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"content": "\u003cp>\u003cstrong>By Kyung Jin Lee, Deborah Svoboda and Dan Brekke\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_94943\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/2013/04/22/draft-5th-avenue-community-photos/screen-shot-2013-04-21-at-9-20-28-pm/\" rel=\"attachment wp-att-94943\">\u003cimg class=\"size-medium wp-image-94943\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/Screen-Shot-2013-04-21-at-9.20.28-PM-300x123.png\" alt=\"Artist's conception of the Brooklyn Basin development along the Oakland Estuary, south and east of downtown and Jack London Square. \" width=\"300\" height=\"123\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist's conception of the Brooklyn Basin development along the Oakland Estuary, south and east of downtown and Jack London Square.\u003c/figcaption>\u003c/figure>\n\u003cp>When he was in China earlier this month, Gov. Jerry Brown announced something that was very important to a handful of residents on a fairly obscure stretch of Oakland's waterfront. The governor said that a Chinese real estate firm would bankroll a $1.5 billion development on the Oakland Estuary, just beyond the Lake Merritt Channel and south and east of Jack London Square.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/brooklyn_basin.mp3\" target=\"_blank\">Listen to the story.\u003c/a>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/brooklyn_basin.mp3]\u003c/p>\n\u003cp>The development, now called \u003ca href=\"http://brooklynbasin.com/\" target=\"_blank\">Brooklyn Basin\u003c/a>, would be immense. The plan calls for five high-rise apartment buildings and several mid-rise apartment blocks that would contain a total of 3,100 units. The development would also include office and retail space, marinas and parks.\u003c/p>\n\u003cp>The plan, which used to be called Oak to 9th (describing the waterfront from Oak Street to 9th Avenue), has been around for years. The missing ingredient was money. Now that's taken care of and work on improving infrastructure in the area can start. If all goes according to plan -- and in Oakland, we think it's fair to say that's a relatively big \"if\" -- the first buildings will start to rise in 2015.\u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Just glancing at the drawings depicting life in the future community, you think of San Francisco's South Beach—the big apartment and townhouse community that stretches south along the Embarcadero between the Bay Bridge and Phone Company Park (you know—where the Giants play). Things will be hip and trim and cleanly colorful in the new community. The parallel with South Beach would be complete if Oakland ever \u003ca href=\"http://ww2.kqed.org/news/2011/12/09/city-of-oakland-as/\" target=\"_blank\">manages to convince\u003c/a> the A's to go along with building a new ballpark next to the Jack London area (\u003ca href=\"http://ww2.kqed.org/news/2013/02/21/as-ballpark-watch-2013-unnamed-sources-say-something-might-have-happened-maybe/\" target=\"_blank\">hopefully\u003c/a>, your children's children will see the resolution of that one.)\u003c/p>\n\u003caside class=\"pullquote alignleft\">We’re just art types down here. We can fight as hard as we want with sticks and stones, but they’ve got the big guns. The government does what they want to do when they want to do it.\u003c/aside>\n\u003cp>But if you look more closely at the beautiful aerial view of the remade Oakland waterfront, you might notice that there's a tiny finger of low-rise property amid the shiny new apartment blocks. A 2006 \u003ca href=\"http://www2.oaklandnet.com/oakca1/groups/ceda/documents/webcontent/oak035563.pdf\" target=\"_blank\">design document\u003c/a> describes that little area as \"private land -- not part of project.\" You have to actually go down and visit the area, which runs along Fifth Avenue between the estuary and the Nimitz Freeway, to find a small community of artists and artisans there. Unlike the dream sketched out by the Brooklyn Basin promoters, this community actually exists and has \u003ca href=\"http://www.sfgate.com/bayarea/article/Pleading-the-fifth-Artists-revel-in-enclave-s-2925180.php\" target=\"_blank\">for some time\u003c/a>.\u003c/p>\n\u003cp>Residents wonder how much longer their good fortune—the affordable digs, the bohemian atmosphere, their intimate view of the estuary's weirdly juxtaposed natural splendor and bruised industrial waterscape—can last.\u003c/p>\n\u003cp>Zack Parkes is a musician who recently rented a cottage in the neighborhood. He loves it. \"It’s as pure down here as it get,\" he said. \"This place really hasn’t been changed and altered. I think it still embodies a lot of the tradition of what makes Oakland Oakland.\"\u003c/p>\n\u003cp>He said he also wonders how thousands of new residents are going to fit into an area that has limited access. \"You can’t move the water,\" he said. \"You can’t move the train tracks. It’s going to be tough to fit everyone in between.\"\u003c/p>\n\u003cp>Robert Schultz has lived in the Fifth Avenue community since the late 1970s. He said the neighborhood has successfully resisted development efforts before, but this time he thinks things are different.\u003c/p>\n\u003cp>\"We’re just art types down here,\" Schultz said. \"We can fight as hard as we want with sticks and stones, but they’ve got the big guns. The government does what they want to do when they want to do it.\"\u003c/p>\n\u003cp>\u003cstrong>Here's a gallery of the Fifth Avenue community and some of its residents: \u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4571_020-1.jpg\">\u003cimg class=\"aligncenter size-full wp-image-94890\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4571_020-1.jpg\" alt=\"RS4571_020-1\" width=\"640\" height=\"425\">\u003c/a>An artisan community of residents, businesses and boat owners lives at the end of Fifth Avenue in Oakland. The community would be virtually enclosed by the massive new Brooklyn Basin development. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4561_010-2.jpg\">\u003cimg class=\"aligncenter size-full wp-image-94892\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4561_010-2.jpg\" alt=\"RS4561_010-2\" width=\"640\" height=\"425\">\u003c/a>Residents of a small artists' community on the Oakland waterfront, near Jack London Square, are pondering what their future holds as the city moves ahead with a massive new development in their backyard. Robert Schultz collects art -- and whatever other artifacts come his way -- and has lived in the Fifth Avenue community for about 34 years. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4562_011-5.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4562_011-5.jpg\" alt=\"RS4562_011-5\" width=\"640\" height=\"425\">\u003c/a>\u003c/p>\n\u003cp>Here two pieces from Schultz's collection sit side by side: a toy car and a vintage Studebaker. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4564_013-3.jpg\">\u003cimg class=\"aligncenter size-full wp-image-94895\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4564_013-3.jpg\" alt=\"RS4564_013-3\" width=\"640\" height=\"425\">\u003c/a>Schultz has lived in the Fifth Avenue community for about 34 years. He has rescued everything from trees to antiques and cars, and he sells some of it from his space and shop. Here Mike Hill (left) a military item collector, Schultz (center) and Jay Kline (right) talk about some of the stuff that Schultz has to offer. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4567_016-4.jpg\">\u003cimg class=\"aligncenter size-full wp-image-94896\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4567_016-4.jpg\" alt=\"RS4567_016-4\" width=\"640\" height=\"425\">\u003c/a>Musician Zach Parkes has had a recording studio and been a part of the community on Fifth Avenue for about six months. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-94900\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4569_018-6.jpg\" alt=\"RS4569_018-6\" width=\"640\" height=\"425\">Dawn Whitaker takes a few minutes to relax and watch the birds. She's been a part of the Fith Avenue community for a couple of months. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4558_007-7.jpg\">\u003cimg class=\"aligncenter size-full wp-image-94901\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4558_007-7.jpg\" alt=\"RS4558_007-7\" width=\"640\" height=\"425\">\u003c/a>A spaceship that used to be a part of a playground at Lake Merritt now lives as part of a fence, with a bunch of other art, on Fifth Avenue. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4557_006-9.jpg\">\u003cimg class=\"aligncenter size-full wp-image-94920\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4557_006-9.jpg\" alt=\"RS4557_006-9\" width=\"500\" height=\"725\">\u003c/a>Kevin Manning has had an office overlooking the Fifth Avenue Marina for 22 years. He demonstrates one of his inventions, the \"Pump-Hub,\" which self-inflates bike tires as you ride. (Deborah Svoboda/KQED)\u003c/p>\n\n",
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"description": "By Kyung Jin Lee, Deborah Svoboda and Dan Brekke When he was in China earlier this month, Gov. Jerry Brown announced something that was very important to a handful of residents on a fairly obscure stretch of Oakland's waterfront. The governor said that a Chinese real estate firm would bankroll a $1.5 billion development on",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Kyung Jin Lee, Deborah Svoboda and Dan Brekke\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_94943\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/2013/04/22/draft-5th-avenue-community-photos/screen-shot-2013-04-21-at-9-20-28-pm/\" rel=\"attachment wp-att-94943\">\u003cimg class=\"size-medium wp-image-94943\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/Screen-Shot-2013-04-21-at-9.20.28-PM-300x123.png\" alt=\"Artist's conception of the Brooklyn Basin development along the Oakland Estuary, south and east of downtown and Jack London Square. \" width=\"300\" height=\"123\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist's conception of the Brooklyn Basin development along the Oakland Estuary, south and east of downtown and Jack London Square.\u003c/figcaption>\u003c/figure>\n\u003cp>When he was in China earlier this month, Gov. Jerry Brown announced something that was very important to a handful of residents on a fairly obscure stretch of Oakland's waterfront. The governor said that a Chinese real estate firm would bankroll a $1.5 billion development on the Oakland Estuary, just beyond the Lake Merritt Channel and south and east of Jack London Square.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/brooklyn_basin.mp3\" target=\"_blank\">Listen to the story.\u003c/a>\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The development, now called \u003ca href=\"http://brooklynbasin.com/\" target=\"_blank\">Brooklyn Basin\u003c/a>, would be immense. The plan calls for five high-rise apartment buildings and several mid-rise apartment blocks that would contain a total of 3,100 units. The development would also include office and retail space, marinas and parks.\u003c/p>\n\u003cp>The plan, which used to be called Oak to 9th (describing the waterfront from Oak Street to 9th Avenue), has been around for years. The missing ingredient was money. Now that's taken care of and work on improving infrastructure in the area can start. If all goes according to plan -- and in Oakland, we think it's fair to say that's a relatively big \"if\" -- the first buildings will start to rise in 2015.\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Just glancing at the drawings depicting life in the future community, you think of San Francisco's South Beach—the big apartment and townhouse community that stretches south along the Embarcadero between the Bay Bridge and Phone Company Park (you know—where the Giants play). Things will be hip and trim and cleanly colorful in the new community. The parallel with South Beach would be complete if Oakland ever \u003ca href=\"http://ww2.kqed.org/news/2011/12/09/city-of-oakland-as/\" target=\"_blank\">manages to convince\u003c/a> the A's to go along with building a new ballpark next to the Jack London area (\u003ca href=\"http://ww2.kqed.org/news/2013/02/21/as-ballpark-watch-2013-unnamed-sources-say-something-might-have-happened-maybe/\" target=\"_blank\">hopefully\u003c/a>, your children's children will see the resolution of that one.)\u003c/p>\n\u003caside class=\"pullquote alignleft\">We’re just art types down here. We can fight as hard as we want with sticks and stones, but they’ve got the big guns. The government does what they want to do when they want to do it.\u003c/aside>\n\u003cp>But if you look more closely at the beautiful aerial view of the remade Oakland waterfront, you might notice that there's a tiny finger of low-rise property amid the shiny new apartment blocks. A 2006 \u003ca href=\"http://www2.oaklandnet.com/oakca1/groups/ceda/documents/webcontent/oak035563.pdf\" target=\"_blank\">design document\u003c/a> describes that little area as \"private land -- not part of project.\" You have to actually go down and visit the area, which runs along Fifth Avenue between the estuary and the Nimitz Freeway, to find a small community of artists and artisans there. Unlike the dream sketched out by the Brooklyn Basin promoters, this community actually exists and has \u003ca href=\"http://www.sfgate.com/bayarea/article/Pleading-the-fifth-Artists-revel-in-enclave-s-2925180.php\" target=\"_blank\">for some time\u003c/a>.\u003c/p>\n\u003cp>Residents wonder how much longer their good fortune—the affordable digs, the bohemian atmosphere, their intimate view of the estuary's weirdly juxtaposed natural splendor and bruised industrial waterscape—can last.\u003c/p>\n\u003cp>Zack Parkes is a musician who recently rented a cottage in the neighborhood. He loves it. \"It’s as pure down here as it get,\" he said. \"This place really hasn’t been changed and altered. I think it still embodies a lot of the tradition of what makes Oakland Oakland.\"\u003c/p>\n\u003cp>He said he also wonders how thousands of new residents are going to fit into an area that has limited access. \"You can’t move the water,\" he said. \"You can’t move the train tracks. It’s going to be tough to fit everyone in between.\"\u003c/p>\n\u003cp>Robert Schultz has lived in the Fifth Avenue community since the late 1970s. He said the neighborhood has successfully resisted development efforts before, but this time he thinks things are different.