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"content": "\u003cp>I’m not a practicing Catholic, but I do believe confession is good for the soul, so here’s mine: I have this weird (\u003ca href=\"http://ww2.kqed.org/arts/2014/12/11/anatomy-of-a-made-for-tv-christmas-movie/\" target=\"_blank\" rel=\"noopener\">and well documented\u003c/a>) thing for cornball Christmas specials.\u003c/p>\n\u003cp>Why? I blame the ‘80s. I spent about 43 percent of that decade watching TV. And with only four channels to choose from (my parents refused to get cable) I had to rely on whatever the networks aired and hope for the best.\u003c/p>\n\u003cp>Sadly, that hope was often misplaced, especially around the holidays when networks would broadcast very special holiday episodes that might as well have been cooked up by a nefarious cell of Santa-hating atheists, such was their power to make Christmas look lame.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/arts/series/art-nerd-holiday-guide-2016/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12409450\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016.jpg\" alt=\"art_nerd-holidayguide-2016\" width=\"400\" height=\"400\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-150x150.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003cp>And yet, as Alf is my witness, I loved them. No, I hated them. No, I loved them. No, I tolerated them. Anyway, here are my most memorable holiday special dumpster fires from years past. You’ll find, I think, a healthy mixture of horrible wonderfulness, beautiful misery, agony, and ecstasy. Happy holidays, kids.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3eFMwzyxsGA\u003c/p>\n\u003ch3>\u003cem>Beverly Hills 90210\u003c/em>\u003c/h3>\n\u003cp>Brandon, Brenda, Dylan, Kelly and the rest of the 30-year-old teens celebrated many Christmases during their original run, but none were more infamous than the episode that took the angel motif from \u003cem>It’s a Wonderful Life\u003c/em> and beat it to death with a stick. The episode concludes with two off-screen angels (helpfully represented by stock footage of blinking stars) intervening to prevent the bus-riding teens from colliding with a rusty garbage truck. After this aired in 1992, I remember turning to my sister and saying, with utmost sincerity, “What?” 24 years later, I still don’t know.\u003c/p>\n\u003caside class=\"aligncenter noborder\">\nhttp://www.dailymotion.com/video/xmq5p6_alf-s-special-christmas_shortfilms\u003cbr>\n\u003c/aside>\n\u003ch3>\u003cem>Alf \u003c/em>\u003c/h3>\n\u003cp>I know, I know. It’s \u003cem>Alf\u003c/em> and \u003cem>Alf\u003c/em> was always lame, so of course the Christmas episode was too. True. But hear me out, because this two-parter (remember those?) found a way to make a show about a wise-ass alien puppet incredibly depressing (while still using a laugh track). Basic plot: The Tanners go to a cabin for Christmas. Alf gets lost and mistaken for a stuffed animal. Hilarity ensues, right? WRONG! Alf winds up in the hands of a very sick young girl and learns an important lesson about how the grim specter of death is never far away. And… scene.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pJgeO2wL8zE\u003c/p>\n\u003ch3>\u003cem>He-Man and She-Ra\u003c/em>: \u003cem>A Christmas Special\u003c/em>\u003c/h3>\n\u003cp>Welcome to the wonderful world of Eternia, where every character is on steroids and the wearing of loin clothes is enforceable by law. In this yuletide special, a couple of ragamuffins from Earth are kidnapped and end up in the hands of the evil Skeletor. Things looks very grim indeed because Skeletor is one mean S.O.B. But then he has a change of heart and decides he wants to protect the kids from the elements as they traipse through a blizzard. Why? Does he have an even more sinister plan? Is he going to harvest their organs? Nope. He’s been transformed by the magic of Christmas. Oof. Not believable, Skelly, totally out of character. It’s as if a misogynist suddenly started respecting women. That’s not that a bad idea, but just doesn’t seem very likely.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=S3a5j8PgQxg\u003c/p>\n\u003ch3>\u003cem>Star Wars\u003c/em> \u003cem>Holiday Special\u003c/em>\u003c/h3>\n\u003cp>\u003c/p>\n\u003cp>For decades, it was just a rumor: A \u003cem>Star Wars Holiday Special\u003c/em> featuring all the main actors partaking in jaw-droppingly lame variety show skits about “Life Day”? No way could that be true. But then the Internets happened and people started to sell old VHS copies on eBay and the world bore witness to the horror that is four wookiees grunting at each other with no subtitles. And that’s just the first 15 minutes. Stick around and watch Bea Arthur do standup, Carrie Fisher sing, and Chewbacca’s father enjoy virtual reality wookiee porn. I’m not joking. People really made this. It exists and no list of worst Christmas anything can be complete without it. Like the Grand Canyon, it has to be seen to be believed.\u003c/p>\n\n",
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"excerpt": "Decades of network television programming have produced some Godawful yuletide specials. Here are some of the most appalling.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I’m not a practicing Catholic, but I do believe confession is good for the soul, so here’s mine: I have this weird (\u003ca href=\"http://ww2.kqed.org/arts/2014/12/11/anatomy-of-a-made-for-tv-christmas-movie/\" target=\"_blank\" rel=\"noopener\">and well documented\u003c/a>) thing for cornball Christmas specials.\u003c/p>\n\u003cp>Why? I blame the ‘80s. I spent about 43 percent of that decade watching TV. And with only four channels to choose from (my parents refused to get cable) I had to rely on whatever the networks aired and hope for the best.\u003c/p>\n\u003cp>Sadly, that hope was often misplaced, especially around the holidays when networks would broadcast very special holiday episodes that might as well have been cooked up by a nefarious cell of Santa-hating atheists, such was their power to make Christmas look lame.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/arts/series/art-nerd-holiday-guide-2016/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12409450\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016.jpg\" alt=\"art_nerd-holidayguide-2016\" width=\"400\" height=\"400\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Art_Nerd-HolidayGuide-2016-150x150.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003cp>And yet, as Alf is my witness, I loved them. No, I hated them. No, I loved them. No, I tolerated them. Anyway, here are my most memorable holiday special dumpster fires from years past. You’ll find, I think, a healthy mixture of horrible wonderfulness, beautiful misery, agony, and ecstasy. Happy holidays, kids.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3eFMwzyxsGA'\n title='//www.youtube.com/embed/3eFMwzyxsGA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch3>\u003cem>Beverly Hills 90210\u003c/em>\u003c/h3>\n\u003cp>Brandon, Brenda, Dylan, Kelly and the rest of the 30-year-old teens celebrated many Christmases during their original run, but none were more infamous than the episode that took the angel motif from \u003cem>It’s a Wonderful Life\u003c/em> and beat it to death with a stick. The episode concludes with two off-screen angels (helpfully represented by stock footage of blinking stars) intervening to prevent the bus-riding teens from colliding with a rusty garbage truck. After this aired in 1992, I remember turning to my sister and saying, with utmost sincerity, “What?” 24 years later, I still don’t know.\u003c/p>\n\u003caside class=\"aligncenter noborder\">\nhttp://www.dailymotion.com/video/xmq5p6_alf-s-special-christmas_shortfilms\u003cbr>\n\u003c/aside>\n\u003ch3>\u003cem>Alf \u003c/em>\u003c/h3>\n\u003cp>I know, I know. It’s \u003cem>Alf\u003c/em> and \u003cem>Alf\u003c/em> was always lame, so of course the Christmas episode was too. True. But hear me out, because this two-parter (remember those?) found a way to make a show about a wise-ass alien puppet incredibly depressing (while still using a laugh track). Basic plot: The Tanners go to a cabin for Christmas. Alf gets lost and mistaken for a stuffed animal. Hilarity ensues, right? WRONG! Alf winds up in the hands of a very sick young girl and learns an important lesson about how the grim specter of death is never far away. And… scene.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pJgeO2wL8zE'\n title='//www.youtube.com/embed/pJgeO2wL8zE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch3>\u003cem>He-Man and She-Ra\u003c/em>: \u003cem>A Christmas Special\u003c/em>\u003c/h3>\n\u003cp>Welcome to the wonderful world of Eternia, where every character is on steroids and the wearing of loin clothes is enforceable by law. In this yuletide special, a couple of ragamuffins from Earth are kidnapped and end up in the hands of the evil Skeletor. Things looks very grim indeed because Skeletor is one mean S.O.B. But then he has a change of heart and decides he wants to protect the kids from the elements as they traipse through a blizzard. Why? Does he have an even more sinister plan? Is he going to harvest their organs? Nope. He’s been transformed by the magic of Christmas. Oof. Not believable, Skelly, totally out of character. It’s as if a misogynist suddenly started respecting women. That’s not that a bad idea, but just doesn’t seem very likely.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/S3a5j8PgQxg'\n title='//www.youtube.com/embed/S3a5j8PgQxg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch3>\u003cem>Star Wars\u003c/em> \u003cem>Holiday Special\u003c/em>\u003c/h3>\n\u003cp>\u003c/p>\n\u003cp>For decades, it was just a rumor: A \u003cem>Star Wars Holiday Special\u003c/em> featuring all the main actors partaking in jaw-droppingly lame variety show skits about “Life Day”? No way could that be true. But then the Internets happened and people started to sell old VHS copies on eBay and the world bore witness to the horror that is four wookiees grunting at each other with no subtitles. And that’s just the first 15 minutes. Stick around and watch Bea Arthur do standup, Carrie Fisher sing, and Chewbacca’s father enjoy virtual reality wookiee porn. I’m not joking. People really made this. It exists and no list of worst Christmas anything can be complete without it. Like the Grand Canyon, it has to be seen to be believed.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>The California Report Magazine is airing some of these stories and poems in collaboration with \u003ca href=\"http://www.826valencia.org.\">826 Valencia\u003c/a>, a nonprofit organization dedicated to supporting under-resourced students with their writing skills and to helping teachers inspire their students to write. You can check out more of these stories at 826's podcast, \u003ca href=\"https://soundcloud.com/826messageinabottle\">Message in a Bottle.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/299236682\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003ch2>\u003cstrong>Gallo Pinto\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>by Lily, Grade 4, Bessie Carmichael Elementary\u003c/strong>\u003cbr>\nA love poem to rice and beans on Christmas: \"You are amazing because Gallo Pinto, you are my best friend. You taste so good, I want to gobble you up.\"\u003c/p>\n\u003cp style=\"margin: 0in;margin-bottom: .0001pt\">[soundcloud url=\"https://api.soundcloud.com/tracks/298276459\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>\u003cstrong>The Day of Christmas \u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>by Jason, Grade 7, Martin Luther King Middle School\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A sibling prank: \"I ran to the tree to open my presents when I saw the big one. I opened it quickly and was shocked to see that it was an empty box full of layers of wrappers. Disappointment flowed through my veins while exploding my mind at the same time. I was so angry that I could have cooked steak on my head.\"\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/295387777\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003ch2>\u003cstrong>I Love My Tribe\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong> by Tina, Grade 12, Downtown High School \u003c/strong>\u003c/p>\n\u003cp>A story about gratitude: \"The weather is cold enough to wear a leather jacket, but it's my community that keeps me warm. Just receiving hugs and even seeing my people, makes me feel like I'm safe.\"\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/291550546\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003ch2>\u003cstrong>My Secret Santa\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>by Timaureen, Grade 8, KIPP Bayview Academy\u003c/strong>\u003c/p>\n\u003cp>A family's secret Santa game: \"I learned then, that no matter how many things there are in the world, you can have happiness in your family as long as you have love!\"\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/289066411\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003ch2>\u003cstrong>My Family's Christmas\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong> by Katrina, 7th Grade, Martin Luther King Middle School\u003c/strong>\u003c/p>\n\u003cp>A Christmas memory: \"I ate a gingerbread man which was as good as going to Japan.\"\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/292443709\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003ch2>\u003cstrong>One Cold, Cloudy Saturday \u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>by Annie, 7th grade, Martin Luther King Middle School\u003c/strong>\u003c/p>\n\u003cp>Volunteering at a food bank: \"Even though the sun might not be shining, it doesn't mean it's going to be a sad day. One cold, cloudy Saturday was all it took to make people's day better.