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Every year they gather for the Interplanetary Conclave of Light, a weekend of events open to one and all, events that include communication with those they refer to as the “Space Brothers.”\u003c/p>\n\u003cp>But now, some history. In post-World War II America, flying saucers entered popular culture. Some said that peaceful aliens were concerned about the Earth’s use of atomic bombs and their effect on the galaxy. Others believed the aliens were a mortal threat to all of mankind. It was in this atmosphere that the \u003ca href=\"https://www.unarius.org/\" target=\"_blank\" rel=\"noopener\">Unarius Academy of Science\u003c/a> was born. The Unarians believed the former, by the way. They are all about love, learning and positive creativity.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/298280840″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]\u003c/p>\n\u003cp>The group was founded by Ernest and Ruth Norman. He was a scientist, a channeler and follower of spiritualism. She had worked as a fruit packer, a maid, a property manager and restaurant owner, among other things, and was interested in spiritualism. Both in their 50s, they met at a psychics’ convention in Los Angeles.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In 1954, they created Unarius, and took the names Archangels Raphael and Uriel. He was, by most accounts, a shy, retiring man, content to channel the words of beings from Mars and Venus into volumes of teachings, ultimately numbering close to 100. She was quite the opposite, a strong, vivacious presence who loved the spotlight. It was a perfect union.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘There’s a peace of mind that comes over you. You no longer have that big fear of death.’\u003c/aside>\n\u003cp>They claimed their program of reincarnation, spiritualism and self-mastery was channeled from extraterrestrials, and, as it grew from mail-order books into a brick-and-mortar academy with increasing interest from those seeking answers, Uriel blossomed.\u003c/p>\n\u003cp>She was a striking figure, a woman fond of dazzling wigs and vibrant gowns that evoked a mix of Glinda the Good Witch and Sun Ra. She said she’d lived for thousands of years, in various mortal incarnations. On camera, she often clutched a golden scepter or a single red rose. She appeared on David Letterman’s show. She drove a ’69 Cadillac with a UFO mounted on the roof and “WELCOME YOUR SPACE BROTHERS!” painted on the side. On special occasions, the UFO popped open to release a flock of white doves. Uriel was and is the guiding beacon of Unarius.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JLOSqw62GeU\u003c/p>\n\u003cp>To this day, followers grow humbled and emotional when talking about Uriel, who died in 1993.\u003c/p>\n\u003cp>“She’s a master that came to the planet with a special mission,” explains Unarian Paula Rich Greenwood. “To bring forward these energies and the scientific healing teachings, so that man could learn to heal himself through the understanding of past life therapy.”\u003c/p>\n\u003cp>Greenwood joined Unarius in 1982. The academy says there are currently about 60 members around El Cajon, but thousands around the planet. What draws them to this group?\u003c/p>\n\u003cp>“I was going through a phase in my life where I was very depressed and planning my own suicide,” Greenwood says, “and I had a near-death experience with a heart attack.”\u003c/p>\n\u003cp>A colleague brought her to a healing ceremony at the Unarius Center to remove what she calls “lower astral entities.” It worked. She gave up her interest in the teachings of Paramahansa Yogananda, moving her allegiance to Unarius.\u003c/p>\n\u003cp>Nick Sawyer, 25, was 17 when he discovered Unarius.\u003c/p>\n\u003cp>“I had an experience where my whole body transformed into a radiant vortex of energy and the whole room transformed as well,” Sawyer reveals. “The next day I went to the library as I usually did, and so-called randomly I was taking books off the shelf.”\u003c/p>\n\u003cp>And he plucked out “The Infinite Concept of Cosmic Creation” by Ernest Norman, a volume to Unarians what the Bible is to Christians.\u003c/p>\n\u003cfigure id=\"attachment_11223533\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11223533\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/Collins-800x552.jpg\" alt=\"Former minister Stephen Collins, a Unarian since 2009, flanked by portraits of Unarian co-founder Archangel Uriel.\" width=\"800\" height=\"552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-800x552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-1020x704.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-1180x814.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-960x663.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-240x166.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-375x259.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-520x359.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Former minister Stephen Collins, a Unarian since 2009, flanked by portraits of Unarian co-founder Archangel Uriel. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“What happened was when I walked through the door, I knew this is where I was supposed to be, just knew,” says retired minister Stephen Collins, who says he preached in Watts during the 1965 riots. “There was something missing and [Unarius] filled that. ‘Where did I come from, why am I here and where am I going?’ This answered it all. I don’t ask those questions anymore.”\u003c/p>\n\u003cp>Collins found comfort in the idea of reincarnation.\u003c/p>\n\u003cp>“There’s a peace of mind that comes over you. You no longer have that big fear of death.”\u003c/p>\n\u003cp>These and other Unarians are attending the Conclave of Light, gathering at Unarius headquarters in a building that was a post office in a former life. Step inside, and it’s clearly not a post office anymore. The decor features the bold union of Greco-Roman and 1950s UFO iconography. Doric columns, statues of gods and nymphs, and ropes of plastic flowers hanging from chandeliers, along with flying saucer models and a painting of the galaxy that lights up.\u003c/p>\n\u003cp>And there are plenty of portraits of Uriel, in all her garish majesty. In fact, many of the women here are wearing the Archangel’s shimmering gowns — stored in specially built closets at the site — for a fashion show. Ask them about how they feel clad in the Archangel’s garments, and they visibly choke up.\u003c/p>\n\u003cp>“It makes me feel uplifted when I wear her dresses or her jewelry or her wigs,” says Paula Rich Greenwood. “It’s like I’m floating on a cloud.”\u003c/p>\n\u003cfigure id=\"attachment_11223527\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11223527\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/UnariansModel-800x556.jpg\" alt=\"Unarian members model the costumes of the late Archangel Uriel, co-founder of the Unarius Academy of Science, at the group's Interplanetary Conclave of Light.\" width=\"800\" height=\"556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-800x556.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-1020x709.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-1180x820.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-960x668.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-240x167.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-375x261.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-520x362.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Unarian members model the costumes of the late Archangel Uriel, co-founder of the Unarius Academy of Science, at the group’s Interplanetary Conclave of Light. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lani Calvert, who became a Unarian in 1983, describes the Uriel-owned dress she’s wearing, a formidable task.\u003c/p>\n\u003cp>“Oh my gosh, it’s like an ocean of blue and turquoise leaves with gold streaks of leaves — I guess they’re almost like seaweedy leaves running through it.”\u003c/p>\n\u003cp>And then there’s the hair.\u003c/p>\n\u003cp>“Yes, the hair is blue. On many of the planets they match the hair color to the dresses.”\u003c/p>\n\u003cp>At this point, there’s probably a certain question in your mind. Is this whole thing a cult? You would be wrong, says Calvert.\u003c/p>\n\u003cp>“We’re not here to convert, it’s not a cult. Religion could be considered more of a cult than we are. This is a spiritual school, a nonprofit educational foundation. Unarius gets into so many things. It’s a science but it’s an interdimensional science. It’s outside the box.”\u003c/p>\n\u003cp>Far beyond the box is the group’s long-held prophecy of an interstellar palace of learning that will last for eternity. It’ll be erected by aliens on 67 acres of scrubland purchased by Uriel in the 1970s, a few miles from El Cajon. The Unarians ritually visit the site during every Conclave to look to the skies and wait.\u003c/p>\n\u003cp>Their belief is that 33 starships made of crystal and gold will arrive from 33 planets, landing one on top of the other, stacking into the sky like a towering, cosmic wedding cake. Each ship will carry 1,000 professorial beings, each specializing in some form of the arts.\u003c/p>\n\u003cp>“And it basically will become a university for the earth world,” says Nick Sawyer, “more advanced than any university that we presently have.”\u003c/p>\n\u003cp>Unarius may not be a cult, but it has a cult following. In recent years, their staggering canon of films, TV shows, costumes and music including the Unarius choir, And the Angels Sing — have gained unironic attention from artists and alt-culture fans in their 20s and 30s.\u003c/p>\n\u003cp>Writer Jeff Gauntt and actress Julianne Tura fit into that demographic. They’ve driven down from Los Angeles, curious about the Conclave. After witnessing an entire weekend of all things Unarius — crowned by the channeled communication with Space Brother Kuthumi — they are impressed.\u003c/p>\n\u003cp>“I don’t want to be cynical enough to analyze it, I just want to sort of experience it on the level that they’re presenting it,” says Gauntt. “I do really appreciate the kind of sincerity and total faith they have in what they do. So I’m not going to be the logical person who’s going to say, ‘I don’t believe in this.’ ”\u003c/p>\n\u003cp>“My mind was really blown,” admits Tura. “This whole weekend was just one kind of mind-blowing thing after another. It was unlike anything I’ve ever experienced.”\u003c/p>\n\u003cp>And so, six decades in, Unarius continues, spreading its message of love. And, though she has departed to a higher plane, through the magic of film you can still hear Archangel Uriel spreading her message, as she will forever.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“And ever seek within thee, the love that I give unto thee, for I am infiniti … infiniti … infiniti …”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This fall, contact was made with an alien from another galaxy. Maybe you didn’t hear about it, but it happened in El Cajon, a few miles from San Diego. A middle-aged being, clad in traditional earth garb — a light-brown suit, white shirt and conservative tie — sat in a chair on a stage, closed his eyes, and began to speak in a slow, hypnotic cadence.\u003c/p>\n\u003cp>“Greetings, friends,” he intoned. “I have been called the name of Kuthumi and I reside on the teaching plane of Orion and I also have a small dwelling on Eros.”\u003c/p>\n\u003cp>To be specific, Kuthumi was speaking through a human, but his message for Earth in these troubled times was of enlightenment and a positive future, a message that’s the gold standard of a group called the Unarians. Every year they gather for the Interplanetary Conclave of Light, a weekend of events open to one and all, events that include communication with those they refer to as the “Space Brothers.”\u003c/p>\n\u003cp>But now, some history. In post-World War II America, flying saucers entered popular culture. Some said that peaceful aliens were concerned about the Earth’s use of atomic bombs and their effect on the galaxy. Others believed the aliens were a mortal threat to all of mankind. It was in this atmosphere that the \u003ca href=\"https://www.unarius.org/\" target=\"_blank\" rel=\"noopener\">Unarius Academy of Science\u003c/a> was born. The Unarians believed the former, by the way. They are all about love, learning and positive creativity.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”450″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/298280840″&visual=true&”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true”'\n title='”https://api.soundcloud.com/tracks/298280840″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The group was founded by Ernest and Ruth Norman. He was a scientist, a channeler and follower of spiritualism. She had worked as a fruit packer, a maid, a property manager and restaurant owner, among other things, and was interested in spiritualism. Both in their 50s, they met at a psychics’ convention in Los Angeles.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In 1954, they created Unarius, and took the names Archangels Raphael and Uriel. He was, by most accounts, a shy, retiring man, content to channel the words of beings from Mars and Venus into volumes of teachings, ultimately numbering close to 100. She was quite the opposite, a strong, vivacious presence who loved the spotlight. It was a perfect union.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘There’s a peace of mind that comes over you. You no longer have that big fear of death.’\u003c/aside>\n\u003cp>They claimed their program of reincarnation, spiritualism and self-mastery was channeled from extraterrestrials, and, as it grew from mail-order books into a brick-and-mortar academy with increasing interest from those seeking answers, Uriel blossomed.\u003c/p>\n\u003cp>She was a striking figure, a woman fond of dazzling wigs and vibrant gowns that evoked a mix of Glinda the Good Witch and Sun Ra. She said she’d lived for thousands of years, in various mortal incarnations. On camera, she often clutched a golden scepter or a single red rose. She appeared on David Letterman’s show. She drove a ’69 Cadillac with a UFO mounted on the roof and “WELCOME YOUR SPACE BROTHERS!” painted on the side. On special occasions, the UFO popped open to release a flock of white doves. Uriel was and is the guiding beacon of Unarius.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JLOSqw62GeU'\n title='//www.youtube.com/embed/JLOSqw62GeU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>To this day, followers grow humbled and emotional when talking about Uriel, who died in 1993.\u003c/p>\n\u003cp>“She’s a master that came to the planet with a special mission,” explains Unarian Paula Rich Greenwood. “To bring forward these energies and the scientific healing teachings, so that man could learn to heal himself through the understanding of past life therapy.”\u003c/p>\n\u003cp>Greenwood joined Unarius in 1982. The academy says there are currently about 60 members around El Cajon, but thousands around the planet. What draws them to this group?\u003c/p>\n\u003cp>“I was going through a phase in my life where I was very depressed and planning my own suicide,” Greenwood says, “and I had a near-death experience with a heart attack.”\u003c/p>\n\u003cp>A colleague brought her to a healing ceremony at the Unarius Center to remove what she calls “lower astral entities.” It worked. She gave up her interest in the teachings of Paramahansa Yogananda, moving her allegiance to Unarius.\u003c/p>\n\u003cp>Nick Sawyer, 25, was 17 when he discovered Unarius.\u003c/p>\n\u003cp>“I had an experience where my whole body transformed into a radiant vortex of energy and the whole room transformed as well,” Sawyer reveals. “The next day I went to the library as I usually did, and so-called randomly I was taking books off the shelf.”\u003c/p>\n\u003cp>And he plucked out “The Infinite Concept of Cosmic Creation” by Ernest Norman, a volume to Unarians what the Bible is to Christians.\u003c/p>\n\u003cfigure id=\"attachment_11223533\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11223533\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/Collins-800x552.jpg\" alt=\"Former minister Stephen Collins, a Unarian since 2009, flanked by portraits of Unarian co-founder Archangel Uriel.\" width=\"800\" height=\"552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-800x552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-1020x704.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-1180x814.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-960x663.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-240x166.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-375x259.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/Collins-520x359.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Former minister Stephen Collins, a Unarian since 2009, flanked by portraits of Unarian co-founder Archangel Uriel. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“What happened was when I walked through the door, I knew this is where I was supposed to be, just knew,” says retired minister Stephen Collins, who says he preached in Watts during the 1965 riots. “There was something missing and [Unarius] filled that. ‘Where did I come from, why am I here and where am I going?’ This answered it all. I don’t ask those questions anymore.”\u003c/p>\n\u003cp>Collins found comfort in the idea of reincarnation.\u003c/p>\n\u003cp>“There’s a peace of mind that comes over you. You no longer have that big fear of death.”\u003c/p>\n\u003cp>These and other Unarians are attending the Conclave of Light, gathering at Unarius headquarters in a building that was a post office in a former life. Step inside, and it’s clearly not a post office anymore. The decor features the bold union of Greco-Roman and 1950s UFO iconography. Doric columns, statues of gods and nymphs, and ropes of plastic flowers hanging from chandeliers, along with flying saucer models and a painting of the galaxy that lights up.\u003c/p>\n\u003cp>And there are plenty of portraits of Uriel, in all her garish majesty. In fact, many of the women here are wearing the Archangel’s shimmering gowns — stored in specially built closets at the site — for a fashion show. Ask them about how they feel clad in the Archangel’s garments, and they visibly choke up.\u003c/p>\n\u003cp>“It makes me feel uplifted when I wear her dresses or her jewelry or her wigs,” says Paula Rich Greenwood. “It’s like I’m floating on a cloud.”\u003c/p>\n\u003cfigure id=\"attachment_11223527\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11223527\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/UnariansModel-800x556.jpg\" alt=\"Unarian members model the costumes of the late Archangel Uriel, co-founder of the Unarius Academy of Science, at the group's Interplanetary Conclave of Light.