart, with Zynga opening its own portal and investing more in its mobile applications and Facebook promoting the games of other developers. Nevertheless, Zynga still makes the bulk of its money from Facebook. The social network accounted for 79% of Zynga’s bookings in the fourth quarter.\u003c/p>\u003c/blockquote>\n\u003cp>In April the company entered the online gambling space in the U.K. It has also applied for a license with the Nevada Gaming Control Board and \u003ca href=\"http://online.wsj.com/article/SB10000872396390444508504577591352837759224.html\" target=\"_blank\">hired lobbyists\u003c/a> to push for online gambling. Sam Harnett \u003ca href=\"http://ww2.kqed.org/news/2013/01/02/zynga-tries-its-hand-at-online-gambling/\" target=\"_blank\">reported on this new initiative\u003c/a> for KQED in January.\u003c/p>\n\u003cp>\"Making the transition to real money gambling for Zynga won’t be as simple as pulling a lever,\" Harnett wrote.\u003c/p>\n\u003cp>\"Organizationally they aren't prepared for it,” Kevin Flood, an online gambling consultant, told Harnett.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Presumably we'll get an initial indication of whether this is true or not in July, when the company releases its next earnings report.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There's no joy in Farmville today as Zynga, the San Francisco-based online gaming company, has announced \"a workforce reduction and closure of various office locations.\"\u003c/p>\n\u003cfigure id=\"attachment_84470\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/01/Zynga-by-Dan-Brekke.jpg\">\u003cimg class=\"size-medium wp-image-84470\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/01/Zynga-by-Dan-Brekke-300x234.jpg\" alt=\"Zynga's headquarters (Dan Brekke/KQED)\" width=\"300\" height=\"234\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Zynga's headquarters in San Francisco (Dan Brekke/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Zynga says it will lay off a total of 18 percent, or 520 employees, just the latest downsizing in a series of them over the last year.\u003c/p>\n\u003cp>\"The workforce reduction will occur across all functions and is expected to be substantially complete by August 2013,\" the company wrote in a press release.\u003c/p>\n\u003cp>\u003ca href=\"http://allthingsd.com/20130603/zynga-to-lay-off-520-employees-18-percent-of-staff-and-shutter-new-york-and-la-offices/\" target=\"_blank\">AllThingsD is reporting\u003c/a> Zynga will shutter its offices in New York, L.A., and Dallas.\u003c/p>\n\u003cp>The company also said it expected to lose more money than was forecast in its previous guidance, and that its bookings would end up in the lower half of estimates.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>NASDAQ halted trading on shares at one point before they finished at $2.99, a loss of over 12 percent on the day.\u003c!--more-->A spokesperson told us the company would have no comment beyond its press release and what company founder and CEO Mark Pincus wrote in a \u003ca href=\"http://blog.zynga.com/2013/06/03/ceo-update-4/\" target=\"_blank\">blog post\u003c/a> today, which includes this ...\u003c/p>\n\u003cblockquote>\u003cp>None of us ever expected to face a day like today, especially when so much of our culture has been about growth. But I think we all know this is necessary to move forward. The scale that served us so well in building and delivering the leading social gaming service on the Web is now making it hard to successfully lead across mobile and multiplatform, which is where social games are going to be played.\u003c/p>\u003c/blockquote>\n\u003cp>In April, \u003ca href=\"http://venturebeat.com/2013/04/25/as-it-aims-for-better-profits-zynga-cuts-even-deeper-into-once-beloved-games-interview/\" target=\"_blank\">VentureBeat reported\u003c/a> that Zynga was \"no longer the largest gaming company,\" having ceded that title to London-based \u003ca href=\"http://www.king.com/\" target=\"_blank\">King\u003c/a>. (Forbes told the \u003ca href=\"http://www.forbes.com/sites/tomiogeron/2013/03/26/how-king-com-zoomed-up-the-social-gaming-charts/\" target=\"_blank\">story of that rise\u003c/a> in March.)\u003c/p>\n\u003cp>Zynga went public in late 2011 amid a mini-resurgence in the tech IPO market. But the initial offering \u003ca href=\"http://ww2.kqed.org/news/2011/12/16/zynga-goes-public-real-time-stock-quotes/\">landed with a thud\u003c/a>. The stock hit a high of almost $16 in Mar 2012; it's now trading at about $3.