\"\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/295387740\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003ch2>\u003cstrong>El Valor de mi Madre\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong> by Natalie, 12th grade, Burton High School\u003c/strong>\u003c/p>\n\u003cp>Gratitude for mom after almost losing her: \"Now that we have our small arguments, I reflect and remember what had happened and just give her a smile in the middle of an argument, and rush to hug her.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/291369496\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>The California Report Magazine is airing some of these stories and poems in collaboration with \u003ca href=\"http://www.826valencia.org.\">826 Valencia\u003c/a>, a nonprofit organization dedicated to supporting under-resourced students with their writing skills and to helping teachers inspire their students to write. You can check out more of these stories at 826's podcast, \u003ca href=\"https://soundcloud.com/826messageinabottle\">Message in a Bottle.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/299236682&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/299236682'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003ch2>\u003cstrong>Gallo Pinto\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>by Lily, Grade 4, Bessie Carmichael Elementary\u003c/strong>\u003cbr>\nA love poem to rice and beans on Christmas: \"You are amazing because Gallo Pinto, you are my best friend. You taste so good, I want to gobble you up.\"\u003c/p>\n\u003cp style=\"margin: 0in;margin-bottom: .0001pt\">\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/298276459&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/298276459'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>\u003cstrong>The Day of Christmas \u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>by Jason, Grade 7, Martin Luther King Middle School\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A sibling prank: \"I ran to the tree to open my presents when I saw the big one. I opened it quickly and was shocked to see that it was an empty box full of layers of wrappers. Disappointment flowed through my veins while exploding my mind at the same time. I was so angry that I could have cooked steak on my head.\"\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/295387777&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/295387777'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003ch2>\u003cstrong>I Love My Tribe\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong> by Tina, Grade 12, Downtown High School \u003c/strong>\u003c/p>\n\u003cp>A story about gratitude: \"The weather is cold enough to wear a leather jacket, but it's my community that keeps me warm. Just receiving hugs and even seeing my people, makes me feel like I'm safe.\"\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/291550546&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/291550546'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003ch2>\u003cstrong>My Secret Santa\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>by Timaureen, Grade 8, KIPP Bayview Academy\u003c/strong>\u003c/p>\n\u003cp>A family's secret Santa game: \"I learned then, that no matter how many things there are in the world, you can have happiness in your family as long as you have love!\"\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/289066411&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/289066411'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003ch2>\u003cstrong>My Family's Christmas\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong> by Katrina, 7th Grade, Martin Luther King Middle School\u003c/strong>\u003c/p>\n\u003cp>A Christmas memory: \"I ate a gingerbread man which was as good as going to Japan.\"\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/292443709&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/292443709'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003ch2>\u003cstrong>One Cold, Cloudy Saturday \u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>by Annie, 7th grade, Martin Luther King Middle School\u003c/strong>\u003c/p>\n\u003cp>Volunteering at a food bank: \"Even though the sun might not be shining, it doesn't mean it's going to be a sad day. One cold, cloudy Saturday was all it took to make people's day better.\"\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/295387740&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/295387740'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003ch2>\u003cstrong>El Valor de mi Madre\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong> by Natalie, 12th grade, Burton High School\u003c/strong>\u003c/p>\n\u003cp>Gratitude for mom after almost losing her: \"Now that we have our small arguments, I reflect and remember what had happened and just give her a smile in the middle of an argument, and rush to hug her.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/291369496&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/291369496'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>You’ve heard of the \u003ca href=\"https://ww2.kqed.org/news/2015/06/12/in-the-studio-with-juan-felipe-herrera-so-much-to-say/\">national poet laureate\u003c/a>, and maybe the \u003ca href=\"https://ww2.kqed.org/news/2016/07/10/hitting-the-road-with-californias-poet-laureate/\">California poet laureate\u003c/a>. But did you know that some cities and counties here have their own youth poet laureate? Someone who’s a young ambassador, pushing the literary arts to include young people’s voices and ideas.\u003c/p>\n\u003cp>Twenty-year-old Deborah Armstrong, the \u003ca href=\"http://www.says.ucdavis.edu/student-poet-laureatte\">youth poet laureate of Sacramento\u003c/a>, wrote this poem especially for The California Report Magazine’s holiday show.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/299236806″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>\u003cstrong>The Grinch\u003c/strong>\u003c/p>\n\u003cp>The Grinch tried to steal Christmas\u003cbr>\nHe came bearing yellow hair and orange skin\u003cbr>\nHe talked about building walls to separate humans\u003cbr>\nAnd also made racist comments\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The very people of color he speaks poorly of\u003cbr>\nAre in this country working the hardest\u003cbr>\nThey’re some of smartest\u003cbr>\nMost talented individuals in their towns\u003cbr>\nThey will not be intimidated, shamed, or silenced\u003c/p>\n\u003cp>The Grinch tried to steal Christmas\u003cbr>\nThey came bearing lead pipes and oil\u003cbr>\nWith hard hats\u003cbr>\nAnd harder hearts\u003cbr>\nThey drilled into native soil\u003c/p>\n\u003cp>Water protectors gathered\u003cbr>\nStanding firm like a rock\u003cbr>\nThey stood against a water hose in the freezing cold\u003cbr>\nAnd had the Dakota pipeline stopped\u003cbr>\nWater protectors gathered\u003cbr>\nMaybe Flint Michigan will be their next stop\u003c/p>\n\u003cp>The Grinch tried to steal Christmas\u003cbr>\nIn the form of a fire\u003cbr>\nIt destroyed the ghost ship that many called home\u003cbr>\nAffordable rent is what they desired\u003c/p>\n\u003cp>Oakland has always bred artist and activist alike\u003cbr>\nKnown for politically charged murals\u003cbr>\nFlea markets\u003cbr>\nAnd random freestyle cyphers\u003cbr>\nAnd no matter how high greedy developers raise the rent\u003cbr>\nThe people who created the culture of Oakland will not relent\u003c/p>\n\u003cp>The Grinch tried to steal Christmas\u003cbr>\nIn the form of advertisement\u003cbr>\nManipulation\u003cbr>\nMisleading us to believe Christmas is about consumerism\u003cbr>\nBurying family traditions in sales and spending\u003c/p>\n\u003cp>The commercials will show you bells\u003cbr>\nAnd whistles\u003cbr>\nBrand new peacoats\u003cbr>\nAnd diamond necklaces\u003cbr>\nNarrators will prompt you to apply for credit cards\u003cbr>\nSo you can buy gifts that you can’t afford\u003c/p>\n\u003cp>The day after giving thanks\u003cbr>\nWe’re urged to stampede into stores to buy more\u003c/p>\n\u003cp>Fortunately, my family has always been a little unfortunate\u003cbr>\nUnafforded the luxury of numbing family problems with new stuff\u003cbr>\nYou begin to start envisioning things gift wrapped that ordinarily wouldn’t be\u003c/p>\n\u003cp>Like the roof over your head\u003cbr>\nAnd the foundation underneath your feet\u003cbr>\nBe mindful everyday you get into bed\u003cbr>\nSomeone is sleeping on concrete\u003c/p>\n\u003cp>I begin to imagine my siblings with bows on top of their heads\u003cbr>\nI was blessed with the gift of a brother and sisters to share my childhood with\u003cbr>\nIf you have siblings be grateful, be kind, and forgive\u003cbr>\nStay in contact and be mindful that some people wish they did\u003c/p>\n\u003cp>In the words of Dr. Seuss:\u003c/p>\n\u003cp>And the Grinch, with his Grinch feet ice-cold in the snow,\u003cbr>\nStood puzzling and puzzling. “How could it be so?\u003c/p>\n\u003cp>It came without ribbons! It came without tags!\u003cbr>\nIt came without packages, boxes, or bags!”\u003c/p>\n\u003cp>He puzzled and puzzled till his puzzler was sore.\u003cbr>\nThen the Grinch thought of something he hadn’t before.\u003c/p>\n\u003cp>Maybe Christmas, he thought, doesn’t come from a store.\u003cbr>\nMaybe Christmas, perhaps, means a little bit more!\u003c/p>\n\u003cp>******\u003c/p>\n\u003cp>Check out Deborah performing her poem “CJ”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wrhXvUDPPms\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cp>A roundup of current notable coverage of the Dec. 2 warehouse fire in East Oakland that killed 36 people.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sfchronicle.com/bayarea/article/Survivor-who-jumped-from-Ghost-Ship-window-10805005.php\" target=\"_blank\">Survivor who jumped from Ghost Ship window recalls fire horror\u003c/a>\u003c/strong> \u003cem>(Kimberly Veklerov/San Francisco Chronicle)\u003c/em>: Just before the Ghost Ship lost power, a makeshift staircase turned into a confused bottleneck. A few people ran up the narrow passageway from the ground floor to flee the flames downstairs, hampering a much larger group trying to crowd-surf down. Not far from the mass, Aaron Marin scanned the second floor of the warehouse. “We all just looked at each other and knew we were trapped,” said Marin, 45, one of the last people to escape the Oakland building as it was consumed by flames. (\u003ca href=\"http://www.sfchronicle.com/bayarea/article/Survivor-who-jumped-from-Ghost-Ship-window-10805005.php\" target=\"_blank\">Read full story\u003c/a>.)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.latimes.com/local/lanow/la-me-ln-ghost-ship-rescuers-20161216-story.html\" target=\"_blank\">For Ghost Ship rescuers, a scene they can never forget\u003c/a>\u003c/strong> \u003cem>(Los Angeles Times/Alene Tchekmedyian):\u003c/em> The first body he saw, he recognized. She looked like a mannequin under a pile of charred wreckage about a dozen feet high, among pianos, drum kits and amplifiers coated with soot. As Brian Centoni carefully peeled away layers of debris, his body drenched in sweat under heavy fire gear, he realized he knew her face. (\u003ca href=\"http://www.latimes.com/local/lanow/la-me-ln-ghost-ship-rescuers-20161216-story.html\" target=\"_blank\">Read full story\u003c/a>.)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sfchronicle.com/bayarea/article/Oakland-warehouse-fire-in-2015-foretold-of-Ghost-10807217.php\" target=\"_blank\">Oakland warehouse fire in 2015 foretold Ghost Ship disaster\u003c/a>\u003c/strong> \u003cem>(San Francisco Chronicle/Rachel Swan)\u003c/em>: Nearly two years before a fire killed 36 people inside an Oakland warehouse that city officials say they did not inspect because they considered it vacant, a fire killed two people at a similarly non-permitted live-work building in West Oakland. But in the March 2015 case, city officials were well aware that people were living in the two-story brick building — even though it was not approved for residential use. (\u003ca href=\"http://www.sfchronicle.com/bayarea/article/Oakland-warehouse-fire-in-2015-foretold-of-Ghost-10807217.php\" target=\"_blank\">Read full story\u003c/a>).\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.eastbaytimes.com/2016/12/19/ghost-ship-fire-derick-almenas-attorneys-warn-not-to-scapegoat-him/\" target=\"_blank\">Derick Almena's lawyers warn not to 'scapegoat' him\u003c/a>\u003c/strong> (East Bay Times/Matthias Gafni): The attorneys representing Ghost Ship leader Derick Almena went on the offensive Monday, releasing a statement blaming various government agencies for the deadly fire, not the controversial artist collective founder. “Our investigation shows that Derick Almena committed no conduct amounting to criminal negligence. He should not be made a scapegoat,” said attorneys Tony Serra, Jeffrey Krasnoff and Kyndra Miller in a joint statement. (\u003ca href=\"http://www.eastbaytimes.com/2016/12/19/ghost-ship-fire-derick-almenas-attorneys-warn-not-to-scapegoat-him/\" target=\"_blank\">Read full story\u003c/a>.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A roundup of current notable coverage of the Dec. 2 warehouse fire in East Oakland that killed 36 people.