\" width=\"800\" height=\"556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-800x556.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-1020x709.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-1180x820.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-960x668.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-240x167.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-375x261.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/UnariansModel-520x362.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Unarian members model the costumes of the late Archangel Uriel, co-founder of the Unarius Academy of Science, at the group’s Interplanetary Conclave of Light. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lani Calvert, who became a Unarian in 1983, describes the Uriel-owned dress she’s wearing, a formidable task.\u003c/p>\n\u003cp>“Oh my gosh, it’s like an ocean of blue and turquoise leaves with gold streaks of leaves — I guess they’re almost like seaweedy leaves running through it.”\u003c/p>\n\u003cp>And then there’s the hair.\u003c/p>\n\u003cp>“Yes, the hair is blue. On many of the planets they match the hair color to the dresses.”\u003c/p>\n\u003cp>At this point, there’s probably a certain question in your mind. Is this whole thing a cult? You would be wrong, says Calvert.\u003c/p>\n\u003cp>“We’re not here to convert, it’s not a cult. Religion could be considered more of a cult than we are. This is a spiritual school, a nonprofit educational foundation. Unarius gets into so many things. It’s a science but it’s an interdimensional science. It’s outside the box.”\u003c/p>\n\u003cp>Far beyond the box is the group’s long-held prophecy of an interstellar palace of learning that will last for eternity. It’ll be erected by aliens on 67 acres of scrubland purchased by Uriel in the 1970s, a few miles from El Cajon. The Unarians ritually visit the site during every Conclave to look to the skies and wait.\u003c/p>\n\u003cp>Their belief is that 33 starships made of crystal and gold will arrive from 33 planets, landing one on top of the other, stacking into the sky like a towering, cosmic wedding cake. Each ship will carry 1,000 professorial beings, each specializing in some form of the arts.\u003c/p>\n\u003cp>“And it basically will become a university for the earth world,” says Nick Sawyer, “more advanced than any university that we presently have.”\u003c/p>\n\u003cp>Unarius may not be a cult, but it has a cult following. In recent years, their staggering canon of films, TV shows, costumes and music including the Unarius choir, And the Angels Sing — have gained unironic attention from artists and alt-culture fans in their 20s and 30s.\u003c/p>\n\u003cp>Writer Jeff Gauntt and actress Julianne Tura fit into that demographic. They’ve driven down from Los Angeles, curious about the Conclave. After witnessing an entire weekend of all things Unarius — crowned by the channeled communication with Space Brother Kuthumi — they are impressed.\u003c/p>\n\u003cp>“I don’t want to be cynical enough to analyze it, I just want to sort of experience it on the level that they’re presenting it,” says Gauntt. “I do really appreciate the kind of sincerity and total faith they have in what they do. So I’m not going to be the logical person who’s going to say, ‘I don’t believe in this.’ ”\u003c/p>\n\u003cp>“My mind was really blown,” admits Tura. “This whole weekend was just one kind of mind-blowing thing after another. It was unlike anything I’ve ever experienced.”\u003c/p>\n\u003cp>And so, six decades in, Unarius continues, spreading its message of love. And, though she has departed to a higher plane, through the magic of film you can still hear Archangel Uriel spreading her message, as she will forever.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Every Christmas, communities across California put their own stamp on \u003cem>las posadas\u003c/em>, traditional Mexican processions to celebrate the nativity. This weekend in Sacramento, one of those processions starts off on the streets, and then heads into a theater. In \u003ca href=\"http://www.crestsacramento.com/event/1377060-la-pastorela-de-sactown-sacramento/\">“La Pastorela de Sactown,”\u003c/a> a bilingual cast of musicians and actors will stage a satirical holiday musical about three shepherds, with very modern lives.\u003c/p>\n\u003cp>There’s the Mexican-American assemblyman caught up in a scandal (Elio Gutierrez), the single mom who works in an office (Olivia Chavez), and a landlord who speaks only Spanish as a way to reflect his pride in his culture (Joaquin Aranda). They’re caught between the devil and an archangel, who shows up as an activist and tasks them with helping an undocumented homeless couple expecting a baby.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/298280459″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>“Given the political climate right now, it’s a perfect take on an old story,” says director Wilma Bonet. “Pastorelas are always about the angels and the devils, and people making decisions about what’s right and what’s wrong. During the holidays, this story reminds you that there’s more than just a ‘me-me-me’ society.”\u003c/p>\n\u003cfigure id=\"attachment_11220154\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11220154\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-800x1237.jpg\" alt='\"La Pastorela de Sactown\" tells the story of the Christmas nativity, with a modern political twist. ' width=\"800\" height=\"1237\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-800x1237.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-160x247.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-240x371.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-375x580.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-520x804.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut.jpg 841w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“La Pastorela de Sactown” tells the story of the Christmas nativity, with a modern political twist. \u003ccite>(Hector Navejas )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bonet and others involved in the production are former members of the \u003ca href=\"http://www.sfmt.org/company/index.php\">San Francisco Mime Troupe\u003c/a>, known for reflecting modern-day political events through popular theater. And this piece echoes that spirit, transforming heavy political commentary into a show that’s slapstick and lighthearted. And this production is fully bilingual, with glittery costumes and a whole lot of singing.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Every Christmas, communities across California put their own stamp on \u003cem>las posadas\u003c/em>, traditional Mexican processions to celebrate the nativity. This weekend in Sacramento, one of those processions starts off on the streets, and then heads into a theater. In \u003ca href=\"http://www.crestsacramento.com/event/1377060-la-pastorela-de-sactown-sacramento/\">“La Pastorela de Sactown,”\u003c/a> a bilingual cast of musicians and actors will stage a satirical holiday musical about three shepherds, with very modern lives.\u003c/p>\n\u003cp>There’s the Mexican-American assemblyman caught up in a scandal (Elio Gutierrez), the single mom who works in an office (Olivia Chavez), and a landlord who speaks only Spanish as a way to reflect his pride in his culture (Joaquin Aranda). They’re caught between the devil and an archangel, who shows up as an activist and tasks them with helping an undocumented homeless couple expecting a baby.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/298280459″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/298280459″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“Given the political climate right now, it’s a perfect take on an old story,” says director Wilma Bonet. “Pastorelas are always about the angels and the devils, and people making decisions about what’s right and what’s wrong. During the holidays, this story reminds you that there’s more than just a ‘me-me-me’ society.”\u003c/p>\n\u003cfigure id=\"attachment_11220154\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11220154\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-800x1237.jpg\" alt='\"La Pastorela de Sactown\" tells the story of the Christmas nativity, with a modern political twist. ' width=\"800\" height=\"1237\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-800x1237.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-160x247.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-240x371.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-375x580.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut-520x804.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/RS23312_La-Pastorela-de-Sactown-ENGLISH-web-qut.jpg 841w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“La Pastorela de Sactown” tells the story of the Christmas nativity, with a modern political twist. \u003ccite>(Hector Navejas )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bonet and others involved in the production are former members of the \u003ca href=\"http://www.sfmt.org/company/index.php\">San Francisco Mime Troupe\u003c/a>, known for reflecting modern-day political events through popular theater. And this piece echoes that spirit, transforming heavy political commentary into a show that’s slapstick and lighthearted. And this production is fully bilingual, with glittery costumes and a whole lot of singing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>The owner of an Oakland warehouse where 36 people died in a fire earlier this month had a business license for more than two decades, but firefighters charged with inspecting city businesses never reviewed the building, city officials confirmed.\u003c/p>\n\u003cp>The \u003ca href=\"http://bit.ly/2hrO9Ln\" target=\"_blank\">East Bay Times reports\u003c/a> that Chor Ng, 62, filed for the license in 1995, writing on the form that she wanted to operate a \"commercial rental.\" She was up to date on annual business taxes, said Margaret O'Brien, Oakland's revenue and tax administrator.\u003c/p>\n\u003cp>The revelation further highlights the lack of coordination and communication between city agencies responsible for registering and inspecting commercial buildings.\u003c/p>\n\u003cp>[contextly_sidebar id=\"LCyr6gc2YNRPdLjUefUmWi2ijv4twbQv\"]\u003c/p>\n\u003cp>The warehouse owner has not responded to emails and calls made by the Associated Press to phone numbers associated with her. The landlord's daughter, Eva Ng, told the Los Angeles Times that the Ng family didn't know people were living in the warehouse, known as the Ghost Ship, in violation of city zoning laws.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Oakland Fire Chief Teresa Deloach Reed said Tuesday there are no city records showing her department receiving concerns about the building, which former residents, neighbors and others say was the subject of numerous calls to 911.\u003c/p>\n\u003cp>\"We do not inspect buildings, we inspect businesses,\" Reed said during a press conference on Dec. 13.\u003c/p>\n\u003cp>The business license application is only the first step in opening a commercial enterprise.\u003c/p>\n\u003cp>If Ng had wanted to operate a legitimate business at the warehouse, either she or her tenants would have also needed to file paperwork for a Fire Department permit, which would have automatically notified the fire prevention bureau for an inspection.\u003c/p>\n\u003cp>Oakland spokeswoman Karen Boyd said the city is looking for ways to better coordinate the processes, the East Bay Times reported Thursday.\u003c/p>\n\u003cp>The deadliest structure fire in the U.S. in more than a decade broke out during a Dec. 2 late-night dance party in the cluttered warehouse. The building had been converted to art studios and illegal living spaces, and former denizens said it was a death trap of piled wood, furniture, snaking electrical cords and only two exits\u003c/p>\n\u003cp>Investigators said that they still haven't determined what started the fire, though they say it didn't appear to be intentionally set. Instead, investigators have been focusing on electrical appliances plugged into the rear of the building where the fire started.\u003c/p>\n\u003cp>The electrical system is still part of the analysis of what sparked the fire, said Jill Snyder, the special agent in charge with the U.S. Bureau of Alcohol, Tobacco, Firearms and Explosives.\u003c/p>\n\u003cp>A civil grand jury report in 2014 said 4,000 out of 11,000 buildings in Oakland were going without the yearly inspections, and concluded the city's website inaccurately implied all commercial buildings received annual inspections.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The department agreed with the finding. It said an annual inspection for each commercial business was a goal, but emergency responses and staffing made that more difficult.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Oakland Fire Chief Teresa Deloach Reed said Tuesday there are no city records showing her department receiving concerns about the building, which former residents, neighbors and others say was the subject of numerous calls to 911.\u003c/p>\n\u003cp>\"We do not inspect buildings, we inspect businesses,\" Reed said during a press conference on Dec. 13.\u003c/p>\n\u003cp>The business license application is only the first step in opening a commercial enterprise.\u003c/p>\n\u003cp>If Ng had wanted to operate a legitimate business at the warehouse, either she or her tenants would have also needed to file paperwork for a Fire Department permit, which would have automatically notified the fire prevention bureau for an inspection.\u003c/p>\n\u003cp>Oakland spokeswoman Karen Boyd said the city is looking for ways to better coordinate the processes, the East Bay Times reported Thursday.\u003c/p>\n\u003cp>The deadliest structure fire in the U.S. in more than a decade broke out during a Dec. 2 late-night dance party in the cluttered warehouse. The building had been converted to art studios and illegal living spaces, and former denizens said it was a death trap of piled wood, furniture, snaking electrical cords and only two exits\u003c/p>\n\u003cp>Investigators said that they still haven't determined what started the fire, though they say it didn't appear to be intentionally set. Instead, investigators have been focusing on electrical appliances plugged into the rear of the building where the fire started.\u003c/p>\n\u003cp>The electrical system is still part of the analysis of what sparked the fire, said Jill Snyder, the special agent in charge with the U.S. Bureau of Alcohol, Tobacco, Firearms and Explosives.\u003c/p>\n\u003cp>A civil grand jury report in 2014 said 4,000 out of 11,000 buildings in Oakland were going without the yearly inspections, and concluded the city's website inaccurately implied all commercial buildings received annual inspections.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The department agreed with the finding. It said an annual inspection for each commercial business was a goal, but emergency responses and staffing made that more difficult.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Complaints mounted about the cluttered warehouse converted into an illegal artists' colony before a deadly blaze ripped through earlier this month, but few -- if any -- made it to the Oakland Fire Department.\u003c/p>\n\u003cp>Oakland Fire Chief Teresa Deloach Reed said Tuesday there are no city records showing her department receiving concerns about the building, which former residents, neighbors and others say was the subject of numerous calls to 911.\u003c/p>\n\u003cp>\"We do not inspect buildings, we inspect businesses,\" Reed said during a press conference. \"There were no indications this was an active business.\"\u003c/p>\n\u003cp>City Administrator Sabrina Landreth, who also is in temporary charge of the Oakland Police Department, said officials are compiling and reviewing police records to determine how many times officers responded to complaints about the warehouse.\u003c/p>\n\u003cp>[contextly_sidebar id=\"CLsrQOj52imBIH3sdXDClyuYkbynozmn\"]\u003c/p>\n\u003cp>The deadliest structure fire in the U.S. in more than a decade broke out during a Dec. 2 late-night dance party in the cluttered warehouse known as the Ghost Ship. It killed 36 people. The building had been converted to art studios and illegal living spaces, and former denizens said it was a death trap of piled wood, furniture and snaking electrical cords, with only two exits.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Investigators said that they still haven't determined what started the fire, though they say it didn't appear to be intentionally set. Instead, investigators have been focusing on electrical appliances plugged into the rear of the building where the fire started.\u003c/p>\n\u003cp>The electrical system is still part of the analysis of what sparked the fire, said Jill Snyder, the special agent in charge with the U.S. Bureau of Alcohol, Tobacco, Firearms and Explosives.\u003c/p>\n\u003cp>The ATF has finished collecting evidence, Snyder said. The Oakland Fire Department will prepare a final report for handover to prosecutors.\u003c/p>\n\u003cp>Prosecutors have warned murder charges are possible as they determine whether crimes are linked to the blaze.\u003c/p>\n\u003cp>Alameda County District Attorney Nancy O'Malley said Tuesday the criminal investigation will be \"thorough, methodical and calculated.\"\u003c/p>\n\u003cp>City and state officials fielded complaints for years about dangerous conditions, drugs, neglected children, trash, thefts and squabbles at the warehouse, raising questions about why it wasn't shut down.\u003c/p>\n\u003cp>There are no records that inspectors from the fire and building departments ever set foot in the warehouse.\u003c/p>\n\u003cp>The fire chief said the warehouse wasn't on the department's list of businesses to inspect because no one ever applied for permits to occupy the building.\u003c/p>\n\u003cp>Derick Ion Almena, the sometime photographer who rented the warehouse and sublet it to artists, has not responded to emails or calls by The AP to phone numbers associated with him. In a brief interview with NBC's \"Today\" show, Almena said he didn't attend the Dec. 2 party and that he is sorry. Almena said he lived at the warehouse with his wife and three young children, though they were staying at a hotel the night the fire broke out.\u003c/p>\n\u003cp>The warehouse's owner, Chor Ng, has not responded to emails and calls made by The AP to phone numbers associated with her. The landlord's daughter, Eva Ng, told The Los Angeles Times that the Ng family didn't know people were living in the warehouse in violation of city zoning laws.