\u003c/p>\n\u003cp>Zyngas's fortunes have often seemed closely tied with those of Facebook, where its games have been tightly integrated. As the \u003ca href=\"http://blogs.wsj.com/digits/2013/03/21/as-zynga-becomes-more-independent-facebook-tightens-access/\" target=\"_blank\">Wall Street Journal reported\u003c/a> in March ...\u003c/p>\n\u003cblockquote>\u003cp>Founded in 2007, the game maker grew rapidly by leveraging Facebook’s social network, taking advantage of its structure and its sharing tools to encourage players to connect with their friends. In 2011, the company made up about 12% of Facebook’s revenue.\u003c/p>\n\u003cp>However, the relationship, at times, has been strained. And, in more recent quarters, Facebook and Zynga have drifted further apart, with Zynga opening its own portal and investing more in its mobile applications and Facebook promoting the games of other developers. Nevertheless, Zynga still makes the bulk of its money from Facebook. The social network accounted for 79% of Zynga’s bookings in the fourth quarter.\u003c/p>\u003c/blockquote>\n\u003cp>In April the company entered the online gambling space in the U.K. It has also applied for a license with the Nevada Gaming Control Board and \u003ca href=\"http://online.wsj.com/article/SB10000872396390444508504577591352837759224.html\" target=\"_blank\">hired lobbyists\u003c/a> to push for online gambling. Sam Harnett \u003ca href=\"http://ww2.kqed.org/news/2013/01/02/zynga-tries-its-hand-at-online-gambling/\" target=\"_blank\">reported on this new initiative\u003c/a> for KQED in January.\u003c/p>\n\u003cp>\"Making the transition to real money gambling for Zynga won’t be as simple as pulling a lever,\" Harnett wrote.\u003c/p>\n\u003cp>\"Organizationally they aren't prepared for it,” Kevin Flood, an online gambling consultant, told Harnett.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Presumably we'll get an initial indication of whether this is true or not in July, when the company releases its next earnings report.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>By Xandra Clark\u003c/em>\u003c/p>\n\u003cp>When you enter the Tides Theatre near San Francisco’s Union Square on performance night, one of the last things you expect to find is investigative journalism.\u003c/p>\n\u003cfigure id=\"attachment_98422\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/05/Her-War-scene.jpg\">\u003cimg class=\"size-medium wp-image-98422 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/05/Her-War-scene-300x200.jpg\" alt=\"Her War scene\" width=\"300\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sarah Moser rehearses her role as a homeless female veteran in Jon Bernson's \"Guide to the Aftermath,\" a theatrical adaptation of a documentary film from the Center for Investigative Reporting. (Photo: Xandra Clark)\u003c/figcaption>\u003c/figure>\n\u003cp>But that’s precisely what audience members will find over the next three weekends, starting Friday night.\u003c/p>\n\u003cp>Two plays will be performed as part of \u003ca href=\"http://tidestheatre.org/storyworks/\">StoryWorks\u003c/a>, a new partnership between the Center for Investigative Reporting (CIR) and Tides. \"Guide to the Aftermath\" is playwright Jon Bernson’s one-act drama based on a documentary film made by CIR correspondent Mimi Chakarova. It’s the story of a homeless female Iraq War veteran who is suffering from military sexual trauma and post-traumatic stress disorder.\u003c/p>\n\u003cp>The goal is to create work that’s “bold and truthful,” said Jennifer Welch, director of \"Guide to the Aftermath\" and the companion one-act play, \"Headlock,” which stems from a series of investigative news articles by reporter Ryan Gabrielson about patient abuse in centers for the developmentally disabled in California. The series was adapted as \"Headlock\" by San Francisco playwright William Bivins.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In addition to its collaboration with Tides Theatre, Berkeley-based CIR recently partnered with Berkeley Repertory Theatre and Open Show, a San Francisco curator of arts events, to showcase a few animated short films. Even more unusual: José Vadi, a spoken-word poet, just got a desk in CIR’s newsroom. \u003c!