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sfchronicle.com/bayarea/article/Survivor-who-jumped-from-Ghost-Ship-window-10805005.php\" target=\"_blank\">Survivor who jumped from Ghost Ship window recalls fire horror\u003c/a>\u003c/strong> \u003cem>(Kimberly Veklerov/San Francisco Chronicle)\u003c/em>: Just before the Ghost Ship lost power, a makeshift staircase turned into a confused bottleneck. A few people ran up the narrow passageway from the ground floor to flee the flames downstairs, hampering a much larger group trying to crowd-surf down. Not far from the mass, Aaron Marin scanned the second floor of the warehouse. “We all just looked at each other and knew we were trapped,” said Marin, 45, one of the last people to escape the Oakland building as it was consumed by flames. (\u003ca href=\"http://www.sfchronicle.com/bayarea/article/Survivor-who-jumped-from-Ghost-Ship-window-10805005.php\" target=\"_blank\">Read full story\u003c/a>.)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.latimes.com/local/lanow/la-me-ln-ghost-ship-rescuers-20161216-story.html\" target=\"_blank\">For Ghost Ship rescuers, a scene they can never forget\u003c/a>\u003c/strong> \u003cem>(Los Angeles Times/Alene Tchekmedyian):\u003c/em> The first body he saw, he recognized. She looked like a mannequin under a pile of charred wreckage about a dozen feet high, among pianos, drum kits and amplifiers coated with soot. As Brian Centoni carefully peeled away layers of debris, his body drenched in sweat under heavy fire gear, he realized he knew her face. (\u003ca href=\"http://www.latimes.com/local/lanow/la-me-ln-ghost-ship-rescuers-20161216-story.html\" target=\"_blank\">Read full story\u003c/a>.)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sfchronicle.com/bayarea/article/Oakland-warehouse-fire-in-2015-foretold-of-Ghost-10807217.php\" target=\"_blank\">Oakland warehouse fire in 2015 foretold Ghost Ship disaster\u003c/a>\u003c/strong> \u003cem>(San Francisco Chronicle/Rachel Swan)\u003c/em>: Nearly two years before a fire killed 36 people inside an Oakland warehouse that city officials say they did not inspect because they considered it vacant, a fire killed two people at a similarly non-permitted live-work building in West Oakland. But in the March 2015 case, city officials were well aware that people were living in the two-story brick building — even though it was not approved for residential use. (\u003ca href=\"http://www.sfchronicle.com/bayarea/article/Oakland-warehouse-fire-in-2015-foretold-of-Ghost-10807217.php\" target=\"_blank\">Read full story\u003c/a>).\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.eastbaytimes.com/2016/12/19/ghost-ship-fire-derick-almenas-attorneys-warn-not-to-scapegoat-him/\" target=\"_blank\">Derick Almena's lawyers warn not to 'scapegoat' him\u003c/a>\u003c/strong> (East Bay Times/Matthias Gafni): The attorneys representing Ghost Ship leader Derick Almena went on the offensive Monday, releasing a statement blaming various government agencies for the deadly fire, not the controversial artist collective founder. “Our investigation shows that Derick Almena committed no conduct amounting to criminal negligence. He should not be made a scapegoat,” said attorneys Tony Serra, Jeffrey Krasnoff and Kyndra Miller in a joint statement. (\u003ca href=\"http://www.eastbaytimes.com/2016/12/19/ghost-ship-fire-derick-almenas-attorneys-warn-not-to-scapegoat-him/\" target=\"_blank\">Read full story\u003c/a>.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Thinking back about some of the other most impressive releases by California musicians this year, there's a striking rise of artists for whom such questions as “What does it sound like?” and “What kind of music is it?” are not just irrelevant much of the time, but often miss the point.\u003c/p>\n\u003cp>Take \u003ca href=\"https://ww2.kqed.org/news/2016/03/13/new-music-from-thao-heron-oblivion-and-los-cenzontles/\">Thao Nguyen\u003c/a>, \u003ca href=\"https://ww2.kqed.org/news/2016/07/31/new-music-yea-ming-venus-and-the-moon-and-the-side-eyes/\">Yea-Ming\u003c/a>, \u003ca href=\"https://ww2.kqed.org/news/2016/01/31/ty-segall-lucinda-williams-and-anderson-paak-kick-off-the-years-musical-highlights/\">Anderson .Paak\u003c/a> (who just scored a Best New Artist Grammy nomination),\u003ca href=\"https://ww2.kqed.org/news/2016/09/25/new-music-new-perspectives-the-gaslamp-killer-warpaint-and-dwight-yoakam/\"> the Gaslamp Killer\u003c/a>, \u003ca href=\"https://ww2.kqed.org/news/2016/06/30/new-music-from-dj-shadow-and-the-dead-ships/\">Jay Som\u003c/a>, \u003ca href=\"https://ww2.kqed.org/news/2016/08/28/new-music-from-space-to-the-beach-with-vinyl-williams-the-album-leaf-and-the-tyde/\">Vinyl Williams\u003c/a> and several others we discussed in our 2016 reviews. You could add \u003ca href=\"http://boysdontcry.co\">Frank Ocean\u003c/a>, \u003ca href=\"http://lasantacecilia.com\">La Santa Cecilia\u003c/a> and \u003ca href=\"https://www.gaby-moreno.com/?lang=en\">Gaby Moreno\u003c/a> to that list. These are artists who move fluidly in explorations across styles, genres and in some cases, even cultural and gender identifications.\u003c/p>\n\u003cp>It’s not as if they are defying us to categorize them, they’re defying any attempts, the very instincts, to categorize. Which, of course, makes a critic’s job harder, but makes for some very bracing music. In the year that David Bowie and Prince died, it’s all a perfect tribute to their spirits and legacies.\u003c/p>\n\u003cp>In that light, it was amusing to hear the strings on the song “Weep,” the opening track of the self-titled debut album by \u003ca href=\"http://www.magikmagik.com\">Magik*Magik\u003c/a>, with their dramatic, melancholic sweep sounding like they could have been on a recent James Bond theme. Well, Bond has a secret identity, and Magik*Magik is the secret identity of one Minna Choi, a.k.a. Magik*Magik, also the name of the Bay Area orchestra Choi, the Berkeley-born daughter of Korean immigrants, founded about eight years ago.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=0SsrpAtpllk\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Leading the orchestra, she’s collaborated with artists ranging from Death Cab for Cutie and Weezer to Radiohead's Jonny Greenwood and Narada Michael Walden, as well as serving as the house orchestra of producer John Vanderslice’s Tiny Telephone studios. Now with the first album in her own right (if not her own name), she is a moving target in terms of artistic focus, sliding across a spectrum of moods and sounds, from the somber, slow, cinematic melancholy of “Weep” and “Treacherous Road” to the glitchy electronic blips of “Sting Operation” to the bubbly pop of “Life of the Party.”\u003c/p>\n\u003cp>It’s not the orchestra part that becomes the link — though it’s there, even mixing with the electronics — but rather he strong, naturally expressive voice. But the other thread is the naturalness with which she moves between styles, not willfully eclectic, but joyfully free. A bee in a field of colorful flowers, a foodie at a vast buffet.\u003c/p>\n\u003cp>Arguably, looking over some of the year’s top artists, the shared sensibilities, such as they are, start with individual and collective multiculturalism: Paak, from Oxnard, is African-American and Korean. The Gaslamp Killer (William Bensussen) is Jewish of Turkish, Lebanese, Mexican and Lithuanian heritage. Thao Nguyen, Vietnamese-American, was born and raised in Virginia, where she played in a pop-country duo in high school. Gaby Moreno, who incidentally co-wrote the “Parks and Recreation” theme instrumental, was born in Guatemala and lives in Los Angeles, but also has Nashville connections. All have cultural roots and identification, but reach well beyond them, not calculatingly, but naturally.\u003c/p>\n\u003cp>\u003ca href=\"http://www.thaoandthegetdownstaydown.com/\">Thao and the Get Down Stay Down\u003c/a>’s “A Man Alive,” a collaboration with her friend Merrill Garbus of the always-shifting\u003ca href=\"http://tune-yards.com/\"> \u003cspan class=\"st\">tUnE-yArDs\u003c/span>\u003c/a>, was called by many a “departure” from her activist folk-rock as she examined her feelings about her absentee father in settings that maybe sounded closer to Prince than to Pete Seeger. But it seems really more an expansion, an evolution, not a break from anything — though in some ways the musical changes drew attention first to the point that the emotional depth of the album was somewhat overlooked when we discussed the album upon its release earlier this year.\u003c/p>\n\u003cp>Further listens have revealed how fully the range of sounds and styles ties to Nguyen’s personal explorations, largely dealing with her family having been abandoned by her father when she was very young and the difficulties for her, growing into adulthood, grappling with that absence. That an album can reveal more and more on repeated listenings is testimony to its depth and strengths, the power of the revelation, a further extension and expansion of the art.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=37yrktde6m0&app=desktop\u003c/p>\n\u003cp>Gaby Moreno’s “Illusión,” nominated for Best Latin Alternative album, is basically Memphis soul en Español (for the most part). Opening song “Se Apagó” starts with a lick that could have been from “Dusty in Memphis.” Though even here there’s more doing on, with “Fronteras” carrying a bit more country and “La Malaguena,” a showcase for her full vocal powers, she draws on Mexican traditions. She’s called her style “Spanglish folk-soul,” but that just tells us that even she has trouble pinning it down.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wquNdx68olM\u003c/p>\n\u003cp>Coverage of Anderson.Paak’s nomination for the Best New Artist Grammy this month often saw him called a rapper. But despite an association with Dr. Dre, his music more often than not isn’t rap. That’s abundantly clear not just on his bracing album “Malibu,” but in live performances including a delightful, playful NPR Tiny Desk Concert appearance, Paak on drums leading his sharp compact band the Free Nationals as they flow between soul and jazz and pop and rock, even surf, with grace and wit and a sense that \u003ci>anything\u003c/i> is possible. EVERYTHING is possible. In what in many ways was a very tough year in the music world, a year filled with loss and sorrow, this is a positive note.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ferZnZ0_rSM\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Thinking back about some of the other most impressive releases by California musicians this year, there's a striking rise of artists for whom such questions as “What does it sound like?” and “What kind of music is it?” are not just irrelevant much of the time, but often miss the point.\u003c/p>\n\u003cp>Take \u003ca href=\"https://ww2.kqed.org/news/2016/03/13/new-music-from-thao-heron-oblivion-and-los-cenzontles/\">Thao Nguyen\u003c/a>, \u003ca href=\"https://ww2.kqed.org/news/2016/07/31/new-music-yea-ming-venus-and-the-moon-and-the-side-eyes/\">Yea-Ming\u003c/a>, \u003ca href=\"https://ww2.kqed.org/news/2016/01/31/ty-segall-lucinda-williams-and-anderson-paak-kick-off-the-years-musical-highlights/\">Anderson .Paak\u003c/a> (who just scored a Best New Artist Grammy nomination),\u003ca href=\"https://ww2.kqed.org/news/2016/09/25/new-music-new-perspectives-the-gaslamp-killer-warpaint-and-dwight-yoakam/\"> the Gaslamp Killer\u003c/a>, \u003ca href=\"https://ww2.kqed.org/news/2016/06/30/new-music-from-dj-shadow-and-the-dead-ships/\">Jay Som\u003c/a>, \u003ca href=\"https://ww2.kqed.org/news/2016/08/28/new-music-from-space-to-the-beach-with-vinyl-williams-the-album-leaf-and-the-tyde/\">Vinyl Williams\u003c/a> and several others we discussed in our 2016 reviews. You could add \u003ca href=\"http://boysdontcry.co\">Frank Ocean\u003c/a>, \u003ca href=\"http://lasantacecilia.com\">La Santa Cecilia\u003c/a> and \u003ca href=\"https://www.gaby-moreno.com/?lang=en\">Gaby Moreno\u003c/a> to that list. These are artists who move fluidly in explorations across styles, genres and in some cases, even cultural and gender identifications.\u003c/p>\n\u003cp>It’s not as if they are defying us to categorize them, they’re defying any attempts, the very instincts, to categorize. Which, of course, makes a critic’s job harder, but makes for some very bracing music. In the year that David Bowie and Prince died, it’s all a perfect tribute to their spirits and legacies.\u003c/p>\n\u003cp>In that light, it was amusing to hear the strings on the song “Weep,” the opening track of the self-titled debut album by \u003ca href=\"http://www.magikmagik.com\">Magik*Magik\u003c/a>, with their dramatic, melancholic sweep sounding like they could have been on a recent James Bond theme. Well, Bond has a secret identity, and Magik*Magik is the secret identity of one Minna Choi, a.k.a. Magik*Magik, also the name of the Bay Area orchestra Choi, the Berkeley-born daughter of Korean immigrants, founded about eight years ago.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/0SsrpAtpllk'\n title='//www.youtube.com/embed/0SsrpAtpllk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Leading the orchestra, she’s collaborated with artists ranging from Death Cab for Cutie and Weezer to Radiohead's Jonny Greenwood and Narada Michael Walden, as well as serving as the house orchestra of producer John Vanderslice’s Tiny Telephone studios. Now with the first album in her own right (if not her own name), she is a moving target in terms of artistic focus, sliding across a spectrum of moods and sounds, from the somber, slow, cinematic melancholy of “Weep” and “Treacherous Road” to the glitchy electronic blips of “Sting Operation” to the bubbly pop of “Life of the Party.”\u003c/p>\n\u003cp>It’s not the orchestra part that becomes the link — though it’s there, even mixing with the electronics — but rather he strong, naturally expressive voice. But the other thread is the naturalness with which she moves between styles, not willfully eclectic, but joyfully free. A bee in a field of colorful flowers, a foodie at a vast buffet.