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"caption": "Sarah Grossman is one of the local artists featured in \"Tattoed & Tenacious\" at History San Jose. She says tattoos are an \"important externalization of the internal.\" What about the pain? \"It's nothing compared to having a baby.\"",
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"content": "\u003cp>Women with tattoos: it’s been a thing for a while, especially among Millennial women. But the history extends far back in California. A new exhibition at \u003ca href=\"http://www.historysanjose.org/\" target=\"_blank\" rel=\"noopener noreferrer\">History San Jose\u003c/a> explores a diverse and surprising relationship between women and ink in the Golden State.\u003c/p>\n\u003cp>[contextly_sidebar id=”RqxxtohyuaN0lTjAOGaVw1WdiwIAdbaj”]\u003c/p>\n\u003cp>Curator Amy Cohen, who has tats herself, enjoys upending expectations. “That’s what I hear from a lot of people,” Cohen says. “They had no idea that tattooed women have such a long history in California.”\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://historysanjose.org/wp/event/tattooed-tenacious-inked-women-in-californias-history-exhibit/\" target=\"_blank\" rel=\"noopener noreferrer\">Tattooed & Tenacious: Inked Women in California History\u003c/a>\u003c/em> features four chapters of that history, starting with Native American women, many of whom applied tattoos on each other as a rite of passage. “Women in a lot of tribes in California really held that tradition,” says Cohen. “They were the ones who had the knowledge.”\u003c/p>\n\u003cfigure id=\"attachment_11466582\" class=\"wp-caption aligncenter\" style=\"max-width: 666px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11466582\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut-666x600.jpg\" alt='This 1920 chart (from the 2014 book “Tattoo Traditions of Native North America\") shows: A. Yurok; B-C. Costanoan; D. Sinkyone; E-F. Maidu; G. Yuki; H-L. Chukchansi and Yokut' width=\"666\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut-666x600.jpg 666w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut-400x360.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut-768x692.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut-1180x1063.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut-960x865.jpg 960w\" sizes=\"(max-width: 666px) 100vw, 666px\">\u003cfigcaption class=\"wp-caption-text\">This 1920 chart (from the 2014 book “Tattoo Traditions of Native North America”) shows: A. Yurok; B-C. Costanoan; D. Sinkyone; E-F. Maidu; G. Yuki; H-L. Chukchansi and Yokut \u003ccite>(Photo: Courtesy of Lars Krutak)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Tattoos and tightly-laced corsets\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Native women also got tattooed for aesthetic purposes, just as women do today. Tattoos took off in caucasian culture among upper class Victorian women, who wore them underneath their high collars and tightly-laced corsets. “Wealthy women took a cue from their European counterparts,” says Cohen. “They had portraits of lovers, nature imagery, family crests. Later, cars. And these were big tattoos, too. Just with the fashion of the day, you would never see it, unless they wanted you to.”\u003c/p>\n\u003cfigure id=\"attachment_11433946\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11433946 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut-400x600.jpg\" alt='Amy Crocker, the Sacramento railroad heiress? Six or seven tattoos. \"Including a huge snake on her forearm with her third husband’s initials,\" says \"Tattooed & Tenacious\" curator Amy Cohen.' width=\"400\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut-400x600.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut-786x1180.jpg 786w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut-1180x1771.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut-960x1441.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Amy Crocker, the Sacramento railroad heiress? Six or seven tattoos. “Including a huge snake on her forearm with her third husband’s initials,” says “Tattooed & Tenacious” curator Amy Cohen. \u003ccite>(Photo: Courtesy of History San Jose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Circus freaks, or tattooed ladies, got covered neck to ankle. They mainly did it to draw crowds and make money. And they got to choose the art. One tattooed lady was Artoria Gibbons, a lifelong Episcopalian. “A lot of her tattoos have a religious bent,” Cohen says.