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"content": "\u003cp>The day shelter-in-place orders came down in the Bay Area, \u003ca href=\"https://kevchoice.wordpress.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Kev Choice\u003c/a> was in the studio with soul singer and Afro-house producer \u003ca href=\"https://jenniferjohnsmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Jennifer Johns\u003c/a>. They were laying down a track that would later become part of his \u003cem>Social Distancing\u003c/em> album, “Can’t Stop Me,” where jazz piano flutters over congas. Between Choice’s verses, Johns’ resonant voice reminds us that “I’ma still sing my song / I’ma still shine my light,” even during a tragedy.\u003c/p>\n\u003cp>Once the two friends realized this might be the last time they would see each for a while, they rushed to get the vocals done before the stroke of midnight—so Johns could drive home before the order officially took effect. Choice remembers anxiety starting to set in. “I just put her in the booth and said, ‘Sing what you feel right now,’” says the rapper, producer and multi-instrumentalist. “That was the first song I started creating with this [situation] in mind.”\u003c/p>\n\u003cp>“I think it was a lot of racing against the unknown,” Johns recalls. When Choice began to play the chords on his piano, her mind settled. [aside postid='arts_13878306']\u003c/p>\n\u003cp>“We had been talking about being resilient,” she says. “We share a spiritual perspective and a spiritual practice, so [we both believe in] the importance of saying out loud the power that we live with, the power that we are, comes from inside of us … even if the human part of ourselves isn’t quite sold on the idea.”\u003c/p>\n\u003cp>In the days that followed, Choice took his studio equipment home and quickly got to work on an album he envisions as a real-time dispatch from the COVID-19 pandemic. What started as a five-track EP grew into 12 songs that feature over two dozen collaborators—jazz musicians, rappers and producers, all recording remotely in their home studios.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1994259696/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Enveloped in the warm tones of live jazz, funk and soul instrumentation, the nuanced hip-hop project gives voice to anger at government inaction, grief for loss of life and frustrations at adapting to a stifling new normal. Yet an uplifting message floats through \u003cem>Social Distancing\u003c/em>, carried by Choice’s buoyant rapping and piano playing. He doesn’t offer a false sense of hope, but rather a realist perspective ultimately grounded in his faith in the strength of the human spirit.\u003c/p>\n\u003cp>“Growing up in Oakland, we’ve had adversity from so many different angles. We’re ready for whatever fight we have to get into whether that’s oppression, poverty or a disease,” Choice says. “You have to have optimism in those situations when you’re fighting something that seems impossible to overcome.”\u003c/p>\n\u003cp>https://youtu.be/ug4tefu-SCg\u003c/p>\n\u003cp>A classically trained pianist immersed in many of the Bay Area’s different live music scenes, Choice has omnivorous tastes. \u003cem>Social Distancing\u003c/em> puts his jazz band Black London in dialogue with rapper-activist \u003ca href=\"https://www.eastbayexpress.com/oakland/how-rap-legend-mistah-fab-moved-past-his-hyphy-roots-to-become-unofficial-mayor-of-north-oakland/Content?oid=4806986\" target=\"_blank\" rel=\"noopener noreferrer\">Mistah F.A.B.\u003c/a>, Lalin St. Juste of indie pop bad The Seshen, Karega Bailey from \u003ca href=\"https://www.kqed.org/arts/13829305/sol-development-the-black-experience-and-hip-hop-as-healing\" target=\"_blank\" rel=\"noopener noreferrer\">Sol Development\u003c/a> and rising producer and bassist \u003ca href=\"https://www.kqed.org/arts/13811320/behind-the-beats-drew-banga\" target=\"_blank\" rel=\"noopener noreferrer\">Drew Banga\u003c/a>, among many others. Together, they take stock of the foreign emotional landscape all of us are now navigating as the world slows its pace, and we are asked to hold the paradox of retreating into the stillness of our homes (if we’re lucky enough to have them) while an invisible chaos looms outside.\u003c/p>\n\u003cp>“What we thought was important is not important—the likes, the money or the jewelry, none of that is important, all of them are disposable,” says Mistah F.A.B. His verse on the gospel-tinged “Silver Lining” flows with gratitude for quality conversations with his daughter and more time to perfect his crafts. “What’s really important is family, love and peaceful vibes, establishing a peace of mind. If you can master peace then you can create a masterpiece.” [aside postid='arts_13877358']\u003c/p>\n\u003cp>Choice says his perspective is informed by his spiritual community, the Oakland Center for Spiritual Living, which emphasizes meditation and personal development as a means of changing the world. But in the moments when \u003cem>Social Distancing\u003c/em> delves into worldly matters, he’s not afraid to lay blame on those in charge—specifically President Trump—for downplaying the epidemic and not doing enough to bolster the healthcare system and social safety nets. With communities of color being hit by the pandemic the hardest, he also draws connecting threads to the United States’ history of exploitation and genocide.