\u003c/p>\n\u003cp>The blaze was the nation's most lethal structure fire since 100 people perished in a Rhode Island bar in 2003.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Associated Press writers Kristen Bender and Ellen Knickmeyer in San Francisco contributed to this report.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Complaints mounted about the cluttered warehouse converted into an illegal artists' colony before a deadly blaze ripped through earlier this month, but few -- if any -- made it to the Oakland Fire Department.\u003c/p>\n\u003cp>Oakland Fire Chief Teresa Deloach Reed said Tuesday there are no city records showing her department receiving concerns about the building, which former residents, neighbors and others say was the subject of numerous calls to 911.\u003c/p>\n\u003cp>\"We do not inspect buildings, we inspect businesses,\" Reed said during a press conference. \"There were no indications this was an active business.\"\u003c/p>\n\u003cp>City Administrator Sabrina Landreth, who also is in temporary charge of the Oakland Police Department, said officials are compiling and reviewing police records to determine how many times officers responded to complaints about the warehouse.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The deadliest structure fire in the U.S. in more than a decade broke out during a Dec. 2 late-night dance party in the cluttered warehouse known as the Ghost Ship. It killed 36 people. The building had been converted to art studios and illegal living spaces, and former denizens said it was a death trap of piled wood, furniture and snaking electrical cords, with only two exits.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Investigators said that they still haven't determined what started the fire, though they say it didn't appear to be intentionally set. Instead, investigators have been focusing on electrical appliances plugged into the rear of the building where the fire started.\u003c/p>\n\u003cp>The electrical system is still part of the analysis of what sparked the fire, said Jill Snyder, the special agent in charge with the U.S. Bureau of Alcohol, Tobacco, Firearms and Explosives.\u003c/p>\n\u003cp>The ATF has finished collecting evidence, Snyder said. The Oakland Fire Department will prepare a final report for handover to prosecutors.\u003c/p>\n\u003cp>Prosecutors have warned murder charges are possible as they determine whether crimes are linked to the blaze.\u003c/p>\n\u003cp>Alameda County District Attorney Nancy O'Malley said Tuesday the criminal investigation will be \"thorough, methodical and calculated.\"\u003c/p>\n\u003cp>City and state officials fielded complaints for years about dangerous conditions, drugs, neglected children, trash, thefts and squabbles at the warehouse, raising questions about why it wasn't shut down.\u003c/p>\n\u003cp>There are no records that inspectors from the fire and building departments ever set foot in the warehouse.\u003c/p>\n\u003cp>The fire chief said the warehouse wasn't on the department's list of businesses to inspect because no one ever applied for permits to occupy the building.\u003c/p>\n\u003cp>Derick Ion Almena, the sometime photographer who rented the warehouse and sublet it to artists, has not responded to emails or calls by The AP to phone numbers associated with him. In a brief interview with NBC's \"Today\" show, Almena said he didn't attend the Dec. 2 party and that he is sorry. Almena said he lived at the warehouse with his wife and three young children, though they were staying at a hotel the night the fire broke out.\u003c/p>\n\u003cp>The warehouse's owner, Chor Ng, has not responded to emails and calls made by The AP to phone numbers associated with her. The landlord's daughter, Eva Ng, told The Los Angeles Times that the Ng family didn't know people were living in the warehouse in violation of city zoning laws.\u003c/p>\n\u003cp>The blaze was the nation's most lethal structure fire since 100 people perished in a Rhode Island bar in 2003.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Associated Press writers Kristen Bender and Ellen Knickmeyer in San Francisco contributed to this report.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Oakland's Emergency Proclamation After Ghost Ship Fire Could Aid Neighboring Businesses",
"title": "Oakland's Emergency Proclamation After Ghost Ship Fire Could Aid Neighboring Businesses",
"headTitle": "News Fix | KQED News",
"content": "\u003cp>As people across the country mourned the victims of the Dec. 2 Ghost Ship warehouse fire, and firefighters and sheriff's deputies worked steadily on recovery efforts, Edith Gallegos saw her clientele plummet. The small Mexican restaurant she manages, Hornitos Cafe, sits just outside the four-block area that police cordoned off to all traffic, near a major business district in Oakland's Fruitvale neighborhood.\u003c/p>\n\u003cp>Less than half of Gallegos' customers showed up during that week due to the traffic closure, she said, and her business lost hundreds of dollars daily. She had to cancel all food deliveries and cut down hours for her kitchen staff.\u003c/p>\n\u003cp>\"We are so sad about the tragic loss of life for so many young people,\" said Gallegos in Spanish, referring to the fire's 36 victims. \"The fire has also affected us because they've closed the street all these days. Clients can't get through -- a lot of them drive here.\"\u003c/p>\n\u003cp>After the deadly blaze, auto body shops, restaurants, a clothing store and a handful of other small businesses inside the closed-off area were forced to shut down for at least five days, affecting potentially dozens of low-income employees in this working-class neighborhood.\u003c/p>\n\u003cp>Oakland's \u003ca href=\"http://www2.oaklandnet.com/oakca1/groups/ceda/documents/pressrelease/oak061826.pdf\" target=\"_blank\">Local Emergency Proclamation\u003c/a>, ratified by the City Council on Dec. 8, could help the city recover up to 75 percent of response and recovery expenses related to the deadly blaze, which Oakland is still determining. It may also allow artists who operated a business at the Ghost Ship warehouse, and neighboring shops with revenue losses related to the fire, to access low-interest loans from the U.S. Small Business Administration, according to city officials.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"Residents and businesses, who have also incurred eligible damage costs resulting from the event, are given the opportunity to apply for individual assistance from federal and state assistance disaster programs,\"\u003ca href=\"https://oakland.legistar.com/LegislationDetail.aspx?ID=2901295&GUID=CA66092D-0156-4426-960B-65478A01CC77\" target=\"_blank\"> wrote\u003c/a> Oakland City Administrator Sabrina Landreth to the City Council, recommending they ratify her office's Local Emergency Proclamation from Dec. 6.\u003c/p>\n\u003cfigure id=\"attachment_11217446\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11217446 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23292_IMG_6435-qut.jpg\" alt=\"Edith Gallegos works the register at Hornitos Cafe, blocks away from the Ghost Ship warehouse fire. Gallegos said her clientele plummeted during recovery efforts at the fire site, which closed nearby streets.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Edith Gallegos works the register at Hornitos Cafe, blocks away from the Ghost Ship warehouse fire. Gallegos said business plummeted during recovery efforts at the fire site, which closed nearby streets. \u003ccite>(Farida Jhabvala Romero/KQED News)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Business representatives in the Fruitvale neighborhood said the tragedy hit the neighborhood and city in multiple ways. Since news of the deadly blaze broke out, stunned and sometimes tearful residents stopped by the site to pay their respects to the victims. Many left flowers, handwritten letters and votive candles in makeshift memorials.\u003c/p>\n\u003cp>\"It is a huge impact, first the families of the people who died, I don’t have words to describe it,\" said Maria Sanchez, who leads the \u003ca href=\"https://unitycouncil.org/program/fruitvale-business-improvement-district/\" target=\"_blank\">Fruitvale Business Improvement District\u003c/a> program at the Unity Council, a local nonprofit. \"Then the losses to the businesses around the site that got damaged, or the ones that had to close.\"\u003c/p>\n\u003cp>Sanchez worried that the largely low-income employees at those businesses would lose compensation for the shifts they weren't able to work.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"They really need the money they are earning. Many of them are parents,\" Sanchez said. \"People count on this money to pay their bills.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As people across the country mourned the victims of the Dec. 2 Ghost Ship warehouse fire, and firefighters and sheriff's deputies worked steadily on recovery efforts, Edith Gallegos saw her clientele plummet. The small Mexican restaurant she manages, Hornitos Cafe, sits just outside the four-block area that police cordoned off to all traffic, near a major business district in Oakland's Fruitvale neighborhood.\u003c/p>\n\u003cp>Less than half of Gallegos' customers showed up during that week due to the traffic closure, she said, and her business lost hundreds of dollars daily. She had to cancel all food deliveries and cut down hours for her kitchen staff.\u003c/p>\n\u003cp>\"We are so sad about the tragic loss of life for so many young people,\" said Gallegos in Spanish, referring to the fire's 36 victims. \"The fire has also affected us because they've closed the street all these days. Clients can't get through -- a lot of them drive here.\"\u003c/p>\n\u003cp>After the deadly blaze, auto body shops, restaurants, a clothing store and a handful of other small businesses inside the closed-off area were forced to shut down for at least five days, affecting potentially dozens of low-income employees in this working-class neighborhood.\u003c/p>\n\u003cp>Oakland's \u003ca href=\"http://www2.oaklandnet.com/oakca1/groups/ceda/documents/pressrelease/oak061826.pdf\" target=\"_blank\">Local Emergency Proclamation\u003c/a>, ratified by the City Council on Dec. 8, could help the city recover up to 75 percent of response and recovery expenses related to the deadly blaze, which Oakland is still determining. It may also allow artists who operated a business at the Ghost Ship warehouse, and neighboring shops with revenue losses related to the fire, to access low-interest loans from the U.S. Small Business Administration, according to city officials.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"Residents and businesses, who have also incurred eligible damage costs resulting from the event, are given the opportunity to apply for individual assistance from federal and state assistance disaster programs,\"\u003ca href=\"https://oakland.legistar.com/LegislationDetail.aspx?ID=2901295&GUID=CA66092D-0156-4426-960B-65478A01CC77\" target=\"_blank\"> wrote\u003c/a> Oakland City Administrator Sabrina Landreth to the City Council, recommending they ratify her office's Local Emergency Proclamation from Dec. 6.\u003c/p>\n\u003cfigure id=\"attachment_11217446\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11217446 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23292_IMG_6435-qut.jpg\" alt=\"Edith Gallegos works the register at Hornitos Cafe, blocks away from the Ghost Ship warehouse fire. Gallegos said her clientele plummeted during recovery efforts at the fire site, which closed nearby streets.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23292_IMG_6435-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Edith Gallegos works the register at Hornitos Cafe, blocks away from the Ghost Ship warehouse fire. Gallegos said business plummeted during recovery efforts at the fire site, which closed nearby streets. \u003ccite>(Farida Jhabvala Romero/KQED News)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Business representatives in the Fruitvale neighborhood said the tragedy hit the neighborhood and city in multiple ways. Since news of the deadly blaze broke out, stunned and sometimes tearful residents stopped by the site to pay their respects to the victims. Many left flowers, handwritten letters and votive candles in makeshift memorials.\u003c/p>\n\u003cp>\"It is a huge impact, first the families of the people who died, I don’t have words to describe it,\" said Maria Sanchez, who leads the \u003ca href=\"https://unitycouncil.org/program/fruitvale-business-improvement-district/\" target=\"_blank\">Fruitvale Business Improvement District\u003c/a> program at the Unity Council, a local nonprofit. \"Then the losses to the businesses around the site that got damaged, or the ones that had to close.\"\u003c/p>\n\u003cp>Sanchez worried that the largely low-income employees at those businesses would lose compensation for the shifts they weren't able to work.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"They really need the money they are earning. Many of them are parents,\" Sanchez said. \"People count on this money to pay their bills.\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>After the devastating warehouse fire that claimed 36 lives earlier this month, hundreds of people stopped by the four-block area cordoned off by police. Crews worked for five days straight on recovery efforts, while makeshift memorials grew by fences surrounding the site of California's deadliest structure fire since the 1906 earthquake.\u003c/p>\n\u003cp>Several neighbors and others who had regularly seen the warehouse building known as the Ghost Ship said they knew little to nothing about the arts collective that resided there for years. Oakland's Fruitvale district is home to many arts collectives in warehouses and other old buildings, but the Ghost Ship was not well known to its largely Latino immigrant neighborhood, say artists and residents alike.\u003c/p>\n\u003cp>\"I passed by the building plenty of times, but I always thought it was abandoned,\" said Victor Lopez, 24, who had lived for years on the same block as the Ghost Ship. \"Now it's shocking to me that people stayed there.\"\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/296718579\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>\"I never knew what was going in the building,\" said Karen Benjamin, a Fruitvale resident who frequents the Wendy's restaurant across the street from the warehouse. \"When I heard the conditions people were living in and lives lost, it touched my heart in a sad way.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Just steps away from the charred remains of the Ghost Ship, large murals decorate buildings on Fruitvale Avenue and International Boulevard, a major intersection in the neighborhood. Clothing and grocery stores, restaurants and other mom-and-pop businesses line the crowded streets.\u003c/p>\n\u003cfigure id=\"attachment_11217119\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11217119 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23282_IMG_6409-qut.jpg\" alt=\"A mural by the Eastside Arts Collective is one of many that decorate stores and other buildings on Fruitvale Ave. The neighborhood has become home to many artists, say long time residents.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A mural by the Eastside Arts Collective is one of many that decorate stores and other buildings on Fruitvale Avenue. The diverse neighborhood has become home to many artists, say longtime residents. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Maria Sanchez walks through that area frequently talking to small-business owners and residents. As manager of a local business district improvement program, Sanchez makes sure streets are clean and free of graffiti. She brings together artists to create mosaic murals and colorful paintings at parks and other communal areas.\u003c/p>\n\u003cp>\"It’s a lot of artists here in the Fruitvale district. I think this brings us together, because we don’t need to talk, just expressing (ourselves) doing art,\" said Sanchez, a native of Mexico who has lived in the neighborhood for 40 years. The nonprofit Sanchez works for, the \u003ca href=\"https://unitycouncil.org/\" target=\"_blank\">Unity Council\u003c/a>, organizes the popular Dia de los Muertos and other cultural events that promote the Fruitvale.\u003c/p>\n\u003cp>Sanchez said although she didn't know much about the Ghost Ship, the warehouse was one of many arts spaces in the area, which have multiplied in recent years. Many artists coming to the Fruitvale appreciate the neighborhood's diversity -- including African-American, Vietnamese and Middle Eastern communities -- and lower housing prices compared to cities like San Francisco, she said.\u003c/p>\n\u003cp>\"San Francisco is impossible to pay rent, and here in Oakland it's more affordable,\" Sanchez said.\u003c/p>\n\u003cfigure id=\"attachment_11217120\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11217120 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23286_IMG_6451-qut.jpg\" alt=\"Makeshift memorials commemorating the victims of the Ghost Ship warehouse fire grew after news of the deadly incident broke out.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Makeshift memorials commemorating the victims of the Ghost Ship warehouse fire grew after news of the deadly incident. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Local artist Favianna Rodriguez, who lives two blocks from the Ghost Ship, said artists have repurposed various warehouses and other old buildings from the Fruitvale's industrial past, particularly on the border with Alameda and along the BART train line.\u003c/p>\n\u003cp>\"You see them, they are very frequent,\" said Rodriguez, co-founder of the \u003ca href=\"http://www.eastsideartsalliance.org/\" target=\"_blank\">Eastside Arts Alliance & Cultural Center\u003c/a> in the nearby San Antonio neighborhood.\u003c/p>\n\u003cp>While some arts collectives are well organized and engaged with the surrounding community, others remain more insular and functioning under the radar, Rodriguez said.\u003c/p>\n\u003cp>\"This institution in particular, the Ghost Ship, was not very engaged. A lot of people didn’t know what that place was,\" said Rodriguez, who grew up in the Fruitvale. \"But I think it's important for cultural centers to be involved with the community because that’s how places are kept safe.\"\u003c/p>\n\u003cp>Rodriguez said when arts spaces are open to outsiders and welcome feedback in their decision-making, that helps create accountability and prioritize safety. Rodriguez wants to help artists run their own safe venues while building community -- avoiding the conditions that led to the Ghost Ship fire.