\u003c/p>\n\u003cp>\"We’re just art types down here,\" Schultz said. \"We can fight as hard as we want with sticks and stones, but they’ve got the big guns. The government does what they want to do when they want to do it.\"\u003c/p>\n\u003cp>\u003cstrong>Here's a gallery of the Fifth Avenue community and some of its residents: \u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4571_020-1.jpg\">\u003cimg class=\"aligncenter size-full wp-image-94890\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4571_020-1.jpg\" alt=\"RS4571_020-1\" width=\"640\" height=\"425\">\u003c/a>An artisan community of residents, businesses and boat owners lives at the end of Fifth Avenue in Oakland. The community would be virtually enclosed by the massive new Brooklyn Basin development. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4561_010-2.jpg\">\u003cimg class=\"aligncenter size-full wp-image-94892\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4561_010-2.jpg\" alt=\"RS4561_010-2\" width=\"640\" height=\"425\">\u003c/a>Residents of a small artists' community on the Oakland waterfront, near Jack London Square, are pondering what their future holds as the city moves ahead with a massive new development in their backyard. Robert Schultz collects art -- and whatever other artifacts come his way -- and has lived in the Fifth Avenue community for about 34 years. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4562_011-5.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4562_011-5.jpg\" alt=\"RS4562_011-5\" width=\"640\" height=\"425\">\u003c/a>\u003c/p>\n\u003cp>Here two pieces from Schultz's collection sit side by side: a toy car and a vintage Studebaker. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4564_013-3.jpg\">\u003cimg class=\"aligncenter size-full wp-image-94895\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4564_013-3.jpg\" alt=\"RS4564_013-3\" width=\"640\" height=\"425\">\u003c/a>Schultz has lived in the Fifth Avenue community for about 34 years. He has rescued everything from trees to antiques and cars, and he sells some of it from his space and shop. Here Mike Hill (left) a military item collector, Schultz (center) and Jay Kline (right) talk about some of the stuff that Schultz has to offer. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4567_016-4.jpg\">\u003cimg class=\"aligncenter size-full wp-image-94896\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4567_016-4.jpg\" alt=\"RS4567_016-4\" width=\"640\" height=\"425\">\u003c/a>Musician Zach Parkes has had a recording studio and been a part of the community on Fifth Avenue for about six months. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-94900\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4569_018-6.jpg\" alt=\"RS4569_018-6\" width=\"640\" height=\"425\">Dawn Whitaker takes a few minutes to relax and watch the birds. She's been a part of the Fith Avenue community for a couple of months. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4558_007-7.jpg\">\u003cimg class=\"aligncenter size-full wp-image-94901\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4558_007-7.jpg\" alt=\"RS4558_007-7\" width=\"640\" height=\"425\">\u003c/a>A spaceship that used to be a part of a playground at Lake Merritt now lives as part of a fence, with a bunch of other art, on Fifth Avenue. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4557_006-9.jpg\">\u003cimg class=\"aligncenter size-full wp-image-94920\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/RS4557_006-9.jpg\" alt=\"RS4557_006-9\" width=\"500\" height=\"725\">\u003c/a>Kevin Manning has had an office overlooking the Fifth Avenue Marina for 22 years. He demonstrates one of his inventions, the \"Pump-Hub,\" which self-inflates bike tires as you ride. (Deborah Svoboda/KQED)\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-94823\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/Joshua-tree-1.jpg\" alt=\"Joshua tree (1)\" width=\"650\" height=\"450\">\u003cbr>\nIt's been an \u003ca href=\"http://www.californiareport.org/archive/R201304190850/a\">incredible spring for Joshua trees\u003c/a> in the Mojave Desert and throughout the Southwest. The strange and gangly desert forest is in the last stages of an unusually rich and widespread bloom. (Caitlin Esch/KQED)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-94824\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/5th-street.jpg\" alt=\"5th street\" width=\"650\" height=\"450\">\u003cbr>\nResidents of a small artists community on the Oakland waterfront, near Jack London Square, are pondering what their future holds as the city moves ahead with a massive new development in their backyard. Robert Schultz collects art and has lived in the 5th Street community for about 34 years. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-94827\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/PhotoWeek130419tattoo.jpg\" alt=\"PhotoWeek130419tattoo\" width=\"640\" height=\"450\">\u003cbr>\nAzucena Campos sits through her twelfth laser tattoo removal session at Valley Medical Specialty Center in San Jose. The city-run Clean Slate program has provided \u003ca href=\"http://peninsulapress.com/2013/04/16/san-jose-tattoo-removal-program-helps-give-troubled-teens-a-fresh-start/\">free tattoo removal \u003c/a>for San Jose youth since 1994, provided they complete life skill classes and community service, as well as meet other criteria. (Julia Reis/ \u003ca href=\"http://peninsulapress.com/\">Peninsula Press\u003c/a>)\u003cbr>\n\u003c!--more-->\u003cbr>\n\u003cimg class=\"aligncenter size-full wp-image-94828\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/PhotoWeek130419KaylaMoore.jpg\" alt=\"PhotoWeek130419KaylaMoore\" width=\"640\" height=\"450\">\u003cbr>\nFriends and family of Kayla Moore held a remembrance on April 17 in downtown Berkeley. Moore is the 41-year-old mentally ill transgender person who died Feb. 12 while in custody of Berkeley Police. Carl Butler, Jimmy Phady and Arthur Moore (from left to right) were among those who marched to the police station to pressure police to release information about the death. (Alex Emslie/KQED)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"aligncenter size-full wp-image-94823\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/Joshua-tree-1.jpg\" alt=\"Joshua tree (1)\" width=\"650\" height=\"450\">\u003cbr>\nIt's been an \u003ca href=\"http://www.californiareport.org/archive/R201304190850/a\">incredible spring for Joshua trees\u003c/a> in the Mojave Desert and throughout the Southwest. The strange and gangly desert forest is in the last stages of an unusually rich and widespread bloom. (Caitlin Esch/KQED)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-94824\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/5th-street.jpg\" alt=\"5th street\" width=\"650\" height=\"450\">\u003cbr>\nResidents of a small artists community on the Oakland waterfront, near Jack London Square, are pondering what their future holds as the city moves ahead with a massive new development in their backyard. Robert Schultz collects art and has lived in the 5th Street community for about 34 years. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-94827\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/PhotoWeek130419tattoo.jpg\" alt=\"PhotoWeek130419tattoo\" width=\"640\" height=\"450\">\u003cbr>\nAzucena Campos sits through her twelfth laser tattoo removal session at Valley Medical Specialty Center in San Jose. The city-run Clean Slate program has provided \u003ca href=\"http://peninsulapress.com/2013/04/16/san-jose-tattoo-removal-program-helps-give-troubled-teens-a-fresh-start/\">free tattoo removal \u003c/a>for San Jose youth since 1994, provided they complete life skill classes and community service, as well as meet other criteria. (Julia Reis/ \u003ca href=\"http://peninsulapress.com/\">Peninsula Press\u003c/a>)\u003cbr>\n\u003c!--more-->\u003cbr>\n\u003cimg class=\"aligncenter size-full wp-image-94828\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/PhotoWeek130419KaylaMoore.jpg\" alt=\"PhotoWeek130419KaylaMoore\" width=\"640\" height=\"450\">\u003cbr>\nFriends and family of Kayla Moore held a remembrance on April 17 in downtown Berkeley. Moore is the 41-year-old mentally ill transgender person who died Feb. 12 while in custody of Berkeley Police. Carl Butler, Jimmy Phady and Arthur Moore (from left to right) were among those who marched to the police station to pressure police to release information about the death. (Alex Emslie/KQED)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Three Things to Know About the New Exploratorium",
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"content": "\u003cp>The Exploratorium is opening on Wednesday at Pier 15. The new \u003ca href=\"http://science.kqed.org/quest/audio/san-franciscos-exploratorium-is-moving-growing-and-evolving/\">$300 million location\u003c/a>, a restored pier, is three times the size of the old one, and it's a state-of-the-art green building, outfitted with solar panels and a heating and cooling system that uses water from San Francisco Bay.\u003c/p>\n\u003cp>So what should you know before you visit?\u003c/p>\n\u003cp>\u003cstrong>Well, first of all, you might want to \u003ca href=\"http://www.exploratorium.edu/visit/tickets\">buy tickets\u003c/a> in advance.\u003c/strong>\u003cbr>\nThe museum opens its doors at 10 a.m., and pre-sale tickets are already selling out (although on opening day the museum staff will be doing science demos for people standing in line to get in.)\u003c/p>\n\u003cp>On the other hand, you don't \u003cem>have\u003c/em> to buy tickets to experience the Exploratorium. There are \u003ca href=\"http://www.exploratorium.edu/visit/outdoor-gallery\">outdoor exhibits\u003c/a> on the pier that are free and open to the public.\u003c/p>\n\u003cp>\u003cstrong>There's a lot of new stuff. And familiar favorites.\u003c/strong>\u003cbr>\nThe Exploratorium is taking advantage of its new location on the Bay. One gallery, called the \u003ca href=\"http://www.exploratorium.edu/visit/bay-observatory-gallery\">Bay Observatory\u003c/a>, is full of exhibits about the tides, weather, water and air -- you get the picture. The Exploratorium is working with partners such as the National Oceanic and Atmospheric Administration to collect data and share the results with scientists and, of course, museum visitors. Another new gallery focuses on \u003ca href=\"http://www.exploratorium.edu/visit/west-gallery\">human behavior and social interaction\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But don't worry, the tornado and the zebra fish are still there. And there's a new tactile dome to explore.\u003c/p>\n\u003cp>\u003cstrong>It's still the Exploratorium.\u003c/strong>\u003cbr>\nThe machine shop, where museum staff tinker with new exhibits, is still in the center of the space. \"Even in this move, we will never be complete, we will never be finished,\" Exploratorium Executive Director Dennis Bartels said on \u003ca href=\"http://www.kqed.org/a/forum/R201304161000\">KQED's \u003cem>Forum\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Exhibits director Tom Rockwell told me there was never any plan to lose the experimental, warehouse-y feel of the old space.\u003c/p>\n\u003cp>\"One of the key jobs has been not to lose the funkiness,\" he said. \"Inventors don't worry so much about whether the cabinetry all looks perfect. We actually care about leaving the footprints of the maker. It keeps the focus on what really matters, which is the process of investigation.\"\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/news/2013/04/16/three-things-to-know-about-the-new-exploratorium/visualizingbay2/\" rel=\"attachment wp-att-94495\">\u003cimg class=\"size-large wp-image-94495 aligncenter\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/VisualizingBay2-1024x715.jpg\" alt=\"Exploratorium scientific content developer Sebastian Martin and an interactive map of the Bay Area in the Bay Observatory. \" width=\"640\" height=\"446\">\u003c/a>\u003c/p>\n\u003cp>Exploratorium scientific content developer Sebastian Martin and an interactive map of the Bay Area in the Bay Observatory. (Courtesy of the Exploratorium)\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/news/2013/04/16/three-things-to-know-about-the-new-exploratorium/exploratorium-pier-15_marc-litalien_june-2010/\" rel=\"attachment wp-att-94501\">\u003cimg class=\"aligncenter size-large wp-image-94501\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/Exploratorium-Pier-15_Marc-LItalien_June-2010-1024x885.jpg\" alt=\"Exploratorium Pier 15_Marc L'Italien_June 2010\" width=\"640\" height=\"553\">\u003c/a>\u003c/p>\n\u003cp>A sketch of Pier 15 by lead designer Marc L'Italien of architecture firm \u003ca href=\"http://www.ehdd.com/work/exploratorium-at-piers-15\">EHDD\u003c/a>. (Courtesy of Marc L'Italien)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/news/2013/04/16/three-things-to-know-about-the-new-exploratorium/eastgallery/\" rel=\"attachment wp-att-94513\">\u003cimg class=\"aligncenter size-large wp-image-94513\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/eastgallery-1024x682.jpg\" alt=\"eastgallery\" width=\"640\" height=\"426\">\u003c/a>\u003c/p>\n\u003cp>The East Gallery focuses on biology and ecology. (Courtesy of the Exploratorium)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/news/2013/04/16/three-things-to-know-about-the-new-exploratorium/new-jenny16/\" rel=\"attachment wp-att-94510\">\u003cimg class=\"aligncenter size-large wp-image-94510\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/New-Jenny16-1024x574.jpg\" alt=\"New-Jenny16\" width=\"640\" height=\"358\">\u003c/a>\u003c/p>\n\u003cp>Pier 15 used to be a commercial pier and it holds onto that character, including signs painted on the wall by previous tenants. Jenny Oh/KQED\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ciframe width=\"640\" height=\"360\" src=\"http://www.youtube.com/embed/7Wiy9QvXsAI\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\u003cbr>\n\u003ca href=\"http://www.kqed.org/tv/programs/thisweek/watch/archive/266867/c\">\u003cem>This Week in Northern California\u003c/em>\u003c/a> segment reported by PBS NewsHour correspondent Spencer Michels and produced by Monica Lam.