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Doctors pronounced Bubbles dead at the hospital. \u003c/p>\n\u003cp>Police said on Monday that they believe — so far — that the shooting was not a hate crime.\u003c/p>\n\u003cp>On Sunday, social media lit up with remembrances of the beloved character, known for being a ubiquitous presence in San Francisco’s nightlife with dreadlock wigs, outrageously tight shirts, oversized sunglasses and a handlebar mustache.\u003c/p>\n\u003cp>“My heart is breaking for Bubbles,” wrote LGBT activist Tom Temprano \u003ca href=\"https://www.facebook.com/tom.temprano/posts/10102582909276018\" target=\"_blank\" rel=\"noopener\">on Facebook\u003c/a>. “They brought so much energy and light to our nightlife community and are truly irreplaceable.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Bubbles, 44, was born Anthony Torres but 20 years ago took on the non-gender-conforming alter ego, often going by the pronoun “they.” Bubbles said in an interview that the persona was a product of San Francisco because in the city “you can get away with doing this.” \u003c/p>\n\u003cp>“It’s an escape from every mundane day, and San Francisco allows me to do that,” Bubbles told the \u003ca href=\"http://www.sfgate.com/bayarea/cityexposed/article/In-tight-times-Bubbles-still-comes-out-to-play-3689328.php\" target=\"_blank\" rel=\"noopener\">\u003cem>San Francisco Chronicle\u003c/em> in 2012\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13808141\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/Bubbles-3.jpg\" alt=\"Bubbles, poolside\" width=\"960\" height=\"540\" class=\"size-full wp-image-13808141\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3-520x293.jpg 520w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Bubbles at a hot springs. \u003ccite>(via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>48 Hills editor and Bubbles’ former roommate Marke Bieschke says that before the alter ego, Bubbles dressed up only a few nights a week, “satisfied with it as an occasion for dress-up.” But after Bubbles moved out, he resurfaced as the Bubbles the full-time performer.\u003c/p>\n\u003cp>“The defining characteristic of Bubbles was freedom. Everything that you might question yourself doing, Bubbles would immediately go for it,” Bieschke said. “It was exhilarating and shocking and sometimes scary to watch.”\u003c/p>\n\u003cp>But even before he moved to the city, Bubbles was out and fearless. Marcus Wilson, also known as the Seattle-based drag performer Ursula Android, said he grew up with Bubbles in Phoenix, Arizona. The two attended junior high school together, and Wilson says that Bubbles dressed outrageously and never let the predictable bullying bring him down.\u003c/p>\n\u003cp>“Anthony was who I desperately wanted to be, but couldn’t even imagine having the courage to be. Anthony got taunted, chased, beaten up, threatened, and suspended on an almost daily basis, and somehow he really couldn’t care less, even then,” Wilson \u003ca href=\"https://www.facebook.com/marcus.wilson.33633/posts/10155181303126843\" target=\"_blank\" rel=\"noopener\">wrote on Facebook\u003c/a>. “Anthony’s self-confidence and innate belief in theirself was truly awe-inspiring.” \u003c/p>\n\u003cp>In San Francisco, Bubbles became a fixture in the city’s nightlife. They could be seen DJing at a club, selling “\u003ca href=\"http://48hills.org/2017/09/11/tears-and-bubbly-for-bubbles/\" target=\"_blank\" rel=\"noopener\">tranny snow cones\u003c/a>” on the street, or just being a character in the middle of the night. \u003c/p>\n\u003cp>“Someone recently shared a video of Bubbles pretending to vacuum a piece of the Tenderloin at 3am, re-enacting Queen’s ‘\u003ca href=\"https://www.youtube.com/watch?v=f4Mc-NYPHaQ\" target=\"_blank\" rel=\"noopener\">I Want to Break Free\u003c/a>‘ video,” Bieschke said.\u003c/p>\n\u003caside class=\"aligncenter noborder\">\nhttps://www.instagram.com/p/BY32OkdDC8r/\u003cbr>\n\u003c/aside>\n\u003cp>Bubbles once considered leaving San Francisco after \u003ca href=\"https://ripplenews.com/read/san-francisco/we-need-more-bubbles-in-san-francisco-1309srla\" target=\"_blank\" rel=\"noopener\">being gay-bashed in 2008\u003c/a>, but stayed anyway. Yet at the end of September, Bubbles expected to move to Berlin — which captured the longtime San Franciscan’s imagination as a place where “people still partied like we did in the ’90s.”\u003c/p>\n\u003cp>Instead of a going-away party, Bubbles’ friends will hold a moment of silence at this Wednesday’s \u003ca href=\"https://www.facebook.com/events/827822534058795\" target=\"_blank\" rel=\"noopener\">Housepitality,\u003c/a> the weekly dance party Bubbles was most associated with. \u003c/p>\n\u003cp>“We will never forget the amazing art show he produced for us and all the wonderful moments of fun crazyness and weird that he provided us on our dancefloor, outside of our door and in the scene in general,” the promoters of Housepitality wrote. \u003c/p>\n\u003ch3>New Century Investigation\u003c/h3>\n\u003cp>San Francisco Supervisor Jane Kim says she’s investigating the New Century Theater, near where Bubbles’ body was found. Kim believes the strip club may be connected to a fatal shooting this weekend, and she says that residents have told her that the New Century Theater contributes to crime on the block.\u003c/p>\n\u003cp>“They believe that you know they either don’t act as a steward of the block and allow the drug dealing to go on,” Kim said.\u003c/p>\n\u003cp>Kim also said her investigation could lead to the removal of one of New Century’s business permits.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Additional reporting provided by Sonja Huston.\u003c/i>\u003c/p>\n\n",
