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"content": "\n\u003cp>The concept of \u003ca href=\"https://www.rnbandribs.com/\">R&B and Ribs\u003c/a> is simple: bring people together through good food and good music. The first time \u003ca href=\"https://www.instagram.com/knowpaslaps/\">Knowpa Slaps\u003c/a> (Kelvin Castellanos) threw the party on the El Rio patio, he DJed \u003cem>and\u003c/em> barbecued all the meat himself. \u003c/p>\n\n\n\n\u003cp>Though R&B and Ribs still holds it down regularly on the beloved nightlife institution’s humble patio, the party has exploded into a phenomenon: Earlier this month, it drew tens of thousands of fans to see Soulja Boy at the Midway. And next month, on Oct. 17, the party will expand into Golden Gate Park for the first time, with a show at Robin Williams Meadow by \u003ca href=\"https://www.tixr.com/groups/npulive/events/t-pain-ari-lennox-more-at-golden-gate-park-205722\">T-Pain and Ari Lennox\u003c/a>. \u003c/p>\n\n\n\n\u003cp>It’s not the first time the 2000s hitmaker will have collaborated with R&B and Ribs — they threw a concert with him and Sean Paul at Pier 80 during Super Bowl weekend. “Doing 23,000 people for T-Pain and then looking [out] and just seeing the crowd never end was kind of surreal,” Castellanos says of the party’s growth. “Just seeing T-Pain shout out the party … it’s like, ‘Whoa, you’ve heard of us?’”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/ribs_2000.jpg\" alt=\"three women cheer and eat ribs\" class=\"wp-image-13993932\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/ribs_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/ribs_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/ribs_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/ribs_2000-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Audience members at an R&B and Ribs party on El Rio’s backyard patio. (Marilyn Nguyen)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Before he became a force in Bay Area nightlife, Castellanos made his mark in the dining world. Once a chef at the Michelin-starred restaurant State Bird Provisions, he also worked at notable San Francisco eateries like Delfina before deciding to marry his two worlds of food and music. (R&B and Ribs also has an offshoot Latin party, Perreo y Pususas, a nod to Castellanos’ Salvadorian roots).\u003c/p>\n\n\n\n\u003cp>For the Golden Gate Park show with T-Pain and Lennox, R&B and Ribs is partnering with the San Francisco Recreation and Parks Department and NPU Live, one of the producers of \u003ca href=\"https://www.kqed.org/news/12097837/going-to-portola-music-festival-2026-what-to-know-from-bag-policy-to-parking\">Portola Music Festival\u003c/a>. The two organizations assisted with navigating the many layers of permitting bureaucracy. \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/elrio_2000.jpg\" alt=\"large crowd in bar backyard, DJ facing them\" class=\"wp-image-13993931\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/elrio_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/elrio_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/elrio_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/elrio_2000-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">A view from the DJ booth into an R&B and Ribs party at El Rio. (Marilyn Nguyen)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Though R&B and Ribs has enough pull to attract big names, Castellanos says highlighting talented local DJs is still a major emphasis. \u003ca href=\"https://www.kqed.org/arts/13980855/golden-state-valkyries-wnba-bay-area-djs-ladyryan-shellheart-chase-center\">DJ Shellheart and Lady Ryan\u003c/a>, the official selectors for the Golden State Valkyries, will get the crowd hyped for T-Pain and Lennox, along with \u003ca href=\"https://www.instagram.com/djbbcarolz/\">bbcarolz\u003c/a>, who is one of the R&B and Ribs resident DJs along with \u003ca href=\"https://www.instagram.com/djjespinosa/\">J. Espinosa\u003c/a>, \u003ca href=\"https://www.instagram.com/143.tommy/\">143tommy\u003c/a> and \u003ca href=\"https://www.instagram.com/djshawnlooney/\">Shawn Looney\u003c/a>.\u003c/p>\n\n\n\n\u003cp>The audience R&B and Ribs has grown includes people of all backgrounds and ages. Castellanos says those in attendance can range from fresh 21-year-olds to partygoers in their 50s and every decade in between, and every generation gets a shout-out on the mic. The Golden Gate Park event will be all ages. \u003c/p>\n\n\n\n\u003cp>“We’re trying to make everyone feel welcome,” Castellanos says. “We’re trying to hype everybody up.”\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\" />\n\n\n\n\u003cp>\u003cem>The R&B and Ribs party featuring \u003ca href=\"https://www.tixr.com/groups/npulive/events/t-pain-ari-lennox-more-at-golden-gate-park-205722\">T-Pain and Ari Lennox\u003c/a> takes place at Golden Gate Park on Oct. 17. Tickets go on sale Sept. 17. \u003c/em>\u003c/p>\n",
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"innerHTML": "\n\u003cp>Though R&B and Ribs has enough pull to attract big names, Castellanos says highlighting talented local DJs is still a major emphasis. \u003ca href=\"https://www.kqed.org/arts/13980855/golden-state-valkyries-wnba-bay-area-djs-ladyryan-shellheart-chase-center\">DJ Shellheart and Lady Ryan\u003c/a>, the official selectors for the Golden State Valkyries, will get the crowd hyped for T-Pain and Lennox, along with \u003ca href=\"https://www.instagram.com/djbbcarolz/\">bbcarolz\u003c/a>, who is one of the R&B and Ribs resident DJs along with \u003ca href=\"https://www.instagram.com/djjespinosa/\">J. Espinosa\u003c/a>, \u003ca href=\"https://www.instagram.com/143.tommy/\">143tommy\u003c/a> and \u003ca href=\"https://www.instagram.com/djshawnlooney/\">Shawn Looney\u003c/a>.\u003c/p>\n",
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"\n\u003cp>Though R&B and Ribs has enough pull to attract big names, Castellanos says highlighting talented local DJs is still a major emphasis. \u003ca href=\"https://www.kqed.org/arts/13980855/golden-state-valkyries-wnba-bay-area-djs-ladyryan-shellheart-chase-center\">DJ Shellheart and Lady Ryan\u003c/a>, the official selectors for the Golden State Valkyries, will get the crowd hyped for T-Pain and Lennox, along with \u003ca href=\"https://www.instagram.com/djbbcarolz/\">bbcarolz\u003c/a>, who is one of the R&B and Ribs resident DJs along with \u003ca href=\"https://www.instagram.com/djjespinosa/\">J. Espinosa\u003c/a>, \u003ca href=\"https://www.instagram.com/143.tommy/\">143tommy\u003c/a> and \u003ca href=\"https://www.instagram.com/djshawnlooney/\">Shawn Looney\u003c/a>.\u003c/p>\n"
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"innerHTML": "\n\u003cp>The audience R&B and Ribs has grown includes people of all backgrounds and ages. Castellanos says those in attendance can range from fresh 21-year-olds to partygoers in their 50s and every decade in between, and every generation gets a shout-out on the mic. The Golden Gate Park event will be all ages. \u003c/p>\n",
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"innerHTML": "\n\u003cp>“We’re trying to make everyone feel welcome,” Castellanos says. “We’re trying to hype everybody up.”\u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003cem>The R&B and Ribs party featuring \u003ca href=\"https://www.tixr.com/groups/npulive/events/t-pain-ari-lennox-more-at-golden-gate-park-205722\">T-Pain and Ari Lennox\u003c/a> takes place at Golden Gate Park on Oct. 17. Tickets go on sale Sept. 17. \u003c/em>\u003c/p>\n",
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"excerpt": "R&B and Ribs has grown from holding it down on El Rio’s patio to bringing chart-topping acts to San Francisco.",
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"title": "Ticket Alert: T-Pain Plays Golden Gate Park Oct. 17 | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The concept of \u003ca href=\"https://www.rnbandribs.com/\">R&B and Ribs\u003c/a> is simple: bring people together through good food and good music. The first time \u003ca href=\"https://www.instagram.com/knowpaslaps/\">Knowpa Slaps\u003c/a> (Kelvin Castellanos) threw the party on the El Rio patio, he DJed \u003cem>and\u003c/em> barbecued all the meat himself. \u003c/p>\n\n\n\n\u003cp>Though R&B and Ribs still holds it down regularly on the beloved nightlife institution’s humble patio, the party has exploded into a phenomenon: Earlier this month, it drew tens of thousands of fans to see Soulja Boy at the Midway. And next month, on Oct. 17, the party will expand into Golden Gate Park for the first time, with a show at Robin Williams Meadow by \u003ca href=\"https://www.tixr.com/groups/npulive/events/t-pain-ari-lennox-more-at-golden-gate-park-205722\">T-Pain and Ari Lennox\u003c/a>. \u003c/p>\n\n\n\n\u003cp>It’s not the first time the 2000s hitmaker will have collaborated with R&B and Ribs — they threw a concert with him and Sean Paul at Pier 80 during Super Bowl weekend. “Doing 23,000 people for T-Pain and then looking [out] and just seeing the crowd never end was kind of surreal,” Castellanos says of the party’s growth. “Just seeing T-Pain shout out the party … it’s like, ‘Whoa, you’ve heard of us?’”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/ribs_2000.jpg\" alt=\"three women cheer and eat ribs\" class=\"wp-image-13993932\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/ribs_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/ribs_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/ribs_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/ribs_2000-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Audience members at an R&B and Ribs party on El Rio’s backyard patio. (Marilyn Nguyen)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Before he became a force in Bay Area nightlife, Castellanos made his mark in the dining world. Once a chef at the Michelin-starred restaurant State Bird Provisions, he also worked at notable San Francisco eateries like Delfina before deciding to marry his two worlds of food and music. (R&B and Ribs also has an offshoot Latin party, Perreo y Pususas, a nod to Castellanos’ Salvadorian roots).\u003c/p>\n\n\n\n\u003cp>For the Golden Gate Park show with T-Pain and Lennox, R&B and Ribs is partnering with the San Francisco Recreation and Parks Department and NPU Live, one of the producers of \u003ca href=\"https://www.kqed.org/news/12097837/going-to-portola-music-festival-2026-what-to-know-from-bag-policy-to-parking\">Portola Music Festival\u003c/a>. The two organizations assisted with navigating the many layers of permitting bureaucracy. \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/elrio_2000.jpg\" alt=\"large crowd in bar backyard, DJ facing them\" class=\"wp-image-13993931\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/elrio_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/elrio_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/elrio_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/elrio_2000-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">A view from the DJ booth into an R&B and Ribs party at El Rio. (Marilyn Nguyen)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Though R&B and Ribs has enough pull to attract big names, Castellanos says highlighting talented local DJs is still a major emphasis. \u003ca href=\"https://www.kqed.org/arts/13980855/golden-state-valkyries-wnba-bay-area-djs-ladyryan-shellheart-chase-center\">DJ Shellheart and Lady Ryan\u003c/a>, the official selectors for the Golden State Valkyries, will get the crowd hyped for T-Pain and Lennox, along with \u003ca href=\"https://www.instagram.com/djbbcarolz/\">bbcarolz\u003c/a>, who is one of the R&B and Ribs resident DJs along with \u003ca href=\"https://www.instagram.com/djjespinosa/\">J. Espinosa\u003c/a>, \u003ca href=\"https://www.instagram.com/143.tommy/\">143tommy\u003c/a> and \u003ca href=\"https://www.instagram.com/djshawnlooney/\">Shawn Looney\u003c/a>.\u003c/p>\n\n\n\n\u003cp>The audience R&B and Ribs has grown includes people of all backgrounds and ages. Castellanos says those in attendance can range from fresh 21-year-olds to partygoers in their 50s and every decade in between, and every generation gets a shout-out on the mic. The Golden Gate Park event will be all ages. \u003c/p>\n\n\n\n\u003cp>“We’re trying to make everyone feel welcome,” Castellanos says. “We’re trying to hype everybody up.”\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\" />\n\n\n\n\u003cp>\u003cem>The R&B and Ribs party featuring \u003ca href=\"https://www.tixr.com/groups/npulive/events/t-pain-ari-lennox-more-at-golden-gate-park-205722\">T-Pain and Ari Lennox\u003c/a> takes place at Golden Gate Park on Oct. 17. Tickets go on sale Sept. 17. \u003c/em>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "claude-albino-alligator-memorial-golden-gate-park-san-francisco",
"title": "Claude the Albino Alligator’s Memorial Was as Iconic as He Was",
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"headTitle": "Claude the Albino Alligator’s Memorial Was as Iconic as He Was | KQED",
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"content": "\u003cp>An estimated two thousand Bay Area residents flocked to San Francisco on Sunday, Jan. 18 to celebrate the life of Claude, the \u003ca href=\"https://www.kqed.org/science/tag/california-academy-of-sciences\">California Academy of Sciences\u003c/a>’ iconic albino alligator. \u003ca href=\"https://www.kqed.org/news/12065763/claude-beloved-albino-alligator-at-sfs-cal-academy-dead-at-30\">Claude died last month\u003c/a> at 30 years old after he was diagnosed with liver cancer.\u003c/p>\n\u003cp>A free event at \u003ca href=\"https://www.kqed.org/arts/tag/golden-gate-park\">Golden Gate Park\u003c/a>’s Bandshell\u003cem>, \u003c/em>Claude Forever: A Celebration of Life featured speakers, a costume contest and a jazz funeral led by the uplifting \u003ca href=\"https://mjsbrassboppersband.com/\">MJ’s Brass Boppers\u003c/a> — in honor of Claude’s origins in Louisiana, where he was hatched. Ultimately, though, the memorial was San Francisco through and through.\u003c/p>\n\u003cfigure id=\"attachment_13985569\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985569\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00304_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00304_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00304_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00304_TV_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00304_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sister H Ivy Positive (left) and Novice Sister Lolly GaggN (right) from Sisters of Perpetual Indulgence attend the memorial of Claude, the albino alligator who lived at California Academy of Sciences, at Golden Gate Park in San Francisco on Jan. 18, 2026. \u003ccite>(Tâm Vũ / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re out here today to celebrate Claude,” said Sister T’aint A Virgin, who was one of five \u003ca href=\"https://www.kqed.org/arts/tag/sisters-of-perpetual-indulgence\">Sisters of Perpetual Indulgence\u003c/a> in attendance. “He stood for the inclusion and the diversity that San Francisco is famous for, and that’s the heart blood of our city. He was living his life boldly and out loud. As a fellow animal that paints their face in white, I figured it was the best opportunity to show up and show out for community as well.”\u003c/p>\n\u003cfigure id=\"attachment_13985560\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985560\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00231_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00231_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00231_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00231_TV_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00231_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Notes remembering Claude, on show at Golden Gate Park. \u003ccite>(Tâm Vũ / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Children in attendance had plenty of amusements, with tables for crafts and face painting. Most delightfully of all, there was a special storytime hosted by new \u003cem>Reading Rainbow\u003c/em> host \u003ca href=\"https://www.kqed.org/arts/13981893/reading-rainbow-returns-host-mychal-threets\">Mychal Threets \u003c/a>and San Francisco \u003ca href=\"https://www.kqed.org/arts/13983135/per-sia-san-francisco-new-drag-laureate\">Drag Laureate Per Sia\u003c/a>. In the midst of his reading of \u003cem>Claude: The True Story of a White Alligator\u003c/em> by Emma Bland Smith, Threets led his young charges in a chant of “How different, how wonderful!” before emphasizing: “We all belong. That’s what Claude taught us.” Unsurprisingly, Per Sia’s crowd work was on point throughout her reading of \u003cem>We Are All Connected\u003c/em> by Gabi Garcia and Natalia Jimenez Osorio, sharing the mic — and many fist bumps —with enthralled kids.\u003c/p>\n\u003cp>The children’s joy felt especially appropriate for Claude’s final big celebration.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“[Claude] was a steady presence, teaching my children without words about curiosity, about respect for living things and about the joy of simply observing the world as it is,” California State Assemblymember Catherine Stefani noted from the stage. “In a city full of icons, Claude became one of the most beloved without ever seeking the spotlight.”\u003c/p>\n\u003cfigure id=\"attachment_13985556\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985556\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00718_TV_qed.jpg\" alt=\"A young Black man with frizzy hair pushed back in a headband smiles and holds a children's book with an alligator on the front. He is standing in a sunny park.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00718_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00718_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00718_TV_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00718_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mychal Threets after reading ‘Claude: The True Story of a White Alligator‘ to gathered children at ‘Claude Forever’ on Jan. 18, 2026. \u003ccite>(Tâm Vũ / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of the most moving moments of the morning came when 17-year-old writer Aleksandra “Sasha” Miller recited her poem, \u003cem>Claude\u003c/em>. In part, she read:\u003c/p>\n\u003cblockquote>\u003cp>Difference lived within his body,\u003cbr>\nvisible, undeniable, true,\u003cbr>\nnot something to correct or hide,\u003cbr>\nbut something held and valued too.\u003c/p>\n\u003cp>In a city that shelters the uncommon,\u003cbr>\nthat gathers what the world lets go,\u003cbr>\nClaude became its living emblem,\u003cbr>\nproof that care can let things grow.