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Exploratorium is opening on Wednesday at Pier 15. The new \u003ca href=\"http://science.kqed.org/quest/audio/san-franciscos-exploratorium-is-moving-growing-and-evolving/\">$300 million location\u003c/a>, a restored pier, is three times the size of the old one, and it's a state-of-the-art green building, outfitted with solar panels and a heating and cooling system that uses water from San Francisco Bay.\u003c/p>\n\u003cp>So what should you know before you visit?\u003c/p>\n\u003cp>\u003cstrong>Well, first of all, you might want to \u003ca href=\"http://www.exploratorium.edu/visit/tickets\">buy tickets\u003c/a> in advance.\u003c/strong>\u003cbr>\nThe museum opens its doors at 10 a.m., and pre-sale tickets are already selling out (although on opening day the museum staff will be doing science demos for people standing in line to get in.)\u003c/p>\n\u003cp>On the other hand, you don't \u003cem>have\u003c/em> to buy tickets to experience the Exploratorium. There are \u003ca href=\"http://www.exploratorium.edu/visit/outdoor-gallery\">outdoor exhibits\u003c/a> on the pier that are free and open to the public.\u003c/p>\n\u003cp>\u003cstrong>There's a lot of new stuff. And familiar favorites.\u003c/strong>\u003cbr>\nThe Exploratorium is taking advantage of its new location on the Bay. One gallery, called the \u003ca href=\"http://www.exploratorium.edu/visit/bay-observatory-gallery\">Bay Observatory\u003c/a>, is full of exhibits about the tides, weather, water and air -- you get the picture. The Exploratorium is working with partners such as the National Oceanic and Atmospheric Administration to collect data and share the results with scientists and, of course, museum visitors. Another new gallery focuses on \u003ca href=\"http://www.exploratorium.edu/visit/west-gallery\">human behavior and social interaction\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But don't worry, the tornado and the zebra fish are still there. And there's a new tactile dome to explore.\u003c/p>\n\u003cp>\u003cstrong>It's still the Exploratorium.\u003c/strong>\u003cbr>\nThe machine shop, where museum staff tinker with new exhibits, is still in the center of the space. \"Even in this move, we will never be complete, we will never be finished,\" Exploratorium Executive Director Dennis Bartels said on \u003ca href=\"http://www.kqed.org/a/forum/R201304161000\">KQED's \u003cem>Forum\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Exhibits director Tom Rockwell told me there was never any plan to lose the experimental, warehouse-y feel of the old space.\u003c/p>\n\u003cp>\"One of the key jobs has been not to lose the funkiness,\" he said. \"Inventors don't worry so much about whether the cabinetry all looks perfect. We actually care about leaving the footprints of the maker. It keeps the focus on what really matters, which is the process of investigation.\"\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/news/2013/04/16/three-things-to-know-about-the-new-exploratorium/visualizingbay2/\" rel=\"attachment wp-att-94495\">\u003cimg class=\"size-large wp-image-94495 aligncenter\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/VisualizingBay2-1024x715.jpg\" alt=\"Exploratorium scientific content developer Sebastian Martin and an interactive map of the Bay Area in the Bay Observatory. \" width=\"640\" height=\"446\">\u003c/a>\u003c/p>\n\u003cp>Exploratorium scientific content developer Sebastian Martin and an interactive map of the Bay Area in the Bay Observatory. (Courtesy of the Exploratorium)\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/news/2013/04/16/three-things-to-know-about-the-new-exploratorium/exploratorium-pier-15_marc-litalien_june-2010/\" rel=\"attachment wp-att-94501\">\u003cimg class=\"aligncenter size-large wp-image-94501\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/Exploratorium-Pier-15_Marc-LItalien_June-2010-1024x885.jpg\" alt=\"Exploratorium Pier 15_Marc L'Italien_June 2010\" width=\"640\" height=\"553\">\u003c/a>\u003c/p>\n\u003cp>A sketch of Pier 15 by lead designer Marc L'Italien of architecture firm \u003ca href=\"http://www.ehdd.com/work/exploratorium-at-piers-15\">EHDD\u003c/a>. (Courtesy of Marc L'Italien)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/news/2013/04/16/three-things-to-know-about-the-new-exploratorium/eastgallery/\" rel=\"attachment wp-att-94513\">\u003cimg class=\"aligncenter size-large wp-image-94513\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/eastgallery-1024x682.jpg\" alt=\"eastgallery\" width=\"640\" height=\"426\">\u003c/a>\u003c/p>\n\u003cp>The East Gallery focuses on biology and ecology. (Courtesy of the Exploratorium)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/news/2013/04/16/three-things-to-know-about-the-new-exploratorium/new-jenny16/\" rel=\"attachment wp-att-94510\">\u003cimg class=\"aligncenter size-large wp-image-94510\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/04/New-Jenny16-1024x574.jpg\" alt=\"New-Jenny16\" width=\"640\" height=\"358\">\u003c/a>\u003c/p>\n\u003cp>Pier 15 used to be a commercial pier and it holds onto that character, including signs painted on the wall by previous tenants. Jenny Oh/KQED\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ciframe width=\"640\" height=\"360\" src=\"http://www.youtube.com/embed/7Wiy9QvXsAI\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\u003cbr>\n\u003ca href=\"http://www.kqed.org/tv/programs/thisweek/watch/archive/266867/c\">\u003cem>This Week in Northern California\u003c/em>\u003c/a> segment reported by PBS NewsHour correspondent Spencer Michels and produced by Monica Lam.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The San Francisco Symphony strike of 2013 is officially over. \u003ca href=\"http://www.sfsymphony.org/\">Symphony management\u003c/a> and \u003ca href=\"http://www.musiciansofthesanfranciscosymphony.org/?p=2572\" target=\"_blank\">the union representing musicians\u003c/a> announced this morning a contract announced two weeks ago has been approved.\u003c/p>\n\u003cp>Besides the financial details -- the union won a 4.5 percent salary increase over the life of the 26-month agreement, but agreed to pay more for health benefits -- the most interesting provision made public today is one aimed at improving communications between the symphony administration and the 106 members of the union bargaining unit. During negotiations, the musicians accused management of failing to adequately disclose financial details of the symphony's operation.\u003c/p>\n\u003cp>In an apparent effort to establish trust, the symphony said the contract includes \"a new process for sharing information among the musicians, Board of Governors, and administration on an ongoing basis to maintain trust, respect and understanding between the members of a sustainable arts organization.\" To do that, both sides will work with an outside facilitator, the symphony said.\u003c/p>\n\u003cp>The dispute centered on pay and benefit issues. Symphony managers said the organization was running at an operating deficit in recent years and proposed a wage freeze and a trims in healthcare benefits. Musicians countered that increases from the orchestra's minimum $141,500 salary were needed to keep pace with elite U.S. symphonies and that the organization's managers had enjoyed large salary increases despite pleading poverty in negotiations.\u003c/p>\n\u003cp>The delay between the Easter Sunday announcement of an agreement to end the 18-day strike and today's approval had led to speculation that the musicians weren't thrilled with the deal their negotiators had struck. Here's \u003ca href=\"http://www.sfcv.org/article/sf-symphony-question-when-is-an-agreement-not-an-agreement\" target=\"_blank\">Janos Gereben\u003c/a> earlier this week in the San Francisco Classical Voice blog:\u003c/p>\n\u003cblockquote>\u003cp>Although a matter of speculation, the first and most obvious possible reason for the delay is if the leaders of the negotiating Players Committee are either not recommending approval of the agreement (but then why would they have agreed to the tentative agreement?) or don't have enough votes for ratification.\u003c/p>\n\u003cp>Equally speculative, a fly on the wall at the SFS Board of Governors' meeting on Thursday might have heard management negotiators recommending ratification to the board, but making it conditional on the musicians approving the agreement first.\u003c/p>\u003c/blockquote>\n\u003cp>Here are the contract details released by the union.\u003c/p>\n\u003cul>\n\u003cli>Wage freeze until Sept. 1, 2013 and a 4.5% increase over the course of the contract, with first increase beginning on Sept. 1.\u003c/li>\n\u003cli>Size of Musicians bargaining unit increased by three members over the course of the negotiation, from 103 to 106 members.\u003c/li>\n\u003cli>Musicians rejected draconian proposals to cut the pay of substitutes and extras, preserving equal pay for equal work and fighting back against the creation of a tiered work force where some workers are paid less for doing the same job.\u003c/li>\n\u003cli>Saved the medical plan that three quarters of the Musicians are enrolled in -- but Musicians must pay more out of pocket costs for the plan. The Musicians were able to reject the huge increases Management was insisting upon.\u003c/li>\n\u003cli>Tenure for concertmaster, tenure for the three new librarian members of the unit.\u003c/li>\n\u003cli>Artistic gains with improved instrument loan program and commitment from Management to encourage donors to buy fine instruments to be loaned to Musicians.\u003c/li>\n\u003cli>Musicians continue to participate in a Defined Benefit Pension Plan, but no increase in benefit. The Musicians were able to beat back proposal to change retirement age from 62 to 65.\u003c/li>\n\u003cli>Musicians agreed to minimal changes in working conditions that would have had Musicians working harder for less money.\u003c/li>\n\u003cli>Musicians showed flexibility in scheduling to try to help Management continue to build audiences, a shared interest for the organization.\u003c/li>\n\u003c/ul>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The San Francisco Symphony strike of 2013 is officially over. \u003ca href=\"http://www.sfsymphony.org/\">Symphony management\u003c/a> and \u003ca href=\"http://www.musiciansofthesanfranciscosymphony.org/?p=2572\" target=\"_blank\">the union representing musicians\u003c/a> announced this morning a contract announced two weeks ago has been approved.\u003c/p>\n\u003cp>Besides the financial details -- the union won a 4.5 percent salary increase over the life of the 26-month agreement, but agreed to pay more for health benefits -- the most interesting provision made public today is one aimed at improving communications between the symphony administration and the 106 members of the union bargaining unit. During negotiations, the musicians accused management of failing to adequately disclose financial details of the symphony's operation.\u003c/p>\n\u003cp>In an apparent effort to establish trust, the symphony said the contract includes \"a new process for sharing information among the musicians, Board of Governors, and administration on an ongoing basis to maintain trust, respect and understanding between the members of a sustainable arts organization.\" To do that, both sides will work with an outside facilitator, the symphony said.\u003c/p>\n\u003cp>The dispute centered on pay and benefit issues. Symphony managers said the organization was running at an operating deficit in recent years and proposed a wage freeze and a trims in healthcare benefits. Musicians countered that increases from the orchestra's minimum $141,500 salary were needed to keep pace with elite U.S. symphonies and that the organization's managers had enjoyed large salary increases despite pleading poverty in negotiations.\u003c/p>\n\u003cp>The delay between the Easter Sunday announcement of an agreement to end the 18-day strike and today's approval had led to speculation that the musicians weren't thrilled with the deal their negotiators had struck. Here's \u003ca href=\"http://www.sfcv.org/article/sf-symphony-question-when-is-an-agreement-not-an-agreement\" target=\"_blank\">Janos Gereben\u003c/a> earlier this week in the San Francisco Classical Voice blog:\u003c/p>\n\u003cblockquote>\u003cp>Although a matter of speculation, the first and most obvious possible reason for the delay is if the leaders of the negotiating Players Committee are either not recommending approval of the agreement (but then why would they have agreed to the tentative agreement?) or don't have enough votes for ratification.\u003c/p>\n\u003cp>Equally speculative, a fly on the wall at the SFS Board of Governors' meeting on Thursday might have heard management negotiators recommending ratification to the board, but making it conditional on the musicians approving the agreement first.\u003c/p>\u003c/blockquote>\n\u003cp>Here are the contract details released by the union.\u003c/p>\n\u003cul>\n\u003cli>Wage freeze until Sept. 1, 2013 and a 4.5% increase over the course of the contract, with first increase beginning on Sept. 1.\u003c/li>\n\u003cli>Size of Musicians bargaining unit increased by three members over the course of the negotiation, from 103 to 106 members.\u003c/li>\n\u003cli>Musicians rejected draconian proposals to cut the pay of substitutes and extras, preserving equal pay for equal work and fighting back against the creation of a tiered work force where some workers are paid less for doing the same job.\u003c/li>\n\u003cli>Saved the medical plan that three quarters of the Musicians are enrolled in -- but Musicians must pay more out of pocket costs for the plan. The Musicians were able to reject the huge increases Management was insisting upon.\u003c/li>\n\u003cli>Tenure for concertmaster, tenure for the three new librarian members of the unit.\u003c/li>\n\u003cli>Artistic gains with improved instrument loan program and commitment from Management to encourage donors to buy fine instruments to be loaned to Musicians.\u003c/li>\n\u003cli>Musicians continue to participate in a Defined Benefit Pension Plan, but no increase in benefit. The Musicians were able to beat back proposal to change retirement age from 62 to 65.\u003c/li>\n\u003cli>Musicians agreed to minimal changes in working conditions that would have had Musicians working harder for less money.\u003c/li>\n\u003cli>Musicians showed flexibility in scheduling to try to help Management continue to build audiences, a shared interest for the organization.\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Les Blank Remembered in Video Clips",
