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"content": "\u003cp>http://www.kqed.org/.stream/anon/radio/tcrmag/2013/11/20131101etcrmag.mp3\u003c/p>\n\u003cp>The music style known as rockabilly dates back to the 1950s. The blend of country and R&B predates rock & roll. It’s often thought of as a historical novelty, along with pompadour haircuts and hot rods. But the energetic, fast music is seeing a small resurgence in Southern California.\u003c/p>\n\u003cp>The label most closely associated with modern rockabilly in California is \u003ca href=\"http://www.wildrecordsusa.com/\" target=\"_blank\">Wild Records\u003c/a>, based in Altadena, a suburb of Los Angeles.\u003c/p>\n\u003cp>“We are a very unusual record label,” said Reb Kennedy, the label’s founder. “Because the people who do know us, and the fan base worldwide, they call us the Wild Family. Now, it sounds ridiculous. It sounds corny. But it actually runs that way.”\u003c/p>\n\u003cp>His musicians attest to Kennedy’s generosity. Omar Romero, head studio engineer and singer for Omar and the Stringpoppers, opened his own barber shop after Kennedy fronted him the money to get it started.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“He’s always been there for everybody, helping them out with whatever they need,” Romero said. “Whether it’s money, support in any way. Some people are like, ‘Hey Reb, I can’t pay my rent, man,’ and he’s like, ‘Ok, here’s two months rent, pay me when you can.’ Just like that.”\u003c/p>\n\u003cp>Other musicians say Kennedy has bailed them out of jail, talked them through bad breakups, and fed them when they couldn’t afford to eat. Marlene Perez, the singer for The Rhythm Shakers, said that after her car broke down, Kennedy offered to lend her his spare car for as long she needed.\u003c/p>\n\u003cp>Kennedy said the way he runs the label has a lot to do with his first career. His little sister was born with Down’s syndrome, and as a teenager he volunteered at schools for children with special needs. He received his master’s degree in early childhood education, worked as a teacher and later managed London’s most expensive kindergarten. He moved to San Francisco with the plan to open his own kindergarten. But he got derailed, becoming a successful music promoter for rockabilly legends.\u003c/p>\n\u003cp>It was on a visit to Los Angeles that he discovered the band Luis and the Wild Teens. It was the first band he signed to Wild Records.\u003c/p>\n\u003cp>“They were a ramshackle unit, not the best players, and I’m being very kind,” Kennedy said. “The enthusiasm and the energy on stage though blew me away. I’d never seen anything like it.”\u003c/p>\n\u003cp>Fans of the label and its bands flock to see the musicians perform, in venues ranging from a Mexican restaurant in Burbank located next to horse stables, to a swap meet in Santa Fe Springs. The fans wear leather jackets and rolled up jeans, imitating the fashion of the 1950s. And like the fans, most of the musicians are Hispanic. Wild Records has gained the reputation of being a “Mexican rockabilly” label. Kennedy doesn’t see it that way.\u003c/p>\n\u003cp>“I never had any intention of starting a Mexican rock ‘n’ roll label,” he said. “Oddly, what happened was, in Los Angeles, the talent pool is coming from young Hispanic guys, and girls.”\u003c/p>\n\u003cp>The Wild Records recording studio is a one-room shack in Kennedy’s backyard. There are no windows or air conditioning, and the albums are often recorded in one hot, sweaty day-long session, then mixed, mastered, and sent to the manufacturer within a week. The albums have an intense, punk edge to them.\u003c/p>\n\u003cp>“We tell the artists when we’re recording, we’re going to capture the best you have today. Not forever. Today. It only reflects on what they did that day. So that being the case, we want to get it out when it’s fresh. Fresh to the artist, fresh to us,” Kennedy said. “We want to capture the energy, we want to put it in the bottle, and then we want to release it.”\u003c/p>\n\u003cp>While there’s a strong rockabilly scene in the area, it hasn’t gotten a lot of attention from critics. A new documentary, Los Wild Ones, aims to bring it out from the underground. Meanwhile, the Wild Records bands go on tour to Europe, Japan and other parts of the world, and sell out huge venues.\u003c/p>\n\u003cp>“For a lot of them, the opportunity to travel the world and sort of show the world what’s going on here has been something that I don’t think they’d ever be able to experience without people like Reb and Wild Records,” said longtime rockabilly fan Moi Ramirez.\u003c/p>\n\u003cp>Andrew Iniguez, a 19-year-old who plays upright bass with Omar and the Stringpoppers, grew up in Santa Ana, in Orange County. He said music was a way to escape gang activity.\u003c/p>\n\u003cp>“The reason I joined a band is because, as a Mexican in an environment where we grew up with gangs and violence, we see music as a getaway,” Iniguez said.\u003c/p>\n\u003cp>Kennedy is realistic about the possibilities of mainstream success. He tells his artists not to expect to make a living in music, although he thinks some have a shot – like Gizzelle, a young addition to the label who delivers a powerful blend of gospel and soul.\u003c/p>\n\u003cp>“He’s seen me grow up on the label, and he’s seen everything I’ve been through pretty much,” Gizzelle said. “Honestly, I’d have to say I went from being this young, divorced mother, to joining Wild Records and Reb’s gotten me the opportunity to travel almost everywhere in Europe.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>By next year, Kennedy hopes to phase out CD production all together, releasing only vinyl and digital downloads. It’s a sign that Wild Records has one foot firmly in the past, and the other in the future.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“He’s always been there for everybody, helping them out with whatever they need,” Romero said. “Whether it’s money, support in any way. Some people are like, ‘Hey Reb, I can’t pay my rent, man,’ and he’s like, ‘Ok, here’s two months rent, pay me when you can.’ Just like that.”\u003c/p>\n\u003cp>Other musicians say Kennedy has bailed them out of jail, talked them through bad breakups, and fed them when they couldn’t afford to eat. Marlene Perez, the singer for The Rhythm Shakers, said that after her car broke down, Kennedy offered to lend her his spare car for as long she needed.\u003c/p>\n\u003cp>Kennedy said the way he runs the label has a lot to do with his first career. His little sister was born with Down’s syndrome, and as a teenager he volunteered at schools for children with special needs. He received his master’s degree in early childhood education, worked as a teacher and later managed London’s most expensive kindergarten. He moved to San Francisco with the plan to open his own kindergarten. But he got derailed, becoming a successful music promoter for rockabilly legends.\u003c/p>\n\u003cp>It was on a visit to Los Angeles that he discovered the band Luis and the Wild Teens. It was the first band he signed to Wild Records.\u003c/p>\n\u003cp>“They were a ramshackle unit, not the best players, and I’m being very kind,” Kennedy said. “The enthusiasm and the energy on stage though blew me away. I’d never seen anything like it.”\u003c/p>\n\u003cp>Fans of the label and its bands flock to see the musicians perform, in venues ranging from a Mexican restaurant in Burbank located next to horse stables, to a swap meet in Santa Fe Springs. The fans wear leather jackets and rolled up jeans, imitating the fashion of the 1950s. And like the fans, most of the musicians are Hispanic. Wild Records has gained the reputation of being a “Mexican rockabilly” label. Kennedy doesn’t see it that way.\u003c/p>\n\u003cp>“I never had any intention of starting a Mexican rock ‘n’ roll label,” he said. “Oddly, what happened was, in Los Angeles, the talent pool is coming from young Hispanic guys, and girls.”\u003c/p>\n\u003cp>The Wild Records recording studio is a one-room shack in Kennedy’s backyard. There are no windows or air conditioning, and the albums are often recorded in one hot, sweaty day-long session, then mixed, mastered, and sent to the manufacturer within a week. The albums have an intense, punk edge to them.\u003c/p>\n\u003cp>“We tell the artists when we’re recording, we’re going to capture the best you have today. Not forever. Today. It only reflects on what they did that day. So that being the case, we want to get it out when it’s fresh. Fresh to the artist, fresh to us,” Kennedy said. “We want to capture the energy, we want to put it in the bottle, and then we want to release it.”\u003c/p>\n\u003cp>While there’s a strong rockabilly scene in the area, it hasn’t gotten a lot of attention from critics. A new documentary, Los Wild Ones, aims to bring it out from the underground. Meanwhile, the Wild Records bands go on tour to Europe, Japan and other parts of the world, and sell out huge venues.\u003c/p>\n\u003cp>“For a lot of them, the opportunity to travel the world and sort of show the world what’s going on here has been something that I don’t think they’d ever be able to experience without people like Reb and Wild Records,” said longtime rockabilly fan Moi Ramirez.\u003c/p>\n\u003cp>Andrew Iniguez, a 19-year-old who plays upright bass with Omar and the Stringpoppers, grew up in Santa Ana, in Orange County. He said music was a way to escape gang activity.\u003c/p>\n\u003cp>“The reason I joined a band is because, as a Mexican in an environment where we grew up with gangs and violence, we see music as a getaway,” Iniguez said.\u003c/p>\n\u003cp>Kennedy is realistic about the possibilities of mainstream success. He tells his artists not to expect to make a living in music, although he thinks some have a shot – like Gizzelle, a young addition to the label who delivers a powerful blend of gospel and soul.\u003c/p>\n\u003cp>“He’s seen me grow up on the label, and he’s seen everything I’ve been through pretty much,” Gizzelle said. “Honestly, I’d have to say I went from being this young, divorced mother, to joining Wild Records and Reb’s gotten me the opportunity to travel almost everywhere in Europe.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>By next year, Kennedy hopes to phase out CD production all together, releasing only vinyl and digital downloads. It’s a sign that Wild Records has one foot firmly in the past, and the other in the future.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Short of providing free beer in economy class, we're not of the opinion that any airline can do anything to mitigate the soul-sucking experience that a trip through the air has become. On the other hand, give it up just a smidge for Burlingame-based Virgin America's new \u003ca href=\"http://youtu.be/DtyfiPIHsIg\" target=\"_blank\">preflight safety video\u003c/a>.\u003c/p>\n\u003cp>The airline says it's the \"first-ever domestic safety video set entirely to music and performed in dance,\" but we're devoting the full resources of KQED News Fix to fact-checking that claim right now.