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"content": "\u003cp>[dropcap]R[/dropcap]olling River Nursery is an oasis of tranquility in deep East Oakland, with over 1,100 varieties of fragrant herbs, vibrant flowers, fruit-bearing trees, berry bushes and vegetable beds that stretch on for two acres. As the staff here nurtures the plants, they nurture themselves too—not long ago, many of them were confined to cells in California’s notoriously overcrowded prison system.\u003c/p>\n\u003cp>Rasheed Lockheart, reentry coordinator at \u003ca href=\"https://plantingjustice.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Planting Justice\u003c/a>, the nonprofit that runs the nursery, was released only a few months ago after serving 18 years in San Quentin State Prison for an armed robbery. A few short months after he left the facility, a botched prison transfer sparked a disastrous COVID-19 outbreak in San Quentin. Now, over 1,200 inmates have been infected and 12 have died.\u003c/p>\n\u003cp>Lockheart was fortunate to be home by the time COVID-19 hit San Quentin, but he says he has survivor’s guilt. A couple of the guys he knows are recovering from the illness in \u003ca href=\"https://thestreetspirit.org/2020/07/17/i-am-incarcerated-at-san-quentin-i-have-covid-19/\" target=\"_blank\" rel=\"noopener noreferrer\">cramped, unsanitary conditions, with inadequate medical care\u003c/a>. The EMTs he worked with when he was a firefighter there are getting triple the amount of emergency calls a day. And a friend wrote him a letter to say goodbye in case he didn’t survive the outbreak.\u003c/p>\n\u003cp>“I would have to imagine it’s like death row. You know an execution’s coming, you’re just not sure when. And that’s tragic,” says Lockheart, looking down and taking a long pause to compose himself.\u003c/p>\n\u003cp>“It breaks my heart to think of some of the good men I left behind because I—it’s like they’re being victimized, you know. We all deserve a second chance. Some of us were on our third or fourth. But no one deserves what’s happening inside of San Quentin.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Lockheart is doing everything he can to advocate for those on the inside, and his work at Planting Justice is part of that mission. He’s become an unofficial media spokesperson, doing interviews with \u003ca href=\"https://www.kqed.org/arts/13881942/what-would-a-police-free-oakland-look-like\" target=\"_blank\" rel=\"noopener noreferrer\">KQED\u003c/a>, PRX’s \u003ca href=\"https://www.npr.org/podcasts/449018144/snap-judgment\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Snap Judgment\u003c/em>\u003c/a> podcast, \u003ca href=\"https://oaklandside.org/2020/07/16/leaving-prison-during-pandemic-and-protest-and-planting-seeds-of-justice/\" target=\"_blank\" rel=\"noopener noreferrer\">Oaklandside\u003c/a> and others, using his firsthand experience and ongoing communication with those inside to shed light on the growing crisis inside California’s prison walls. [aside postid='news_11826188']\u003c/p>\n\u003cp>The same thoughts keep running through his mind. “That guy sitting in his cell wondering if he’s going to outlive his sentence, all the amends he made or wants to make—will he get to see that through? Will he get to be like me and the numerous other people who are formerly incarcerated and are doing great things in the community right now? I think about them and that my voice has to be in advocacy for them.”\u003c/p>\n\u003cfigure id=\"attachment_13883867\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13883867\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/thumb_IMG_5467_1024-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5467_1024-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5467_1024-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5467_1024-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5467_1024-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5467_1024.jpg 1086w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rasheed Lockheart and Ashley Yates (left to right) of Planting Justice. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[dropcap]B[/dropcap]eyond the urgency of the San Quentin COVID outbreak, Lockheart’s day-to-day work at Planting Justice is about the longterm project of prison abolition, which means working with people to build healthier communities. The definition of that is manifold. It means helping formerly incarcerated people get on their feet through green jobs at Planting Justice, awakening them to a new sense of purpose by building raised flower beds for clients and tending to plants at the organization’s \u003ca href=\"https://plantingjustice.org/nursery-sogorea-te\" target=\"_blank\" rel=\"noopener noreferrer\">nursery\u003c/a> and \u003ca href=\"https://plantingjustice.org/farm\" target=\"_blank\" rel=\"noopener noreferrer\">farm\u003c/a>. It means \u003ca href=\"https://plantingjustice.org/food-justice-education\" target=\"_blank\" rel=\"noopener noreferrer\">teaching\u003c/a> about sustainability and food justice in public school classrooms, juvenile detention centers, jails and prisons. It means helping people who live in food deserts start \u003ca href=\"https://plantingjustice.org/community-justice-garden-hub-1\" target=\"_blank\" rel=\"noopener noreferrer\">urban gardens\u003c/a>. It means handing out free kale smoothies at Castlemont High School during a time when many are going hungry because of the pandemic-induced recession.