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I think the role of these spaces is to create thriving communities where artists can do their work in a safe environment, where they can build community but also contribute to the local culture that is Fruitvale,\" Rodriguez said.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After the devastating warehouse fire that claimed 36 lives earlier this month, hundreds of people stopped by the four-block area cordoned off by police. Crews worked for five days straight on recovery efforts, while makeshift memorials grew by fences surrounding the site of California's deadliest structure fire since the 1906 earthquake.\u003c/p>\n\u003cp>Several neighbors and others who had regularly seen the warehouse building known as the Ghost Ship said they knew little to nothing about the arts collective that resided there for years. Oakland's Fruitvale district is home to many arts collectives in warehouses and other old buildings, but the Ghost Ship was not well known to its largely Latino immigrant neighborhood, say artists and residents alike.\u003c/p>\n\u003cp>\"I passed by the building plenty of times, but I always thought it was abandoned,\" said Victor Lopez, 24, who had lived for years on the same block as the Ghost Ship. \"Now it's shocking to me that people stayed there.\"\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/296718579&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/296718579'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\"I never knew what was going in the building,\" said Karen Benjamin, a Fruitvale resident who frequents the Wendy's restaurant across the street from the warehouse. \"When I heard the conditions people were living in and lives lost, it touched my heart in a sad way.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Just steps away from the charred remains of the Ghost Ship, large murals decorate buildings on Fruitvale Avenue and International Boulevard, a major intersection in the neighborhood. Clothing and grocery stores, restaurants and other mom-and-pop businesses line the crowded streets.\u003c/p>\n\u003cfigure id=\"attachment_11217119\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11217119 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23282_IMG_6409-qut.jpg\" alt=\"A mural by the Eastside Arts Collective is one of many that decorate stores and other buildings on Fruitvale Ave. The neighborhood has become home to many artists, say long time residents.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23282_IMG_6409-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A mural by the Eastside Arts Collective is one of many that decorate stores and other buildings on Fruitvale Avenue. The diverse neighborhood has become home to many artists, say longtime residents. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Maria Sanchez walks through that area frequently talking to small-business owners and residents. As manager of a local business district improvement program, Sanchez makes sure streets are clean and free of graffiti. She brings together artists to create mosaic murals and colorful paintings at parks and other communal areas.\u003c/p>\n\u003cp>\"It’s a lot of artists here in the Fruitvale district. I think this brings us together, because we don’t need to talk, just expressing (ourselves) doing art,\" said Sanchez, a native of Mexico who has lived in the neighborhood for 40 years. The nonprofit Sanchez works for, the \u003ca href=\"https://unitycouncil.org/\" target=\"_blank\">Unity Council\u003c/a>, organizes the popular Dia de los Muertos and other cultural events that promote the Fruitvale.\u003c/p>\n\u003cp>Sanchez said although she didn't know much about the Ghost Ship, the warehouse was one of many arts spaces in the area, which have multiplied in recent years. Many artists coming to the Fruitvale appreciate the neighborhood's diversity -- including African-American, Vietnamese and Middle Eastern communities -- and lower housing prices compared to cities like San Francisco, she said.\u003c/p>\n\u003cp>\"San Francisco is impossible to pay rent, and here in Oakland it's more affordable,\" Sanchez said.\u003c/p>\n\u003cfigure id=\"attachment_11217120\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-11217120 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23286_IMG_6451-qut.jpg\" alt=\"Makeshift memorials commemorating the victims of the Ghost Ship warehouse fire grew after news of the deadly incident broke out.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23286_IMG_6451-qut-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Makeshift memorials commemorating the victims of the Ghost Ship warehouse fire grew after news of the deadly incident. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Local artist Favianna Rodriguez, who lives two blocks from the Ghost Ship, said artists have repurposed various warehouses and other old buildings from the Fruitvale's industrial past, particularly on the border with Alameda and along the BART train line.\u003c/p>\n\u003cp>\"You see them, they are very frequent,\" said Rodriguez, co-founder of the \u003ca href=\"http://www.eastsideartsalliance.org/\" target=\"_blank\">Eastside Arts Alliance & Cultural Center\u003c/a> in the nearby San Antonio neighborhood.\u003c/p>\n\u003cp>While some arts collectives are well organized and engaged with the surrounding community, others remain more insular and functioning under the radar, Rodriguez said.\u003c/p>\n\u003cp>\"This institution in particular, the Ghost Ship, was not very engaged. A lot of people didn’t know what that place was,\" said Rodriguez, who grew up in the Fruitvale. \"But I think it's important for cultural centers to be involved with the community because that’s how places are kept safe.\"\u003c/p>\n\u003cp>Rodriguez said when arts spaces are open to outsiders and welcome feedback in their decision-making, that helps create accountability and prioritize safety. Rodriguez wants to help artists run their own safe venues while building community -- avoiding the conditions that led to the Ghost Ship fire.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I think the role of these spaces is to create thriving communities where artists can do their work in a safe environment, where they can build community but also contribute to the local culture that is Fruitvale,\" Rodriguez said.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003ca href=\"https://www.mark-dresser.com\">Mark Dresser\u003c/a> isn’t the kind of guy to say, “I told you so.” But his new album “Sedimental You” seems to scream out a warning about our disquieting historical moment, even though it was recorded months before the first primary in the 2016 election.\u003c/p>\n\u003cp>A singularly accomplished bass innovator in jazz, free improvisation and new music, the longtime UC San Diego music professor has assembled a talented cast for the Mark Dresser Seven, an ensemble boasting both similarly esteemed masters and rising young players.\u003c/p>\n\u003cp>The multigenerational cast includes New York altoist and \u003ca href=\"http://www.martyehrlich.com/no_flash.php\">clarinetist Marty Ehrlich\u003c/a>, San Diego \u003ca href=\"http://joshuawhitemusic.com\">pianist Joshua White\u003c/a>, New York \u003ca href=\"http://www.jimblack.com/Jim_Black_dotcom/hello.html\">drummer Jim Black\u003c/a>, Boston-based newcomer \u003ca href=\"https://about.me/DavidMoralesBoroff\">David Morales Boroff\u003c/a> on violin, as well as \u003ca href=\"http://mdessen.com\">trombonist Michael Dessen\u003c/a> and \u003ca href=\"http://nicolemitchell.com\">flutist Nicole Mitchell\u003c/a>, who are both faculty members at UC Irvine.\u003c/p>\n\u003cp>Designed for these specific instrumental voices, Dresser’s seven original compositions move from loving, often exquisitely lyrical tributes to fellow musicians, like a beatific ballad for trombonist Roswell Rudd, “Will Well,” to spiky, incendiary responses to current events, like the funhouse carnival phantasmagoria of “TrumpinPutinStoopin” — which could make for an apt 6 o’clock news soundtrack if you mute the television.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Mark Dresser Seven Sedimental You Youtube Upload\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/NeWf4Wq_tLA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Each player takes several memorable solos, but it’s the interplay, the push and pull between Dresser’s structure and the freedom he encourages, that supplies much of the drama.\u003c/p>\n\u003cp>The album opens with the caustic, stop-and-start “Hobby Lobby Horse,” a galumphing number that embodies Dresser’s orchestral sensibility, and his gift for combining unmistakable voices. After several years of focusing on solo recitals and duos, it’s great to hear Dresser creating settings for an ensemble that can move in so many different directions.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Tropes\u003c/em> with Matt Mayhall\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11201995\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11201995\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-800x800.jpg\" alt='Matt Mayhall \"Tropes\" (Skirl Records)' width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-1920x1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Matt Mayhall ‘Tropes’ (Skirl Records)\u003c/figcaption>\u003c/figure>\n\u003cp>Where Dresser and his confederates bring the heat, the debut album by versatile Los Angeles \u003ca href=\"http://www.mattmayhallmusic.com\">drummer Matt Mayhall\u003c/a> is a decidedly chill affair. He’s a player who ranges widely across many scenes, touring with The Both — a group with Aimee Mann and Ted Leo and gigging with Liz Phair, John Doe and \u003ca href=\"http://darwilliams.com/tour/\">Dar Williams\u003c/a>, with whom he’ll be hitting the road next month. He spent several years in Josh Haden’s alt-country/slow-core band Spain, but he’s just as likely to be found keeping company with jazz heavyweights like pianist Larry Goldings, Kneebody keyboardist Adam Benjamin, bassist Eric Revis, and guitarist Anthony Wilson.\u003c/p>\n\u003cp>On “Tropes” he’s joined by similarly well-traveled \u003ca href=\"http://www.paulbryan.us\">bassist Paul Bryan\u003c/a>, who produced the album, and the consistently captivating \u003ca href=\"http://www.jeffparkersounds.com/no_flash.php\">guitarist Jeff Parker,\u003c/a> whose own recent album “The New Breed” keeps me coming back for more.\u003c/p>\n\u003cp>In addition to drums and percussion, Mayhall also contributes on various keyboards and piano, the instrument he used to compose the music. Maybe that’s why the album has such a spacious, unhurried feel to it.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"On the Ceiling\" width=\"500\" height=\"375\" src=\"https://www.youtube.com/embed/9zY77KOg6Zo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>The opener, “On the Ceiling,” sets the chill mood, with Jeff Babko’s oozing keyboard work adding to the gummy feel. Rather than building tunes from the groove up, Mayhall is all about texture and the slow burn. One of my favorite tunes is the power ballad “Dum Dum,” which adds New York tenor saxophonist Chris Speed into the mix, whose simmering horn part never comes close to boiling over.\u003c/p>\n\u003cp>There are so many drummer-led ensembles making interesting music these days it’s silly to say an album doesn’t sound like a drummer-led project, but Mayhall shines a generous spotlight on his collaborators, particularly Parker, who delivers some of his most beautiful and mysterious guitar work.\u003c/p>\n\u003cp>\u003cstrong>Farewell to Oliveros\u003c/strong>\u003c/p>\n\u003cp>Finally, I wanted to bid farewell to a brilliant sonic explorer who spent many years in California. \u003ca href=\"http://paulineoliveros.us\">Pauline Oliveros\u003c/a>, the composer, tape music pioneer and founder of deep listening, died on Nov. 24 at the age of 84.\u003c/p>\n\u003cp>From her work as a founder of the San Francisco Tape Music Center in the early 1960s through to her teaching at UC San Diego and Mills College, she influenced countless musicians.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Her primary instrument was the accordion, and she taught several generations of musicians new ways of being and playing together, a practice she called (with her puckish sense of humor, since the name came to her while recording in an underground cistern) “deep listening.” Thank you Pauline, for all the music and all the wisdom.\u003c/p>\n\n",
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"title": "Jazz Reviews: Throwing Heat With Mark Dresser's 'Sedimental You' and Chillin' with Matt Mayhall's 'Tropes' | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.mark-dresser.com\">Mark Dresser\u003c/a> isn’t the kind of guy to say, “I told you so.” But his new album “Sedimental You” seems to scream out a warning about our disquieting historical moment, even though it was recorded months before the first primary in the 2016 election.\u003c/p>\n\u003cp>A singularly accomplished bass innovator in jazz, free improvisation and new music, the longtime UC San Diego music professor has assembled a talented cast for the Mark Dresser Seven, an ensemble boasting both similarly esteemed masters and rising young players.\u003c/p>\n\u003cp>The multigenerational cast includes New York altoist and \u003ca href=\"http://www.martyehrlich.com/no_flash.php\">clarinetist Marty Ehrlich\u003c/a>, San Diego \u003ca href=\"http://joshuawhitemusic.com\">pianist Joshua White\u003c/a>, New York \u003ca href=\"http://www.jimblack.com/Jim_Black_dotcom/hello.html\">drummer Jim Black\u003c/a>, Boston-based newcomer \u003ca href=\"https://about.me/DavidMoralesBoroff\">David Morales Boroff\u003c/a> on violin, as well as \u003ca href=\"http://mdessen.com\">trombonist Michael Dessen\u003c/a> and \u003ca href=\"http://nicolemitchell.com\">flutist Nicole Mitchell\u003c/a>, who are both faculty members at UC Irvine.\u003c/p>\n\u003cp>Designed for these specific instrumental voices, Dresser’s seven original compositions move from loving, often exquisitely lyrical tributes to fellow musicians, like a beatific ballad for trombonist Roswell Rudd, “Will Well,” to spiky, incendiary responses to current events, like the funhouse carnival phantasmagoria of “TrumpinPutinStoopin” — which could make for an apt 6 o’clock news soundtrack if you mute the television.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Mark Dresser Seven Sedimental You Youtube Upload\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/NeWf4Wq_tLA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Each player takes several memorable solos, but it’s the interplay, the push and pull between Dresser’s structure and the freedom he encourages, that supplies much of the drama.\u003c/p>\n\u003cp>The album opens with the caustic, stop-and-start “Hobby Lobby Horse,” a galumphing number that embodies Dresser’s orchestral sensibility, and his gift for combining unmistakable voices. After several years of focusing on solo recitals and duos, it’s great to hear Dresser creating settings for an ensemble that can move in so many different directions.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Tropes\u003c/em> with Matt Mayhall\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11201995\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11201995\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-800x800.jpg\" alt='Matt Mayhall \"Tropes\" (Skirl Records)' width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-1920x1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/12/MM_Cover2copy-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Matt Mayhall ‘Tropes’ (Skirl Records)\u003c/figcaption>\u003c/figure>\n\u003cp>Where Dresser and his confederates bring the heat, the debut album by versatile Los Angeles \u003ca href=\"http://www.mattmayhallmusic.com\">drummer Matt Mayhall\u003c/a> is a decidedly chill affair. He’s a player who ranges widely across many scenes, touring with The Both — a group with Aimee Mann and Ted Leo and gigging with Liz Phair, John Doe and \u003ca href=\"http://darwilliams.com/tour/\">Dar Williams\u003c/a>, with whom he’ll be hitting the road next month. He spent several years in Josh Haden’s alt-country/slow-core band Spain, but he’s just as likely to be found keeping company with jazz heavyweights like pianist Larry Goldings, Kneebody keyboardist Adam Benjamin, bassist Eric Revis, and guitarist Anthony Wilson.\u003c/p>\n\u003cp>On “Tropes” he’s joined by similarly well-traveled \u003ca href=\"http://www.paulbryan.us\">bassist Paul Bryan\u003c/a>, who produced the album, and the consistently captivating \u003ca href=\"http://www.jeffparkersounds.com/no_flash.php\">guitarist Jeff Parker,\u003c/a> whose own recent album “The New Breed” keeps me coming back for more.\u003c/p>\n\u003cp>In addition to drums and percussion, Mayhall also contributes on various keyboards and piano, the instrument he used to compose the music. Maybe that’s why the album has such a spacious, unhurried feel to it.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"On the Ceiling\" width=\"500\" height=\"375\" src=\"https://www.youtube.com/embed/9zY77KOg6Zo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>The opener, “On the Ceiling,” sets the chill mood, with Jeff Babko’s oozing keyboard work adding to the gummy feel. Rather than building tunes from the groove up, Mayhall is all about texture and the slow burn. One of my favorite tunes is the power ballad “Dum Dum,” which adds New York tenor saxophonist Chris Speed into the mix, whose simmering horn part never comes close to boiling over.\u003c/p>\n\u003cp>There are so many drummer-led ensembles making interesting music these days it’s silly to say an album doesn’t sound like a drummer-led project, but Mayhall shines a generous spotlight on his collaborators, particularly Parker, who delivers some of his most beautiful and mysterious guitar work.\u003c/p>\n\u003cp>\u003cstrong>Farewell to Oliveros\u003c/strong>\u003c/p>\n\u003cp>Finally, I wanted to bid farewell to a brilliant sonic explorer who spent many years in California. \u003ca href=\"http://paulineoliveros.us\">Pauline Oliveros\u003c/a>, the composer, tape music pioneer and founder of deep listening, died on Nov. 24 at the age of 84.\u003c/p>\n\u003cp>From her work as a founder of the San Francisco Tape Music Center in the early 1960s through to her teaching at UC San Diego and Mills College, she influenced countless musicians.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Her primary instrument was the accordion, and she taught several generations of musicians new ways of being and playing together, a practice she called (with her puckish sense of humor, since the name came to her while recording in an underground cistern) “deep listening.” Thank you Pauline, for all the music and all the wisdom.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Oakland Artists Seek a Balance of Safety and Creative Freedom in Warehouse Spaces",