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"content": "\u003cp>Les Blank died on Sunday.\u003c/p>\n\u003cp>The 77-year-old documentary film maker blazed a mark on his genre with his quirky, offbeat and poetic vision — one that suited him for life in Berkeley where he made his home for 30 years.\u003c/p>\n\u003cp>It was there, in his home in the hills, that he died of stomach cancer, his son Harrod Blank reported.\u003c/p>\n\u003cdiv style=\"text-align: center\">\n\u003cstrong>Les Blank captured the lives and work of folk and blues musicians...\u003c/strong>\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/qUfeeXLLzjM?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\n\u003cp>\u003cstrong>but also made tributes to gap-toothed women...\u003c/strong>\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/BilnXlqQy6w?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>and garlic eaters...\u003c/strong>\u003cbr>\n\u003c!--more-->\u003ciframe src=\"http://www.youtube.com/embed/6-Kptp6u4JQ?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>and even fellow filmmaker Werner Herzog's attempt to eat a shoe.\u003c/strong>\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/CGcWTIWYDMQ?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp>All this came about when Blank decided he wasn't cracked up to become a writer, he explains in this March 13, 2012 interview on The Lip TV's BYOD:\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/Gwf1afAN-ek?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\n\u003c/p>\u003c/div>\n\u003cp>Here is The Associated Press obituary:\u003c/p>\n\u003cp>BERKELEY, Calif. (AP) — Les Blank, an acclaimed documentary maker who focused his camera on cultural corners ranging from blues music, to garlic lovers, to shoe-eating artists, died Sunday at age 77, his son said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Blank died at his home in Berkeley, Calif. nearly a year after being diagnosed with bladder cancer, Harrod Blank said.\u003c/p>\n\u003cp>Blank's 42 films earned him a lifetime achievement award from the American Film Institute.\u003c/p>\n\u003cp>\"I think he's a national treasure,\" filmmaker Taylor Hackford, president of the Directors Guild of America, told the New York Times. \"Although his films are not well known at the moment, they'll take their place\"\u003c/p>\n\u003cp>The Florida-born Blank's early documentaries focused on musicians, including 1965's \"Dizzy Gillespie\" and \"The Blues Accordin' to Lightnin' Hopkins,\" a portrait of the Texas bluesman that won Blank his first wide renown.\u003c/p>\n\u003cp>He shifted to food with documentaries like 1980's \"Garlic is as Good as 10 Mothers,\" and 2007's \"All in This Tea.\"\u003c/p>\n\u003cp>Blank was known for following his curiosity anywhere. No topic was too strange — or too ordinary. His 1987 film \"Gap-Toothed Women\" was a series of interviews on the subject spurred by an old high school crush.\u003c/p>\n\u003cp>\"If he was interested in gap-toothed women, he's going to make a film about it. If he wants to make a film about garlic because he loves to eat garlic, he's going to do it,\" said Harrod Blank, who is also a filmmaker.\u003c/p>\n\u003cp>But the subject that led to Blank's most memorable work was fellow filmmaker Werner Herzog.\u003c/p>\n\u003cp>In 1979's \"Werner Herzog Eats His Shoe,\" Blank chronicled Herzog's attempt to dine on his boot, the result of a lost bet.\u003c/p>\n\u003cp>And \"Burden of Dreams,\" Blank's 1982 behind-the-scenes view of Herzog's disastrous filming of \"Fitzcarraldo\" in the Peruvian jungle, became a classic chronicle of artistic obsession.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"If I abandon this project, I would be a man without dreams,\" Blank films Herzog saying in the film. \"I don't want to live like that,\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Les Blank died on Sunday.\u003c/p>\n\u003cp>The 77-year-old documentary film maker blazed a mark on his genre with his quirky, offbeat and poetic vision — one that suited him for life in Berkeley where he made his home for 30 years.\u003c/p>\n\u003cp>It was there, in his home in the hills, that he died of stomach cancer, his son Harrod Blank reported.\u003c/p>\n\u003cdiv style=\"text-align: center\">\n\u003cstrong>Les Blank captured the lives and work of folk and blues musicians...\u003c/strong>\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/qUfeeXLLzjM?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\n\u003cp>\u003cstrong>but also made tributes to gap-toothed women...\u003c/strong>\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/BilnXlqQy6w?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>and garlic eaters...\u003c/strong>\u003cbr>\n\u003c!--more-->\u003ciframe src=\"http://www.youtube.com/embed/6-Kptp6u4JQ?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>and even fellow filmmaker Werner Herzog's attempt to eat a shoe.\u003c/strong>\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/CGcWTIWYDMQ?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp>All this came about when Blank decided he wasn't cracked up to become a writer, he explains in this March 13, 2012 interview on The Lip TV's BYOD:\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/Gwf1afAN-ek?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\n\u003c/p>\u003c/div>\n\u003cp>Here is The Associated Press obituary:\u003c/p>\n\u003cp>BERKELEY, Calif. (AP) — Les Blank, an acclaimed documentary maker who focused his camera on cultural corners ranging from blues music, to garlic lovers, to shoe-eating artists, died Sunday at age 77, his son said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Blank died at his home in Berkeley, Calif. nearly a year after being diagnosed with bladder cancer, Harrod Blank said.\u003c/p>\n\u003cp>Blank's 42 films earned him a lifetime achievement award from the American Film Institute.\u003c/p>\n\u003cp>\"I think he's a national treasure,\" filmmaker Taylor Hackford, president of the Directors Guild of America, told the New York Times. \"Although his films are not well known at the moment, they'll take their place\"\u003c/p>\n\u003cp>The Florida-born Blank's early documentaries focused on musicians, including 1965's \"Dizzy Gillespie\" and \"The Blues Accordin' to Lightnin' Hopkins,\" a portrait of the Texas bluesman that won Blank his first wide renown.\u003c/p>\n\u003cp>He shifted to food with documentaries like 1980's \"Garlic is as Good as 10 Mothers,\" and 2007's \"All in This Tea.\"\u003c/p>\n\u003cp>Blank was known for following his curiosity anywhere. No topic was too strange — or too ordinary. His 1987 film \"Gap-Toothed Women\" was a series of interviews on the subject spurred by an old high school crush.\u003c/p>\n\u003cp>\"If he was interested in gap-toothed women, he's going to make a film about it. If he wants to make a film about garlic because he loves to eat garlic, he's going to do it,\" said Harrod Blank, who is also a filmmaker.\u003c/p>\n\u003cp>But the subject that led to Blank's most memorable work was fellow filmmaker Werner Herzog.\u003c/p>\n\u003cp>In 1979's \"Werner Herzog Eats His Shoe,\" Blank chronicled Herzog's attempt to dine on his boot, the result of a lost bet.\u003c/p>\n\u003cp>And \"Burden of Dreams,\" Blank's 1982 behind-the-scenes view of Herzog's disastrous filming of \"Fitzcarraldo\" in the Peruvian jungle, became a classic chronicle of artistic obsession.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"If I abandon this project, I would be a man without dreams,\" Blank films Herzog saying in the film. \"I don't want to live like that,\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>“We’re getting a lot of calls,” said the receptionist at Oikos University on Monday, the day before the anniversary of the horror. “But we would like to stay peaceful and quiet.”\u003c/p>\n\u003cp>On April 2, 2012, for reasons that might never be clear, a gunman shot 10 people, killing seven of them in and around the school. Police arrested One Goh, a Korean national, and said he quickly confessed to the crime.\u003c/p>\n\u003cp>Goh has pleaded not guilty, and was found incompetent to stand trial. A judge ordered him to be treated at Napa State Hospital with the goal of restoring him to sanity so he can stand trial,\u003ca href=\"http://sanfrancisco.cbslocal.com/2013/01/28/oakland-school-massacre-suspect-to-be-treated-at-napa-state-hospital/\" target=\"_blank\" rel=\"noopener\"> CBSlocal.com \u003c/a>reported.\u003c/p>\n\u003cp>Before that day, few people in Oakland — let alone the rest of the world — knew about Oikos, a Bible, nursing and music school whose student body has a high quotient of immigrants. Now it finds itself famous for events beyond its control.\u003c/p>\n\u003cp>The school held its own service for the victims the week after the massacre, recorded in this video:\u003cbr>\n[youtube http://www.youtube.com/watch?v=opkT6xEOkeU?rel=0]\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The seven who died — Tshering Bhutia, Sonam Choedon, Doris Chibuko, Grace Euhea Kim, Katleen Ping, Judith\u003c!--more--> O. Seymour and Lydia H. Sim — came from around the world. But the seminary and school of music at the school are predominantly Korean, according to Yoonsil Kae, who teaches music at a sister school in Mountain View.\u003c/p>\n\u003cp>Kae and fellow members of the San Francisco Korean Master Chorale have been planning a concert on the one-year anniversary of the shooting ever since they heard about it, she said.\u003c/p>\n\u003cp>“We are so sorry for the school and the victims,” she said.\u003c/p>\n\u003cp>The 45-member chorale will \u003ca href=\"http://www.oikosuniversity.org/\" target=\"_blank\" rel=\"noopener\">perform\u003c/a> Mozart’s Requiem at 7 p.m. at St. Paul’s Episcopal Church at 114 Montecito Ave., Oakland. The concert will feature four soloists and will be accompanied by six stringed instruments and an organ. Civic leaders from Oakland are expected.\u003c/p>\n\u003cp>They will hold a similar concert in Sacramento on April 13 at 7 p.m. at Capital Korean Presbyterian Church, 1441 Tong Rd., El Dorado Hills.\u003c/p>\n\u003cp>The incident has left a difficult legacy for the Korean-American community, reports Jay Caspian Kang, himself a Korean-American, in the\u003ca href=\"http://www.nytimes.com/2013/03/31/magazine/should-it-matter-that-the-shooter-at-oikos-university-was-korean.html?pagewanted=all&_r=0\" target=\"_blank\" rel=\"noopener\"> New York Times\u003c/a>.\u003c/p>\n\u003cblockquote>\u003cp>Nobody in Temescal’s Koreatown wanted to talk about Koreanness and One Goh. The head of the Korean Community Center of the East Bay gave me a lecture on how the subprime-mortgage crisis crippled the Korean community, and she implied that the problem with Korean rage lay in socioeconomic factors. I was politely escorted out of two separate Korean churches after I asked some members of the congregations if they had any concerns about the perceptions of the larger public. Overwhelmingly, the sentiment among the older Korean people I talked to was this: The shooting was a shameful act that would bring trouble on the community if publicized and discussed.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>Meanwhile, victims, too, are struggling to make sense of their loss, reports the \u003ca href=\"http://www.insidebayarea.com/breaking-news/ci_22908478/anniversay-oikos-shooting-massacre-oakland-evokes-painful-memories\" target=\"_blank\" rel=\"noopener\">Oakland Tribune\u003c/a>.\u003c/p>\n\u003cblockquote>\u003cp>Almost every night for the last year Wangchen Nyima has been awakened in the middle of the night by a terrible dream.\u003c/p>\n\u003cp>He sees his dead sister, Sonam Choedon, whom he often helped financially, calling out to him in her native Tibetan. “Cho-cho,” she cries out, using the Tibetan word for older brother, “Cho-cho, can I have some pocket money?”\u003c/p>\n\u003cp>Nyima is rarely able to go back to sleep after these encounters.\u003c/p>\n\u003cp>“I keep thinking, ‘Why?'” he said. “I still can’t believe that she’s gone.”\u003c/p>\u003c/blockquote>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“We’re getting a lot of calls,” said the receptionist at Oikos University on Monday, the day before the anniversary of the horror. “But we would like to stay peaceful and quiet.”\u003c/p>\n\u003cp>On April 2, 2012, for reasons that might never be clear, a gunman shot 10 people, killing seven of them in and around the school. Police arrested One Goh, a Korean national, and said he quickly confessed to the crime.\u003c/p>\n\u003cp>Goh has pleaded not guilty, and was found incompetent to stand trial. A judge ordered him to be treated at Napa State Hospital with the goal of restoring him to sanity so he can stand trial,\u003ca href=\"http://sanfrancisco.cbslocal.com/2013/01/28/oakland-school-massacre-suspect-to-be-treated-at-napa-state-hospital/\" target=\"_blank\" rel=\"noopener\"> CBSlocal.com \u003c/a>reported.\u003c/p>\n\u003cp>Before that day, few people in Oakland — let alone the rest of the world — knew about Oikos, a Bible, nursing and music school whose student body has a high quotient of immigrants. Now it finds itself famous for events beyond its control.\u003c/p>\n\u003cp>The school held its own service for the victims the week after the massacre, recorded in this video:\u003cbr>\n\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/opkT6xEOkeU?rel=0'\n title='//www.youtube.com/embed/opkT6xEOkeU?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The seven who died — Tshering Bhutia, Sonam Choedon, Doris Chibuko, Grace Euhea Kim, Katleen Ping, Judith\u003c!--more--> O. Seymour and Lydia H. Sim — came from around the world. But the seminary and school of music at the school are predominantly Korean, according to Yoonsil Kae, who teaches music at a sister school in Mountain View.\u003c/p>\n\u003cp>Kae and fellow members of the San Francisco Korean Master Chorale have been planning a concert on the one-year anniversary of the shooting ever since they heard about it, she said.\u003c/p>\n\u003cp>“We are so sorry for the school and the victims,” she said.\u003c/p>\n\u003cp>The 45-member chorale will \u003ca href=\"http://www.oikosuniversity.org/\" target=\"_blank\" rel=\"noopener\">perform\u003c/a> Mozart’s Requiem at 7 p.m. at St. Paul’s Episcopal Church at 114 Montecito Ave., Oakland. The concert will feature four soloists and will be accompanied by six stringed instruments and an organ. Civic leaders from Oakland are expected.