window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13882916": {
"type": "attachments",
"id": "arts_13882916",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13882916",
"found": true
},
"parent": 13882856,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/07/Regina-Jackson-Web-160x92.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 92
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/07/Regina-Jackson-Web-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/07/Regina-Jackson-Web.jpg",
"width": 800,
"height": 462
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/07/Regina-Jackson-Web-768x444.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 444
}
},
"publishDate": 1593791213,
"modified": 1593791232,
"caption": "Regina Jackson",
"description": "Regina Jackson",
"title": "Regina-Jackson-Web",
"credit": "Nicka Smith",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13882560": {
"type": "attachments",
"id": "arts_13882560",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13882560",
"found": true
},
"parent": 13882347,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/AndersonPaak-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/AndersonPaak-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/AndersonPaak-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/AndersonPaak.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/AndersonPaak-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/AndersonPaak-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/AndersonPaak-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/AndersonPaak-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1593113938,
"modified": 1593113978,
"caption": "A still from Anderson .Paak's 'Lockdown' video, released on Juneteenth, 2020.",
"description": "A still from Anderson .Paak's 'Lockdown' video, released on Juneteenth, 2020.",
"title": "AndersonPaak",
"credit": "Directed by Dave Meyers ",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13882576": {
"type": "attachments",
"id": "arts_13882576",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13882576",
"found": true
},
"parent": 13882575,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/tank-fantastic_wide-f72cae219878161fcbc7699073ec90e8506c621b-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/tank-fantastic_wide-f72cae219878161fcbc7699073ec90e8506c621b-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/tank-fantastic_wide-f72cae219878161fcbc7699073ec90e8506c621b.jpg",
"width": 902,
"height": 507
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/tank-fantastic_wide-f72cae219878161fcbc7699073ec90e8506c621b-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/tank-fantastic_wide-f72cae219878161fcbc7699073ec90e8506c621b-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1593115892,
"modified": 1593115892,
"caption": null,
"description": "A still from the music video for \"I'm So Happy I Cry\"",
"title": "A still from the music video for \"I'm So Happy I Cry\"",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13882471": {
"type": "attachments",
"id": "arts_13882471",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13882471",
"found": true
},
"parent": 13882412,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/GeorgeFloyd.Mural_.Oakland-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/GeorgeFloyd.Mural_.Oakland-160x93.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 93
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/GeorgeFloyd.Mural_.Oakland-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/GeorgeFloyd.Mural_.Oakland.jpg",
"width": 1200,
"height": 701
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/GeorgeFloyd.Mural_.Oakland-1020x596.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 596
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/GeorgeFloyd.Mural_.Oakland-800x467.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 467
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/GeorgeFloyd.Mural_.Oakland-768x449.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 449
}
},
"publishDate": 1593024294,
"modified": 1593024532,
"caption": "A mural in downtown Oakland commemorating George Floyd, by DeredWRK (@deredwrk).",
"description": "A mural in downtown Oakland commemorating George Floyd, by DeredWRK (@deredwrk).",
"title": "GeorgeFloyd.Mural.Oakland",
"credit": "Cianni Jackson",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13881981": {
"type": "attachments",
"id": "arts_13881981",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13881981",
"found": true
},
"parent": 13881849,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/BlumEmpty_COVER-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/BlumEmpty_COVER-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/BlumEmpty_COVER.jpg",
"width": 800,
"height": 450
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/BlumEmpty_COVER-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/BlumEmpty_COVER-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1592250146,
"modified": 1592250186,
"caption": "A message from Blüm in Oakland.",
"description": "A message from Blüm in Oakland.",
"title": "BlumEmpty_COVER",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13881527": {
"type": "attachments",
"id": "arts_13881527",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13881527",
"found": true
},
"parent": 13881383,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/PorscheKelly-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/PorscheKelly-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/PorscheKelly-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/PorscheKelly.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/PorscheKelly-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/PorscheKelly-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/PorscheKelly-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/PorscheKelly-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1591644360,
"modified": 1591644371,
"caption": "Porsche Nicole Kelly",
"description": "Porsche Nicole Kelly",
"title": "PorscheKelly",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13881413": {
"type": "attachments",
"id": "arts_13881413",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13881413",
"found": true
},
"parent": 13881407,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/HRapBrown-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/HRapBrown-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/HRapBrown.jpg",
"width": 849,
"height": 478
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/HRapBrown-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/HRapBrown-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1591311272,
"modified": 1591311282,
"caption": null,
"description": null,
"title": "HRapBrown",
"credit": "KQED",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13881307": {
"type": "attachments",
"id": "arts_13881307",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13881307",
"found": true
},
"parent": 13881229,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/0-3-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/0-3-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/0-3-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/0-3.jpg",
"width": 1996,
"height": 1331
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/0-3-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/0-3-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/0-3-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/06/0-3-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1591140774,
"modified": 1591140774,
"caption": null,
"description": null,
"title": "0-3",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13880810": {
"type": "attachments",
"id": "arts_13880810",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13880810",
"found": true
},
"parent": 13880799,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1.jpg",
"width": 2537,
"height": 1427
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1590080214,
"modified": 1590080269,
"caption": "Kathy Liang's self portrait",
"description": "Kathy Liang's self portrait",
"title": "Kathy Liang's self portrait",
"credit": "Tony Nguyen",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13879216": {
"type": "attachments",
"id": "arts_13879216",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13879216",
"found": true
},
"parent": 0,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates-160x84.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 84
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates.jpg",
"width": 1200,
"height": 628
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates-1020x534.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 534
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates-800x419.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 419
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates-768x402.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 402
}
},
"publishDate": 1587671244,
"modified": 1587671270,
"caption": null,
"description": "liveupdates",
"title": "KQED-Coronavirus-liveupdates",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13879589": {
"type": "attachments",
"id": "arts_13879589",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13879589",
"found": true
},
"parent": 13879577,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0.jpg",
"width": 1686,
"height": 1124
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1588274585,
"modified": 1588274621,
"caption": "Mike Nicholls at work in his design lab",
"description": "Mike Nicholls at work in his design lab",
"title": "Mike Nicholls at work in his design lab",
"credit": "Michole Forks",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13879207": {
"type": "attachments",
"id": "arts_13879207",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13879207",
"found": true
},
"parent": 13879199,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Passwurdz-160x103.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 103
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Passwurdz-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Passwurdz.jpg",
"width": 800,
"height": 514
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Passwurdz-800x514.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 514
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Passwurdz-768x493.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 493
}
},
"publishDate": 1587662572,
"modified": 1713569001,
"caption": "Passwurdz mid-battle",
"description": "Passwurdz mid-battle",
"title": "Passwurdz mid-battle",
"credit": "\u003ca href=\"https://heartstringweddings.com/\">Huy Nguyen\u003c/a>",
"status": "inherit",
"altTag": "Passwurdz mid-battle",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13882575": {
"type": "authors",
"id": "byline_arts_13882575",
"meta": {
"override": true
},
"slug": "byline_arts_13882575",
"name": "Elle Mannion",
"isLoading": false
},
"shotchkiss": {
"type": "authors",
"id": "61",
"meta": {
"index": "authors_1716337520",
"id": "61",
"found": true
},
"name": "Sarah Hotchkiss",
"firstName": "Sarah",
"lastName": "Hotchkiss",
"slug": "shotchkiss",
"email": "shotchkiss@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor",
"bio": "Sarah Hotchkiss is a San Francisco \u003ca href=\"http://www.sarahhotchkiss.com\">artist\u003c/a> and arts writer. In 2019, she received the Dorothea & Leo Rabkin Foundation grant for visual art journalism and in 2020 she received a Society of Professional Journalists, Northern California award for excellence in arts and culture reporting.",
"avatar": "https://secure.gravatar.com/avatar/bc662df144b3d27fd8b1b6f1c2a420d34e91e53154d411bb7ad353cc8b6cea8d?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"Contributor",
"administrator"
]
},
{
"site": "artschool",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"administrator"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "spark",
"roles": [
"editor"
]
},
{
"site": "checkplease",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Sarah Hotchkiss | KQED",
"description": "Senior Editor",
"ogImgSrc": "https://secure.gravatar.com/avatar/bc662df144b3d27fd8b1b6f1c2a420d34e91e53154d411bb7ad353cc8b6cea8d?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/bc662df144b3d27fd8b1b6f1c2a420d34e91e53154d411bb7ad353cc8b6cea8d?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/shotchkiss"
},
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"ogpenn": {
"type": "authors",
"id": "11491",
"meta": {
"index": "authors_1716337520",
"id": "11491",
"found": true
},
"name": "Pendarvis Harshaw",
"firstName": "Pendarvis",
"lastName": "Harshaw",
"slug": "ogpenn",
"email": "ogpenn@gmail.com",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Community Engagement Reporter",
"bio": "Pendarvis Harshaw is an educator, host and writer with KQED Arts.",
"avatar": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "ogpenn",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"author"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Pendarvis Harshaw | KQED",
"description": "Community Engagement Reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ogpenn"
}
},
"pagesReducer": {
"arts_tag_oakland": {
"type": "terms",
"id": "arts_1143",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1143",
"score": 6.883923
},
"featImg": null,
"name": "Oakland",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 692,
"slug": "oakland",
"isLoading": false,
"title": "Oakland",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 46
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?tag=oakland",
"seeMore": false,
"paginated": true,
"page": 46
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13882856": {
"type": "posts",
"id": "arts_13882856",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13882856",
"score": null,
"sort": [
1593770449000
]
},
"guestAuthors": [],
"slug": "mentoring-oaklands-youth-and-keeping-an-eye-on-opd",
"title": "Mentoring Oakland’s Youth and Keeping an Eye on OPD",
"publishDate": 1593770449,
"format": "aside",
"headTitle": "Mentoring Oakland’s Youth and Keeping an Eye on OPD | KQED",
"labelTerm": {},
"content": "\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13882918\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/ReginaJacksonInline.jpg\" alt=\"Regina Jackson\" width=\"731\" height=\"754\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/ReginaJacksonInline.jpg 731w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/ReginaJacksonInline-160x165.jpg 160w\" sizes=\"(max-width: 731px) 100vw, 731px\">\u003c/p>\n\u003cp>Is police reform actually achievable? That’s the question I’m most interested in asking Regina Jackson.\u003c/p>\n\u003cp>Ms. Regina, as she’s often called, has been the Executive Director of the \u003ca href=\"http://eoydc.org/president/\" target=\"_blank\" rel=\"noopener noreferrer\">East Oakland Youth Development Center\u003c/a> since 1994. That’s where she perfected her system of mentorship and community engagement.\u003c/p>\n\u003cp>I’ve seen her skills firsthand: In 2014, I was a part of a trip she organized as a part of President Barack Obama’s My Brother’s Keeper Initiative, where 17 young African American men spent two weeks in China. Through Ms. Regina’s practice of connecting men of different ages—or “staggered mentorship,” as she calls it—I saw the young men grow over the course of the trip.\u003c/p>\n\u003cp>In 2017, \u003ca href=\"https://www.instagram.com/p/CBGKS5hnz94/\" target=\"_blank\" rel=\"noopener noreferrer\">Ms. Regina\u003c/a> was elected to a four-year term as the Chair of the Oakland Police Commission—an independent review board that works outside of OPD to oversee policies and practices within the department.\u003c/p>\n\u003cp>Ms. Regina’s goal is to bring her philosophies on mentorship and community development to the Oakland Police Commission, in the hopes that it will result in substantial reform to the Oakland Police Department– which has been under a federal monitor since 2003.\u003c/p>\n\u003cp>In spite of knowing the power of Ms. Regina’s work, given all that I’ve experienced with police in America, especially over these past few weeks–with footage of George Floyd’s Death and the tale of Breonna Taylor’s death—I’m pessimistic about the potential of “reforming” police departments in America, Oakland’s included.\u003c/p>\n\u003cp>But if anyone is going to make a dent in police reform, it’s going to be someone like Ms. Regina.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1973479913&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Regina Jackson.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pen: I want to ask you about your work that you’re doing with the Oakland Police Department. How does hope play into your efforts to change what’s going on inside that institution?\u003c/em>\u003c/p>\n\u003cp>Regina: I have been able to create a toolkit to transform young people who have never been to college and never known how to do jobs, to be supervisors, to be doctors and PHDS and all the rest of that. So I thought the skill set that I have and the programs that I have created, these kinds of things could probably work inside policing. You know, you have to greet people in a humanizing way when you stop black males, for example. Your first question should not be, are you on probation or parole? It should be. How are you doing today? You should humanize the engagement between police, because let’s face it, they can’t do their jobs without community. And community will never feel safe if they don’t have a trusted relationship with the police.\u003c/p>\n\u003cp>\u003cem>Pen: Given everything that’s transpired recently, historically as well, I’m not believing that change can occur. And so I’m wondering: is just changing the little pebble that is the Oakland Police Department, will that help in moving the mountain in terms of the change that we’re looking to get in America?\u003c/em>\u003c/p>\n\u003cp>Regina: I absolutely believe that it will. Being able to fire the police chief already sets us on a national course around leadership. And so people are looking at us to see what it is that we’re going to do. How do you identify and support the things that are good? And how do you identify and delete the things that are bad? People kind of have to look around and say, OK. Can I get away with this? And if they see that most people can’t, they won’t even try. The only way to make change is a little bit at a time. It’s really hard to make sweeping change and then keep it there.\u003c/p>\n\u003cp>\u003cem>Pen: It’s a lifestyle change. It’s not like you just go on a strict diet for a week. And I mean, essentially, that’s what we’re seeing right now is the strict diet for a week where people sending I care about text messages and institutions are sending emails about black lives right now. We need you to have a full lifestyle change.\u003c/em>\u003c/p>\n\u003cp>Regina: I like the way you’re saying that. And that also works with diversity in hiring practices. You know, Reverend Jackson took on Silicon Valley. You know, people like, oh, my God, you know, our numbers are horrible. And it’s like it’s because you don’t think about what cultural beauty that you are welcoming into the company. They’re just looking for the tech piece. And it’s like you have to see people. And so then they would start recruiting them, but then they couldn’t retain them. Why? Because they still didn’t see them.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Regina Jackson has successfully brought positive change to her community in East Oakland for over 25 years, now the question is: can she help reform the Oakland Police Department?",
"status": "publish",
"parent": 0,
"modified": 1726761781,
"stats": {
"hasAudio": true,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 20,
"wordCount": 908
},
"headData": {
"title": "Mentoring Oakland’s Youth and Keeping an Eye on OPD | KQED",
"description": "Regina Jackson has successfully brought positive change to her community in East Oakland for over 25 years, now the question is: can she help reform the Oakland Police Department?",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Mentoring Oakland’s Youth and Keeping an Eye on OPD",
"datePublished": "2020-07-03T03:00:49-07:00",
"dateModified": "2024-09-19T09:03:01-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "Rightnowish",
"sourceUrl": "https://www.kqed.org/podcasts/rightnowish",
"audioUrl": "https://traffic.megaphone.fm/KQINC1973479913.mp3",
"sticky": false,
"path": "/arts/13882856/mentoring-oaklands-youth-and-keeping-an-eye-on-opd",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13882918\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/ReginaJacksonInline.jpg\" alt=\"Regina Jackson\" width=\"731\" height=\"754\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/ReginaJacksonInline.jpg 731w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/ReginaJacksonInline-160x165.jpg 160w\" sizes=\"(max-width: 731px) 100vw, 731px\">\u003c/p>\n\u003cp>Is police reform actually achievable? That’s the question I’m most interested in asking Regina Jackson.\u003c/p>\n\u003cp>Ms. Regina, as she’s often called, has been the Executive Director of the \u003ca href=\"http://eoydc.org/president/\" target=\"_blank\" rel=\"noopener noreferrer\">East Oakland Youth Development Center\u003c/a> since 1994. That’s where she perfected her system of mentorship and community engagement.\u003c/p>\n\u003cp>I’ve seen her skills firsthand: In 2014, I was a part of a trip she organized as a part of President Barack Obama’s My Brother’s Keeper Initiative, where 17 young African American men spent two weeks in China. Through Ms. Regina’s practice of connecting men of different ages—or “staggered mentorship,” as she calls it—I saw the young men grow over the course of the trip.\u003c/p>\n\u003cp>In 2017, \u003ca href=\"https://www.instagram.com/p/CBGKS5hnz94/\" target=\"_blank\" rel=\"noopener noreferrer\">Ms. Regina\u003c/a> was elected to a four-year term as the Chair of the Oakland Police Commission—an independent review board that works outside of OPD to oversee policies and practices within the department.\u003c/p>\n\u003cp>Ms. Regina’s goal is to bring her philosophies on mentorship and community development to the Oakland Police Commission, in the hopes that it will result in substantial reform to the Oakland Police Department– which has been under a federal monitor since 2003.\u003c/p>\n\u003cp>In spite of knowing the power of Ms. Regina’s work, given all that I’ve experienced with police in America, especially over these past few weeks–with footage of George Floyd’s Death and the tale of Breonna Taylor’s death—I’m pessimistic about the potential of “reforming” police departments in America, Oakland’s included.\u003c/p>\n\u003cp>But if anyone is going to make a dent in police reform, it’s going to be someone like Ms. Regina.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1973479913&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Regina Jackson.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pen: I want to ask you about your work that you’re doing with the Oakland Police Department. How does hope play into your efforts to change what’s going on inside that institution?\u003c/em>\u003c/p>\n\u003cp>Regina: I have been able to create a toolkit to transform young people who have never been to college and never known how to do jobs, to be supervisors, to be doctors and PHDS and all the rest of that. So I thought the skill set that I have and the programs that I have created, these kinds of things could probably work inside policing. You know, you have to greet people in a humanizing way when you stop black males, for example. Your first question should not be, are you on probation or parole? It should be. How are you doing today? You should humanize the engagement between police, because let’s face it, they can’t do their jobs without community. And community will never feel safe if they don’t have a trusted relationship with the police.\u003c/p>\n\u003cp>\u003cem>Pen: Given everything that’s transpired recently, historically as well, I’m not believing that change can occur. And so I’m wondering: is just changing the little pebble that is the Oakland Police Department, will that help in moving the mountain in terms of the change that we’re looking to get in America?\u003c/em>\u003c/p>\n\u003cp>Regina: I absolutely believe that it will. Being able to fire the police chief already sets us on a national course around leadership. And so people are looking at us to see what it is that we’re going to do. How do you identify and support the things that are good? And how do you identify and delete the things that are bad? People kind of have to look around and say, OK. Can I get away with this? And if they see that most people can’t, they won’t even try. The only way to make change is a little bit at a time. It’s really hard to make sweeping change and then keep it there.\u003c/p>\n\u003cp>\u003cem>Pen: It’s a lifestyle change. It’s not like you just go on a strict diet for a week. And I mean, essentially, that’s what we’re seeing right now is the strict diet for a week where people sending I care about text messages and institutions are sending emails about black lives right now. We need you to have a full lifestyle change.\u003c/em>\u003c/p>\n\u003cp>Regina: I like the way you’re saying that. And that also works with diversity in hiring practices. You know, Reverend Jackson took on Silicon Valley. You know, people like, oh, my God, you know, our numbers are horrible. And it’s like it’s because you don’t think about what cultural beauty that you are welcoming into the company. They’re just looking for the tech piece. And it’s like you have to see people. And so then they would start recruiting them, but then they couldn’t retain them. Why? Because they still didn’t see them.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13882856/mentoring-oaklands-youth-and-keeping-an-eye-on-opd",