"title": "Oakland Artists Seek a Balance of Safety and Creative Freedom in Warehouse Spaces",
"headTitle": "News Fix | KQED News",
"content": "\u003cp>Just days after Oakland's deadly Ghost Ship warehouse fire on Dec. 2, five new illegal housing complaints were filed with Oakland's Planning and Building Department, one of them against a local warehouse where artists live.\u003c/p>\n\u003cp>Concern is rising among artists that as Oakland officials react to criticism that the city has failed to inspect similar live-work warehouse spaces, they will order inspectors to red-tag buildings that don't have permits. That action could prompt landlords to ask artists to leave their homes and studio spaces.\u003c/p>\n\u003cp>In West Oakland, there's an artist collective housed in an old warehouse called -- and this is chilling in light of recent events -- the Death Trap. It's one of the buildings that was named in one of the newly filed illegal housing complaints.\u003c/p>\n\u003cp>No one there wanted to talk to reporters. People living in the building said they were holding an emergency meeting about the building's safety, and wanted to try and work something out with their landlord ahead of any city inspection. But no one wanted to be identified or speak on tape.\u003c/p>\n\u003cp>At Kilowatt, a coffee shop a few blocks away, one of the baristas, Eve Hostettler, said there's a lot of fear in the community right now. Hostettler is a dancer and contortionist who performs in two circus troupes. She says she's not afraid of just eviction. She's afraid of losing Oakland's artistic culture.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"Like why we came to Oakland in the first place, because we knew we could do this,\" she said.\u003c/p>\n\u003cp>Hostettler's artist collective is located in an old garage and laundromat. She says it's relatively cheap and has lots of room for her to practice. She's pretty sure the building is up to code, but she worries that's not the case with other collectives in the neighborhood.\u003c/p>\n\u003cp>\"So now there's the fear of -- like, if this is going to be taken away from us, like, where to next, pretty much,\" she said.\u003c/p>\n\u003cp>Her fellow barista, William Mitchell, is a drummer and electronic artist in two local bands. He does not live in a converted warehouse, but said he's always wanted to.\u003c/p>\n\u003cp>\"There's definitely appeal. I've always been drawn to it, like the high ceilings and skylights and the atmosphere's really nice,\" he said.\u003c/p>\n\u003cp>Mitchell performs in these spaces a lot. He says his friends are talking about what might happen in the coming months.\u003c/p>\n\u003cp>\"There's a lot of worry involved with places getting shut down. Landlords just cracking down,\" Mitchell said. He worries this could mean he and others will lose places to live, perform and attend events.\u003c/p>\n\u003cp>Mitchell and Hostettler said the tragedy at the Ghost Ship collective has made everyone more aware of what can happen when a building isn't safe. The question for many living in these types of environments is how they can make them safe.\u003c/p>\n\u003cp>At another warehouse, which we agreed not to name at the request of artists living there who fear eviction, artist residents say they have been living in code violations for years. Places, they say, which are not too different from the Ghost Ship.\u003c/p>\n\u003cp>The Ghost Ship was a two-story space filled with wooden carvings, ornate rugs and artwork. Will Urbina is a freelance videographer who used to live in a building in 2010 that shared space with a collective called Otherworld.\u003c/p>\n\u003cp>\"It’s kind of very strange because I lived right next door to a place that certainly looks exactly like the Ghost Ship,\" Urbina said.\u003c/p>\n\u003cp>He said he began to notice a number of safety violations. In 2014, Urbina said he lodged complaints with the city of Oakland and the property owners. Urbina said it was his hope to stay living there while the owners brought it up to code, but nothing seemed to happen. After four months, he called the city inspector again.\u003c/p>\n\u003cp>\"He said, 'Well, you know what? We have been back there, it’s bigger than you think, we’re working with the owner,'\" Urbina said.\u003c/p>\n\u003cp>After a year, the city ultimately shut down the building. On Nov. 17, a city inspector visited the lot next to the Ghost Ship warehouse, asking to gain access to the building in order to follow up on a complaint about debris at the lot next door. Urbina said from his experience that even if the inspector had made it inside the Ghost Ship that day, it wouldn't have prevented the tragedy that took place Dec. 2.\u003c/p>\n\u003cp>\"They would still be throwing parties for another year before they got shut down,\" Urbina said. \"So that’s not OK. It shouldn’t take that long to stop a car crash.\"\u003c/p>\n\u003cp>At a press conference early in the week following the deadly fire, Oakland Mayor Libby Schaaf wouldn’t directly answer questions about how many similar facilities exist within the city, saying that more information would be made available in coming days.\u003c/p>\n\u003cp>\"There will be plenty of time in the days ahead to think proactively and long term about the plethora of issues that this tragedy has raised -- everything from unsafe warehouses to Oakland’s incredible cultural community,\" Schaaf said.\u003c/p>\n\u003cp>Later that week, the city admitted it had no known evidence that any fire inspectors had ever been inside the Ghost Ship to inspect the place, at least going back 30 years.\u003c/p>\n\u003cp>Many in Oakland’s art community are taking action on their own now, reaching out to try to make their living and art spaces safer -- from offering free fire safety consultations to fundraising for fire extinguishers and emergency signage.\u003c/p>\n\u003cp>They are hoping that as the city moves ahead to try to prevent anything like the Ghost Ship fire from ever happening again, Oakland will find ways to make sure artist communities are preserved without putting more lives at risk.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Sukey Lewis and Stephanie Martin Taylor contributed to this report.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Just days after Oakland's deadly Ghost Ship warehouse fire on Dec. 2, five new illegal housing complaints were filed with Oakland's Planning and Building Department, one of them against a local warehouse where artists live.\u003c/p>\n\u003cp>Concern is rising among artists that as Oakland officials react to criticism that the city has failed to inspect similar live-work warehouse spaces, they will order inspectors to red-tag buildings that don't have permits. That action could prompt landlords to ask artists to leave their homes and studio spaces.\u003c/p>\n\u003cp>In West Oakland, there's an artist collective housed in an old warehouse called -- and this is chilling in light of recent events -- the Death Trap. It's one of the buildings that was named in one of the newly filed illegal housing complaints.\u003c/p>\n\u003cp>No one there wanted to talk to reporters. People living in the building said they were holding an emergency meeting about the building's safety, and wanted to try and work something out with their landlord ahead of any city inspection. But no one wanted to be identified or speak on tape.\u003c/p>\n\u003cp>At Kilowatt, a coffee shop a few blocks away, one of the baristas, Eve Hostettler, said there's a lot of fear in the community right now. Hostettler is a dancer and contortionist who performs in two circus troupes. She says she's not afraid of just eviction. She's afraid of losing Oakland's artistic culture.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"Like why we came to Oakland in the first place, because we knew we could do this,\" she said.\u003c/p>\n\u003cp>Hostettler's artist collective is located in an old garage and laundromat. She says it's relatively cheap and has lots of room for her to practice. She's pretty sure the building is up to code, but she worries that's not the case with other collectives in the neighborhood.\u003c/p>\n\u003cp>\"So now there's the fear of -- like, if this is going to be taken away from us, like, where to next, pretty much,\" she said.\u003c/p>\n\u003cp>Her fellow barista, William Mitchell, is a drummer and electronic artist in two local bands. He does not live in a converted warehouse, but said he's always wanted to.\u003c/p>\n\u003cp>\"There's definitely appeal. I've always been drawn to it, like the high ceilings and skylights and the atmosphere's really nice,\" he said.\u003c/p>\n\u003cp>Mitchell performs in these spaces a lot. He says his friends are talking about what might happen in the coming months.\u003c/p>\n\u003cp>\"There's a lot of worry involved with places getting shut down. Landlords just cracking down,\" Mitchell said. He worries this could mean he and others will lose places to live, perform and attend events.\u003c/p>\n\u003cp>Mitchell and Hostettler said the tragedy at the Ghost Ship collective has made everyone more aware of what can happen when a building isn't safe. The question for many living in these types of environments is how they can make them safe.\u003c/p>\n\u003cp>At another warehouse, which we agreed not to name at the request of artists living there who fear eviction, artist residents say they have been living in code violations for years. Places, they say, which are not too different from the Ghost Ship.\u003c/p>\n\u003cp>The Ghost Ship was a two-story space filled with wooden carvings, ornate rugs and artwork. Will Urbina is a freelance videographer who used to live in a building in 2010 that shared space with a collective called Otherworld.\u003c/p>\n\u003cp>\"It’s kind of very strange because I lived right next door to a place that certainly looks exactly like the Ghost Ship,\" Urbina said.\u003c/p>\n\u003cp>He said he began to notice a number of safety violations. In 2014, Urbina said he lodged complaints with the city of Oakland and the property owners. Urbina said it was his hope to stay living there while the owners brought it up to code, but nothing seemed to happen. After four months, he called the city inspector again.\u003c/p>\n\u003cp>\"He said, 'Well, you know what? We have been back there, it’s bigger than you think, we’re working with the owner,'\" Urbina said.\u003c/p>\n\u003cp>After a year, the city ultimately shut down the building. On Nov. 17, a city inspector visited the lot next to the Ghost Ship warehouse, asking to gain access to the building in order to follow up on a complaint about debris at the lot next door. Urbina said from his experience that even if the inspector had made it inside the Ghost Ship that day, it wouldn't have prevented the tragedy that took place Dec. 2.\u003c/p>\n\u003cp>\"They would still be throwing parties for another year before they got shut down,\" Urbina said. \"So that’s not OK. It shouldn’t take that long to stop a car crash.\"\u003c/p>\n\u003cp>At a press conference early in the week following the deadly fire, Oakland Mayor Libby Schaaf wouldn’t directly answer questions about how many similar facilities exist within the city, saying that more information would be made available in coming days.\u003c/p>\n\u003cp>\"There will be plenty of time in the days ahead to think proactively and long term about the plethora of issues that this tragedy has raised -- everything from unsafe warehouses to Oakland’s incredible cultural community,\" Schaaf said.\u003c/p>\n\u003cp>Later that week, the city admitted it had no known evidence that any fire inspectors had ever been inside the Ghost Ship to inspect the place, at least going back 30 years.\u003c/p>\n\u003cp>Many in Oakland’s art community are taking action on their own now, reaching out to try to make their living and art spaces safer -- from offering free fire safety consultations to fundraising for fire extinguishers and emergency signage.\u003c/p>\n\u003cp>They are hoping that as the city moves ahead to try to prevent anything like the Ghost Ship fire from ever happening again, Oakland will find ways to make sure artist communities are preserved without putting more lives at risk.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Sukey Lewis and Stephanie Martin Taylor contributed to this report.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Ghost Ship Neighbor: Calls to Police Brought No Action Against Warehouse",
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"content": "\u003cp>A man who lived across the street from the Oakland warehouse where \u003ca href=\"https://ww2.kqed.org/news/2016/12/03/at-least-nine-people-dead-in-large-fire-at-oakland-party/\" target=\"_blank\">a fire killed 36 people\u003c/a> last Friday night says he made dozens of calls over more than a year to alert police to noise, blight and illegal residency at the property, all to no apparent effect.\u003c/p>\n\u003cp>The blaze swept through the building, converted into a combination communal residence and event hall, during a dance party late Friday night.\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/296773029\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>Ben Acevedo said he and his family initially reached out to the people at the 31st Avenue warehouse, which came to be known as the Ghost Ship or Satya Yuga, shortly after they moved to a home across the street in November 2013.\u003c/p>\n\u003cp>Acevedo arrived on the block just a few months after Derick Ion Almena and his wife, Micah Allison, began leasing the two-story structure.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"The downstairs was just chock-full of junk,\" he said. \"There were three caravans [house trailers] at the time.\"\u003c/p>\n\u003cp>[contextly_sidebar id=\"FfNApFeKYxzIs5oQH2XOYzlRbPxRBYuY\"]\u003c/p>\n\u003cp>That first meeting with his new neighbors was a little uncomfortable, Acevedo said, and soon, the consistent late-night disturbances from the building became unbearable.\u003c/p>\n\u003cp>\"It would actually wake our babies,\" Acevedo said. He said he went over a couple of times to ask his neighbors to quiet down. Their responses were \"less than aggressive but less than polite,\" he said.\u003c/p>\n\u003cp>Then he began calling police, first 911, then once he became more familiar with the system, the Oakland Police Department's non-emergency phone number. He said he called \"two or three times a week\" for most of the 16 months he lived on the block, estimating between 50 and 60 total calls.\u003c/p>\n\u003cp>\"We'd call at 10:30, call again at midnight, call again at 2 o'clock,\" he said. \"A couple of times we got responses, but it was at like 5:30 [a.m.]\"\u003c/p>\n\u003caside class=\"pullquote alignleft\">'Early into 2014 we said that it was an illegal residence in talking with the police. ... Their response was ... Do you know that for a fact?'\u003ccite>Ben Acevedo,\u003cbr>\nFormer Ghost Ship neighbor\u003c/cite>\u003c/aside>\n\u003cp>KQED requested police \"call for service\" logs and incident reports related to the Ghost Ship property from the Oakland Police Department. We've so far received no response. The Police Department, City and Mayor's office did not respond to a request for comment on Acevedo's statements.\u003c/p>\n\u003cp>Acevedo, who moved in April 2015, said he understood that there was little the police officers who showed up hours after he called could do, but they encouraged him to continue reporting.\u003c/p>\n\u003cp>\"The beat cops were really nice about it,\" he said. \"They were like 'Keep calling, keep making a record about this. We can’t get to all of these but your calls are logged by the dispatcher. Keep doing this,'\" Acevedo said.\u003c/p>\n\u003cp>\"Early into 2014 we said that it was an illegal residence in talking with the police and whatnot,\" he recalled. \"Their response was, 'Well, because you say that -- are you the building owner? Do you know that for a fact?'\"\u003c/p>\n\u003cp>Since the fire, the building's intended use has become clear. It was permitted as a warehouse, and received no city permit for either living spaces or events.\u003c/p>\n\u003cp>But it became, according to the Satya Yuga Facebook page:\u003c/p>\n\u003cblockquote>\u003cp>An unprecedented fusion of earth home bomb bunker helter skelter spelunker shelters and indonesian straw huts rolling into valleys and down alleys ... Seeking all shamanic rattlesnake sexy jungle jazz hobo gunslingers looking for a space to house gear, use studio, develop next level Shaolin discipline after driving your taxi cab late at night, build fusion earth home bomb bunker spelunker shelters, and plant herbaceous colonies in the open sun & air.\u003c/p>\n\u003cp>We are a collective of musicians, painters, woodworkers, hot dog vendors, scrappers, boutique designers and lingerie models.\u003c/p>\u003c/blockquote>\n\u003cp>Acevedo says he never called the Planning and Building Department about the warehouse. But others did, several times in 2014 and then again last month.\u003c/p>\n\u003cp>In October 2014, a city inspector found no violations after the department got a complaint about construction taking place at the warehouse without permits.\u003c/p>\n\u003cp>Last month, a city inspector responded to two complaints: one concerning an accumulation of garbage in the vacant lot adjacent to the warehouse building and a second concerning an \"illegal interior building structure.\"\u003c/p>\n\u003cp>The inspector visited the property on Nov. 17 and verified the garbage complaint. But the inspector, who reportedly knocked on the warehouse door and got no answer, did not enter the building to check on the illegal structure complaint.\u003c/p>\n\u003cp>\"It blows my mind that city inspectors went there four times and never stepped into the building,\" Acevedo said. \"It was like my worst fears living in that house for years were realized, all over the TV, all over social media. It was devastating that nothing was done and these people died horrifically.\"\u003c/p>\n\u003cp>Acevedo wasn't the only one concerned about the conditions of the Ghost Ship.\u003c/p>\n\u003cp>A neighbor and former friend of Almena and Allison, Danielle Boudreaux, said it was part of the reason she contacted the couples' families and facilitated getting Allison away from Almena and into rehab and the couples' three children out of the Ghost Ship.\u003c/p>\n\u003cp>She described the warehouse as chaotic and \"constantly in flux\" when she visited -- from its inception in early 2013 until she intervened with concern for the children in 2015. Dozens of people made their homes in a darkened \"indoor RV park\" on the first floor, among piles of collected wood and other junk.