\u003c/p>\u003c/blockquote>\n\u003cp>Claude Forever was also a catalyst for humor. During the closest moment to a traditional eulogy, Senior Director of Steinhart Aquarium Bart Shepherd had crowds cracking up. Among his alligator anecdotes was a highly amusing tale about the battle to recover a 12-year-old girl’s shoe after Claude swallowed it — all while a fire alarm was going off. Shepherd brought the recovered ballet flat with him as proof of the episode. “As you can imagine,” he said, “it’s no small feat to get a shoe out of an alligator.” [aside postid='arts_13978366']\u003c/p>\n\u003cp>More laughs erupted at the Claude costume contest that followed. First, adorable kids under 12 paraded, many wearing brand-new Claude hoodies complete with hoods shaped like his head. Grown-ups showed up in their best Claude finery too. One contest participant, Angela Chung, dressed up as Claude in heaven, complete with gold mask for Mardi Gras.\u003c/p>\n\u003cfigure id=\"attachment_13985557\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985557\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00531_TV_qed.jpg\" alt=\"A little girl wearing all white stands smiling, holding a stuffed white alligator as an Asian woman with a microphone smiles adoringly next to her. Children watch on from the sidelines.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00531_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00531_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00531_TV_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00531_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">11-year-old Esmeralda Dominguez (center left) gets excited after Dion Lim (right) announces her a winner during the costume contest at ‘Claude Forever.’ Dominguez made a party hat for her beloved Claude stuffy on his last birthday. She wore her own hand-made Claude headwear for the contest. \u003ccite>(Tâm Vũ / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chung, who grew up in Fremont and attended her Washington High School prom at the Academy, loved Claude for his vulnerabilities. “I think he’s so special and unique,” she told KQED. “He was born with a condition that, if he was in the wild, he would have not survived. He was too delicate for this world. I feel like, in a way, we can all relate — the world is very harsh. That’s how I relate to him. I’m glad that he found a home at the Academy and people all around the world could come and see him.”\u003c/p>\n\u003cp>[aside postid='arts_13984799']Costume contest winner Mark Mezak — who wore a papier-mache Claude head, white ankle boots, pearls and a parasol — also saw the beloved alligator as a great uniter.\u003c/p>\n\u003cp>“He’s something we all share in common as people who visit the Academy,” Mezak told KQED. “He’s also exothermic, which means he regulates his temperature based on his environment. Our actions affect the environment and how others can thrive and survive. So I think he represents how we’re all connected to each other.”\u003c/p>\n\u003cfigure id=\"attachment_13985558\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985558\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00619_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00619_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00619_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00619_TV_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00619_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mark Mezak (center) smiles at fellow contestant Aliya after they both won prizes for their costumes at ‘Claude Forever’ at Golden Gate Park on Jan. 18, 2026. \u003ccite>(Tâm Vũ / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of the funniest moments of the contest was when bubbly host Dion Lim asked for pets in costume to step forward. When none did, a woman casually wandered to the stage with her costume-less dog. “We have a white dog, everyone!” Lim declared. The owner of Maizie the white dog quipped back, “He’s been preparing for this moment his whole life.”\u003c/p>\n\u003cp>Other speakers at Claude Forever included State Senator Scott Wiener and Cal Academy’s Executive Director Scott Sampson. District 7 Supervisor Myrna Melgar and Recreation and Parks General Manager Sarah Madland also jointly announced the renaming of a street near the Academy. The two proudly held aloft the new “Claude the Alligator Way” sign before posing for photos.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Heartfelt notices from Cal Academy that were posted around the park thanked attendees for the outpouring the museum has received since losing Claude. “We’re deeply grateful for the kind messages, warm memories and generous gifts shared in Claude’s honor,” the signs said, “and for the role you’ve played in making his home so beloved.”\u003c/p>\n\u003cfigure id=\"attachment_13985559\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985559\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00276_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00276_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00276_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00276_TV_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00276_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jessica Olson wears an accessorized Claude stuffy to the albino alligator’s memorial in Golden Gate Park. \u003ccite>(Tâm Vũ / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>An estimated two thousand Bay Area residents flocked to San Francisco on Sunday, Jan. 18 to celebrate the life of Claude, the \u003ca href=\"https://www.kqed.org/science/tag/california-academy-of-sciences\">California Academy of Sciences\u003c/a>’ iconic albino alligator. \u003ca href=\"https://www.kqed.org/news/12065763/claude-beloved-albino-alligator-at-sfs-cal-academy-dead-at-30\">Claude died last month\u003c/a> at 30 years old after he was diagnosed with liver cancer.\u003c/p>\n\u003cp>A free event at \u003ca href=\"https://www.kqed.org/arts/tag/golden-gate-park\">Golden Gate Park\u003c/a>’s Bandshell\u003cem>, \u003c/em>Claude Forever: A Celebration of Life featured speakers, a costume contest and a jazz funeral led by the uplifting \u003ca href=\"https://mjsbrassboppersband.com/\">MJ’s Brass Boppers\u003c/a> — in honor of Claude’s origins in Louisiana, where he was hatched. Ultimately, though, the memorial was San Francisco through and through.\u003c/p>\n\u003cfigure id=\"attachment_13985569\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985569\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00304_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00304_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00304_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00304_TV_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00304_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sister H Ivy Positive (left) and Novice Sister Lolly GaggN (right) from Sisters of Perpetual Indulgence attend the memorial of Claude, the albino alligator who lived at California Academy of Sciences, at Golden Gate Park in San Francisco on Jan. 18, 2026. \u003ccite>(Tâm Vũ / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re out here today to celebrate Claude,” said Sister T’aint A Virgin, who was one of five \u003ca href=\"https://www.kqed.org/arts/tag/sisters-of-perpetual-indulgence\">Sisters of Perpetual Indulgence\u003c/a> in attendance. “He stood for the inclusion and the diversity that San Francisco is famous for, and that’s the heart blood of our city. He was living his life boldly and out loud. As a fellow animal that paints their face in white, I figured it was the best opportunity to show up and show out for community as well.”\u003c/p>\n\u003cfigure id=\"attachment_13985560\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985560\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00231_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00231_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00231_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00231_TV_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00231_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Notes remembering Claude, on show at Golden Gate Park. \u003ccite>(Tâm Vũ / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Children in attendance had plenty of amusements, with tables for crafts and face painting. Most delightfully of all, there was a special storytime hosted by new \u003cem>Reading Rainbow\u003c/em> host \u003ca href=\"https://www.kqed.org/arts/13981893/reading-rainbow-returns-host-mychal-threets\">Mychal Threets \u003c/a>and San Francisco \u003ca href=\"https://www.kqed.org/arts/13983135/per-sia-san-francisco-new-drag-laureate\">Drag Laureate Per Sia\u003c/a>. In the midst of his reading of \u003cem>Claude: The True Story of a White Alligator\u003c/em> by Emma Bland Smith, Threets led his young charges in a chant of “How different, how wonderful!” before emphasizing: “We all belong. That’s what Claude taught us.” Unsurprisingly, Per Sia’s crowd work was on point throughout her reading of \u003cem>We Are All Connected\u003c/em> by Gabi Garcia and Natalia Jimenez Osorio, sharing the mic — and many fist bumps —with enthralled kids.\u003c/p>\n\u003cp>The children’s joy felt especially appropriate for Claude’s final big celebration.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“[Claude] was a steady presence, teaching my children without words about curiosity, about respect for living things and about the joy of simply observing the world as it is,” California State Assemblymember Catherine Stefani noted from the stage. “In a city full of icons, Claude became one of the most beloved without ever seeking the spotlight.”\u003c/p>\n\u003cfigure id=\"attachment_13985556\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985556\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00718_TV_qed.jpg\" alt=\"A young Black man with frizzy hair pushed back in a headband smiles and holds a children's book with an alligator on the front. He is standing in a sunny park.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00718_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00718_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00718_TV_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00718_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mychal Threets after reading ‘Claude: The True Story of a White Alligator‘ to gathered children at ‘Claude Forever’ on Jan. 18, 2026. \u003ccite>(Tâm Vũ / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of the most moving moments of the morning came when 17-year-old writer Aleksandra “Sasha” Miller recited her poem, \u003cem>Claude\u003c/em>. In part, she read:\u003c/p>\n\u003cblockquote>\u003cp>Difference lived within his body,\u003cbr>\nvisible, undeniable, true,\u003cbr>\nnot something to correct or hide,\u003cbr>\nbut something held and valued too.\u003c/p>\n\u003cp>In a city that shelters the uncommon,\u003cbr>\nthat gathers what the world lets go,\u003cbr>\nClaude became its living emblem,\u003cbr>\nproof that care can let things grow.\u003c/p>\u003c/blockquote>\n\u003cp>Claude Forever was also a catalyst for humor. During the closest moment to a traditional eulogy, Senior Director of Steinhart Aquarium Bart Shepherd had crowds cracking up. Among his alligator anecdotes was a highly amusing tale about the battle to recover a 12-year-old girl’s shoe after Claude swallowed it — all while a fire alarm was going off. Shepherd brought the recovered ballet flat with him as proof of the episode. “As you can imagine,” he said, “it’s no small feat to get a shoe out of an alligator.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>More laughs erupted at the Claude costume contest that followed. First, adorable kids under 12 paraded, many wearing brand-new Claude hoodies complete with hoods shaped like his head. Grown-ups showed up in their best Claude finery too. One contest participant, Angela Chung, dressed up as Claude in heaven, complete with gold mask for Mardi Gras.\u003c/p>\n\u003cfigure id=\"attachment_13985557\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985557\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00531_TV_qed.jpg\" alt=\"A little girl wearing all white stands smiling, holding a stuffed white alligator as an Asian woman with a microphone smiles adoringly next to her. Children watch on from the sidelines.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00531_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00531_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00531_TV_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00531_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">11-year-old Esmeralda Dominguez (center left) gets excited after Dion Lim (right) announces her a winner during the costume contest at ‘Claude Forever.’ Dominguez made a party hat for her beloved Claude stuffy on his last birthday. She wore her own hand-made Claude headwear for the contest. \u003ccite>(Tâm Vũ / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chung, who grew up in Fremont and attended her Washington High School prom at the Academy, loved Claude for his vulnerabilities. “I think he’s so special and unique,” she told KQED. “He was born with a condition that, if he was in the wild, he would have not survived. He was too delicate for this world. I feel like, in a way, we can all relate — the world is very harsh. That’s how I relate to him. I’m glad that he found a home at the Academy and people all around the world could come and see him.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Costume contest winner Mark Mezak — who wore a papier-mache Claude head, white ankle boots, pearls and a parasol — also saw the beloved alligator as a great uniter.\u003c/p>\n\u003cp>“He’s something we all share in common as people who visit the Academy,” Mezak told KQED. “He’s also exothermic, which means he regulates his temperature based on his environment. Our actions affect the environment and how others can thrive and survive. So I think he represents how we’re all connected to each other.”\u003c/p>\n\u003cfigure id=\"attachment_13985558\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985558\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00619_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00619_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00619_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00619_TV_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00619_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mark Mezak (center) smiles at fellow contestant Aliya after they both won prizes for their costumes at ‘Claude Forever’ at Golden Gate Park on Jan. 18, 2026. \u003ccite>(Tâm Vũ / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of the funniest moments of the contest was when bubbly host Dion Lim asked for pets in costume to step forward. When none did, a woman casually wandered to the stage with her costume-less dog. “We have a white dog, everyone!” Lim declared. The owner of Maizie the white dog quipped back, “He’s been preparing for this moment his whole life.”\u003c/p>\n\u003cp>Other speakers at Claude Forever included State Senator Scott Wiener and Cal Academy’s Executive Director Scott Sampson. District 7 Supervisor Myrna Melgar and Recreation and Parks General Manager Sarah Madland also jointly announced the renaming of a street near the Academy. The two proudly held aloft the new “Claude the Alligator Way” sign before posing for photos.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Heartfelt notices from Cal Academy that were posted around the park thanked attendees for the outpouring the museum has received since losing Claude. “We’re deeply grateful for the kind messages, warm memories and generous gifts shared in Claude’s honor,” the signs said, “and for the role you’ve played in making his home so beloved.”\u003c/p>\n\u003cfigure id=\"attachment_13985559\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985559\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00276_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00276_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00276_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00276_TV_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260118-claudeforever00276_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jessica Olson wears an accessorized Claude stuffy to the albino alligator’s memorial in Golden Gate Park. \u003ccite>(Tâm Vũ / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/arts/13973095/bay-beats-san-francisco-public-library-streaming-local-musicians\">Bay Beats\u003c/a> is celebrating local music once again with a free concert at Golden Gate Park’s bandshell this Saturday, Oct. 18.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/san-francisco-public-library\">The San Francisco Public Library\u003c/a>’s free streaming service will be hosting math rockers \u003ca href=\"https://www.instagram.com/stilldeer_/?hl=en\">Still Deer\u003c/a>, San Leandro-based rapper \u003ca href=\"https://www.sofarsounds.com/artists/casey-cope\">Casey Cope\u003c/a>, San Jose indie-pop artist \u003ca href=\"https://www.youtube.com/channel/UCu9Dm575IZ4ICBZ-Bm6B9qw\">Pacing\u003c/a> and Oakland garage punks \u003ca href=\"https://wearethestrangeones.bandcamp.com/\">The Strange Ones\u003c/a> as part of the third annual Bay Beats launch party.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4Es5RD5SSPE&list=RD4Es5RD5SSPE&start_radio=1\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13936864/bay-beats-san-francisco-public-library-streaming-local-music\">Founded back in 2023\u003c/a>, the Bay Beats program adds albums of every genre by local musicians to its catalog annually. All four artists appearing on Saturday are new additions to the platform, and represent a tiny fraction of the 180 albums being added to Bay Beats this weekend. The concert is a celebration of these newcomers, and its lineup reflects the eclectic mix music-lovers can find in \u003ca href=\"https://baybeats.sfpl.org/\">the collection\u003c/a>.\u003c/p>\n\u003cp>“We wanted to celebrate with the community that makes our music scene so special,” librarian and Bay Beats team lead Brian Weaver said in a statement. “These artists represent the incredible range of talent we’re adding to our catalog, and we can’t wait to share their sounds with everyone at the park.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In addition to the live music lineup, the afternoon party will include giveaways, games and a set by DJ Apple Gomez. Don’t worry about packing a picnic — there will also be food trucks.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=jYIifBHp_8s\u003c/p>\n\u003cp>Bay Beats gives each of its chosen artists a $250 honorarium to stream their work. (It would take approximately 66,000 Spotify plays to earn the same amount.) Every year, a star panel of judges decides which albums will make it onto the platform after a three-month open submissions period.