\u003c/p>\n\u003cp>They will hold a similar concert in Sacramento on April 13 at 7 p.m. at Capital Korean Presbyterian Church, 1441 Tong Rd., El Dorado Hills.\u003c/p>\n\u003cp>The incident has left a difficult legacy for the Korean-American community, reports Jay Caspian Kang, himself a Korean-American, in the\u003ca href=\"http://www.nytimes.com/2013/03/31/magazine/should-it-matter-that-the-shooter-at-oikos-university-was-korean.html?pagewanted=all&_r=0\" target=\"_blank\" rel=\"noopener\"> New York Times\u003c/a>.\u003c/p>\n\u003cblockquote>\u003cp>Nobody in Temescal’s Koreatown wanted to talk about Koreanness and One Goh. The head of the Korean Community Center of the East Bay gave me a lecture on how the subprime-mortgage crisis crippled the Korean community, and she implied that the problem with Korean rage lay in socioeconomic factors. I was politely escorted out of two separate Korean churches after I asked some members of the congregations if they had any concerns about the perceptions of the larger public. Overwhelmingly, the sentiment among the older Korean people I talked to was this: The shooting was a shameful act that would bring trouble on the community if publicized and discussed.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>Meanwhile, victims, too, are struggling to make sense of their loss, reports the \u003ca href=\"http://www.insidebayarea.com/breaking-news/ci_22908478/anniversay-oikos-shooting-massacre-oakland-evokes-painful-memories\" target=\"_blank\" rel=\"noopener\">Oakland Tribune\u003c/a>.\u003c/p>\n\u003cblockquote>\u003cp>Almost every night for the last year Wangchen Nyima has been awakened in the middle of the night by a terrible dream.\u003c/p>\n\u003cp>He sees his dead sister, Sonam Choedon, whom he often helped financially, calling out to him in her native Tibetan. “Cho-cho,” she cries out, using the Tibetan word for older brother, “Cho-cho, can I have some pocket money?”\u003c/p>\n\u003cp>Nyima is rarely able to go back to sleep after these encounters.\u003c/p>\n\u003cp>“I keep thinking, ‘Why?'” he said. “I still can’t believe that she’s gone.”\u003c/p>\u003c/blockquote>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "How the San Francisco Symphony Musicians and Management Struck a Deal",
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"content": "\u003cp>San Francisco Symphony musicians and management were very nearly singing an \u003ca href=\"http://www.ca-in-sapporo.com/interests/beethoven.html\">\"Ode to Joy\"\u003c/a> on Monday after reaching an agreement to resume concerts.\u003c/p>\n\u003cfigure id=\"attachment_92985\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/2013/03/31/san-francisco-symphony-tentative-deal-to-end-strike/san-francisco-symphony-musicians-on-strike/\" rel=\"attachment wp-att-92985\">\u003cimg class=\"size-medium wp-image-92985\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/san-francisco-symphony-musicians-on-strike-300x200.jpg\" alt=\"San Francisco Symphony musicians marched on a picket line on March 21. (Deborah Svoboda/KQED)\" width=\"300\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">San Francisco Symphony musicians marched on a picket line on March 21. (Deborah Svoboda/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>The two parties announced Sunday they had drawn up a tentative new contract after a strike that silenced the orchestra for 2½ weeks.\u003c/p>\n\u003cp>The musicians have to ratify the proposed contract, and so does the Symphony's Board of Governors. But the musicians voted to return to the symphony hall while looking it over.\u003c/p>\n\u003cp>Both sides said their mood was jubilant as they anticipated the first post-strike music, a Tuesday morning concert for children in elementary school as part of the Symphony's \"\u003ca href=\"https://www.sfsymphony.org/Youth-Family/Music-in-SF-Public-Schools/Adventures-in-Music.aspx\">Adventures in Music\u003c/a>.\"\u003c/p>\n\u003cp>\"I will characterize it right now as a sense of celebration. We're looking forward to it very much,\" the Symphony's executive director, Brent Assink, told KQED's Paul Lancour.\u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"We're feeling positive for the future,\" David Gaudry, a violist who chairs the musicians' negotiating committee, said to KQED's Polly Stryker.\u003c/p>\n\u003cp>The committee has recommended the musicians ratify the contract, but the vote can't take place until 48 hours after musicians get corrected copies of the proposed contract, said Gaudry.\u003c/p>\n\u003cp>The strike stopped an East Coast tour and silenced several programs at Davies Symphony Hall. The musicians were angry about an offer that included wage freezes, cuts in health care benefits and pension changes. Symphony management said its musicians were already among the highest paid in the country.\u003c/p>\n\u003cp>Just a week ago, the two sides sounded pretty tense. What changed?\u003c/p>\n\u003cp>\"We found over the course of the last weekend the mood of the two parties working together seemed to take a turn for the better,\" Gaudry said. \"And it made for a more collaborative, problem-solving pair of sessions Friday and Saturday, and I think that's really what allowed us to go forward and reach an agreement.\"\u003c/p>\n\u003cp>The negotiations got a lift from a skilled mediator, he said.\u003c/p>\n\u003cp>Neither side was willing to discuss the details of the deal, but Gaudry said both sides gave ground. \"We talked a lot about medical insurance. We talked about wages. We talked about retirement security as well as some non-financial issues related to the normal day-to-day things that come up in a workplace. I would say there was fair movement on both sides.\"\u003c/p>\n\u003cp>He added that he is itching to open his viola case after days spent locked in a negotiating room or glued to a computer screen.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Symphony posted more information about \u003ca href=\"http://www.sfsymphony.org/Plan-Your-Visit/Ticketholder-Information-During-Work-Stoppage\">rescheduled concerts\u003c/a> for ticket holders.\u003cbr>\nHere's the Symphony's press release, issued about 4 p.m. Sunday:\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>SAN FRANCISCO SYMPHONY MUSICIANS AND ADMINISTRATION REACH TENTATIVE AGREEMENT FOR NEW 26-MONTH CONTRACT\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Concerts will resume Tuesday, April 2 with free performance for SF schoolchildren\u003cbr>\nAll concerts this week to go on as scheduled\u003c/em>\u003c/p>\n\u003cp>SAN FRANCISCO, March 31, 2013 – San Francisco Symphony (SFS) administration and musicians, as represented by Musicians Union of San Francisco, Local No. 6, American Federation of Musicians, have reached a tentative agreement for a new 26-month contract, subject to ratification by the full Orchestra and approval by the Board of Governors. No details of the agreement will be discussed or released until the new contract is ratified in the next several days.\u003c/p>\n\u003cp>SFS musicians will return to the stage of Davies Symphony Hall Tuesday April 2 at 11:30 am in the first of a weeklong series of free concerts for San Francisco’s elementary schoolchildren. The entire week of concerts for 1st and 2nd grade students will offer performances for more than 10,000 of San Francisco’s public elementary schoolchildren and their teachers as part of the Symphony’s Adventures in Music education program.\u003c/p>\n\u003cp>All SFS concerts scheduled this week will take place as planned: Bernard Labadie conducts the Orchestra, SFS Chorus, and guest soprano Lydia Teuscher and tenor Nicholas Phan in a program of Mozart and Handel April 4 and 5; SFS Resident Conductor Donato Cabrera leads a Music for Families concert April 6; and Orchestra musicians perform chamber music on April 7. The San Francisco Symphony’s Community of Music Makers instrumental workshop for amateur musicians will also take place as scheduled on April 7.\u003c/p>\n\u003cp>Tickets for all SF Symphony concerts are available at www.sfsymphony.org, by phone at (415) 864-6000, and at the San Francisco Symphony Box Office on Grove Street between Franklin Street and Van Ness Avenue. Patrons with tickets to cancelled or rescheduled concerts for the week of March 14-17, March 29, or March 30 may exchange them for an upcoming concert, donate their tickets, or receive a refund. The San Francisco Symphony Box Office is open between 10 a.m. and 6 p.m. Monday through Friday, from noon to 6 p.m. on Saturday, and two hours prior to concerts on Sundays.\u003c/p>\u003c/blockquote>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco Symphony musicians and management were very nearly singing an \u003ca href=\"http://www.ca-in-sapporo.com/interests/beethoven.html\">\"Ode to Joy\"\u003c/a> on Monday after reaching an agreement to resume concerts.\u003c/p>\n\u003cfigure id=\"attachment_92985\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/2013/03/31/san-francisco-symphony-tentative-deal-to-end-strike/san-francisco-symphony-musicians-on-strike/\" rel=\"attachment wp-att-92985\">\u003cimg class=\"size-medium wp-image-92985\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/san-francisco-symphony-musicians-on-strike-300x200.jpg\" alt=\"San Francisco Symphony musicians marched on a picket line on March 21. (Deborah Svoboda/KQED)\" width=\"300\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">San Francisco Symphony musicians marched on a picket line on March 21. (Deborah Svoboda/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>The two parties announced Sunday they had drawn up a tentative new contract after a strike that silenced the orchestra for 2½ weeks.\u003c/p>\n\u003cp>The musicians have to ratify the proposed contract, and so does the Symphony's Board of Governors. But the musicians voted to return to the symphony hall while looking it over.\u003c/p>\n\u003cp>Both sides said their mood was jubilant as they anticipated the first post-strike music, a Tuesday morning concert for children in elementary school as part of the Symphony's \"\u003ca href=\"https://www.sfsymphony.org/Youth-Family/Music-in-SF-Public-Schools/Adventures-in-Music.aspx\">Adventures in Music\u003c/a>.\"\u003c/p>\n\u003cp>\"I will characterize it right now as a sense of celebration. We're looking forward to it very much,\" the Symphony's executive director, Brent Assink, told KQED's Paul Lancour.\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"We're feeling positive for the future,\" David Gaudry, a violist who chairs the musicians' negotiating committee, said to KQED's Polly Stryker.\u003c/p>\n\u003cp>The committee has recommended the musicians ratify the contract, but the vote can't take place until 48 hours after musicians get corrected copies of the proposed contract, said Gaudry.\u003c/p>\n\u003cp>The strike stopped an East Coast tour and silenced several programs at Davies Symphony Hall. The musicians were angry about an offer that included wage freezes, cuts in health care benefits and pension changes. Symphony management said its musicians were already among the highest paid in the country.\u003c/p>\n\u003cp>Just a week ago, the two sides sounded pretty tense. What changed?\u003c/p>\n\u003cp>\"We found over the course of the last weekend the mood of the two parties working together seemed to take a turn for the better,\" Gaudry said. \"And it made for a more collaborative, problem-solving pair of sessions Friday and Saturday, and I think that's really what allowed us to go forward and reach an agreement.\"\u003c/p>\n\u003cp>The negotiations got a lift from a skilled mediator, he said.\u003c/p>\n\u003cp>Neither side was willing to discuss the details of the deal, but Gaudry said both sides gave ground. \"We talked a lot about medical insurance. We talked about wages. We talked about retirement security as well as some non-financial issues related to the normal day-to-day things that come up in a workplace. I would say there was fair movement on both sides.\"\u003c/p>\n\u003cp>He added that he is itching to open his viola case after days spent locked in a negotiating room or glued to a computer screen.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Symphony posted more information about \u003ca href=\"http://www.sfsymphony.org/Plan-Your-Visit/Ticketholder-Information-During-Work-Stoppage\">rescheduled concerts\u003c/a> for ticket holders.\u003cbr>\nHere's the Symphony's press release, issued about 4 p.m. Sunday:\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>SAN FRANCISCO SYMPHONY MUSICIANS AND ADMINISTRATION REACH TENTATIVE AGREEMENT FOR NEW 26-MONTH CONTRACT\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Concerts will resume Tuesday, April 2 with free performance for SF schoolchildren\u003cbr>\nAll concerts this week to go on as scheduled\u003c/em>\u003c/p>\n\u003cp>SAN FRANCISCO, March 31, 2013 – San Francisco Symphony (SFS) administration and musicians, as represented by Musicians Union of San Francisco, Local No. 6, American Federation of Musicians, have reached a tentative agreement for a new 26-month contract, subject to ratification by the full Orchestra and approval by the Board of Governors. No details of the agreement will be discussed or released until the new contract is ratified in the next several days.\u003c/p>\n\u003cp>SFS musicians will return to the stage of Davies Symphony Hall Tuesday April 2 at 11:30 am in the first of a weeklong series of free concerts for San Francisco’s elementary schoolchildren. The entire week of concerts for 1st and 2nd grade students will offer performances for more than 10,000 of San Francisco’s public elementary schoolchildren and their teachers as part of the Symphony’s Adventures in Music education program.\u003c/p>\n\u003cp>All SFS concerts scheduled this week will take place as planned: Bernard Labadie conducts the Orchestra, SFS Chorus, and guest soprano Lydia Teuscher and tenor Nicholas Phan in a program of Mozart and Handel April 4 and 5; SFS Resident Conductor Donato Cabrera leads a Music for Families concert April 6; and Orchestra musicians perform chamber music on April 7. The San Francisco Symphony’s Community of Music Makers instrumental workshop for amateur musicians will also take place as scheduled on April 7.