\u003c/p>\n\u003cp>Almena and Allison lived on the second floor on a mezzanine accessed most often by a shoddy homemade staircase. Sections were sloped planks with pieces of wood nailed onto them for footholds, Boudreaux said.\u003c/p>\n\u003cp>\"You could not have multiple people on there,\" Boudreaux said. \"It was held up by ropes, you know.\"\u003c/p>\n\u003cp>She said she didn't notice a safer staircase in the back of the building until her third or fourth visit, and people unfamiliar with the \"Ghost Ship\" also likely would not have known about it.\u003c/p>\n\u003cp>\"Having been the one who spoke out and said this is dangerous, this is not safe and then did what I could for the kids, I feel a tremendous weight of responsibility and guilt that I didn’t push my efforts further,\" Boudreaux said.\u003c/p>\n\u003cp>Allison's split from Almena in early 2015 was short-lived. Their children stayed with Almena's family until June 2016, Boudreaux said. She said she spoke to their youngest child shortly after the split.\u003c/p>\n\u003cp>\"He got on the phone and he said 'I love you,' and I said 'I love you too,' and he said, 'Thank you for getting us out of the scary warehouse.' I’ll take those words to my grave. That kid knew, at 3 years old, he knew that that was not, it wasn’t OK.”\u003c/p>\n\u003cp>But he wouldn't get out of the place permanently and was reunited with his parents in the warehouse last June. Boudreaux says she believes the building's owner, Chor Nar Siu Ng, must have known people were living in the warehouse building.\u003c/p>\n\u003cfigure id=\"attachment_11209654\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11209654\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/20150130-bathroom-ghost-ship-800x1422.jpg\" alt=\"A photo from former Ghost Ship tenant Shelley Mack of a bathroom with propane heating source for showering. Photo taken Jan. 30, 2015. \" width=\"800\" height=\"1422\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/20150130-bathroom-ghost-ship.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/20150130-bathroom-ghost-ship-160x284.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/20150130-bathroom-ghost-ship-240x427.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/20150130-bathroom-ghost-ship-375x667.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/20150130-bathroom-ghost-ship-520x924.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A photo from former Ghost Ship tenant Shelley Mack of a bathroom with propane heating source for showering. Photo taken Jan. 30, 2015. \u003ccite>(Courtesy of Shelley Mack)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"Micah [Allison] told me, ‘We’re not supposed to live here but the landlord doesn’t care,'\" Boudreaux said. \"The landlord knew. There’s no way you’re going to own a building that has 20 people living in it -- it’s 24/7 and there’s stuff out on the street, and all the time the city was putting notice that they needed to get stuff off the street. They were blocking the sidewalks. There is no way in this world that they didn’t know. They didn’t care to know if they didn’t know.\"\u003c/p>\n\u003cp>Attempts to reach Ng were unsuccessful, but her daughter recently told the \u003ca href=\"http://www.latimes.com/local/lanow/la-me-ln-main-oakland-fire-story-20161203-story.html\" target=\"_blank\">Los Angeles Times\u003c/a> that they were certain no one lived in the space.\u003c/p>\n\u003cp>Almena, through Allison, declined a request to speak with KQED. He expressed sorrow in an \u003ca href=\"https://ww2.kqed.org/news/2016/12/06/oakland-warehouse-manager-on-today-i-am-incredibly-sorry/\" target=\"_blank\">interview with NBC's \"Today\" show\u003c/a> Tuesday morning.\u003c/p>\n\u003cp>Both Boudreaux and Acevedo said they knew of communal art spaces that, while they may be illegal, make safety a priority, and neither wants those spaces shut down.\u003c/p>\n\u003cp>But Acevedo added that something's got to be done to make such quarters safer. He said he feels there is plenty of blame to go around for the Ghost Ship tragedy.\u003c/p>\n\u003cp>\"I’m livid at Derick for causing this,\" Acevedo said. \"I’m livid at the residents that lived there under those conditions knowing how dangerous it was and yet still invited people into their home. I’m livid at the city for ignoring this.\"\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>He added: \"This is not about attacking people’s art or their ability to find housing. This is about basic public safety.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A man who lived across the street from the Oakland warehouse where \u003ca href=\"https://ww2.kqed.org/news/2016/12/03/at-least-nine-people-dead-in-large-fire-at-oakland-party/\" target=\"_blank\">a fire killed 36 people\u003c/a> last Friday night says he made dozens of calls over more than a year to alert police to noise, blight and illegal residency at the property, all to no apparent effect.\u003c/p>\n\u003cp>The blaze swept through the building, converted into a combination communal residence and event hall, during a dance party late Friday night.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/296773029&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/296773029'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Ben Acevedo said he and his family initially reached out to the people at the 31st Avenue warehouse, which came to be known as the Ghost Ship or Satya Yuga, shortly after they moved to a home across the street in November 2013.\u003c/p>\n\u003cp>Acevedo arrived on the block just a few months after Derick Ion Almena and his wife, Micah Allison, began leasing the two-story structure.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"The downstairs was just chock-full of junk,\" he said. \"There were three caravans [house trailers] at the time.\"\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>That first meeting with his new neighbors was a little uncomfortable, Acevedo said, and soon, the consistent late-night disturbances from the building became unbearable.\u003c/p>\n\u003cp>\"It would actually wake our babies,\" Acevedo said. He said he went over a couple of times to ask his neighbors to quiet down. Their responses were \"less than aggressive but less than polite,\" he said.\u003c/p>\n\u003cp>Then he began calling police, first 911, then once he became more familiar with the system, the Oakland Police Department's non-emergency phone number. He said he called \"two or three times a week\" for most of the 16 months he lived on the block, estimating between 50 and 60 total calls.\u003c/p>\n\u003cp>\"We'd call at 10:30, call again at midnight, call again at 2 o'clock,\" he said. \"A couple of times we got responses, but it was at like 5:30 [a.m.]\"\u003c/p>\n\u003caside class=\"pullquote alignleft\">'Early into 2014 we said that it was an illegal residence in talking with the police. ... Their response was ... Do you know that for a fact?'\u003ccite>Ben Acevedo,\u003cbr>\nFormer Ghost Ship neighbor\u003c/cite>\u003c/aside>\n\u003cp>KQED requested police \"call for service\" logs and incident reports related to the Ghost Ship property from the Oakland Police Department. We've so far received no response. The Police Department, City and Mayor's office did not respond to a request for comment on Acevedo's statements.\u003c/p>\n\u003cp>Acevedo, who moved in April 2015, said he understood that there was little the police officers who showed up hours after he called could do, but they encouraged him to continue reporting.\u003c/p>\n\u003cp>\"The beat cops were really nice about it,\" he said. \"They were like 'Keep calling, keep making a record about this. We can’t get to all of these but your calls are logged by the dispatcher. Keep doing this,'\" Acevedo said.\u003c/p>\n\u003cp>\"Early into 2014 we said that it was an illegal residence in talking with the police and whatnot,\" he recalled. \"Their response was, 'Well, because you say that -- are you the building owner? Do you know that for a fact?'\"\u003c/p>\n\u003cp>Since the fire, the building's intended use has become clear. It was permitted as a warehouse, and received no city permit for either living spaces or events.\u003c/p>\n\u003cp>But it became, according to the Satya Yuga Facebook page:\u003c/p>\n\u003cblockquote>\u003cp>An unprecedented fusion of earth home bomb bunker helter skelter spelunker shelters and indonesian straw huts rolling into valleys and down alleys ... Seeking all shamanic rattlesnake sexy jungle jazz hobo gunslingers looking for a space to house gear, use studio, develop next level Shaolin discipline after driving your taxi cab late at night, build fusion earth home bomb bunker spelunker shelters, and plant herbaceous colonies in the open sun & air.\u003c/p>\n\u003cp>We are a collective of musicians, painters, woodworkers, hot dog vendors, scrappers, boutique designers and lingerie models.\u003c/p>\u003c/blockquote>\n\u003cp>Acevedo says he never called the Planning and Building Department about the warehouse. But others did, several times in 2014 and then again last month.\u003c/p>\n\u003cp>In October 2014, a city inspector found no violations after the department got a complaint about construction taking place at the warehouse without permits.\u003c/p>\n\u003cp>Last month, a city inspector responded to two complaints: one concerning an accumulation of garbage in the vacant lot adjacent to the warehouse building and a second concerning an \"illegal interior building structure.\"\u003c/p>\n\u003cp>The inspector visited the property on Nov. 17 and verified the garbage complaint. But the inspector, who reportedly knocked on the warehouse door and got no answer, did not enter the building to check on the illegal structure complaint.\u003c/p>\n\u003cp>\"It blows my mind that city inspectors went there four times and never stepped into the building,\" Acevedo said. \"It was like my worst fears living in that house for years were realized, all over the TV, all over social media. It was devastating that nothing was done and these people died horrifically.\"\u003c/p>\n\u003cp>Acevedo wasn't the only one concerned about the conditions of the Ghost Ship.\u003c/p>\n\u003cp>A neighbor and former friend of Almena and Allison, Danielle Boudreaux, said it was part of the reason she contacted the couples' families and facilitated getting Allison away from Almena and into rehab and the couples' three children out of the Ghost Ship.\u003c/p>\n\u003cp>She described the warehouse as chaotic and \"constantly in flux\" when she visited -- from its inception in early 2013 until she intervened with concern for the children in 2015. Dozens of people made their homes in a darkened \"indoor RV park\" on the first floor, among piles of collected wood and other junk.\u003c/p>\n\u003cp>Almena and Allison lived on the second floor on a mezzanine accessed most often by a shoddy homemade staircase. Sections were sloped planks with pieces of wood nailed onto them for footholds, Boudreaux said.\u003c/p>\n\u003cp>\"You could not have multiple people on there,\" Boudreaux said. \"It was held up by ropes, you know.\"\u003c/p>\n\u003cp>She said she didn't notice a safer staircase in the back of the building until her third or fourth visit, and people unfamiliar with the \"Ghost Ship\" also likely would not have known about it.\u003c/p>\n\u003cp>\"Having been the one who spoke out and said this is dangerous, this is not safe and then did what I could for the kids, I feel a tremendous weight of responsibility and guilt that I didn’t push my efforts further,\" Boudreaux said.\u003c/p>\n\u003cp>Allison's split from Almena in early 2015 was short-lived. Their children stayed with Almena's family until June 2016, Boudreaux said. She said she spoke to their youngest child shortly after the split.\u003c/p>\n\u003cp>\"He got on the phone and he said 'I love you,' and I said 'I love you too,' and he said, 'Thank you for getting us out of the scary warehouse.' I’ll take those words to my grave. That kid knew, at 3 years old, he knew that that was not, it wasn’t OK.”\u003c/p>\n\u003cp>But he wouldn't get out of the place permanently and was reunited with his parents in the warehouse last June. Boudreaux says she believes the building's owner, Chor Nar Siu Ng, must have known people were living in the warehouse building.\u003c/p>\n\u003cfigure id=\"attachment_11209654\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11209654\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/20150130-bathroom-ghost-ship-800x1422.jpg\" alt=\"A photo from former Ghost Ship tenant Shelley Mack of a bathroom with propane heating source for showering. Photo taken Jan. 30, 2015. \" width=\"800\" height=\"1422\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/20150130-bathroom-ghost-ship.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/20150130-bathroom-ghost-ship-160x284.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/20150130-bathroom-ghost-ship-240x427.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/20150130-bathroom-ghost-ship-375x667.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/20150130-bathroom-ghost-ship-520x924.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A photo from former Ghost Ship tenant Shelley Mack of a bathroom with propane heating source for showering. Photo taken Jan. 30, 2015. \u003ccite>(Courtesy of Shelley Mack)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"Micah [Allison] told me, ‘We’re not supposed to live here but the landlord doesn’t care,'\" Boudreaux said. \"The landlord knew. There’s no way you’re going to own a building that has 20 people living in it -- it’s 24/7 and there’s stuff out on the street, and all the time the city was putting notice that they needed to get stuff off the street. They were blocking the sidewalks. There is no way in this world that they didn’t know. They didn’t care to know if they didn’t know.\"\u003c/p>\n\u003cp>Attempts to reach Ng were unsuccessful, but her daughter recently told the \u003ca href=\"http://www.latimes.com/local/lanow/la-me-ln-main-oakland-fire-story-20161203-story.html\" target=\"_blank\">Los Angeles Times\u003c/a> that they were certain no one lived in the space.\u003c/p>\n\u003cp>Almena, through Allison, declined a request to speak with KQED. He expressed sorrow in an \u003ca href=\"https://ww2.kqed.org/news/2016/12/06/oakland-warehouse-manager-on-today-i-am-incredibly-sorry/\" target=\"_blank\">interview with NBC's \"Today\" show\u003c/a> Tuesday morning.\u003c/p>\n\u003cp>Both Boudreaux and Acevedo said they knew of communal art spaces that, while they may be illegal, make safety a priority, and neither wants those spaces shut down.\u003c/p>\n\u003cp>But Acevedo added that something's got to be done to make such quarters safer. He said he feels there is plenty of blame to go around for the Ghost Ship tragedy.\u003c/p>\n\u003cp>\"I’m livid at Derick for causing this,\" Acevedo said. \"I’m livid at the residents that lived there under those conditions knowing how dangerous it was and yet still invited people into their home. I’m livid at the city for ignoring this.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He added: \"This is not about attacking people’s art or their ability to find housing. This is about basic public safety.\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Recovery Effort Ends at Oakland Warehouse Fire; More Victims Identified",
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"content": "\u003cp>\u003cstrong>Update, 8 p.m. Wednesday: \u003c/strong>We’re learning more about the Ghost Ship warehouse in Oakland where a fire erupted last Friday during an event, killing 36 people in the nation’s deadliest blaze since 2003.\u003c/p>\n\u003cp>No inspector has been inside the warehouse for 30 years, said Darin Ranelletti, interim director of Oakland’s Planning and Building Department. Many complaints had been filed about the vacant lot next to the site, though only three had been lodged against the warehouse since 2005.\u003c/p>\n\u003cp>Ranelletti said his department advises inspectors not to ignore physically obvious violations on adjacent properties.\u003c/p>\n\u003cp>Oakland Mayor Libby Schaaf said that since the fire there has been a flood of complaints regarding other buildings. She outlined a raft of new measures –- and possible regulations –- that the city will take to step up fire safety and inspections.\u003c/p>\n\u003cp>New regulations under consideration include:\u003c/p>\n\u003cul>\n\u003cli>Smoke alarms and carbon monoxide monitors in commercial facilities\u003c/li>\n\u003cli>Enhanced fire inspections\u003c/li>\n\u003cli>Stronger emergency exit requirements\u003c/li>\n\u003cli>Permitting of events\u003c/li>\n\u003cli>Monitoring of illegal events\u003c/li>\n\u003c/ul>\n\u003cp>Schaaf said the National Fire Protection Association and the U.S. Fire Administration will help the city assemble a fire safety task force of national experts and local officials. She also said her office would continue working with the arts community to create safe, affordable homes and work spaces.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We have to be as compassionate as we were throughout these past few days as we forge a path forward,” she said in a statement.\u003c/p>\n\u003cp>The search and recovery efforts ended early Wednesday at the warehouse. Two additional victims of the blaze were named:\u003c/p>\n\u003cul>\n\u003cli>Jason McCarty, 35, Oakland\u003c/li>\n\u003cli>Wolfgang Renner, 61, Oakland\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Update, 1 p.m. Wednesday: \u003c/strong>The top ATF official in San Francisco is providing additional updates on the fire at the Ghost Ship warehouse in Oakland last week that claimed 36 lives.\u003c/p>\n\u003cp>The fire appears to have begun on the first floor, traveling up a stairwell to the second floor where people had gathered for an event and trapping them, said Jill Snyder, special agent in charge of the San Francisco Field Division for the Bureau of Alcohol, Tobacco, Firearms and Explosives.\u003c/p>\n\u003cp>\"The occupants of the building were consumed by smoke before they were able to get out,\" she told a press conference.\u003c/p>\n\u003cp>It was the highest number of fire fatalities in the country in the last 13 years. Before that, the highest number was in 2003 at The Station nightclub in Rhode Island.\u003c/p>\n\u003cp>Neither of the two stairwells -- leading down from the second floor to the first -- led to an exit outside, she said.\u003c/p>\n\u003cp>She described the blaze as \"rapid-fire progression.\"\u003c/p>\n\u003cp>\"Initial witness interviews indicate that the fire was well-developed by the time the second-floor occupants realized that a fire was going on,\" she said.