\u003c/p>\n\u003cp>Arguably, looking over some of the year’s top artists, the shared sensibilities, such as they are, start with individual and collective multiculturalism: Paak, from Oxnard, is African-American and Korean. The Gaslamp Killer (William Bensussen) is Jewish of Turkish, Lebanese, Mexican and Lithuanian heritage. Thao Nguyen, Vietnamese-American, was born and raised in Virginia, where she played in a pop-country duo in high school. Gaby Moreno, who incidentally co-wrote the “Parks and Recreation” theme instrumental, was born in Guatemala and lives in Los Angeles, but also has Nashville connections. All have cultural roots and identification, but reach well beyond them, not calculatingly, but naturally.\u003c/p>\n\u003cp>\u003ca href=\"http://www.thaoandthegetdownstaydown.com/\">Thao and the Get Down Stay Down\u003c/a>’s “A Man Alive,” a collaboration with her friend Merrill Garbus of the always-shifting\u003ca href=\"http://tune-yards.com/\"> \u003cspan class=\"st\">tUnE-yArDs\u003c/span>\u003c/a>, was called by many a “departure” from her activist folk-rock as she examined her feelings about her absentee father in settings that maybe sounded closer to Prince than to Pete Seeger. But it seems really more an expansion, an evolution, not a break from anything — though in some ways the musical changes drew attention first to the point that the emotional depth of the album was somewhat overlooked when we discussed the album upon its release earlier this year.\u003c/p>\n\u003cp>Further listens have revealed how fully the range of sounds and styles ties to Nguyen’s personal explorations, largely dealing with her family having been abandoned by her father when she was very young and the difficulties for her, growing into adulthood, grappling with that absence. That an album can reveal more and more on repeated listenings is testimony to its depth and strengths, the power of the revelation, a further extension and expansion of the art.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/37yrktde6m0'\n title='//www.youtube.com/embed/37yrktde6m0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Gaby Moreno’s “Illusión,” nominated for Best Latin Alternative album, is basically Memphis soul en Español (for the most part). Opening song “Se Apagó” starts with a lick that could have been from “Dusty in Memphis.” Though even here there’s more doing on, with “Fronteras” carrying a bit more country and “La Malaguena,” a showcase for her full vocal powers, she draws on Mexican traditions. She’s called her style “Spanglish folk-soul,” but that just tells us that even she has trouble pinning it down.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wquNdx68olM'\n title='//www.youtube.com/embed/wquNdx68olM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Coverage of Anderson.Paak’s nomination for the Best New Artist Grammy this month often saw him called a rapper. But despite an association with Dr. Dre, his music more often than not isn’t rap. That’s abundantly clear not just on his bracing album “Malibu,” but in live performances including a delightful, playful NPR Tiny Desk Concert appearance, Paak on drums leading his sharp compact band the Free Nationals as they flow between soul and jazz and pop and rock, even surf, with grace and wit and a sense that \u003ci>anything\u003c/i> is possible. EVERYTHING is possible. In what in many ways was a very tough year in the music world, a year filled with loss and sorrow, this is a positive note.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ferZnZ0_rSM'\n title='//www.youtube.com/embed/ferZnZ0_rSM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>This fall, contact was made with an alien from another galaxy. Maybe you didn’t hear about it, but it happened in El Cajon, a few miles from San Diego. A middle-aged being, clad in traditional earth garb — a light-brown suit, white shirt and conservative tie — sat in a chair on a stage, closed his eyes, and began to speak in a slow, hypnotic cadence.\u003c/p>\n\u003cp>“Greetings, friends,” he intoned. “I have been called the name of Kuthumi and I reside on the teaching plane of Orion and I also have a small dwelling on Eros.”\u003c/p>\n\u003cp>To be specific, Kuthumi was speaking through a human, but his message for Earth in these troubled times was of enlightenment and a positive future, a message that’s the gold standard of a group called the Unarians. Every year they gather for the Interplanetary Conclave of Light, a weekend of events open to one and all, events that include communication with those they refer to as the “Space Brothers.”\u003c/p>\n\u003cp>But now, some history. In post-World War II America, flying saucers entered popular culture. Some said that peaceful aliens were concerned about the Earth’s use of atomic bombs and their effect on the galaxy. Others believed the aliens were a mortal threat to all of mankind. It was in this atmosphere that the \u003ca href=\"https://www.unarius.org/\" target=\"_blank\" rel=\"noopener\">Unarius Academy of Science\u003c/a> was born. The Unarians believed the former, by the way. They are all about love, learning and positive creativity.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/298280840″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]\u003c/p>\n\u003cp>The group was founded by Ernest and Ruth Norman. He was a scientist, a channeler and follower of spiritualism. She had worked as a fruit packer, a maid, a property manager and restaurant owner, among other things, and was interested in spiritualism. Both in their 50s, they met at a psychics’ convention in Los Angeles.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In 1954, they created Unarius, and took the names Archangels Raphael and Uriel. He was, by most accounts, a shy, retiring man, content to channel the words of beings from Mars and Venus into volumes of teachings, ultimately numbering close to 100. She was quite the opposite, a strong, vivacious presence who loved the spotlight. It was a perfect union.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘There’s a peace of mind that comes over you. You no longer have that big fear of death.’\u003c/aside>\n\u003cp>They claimed their program of reincarnation, spiritualism and self-mastery was channeled from extraterrestrials, and, as it grew from mail-order books into a brick-and-mortar academy with increasing interest from those seeking answers, Uriel blossomed.\u003c/p>\n\u003cp>She was a striking figure, a woman fond of dazzling wigs and vibrant gowns that evoked a mix of Glinda the Good Witch and Sun Ra. She said she’d lived for thousands of years, in various mortal incarnations. On camera, she often clutched a golden scepter or a single red rose. She appeared on David Letterman’s show. She drove a ’69 Cadillac with a UFO mounted on the roof and “WELCOME YOUR SPACE BROTHERS!” painted on the side. On special occasions, the UFO popped open to release a flock of white doves. Uriel was and is the guiding beacon of Unarius.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JLOSqw62GeU\u003c/p>\n\u003cp>To this day, followers grow humbled and emotional when talking about Uriel, who died in 1993.\u003c/p>\n\u003cp>“She’s a master that came to the planet with a special mission,” explains Unarian Paula Rich Greenwood. “To bring forward these energies and the scientific healing teachings, so that man could learn to heal himself through the understanding of past life therapy.”\u003c/p>\n\u003cp>Greenwood joined Unarius in 1982. The academy says there are currently about 60 members around El Cajon, but thousands around the planet. What draws them to this group?\u003c/p>\n\u003cp>“I was going through a phase in my life where I was very depressed and planning my own suicide,” Greenwood says, “and I had a near-death experience with a heart attack.”\u003c/p>\n\u003cp>A colleague brought her to a healing ceremony at the Unarius Center to remove what she calls “lower astral entities.” It worked. She gave up her interest in the teachings of Paramahansa Yogananda, moving her allegiance to Unarius.\u003c/p>\n\u003cp>Nick Sawyer, 25, was 17 when he discovered Unarius.\u003c/p>\n\u003cp>“I had an experience where my whole body transformed into a radiant vortex of energy and the whole room transformed as well,” Sawyer reveals. “The next day I went to the library as I usually did, and so-called randomly I was taking books off the shelf.”\u003c/p>\n\u003cp>And he plucked out “The Infinite Concept of Cosmic Creation” by Ernest Norman, a volume to Unarians what the Bible is to Christians.\u003c/p>\n\u003cfigure id=\"attachment_11223533\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11223533\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/Collins-800x552.jpg\" alt=\"Former minister Stephen Collins, a Unarian since 2009, flanked by portraits of Unarian co-founder Archangel Uriel.\" width=\"800\" height=\"552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-800x552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-1020x704.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-1180x814.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-960x663.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-240x166.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-375x259.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-520x359.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Former minister Stephen Collins, a Unarian since 2009, flanked by portraits of Unarian co-founder Archangel Uriel. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“What happened was when I walked through the door, I knew this is where I was supposed to be, just knew,” says retired minister Stephen Collins, who says he preached in Watts during the 1965 riots. “There was something missing and [Unarius] filled that. ‘Where did I come from, why am I here and where am I going?’ This answered it all. I don’t ask those questions anymore.”\u003c/p>\n\u003cp>Collins found comfort in the idea of reincarnation.\u003c/p>\n\u003cp>“There’s a peace of mind that comes over you. You no longer have that big fear of death.”\u003c/p>\n\u003cp>These and other Unarians are attending the Conclave of Light, gathering at Unarius headquarters in a building that was a post office in a former life. Step inside, and it’s clearly not a post office anymore. The decor features the bold union of Greco-Roman and 1950s UFO iconography. Doric columns, statues of gods and nymphs, and ropes of plastic flowers hanging from chandeliers, along with flying saucer models and a painting of the galaxy that lights up.\u003c/p>\n\u003cp>And there are plenty of portraits of Uriel, in all her garish majesty. In fact, many of the women here are wearing the Archangel’s shimmering gowns — stored in specially built closets at the site — for a fashion show. Ask them about how they feel clad in the Archangel’s garments, and they visibly choke up.\u003c/p>\n\u003cp>“It makes me feel uplifted when I wear her dresses or her jewelry or her wigs,” says Paula Rich Greenwood. “It’s like I’m floating on a cloud.”\u003c/p>\n\u003cfigure id=\"attachment_11223527\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11223527\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/UnariansModel-800x556.jpg\" alt=\"Unarian members model the costumes of the late Archangel Uriel, co-founder of the Unarius Academy of Science, at the group's Interplanetary Conclave of Light.\" width=\"800\" height=\"556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-800x556.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-1020x709.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-1180x820.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-960x668.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-240x167.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-375x261.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-520x362.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Unarian members model the costumes of the late Archangel Uriel, co-founder of the Unarius Academy of Science, at the group’s Interplanetary Conclave of Light. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lani Calvert, who became a Unarian in 1983, describes the Uriel-owned dress she’s wearing, a formidable task.\u003c/p>\n\u003cp>“Oh my gosh, it’s like an ocean of blue and turquoise leaves with gold streaks of leaves — I guess they’re almost like seaweedy leaves running through it.”\u003c/p>\n\u003cp>And then there’s the hair.\u003c/p>\n\u003cp>“Yes, the hair is blue. On many of the planets they match the hair color to the dresses.”\u003c/p>\n\u003cp>At this point, there’s probably a certain question in your mind. Is this whole thing a cult? You would be wrong, says Calvert.\u003c/p>\n\u003cp>“We’re not here to convert, it’s not a cult. Religion could be considered more of a cult than we are. This is a spiritual school, a nonprofit educational foundation. Unarius gets into so many things. It’s a science but it’s an interdimensional science. It’s outside the box.”\u003c/p>\n\u003cp>Far beyond the box is the group’s long-held prophecy of an interstellar palace of learning that will last for eternity. It’ll be erected by aliens on 67 acres of scrubland purchased by Uriel in the 1970s, a few miles from El Cajon. The Unarians ritually visit the site during every Conclave to look to the skies and wait.\u003c/p>\n\u003cp>Their belief is that 33 starships made of crystal and gold will arrive from 33 planets, landing one on top of the other, stacking into the sky like a towering, cosmic wedding cake. Each ship will carry 1,000 professorial beings, each specializing in some form of the arts.