\u003c/p>\n\u003cp>Another circus performer, Lady Viola, worked for Ringling Brothers and Barnum & Bailey with the branded slogan “The Most Beautiful Tattooed Lady in the World.” She was really patriotic. “She has six presidents tattooed on her chest” says Cohen. “She has the US Capitol building on her back.”\u003c/p>\n\u003cp>\u003cspan style=\"line-height: 1.5\">Cohen put together the exhibition for her master’s thesis. The \u003c/span>\u003ca style=\"line-height: 1.5\" href=\"http://www.haywardareahistory.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Hayward Area Historical Society\u003c/a>\u003cspan style=\"line-height: 1.5\">, where she interned, was first to host the show\u003c/span>\u003cem style=\"line-height: 1.5\">. \u003c/em>\u003cspan style=\"line-height: 1.5\">When History San Jose brought it in, curators added contemporary “flash art” from South Bay women tattooing today.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>California style\u003c/strong>\u003c/p>\n\u003cp>There’s a regional style to the art, according to Sam Rusk of \u003ca href=\"http://eltorobodyshop.com/\" target=\"_blank\" rel=\"noopener noreferrer\">El Toro Body Shop\u003c/a> in Morgan Hill. The tattoo artist says a lot of the art in California follows obvious themes like the shape of the state, the Golden Gate Bridge, grizzly bears, and poppies, as well as quail, the state bird. People on the west coast also tend to look across the Pacific for inspiration, so you see a lot of Japanese, Chinese and Polynesian designs. “Big sleeves of koi fish.” Rusk says. “Island and tribal stuff is pretty popular.”\u003c/p>\n\u003cp>Local gang culture pops up, too. “There’s heavy street influence,” says Jaz Fuller\u003cem>, \u003c/em>who works at \u003ca href=\"https://www.facebook.com/Unlimited-Ink-Tattoo-141038852701840/\" target=\"_blank\" rel=\"noopener noreferrer\">Unlimited Ink Tattoo\u003c/a> and \u003ca href=\"https://www.facebook.com/ironsparrowtattoo/\" target=\"_blank\" rel=\"noopener noreferrer\">The Iron Sparrow Parlor\u003c/a> in San Jose.\u003c/p>\n\u003cp>“I was out in Arizona for a while,” Fuller says. “You’d get a switch blade out in the Bay, and out in Arizona you’d get an old school western revolver.”\u003cbr>\n\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/Rachael-TattooBEST.gif\" rel=\"attachment wp-att-11436804\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11436804\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/Rachael-TattooBEST.gif\" alt=\"Rachael-TattooBEST\" width=\"375\" height=\"500\">\u003c/a>\u003c/p>\n\u003cp>Sarah Grossman, another local artist featured in \u003cem>Tattooed & Tenacious\u003c/em>, and also in this \u003ca href=\"http://ww2.kqed.org/arts/2016/05/03/tattooed-and-tenacious-reveals-badass-legacy-of-female-tattoo-artists/\">groovy video\u003c/a> on KQED Arts, works at \u003ca href=\"https://www.instagram.com/polishedtattooing/\" target=\"_blank\" rel=\"noopener noreferrer\">Polished Tattooing\u003c/a> in San Jose.\u003c/p>\n\u003cp>\u003cstrong>A man’s world?\u003c/strong>\u003c/p>\n\u003cp>Grossman is the only woman working at her shop. That’s a common story. Not that the tattoo artist is uncomfortable about it. Grossman says tattoo art has always been a male dominated business, in terms of both the artists and the clients. But Grossman says that’s changing.\u003c/p>\n\u003cp>“It’s not that less men are getting tattooed,” Grossman explains as she works on customer, for whom she’s creating a fierce wolf with glaring yellow eyes and blood dripping from its fangs. “It’s that more women are finally getting tattooed because it’s such a decorative, popular thing. It’s kind of the new way to accessorize and to self-express.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>“Tattooed & Tenacious” continues through the end of the year. After that, it heads to Cal State Fullerton’s Department of Anthropology Teaching Museum in 2017, and \u003ca href=\"http://mtshastamuseum.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Mt. Shasta Sisson Museum\u003c/a> in 2018.\u003c/strong>\u003c/em>\u003c/p>\n\n",