\u003c/p>\n\u003cp>Tickets for all SF Symphony concerts are available at www.sfsymphony.org, by phone at (415) 864-6000, and at the San Francisco Symphony Box Office on Grove Street between Franklin Street and Van Ness Avenue. Patrons with tickets to cancelled or rescheduled concerts for the week of March 14-17, March 29, or March 30 may exchange them for an upcoming concert, donate their tickets, or receive a refund. The San Francisco Symphony Box Office is open between 10 a.m. and 6 p.m. Monday through Friday, from noon to 6 p.m. on Saturday, and two hours prior to concerts on Sundays.\u003c/p>\u003c/blockquote>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_92908\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/2013/03/29/negotiations-resume-with-striking-san-francisco-symphony-musicians/striking-symphony-musician-2/\" rel=\"attachment wp-att-92908\">\u003cimg class=\"size-medium wp-image-92908 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/striking-symphony-musician1-300x200.jpg\" alt=\"striking symphony musician\" width=\"300\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Musicians Adam Luftman (left) of the San Francisco Opera and Bruce Roberts of the San Francisco Symphony joined a picket line at Louise M. Davies Symphony Hall on March 21. (Deborah Svoboda)\u003c/figcaption>\u003c/figure>\n\u003cp>Management is meeting once again with striking San Francisco Symphony musicians, the Symphony announced on Friday.\u003c/p>\n\u003cp>Negotiations resumed this morning and are expected to continue all weekend with help from a federal mediator.\u003c/p>\n\u003cp>\"We’re hopeful we can continue to work hard toward a solution and have our very talented and gifted musicians back on stage at Davies Hall very, very soon,\" said Oliver Theil, who directs communications for the Symphony.\u003c/p>\n\u003cp>The musicians walked off the job three weeks ago, in protest over a contract offer with a 1 percent raise over the next 16 months. The strike has forced the Symphony to cancel local concerts and an East Coast tour.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"disqusTitle": "News Pix: Alcatraz's Glowing Millipedes, Devil's Slide Construction and SF Symphony Strike",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/news/?attachment_id=92140\" rel=\"attachment wp-att-92140\">\u003cimg class=\"aligncenter size-full wp-image-92140\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/alcatraz-millipede.jpg\" alt=\"alcatraz-millipede\" width=\"640\" height=\"450\">\u003c/a>More than a million visitors visit Alcatraz every year, but a recent discovery has revealed another attraction that lives within the shadows of this historic prison. A recent search for rats on the island turned up \u003ca href=\"http://science.kqed.org/quest/2012/03/14/millipede-mystery-a-new-fluorescent-subspecies-on-alcatraz/\" target=\"_blank\">millipedes glowing intensely white\u003c/a> instead. UC Davis entomologists are hard at work determining whether the millipedes are a known subspecies of Xystocheir dissecta the species commonly found around San Francisco Bay.(Jenny Oh/KQED)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/?attachment_id=92141\" rel=\"attachment wp-att-92141\">\u003cimg class=\"aligncenter size-full wp-image-92141\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/devilsslide.jpg\" alt=\"devilsslide\" width=\"640\" height=\"450\">\u003c/a>\u003c/p>\n\u003cp>On March 25, almost eight years after breaking ground, Caltrans expects to open the \u003ca href=\"http://science.kqed.org/quest/2010/10/11/the-turns-and-twists-of-devils-slide/\" target=\"_blank\">Devil's Slide tunnel\u003c/a> that will link Pacifica and Montara. Devil's Slide will be the longest road tunnel in California at 4,342 feet northbound and 4,585 feet southbound. At the northern end, a 1,000-foot bridge will connect the tunnel to the valley at Shamrock Ranch. (Jenny Oh/KQED)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/?attachment_id=92142\" rel=\"attachment wp-att-92142\">\u003cimg class=\"aligncenter size-full wp-image-92142\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/symphony.jpg\" alt=\"symphony\" width=\"640\" height=\"450\">\u003c/a>\u003c/p>\n\u003cp>Adam Luftman, (left) plays the first trumpet for the Opera, and Bruce Roberts, (right) plays the horn in the SF Symphony. Both men performed during a protest to ask for SF Symphony musician wage increases at Davies Hall on Thursday, March 21. The SF Symphony has been \u003ca href=\"Adam%20Luftman,%20(left)%20plays%20the%20first%20trumpet%20for%20the%20Opera,%20and%20Bruce%20Roberts,%20(right)%20plays%20the%20horn%20in%20the%20SF%20Symphony.%20Both%20men%20performed%20during%20a%20protest%20to%20ask%20for%20SF%20Symphony%20musician%20wage%20increases%20at%20Davies%20Hall%20on%20Thursday,%20March%2021.%20The%20SF%20Symphony%20has%20been%20on%20strike%20for%20more%20than%20a%20week.%20(Deborah%20Svoboda/KQED)\" target=\"_blank\">on strike\u003c/a> for more than a week. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/?attachment_id=92143\" rel=\"attachment wp-att-92143\">\u003c!--more-->\u003cimg class=\"aligncenter size-full wp-image-92143\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/valero.jpg\" alt=\"valero\" width=\"640\" height=\"450\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>California's air quality chief found \u003ca href=\"http://ww2.kqed.org/news/2013/03/21/air-quality-chief-sees-valero-reversal-as-vindication-of-climate-law/\" target=\"_blank\">a victory of sorts\u003c/a> in this week's decision by Texas-based Valero Energy to keep two California refineries. \"This Texas-based oil company that thought you couldn't do business in the state of California is now deciding that they can stay here, and that they can make money and comply with our rules, I think is a hopeful sign,\" said Mary D. Nichols, chair of the California Air Resources Board. Valero's Benicia refinery can process 170,000 barrels or crude oil per day. (Craig Miller/KQED)\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/news/?attachment_id=92140\" rel=\"attachment wp-att-92140\">\u003cimg class=\"aligncenter size-full wp-image-92140\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/alcatraz-millipede.jpg\" alt=\"alcatraz-millipede\" width=\"640\" height=\"450\">\u003c/a>More than a million visitors visit Alcatraz every year, but a recent discovery has revealed another attraction that lives within the shadows of this historic prison. A recent search for rats on the island turned up \u003ca href=\"http://science.kqed.org/quest/2012/03/14/millipede-mystery-a-new-fluorescent-subspecies-on-alcatraz/\" target=\"_blank\">millipedes glowing intensely white\u003c/a> instead. UC Davis entomologists are hard at work determining whether the millipedes are a known subspecies of Xystocheir dissecta the species commonly found around San Francisco Bay.(Jenny Oh/KQED)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/?attachment_id=92141\" rel=\"attachment wp-att-92141\">\u003cimg class=\"aligncenter size-full wp-image-92141\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/devilsslide.jpg\" alt=\"devilsslide\" width=\"640\" height=\"450\">\u003c/a>\u003c/p>\n\u003cp>On March 25, almost eight years after breaking ground, Caltrans expects to open the \u003ca href=\"http://science.kqed.org/quest/2010/10/11/the-turns-and-twists-of-devils-slide/\" target=\"_blank\">Devil's Slide tunnel\u003c/a> that will link Pacifica and Montara. Devil's Slide will be the longest road tunnel in California at 4,342 feet northbound and 4,585 feet southbound. At the northern end, a 1,000-foot bridge will connect the tunnel to the valley at Shamrock Ranch. (Jenny Oh/KQED)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/?attachment_id=92142\" rel=\"attachment wp-att-92142\">\u003cimg class=\"aligncenter size-full wp-image-92142\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/symphony.jpg\" alt=\"symphony\" width=\"640\" height=\"450\">\u003c/a>\u003c/p>\n\u003cp>Adam Luftman, (left) plays the first trumpet for the Opera, and Bruce Roberts, (right) plays the horn in the SF Symphony. Both men performed during a protest to ask for SF Symphony musician wage increases at Davies Hall on Thursday, March 21. The SF Symphony has been \u003ca href=\"Adam%20Luftman,%20(left)%20plays%20the%20first%20trumpet%20for%20the%20Opera,%20and%20Bruce%20Roberts,%20(right)%20plays%20the%20horn%20in%20the%20SF%20Symphony.%20Both%20men%20performed%20during%20a%20protest%20to%20ask%20for%20SF%20Symphony%20musician%20wage%20increases%20at%20Davies%20Hall%20on%20Thursday,%20March%2021.%20The%20SF%20Symphony%20has%20been%20on%20strike%20for%20more%20than%20a%20week.%20(Deborah%20Svoboda/KQED)\" target=\"_blank\">on strike\u003c/a> for more than a week. (Deborah Svoboda/KQED)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/?attachment_id=92143\" rel=\"attachment wp-att-92143\">\u003c!--more-->\u003cimg class=\"aligncenter size-full wp-image-92143\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/valero.jpg\" alt=\"valero\" width=\"640\" height=\"450\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>California's air quality chief found \u003ca href=\"http://ww2.kqed.org/news/2013/03/21/air-quality-chief-sees-valero-reversal-as-vindication-of-climate-law/\" target=\"_blank\">a victory of sorts\u003c/a> in this week's decision by Texas-based Valero Energy to keep two California refineries. \"This Texas-based oil company that thought you couldn't do business in the state of California is now deciding that they can stay here, and that they can make money and comply with our rules, I think is a hopeful sign,\" said Mary D. Nichols, chair of the California Air Resources Board. Valero's Benicia refinery can process 170,000 barrels or crude oil per day. (Craig Miller/KQED)\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>They start young in Berkeley. As part of Berkeley Repertory Theatre’s 11th annual Teen One-Acts Festival, two winning teens will premiere their plays.\u003c/p>\n\u003cfigure id=\"attachment_92212\" class=\"wp-caption alignleft\" style=\"max-width: 200px\">\u003ca href=\"http://ww2.kqed.org/news/2013/03/22/teen-plays-onstage-at-berkeley-rep/sophia-cannata-bowman-and-frances-maples/\" rel=\"attachment wp-att-92212\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-92212\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/Sophia-Cannata-Bowman-and-Frances-Maples-200x300.jpg\" alt=\"Sophia Canna-Bowman (left) and Frances Maples (Berkeley Repertory Theatre)\" width=\"200\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sophia Canna-Bowman (left) and Frances Maples (Berkeley Repertory Theatre)\u003c/figcaption>\u003c/figure>\n\u003cp>The plays will take stage at the theater’s new Osher Studio in productions directed, designed, and performed entirely by local high-school students.\u003c/p>\n\u003cp>The winners for 2013 are 17-year-old Frances Maples of Lafayette, a senior at Acalanes High School, and 18-year-old Sophia Cannata-Bowman of San Francisco, a senior at Sacred Heart Cathedral Preparatory.\u003c/p>\n\u003cp>The plays are part of the theater’s \u003ca href=\"teencouncil@berkeleyrep.org\">Teen Council\u003c/a> school that nurtures young talent.\u003c/p>\n\u003cp>Relying on the talents of 24 youth from nine local communities, this year’s plays go up at 8:00 PM on March 22 and 23 and 2:00 PM on March 24. Performances take place at Berkeley Rep’s Osher Studio in Downtown Berkeley. Tickets are only $10 for students and $15 for adults; for more information, visit berkeleyrep.org/teenoneacts.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Here are descriptions of the two plays from the Rep’s press release:\u003c!--more-->\u003c/p>\n\u003cblockquote>\u003cp>Frances Maples, who also had a winning script in 2012, returns with Orpheum, a music-infused tale of love, death, and what happens next. Isa loves Stacey, Stacey isn’t so sure… and things don’t get any easier when the Apocalypse hits and the girls find themselves separated by an incomprehensible bureaucracy. Now Isa must escape from heaven’s waiting-room if she wants to rescue her damsel in distress. But Stacey is sick of being a damsel and won’t wait around to be saved. Seventeen-year-old director Ivy Olesen of Berkeley, a senior at Berkeley High School, brings this musical love story to life… and afterlife.\u003c/p>\n\u003cp>In “Story by Leonard Watts,” Sophia Cannata-Bowman sketches a stunning portrait of the bitter beauty of small-town life. Who wouldn’t want to ditch the danger and drudgery of life in a coal-mining town for the bright lights of Hollywood? Leonard Watts not only made it out, he made it big! Now his screenplay is nominated for an Academy Award – but Hollywood endings are reserved for movies, and running from the past won’t prevent it from catching up. Sixteen-year-old Elia Chuaqui of El Cerrito, a junior at El Cerrito High School, directs this hilarious and heartbreaking play that skips across the swirl of memory.\u003c/p>\u003c/blockquote>\n\u003cp>And here are excerpts from each play.\u003c/p>\n\u003cp>\u003cstrong>From Story by Leonard Watts, by Sophia Cannata-Bowman:\u003c/strong>\u003c/p>\n\u003cblockquote>\u003cp>ASSISTANT: Leonard Watts?\u003c/p>\n\u003cp>LEONARD: Present – uh – yes?\u003c/p>\n\u003cp>ASSISTANT: Mr. Campbell will see you now.\u003c/p>\n\u003cp>\u003cem>Leonard wipes away his sweat and walks into Barry’s office. Barry blathers into his phone.\u003cbr>\n\u003c/em>\u003cbr>\nBARRY: Then repair the damn costume, Helen – it’s fabric, it’ll mend! \u003cem>(Pauses for voice on other line)\u003c/em> Oh, it’s chainmail. \u003cem>(Pause for voice)\u003c/em> Then have Salzmann forge it fresh. (Pause for voice) No, the jelly-filled … wait, the wife’s coming in, make it glazed old-fashioned. She collapsed the crafts table last time we got the jelly-filled.\u003c/p>\n\u003cp>\u003cem>Leonard coughs\u003c/em>.\u003c/p>\n\u003cp>BARRY: Listen Helen, I gotta go. I got a guy here. \u003cem>(Pause for voice)\u003c/em> No, just the writer. Yeah … yeah, talk to you later. \u003cem>(Hangs up.)\u003c/em> Leo, my man! The genius!\u003c/p>\n\u003cp>\u003cem>They shake and Leonard sits down.\u003c/em>\u003c/p>\n\u003cp>LEONARD: I’m a big fan, Mr. Campbell. Real big fan.\u003c/p>\n\u003cp>BARRY: Right, right. Take a seat, Leo.\u003c/p>\n\u003cp>LEONARD: I’m already –\u003c/p>\n\u003cp>BARRY: So I liked the script, liked it a lot. Very touching, very real.\u003c/p>\n\u003cp>LEONARD: Oh great, really great! You know, I struggled a lot to portray Rick’s insecurity, you know? And I’m glad you –\u003c/p>\n\u003cp>BARRY: Right, so I have a few notes, nothing too big.