\u003c/p>\n\u003cp>Bay Beats last held a free concert at the music concourse in May and has previously hosted shows at San Francisco libraries. This Saturday’s show is made possible by sponsorships from Amoeba Music, White Crate, \u003ca href=\"https://www.kqed.org/arts/13839714/bff-fm-celebrates-five-years-of-quirky-eclectic-online-radio\">BFF.fm\u003c/a>, Illuminate and the \u003ca href=\"https://www.kqed.org/news/tag/san-francisco-recreation-and-park-commission\">San Francisco Recreation and Parks Department.\u003c/a>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://baybeats.sfpl.org/special-message\">The 3rd Annual Bay Beats Launch Party, \u003c/a>featuring The Strange Ones, Pacing, Casey Cope and Still Deer, takes place at the Golden Gate Park Bandshell (75 Hagiwara Tea Garden Dr.) between 1 p.m and 5 p.m. on Oct. 18, 2025.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/13973095/bay-beats-san-francisco-public-library-streaming-local-musicians\">Bay Beats\u003c/a> is celebrating local music once again with a free concert at Golden Gate Park’s bandshell this Saturday, Oct. 18.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/san-francisco-public-library\">The San Francisco Public Library\u003c/a>’s free streaming service will be hosting math rockers \u003ca href=\"https://www.instagram.com/stilldeer_/?hl=en\">Still Deer\u003c/a>, San Leandro-based rapper \u003ca href=\"https://www.sofarsounds.com/artists/casey-cope\">Casey Cope\u003c/a>, San Jose indie-pop artist \u003ca href=\"https://www.youtube.com/channel/UCu9Dm575IZ4ICBZ-Bm6B9qw\">Pacing\u003c/a> and Oakland garage punks \u003ca href=\"https://wearethestrangeones.bandcamp.com/\">The Strange Ones\u003c/a> as part of the third annual Bay Beats launch party.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4Es5RD5SSPE'\n title='//www.youtube.com/embed/4Es5RD5SSPE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/13936864/bay-beats-san-francisco-public-library-streaming-local-music\">Founded back in 2023\u003c/a>, the Bay Beats program adds albums of every genre by local musicians to its catalog annually. All four artists appearing on Saturday are new additions to the platform, and represent a tiny fraction of the 180 albums being added to Bay Beats this weekend. The concert is a celebration of these newcomers, and its lineup reflects the eclectic mix music-lovers can find in \u003ca href=\"https://baybeats.sfpl.org/\">the collection\u003c/a>.\u003c/p>\n\u003cp>“We wanted to celebrate with the community that makes our music scene so special,” librarian and Bay Beats team lead Brian Weaver said in a statement. “These artists represent the incredible range of talent we’re adding to our catalog, and we can’t wait to share their sounds with everyone at the park.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In addition to the live music lineup, the afternoon party will include giveaways, games and a set by DJ Apple Gomez. Don’t worry about packing a picnic — there will also be food trucks.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/jYIifBHp_8s'\n title='//www.youtube.com/embed/jYIifBHp_8s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Bay Beats gives each of its chosen artists a $250 honorarium to stream their work. (It would take approximately 66,000 Spotify plays to earn the same amount.) Every year, a star panel of judges decides which albums will make it onto the platform after a three-month open submissions period.\u003c/p>\n\u003cp>Bay Beats last held a free concert at the music concourse in May and has previously hosted shows at San Francisco libraries. This Saturday’s show is made possible by sponsorships from Amoeba Music, White Crate, \u003ca href=\"https://www.kqed.org/arts/13839714/bff-fm-celebrates-five-years-of-quirky-eclectic-online-radio\">BFF.fm\u003c/a>, Illuminate and the \u003ca href=\"https://www.kqed.org/news/tag/san-francisco-recreation-and-park-commission\">San Francisco Recreation and Parks Department.\u003c/a>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://baybeats.sfpl.org/special-message\">The 3rd Annual Bay Beats Launch Party, \u003c/a>featuring The Strange Ones, Pacing, Casey Cope and Still Deer, takes place at the Golden Gate Park Bandshell (75 Hagiwara Tea Garden Dr.) between 1 p.m and 5 p.m. on Oct. 18, 2025.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The full lineup has been announced for the 25th-annual \u003ca href=\"https://www.kqed.org/arts/13810342\">Hardly Strictly Bluegrass Festival\u003c/a>, taking place at Golden Gate Park Oct. 3–5.\u003c/p>\n\u003cp>National treasure Lucinda Williams is a returning artist to the festival, as is Australian guitar wizard Courtney Barnett. Jazz vocal phenom Samara Joy — who routinely sells out headlining shows in the Bay Area — makes her debut, and Robert Earl Keen, who tried to retire from touring a while back, should be a fan favorite.\u003c/p>\n\u003cp>Two other things to look for: the String Cheese Incident’s jam-band sensibilities in a bluegrass festival setting (expect at least one \u003ca href=\"https://www.kqed.org/arts/tag/grateful-dead\">Grateful Dead\u003c/a> cover; it’s Golden Gate Park, after all), and Chuck Prophet’s \u003ca href=\"https://www.kqed.org/arts/13966868/chuck-prophet-and-his-cumbia-shoes-wake-the-dead\">new cumbia project with a band of Latin musicians from Salinas\u003c/a>.\u003c/p>\n\u003cp>Here are the complete daily lineups.\u003c/p>\n\u003ch2>Friday, Oct. 3\u003c/h2>\n\u003cp>ALO\u003cbr>\nThe Altons\u003cbr>\nAmos Lee\u003cbr>\nAnderson East\u003cbr>\nBALTHVS\u003cbr>\nCorey Harris\u003cbr>\nThe Devil Makes Three\u003cbr>\nHannah Cohen\u003cbr>\nMarc Ribot: Map of A Blue City\u003cbr>\nMargaret Glaspy\u003cbr>\nMargo Price\u003cbr>\nThe Mother Hips\u003cbr>\nNathaniel Rateliff & The Night Sweats\u003cbr>\nNitty Gritty Dirt Band\u003cbr>\nPaper Wings\u003cbr>\nPurple Glaze\u003cbr>\nReverend Horton Heat\u003cbr>\nRodney Crowell\u003cbr>\nShawn Colvin\u003cbr>\nThe Singer & The Songwriter\u003cbr>\nSinkane\u003cbr>\nThe War and Treaty\u003c/p>\n\u003ch2>Saturday, Oct. 4\u003c/h2>\n\u003cp>Albert Lee\u003cbr>\nAustin de Lone Tribute w/ Bill Kirchen & Special Guests\u003cbr>\nBuddy Miller\u003cbr>\nCass McCombs\u003cbr>\nCelebration of Hazel Dickens F: Della Mae, Laurie Lewis, and Alice Gerrard\u003cbr>\nCimafunk\u003cbr>\nCourtney Barnett\u003cbr>\nDan Tyminski Band\u003cbr>\nHovvdy\u003cbr>\nHSB @ 25: Stories Behind the Festival\u003cbr>\nJeff Tweedy\u003cbr>\nJontavious Willis\u003cbr>\nJosh Ritter & the Royal City Band\u003cbr>\nKaia Kater\u003cbr>\nMaria Muldaur\u003cbr>\nMax Gomez\u003cbr>\nOlivia Wolf\u003cbr>\nPatty Griffin\u003cbr>\nRobert Earl Keen\u003cbr>\nRosanne Cash\u003cbr>\nRose City Band\u003cbr>\nRosie Flores\u003cbr>\nSam Bush\u003cbr>\nSamara Joy\u003cbr>\nSteve Earle & The Hardly Strictly Dukes\u003cbr>\nSCUFF: Queer Line Dancing Feat. Eric Long Band\u003cbr>\nTopHouse\u003cbr>\nThe Watson Twins\u003cbr>\nYoseff Tucker & The Bow Ties\u003c/p>\n\u003ch2>Sunday, Oct. 5\u003c/h2>\n\u003cp>Alan Sparhawk with Trampled by Turtles\u003cbr>\nAsher Shasho Levy\u003cbr>\nCharlie Parr\u003cbr>\nChuck Prophet and His Cumbia Shoes\u003cbr>\nDengue Fever\u003cbr>\nDougie Poole\u003cbr>\nDry Branch Fire Squad\u003cbr>\nEmmylou Harris\u003cbr>\nEvolfo\u003cbr>\nThe Felice Brothers\u003cbr>\nI’m With Her\u003cbr>\nJimmie Dale Gilmore and the West Texas Exiles\u003cbr>\nJohn Prine: Songs & Souvenirs w/ Jason Wilber & Dave Jacques\u003cbr>\nKelly McFarling\u003cbr>\nLola Kirke\u003cbr>\nLucinda Williams\u003cbr>\nMadeline Hawthorne\u003cbr>\nThe Mekons\u003cbr>\nMoonalice\u003cbr>\nNick Lowe & Los Straitjackets\u003cbr>\nOcie Elliott\u003cbr>\nO Warren Where Art Thou: The Hellman Siblings Remember Their Parents in Song\u003cbr>\nPeter Rowan With Sam Grisman Project Playing “Old & In The Way” & More\u003cbr>\nThe String Cheese Incident\u003cbr>\nTim O’Brien\u003cbr>\nWatchhouse\u003cbr>\nWilliam Prince\u003c/p>\n\u003chr>\n\u003cp>\u003cem>The \u003ca href=\"https://hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass Festival\u003c/a>, completely free, runs Oct. 3–5, 2025 in Golden Gate Park.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The full lineup has been announced for the 25th-annual \u003ca href=\"https://www.kqed.org/arts/13810342\">Hardly Strictly Bluegrass Festival\u003c/a>, taking place at Golden Gate Park Oct. 3–5.\u003c/p>\n\u003cp>National treasure Lucinda Williams is a returning artist to the festival, as is Australian guitar wizard Courtney Barnett. Jazz vocal phenom Samara Joy — who routinely sells out headlining shows in the Bay Area — makes her debut, and Robert Earl Keen, who tried to retire from touring a while back, should be a fan favorite.\u003c/p>\n\u003cp>Two other things to look for: the String Cheese Incident’s jam-band sensibilities in a bluegrass festival setting (expect at least one \u003ca href=\"https://www.kqed.org/arts/tag/grateful-dead\">Grateful Dead\u003c/a> cover; it’s Golden Gate Park, after all), and Chuck Prophet’s \u003ca href=\"https://www.kqed.org/arts/13966868/chuck-prophet-and-his-cumbia-shoes-wake-the-dead\">new cumbia project with a band of Latin musicians from Salinas\u003c/a>.\u003c/p>\n\u003cp>Here are the complete daily lineups.\u003c/p>\n\u003ch2>Friday, Oct. 3\u003c/h2>\n\u003cp>ALO\u003cbr>\nThe Altons\u003cbr>\nAmos Lee\u003cbr>\nAnderson East\u003cbr>\nBALTHVS\u003cbr>\nCorey Harris\u003cbr>\nThe Devil Makes Three\u003cbr>\nHannah Cohen\u003cbr>\nMarc Ribot: Map of A Blue City\u003cbr>\nMargaret Glaspy\u003cbr>\nMargo Price\u003cbr>\nThe Mother Hips\u003cbr>\nNathaniel Rateliff & The Night Sweats\u003cbr>\nNitty Gritty Dirt Band\u003cbr>\nPaper Wings\u003cbr>\nPurple Glaze\u003cbr>\nReverend Horton Heat\u003cbr>\nRodney Crowell\u003cbr>\nShawn Colvin\u003cbr>\nThe Singer & The Songwriter\u003cbr>\nSinkane\u003cbr>\nThe War and Treaty\u003c/p>\n\u003ch2>Saturday, Oct. 4\u003c/h2>\n\u003cp>Albert Lee\u003cbr>\nAustin de Lone Tribute w/ Bill Kirchen & Special Guests\u003cbr>\nBuddy Miller\u003cbr>\nCass McCombs\u003cbr>\nCelebration of Hazel Dickens F: Della Mae, Laurie Lewis, and Alice Gerrard\u003cbr>\nCimafunk\u003cbr>\nCourtney Barnett\u003cbr>\nDan Tyminski Band\u003cbr>\nHovvdy\u003cbr>\nHSB @ 25: Stories Behind the Festival\u003cbr>\nJeff Tweedy\u003cbr>\nJontavious Willis\u003cbr>\nJosh Ritter & the Royal City Band\u003cbr>\nKaia Kater\u003cbr>\nMaria Muldaur\u003cbr>\nMax Gomez\u003cbr>\nOlivia Wolf\u003cbr>\nPatty Griffin\u003cbr>\nRobert Earl Keen\u003cbr>\nRosanne Cash\u003cbr>\nRose City Band\u003cbr>\nRosie Flores\u003cbr>\nSam Bush\u003cbr>\nSamara Joy\u003cbr>\nSteve Earle & The Hardly Strictly Dukes\u003cbr>\nSCUFF: Queer Line Dancing Feat. Eric Long Band\u003cbr>\nTopHouse\u003cbr>\nThe Watson Twins\u003cbr>\nYoseff Tucker & The Bow Ties\u003c/p>\n\u003ch2>Sunday, Oct. 5\u003c/h2>\n\u003cp>Alan Sparhawk with Trampled by Turtles\u003cbr>\nAsher Shasho Levy\u003cbr>\nCharlie Parr\u003cbr>\nChuck Prophet and His Cumbia Shoes\u003cbr>\nDengue Fever\u003cbr>\nDougie Poole\u003cbr>\nDry Branch Fire Squad\u003cbr>\nEmmylou Harris\u003cbr>\nEvolfo\u003cbr>\nThe Felice Brothers\u003cbr>\nI’m With Her\u003cbr>\nJimmie Dale Gilmore and the West Texas Exiles\u003cbr>\nJohn Prine: Songs & Souvenirs w/ Jason Wilber & Dave Jacques\u003cbr>\nKelly McFarling\u003cbr>\nLola Kirke\u003cbr>\nLucinda Williams\u003cbr>\nMadeline Hawthorne\u003cbr>\nThe Mekons\u003cbr>\nMoonalice\u003cbr>\nNick Lowe & Los Straitjackets\u003cbr>\nOcie Elliott\u003cbr>\nO Warren Where Art Thou: The Hellman Siblings Remember Their Parents in Song\u003cbr>\nPeter Rowan With Sam Grisman Project Playing “Old & In The Way” & More\u003cbr>\nThe String Cheese Incident\u003cbr>\nTim O’Brien\u003cbr>\nWatchhouse\u003cbr>\nWilliam Prince\u003c/p>\n\u003chr>\n\u003cp>\u003cem>The \u003ca href=\"https://hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass Festival\u003c/a>, completely free, runs Oct. 3–5, 2025 in Golden Gate Park.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_13979888\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979888\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed.jpg\" alt=\"A woman puckers her lips while showing off pink and red knit gloves and hat, wearing earrings and small sparkly adornments on her face\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Gina Lomeli, “electric fairy,” 40, wears colorful knit wear to Outside Lands on Sunday, August 10, 2025. Lomeli made the gloves, hat and her cardigan by hand. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Music festivals like \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> always bring out hot fits — even in Golden Gate Park’s chilly, foggy mist. This past weekend, photographer Estefany Gonzalez was on the scene at Outside Lands for photos of fans and their festival fashion.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>See more photos and highlights from Outside Lands on \u003ca href=\"https://www.kqed.org/arts/13979757/outside-lands-2025-review-recap-photos-doechii-tyler-the-creator\">Friday\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13979822/outside-lands-review-tyler-the-creator-larussell-gracie-abrams\">Saturday\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13979849/outside-lands-review-photos-anderson-paak-jorja-smith-hozier-ca7riel-paco-amoroso\">Sunday\u003c/a>.\u003c/strong>\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13979893\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979893\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">(L–R) Courtney Willoughby, 18, and her sister Sydney Willoughby, 22, wear coordinated orange outfits at Outside Lands on Sunday, August 10, 2025. The pair wanted to match for their first-ever Outside Lands. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979884\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13979884 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Digital KitKat, 34, a Bay Area based DJ, wears a studded Virgin Mary hat to Outside Lands on Saturday, August 9, 2025. Digital KitKat is one of the many local DJ’ who performed at Casa Bacardí during the three day festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979876\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979876\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Angel Moua, 31, wears a bandana and large sunglasses to Outside Lands on Saturday, August 9, 2025. Moua traveled to Golden Gate Park from Sacramento to attend the festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979891\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979891\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Nori Nakayama, right, poses for a portrait as Glass Animals performs at Outside Lands on Saturday, August 9, 2025. Singer Dave Bayley pointed to Nakayama during Glass Animals’ set and and made note that Nakayama attended the bands first ever Bay Area concert several years ago. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979871\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979871\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Oakland’s Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979878\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979878\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">LaRussell poses for a portrait backstage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979882\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979882\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Daniel Sherman, 36, wears a thrifted fringe jacket to Outside Lands on Saturday, August 9, 2025. Sherman, a regular Oasis patron, was one of the many people enjoying drag performances at the Dolores’ stage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979875\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979875\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Mario Gonzalez, 23, and partner Sara Ramirez, 22, wear bucket hats Ramirez made by hand to Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979889\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979889\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">From left, Nico Cerda, Cami Castro, and Alex Favela, wear matching party hats at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979869\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Baalti poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979894\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979894\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Courtney Willoughby, 18, wears layered necklaces at Outside Lands on Sunday, August 10, 2025. Willoughby attended the festival with her holder sister Sydney Willoughby, and wore coordinated orange outfits. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979895\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979895\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">EJ Viray, 33, dances as Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979890\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979890\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\" />\u003cfigcaption class=\"wp-caption-text\">Paco Amoroso poses for a portrait at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979886\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979886\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Ben Van Deusen, center left, and Victoria Edwards watch Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. The two wore fuzzy blue hats inspired by the one Paco Amoroso had on during Ca7riel and Paco Amoroso’s NPR Tiny Desk performance. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979883\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979883\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Les Tran, 35, cuddles with Joshua Tree, 29, at Outside Lands on Saturday, August 9, 2025. The two met on Grindr an hour before catching a drag performance at Dolores’ stage together. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979881\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979881\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\" />\u003cfigcaption class=\"wp-caption-text\">People cheer as Kitty Litter and Évian perform on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979874\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Tommy Gaerlan, 30, center left, and Jordan Castro, 26, dance as LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979870\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979870\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Oakland Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979880\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979880\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Noah Ketterer, 26, fans himself as he dances at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979872\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979872\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Festival goers dance along the Panhandle stage as Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979873\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979873\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Fans dance in the front of the Lands End Stage as LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