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://www.smartertravel.com/blogs/today-in-travel/10-best-airline-safety-videos.html?id=5708598\" target=\"_blank\">10 Best Airline Safety Videos\u003c/a>\u003c/aside>\n\u003cp>\"Virgin America first made waves in the safety video genre in 2007, when it became the first domestic airline to feature a cheeky in-flight safety video across its fleet,\" Virgin America said. \"The cult favorite \u003ca href=\"http://www.youtube.com/watch?v=eyygn8HFTCo#t=13\" target=\"_blank\">animated video\u003c/a> will still be featured onboard the airline’s Red in-flight entertainment platform, but the new 'VX Safety Dance' video will freshen up the rotation with a unique preflight safety experience that flyers will enjoy – and pay attention to.\"\u003c/p>\n\u003cp>Yeah ... maybe. It's sort of the \"Schoolhouse Rock\" theory of pedagogy. We'll just have to assume the FAA likes synthesized life vest instructions as much as the next regulatory body.\u003c/p>\n\u003cp>Virgin says the video was directed by Jon M. Chu, who was at the helm for \"G.I. Joe: Retaliation,\" and features dancers and singers from \"American Idol\" and \"So You Think You Can Dance.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ciframe src=\"//www.youtube.com/embed/DtyfiPIHsIg\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And if you're really into it, here's the \u003ca href=\"http://www.youtube.com/watch?v=kO8Z3Us2SlQ\" target=\"_blank\">behind-the-scenes video\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Short of providing free beer in economy class, we're not of the opinion that any airline can do anything to mitigate the soul-sucking experience that a trip through the air has become. On the other hand, give it up just a smidge for Burlingame-based Virgin America's new \u003ca href=\"http://youtu.be/DtyfiPIHsIg\" target=\"_blank\">preflight safety video\u003c/a>.\u003c/p>\n\u003cp>The airline says it's the \"first-ever domestic safety video set entirely to music and performed in dance,\" but we're devoting the full resources of KQED News Fix to fact-checking that claim right now.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://www.smartertravel.com/blogs/today-in-travel/10-best-airline-safety-videos.html?id=5708598\" target=\"_blank\">10 Best Airline Safety Videos\u003c/a>\u003c/aside>\n\u003cp>\"Virgin America first made waves in the safety video genre in 2007, when it became the first domestic airline to feature a cheeky in-flight safety video across its fleet,\" Virgin America said. \"The cult favorite \u003ca href=\"http://www.youtube.com/watch?v=eyygn8HFTCo#t=13\" target=\"_blank\">animated video\u003c/a> will still be featured onboard the airline’s Red in-flight entertainment platform, but the new 'VX Safety Dance' video will freshen up the rotation with a unique preflight safety experience that flyers will enjoy – and pay attention to.\"\u003c/p>\n\u003cp>Yeah ... maybe. It's sort of the \"Schoolhouse Rock\" theory of pedagogy. We'll just have to assume the FAA likes synthesized life vest instructions as much as the next regulatory body.\u003c/p>\n\u003cp>Virgin says the video was directed by Jon M. Chu, who was at the helm for \"G.I. Joe: Retaliation,\" and features dancers and singers from \"American Idol\" and \"So You Think You Can Dance.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-114640\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/10/PhotoWeek131011indigenous.jpg\" alt=\"PhotoWeek131011indigenous\" width=\"640\" height=\"450\">\u003cbr>\nThe 21st annual celebration of \u003ca href=\"http://www.berkeleyside.com/2013/10/07/berkeley-celebrates-21st-indigenous-peoples-day/\">Indigenous People's Day\u003c/a> took place last Saturday in Berkeley. There was exhibition dancing, a powwow, gourd dancing and an Indian market with Native American foods and arts and crafts. The event was held in Civic Center Park and the backdrop was the city’s Saturday Farmers Market. (Ted Friedman / \u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-114669\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/10/PhotoWeek131011sunset.jpg\" alt=\"PhotoWeek131011sunset\" width=\"640\" height=\"450\">\u003cbr>\nThanks to Caria Tomczykowska for sharing this stunning image of the sun setting behind the USS Hornet in Alameda. (Courtesy Caria Tomczykowska)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-114641\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/10/PhotoWeek131011foreclosure.jpg\" alt=\"PhotoWeek131011foreclosure\" width=\"640\" height=\"450\">\u003cbr>\nJose Rodriguez prepares to be kicked out of the abandoned plot he occupies in the Iron Triangle. Rodriguez is occupying one of Richmond's many \u003ca href=\"http://richmondconfidential.org/2013/10/09/zombie-foreclosures-richmonds-hidden-housing-crisis/\">foreclosed sites\u003c/a>. The bank never took ownership of the property after foreclosing on the owner. This practice allows banks to avoid liability, but it also increases blight and makes it difficult for the city to manage abandoned properties. (Joaquin Palomino / \u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-114642\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/10/PhotoWeek131011valleyhealth.jpg\" alt=\"PhotoWeek131011valleyhealth\" width=\"640\" height=\"450\">\u003cbr>\nThis week, homeless families marched 30 miles, from San Jose to Mountain View, to shine light on the widening income inequality gap in Silicon Valley. They ended the “Heal the Valley” march at the Google headquarters in Mountain View on Oct. 10, where Google employees watched the \"other Valley\" march through their usually serene campus. (Charisse Domingo / San Jose Beez)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-114643\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/10/PhotoWeek131011hunger.jpg\" alt=\"PhotoWeek131011hunger\" width=\"640\" height=\"450\">\u003cbr>\nCalifornia's San Joaquin Valley is the country's most productive farm belt: its fertile orchards and fields generate most of the nation's fresh produce and nuts. Yet for the people who work and live near these farms, \u003ca href=\"http://www.kqed.org/news/specialcoverage/hungerinthevalleyofplenty/index.jsp\">access to healthy and fresh food can be a daily struggle\u003c/a>. The Ortiz family lives in Raisin City, a speck on the map about 25 miles southeast of Fresno. Their job prospects might be better in a bigger city. But here the only work is in the fields, and it’s seasonal and often part time. Oscar Ortiz makes an average of $170 per week. Not enough, says Jessica Ortiz (above), to cover the basics. (Scott Anger / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-114644\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/10/PhotoWeek131011ceasefire.jpg\" alt=\"PhotoWeek131011ceasefire\" width=\"640\" height=\"450\">\u003cbr>\nMore than 100 people took to the streets Thursday, Oct. 3, in an effort to build community and take a \u003ca href=\"http://www.berkeleyside.com/2013/10/08/berkeley-community-turns-out-for-march-against-violence/\">stand against violence in West Berkeley\u003c/a>. Attendees at Ceasefire Walk Against Violence included community organizers, members of congregations from around the city and beyond, and local residents and officials. Several family members and friends of Berkeley’s most recent homicide victim, Anthony Medearis Jr., led part of the procession for much of the night. (Emilie Raguso / \u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-114645\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/10/PhotoWeek131011solardecatha.jpg\" alt=\"PhotoWeek131011solardecatha\" width=\"640\" height=\"450\">\u003cbr>\nNineteen college teams from around the world shipped in to Irvine and assembled models of the high-tech houses they designed. They are competing this month in a federal competition known as the “Solar Decathlon.” This is the first year the contest has been held outside of Washington, D.C. (Susan Valot / The California Report)\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-114642\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/10/PhotoWeek131011valleyhealth.jpg\" alt=\"PhotoWeek131011valleyhealth\" width=\"640\" height=\"450\">\u003cbr>\nThis week, homeless families marched 30 miles, from San Jose to Mountain View, to shine light on the widening income inequality gap in Silicon Valley. They ended the “Heal the Valley” march at the Google headquarters in Mountain View on Oct. 10, where Google employees watched the \"other Valley\" march through their usually serene campus. (Charisse Domingo / San Jose Beez)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-114643\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/10/PhotoWeek131011hunger.jpg\" alt=\"PhotoWeek131011hunger\" width=\"640\" height=\"450\">\u003cbr>\nCalifornia's San Joaquin Valley is the country's most productive farm belt: its fertile orchards and fields generate most of the nation's fresh produce and nuts. Yet for the people who work and live near these farms, \u003ca href=\"http://www.kqed.org/news/specialcoverage/hungerinthevalleyofplenty/index.jsp\">access to healthy and fresh food can be a daily struggle\u003c/a>. The Ortiz family lives in Raisin City, a speck on the map about 25 miles southeast of Fresno. Their job prospects might be better in a bigger city. But here the only work is in the fields, and it’s seasonal and often part time. Oscar Ortiz makes an average of $170 per week. Not enough, says Jessica Ortiz (above), to cover the basics. (Scott Anger / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-114644\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/10/PhotoWeek131011ceasefire.jpg\" alt=\"PhotoWeek131011ceasefire\" width=\"640\" height=\"450\">\u003cbr>\nMore than 100 people took to the streets Thursday, Oct. 3, in an effort to build community and take a \u003ca href=\"http://www.berkeleyside.com/2013/10/08/berkeley-community-turns-out-for-march-against-violence/\">stand against violence in West Berkeley\u003c/a>. Attendees at Ceasefire Walk Against Violence included community organizers, members of congregations from around the city and beyond, and local residents and officials. Several family members and friends of Berkeley’s most recent homicide victim, Anthony Medearis Jr., led part of the procession for much of the night. (Emilie Raguso / \u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-114645\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/10/PhotoWeek131011solardecatha.jpg\" alt=\"PhotoWeek131011solardecatha\" width=\"640\" height=\"450\">\u003cbr>\nNineteen college teams from around the world shipped in to Irvine and assembled models of the high-tech houses they designed. They are competing this month in a federal competition known as the “Solar Decathlon.” This is the first year the contest has been held outside of Washington, D.C. (Susan Valot / The California Report)\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_111716\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/2013/ACT_Strand_Renovation/strand-jpg/\" rel=\"attachment wp-att-111716\">\u003cimg class=\"size-full wp-image-111716\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/strand.jpg-e1380751588998.jpg\" alt=\"San Francisco officials and arts activists hope to turn the old Strand Theatre on Market Street into a performing-arts magnet. (Sara Bloomberg/KQED)\" width=\"640\" height=\"427\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">San Francisco officials and arts activists hope to turn the old Strand Theatre on Market Street into a performing-arts magnet. (Sara Bloomberg/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>The renaissance of San Francisco's mid-Market neighborhood took another step forward today, with leaders of the city's American Conservatory Theater joining city officials to break ground on a $32 million remake of a moribund movie palace that goes back to the vaudeville era.