\u003c/p>\n\u003cp>LEONARD: Okay . . .\u003c/p>\n\u003cp>BARRY: First thing. Gotta shorten it. Butts get tired. Kids get fussy. Can’t have ’em walking out before the climax gets going can we? Forty pages.\u003c/p>\n\u003cp>LEONARD: Um – shorten it, sir? I’ve already cut out fifty –\u003c/p>\n\u003cp>BARRY: And air it out. More white space. And let’s talk about picking up the pace. It’s kinda slow.\u003c/p>\n\u003cp>LEONARD: Well, sir, it’s a small town –\u003c/p>\n\u003cp>BARRY: Here’s my idea. We keep the love parts, but instead of the girl’s parents being teachers, we’ll have them be undercover spies. They’ll die in a car bombing in Morocco. I really think that’ll add the “umph” we need.\u003c/p>\n\u003cp>LEONARD: Sir, Morocco? They live in a small Pennsylvania town.\u003c/p>\n\u003cp>BARRY: Lived, kid, lived. They move to Calcutta when their identity is compromised.\u003c/p>\n\u003cp>LEONARD: Um, sir –\u003c/p>\n\u003cp>BARRY: Leo. Buddy. Audiences want explosions. They want hot women. Which brings me to my next point. Jennie’s job.\u003c/p>\n\u003cp>LEONARD: I’d like to keep her a waitress –\u003c/p>\n\u003cp>BARRY: Good, good, me too! So she’ll work at Hooters – just does it to make a living. A troubled soul, wants to get out, become an actress!\u003c/p>\n\u003cp>LEONARD: Hooters?\u003c/p>\n\u003cp>BARRY: And the ending, Leo –\u003c/p>\n\u003cp>LEONARD: Leonard.\u003c/p>\n\u003cp>BARRY: The ending needs to go.\u003c/p>\u003c/blockquote>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>From Oprheum, by Frances Maples:\u003c/strong>\u003c/p>\n\u003cblockquote>\u003cp>RECEPTIONIST: Next. \u003cem>(STACEY is surprised to hear the voice.)\u003c/em> Please state your full name, date of birth, place of birth, and deepest desire.\u003c/p>\n\u003cp>STACEY: What? Why are you… You really need to know all that?\u003c/p>\n\u003cp>RECEPTIONIST: Do you know how many John Smiths we get in here? How many Maria Fernandezes? These are necessary questions for preliminary identification. If there are still multiple persons with identical answers after these five facts are recorded, then more information will be needed. Now will you please tell me your full name, date of birth, place of birth, and deepest desire, ma’am?\u003c/p>\n\u003cp>STACEY: Oh, um… okay… Stacey Grace Johnson; September third, 1994; Oakland, California, United States of America; and the last one was deepest desire, right? \u003cem>(The RECEPTIONIST nods, somewhat bored.) \u003c/em>That’s a hard question. Um…\u003c/p>\n\u003cp>RECEPTIONIST: I’ve pulled up the files, and there are six Stacey Grace Johnsons that were born at your place and time. Would you like me to read off the desires for you to identify yourself?\u003c/p>\n\u003cp>STACEY: Oh. Yeah. Sure, I guess.\u003c/p>\n\u003cp>RECEPTIONST: Okay, you either want to open up your own restaurant, to protect your family, to find happiness, to find happiness again, (Oh, that might be a problem…) to be unafraid of-\u003c/p>\n\u003cp>STACEY: That’s me, that’s me! I already know it’s me; you don’t need to read the rest.\u003c/p>\n\u003cp>RECEPTIONIST: Alright, then. Oh! Good news, Stacey Grace, you’re on the list. Please move on to the next room.\u003c/p>\n\u003cp>STACEY: Wait! Um, where-\u003c/p>\n\u003cp>RECEPTIONIST: It’s just right on through, ma’am.\u003cbr>\n(The RECEPTIONIST points)\u003c/p>\n\u003cp>STACEY: No, I mean, where am I? What happened? And I was just with, um… a friend? A really close friend of mine. Where is she?\u003c/p>\u003c/blockquote>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>They start young in Berkeley. As part of Berkeley Repertory Theatre’s 11th annual Teen One-Acts Festival, two winning teens will premiere their plays.\u003c/p>\n\u003cfigure id=\"attachment_92212\" class=\"wp-caption alignleft\" style=\"max-width: 200px\">\u003ca href=\"http://ww2.kqed.org/news/2013/03/22/teen-plays-onstage-at-berkeley-rep/sophia-cannata-bowman-and-frances-maples/\" rel=\"attachment wp-att-92212\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-92212\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/Sophia-Cannata-Bowman-and-Frances-Maples-200x300.jpg\" alt=\"Sophia Canna-Bowman (left) and Frances Maples (Berkeley Repertory Theatre)\" width=\"200\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sophia Canna-Bowman (left) and Frances Maples (Berkeley Repertory Theatre)\u003c/figcaption>\u003c/figure>\n\u003cp>The plays will take stage at the theater’s new Osher Studio in productions directed, designed, and performed entirely by local high-school students.\u003c/p>\n\u003cp>The winners for 2013 are 17-year-old Frances Maples of Lafayette, a senior at Acalanes High School, and 18-year-old Sophia Cannata-Bowman of San Francisco, a senior at Sacred Heart Cathedral Preparatory.\u003c/p>\n\u003cp>The plays are part of the theater’s \u003ca href=\"teencouncil@berkeleyrep.org\">Teen Council\u003c/a> school that nurtures young talent.\u003c/p>\n\u003cp>Relying on the talents of 24 youth from nine local communities, this year’s plays go up at 8:00 PM on March 22 and 23 and 2:00 PM on March 24. Performances take place at Berkeley Rep’s Osher Studio in Downtown Berkeley. Tickets are only $10 for students and $15 for adults; for more information, visit berkeleyrep.org/teenoneacts.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Here are descriptions of the two plays from the Rep’s press release:\u003c!--more-->\u003c/p>\n\u003cblockquote>\u003cp>Frances Maples, who also had a winning script in 2012, returns with Orpheum, a music-infused tale of love, death, and what happens next. Isa loves Stacey, Stacey isn’t so sure… and things don’t get any easier when the Apocalypse hits and the girls find themselves separated by an incomprehensible bureaucracy. Now Isa must escape from heaven’s waiting-room if she wants to rescue her damsel in distress. But Stacey is sick of being a damsel and won’t wait around to be saved. Seventeen-year-old director Ivy Olesen of Berkeley, a senior at Berkeley High School, brings this musical love story to life… and afterlife.\u003c/p>\n\u003cp>In “Story by Leonard Watts,” Sophia Cannata-Bowman sketches a stunning portrait of the bitter beauty of small-town life. Who wouldn’t want to ditch the danger and drudgery of life in a coal-mining town for the bright lights of Hollywood? Leonard Watts not only made it out, he made it big! Now his screenplay is nominated for an Academy Award – but Hollywood endings are reserved for movies, and running from the past won’t prevent it from catching up. Sixteen-year-old Elia Chuaqui of El Cerrito, a junior at El Cerrito High School, directs this hilarious and heartbreaking play that skips across the swirl of memory.\u003c/p>\u003c/blockquote>\n\u003cp>And here are excerpts from each play.\u003c/p>\n\u003cp>\u003cstrong>From Story by Leonard Watts, by Sophia Cannata-Bowman:\u003c/strong>\u003c/p>\n\u003cblockquote>\u003cp>ASSISTANT: Leonard Watts?\u003c/p>\n\u003cp>LEONARD: Present – uh – yes?\u003c/p>\n\u003cp>ASSISTANT: Mr. Campbell will see you now.\u003c/p>\n\u003cp>\u003cem>Leonard wipes away his sweat and walks into Barry’s office. Barry blathers into his phone.\u003cbr>\n\u003c/em>\u003cbr>\nBARRY: Then repair the damn costume, Helen – it’s fabric, it’ll mend! \u003cem>(Pauses for voice on other line)\u003c/em> Oh, it’s chainmail. \u003cem>(Pause for voice)\u003c/em> Then have Salzmann forge it fresh. (Pause for voice) No, the jelly-filled … wait, the wife’s coming in, make it glazed old-fashioned. She collapsed the crafts table last time we got the jelly-filled.\u003c/p>\n\u003cp>\u003cem>Leonard coughs\u003c/em>.\u003c/p>\n\u003cp>BARRY: Listen Helen, I gotta go. I got a guy here. \u003cem>(Pause for voice)\u003c/em> No, just the writer. Yeah … yeah, talk to you later. \u003cem>(Hangs up.)\u003c/em> Leo, my man! The genius!\u003c/p>\n\u003cp>\u003cem>They shake and Leonard sits down.\u003c/em>\u003c/p>\n\u003cp>LEONARD: I’m a big fan, Mr. Campbell. Real big fan.\u003c/p>\n\u003cp>BARRY: Right, right. Take a seat, Leo.\u003c/p>\n\u003cp>LEONARD: I’m already –\u003c/p>\n\u003cp>BARRY: So I liked the script, liked it a lot. Very touching, very real.\u003c/p>\n\u003cp>LEONARD: Oh great, really great! You know, I struggled a lot to portray Rick’s insecurity, you know? And I’m glad you –\u003c/p>\n\u003cp>BARRY: Right, so I have a few notes, nothing too big.\u003c/p>\n\u003cp>LEONARD: Okay . . .\u003c/p>\n\u003cp>BARRY: First thing. Gotta shorten it. Butts get tired. Kids get fussy. Can’t have ’em walking out before the climax gets going can we? Forty pages.\u003c/p>\n\u003cp>LEONARD: Um – shorten it, sir? I’ve already cut out fifty –\u003c/p>\n\u003cp>BARRY: And air it out. More white space. And let’s talk about picking up the pace. It’s kinda slow.\u003c/p>\n\u003cp>LEONARD: Well, sir, it’s a small town –\u003c/p>\n\u003cp>BARRY: Here’s my idea. We keep the love parts, but instead of the girl’s parents being teachers, we’ll have them be undercover spies. They’ll die in a car bombing in Morocco. I really think that’ll add the “umph” we need.\u003c/p>\n\u003cp>LEONARD: Sir, Morocco? They live in a small Pennsylvania town.\u003c/p>\n\u003cp>BARRY: Lived, kid, lived. They move to Calcutta when their identity is compromised.\u003c/p>\n\u003cp>LEONARD: Um, sir –\u003c/p>\n\u003cp>BARRY: Leo. Buddy. Audiences want explosions. They want hot women. Which brings me to my next point. Jennie’s job.\u003c/p>\n\u003cp>LEONARD: I’d like to keep her a waitress –\u003c/p>\n\u003cp>BARRY: Good, good, me too! So she’ll work at Hooters – just does it to make a living. A troubled soul, wants to get out, become an actress!\u003c/p>\n\u003cp>LEONARD: Hooters?\u003c/p>\n\u003cp>BARRY: And the ending, Leo –\u003c/p>\n\u003cp>LEONARD: Leonard.\u003c/p>\n\u003cp>BARRY: The ending needs to go.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>From Oprheum, by Frances Maples:\u003c/strong>\u003c/p>\n\u003cblockquote>\u003cp>RECEPTIONIST: Next. \u003cem>(STACEY is surprised to hear the voice.)\u003c/em> Please state your full name, date of birth, place of birth, and deepest desire.\u003c/p>\n\u003cp>STACEY: What? Why are you… You really need to know all that?\u003c/p>\n\u003cp>RECEPTIONIST: Do you know how many John Smiths we get in here? How many Maria Fernandezes? These are necessary questions for preliminary identification. If there are still multiple persons with identical answers after these five facts are recorded, then more information will be needed. Now will you please tell me your full name, date of birth, place of birth, and deepest desire, ma’am?\u003c/p>\n\u003cp>STACEY: Oh, um… okay… Stacey Grace Johnson; September third, 1994; Oakland, California, United States of America; and the last one was deepest desire, right? \u003cem>(The RECEPTIONIST nods, somewhat bored.) \u003c/em>That’s a hard question. Um…\u003c/p>\n\u003cp>RECEPTIONIST: I’ve pulled up the files, and there are six Stacey Grace Johnsons that were born at your place and time. Would you like me to read off the desires for you to identify yourself?\u003c/p>\n\u003cp>STACEY: Oh. Yeah. Sure, I guess.\u003c/p>\n\u003cp>RECEPTIONST: Okay, you either want to open up your own restaurant, to protect your family, to find happiness, to find happiness again, (Oh, that might be a problem…) to be unafraid of-\u003c/p>\n\u003cp>STACEY: That’s me, that’s me! I already know it’s me; you don’t need to read the rest.\u003c/p>\n\u003cp>RECEPTIONIST: Alright, then. Oh! Good news, Stacey Grace, you’re on the list. Please move on to the next room.\u003c/p>\n\u003cp>STACEY: Wait! Um, where-\u003c/p>\n\u003cp>RECEPTIONIST: It’s just right on through, ma’am.\u003cbr>\n(The RECEPTIONIST points)\u003c/p>\n\u003cp>STACEY: No, I mean, where am I? What happened? And I was just with, um… a friend? A really close friend of mine. Where is she?\u003c/p>\u003c/blockquote>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Michelle Shocked 'Damned Sorry' For San Francisco Remarks About Gays",
"title": "Michelle Shocked 'Damned Sorry' For San Francisco Remarks About Gays",
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"content": "\u003cp>Michelle Shocked's controversial statements about gays were misinterpreted, the folk singer said on Wednesday in statements to KQED and other news outlets.\u003c/p>\n\u003cp>She is not anti-gay, but was trying to explain other people's homophobia in comments during a concert on Sunday at Yoshi's San Francisco, Shocked said.\u003c/p>\n\u003cp>\"I do not, nor have I ever, said or believed that God hates homosexuals (or anyone else),\" Shocked said in the statement. \"I said that some of His followers believe that.\"\u003cbr>\n\u003cstrong>\u003cbr>\nShocked posted this video in January\u003c/strong>\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/iD_fLZD_yIk?list=UUif5Iaky1Hb7t9oaFI4yDGg\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp>The remarks prompted most of the audience to leave the concert, according to \u003ca href=\"http://ebar.com/news/article.php?sec=news&article=68602\">news reports\u003c/a>. Venues around the country \u003ca href=\"http://ww2.kqed.org/news/2013/03/19/venues-cancel-michelle-shocked-shows-after-san-francisco-remarks/\">canceled her appearances\u003c/a>.\u003c!--more-->\u003c/p>\n\u003cp>During a concert at Yoshi's San Francisco, Shocked \u003ca href=\"http://ebar.com/news/article.php?sec=news&article=68602\">reportedly\u003c/a> said, \"When they stop Prop 8 and force priests at gunpoint to marry gays, it will be the downfall of civilization and Jesus will come back.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Many fans called out their objections and others left the club. Shocked responded, \"You are going to leave here and tell people 'Michelle Shocked said God hates faggots,'\" according to multiple reports.\u003c/p>\n\u003cp>Here is the statement she sent KQED:\u003c/p>\n\u003cblockquote>\u003cp>I do not, nor have I ever, said or believed that God hates homosexuals (or anyone else). I said that some of His followers believe that. I believe intolerance comes from fear, and these folks are genuinely scared. When I said \"Twitter that Michelle Shocked says \"God hates faggots,\" I was predicting the absurd way my description of, my apology for, the intolerant would no doubt be misinterpreted. The show was all music, and the audience tweets said they enjoyed it. The commentary came about ten minutes later, in the encore.