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"content": "\u003cp>\u003ca href=\"https://publishing.andrewsmcmeel.com/book/everything-is-beautiful-and-im-not-afraid/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Everything is Beautiful, and I’m Not Afraid\u003c/em>\u003c/a> is, on the face of it, a comic book about living as a Chinese immigrant in New York City, being queer, and facing rejection by family because of it.\u003c/p>\n\u003cp>But dig deeper into this philosophical and revealing collection, and you’ll find that 30-year-old illustrator Yao Xiao also coincidentally, and accidentally, captures the malaise and uncertainty many of us currently face in our collective coronavirus lockdown. More importantly, she offers ways to battle those feelings of isolation and insecurity and, thanks in part to her dreamy and sometimes surreal illustrations, the end result is thoroughly cathartic.\u003c/p>\n\u003cp>For every expression of fear or hurt, \u003cem>Everything is Beautiful\u003c/em> offers a self-care tip, or a reason to be grateful. For every dark moment (the artist, lonely, asking in vain to the universe for answers), there is an exercise in refocusing. (“Look at lots of art. Make lots of things. Love people and still fight.”) For every expression that “It’s important to be angry and lost,” there is a reminder that’s it’s also important “to carry on dreaming of what you love.”\u003c/p>\n\u003cp>And amongst all the book’s deep thoughts and philosophical feelings, there are also moments of feminist commentary, body positivity, pet adoration and, yes, humor. (The “What are you Afraid of? Bingo” page is a particular highlight.)\u003c/p>\n\u003cp>At its purest essence, \u003cem>Everything is Beautiful\u003c/em> is a book about love. The love we have for others and ourselves, and for the magical and confusing planet that we live on. It’s about fighting through all of the other messes and upsets in order to hang on to that core principle.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s also about hope. At one point, Xiao declares point blank: “Miracles are in fact real and, if you are very lucky, you might even see one.” Other than “Stay home” and “Wash your hands,” what better message could we possibly receive right now?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Use it like a mantra in these uncertain times if you have to: Everything is beautiful, and I’m not afraid. If you repeat it for long enough, it starts to become real.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://publishing.andrewsmcmeel.com/book/everything-is-beautiful-and-im-not-afraid/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Everything is Beautiful, and I’m Not Afraid\u003c/em>\u003c/a> is, on the face of it, a comic book about living as a Chinese immigrant in New York City, being queer, and facing rejection by family because of it.\u003c/p>\n\u003cp>But dig deeper into this philosophical and revealing collection, and you’ll find that 30-year-old illustrator Yao Xiao also coincidentally, and accidentally, captures the malaise and uncertainty many of us currently face in our collective coronavirus lockdown. More importantly, she offers ways to battle those feelings of isolation and insecurity and, thanks in part to her dreamy and sometimes surreal illustrations, the end result is thoroughly cathartic.\u003c/p>\n\u003cp>For every expression of fear or hurt, \u003cem>Everything is Beautiful\u003c/em> offers a self-care tip, or a reason to be grateful. For every dark moment (the artist, lonely, asking in vain to the universe for answers), there is an exercise in refocusing. (“Look at lots of art. Make lots of things. Love people and still fight.”) For every expression that “It’s important to be angry and lost,” there is a reminder that’s it’s also important “to carry on dreaming of what you love.”\u003c/p>\n\u003cp>And amongst all the book’s deep thoughts and philosophical feelings, there are also moments of feminist commentary, body positivity, pet adoration and, yes, humor. (The “What are you Afraid of? Bingo” page is a particular highlight.)\u003c/p>\n\u003cp>At its purest essence, \u003cem>Everything is Beautiful\u003c/em> is a book about love. The love we have for others and ourselves, and for the magical and confusing planet that we live on. It’s about fighting through all of the other messes and upsets in order to hang on to that core principle.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s also about hope. At one point, Xiao declares point blank: “Miracles are in fact real and, if you are very lucky, you might even see one.” Other than “Stay home” and “Wash your hands,” what better message could we possibly receive right now?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Use it like a mantra in these uncertain times if you have to: Everything is beautiful, and I’m not afraid. If you repeat it for long enough, it starts to become real.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The most intriguing thing about \u003cem>Girl on Film\u003c/em>, a comic-book memoir by someone who never set out to create comics, is that it isn’t a tragedy. Told one way, it could have been a story of a would-be artist stubbornly pursuing their dream for years, only to finally give up in despair. Cecil Castellucci chronicles her decade-plus quest to become a filmmaker from the birth of her obsession, when she first saw \u003cem>Star Wars\u003c/em> and \u003cem>Raiders of the Lost Ark\u003c/em> in junior high school, all the way through trying and failing to cut together her first feature in her early 20s.