\u003c/p>\n\u003cp>ACT Artistic Director Carey Perloff said the two small theaters planned for the Strand will serve as a magnet: \"In this space, we hope to produce new work, to engage new artists, young artists, local artists, we hope to share this space with a lot of community partners here, many of whom surround us here. This is a neighborhood filled with arts.\"\u003c/p>\n\u003cp>The Strand, on Market between 7th and 8th streets, is close to another theater and a dance company, and there are plans for a new arts complex two blocks away.\u003c/p>\n\u003cp>Some arts groups are worried that tech companies moving into the neighborhood – like Twitter and Dolby Laboratories – will raise rents and kill the arts district just as it is getting started.\u003c/p>\n\u003cp>\u003c!--more-->\u003cbr>\n\u003c!--more-->\u003cbr>\nKQED's Cy Musiker \u003ca href=\"http://ww2.kqed.org/news/2013/ACT_Strand_Renovation\" target=\"_blank\">reported\u003c/a> his tour of the Strand with Perloff last month, a visit that showcased how far the old theater has fallen:\u003c/p>\n\u003cblockquote>\u003cp>Market Street at night was once ablaze with the marquees of vaudeville houses, movie theaters and dancehalls like the Gaiety, the Hub, the Odeon and the Paris.\u003c/p>\n\u003cp>\"This street used to be like the Great White Way in the '50s, lit up with theaters up and down Market Street,\" says Carey Perloff, artistic director of American Conservatory Theater in San Francisco. ...\u003c/p>\n\u003cp>\"... This was a single-screen movie theater, and then it did repertory, and then it did bingo, then it did 'Rocky Horror Show,' then it did a lot of porn,\" Perloff said. \"And then it was sealed up in 2003 by the police. And when we first walked in, it was just covered by dead birds and other things.\"\u003c/p>\n\u003cp>Inside, the theater is filled with rubble. The air is thick with plaster dust, and you can smell the mold from the groaty, old green seats.\u003c/p>\n\u003cp>Perloff points out graffiti of a hypodermic needle and the words “junkies for life” painted on the wall.\u003c/p>\u003c/blockquote>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_111716\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/2013/ACT_Strand_Renovation/strand-jpg/\" rel=\"attachment wp-att-111716\">\u003cimg class=\"size-full wp-image-111716\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/strand.jpg-e1380751588998.jpg\" alt=\"San Francisco officials and arts activists hope to turn the old Strand Theatre on Market Street into a performing-arts magnet. (Sara Bloomberg/KQED)\" width=\"640\" height=\"427\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">San Francisco officials and arts activists hope to turn the old Strand Theatre on Market Street into a performing-arts magnet. (Sara Bloomberg/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>The renaissance of San Francisco's mid-Market neighborhood took another step forward today, with leaders of the city's American Conservatory Theater joining city officials to break ground on a $32 million remake of a moribund movie palace that goes back to the vaudeville era.\u003c/p>\n\u003cp>ACT Artistic Director Carey Perloff said the two small theaters planned for the Strand will serve as a magnet: \"In this space, we hope to produce new work, to engage new artists, young artists, local artists, we hope to share this space with a lot of community partners here, many of whom surround us here. This is a neighborhood filled with arts.\"\u003c/p>\n\u003cp>The Strand, on Market between 7th and 8th streets, is close to another theater and a dance company, and there are plans for a new arts complex two blocks away.\u003c/p>\n\u003cp>Some arts groups are worried that tech companies moving into the neighborhood – like Twitter and Dolby Laboratories – will raise rents and kill the arts district just as it is getting started.\u003c/p>\n\u003cp>\u003c!--more-->\u003cbr>\n\u003c!--more-->\u003cbr>\nKQED's Cy Musiker \u003ca href=\"http://ww2.kqed.org/news/2013/ACT_Strand_Renovation\" target=\"_blank\">reported\u003c/a> his tour of the Strand with Perloff last month, a visit that showcased how far the old theater has fallen:\u003c/p>\n\u003cblockquote>\u003cp>Market Street at night was once ablaze with the marquees of vaudeville houses, movie theaters and dancehalls like the Gaiety, the Hub, the Odeon and the Paris.\u003c/p>\n\u003cp>\"This street used to be like the Great White Way in the '50s, lit up with theaters up and down Market Street,\" says Carey Perloff, artistic director of American Conservatory Theater in San Francisco. ...\u003c/p>\n\u003cp>\"... This was a single-screen movie theater, and then it did repertory, and then it did bingo, then it did 'Rocky Horror Show,' then it did a lot of porn,\" Perloff said. \"And then it was sealed up in 2003 by the police. And when we first walked in, it was just covered by dead birds and other things.\"\u003c/p>\n\u003cp>Inside, the theater is filled with rubble. The air is thick with plaster dust, and you can smell the mold from the groaty, old green seats.\u003c/p>\n\u003cp>Perloff points out graffiti of a hypodermic needle and the words “junkies for life” painted on the wall.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Already Weary of the Government Shutdown? Here's Comic Relief ",
"title": "Already Weary of the Government Shutdown? Here's Comic Relief ",
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"content": "\u003cfigure id=\"attachment_113502\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/2013/10/01/government-shutdown-humor-comic-relief/screen-shot-2013-10-01-at-9-27-36-am/\" rel=\"attachment wp-att-113502\">\u003cimg class=\"size-full wp-image-113502\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/10/Screen-Shot-2013-10-01-at-9.27.36-AM-e1380645083852.png\" alt='(Image: \"The Colbert Report\")' width=\"640\" height=\"285\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(Image: \"The Colbert Report\")\u003c/figcaption>\u003c/figure>\n\u003cp>Eight hundred thousand workers furloughed, nutrition programs for women and children \u003ca href=\"http://www.slate.com/blogs/xx_factor/2013/10/01/government_shutdown_from_wic_to_the_panda_cam_seven_ways_the_shutdown_will.html\" target=\"_blank\">threatened\u003c/a>, and \u003ca href=\"http://nationalzoo.si.edu/animals/webcams/giant-panda.cfm\" target=\"_blank\">our national panda cam blacked out\u003c/a>. To paraphrase \u003ca href=\"http://www.goodreads.com/quotes/25879-one-must-have-a-heart-of-stone-to-read-the\" target=\"_blank\">Oscar Wilde\u003c/a>, you'd have to have a heart of stone to read about our government shutdown without wanting a little comic relief.\u003c/p>\n\u003caside class=\"pullquote alignleft\">KQED Pop: \u003ca href=\"http://blogs.kqed.org/pop/2013/10/01/the-best-late-night-government-shutdownobamacare-jokes/\" target=\"_blank\">The Best Late-Night Government Shutdown/Obamacare Jokes\u003c/a>\u003c/aside>\n\u003cp>And we've got that for you, right here, thanks first to NPR's Two-Way news blog and its \u003ca href=\"http://www.npr.org/blogs/thetwo-way/2013/10/01/228154214/8-great-shutdown-pickup-lines\">8 Great 'Shutdown Pickup Lines'\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>— \"You're all the stimulus I need.\"\u003c/p>\n\u003cp>— \"I'm on furlough from the TSA. Want me to wand you?\"\u003c/p>\n\u003cp>— \"Do you work for the government? Because you shut. it. down.\"\u003c/p>\n\u003cp>— \"Where have you been sequestered all my life?\"\u003c/p>\n\u003cp>— \"Do you not carry health insurance? Because you've got 'fine' written all over you.\"\u003c/p>\n\u003cp>— \"My resolution continues ALL NIGHT.\"\u003c/p>\n\u003cp>— \"The IRS is suspending all audit activities. But I'll still check you out.\"\u003c/p>\n\u003cp>— \"The only thing nonessential about you are those pants.\"\u003c/p>\u003c/blockquote>\n\u003cp>And the best of the rest, starting with NPR's \u003ca href=\"http://www.npr.org/programs/wait-wait-dont-tell-me/\" target=\"_blank\">Wait, Wait, Don't Tell Me\u003c/a>\":\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\u003cp>Yes, but what effect will the government shutdown have on old episodes of The West Wing?\u003c/p>\n\u003cp>— waitwait (@waitwait) \u003ca href=\"https://twitter.com/waitwait/statuses/385055903994490880\">October 1, 2013\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>We also discover that NASA's pioneering Voyager 2, hurtling along near the edge of the solar system, has a little bit of an attitude about events back home:\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\u003cp>Due to government shutdown, we will not be posting or responding from this account. Farewell, humans. Sort it out yourselves.\u003c/p>\n\u003cp>— NASAVoyager2 (@NASAVoyager2) \u003ca href=\"https://twitter.com/NASAVoyager2/statuses/384887422477430784\">October 1, 2013\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>\u003c!