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"excerpt": "History San Jose's 'Tattooed and Tenacious' exhibition shows how women have sported tattoos, delicate and wild, since before California was a thing. ",
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"title": "Inked Women of California Flex Their Muscles in San Jose | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Women with tattoos: it’s been a thing for a while, especially among Millennial women. But the history extends far back in California. A new exhibition at \u003ca href=\"http://www.historysanjose.org/\" target=\"_blank\" rel=\"noopener noreferrer\">History San Jose\u003c/a> explores a diverse and surprising relationship between women and ink in the Golden State.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Curator Amy Cohen, who has tats herself, enjoys upending expectations. “That’s what I hear from a lot of people,” Cohen says. “They had no idea that tattooed women have such a long history in California.”\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://historysanjose.org/wp/event/tattooed-tenacious-inked-women-in-californias-history-exhibit/\" target=\"_blank\" rel=\"noopener noreferrer\">Tattooed & Tenacious: Inked Women in California History\u003c/a>\u003c/em> features four chapters of that history, starting with Native American women, many of whom applied tattoos on each other as a rite of passage. “Women in a lot of tribes in California really held that tradition,” says Cohen. “They were the ones who had the knowledge.”\u003c/p>\n\u003cfigure id=\"attachment_11466582\" class=\"wp-caption aligncenter\" style=\"max-width: 666px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11466582\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut-666x600.jpg\" alt='This 1920 chart (from the 2014 book “Tattoo Traditions of Native North America\") shows: A. Yurok; B-C. Costanoan; D. Sinkyone; E-F. Maidu; G. Yuki; H-L. Chukchansi and Yokut' width=\"666\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut-666x600.jpg 666w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut-400x360.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut-768x692.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut-1180x1063.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS19033_Image5-qut-960x865.jpg 960w\" sizes=\"(max-width: 666px) 100vw, 666px\">\u003cfigcaption class=\"wp-caption-text\">This 1920 chart (from the 2014 book “Tattoo Traditions of Native North America”) shows: A. Yurok; B-C. Costanoan; D. Sinkyone; E-F. Maidu; G. Yuki; H-L. Chukchansi and Yokut \u003ccite>(Photo: Courtesy of Lars Krutak)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Tattoos and tightly-laced corsets\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Native women also got tattooed for aesthetic purposes, just as women do today. Tattoos took off in caucasian culture among upper class Victorian women, who wore them underneath their high collars and tightly-laced corsets. “Wealthy women took a cue from their European counterparts,” says Cohen. “They had portraits of lovers, nature imagery, family crests. Later, cars. And these were big tattoos, too. Just with the fashion of the day, you would never see it, unless they wanted you to.”\u003c/p>\n\u003cfigure id=\"attachment_11433946\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11433946 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut-400x600.jpg\" alt='Amy Crocker, the Sacramento railroad heiress? Six or seven tattoos. \"Including a huge snake on her forearm with her third husband’s initials,\" says \"Tattooed & Tenacious\" curator Amy Cohen.' width=\"400\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut-400x600.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut-786x1180.jpg 786w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut-1180x1771.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/RS18854_Image6-qut-960x1441.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Amy Crocker, the Sacramento railroad heiress? Six or seven tattoos. “Including a huge snake on her forearm with her third husband’s initials,” says “Tattooed & Tenacious” curator Amy Cohen. \u003ccite>(Photo: Courtesy of History San Jose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Circus freaks, or tattooed ladies, got covered neck to ankle. They mainly did it to draw crowds and make money. And they got to choose the art. One tattooed lady was Artoria Gibbons, a lifelong Episcopalian. “A lot of her tattoos have a religious bent,” Cohen says.