\u003c/p>\n\u003cp>“And it basically will become a university for the earth world,” says Nick Sawyer, “more advanced than any university that we presently have.”\u003c/p>\n\u003cp>Unarius may not be a cult, but it has a cult following. In recent years, their staggering canon of films, TV shows, costumes and music including the Unarius choir, And the Angels Sing — have gained unironic attention from artists and alt-culture fans in their 20s and 30s.\u003c/p>\n\u003cp>Writer Jeff Gauntt and actress Julianne Tura fit into that demographic. They’ve driven down from Los Angeles, curious about the Conclave. After witnessing an entire weekend of all things Unarius — crowned by the channeled communication with Space Brother Kuthumi — they are impressed.\u003c/p>\n\u003cp>“I don’t want to be cynical enough to analyze it, I just want to sort of experience it on the level that they’re presenting it,” says Gauntt. “I do really appreciate the kind of sincerity and total faith they have in what they do. So I’m not going to be the logical person who’s going to say, ‘I don’t believe in this.’ ”\u003c/p>\n\u003cp>“My mind was really blown,” admits Tura. “This whole weekend was just one kind of mind-blowing thing after another. It was unlike anything I’ve ever experienced.”\u003c/p>\n\u003cp>And so, six decades in, Unarius continues, spreading its message of love. And, though she has departed to a higher plane, through the magic of film you can still hear Archangel Uriel spreading her message, as she will forever.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“And ever seek within thee, the love that I give unto thee, for I am infiniti … infiniti … infiniti …”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This fall, contact was made with an alien from another galaxy. Maybe you didn’t hear about it, but it happened in El Cajon, a few miles from San Diego. A middle-aged being, clad in traditional earth garb — a light-brown suit, white shirt and conservative tie — sat in a chair on a stage, closed his eyes, and began to speak in a slow, hypnotic cadence.\u003c/p>\n\u003cp>“Greetings, friends,” he intoned. “I have been called the name of Kuthumi and I reside on the teaching plane of Orion and I also have a small dwelling on Eros.”\u003c/p>\n\u003cp>To be specific, Kuthumi was speaking through a human, but his message for Earth in these troubled times was of enlightenment and a positive future, a message that’s the gold standard of a group called the Unarians. Every year they gather for the Interplanetary Conclave of Light, a weekend of events open to one and all, events that include communication with those they refer to as the “Space Brothers.”\u003c/p>\n\u003cp>But now, some history. In post-World War II America, flying saucers entered popular culture. Some said that peaceful aliens were concerned about the Earth’s use of atomic bombs and their effect on the galaxy. Others believed the aliens were a mortal threat to all of mankind. It was in this atmosphere that the \u003ca href=\"https://www.unarius.org/\" target=\"_blank\" rel=\"noopener\">Unarius Academy of Science\u003c/a> was born. The Unarians believed the former, by the way. They are all about love, learning and positive creativity.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”450″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/298280840″&visual=true&”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true”'\n title='”https://api.soundcloud.com/tracks/298280840″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The group was founded by Ernest and Ruth Norman. He was a scientist, a channeler and follower of spiritualism. She had worked as a fruit packer, a maid, a property manager and restaurant owner, among other things, and was interested in spiritualism. Both in their 50s, they met at a psychics’ convention in Los Angeles.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In 1954, they created Unarius, and took the names Archangels Raphael and Uriel. He was, by most accounts, a shy, retiring man, content to channel the words of beings from Mars and Venus into volumes of teachings, ultimately numbering close to 100. She was quite the opposite, a strong, vivacious presence who loved the spotlight. It was a perfect union.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘There’s a peace of mind that comes over you. You no longer have that big fear of death.’\u003c/aside>\n\u003cp>They claimed their program of reincarnation, spiritualism and self-mastery was channeled from extraterrestrials, and, as it grew from mail-order books into a brick-and-mortar academy with increasing interest from those seeking answers, Uriel blossomed.\u003c/p>\n\u003cp>She was a striking figure, a woman fond of dazzling wigs and vibrant gowns that evoked a mix of Glinda the Good Witch and Sun Ra. She said she’d lived for thousands of years, in various mortal incarnations. On camera, she often clutched a golden scepter or a single red rose. She appeared on David Letterman’s show. She drove a ’69 Cadillac with a UFO mounted on the roof and “WELCOME YOUR SPACE BROTHERS!” painted on the side. On special occasions, the UFO popped open to release a flock of white doves. Uriel was and is the guiding beacon of Unarius.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JLOSqw62GeU'\n title='//www.youtube.com/embed/JLOSqw62GeU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>To this day, followers grow humbled and emotional when talking about Uriel, who died in 1993.\u003c/p>\n\u003cp>“She’s a master that came to the planet with a special mission,” explains Unarian Paula Rich Greenwood. “To bring forward these energies and the scientific healing teachings, so that man could learn to heal himself through the understanding of past life therapy.”\u003c/p>\n\u003cp>Greenwood joined Unarius in 1982. The academy says there are currently about 60 members around El Cajon, but thousands around the planet. What draws them to this group?\u003c/p>\n\u003cp>“I was going through a phase in my life where I was very depressed and planning my own suicide,” Greenwood says, “and I had a near-death experience with a heart attack.”\u003c/p>\n\u003cp>A colleague brought her to a healing ceremony at the Unarius Center to remove what she calls “lower astral entities.” It worked. She gave up her interest in the teachings of Paramahansa Yogananda, moving her allegiance to Unarius.\u003c/p>\n\u003cp>Nick Sawyer, 25, was 17 when he discovered Unarius.\u003c/p>\n\u003cp>“I had an experience where my whole body transformed into a radiant vortex of energy and the whole room transformed as well,” Sawyer reveals. “The next day I went to the library as I usually did, and so-called randomly I was taking books off the shelf.”\u003c/p>\n\u003cp>And he plucked out “The Infinite Concept of Cosmic Creation” by Ernest Norman, a volume to Unarians what the Bible is to Christians.\u003c/p>\n\u003cfigure id=\"attachment_11223533\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11223533\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/Collins-800x552.jpg\" alt=\"Former minister Stephen Collins, a Unarian since 2009, flanked by portraits of Unarian co-founder Archangel Uriel.\" width=\"800\" height=\"552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-800x552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-1020x704.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-1180x814.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-960x663.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-240x166.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-375x259.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-520x359.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Former minister Stephen Collins, a Unarian since 2009, flanked by portraits of Unarian co-founder Archangel Uriel. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“What happened was when I walked through the door, I knew this is where I was supposed to be, just knew,” says retired minister Stephen Collins, who says he preached in Watts during the 1965 riots. “There was something missing and [Unarius] filled that. ‘Where did I come from, why am I here and where am I going?’ This answered it all. I don’t ask those questions anymore.”\u003c/p>\n\u003cp>Collins found comfort in the idea of reincarnation.\u003c/p>\n\u003cp>“There’s a peace of mind that comes over you. You no longer have that big fear of death.”\u003c/p>\n\u003cp>These and other Unarians are attending the Conclave of Light, gathering at Unarius headquarters in a building that was a post office in a former life. Step inside, and it’s clearly not a post office anymore. The decor features the bold union of Greco-Roman and 1950s UFO iconography. Doric columns, statues of gods and nymphs, and ropes of plastic flowers hanging from chandeliers, along with flying saucer models and a painting of the galaxy that lights up.\u003c/p>\n\u003cp>And there are plenty of portraits of Uriel, in all her garish majesty. In fact, many of the women here are wearing the Archangel’s shimmering gowns — stored in specially built closets at the site — for a fashion show. Ask them about how they feel clad in the Archangel’s garments, and they visibly choke up.\u003c/p>\n\u003cp>“It makes me feel uplifted when I wear her dresses or her jewelry or her wigs,” says Paula Rich Greenwood. “It’s like I’m floating on a cloud.”\u003c/p>\n\u003cfigure id=\"attachment_11223527\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11223527\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/UnariansModel-800x556.jpg\" alt=\"Unarian members model the costumes of the late Archangel Uriel, co-founder of the Unarius Academy of Science, at the group's Interplanetary Conclave of Light.\" width=\"800\" height=\"556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-800x556.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-1020x709.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-1180x820.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-960x668.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-240x167.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-375x261.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-520x362.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Unarian members model the costumes of the late Archangel Uriel, co-founder of the Unarius Academy of Science, at the group’s Interplanetary Conclave of Light. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lani Calvert, who became a Unarian in 1983, describes the Uriel-owned dress she’s wearing, a formidable task.\u003c/p>\n\u003cp>“Oh my gosh, it’s like an ocean of blue and turquoise leaves with gold streaks of leaves — I guess they’re almost like seaweedy leaves running through it.”\u003c/p>\n\u003cp>And then there’s the hair.\u003c/p>\n\u003cp>“Yes, the hair is blue. On many of the planets they match the hair color to the dresses.”\u003c/p>\n\u003cp>At this point, there’s probably a certain question in your mind. Is this whole thing a cult? You would be wrong, says Calvert.\u003c/p>\n\u003cp>“We’re not here to convert, it’s not a cult. Religion could be considered more of a cult than we are. This is a spiritual school, a nonprofit educational foundation. Unarius gets into so many things. It’s a science but it’s an interdimensional science. It’s outside the box.”\u003c/p>\n\u003cp>Far beyond the box is the group’s long-held prophecy of an interstellar palace of learning that will last for eternity. It’ll be erected by aliens on 67 acres of scrubland purchased by Uriel in the 1970s, a few miles from El Cajon. The Unarians ritually visit the site during every Conclave to look to the skies and wait.\u003c/p>\n\u003cp>Their belief is that 33 starships made of crystal and gold will arrive from 33 planets, landing one on top of the other, stacking into the sky like a towering, cosmic wedding cake. Each ship will carry 1,000 professorial beings, each specializing in some form of the arts.\u003c/p>\n\u003cp>“And it basically will become a university for the earth world,” says Nick Sawyer, “more advanced than any university that we presently have.”\u003c/p>\n\u003cp>Unarius may not be a cult, but it has a cult following. In recent years, their staggering canon of films, TV shows, costumes and music including the Unarius choir, And the Angels Sing — have gained unironic attention from artists and alt-culture fans in their 20s and 30s.\u003c/p>\n\u003cp>Writer Jeff Gauntt and actress Julianne Tura fit into that demographic. They’ve driven down from Los Angeles, curious about the Conclave. After witnessing an entire weekend of all things Unarius — crowned by the channeled communication with Space Brother Kuthumi — they are impressed.\u003c/p>\n\u003cp>“I don’t want to be cynical enough to analyze it, I just want to sort of experience it on the level that they’re presenting it,” says Gauntt. “I do really appreciate the kind of sincerity and total faith they have in what they do. So I’m not going to be the logical person who’s going to say, ‘I don’t believe in this.’ ”\u003c/p>\n\u003cp>“My mind was really blown,” admits Tura. “This whole weekend was just one kind of mind-blowing thing after another. It was unlike anything I’ve ever experienced.”\u003c/p>\n\u003cp>And so, six decades in, Unarius continues, spreading its message of love. And, though she has departed to a higher plane, through the magic of film you can still hear Archangel Uriel spreading her message, as she will forever.