--more-->Next: Stephen Colbert, who has kept us sane through many a political melodrama:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cobject width=\"576\" height=\"494\" classid=\"d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0\">\u003cparam name=\"src\" value=\"http://media.mtvnservices.com/mgid:cms:video:colbertnation.com:429394\">\u003cparam name=\"wmode\" value=\"window\">\u003cparam name=\"allowfullscreen\" value=\"true\">\u003cparam name=\"flashvars\" value=\"autoPlay=false\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed width=\"576\" height=\"494\" type=\"application/x-shockwave-flash\" src=\"http://media.mtvnservices.com/mgid:cms:video:colbertnation.com:429394\" wmode=\"window\" allowfullscreen=\"true\" flashvars=\"autoPlay=false\" allowscriptaccess=\"always\" bgcolor=\"#000000\">\u003c/embed>\u003c/object>\u003c/p>\n\u003cp>From \"The Daily Show,\" fake news with Jon Stewart. \u003cstrong>\u003cem>(Warning: Partisan political views are expressed here)\u003c/em>:\u003c/strong>\u003c/p>\n\u003cp>\u003cobject width=\"576\" height=\"494\" classid=\"d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0\">\u003cparam name=\"src\" value=\"http://media.mtvnservices.com/mgid:cms:video:thedailyshow.com:429383\">\u003cparam name=\"wmode\" value=\"window\">\u003cparam name=\"allowfullscreen\" value=\"true\">\u003cparam name=\"flashvars\" value=\"autoPlay=false\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed width=\"576\" height=\"494\" type=\"application/x-shockwave-flash\" src=\"http://media.mtvnservices.com/mgid:cms:video:thedailyshow.com:429383\" wmode=\"window\" allowfullscreen=\"true\" flashvars=\"autoPlay=false\" allowscriptaccess=\"always\" bgcolor=\"#000000\">\u003c/embed>\u003c/object>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And finally — not comic really, but illuminating and entertaining — CNN's Piers Morgan discusses the shutdown and the Affordable Care Act with Tea Party leader Amy Kremer:\u003c/p>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\u003cimg class=\"thumb embedly-thumbnail-small\" src=\"http://i2.cdn.turner.com/cnn/dam/assets/130930234321-congress-stop-sign-horizontal-gallery.jpg\" alt=\"\">\u003ca class=\"embedly-title\" href=\"http://piersmorgan.blogs.cnn.com/2013/10/01/tea-partys-amy-kremer-harry-reid-wants-a-shutdown-because-be-believes-its-a-political-victory-for-the-democrats/?hpt=pm_mid\">Tea Party's Amy Kremer: \"Harry Reid wants a shutdown because he believes it's a political victory for the Democrats\"\u003c/a>As the clock struck midnight in Washington, D.C., officially shutting down the American government, Piers Morgan invited Amy Kremer to offer her specific perspective on, among other things, Obamacare, the very bill that sits at the center of the debate currently holding up business in the nation's c...\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003cp>\u003cspan class=\"embedly-powered\" style=\"float: right\">\u003ca title=\"Powered by Embedly\" href=\"http://embed.ly?src=anywhere\" target=\"_blank\">\u003cimg src=\"http://static.embed.ly/images/logos/embedly-powered-small-light.png\" alt=\"Embedly Powered\">\u003c/a>\u003c/span>\u003c/p>\n\u003cdiv class=\"media-attribution\">\u003cspan>via \u003c/span>\u003ca class=\"media-attribution-link\" href=\"http://piersmorgan.blogs.cnn.com\" target=\"_blank\">Piers Morgan\u003c/a>\u003c/div>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003c/div>\n\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_113502\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/2013/10/01/government-shutdown-humor-comic-relief/screen-shot-2013-10-01-at-9-27-36-am/\" rel=\"attachment wp-att-113502\">\u003cimg class=\"size-full wp-image-113502\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/10/Screen-Shot-2013-10-01-at-9.27.36-AM-e1380645083852.png\" alt='(Image: \"The Colbert Report\")' width=\"640\" height=\"285\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(Image: \"The Colbert Report\")\u003c/figcaption>\u003c/figure>\n\u003cp>Eight hundred thousand workers furloughed, nutrition programs for women and children \u003ca href=\"http://www.slate.com/blogs/xx_factor/2013/10/01/government_shutdown_from_wic_to_the_panda_cam_seven_ways_the_shutdown_will.html\" target=\"_blank\">threatened\u003c/a>, and \u003ca href=\"http://nationalzoo.si.edu/animals/webcams/giant-panda.cfm\" target=\"_blank\">our national panda cam blacked out\u003c/a>. To paraphrase \u003ca href=\"http://www.goodreads.com/quotes/25879-one-must-have-a-heart-of-stone-to-read-the\" target=\"_blank\">Oscar Wilde\u003c/a>, you'd have to have a heart of stone to read about our government shutdown without wanting a little comic relief.\u003c/p>\n\u003caside class=\"pullquote alignleft\">KQED Pop: \u003ca href=\"http://blogs.kqed.org/pop/2013/10/01/the-best-late-night-government-shutdownobamacare-jokes/\" target=\"_blank\">The Best Late-Night Government Shutdown/Obamacare Jokes\u003c/a>\u003c/aside>\n\u003cp>And we've got that for you, right here, thanks first to NPR's Two-Way news blog and its \u003ca href=\"http://www.npr.org/blogs/thetwo-way/2013/10/01/228154214/8-great-shutdown-pickup-lines\">8 Great 'Shutdown Pickup Lines'\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>— \"You're all the stimulus I need.\"\u003c/p>\n\u003cp>— \"I'm on furlough from the TSA. Want me to wand you?\"\u003c/p>\n\u003cp>— \"Do you work for the government? Because you shut. it. down.\"\u003c/p>\n\u003cp>— \"Where have you been sequestered all my life?\"\u003c/p>\n\u003cp>— \"Do you not carry health insurance? Because you've got 'fine' written all over you.\"\u003c/p>\n\u003cp>— \"My resolution continues ALL NIGHT.\"\u003c/p>\n\u003cp>— \"The IRS is suspending all audit activities. But I'll still check you out.\"\u003c/p>\n\u003cp>— \"The only thing nonessential about you are those pants.\"\u003c/p>\u003c/blockquote>\n\u003cp>And the best of the rest, starting with NPR's \u003ca href=\"http://www.npr.org/programs/wait-wait-dont-tell-me/\" target=\"_blank\">Wait, Wait, Don't Tell Me\u003c/a>\":\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\u003cp>Yes, but what effect will the government shutdown have on old episodes of The West Wing?\u003c/p>\n\u003cp>— waitwait (@waitwait) \u003ca href=\"https://twitter.com/waitwait/statuses/385055903994490880\">October 1, 2013\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>We also discover that NASA's pioneering Voyager 2, hurtling along near the edge of the solar system, has a little bit of an attitude about events back home:\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\u003cp>Due to government shutdown, we will not be posting or responding from this account. Farewell, humans. Sort it out yourselves.\u003c/p>\n\u003cp>— NASAVoyager2 (@NASAVoyager2) \u003ca href=\"https://twitter.com/NASAVoyager2/statuses/384887422477430784\">October 1, 2013\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>\u003c!--more-->Next: Stephen Colbert, who has kept us sane through many a political melodrama:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cobject width=\"576\" height=\"494\" classid=\"d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0\">\u003cparam name=\"src\" value=\"http://media.mtvnservices.com/mgid:cms:video:colbertnation.com:429394\">\u003cparam name=\"wmode\" value=\"window\">\u003cparam name=\"allowfullscreen\" value=\"true\">\u003cparam name=\"flashvars\" value=\"autoPlay=false\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed width=\"576\" height=\"494\" type=\"application/x-shockwave-flash\" src=\"http://media.mtvnservices.com/mgid:cms:video:colbertnation.com:429394\" wmode=\"window\" allowfullscreen=\"true\" flashvars=\"autoPlay=false\" allowscriptaccess=\"always\" bgcolor=\"#000000\">\u003c/embed>\u003c/object>\u003c/p>\n\u003cp>From \"The Daily Show,\" fake news with Jon Stewart. \u003cstrong>\u003cem>(Warning: Partisan political views are expressed here)\u003c/em>:\u003c/strong>\u003c/p>\n\u003cp>\u003cobject width=\"576\" height=\"494\" classid=\"d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0\">\u003cparam name=\"src\" value=\"http://media.mtvnservices.com/mgid:cms:video:thedailyshow.com:429383\">\u003cparam name=\"wmode\" value=\"window\">\u003cparam name=\"allowfullscreen\" value=\"true\">\u003cparam name=\"flashvars\" value=\"autoPlay=false\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed width=\"576\" height=\"494\" type=\"application/x-shockwave-flash\" src=\"http://media.mtvnservices.com/mgid:cms:video:thedailyshow.com:429383\" wmode=\"window\" allowfullscreen=\"true\" flashvars=\"autoPlay=false\" allowscriptaccess=\"always\" bgcolor=\"#000000\">\u003c/embed>\u003c/object>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And finally — not comic really, but illuminating and entertaining — CNN's Piers Morgan discusses the shutdown and the Affordable Care Act with Tea Party leader Amy Kremer:\u003c/p>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\u003cimg class=\"thumb embedly-thumbnail-small\" src=\"http://i2.cdn.turner.com/cnn/dam/assets/130930234321-congress-stop-sign-horizontal-gallery.jpg\" alt=\"\">\u003ca class=\"embedly-title\" href=\"http://piersmorgan.blogs.cnn.com/2013/10/01/tea-partys-amy-kremer-harry-reid-wants-a-shutdown-because-be-believes-its-a-political-victory-for-the-democrats/?hpt=pm_mid\">Tea Party's Amy Kremer: \"Harry Reid wants a shutdown because he believes it's a political victory for the Democrats\"\u003c/a>As the clock struck midnight in Washington, D.C., officially shutting down the American government, Piers Morgan invited Amy Kremer to offer her specific perspective on, among other things, Obamacare, the very bill that sits at the center of the debate currently holding up business in the nation's c...\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003cp>\u003cspan class=\"embedly-powered\" style=\"float: right\">\u003ca title=\"Powered by Embedly\" href=\"http://embed.ly?src=anywhere\" target=\"_blank\">\u003cimg src=\"http://static.embed.ly/images/logos/embedly-powered-small-light.png\" alt=\"Embedly Powered\">\u003c/a>\u003c/span>\u003c/p>\n\u003cdiv class=\"media-attribution\">\u003cspan>via \u003c/span>\u003ca class=\"media-attribution-link\" href=\"http://piersmorgan.blogs.cnn.com\" target=\"_blank\">Piers Morgan\u003c/a>\u003c/div>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003c/div>\n\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "'Breaking Bad': Let Us Count the Ways We Miss It",
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"content": "\u003cfigure id=\"attachment_113312\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/2013/09/29/113310/breaking_bad_13406375616409/\" rel=\"attachment wp-att-113312\">\u003cimg class=\"size-full wp-image-113312\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/breaking_bad_13406375616409.jpg\" alt=\"Some of the central cast members: (L-R) Mike (Jonathan Banks), Saul Goodman (Bob Odenkirk), Jesse Pinkman (Aaron Paul), Walter White (Bryan Cranston), Marie Schrader (Betsy Brandt), Hank Schrader (Dean Norris), Skyler White (Anna Gunn) and Walter White, Jr. (RJ Mitte) (Frank Ockenfels/AMC)\" width=\"640\" height=\"361\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Some of the central cast members: (L-R) Mike (Jonathan Banks), Saul Goodman (Bob Odenkirk), Jesse Pinkman (Aaron Paul), Walter White (Bryan Cranston), Marie Schrader (Betsy Brandt), Hank Schrader (Dean Norris), Skyler White (Anna Gunn) and Walter White Jr. (RJ Mitte) (Frank Ockenfels/AMC)\u003c/figcaption>\u003c/figure>\n\u003cp>Here's a public media secret: Sometimes between episodes of Charlie Rose, \"NewsHour,\" \"Sesame Street\" and \"Masterpiece Theater,\" we sneak a look at what else is happening on television. Things like baseball, football, \"The Colbert Report\" and Fox News. It has not escaped our notice that AMC's \"\u003ca href=\"http://www.amctv.com/shows/breaking-bad\" target=\"_blank\">Breaking Bad\u003c/a>\" is wrapping up its run tonight. Along with much of the rest of the viewing audience, we have occasionally binge-watched the show to catch up so that we'd be in sync with America for tonight. (Or almost in sync. We're aware the final episode is on the air.) As we get ready to fire up the DVR, here are some of the things we'll miss as \"Breaking Bad\" completes its run: \u003cstrong>1.