\u003c/p>\n\u003cfigure id=\"attachment_13870346\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13870346\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/9781684154531_custom-4cadac0ba6547646614a686f41255a1fad546aa2-s500-c85.jpg\" alt=\"'Girl on Film' by Cecil Castellucci, Vicky Leta, Melissa Duffy, V. Gagnon and Jon Berg.\" width=\"400\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/9781684154531_custom-4cadac0ba6547646614a686f41255a1fad546aa2-s500-c85.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/9781684154531_custom-4cadac0ba6547646614a686f41255a1fad546aa2-s500-c85-160x240.jpg 160w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">‘Girl on Film’\u003cbr>by Cecil Castellucci, Vicky Leta, Melissa Duffy, V. Gagnon and Jon Berg. \u003ccite>(Archaia)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All the while, though, we know Castellucci’s not going to become the next Spielberg. That’s because we know Castellucci not as a filmmaker, but as the bestselling author of such wonderful comics as \u003cem>Shade the Changing Girl\u003c/em>, \u003cem>The Plain Janes\u003c/em> and \u003cem>Year of the Beasts\u003c/em>. Castellucci’s also written Star Wars and Batgirl comics and all sorts of other works—from young-adult novels to opera librettos—as well as making music, creating performance pieces and, yes, directing a film (2005’s \u003cem>Happy Is Not Hard to Be\u003c/em>, which she also wrote and appeared in). She’s still not Spielberg, though.\u003c/p>\n\u003cp>But if you think that matters, you miss the point of Castellucci’s book. More than a life story, it’s an account of how to live an artist’s life even when it looks like your artistic ambitions are grandiose and impractical. In fact, Castellucci shows, your artistic ambitions are pretty much guaranteed to be grandiose and impractical. That doesn’t matter. What matters is how you live with your big dreams, what you give up for them, what you hang onto and what you let go.\u003c/p>\n\u003cp>For Castellucci, the dream of being a filmmaker kept her on track through her teenage years, motivating her to lay the groundwork for a multifaceted creative life. Her first big existential crisis comes in eighth grade, when she applies to two renowned Manhattan high schools, the High School of Performing Arts (the one from the 1980 movie \u003cem>Fame\u003c/em>) and the Bronx High School of Science. She’s accepted to both, forcing her to admit to her parents—both scientists—that she wants to be an artist. They’re fine with that, but it’s still a turning point for young Cecil. She’s owned her ambition out loud for the first time.\u003c/p>\n\u003cp>Cecil goes to Performing Arts, and the next several years are a whirlwind of aesthetic education and adolescent pains. She recalls how she learned from various mentors and crossed paths with various celebs (her best story is of being gifted a Warhol painting by her friend Chaz Bono, only to have Cher call up the next day and tell her she couldn’t have it after all). Most of all, though, she shows how sheer enthusiasm is the crucial quality in a young person trying to build an artistic life. Cecil tries her hand at everything, learns all she can from everyone she meets and shrugs off every slight. Things get harder when she starts film school at NYU, only to find she can’t afford it. The next few years are chaotic: She heads briefly to Europe, continues film school in Montreal, joins a band and begins to realize filmmaking may not be her path after all. With a turn of the page she’s in Los Angeles, recording music and writing a novel.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Castellucci packs these twists and turns into the end of the book. She’s so committed to maintaining a sense of positivity, she breezes past the story’s only real crisis in a couple of pages. Fortunately, this doesn’t weaken her main project—fulfilled so winningly everywhere else—of showing what the life of a “baby artist” can look like. This book isn’t flagged as a young-adult title, but it cries out to be given to a creative teen.\u003c/p>\n\u003cp>Castellucci has divided the work of illustration among four different artists. It’s an unorthodox approach that could have stumbled, but Vicky Leta, Melissa Duffy, V. Gagnon and Jon Berg complement each other well. Most use fairly heavy lines, which harmonizes their pages. Duffy’s a standout with her brusque, energetic linework. Leta’s fragile lines are the most distinctive, so Castellucci reserves her for interludes where the adult Cecil contemplates the vicissitudes of memory. These sections aren’t particularly successful, actually; they’re a distraction from the bubbly momentum of young Cecil’s journey. Said journey may not have wound up where Castellucci thought it would when she was 12, but it’s still a fascinating one to follow. Most importantly, it’s far from over.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Etelka Lehoczky \u003c/em>\u003cem>has written about books for\u003c/em> The Atlantic, The Los Angeles Review of Books \u003cem>and\u003c/em> The New York Times.