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“And ever seek within thee, the love that I give unto thee, for I am infiniti … infiniti … infiniti …”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Every Christmas, communities across California put their own stamp on \u003cem>las posadas\u003c/em>, traditional Mexican processions to celebrate the nativity. This weekend in Sacramento, one of those processions starts off on the streets, and then heads into a theater. In \u003ca href=\"http://www.crestsacramento.com/event/1377060-la-pastorela-de-sactown-sacramento/\">“La Pastorela de Sactown,”\u003c/a> a bilingual cast of musicians and actors will stage a satirical holiday musical about three shepherds, with very modern lives.\u003c/p>\n\u003cp>There’s the Mexican-American assemblyman caught up in a scandal (Elio Gutierrez), the single mom who works in an office (Olivia Chavez), and a landlord who speaks only Spanish as a way to reflect his pride in his culture (Joaquin Aranda). They’re caught between the devil and an archangel, who shows up as an activist and tasks them with helping an undocumented homeless couple expecting a baby.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/298280459″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>“Given the political climate right now, it’s a perfect take on an old story,” says director Wilma Bonet. “Pastorelas are always about the angels and the devils, and people making decisions about what’s right and what’s wrong. During the holidays, this story reminds you that there’s more than just a ‘me-me-me’ society.”\u003c/p>\n\u003cfigure id=\"attachment_11220154\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11220154\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-800x1237.jpg\" alt='\"La Pastorela de Sactown\" tells the story of the Christmas nativity, with a modern political twist. ' width=\"800\" height=\"1237\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-800x1237.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-160x247.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-240x371.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-375x580.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-520x804.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut.jpg 841w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“La Pastorela de Sactown” tells the story of the Christmas nativity, with a modern political twist. \u003ccite>(Hector Navejas )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bonet and others involved in the production are former members of the \u003ca href=\"http://www.sfmt.org/company/index.php\">San Francisco Mime Troupe\u003c/a>, known for reflecting modern-day political events through popular theater. And this piece echoes that spirit, transforming heavy political commentary into a show that’s slapstick and lighthearted. And this production is fully bilingual, with glittery costumes and a whole lot of singing.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Every Christmas, communities across California put their own stamp on \u003cem>las posadas\u003c/em>, traditional Mexican processions to celebrate the nativity. This weekend in Sacramento, one of those processions starts off on the streets, and then heads into a theater. In \u003ca href=\"http://www.crestsacramento.com/event/1377060-la-pastorela-de-sactown-sacramento/\">“La Pastorela de Sactown,”\u003c/a> a bilingual cast of musicians and actors will stage a satirical holiday musical about three shepherds, with very modern lives.\u003c/p>\n\u003cp>There’s the Mexican-American assemblyman caught up in a scandal (Elio Gutierrez), the single mom who works in an office (Olivia Chavez), and a landlord who speaks only Spanish as a way to reflect his pride in his culture (Joaquin Aranda). They’re caught between the devil and an archangel, who shows up as an activist and tasks them with helping an undocumented homeless couple expecting a baby.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/298280459″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/298280459″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“Given the political climate right now, it’s a perfect take on an old story,” says director Wilma Bonet. “Pastorelas are always about the angels and the devils, and people making decisions about what’s right and what’s wrong. During the holidays, this story reminds you that there’s more than just a ‘me-me-me’ society.”\u003c/p>\n\u003cfigure id=\"attachment_11220154\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11220154\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-800x1237.jpg\" alt='\"La Pastorela de Sactown\" tells the story of the Christmas nativity, with a modern political twist. ' width=\"800\" height=\"1237\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-800x1237.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-160x247.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-240x371.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-375x580.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-520x804.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut.jpg 841w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“La Pastorela de Sactown” tells the story of the Christmas nativity, with a modern political twist. \u003ccite>(Hector Navejas )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bonet and others involved in the production are former members of the \u003ca href=\"http://www.sfmt.org/company/index.php\">San Francisco Mime Troupe\u003c/a>, known for reflecting modern-day political events through popular theater. And this piece echoes that spirit, transforming heavy political commentary into a show that’s slapstick and lighthearted. And this production is fully bilingual, with glittery costumes and a whole lot of singing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>The owner of an Oakland warehouse where 36 people died in a fire earlier this month had a business license for more than two decades, but firefighters charged with inspecting city businesses never reviewed the building, city officials confirmed.\u003c/p>\n\u003cp>The \u003ca href=\"http://bit.ly/2hrO9Ln\" target=\"_blank\">East Bay Times reports\u003c/a> that Chor Ng, 62, filed for the license in 1995, writing on the form that she wanted to operate a \"commercial rental.\" She was up to date on annual business taxes, said Margaret O'Brien, Oakland's revenue and tax administrator.\u003c/p>\n\u003cp>The revelation further highlights the lack of coordination and communication between city agencies responsible for registering and inspecting commercial buildings.\u003c/p>\n\u003cp>[contextly_sidebar id=\"LCyr6gc2YNRPdLjUefUmWi2ijv4twbQv\"]\u003c/p>\n\u003cp>The warehouse owner has not responded to emails and calls made by the Associated Press to phone numbers associated with her. The landlord's daughter, Eva Ng, told the Los Angeles Times that the Ng family didn't know people were living in the warehouse, known as the Ghost Ship, in violation of city zoning laws.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Oakland Fire Chief Teresa Deloach Reed said Tuesday there are no city records showing her department receiving concerns about the building, which former residents, neighbors and others say was the subject of numerous calls to 911.\u003c/p>\n\u003cp>\"We do not inspect buildings, we inspect businesses,\" Reed said during a press conference on Dec. 13.\u003c/p>\n\u003cp>The business license application is only the first step in opening a commercial enterprise.\u003c/p>\n\u003cp>If Ng had wanted to operate a legitimate business at the warehouse, either she or her tenants would have also needed to file paperwork for a Fire Department permit, which would have automatically notified the fire prevention bureau for an inspection.\u003c/p>\n\u003cp>Oakland spokeswoman Karen Boyd said the city is looking for ways to better coordinate the processes, the East Bay Times reported Thursday.\u003c/p>\n\u003cp>The deadliest structure fire in the U.S. in more than a decade broke out during a Dec. 2 late-night dance party in the cluttered warehouse. The building had been converted to art studios and illegal living spaces, and former denizens said it was a death trap of piled wood, furniture, snaking electrical cords and only two exits\u003c/p>\n\u003cp>Investigators said that they still haven't determined what started the fire, though they say it didn't appear to be intentionally set. Instead, investigators have been focusing on electrical appliances plugged into the rear of the building where the fire started.\u003c/p>\n\u003cp>The electrical system is still part of the analysis of what sparked the fire, said Jill Snyder, the special agent in charge with the U.S. Bureau of Alcohol, Tobacco, Firearms and Explosives.\u003c/p>\n\u003cp>A civil grand jury report in 2014 said 4,000 out of 11,000 buildings in Oakland were going without the yearly inspections, and concluded the city's website inaccurately implied all commercial buildings received annual inspections.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The department agreed with the finding. It said an annual inspection for each commercial business was a goal, but emergency responses and staffing made that more difficult.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The owner of an Oakland warehouse where 36 people died in a fire earlier this month had a business license for more than two decades, but firefighters charged with inspecting city businesses never reviewed the building, city officials confirmed.\u003c/p>\n\u003cp>The \u003ca href=\"http://bit.ly/2hrO9Ln\" target=\"_blank\">East Bay Times reports\u003c/a> that Chor Ng, 62, filed for the license in 1995, writing on the form that she wanted to operate a \"commercial rental.\" She was up to date on annual business taxes, said Margaret O'Brien, Oakland's revenue and tax administrator.\u003c/p>\n\u003cp>The revelation further highlights the lack of coordination and communication between city agencies responsible for registering and inspecting commercial buildings.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The warehouse owner has not responded to emails and calls made by the Associated Press to phone numbers associated with her. The landlord's daughter, Eva Ng, told the Los Angeles Times that the Ng family didn't know people were living in the warehouse, known as the Ghost Ship, in violation of city zoning laws.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Oakland Fire Chief Teresa Deloach Reed said Tuesday there are no city records showing her department receiving concerns about the building, which former residents, neighbors and others say was the subject of numerous calls to 911.\u003c/p>\n\u003cp>\"We do not inspect buildings, we inspect businesses,\" Reed said during a press conference on Dec. 13.\u003c/p>\n\u003cp>The business license application is only the first step in opening a commercial enterprise.\u003c/p>\n\u003cp>If Ng had wanted to operate a legitimate business at the warehouse, either she or her tenants would have also needed to file paperwork for a Fire Department permit, which would have automatically notified the fire prevention bureau for an inspection.\u003c/p>\n\u003cp>Oakland spokeswoman Karen Boyd said the city is looking for ways to better coordinate the processes, the East Bay Times reported Thursday.\u003c/p>\n\u003cp>The deadliest structure fire in the U.S. in more than a decade broke out during a Dec. 2 late-night dance party in the cluttered warehouse. The building had been converted to art studios and illegal living spaces, and former denizens said it was a death trap of piled wood, furniture, snaking electrical cords and only two exits\u003c/p>\n\u003cp>Investigators said that they still haven't determined what started the fire, though they say it didn't appear to be intentionally set. Instead, investigators have been focusing on electrical appliances plugged into the rear of the building where the fire started.\u003c/p>\n\u003cp>The electrical system is still part of the analysis of what sparked the fire, said Jill Snyder, the special agent in charge with the U.S. Bureau of Alcohol, Tobacco, Firearms and Explosives.\u003c/p>\n\u003cp>A civil grand jury report in 2014 said 4,000 out of 11,000 buildings in Oakland were going without the yearly inspections, and concluded the city's website inaccurately implied all commercial buildings received annual inspections.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The department agreed with the finding. It said an annual inspection for each commercial business was a goal, but emergency responses and staffing made that more difficult.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Complaints mounted about the cluttered warehouse converted into an illegal artists' colony before a deadly blaze ripped through earlier this month, but few -- if any -- made it to the Oakland Fire Department.\u003c/p>\n\u003cp>Oakland Fire Chief Teresa Deloach Reed said Tuesday there are no city records showing her department receiving concerns about the building, which former residents, neighbors and others say was the subject of numerous calls to 911.\u003c/p>\n\u003cp>\"We do not inspect buildings, we inspect businesses,\" Reed said during a press conference. \"There were no indications this was an active business.\"\u003c/p>\n\u003cp>City Administrator Sabrina Landreth, who also is in temporary charge of the Oakland Police Department, said officials are compiling and reviewing police records to determine how many times officers responded to complaints about the warehouse.\u003c/p>\n\u003cp>[contextly_sidebar id=\"CLsrQOj52imBIH3sdXDClyuYkbynozmn\"]\u003c/p>\n\u003cp>The deadliest structure fire in the U.S. in more than a decade broke out during a Dec. 2 late-night dance party in the cluttered warehouse known as the Ghost Ship. It killed 36 people. The building had been converted to art studios and illegal living spaces, and former denizens said it was a death trap of piled wood, furniture and snaking electrical cords, with only two exits.