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"excerpt": "At Outside Lands, fans showed up in their freshest festival fits.",
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"title": "Photos: Fan Fashions and Hot Looks at Outside Lands 2025 | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13979888\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979888\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed.jpg\" alt=\"A woman puckers her lips while showing off pink and red knit gloves and hat, wearing earrings and small sparkly adornments on her face\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_091_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Gina Lomeli, “electric fairy,” 40, wears colorful knit wear to Outside Lands on Sunday, August 10, 2025. Lomeli made the gloves, hat and her cardigan by hand. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Music festivals like \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> always bring out hot fits — even in Golden Gate Park’s chilly, foggy mist. This past weekend, photographer Estefany Gonzalez was on the scene at Outside Lands for photos of fans and their festival fashion.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>See more photos and highlights from Outside Lands on \u003ca href=\"https://www.kqed.org/arts/13979757/outside-lands-2025-review-recap-photos-doechii-tyler-the-creator\">Friday\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13979822/outside-lands-review-tyler-the-creator-larussell-gracie-abrams\">Saturday\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13979849/outside-lands-review-photos-anderson-paak-jorja-smith-hozier-ca7riel-paco-amoroso\">Sunday\u003c/a>.\u003c/strong>\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13979893\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979893\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_107_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">(L–R) Courtney Willoughby, 18, and her sister Sydney Willoughby, 22, wear coordinated orange outfits at Outside Lands on Sunday, August 10, 2025. The pair wanted to match for their first-ever Outside Lands. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979884\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13979884 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_064_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Digital KitKat, 34, a Bay Area based DJ, wears a studded Virgin Mary hat to Outside Lands on Saturday, August 9, 2025. Digital KitKat is one of the many local DJ’ who performed at Casa Bacardí during the three day festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979876\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979876\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_043_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Angel Moua, 31, wears a bandana and large sunglasses to Outside Lands on Saturday, August 9, 2025. Moua traveled to Golden Gate Park from Sacramento to attend the festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979891\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979891\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_100_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Nori Nakayama, right, poses for a portrait as Glass Animals performs at Outside Lands on Saturday, August 9, 2025. Singer Dave Bayley pointed to Nakayama during Glass Animals’ set and and made note that Nakayama attended the bands first ever Bay Area concert several years ago. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979871\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979871\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_13_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Oakland’s Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979878\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979878\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_045_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">LaRussell poses for a portrait backstage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979882\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979882\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_062_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Daniel Sherman, 36, wears a thrifted fringe jacket to Outside Lands on Saturday, August 9, 2025. Sherman, a regular Oasis patron, was one of the many people enjoying drag performances at the Dolores’ stage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979875\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979875\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_042_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Mario Gonzalez, 23, and partner Sara Ramirez, 22, wear bucket hats Ramirez made by hand to Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979889\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979889\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_092_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">From left, Nico Cerda, Cami Castro, and Alex Favela, wear matching party hats at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979869\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_06_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Baalti poses for a portrait at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979894\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979894\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_108_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Courtney Willoughby, 18, wears layered necklaces at Outside Lands on Sunday, August 10, 2025. Willoughby attended the festival with her holder sister Sydney Willoughby, and wore coordinated orange outfits. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979895\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979895\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_117_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">EJ Viray, 33, dances as Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979890\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979890\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_096_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\" />\u003cfigcaption class=\"wp-caption-text\">Paco Amoroso poses for a portrait at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979886\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979886\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_089_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Ben Van Deusen, center left, and Victoria Edwards watch Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. The two wore fuzzy blue hats inspired by the one Paco Amoroso had on during Ca7riel and Paco Amoroso’s NPR Tiny Desk performance. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979883\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979883\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_063_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Les Tran, 35, cuddles with Joshua Tree, 29, at Outside Lands on Saturday, August 9, 2025. The two met on Grindr an hour before catching a drag performance at Dolores’ stage together. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979881\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979881\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_060_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\" />\u003cfigcaption class=\"wp-caption-text\">People cheer as Kitty Litter and Évian perform on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979874\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_041_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Tommy Gaerlan, 30, center left, and Jordan Castro, 26, dance as LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979870\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979870\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_12_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Oakland Christie O’ Neill, 35, wears a disco ball helmet at Outside Lands on Friday, August 8, 2025. O’ Neill bought the helmet during a trip to Massachusetts and liked it so much she wore it on the plane ride back to California when it didn’t fit in her luggage. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979880\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979880\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_055_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Noah Ketterer, 26, fans himself as he dances at the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979872\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979872\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outside-Lands_EG_19_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Festival goers dance along the Panhandle stage as Fcukers perform at Outside Lands on Friday, August 8, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979873\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979873\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_036_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-caption-text\">Fans dance in the front of the Lands End Stage as LaRussell performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003c/div>\u003c/p>",
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"slug": "outside-lands-review-photos-anderson-paak-jorja-smith-hozier-ca7riel-paco-amoroso",
"title": "At Outside Lands, Anderson .Paak Pays Homage to the Bay With E-40",
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"headTitle": "At Outside Lands, Anderson .Paak Pays Homage to the Bay With E-40 | KQED",
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"content": "\u003cp>It turns out Anderson .Paak is an honorary Baydestrian. “What the fuck is poppin’? I’m finally home,” the Oxnard-raised MC told the Sunday night \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> crowd, as mist set over \u003ca href=\"https://www.kqed.org/arts/tag/golden-gate-park\">Golden Gate Park\u003c/a>. “I never play around in the Bay ‘cause you guys show me so much love.”\u003c/p>\n\u003cp>Rocking a red plaid kilt and a “Fuck ICE” pin on his beanie, Paak took his perch atop his drum kit, presiding over a funky set that was equal parts laid-back house-party feel and instrumental excellence. He and the Free Nationals were locked in, flowing out of Paak’s drum solos into jazzy keyboard crescendos and sunbursts of brass.\u003c/p>\n\u003cp>[aside postID='arts_13979757']While Hozier headlined the main stage, Paak’s legions of fans at the Twin Peaks stage two-stepped to the provocative “Am I Wrong” (“If she can’t dance / then she can’t — ooh”), puffed their chests to to “Come Down” and turned up as Paak brought out surprise guest Cordae for “RNP.” A particularly vibey moment came when the Free Nationals’ keyboardist, Ron Jerome Arvant, delivered a Zapp-esque cover of Sade’s “\u003ca href=\"https://www.youtube.com/watch?v=C0BLKudnyNo\">Paradise\u003c/a>” on the vocoder, making everyone’s lips involuntarily curl into a stank face.\u003c/p>\n\u003cp>In Paak’s ultimate show of love to the Bay, he brought out none other than \u003ca href=\"https://www.kqed.org/arts/tag/e-40\">E-40\u003c/a> to perform “Tell Me When To Go” so his Outside Lands crowd could go dumb together as the festival closed out its final night.\u003c/p>\n\u003cfigure id=\"attachment_13979853\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979853\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Ca7riel & Paco Amoroso prove they’re on their way to stardom\u003c/h2>\n\u003cp>Ca7riel & Paco Amoroso aren’t household names in the States, but at Outside Lands, their high-wattage star power proved they will be soon. The lovably weird Argentinian rappers took the stage accompanied by a jazz-meets-hip-hop live band with a big brass section, trading verses with a trap cadence while pulling goofy moves like action-figure poses and campy, Mick Jagger-esque hip pops.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Much of their set drew from their EP \u003cem>Papota\u003c/em>, an absurdist parody of their rise to fame since their \u003ca href=\"https://www.youtube.com/watch?v=9kqnsoY94L8\">Tiny Desk concert\u003c/a> blew up earlier this year. “#Tetas,” about a gringo A&R pushing plastic surgery on them to make them marketable, got the audience jumping and rapping along in Spanish. Fans demanded more when their afternoon set was over, and they obliged with an encore, performing “El Único,” their conversational hit about each realizing they’re hooking up with the same girl. As fans held up the Argentinian flag and posters inscribed with lyrics, Ca7riel and Paco shared a smooch and flexed their biceps for an epic finale.\u003c/p>\n\u003cfigure id=\"attachment_13979858\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979858\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jorja Smith performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Jorja Smith’s phenomenal vocals\u003c/h2>\n\u003cp>Jorja Smith transported Outside Lands to a jazz speakeasy with her rich, exquisite voice on Sunday afternoon, opening with a moody take on “Try Me,” whose lyrics are self-protective like a rose’s thorn. During “Feelings,” she sang a duet with one of her angel-voiced backing vocalists. The fresh takes on her discography were a treat for the devoted fans who lined up early for for the British star.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Smith’s performance picked up energy at the end when she sang two of her dance hits, “On My Mind” and “Little Things,” changing the vibe from awestruck appreciation to uninhibited dance party.\u003c/p>\n\u003ch2>More photos and highlights below.\u003c/h2>\n\u003cfigure id=\"attachment_13979861\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979861\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979854\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979854\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Clara Wade, 30, waves an Argentinian flag as Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. Wade traveled from Seattle to see the Argentinian duo perform at Outside Lands. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979857\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979857\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Glass Animals performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979856\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979856\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Harness performs on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979864\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979864\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979865\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979865\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Carmella Truel, center, and friend Noah Gould dance as Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979862\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979862\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Attendees watch Black Coffee perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979855\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979855\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Harness performs on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979852\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979852\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979859\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979859\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979860\" class=\"wp-caption aligncenter\" style=\"max-width: 888px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979860\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed.jpg\" alt=\"\" width=\"888\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed.jpg 888w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed-768x1153.jpg 768w\" sizes=\"auto, (max-width: 888px) 100vw, 888px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "Other highlights from Outside Lands on Sunday included Ca7riel & Paco Amoroso and Jorja Smith. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It turns out Anderson .Paak is an honorary Baydestrian. “What the fuck is poppin’? I’m finally home,” the Oxnard-raised MC told the Sunday night \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> crowd, as mist set over \u003ca href=\"https://www.kqed.org/arts/tag/golden-gate-park\">Golden Gate Park\u003c/a>. “I never play around in the Bay ‘cause you guys show me so much love.”\u003c/p>\n\u003cp>Rocking a red plaid kilt and a “Fuck ICE” pin on his beanie, Paak took his perch atop his drum kit, presiding over a funky set that was equal parts laid-back house-party feel and instrumental excellence. He and the Free Nationals were locked in, flowing out of Paak’s drum solos into jazzy keyboard crescendos and sunbursts of brass.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>While Hozier headlined the main stage, Paak’s legions of fans at the Twin Peaks stage two-stepped to the provocative “Am I Wrong” (“If she can’t dance / then she can’t — ooh”), puffed their chests to to “Come Down” and turned up as Paak brought out surprise guest Cordae for “RNP.” A particularly vibey moment came when the Free Nationals’ keyboardist, Ron Jerome Arvant, delivered a Zapp-esque cover of Sade’s “\u003ca href=\"https://www.youtube.com/watch?v=C0BLKudnyNo\">Paradise\u003c/a>” on the vocoder, making everyone’s lips involuntarily curl into a stank face.\u003c/p>\n\u003cp>In Paak’s ultimate show of love to the Bay, he brought out none other than \u003ca href=\"https://www.kqed.org/arts/tag/e-40\">E-40\u003c/a> to perform “Tell Me When To Go” so his Outside Lands crowd could go dumb together as the festival closed out its final night.\u003c/p>\n\u003cfigure id=\"attachment_13979853\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979853\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_084_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Ca7riel & Paco Amoroso prove they’re on their way to stardom\u003c/h2>\n\u003cp>Ca7riel & Paco Amoroso aren’t household names in the States, but at Outside Lands, their high-wattage star power proved they will be soon. The lovably weird Argentinian rappers took the stage accompanied by a jazz-meets-hip-hop live band with a big brass section, trading verses with a trap cadence while pulling goofy moves like action-figure poses and campy, Mick Jagger-esque hip pops.