\u003cem> She tweets at\u003c/em> \u003ca href=\"https://urldefense.proofpoint.com/v2/url?u=https-3A__twitter.com_EtelkaL&d=DwMFaQ&c=E2nBno7hEddFhl23N5nD1Q&r=eDR3RhrQF9JBI8Rzx0SRPw&m=vR6dskFG6Pki76w8marL327xnaWSpIVAqnkFp2Pm3ak&s=Mdo8__hjawldjbQthelAboNsxAd-9SFUx24643NrlUM&e=\">@EtelkaL\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+%27Girl+On+Film%27+Grows+Up+And+Finds+Her+Artistic+Path&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The most intriguing thing about \u003cem>Girl on Film\u003c/em>, a comic-book memoir by someone who never set out to create comics, is that it isn’t a tragedy. Told one way, it could have been a story of a would-be artist stubbornly pursuing their dream for years, only to finally give up in despair. Cecil Castellucci chronicles her decade-plus quest to become a filmmaker from the birth of her obsession, when she first saw \u003cem>Star Wars\u003c/em> and \u003cem>Raiders of the Lost Ark\u003c/em> in junior high school, all the way through trying and failing to cut together her first feature in her early 20s.\u003c/p>\n\u003cfigure id=\"attachment_13870346\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13870346\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/9781684154531_custom-4cadac0ba6547646614a686f41255a1fad546aa2-s500-c85.jpg\" alt=\"'Girl on Film' by Cecil Castellucci, Vicky Leta, Melissa Duffy, V. Gagnon and Jon Berg.\" width=\"400\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/9781684154531_custom-4cadac0ba6547646614a686f41255a1fad546aa2-s500-c85.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/9781684154531_custom-4cadac0ba6547646614a686f41255a1fad546aa2-s500-c85-160x240.jpg 160w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">‘Girl on Film’\u003cbr>by Cecil Castellucci, Vicky Leta, Melissa Duffy, V. Gagnon and Jon Berg. \u003ccite>(Archaia)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All the while, though, we know Castellucci’s not going to become the next Spielberg. That’s because we know Castellucci not as a filmmaker, but as the bestselling author of such wonderful comics as \u003cem>Shade the Changing Girl\u003c/em>, \u003cem>The Plain Janes\u003c/em> and \u003cem>Year of the Beasts\u003c/em>. Castellucci’s also written Star Wars and Batgirl comics and all sorts of other works—from young-adult novels to opera librettos—as well as making music, creating performance pieces and, yes, directing a film (2005’s \u003cem>Happy Is Not Hard to Be\u003c/em>, which she also wrote and appeared in). She’s still not Spielberg, though.\u003c/p>\n\u003cp>But if you think that matters, you miss the point of Castellucci’s book. More than a life story, it’s an account of how to live an artist’s life even when it looks like your artistic ambitions are grandiose and impractical. In fact, Castellucci shows, your artistic ambitions are pretty much guaranteed to be grandiose and impractical. That doesn’t matter. What matters is how you live with your big dreams, what you give up for them, what you hang onto and what you let go.\u003c/p>\n\u003cp>For Castellucci, the dream of being a filmmaker kept her on track through her teenage years, motivating her to lay the groundwork for a multifaceted creative life. Her first big existential crisis comes in eighth grade, when she applies to two renowned Manhattan high schools, the High School of Performing Arts (the one from the 1980 movie \u003cem>Fame\u003c/em>) and the Bronx High School of Science. She’s accepted to both, forcing her to admit to her parents—both scientists—that she wants to be an artist. They’re fine with that, but it’s still a turning point for young Cecil. She’s owned her ambition out loud for the first time.\u003c/p>\n\u003cp>Cecil goes to Performing Arts, and the next several years are a whirlwind of aesthetic education and adolescent pains. She recalls how she learned from various mentors and crossed paths with various celebs (her best story is of being gifted a Warhol painting by her friend Chaz Bono, only to have Cher call up the next day and tell her she couldn’t have it after all). Most of all, though, she shows how sheer enthusiasm is the crucial quality in a young person trying to build an artistic life. Cecil tries her hand at everything, learns all she can from everyone she meets and shrugs off every slight. Things get harder when she starts film school at NYU, only to find she can’t afford it. The next few years are chaotic: She heads briefly to Europe, continues film school in Montreal, joins a band and begins to realize filmmaking may not be her path after all. With a turn of the page she’s in Los Angeles, recording music and writing a novel.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Castellucci packs these twists and turns into the end of the book. She’s so committed to maintaining a sense of positivity, she breezes past the story’s only real crisis in a couple of pages. Fortunately, this doesn’t weaken her main project—fulfilled so winningly everywhere else—of showing what the life of a “baby artist” can look like. This book isn’t flagged as a young-adult title, but it cries out to be given to a creative teen.