\u003c/p>\n\u003cp>“For us to not have a better response, a better plan—economically and for those who are on the front lines in the medical field—to me is a travesty. And people are dying because of it,” Choice says.\u003c/p>\n\u003cp>Ultimately, \u003cem>Social Distancing\u003c/em> ends on a resolute note. The final track is called “The Vaccine,” but instead of prescribing a solution, Choice gives the listener space to process. It’s an instrumental with Black London, and Howard Wiley’s saxophone, at times tense and at times soothing, rocks the listener into a contemplative reverie.\u003c/p>\n\u003cp>“Music is a healer, it’s a cure, it inspires us. I know doctors who are having super hard days, nurses, people on the front lines,” Choice says. “Hopefully they can listen to this at home and have some sort of consolation.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We had been talking about being resilient,” she says. “We share a spiritual perspective and a spiritual practice, so [we both believe in] the importance of saying out loud the power that we live with, the power that we are, comes from inside of us … even if the human part of ourselves isn’t quite sold on the idea.”\u003c/p>\n\u003cp>In the days that followed, Choice took his studio equipment home and quickly got to work on an album he envisions as a real-time dispatch from the COVID-19 pandemic. What started as a five-track EP grew into 12 songs that feature over two dozen collaborators—jazz musicians, rappers and producers, all recording remotely in their home studios.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1994259696/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Enveloped in the warm tones of live jazz, funk and soul instrumentation, the nuanced hip-hop project gives voice to anger at government inaction, grief for loss of life and frustrations at adapting to a stifling new normal. Yet an uplifting message floats through \u003cem>Social Distancing\u003c/em>, carried by Choice’s buoyant rapping and piano playing. He doesn’t offer a false sense of hope, but rather a realist perspective ultimately grounded in his faith in the strength of the human spirit.\u003c/p>\n\u003cp>“Growing up in Oakland, we’ve had adversity from so many different angles. We’re ready for whatever fight we have to get into whether that’s oppression, poverty or a disease,” Choice says. “You have to have optimism in those situations when you’re fighting something that seems impossible to overcome.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ug4tefu-SCg'\n title='//www.youtube.com/embed/ug4tefu-SCg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A classically trained pianist immersed in many of the Bay Area’s different live music scenes, Choice has omnivorous tastes. \u003cem>Social Distancing\u003c/em> puts his jazz band Black London in dialogue with rapper-activist \u003ca href=\"https://www.eastbayexpress.com/oakland/how-rap-legend-mistah-fab-moved-past-his-hyphy-roots-to-become-unofficial-mayor-of-north-oakland/Content?oid=4806986\" target=\"_blank\" rel=\"noopener noreferrer\">Mistah F.A.B.\u003c/a>, Lalin St. Juste of indie pop bad The Seshen, Karega Bailey from \u003ca href=\"https://www.kqed.org/arts/13829305/sol-development-the-black-experience-and-hip-hop-as-healing\" target=\"_blank\" rel=\"noopener noreferrer\">Sol Development\u003c/a> and rising producer and bassist \u003ca href=\"https://www.kqed.org/arts/13811320/behind-the-beats-drew-banga\" target=\"_blank\" rel=\"noopener noreferrer\">Drew Banga\u003c/a>, among many others. Together, they take stock of the foreign emotional landscape all of us are now navigating as the world slows its pace, and we are asked to hold the paradox of retreating into the stillness of our homes (if we’re lucky enough to have them) while an invisible chaos looms outside.\u003c/p>\n\u003cp>“What we thought was important is not important—the likes, the money or the jewelry, none of that is important, all of them are disposable,” says Mistah F.A.B. His verse on the gospel-tinged “Silver Lining” flows with gratitude for quality conversations with his daughter and more time to perfect his crafts. “What’s really important is family, love and peaceful vibes, establishing a peace of mind. If you can master peace then you can create a masterpiece.” \u003c/p>\u003c/div>",