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Much of their set drew from their EP \u003cem>Papota\u003c/em>, an absurdist parody of their rise to fame since their \u003ca href=\"https://www.youtube.com/watch?v=9kqnsoY94L8\">Tiny Desk concert\u003c/a> blew up earlier this year. “#Tetas,” about a gringo A&R pushing plastic surgery on them to make them marketable, got the audience jumping and rapping along in Spanish. Fans demanded more when their afternoon set was over, and they obliged with an encore, performing “El Único,” their conversational hit about each realizing they’re hooking up with the same girl. As fans held up the Argentinian flag and posters inscribed with lyrics, Ca7riel and Paco shared a smooch and flexed their biceps for an epic finale.\u003c/p>\n\u003cfigure id=\"attachment_13979858\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979858\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_102_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jorja Smith performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Jorja Smith’s phenomenal vocals\u003c/h2>\n\u003cp>Jorja Smith transported Outside Lands to a jazz speakeasy with her rich, exquisite voice on Sunday afternoon, opening with a moody take on “Try Me,” whose lyrics are self-protective like a rose’s thorn. During “Feelings,” she sang a duet with one of her angel-voiced backing vocalists. The fresh takes on her discography were a treat for the devoted fans who lined up early for for the British star.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Smith’s performance picked up energy at the end when she sang two of her dance hits, “On My Mind” and “Little Things,” changing the vibe from awestruck appreciation to uninhibited dance party.\u003c/p>\n\u003ch2>More photos and highlights below.\u003c/h2>\n\u003cfigure id=\"attachment_13979861\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979861\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_111_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979854\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979854\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_088_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Clara Wade, 30, waves an Argentinian flag as Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. Wade traveled from Seattle to see the Argentinian duo perform at Outside Lands. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979857\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979857\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_098_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Glass Animals performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979856\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979856\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_095_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Harness performs on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979864\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979864\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_115_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979865\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979865\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_116_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Carmella Truel, center, and friend Noah Gould dance as Anderson .Paak performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979862\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979862\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_112_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Attendees watch Black Coffee perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979855\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979855\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_093_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Harness performs on the Dolores’ stage at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979852\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979852\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_081_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ca7riel and Paco Amoroso perform at Outside Lands on Sunday, August 10, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979859\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979859\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_109_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13979860\" class=\"wp-caption aligncenter\" style=\"max-width: 888px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13979860\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed.jpg\" alt=\"\" width=\"888\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed.jpg 888w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/08082025_Outsidelands_EG_110_qed-768x1153.jpg 768w\" sizes=\"auto, (max-width: 888px) 100vw, 888px\">\u003cfigcaption class=\"wp-caption-text\">Hozier performs at Outside Lands on Saturday, August 9, 2025. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "Can't Make It to Hardly Strictly? Stream Your Favorite Sets Online",
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"content": "\u003cp>This weekend’s \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass Festival\u003c/a> is free as always, bringing top-class talent to picturesque Golden Gate Park for three days straight — with no corporate sponsors and at zero charge.\u003c/p>\n\u003cp>Our guide to the festival is \u003ca href=\"https://www.kqed.org/news/12007103/hardly-strictly-bluegrass-2024-schedule-parking-maps-road-closures-alcohol\">here\u003c/a>. But what if you don’t want to battle the crowds? Or you live out of state? \u003c/p>\n\u003cp>We’ve got you covered. Below, watch a daily livestream from the festival’s Banjo Stage (\u003ca href=\"https://www.hardlystrictlybluegrass.com/schedule\">schedule here\u003c/a>) to see sets by Mavis Staples, Steve Earle, Emmylou Harris and others. \u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/MLxg0gyJ3P4?si=9TnkQaO_8jfqq-Wq\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This weekend’s \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass Festival\u003c/a> is free as always, bringing top-class talent to picturesque Golden Gate Park for three days straight — with no corporate sponsors and at zero charge.\u003c/p>\n\u003cp>Our guide to the festival is \u003ca href=\"https://www.kqed.org/news/12007103/hardly-strictly-bluegrass-2024-schedule-parking-maps-road-closures-alcohol\">here\u003c/a>. But what if you don’t want to battle the crowds? Or you live out of state? \u003c/p>\n\u003cp>We’ve got you covered. Below, watch a daily livestream from the festival’s Banjo Stage (\u003ca href=\"https://www.hardlystrictlybluegrass.com/schedule\">schedule here\u003c/a>) to see sets by Mavis Staples, Steve Earle, Emmylou Harris and others. \u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/MLxg0gyJ3P4?si=9TnkQaO_8jfqq-Wq\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "fashion-outfits-photos-outside-lands-2024",
"title": "Photos: Fan Fashions and Hot Looks at Outside Lands 2024",
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"headTitle": "Photos: Fan Fashions and Hot Looks at Outside Lands 2024 | KQED",
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"content": "\u003cp>Music festivals like Outside Lands always bring out hot fits — even in Golden Gate Park’s chilly, foggy mist. This past weekend, photographer Estefany Gonzalez was on the scene at Outside Lands for photos of fans and their festival fashion.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>\u003ca href=\"https://www.kqed.org/arts/13962406/chappell-roan-outside-lands-2024-review-photos-sabrina-carpenter-sturgill-simpson\">See photos and read about the weekend’s performances here\u003c/a>\u003c/em>\u003c/strong>. \u003c/p>\n\u003cfigure id=\"attachment_13962488\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962488\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bevon Brye wears a floral ‘Midsommar’-inspired outfit at Outside Lands on Saturday, Aug. 10, 2024.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962507\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962507\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003.jpg\" alt=\"\" width=\"853\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Teagan Paris (left) and Emily Izenman kiss as they wait for Chappell Roan to take the stage at Outside Lands on Sunday, Aug. 11, 2024.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962497\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962497\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ajani Purnell (center) and Lie Burgess dance in front of the Sutro Stage as Channel Tres performs at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962517\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962517\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Aaron Lopez (center) dances to “Hot To Go!” as Chappell Roan performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962469\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962469\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mahlae Balenciaga poses for a portrait backstage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962430\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962430\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Vyvy Nguyen (center) and friends wear matching friendship bracelets at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962428\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962428\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees watch Mel 4Ever perform on the Dolores’ Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962424\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962424\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">From left: Grace Stephenson, Robin Nguyen and Frank Ortiz watch Mel 4Ever perform on the Dolores’ Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962420\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962420\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Brian Andrews and his daughter Chloe Andrews watch Shaboozey perform at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962423\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962423\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Addison Overbay (center) watches The Japanese House perform from the front row of the Lands End Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962414\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962414\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Eric and Rose Dosier cheer as they are pronounced husband and wife at Outside Lands on Friday, Aug. 9, 2024. The Dosiers are among many couples tying the knot at this year’s festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962411\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962411\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">From left: Shirley Shao,Paula Choi, and Paul Hanna strike a pose in their space inspired outfits at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962434\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962434\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Golden State Warriors’ Gary Payton II poses for a portrait at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962466\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962466\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jax poses for a portrait backstage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962485\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962485\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Max Robinson crowd surfs as Schoolboy Q performs at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962496\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962496\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Anabelle Martin and Christian Martin dance as Channel Tres performs at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962415\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005.jpg\" alt=\"\" width=\"853\" height=\"1280\" class=\"size-full wp-image-13962415\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Sean Ryan dons a faux-fur coat he found on OfferUp to stay warm and stylish at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962498\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962498\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of festival goers gather in front of the Lands End Stage to watch Sabrina Carpenter headline Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962508\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962508\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ashley Gaing (center) cheers from the front row of the Lands End Stage as Chappell Roan performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962518\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962518\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nicole Brown (left) and Emily Koehler watch Chappell Roan perform at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962525\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962525\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alexandro Cervantes waves their wig in the air as Uncle Waffles performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962416\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13962416\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Allison Rose (left) and Mike Derb watch Shaboozey perform at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962523\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962523\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Anna Walter (left) and Dre Jameson blow bubbles at the Soma Stage as Uncle Waffles performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962468\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13962468\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nicki Jizz (left) and Yvie Oddly pose for a portrait backstage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962542\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962542\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thao Nguyen and Kyree Lewis (center) dance as Kaytranada performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962533\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962533\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd in front of the Land End Stage clears as Sturgill Simpson set time approaches at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Fans showed up and showed out at Outside Lands in their freshest fits.",
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"title": "Photos: Fan Fashions and Hot Looks at Outside Lands 2024 | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Music festivals like Outside Lands always bring out hot fits — even in Golden Gate Park’s chilly, foggy mist. This past weekend, photographer Estefany Gonzalez was on the scene at Outside Lands for photos of fans and their festival fashion.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>\u003ca href=\"https://www.kqed.org/arts/13962406/chappell-roan-outside-lands-2024-review-photos-sabrina-carpenter-sturgill-simpson\">See photos and read about the weekend’s performances here\u003c/a>\u003c/em>\u003c/strong>. \u003c/p>\n\u003cfigure id=\"attachment_13962488\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962488\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_034-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bevon Brye wears a floral ‘Midsommar’-inspired outfit at Outside Lands on Saturday, Aug. 10, 2024.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962507\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962507\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003.jpg\" alt=\"\" width=\"853\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_003-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Teagan Paris (left) and Emily Izenman kiss as they wait for Chappell Roan to take the stage at Outside Lands on Sunday, Aug. 11, 2024.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962497\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962497\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_043-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ajani Purnell (center) and Lie Burgess dance in front of the Sutro Stage as Channel Tres performs at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962517\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962517\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_013-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Aaron Lopez (center) dances to “Hot To Go!” as Chappell Roan performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962469\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962469\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_015-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mahlae Balenciaga poses for a portrait backstage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962430\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962430\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_020-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Vyvy Nguyen (center) and friends wear matching friendship bracelets at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962428\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962428\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_018-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees watch Mel 4Ever perform on the Dolores’ Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962424\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962424\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_014-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">From left: Grace Stephenson, Robin Nguyen and Frank Ortiz watch Mel 4Ever perform on the Dolores’ Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962420\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962420\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_010-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Brian Andrews and his daughter Chloe Andrews watch Shaboozey perform at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962423\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962423\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_013-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Addison Overbay (center) watches The Japanese House perform from the front row of the Lands End Stage at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962414\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962414\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Eric and Rose Dosier cheer as they are pronounced husband and wife at Outside Lands on Friday, Aug. 9, 2024. The Dosiers are among many couples tying the knot at this year’s festival. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962411\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962411\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">From left: Shirley Shao,Paula Choi, and Paul Hanna strike a pose in their space inspired outfits at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962434\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962434\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_024-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Golden State Warriors’ Gary Payton II poses for a portrait at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962466\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962466\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_012-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jax poses for a portrait backstage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962485\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962485\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_031-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Max Robinson crowd surfs as Schoolboy Q performs at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962496\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962496\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_042-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Anabelle Martin and Christian Martin dance as Channel Tres performs at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962415\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005.jpg\" alt=\"\" width=\"853\" height=\"1280\" class=\"size-full wp-image-13962415\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_005-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Sean Ryan dons a faux-fur coat he found on OfferUp to stay warm and stylish at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962498\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962498\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_044-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of festival goers gather in front of the Lands End Stage to watch Sabrina Carpenter headline Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962508\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962508\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ashley Gaing (center) cheers from the front row of the Lands End Stage as Chappell Roan performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962518\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962518\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_014A-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nicole Brown (left) and Emily Koehler watch Chappell Roan perform at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962525\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962525\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_021-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alexandro Cervantes waves their wig in the air as Uncle Waffles performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962416\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13962416\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240809_OutsideLands__EG_006-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Allison Rose (left) and Mike Derb watch Shaboozey perform at Outside Lands on Friday, Aug. 9, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962523\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962523\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_019-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Anna Walter (left) and Dre Jameson blow bubbles at the Soma Stage as Uncle Waffles performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962468\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13962468\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240810_OutsideLands__EG_014-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nicki Jizz (left) and Yvie Oddly pose for a portrait backstage at Outside Lands on Saturday, Aug. 10, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962542\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962542\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thao Nguyen and Kyree Lewis (center) dance as Kaytranada performs at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13962533\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962533\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_029-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd in front of the Land End Stage clears as Sturgill Simpson set time approaches at Outside Lands on Sunday, Aug. 11, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Imagine that you’re with your sweetie during the Postal Service’s set at \u003ca href=\"https://www.kqed.org/arts/13956373/outside-lands-lineup-2024-san-francisco\">Outside Lands\u003c/a>, and you’re \u003ca href=\"https://youtu.be/0wrsZog8qXg?si=BauxWOBgK3aEI_9k\">thinking it’s a sign that the freckles in your eyes are mirror images\u003c/a>, and when you kiss they’re perfectly aligned. If you know you want to spend forever with this person, good news: you can now get legally married at Outside Lands. [aside postid='arts_13956373']\u003c/p>\n\u003cp>When the music festival returns to San Francisco’s Golden Gate Park this August, it will feature a wedding venue called \u003ca href=\"https://sfoutsidelands.com/city-hall/city-hall/\">City Hall\u003c/a>. Ticketholders looking to tie the knot during the downtime between their favorite artists now have the option of a small ceremony with an officiant, wedding photographer and seating for guests. It comes with a $350 price tag (on top of festival tickets), and gives you access to a locker for the day, drink tickets and a wedding lounge to get glammed up.\u003c/p>\n\u003cp>It’s important to note that couples must B.Y.O.-\u003ca href=\"https://www.sf.gov/get-marriage-license\">marriage license\u003c/a>, which is easy to apply for online and can be picked up same day. Couples renewing their vows must bring a copy of their marriage certificate.\u003c/p>\n\u003cp>The addition of the wedding venue — located along McLaren Pass, between the Polo Fields and the Panhandle Stage — coincides with the \u003ca href=\"https://www.sf.gov/news/san-francisco-celebrates-winter-love-20-year-anniversary-marking-historic-milestone-same-sex\">20th anniversary of the “Winter of Love,”\u003c/a> when then-Mayor Gavin Newsom began issuing marriage licenses to San Francisco same-sex couples in 2004. Outside Lands plans to donate a portion of proceeds from these ceremonies to \u003ca href=\"https://lambdalegal.org/\">Lambda Legal\u003c/a>, an LGBTQ+ rights nonprofit.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Outside Lands takes place in San Francisco’s Golden Gate Park Aug. 9-11, featuring Tyler, the Creator, the Killers, Sturgill Simpson, Post Malone, Tyla, the Postal Service and more. \u003ca href=\"https://www.sfoutsidelands.com/\">Tickets and details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Imagine that you’re with your sweetie during the Postal Service’s set at \u003ca href=\"https://www.kqed.org/arts/13956373/outside-lands-lineup-2024-san-francisco\">Outside Lands\u003c/a>, and you’re \u003ca href=\"https://youtu.be/0wrsZog8qXg?si=BauxWOBgK3aEI_9k\">thinking it’s a sign that the freckles in your eyes are mirror images\u003c/a>, and when you kiss they’re perfectly aligned. If you know you want to spend forever with this person, good news: you can now get legally married at Outside Lands. \u003c/p>\u003c/div>",
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"content": "\u003cp>Deftones, System of a Down and The Mars Volta will play in San Francisco’s Golden Gate Park this August, inaugurating a new annual event on the same site as the Outside Lands music festival.\u003c/p>\n\u003cp>The one-day concert will take place in Golden Gate Park’s Polo Fields on Aug. 17, 2024 for an audience of up to 65,000 people. The lineup also includes Swedish punks \u003ca href=\"https://www.vboysstockholm.com/\">Viagra Boys\u003c/a> and Australian industrial rockers \u003ca href=\"https://www.vowwsband.com/\">VOWWS\u003c/a>. The concert is expected to be the only West Coast date for System of a Down in 2024 outside of this month’s \u003ca href=\"https://www.sicknewworldfest.com/\">Sick New World\u003c/a> festival in Las Vegas.\u003c/p>\n\u003cp>Presented by Another Planet Entertainment, which also produces Outside Lands, the single-stage concert will take place on the weekend following Outside Lands. The concert’s proximity to Outside Lands means it will utilize much of the infrastructure from the weekend before, not unlike the country music-oriented Stagecoach festival, which takes place in Indio on the weekend following Coachella, or Napa’s Latin-music themed Festival La Onda, which this year follows the BottleRock music festival.\u003c/p>\n\u003cp>\u003ca href=\"https://goldengateparkconcerts.com/\">Tickets for the festival\u003c/a> are priced at $169 for general admission and $399 for VIP tickets plus fees. VIP guests will get expedited entry and have access to a closer views of the stage, lounges and upgraded bathrooms. Tickets officially go on sale on April 12, but \u003ca href=\"https://www.ticketmaster.com/event/1C006084BF4C4CF8?camefrom=CFC_ANOTHERPLANET_GGPCWEB&brand=anotherplanet\">Another Planet’s presale\u003c/a> starts on April 11 at 10 a.m. using the presale code \u003cstrong>golden\u003c/strong>.\u003c/p>\n\u003cp>[aside postID='news_11960570']Deftones and VOWWS last appeared in San Francisco together at a sold-out show at Bill Graham Civic Auditorium in April 2022 — a concert that was twice delayed by the COVID pandemic. Though Sacramento heroes Deftones are well-versed in playing for huge crowds at European festivals like Rock Am Ring and Reading/Leeds, this will be their biggest Bay Area concert to date.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The concert is the first to be produced under Another Planet’s newly formed Golden Gate Park Concerts banner. In September of 2023, \u003ca href=\"https://www.kqed.org/news/11960570/sfs-golden-gate-park-may-soon-host-new-concert-series-from-producers-of-outside-lands\">San Francisco’s Board of Supervisors approved additional concerts in Golden Gate Park\u003c/a>, with the stipulation that Another Planet produce three free concerts at the Civic Center, Union Square and the Embarcadero. The city also granted Another Planet exclusive rights to producing ticketed concerts in Golden Gate Park.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are excited to be bringing such an iconic lineup to the city,” Allen Scott, Another Planet’s president of concerts and festivals, said in a statement. “We are expecting fans from not just the Bay Area but from across the US and internationally.”\u003c/p>\n\n",
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"title": "Ticket Alert: System of a Down, Deftones Concert Presale Code in SF | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Deftones, System of a Down and The Mars Volta will play in San Francisco’s Golden Gate Park this August, inaugurating a new annual event on the same site as the Outside Lands music festival.\u003c/p>\n\u003cp>The one-day concert will take place in Golden Gate Park’s Polo Fields on Aug. 17, 2024 for an audience of up to 65,000 people. The lineup also includes Swedish punks \u003ca href=\"https://www.vboysstockholm.com/\">Viagra Boys\u003c/a> and Australian industrial rockers \u003ca href=\"https://www.vowwsband.com/\">VOWWS\u003c/a>. The concert is expected to be the only West Coast date for System of a Down in 2024 outside of this month’s \u003ca href=\"https://www.sicknewworldfest.com/\">Sick New World\u003c/a> festival in Las Vegas.\u003c/p>\n\u003cp>Presented by Another Planet Entertainment, which also produces Outside Lands, the single-stage concert will take place on the weekend following Outside Lands. The concert’s proximity to Outside Lands means it will utilize much of the infrastructure from the weekend before, not unlike the country music-oriented Stagecoach festival, which takes place in Indio on the weekend following Coachella, or Napa’s Latin-music themed Festival La Onda, which this year follows the BottleRock music festival.\u003c/p>\n\u003cp>\u003ca href=\"https://goldengateparkconcerts.com/\">Tickets for the festival\u003c/a> are priced at $169 for general admission and $399 for VIP tickets plus fees. VIP guests will get expedited entry and have access to a closer views of the stage, lounges and upgraded bathrooms. Tickets officially go on sale on April 12, but \u003ca href=\"https://www.ticketmaster.com/event/1C006084BF4C4CF8?camefrom=CFC_ANOTHERPLANET_GGPCWEB&brand=anotherplanet\">Another Planet’s presale\u003c/a> starts on April 11 at 10 a.m. using the presale code \u003cstrong>golden\u003c/strong>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Deftones and VOWWS last appeared in San Francisco together at a sold-out show at Bill Graham Civic Auditorium in April 2022 — a concert that was twice delayed by the COVID pandemic. Though Sacramento heroes Deftones are well-versed in playing for huge crowds at European festivals like Rock Am Ring and Reading/Leeds, this will be their biggest Bay Area concert to date.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The concert is the first to be produced under Another Planet’s newly formed Golden Gate Park Concerts banner. In September of 2023, \u003ca href=\"https://www.kqed.org/news/11960570/sfs-golden-gate-park-may-soon-host-new-concert-series-from-producers-of-outside-lands\">San Francisco’s Board of Supervisors approved additional concerts in Golden Gate Park\u003c/a>, with the stipulation that Another Planet produce three free concerts at the Civic Center, Union Square and the Embarcadero. The city also granted Another Planet exclusive rights to producing ticketed concerts in Golden Gate Park.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are excited to be bringing such an iconic lineup to the city,” Allen Scott, Another Planet’s president of concerts and festivals, said in a statement. “We are expecting fans from not just the Bay Area but from across the US and internationally.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Kendrick Lamar, Janelle Monáe, Megan Thee Stallion Light Up Outside Lands",
"headTitle": "Kendrick Lamar, Janelle Monáe, Megan Thee Stallion Light Up Outside Lands | KQED",
"content": "\u003cp>\u003cem>This story has been updated. It was first published on Aug. 12, 2023. \u003c/em>\u003c/p>\n\u003cp>It turns out Kendrick Lamar only needs a microphone to show why he’s a titan of rap.\u003c/p>\n\u003cp>At \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> Friday night, Lamar took the stage bathed in blue light and immediately got down to business, delivering a crisp, refined set that underscored his stature as a poet. Even as the crowd, tens of thousands of fans deep, went wild for hits like “Swimming Pools” off 2012’s \u003ci>good kid, m.A.A.D. city\u003c/i> and “DNA” from 2017’s \u003ci>DAMN.\u003c/i>, Lamar’s minimalist stage setup underscored the emotional depth of his words: ancestral curses, internal conflicts, specters of trauma that linger even in moments of triumph.\u003c/p>\n\u003cfigure id=\"attachment_13933060\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933060\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar headlines Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>His group of male dancers, dressed in eerily identical outfits, moved in unison, following Lamar around the stage like the physical embodiment of his embattled subconscious. Meanwhile, paintings by \u003ca href=\"https://www.newyorker.com/magazine/2018/07/30/henry-taylors-promiscuous-painting\">Henry Taylor\u003c/a> hung as backdrops, its subjects making uncomfortably direct eye contact with the crowd. Even as the audience happily sang out “what’s the yams?” during “King Kunta” or jumped and chanted “Ya! Ya! Ya!” during “m.A.A.d. City,” Lamar never let the audience float into escapism for too long.\u003c/p>\n\u003cp>Though his set fell on the 50th anniversary of hip-hop culture, he didn’t stop to acknowledge the occasion, and didn’t bring out surprise guests. But he didn’t need to — this night was about his power of bringing together the collective through excavations of his most intimate pain. \u003cem>\u003cspan style=\"font-weight: 400\">—Nastia Voynovskaya\u003c/span>\u003c/em>\u003c/p>\n\u003ch2>More Outside Lands highlights\u003c/h2>\n\u003cfigure id=\"attachment_13933112\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933112\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Megan Thee Stallion\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At Outside Lands Sunday, the hotties were at the ready, chanting “Megan! Megan!” and clutching their friends in anticipation. Then, to the chorus of “Her,” she appeared with a cascade of waist-length red hair framing her silhouette and prepared to set the mic ablaze.\u003c/p>\n\u003cp>Megan Thee Stallion’s set was pure energy. She rapped sex-positive anthems like “Freak Nasty” and “Captain Hook” with precision while performing complicated choreography for almost an hour nonstop. She twerked a dozen different ways, showing off her world-famous knee strength. A high-energy crew of male and female dancers dressed in baby pink surrounded her as she shimmered in a glittery pink corset. (It started to break halfway through the show because of how hard she was going.)