\u003c/p>\n\u003cp>And to those fans who are disappointed by what they've heard or think I said, I'm very sorry: I don't always express myself as clearly as I should. But don't believe everything you read on facebook or twitter. My view of homosexualtiy has changed not one iota. I judge not. And my statement equating repeal of Prop 8 with the coming of the End Times was neither literal nor ironic: it was a description of how some folks - not me - feel about gay marriage.\u003c/p>\n\u003cp>The show, and the rant, was spontaneous. As for those applauding my so-called stance that \"God Hates Faggots,\" I say they should be met with mercy, not hate. And I hope that what remains of my audience will meet that intolerance with understanding, even of those who might hate them.\u003c/p>\n\u003cp>Folks wonder about my sexuality, but denying being gay is like saying I never beat my husband. My sexuality is not at issue. What is being questioned is my support for the LGBT community, and that has never wavered. Music and activism have always been part of my work and my journey, which I hope and intend to continue. I'd like to say this was a publicity stunt, but I'm really not that clever, and I'm definitely not that cynical.\u003c/p>\n\u003cp>But I am damn sorry. If I could repeat the evening, I would make a clearer distinction between a set of beliefs I abhor, and my human sympathy for the folks who hold them. I say this not because I want to look better. I have no wish to hide my faults, and - clearly - I couldn't if I tried.\u003c/p>\u003c/blockquote>\n\u003cp>The \u003ca href=\"http://www.sfbg.com/noise/2013/03/18/alt-folk-singer-michelle-shocked-goes-homophobic-rant-yoshis-says-she-wont-be-back\">San Francisco Bay Guardian\u003c/a> has posted a recording from an anonymous person who said it was made at the concert. It includes the following remarks in what sounds like Shocked's voice:\u003c/p>\n\u003cp>\"I was in a prayer meeting yesterday. You gotta appreciate how scared, how scared folks on that side of the equation are. I mean, from their vantage point— and I really shouldn’t say 'their' because it’s mine— too, we are nearly at the end of time. And from our vantage point we are going to be— I think maybe Chinese water torture is going to be the means, the method. Once Prop. 8 gets instated, and once preachers are held at gun point and forced to marry the homosexuals, I’m pretty sure that that will be the signal for Jesus to come on back.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Later in the recording, in response to comments from the audience, the voice says, \"You said you wanted reality. If someone would be so gracious as to tweet out that Michelle Shocked just said from stage, 'god hates faggots...' Would you do that?\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Michelle Shocked's controversial statements about gays were misinterpreted, the folk singer said on Wednesday in statements to KQED and other news outlets.\u003c/p>\n\u003cp>She is not anti-gay, but was trying to explain other people's homophobia in comments during a concert on Sunday at Yoshi's San Francisco, Shocked said.\u003c/p>\n\u003cp>\"I do not, nor have I ever, said or believed that God hates homosexuals (or anyone else),\" Shocked said in the statement. \"I said that some of His followers believe that.\"\u003cbr>\n\u003cstrong>\u003cbr>\nShocked posted this video in January\u003c/strong>\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/iD_fLZD_yIk?list=UUif5Iaky1Hb7t9oaFI4yDGg\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp>The remarks prompted most of the audience to leave the concert, according to \u003ca href=\"http://ebar.com/news/article.php?sec=news&article=68602\">news reports\u003c/a>. Venues around the country \u003ca href=\"http://ww2.kqed.org/news/2013/03/19/venues-cancel-michelle-shocked-shows-after-san-francisco-remarks/\">canceled her appearances\u003c/a>.\u003c!--more-->\u003c/p>\n\u003cp>During a concert at Yoshi's San Francisco, Shocked \u003ca href=\"http://ebar.com/news/article.php?sec=news&article=68602\">reportedly\u003c/a> said, \"When they stop Prop 8 and force priests at gunpoint to marry gays, it will be the downfall of civilization and Jesus will come back.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Many fans called out their objections and others left the club. Shocked responded, \"You are going to leave here and tell people 'Michelle Shocked said God hates faggots,'\" according to multiple reports.\u003c/p>\n\u003cp>Here is the statement she sent KQED:\u003c/p>\n\u003cblockquote>\u003cp>I do not, nor have I ever, said or believed that God hates homosexuals (or anyone else). I said that some of His followers believe that. I believe intolerance comes from fear, and these folks are genuinely scared. When I said \"Twitter that Michelle Shocked says \"God hates faggots,\" I was predicting the absurd way my description of, my apology for, the intolerant would no doubt be misinterpreted. The show was all music, and the audience tweets said they enjoyed it. The commentary came about ten minutes later, in the encore.\u003c/p>\n\u003cp>And to those fans who are disappointed by what they've heard or think I said, I'm very sorry: I don't always express myself as clearly as I should. But don't believe everything you read on facebook or twitter. My view of homosexualtiy has changed not one iota. I judge not. And my statement equating repeal of Prop 8 with the coming of the End Times was neither literal nor ironic: it was a description of how some folks - not me - feel about gay marriage.\u003c/p>\n\u003cp>The show, and the rant, was spontaneous. As for those applauding my so-called stance that \"God Hates Faggots,\" I say they should be met with mercy, not hate. And I hope that what remains of my audience will meet that intolerance with understanding, even of those who might hate them.\u003c/p>\n\u003cp>Folks wonder about my sexuality, but denying being gay is like saying I never beat my husband. My sexuality is not at issue. What is being questioned is my support for the LGBT community, and that has never wavered. Music and activism have always been part of my work and my journey, which I hope and intend to continue. I'd like to say this was a publicity stunt, but I'm really not that clever, and I'm definitely not that cynical.\u003c/p>\n\u003cp>But I am damn sorry. If I could repeat the evening, I would make a clearer distinction between a set of beliefs I abhor, and my human sympathy for the folks who hold them. I say this not because I want to look better. I have no wish to hide my faults, and - clearly - I couldn't if I tried.\u003c/p>\u003c/blockquote>\n\u003cp>The \u003ca href=\"http://www.sfbg.com/noise/2013/03/18/alt-folk-singer-michelle-shocked-goes-homophobic-rant-yoshis-says-she-wont-be-back\">San Francisco Bay Guardian\u003c/a> has posted a recording from an anonymous person who said it was made at the concert. It includes the following remarks in what sounds like Shocked's voice:\u003c/p>\n\u003cp>\"I was in a prayer meeting yesterday. You gotta appreciate how scared, how scared folks on that side of the equation are. I mean, from their vantage point— and I really shouldn’t say 'their' because it’s mine— too, we are nearly at the end of time. And from our vantage point we are going to be— I think maybe Chinese water torture is going to be the means, the method. Once Prop. 8 gets instated, and once preachers are held at gun point and forced to marry the homosexuals, I’m pretty sure that that will be the signal for Jesus to come on back.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Later in the recording, in response to comments from the audience, the voice says, \"You said you wanted reality. If someone would be so gracious as to tweet out that Michelle Shocked just said from stage, 'god hates faggots...' Would you do that?\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>All but one of the U.S. venues on Michelle Shocked’s planned tour have canceled her appearances after anti-gay remarks were attributed to her on Sunday.\u003c/p>\n\u003cp>During a concert at Yoshi’s San Francisco, Shocked \u003ca href=\"http://ebar.com/news/article.php?sec=news&article=68602\">reportedly\u003c/a> said, “When they stop Prop 8 and force priests at gunpoint to marry gays, it will be the downfall of civilization and Jesus will come back.”\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"http://www.youtube.com/embed/Cs23y17nyYs?list=UUif5Iaky1Hb7t9oaFI4yDGg\" frameborder=\"0\" allowfullscreen>\u003c/iframe>creen>\u003c/p>\n\u003cp>Many fans called out their objections and others left the club. Shocked responded, “You are going to leave here and tell people ‘Michelle Shocked said God hates faggots,'” according to multiple reports.\u003c/p>\n\u003cp>The audience cleared out of Yoshi’s where Shocked had been performing, and management turned out the lights and cut off the mic, the \u003ca href=\"http://ebar.com/news/article.php?sec=news&article=68602\">Bay Area Reporter\u003c/a> says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>By Tuesday, all but two of the 10 venues listed as part of the Texas folk singer’s\u003ca href=\"http://www.michelleshocked.com/tour.html\"> tour\u003c/a> had posted notices on websites or Facebook pages cancelling her appearances, and a worker at one of the others, Cozmic Pizza, said by phone that her show was canceled.\u003c/p>\n\u003cp>The cancellations included these in California: March 23 at McCabe’s Concerts in Santa Monica; March 28 at Moe’s Alley in Santa Cruz; March 29 at Hopmonk Tavern in Novato; and April 24 at the Palms in Winters.\u003c/p>\n\u003cp>These shows outside of California were cancelled as well: April 25 at Alberta Rose Theatre in Portland, Ore.; April 26 at Meander’s Kitchen in Seattle, Wash.; April 27 at Cozmic Pizza in Eugene, Ore; May 3 at eTown Hall in Boulder, Colo.; May 5 at Evanston Space in Evanston, Ill. The owner of Harmony Bar in Madison, Wis., where Shocked was scheduled for May 4, could not be reached for comment. \u003c/p>\n\u003cp>Her appearance at the Telluride Bluegrass Festival remained in doubt, according to \u003ca href=\"http://www.heyreverb.com/blog/2013/03/19/michelle-shocked-at-telluride-bluegrass-festival/64504/\">Reverb\u003c/a>.\u003c/p>\n\u003cp>And \u003ca href=\"http://littleaustralia.blogspot.com/2013/03/michelle-shocked-cancellations.html\">Little Australia\u003c/a> reports that some venues in Europe are considering cancelling as well.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A \u003ca href=\"http://www.change.org/en-AU/petitions/equality-minded-performance-spaces-cancel-upcoming-michelle-shocked-concerts-after-vile-anti-gay-tirade\">petition on Change.org\u003c/a> called for cancellation of the rest of the planned tour.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>All but one of the U.S. venues on Michelle Shocked’s planned tour have canceled her appearances after anti-gay remarks were attributed to her on Sunday.\u003c/p>\n\u003cp>During a concert at Yoshi’s San Francisco, Shocked \u003ca href=\"http://ebar.com/news/article.php?sec=news&article=68602\">reportedly\u003c/a> said, “When they stop Prop 8 and force priests at gunpoint to marry gays, it will be the downfall of civilization and Jesus will come back.”\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"http://www.youtube.com/embed/Cs23y17nyYs?list=UUif5Iaky1Hb7t9oaFI4yDGg\" frameborder=\"0\" allowfullscreen>\u003c/iframe>creen>\u003c/p>\n\u003cp>Many fans called out their objections and others left the club. Shocked responded, “You are going to leave here and tell people ‘Michelle Shocked said God hates faggots,'” according to multiple reports.\u003c/p>\n\u003cp>The audience cleared out of Yoshi’s where Shocked had been performing, and management turned out the lights and cut off the mic, the \u003ca href=\"http://ebar.com/news/article.php?sec=news&article=68602\">Bay Area Reporter\u003c/a> says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>By Tuesday, all but two of the 10 venues listed as part of the Texas folk singer’s\u003ca href=\"http://www.michelleshocked.com/tour.html\"> tour\u003c/a> had posted notices on websites or Facebook pages cancelling her appearances, and a worker at one of the others, Cozmic Pizza, said by phone that her show was canceled.\u003c/p>\n\u003cp>The cancellations included these in California: March 23 at McCabe’s Concerts in Santa Monica; March 28 at Moe’s Alley in Santa Cruz; March 29 at Hopmonk Tavern in Novato; and April 24 at the Palms in Winters.\u003c/p>\n\u003cp>These shows outside of California were cancelled as well: April 25 at Alberta Rose Theatre in Portland, Ore.; April 26 at Meander’s Kitchen in Seattle, Wash.; April 27 at Cozmic Pizza in Eugene, Ore; May 3 at eTown Hall in Boulder, Colo.; May 5 at Evanston Space in Evanston, Ill. The owner of Harmony Bar in Madison, Wis., where Shocked was scheduled for May 4, could not be reached for comment. \u003c/p>\n\u003cp>Her appearance at the Telluride Bluegrass Festival remained in doubt, according to \u003ca href=\"http://www.heyreverb.com/blog/2013/03/19/michelle-shocked-at-telluride-bluegrass-festival/64504/\">Reverb\u003c/a>.\u003c/p>\n\u003cp>And \u003ca href=\"http://littleaustralia.blogspot.com/2013/03/michelle-shocked-cancellations.html\">Little Australia\u003c/a> reports that some venues in Europe are considering cancelling as well.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A \u003ca href=\"http://www.change.org/en-AU/petitions/equality-minded-performance-spaces-cancel-upcoming-michelle-shocked-concerts-after-vile-anti-gay-tirade\">petition on Change.org\u003c/a> called for cancellation of the rest of the planned tour.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/news/series/baycurious",
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"source": "kqed",
"order": 3
},
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"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
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}
},
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"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
"meta": {
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
"site": "radio",
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},
"link": "/radio/program/code-switch-life-kit",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
"title": "Fresh Air",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
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},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
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