\u003c/strong> The weekly refresher on \u003ca href=\"http://periodic.lanl.gov/index.shtml\" target=\"_blank\">the periodic table of the elements\u003c/a>. You know -- those highlighted letters during the credits? \u003cstrong>2.\u003c/strong> Wondering whether methamphetamine could really \u003ca href=\"http://latimesblogs.latimes.com/showtracker/2009/05/breaking-bad-perfect-season-ends-with-a-falling-sky.html\" target=\"_blank\">bring down an airliner\u003c/a> \u003cstrong>3. \u003c/strong>\u003ca href=\"http://laughingsquid.com/breaking-bads-aaron-paul-blue-crystal-meth-donuts/\" target=\"_blank\">Blue crystal meth doughnuts\u003c/a>. \u003cstrong>4. \u003c/strong>\u003ca href=\"http://www.heisenberghat.com/\" target=\"_blank \">The hat\u003c/a>. \u003cstrong>5. \u003c/strong>Pondering \u003ca href=\"http://www.aip.org/history/heisenberg/p08.htm\" target=\"_blank\">Heisenberg's uncertainty principle\u003c/a> as it relates to the birth of antihero/meth chemist \u003ca href=\"http://www.savewalterwhite.com/\" target=\"_blank\">Walter White\u003c/a>. \u003cstrong>6.\u003c/strong> \u003ca href=\"http://www.itsatrip.org/albuquerque/arts/breaking-bad-in-albuquerque.aspx\" target=\"_blank\">The New Mexico locations\u003c/a>. \u003cstrong>7.\u003c/strong> The \u003ca href=\"http://www.poetryfoundation.org/article/246218\" target=\"_blank\">Walt Whitman\u003c/a> plot line. \u003cstrong>8.\u003c/strong> \u003ca href=\"http://www.nydailynews.com/autos/walter-white-pontiac-aztek-article-1.1467199\" target=\"_blank\">The ugly cars.\u003c/a> \u003cstrong>9. \u003c/strong>All those characters: Badger, Skinny Pete, Combo, Gus, Hector, Gale, Hank, Marie, Skyler, Walter Jr., Jane, Andrea, Jesse and Mike. But especially \u003ca href=\"http://www.amctv.com/shows/breaking-bad/cast/saul-goodman\" target=\"_blank\">Saul Goodman\u003c/a>, the \u003ca href=\"http://metro.co.uk/2013/09/27/breaking-bad-an-appreciation-of-saul-goodmans-sartorialism-4125752/\" target=\"_blank\">garishly dressed\u003c/a> and in his own way endlessly optimistic lawyer, his office decorated in U.S. Constitution wallpaper, who never let his clients or the audience down. \u003ca href=\"http://www.bettercallsaul.com/\" target=\"_blank\">Better call Saul\u003c/a>. \u003cstrong>10.\u003c/strong>You say you prefer spending your Sunday nights with \"Downton Abbey\"? This one's for you:\u003c/p>\n\u003cdiv style=\"overflow: hidden\">\n\u003cdiv class=\"embedly\">\u003cobject width=\"480\" height=\"360\" classid=\"d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0\">\u003cparam name=\"src\" value=\"http://media.mtvnservices.com/mgid:cms:item:comedycentral.com:422221\">\u003cparam name=\"wmode\" value=\"window\">\u003cparam name=\"allowfullscreen\" value=\"true\">\u003cparam name=\"flashvars\" value=\"autoPlay=false\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed width=\"480\" height=\"360\" type=\"application/x-shockwave-flash\" src=\"http://media.mtvnservices.com/mgid:cms:item:comedycentral.com:422221\" wmode=\"window\" allowfullscreen=\"true\" flashvars=\"autoPlay=false\" allowscriptaccess=\"always\" bgcolor=\"#000000\">\u003c/embed>\u003c/object>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003cp>\u003cspan class=\"embedly-powered\" style=\"float: right\">\u003ca title=\"Powered by Embedly\" href=\"http://embed.ly?src=anywhere\" target=\"_blank\">\u003cimg src=\"//static.embed.ly/images/logos/embedly-powered-small-light.png\" alt=\"Embedly Powered\">\u003c/a>\u003c/span>\u003c/p>\n\u003cdiv class=\"media-attribution\">\u003cspan>via \u003c/span>\u003ca class=\"media-attribution-link\" href=\"http://www.colbertnation.com/\" target=\"_blank\">Colbert Nation\u003c/a>\u003c/div>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_113312\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/2013/09/29/113310/breaking_bad_13406375616409/\" rel=\"attachment wp-att-113312\">\u003cimg class=\"size-full wp-image-113312\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/breaking_bad_13406375616409.jpg\" alt=\"Some of the central cast members: (L-R) Mike (Jonathan Banks), Saul Goodman (Bob Odenkirk), Jesse Pinkman (Aaron Paul), Walter White (Bryan Cranston), Marie Schrader (Betsy Brandt), Hank Schrader (Dean Norris), Skyler White (Anna Gunn) and Walter White, Jr. (RJ Mitte) (Frank Ockenfels/AMC)\" width=\"640\" height=\"361\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Some of the central cast members: (L-R) Mike (Jonathan Banks), Saul Goodman (Bob Odenkirk), Jesse Pinkman (Aaron Paul), Walter White (Bryan Cranston), Marie Schrader (Betsy Brandt), Hank Schrader (Dean Norris), Skyler White (Anna Gunn) and Walter White Jr. (RJ Mitte) (Frank Ockenfels/AMC)\u003c/figcaption>\u003c/figure>\n\u003cp>Here's a public media secret: Sometimes between episodes of Charlie Rose, \"NewsHour,\" \"Sesame Street\" and \"Masterpiece Theater,\" we sneak a look at what else is happening on television. Things like baseball, football, \"The Colbert Report\" and Fox News. It has not escaped our notice that AMC's \"\u003ca href=\"http://www.amctv.com/shows/breaking-bad\" target=\"_blank\">Breaking Bad\u003c/a>\" is wrapping up its run tonight. Along with much of the rest of the viewing audience, we have occasionally binge-watched the show to catch up so that we'd be in sync with America for tonight. (Or almost in sync. We're aware the final episode is on the air.) As we get ready to fire up the DVR, here are some of the things we'll miss as \"Breaking Bad\" completes its run: \u003cstrong>1.\u003c/strong> The weekly refresher on \u003ca href=\"http://periodic.lanl.gov/index.shtml\" target=\"_blank\">the periodic table of the elements\u003c/a>. You know -- those highlighted letters during the credits? \u003cstrong>2.\u003c/strong> Wondering whether methamphetamine could really \u003ca href=\"http://latimesblogs.latimes.com/showtracker/2009/05/breaking-bad-perfect-season-ends-with-a-falling-sky.html\" target=\"_blank\">bring down an airliner\u003c/a> \u003cstrong>3. \u003c/strong>\u003ca href=\"http://laughingsquid.com/breaking-bads-aaron-paul-blue-crystal-meth-donuts/\" target=\"_blank\">Blue crystal meth doughnuts\u003c/a>. \u003cstrong>4. \u003c/strong>\u003ca href=\"http://www.heisenberghat.com/\" target=\"_blank \">The hat\u003c/a>. \u003cstrong>5. \u003c/strong>Pondering \u003ca href=\"http://www.aip.org/history/heisenberg/p08.htm\" target=\"_blank\">Heisenberg's uncertainty principle\u003c/a> as it relates to the birth of antihero/meth chemist \u003ca href=\"http://www.savewalterwhite.com/\" target=\"_blank\">Walter White\u003c/a>. \u003cstrong>6.\u003c/strong> \u003ca href=\"http://www.itsatrip.org/albuquerque/arts/breaking-bad-in-albuquerque.aspx\" target=\"_blank\">The New Mexico locations\u003c/a>. \u003cstrong>7.\u003c/strong> The \u003ca href=\"http://www.poetryfoundation.org/article/246218\" target=\"_blank\">Walt Whitman\u003c/a> plot line. \u003cstrong>8.\u003c/strong> \u003ca href=\"http://www.nydailynews.com/autos/walter-white-pontiac-aztek-article-1.1467199\" target=\"_blank\">The ugly cars.\u003c/a> \u003cstrong>9. \u003c/strong>All those characters: Badger, Skinny Pete, Combo, Gus, Hector, Gale, Hank, Marie, Skyler, Walter Jr., Jane, Andrea, Jesse and Mike. But especially \u003ca href=\"http://www.amctv.com/shows/breaking-bad/cast/saul-goodman\" target=\"_blank\">Saul Goodman\u003c/a>, the \u003ca href=\"http://metro.co.uk/2013/09/27/breaking-bad-an-appreciation-of-saul-goodmans-sartorialism-4125752/\" target=\"_blank\">garishly dressed\u003c/a> and in his own way endlessly optimistic lawyer, his office decorated in U.S. Constitution wallpaper, who never let his clients or the audience down. \u003ca href=\"http://www.bettercallsaul.com/\" target=\"_blank\">Better call Saul\u003c/a>. \u003cstrong>10.\u003c/strong>You say you prefer spending your Sunday nights with \"Downton Abbey\"? 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"content": "\u003cfigure id=\"attachment_113130\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/2013/09/27/113128/Steinbeck-Grapes-of-Wrath/8131588061_c9a951ea38_z/\" rel=\"attachment wp-att-113130\">\u003cimg class=\"size-full wp-image-113130 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/8131588061_c9a951ea38_z.jpg\" alt=\"The National Steinbeck Center in Salinas. (Stephen Gough/Flickr Commons)\" width=\"640\" height=\"404\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The National Steinbeck Center in Salinas. (Stephen Gough/Flickr Commons)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>By Kristi Eaton, Associated Press\u003c/strong>\u003c/p>\n\u003cp>OKLAHOMA CITY -- A trio of artists soon will travel from Oklahoma to California, retracing the steps taken by the Joad family from \u003ca href=\"http://en.wikipedia.org/wiki/The_Grapes_of_Wrath\">\"The Grapes of Wrath\"\u003c/a> as part of the upcoming \u003ca href=\"http://www.grapesofwrath75.org/\">75th anniversary\u003c/a> of John Steinbeck's novel-turned-film.\u003c/p>\n\u003cp>The artists -- along with representatives from the \u003ca href=\"http://www.steinbeck.org/\">National Steinbeck Center\u003c/a> -- will travel along Route 66 gathering oral histories of people and asking what helps them get through hard times. The group will start in Oklahoma on Oct. 4 and make stops in New Mexico, Arizona and Texas. The trip will conclude in California 10 days later.\u003c/p>\n\u003cp>\"John Steinbeck was very interested in going out and listening to the people and the stories of the people. He got his greatest inspiration for his best work really when he did that,\" said Colleen Bailey, executive director of the National Steinbeck Center in Salinas.\u003c/p>\n\u003caside class=\"pullquote alignleft\"> 'John Steinbeck was very interested in going out and listening to the people and the stories of the people. He got his greatest inspiration for his best work really when he did that.' \u003c/aside>\n\u003cp>The three artists — San Francisco playwright\u003ca href=\"http://www.octaviosolis.net/\"> Octavio Solis\u003c/a>, writer Patricia Wakida and filmmaker P.J. Palmer — will then use the information and stories to create new work.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The artists will be documenting the journey through social media, blogging and other channels, and it will be shared during the 75th anniversary celebration of \"The Grapes of Wrath\" next year.\u003c/p>\n\u003cp>\u003c!--more-->\"There are so many similarities to what people were facing back in the `30s and what they're facing today,\" Bailey said, noting environmental challenges and the economy. \"We've just been through the Great Recession and I'm not sure we're really all the way through it, so really to hear what people have suffered and what inspires them to keep them moving forward in these times of challenges.\"\u003c/p>\n\u003cp>The group is looking for stories from a diverse cross section of people — young and old, rich and poor. In Oklahoma, stories from Native America will be important, Bailey said.