\u003c/p>\n\u003cp>Not only is Megan Thee Stallion an icon of female sexual empowerment, she’s a beacon for those who’ve risen above obstacles. Appearing to briefly address the hardships she endured after surviving a shooting at the hands of Tory Lanez, she told the audience, “Being a hottie is not easy. … Fuck all my haters, none of that shit you was doing or sayin’ broke me.” Tens of thousands of dedicated fans gave her detractors the middle finger as she rapped “What’s New.” But she seemed ready to put that pain behind her. After signing a few audience members’ graduation caps, Megan’s fun-loving mood was contagious as she triumphantly closed out the evening with one of her biggest hits, “Savage.” \u003ci>—Nastia Voynovskaya\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933128\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933128\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Tobe Nwigwe performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Tobe Nwigwe\u003c/b>\u003c/p>\n\u003cp>Tobe Nwigwe’s Sunday evening set made it clear: the man moves with intention. As if performing inside an art installation, he sang and rapped soulfully beneath a chorus of gospel singers, with tulle-draped dancers twirling delicately around him. Everything, from the set to the outfits, was mint green. Nwigwe’s uber-talented ensemble included his wife Fat Nwigwe, who rapped during a fiery crescendo as she and Tobe held hands with their two young daughters, both of whom got to say an adorable “bye!” into the microphone. He ended the night with the cheeky “Try Jesus”: “Try Jesus / not me / ’cause I throw hands.” \u003ci>—Nastia Voynovskaya\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933117\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933117\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Per Sia strikes a pose at Outside Land’s new open-air dance club Dolores’ on on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Dolores’\u003c/b>\u003cbr>\nA new and welcome addition to Outside Lands, the queer nightlife stage Dolores’ was lit throughout the weekend. The “open-air” dance club was a nonstop party that spotlighted Bay Area party collectives Fake and Gay and Hard French, as well as Oasis, the best drag venue in the City. Swinging by Dolores’ on the way to the Land’s End stage offered a quick dance break to house beats and hyperpop Britney Spears remixes, or a chance to see top-tier drag talent like Nikki Jizz, the star and curator of the all-Black drag show \u003cem>Reparations\u003c/em>. With so many people traveling to Outside Lands from out of town and out of state, Dolores’ gave San Francisco’s queer and trans performers the extra spotlight they deserve. Let’s hope it becomes a permanent fixture. \u003ci>—Nastia Voynovskaya\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933090\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933090\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Zack Fox performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Zack Fox\u003c/strong>\u003c/p>\n\u003cp>On Saturday, Zack Fox had his audience cackling before he rapped a single bar — or crowd surfed before 3 p.m. Repping Waffle House on a camo long-sleeve, the rapper and \u003ci>Abbott Elementary\u003c/i> actor delivered as many laughs as he did beats. The crowd rapped along to every witty verse from his 2019 track “The Bean Kicked In,” which unsubtly references his attraction to Michelle Obama. And they already had the words memorized to his single “dummy,” which debuted the day before his Outside Lands performance. Fox’s set had the energy of a stand-up comedy show, and he closed it with “Jesus Is the One (I Got Depression).” \u003cem>—Olivia Cruz Mayeda\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13933073\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933073\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Invisibl Skratch Piklz perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Invisibl Skratch Piklz\u003c/strong>\u003c/p>\n\u003cp>Bay Area Filipino DJ legends QBert and D-Styles reaffirmed for the nth time on Saturday why they’re world champions of turntablism. Joined by San Francisco DJ and producer Dan the Automator, the hoodie and puffer-clad trio gave a sonically delicious set that included their rendition of “To Catch a Thief” by Lovage, one of Dan the Automator’s collaborations from a long list of projects that also includes Gorillaz and Deltron 3030.\u003c/p>\n\u003cp>Sliding smoothly from beat to beat, the DJs started off with ease, expertly cranking up the lifeforce of the audience with every epic break. Once the beat reached the pace of a sprinter’s pulse, their scratches — ranging from high whistles to deep bellows that could’ve come from the earth herself — animated the dense crowd again and again. QBert and D-Styles bodyrocked in unison, giving each other appreciative nods and smiles as they have been for decades. \u003ci>—Olivia Cruz Mayeda\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933076\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933076\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Maggie Rogers performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Maggie Rogers\u003c/strong>\u003c/p>\n\u003cp>Striding and strutting through “Fallingwater” and her cover of “I Wanna Dance with Somebody,” Maggie Rogers worked the stage like a runway, her buoyant energy beaming through the onslaught of heavy fog that became light rain on Saturday evening. Her performance felt punk rock, folksy or indie pop at any given moment, and was as multidimensional as her fit: sunshine yellow leggings, a black leather mini skirt and bright pink eyeshadow.\u003c/p>\n\u003cp>After Rogers asked, “Is anybody out there in love right now?” to a frankly pitiful crowd response — you alright there, San Francisco? — she got everyone deeper in their feels with her 2021 hit “Love You for a Long Time.” Her performance of “Alaska” isolated her impassioned vocals for its first few verses, breaking from the recorded song and amplifying the chorus of festival goers hundreds of rows deep. “That song makes me feel like a goddamn pop star,” Rogers said. \u003ci>—Olivia Cruz Mayeda\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933045\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933045\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Janelle Monáe\u003c/b>\u003c/p>\n\u003cp>With their latest album, Janelle Monáe has dubbed this summer \u003ci>The Age of Pleasure\u003c/i>, and onstage Friday at Outside Lands, a pansexual pool party unfolded between giant beach balls as Monáe luxuriated in each sensual lyric of “Lipstick Lover” and “Water Slide.” Monáe and their dancers donned matching bodysuits and swim caps, while the horn section performed with towels wrapped around their waists. Despite the gimmicks, it was really Monáe’s strong, resounding vocals that impressed the most. During a warm moment of appreciation, they reflected to the audience: “To be Black, to be queer, to be nonbinary and have family like you is a blessing.” \u003cem>\u003cspan style=\"font-weight: 400\">—Nastia Voynovskaya\u003c/span>\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13933047\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933047\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Cuco performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Cuco\u003c/b>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Washed-out psychedelia, cumbia and lovers rock swirled during Cuco’s Friday afternoon set as the singer slowly revealed his multi-instrumentalist status. Two trumpet solos, a guitar solo and lots of tinkering on his Yamaha synth showed him in a playful and inspired mood. At the end of the set, he confessed, “Last time I was out here I was dealing with a lot of substance abuse issues, and now I’m here a year sober.” The audience met him with warm, encouraging applause. \u003cem>\u003cspan style=\"font-weight: 400\">—Nastia Voynovskaya\u003c/span>\u003c/em>\u003c/p>\n\u003ch2>More photos from Outside Lands:\u003c/h2>\n\u003cfigure id=\"attachment_13933044\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933044\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933058\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933058\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar headlines Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933056\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933056\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Willow performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933041\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933041\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">La Doña at the Lands End VIP viewing area on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933051\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933051\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">J.I.D performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933042\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933042\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933049\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933049\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alex G performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933061\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933061\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933059\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933059\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar headlines Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933043\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933043\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933054\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933054\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Willow performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933053\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933053\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">J.I.D performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933050\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933050\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933093\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933093\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933078\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933078\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Maggie Rogers performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933066\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933066\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adore Delano at Outside Land’s new open-air dance club Dolores’ during the Oasis Princess dance party. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933098\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933098\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adore Delano performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933086\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933086\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tito Soto performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933083\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933083\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">No Vacation perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933084\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933084\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">No Vacation perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933080\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933080\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Manila Grey perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933069\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933069\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Foo Fighters headline Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933068\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933068\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Foo Fighters headline Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933091\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933091\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933108\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933108\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933105\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933105\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lil Yachty performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933115\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933115\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">ODESZA headline Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933118\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933118\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Poolside performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933110\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933110\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933130\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933130\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees dance at the Hard French QUICHE party on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933124\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933124\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933123\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933123\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "The 2023 festival in San Francisco debuted a new queer nightlife stage alongside its big-name headliners. ",
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"twTitle": "Kendrick Lamar, Janelle Monáe, Megan Thee Stallion Light Up Outside Lands",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This story has been updated. It was first published on Aug. 12, 2023. \u003c/em>\u003c/p>\n\u003cp>It turns out Kendrick Lamar only needs a microphone to show why he’s a titan of rap.\u003c/p>\n\u003cp>At \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> Friday night, Lamar took the stage bathed in blue light and immediately got down to business, delivering a crisp, refined set that underscored his stature as a poet. Even as the crowd, tens of thousands of fans deep, went wild for hits like “Swimming Pools” off 2012’s \u003ci>good kid, m.A.A.D. city\u003c/i> and “DNA” from 2017’s \u003ci>DAMN.\u003c/i>, Lamar’s minimalist stage setup underscored the emotional depth of his words: ancestral curses, internal conflicts, specters of trauma that linger even in moments of triumph.\u003c/p>\n\u003cfigure id=\"attachment_13933060\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933060\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar headlines Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>His group of male dancers, dressed in eerily identical outfits, moved in unison, following Lamar around the stage like the physical embodiment of his embattled subconscious. Meanwhile, paintings by \u003ca href=\"https://www.newyorker.com/magazine/2018/07/30/henry-taylors-promiscuous-painting\">Henry Taylor\u003c/a> hung as backdrops, its subjects making uncomfortably direct eye contact with the crowd. Even as the audience happily sang out “what’s the yams?” during “King Kunta” or jumped and chanted “Ya! Ya! Ya!” during “m.A.A.d. City,” Lamar never let the audience float into escapism for too long.\u003c/p>\n\u003cp>Though his set fell on the 50th anniversary of hip-hop culture, he didn’t stop to acknowledge the occasion, and didn’t bring out surprise guests. But he didn’t need to — this night was about his power of bringing together the collective through excavations of his most intimate pain. \u003cem>\u003cspan style=\"font-weight: 400\">—Nastia Voynovskaya\u003c/span>\u003c/em>\u003c/p>\n\u003ch2>More Outside Lands highlights\u003c/h2>\n\u003cfigure id=\"attachment_13933112\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933112\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Megan Thee Stallion\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At Outside Lands Sunday, the hotties were at the ready, chanting “Megan! Megan!” and clutching their friends in anticipation. Then, to the chorus of “Her,” she appeared with a cascade of waist-length red hair framing her silhouette and prepared to set the mic ablaze.\u003c/p>\n\u003cp>Megan Thee Stallion’s set was pure energy. She rapped sex-positive anthems like “Freak Nasty” and “Captain Hook” with precision while performing complicated choreography for almost an hour nonstop. She twerked a dozen different ways, showing off her world-famous knee strength. A high-energy crew of male and female dancers dressed in baby pink surrounded her as she shimmered in a glittery pink corset. (It started to break halfway through the show because of how hard she was going.)\u003c/p>\n\u003cp>Not only is Megan Thee Stallion an icon of female sexual empowerment, she’s a beacon for those who’ve risen above obstacles. Appearing to briefly address the hardships she endured after surviving a shooting at the hands of Tory Lanez, she told the audience, “Being a hottie is not easy. … Fuck all my haters, none of that shit you was doing or sayin’ broke me.” Tens of thousands of dedicated fans gave her detractors the middle finger as she rapped “What’s New.” But she seemed ready to put that pain behind her. After signing a few audience members’ graduation caps, Megan’s fun-loving mood was contagious as she triumphantly closed out the evening with one of her biggest hits, “Savage.” \u003ci>—Nastia Voynovskaya\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933128\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933128\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Tobe Nwigwe performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Tobe Nwigwe\u003c/b>\u003c/p>\n\u003cp>Tobe Nwigwe’s Sunday evening set made it clear: the man moves with intention. As if performing inside an art installation, he sang and rapped soulfully beneath a chorus of gospel singers, with tulle-draped dancers twirling delicately around him. Everything, from the set to the outfits, was mint green. Nwigwe’s uber-talented ensemble included his wife Fat Nwigwe, who rapped during a fiery crescendo as she and Tobe held hands with their two young daughters, both of whom got to say an adorable “bye!” into the microphone. He ended the night with the cheeky “Try Jesus”: “Try Jesus / not me / ’cause I throw hands.” \u003ci>—Nastia Voynovskaya\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933117\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933117\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Per Sia strikes a pose at Outside Land’s new open-air dance club Dolores’ on on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Dolores’\u003c/b>\u003cbr>\nA new and welcome addition to Outside Lands, the queer nightlife stage Dolores’ was lit throughout the weekend. The “open-air” dance club was a nonstop party that spotlighted Bay Area party collectives Fake and Gay and Hard French, as well as Oasis, the best drag venue in the City. Swinging by Dolores’ on the way to the Land’s End stage offered a quick dance break to house beats and hyperpop Britney Spears remixes, or a chance to see top-tier drag talent like Nikki Jizz, the star and curator of the all-Black drag show \u003cem>Reparations\u003c/em>. With so many people traveling to Outside Lands from out of town and out of state, Dolores’ gave San Francisco’s queer and trans performers the extra spotlight they deserve. Let’s hope it becomes a permanent fixture. \u003ci>—Nastia Voynovskaya\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933090\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933090\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Zack Fox performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Zack Fox\u003c/strong>\u003c/p>\n\u003cp>On Saturday, Zack Fox had his audience cackling before he rapped a single bar — or crowd surfed before 3 p.m. Repping Waffle House on a camo long-sleeve, the rapper and \u003ci>Abbott Elementary\u003c/i> actor delivered as many laughs as he did beats. The crowd rapped along to every witty verse from his 2019 track “The Bean Kicked In,” which unsubtly references his attraction to Michelle Obama. And they already had the words memorized to his single “dummy,” which debuted the day before his Outside Lands performance. Fox’s set had the energy of a stand-up comedy show, and he closed it with “Jesus Is the One (I Got Depression).” \u003cem>—Olivia Cruz Mayeda\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13933073\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933073\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Invisibl Skratch Piklz perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Invisibl Skratch Piklz\u003c/strong>\u003c/p>\n\u003cp>Bay Area Filipino DJ legends QBert and D-Styles reaffirmed for the nth time on Saturday why they’re world champions of turntablism. Joined by San Francisco DJ and producer Dan the Automator, the hoodie and puffer-clad trio gave a sonically delicious set that included their rendition of “To Catch a Thief” by Lovage, one of Dan the Automator’s collaborations from a long list of projects that also includes Gorillaz and Deltron 3030.