\u003c/p>\n\u003cp>No conclusions have been made about the source of the fire, she added: \"We're looking at every possible source of ignition.\"\u003c/p>\n\u003cp>\u003cstrong>Original Post, 9:30 a.m. Wednesday: \u003c/strong>Authorities released the names of another nine victims from the deadly fire that erupted at the Ghost Ship warehouse in Oakland last week, killing 36 people.\u003c/p>\n\u003cp>The release of additional identifications comes as the recovery effort ends at the site, The Associated Press reported, and investigators try to determine the cause and origin of the fire.\u003c/p>\n\u003cp>[contextly_sidebar id=\"Xa8JXWWzr1h3AfC0OAaX8RT8laJBYmEA\"]\u003c/p>\n\u003cp>\"There’s no evidence it was intentionally set, there’s no evidence of a lightning strike. So they’ll look for sources of ignition,\" said Jill Snyder, special agent in charge of the San Francisco office of the Bureau of Alcohol, Tobacco, Firearms and Explosives.\u003c/p>\n\u003cp>\"Sources of ignition could be any kind of electrical appliance that’s in there, and they’ll examine all those potential sources of ignition for the fire,\" she added.\u003c/p>\n\u003cp>Authorities have identified 35 of 36 victims, and 30 families have been notified, said Alameda County Sheriff's Office spokesman Sgt. J.D. Nelson.\u003c/p>\n\u003cp>The nine identified Tuesday night are:\u003c/p>\n\u003cul>\n\u003cli>Billy Dixon, 35, Oakland\u003c/li>\n\u003cli>Johnny Igaz, 34, Oakland\u003c/li>\n\u003cli>Ara Jo, 29, Oakland\u003c/li>\n\u003cli>Amanda Kershaw, 34, San Francisco\u003c/li>\n\u003cli>Griffin Madden, 23, Berkeley\u003c/li>\n\u003cli>Vanessa Plotkin, 21, Oakland\u003c/li>\n\u003cli>Hanna Ruax, 32, Helsinki, Finland\u003c/li>\n\u003cli>Nicole Siegrist, 29, Oakland\u003c/li>\n\u003cli>Alex Vega, 22, San Bruno\u003c/li>\n\u003c/ul>\n\u003cp>The District Attorney's Office has launched a criminal investigation into the fire and is exploring two questions: Is any criminal liability attached to the blaze and if so, against whom? Although it’s too early to speculate on possible charges, those could range from involuntary manslaughter to murder, depending on what the investigation reveals, DA Nancy O’Malley said.\u003c/p>\n\u003cp>The city had received complaints about the warehouse, Mayor Libby Schaaf said. Two complaints were made in 2014 and one in 2005. Another 18 complaints were made about the vacant lot next door to the warehouse over the last 30 years, she added.\u003c/p>\n\u003cp>\"I'm not prepared to draw conclusions from the history,\" she said.\u003c/p>\n\u003cp>The city will release three decades of planning department records associated with the site, she added.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"It's an anguishing time,\" Rep. Barbara Lee said. \"We will continue to do everything we can do.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update, 8 p.m. Wednesday: \u003c/strong>We’re learning more about the Ghost Ship warehouse in Oakland where a fire erupted last Friday during an event, killing 36 people in the nation’s deadliest blaze since 2003.\u003c/p>\n\u003cp>No inspector has been inside the warehouse for 30 years, said Darin Ranelletti, interim director of Oakland’s Planning and Building Department. Many complaints had been filed about the vacant lot next to the site, though only three had been lodged against the warehouse since 2005.\u003c/p>\n\u003cp>Ranelletti said his department advises inspectors not to ignore physically obvious violations on adjacent properties.\u003c/p>\n\u003cp>Oakland Mayor Libby Schaaf said that since the fire there has been a flood of complaints regarding other buildings. She outlined a raft of new measures –- and possible regulations –- that the city will take to step up fire safety and inspections.\u003c/p>\n\u003cp>New regulations under consideration include:\u003c/p>\n\u003cul>\n\u003cli>Smoke alarms and carbon monoxide monitors in commercial facilities\u003c/li>\n\u003cli>Enhanced fire inspections\u003c/li>\n\u003cli>Stronger emergency exit requirements\u003c/li>\n\u003cli>Permitting of events\u003c/li>\n\u003cli>Monitoring of illegal events\u003c/li>\n\u003c/ul>\n\u003cp>Schaaf said the National Fire Protection Association and the U.S. Fire Administration will help the city assemble a fire safety task force of national experts and local officials. She also said her office would continue working with the arts community to create safe, affordable homes and work spaces.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We have to be as compassionate as we were throughout these past few days as we forge a path forward,” she said in a statement.\u003c/p>\n\u003cp>The search and recovery efforts ended early Wednesday at the warehouse. Two additional victims of the blaze were named:\u003c/p>\n\u003cul>\n\u003cli>Jason McCarty, 35, Oakland\u003c/li>\n\u003cli>Wolfgang Renner, 61, Oakland\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Update, 1 p.m. Wednesday: \u003c/strong>The top ATF official in San Francisco is providing additional updates on the fire at the Ghost Ship warehouse in Oakland last week that claimed 36 lives.\u003c/p>\n\u003cp>The fire appears to have begun on the first floor, traveling up a stairwell to the second floor where people had gathered for an event and trapping them, said Jill Snyder, special agent in charge of the San Francisco Field Division for the Bureau of Alcohol, Tobacco, Firearms and Explosives.\u003c/p>\n\u003cp>\"The occupants of the building were consumed by smoke before they were able to get out,\" she told a press conference.\u003c/p>\n\u003cp>It was the highest number of fire fatalities in the country in the last 13 years. Before that, the highest number was in 2003 at The Station nightclub in Rhode Island.\u003c/p>\n\u003cp>Neither of the two stairwells -- leading down from the second floor to the first -- led to an exit outside, she said.\u003c/p>\n\u003cp>She described the blaze as \"rapid-fire progression.\"\u003c/p>\n\u003cp>\"Initial witness interviews indicate that the fire was well-developed by the time the second-floor occupants realized that a fire was going on,\" she said.\u003c/p>\n\u003cp>No conclusions have been made about the source of the fire, she added: \"We're looking at every possible source of ignition.\"\u003c/p>\n\u003cp>\u003cstrong>Original Post, 9:30 a.m. Wednesday: \u003c/strong>Authorities released the names of another nine victims from the deadly fire that erupted at the Ghost Ship warehouse in Oakland last week, killing 36 people.\u003c/p>\n\u003cp>The release of additional identifications comes as the recovery effort ends at the site, The Associated Press reported, and investigators try to determine the cause and origin of the fire.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\"There’s no evidence it was intentionally set, there’s no evidence of a lightning strike. So they’ll look for sources of ignition,\" said Jill Snyder, special agent in charge of the San Francisco office of the Bureau of Alcohol, Tobacco, Firearms and Explosives.\u003c/p>\n\u003cp>\"Sources of ignition could be any kind of electrical appliance that’s in there, and they’ll examine all those potential sources of ignition for the fire,\" she added.\u003c/p>\n\u003cp>Authorities have identified 35 of 36 victims, and 30 families have been notified, said Alameda County Sheriff's Office spokesman Sgt. J.D. Nelson.\u003c/p>\n\u003cp>The nine identified Tuesday night are:\u003c/p>\n\u003cul>\n\u003cli>Billy Dixon, 35, Oakland\u003c/li>\n\u003cli>Johnny Igaz, 34, Oakland\u003c/li>\n\u003cli>Ara Jo, 29, Oakland\u003c/li>\n\u003cli>Amanda Kershaw, 34, San Francisco\u003c/li>\n\u003cli>Griffin Madden, 23, Berkeley\u003c/li>\n\u003cli>Vanessa Plotkin, 21, Oakland\u003c/li>\n\u003cli>Hanna Ruax, 32, Helsinki, Finland\u003c/li>\n\u003cli>Nicole Siegrist, 29, Oakland\u003c/li>\n\u003cli>Alex Vega, 22, San Bruno\u003c/li>\n\u003c/ul>\n\u003cp>The District Attorney's Office has launched a criminal investigation into the fire and is exploring two questions: Is any criminal liability attached to the blaze and if so, against whom? Although it’s too early to speculate on possible charges, those could range from involuntary manslaughter to murder, depending on what the investigation reveals, DA Nancy O’Malley said.\u003c/p>\n\u003cp>The city had received complaints about the warehouse, Mayor Libby Schaaf said. Two complaints were made in 2014 and one in 2005. Another 18 complaints were made about the vacant lot next door to the warehouse over the last 30 years, she added.\u003c/p>\n\u003cp>\"I'm not prepared to draw conclusions from the history,\" she said.\u003c/p>\n\u003cp>The city will release three decades of planning department records associated with the site, she added.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"It's an anguishing time,\" Rep. Barbara Lee said. \"We will continue to do everything we can do.\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Oakland Warehouse Manager on 'Today': 'I Am Incredibly Sorry'",
"title": "Oakland Warehouse Manager on 'Today': 'I Am Incredibly Sorry'",
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"content": "\u003cp>The manager of the Oakland warehouse that burned down,\u003ca href=\"https://ww2.kqed.org/news/2016/12/03/at-least-nine-people-dead-in-large-fire-at-oakland-party/\"> killing at least 36 people\u003c/a>, apologized for the devastation while defending his vision for the Ghost Ship artists' collective during an agonized, frequently tense interview on the \"Today\" show.\u003c/p>\n\u003cp>After Matt Lauer welcomed him with \"good morning,\" Derick Ion Almena shook his head.\u003c/p>\n\u003cp>\"It's not a good morning,\" he said. \"What am I doing here? Can I just say I'm sorry?\"\u003c/p>\n\u003cp>When asked if he should be held accountable for the disaster, Almena — who has been accused of failing to correct unsafe conditions — said, \"What am I going to say to that? ... I can barely stand here right now.\"\u003c/p>\n\u003cp>Further questions from the hosts about the possibility of criminal charges seemed to agitate Almena, who ultimately said:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"I'm an honorable man. I'm a proud man. I'm not going to answer these questions on this level. I'd rather get on the floor and be trampled by the parents — I would rather let them tear at my flesh than answer these ridiculous questions.[contextly_sidebar id=\"yeSmvPD7gUMkeFUVS3QExJrl2tTEbdrC\"]\u003c/p>\n\u003cp>\"I'm so sorry,\" he repeated. \"I'm incredibly sorry.\"\u003c/p>\n\u003cp>You can watch the entire interview \u003ca href=\"http://www.today.com/news/oakland-warehouse-manager-derick-almena-anguished-today-show-interview-t105643\">here\u003c/a>.\u003c/p>\n\u003cp>The fire started late Friday night at a dance party at the Ghost Ship.\u003c/p>\n\u003cp>\"Survivors recounted having to struggle to escape the burning warehouse, where many of the victims were on a makeshift second floor served by a rickety staircase of wooden pallets,\" The Associated Press reports. \"Visitors described the structure as a warren of scrap wood, sofas, old pianos and electrical cables.\"\u003c/p>\n\u003cp>Authorities have confirmed 36 fatalities, 26 of whom have been identified. One victim was 17; the others ranged in age from 22 to 35.\u003c/p>\n\u003cp>For the past three years, Almena leased the building in Oakland's Fruitvale neighborhood and in turn offered smaller leases to residents. He ran an artists' collective out of the structure, which wasn't zoned for residential use. The AP reports that the warehouse had been under investigation by local building inspectors starting last month.\u003c/p>\n\u003cp>An artist who survived the fire told NPR that Almena and his partner, Micah Allison, were supportive of her work.\u003c/p>\n\u003cp>\"We were family. It wasn't just a place for cheap rent or a place that you could make art. It was a village,\" \u003ca href=\"http://www.npr.org/2016/12/05/504467106/oakland-warehouse-fire-survivor-we-were-a-family\">she said\u003c/a>. \"It was a community of people. We looked out for each other.\"\u003c/p>\n\u003cp>But Almena has been sharply criticized by others. After the catastrophic fire, he posted a message on Facebook that read in part, \"Everything I worked so hard for is gone. Blessed that my children and Micah were at a hotel safe and sound.\" It didn't mention fatalities or injuries.\u003c/p>\n\u003cp>And some have accused Almena of having a callous attitude toward the safety of residents of the building. Allison's father, for instance, recalled the couple laughing at a story about a fire-breather accidentally setting himself ablaze during a party at the Ghost Ship, while a former Ghost Ship resident told the AP that Almena and Allison knew the building was dangerous.\u003c/p>\n\u003cp>\"They profited on this,\" Shelley Mack told the wire service. \"And never spent a dime on anything but partying.\"\u003c/p>\n\u003cp>\"Profit?\" Almena asked on \"Today.\" \"This is not profit, this is loss. This is a mass grave. I'm only here to say one thing, that I am incredibly sorry and that everything I did was to make this a stronger, more beautiful community and to bring people together.\"\u003c/p>\n\u003cp>Almena also defended his creation, and implied he never thought it would be dangerous, noting that he and his children slept there most nights. (They were in a hotel the night of the fire, he says, to get a good night's sleep while \"the young people do what they needed to do.\")\u003c/p>\n\u003cp>\"I laid my body down there every night,\" he said, adding:\u003c/p>\n\u003cblockquote class=\"edTag\">\n\u003cdiv>\n\u003cp>\"We put our children to bed there every night. We made music. We created art. ... It started out as an initial dream and idea that we would have a facility and a venue that would host everything from at-risk youth to the gay community to artists that couldn't perform anywhere to performance art and alternative arts and — and eventually when you can't pay your rent because your dream is bigger than your pocketbook, when the need for housing, when the need for people to be able to sit down and be warm and make food and take a shower and take a bath and go to bed — so we created something together.\"\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>The cause of the fire has not yet been identified, and no charges have been filed. As the AP notes, investigators have not commented on whether Almena or the owner of the warehouse should be held responsible for the disaster.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The manager of the Oakland warehouse that burned down,\u003ca href=\"https://ww2.kqed.org/news/2016/12/03/at-least-nine-people-dead-in-large-fire-at-oakland-party/\"> killing at least 36 people\u003c/a>, apologized for the devastation while defending his vision for the Ghost Ship artists' collective during an agonized, frequently tense interview on the \"Today\" show.\u003c/p>\n\u003cp>After Matt Lauer welcomed him with \"good morning,\" Derick Ion Almena shook his head.\u003c/p>\n\u003cp>\"It's not a good morning,\" he said. \"What am I doing here? Can I just say I'm sorry?\"\u003c/p>\n\u003cp>When asked if he should be held accountable for the disaster, Almena — who has been accused of failing to correct unsafe conditions — said, \"What am I going to say to that? ... I can barely stand here right now.\"\u003c/p>\n\u003cp>Further questions from the hosts about the possibility of criminal charges seemed to agitate Almena, who ultimately said:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"I'm an honorable man. I'm a proud man. I'm not going to answer these questions on this level. I'd rather get on the floor and be trampled by the parents — I would rather let them tear at my flesh than answer these ridiculous questions.\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\"I'm so sorry,\" he repeated. \"I'm incredibly sorry.\"\u003c/p>\n\u003cp>You can watch the entire interview \u003ca href=\"http://www.today.com/news/oakland-warehouse-manager-derick-almena-anguished-today-show-interview-t105643\">here\u003c/a>.\u003c/p>\n\u003cp>The fire started late Friday night at a dance party at the Ghost Ship.\u003c/p>\n\u003cp>\"Survivors recounted having to struggle to escape the burning warehouse, where many of the victims were on a makeshift second floor served by a rickety staircase of wooden pallets,\" The Associated Press reports. \"Visitors described the structure as a warren of scrap wood, sofas, old pianos and electrical cables.\"\u003c/p>\n\u003cp>Authorities have confirmed 36 fatalities, 26 of whom have been identified. One victim was 17; the others ranged in age from 22 to 35.\u003c/p>\n\u003cp>For the past three years, Almena leased the building in Oakland's Fruitvale neighborhood and in turn offered smaller leases to residents. He ran an artists' collective out of the structure, which wasn't zoned for residential use. The AP reports that the warehouse had been under investigation by local building inspectors starting last month.\u003c/p>\n\u003cp>An artist who survived the fire told NPR that Almena and his partner, Micah Allison, were supportive of her work.\u003c/p>\n\u003cp>\"We were family. It wasn't just a place for cheap rent or a place that you could make art. It was a village,\" \u003ca href=\"http://www.npr.org/2016/12/05/504467106/oakland-warehouse-fire-survivor-we-were-a-family\">she said\u003c/a>. \"It was a community of people. We looked out for each other.\"\u003c/p>\n\u003cp>But Almena has been sharply criticized by others. After the catastrophic fire, he posted a message on Facebook that read in part, \"Everything I worked so hard for is gone. Blessed that my children and Micah were at a hotel safe and sound.\" It didn't mention fatalities or injuries.\u003c/p>\n\u003cp>And some have accused Almena of having a callous attitude toward the safety of residents of the building. Allison's father, for instance, recalled the couple laughing at a story about a fire-breather accidentally setting himself ablaze during a party at the Ghost Ship, while a former Ghost Ship resident told the AP that Almena and Allison knew the building was dangerous.\u003c/p>\n\u003cp>\"They profited on this,\" Shelley Mack told the wire service. \"And never spent a dime on anything but partying.\"\u003c/p>\n\u003cp>\"Profit?\" Almena asked on \"Today.\" \"This is not profit, this is loss. This is a mass grave. I'm only here to say one thing, that I am incredibly sorry and that everything I did was to make this a stronger, more beautiful community and to bring people together.\"\u003c/p>\n\u003cp>Almena also defended his creation, and implied he never thought it would be dangerous, noting that he and his children slept there most nights. (They were in a hotel the night of the fire, he says, to get a good night's sleep while \"the young people do what they needed to do.\")\u003c/p>\n\u003cp>\"I laid my body down there every night,\" he said, adding:\u003c/p>\n\u003cblockquote class=\"edTag\">\n\u003cdiv>\n\u003cp>\"We put our children to bed there every night. We made music. We created art. ... It started out as an initial dream and idea that we would have a facility and a venue that would host everything from at-risk youth to the gay community to artists that couldn't perform anywhere to performance art and alternative arts and — and eventually when you can't pay your rent because your dream is bigger than your pocketbook, when the need for housing, when the need for people to be able to sit down and be warm and make food and take a shower and take a bath and go to bed — so we created something together.\"\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>The cause of the fire has not yet been identified, and no charges have been filed. As the AP notes, investigators have not commented on whether Almena or the owner of the warehouse should be held responsible for the disaster.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "VIDEO: Mourners Gather at Candlelight Vigil to Honor Victims of Oakland Fire",