\u003c/p>\n\u003cp>Different organizations and groups will be holding events in conjunction with the journey. A vintage car show will take place on Oct. 5 in Oklahoma City, while live music will be a part of the journey when the group stops in Albuquerque, N.M., on Oct. 9.\u003c/p>\n\u003cp>Wakida, the writer and historian, will be teaching linoleum-carving and printing during the journey, as well as conducting oral histories with people she encounters. As a fourth-generation Japanese-American who grew up in California's Central Valley, Wakida said the Joad family's forced migration mirror her family's experience.\u003c/p>\n\u003cp>During World War II, both her mother and father were forced into American internment camps.\u003c/p>\n\u003cp>\"Those unseen circumstances that can change your destiny are seen throughout American history and are reminders to us all that the cycles of economics, prejudice and the need to participate in a democratic society are always with us,\" she said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Wakida said she hopes to provide people with a chance to share their history and how they overcome obstacles like high unemployment, droughts and floods, health care woes and more.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_113130\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/2013/09/27/113128/Steinbeck-Grapes-of-Wrath/8131588061_c9a951ea38_z/\" rel=\"attachment wp-att-113130\">\u003cimg class=\"size-full wp-image-113130 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/8131588061_c9a951ea38_z.jpg\" alt=\"The National Steinbeck Center in Salinas. (Stephen Gough/Flickr Commons)\" width=\"640\" height=\"404\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The National Steinbeck Center in Salinas. (Stephen Gough/Flickr Commons)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>By Kristi Eaton, Associated Press\u003c/strong>\u003c/p>\n\u003cp>OKLAHOMA CITY -- A trio of artists soon will travel from Oklahoma to California, retracing the steps taken by the Joad family from \u003ca href=\"http://en.wikipedia.org/wiki/The_Grapes_of_Wrath\">\"The Grapes of Wrath\"\u003c/a> as part of the upcoming \u003ca href=\"http://www.grapesofwrath75.org/\">75th anniversary\u003c/a> of John Steinbeck's novel-turned-film.\u003c/p>\n\u003cp>The artists -- along with representatives from the \u003ca href=\"http://www.steinbeck.org/\">National Steinbeck Center\u003c/a> -- will travel along Route 66 gathering oral histories of people and asking what helps them get through hard times. The group will start in Oklahoma on Oct. 4 and make stops in New Mexico, Arizona and Texas. The trip will conclude in California 10 days later.\u003c/p>\n\u003cp>\"John Steinbeck was very interested in going out and listening to the people and the stories of the people. He got his greatest inspiration for his best work really when he did that,\" said Colleen Bailey, executive director of the National Steinbeck Center in Salinas.\u003c/p>\n\u003caside class=\"pullquote alignleft\"> 'John Steinbeck was very interested in going out and listening to the people and the stories of the people. He got his greatest inspiration for his best work really when he did that.' \u003c/aside>\n\u003cp>The three artists — San Francisco playwright\u003ca href=\"http://www.octaviosolis.net/\"> Octavio Solis\u003c/a>, writer Patricia Wakida and filmmaker P.J. Palmer — will then use the information and stories to create new work.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The artists will be documenting the journey through social media, blogging and other channels, and it will be shared during the 75th anniversary celebration of \"The Grapes of Wrath\" next year.\u003c/p>\n\u003cp>\u003c!--more-->\"There are so many similarities to what people were facing back in the `30s and what they're facing today,\" Bailey said, noting environmental challenges and the economy. \"We've just been through the Great Recession and I'm not sure we're really all the way through it, so really to hear what people have suffered and what inspires them to keep them moving forward in these times of challenges.\"\u003c/p>\n\u003cp>The group is looking for stories from a diverse cross section of people — young and old, rich and poor. In Oklahoma, stories from Native America will be important, Bailey said.\u003c/p>\n\u003cp>Different organizations and groups will be holding events in conjunction with the journey. A vintage car show will take place on Oct. 5 in Oklahoma City, while live music will be a part of the journey when the group stops in Albuquerque, N.M., on Oct. 9.\u003c/p>\n\u003cp>Wakida, the writer and historian, will be teaching linoleum-carving and printing during the journey, as well as conducting oral histories with people she encounters. As a fourth-generation Japanese-American who grew up in California's Central Valley, Wakida said the Joad family's forced migration mirror her family's experience.\u003c/p>\n\u003cp>During World War II, both her mother and father were forced into American internment camps.\u003c/p>\n\u003cp>\"Those unseen circumstances that can change your destiny are seen throughout American history and are reminders to us all that the cycles of economics, prejudice and the need to participate in a democratic society are always with us,\" she said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Wakida said she hopes to provide people with a chance to share their history and how they overcome obstacles like high unemployment, droughts and floods, health care woes and more.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The hustle and bustle of the airport just got a lot more beautiful.\u003c/p>\n\u003cp>A new short film by \u003ca href=\"http://therebeccaproject.com/\">Rebecca J. Richardson\u003c/a> and \u003ca href=\"http://communistcomics.com/\">James O’Malley\u003c/a> recasts footage of SFO in a new light -- neon, to be exact. In the video, there's something majestic about watching planes cycle through the airport like blood cells through a vein. It almost feels like you could be viewing a cell underneath a microscope.\u003c/p>\n\u003cp>The film is part of their \"Neon San Francisco\" series, which has also taken on the \u003ca href=\"http://therebeccaproject.com/2013/06/18/introducing-our-new-short-film-neon-san-francisco-the-n-judah/\">N-Judah\u003c/a>.\u003c/p>\n\u003cp>In a \u003ca href=\"http://therebeccaproject.com/2013/09/23/introducing-our-new-short-film-neon-san-francisco-sfo/\">blog post, Richardson writes\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>In this short film, we showcase the flurry of activity that occurs daily at San Francisco International Airport. Our aim was to shift the audience’s perspective from seeing SFO as just somewhere to depart and arrive and to see it the way we do: as beautiful and endlessly fascinating. We want to reconnect the audience with the romance of air travel.\u003c/p>\u003c/blockquote>\n\u003cp>By happenstance, they were filming at SFO on the day Asiana Airlines Flight 214 crashed while landing. Richardson notes you can see the burnt-out fuselage at 2:15 in the video.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>We should mention that Richardson and O'Malley weren't asked to create this video by SFO.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Check it out; it's set to \"Dancing in the Dark,\" performed by Charlie Parker.\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe src=\"//www.youtube.com/embed/vcfFLEr4X1A\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The hustle and bustle of the airport just got a lot more beautiful.\u003c/p>\n\u003cp>A new short film by \u003ca href=\"http://therebeccaproject.com/\">Rebecca J. Richardson\u003c/a> and \u003ca href=\"http://communistcomics.com/\">James O’Malley\u003c/a> recasts footage of SFO in a new light -- neon, to be exact. In the video, there's something majestic about watching planes cycle through the airport like blood cells through a vein. It almost feels like you could be viewing a cell underneath a microscope.\u003c/p>\n\u003cp>The film is part of their \"Neon San Francisco\" series, which has also taken on the \u003ca href=\"http://therebeccaproject.com/2013/06/18/introducing-our-new-short-film-neon-san-francisco-the-n-judah/\">N-Judah\u003c/a>.\u003c/p>\n\u003cp>In a \u003ca href=\"http://therebeccaproject.com/2013/09/23/introducing-our-new-short-film-neon-san-francisco-sfo/\">blog post, Richardson writes\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>In this short film, we showcase the flurry of activity that occurs daily at San Francisco International Airport. Our aim was to shift the audience’s perspective from seeing SFO as just somewhere to depart and arrive and to see it the way we do: as beautiful and endlessly fascinating. We want to reconnect the audience with the romance of air travel.\u003c/p>\u003c/blockquote>\n\u003cp>By happenstance, they were filming at SFO on the day Asiana Airlines Flight 214 crashed while landing. Richardson notes you can see the burnt-out fuselage at 2:15 in the video.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "News Pix: Art Comes to San Francisco's Mid-Market, America's Cup Races Continue",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-112055\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/ACT-mid-market.jpg\" alt=\"ACT mid market\" width=\"639\" height=\"450\">\u003cbr>\nThe American Conservatory Theater plans to break ground Oct. 2 on the restoration of San Francisco's \u003ca href=\"http://ww2.kqed.org/news/2013/ACT_Strand_Renovation\">Strand Theatre\u003c/a>. The $30 million project will represent a dramatic moment for arts companies that have been trying to remake Mid-Market – one of the city's funkiest neighborhoods – into a theater and arts district. (Sara Bloomberg/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-112057\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/Americas-Cup-1.jpg\" alt=\"America's Cup - Finals Races 9 & 10\" width=\"639\" height=\"450\">\u003cbr>\nEmirates Team New Zealand will clinch the \u003ca href=\"http://ww2.kqed.org/news/tag/americas-cup/\">America's Cup\u003c/a> title if the team can win one just more race. But Oracle Team USA isn't cooperating, staving off defeat once again on Friday. (Jamie Squire / Getty Images)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-112058\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/Shasta-Dam.jpg\" alt=\"Shasta Dam\" width=\"640\" height=\"450\">\u003cbr>\nPlans are underway to \u003ca href=\"http://blogs.kqed.org/science/audio/is-raising-shasta-dam-the-best-bet-for-californias-water-supply/\">raise the Shasta dam\u003c/a> and flood the Sacramento river below. The Winnemem Wintu people living north of Redding oppose raising the dam. Caleen Sisk, a Winnemem Wintu Chief and spiritual leader, says 40 sacred sites will be flooded and lost if the water is released. (Deborah Svoboda / KQED)\u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-112062\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/CCSF-hearings.jpg\" alt=\"CCSF