"authors": [
"11491"
],
"programs": [
"arts_8720"
],
"categories": [
"arts_21759"
],
"tags": [
"arts_3156",
"arts_1118",
"arts_1143",
"arts_4730",
"arts_6764"
],
"featImg": "arts_13882916",
"label": "source_arts_13882856"
},
"arts_13882347": {
"type": "posts",
"id": "arts_13882347",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13882347",
"score": null,
"sort": [
1593122405000
]
},
"guestAuthors": [],
"slug": "the-pandemic-the-protests-and-the-police-songs-of-the-summer-2020",
"title": "The Pandemic, the Protests and the Police: Songs of the Summer 2020",
"publishDate": 1593122405,
"format": "standard",
"headTitle": "The Pandemic, the Protests and the Police: Songs of the Summer 2020 | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> can’t tell you if it’s music for the movement, music for “the moment,” or just music to make money. But I can tell you artists have been working. And I’ve been listening.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>Between the COVID-19 pandemic, the nationwide protests and the push for defunding the police, a wave of songs has arrived, all of them documenting the beginning of summertime in 2020.\u003c/p>\n\u003cp>Last week, Beyoncé released the track “\u003ca href=\"https://www.youtube.com/watch?v=EJT1m1ele00\">Black Parade\u003c/a>,” a lil’ southern flavor to accompany the Juneteenth holiday. Queen B doubled down on its message of Black empowerment by teaming up with stylist Zerina Akers, who runs the \u003ca href=\"https://www.instagram.com/p/CBn6B4iFkNr/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">@black.owned.everything\u003c/a> page, to create a Black business directory called the \u003ca href=\"https://www.beyonce.com/black-parade-route/\" target=\"_blank\" rel=\"noopener noreferrer\">Black Parade Route\u003c/a>.\u003c/p>\n\u003cp>J. Cole and Noname had a back-and-forth, during which Cole dropped “\u003ca href=\"https://www.youtube.com/watch?v=OZa3HyVLimQ\">Snow On The Bluff\u003c/a>,” a call for Noname to make her message accessible to the masses. Noname responded with “\u003ca href=\"https://www.youtube.com/watch?v=NFp1eW2bihg\">Song 33\u003c/a>,” a track that pretty much asked J. Cole why he was rapping about her, asking her to change her “tone,” when there are far more important issues to be addressed.\u003c/p>\n\u003cp>In the past month, \u003ca href=\"https://www.youtube.com/watch?v=_VDGysJGNoI\">Lil Baby\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=Z5HN-4396Jo\">Tee Grizzley\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=DWZkjXCU-ds\">Trey Songz\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=ramteyfi9bE\">YG\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=JUnc3kl0DcA\">Meek Mill\u003c/a> all dropped songs about police brutality and systematic racism. Wale released a six-song EP, \u003cem>\u003ca href=\"https://www.youtube.com/playlist?list=PLHzeg4D5T9v4peshRjOitaZVT9N05Kt2f&src=Linkfire&lId=747b96e4-d374-4dd3-8990-9a4dcab5c737&cId=d3d58fd7-4c47-11e6-9fd0-066c3e7a8751\">The Imperfect Storm\u003c/a>\u003c/em>, which covers those issues and more. DaBaby released a “Black Lives Matter Remix” to his chart-topping song “\u003ca href=\"https://www.youtube.com/watch?v=0Em5cZFocQ0&feature=emb_title\">Rockstar\u003c/a>” featuring Roddy Ricch.\u003c/p>\n\u003cp>And Anderson .Paak crossed off all the boxes on his “Summer Song 2020” bingo card—he put out a song called “\u003ca href=\"https://www.youtube.com/watch?v=TgItkJCm09c\">Lockdown\u003c/a>,” on Juneteenth, that managed to mention COVID, police brutality, looting, slavery, protests \u003cem>and\u003c/em> the unemployment rate.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=TgItkJCm09c\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">U\u003c/span>p here in the Bay Area, one of the most politically engaged and artistically inclined regions in the country, you already know artists have been getting active.\u003c/p>\n\u003cp>E-40’s new track “\u003ca href=\"https://www.youtube.com/watch?v=OT20KfhnQow\">Give Me 6\u003c/a>” is a musical request that suggests maintaining the proper physical distance for pandemic socializing. Oakland’s Damian Lillard dropped “\u003ca href=\"https://www.youtube.com/watch?v=J1wQ7_h824U\">Blacklist\u003c/a>,” a track about the racism he faces, even as a wealthy African American man. And Berkeley’s Rexx Life Raj released a single about police brutality simply called “\u003ca href=\"https://www.youtube.com/watch?v=VL4VLUSfwg8&feature=youtu.be\">War\u003c/a>”.\u003c/p>\n\u003cp>But it’s the artists who aren’t as popular who’ve really been talking that shit.\u003c/p>\n\u003cp>I saw Oakland’s \u003ca href=\"https://twitter.com/STSpittin\" target=\"_blank\" rel=\"noopener noreferrer\">ST Spittin’\u003c/a> in traffic recently, where he said he had something for me. His latest single “Huey P. Malcolm Martin” features a sample of Stevie Wonder’s “Visions”—and I was sold on it from the first note.\u003c/p>\n\u003cp>https://youtu.be/2VM99IYLF-I\u003c/p>\n\u003cp>Berkeley’s \u003ca href=\"https://twitter.com/NettaBrielle\" target=\"_blank\" rel=\"noopener noreferrer\">Netta Brielle\u003c/a> shifted the tempo with her new release, “\u003ca href=\"https://www.youtube.com/watch?v=AU-3Uea4PyI\">Get To You\u003c/a>,” a song that’s more about embracing love than protesting hate—a needed sentiment in these times. Another track using R&B to express emotion during tumult came from Oakland’s \u003ca href=\"https://twitter.com/TalyaPatrick\">Tai Marie\u003c/a>, who recently put out a soulful R&B single titled “\u003ca href=\"https://soundcloud.com/ttaimarie/war-zone\">Warzone\u003c/a>.”\u003c/p>\n\u003cp>Dipping her toes in the classical-piano realm is San Francisco’s \u003ca href=\"https://twitter.com/ImtheJournalist\" target=\"_blank\" rel=\"noopener noreferrer\">Angélica Ekeke\u003c/a>, who just put out the song “\u003ca href=\"https://www.instagram.com/p/CByayJUh8qs/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">Modern War\u003c/a>.” She says the track is inspired by her upcoming film on African American contributions during WWII at one of the nation’s largest shipyards, right here in Marin. But the words she sings, in her trademark soprano tone, are eerily relevant to today.\u003c/p>\n\u003cp>From Sacramento, Rob Woods’ \u003cem>\u003ca href=\"https://soundcloud.com/therealrobwoods/sets/the-black-tape/s-7dyuknyLjtr\">The Black Tape\u003c/a>\u003c/em> mixes rap lyrics about hope and oppression over R&B vibes, and an undertone of that church feeling throughout the project. (He even incorporates a cold saxophone on the song “Stuck.”) And Pittsburg’s Hotboikal shot the video for “\u003ca href=\"https://www.youtube.com/watch?v=VO1dP7CMy78\" target=\"_blank\" rel=\"noopener noreferrer\">Hands Up, Man Down\u003c/a>” in the \u003ca href=\"https://twitter.com/gmeline/status/1269139427751673858\" target=\"_blank\" rel=\"noopener noreferrer\">middle of a protest march\u003c/a> in Santa Rosa, with lyrics about racial profiling and police brutality.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VO1dP7CMy78\u003c/p>\n\u003cp>Sharing that sentiment is Richmond’s \u003ca href=\"https://twitter.com/WallahUmoja\">Wallah Umoja\u003c/a>, who dropped a new video for an older track, \u003ca href=\"https://open.spotify.com/album/7vbwGIkNzDs2PKryN9BFZ0?highlight=spotify:track:3ZPM9hdhw42oKotLM4Zc2N\">Senses\u003c/a>, delivered in a boom-bap cadence. Following that flow is Dom Shalom’s “\u003ca href=\"https://open.spotify.com/album/7HmoIXj4Z0GQhNXdqqrj19?si=FgqfUqSgRDiZnmo79Tx-FA\">The Next\u003c/a>,” a chill vibe that I’d also describe as boom-bap rap.\u003c/p>\n\u003cp>And if you like music that bends genres, Oakland’s Dom Jones came through with soulful jazz-rock for the spirit. Her latest track “\u003ca href=\"https://distrokid.com/hyperfollow/domjones/sayin-nothin\" target=\"_blank\" rel=\"noopener noreferrer\">Sayin’ Nothin’\u003c/a>” is the stuff movie soundtracks are made of.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Speaking of movies, the content in Nicholas Easter’s “\u003ca href=\"https://www.youtube.com/watch?v=fKDyDBIOjhs&feature=youtu.be&fbclid=IwAR1AhAh620HVoEkRP5kgQAgHRIl67PQlv0gQ-B_58KHGMhC-ZvWfjerpwog\">Native Tongue\u003c/a>” video isn’t a song as much as it is a compilation of speeches and interviews from the civil rights era to today’s Black Lives Matter movement—featuring the likes of Maya Angelou, Ryan Coogler and Tupac, all layered on top of modern-day footage.\u003c/p>\n\u003cp>Want more spoken-word quotes? \u003ca href=\"https://twitter.com/ClifSoulo\" target=\"_blank\" rel=\"noopener noreferrer\">Clif Soulo\u003c/a> offers a new release titled \u003cem>\u003ca href=\"https://soundcloud.com/clifsoulo/sets/bunchy-carter-grooves/s-YAJYJ0GJAOY\" target=\"_blank\" rel=\"noopener noreferrer\">Bunchy Carter Grooves\u003c/a> \u003c/em>that’s full of clips from interviews with former members of the Black Panther Party.\u003c/p>\n\u003cp>Want something more militant? Oakland’s \u003ca href=\"https://twitter.com/BeastellaAllDat\">Beastella\u003c/a> got a verse from Jay Jonah, and dropped “\u003ca href=\"https://www.youtube.com/watch?v=Snbr-qCpxjY&feature=youtu.be&fbclid=IwAR3PK1zW-v_0moh9V2MUE6rTuIIze6fyTQ15NGdcdCzHgb-QacprRGPR1gs\">1825\u003c/a>.” The track is up there with the most aggressive songs I’ve heard all month, and I’m here for it. As Jay Jonah says on the track: “She Harriet and I’m Nat,” comparing the duo to well-known abolitionist Harriet Tubman and rebellion leader Nat Turner.\u003c/p>\n\u003cp>https://youtu.be/Snbr-qCpxjY\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>o yeah, I’ve been listening. I caught the a capella \u003ca href=\"https://twitter.com/caseycopesodope/status/1270886631994613762?s=20\">Twitter\u003c/a> post from San Leandro’s Casey Cope about being a Black man in these times, and I slapped Oaktownsoul’s trippy-hop bass-heavy joint “\u003ca href=\"https://soundcloud.com/oaktownsoul/maskup\">Mask Up\u003c/a>.” I soaked in Gina Madrid’s “\u003ca href=\"https://www.youtube.com/watch?time_continue=2&v=2NYtB9g8VrE&feature=emb_title\">Dame La Mano\u003c/a>” and was reminded the need for unity across different demographics. And through Coco Peila’s track “\u003ca href=\"https://soundcloud.com/cocopeilamusic/coco-peila-whose-world-greennewdeal-prod-hawk-beatz/s-N5s69FMW0Gj\" target=\"_blank\" rel=\"noopener noreferrer\">Whose World?\u003c/a>” I was reminded that in the midst of everything, global warming is still an issue.\u003c/p>\n\u003cp>I listened to Redtone Records’ “\u003ca href=\"https://www.youtube.com/watch?v=8TQuiigys6I&feature=youtu.be&fbclid=IwAR0Gf4iyMU8EYVPksCnr7TP84x8d8WBh-MMVKR3AiiMe4a3mVaVg5QUoWIs\">Right Now\u003c/a>!,” a bouncy jazz track with some New Orleans flavor, out of East Palo Alto. Man, I even listened to \u003ca href=\"https://www.youtube.com/watch?v=6wGk8jZQfQ8&feature=youtu.be&fbclid=IwAR1EBRQ0yc2ZFzL-vonhWVVnsEaITwp8eQtrZ-pkDCnY0fKhu0w-Upn_ZlQ\">We Will Break Free, \u003c/a>written by Byron Au Yong and Aaron Jafferis and performed by an acoustic ensemble over videoconferencing:\u003c/p>\n\u003cblockquote>\u003cp>A body isn’t made for a jail, or a box.\u003cbr>\nA body will defy all the fences, all the locks.\u003cbr>\nWe will break the walls that lock us into cells.\u003cbr>\nWe will break the laws that keep us from ourselves.\u003cbr>\nWe will break free.\u003c/p>\u003c/blockquote>\n\u003cp>Taking in all these songs was like reading reports from a classroom full of students who all got the same assignment. There was no wrong answer. In fact, the only wrong would be \u003cem>not\u003c/em> saying something.\u003c/p>\n\u003cp>Chances are, the real “song of the summer”—dubbed so by the music industry itself—will probably be a pop hit. (I’ve got $10 on something that incorporates that \u003ca href=\"https://www.youtube.com/watch?v=TH_gfaiStm0&feature=emb_logo\" target=\"_blank\" rel=\"noopener noreferrer\">Hip Hop Harry remix\u003c/a>.)\u003c/p>\n\u003cp>It likely won’t be a protest song, or a song of Black celebration, and for sure not Black liberation.\u003c/p>\n\u003cp>In spite of that, there are many artists, all across this nation, making music that documents what it means to be living right now.\u003c/p>\n\u003cp>I hear ya’ll.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "The 'Song of the Summer' will probably be some pop hit—but here are the songs really saying something.",
"status": "publish",
"parent": 0,
"modified": 1726761807,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 29,
"wordCount": 1272
},
"headData": {
"title": "The Pandemic, the Protests and the Police: Songs of the Summer 2020 | KQED",
"description": "The 'Song of the Summer' will probably be some pop hit—but here are the songs really saying something.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Pandemic, the Protests and the Police: Songs of the Summer 2020",
"datePublished": "2020-06-25T15:00:05-07:00",
"dateModified": "2024-09-19T09:03:27-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13882347/the-pandemic-the-protests-and-the-police-songs-of-the-summer-2020",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> can’t tell you if it’s music for the movement, music for “the moment,” or just music to make money. But I can tell you artists have been working. And I’ve been listening.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>Between the COVID-19 pandemic, the nationwide protests and the push for defunding the police, a wave of songs has arrived, all of them documenting the beginning of summertime in 2020.\u003c/p>\n\u003cp>Last week, Beyoncé released the track “\u003ca href=\"https://www.youtube.com/watch?v=EJT1m1ele00\">Black Parade\u003c/a>,” a lil’ southern flavor to accompany the Juneteenth holiday. Queen B doubled down on its message of Black empowerment by teaming up with stylist Zerina Akers, who runs the \u003ca href=\"https://www.instagram.com/p/CBn6B4iFkNr/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">@black.owned.everything\u003c/a> page, to create a Black business directory called the \u003ca href=\"https://www.beyonce.com/black-parade-route/\" target=\"_blank\" rel=\"noopener noreferrer\">Black Parade Route\u003c/a>.\u003c/p>\n\u003cp>J. Cole and Noname had a back-and-forth, during which Cole dropped “\u003ca href=\"https://www.youtube.com/watch?v=OZa3HyVLimQ\">Snow On The Bluff\u003c/a>,” a call for Noname to make her message accessible to the masses. Noname responded with “\u003ca href=\"https://www.youtube.com/watch?v=NFp1eW2bihg\">Song 33\u003c/a>,” a track that pretty much asked J. Cole why he was rapping about her, asking her to change her “tone,” when there are far more important issues to be addressed.\u003c/p>\n\u003cp>In the past month, \u003ca href=\"https://www.youtube.com/watch?v=_VDGysJGNoI\">Lil Baby\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=Z5HN-4396Jo\">Tee Grizzley\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=DWZkjXCU-ds\">Trey Songz\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=ramteyfi9bE\">YG\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=JUnc3kl0DcA\">Meek Mill\u003c/a> all dropped songs about police brutality and systematic racism. Wale released a six-song EP, \u003cem>\u003ca href=\"https://www.youtube.com/playlist?list=PLHzeg4D5T9v4peshRjOitaZVT9N05Kt2f&src=Linkfire&lId=747b96e4-d374-4dd3-8990-9a4dcab5c737&cId=d3d58fd7-4c47-11e6-9fd0-066c3e7a8751\">The Imperfect Storm\u003c/a>\u003c/em>, which covers those issues and more. DaBaby released a “Black Lives Matter Remix” to his chart-topping song “\u003ca href=\"https://www.youtube.com/watch?v=0Em5cZFocQ0&feature=emb_title\">Rockstar\u003c/a>” featuring Roddy Ricch.\u003c/p>\n\u003cp>And Anderson .Paak crossed off all the boxes on his “Summer Song 2020” bingo card—he put out a song called “\u003ca href=\"https://www.youtube.com/watch?v=TgItkJCm09c\">Lockdown\u003c/a>,” on Juneteenth, that managed to mention COVID, police brutality, looting, slavery, protests \u003cem>and\u003c/em> the unemployment rate.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/TgItkJCm09c'\n title='//www.youtube.com/embed/TgItkJCm09c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">U\u003c/span>p here in the Bay Area, one of the most politically engaged and artistically inclined regions in the country, you already know artists have been getting active.\u003c/p>\n\u003cp>E-40’s new track “\u003ca href=\"https://www.youtube.com/watch?v=OT20KfhnQow\">Give Me 6\u003c/a>” is a musical request that suggests maintaining the proper physical distance for pandemic socializing. Oakland’s Damian Lillard dropped “\u003ca href=\"https://www.youtube.com/watch?v=J1wQ7_h824U\">Blacklist\u003c/a>,” a track about the racism he faces, even as a wealthy African American man. And Berkeley’s Rexx Life Raj released a single about police brutality simply called “\u003ca href=\"https://www.youtube.com/watch?v=VL4VLUSfwg8&feature=youtu.be\">War\u003c/a>”.\u003c/p>\n\u003cp>But it’s the artists who aren’t as popular who’ve really been talking that shit.\u003c/p>\n\u003cp>I saw Oakland’s \u003ca href=\"https://twitter.com/STSpittin\" target=\"_blank\" rel=\"noopener noreferrer\">ST Spittin’\u003c/a> in traffic recently, where he said he had something for me. His latest single “Huey P. Malcolm Martin” features a sample of Stevie Wonder’s “Visions”—and I was sold on it from the first note.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/2VM99IYLF-I'\n title='//www.youtube.com/embed/2VM99IYLF-I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Berkeley’s \u003ca href=\"https://twitter.com/NettaBrielle\" target=\"_blank\" rel=\"noopener noreferrer\">Netta Brielle\u003c/a> shifted the tempo with her new release, “\u003ca href=\"https://www.youtube.com/watch?v=AU-3Uea4PyI\">Get To You\u003c/a>,” a song that’s more about embracing love than protesting hate—a needed sentiment in these times. Another track using R&B to express emotion during tumult came from Oakland’s \u003ca href=\"https://twitter.com/TalyaPatrick\">Tai Marie\u003c/a>, who recently put out a soulful R&B single titled “\u003ca href=\"https://soundcloud.com/ttaimarie/war-zone\">Warzone\u003c/a>.”\u003c/p>\n\u003cp>Dipping her toes in the classical-piano realm is San Francisco’s \u003ca href=\"https://twitter.com/ImtheJournalist\" target=\"_blank\" rel=\"noopener noreferrer\">Angélica Ekeke\u003c/a>, who just put out the song “\u003ca href=\"https://www.instagram.com/p/CByayJUh8qs/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">Modern War\u003c/a>.” She says the track is inspired by her upcoming film on African American contributions during WWII at one of the nation’s largest shipyards, right here in Marin. But the words she sings, in her trademark soprano tone, are eerily relevant to today.\u003c/p>\n\u003cp>From Sacramento, Rob Woods’ \u003cem>\u003ca href=\"https://soundcloud.com/therealrobwoods/sets/the-black-tape/s-7dyuknyLjtr\">The Black Tape\u003c/a>\u003c/em> mixes rap lyrics about hope and oppression over R&B vibes, and an undertone of that church feeling throughout the project. (He even incorporates a cold saxophone on the song “Stuck.”) And Pittsburg’s Hotboikal shot the video for “\u003ca href=\"https://www.youtube.com/watch?v=VO1dP7CMy78\" target=\"_blank\" rel=\"noopener noreferrer\">Hands Up, Man Down\u003c/a>” in the \u003ca href=\"https://twitter.com/gmeline/status/1269139427751673858\" target=\"_blank\" rel=\"noopener noreferrer\">middle of a protest march\u003c/a> in Santa Rosa, with lyrics about racial profiling and police brutality.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VO1dP7CMy78'\n title='//www.youtube.com/embed/VO1dP7CMy78'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Sharing that sentiment is Richmond’s \u003ca href=\"https://twitter.com/WallahUmoja\">Wallah Umoja\u003c/a>, who dropped a new video for an older track, \u003ca href=\"https://open.spotify.com/album/7vbwGIkNzDs2PKryN9BFZ0?highlight=spotify:track:3ZPM9hdhw42oKotLM4Zc2N\">Senses\u003c/a>, delivered in a boom-bap cadence. Following that flow is Dom Shalom’s “\u003ca href=\"https://open.spotify.com/album/7HmoIXj4Z0GQhNXdqqrj19?si=FgqfUqSgRDiZnmo79Tx-FA\">The Next\u003c/a>,” a chill vibe that I’d also describe as boom-bap rap.\u003c/p>\n\u003cp>And if you like music that bends genres, Oakland’s Dom Jones came through with soulful jazz-rock for the spirit. Her latest track “\u003ca href=\"https://distrokid.com/hyperfollow/domjones/sayin-nothin\" target=\"_blank\" rel=\"noopener noreferrer\">Sayin’ Nothin’\u003c/a>” is the stuff movie soundtracks are made of.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Speaking of movies, the content in Nicholas Easter’s “\u003ca href=\"https://www.youtube.com/watch?v=fKDyDBIOjhs&feature=youtu.be&fbclid=IwAR1AhAh620HVoEkRP5kgQAgHRIl67PQlv0gQ-B_58KHGMhC-ZvWfjerpwog\">Native Tongue\u003c/a>” video isn’t a song as much as it is a compilation of speeches and interviews from the civil rights era to today’s Black Lives Matter movement—featuring the likes of Maya Angelou, Ryan Coogler and Tupac, all layered on top of modern-day footage.\u003c/p>\n\u003cp>Want more spoken-word quotes? \u003ca href=\"https://twitter.com/ClifSoulo\" target=\"_blank\" rel=\"noopener noreferrer\">Clif Soulo\u003c/a> offers a new release titled \u003cem>\u003ca href=\"https://soundcloud.com/clifsoulo/sets/bunchy-carter-grooves/s-YAJYJ0GJAOY\" target=\"_blank\" rel=\"noopener noreferrer\">Bunchy Carter Grooves\u003c/a> \u003c/em>that’s full of clips from interviews with former members of the Black Panther Party.\u003c/p>\n\u003cp>Want something more militant? Oakland’s \u003ca href=\"https://twitter.com/BeastellaAllDat\">Beastella\u003c/a> got a verse from Jay Jonah, and dropped “\u003ca href=\"https://www.youtube.com/watch?v=Snbr-qCpxjY&feature=youtu.be&fbclid=IwAR3PK1zW-v_0moh9V2MUE6rTuIIze6fyTQ15NGdcdCzHgb-QacprRGPR1gs\">1825\u003c/a>.” The track is up there with the most aggressive songs I’ve heard all month, and I’m here for it. As Jay Jonah says on the track: “She Harriet and I’m Nat,” comparing the duo to well-known abolitionist Harriet Tubman and rebellion leader Nat Turner.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Snbr-qCpxjY'\n title='//www.youtube.com/embed/Snbr-qCpxjY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>o yeah, I’ve been listening. I caught the a capella \u003ca href=\"https://twitter.com/caseycopesodope/status/1270886631994613762?s=20\">Twitter\u003c/a> post from San Leandro’s Casey Cope about being a Black man in these times, and I slapped Oaktownsoul’s trippy-hop bass-heavy joint “\u003ca href=\"https://soundcloud.com/oaktownsoul/maskup\">Mask Up\u003c/a>.” I soaked in Gina Madrid’s “\u003ca href=\"https://www.youtube.com/watch?time_continue=2&v=2NYtB9g8VrE&feature=emb_title\">Dame La Mano\u003c/a>” and was reminded the need for unity across different demographics. And through Coco Peila’s track “\u003ca href=\"https://soundcloud.com/cocopeilamusic/coco-peila-whose-world-greennewdeal-prod-hawk-beatz/s-N5s69FMW0Gj\" target=\"_blank\" rel=\"noopener noreferrer\">Whose World?\u003c/a>” I was reminded that in the midst of everything, global warming is still an issue.\u003c/p>\n\u003cp>I listened to Redtone Records’ “\u003ca href=\"https://www.youtube.com/watch?v=8TQuiigys6I&feature=youtu.be&fbclid=IwAR0Gf4iyMU8EYVPksCnr7TP84x8d8WBh-MMVKR3AiiMe4a3mVaVg5QUoWIs\">Right Now\u003c/a>!,” a bouncy jazz track with some New Orleans flavor, out of East Palo Alto. Man, I even listened to \u003ca href=\"https://www.youtube.com/watch?v=6wGk8jZQfQ8&feature=youtu.be&fbclid=IwAR1EBRQ0yc2ZFzL-vonhWVVnsEaITwp8eQtrZ-pkDCnY0fKhu0w-Upn_ZlQ\">We Will Break Free, \u003c/a>written by Byron Au Yong and Aaron Jafferis and performed by an acoustic ensemble over videoconferencing:\u003c/p>\n\u003cblockquote>\u003cp>A body isn’t made for a jail, or a box.\u003cbr>\nA body will defy all the fences, all the locks.\u003cbr>\nWe will break the walls that lock us into cells.\u003cbr>\nWe will break the laws that keep us from ourselves.\u003cbr>\nWe will break free.\u003c/p>\u003c/blockquote>\n\u003cp>Taking in all these songs was like reading reports from a classroom full of students who all got the same assignment. There was no wrong answer. In fact, the only wrong would be \u003cem>not\u003c/em> saying something.\u003c/p>\n\u003cp>Chances are, the real “song of the summer”—dubbed so by the music industry itself—will probably be a pop hit. (I’ve got $10 on something that incorporates that \u003ca href=\"https://www.youtube.com/watch?v=TH_gfaiStm0&feature=emb_logo\" target=\"_blank\" rel=\"noopener noreferrer\">Hip Hop Harry remix\u003c/a>.)\u003c/p>\n\u003cp>It likely won’t be a protest song, or a song of Black celebration, and for sure not Black liberation.\u003c/p>\n\u003cp>In spite of that, there are many artists, all across this nation, making music that documents what it means to be living right now.\u003c/p>\n\u003cp>I hear ya’ll.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13882347/the-pandemic-the-protests-and-the-police-songs-of-the-summer-2020",