--more-->\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>The Journo-Theatrical Connection\u003c/strong>\u003c/p>\n\u003cp>On the other side of the country, public radio favorite \"This American Life\" held a live performance at New York University’s Skirball Theater in May of last year. Show host Ira Glass led a cast of dancers, musicians, comedians and writers through an exploration of true stories on the theme “The Invisible Made Visible.” Between the Skirball audience and those who watched the live broadcast in U.S. and Canadian theaters, more than 60,000 people saw the one-time show.\u003c/p>\n\u003cfigure id=\"attachment_98423\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/05/Shirley-Smallwood.jpg\">\u003cimg class=\"size-medium wp-image-98423\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/05/Shirley-Smallwood-300x200.jpg\" alt=\"Shirley Smallwood\" width=\"300\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Shirley Smallwood plays real-life Renee Banton, the founder of a recovery program for homeless veterans in Los Angeles. (Photo: Xandra Clark)\u003c/figcaption>\u003c/figure>\n\u003cp>Dozens of similar events in this emerging genre of performed journalism have been staged around the country -- from a dance piece inspired by a Pulitzer Prize winner’s book about the Vietnam War to the performance of a magazine, ads and all.\u003c/p>\n\u003cp>In response to declining print circulation and shrinking ad revenue, a number of major newspapers and magazines jumped into the live-events business several years ago, typically in the form of well-publicized conversations with thinkers, scholars and writers. But now some news organizations are also mounting theatrical productions.\u003c/p>\n\u003cp>Journalists involved in these collaborations see the potential to greatly increase reader engagement, bring in younger audiences, facilitate public dialogue on important issues of the day and bring in new revenue. And it lends a refreshing air of fun to news consumption, they say.\u003c/p>\n\u003cp>“It’s not a huge leap, actually,” said Doug McGray, editor-in-chief of San Francisco's \u003ca href=\"http://popupmagazine.com/\">Pop-Up Magazine\u003c/a>. Pop-Up bills itself as the world's \"first live magazine,\" bringing writers together several times a year to perform pieces that coalesce into a non-fiction narrative magazine. The nearly 3,000 seats for the May show this year sold out within 10 minutes, and all promotion was done through word of mouth, McGray said.\u003c/p>\n\u003cp>“There’s a hunger for getting together in real space and unplugging and having a live experience,” he said.\u003c/p>\n\u003cp>There are limitations, of course, and \"This American Life’s\" Ira Glass said some journalists who have tried it think it’s “a pain in the ass.”\u003c/p>\n\u003cp>\u003cstrong>Theater of the Immediate\u003c/strong>\u003c/p>\n\u003cp>In her Tides Theatre collaboration with the Center for Investigative Reporting, director Jennifer Welch hopes to address immediate issues in the news. Consequently, the one-act plays being performed are not full-blown theatrical productions, but more like workshops, with a behind-the-scenes feel.\u003c/p>\n\u003cp>Documentary theater, an established genre, usually addresses news events from a few years prior, since it often takes that amount of time to develop a play from start to finish, Welch said. But StoryWorks did it in a little over two months.\u003c/p>\n\u003cp>“A year from now, the material wouldn’t be as meaningful,” Welch said.\u003c/p>\n\u003cp>Tides called for submissions from playwrights in April, and by May 1 actors were in rehearsal. The workshop production will run through mid-June.\u003c/p>\n\u003cp>Unlike documentary theater, the dialogue is not taken directly from interviews. Instead, the playwrights have taken artistic license to write dialogue drawn from the CIR projects.\u003c/p>\n\u003cp>\u003cstrong>A Poet in the Newsroom\u003c/strong>\u003c/p>\n\u003cp>As part of a more long-term endeavor, CIR has brought into its newsroom José Vadi, the spoken-word poet. He’s heading up the Off/Page Project, a partnership between the center and Youth Speaks, a teen spoken-word group in Oakland.\u003c/p>\n\u003cp>Vadi defines the work as “sourced storytelling.” Investigative reporting is paired with personal stories of people in the East Bay community — and across the country — who have experienced issues like gun violence or the loss of a home firsthand.\u003c/p>\n\u003cp>“It’s asking them, ‘If we gave you a lens to tell your story, what would you tell?’ ” Vadi said. “It’s a mutual awakening on either side.”