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"excerpt": "The LGBTQ scene is in mourning and a strip club is being investigated after Tenderloin character Bubbles was killed early Saturday.",
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"title": "Death of Local Character Bubbles Leads to Investigation of Strip Club | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco’s LGBTQ scene was reeling Monday after Bubbles, a local DJ, artist and queer activist was shot to death over the weekend near a Tenderloin strip club. The incident has led one San Francisco Supervisor to call for the club, the New Century theater, to be investigated.\u003c/p>\n\u003cp>San Francisco Police say an unknown assailant shot Bubbles near the New Century theater around 2:50am Saturday morning. Doctors pronounced Bubbles dead at the hospital. \u003c/p>\n\u003cp>Police said on Monday that they believe — so far — that the shooting was not a hate crime.\u003c/p>\n\u003cp>On Sunday, social media lit up with remembrances of the beloved character, known for being a ubiquitous presence in San Francisco’s nightlife with dreadlock wigs, outrageously tight shirts, oversized sunglasses and a handlebar mustache.\u003c/p>\n\u003cp>“My heart is breaking for Bubbles,” wrote LGBT activist Tom Temprano \u003ca href=\"https://www.facebook.com/tom.temprano/posts/10102582909276018\" target=\"_blank\" rel=\"noopener\">on Facebook\u003c/a>. “They brought so much energy and light to our nightlife community and are truly irreplaceable.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bubbles, 44, was born Anthony Torres but 20 years ago took on the non-gender-conforming alter ego, often going by the pronoun “they.” Bubbles said in an interview that the persona was a product of San Francisco because in the city “you can get away with doing this.” \u003c/p>\n\u003cp>“It’s an escape from every mundane day, and San Francisco allows me to do that,” Bubbles told the \u003ca href=\"http://www.sfgate.com/bayarea/cityexposed/article/In-tight-times-Bubbles-still-comes-out-to-play-3689328.php\" target=\"_blank\" rel=\"noopener\">\u003cem>San Francisco Chronicle\u003c/em> in 2012\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13808141\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/Bubbles-3.jpg\" alt=\"Bubbles, poolside\" width=\"960\" height=\"540\" class=\"size-full wp-image-13808141\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Bubbles-3-520x293.jpg 520w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Bubbles at a hot springs. \u003ccite>(via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>48 Hills editor and Bubbles’ former roommate Marke Bieschke says that before the alter ego, Bubbles dressed up only a few nights a week, “satisfied with it as an occasion for dress-up.” But after Bubbles moved out, he resurfaced as the Bubbles the full-time performer.\u003c/p>\n\u003cp>“The defining characteristic of Bubbles was freedom. Everything that you might question yourself doing, Bubbles would immediately go for it,” Bieschke said. “It was exhilarating and shocking and sometimes scary to watch.”\u003c/p>\n\u003cp>But even before he moved to the city, Bubbles was out and fearless. Marcus Wilson, also known as the Seattle-based drag performer Ursula Android, said he grew up with Bubbles in Phoenix, Arizona. The two attended junior high school together, and Wilson says that Bubbles dressed outrageously and never let the predictable bullying bring him down.\u003c/p>\n\u003cp>“Anthony was who I desperately wanted to be, but couldn’t even imagine having the courage to be. Anthony got taunted, chased, beaten up, threatened, and suspended on an almost daily basis, and somehow he really couldn’t care less, even then,” Wilson \u003ca href=\"https://www.facebook.com/marcus.wilson.33633/posts/10155181303126843\" target=\"_blank\" rel=\"noopener\">wrote on Facebook\u003c/a>. “Anthony’s self-confidence and innate belief in theirself was truly awe-inspiring.” \u003c/p>\n\u003cp>In San Francisco, Bubbles became a fixture in the city’s nightlife. They could be seen DJing at a club, selling “\u003ca href=\"http://48hills.org/2017/09/11/tears-and-bubbly-for-bubbles/\" target=\"_blank\" rel=\"noopener\">tranny snow cones\u003c/a>” on the street, or just being a character in the middle of the night. \u003c/p>\n\u003cp>“Someone recently shared a video of Bubbles pretending to vacuum a piece of the Tenderloin at 3am, re-enacting Queen’s ‘\u003ca href=\"https://www.youtube.com/watch?v=f4Mc-NYPHaQ\" target=\"_blank\" rel=\"noopener\">I Want to Break Free\u003c/a>‘ video,” Bieschke said.