hearings\" width=\"640\" height=\"450\">\u003cbr>\nAt a Budget and Finance Committee meeting of the San Francisco Board of Supervisors on Sept. 18, City College of San Francisco Board of Trustees Member Chris Jackson spoke about the \u003ca href=\"http://ww2.kqed.org/news/2013/09/19/ccsf-accreditation/\">impact that CCSF has on communities of color\u003c/a> and working people. \"A lot of people in my neighborhood are trying to take their GED,\" he said, speaking about how many rely on CCSF for a second chance at an education. (Sara Bloomberg / KQED)\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"aligncenter size-full wp-image-112055\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/ACT-mid-market.jpg\" alt=\"ACT mid market\" width=\"639\" height=\"450\">\u003cbr>\nThe American Conservatory Theater plans to break ground Oct. 2 on the restoration of San Francisco's \u003ca href=\"http://ww2.kqed.org/news/2013/ACT_Strand_Renovation\">Strand Theatre\u003c/a>. The $30 million project will represent a dramatic moment for arts companies that have been trying to remake Mid-Market – one of the city's funkiest neighborhoods – into a theater and arts district. (Sara Bloomberg/KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-112057\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/Americas-Cup-1.jpg\" alt=\"America's Cup - Finals Races 9 & 10\" width=\"639\" height=\"450\">\u003cbr>\nEmirates Team New Zealand will clinch the \u003ca href=\"http://ww2.kqed.org/news/tag/americas-cup/\">America's Cup\u003c/a> title if the team can win one just more race. But Oracle Team USA isn't cooperating, staving off defeat once again on Friday. (Jamie Squire / Getty Images)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-112058\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/Shasta-Dam.jpg\" alt=\"Shasta Dam\" width=\"640\" height=\"450\">\u003cbr>\nPlans are underway to \u003ca href=\"http://blogs.kqed.org/science/audio/is-raising-shasta-dam-the-best-bet-for-californias-water-supply/\">raise the Shasta dam\u003c/a> and flood the Sacramento river below. The Winnemem Wintu people living north of Redding oppose raising the dam. Caleen Sisk, a Winnemem Wintu Chief and spiritual leader, says 40 sacred sites will be flooded and lost if the water is released. (Deborah Svoboda / KQED)\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cstrong>By Cy Musiker\u003c/strong>\u003c/p>\n\u003cp>The American Conservatory Theater plans to break ground Oct. 2 on the restoration of San Francisco's Strand Theatre.\u003c/p>\n\u003cfigure id=\"attachment_111716\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg class=\"size-medium wp-image-111716\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/strand.jpg-300x200.jpg\" alt=\"strand.jpg\" width=\"300\" height=\"200\">\u003cfigcaption class=\"wp-caption-text\">The American Conservatory Theater is set to break ground Oct. 2 at the site of the old Strand Theatre between Seventh and Eighth streets in San Francisco. (Sara Bloomberg/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>The $30 million project will be a dramatic moment for arts companies that have been trying to remake Mid-Market – one of the city’s funkiest neighborhoods – into a theater and arts district.\u003c/p>\n\u003cp>Market Street at night was once ablaze with the marquees of vaudeville houses, movie theaters and dancehalls like the Gaiety, the Hub, the Odeon and the Paris.\u003c/p>\n\u003cp>\"This street used to be like the Great White Way in the '50s, lit up with theaters up and down Market Street,\" says Carey Perloff, artistic director of American Conservatory Theater in San Francisco.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The abandoned Strand Theatre, at 1127 Market between Seventh and Eighth streets, was built under the name The Jewel in 1917.\u003c/p>\n\u003cp>\"This was a single-screen movie theater, and then it did repertory, and then it did bingo, then it did 'Rocky Horror Show,' then it did a lot of porn,\" Perloff said. \"And then it was sealed up in 2003 by the police. And when we first walked in, it was just covered by dead birds and other things.\" \u003c!--more-->\u003c/p>\n\u003cp>Inside, the theater is filled with rubble. The air is thick with plaster dust, and you can smell the mold from the groaty, old green seats.\u003c/p>\n\u003cp>Perloff points out graffiti of a hypodermic needle and the words “junkies for life” painted on the wall.\u003c/p>\n\u003cfigure id=\"attachment_111740\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg class=\"size-medium wp-image-111740\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/midmarket.jpg-300x200.jpg\" alt=\"A future retail space at 950 market street is under construction. (Sara Bloomberg/KQED)\" width=\"300\" height=\"200\">\u003cfigcaption class=\"wp-caption-text\">A future retail space at 950 Market Street under construction. (Sara Bloomberg/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>A.C.T. is the one of the Bay Area’s biggest repertory companies, known for its thousand-seat Geary Theater near Union Square. But the company has long sought a smaller space for more experimental projects and plays by its conservatory students. So Perloff wants to carve the Strand into two small theaters, plus an all-day café and bar in the lobby.\u003c/p>\n\u003cp>\"So there will be a huge gathering space,\" she said. \"And what we really felt is the most important thing is to have life on the street level.\u003c/p>\n\u003cp>It's still a gritty street with panhandlers, hustlers and drug users. But Mid-Market is also caught in a tug of war between arts companies looking for cheap rents and high-tech firms like Twitter and Zendesk who have moved to Market Street to cash in on a tax break from the city.\u003c/p>\n\u003cp>Despite that challenge, there’s another arts success story in the making, a few blocks from the Strand. Lorraine Hansberry Theatre lost its stage a few years ago, and now its artistic director, Steven Anthony Jones, looks to share in plans by a developer and a number of foundations to convert a pair of rundown properties at 950 Market Street into an arts and education center. The center, where Mid-Market meets the Tenderloin, would include four small theaters.\u003c/p>\n\u003cp>Jones thinks the tech companies and arts producers can make good neighbors. \"Those people have to do something in the evening and on the weekends. This has to be more than just a place where people come to work.\"\u003c/p>\n\u003cp>The literacy group Youth Speaks and others arts groups are looking to move in, seeking shelter from rising rents – afraid they'll be priced right out of San Francisco. A.C.T.'s Executive Director Ellen Richard says that's even true for her company, which wants to move its offices to 950 Market.\u003c/p>\n\u003cp>\"We just lost 12,000 square feet because the rental prices went up 50 percent. The market in San Francisco has just kind of gone berserk the last couple of years.\"\u003c/p>\n\u003cp>Elvin Padilla has helped make 950 Market and the Strand projects happen, as the former executive director, and now consultant, for the Tenderloin Economic Development Project. One goal is to avoid a polarized landscape of haves and have-nots: well-paid techies versus the immigrant families that populate the Tenderloin.\u003c/p>\n\u003cp>\"The arts are a way for us to all have a place where we can meet,\" Padilla said. \"And where we can share human experiences like music and dance and literacy. And we think that is vital for a healthy neighborhood and a healthy city.\"\u003c/p>\n\u003cp>Padilla applauds efforts by Mayor Ed Lee and other city leaders to lobby for the arts in Mid-Market. But he notes A.C.T. is raising the $30 million it needs for the Strand on its own, and that even the 950 Market project could fail without city support.\u003c/p>\n\u003cp>\"If we want to see something different, a diversity of uses beyond a generic office mall that the free market will be most happy to supply, we have to intervene. All cities either provide land or provide funding, or in some instances both. There’s been no funding and there’s been no land.\"\u003c/p>\n\u003cp>The new owners of 950 Market, for instance, are facing millions of dollars in city fees. A few officials are listening, though. Supervisor Jane Kim represents Mid-Market, and she’s working on a measure to create an arts special-use district that would reduce developer fees on space reserved for nonprofits arts. It's the kind of break that could help a Mid-Market arts company like Alonzo King's LINES Ballet, which rehearses in a building without heat or hot water.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As LINES director Janette Gitler told me, it would be very sad if the city’s success in bringing companies to Mid-Market means arts groups like hers have to move out.\u003c/p>\n\u003cdiv class=\"mceItemEmbedly\">\n\u003cdiv class=\"embedly\">\u003ciframe width=\"640\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F111268972&show_artwork=true&maxwidth=900\">\u003c/iframe>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003cp>\u003cspan class=\"embedly-powered\" style=\"float:right\">\u003ca target=\"_blank\" href=\"http://embed.ly?src=anywhere\" title=\"Powered by Embedly\">\u003cimg src=\"//static.embed.ly/images/logos/embedly-powered-small-light.png\" alt=\"Embedly Powered\">\u003c/a>\u003c/span>\u003c/p>\n\u003cdiv class=\"media-attribution\">\u003cspan>via \u003c/span>\u003ca href=\"http://soundcloud.com\" class=\"media-attribution-link\" target=\"_blank\">SoundCloud\u003c/a>\u003c/div>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003c/div>\n\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Cy Musiker\u003c/strong>\u003c/p>\n\u003cp>The American Conservatory Theater plans to break ground Oct. 2 on the restoration of San Francisco's Strand Theatre.\u003c/p>\n\u003cfigure id=\"attachment_111716\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg class=\"size-medium wp-image-111716\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/strand.jpg-300x200.jpg\" alt=\"strand.jpg\" width=\"300\" height=\"200\">\u003cfigcaption class=\"wp-caption-text\">The American Conservatory Theater is set to break ground Oct. 2 at the site of the old Strand Theatre between Seventh and Eighth streets in San Francisco. (Sara Bloomberg/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>The $30 million project will be a dramatic moment for arts companies that have been trying to remake Mid-Market – one of the city’s funkiest neighborhoods – into a theater and arts district.\u003c/p>\n\u003cp>Market Street at night was once ablaze with the marquees of vaudeville houses, movie theaters and dancehalls like the Gaiety, the Hub, the Odeon and the Paris.\u003c/p>\n\u003cp>\"This street used to be like the Great White Way in the '50s, lit up with theaters up and down Market Street,\" says Carey Perloff, artistic director of American Conservatory Theater in San Francisco.