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Investigators said that they still haven't determined what started the fire, though they say it didn't appear to be intentionally set. Instead, investigators have been focusing on electrical appliances plugged into the rear of the building where the fire started.\u003c/p>\n\u003cp>The electrical system is still part of the analysis of what sparked the fire, said Jill Snyder, the special agent in charge with the U.S. Bureau of Alcohol, Tobacco, Firearms and Explosives.\u003c/p>\n\u003cp>The ATF has finished collecting evidence, Snyder said. The Oakland Fire Department will prepare a final report for handover to prosecutors.\u003c/p>\n\u003cp>Prosecutors have warned murder charges are possible as they determine whether crimes are linked to the blaze.\u003c/p>\n\u003cp>Alameda County District Attorney Nancy O'Malley said Tuesday the criminal investigation will be \"thorough, methodical and calculated.\"\u003c/p>\n\u003cp>City and state officials fielded complaints for years about dangerous conditions, drugs, neglected children, trash, thefts and squabbles at the warehouse, raising questions about why it wasn't shut down.\u003c/p>\n\u003cp>There are no records that inspectors from the fire and building departments ever set foot in the warehouse.\u003c/p>\n\u003cp>The fire chief said the warehouse wasn't on the department's list of businesses to inspect because no one ever applied for permits to occupy the building.\u003c/p>\n\u003cp>Derick Ion Almena, the sometime photographer who rented the warehouse and sublet it to artists, has not responded to emails or calls by The AP to phone numbers associated with him. In a brief interview with NBC's \"Today\" show, Almena said he didn't attend the Dec. 2 party and that he is sorry. Almena said he lived at the warehouse with his wife and three young children, though they were staying at a hotel the night the fire broke out.\u003c/p>\n\u003cp>The warehouse's owner, Chor Ng, has not responded to emails and calls made by The AP to phone numbers associated with her. The landlord's daughter, Eva Ng, told The Los Angeles Times that the Ng family didn't know people were living in the warehouse in violation of city zoning laws.\u003c/p>\n\u003cp>The blaze was the nation's most lethal structure fire since 100 people perished in a Rhode Island bar in 2003.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Associated Press writers Kristen Bender and Ellen Knickmeyer in San Francisco contributed to this report.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Complaints mounted about the cluttered warehouse converted into an illegal artists' colony before a deadly blaze ripped through earlier this month, but few -- if any -- made it to the Oakland Fire Department.\u003c/p>\n\u003cp>Oakland Fire Chief Teresa Deloach Reed said Tuesday there are no city records showing her department receiving concerns about the building, which former residents, neighbors and others say was the subject of numerous calls to 911.\u003c/p>\n\u003cp>\"We do not inspect buildings, we inspect businesses,\" Reed said during a press conference. \"There were no indications this was an active business.\"\u003c/p>\n\u003cp>City Administrator Sabrina Landreth, who also is in temporary charge of the Oakland Police Department, said officials are compiling and reviewing police records to determine how many times officers responded to complaints about the warehouse.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The deadliest structure fire in the U.S. in more than a decade broke out during a Dec. 2 late-night dance party in the cluttered warehouse known as the Ghost Ship. It killed 36 people. The building had been converted to art studios and illegal living spaces, and former denizens said it was a death trap of piled wood, furniture and snaking electrical cords, with only two exits.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Investigators said that they still haven't determined what started the fire, though they say it didn't appear to be intentionally set. Instead, investigators have been focusing on electrical appliances plugged into the rear of the building where the fire started.\u003c/p>\n\u003cp>The electrical system is still part of the analysis of what sparked the fire, said Jill Snyder, the special agent in charge with the U.S. Bureau of Alcohol, Tobacco, Firearms and Explosives.\u003c/p>\n\u003cp>The ATF has finished collecting evidence, Snyder said. The Oakland Fire Department will prepare a final report for handover to prosecutors.\u003c/p>\n\u003cp>Prosecutors have warned murder charges are possible as they determine whether crimes are linked to the blaze.\u003c/p>\n\u003cp>Alameda County District Attorney Nancy O'Malley said Tuesday the criminal investigation will be \"thorough, methodical and calculated.\"\u003c/p>\n\u003cp>City and state officials fielded complaints for years about dangerous conditions, drugs, neglected children, trash, thefts and squabbles at the warehouse, raising questions about why it wasn't shut down.\u003c/p>\n\u003cp>There are no records that inspectors from the fire and building departments ever set foot in the warehouse.\u003c/p>\n\u003cp>The fire chief said the warehouse wasn't on the department's list of businesses to inspect because no one ever applied for permits to occupy the building.\u003c/p>\n\u003cp>Derick Ion Almena, the sometime photographer who rented the warehouse and sublet it to artists, has not responded to emails or calls by The AP to phone numbers associated with him. In a brief interview with NBC's \"Today\" show, Almena said he didn't attend the Dec. 2 party and that he is sorry. Almena said he lived at the warehouse with his wife and three young children, though they were staying at a hotel the night the fire broke out.\u003c/p>\n\u003cp>The warehouse's owner, Chor Ng, has not responded to emails and calls made by The AP to phone numbers associated with her. The landlord's daughter, Eva Ng, told The Los Angeles Times that the Ng family didn't know people were living in the warehouse in violation of city zoning laws.\u003c/p>\n\u003cp>The blaze was the nation's most lethal structure fire since 100 people perished in a Rhode Island bar in 2003.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Associated Press writers Kristen Bender and Ellen Knickmeyer in San Francisco contributed to this report.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Oakland's Emergency Proclamation After Ghost Ship Fire Could Aid Neighboring Businesses",
"title": "Oakland's Emergency Proclamation After Ghost Ship Fire Could Aid Neighboring Businesses",
"headTitle": "News Fix | KQED News",
"content": "\u003cp>As people across the country mourned the victims of the Dec. 2 Ghost Ship warehouse fire, and firefighters and sheriff's deputies worked steadily on recovery efforts, Edith Gallegos saw her clientele plummet. The small Mexican restaurant she manages, Hornitos Cafe, sits just outside the four-block area that police cordoned off to all traffic, near a major business district in Oakland's Fruitvale neighborhood.\u003c/p>\n\u003cp>Less than half of Gallegos' customers showed up during that week due to the traffic closure, she said, and her business lost hundreds of dollars daily. She had to cancel all food deliveries and cut down hours for her kitchen staff.\u003c/p>\n\u003cp>\"We are so sad about the tragic loss of life for so many young people,\" said Gallegos in Spanish, referring to the fire's 36 victims. \"The fire has also affected us because they've closed the street all these days. Clients can't get through -- a lot of them drive here.\"\u003c/p>\n\u003cp>After the deadly blaze, auto body shops, restaurants, a clothing store and a handful of other small businesses inside the closed-off area were forced to shut down for at least five days, affecting potentially dozens of low-income employees in this working-class neighborhood.\u003c/p>\n\u003cp>Oakland's \u003ca href=\"http://www2.oaklandnet.com/oakca1/groups/ceda/documents/pressrelease/oak061826.pdf\" target=\"_blank\">Local Emergency Proclamation\u003c/a>, ratified by the City Council on Dec. 8, could help the city recover up to 75 percent of response and recovery expenses related to the deadly blaze, which Oakland is still determining. It may also allow artists who operated a business at the Ghost Ship warehouse, and neighboring shops with revenue losses related to the fire, to access low-interest loans from the U.S. Small Business Administration, according to city officials.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"Residents and businesses, who have also incurred eligible damage costs resulting from the event, are given the opportunity to apply for individual assistance from federal and state assistance disaster programs,\"\u003ca href=\"https://oakland.legistar.com/LegislationDetail.aspx?ID=2901295&GUID=CA66092D-0156-4426-960B-65478A01CC77\" target=\"_blank\"> wrote\u003c/a> Oakland City Administrator Sabrina Landreth to the City Council, recommending they ratify her office's Local Emergency Proclamation from Dec. 6.\u003c/p>\n\u003cfigure id=\"attachment_11217446\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11217446 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23292_IMG_6435-qut.jpg\" alt=\"Edith Gallegos works the register at Hornitos Cafe, blocks away from the Ghost Ship warehouse fire. Gallegos said her clientele plummeted during recovery efforts at the fire site, which closed nearby streets.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Edith Gallegos works the register at Hornitos Cafe, blocks away from the Ghost Ship warehouse fire. Gallegos said business plummeted during recovery efforts at the fire site, which closed nearby streets. \u003ccite>(Farida Jhabvala Romero/KQED News)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Business representatives in the Fruitvale neighborhood said the tragedy hit the neighborhood and city in multiple ways. Since news of the deadly blaze broke out, stunned and sometimes tearful residents stopped by the site to pay their respects to the victims. Many left flowers, handwritten letters and votive candles in makeshift memorials.\u003c/p>\n\u003cp>\"It is a huge impact, first the families of the people who died, I don’t have words to describe it,\" said Maria Sanchez, who leads the \u003ca href=\"https://unitycouncil.org/program/fruitvale-business-improvement-district/\" target=\"_blank\">Fruitvale Business Improvement District\u003c/a> program at the Unity Council, a local nonprofit. \"Then the losses to the businesses around the site that got damaged, or the ones that had to close.\"\u003c/p>\n\u003cp>Sanchez worried that the largely low-income employees at those businesses would lose compensation for the shifts they weren't able to work.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"They really need the money they are earning. Many of them are parents,\" Sanchez said. \"People count on this money to pay their bills.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As people across the country mourned the victims of the Dec. 2 Ghost Ship warehouse fire, and firefighters and sheriff's deputies worked steadily on recovery efforts, Edith Gallegos saw her clientele plummet. The small Mexican restaurant she manages, Hornitos Cafe, sits just outside the four-block area that police cordoned off to all traffic, near a major business district in Oakland's Fruitvale neighborhood.\u003c/p>\n\u003cp>Less than half of Gallegos' customers showed up during that week due to the traffic closure, she said, and her business lost hundreds of dollars daily. She had to cancel all food deliveries and cut down hours for her kitchen staff.\u003c/p>\n\u003cp>\"We are so sad about the tragic loss of life for so many young people,\" said Gallegos in Spanish, referring to the fire's 36 victims. \"The fire has also affected us because they've closed the street all these days. Clients can't get through -- a lot of them drive here.\"\u003c/p>\n\u003cp>After the deadly blaze, auto body shops, restaurants, a clothing store and a handful of other small businesses inside the closed-off area were forced to shut down for at least five days, affecting potentially dozens of low-income employees in this working-class neighborhood.\u003c/p>\n\u003cp>Oakland's \u003ca href=\"http://www2.oaklandnet.com/oakca1/groups/ceda/documents/pressrelease/oak061826.pdf\" target=\"_blank\">Local Emergency Proclamation\u003c/a>, ratified by the City Council on Dec. 8, could help the city recover up to 75 percent of response and recovery expenses related to the deadly blaze, which Oakland is still determining. It may also allow artists who operated a business at the Ghost Ship warehouse, and neighboring shops with revenue losses related to the fire, to access low-interest loans from the U.S. Small Business Administration, according to city officials.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"Residents and businesses, who have also incurred eligible damage costs resulting from the event, are given the opportunity to apply for individual assistance from federal and state assistance disaster programs,\"\u003ca href=\"https://oakland.legistar.com/LegislationDetail.aspx?ID=2901295&GUID=CA66092D-0156-4426-960B-65478A01CC77\" target=\"_blank\"> wrote\u003c/a> Oakland City Administrator Sabrina Landreth to the City Council, recommending they ratify her office's Local Emergency Proclamation from Dec. 6.\u003c/p>\n\u003cfigure id=\"attachment_11217446\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11217446 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23292_IMG_6435-qut.jpg\" alt=\"Edith Gallegos works the register at Hornitos Cafe, blocks away from the Ghost Ship warehouse fire. Gallegos said her clientele plummeted during recovery efforts at the fire site, which closed nearby streets.