"authors": [
"11491"
],
"categories": [
"arts_1",
"arts_2303",
"arts_69"
],
"tags": [
"arts_4822",
"arts_5397",
"arts_3156",
"arts_2767",
"arts_1601",
"arts_10278",
"arts_1143",
"arts_5779"
],
"featImg": "arts_13882560",
"label": "arts"
},
"arts_13882575": {
"type": "posts",
"id": "arts_13882575",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13882575",
"score": null,
"sort": [
1593116526000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1593116526,
"format": "standard",
"title": "Watch 'I'm So Happy I Cry,' Fantastic Negrito's New Video With Tarriona 'Tank' Ball",
"headTitle": "Watch ‘I’m So Happy I Cry,’ Fantastic Negrito’s New Video With Tarriona ‘Tank’ Ball | KQED",
"content": "\u003cp>“Get ready for Oakland to meet New Orleans!” Fantastic Negrito, aka Xavier Dphrepaulezz, \u003ca href=\"https://twitter.com/MusicNegrito/status/1275556802201968640\">teased on Twitter\u003c/a>. It’s an apt description of “I’m So Happy I Cry,” the \u003ca href=\"https://www.npr.org/2020/06/09/872867237/music-for-right-now\">second single\u003c/a> from his forthcoming album, \u003cem>Have You Lost Your Mind Yet?\u003c/em> The song features Tarriona “Tank” Ball of Tank and the Bangas, and the vibrant sounds of their respective hometowns of Oakland and New Orleans ring through.\u003c/p>\n\u003cp>\u003ca href=\"https://www.npr.org/2015/03/09/391288717/fantastic-negrito-tiny-desk-concert\">Fantastic Negrito\u003c/a> won NPR Music’s first-ever Tiny Desk Contest in 2015 and \u003ca href=\"https://www.npr.org/2017/03/10/519418207/tank-and-the-bangas-tiny-desk-concert\">Tank and the Bangas\u003c/a> won the Contest in 2017. These two artists with spectacularly singular voices form quite the dynamic duo on the new track. \u003c/p>\n\u003cp>Of their collaboration, Fantastic Negrito says in a press statement: “Working with Tank was such a joy. She is a powerful, dynamic artist, and we made a little bit of history together. It was the first time that two Tiny Desk winners collaborated on a song.”\u003c/p>\n\u003cp>Tank adds: “‘I’m So Happy I Cry’ to me is about being so overjoyed when change finally comes from living a life of constant fear and survival. It’s the truest testament in believing not only is change gonna come, but it is here.”\u003c/p>\n\u003cp>This recognition of change fuels the song and its accompanying music video, which was filmed in downtown Oakland. The video features \u003ca href=\"https://www.remember-them.org/monument-facts.html\">The Remember Them: Champions for Humanity Monument\u003c/a>, an Oakland landmark that serves as “a poignant reminder of the power we each possess to make positive change.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>We received \u003ca href=\"https://tinydeskcontest.npr.org/2020/browse.html\">thousands of entries\u003c/a> to the 2020 Tiny Desk Contest. Before we announce this year’s winner, you can tune in to \u003ca href=\"https://www.npr.org/sections/allsongs/2020/06/08/868167492/tiny-desk-contest-top-shelf-watch-our-judges-favorite-entries-every-week\">Tiny Desk Contest Top Shelf\u003c/a> to hear the judges’ favorite entries. \u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Have You Lost Your Mind Yet?\u003c/em> is out August 14 via \u003ca href=\"https://fn.lnk.to/HYLYMY\">Cooking Vinyl\u003c/a>. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Hear+%27I%27m+So+Happy+I+Cry%2C%27+Fantastic+Negrito%27s+New+Song+With+Tarriona+%27Tank%27+Ball&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 322,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 9
},
"modified": 1705020518,
"excerpt": "The video pairing two Tiny Desk winners was shot in downtown Oakland.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The video pairing two Tiny Desk winners was shot in downtown Oakland.",
"title": "Watch 'I'm So Happy I Cry,' Fantastic Negrito's New Video With Tarriona 'Tank' Ball | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Watch 'I'm So Happy I Cry,' Fantastic Negrito's New Video With Tarriona 'Tank' Ball",
"datePublished": "2020-06-25T13:22:06-07:00",
"dateModified": "2024-01-11T16:48:38-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "watch-im-so-happy-i-cry-fantastic-negritos-new-video-with-tarriona-tank-ball",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=883317148&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprByline": "Elle Mannion",
"nprStoryDate": "Thu, 25 Jun 2020 13:06:08 -0400",
"nprLastModifiedDate": "Thu, 25 Jun 2020 13:06:49 -0400",
"featuredImageType": "standard",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/sections/allsongs/2020/06/25/883317148/hear-i-m-so-happy-i-cry-fantastic-negrito-s-new-song-with-tarriona-tank-ball?ft=nprml&f=883317148",
"nprImageAgency": "YouTube",
"nprStoryId": "883317148",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 25 Jun 2020 13:06:00 -0400",
"path": "/arts/13882575/watch-im-so-happy-i-cry-fantastic-negritos-new-video-with-tarriona-tank-ball",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Get ready for Oakland to meet New Orleans!” Fantastic Negrito, aka Xavier Dphrepaulezz, \u003ca href=\"https://twitter.com/MusicNegrito/status/1275556802201968640\">teased on Twitter\u003c/a>. It’s an apt description of “I’m So Happy I Cry,” the \u003ca href=\"https://www.npr.org/2020/06/09/872867237/music-for-right-now\">second single\u003c/a> from his forthcoming album, \u003cem>Have You Lost Your Mind Yet?\u003c/em> The song features Tarriona “Tank” Ball of Tank and the Bangas, and the vibrant sounds of their respective hometowns of Oakland and New Orleans ring through.\u003c/p>\n\u003cp>\u003ca href=\"https://www.npr.org/2015/03/09/391288717/fantastic-negrito-tiny-desk-concert\">Fantastic Negrito\u003c/a> won NPR Music’s first-ever Tiny Desk Contest in 2015 and \u003ca href=\"https://www.npr.org/2017/03/10/519418207/tank-and-the-bangas-tiny-desk-concert\">Tank and the Bangas\u003c/a> won the Contest in 2017. These two artists with spectacularly singular voices form quite the dynamic duo on the new track. \u003c/p>\n\u003cp>Of their collaboration, Fantastic Negrito says in a press statement: “Working with Tank was such a joy. She is a powerful, dynamic artist, and we made a little bit of history together. It was the first time that two Tiny Desk winners collaborated on a song.”\u003c/p>\n\u003cp>Tank adds: “‘I’m So Happy I Cry’ to me is about being so overjoyed when change finally comes from living a life of constant fear and survival. It’s the truest testament in believing not only is change gonna come, but it is here.”\u003c/p>\n\u003cp>This recognition of change fuels the song and its accompanying music video, which was filmed in downtown Oakland. The video features \u003ca href=\"https://www.remember-them.org/monument-facts.html\">The Remember Them: Champions for Humanity Monument\u003c/a>, an Oakland landmark that serves as “a poignant reminder of the power we each possess to make positive change.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We received \u003ca href=\"https://tinydeskcontest.npr.org/2020/browse.html\">thousands of entries\u003c/a> to the 2020 Tiny Desk Contest. Before we announce this year’s winner, you can tune in to \u003ca href=\"https://www.npr.org/sections/allsongs/2020/06/08/868167492/tiny-desk-contest-top-shelf-watch-our-judges-favorite-entries-every-week\">Tiny Desk Contest Top Shelf\u003c/a> to hear the judges’ favorite entries. \u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Have You Lost Your Mind Yet?\u003c/em> is out August 14 via \u003ca href=\"https://fn.lnk.to/HYLYMY\">Cooking Vinyl\u003c/a>. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Hear+%27I%27m+So+Happy+I+Cry%2C%27+Fantastic+Negrito%27s+New+Song+With+Tarriona+%27Tank%27+Ball&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13882575/watch-im-so-happy-i-cry-fantastic-negritos-new-video-with-tarriona-tank-ball",
"authors": [
"byline_arts_13882575"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_1588",
"arts_1143",
"arts_6554"
],
"featImg": "arts_13882576",
"label": "arts"
},
"arts_13882412": {
"type": "posts",
"id": "arts_13882412",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13882412",
"score": null,
"sort": [
1593026929000
]
},
"guestAuthors": [],
"slug": "what-will-become-of-oaklands-black-lives-matter-murals",
"title": "What Will Become of Oakland’s Black Lives Matter Murals?",
"publishDate": 1593026929,
"format": "standard",
"headTitle": "What Will Become of Oakland’s Black Lives Matter Murals? | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Sometimes the energy of a movement looks like the \u003ca href=\"https://twitter.com/LinaBlanco/status/1274059418770927616\" rel=\"noopener noreferrer\" target=\"_blank\">mass mobilization of people marching towards a common goal\u003c/a>, and sometimes it’s hundreds of square feet of painted plywood.\u003c/p>\n\u003cp>In May, as protests in response to the killing of George Floyd by Minneapolis police officer Derek Chauvin began in downtown Oakland, businesses covered their storefronts with plywood, inadvertently creating surfaces primed for messages of liberation and solidarity. In the days that followed, artists and volunteers lined the sidewalks with buckets and spray cans of paint, putting up Cornel West quotes, Black Power imagery and, over and over again, the names of those killed by police.\u003c/p>\n\u003cp>Almost as soon as these large-scale murals went up, people \u003ca href=\"https://twitter.com/is_a_lau/status/1270374072166178817\" rel=\"noopener noreferrer\" target=\"_blank\">began asking\u003c/a> how the ephemeral pieces of public art could be preserved.\u003c/p>\n\u003cp>https://twitter.com/OGpenn/status/1270021040312221696\u003c/p>\n\u003cp>“The consensus is that this is an important time,” says Randolph Belle, spokesperson for the \u003ca href=\"https://www.blackculturalzone.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Black Cultural Zone\u003c/a>, a coalition of Black residents, leaders and organizers working to keep Black culture and people in East Oakland. “The movement is what we’re most concerned with. But the artwork is obviously a result of the protests, and the protests are a result of the historical injustices.”\u003c/p>\n\u003cp>The Black Cultural Zone, \u003ca href=\"https://bettiono.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Betti Ono Gallery\u003c/a>, and other Black-led arts organizations, with support from ally organizations like the Oakland Museum and Oakland Art Murmur, are now attempting to bring some order to the preservation of murals that emerged spontaneously and without centralized coordination. The Black Cultural Zone has launched an \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLScwvM8ZV7Ln2CwiPtCyywTaPzE0xwTw2jXDB9947Z1rbLj1lw/viewform\" target=\"_blank\" rel=\"noopener noreferrer\">online form\u003c/a> to help identify artists and artworks, which business owners or landlords can use to let the group know if they’re planning to remove a mural.\u003c/p>\n\u003cp>(Endeavors, a project affiliated with Oakland’s Good Mother Gallery, has simultaneously created \u003ca href=\"https://www.endeavors-oakland.com/home-copy\" target=\"_blank\" rel=\"noopener noreferrer\">an online gallery\u003c/a> of mural documentation, also hosts a form which promises to notify artists when their boards are removed.)\u003c/p>\n\u003cfigure id=\"attachment_13881569\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13881569\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Photo-Jun-06-3-41-25-PM.jpg\" alt=\"\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-41-25-PM.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-41-25-PM-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-41-25-PM-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-41-25-PM-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-41-25-PM-1020x765.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Artist unknown. \u003ccite>(Cianni Jackson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, certain questions linger: Should pieces go back to the artists, stay with the businesses, go into archival storage, or remain on view at another public location?\u003c/p>\n\u003cp>Oakland Museum of California Director Lori Fogarty underscores Belle’s point about focusing on the movement, first and foremost, over the murals. Though the institution was on \u003ca href=\"https://twitter.com/Bethpikegirl/status/1270023479228686342\" target=\"_blank\" rel=\"noopener noreferrer\">many minds\u003c/a> as a \u003ca href=\"https://twitter.com/OKcouncil/status/1270033041319026688\" target=\"_blank\" rel=\"noopener noreferrer\">possible home\u003c/a> for the murals, Fogarty says the museum isn’t yet looking to accession artwork or schedule an exhibition. Instead, OMCA is providing logistical support to the preservation efforts.\u003c/p>\n\u003cp>“Black-led organizations and artists need to be at the forefront,” Fogarty says. “It is a paradigm shift we need to acknowledge and honor at every step.”\u003c/p>\n\u003cp>Curator and arts organizer \u003ca href=\"https://artistasfirstrespondercom.godaddysites.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Ashara Ekundayo\u003c/a> watched the murals go up, visiting the downtown gallery every day. She says early on her conversations with artists raised red flags about the challenges of documenting and preserving the murals. “What alarmed me was that very few of the artists had thought about the importance and value of their work, and what could happen to it without them knowing and being credited or compensated,” she says. \u003c/p>\n\u003cp>She also noticed racial and cultural dynamics playing out in the murals: white artists were being commissioned to write “Black Lives Matter” on boarded-up storefronts and Black artists were not being paid for their work. Not acknowledging the artwork as valuable, particularly the work of Black artists, Ekundayo says, “will continue to perpetuate this idea that artists will make art for free and that we can disrespect them.”\u003c/p>\n\u003cp>https://www.instagram.com/p/CBygQVZhC1v/\u003c/p>\n\u003cp>“From the Black Cultural Zone specifically, we really wanted to be documenters of the documentation,” Belle says. “We don’t want to own a movement, but it is important that a Black voice holds this conversation. As people are saying that this feels different, we’ve got to make sure it \u003ci>is\u003c/i> different.”\u003c/p>\n\u003cp>[aside postID='arts_13881529']In this vein, Betti Ono Gallery is hosting a conversation on Thursday, June 25, for Black artists and community members to collectively decide how to honor, preserve and protect the art. Possible outcomes Belle lists off include reinstallation of the murals in a lot in East Oakland, a spot the Black Cultural Zone currently uses as a distribution point for hot meals, produce and other supplies. Or, he says, “Some of the panels could be used to build something semi-permanent.” An in-depth immersive exhibition incorporating video footage of the murals, or something similar, could take place several years down the road.\u003c/p>\n\u003cp>“We have no interest in nor would we support privatizing this art other than in the hands of the artists and support of our Black community,” the Black Cultural Zone writes in the description for Thursday’s event.\u003c/p>\n\u003cp>But as discussions about how to collect and preserve the murals continue, many of the artworks are already coming down—and only some of their destinations are known.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13868732/cece-carpio\" target=\"_blank\" rel=\"noopener noreferrer\">Cece Carpio\u003c/a> and the \u003ca href=\"http://www.trustyourstruggle.com/a/\" target=\"_blank\" rel=\"noopener noreferrer\">Trust Your Struggle Collective\u003c/a> painted three murals in downtown Oakland. “We just went forward and protested the way we knew how, which is to paint up the streets,” she says. They weren’t thinking, at the time, about the future of their work.\u003c/p>\n\u003cp>https://www.instagram.com/p/CBCYs9fhTF0/\u003c/p>\n\u003cp>One of those murals—featuring five raised hands and fists and the text “We Got Us” over the boarded-up doors of a Chase bank—became the backdrop for an altar to those killed by police violence. When workers later arrived with the task of removing the plywood to create an entrance to the building, they refused to dismantle the altar.\u003c/p>\n\u003cp>“They saw our crew name and made the call to make sure this is preserved,” Carpio says. “It was very lucky and fortunate that it was within the community of folks.” Carpio was able to call her friends to move the altar, and the workers delivered the plywood boards directly to her own Oakland backyard.\u003c/p>\n\u003cp>Other muralists say they too thought only passingly about the future of their murals as they worked to get them up. Estella Tse and Sofia Sharpe, who both grew up in Oakland, painted a mural in honor of Breonna Taylor on June 5—what would have been her 27th birthday.\u003c/p>\n\u003cp>“Her name was kind of getting swept in between larger events happening around her, and she wasn’t getting a lot of the recognition for the justice she deserved,” Sharpe says of the impulse behind their painting. Only one of the three officers who shot Taylor has been fired; the other two have been placed on administrative reassignment, and none have been charged.\u003c/p>\n\u003cfigure id=\"attachment_13881568\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13881568\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Photo-Jun-06-3-39-53-PM.jpg\" alt=\"\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-39-53-PM.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-39-53-PM-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-39-53-PM-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-39-53-PM-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-39-53-PM-1020x765.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The mural in honor of Breonna Taylor’s 27th birthday, painted by Sofia Sharpe and Estella Tse. \u003ccite>(Cianni Jackson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sharpe echoes the Black Cultural Zone’s desire to place the murals within the context of the movement for racial justice. “It’s not just about murals, but about everything that is happening and has led up to it and where it’s going from there,” Sharpe says.\u003c/p>\n\u003cp>Objects can tell powerful stories, which is why conversations about how to preserve and honor items related to the Black Lives Matter movement and the latest uprisings are happening at both the grassroots community level and in national organizations. Coalition building and the centering of Black voices is key: The National Museum of African American History and Culture, the National Museum of American History and the Anacostia Community Museum \u003ca href=\"https://nmaahc.si.edu/about/news/statement-efforts-collect-objects-lafayette-square\" rel=\"noopener noreferrer\" target=\"_blank\">recently announced\u003c/a> a collective effort to document and preserve “expressions of protest and hope” from Lafayette Square in Washington, D.C. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“You never know what stories artifacts and objects will tell,” Fogarty says, pointing to architectural fragments exhibited in OMCA’s \u003ci>\u003ca href=\"https://museumca.org/exhibit/all-power-people-black-panthers-50\" rel=\"noopener noreferrer\" target=\"_blank\">All Power to the People: Black Panthers at 50\u003c/a>\u003c/i>, testaments to the physical destruction of the Black community. While it’s difficult to know exactly which objects will speak most loudly a half century from now, the mistakes of the past can be illuminating. “We’re very mindful of what the museum was not collecting in 1968,” Fogarty says.\u003c/p>\n\u003cp>For Tse and Sharpe, whether or not their own work is preserved is less important to them than the messages the murals contain, and how the desire to document those messages illustrates art’s place in social movements.\u003c/p>\n\u003cp>“We can see from this how art heals, there is an impact, there is a purpose for art,” Tse says. Citing the difficult and long process of going through official channels to create public art, she adds, “I just hope there’s more opportunities for artists to make art like this in very challenging times.”\u003c/p>\n\u003cp>Carpio agrees: “I feel like this is one way to mark this moment and is also another way of really showing that what artists can contribute to a movement, and how we can envision a different future than what we normally have lived, prior to the pandemic and prior to the uprising.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "Efforts to preserve dozens of murals—and their messages—are underway in downtown Oakland.",