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The abandoned Strand Theatre, at 1127 Market between Seventh and Eighth streets, was built under the name The Jewel in 1917.\u003c/p>\n\u003cp>\"This was a single-screen movie theater, and then it did repertory, and then it did bingo, then it did 'Rocky Horror Show,' then it did a lot of porn,\" Perloff said. \"And then it was sealed up in 2003 by the police. And when we first walked in, it was just covered by dead birds and other things.\" \u003c!--more-->\u003c/p>\n\u003cp>Inside, the theater is filled with rubble. The air is thick with plaster dust, and you can smell the mold from the groaty, old green seats.\u003c/p>\n\u003cp>Perloff points out graffiti of a hypodermic needle and the words “junkies for life” painted on the wall.\u003c/p>\n\u003cfigure id=\"attachment_111740\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg class=\"size-medium wp-image-111740\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/midmarket.jpg-300x200.jpg\" alt=\"A future retail space at 950 market street is under construction. (Sara Bloomberg/KQED)\" width=\"300\" height=\"200\">\u003cfigcaption class=\"wp-caption-text\">A future retail space at 950 Market Street under construction. (Sara Bloomberg/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>A.C.T. is the one of the Bay Area’s biggest repertory companies, known for its thousand-seat Geary Theater near Union Square. But the company has long sought a smaller space for more experimental projects and plays by its conservatory students. So Perloff wants to carve the Strand into two small theaters, plus an all-day café and bar in the lobby.\u003c/p>\n\u003cp>\"So there will be a huge gathering space,\" she said. \"And what we really felt is the most important thing is to have life on the street level.\u003c/p>\n\u003cp>It's still a gritty street with panhandlers, hustlers and drug users. But Mid-Market is also caught in a tug of war between arts companies looking for cheap rents and high-tech firms like Twitter and Zendesk who have moved to Market Street to cash in on a tax break from the city.\u003c/p>\n\u003cp>Despite that challenge, there’s another arts success story in the making, a few blocks from the Strand. Lorraine Hansberry Theatre lost its stage a few years ago, and now its artistic director, Steven Anthony Jones, looks to share in plans by a developer and a number of foundations to convert a pair of rundown properties at 950 Market Street into an arts and education center. The center, where Mid-Market meets the Tenderloin, would include four small theaters.\u003c/p>\n\u003cp>Jones thinks the tech companies and arts producers can make good neighbors. \"Those people have to do something in the evening and on the weekends. This has to be more than just a place where people come to work.\"\u003c/p>\n\u003cp>The literacy group Youth Speaks and others arts groups are looking to move in, seeking shelter from rising rents – afraid they'll be priced right out of San Francisco. A.C.T.'s Executive Director Ellen Richard says that's even true for her company, which wants to move its offices to 950 Market.\u003c/p>\n\u003cp>\"We just lost 12,000 square feet because the rental prices went up 50 percent. The market in San Francisco has just kind of gone berserk the last couple of years.\"\u003c/p>\n\u003cp>Elvin Padilla has helped make 950 Market and the Strand projects happen, as the former executive director, and now consultant, for the Tenderloin Economic Development Project. One goal is to avoid a polarized landscape of haves and have-nots: well-paid techies versus the immigrant families that populate the Tenderloin.\u003c/p>\n\u003cp>\"The arts are a way for us to all have a place where we can meet,\" Padilla said. \"And where we can share human experiences like music and dance and literacy. And we think that is vital for a healthy neighborhood and a healthy city.\"\u003c/p>\n\u003cp>Padilla applauds efforts by Mayor Ed Lee and other city leaders to lobby for the arts in Mid-Market. But he notes A.C.T. is raising the $30 million it needs for the Strand on its own, and that even the 950 Market project could fail without city support.\u003c/p>\n\u003cp>\"If we want to see something different, a diversity of uses beyond a generic office mall that the free market will be most happy to supply, we have to intervene. All cities either provide land or provide funding, or in some instances both. There’s been no funding and there’s been no land.\"\u003c/p>\n\u003cp>The new owners of 950 Market, for instance, are facing millions of dollars in city fees. A few officials are listening, though. Supervisor Jane Kim represents Mid-Market, and she’s working on a measure to create an arts special-use district that would reduce developer fees on space reserved for nonprofits arts. 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"content": "\u003cfigure id=\"attachment_111567\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/2013/09/17/linda-ronstadt-on-jerry-brown/brown-ronstadt-1979/\" rel=\"attachment wp-att-111567\">\u003cimg class=\"size-medium wp-image-111567\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/09/Brown-Ronstadt-1979-300x225.jpg\" alt=\"Jerry Brown and Linda Ronstadt in 1979. (Sacramento Bee Capitol Alert)\" width=\"300\" height=\"225\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Linda Ronstadt and Jerry Brown in 1979. (Sacramento Bee Capitol Alert)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>UPDATE: Learn more about Jerry Brown of the 1970's on KQED's new series \u003ca href=\"https://www.kqed.org/podcasts/jerrybrown\">The Political Mind of Jerry Brown \u003c/a>\u003c/em>\u003c/p>\n\u003cp>Linda Ronstadt is getting great notices for her new memoir, \"\u003ca href=\"http://www.goodreads.com/book/show/17559245-simple-dreams\" target=\"_blank\" rel=\"noopener noreferrer\">Simple Dreams\u003c/a>.\" She became a superstar in the 1970s with her album \"Heart Like a Wheel.\" The collection featured a great (and amazingly produced) series of covers from the likes of Phil Everly (\"When Will I Be Loved?\"), J.D. Souther (\"Faithless Love\"), and Lowell George \"Willin' \"). But that was just one peak of a long career. She later recorded albums of American standards with band leader and arranger Nelson Riddle (\"Lush Life\" among them) and mariachi song collections (\"Canciones de Mi Padre\" and \"Mas Canciones\").\u003c/p>\n\u003cp>More recently, Ronstadt, who lives in San Francisco's Richmond District, has been in the news for \u003ca href=\"http://www.aarp.org/entertainment/books/info-08-2013/linda-ronstadt-discusses-parkinsons-memoir-simple-dreams.html?intcmp=AE-BLIL-DOTORG\" target=\"_blank\" rel=\"noopener noreferrer\">her recent disclosure\u003c/a> that she's suffering from Parkinson's disease and can no longer sing.\u003c/p>\n\u003cp>Ronstadt's superstardom coincided with the emergence of Jerry Brown as a political rock star — Brown was first elected governor in 1974, the year \"Heart Like a Wheel\" came out. Ronstadt says they met at Lucy's El Adobe Cafe in Hollywood when Brown was California secretary of state. Later, they became an item, though Ronstadt says \"neither of us ever shared the illusion that we would like to share each other's lives\" as a married couple. His life, she said, was \"too restrictive,\" hers \"entirely chaotic.\" And she sums up Brown this way:\u003c/p>\n\u003cblockquote>\u003cp>\"He was smart and funny, not interested in drinking or drugs, and lived his life carefully, with a great deal of discipline. This was different from a lot of men I knew in rock and roll. I found it a relief. Also, he considered professionally many issues that I considered passionately: issues like the safety of nuclear power, plants, agricultural soil erosion, water politics, and farm workers' rights.\"\u003c/p>\u003c/blockquote>\n\u003cp>Ronstadt also recounts that Brown could be very spontaneous — and a little cheap. She had been invited to dinner at the home of singer \u003ca href=\"http://www.rosemaryclooney.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Rosemary Clooney\u003c/a>, and we pick up the story there:\u003c/p>\n\u003cblockquote>\u003cp>\"I was dressed and ready to leave for Rosemary's when Jerry Brown came by unexpectedly. I told him I was on my way to dinner, and he said he was hungry and wanted to go too. I called Rosemary and asked if it would be all right to bring Jerry, and she said it was fine. As we were getting ready to leave, Jerry noticed a large box of roses someone had sent to me sitting on the table in my entryway. Probably feeling a little sheepish about inviting himself to dinner, and being a person who is notoriously tight with a dollar, he picked them up and said, 'We can take these to Rosemary.'\u003c/p>\n\u003cp>\" 'But they're mine!' I protested.\u003c/p>\n\u003cp>\"He shot me a mischievous grin. 'If I take the card out, they'll be hers.' The flowers went with us to Rosemary's house.\"\u003c/p>\u003c/blockquote>\n\u003cp>\u003c!--more-->It sounds like Ronstadt's got a pretty good sense of humor. Here's more evidence of that: video from a benefit concert (also featuring Jackson Browne and the Eagles) during Brown's first run for president in 1976:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=U-QmdzBYDWA]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Ronstadt was interviewed earlier today by NPR's Terry Gross on \"Fresh Air.\" She touched on many subjects, including why she never got married, sex and vulnerability, other female musical artists she admires, and more:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://www.npr.org/2013/09/17/223172521/in-memoir-linda-ronstadt-describes-her-simple-dreams\u003c/p>\n\n",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"order": 9
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"id": "fresh-air",
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"airtime": "SUN 7:30pm-8pm",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"order": 15
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"source": "American Public Media"
},
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"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
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"meta": {
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"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
"id": "morning-edition",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 11
},
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"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"link": "/radio/program/on-the-media",
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},
"pbs-newshour": {
"id": "pbs-newshour",
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"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
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},
"perspectives": {
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"order": 14
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
},
"link": "/podcasts/politicalbreakdown",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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