\u003c/p>\n\u003caside class=\"aligncenter noborder\">\nhttps://www.instagram.com/p/BY32OkdDC8r/\u003cbr>\n\u003c/aside>\n\u003cp>Bubbles once considered leaving San Francisco after \u003ca href=\"https://ripplenews.com/read/san-francisco/we-need-more-bubbles-in-san-francisco-1309srla\" target=\"_blank\" rel=\"noopener\">being gay-bashed in 2008\u003c/a>, but stayed anyway. Yet at the end of September, Bubbles expected to move to Berlin — which captured the longtime San Franciscan’s imagination as a place where “people still partied like we did in the ’90s.”\u003c/p>\n\u003cp>Instead of a going-away party, Bubbles’ friends will hold a moment of silence at this Wednesday’s \u003ca href=\"https://www.facebook.com/events/827822534058795\" target=\"_blank\" rel=\"noopener\">Housepitality,\u003c/a> the weekly dance party Bubbles was most associated with. \u003c/p>\n\u003cp>“We will never forget the amazing art show he produced for us and all the wonderful moments of fun crazyness and weird that he provided us on our dancefloor, outside of our door and in the scene in general,” the promoters of Housepitality wrote. \u003c/p>\n\u003ch3>New Century Investigation\u003c/h3>\n\u003cp>San Francisco Supervisor Jane Kim says she’s investigating the New Century Theater, near where Bubbles’ body was found. Kim believes the strip club may be connected to a fatal shooting this weekend, and she says that residents have told her that the New Century Theater contributes to crime on the block.\u003c/p>\n\u003cp>“They believe that you know they either don’t act as a steward of the block and allow the drug dealing to go on,” Kim said.\u003c/p>\n\u003cp>Kim also said her investigation could lead to the removal of one of New Century’s business permits.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Additional reporting provided by Sonja Huston.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "dancing-with-debris-at-counterpulses-future-home",
"title": "Counterpulse Previews its Future Home in the Tenderloin",
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"content": "\u003cp>It’s not the sort of dancing the folks at \u003ca href=\"http://counterpulse.org/\" target=\"_blank\" rel=\"noopener\">Counterpulse \u003c/a>normally program. But it’s a start.\u003c/p>\n\u003cp>Reporters soft-shoed around debris piles and skipped between the raw steel framing as artistic director Julie Phelps gave a hard hat tour of Counterpulse’s new home at 80 Turk Street in San Francisco’s Tenderloin neighborhood.\u003c/p>\n\u003cfigure id=\"attachment_10878414\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/IMG_2526.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-10878414\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/IMG_2526-1180x885.jpg\" alt=\"A future apartment for visiting artists at Counterpulse's new space\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2526-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2526-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2526-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2526-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2526-960x720.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A future apartment for visiting artists at Counterpulse’s new space \u003ccite>(Cy Musiker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The dance presenter is planning to open its fall season there in October — the gods of construction permitting.\u003c/p>\n\u003cp>The building dates back to 1922, and most recently housed a porn theater named the Dollhouse.\u003c/p>\n\u003cp>Phelps said the two-story building with full basement would be an upgrade on Counterpulse’s old home on Mission Street. “Our offices won’t be in what should be the lobby,” Phelps said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>That’s not to mention the three rehearsal studios, state-of-the-art performance space with a 30 by 30 foot stage, new audio system donated by Meyer Sound of Berkeley, and sprung hardwood floor. The building also includes an apartment on the second floor that will house visiting artists working at Counterpulse and neighboring organizations like the Yerba Buena Center for the Arts.\u003c/p>\n\u003cfigure id=\"attachment_10878411\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/IMG_2523.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-10878411\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/IMG_2523-1180x885.jpg\" alt=\"Silhouettes of exotic dancers, artifacts of 80 Turk Street's former life as a porn theater\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2523-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2523-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2523-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2523-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2523-960x720.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Silhouettes of exotic dancers, artifacts of 80 Turk Street’s former life as a porn theater \u003ccite>(Cy Musiker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The new theater will feature 115 seats — 20 more than in Counterpulse’s old home. The number, Phelps said, is perfect for the kind of experimental work the company likes to present.