"status": "publish",
"parent": 0,
"modified": 1726761820,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 28,
"wordCount": 1541
},
"headData": {
"title": "What Will Become of Oakland’s Black Lives Matter Murals? | KQED",
"description": "Efforts to preserve dozens of murals—and their messages—are underway in downtown Oakland.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "What Will Become of Oakland’s Black Lives Matter Murals?",
"datePublished": "2020-06-24T12:28:49-07:00",
"dateModified": "2024-09-19T09:03:40-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13882412/what-will-become-of-oaklands-black-lives-matter-murals",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sometimes the energy of a movement looks like the \u003ca href=\"https://twitter.com/LinaBlanco/status/1274059418770927616\" rel=\"noopener noreferrer\" target=\"_blank\">mass mobilization of people marching towards a common goal\u003c/a>, and sometimes it’s hundreds of square feet of painted plywood.\u003c/p>\n\u003cp>In May, as protests in response to the killing of George Floyd by Minneapolis police officer Derek Chauvin began in downtown Oakland, businesses covered their storefronts with plywood, inadvertently creating surfaces primed for messages of liberation and solidarity. In the days that followed, artists and volunteers lined the sidewalks with buckets and spray cans of paint, putting up Cornel West quotes, Black Power imagery and, over and over again, the names of those killed by police.\u003c/p>\n\u003cp>Almost as soon as these large-scale murals went up, people \u003ca href=\"https://twitter.com/is_a_lau/status/1270374072166178817\" rel=\"noopener noreferrer\" target=\"_blank\">began asking\u003c/a> how the ephemeral pieces of public art could be preserved.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1270021040312221696"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>“The consensus is that this is an important time,” says Randolph Belle, spokesperson for the \u003ca href=\"https://www.blackculturalzone.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Black Cultural Zone\u003c/a>, a coalition of Black residents, leaders and organizers working to keep Black culture and people in East Oakland. “The movement is what we’re most concerned with. But the artwork is obviously a result of the protests, and the protests are a result of the historical injustices.”\u003c/p>\n\u003cp>The Black Cultural Zone, \u003ca href=\"https://bettiono.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Betti Ono Gallery\u003c/a>, and other Black-led arts organizations, with support from ally organizations like the Oakland Museum and Oakland Art Murmur, are now attempting to bring some order to the preservation of murals that emerged spontaneously and without centralized coordination. The Black Cultural Zone has launched an \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLScwvM8ZV7Ln2CwiPtCyywTaPzE0xwTw2jXDB9947Z1rbLj1lw/viewform\" target=\"_blank\" rel=\"noopener noreferrer\">online form\u003c/a> to help identify artists and artworks, which business owners or landlords can use to let the group know if they’re planning to remove a mural.\u003c/p>\n\u003cp>(Endeavors, a project affiliated with Oakland’s Good Mother Gallery, has simultaneously created \u003ca href=\"https://www.endeavors-oakland.com/home-copy\" target=\"_blank\" rel=\"noopener noreferrer\">an online gallery\u003c/a> of mural documentation, also hosts a form which promises to notify artists when their boards are removed.)\u003c/p>\n\u003cfigure id=\"attachment_13881569\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13881569\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Photo-Jun-06-3-41-25-PM.jpg\" alt=\"\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-41-25-PM.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-41-25-PM-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-41-25-PM-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-41-25-PM-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-41-25-PM-1020x765.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Artist unknown. \u003ccite>(Cianni Jackson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, certain questions linger: Should pieces go back to the artists, stay with the businesses, go into archival storage, or remain on view at another public location?\u003c/p>\n\u003cp>Oakland Museum of California Director Lori Fogarty underscores Belle’s point about focusing on the movement, first and foremost, over the murals. Though the institution was on \u003ca href=\"https://twitter.com/Bethpikegirl/status/1270023479228686342\" target=\"_blank\" rel=\"noopener noreferrer\">many minds\u003c/a> as a \u003ca href=\"https://twitter.com/OKcouncil/status/1270033041319026688\" target=\"_blank\" rel=\"noopener noreferrer\">possible home\u003c/a> for the murals, Fogarty says the museum isn’t yet looking to accession artwork or schedule an exhibition. Instead, OMCA is providing logistical support to the preservation efforts.\u003c/p>\n\u003cp>“Black-led organizations and artists need to be at the forefront,” Fogarty says. “It is a paradigm shift we need to acknowledge and honor at every step.”\u003c/p>\n\u003cp>Curator and arts organizer \u003ca href=\"https://artistasfirstrespondercom.godaddysites.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Ashara Ekundayo\u003c/a> watched the murals go up, visiting the downtown gallery every day. She says early on her conversations with artists raised red flags about the challenges of documenting and preserving the murals. “What alarmed me was that very few of the artists had thought about the importance and value of their work, and what could happen to it without them knowing and being credited or compensated,” she says. \u003c/p>\n\u003cp>She also noticed racial and cultural dynamics playing out in the murals: white artists were being commissioned to write “Black Lives Matter” on boarded-up storefronts and Black artists were not being paid for their work. Not acknowledging the artwork as valuable, particularly the work of Black artists, Ekundayo says, “will continue to perpetuate this idea that artists will make art for free and that we can disrespect them.”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/CBygQVZhC1v/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“From the Black Cultural Zone specifically, we really wanted to be documenters of the documentation,” Belle says. “We don’t want to own a movement, but it is important that a Black voice holds this conversation. As people are saying that this feels different, we’ve got to make sure it \u003ci>is\u003c/i> different.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13881529",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>In this vein, Betti Ono Gallery is hosting a conversation on Thursday, June 25, for Black artists and community members to collectively decide how to honor, preserve and protect the art. Possible outcomes Belle lists off include reinstallation of the murals in a lot in East Oakland, a spot the Black Cultural Zone currently uses as a distribution point for hot meals, produce and other supplies. Or, he says, “Some of the panels could be used to build something semi-permanent.” An in-depth immersive exhibition incorporating video footage of the murals, or something similar, could take place several years down the road.\u003c/p>\n\u003cp>“We have no interest in nor would we support privatizing this art other than in the hands of the artists and support of our Black community,” the Black Cultural Zone writes in the description for Thursday’s event.\u003c/p>\n\u003cp>But as discussions about how to collect and preserve the murals continue, many of the artworks are already coming down—and only some of their destinations are known.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13868732/cece-carpio\" target=\"_blank\" rel=\"noopener noreferrer\">Cece Carpio\u003c/a> and the \u003ca href=\"http://www.trustyourstruggle.com/a/\" target=\"_blank\" rel=\"noopener noreferrer\">Trust Your Struggle Collective\u003c/a> painted three murals in downtown Oakland. “We just went forward and protested the way we knew how, which is to paint up the streets,” she says. They weren’t thinking, at the time, about the future of their work.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/CBCYs9fhTF0/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>One of those murals—featuring five raised hands and fists and the text “We Got Us” over the boarded-up doors of a Chase bank—became the backdrop for an altar to those killed by police violence. When workers later arrived with the task of removing the plywood to create an entrance to the building, they refused to dismantle the altar.\u003c/p>\n\u003cp>“They saw our crew name and made the call to make sure this is preserved,” Carpio says. “It was very lucky and fortunate that it was within the community of folks.” Carpio was able to call her friends to move the altar, and the workers delivered the plywood boards directly to her own Oakland backyard.\u003c/p>\n\u003cp>Other muralists say they too thought only passingly about the future of their murals as they worked to get them up. Estella Tse and Sofia Sharpe, who both grew up in Oakland, painted a mural in honor of Breonna Taylor on June 5—what would have been her 27th birthday.\u003c/p>\n\u003cp>“Her name was kind of getting swept in between larger events happening around her, and she wasn’t getting a lot of the recognition for the justice she deserved,” Sharpe says of the impulse behind their painting. Only one of the three officers who shot Taylor has been fired; the other two have been placed on administrative reassignment, and none have been charged.\u003c/p>\n\u003cfigure id=\"attachment_13881568\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13881568\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Photo-Jun-06-3-39-53-PM.jpg\" alt=\"\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-39-53-PM.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-39-53-PM-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-39-53-PM-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-39-53-PM-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Photo-Jun-06-3-39-53-PM-1020x765.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The mural in honor of Breonna Taylor’s 27th birthday, painted by Sofia Sharpe and Estella Tse. \u003ccite>(Cianni Jackson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sharpe echoes the Black Cultural Zone’s desire to place the murals within the context of the movement for racial justice. “It’s not just about murals, but about everything that is happening and has led up to it and where it’s going from there,” Sharpe says.\u003c/p>\n\u003cp>Objects can tell powerful stories, which is why conversations about how to preserve and honor items related to the Black Lives Matter movement and the latest uprisings are happening at both the grassroots community level and in national organizations. Coalition building and the centering of Black voices is key: The National Museum of African American History and Culture, the National Museum of American History and the Anacostia Community Museum \u003ca href=\"https://nmaahc.si.edu/about/news/statement-efforts-collect-objects-lafayette-square\" rel=\"noopener noreferrer\" target=\"_blank\">recently announced\u003c/a> a collective effort to document and preserve “expressions of protest and hope” from Lafayette Square in Washington, D.C. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“You never know what stories artifacts and objects will tell,” Fogarty says, pointing to architectural fragments exhibited in OMCA’s \u003ci>\u003ca href=\"https://museumca.org/exhibit/all-power-people-black-panthers-50\" rel=\"noopener noreferrer\" target=\"_blank\">All Power to the People: Black Panthers at 50\u003c/a>\u003c/i>, testaments to the physical destruction of the Black community. While it’s difficult to know exactly which objects will speak most loudly a half century from now, the mistakes of the past can be illuminating. “We’re very mindful of what the museum was not collecting in 1968,” Fogarty says.\u003c/p>\n\u003cp>For Tse and Sharpe, whether or not their own work is preserved is less important to them than the messages the murals contain, and how the desire to document those messages illustrates art’s place in social movements.\u003c/p>\n\u003cp>“We can see from this how art heals, there is an impact, there is a purpose for art,” Tse says. Citing the difficult and long process of going through official channels to create public art, she adds, “I just hope there’s more opportunities for artists to make art like this in very challenging times.”\u003c/p>\n\u003cp>Carpio agrees: “I feel like this is one way to mark this moment and is also another way of really showing that what artists can contribute to a movement, and how we can envision a different future than what we normally have lived, prior to the pandemic and prior to the uprising.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13882412/what-will-become-of-oaklands-black-lives-matter-murals",
"authors": [
"61"
],
"categories": [
"arts_1",
"arts_235",
"arts_70"
],
"tags": [
"arts_3156",
"arts_11162",
"arts_10342",
"arts_10278",
"arts_10422",
"arts_3649",
"arts_11163",
"arts_903",
"arts_1737",
"arts_746",
"arts_1143",
"arts_11453",
"arts_2755"
],
"featImg": "arts_13882471",
"label": "arts"
},
"arts_13881849": {
"type": "posts",
"id": "arts_13881849",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13881849",
"score": null,
"sort": [
1592250573000
]
},
"guestAuthors": [],
"slug": "i-got-5ive-on-it-a-fundraiser-for-marijuana-shops",
"title": "I Got 5 On It: A Fundraiser for Marijuana Shops",
"publishDate": 1592250573,
"format": "standard",
"headTitle": "I Got 5 On It: A Fundraiser for Marijuana Shops | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>June 16 would have been Tupac Shakur’s 49th birthday. This year a number of big name celebrities are slated to come together a livestreamed fundraiser and celebration called the \u003ca href=\"https://www.igot5onit.live/\" target=\"_blank\" rel=\"noopener noreferrer\">I Got 5 On It! Unite and Rebuild Session\u003c/a>.\u003c/p>\n\u003cp>Tupac, who once successfully \u003ca href=\"https://www.kqed.org/arts/11696060/its-tupac-day-in-oakland-where-he-once-sued-the-police-for-10-million\" target=\"_blank\" rel=\"noopener noreferrer\">sued the Oakland Police Department\u003c/a> after being accosted and slammed to the ground by officers in October of 1991, would undoubtedly have something to say about this moment.\u003c/p>\n\u003cp>In his honor, the fundraiser will feature artists and entertainers who actually knew and worked with Pac, like Houston rapper turned political candidate Brad “Scarface” Jordan and famed boxer Mike Tyson. And there will be a number of talented local artists, including Sistah Iminah, SOBxRBE and Yukmouth of Luniz—the East Oakland-based duo who popularized the term, “I got 5 on it.”\u003c/p>\n\u003cp>These performers and entertainers are raising money for two important causes: the \u003ca href=\"https://www.instagram.com/mvmnt4blklives/\" target=\"_blank\" rel=\"noopener noreferrer\">Movement For Black Lives\u003c/a>, and Bay Area cannabis clubs damaged and during the recent uprisings.\u003c/p>\n\u003cp>\u003ca href=\"https://www.leafly.com/news/politics/43-west-coast-cannabis-dispensaries-report-looting-in-weekend-rioting\" target=\"_blank\" rel=\"noopener noreferrer\">Over 40 cannabis clubs\u003c/a> in California and Oregon reported break-ins and burglaries earlier this month. Many of the incidents were not in direct connection with protests, but crimes of opportunity while police were occupied with crowd-control efforts.\u003c/p>\n\u003cfigure id=\"attachment_13881982\" class=\"wp-caption aligncenter\" style=\"max-width: 756px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13881982\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/5Onit.jpg\" alt=\"\" width=\"756\" height=\"663\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/5Onit.jpg 756w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/5Onit-160x140.jpg 160w\" sizes=\"(max-width: 756px) 100vw, 756px\">\u003cfigcaption class=\"wp-caption-text\">Tucky in Blunts + Moore.\u003c/figcaption>\u003c/figure>\n\u003cp>In Oakland, a number of spots were hit. On West Grand Avenue, the plywood that covers the windows at Blüm reads, “Empty No Weed.” At West Oakland’s Magnolia Wellness, not only did the main business suffer loses, but so did the startup it was incubating. Ron Leggett, an Indigenous person who was working to launch his cannabis company “Chiefing” this month, told \u003ca href=\"https://www.rollingstone.com/culture/culture-news/weed-dispensaries-destroyed-robbed-california-washington-1011013/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Rolling Stone\u003c/em>,\u003c/a> “They didn’t just steal … they destroyed everything. It looked like a hurricane went through the building.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I Got 5 On It! is organized by \u003ca href=\"https://www.instagram.com/tuckyblunt80/\" target=\"_blank\" rel=\"noopener noreferrer\">Alphonso “Tucky” Blunt\u003c/a>, who co-founded \u003ca href=\"https://www.instagram.com/bluntsandmoore/\" target=\"_blank\" rel=\"noopener noreferrer\">Blunts + Moore\u003c/a> dispensary in East Oakland, along with Bri Moore. Their company was was also \u003ca href=\"https://www.instagram.com/p/CA4ftRIgr6n/\" target=\"_blank\" rel=\"noopener noreferrer\">hit hard earlier this month\u003c/a> by burglars.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The event is free to watch, it streams live online starting at 5pm on Tuesday, June 16. There is a \u003ca href=\"https://www.gofundme.com/f/6bwjky-i-got-5-on-it?utm_source=widget&utm_medium=referral&utm_campaign=p_cp+share-sheet\" target=\"_blank\" rel=\"noopener noreferrer\">GoFundMe\u003c/a> for people looking to contribute to the fundraising efforts, and Tucky is asking for a suggested donation of … wait for it … $5. \u003ca href=\"https://www.igot5onit.live/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Musicians and celebrities come together for Tupac Shakur’s birthday to support the local cannabis community.",
"status": "publish",
"parent": 0,
"modified": 1726761882,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 10,
"wordCount": 393
},
"headData": {
"title": "I Got 5 On It: A Fundraiser for Marijuana Shops | KQED",
"description": "Musicians and celebrities come together for Tupac Shakur’s birthday to support the local cannabis community.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "I Got 5 On It: A Fundraiser for Marijuana Shops",
"datePublished": "2020-06-15T12:49:33-07:00",
"dateModified": "2024-09-19T09:04:42-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13881849/i-got-5ive-on-it-a-fundraiser-for-marijuana-shops",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>June 16 would have been Tupac Shakur’s 49th birthday. This year a number of big name celebrities are slated to come together a livestreamed fundraiser and celebration called the \u003ca href=\"https://www.igot5onit.live/\" target=\"_blank\" rel=\"noopener noreferrer\">I Got 5 On It! Unite and Rebuild Session\u003c/a>.\u003c/p>\n\u003cp>Tupac, who once successfully \u003ca href=\"https://www.kqed.org/arts/11696060/its-tupac-day-in-oakland-where-he-once-sued-the-police-for-10-million\" target=\"_blank\" rel=\"noopener noreferrer\">sued the Oakland Police Department\u003c/a> after being accosted and slammed to the ground by officers in October of 1991, would undoubtedly have something to say about this moment.\u003c/p>\n\u003cp>In his honor, the fundraiser will feature artists and entertainers who actually knew and worked with Pac, like Houston rapper turned political candidate Brad “Scarface” Jordan and famed boxer Mike Tyson. And there will be a number of talented local artists, including Sistah Iminah, SOBxRBE and Yukmouth of Luniz—the East Oakland-based duo who popularized the term, “I got 5 on it.”\u003c/p>\n\u003cp>These performers and entertainers are raising money for two important causes: the \u003ca href=\"https://www.instagram.com/mvmnt4blklives/\" target=\"_blank\" rel=\"noopener noreferrer\">Movement For Black Lives\u003c/a>, and Bay Area cannabis clubs damaged and during the recent uprisings.\u003c/p>\n\u003cp>\u003ca href=\"https://www.leafly.com/news/politics/43-west-coast-cannabis-dispensaries-report-looting-in-weekend-rioting\" target=\"_blank\" rel=\"noopener noreferrer\">Over 40 cannabis clubs\u003c/a> in California and Oregon reported break-ins and burglaries earlier this month. Many of the incidents were not in direct connection with protests, but crimes of opportunity while police were occupied with crowd-control efforts.\u003c/p>\n\u003cfigure id=\"attachment_13881982\" class=\"wp-caption aligncenter\" style=\"max-width: 756px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13881982\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/5Onit.jpg\" alt=\"\" width=\"756\" height=\"663\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/5Onit.jpg 756w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/5Onit-160x140.jpg 160w\" sizes=\"(max-width: 756px) 100vw, 756px\">\u003cfigcaption class=\"wp-caption-text\">Tucky in Blunts + Moore.\u003c/figcaption>\u003c/figure>\n\u003cp>In Oakland, a number of spots were hit. On West Grand Avenue, the plywood that covers the windows at Blüm reads, “Empty No Weed.” At West Oakland’s Magnolia Wellness, not only did the main business suffer loses, but so did the startup it was incubating. Ron Leggett, an Indigenous person who was working to launch his cannabis company “Chiefing” this month, told \u003ca href=\"https://www.rollingstone.com/culture/culture-news/weed-dispensaries-destroyed-robbed-california-washington-1011013/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Rolling Stone\u003c/em>,\u003c/a> “They didn’t just steal … they destroyed everything. It looked like a hurricane went through the building.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I Got 5 On It! is organized by \u003ca href=\"https://www.instagram.com/tuckyblunt80/\" target=\"_blank\" rel=\"noopener noreferrer\">Alphonso “Tucky” Blunt\u003c/a>, who co-founded \u003ca href=\"https://www.instagram.com/bluntsandmoore/\" target=\"_blank\" rel=\"noopener noreferrer\">Blunts + Moore\u003c/a> dispensary in East Oakland, along with Bri Moore. Their company was was also \u003ca href=\"https://www.instagram.com/p/CA4ftRIgr6n/\" target=\"_blank\" rel=\"noopener noreferrer\">hit hard earlier this month\u003c/a> by burglars.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The event is free to watch, it streams live online starting at 5pm on Tuesday, June 16. There is a \u003ca href=\"https://www.gofundme.com/f/6bwjky-i-got-5-on-it?utm_source=widget&utm_medium=referral&utm_campaign=p_cp+share-sheet\" target=\"_blank\" rel=\"noopener noreferrer\">GoFundMe\u003c/a> for people looking to contribute to the fundraising efforts, and Tucky is asking for a suggested donation of … wait for it … $5. \u003ca href=\"https://www.igot5onit.live/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13881849/i-got-5ive-on-it-a-fundraiser-for-marijuana-shops",
"authors": [
"11491"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1"
],
"tags": [
"arts_11163",
"arts_6300",
"arts_1143",
"arts_585",
"arts_6903"
],
"featImg": "arts_13881981",
"label": "arts_140"
},
"arts_13881383": {
"type": "posts",
"id": "arts_13881383",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13881383",
"score": null,
"sort": [
1591638338000
]
},
"guestAuthors": [],
"slug": "poet-porche-kelly-performs-jokes",
"title": "Poet Porsche Kelly Performs 'Jokes'",
"publishDate": 1591638338,
"format": "aside",
"headTitle": "Poet Porsche Kelly Performs ‘Jokes’ | KQED",
"labelTerm": {},