\u003c/p>\n\u003cp>Castellucci has divided the work of illustration among four different artists. It’s an unorthodox approach that could have stumbled, but Vicky Leta, Melissa Duffy, V. Gagnon and Jon Berg complement each other well. Most use fairly heavy lines, which harmonizes their pages. Duffy’s a standout with her brusque, energetic linework. Leta’s fragile lines are the most distinctive, so Castellucci reserves her for interludes where the adult Cecil contemplates the vicissitudes of memory. These sections aren’t particularly successful, actually; they’re a distraction from the bubbly momentum of young Cecil’s journey. Said journey may not have wound up where Castellucci thought it would when she was 12, but it’s still a fascinating one to follow. Most importantly, it’s far from over.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Etelka Lehoczky \u003c/em>\u003cem>has written about books for\u003c/em> The Atlantic, The Los Angeles Review of Books \u003cem>and\u003c/em> The New York Times.\u003cem> She tweets at\u003c/em> \u003ca href=\"https://urldefense.proofpoint.com/v2/url?u=https-3A__twitter.com_EtelkaL&d=DwMFaQ&c=E2nBno7hEddFhl23N5nD1Q&r=eDR3RhrQF9JBI8Rzx0SRPw&m=vR6dskFG6Pki76w8marL327xnaWSpIVAqnkFp2Pm3ak&s=Mdo8__hjawldjbQthelAboNsxAd-9SFUx24643NrlUM&e=\">@EtelkaL\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+%27Girl+On+Film%27+Grows+Up+And+Finds+Her+Artistic+Path&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Note: This episode originally aired March 24, 2019\u003c/em>\u003c/p>\n\u003cp>When I met emcee and educator \u003ca href=\"https://www.officialhoneygold.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Honey Gold Jasmine\u003c/a> last summer, she told me she was about to drop an unusual project: an album combined with a digital comic book.\u003c/p>\n\u003cp>But when I saw her a few weeks later and asked about it, she showed me a teeny-tiny translucent jar. Inside of the jar there was a thin metal necklace with a precious stone attached. Atop the jar was a cork that had a USB device adorned to the bottom. I thought: \u003cem>What?\u003c/em>\u003c/p>\n\u003cp>It turned out that this was the project Honey Gold had told me about, \u003cem>Supanova 7: Gold Soil\u003c/em>, the tale of a heroine set to save the world through the power of music. But it didn’t look like I expected it to look.\u003c/p>\n\u003cfigure id=\"attachment_13853545\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13853545\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/Supanova7-800x417.jpg\" alt=\"Honey Gold Jasmine's 'Supanova 7: Gold Soil' EP and a page from its accompanying graphic novel.\" width=\"800\" height=\"417\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Supanova7-800x417.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Supanova7-160x83.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Supanova7-768x401.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Supanova7-1020x532.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Supanova7.jpg 1100w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Honey Gold Jasmine’s ‘Supanova 7: Gold Soil’ EP and a page from its accompanying graphic novel. \u003ccite>(Honey Gold Jasmine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After reading the comic and hearing her music, I noticed a trend: there was balance.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>That was on full display the first time I saw Honey Gold perform at the Alena Museum in West Oakland. The Vallejo native took to the stage to perform some uptempo tracks that toed the line of hyphy music—and then doubled back with some sultry tunes that made me want to burn incense.\u003c/p>\n\u003cp>With the combination of crystals, comics and community empowerment, Honey Gold is a true Bay Area-based Libra. And on top of her stories about heroines saving the world and working as an educator at Bay Area based nonprofits, Honey Gold is a mother, as well—something she says provides her with personal superpowers, especially after being raised without a fruitful relationship with her own mom.\u003c/p>\n\u003cp>Hear my interview with the super-heroine herself at the audio link above.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Honey Gold Jasmine performs at the Alena Museum on March 30, and at San Francisco State on April 9–10. \u003ca href=\"https://www.officialhoneygold.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>That was on full display the first time I saw Honey Gold perform at the Alena Museum in West Oakland. The Vallejo native took to the stage to perform some uptempo tracks that toed the line of hyphy music—and then doubled back with some sultry tunes that made me want to burn incense.\u003c/p>\n\u003cp>With the combination of crystals, comics and community empowerment, Honey Gold is a true Bay Area-based Libra. And on top of her stories about heroines saving the world and working as an educator at Bay Area based nonprofits, Honey Gold is a mother, as well—something she says provides her with personal superpowers, especially after being raised without a fruitful relationship with her own mom.\u003c/p>\n\u003cp>Hear my interview with the super-heroine herself at the audio link above.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Honey Gold Jasmine performs at the Alena Museum on March 30, and at San Francisco State on April 9–10. \u003ca href=\"https://www.officialhoneygold.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
},
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