\u003c/p>\n\u003cp>When Off/Page provided some CIR data about Stockton to teens who live there, “their reaction was, ‘Wow, we knew it was bad, but we didn’t know [with] all these new downtown facilities, only 20 percent of the revenue was being given back to the actual city,’ ” Vadi said. “But they saw it, and they experienced it on a day-to-day level.”\u003c/p>\n\u003cp>Off/Page is trying to tell those personal stories.\u003c/p>\n\u003cp>“All these things, topically, we can’t address without a multi-prism format,” Vadi said. “One of those angles of the prism is storytelling, and performed storytelling.”\u003c/p>\n\u003cp>\u003ca href=\"http://tidestheatre.org\" target=\"_blank\">You can buy tickets to the StoryWorks performances here\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Xandra Clark is a reporter for\u003c/em>\u003cem> \u003c/em>\u003cem>\u003ca href=\"http://peninsulapress.com/\">Peninsula Press\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>By Xandra Clark\u003c/em>\u003c/p>\n\u003cp>When you enter the Tides Theatre near San Francisco’s Union Square on performance night, one of the last things you expect to find is investigative journalism.\u003c/p>\n\u003cfigure id=\"attachment_98422\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/05/Her-War-scene.jpg\">\u003cimg class=\"size-medium wp-image-98422 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/05/Her-War-scene-300x200.jpg\" alt=\"Her War scene\" width=\"300\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sarah Moser rehearses her role as a homeless female veteran in Jon Bernson's \"Guide to the Aftermath,\" a theatrical adaptation of a documentary film from the Center for Investigative Reporting. (Photo: Xandra Clark)\u003c/figcaption>\u003c/figure>\n\u003cp>But that’s precisely what audience members will find over the next three weekends, starting Friday night.\u003c/p>\n\u003cp>Two plays will be performed as part of \u003ca href=\"http://tidestheatre.org/storyworks/\">StoryWorks\u003c/a>, a new partnership between the Center for Investigative Reporting (CIR) and Tides. \"Guide to the Aftermath\" is playwright Jon Bernson’s one-act drama based on a documentary film made by CIR correspondent Mimi Chakarova. It’s the story of a homeless female Iraq War veteran who is suffering from military sexual trauma and post-traumatic stress disorder.\u003c/p>\n\u003cp>The goal is to create work that’s “bold and truthful,” said Jennifer Welch, director of \"Guide to the Aftermath\" and the companion one-act play, \"Headlock,” which stems from a series of investigative news articles by reporter Ryan Gabrielson about patient abuse in centers for the developmentally disabled in California. The series was adapted as \"Headlock\" by San Francisco playwright William Bivins.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In addition to its collaboration with Tides Theatre, Berkeley-based CIR recently partnered with Berkeley Repertory Theatre and Open Show, a San Francisco curator of arts events, to showcase a few animated short films. Even more unusual: José Vadi, a spoken-word poet, just got a desk in CIR’s newsroom. \u003c!--more-->\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>The Journo-Theatrical Connection\u003c/strong>\u003c/p>\n\u003cp>On the other side of the country, public radio favorite \"This American Life\" held a live performance at New York University’s Skirball Theater in May of last year. Show host Ira Glass led a cast of dancers, musicians, comedians and writers through an exploration of true stories on the theme “The Invisible Made Visible.” Between the Skirball audience and those who watched the live broadcast in U.S. and Canadian theaters, more than 60,000 people saw the one-time show.\u003c/p>\n\u003cfigure id=\"attachment_98423\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/05/Shirley-Smallwood.jpg\">\u003cimg class=\"size-medium wp-image-98423\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/05/Shirley-Smallwood-300x200.jpg\" alt=\"Shirley Smallwood\" width=\"300\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Shirley Smallwood plays real-life Renee Banton, the founder of a recovery program for homeless veterans in Los Angeles. (Photo: Xandra Clark)\u003c/figcaption>\u003c/figure>\n\u003cp>Dozens of similar events in this emerging genre of performed journalism have been staged around the country -- from a dance piece inspired by a Pulitzer Prize winner’s book about the Vietnam War to the performance of a magazine, ads and all.