"content": "\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881530\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Porsche-Kelly-KQED-In-Article-800x635.jpg\" alt=\"Porsche Nicole Kelly\" width=\"800\" height=\"635\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Porsche-Kelly-KQED-In-Article-800x635.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Porsche-Kelly-KQED-In-Article-160x127.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Porsche-Kelly-KQED-In-Article-768x610.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Porsche-Kelly-KQED-In-Article.jpg 810w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Porsche Nicole Kelly is an Oakland based motivational speaker, poet and author of the book, \u003cem>\u003ca href=\"https://www.amazon.com/Kinds-Fire-Porsche-Nicole-Kelly/dp/0578561875\" target=\"_blank\" rel=\"noopener noreferrer\">2 Kinds of Fire\u003c/a>\u003c/em>. For this week’s episode of Rightnowish, I step back and let the wordsmith speak to us as only she can, through her poetic critique of race in society in the form of her poem, “Jokes.” The poem grapples with cases of police brutality and white nationalist violence. Do what you need to take care of yourself.\u003c/p>\n\u003cp>You can follow Porsche Nicole Kelly at “\u003ca href=\"https://www.instagram.com/thepoeticactivist/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">ThePoeticActivist\u003c/a>” on Instagram.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC8633744823&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>Editor’s Note: Below you’ll find Porsche’s poem “Jokes.” Please note there are slight differences in the recorded performance and the poem written below. \u003c/em>\u003c/p>\n\u003ch2>Jokes\u003c/h2>\n\u003cp>by Porsche Nicole Kelly\u003c/p>\n\u003cp>So a guy walks into a bar\u003cbr>\nA duck walks into a bar\u003cbr>\nA priest, a rabbi, and a minister walk into a bar\u003cbr>\nA white man with a glock walks into a church\u003cbr>\nA white man with a handgun walks into an elementary school\u003cbr>\nA middle school\u003cbr>\nA high school\u003cbr>\nA college\u003cbr>\nA white man with a shotgun, a rifle, and a handgun walks into a theater.\u003cbr>\nA white man with rifles walks into a Las Vegas hotel\u003cbr>\nA white man with Nia Wilson’s name on his knife walks into BART\u003cbr>\nA white man with 2 chainsaws walks into BART\u003cbr>\nA white man with an assault rifle & 3 handguns walks into a Jewish synagogue\u003cbr>\nA black boy with skittles and tea walks down the street & is killed\u003cbr>\nA black man with a cellphone is killed\u003cbr>\nA black man with cigarettes is killed\u003cbr>\nA black man with a license to carry is pulled over and killed\u003cbr>\nA black man with a security badge is mistaken for a suspect and killed\u003cbr>\nA black woman with mental illness is killed\u003cbr>\nA black woman with child is killed\u003cbr>\nA black woman with video games is killed\u003cbr>\nAll of these are jokes but none of them are funny\u003c/p>\n\u003cp>A woman with a hijab looks like a terrorist\u003cbr>\nA man with a turban looks like a terrorist\u003cbr>\nA white man with khakis does not look like a terrorist\u003cbr>\nAn immigrant is a threat to this country\u003cbr>\nKaepernick’s knee is a threat to this country\u003cbr>\nWhite men are never a threat to this country\u003cbr>\nAmerica is on the other side of broken knock knock jokes\u003cbr>\nKnock knock\u003cbr>\nWho’s there\u003cbr>\nJustice\u003cbr>\nJustice who\u003cbr>\nKnock knock\u003cbr>\nWho’s there\u003cbr>\nCompassion\u003cbr>\nCompassion who\u003cbr>\nKnock knock\u003cbr>\nWho’s there\u003cbr>\nTruth\u003cbr>\nTruth who\u003cbr>\nBecause what is justice or compassion or truth to a nation built on the backs of others\u003cbr>\nAmerica is the comedian who’s been in the game for decades and still ain’t funny\u003cbr>\nTells the worst jokes known to mankind then gets mad when you don’t laugh\u003cbr>\nAmerica is the comedian who’s been in the game for decades and still ain’t funny\u003cbr>\nTells the worst jokes known to mankind then gets mad when you don’t laugh\u003cbr>\nAmerica is the attention thirsty class clown who thinks disrupting a history lesson is humorous\u003cbr>\nGets kicked out of class only to come back the next day and do it all over again\u003cbr>\nAmerica sang Donald Glover’s lyrics long before he even wrote them\u003cbr>\nIts version of This Is America smiles like a Purge mask\u003cbr>\nAmerica is the perverted Uncle who still gets to be a part of the family\u003cbr>\nSee everybody knows how disgusting he is but the unaffected don’t say nothing\u003c/p>\n\u003cp>Have you heard the one about the immigrant\u003cbr>\nSpends his blood, sweat, and tears escaping to the American Dream\u003cbr>\nOnly to arrive & be told he can no longer be a dreamer\u003cbr>\nHave you heard the one about the pre-teen\u003cbr>\nHas just enough black to be seen as old enough to have a body become home to bullet wounds\u003cbr>\nHave you heard the one about the face the American flag represents\u003cbr>\nCommits mass murders\u003cbr>\nBut with the exception of suicide usually has just enough Macaulay Culkin to keep him alive at the scene of the crime\u003cbr>\nHave you heard the one about the patriot\u003cbr>\nClaims all lives matters\u003cbr>\nBut only supports the thin blue line and not the lives they’ve taken\u003cbr>\nHave you heard the one about the nation\u003cbr>\nTurns its back on injustice\u003cbr>\nThen gets offended when you don’t sing their favorite song\u003cbr>\nLike a child who hits all the other kids on the playground\u003cbr>\nThen wonders why don’t nobody wanna play with him\u003c/p>\n\u003cp>A racist walks into the oval office\u003cbr>\nBecomes president and encourages his followers to come out of hiding\u003cbr>\nThey agree on things like building walls to keep people out of land that they stole\u003cbr>\nAs they wear red hats that suggest the time during Jim Crow, or the Chinese Exclusion Act\u003cbr>\nOr any other law that deemed non whites as less than human\u003cbr>\nMade this nation great\u003cbr>\nAll of these are jokes\u003cbr>\nBut none of them are funny\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "We talking about race in America? Oh, ok. Well, let's listen to Porsche Nicole Kelly's poem, 'Jokes.' ",
"status": "publish",
"parent": 0,
"modified": 1726761959,
"stats": {
"hasAudio": true,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 14,
"wordCount": 905
},
"headData": {
"title": "Poet Porsche Kelly Performs 'Jokes' | KQED",
"description": "We talking about race in America? Oh, ok. Well, let's listen to Porsche Nicole Kelly's poem, 'Jokes.' ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Poet Porsche Kelly Performs 'Jokes'",
"datePublished": "2020-06-08T10:45:38-07:00",
"dateModified": "2024-09-19T09:05:59-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "Rightnowish",
"sourceUrl": "https://www.kqed.org/podcasts/rightnowish",
"audioUrl": "https://traffic.megaphone.fm/KQINC8633744823.mp3",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13881383/poet-porche-kelly-performs-jokes",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881530\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Porsche-Kelly-KQED-In-Article-800x635.jpg\" alt=\"Porsche Nicole Kelly\" width=\"800\" height=\"635\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Porsche-Kelly-KQED-In-Article-800x635.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Porsche-Kelly-KQED-In-Article-160x127.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Porsche-Kelly-KQED-In-Article-768x610.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Porsche-Kelly-KQED-In-Article.jpg 810w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Porsche Nicole Kelly is an Oakland based motivational speaker, poet and author of the book, \u003cem>\u003ca href=\"https://www.amazon.com/Kinds-Fire-Porsche-Nicole-Kelly/dp/0578561875\" target=\"_blank\" rel=\"noopener noreferrer\">2 Kinds of Fire\u003c/a>\u003c/em>. For this week’s episode of Rightnowish, I step back and let the wordsmith speak to us as only she can, through her poetic critique of race in society in the form of her poem, “Jokes.” The poem grapples with cases of police brutality and white nationalist violence. Do what you need to take care of yourself.\u003c/p>\n\u003cp>You can follow Porsche Nicole Kelly at “\u003ca href=\"https://www.instagram.com/thepoeticactivist/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">ThePoeticActivist\u003c/a>” on Instagram.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC8633744823&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>Editor’s Note: Below you’ll find Porsche’s poem “Jokes.” Please note there are slight differences in the recorded performance and the poem written below. \u003c/em>\u003c/p>\n\u003ch2>Jokes\u003c/h2>\n\u003cp>by Porsche Nicole Kelly\u003c/p>\n\u003cp>So a guy walks into a bar\u003cbr>\nA duck walks into a bar\u003cbr>\nA priest, a rabbi, and a minister walk into a bar\u003cbr>\nA white man with a glock walks into a church\u003cbr>\nA white man with a handgun walks into an elementary school\u003cbr>\nA middle school\u003cbr>\nA high school\u003cbr>\nA college\u003cbr>\nA white man with a shotgun, a rifle, and a handgun walks into a theater.\u003cbr>\nA white man with rifles walks into a Las Vegas hotel\u003cbr>\nA white man with Nia Wilson’s name on his knife walks into BART\u003cbr>\nA white man with 2 chainsaws walks into BART\u003cbr>\nA white man with an assault rifle & 3 handguns walks into a Jewish synagogue\u003cbr>\nA black boy with skittles and tea walks down the street & is killed\u003cbr>\nA black man with a cellphone is killed\u003cbr>\nA black man with cigarettes is killed\u003cbr>\nA black man with a license to carry is pulled over and killed\u003cbr>\nA black man with a security badge is mistaken for a suspect and killed\u003cbr>\nA black woman with mental illness is killed\u003cbr>\nA black woman with child is killed\u003cbr>\nA black woman with video games is killed\u003cbr>\nAll of these are jokes but none of them are funny\u003c/p>\n\u003cp>A woman with a hijab looks like a terrorist\u003cbr>\nA man with a turban looks like a terrorist\u003cbr>\nA white man with khakis does not look like a terrorist\u003cbr>\nAn immigrant is a threat to this country\u003cbr>\nKaepernick’s knee is a threat to this country\u003cbr>\nWhite men are never a threat to this country\u003cbr>\nAmerica is on the other side of broken knock knock jokes\u003cbr>\nKnock knock\u003cbr>\nWho’s there\u003cbr>\nJustice\u003cbr>\nJustice who\u003cbr>\nKnock knock\u003cbr>\nWho’s there\u003cbr>\nCompassion\u003cbr>\nCompassion who\u003cbr>\nKnock knock\u003cbr>\nWho’s there\u003cbr>\nTruth\u003cbr>\nTruth who\u003cbr>\nBecause what is justice or compassion or truth to a nation built on the backs of others\u003cbr>\nAmerica is the comedian who’s been in the game for decades and still ain’t funny\u003cbr>\nTells the worst jokes known to mankind then gets mad when you don’t laugh\u003cbr>\nAmerica is the comedian who’s been in the game for decades and still ain’t funny\u003cbr>\nTells the worst jokes known to mankind then gets mad when you don’t laugh\u003cbr>\nAmerica is the attention thirsty class clown who thinks disrupting a history lesson is humorous\u003cbr>\nGets kicked out of class only to come back the next day and do it all over again\u003cbr>\nAmerica sang Donald Glover’s lyrics long before he even wrote them\u003cbr>\nIts version of This Is America smiles like a Purge mask\u003cbr>\nAmerica is the perverted Uncle who still gets to be a part of the family\u003cbr>\nSee everybody knows how disgusting he is but the unaffected don’t say nothing\u003c/p>\n\u003cp>Have you heard the one about the immigrant\u003cbr>\nSpends his blood, sweat, and tears escaping to the American Dream\u003cbr>\nOnly to arrive & be told he can no longer be a dreamer\u003cbr>\nHave you heard the one about the pre-teen\u003cbr>\nHas just enough black to be seen as old enough to have a body become home to bullet wounds\u003cbr>\nHave you heard the one about the face the American flag represents\u003cbr>\nCommits mass murders\u003cbr>\nBut with the exception of suicide usually has just enough Macaulay Culkin to keep him alive at the scene of the crime\u003cbr>\nHave you heard the one about the patriot\u003cbr>\nClaims all lives matters\u003cbr>\nBut only supports the thin blue line and not the lives they’ve taken\u003cbr>\nHave you heard the one about the nation\u003cbr>\nTurns its back on injustice\u003cbr>\nThen gets offended when you don’t sing their favorite song\u003cbr>\nLike a child who hits all the other kids on the playground\u003cbr>\nThen wonders why don’t nobody wanna play with him\u003c/p>\n\u003cp>A racist walks into the oval office\u003cbr>\nBecomes president and encourages his followers to come out of hiding\u003cbr>\nThey agree on things like building walls to keep people out of land that they stole\u003cbr>\nAs they wear red hats that suggest the time during Jim Crow, or the Chinese Exclusion Act\u003cbr>\nOr any other law that deemed non whites as less than human\u003cbr>\nMade this nation great\u003cbr>\nAll of these are jokes\u003cbr>\nBut none of them are funny\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13881383/poet-porche-kelly-performs-jokes",
"authors": [
"11491"
],
"programs": [
"arts_8720"
],
"categories": [
"arts_1",
"arts_21759"
],
"tags": [
"arts_11272",
"arts_1118",
"arts_10278",
"arts_1143",
"arts_1496",
"arts_5848",
"arts_3652",
"arts_6764"
],
"featImg": "arts_13881527",
"label": "source_arts_13881383"
},
"arts_13881407": {
"type": "posts",
"id": "arts_13881407",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13881407",
"score": null,
"sort": [
1591311512000
]
},
"guestAuthors": [],
"slug": "huey-newton-h-rap-brown-stokely-carmichael-speech-1968",
"title": "Watch a Huey P. Newton Rally, with H. Rap Brown and Stokely Carmichael, from 1968",
"publishDate": 1591311512,
"format": "video",
"headTitle": "Watch a Huey P. Newton Rally, with H. Rap Brown and Stokely Carmichael, from 1968 | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>While Black Panther Party co-founder Huey P. Newton sat in jail on his birthday in 1968, H. Rap Brown and Stokely Carmichael addressed a giant crowd at the Oakland Civic Auditorium in an event known today as the Huey P. Newton Birthday Rally. The day’s events received widespread attention, and catalyzed the “Free Huey” movement.\u003c/p>\n\u003cp>With 5,000 people in attendance, Brown and Carmichael spoke passionately on Newton’s work, the need for black empowerment, the Vietnam war, and the responsibility of the black community to see through a veil of false comfort from white leaders at the height of the civil rights era. \u003c/p>\n\u003cp>As Carmichael says in the clip: “We have to recognize who our major enemy is! The major enemy is not your brother, flesh of your flesh, blood of your blood. The major enemy is the honkey and his institutions of racism! That is the major enemy! That is the major enemy!”\u003c/p>\n\u003cp>Even more pointed were H. Rap Brown’s comments: “A lot of you runnin’ around talkin’ ‘bout you Democrats, and the Democrats got you in the biggest trick goin’—they tell you ‘It ain’t our fault, its the Dixiecrats!’ No such thing as a Dixiecrat! The only difference between George Wallace and Lyndon Johnson is one of ‘em’s wife’s got cancer!” \u003c/p>\n\u003cp>\u003cstrong>KQED recently unearthed this special footage from the KQED archives\u003c/strong>. Watch select moments from their speeches above. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "The Oakland event drew 5,000 people, received widespread attention and catalyzed the 'Free Huey' movement.",
"status": "publish",
"parent": 0,
"modified": 1726761976,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 7,
"wordCount": 260
},
"headData": {
"title": "Watch a Huey P. Newton Rally, with H. Rap Brown and Stokely Carmichael, from 1968 | KQED",
"description": "The Oakland event drew 5,000 people, received widespread attention and catalyzed the 'Free Huey' movement.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Watch a Huey P. Newton Rally, with H. Rap Brown and Stokely Carmichael, from 1968",
"datePublished": "2020-06-04T15:58:32-07:00",
"dateModified": "2024-09-19T09:06:16-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"videoEmbed": "https://youtu.be/Ym0h6NusUw0",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13881407/huey-newton-h-rap-brown-stokely-carmichael-speech-1968",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>While Black Panther Party co-founder Huey P. Newton sat in jail on his birthday in 1968, H. Rap Brown and Stokely Carmichael addressed a giant crowd at the Oakland Civic Auditorium in an event known today as the Huey P. Newton Birthday Rally. The day’s events received widespread attention, and catalyzed the “Free Huey” movement.\u003c/p>\n\u003cp>With 5,000 people in attendance, Brown and Carmichael spoke passionately on Newton’s work, the need for black empowerment, the Vietnam war, and the responsibility of the black community to see through a veil of false comfort from white leaders at the height of the civil rights era. \u003c/p>\n\u003cp>As Carmichael says in the clip: “We have to recognize who our major enemy is! The major enemy is not your brother, flesh of your flesh, blood of your blood. The major enemy is the honkey and his institutions of racism! That is the major enemy! That is the major enemy!”\u003c/p>\n\u003cp>Even more pointed were H. Rap Brown’s comments: “A lot of you runnin’ around talkin’ ‘bout you Democrats, and the Democrats got you in the biggest trick goin’—they tell you ‘It ain’t our fault, its the Dixiecrats!’ No such thing as a Dixiecrat! The only difference between George Wallace and Lyndon Johnson is one of ‘em’s wife’s got cancer!” \u003c/p>\n\u003cp>\u003cstrong>KQED recently unearthed this special footage from the KQED archives\u003c/strong>. Watch select moments from their speeches above. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13881407/huey-newton-h-rap-brown-stokely-carmichael-speech-1968",
"authors": [
"185"
],
"categories": [
"arts_1",
"arts_7862"
],
"tags": [
"arts_7705",
"arts_6775",
"arts_1346",
"arts_5035",
"arts_1143",
"arts_974",
"arts_1007"
],
"featImg": "arts_13881413",
"label": "arts"
},
"arts_13881229": {
"type": "posts",
"id": "arts_13881229",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13881229",
"score": null,
"sort": [
1591217149000
]
},
"guestAuthors": [],
"slug": "die_fighting",
"title": "Don't Make Me Die Fighting",
"publishDate": 1591217149,
"format": "standard",
"headTitle": "Don’t Make Me Die Fighting | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he United States is a machine fueled by energy extracted from African Americans.\u003c/p>\n\u003cp>Police brutality is the most visceral example of the state taking our life force. Cellphone footage of this country’s first line of defense, its imperial team of overseers, taking the life from black folks works twofold: it not only documents the victim’s life being ended, but it deducts from the value of life of African American viewers.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/05/OGPenn.Cap_.jpg\" alt=\"\" width=\"180\" height=\"207\" class=\"alignright size-full wp-image-13833985\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w\" sizes=\"(max-width: 180px) 100vw, 180px\">\u003c/p>\n\u003cp>What started the confrontation that led to an officer taking George Floyd’s life? Floyd’s attempt to exchange a counterfeit bill. A minor crime that ended in horrific fashion, and gives further evidence that capitalism and racism are a married couple of mosquitoes, pulling blood from black folks, everyday.\u003c/p>\n\u003cp>And this is only the most newsworthy and sensational of the long list of more covert extractions that happen to black folks everyday in America. Look at data around health disparities, incarceration rates, wealth, child mortality, education levels and life expectancy. These numbers show that life is pulled from us from the cradle to the grave.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Want qualitative evidence? Let’s talk about how passive comments in the classroom plant seeds of self-destruction in little boys and girls, which manifest for the rest of our lives. Let’s discuss how microagressions in the workplace chip away from the souls of black folks. Let’s focus on the stories of the overwhelming amount of unhoused African American people.\u003c/p>\n\u003cfigure id=\"attachment_13881305\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Bike.BrandonRuffin-1020x1530.jpg\" alt=\"A cyclist amidst a protest in downtown Oakland during the final weekend of May 2020. Photographer Brandon Ruffin says he was hit with rubber bullets and subject to tear gas while taking these photos. \" width=\"640\" height=\"960\" class=\"size-large wp-image-13881305\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Bike.BrandonRuffin-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Bike.BrandonRuffin-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Bike.BrandonRuffin-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Bike.BrandonRuffin-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Bike.BrandonRuffin.jpg 1280w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A cyclist amidst a protest in downtown Oakland during the final weekend of May 2020. Photographer Brandon Ruffin says he was hit with rubber bullets and subject to tear gas while taking these photos. \u003ccite>(Brandon Ruffin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Unless you’re talking about changing the way America has had its knee on our neck in just about every facet of life, I don’t want to hear it this week. I don’t have the energy.\u003c/p>\n\u003cp>That’s why I’m not out protesting. I’m not social media posting. I’m not making guest appearances on public radio specials about how the black community is feeling right now. I’m not staying up at 2am sending emails for nonprofits who want to save “at-risk youth,” or whatever term they use for black folks, but don’t have an exit strategy for when black folks are “saved.”\u003c/p>\n\u003cp>Appreciate the gesture, but I don’t really care for the “how are you feeling” texts. I’ll respond when the spirits moves me.\u003c/p>\n\u003cp>Otherwise, I’m not doing a damn thing that would take energy from me. America has taken enough.\u003c/p>\n\u003cp>I’m drawing a line in this stolen soil, because I know: If the system doesn’t kill you, you’ll die fighting it.\u003c/p>\n\u003cfigure id=\"attachment_13881338\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/HowardYearbook-800x1002.jpg\" alt=\"Dr. Leon A. Ransom (center) in the 1942 Howard University yearbook.\" width=\"600\" height=\"800\" class=\"size-medium wp-image-13881338\">\u003cfigcaption class=\"wp-caption-text\">Dr. Leon A. Ransom (center) in the 1942 Howard University yearbook. \u003ccite>(Howard University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> spent a large part of this past weekend talking with my great-grandfather. He died over 60 years ago, but we still had a conversation that was right on time.\u003c/p>\n\u003cp>He called on me last week, when I learned that digital versions of \u003ca href=\"https://dh.howard.edu/bison_yearbooks/\">Howard University\u003c/a>’s yearbooks were made public. There he was, on page 27 of the 1942 edition, my mother’s paternal grandfather. Front, center and dapper—check out the kicks. He shares space on the page with the famous philosopher and theologian Howard Thurman. And he’s surrounded by images of Lewis K. Downing, E. Franklin Frazier and A.J. Blackburn—all of whom have buildings or centers named in their honor at the Mecca.\u003c/p>\n\u003cp>My great-grandfather, Dr. Leon A. Ransom, was a high-ranking graduate of Ohio State’s law school. He also earned a post-grad degree from Harvard. He went on to be a member of Howard University faculty for over a decade, serving as the acting dean of its law school from 1941 to 1946, during the war years.