\u003c/p>\n\u003cp>Another circus performer, Lady Viola, worked for Ringling Brothers and Barnum & Bailey with the branded slogan “The Most Beautiful Tattooed Lady in the World.” She was really patriotic. “She has six presidents tattooed on her chest” says Cohen. “She has the US Capitol building on her back.”\u003c/p>\n\u003cp>\u003cspan style=\"line-height: 1.5\">Cohen put together the exhibition for her master’s thesis. The \u003c/span>\u003ca style=\"line-height: 1.5\" href=\"http://www.haywardareahistory.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Hayward Area Historical Society\u003c/a>\u003cspan style=\"line-height: 1.5\">, where she interned, was first to host the show\u003c/span>\u003cem style=\"line-height: 1.5\">. \u003c/em>\u003cspan style=\"line-height: 1.5\">When History San Jose brought it in, curators added contemporary “flash art” from South Bay women tattooing today.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>California style\u003c/strong>\u003c/p>\n\u003cp>There’s a regional style to the art, according to Sam Rusk of \u003ca href=\"http://eltorobodyshop.com/\" target=\"_blank\" rel=\"noopener noreferrer\">El Toro Body Shop\u003c/a> in Morgan Hill. The tattoo artist says a lot of the art in California follows obvious themes like the shape of the state, the Golden Gate Bridge, grizzly bears, and poppies, as well as quail, the state bird. People on the west coast also tend to look across the Pacific for inspiration, so you see a lot of Japanese, Chinese and Polynesian designs. “Big sleeves of koi fish.” Rusk says. “Island and tribal stuff is pretty popular.”\u003c/p>\n\u003cp>Local gang culture pops up, too. “There’s heavy street influence,” says Jaz Fuller\u003cem>, \u003c/em>who works at \u003ca href=\"https://www.facebook.com/Unlimited-Ink-Tattoo-141038852701840/\" target=\"_blank\" rel=\"noopener noreferrer\">Unlimited Ink Tattoo\u003c/a> and \u003ca href=\"https://www.facebook.com/ironsparrowtattoo/\" target=\"_blank\" rel=\"noopener noreferrer\">The Iron Sparrow Parlor\u003c/a> in San Jose.\u003c/p>\n\u003cp>“I was out in Arizona for a while,” Fuller says. “You’d get a switch blade out in the Bay, and out in Arizona you’d get an old school western revolver.”\u003cbr>\n\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/Rachael-TattooBEST.gif\" rel=\"attachment wp-att-11436804\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11436804\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/Rachael-TattooBEST.gif\" alt=\"Rachael-TattooBEST\" width=\"375\" height=\"500\">\u003c/a>\u003c/p>\n\u003cp>Sarah Grossman, another local artist featured in \u003cem>Tattooed & Tenacious\u003c/em>, and also in this \u003ca href=\"http://ww2.kqed.org/arts/2016/05/03/tattooed-and-tenacious-reveals-badass-legacy-of-female-tattoo-artists/\">groovy video\u003c/a> on KQED Arts, works at \u003ca href=\"https://www.instagram.com/polishedtattooing/\" target=\"_blank\" rel=\"noopener noreferrer\">Polished Tattooing\u003c/a> in San Jose.\u003c/p>\n\u003cp>\u003cstrong>A man’s world?\u003c/strong>\u003c/p>\n\u003cp>Grossman is the only woman working at her shop. That’s a common story. Not that the tattoo artist is uncomfortable about it. Grossman says tattoo art has always been a male dominated business, in terms of both the artists and the clients. But Grossman says that’s changing.\u003c/p>\n\u003cp>“It’s not that less men are getting tattooed,” Grossman explains as she works on customer, for whom she’s creating a fierce wolf with glaring yellow eyes and blood dripping from its fangs. “It’s that more women are finally getting tattooed because it’s such a decorative, popular thing. It’s kind of the new way to accessorize and to self-express.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>“Tattooed & Tenacious” continues through the end of the year. After that, it heads to Cal State Fullerton’s Department of Anthropology Teaching Museum in 2017, and \u003ca href=\"http://mtshastamuseum.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Mt. Shasta Sisson Museum\u003c/a> in 2018.\u003c/strong>\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
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