\u003c/p>\n\u003cp>“We aren’t on the road to a 300 seat house,” Phelps said. “The intimacy and scale of our venue is key.”\u003c/p>\n\u003cp>The real news though, is that Counterpulse will own its new home here, despite San Francisco’s toxic real estate market. That’s the result of an intervention of sorts by the \u003ca href=\"http://www.ncclf.org/\" target=\"_blank\" rel=\"noopener\">Northern California Community Loan Fund,\u003c/a> the\u003ca href=\"http://cast-sf.org/\" target=\"_blank\" rel=\"noopener\"> Community Arts Stabilization Trust (CAST)\u003c/a>, and the \u003ca href=\"http://www.sfartscommission.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Arts Commission\u003c/a>.\u003c/p>\n\u003cp>CAST, an offshoot of the \u003ca href=\"http://krfoundation.org/\" target=\"_blank\" rel=\"noopener\">Kenneth Rainin Foundation\u003c/a>, negotiated and underwrote the purchase of 80 Turk on Counterpulse’s behalf. CAST Executive Director Moy Eng said the purchase is part of a project to find long term solutions to the loss of non-profit arts organizations in San Francisco. “Not just a finger in the dike,” Eng said during the tour. “To create permanent space so arts and culture remains and endures.”\u003c/p>\n\u003cfigure id=\"attachment_10878412\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/IMG_2525.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-10878412\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/IMG_2525-1180x885.jpg\" alt=\"CAST Executive Director Moy Eng, with Counterpulse's Executive Director Tomas Riley, and Artistic Director Julie Phelps\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2525-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2525-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2525-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2525-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2525-960x720.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">CAST Executive Director Moy Eng, with Counterpulse’s Executive Director Tomas Riley, and Artistic Director Julie Phelps \u003ccite>(Cy Musiker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>CAST is providing a similar service for mid-market’s \u003ca href=\"http://www.luggagestoregallery.org/\" target=\"_blank\" rel=\"noopener\">Luggage Store Gallery\u003c/a>, another non-profit arts presenter.\u003c/p>\n\u003cp>The purchase is not a gift. “It’s a fancy lease to own agreement,” Phelps said. Counterpulse has five years to pay off the $6 million loan, with no interest, and it’s already raised nearly half of that loan with help from Market Street neighbors Twitter and Zendesk.\u003c/p>\n\u003cp>One unusual aspect of the loan is that once Counterpulse pays it off, CAST will redistribute the money to another non-profit arts group in need of help finding a home.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"title": "Counterpulse Previews its Future Home in the Tenderloin | KQED",
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"headline": "Counterpulse Previews its Future Home in the Tenderloin",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s not the sort of dancing the folks at \u003ca href=\"http://counterpulse.org/\" target=\"_blank\" rel=\"noopener\">Counterpulse \u003c/a>normally program. But it’s a start.\u003c/p>\n\u003cp>Reporters soft-shoed around debris piles and skipped between the raw steel framing as artistic director Julie Phelps gave a hard hat tour of Counterpulse’s new home at 80 Turk Street in San Francisco’s Tenderloin neighborhood.\u003c/p>\n\u003cfigure id=\"attachment_10878414\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/IMG_2526.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-10878414\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/IMG_2526-1180x885.jpg\" alt=\"A future apartment for visiting artists at Counterpulse's new space\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2526-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2526-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2526-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2526-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2526-960x720.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A future apartment for visiting artists at Counterpulse’s new space \u003ccite>(Cy Musiker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The dance presenter is planning to open its fall season there in October — the gods of construction permitting.\u003c/p>\n\u003cp>The building dates back to 1922, and most recently housed a porn theater named the Dollhouse.\u003c/p>\n\u003cp>Phelps said the two-story building with full basement would be an upgrade on Counterpulse’s old home on Mission Street. “Our offices won’t be in what should be the lobby,” Phelps said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>That’s not to mention the three rehearsal studios, state-of-the-art performance space with a 30 by 30 foot stage, new audio system donated by Meyer Sound of Berkeley, and sprung hardwood floor. The building also includes an apartment on the second floor that will house visiting artists working at Counterpulse and neighboring organizations like the Yerba Buena Center for the Arts.