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"content": "\u003cp>Kev Choice is a rapper, educator and classically trained pianist who seems to be everywhere in the local music scene. Bay Area concertgoers might recognize him from Yoshi’s or SFJazz, where he’s performed with his Kev Choice Ensemble, or remember him from behind the keys accompanying local artists like Too Short and Rayana Jay.\u003c/p>\n\u003cp>Choice, who was born and raised in Oakland, says that his main goal with his music is to inspire people of different walks of life and create safe spaces for self-expression. \u003ca href=\"https://kevchoice.wordpress.com/\">His music\u003c/a> is also a way for him to celebrate Oakland’s culture and give back to his community. For Choice, Oakland has always been a mecca for diversity and a center of black excellence. He grew up with black teachers and role models who inspired him to pursue his musical aspirations; now as an adult, he pays it forward by regularly mentoring and performing with student musicians from local high schools.\u003c/p>\n\u003cp>“When I started my band Kev Choice Ensemble, really my first main goal was being able to have a band of young, African-American musicians who would play music at a high level and high caliber,” he says.\u003c/p>\n\u003cp>One of Choice’s most important works to date is his \u003ca href=\"https://www.oaklandsymphony.org/event/rooted-in-oakland/\">\u003cem>Soul Restoration Suite\u003c/em>\u003c/a>, a piece commissioned by the Oakland Symphony. He says he wrote it when he was going through a period of personal life changes while watching his hometown transform as a result of ongoing gentrification. “It was me trying to restore my soul and also trying to restore the soul of Oakland at the same time,” he says. The piece mixes hip-hop and classical influences (think Ravel meets A Tribe Called Quest), and Choice debuted it at the Oakland Symphony in March 2018 with the Kev Choice Ensemble, Oakland School for the Arts High School Vocal Chorus and vocalists Jennifer Johns and Viveca Hawkins.\u003c/p>\n\u003cp>“That word restoration came to me,” Choice says. “I was trying to get back to who I really am as a person—what got me into music, that desire to be better, that desire to grow—at the same time thinking about what Oakland is right now. How do we get back to that community of support, of pride?” — \u003cem>Text by Nastia Voynovskaya\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Kev Choice is a rapper, educator and classically trained pianist who seems to be everywhere in the local music scene. Bay Area concertgoers might recognize him from Yoshi’s or SFJazz, where he’s performed with his Kev Choice Ensemble, or remember him from behind the keys accompanying local artists like Too Short and Rayana Jay.\u003c/p>\n\u003cp>Choice, who was born and raised in Oakland, says that his main goal with his music is to inspire people of different walks of life and create safe spaces for self-expression. \u003ca href=\"https://kevchoice.wordpress.com/\">His music\u003c/a> is also a way for him to celebrate Oakland’s culture and give back to his community. For Choice, Oakland has always been a mecca for diversity and a center of black excellence. He grew up with black teachers and role models who inspired him to pursue his musical aspirations; now as an adult, he pays it forward by regularly mentoring and performing with student musicians from local high schools.\u003c/p>\n\u003cp>“When I started my band Kev Choice Ensemble, really my first main goal was being able to have a band of young, African-American musicians who would play music at a high level and high caliber,” he says.\u003c/p>\n\u003cp>One of Choice’s most important works to date is his \u003ca href=\"https://www.oaklandsymphony.org/event/rooted-in-oakland/\">\u003cem>Soul Restoration Suite\u003c/em>\u003c/a>, a piece commissioned by the Oakland Symphony. He says he wrote it when he was going through a period of personal life changes while watching his hometown transform as a result of ongoing gentrification. “It was me trying to restore my soul and also trying to restore the soul of Oakland at the same time,” he says. The piece mixes hip-hop and classical influences (think Ravel meets A Tribe Called Quest), and Choice debuted it at the Oakland Symphony in March 2018 with the Kev Choice Ensemble, Oakland School for the Arts High School Vocal Chorus and vocalists Jennifer Johns and Viveca Hawkins.\u003c/p>\n\u003cp>“That word restoration came to me,” Choice says. “I was trying to get back to who I really am as a person—what got me into music, that desire to be better, that desire to grow—at the same time thinking about what Oakland is right now. How do we get back to that community of support, of pride?” — \u003cem>Text by Nastia Voynovskaya\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"perspectives": {
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
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},
"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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"source": "npr"
},
"link": "/radio/program/reveal",
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"rss": "http://feeds.revealradio.org/revealpodcast"
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
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