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Edith Gallegos works the register at Hornitos Cafe, blocks away from the Ghost Ship warehouse fire. Gallegos said business plummeted during recovery efforts at the fire site, which closed nearby streets. \u003ccite>(Farida Jhabvala Romero/KQED News)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Business representatives in the Fruitvale neighborhood said the tragedy hit the neighborhood and city in multiple ways. Since news of the deadly blaze broke out, stunned and sometimes tearful residents stopped by the site to pay their respects to the victims. Many left flowers, handwritten letters and votive candles in makeshift memorials.\u003c/p>\n\u003cp>\"It is a huge impact, first the families of the people who died, I don’t have words to describe it,\" said Maria Sanchez, who leads the \u003ca href=\"https://unitycouncil.org/program/fruitvale-business-improvement-district/\" target=\"_blank\">Fruitvale Business Improvement District\u003c/a> program at the Unity Council, a local nonprofit. \"Then the losses to the businesses around the site that got damaged, or the ones that had to close.\"\u003c/p>\n\u003cp>Sanchez worried that the largely low-income employees at those businesses would lose compensation for the shifts they weren't able to work.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"They really need the money they are earning. Many of them are parents,\" Sanchez said. \"People count on this money to pay their bills.\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>After the devastating warehouse fire that claimed 36 lives earlier this month, hundreds of people stopped by the four-block area cordoned off by police. Crews worked for five days straight on recovery efforts, while makeshift memorials grew by fences surrounding the site of California's deadliest structure fire since the 1906 earthquake.\u003c/p>\n\u003cp>Several neighbors and others who had regularly seen the warehouse building known as the Ghost Ship said they knew little to nothing about the arts collective that resided there for years. Oakland's Fruitvale district is home to many arts collectives in warehouses and other old buildings, but the Ghost Ship was not well known to its largely Latino immigrant neighborhood, say artists and residents alike.\u003c/p>\n\u003cp>\"I passed by the building plenty of times, but I always thought it was abandoned,\" said Victor Lopez, 24, who had lived for years on the same block as the Ghost Ship. \"Now it's shocking to me that people stayed there.\"\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/296718579\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>\"I never knew what was going in the building,\" said Karen Benjamin, a Fruitvale resident who frequents the Wendy's restaurant across the street from the warehouse. \"When I heard the conditions people were living in and lives lost, it touched my heart in a sad way.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Just steps away from the charred remains of the Ghost Ship, large murals decorate buildings on Fruitvale Avenue and International Boulevard, a major intersection in the neighborhood. Clothing and grocery stores, restaurants and other mom-and-pop businesses line the crowded streets.\u003c/p>\n\u003cfigure id=\"attachment_11217119\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11217119 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23282_IMG_6409-qut.jpg\" alt=\"A mural by the Eastside Arts Collective is one of many that decorate stores and other buildings on Fruitvale Ave. The neighborhood has become home to many artists, say long time residents.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A mural by the Eastside Arts Collective is one of many that decorate stores and other buildings on Fruitvale Avenue. The diverse neighborhood has become home to many artists, say longtime residents. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Maria Sanchez walks through that area frequently talking to small-business owners and residents. As manager of a local business district improvement program, Sanchez makes sure streets are clean and free of graffiti. She brings together artists to create mosaic murals and colorful paintings at parks and other communal areas.\u003c/p>\n\u003cp>\"It’s a lot of artists here in the Fruitvale district. I think this brings us together, because we don’t need to talk, just expressing (ourselves) doing art,\" said Sanchez, a native of Mexico who has lived in the neighborhood for 40 years. The nonprofit Sanchez works for, the \u003ca href=\"https://unitycouncil.org/\" target=\"_blank\">Unity Council\u003c/a>, organizes the popular Dia de los Muertos and other cultural events that promote the Fruitvale.\u003c/p>\n\u003cp>Sanchez said although she didn't know much about the Ghost Ship, the warehouse was one of many arts spaces in the area, which have multiplied in recent years. Many artists coming to the Fruitvale appreciate the neighborhood's diversity -- including African-American, Vietnamese and Middle Eastern communities -- and lower housing prices compared to cities like San Francisco, she said.\u003c/p>\n\u003cp>\"San Francisco is impossible to pay rent, and here in Oakland it's more affordable,\" Sanchez said.\u003c/p>\n\u003cfigure id=\"attachment_11217120\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11217120 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23286_IMG_6451-qut.jpg\" alt=\"Makeshift memorials commemorating the victims of the Ghost Ship warehouse fire grew after news of the deadly incident broke out.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Makeshift memorials commemorating the victims of the Ghost Ship warehouse fire grew after news of the deadly incident. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Local artist Favianna Rodriguez, who lives two blocks from the Ghost Ship, said artists have repurposed various warehouses and other old buildings from the Fruitvale's industrial past, particularly on the border with Alameda and along the BART train line.\u003c/p>\n\u003cp>\"You see them, they are very frequent,\" said Rodriguez, co-founder of the \u003ca href=\"http://www.eastsideartsalliance.org/\" target=\"_blank\">Eastside Arts Alliance & Cultural Center\u003c/a> in the nearby San Antonio neighborhood.\u003c/p>\n\u003cp>While some arts collectives are well organized and engaged with the surrounding community, others remain more insular and functioning under the radar, Rodriguez said.\u003c/p>\n\u003cp>\"This institution in particular, the Ghost Ship, was not very engaged. A lot of people didn’t know what that place was,\" said Rodriguez, who grew up in the Fruitvale. \"But I think it's important for cultural centers to be involved with the community because that’s how places are kept safe.\"\u003c/p>\n\u003cp>Rodriguez said when arts spaces are open to outsiders and welcome feedback in their decision-making, that helps create accountability and prioritize safety. Rodriguez wants to help artists run their own safe venues while building community -- avoiding the conditions that led to the Ghost Ship fire.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I think the role of these spaces is to create thriving communities where artists can do their work in a safe environment, where they can build community but also contribute to the local culture that is Fruitvale,\" Rodriguez said.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After the devastating warehouse fire that claimed 36 lives earlier this month, hundreds of people stopped by the four-block area cordoned off by police. Crews worked for five days straight on recovery efforts, while makeshift memorials grew by fences surrounding the site of California's deadliest structure fire since the 1906 earthquake.\u003c/p>\n\u003cp>Several neighbors and others who had regularly seen the warehouse building known as the Ghost Ship said they knew little to nothing about the arts collective that resided there for years. Oakland's Fruitvale district is home to many arts collectives in warehouses and other old buildings, but the Ghost Ship was not well known to its largely Latino immigrant neighborhood, say artists and residents alike.\u003c/p>\n\u003cp>\"I passed by the building plenty of times, but I always thought it was abandoned,\" said Victor Lopez, 24, who had lived for years on the same block as the Ghost Ship. \"Now it's shocking to me that people stayed there.\"\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/296718579&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/296718579'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\"I never knew what was going in the building,\" said Karen Benjamin, a Fruitvale resident who frequents the Wendy's restaurant across the street from the warehouse. \"When I heard the conditions people were living in and lives lost, it touched my heart in a sad way.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Just steps away from the charred remains of the Ghost Ship, large murals decorate buildings on Fruitvale Avenue and International Boulevard, a major intersection in the neighborhood. Clothing and grocery stores, restaurants and other mom-and-pop businesses line the crowded streets.\u003c/p>\n\u003cfigure id=\"attachment_11217119\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11217119 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23282_IMG_6409-qut.jpg\" alt=\"A mural by the Eastside Arts Collective is one of many that decorate stores and other buildings on Fruitvale Ave. The neighborhood has become home to many artists, say long time residents.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A mural by the Eastside Arts Collective is one of many that decorate stores and other buildings on Fruitvale Avenue. The diverse neighborhood has become home to many artists, say longtime residents. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Maria Sanchez walks through that area frequently talking to small-business owners and residents. As manager of a local business district improvement program, Sanchez makes sure streets are clean and free of graffiti. She brings together artists to create mosaic murals and colorful paintings at parks and other communal areas.\u003c/p>\n\u003cp>\"It’s a lot of artists here in the Fruitvale district. I think this brings us together, because we don’t need to talk, just expressing (ourselves) doing art,\" said Sanchez, a native of Mexico who has lived in the neighborhood for 40 years. The nonprofit Sanchez works for, the \u003ca href=\"https://unitycouncil.org/\" target=\"_blank\">Unity Council\u003c/a>, organizes the popular Dia de los Muertos and other cultural events that promote the Fruitvale.\u003c/p>\n\u003cp>Sanchez said although she didn't know much about the Ghost Ship, the warehouse was one of many arts spaces in the area, which have multiplied in recent years. Many artists coming to the Fruitvale appreciate the neighborhood's diversity -- including African-American, Vietnamese and Middle Eastern communities -- and lower housing prices compared to cities like San Francisco, she said.\u003c/p>\n\u003cp>\"San Francisco is impossible to pay rent, and here in Oakland it's more affordable,\" Sanchez said.\u003c/p>\n\u003cfigure id=\"attachment_11217120\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11217120 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23286_IMG_6451-qut.jpg\" alt=\"Makeshift memorials commemorating the victims of the Ghost Ship warehouse fire grew after news of the deadly incident broke out.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Makeshift memorials commemorating the victims of the Ghost Ship warehouse fire grew after news of the deadly incident. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Local artist Favianna Rodriguez, who lives two blocks from the Ghost Ship, said artists have repurposed various warehouses and other old buildings from the Fruitvale's industrial past, particularly on the border with Alameda and along the BART train line.\u003c/p>\n\u003cp>\"You see them, they are very frequent,\" said Rodriguez, co-founder of the \u003ca href=\"http://www.eastsideartsalliance.org/\" target=\"_blank\">Eastside Arts Alliance & Cultural Center\u003c/a> in the nearby San Antonio neighborhood.\u003c/p>\n\u003cp>While some arts collectives are well organized and engaged with the surrounding community, others remain more insular and functioning under the radar, Rodriguez said.\u003c/p>\n\u003cp>\"This institution in particular, the Ghost Ship, was not very engaged. A lot of people didn’t know what that place was,\" said Rodriguez, who grew up in the Fruitvale. \"But I think it's important for cultural centers to be involved with the community because that’s how places are kept safe.\"\u003c/p>\n\u003cp>Rodriguez said when arts spaces are open to outsiders and welcome feedback in their decision-making, that helps create accountability and prioritize safety. Rodriguez wants to help artists run their own safe venues while building community -- avoiding the conditions that led to the Ghost Ship fire.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I think the role of these spaces is to create thriving communities where artists can do their work in a safe environment, where they can build community but also contribute to the local culture that is Fruitvale,\" Rodriguez said.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
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},
"soldout": {
"id": "soldout",
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