\u003c/p>\n\u003cp>Sliding smoothly from beat to beat, the DJs started off with ease, expertly cranking up the lifeforce of the audience with every epic break. Once the beat reached the pace of a sprinter’s pulse, their scratches — ranging from high whistles to deep bellows that could’ve come from the earth herself — animated the dense crowd again and again. QBert and D-Styles bodyrocked in unison, giving each other appreciative nods and smiles as they have been for decades. \u003ci>—Olivia Cruz Mayeda\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933076\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933076\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Maggie Rogers performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Maggie Rogers\u003c/strong>\u003c/p>\n\u003cp>Striding and strutting through “Fallingwater” and her cover of “I Wanna Dance with Somebody,” Maggie Rogers worked the stage like a runway, her buoyant energy beaming through the onslaught of heavy fog that became light rain on Saturday evening. Her performance felt punk rock, folksy or indie pop at any given moment, and was as multidimensional as her fit: sunshine yellow leggings, a black leather mini skirt and bright pink eyeshadow.\u003c/p>\n\u003cp>After Rogers asked, “Is anybody out there in love right now?” to a frankly pitiful crowd response — you alright there, San Francisco? — she got everyone deeper in their feels with her 2021 hit “Love You for a Long Time.” Her performance of “Alaska” isolated her impassioned vocals for its first few verses, breaking from the recorded song and amplifying the chorus of festival goers hundreds of rows deep. “That song makes me feel like a goddamn pop star,” Rogers said. \u003ci>—Olivia Cruz Mayeda\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933045\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933045\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Janelle Monáe\u003c/b>\u003c/p>\n\u003cp>With their latest album, Janelle Monáe has dubbed this summer \u003ci>The Age of Pleasure\u003c/i>, and onstage Friday at Outside Lands, a pansexual pool party unfolded between giant beach balls as Monáe luxuriated in each sensual lyric of “Lipstick Lover” and “Water Slide.” Monáe and their dancers donned matching bodysuits and swim caps, while the horn section performed with towels wrapped around their waists. Despite the gimmicks, it was really Monáe’s strong, resounding vocals that impressed the most. During a warm moment of appreciation, they reflected to the audience: “To be Black, to be queer, to be nonbinary and have family like you is a blessing.” \u003cem>\u003cspan style=\"font-weight: 400\">—Nastia Voynovskaya\u003c/span>\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13933047\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933047\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Cuco performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Cuco\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Washed-out psychedelia, cumbia and lovers rock swirled during Cuco’s Friday afternoon set as the singer slowly revealed his multi-instrumentalist status. Two trumpet solos, a guitar solo and lots of tinkering on his Yamaha synth showed him in a playful and inspired mood. At the end of the set, he confessed, “Last time I was out here I was dealing with a lot of substance abuse issues, and now I’m here a year sober.” The audience met him with warm, encouraging applause. \u003cem>\u003cspan style=\"font-weight: 400\">—Nastia Voynovskaya\u003c/span>\u003c/em>\u003c/p>\n\u003ch2>More photos from Outside Lands:\u003c/h2>\n\u003cfigure id=\"attachment_13933044\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933044\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933058\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933058\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar headlines Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933056\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933056\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Willow performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933041\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933041\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">La Doña at the Lands End VIP viewing area on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933051\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933051\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">J.I.D performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933042\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933042\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933049\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933049\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alex G performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933061\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933061\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933059\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933059\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar headlines Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933043\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933043\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933054\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933054\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Willow performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933053\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933053\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">J.I.D performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933050\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933050\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933093\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933093\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933078\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933078\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Maggie Rogers performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933066\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933066\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adore Delano at Outside Land’s new open-air dance club Dolores’ during the Oasis Princess dance party. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933098\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933098\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adore Delano performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933086\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933086\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tito Soto performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933083\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933083\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">No Vacation perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933084\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933084\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">No Vacation perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933080\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933080\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Manila Grey perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933069\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933069\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Foo Fighters headline Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933068\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933068\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Foo Fighters headline Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933091\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933091\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933108\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933108\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933105\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933105\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lil Yachty performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933115\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933115\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">ODESZA headline Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933118\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933118\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Poolside performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933110\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933110\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933130\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933130\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees dance at the Hard French QUICHE party on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933124\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933124\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933123\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933123\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "Unspeakably Stinky: A Corpse Flower is Blooming at SF’s Conservatory of Flowers",
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"content": "\u003cp>The Titan Arum, or corpse flower, has become a rockstar in the plant world for its unpredictable displays, and more notoriously, its putrid stench of rotting flesh.\u003c/p>\n\u003cp>\u003cstrong>What is it? \u003c/strong>The very large flowering plant is related to the calla lily, and in fact looks like a supersized and more macabre version, with a large central spike surrounded by a frilly maroon skirt of a leaf.\u003c/p>\n\u003cul>\n\u003cli>The Titan Arum is native only to the Indonesian island of Sumatra, but has become even more difficult to see in the wild due to habitat loss. In the last few decades, advances in technology and horticultural knowledge have allowed botanical gardens to cultivate the corpse flower more widely.\u003c/li>\n\u003cli>If you’re not familiar with why the flower has its distinctive name — when the corpse flower unfurls, tiny male and female flowers at the base of its large central spike emit a putrid odor, akin to rotting meat and stinky laundry.\u003c/li>\n\u003cli>Titan Arums have a fairly long and unpredictable flowering cycle, and they can take up to a decade before they flower for the first time. Even mature plants can go years between blooms. Essentially, they work on their own schedules — which is part of the excitement for viewers.\u003c/li>\n\u003c/ul>\n\u003cp>https://www.instagram.com/p/CuSUe7tvCS3/\u003c/p>\n\u003cp>\u003cstrong>What’s the big deal? \u003c/strong>Right now, two corpse flowers are blooming in California.\u003c/p>\n\u003cul>\n\u003cli>One is at San Francisco’s Conservatory of Flowers, while the other is at the San Diego Botanic Gardens.\u003c/li>\n\u003cli>The Conservatory’s corpse flower is named Scarlet, and last bloomed in 2019. She began blooming again earlier this week, and is \u003ca href=\"https://conservatoryofflowers.org/corpse-flower-2023/\">still standing tall\u003c/a> for her many visitors in San Francisco’s Golden Gate Park.\u003c/li>\n\u003cli>San Diego’s flower du jour last bloomed in 2021, and is already \u003ca href=\"https://sdbg.org/explore-our-plants/whats-in-bloom/corpse-plant/#live-stream\">noticeably more shriveled \u003c/a>than the peak event earlier this week. That’s because corpse flower blooms are brief, shining, stinky moments in time, typically lasting just a couple days.\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>What are people saying? \u003c/strong>Ari Novy, president and CEO at the San Diego Botanic Garden, spoke to NPR’s Daniel Estrin about witnessing the symphony of stench in real time.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>His own description of the corpse flower’s perfume:\u003c/p>\n\u003cblockquote>\u003cp>The way I describe it is it smells like if you took your teenager’s dirty laundry and you put it in a big black garbage bag, and then you added in some hamburger meat, maybe some fish, a little garlic and some parmesan cheese. And you left that by the side of the road on a very hot desert day for about 24 hours. And then you came back to it. That’s not even exaggerating. That is really what the smell was.\u003c/p>\u003c/blockquote>\n\u003cp>On why the corpse flower has evolved to smell this rank:\u003c/p>\n\u003cblockquote>\u003cp>There are insects out there that really like the smell of rotting flesh or other fetid or rotting odors. And those insects can pollinate plants. There are several plants that utilize this strategy of using rotting flesh odors that humans find repulsive to attract a bunch of insects who actually love that smell.\u003c/p>\u003c/blockquote>\n\u003cp>On the public reaction to the bloom:\u003c/p>\n\u003cblockquote>\u003cp>This is like the rock star plant of the plant world. It’s kind of like a panda if you were in a zoo. It’s amazing, people come from all over the place. We had one bloom about 18 months ago and a guy saw it on the webcam in Texas and immediately got in his car so that he could make it for the blooming. And he drove day and night and got to San Diego 14 hours later. This plant really brings out people, and for a smell that’s so putrid and disgusting for human beings, somehow we’re still pretty attracted to it.\u003c/p>\u003c/blockquote>\n\u003chr>\n\u003cp>\u003cstrong>Want the full scoop on this stink? Hit the play button at the top of the page.\u003c/strong>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cbr>\nSo, what now?\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>If you’re local to either establishment and want to catch the tail end of the bloom, you better head out quickly; the flowers will continue to droop from here on out.\u003c/li>\n\u003cli>And if you were hoping to catch that signature stench, Novy says better luck next time: “At this point in the blooming cycle, it’s done with its formal flowering. The flowers have done their work and so it doesn’t have that much of a smell. There’s some residual, but the real pungent punch typically comes in the evening, early morning on the first and second nights of flowering.”\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more,\u003ca href=\"https://www.npr.org\"> visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Unspeakably+stinky+and+unpredictable%3A+two+corpse+flowers+are+blooming+in+the+U.S.&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>What’s the big deal? \u003c/strong>Right now, two corpse flowers are blooming in California.\u003c/p>\n\u003cul>\n\u003cli>One is at San Francisco’s Conservatory of Flowers, while the other is at the San Diego Botanic Gardens.\u003c/li>\n\u003cli>The Conservatory’s corpse flower is named Scarlet, and last bloomed in 2019. She began blooming again earlier this week, and is \u003ca href=\"https://conservatoryofflowers.org/corpse-flower-2023/\">still standing tall\u003c/a> for her many visitors in San Francisco’s Golden Gate Park.\u003c/li>\n\u003cli>San Diego’s flower du jour last bloomed in 2021, and is already \u003ca href=\"https://sdbg.org/explore-our-plants/whats-in-bloom/corpse-plant/#live-stream\">noticeably more shriveled \u003c/a>than the peak event earlier this week. That’s because corpse flower blooms are brief, shining, stinky moments in time, typically lasting just a couple days.\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>What are people saying? \u003c/strong>Ari Novy, president and CEO at the San Diego Botanic Garden, spoke to NPR’s Daniel Estrin about witnessing the symphony of stench in real time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>His own description of the corpse flower’s perfume:\u003c/p>\n\u003cblockquote>\u003cp>The way I describe it is it smells like if you took your teenager’s dirty laundry and you put it in a big black garbage bag, and then you added in some hamburger meat, maybe some fish, a little garlic and some parmesan cheese. And you left that by the side of the road on a very hot desert day for about 24 hours. And then you came back to it. That’s not even exaggerating. That is really what the smell was.\u003c/p>\u003c/blockquote>\n\u003cp>On why the corpse flower has evolved to smell this rank:\u003c/p>\n\u003cblockquote>\u003cp>There are insects out there that really like the smell of rotting flesh or other fetid or rotting odors. And those insects can pollinate plants. There are several plants that utilize this strategy of using rotting flesh odors that humans find repulsive to attract a bunch of insects who actually love that smell.\u003c/p>\u003c/blockquote>\n\u003cp>On the public reaction to the bloom:\u003c/p>\n\u003cblockquote>\u003cp>This is like the rock star plant of the plant world. It’s kind of like a panda if you were in a zoo. It’s amazing, people come from all over the place. We had one bloom about 18 months ago and a guy saw it on the webcam in Texas and immediately got in his car so that he could make it for the blooming. And he drove day and night and got to San Diego 14 hours later. This plant really brings out people, and for a smell that’s so putrid and disgusting for human beings, somehow we’re still pretty attracted to it.\u003c/p>\u003c/blockquote>\n\u003chr>\n\u003cp>\u003cstrong>Want the full scoop on this stink? Hit the play button at the top of the page.\u003c/strong>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cbr>\nSo, what now?\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>If you’re local to either establishment and want to catch the tail end of the bloom, you better head out quickly; the flowers will continue to droop from here on out.\u003c/li>\n\u003cli>And if you were hoping to catch that signature stench, Novy says better luck next time: “At this point in the blooming cycle, it’s done with its formal flowering. The flowers have done their work and so it doesn’t have that much of a smell. There’s some residual, but the real pungent punch typically comes in the evening, early morning on the first and second nights of flowering.”\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more,\u003ca href=\"https://www.npr.org\"> visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Unspeakably+stinky+and+unpredictable%3A+two+corpse+flowers+are+blooming+in+the+U.S.&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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