\u003c/p>\n\u003cfigure id=\"attachment_13881335\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/IMG_0297-1020x1360.jpg\" alt=\"Dr. Leon A. Ransom discussing how he deals with stress: 'I work.'\" width=\"640\" height=\"853\" class=\"size-large wp-image-13881335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/IMG_0297-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/IMG_0297-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/IMG_0297-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/IMG_0297-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/IMG_0297-1920x2560.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Leon A. Ransom discussing how he deals with stress: ‘I work.’ \u003ccite>(Dr. Leon A. Ransom Archives)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Outside of academia, he was a part of the NAACP Legal Defense team; he worked closely with a number of top African American lawyers of the time, including Thurgood Marshall. My great-grandfather’s work focused on “educational and salary discrimination, jury exclusion, and race riots,” according to \u003ca href=\"https://dh.howard.edu/cgi/viewcontent.cgi?article=1162&context=finaid_manu\">Howard’s records\u003c/a>.\u003c/p>\n\u003cp>One of the more notable cases he worked was the 1946 “\u003ca href=\"https://tennesseeencyclopedia.net/entries/columbia-race-riot-1946/\">Columbia Race Riots\u003c/a>.” He helped clear the names of 23 of the 25 African American men who were charged with attempted murder after multiple officers were shot during a riot in which a white mob ravaged and fired guns throughout Mink Slide, the black business district in Columbia, Tennessee. During the case, Dr. Ransom spoke in front of known Ku Klux Klansmen, and was threatened by the opposing legal team; the defense attorney at one point told him that if he kept talking he’d “wrap this chair around his goddamn head.”\u003c/p>\n\u003cp>In the book \u003cem>Making Civil Rights Law: Thurgood Marshall and the Supreme Court, 1936-1961\u003c/em>, it’s noted that during the Columbia Race Riot case, my great-grandfather’s “mental conditions began to deteriorate.” He had recently survived a physical attack by a former police officer after one of his court cases in Nashville. Prior to that, he’d endured written threats from a white woman who wanted to keep schools segregated. He even disappeared for a short spell, causing a stir—family rumor has it that he skipped town to attend a baseball game, in order to take a mental break from his work.\u003c/p>\n\u003cp>I have a folder of clippings about my great-grandfather’s work that I keep near my bed. One article asks a handful of well-known figures of the era how they deal with stress. My great-grandfather said, “I work.”\u003c/p>\n\u003cp>Dr. Leon A. Ransom died at age 55 of a stroke, according to his \u003ca href=\"https://www.newspapers.com/clip/13361137/leon-a-ransom-obituary/\">obituary\u003c/a>. He wasn’t killed by police during a protest or traffic stop. But his effort to combat America’s racist system obviously impacted his health.\u003c/p>\n\u003cp>He was a black man fighting against injustice during his life, and it’s clear that the fight for freedom hastened his death.\u003c/p>\n\u003cfigure id=\"attachment_13881304\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Embrace.BrandonRuffin-1020x1530.jpg\" alt=\"An embrace in the midst of chaos in downtown Oakland during protests in late May 2020.\" width=\"640\" height=\"960\" class=\"size-large wp-image-13881304\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Embrace.BrandonRuffin-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Embrace.BrandonRuffin-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Embrace.BrandonRuffin-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Embrace.BrandonRuffin-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Embrace.BrandonRuffin.jpg 1280w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">An embrace in the midst of chaos in downtown Oakland during protests in late May 2020. \u003ccite>(Brandon Ruffin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>his system is tricky. It’ll either squash you for existing, or let you get close enough to think you’re doing something to change it—just to kill you.\u003c/p>\n\u003cp>In knowing that, it’s on me to prioritize my physical and mental health in a country that’s inherently unhealthy for me and my people.\u003c/p>\n\u003cp>Do I not combat oppression? You’re a damn fool if you think I’d be passive.\u003c/p>\n\u003cp>Do I turn into a martyr for the cause, or some sort of kamikaze fighter for black liberation? No. Because my death won’t change anything.\u003c/p>\n\u003cp>I’ll take a bit of my great-grandfather’s advice for navigating times of stress, and I’ll continue to work.\u003c/p>\n\u003cp>And at the same time, I’ll be mindful that many of the frontline protesters in Ferguson have \u003ca href=\"https://www.chicagotribune.com/nation-world/ct-ferguson-activist-deaths-black-lives-matter-20190317-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">mysteriously died\u003c/a>. And police brutality, as seen in the past week’s nationwide protests, is still an issue. And the Fair Housing Act of 1968 (also known as the Civil Rights Act) was signed just after Dr. Martin Luther King, Jr. was killed, yet we’re \u003ca href=\"https://www.newyorker.com/news/news-desk/the-unfulfilled-promise-of-the-fair-housing-act\" target=\"_blank\" rel=\"noopener noreferrer\">just as divided today\u003c/a>. And, I’ll keep in mind that my great-grandfather died a young age, largely due to stress caused by the hard work he did as a lawyer.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>So, I’ll draw the line on how much I work. I’ll fulfill my personal responsibilities, and do my 40 hours each week—I have to work, my daughter’s tummy demands it—but not a minute more. It’s the only action that’s within my power to ensure that the capitalist system driving this racist country doesn’t take any more of my life.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Fighting racism in America pulls the life from black people every day—just ask my great-grandfather. ",
"status": "publish",
"parent": 0,
"modified": 1726761982,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 29,
"wordCount": 1410
},
"headData": {
"title": "Don't Make Me Die Fighting | KQED",
"description": "Fighting racism in America pulls the life from black people every day—just ask my great-grandfather. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Don't Make Me Die Fighting",
"datePublished": "2020-06-03T13:45:49-07:00",
"dateModified": "2024-09-19T09:06:22-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "Commentary",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13881229/die_fighting",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he United States is a machine fueled by energy extracted from African Americans.\u003c/p>\n\u003cp>Police brutality is the most visceral example of the state taking our life force. Cellphone footage of this country’s first line of defense, its imperial team of overseers, taking the life from black folks works twofold: it not only documents the victim’s life being ended, but it deducts from the value of life of African American viewers.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/05/OGPenn.Cap_.jpg\" alt=\"\" width=\"180\" height=\"207\" class=\"alignright size-full wp-image-13833985\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w\" sizes=\"(max-width: 180px) 100vw, 180px\">\u003c/p>\n\u003cp>What started the confrontation that led to an officer taking George Floyd’s life? Floyd’s attempt to exchange a counterfeit bill. A minor crime that ended in horrific fashion, and gives further evidence that capitalism and racism are a married couple of mosquitoes, pulling blood from black folks, everyday.\u003c/p>\n\u003cp>And this is only the most newsworthy and sensational of the long list of more covert extractions that happen to black folks everyday in America. Look at data around health disparities, incarceration rates, wealth, child mortality, education levels and life expectancy. These numbers show that life is pulled from us from the cradle to the grave.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Want qualitative evidence? Let’s talk about how passive comments in the classroom plant seeds of self-destruction in little boys and girls, which manifest for the rest of our lives. Let’s discuss how microagressions in the workplace chip away from the souls of black folks. Let’s focus on the stories of the overwhelming amount of unhoused African American people.\u003c/p>\n\u003cfigure id=\"attachment_13881305\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Bike.BrandonRuffin-1020x1530.jpg\" alt=\"A cyclist amidst a protest in downtown Oakland during the final weekend of May 2020. Photographer Brandon Ruffin says he was hit with rubber bullets and subject to tear gas while taking these photos. \" width=\"640\" height=\"960\" class=\"size-large wp-image-13881305\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Bike.BrandonRuffin-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Bike.BrandonRuffin-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Bike.BrandonRuffin-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Bike.BrandonRuffin-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Bike.BrandonRuffin.jpg 1280w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A cyclist amidst a protest in downtown Oakland during the final weekend of May 2020. Photographer Brandon Ruffin says he was hit with rubber bullets and subject to tear gas while taking these photos. \u003ccite>(Brandon Ruffin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Unless you’re talking about changing the way America has had its knee on our neck in just about every facet of life, I don’t want to hear it this week. I don’t have the energy.\u003c/p>\n\u003cp>That’s why I’m not out protesting. I’m not social media posting. I’m not making guest appearances on public radio specials about how the black community is feeling right now. I’m not staying up at 2am sending emails for nonprofits who want to save “at-risk youth,” or whatever term they use for black folks, but don’t have an exit strategy for when black folks are “saved.”\u003c/p>\n\u003cp>Appreciate the gesture, but I don’t really care for the “how are you feeling” texts. I’ll respond when the spirits moves me.\u003c/p>\n\u003cp>Otherwise, I’m not doing a damn thing that would take energy from me. America has taken enough.\u003c/p>\n\u003cp>I’m drawing a line in this stolen soil, because I know: If the system doesn’t kill you, you’ll die fighting it.\u003c/p>\n\u003cfigure id=\"attachment_13881338\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/HowardYearbook-800x1002.jpg\" alt=\"Dr. Leon A. Ransom (center) in the 1942 Howard University yearbook.\" width=\"600\" height=\"800\" class=\"size-medium wp-image-13881338\">\u003cfigcaption class=\"wp-caption-text\">Dr. Leon A. Ransom (center) in the 1942 Howard University yearbook. \u003ccite>(Howard University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> spent a large part of this past weekend talking with my great-grandfather. He died over 60 years ago, but we still had a conversation that was right on time.\u003c/p>\n\u003cp>He called on me last week, when I learned that digital versions of \u003ca href=\"https://dh.howard.edu/bison_yearbooks/\">Howard University\u003c/a>’s yearbooks were made public. There he was, on page 27 of the 1942 edition, my mother’s paternal grandfather. Front, center and dapper—check out the kicks. He shares space on the page with the famous philosopher and theologian Howard Thurman. And he’s surrounded by images of Lewis K. Downing, E. Franklin Frazier and A.J. Blackburn—all of whom have buildings or centers named in their honor at the Mecca.\u003c/p>\n\u003cp>My great-grandfather, Dr. Leon A. Ransom, was a high-ranking graduate of Ohio State’s law school. He also earned a post-grad degree from Harvard. He went on to be a member of Howard University faculty for over a decade, serving as the acting dean of its law school from 1941 to 1946, during the war years.\u003c/p>\n\u003cfigure id=\"attachment_13881335\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/IMG_0297-1020x1360.jpg\" alt=\"Dr. Leon A. Ransom discussing how he deals with stress: 'I work.'\" width=\"640\" height=\"853\" class=\"size-large wp-image-13881335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/IMG_0297-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/IMG_0297-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/IMG_0297-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/IMG_0297-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/IMG_0297-1920x2560.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Leon A. Ransom discussing how he deals with stress: ‘I work.’ \u003ccite>(Dr. Leon A. Ransom Archives)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Outside of academia, he was a part of the NAACP Legal Defense team; he worked closely with a number of top African American lawyers of the time, including Thurgood Marshall. My great-grandfather’s work focused on “educational and salary discrimination, jury exclusion, and race riots,” according to \u003ca href=\"https://dh.howard.edu/cgi/viewcontent.cgi?article=1162&context=finaid_manu\">Howard’s records\u003c/a>.\u003c/p>\n\u003cp>One of the more notable cases he worked was the 1946 “\u003ca href=\"https://tennesseeencyclopedia.net/entries/columbia-race-riot-1946/\">Columbia Race Riots\u003c/a>.” He helped clear the names of 23 of the 25 African American men who were charged with attempted murder after multiple officers were shot during a riot in which a white mob ravaged and fired guns throughout Mink Slide, the black business district in Columbia, Tennessee. During the case, Dr. Ransom spoke in front of known Ku Klux Klansmen, and was threatened by the opposing legal team; the defense attorney at one point told him that if he kept talking he’d “wrap this chair around his goddamn head.”\u003c/p>\n\u003cp>In the book \u003cem>Making Civil Rights Law: Thurgood Marshall and the Supreme Court, 1936-1961\u003c/em>, it’s noted that during the Columbia Race Riot case, my great-grandfather’s “mental conditions began to deteriorate.” He had recently survived a physical attack by a former police officer after one of his court cases in Nashville. Prior to that, he’d endured written threats from a white woman who wanted to keep schools segregated. He even disappeared for a short spell, causing a stir—family rumor has it that he skipped town to attend a baseball game, in order to take a mental break from his work.\u003c/p>\n\u003cp>I have a folder of clippings about my great-grandfather’s work that I keep near my bed. One article asks a handful of well-known figures of the era how they deal with stress. My great-grandfather said, “I work.”\u003c/p>\n\u003cp>Dr. Leon A. Ransom died at age 55 of a stroke, according to his \u003ca href=\"https://www.newspapers.com/clip/13361137/leon-a-ransom-obituary/\">obituary\u003c/a>. He wasn’t killed by police during a protest or traffic stop. But his effort to combat America’s racist system obviously impacted his health.\u003c/p>\n\u003cp>He was a black man fighting against injustice during his life, and it’s clear that the fight for freedom hastened his death.\u003c/p>\n\u003cfigure id=\"attachment_13881304\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Embrace.BrandonRuffin-1020x1530.jpg\" alt=\"An embrace in the midst of chaos in downtown Oakland during protests in late May 2020.\" width=\"640\" height=\"960\" class=\"size-large wp-image-13881304\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Embrace.BrandonRuffin-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Embrace.BrandonRuffin-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Embrace.BrandonRuffin-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Embrace.BrandonRuffin-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Embrace.BrandonRuffin.jpg 1280w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">An embrace in the midst of chaos in downtown Oakland during protests in late May 2020. \u003ccite>(Brandon Ruffin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>his system is tricky. It’ll either squash you for existing, or let you get close enough to think you’re doing something to change it—just to kill you.\u003c/p>\n\u003cp>In knowing that, it’s on me to prioritize my physical and mental health in a country that’s inherently unhealthy for me and my people.\u003c/p>\n\u003cp>Do I not combat oppression? You’re a damn fool if you think I’d be passive.\u003c/p>\n\u003cp>Do I turn into a martyr for the cause, or some sort of kamikaze fighter for black liberation? No. Because my death won’t change anything.\u003c/p>\n\u003cp>I’ll take a bit of my great-grandfather’s advice for navigating times of stress, and I’ll continue to work.\u003c/p>\n\u003cp>And at the same time, I’ll be mindful that many of the frontline protesters in Ferguson have \u003ca href=\"https://www.chicagotribune.com/nation-world/ct-ferguson-activist-deaths-black-lives-matter-20190317-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">mysteriously died\u003c/a>. And police brutality, as seen in the past week’s nationwide protests, is still an issue. And the Fair Housing Act of 1968 (also known as the Civil Rights Act) was signed just after Dr. Martin Luther King, Jr. was killed, yet we’re \u003ca href=\"https://www.newyorker.com/news/news-desk/the-unfulfilled-promise-of-the-fair-housing-act\" target=\"_blank\" rel=\"noopener noreferrer\">just as divided today\u003c/a>. And, I’ll keep in mind that my great-grandfather died a young age, largely due to stress caused by the hard work he did as a lawyer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So, I’ll draw the line on how much I work. I’ll fulfill my personal responsibilities, and do my 40 hours each week—I have to work, my daughter’s tummy demands it—but not a minute more. It’s the only action that’s within my power to ensure that the capitalist system driving this racist country doesn’t take any more of my life.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13881229/die_fighting",
"authors": [
"11491"
],
"categories": [
"arts_2303",
"arts_7862"
],
"tags": [
"arts_2767",
"arts_10342",
"arts_10278",
"arts_11163",
"arts_4773",
"arts_1143",
"arts_2084",
"arts_11209"
],
"featImg": "arts_13881307",
"label": "arts"
},
"arts_13880799": {
"type": "posts",
"id": "arts_13880799",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13880799",
"score": null,
"sort": [
1590091912000
]
},
"guestAuthors": [],
"slug": "how-yuri-kochiyama-inspired-this-young-oakland-artist",
"title": "How Yuri Kochiyama Inspired this Young Oakland Artist",
"publishDate": 1590091912,
"format": "standard",
"headTitle": "How Yuri Kochiyama Inspired this Young Oakland Artist | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>This month Kathy Liang will graduate from Oakland Tech as a part of the class of 2020. She and her fellow seniors will walk out of their classrooms and into a world of uncertainty. Fortunately, at 18, Liang is already extremely focused on her path.\u003c/p>\n\u003cp>A small portion of Liang’s journey has been documented in the newly released short documentary film, \u003ca href=\"https://www.facebook.com/AsianHealthServices/videos/643476292870825/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>I See Me\u003c/em>\u003c/a>. The film focuses on one of Liang’s latest pieces, a mural inspired by a quote from the late civil rights leader Yuri Kochiyama.\u003c/p>\n\u003cp>“So, transform yourself first,” reads the Kochiyama quote, “because you are young and have dreams and want to do something meaningful, that in itself, makes you our future and our hope. Keep expanding your horizon, decolonize your mind, and cross borders.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2FAsianHealthServices%2Fvideos%2F643476292870825%2F&show_text=0&width=560\" width=\"560\" height=\"315\" style=\"border:none;overflow:hidden\" scrolling=\"no\" frameborder=\"0\" allowtransparency=\"true\" allowfullscreen=\"true\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Liang says the quote spoke to her because it “encompasses how adult allies should support youth, because when youth grow, they bloom and they thrive.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Liang is an artist-in-residence at \u003ca href=\"https://www.banteaysrei.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Banteay Srei\u003c/a>, an Oakland-based organization supporting Southeast Asian women and girls on the path to self-empowerment.\u003c/p>\n\u003cp>Through Banteay Srei, Liang was connected with the filmmaker Tony Nguyen. Nguyen is a vet on the Oakland film scene: he’s the organizer of the short film festival Oakland Shorties, and the director of \u003ca href=\"https://www.youtube.com/watch?v=6jDZ6TVI9dA\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Frozen \u003c/a>—a short documentary about the soul food restaurant Catered to You.\u003c/p>\n\u003cp>Nguyen says it was important to publish Liang’s story right now. For starters, May is Asian and Pacific Islander Heritage month; May 19th is also Yuri Kochiyama’s birthday. But also, Nguyen says that while the world is so wrapped up in COVID-19, he wanted to remind viewers that issues around gentrification and displacement persist in many urban cities, like Oakland. Lastly, Nguyen says he wanted to do something for the class of 2020. “A lot of students are graduating into a word of uncertainty, and Kathy is one of them,” says Nguyen. “What does their future look like?”\u003c/p>\n\u003cfigure id=\"attachment_13880812\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13880812\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-2-800x450.jpg\" alt=\"Kathy Liang painting an image of herself boxing\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-1920x1080.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kathy Liang painting an image of herself boxing. \u003ccite>(Tony Nguyen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Liang plans to take virtual classes this fall through Wesleyan University, during which she’ll focus on sociology, American studies and studio arts. And of course, she’ll continue to put out art with a message.\u003c/p>\n\u003cp>In fact, Liang currently works with UCLA’s Asian Pacific Coalition to illustrate stories of racism and bigotry during this pandemic; the pieces are published on \u003ca href=\"https://m.facebook.com/apcucla/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> and \u003ca href=\"https://www.instagram.com/apcucla/?igshid=yjgob7yhpekz\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram\u003c/a>.\u003c/p>\n\u003cp>Liang’s art is political in nature, and looks to fill a void in telling the stories of Asians and Pacific Islanders in America. “My work prioritizes the Asian experience in America,” says Liang.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Before graduating high school, she’s already making waves.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Kathy Liang is part of Oakland Tech's graduating class of 2020—and she's already making waves.",
"status": "publish",
"parent": 0,
"modified": 1726762054,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 14,
"wordCount": 472
},
"headData": {
"title": "How Yuri Kochiyama Inspired this Young Oakland Artist | KQED",
"description": "Kathy Liang is part of Oakland Tech's graduating class of 2020—and she's already making waves.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "How Yuri Kochiyama Inspired this Young Oakland Artist",
"datePublished": "2020-05-21T13:11:52-07:00",