\u003c/p>\n\u003cfigure id=\"attachment_10878411\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/IMG_2523.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-10878411\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/IMG_2523-1180x885.jpg\" alt=\"Silhouettes of exotic dancers, artifacts of 80 Turk Street's former life as a porn theater\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2523-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2523-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2523-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2523-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2523-960x720.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Silhouettes of exotic dancers, artifacts of 80 Turk Street’s former life as a porn theater \u003ccite>(Cy Musiker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The new theater will feature 115 seats — 20 more than in Counterpulse’s old home. The number, Phelps said, is perfect for the kind of experimental work the company likes to present.\u003c/p>\n\u003cp>“We aren’t on the road to a 300 seat house,” Phelps said. “The intimacy and scale of our venue is key.”\u003c/p>\n\u003cp>The real news though, is that Counterpulse will own its new home here, despite San Francisco’s toxic real estate market. That’s the result of an intervention of sorts by the \u003ca href=\"http://www.ncclf.org/\" target=\"_blank\" rel=\"noopener\">Northern California Community Loan Fund,\u003c/a> the\u003ca href=\"http://cast-sf.org/\" target=\"_blank\" rel=\"noopener\"> Community Arts Stabilization Trust (CAST)\u003c/a>, and the \u003ca href=\"http://www.sfartscommission.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Arts Commission\u003c/a>.\u003c/p>\n\u003cp>CAST, an offshoot of the \u003ca href=\"http://krfoundation.org/\" target=\"_blank\" rel=\"noopener\">Kenneth Rainin Foundation\u003c/a>, negotiated and underwrote the purchase of 80 Turk on Counterpulse’s behalf. CAST Executive Director Moy Eng said the purchase is part of a project to find long term solutions to the loss of non-profit arts organizations in San Francisco. “Not just a finger in the dike,” Eng said during the tour. “To create permanent space so arts and culture remains and endures.”\u003c/p>\n\u003cfigure id=\"attachment_10878412\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/IMG_2525.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-10878412\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/IMG_2525-1180x885.jpg\" alt=\"CAST Executive Director Moy Eng, with Counterpulse's Executive Director Tomas Riley, and Artistic Director Julie Phelps\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2525-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2525-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2525-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2525-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/IMG_2525-960x720.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">CAST Executive Director Moy Eng, with Counterpulse’s Executive Director Tomas Riley, and Artistic Director Julie Phelps \u003ccite>(Cy Musiker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>CAST is providing a similar service for mid-market’s \u003ca href=\"http://www.luggagestoregallery.org/\" target=\"_blank\" rel=\"noopener\">Luggage Store Gallery\u003c/a>, another non-profit arts presenter.\u003c/p>\n\u003cp>The purchase is not a gift. “It’s a fancy lease to own agreement,” Phelps said. Counterpulse has five years to pay off the $6 million loan, with no interest, and it’s already raised nearly half of that loan with help from Market Street neighbors Twitter and Zendesk.\u003c/p>\n\u003cp>One unusual aspect of the loan is that once Counterpulse pays it off, CAST will redistribute the money to another non-profit arts group in need of help finding a home.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"source": "American Public Media"
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"masters-of-scale": {
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},
"mindshift": {
"id": "mindshift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"on-the-media": {
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"link": "/radio/program/on-the-media",
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},
"pbs-newshour": {
"id": "pbs-newshour",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/pbs-newshour",
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"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
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},
"perspectives": {
"id": "perspectives",
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"order": 14
},
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
},
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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"source": "PRI"
},
"link": "/radio/program/pri-the-world",
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"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
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