"title": "VIDEO: Mourners Gather at Candlelight Vigil to Honor Victims of Oakland Fire",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>Hundreds of people holding candles and flowers gathered at Lake Merritt in Oakland Monday night to honor the 36 victims of a \u003ca href=\"https://ww2.kqed.org/news/2016/12/03/at-least-nine-people-dead-in-large-fire-at-oakland-party/\" target=\"_blank\">fire that tore through the Ghost Ship warehouse\u003c/a> in the Fruitvale neighborhood on Dec. 2. Mourners in the crowd embraced each other or held up candles as they said aloud the names of those lost in the blaze.\u003c/p>\n\u003cp>Several people in the crowd held signs offering \"free hugs.\"\u003c/p>\n\u003cp>\"We have to pull closer together,\" said Tex Allen, who was holding a \"hugs here\" sign. \"There's no choice but to bombard this situation with love.\"\u003c/p>\n\u003cp>Here are some photos from the vigil honoring those lost in the most lethal building fire in the U.S. in more than a decade.\u003c/p>\n\u003cp>\u003cem>Kelly Whalen and Isara Krieger contributed to the video above.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11207318\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207318\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-800x600.jpg\" alt=\"Parents and children lit candles during the vigil in honor of those lost in the fire.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-1020x766.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-1180x886.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-960x721.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Parents and children light candles during the vigil in honor of those lost in the fire. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207319\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11207319 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-800x533.jpg\" alt=\"Holi Barahati lights a candle during the candlelight vigil at Lake Merritt on Tuesday, December 5, 2016 in Oakland California. Barahati lost three friends in the Ghost Ship fire. “I’m just still processing,” say Barahati.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Holi Barahati lights a candle during the candlelight vigil at Lake Merritt on Dec. 5, 2016. Barahati lost three friends in the Ghost Ship fire. 'I’m just still processing,' Barahati said. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207320\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11207320 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-800x533.jpg\" alt=\" Candles are laid out next columns at the Lake Merritt Pergola during the candle light vigil in memory of those lost in the Oakland Ghost Ship fire.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Candles stand next to columns at the Lake Merritt Pergola. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207321\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207321\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-800x533.jpg\" alt=\"Mourners share candle flames during the vigil at Lake Merritt in honor of the victims of the Oakland warehouse fire on December 2.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mourners share candle flames during the vigil in honor of the victims. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207322\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207322\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-800x533.jpg\" alt=\"A mourner protects a candle-flame from the elements during a candle light vigil at Lake Merritt on December 5, 2016.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mourner protects a candle flame from the elements. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207323\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11207323 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-800x533.jpg\" alt=\"Whitney (left) and Simi console each other during the candlelight vigil in Oakland in honor of the victims of the Oakland Ghost Ship fire. \" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Whitney (left) and Simi (right) console each other during the candlelight vigil at Oakland's Lake Merritt. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207324\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207324\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-800x535.jpg\" alt=\"Some mourners carried large fabric-wrapped crosses with pictures of the Oakland fire victims on them.\" width=\"800\" height=\"535\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-800x535.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-1020x682.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-1180x789.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-960x642.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-375x251.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Some mourners carried large fabric-wrapped crosses with pictures of the Oakland fire victims on them. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207326\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11207326 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-800x533.jpg\" alt=\"Tex Allen attended the vigil holding a free hugs sign in an effort to comfort those attending.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tex Allen attended the vigil holding a free hugs sign in an effort to comfort those attending. 'A hug is the most immediate human contact, loving, compassionate, direct connection thing you can do when you're hurting,' Allen said. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207325\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11207325 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-800x533.jpg\" alt=\"Hundreds attended the Lake Merritt candlelight vigil in honor of the victims of the Oakland warehouse fire that occurred on December 2, 2016.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds attended the Lake Merritt candlelight vigil in honor of the victims of the Oakland warehouse fire that killed 36 people on Dec. 2, 2016. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207327\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207327\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-800x533.jpg\" alt=\"Several mourners hold candles at a vigil for the victims of the Oakland fire.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Several mourners hold candles at a vigil for the victims of the Oakland fire. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207328\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207328\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-800x533.jpg\" alt=\"Small drawings were left at the memorial, tucked among candles and flowers.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Small drawings were left at the memorial, tucked among candles and flowers. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207818\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207818\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-800x533.jpg\" alt=\"Several members of the community spoke at the vigil about those who where lost and the current state of the Oakland community.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Several members of the community spoke at the vigil about those who were lost and the current state of the Oakland community. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207331\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207331\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-800x587.jpg\" alt=\"Candles were laid out along the edge of Lake Merritt during the vigil, while flower were tucked into chain railings and layered among the candles.\" width=\"800\" height=\"587\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-800x587.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-160x117.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-1020x748.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-1180x865.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-960x704.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-240x176.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-375x275.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-520x381.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Candles were laid out along the edge of Lake Merritt during the vigil, while flowers were tucked into chain railings and layered among the candles. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hundreds of people holding candles and flowers gathered at Lake Merritt in Oakland Monday night to honor the 36 victims of a \u003ca href=\"https://ww2.kqed.org/news/2016/12/03/at-least-nine-people-dead-in-large-fire-at-oakland-party/\" target=\"_blank\">fire that tore through the Ghost Ship warehouse\u003c/a> in the Fruitvale neighborhood on Dec. 2. Mourners in the crowd embraced each other or held up candles as they said aloud the names of those lost in the blaze.\u003c/p>\n\u003cp>Several people in the crowd held signs offering \"free hugs.\"\u003c/p>\n\u003cp>\"We have to pull closer together,\" said Tex Allen, who was holding a \"hugs here\" sign. \"There's no choice but to bombard this situation with love.\"\u003c/p>\n\u003cp>Here are some photos from the vigil honoring those lost in the most lethal building fire in the U.S. in more than a decade.\u003c/p>\n\u003cp>\u003cem>Kelly Whalen and Isara Krieger contributed to the video above.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11207318\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207318\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-800x600.jpg\" alt=\"Parents and children lit candles during the vigil in honor of those lost in the fire.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-1020x766.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-1180x886.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-960x721.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs19-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Parents and children light candles during the vigil in honor of those lost in the fire. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207319\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11207319 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-800x533.jpg\" alt=\"Holi Barahati lights a candle during the candlelight vigil at Lake Merritt on Tuesday, December 5, 2016 in Oakland California. Barahati lost three friends in the Ghost Ship fire. “I’m just still processing,” say Barahati.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs02-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Holi Barahati lights a candle during the candlelight vigil at Lake Merritt on Dec. 5, 2016. Barahati lost three friends in the Ghost Ship fire. 'I’m just still processing,' Barahati said. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207320\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11207320 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-800x533.jpg\" alt=\" Candles are laid out next columns at the Lake Merritt Pergola during the candle light vigil in memory of those lost in the Oakland Ghost Ship fire.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs05-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Candles stand next to columns at the Lake Merritt Pergola. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207321\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207321\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-800x533.jpg\" alt=\"Mourners share candle flames during the vigil at Lake Merritt in honor of the victims of the Oakland warehouse fire on December 2.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs06-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mourners share candle flames during the vigil in honor of the victims. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207322\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207322\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-800x533.jpg\" alt=\"A mourner protects a candle-flame from the elements during a candle light vigil at Lake Merritt on December 5, 2016.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs07-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mourner protects a candle flame from the elements. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207323\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11207323 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-800x533.jpg\" alt=\"Whitney (left) and Simi console each other during the candlelight vigil in Oakland in honor of the victims of the Oakland Ghost Ship fire. \" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs08-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Whitney (left) and Simi (right) console each other during the candlelight vigil at Oakland's Lake Merritt. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207324\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207324\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-800x535.jpg\" alt=\"Some mourners carried large fabric-wrapped crosses with pictures of the Oakland fire victims on them.\" width=\"800\" height=\"535\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-800x535.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-1020x682.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-1180x789.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-960x642.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-375x251.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs04-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Some mourners carried large fabric-wrapped crosses with pictures of the Oakland fire victims on them. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207326\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11207326 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-800x533.jpg\" alt=\"Tex Allen attended the vigil holding a free hugs sign in an effort to comfort those attending.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs12-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tex Allen attended the vigil holding a free hugs sign in an effort to comfort those attending. 'A hug is the most immediate human contact, loving, compassionate, direct connection thing you can do when you're hurting,' Allen said. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207325\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11207325 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-800x533.jpg\" alt=\"Hundreds attended the Lake Merritt candlelight vigil in honor of the victims of the Oakland warehouse fire that occurred on December 2, 2016.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs09-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds attended the Lake Merritt candlelight vigil in honor of the victims of the Oakland warehouse fire that killed 36 people on Dec. 2, 2016. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207327\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207327\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-800x533.jpg\" alt=\"Several mourners hold candles at a vigil for the victims of the Oakland fire.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs10-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Several mourners hold candles at a vigil for the victims of the Oakland fire. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207328\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207328\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-800x533.jpg\" alt=\"Small drawings were left at the memorial, tucked among candles and flowers.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs14-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Small drawings were left at the memorial, tucked among candles and flowers. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207818\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207818\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-800x533.jpg\" alt=\"Several members of the community spoke at the vigil about those who where lost and the current state of the Oakland community.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/RS23093_161205_oaklandfirevigil_bhs11-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Several members of the community spoke at the vigil about those who were lost and the current state of the Oakland community. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11207331\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11207331\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-800x587.jpg\" alt=\"Candles were laid out along the edge of Lake Merritt during the vigil, while flower were tucked into chain railings and layered among the candles.\" width=\"800\" height=\"587\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-800x587.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-160x117.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-1020x748.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-1180x865.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-960x704.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-240x176.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-375x275.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2016/12/161205_oaklandfirevigil_bhs18-520x381.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Candles were laid out along the edge of Lake Merritt during the vigil, while flowers were tucked into chain railings and layered among the candles. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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},
"soldout": {
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