"dateModified": "2024-09-19T09:07:34-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13880799/how-yuri-kochiyama-inspired-this-young-oakland-artist",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This month Kathy Liang will graduate from Oakland Tech as a part of the class of 2020. She and her fellow seniors will walk out of their classrooms and into a world of uncertainty. Fortunately, at 18, Liang is already extremely focused on her path.\u003c/p>\n\u003cp>A small portion of Liang’s journey has been documented in the newly released short documentary film, \u003ca href=\"https://www.facebook.com/AsianHealthServices/videos/643476292870825/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>I See Me\u003c/em>\u003c/a>. The film focuses on one of Liang’s latest pieces, a mural inspired by a quote from the late civil rights leader Yuri Kochiyama.\u003c/p>\n\u003cp>“So, transform yourself first,” reads the Kochiyama quote, “because you are young and have dreams and want to do something meaningful, that in itself, makes you our future and our hope. Keep expanding your horizon, decolonize your mind, and cross borders.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2FAsianHealthServices%2Fvideos%2F643476292870825%2F&show_text=0&width=560\" width=\"560\" height=\"315\" style=\"border:none;overflow:hidden\" scrolling=\"no\" frameborder=\"0\" allowtransparency=\"true\" allowfullscreen=\"true\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Liang says the quote spoke to her because it “encompasses how adult allies should support youth, because when youth grow, they bloom and they thrive.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Liang is an artist-in-residence at \u003ca href=\"https://www.banteaysrei.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Banteay Srei\u003c/a>, an Oakland-based organization supporting Southeast Asian women and girls on the path to self-empowerment.\u003c/p>\n\u003cp>Through Banteay Srei, Liang was connected with the filmmaker Tony Nguyen. Nguyen is a vet on the Oakland film scene: he’s the organizer of the short film festival Oakland Shorties, and the director of \u003ca href=\"https://www.youtube.com/watch?v=6jDZ6TVI9dA\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Frozen \u003c/a>—a short documentary about the soul food restaurant Catered to You.\u003c/p>\n\u003cp>Nguyen says it was important to publish Liang’s story right now. For starters, May is Asian and Pacific Islander Heritage month; May 19th is also Yuri Kochiyama’s birthday. But also, Nguyen says that while the world is so wrapped up in COVID-19, he wanted to remind viewers that issues around gentrification and displacement persist in many urban cities, like Oakland. Lastly, Nguyen says he wanted to do something for the class of 2020. “A lot of students are graduating into a word of uncertainty, and Kathy is one of them,” says Nguyen. “What does their future look like?”\u003c/p>\n\u003cfigure id=\"attachment_13880812\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13880812\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-2-800x450.jpg\" alt=\"Kathy Liang painting an image of herself boxing\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-1920x1080.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kathy Liang painting an image of herself boxing. \u003ccite>(Tony Nguyen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Liang plans to take virtual classes this fall through Wesleyan University, during which she’ll focus on sociology, American studies and studio arts. And of course, she’ll continue to put out art with a message.\u003c/p>\n\u003cp>In fact, Liang currently works with UCLA’s Asian Pacific Coalition to illustrate stories of racism and bigotry during this pandemic; the pieces are published on \u003ca href=\"https://m.facebook.com/apcucla/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> and \u003ca href=\"https://www.instagram.com/apcucla/?igshid=yjgob7yhpekz\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram\u003c/a>.\u003c/p>\n\u003cp>Liang’s art is political in nature, and looks to fill a void in telling the stories of Asians and Pacific Islanders in America. “My work prioritizes the Asian experience in America,” says Liang.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Before graduating high school, she’s already making waves.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13880799/how-yuri-kochiyama-inspired-this-young-oakland-artist",
"authors": [
"11491"
],
"categories": [
"arts_1",
"arts_70"
],
"tags": [
"arts_820",
"arts_1143"
],
"featImg": "arts_13880810",
"label": "arts"
},
"arts_13880602": {
"type": "posts",
"id": "arts_13880602",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13880602",
"score": null,
"sort": [
1589834510000
]
},
"guestAuthors": [],
"slug": "625000-in-relief-announced-for-east-bay-artists-nonprofit-arts-workers",
"title": "$625,000 in Relief Announced for East Bay Artists, Nonprofit Arts Workers",
"publishDate": 1589834510,
"format": "standard",
"headTitle": "$625,000 in Relief Announced for East Bay Artists, Nonprofit Arts Workers | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>The City of Oakland has partnered with multiple private funders to launch the \u003ca href=\"https://www.cciarts.org/EastBayOaklandRelief.htm\" rel=\"noopener noreferrer\" target=\"_blank\">East Bay/Oakland Relief Fund for Individuals in the Arts\u003c/a>, which makes $625,000 available directly to artists, and cultural and nonprofit arts workers in Alameda County and Contra Costa County.\u003c/p>\n\u003cp>Individual grants are capped at $2,000 each, and are unrestricted, meaning the funds may be used in any way that alleviates financial burdens as a result of the COVID-19 pandemic. The application cycle runs from May 18–June 5. \u003c/p>\n\u003cp>“With this relief fund, we’re investing directly in our most vulnerable artists and culture workers, who have been incredibly hard-hit by the COVID-19 crisis,” Oakland Mayor Libby Schaaf said in a statement, adding, “I’m grateful to this public/private partnership of funders who’ve stepped forward to support our diverse artistic communities.”\u003c/p>\n\u003cp>The fund is led by the Kenneth Rainin Foundation together with the Akonadi Foundation; City of Oakland, Cultural Affairs Division; Richard Diebenkorn Foundation; Fleishhacker Foundation; Gerbode Foundation; William and Flora Hewlett Foundation; Nion McEvoy and Leslie Berriman; Oakland COVID-19 Relief Fund; Shuler-Heimburger Family Fund at East Bay Community Foundation; Phyllis C. Wattis Foundation; and individual donors.\u003c/p>\n\u003cp>Details on the fund and instructions for applying can be found \u003ca href=\"https://www.cciarts.org/EastBayOaklandRelief.htm\" rel=\"noopener noreferrer\" target=\"_blank\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>— Gabe Meline (\u003ca href=\"https://twitter.com/gmeline\" rel=\"noopener noreferrer\" target=\"_blank\">@gmeline\u003c/a>)\u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "Grants of up to $2,000 each are available for eligible residents of Alameda and Contra Costa Counties.",
"status": "publish",
"parent": 0,
"modified": 1726762074,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 8,
"wordCount": 225
},
"headData": {
"title": "$625,000 in Relief Announced for East Bay Artists, Nonprofit Arts Workers | KQED",
"description": "Grants of up to $2,000 each are available for eligible residents of Alameda and Contra Costa Counties.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "$625,000 in Relief Announced for East Bay Artists, Nonprofit Arts Workers",
"datePublished": "2020-05-18T13:41:50-07:00",
"dateModified": "2024-09-19T09:07:54-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"justInHeadline": "Oakland announces $625,000 in relief for East Bay artists",
"path": "/arts/13880602/625000-in-relief-announced-for-east-bay-artists-nonprofit-arts-workers",
"redirect": {
"type": "internal",
"url": "/coronavirusliveupdates/arts/13880602/625000-in-relief-announced-for-east-bay-artists-nonprofit-arts-workers"
},
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The City of Oakland has partnered with multiple private funders to launch the \u003ca href=\"https://www.cciarts.org/EastBayOaklandRelief.htm\" rel=\"noopener noreferrer\" target=\"_blank\">East Bay/Oakland Relief Fund for Individuals in the Arts\u003c/a>, which makes $625,000 available directly to artists, and cultural and nonprofit arts workers in Alameda County and Contra Costa County.\u003c/p>\n\u003cp>Individual grants are capped at $2,000 each, and are unrestricted, meaning the funds may be used in any way that alleviates financial burdens as a result of the COVID-19 pandemic. The application cycle runs from May 18–June 5. \u003c/p>\n\u003cp>“With this relief fund, we’re investing directly in our most vulnerable artists and culture workers, who have been incredibly hard-hit by the COVID-19 crisis,” Oakland Mayor Libby Schaaf said in a statement, adding, “I’m grateful to this public/private partnership of funders who’ve stepped forward to support our diverse artistic communities.”\u003c/p>\n\u003cp>The fund is led by the Kenneth Rainin Foundation together with the Akonadi Foundation; City of Oakland, Cultural Affairs Division; Richard Diebenkorn Foundation; Fleishhacker Foundation; Gerbode Foundation; William and Flora Hewlett Foundation; Nion McEvoy and Leslie Berriman; Oakland COVID-19 Relief Fund; Shuler-Heimburger Family Fund at East Bay Community Foundation; Phyllis C. Wattis Foundation; and individual donors.\u003c/p>\n\u003cp>Details on the fund and instructions for applying can be found \u003ca href=\"https://www.cciarts.org/EastBayOaklandRelief.htm\" rel=\"noopener noreferrer\" target=\"_blank\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>— Gabe Meline (\u003ca href=\"https://twitter.com/gmeline\" rel=\"noopener noreferrer\" target=\"_blank\">@gmeline\u003c/a>)\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/coronavirusliveupdates/arts/13880602/625000-in-relief-announced-for-east-bay-artists-nonprofit-arts-workers",
"authors": [
"185"
],
"categories": [
"arts_10797",
"arts_235"
],
"tags": [
"arts_10126",
"arts_3590",
"arts_10651",
"arts_1143"
],
"featImg": "arts_13879216",
"label": "arts"
},
"arts_13879577": {
"type": "posts",
"id": "arts_13879577",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13879577",
"score": null,
"sort": [
1588327251000
]
},
"parent": 0,
"labelTerm": {},
"blocks": [],
"publishDate": 1588327251,
"format": "audio",
"title": "Illustrating a Stutter with Umber Magazine",
"headTitle": "Illustrating a Stutter with Umber Magazine | KQED",
"content": "\u003cp>Mike Nicholls is the founder of \u003ca href=\"https://www.umbermagazine.net/\">\u003cem>Umber\u003c/em>\u003c/a> magazine, a publication dedicated to telling the stories of Black and Brown artists from the Bay Area. It’s so invested in those narratives, the pages are brown and the ink is black.\u003c/p>\n\u003cfigure id=\"attachment_13879588\" class=\"wp-caption alignright\" style=\"max-width: 255px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13879588\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-1.jpg\" alt=\"Mike Nicholls\" width=\"255\" height=\"364\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/0-1.jpg 788w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/0-1-160x228.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/0-1-768x1095.jpg 768w\" sizes=\"(max-width: 255px) 100vw, 255px\">\u003cfigcaption class=\"wp-caption-text\">Mike Nicholls \u003ccite>(Michole Forks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The magazine, which looks more like a graphic journal, publishes twice a year and is only available in print. The artsy publication is a product of Mike Nicholls’ love for typography, visual arts and music.\u003c/p>\n\u003cp>For the magazine’s third issue, which was released last summer, the theme was Sound. \u003ca href=\"https://thisismikenicholls.com/\">Nicholls\u003c/a>, who grew up with an intense stutter, says he’s always found it easier to express himself through the written word—hence his passion for the visual arts. But he’s interested in digging into sound as a method for overcoming stuttering.\u003c/p>\n\u003cp>Nicholls opens himself up in the magazine’s pages to write about overcoming his speech impediment. As Mike told me, “It’s like there’s a million words in my head, and I just want one!” He laughed, and continued by saying, “You know, I don’t stutter when I’m by myself.”\u003c/p>\n\u003cp>Now that we’re all at home, spending time alone, I thought it’d be a great opportunity to revisit this interview and explore Mike’s take on storytelling.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4192999748&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>While production on the fourth edition of the full magazine has been set back due to the COVID-19 related shut down, Mike Nicholls and the team at Umber have recently produced their third zine, called \u003cem>The Black and Brown Perspective. \u003c/em>You can find more information \u003ca href=\"https://www.umbermagazine.net/store/bbpzine3\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003ch5 id=\"embed-code\" class=\"inconsolata\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13879612\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/IMG_6399-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399.jpg 1253w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/h5>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": true,
"hasPolis": false,
"wordCount": 337,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705020816,
"excerpt": "From stuttering box to artsy graphic journal creator, here's the story of Mike Nicholls, the man behind Umber. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "From stuttering box to artsy graphic journal creator, here's the story of Mike Nicholls, the man behind Umber. ",
"title": "Illustrating a Stutter with Umber Magazine | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Illustrating a Stutter with Umber Magazine",
"datePublished": "2020-05-01T03:00:51-07:00",
"dateModified": "2024-01-11T16:53:36-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "mike-nicholls",
"status": "publish",
"sourceUrl": "https://www.kqed.org/podcasts/rightnowish",
"audioUrl": "https://traffic.megaphone.fm/KQINC4192999748.mp3",
"sticky": false,
"source": "Rightnowish",
"path": "/arts/13879577/mike-nicholls",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mike Nicholls is the founder of \u003ca href=\"https://www.umbermagazine.net/\">\u003cem>Umber\u003c/em>\u003c/a> magazine, a publication dedicated to telling the stories of Black and Brown artists from the Bay Area. It’s so invested in those narratives, the pages are brown and the ink is black.\u003c/p>\n\u003cfigure id=\"attachment_13879588\" class=\"wp-caption alignright\" style=\"max-width: 255px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13879588\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-1.jpg\" alt=\"Mike Nicholls\" width=\"255\" height=\"364\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/0-1.jpg 788w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/0-1-160x228.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/0-1-768x1095.jpg 768w\" sizes=\"(max-width: 255px) 100vw, 255px\">\u003cfigcaption class=\"wp-caption-text\">Mike Nicholls \u003ccite>(Michole Forks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The magazine, which looks more like a graphic journal, publishes twice a year and is only available in print. The artsy publication is a product of Mike Nicholls’ love for typography, visual arts and music.\u003c/p>\n\u003cp>For the magazine’s third issue, which was released last summer, the theme was Sound. \u003ca href=\"https://thisismikenicholls.com/\">Nicholls\u003c/a>, who grew up with an intense stutter, says he’s always found it easier to express himself through the written word—hence his passion for the visual arts. But he’s interested in digging into sound as a method for overcoming stuttering.\u003c/p>\n\u003cp>Nicholls opens himself up in the magazine’s pages to write about overcoming his speech impediment. As Mike told me, “It’s like there’s a million words in my head, and I just want one!” He laughed, and continued by saying, “You know, I don’t stutter when I’m by myself.”\u003c/p>\n\u003cp>Now that we’re all at home, spending time alone, I thought it’d be a great opportunity to revisit this interview and explore Mike’s take on storytelling.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4192999748&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>While production on the fourth edition of the full magazine has been set back due to the COVID-19 related shut down, Mike Nicholls and the team at Umber have recently produced their third zine, called \u003cem>The Black and Brown Perspective. \u003c/em>You can find more information \u003ca href=\"https://www.umbermagazine.net/store/bbpzine3\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003ch5 id=\"embed-code\" class=\"inconsolata\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13879612\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/IMG_6399-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399.jpg 1253w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/h5>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13879577/mike-nicholls",
"authors": [
"11491"
],
"programs": [
"arts_8720"
],
"categories": [
"arts_1",
"arts_21759"
],
"tags": [
"arts_928",
"arts_1118",
"arts_1143",
"arts_6764"
],
"featImg": "arts_13879589",
"label": "source_arts_13879577"
},
"arts_13879199": {
"type": "posts",
"id": "arts_13879199",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13879199",
"score": null,
"sort": [
1587722401000
]
},
"parent": 0,
"labelTerm": {},
"blocks": [],
"publishDate": 1587722401,
"format": "audio",
"title": "The Sweet Release of Writing a Battle Rap",
"headTitle": "The Sweet Release of Writing a Battle Rap | KQED",
"content": "\u003cp>Oakland MC Passwurdz is a professional battle rapper. That means he gets paid to go on stage and publicly humiliate his opponents.\u003c/p>\n\u003cp>It’s an art form that dates back to the early days of Hip Hop and has been depicted in movies like \u003cem>8 Mile\u003c/em>. On top of being a competition of lyrical prowess, these battles provide comedic relief for audiences – and a cathartic release for artists, as well.\u003c/p>\n\u003cp>Passwurdz, aka \u003ca href=\"https://www.instagram.com/pass510/\" target=\"_blank\" rel=\"noopener noreferrer\">Pass\u003c/a>, is also part of the duo ANML PLNT (along with Jordan Jennings, aka Apes), which released an album earlier this year, called “The Box.”\u003c/p>\n\u003cp>Now that people are dealing with the emotions of daily uncertainty, I figured it’d be a good time to get some tips from a professional about how to use battle raps to constructively release some pent up emotions.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2595187587&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>\u003cbr>\nBelow is a lightly edited excerpt of my conversation with Passwurdz.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pen: Do you find therapy in writing these raps and clowning people?\u003c/em>\u003c/p>\n\u003cp>Passwurdz: Yeah, definitely. It’s like when you’re punching a pillow or something. You know what I mean? Getting out that aggression in a different channel is kind of good for everybody. If that means we are not going to fight or do something crazy, instead we just yell at each other, we can do that. And yeah, honestly, just any exercise in writing for me is really therapeutic. Because it takes a lot of focus and it’s a lot of writing too.\u003c/p>\n\u003cfigure id=\"attachment_13879233\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/DE3038C7-979D-4AD4-AD17-B7669A5B9111.jpg\" alt=\"Passwurdz at a rap battle\" width=\"750\" height=\"1125\" class=\"size-full wp-image-13879233\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/DE3038C7-979D-4AD4-AD17-B7669A5B9111.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/DE3038C7-979D-4AD4-AD17-B7669A5B9111-160x240.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Passwurdz at a rap battle \u003ccite>(\u003ca href=\"https://heartstringweddings.com/\">Huy Nguyen\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A three minute round is a whole song. But instead there’s no chorus, there’s no beats, you’re just rapping the whole time. There’s a lot of writing. But the process of putting that together, I treat this shit like a puzzle: What can I say here to connect this concept and dot to make the crowd go crazy?\u003c/p>\n\u003cp>\u003cem>Pen: So as people are listening to this, they’ve been domesticated for some time now, and while they’re in their house, I’m sure they’ve brewed up some anger. If they’re looking for a way to vent, a valve to get some heat off their chest and they’re looking to start battle rapping or just throw some bars out there, do you have any words of advice for them?\u003c/em>\u003c/p>\n\u003cp>Passwurdz: Absolutely. I do have words of advice. I would say watch some battles. I would say watch\u003ca href=\"https://www.youtube.com/watch?v=85lxWGUV_ZY\"> Loaded Lux, watch Aye Verb\u003c/a>, \u003ca href=\"https://www.youtube.com/channel/UCflIAeM03JFL9ml03LwYF-g\">URL\u003c/a>, \u003ca href=\"https://www.youtube.com/channel/UCIuFtIO8i_XqA8lM7q4B1FQ\">King of the Dot\u003c/a>. And I would use your mirror. I would rap to yourself. I’d write some things down. Record yourself battling an imaginary person. Pick a rapper, a famous rapper, and just battle him. You might destroy him.\u003c/p>\n\u003cp>\u003cem>Pen: Write 16 bars about your supervisor?\u003c/em>\u003c/p>\n\u003cp>Passwurdz: You feel me? All that! Straight up, but I’d definitely recommend filming yourself rapping… And figure out who you could send it to that might want to see you bar out.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": true,
"hasPolis": false,
"wordCount": 562,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 17
},
"modified": 1713569067,
"excerpt": "Got some pent up emotions? Passwurdz 510 tells us about using battle raps as a catharsis. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Got some pent up emotions? Passwurdz 510 tells us about using battle raps as a catharsis. ",
"title": "The Sweet Release of Writing a Battle Rap | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Sweet Release of Writing a Battle Rap",
"datePublished": "2020-04-24T03:00:01-07:00",
"dateModified": "2024-04-19T16:24:27-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the-sweet-release-of-writing-a-battle-rap",
"status": "publish",
"sourceUrl": "https://www.kqed.org/podcasts/rightnowish",
"templateType": "standard",
"audioUrl": "https://traffic.megaphone.fm/KQINC2595187587.mp3",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"source": "Rightnowish",
"articleAge": "0",