\u003c/p>\n\u003cp>In response to declining print circulation and shrinking ad revenue, a number of major newspapers and magazines jumped into the live-events business several years ago, typically in the form of well-publicized conversations with thinkers, scholars and writers. But now some news organizations are also mounting theatrical productions.\u003c/p>\n\u003cp>Journalists involved in these collaborations see the potential to greatly increase reader engagement, bring in younger audiences, facilitate public dialogue on important issues of the day and bring in new revenue. And it lends a refreshing air of fun to news consumption, they say.\u003c/p>\n\u003cp>“It’s not a huge leap, actually,” said Doug McGray, editor-in-chief of San Francisco's \u003ca href=\"http://popupmagazine.com/\">Pop-Up Magazine\u003c/a>. Pop-Up bills itself as the world's \"first live magazine,\" bringing writers together several times a year to perform pieces that coalesce into a non-fiction narrative magazine. The nearly 3,000 seats for the May show this year sold out within 10 minutes, and all promotion was done through word of mouth, McGray said.\u003c/p>\n\u003cp>“There’s a hunger for getting together in real space and unplugging and having a live experience,” he said.\u003c/p>\n\u003cp>There are limitations, of course, and \"This American Life’s\" Ira Glass said some journalists who have tried it think it’s “a pain in the ass.”\u003c/p>\n\u003cp>\u003cstrong>Theater of the Immediate\u003c/strong>\u003c/p>\n\u003cp>In her Tides Theatre collaboration with the Center for Investigative Reporting, director Jennifer Welch hopes to address immediate issues in the news. Consequently, the one-act plays being performed are not full-blown theatrical productions, but more like workshops, with a behind-the-scenes feel.\u003c/p>\n\u003cp>Documentary theater, an established genre, usually addresses news events from a few years prior, since it often takes that amount of time to develop a play from start to finish, Welch said. But StoryWorks did it in a little over two months.\u003c/p>\n\u003cp>“A year from now, the material wouldn’t be as meaningful,” Welch said.\u003c/p>\n\u003cp>Tides called for submissions from playwrights in April, and by May 1 actors were in rehearsal. The workshop production will run through mid-June.\u003c/p>\n\u003cp>Unlike documentary theater, the dialogue is not taken directly from interviews. Instead, the playwrights have taken artistic license to write dialogue drawn from the CIR projects.\u003c/p>\n\u003cp>\u003cstrong>A Poet in the Newsroom\u003c/strong>\u003c/p>\n\u003cp>As part of a more long-term endeavor, CIR has brought into its newsroom José Vadi, the spoken-word poet. He’s heading up the Off/Page Project, a partnership between the center and Youth Speaks, a teen spoken-word group in Oakland.\u003c/p>\n\u003cp>Vadi defines the work as “sourced storytelling.” Investigative reporting is paired with personal stories of people in the East Bay community — and across the country — who have experienced issues like gun violence or the loss of a home firsthand.\u003c/p>\n\u003cp>“It’s asking them, ‘If we gave you a lens to tell your story, what would you tell?’ ” Vadi said. “It’s a mutual awakening on either side.”\u003c/p>\n\u003cp>When Off/Page provided some CIR data about Stockton to teens who live there, “their reaction was, ‘Wow, we knew it was bad, but we didn’t know [with] all these new downtown facilities, only 20 percent of the revenue was being given back to the actual city,’ ” Vadi said. “But they saw it, and they experienced it on a day-to-day level.”\u003c/p>\n\u003cp>Off/Page is trying to tell those personal stories.\u003c/p>\n\u003cp>“All these things, topically, we can’t address without a multi-prism format,” Vadi said. “One of those angles of the prism is storytelling, and performed storytelling.”\u003c/p>\n\u003cp>\u003ca href=\"http://tidestheatre.org\" target=\"_blank\">You can buy tickets to the StoryWorks performances here\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Xandra Clark is a reporter for\u003c/em>\u003cem> \u003c/em>\u003cem>\u003ca href=\"http://peninsulapress.com/\">Peninsula Press\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/bbc-world-service",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"here-and-now": {
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
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"order": 18
},
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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