"path": "/arts/13879199/the-sweet-release-of-writing-a-battle-rap",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland MC Passwurdz is a professional battle rapper. That means he gets paid to go on stage and publicly humiliate his opponents.\u003c/p>\n\u003cp>It’s an art form that dates back to the early days of Hip Hop and has been depicted in movies like \u003cem>8 Mile\u003c/em>. On top of being a competition of lyrical prowess, these battles provide comedic relief for audiences – and a cathartic release for artists, as well.\u003c/p>\n\u003cp>Passwurdz, aka \u003ca href=\"https://www.instagram.com/pass510/\" target=\"_blank\" rel=\"noopener noreferrer\">Pass\u003c/a>, is also part of the duo ANML PLNT (along with Jordan Jennings, aka Apes), which released an album earlier this year, called “The Box.”\u003c/p>\n\u003cp>Now that people are dealing with the emotions of daily uncertainty, I figured it’d be a good time to get some tips from a professional about how to use battle raps to constructively release some pent up emotions.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2595187587&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>\u003cbr>\nBelow is a lightly edited excerpt of my conversation with Passwurdz.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pen: Do you find therapy in writing these raps and clowning people?\u003c/em>\u003c/p>\n\u003cp>Passwurdz: Yeah, definitely. It’s like when you’re punching a pillow or something. You know what I mean? Getting out that aggression in a different channel is kind of good for everybody. If that means we are not going to fight or do something crazy, instead we just yell at each other, we can do that. And yeah, honestly, just any exercise in writing for me is really therapeutic. Because it takes a lot of focus and it’s a lot of writing too.\u003c/p>\n\u003cfigure id=\"attachment_13879233\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/DE3038C7-979D-4AD4-AD17-B7669A5B9111.jpg\" alt=\"Passwurdz at a rap battle\" width=\"750\" height=\"1125\" class=\"size-full wp-image-13879233\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/DE3038C7-979D-4AD4-AD17-B7669A5B9111.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/DE3038C7-979D-4AD4-AD17-B7669A5B9111-160x240.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Passwurdz at a rap battle \u003ccite>(\u003ca href=\"https://heartstringweddings.com/\">Huy Nguyen\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A three minute round is a whole song. But instead there’s no chorus, there’s no beats, you’re just rapping the whole time. There’s a lot of writing. But the process of putting that together, I treat this shit like a puzzle: What can I say here to connect this concept and dot to make the crowd go crazy?\u003c/p>\n\u003cp>\u003cem>Pen: So as people are listening to this, they’ve been domesticated for some time now, and while they’re in their house, I’m sure they’ve brewed up some anger. If they’re looking for a way to vent, a valve to get some heat off their chest and they’re looking to start battle rapping or just throw some bars out there, do you have any words of advice for them?\u003c/em>\u003c/p>\n\u003cp>Passwurdz: Absolutely. I do have words of advice. I would say watch some battles. I would say watch\u003ca href=\"https://www.youtube.com/watch?v=85lxWGUV_ZY\"> Loaded Lux, watch Aye Verb\u003c/a>, \u003ca href=\"https://www.youtube.com/channel/UCflIAeM03JFL9ml03LwYF-g\">URL\u003c/a>, \u003ca href=\"https://www.youtube.com/channel/UCIuFtIO8i_XqA8lM7q4B1FQ\">King of the Dot\u003c/a>. And I would use your mirror. I would rap to yourself. I’d write some things down. Record yourself battling an imaginary person. Pick a rapper, a famous rapper, and just battle him. You might destroy him.\u003c/p>\n\u003cp>\u003cem>Pen: Write 16 bars about your supervisor?\u003c/em>\u003c/p>\n\u003cp>Passwurdz: You feel me? All that! Straight up, but I’d definitely recommend filming yourself rapping… And figure out who you could send it to that might want to see you bar out.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13879199/the-sweet-release-of-writing-a-battle-rap",
"authors": [
"11491"
],
"programs": [
"arts_8720"
],
"categories": [
"arts_1",
"arts_69",
"arts_21759"
],
"tags": [
"arts_5540",
"arts_1118",
"arts_831",
"arts_1143",
"arts_6764"
],
"featImg": "arts_13879207",
"label": "source_arts_13879199"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?tag=oakland": {
"isFetching": false,
"latestQuery": {
"from": 540,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 791,
"relation": "eq"
},
"items": [
"arts_13882856",
"arts_13882347",
"arts_13882575",
"arts_13882412",
"arts_13881849",
"arts_13881383",
"arts_13881407",
"arts_13881229",
"arts_13880799",
"arts_13880602",
"arts_13879577",
"arts_13879199"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_tag_oakland": {
"isLoading": true
},
"arts_1143": {
"type": "terms",
"id": "arts_1143",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1143",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Oakland",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 692,
"slug": "oakland",
"isLoading": false,
"link": "/arts/tag/oakland"
},
"source_arts_13882856": {
"type": "terms",
"id": "source_arts_13882856",
"meta": {
"override": true
},
"name": "Rightnowish",
"link": "https://www.kqed.org/podcasts/rightnowish",
"isLoading": false
},
"source_arts_13881383": {
"type": "terms",
"id": "source_arts_13881383",
"meta": {
"override": true
},
"name": "Rightnowish",
"link": "https://www.kqed.org/podcasts/rightnowish",
"isLoading": false
},
"source_arts_13879577": {
"type": "terms",
"id": "source_arts_13879577",
"meta": {
"override": true
},
"name": "Rightnowish",
"link": "https://www.kqed.org/podcasts/rightnowish",
"isLoading": false
},
"source_arts_13879199": {
"type": "terms",
"id": "source_arts_13879199",
"meta": {
"override": true
},
"name": "Rightnowish",
"link": "https://www.kqed.org/podcasts/rightnowish",
"isLoading": false
},
"arts_8720": {
"type": "terms",
"id": "arts_8720",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8720",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Rightnowish",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Rightnowish Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8732,
"slug": "rightnowish",
"isLoading": false,
"link": "/arts/program/rightnowish"
},
"arts_21759": {
"type": "terms",
"id": "arts_21759",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21759",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Podcast",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Podcast Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21771,
"slug": "podcast",
"isLoading": false,
"link": "/arts/category/podcast"
},
"arts_3156": {
"type": "terms",
"id": "arts_3156",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3156",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Black Lives Matter",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Black Lives Matter Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3168,
"slug": "black-lives-matter",
"isLoading": false,
"link": "/arts/tag/black-lives-matter"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_4730": {
"type": "terms",
"id": "arts_4730",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4730",
"found": true
},
"relationships": {},
"featImg": null,
"name": "police",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "police Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4742,
"slug": "police",
"isLoading": false,
"link": "/arts/tag/police"
},
"arts_6764": {
"type": "terms",
"id": "arts_6764",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6764",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Rightnowish-Link-for-Social.jpg",
"name": "Rightnowish",
"description": "Art is where you find it. Each week, follow lifelong Oaklander, Pendarvis Harshaw, on a brief but memorable trip through the Bay Area’s creative hubs. ",
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Art is where you find it. Each week, follow lifelong Oaklander, Pendarvis Harshaw, on a brief but memorable trip through the Bay Area’s creative hubs.",
"title": "Rightnowish Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6776,
"slug": "rightnowish",
"isLoading": false,
"link": "/arts/tag/rightnowish"
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_2303": {
"type": "terms",
"id": "arts_2303",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2303",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Commentary",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2315,
"slug": "commentary",
"isLoading": false,
"link": "/arts/category/commentary"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_4822": {
"type": "terms",
"id": "arts_4822",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4822",
"found": true
},
"relationships": {},
"featImg": null,
"name": "anderson .paak",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "anderson .paak Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4834,
"slug": "anderson-paak",
"isLoading": false,
"link": "/arts/tag/anderson-paak"
},
"arts_5397": {
"type": "terms",
"id": "arts_5397",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5397",
"found": true
},
"relationships": {},
"featImg": null,
"name": "bay area rap",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "bay area rap Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5409,
"slug": "bay-area-rap",
"isLoading": false,
"link": "/arts/tag/bay-area-rap"
},
"arts_2767": {
"type": "terms",
"id": "arts_2767",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2767",
"found": true
},
"relationships": {},
"featImg": null,
"name": "commentary",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2779,
"slug": "commentary",
"isLoading": false,
"link": "/arts/tag/commentary"
},
"arts_1601": {
"type": "terms",
"id": "arts_1601",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1601",
"found": true
},
"relationships": {},
"featImg": null,
"name": "E-40",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "E-40 Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1613,
"slug": "e-40",
"isLoading": false,
"link": "/arts/tag/e-40"
},
"arts_10278": {
"type": "terms",
"id": "arts_10278",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10278",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10290,
"slug": "featured-arts",
"isLoading": false,
"link": "/arts/tag/featured-arts"
},
"arts_5779": {
"type": "terms",
"id": "arts_5779",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5779",
"found": true
},
"relationships": {},
"featImg": null,
"name": "sacramento",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "sacramento Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5791,
"slug": "sacramento",
"isLoading": false,
"link": "/arts/tag/sacramento"
},
"arts_1588": {
"type": "terms",
"id": "arts_1588",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1588",
"found": true
},
"relationships": {},
"featImg": null,
"name": "fantastic negrito",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "fantastic negrito Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1600,
"slug": "fantastic-negrito",
"isLoading": false,
"link": "/arts/tag/fantastic-negrito"
},
"arts_6554": {
"type": "terms",
"id": "arts_6554",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6554",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tiny desk",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tiny desk Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6566,
"slug": "tiny-desk",
"isLoading": false,
"link": "/arts/tag/tiny-desk"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_11162": {
"type": "terms",
"id": "arts_11162",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "11162",
"found": true
},
"relationships": {},
"featImg": null,
"name": "breonna taylor",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "breonna taylor Archives | KQED Arts",
"ogDescription": null
},
"ttid": 11174,
"slug": "breonna-taylor",
"isLoading": false,
"link": "/arts/tag/breonna-taylor"
},
"arts_10342": {
"type": "terms",
"id": "arts_10342",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10342",
"found": true
},
"relationships": {},
"featImg": null,
"name": "editorspick",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "editorspick Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10354,
"slug": "editorspick",
"isLoading": false,
"link": "/arts/tag/editorspick"
},
"arts_10422": {
"type": "terms",
"id": "arts_10422",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10422",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10434,
"slug": "featured-news",
"isLoading": false,
"link": "/arts/tag/featured-news"
},
"arts_3649": {
"type": "terms",
"id": "arts_3649",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3649",
"found": true
},
"relationships": {},
"featImg": null,
"name": "galleries",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "galleries Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3661,
"slug": "galleries",
"isLoading": false,
"link": "/arts/tag/galleries"
},
"arts_11163": {
"type": "terms",
"id": "arts_11163",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "11163",
"found": true
},
"relationships": {},
"featImg": null,
"name": "george floyd",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "george floyd Archives | KQED Arts",
"ogDescription": null
},
"ttid": 11175,
"slug": "george-floyd",
"isLoading": false,
"link": "/arts/tag/george-floyd"
},
"arts_903": {
"type": "terms",
"id": "arts_903",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "903",
"found": true
},
"relationships": {},
"featImg": null,
"name": "graffiti",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "graffiti Archives | KQED Arts",
"ogDescription": null
},
"ttid": 921,
"slug": "graffiti",
"isLoading": false,
"link": "/arts/tag/graffiti"
},
"arts_1737": {
"type": "terms",
"id": "arts_1737",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1737",
"found": true
},
"relationships": {},
"featImg": null,
"name": "murals",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "murals Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1749,
"slug": "murals",
"isLoading": false,
"link": "/arts/tag/murals"
},
"arts_746": {
"type": "terms",
"id": "arts_746",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "746",
"found": true
},
"relationships": {},
"featImg": null,
"name": "news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 764,
"slug": "news-2",
"isLoading": false,
"link": "/arts/tag/news-2"
},
"arts_11453": {
"type": "terms",
"id": "arts_11453",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "11453",
"found": true
},
"relationships": {},
"featImg": null,
"name": "oakland murals",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "oakland murals Archives | KQED Arts",
"ogDescription": null
},
"ttid": 11465,
"slug": "oakland-murals",
"isLoading": false,
"link": "/arts/tag/oakland-murals"
},
"arts_2755": {
"type": "terms",
"id": "arts_2755",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2755",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Oakland Museum of California",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Museum of California Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2767,
"slug": "oakland-museum-of-california",
"isLoading": false,
"link": "/arts/tag/oakland-museum-of-california"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_6300": {
"type": "terms",
"id": "arts_6300",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6300",
"found": true
},
"relationships": {},
"featImg": null,
"name": "i got 5 on it",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "i got 5 on it Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6312,
"slug": "i-got-5-on-it",
"isLoading": false,
"link": "/arts/tag/i-got-5-on-it"
},
"arts_585": {
"type": "terms",
"id": "arts_585",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "585",
"found": true
},
"relationships": {},
"featImg": null,
"name": "thedolist",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "thedolist Archives | KQED Arts",
"ogDescription": null
},
"ttid": 590,
"slug": "thedolist",
"isLoading": false,
"link": "/arts/tag/thedolist"
},
"arts_6903": {
"type": "terms",
"id": "arts_6903",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6903",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Tupac",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Tupac Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6915,
"slug": "tupac",
"isLoading": false,
"link": "/arts/tag/tupac"
},
"arts_11272": {
"type": "terms",
"id": "arts_11272",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "11272",
"found": true
},
"relationships": {},
"featImg": null,
"name": "BLM",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "BLM Archives | KQED Arts",
"ogDescription": null
},
"ttid": 11284,
"slug": "blm",
"isLoading": false,
"link": "/arts/tag/blm"
},
"arts_1496": {
"type": "terms",
"id": "arts_1496",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1496",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Poetry",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Poetry Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1508,
"slug": "poetry",
"isLoading": false,
"link": "/arts/tag/poetry"
},
"arts_5848": {
"type": "terms",
"id": "arts_5848",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5848",
"found": true
},
"relationships": {},
"featImg": null,
"name": "police brutality",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "police brutality Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5860,
"slug": "police-brutality",
"isLoading": false,
"link": "/arts/tag/police-brutality"
},
"arts_3652": {
"type": "terms",
"id": "arts_3652",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3652",
"found": true
},
"relationships": {},
"featImg": null,
"name": "racism",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "racism Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3664,
"slug": "racism",
"isLoading": false,
"link": "/arts/tag/racism"
},
"arts_7862": {
"type": "terms",
"id": "arts_7862",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7862",
"found": true
},
"relationships": {},
"featImg": null,
"name": "History",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "History Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7874,
"slug": "history",
"isLoading": false,
"link": "/arts/category/history"
},
"arts_7705": {
"type": "terms",
"id": "arts_7705",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7705",
"found": true
},
"relationships": {},
"featImg": null,
"name": "archives",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "archives Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7717,
"slug": "archives",
"isLoading": false,
"link": "/arts/tag/archives"
},
"arts_6775": {
"type": "terms",
"id": "arts_6775",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6775",
"found": true
},
"relationships": {},
"featImg": null,
"name": "black panther party",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "black panther party Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6787,
"slug": "black-panther-party",
"isLoading": false,
"link": "/arts/tag/black-panther-party"
},
"arts_1346": {
"type": "terms",
"id": "arts_1346",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1346",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Black Panthers",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Black Panthers Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1358,
"slug": "black-panthers",
"isLoading": false,
"link": "/arts/tag/black-panthers"
},
"arts_5035": {
"type": "terms",
"id": "arts_5035",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5035",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Huey Newton",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Huey Newton Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5047,
"slug": "huey-newton",
"isLoading": false,
"link": "/arts/tag/huey-newton"
},
"arts_974": {
"type": "terms",
"id": "arts_974",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "974",
"found": true
},
"relationships": {},
"featImg": null,
"name": "rap",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "rap Archives | KQED Arts",
"ogDescription": null
},
"ttid": 992,
"slug": "rap",
"isLoading": false,
"link": "/arts/tag/rap"
},
"arts_1007": {
"type": "terms",
"id": "arts_1007",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1007",
"found": true
},
"relationships": {},
"featImg": null,
"name": "video",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "video Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1024,
"slug": "video",
"isLoading": false,
"link": "/arts/tag/video"
},
"arts_4773": {
"type": "terms",
"id": "arts_4773",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4773",
"found": true
},
"relationships": {},
"featImg": null,
"name": "mental health",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "mental health Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4785,
"slug": "mental-health",
"isLoading": false,
"link": "/arts/tag/mental-health"
},
"arts_2084": {
"type": "terms",
"id": "arts_2084",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2084",
"found": true
},
"relationships": {},
"featImg": null,
"name": "opinion",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "opinion Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2096,
"slug": "opinion",
"isLoading": false,
"link": "/arts/tag/opinion"
},
"arts_11209": {
"type": "terms",
"id": "arts_11209",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "11209",
"found": true
},
"relationships": {},
"featImg": null,
"name": "systemic racism",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "systemic racism Archives | KQED Arts",
"ogDescription": null
},
"ttid": 11221,
"slug": "systemic-racism",
"isLoading": false,
"link": "/arts/tag/systemic-racism"
},
"arts_820": {
"type": "terms",
"id": "arts_820",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "820",
"found": true
},
"relationships": {},
"featImg": null,
"name": "art",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "art Archives | KQED Arts",
"ogDescription": null
},
"ttid": 838,
"slug": "art",
"isLoading": false,
"link": "/arts/tag/art"
},
"arts_10797": {
"type": "terms",
"id": "arts_10797",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10797",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Live Updates",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Live Updates Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10809,
"slug": "live-updates",
"isLoading": false,
"link": "/arts/category/live-updates"
},
"arts_10126": {
"type": "terms",
"id": "arts_10126",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10126",
"found": true
},
"relationships": {},
"featImg": null,
"name": "coronavirus",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "coronavirus Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10138,
"slug": "coronavirus",
"isLoading": false,
"link": "/arts/tag/coronavirus"
},
"arts_3590": {
"type": "terms",
"id": "arts_3590",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3590",
"found": true
},
"relationships": {},
"featImg": null,
"name": "grants",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "grants Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3602,
"slug": "grants",
"isLoading": false,
"link": "/arts/tag/grants"
},
"arts_10651": {
"type": "terms",
"id": "arts_10651",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10651",
"found": true
},
"relationships": {},
"featImg": null,
"name": "liveupdates",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "liveupdates Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10663,
"slug": "liveupdates",
"isLoading": false,
"link": "/arts/tag/liveupdates"
},
"arts_928": {
"type": "terms",
"id": "arts_928",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "928",
"found": true
},
"relationships": {},
"featImg": null,
"name": "books",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 946,
"slug": "books",
"isLoading": false,
"link": "/arts/tag/books"
},
"arts_5540": {
"type": "terms",
"id": "arts_5540",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5540",
"found": true
},
"relationships": {},
"featImg": null,
"name": "battle rap",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "battle rap Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5552,
"slug": "battle-rap",
"isLoading": false,
"link": "/arts/tag/battle-rap"
},
"arts_831": {
"type": "terms",
"id": "arts_831",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "831",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Hip Hop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Discover rising stars, hidden gems, and live events that'll keep your head nodding. Find your next favorite local hip hop artist right here.",
"metaRobotsNoIndex": "index",
"title": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogDescription": null
},
"ttid": 849,
"slug": "hip-hop",
"isLoading": false,
"link": "/arts/tag/hip-hop"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}