\u003c/p>\n\u003cp>“If we go in and teach these people how to grow their own food and how to be sustainable—the Black Panther Party got it right,” Lockheart says. “With no food and no options, [people are] gonna go get it how they can. And unfortunately, that’s crime. And crime equals prison. We wanna abolish the prisons, we wanna abolish all these systems, but we first have to plant the seeds of love, trust and sustainability.”\u003c/p>\n\u003cp>Lockheart and his fellow reentry coordinator Diane Williams sow those seeds by helping their colleagues get acclimated to life outside of prison, sometimes in ways people who’ve never been incarcerated may take for granted. Planting Justice gives “former residents,” as formerly incarcerated people are called there, clothing and food stipends; Lockheart and Williams help them navigate bureaucratic tasks such as reinstating a drivers license after a DUI. They offer emotional support too. Meditation circles are as much a part of the workday as pulling weeds and watering strawberries and squashes.\u003c/p>\n\u003cp>“Really it’s believing in them and whatever they bring to the table that’s positive, encourage that,” says Williams, who brings 40 years of social work and substance-abuse counseling experience to Planting Justice. “So much stuff that happened to us as a little kids, we keep recycling it as adults until we process it and move on. So we’re just helping each other move on here.” [aside postid='arts_13881199']\u003c/p>\n\u003cp>[dropcap]P[/dropcap]lanting Justice takes a big-picture view of how access to healthy and environmentally conscious practices can help address some of the wounds of systemic racism and mass incarceration. Another one of the organization’s projects zooms out even further, addressing the ways the unjust systems that marginalize Black and Indigenous communities began with colonialism.\u003c/p>\n\u003cp>The organization collaborated with the \u003ca href=\"https://sogoreate-landtrust.org/?fbclid=IwAR3CPRen3DnT-giCwsXsgKRDdW_4BfzVk2gO88NN1lbbvnXsiuPR4gqgpfY\" target=\"_blank\" rel=\"noopener noreferrer\">Sogorea Te Land Trust\u003c/a> to give two acres of land back to people of the Ohlone community of Northern California. The Ohlone people aren’t a federally recognized tribe, nor do they have a land base. Now, two acres of the Rolling River Nursery are an Ohlone cultural heritage site and a space for ceremony.\u003c/p>\n\u003cfigure id=\"attachment_13883868\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13883868\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/thumb_IMG_5485_1024-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5485_1024-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5485_1024-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5485_1024-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5485_1024-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5485_1024.jpg 1086w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rolling River Nursery in East Oakland. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Williams, who is part of the Native American community and helped organize the partnership, says that Ohlone ideas of land as sacred inform Planting Justice’s work. “It’s a love,” she says. “You can’t tell people, ‘You’ve got to love this land because it’s supporting you.’ No. It’s something you have to develop for people who’ve been separated from the land.”\u003c/p>\n\u003cp>“Understanding the history of colonization is the deeper work,” echoes Planting Justice media director Ashley Yates. “When you control the land, you control the people, you control the resources. And when we’re talking about BIPOC communities, you understand there’s also a disconnect that’s intentional because our spirituality and our communities are vested in the earth. We are an earth-reverent people. So when you disconnect people from that, you disconnect people from their power.”\u003c/p>\n\u003cp>[pullquote citation='Rasheed Lockheart']“We wanna abolish the prisons, we wanna abolish all these systems, but we first have to plant the seeds of love, trust and sustainability.”[/pullquote]\u003c/p>\n\u003cp>Yates moved to Oakland and began working with Planting Justice after leaving her hometown of St. Louis, Missouri. She was a frontline activist when the first major Black Lives Matter protests erupted after police officer Darren Wilson killed Ferguson teenager Mike Brown. She feared for her safety after the protests, recalling militarized police tanks parked outside her house. Oakland drew her because of its history of Black organizing, and she’s found a calling within Planting Justice’s environmental form of civil rights activism.\u003c/p>\n\u003cp>“A lot of the time you have to get into the soil, into the root,” she says.\u003c/p>\n\u003cp>Mass incarceration, food insecurity, land sovereignty—the interlocking issues Planting Justice tries to address with a few acres of soil, some plants and a small team of a few dozen staff members are overwhelming in scope. But the day-to-day ritual of working the land provides solace, too, and some hope that a more just future will grow from each seed planted.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“That’s what nature does, it reminds us of how free things are,” Lockheart says. “I don’t think you realize how free you are until you’re amongst things that are actually free.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">R\u003c/span>\u003c/p>\u003cp>olling River Nursery is an oasis of tranquility in deep East Oakland, with over 1,100 varieties of fragrant herbs, vibrant flowers, fruit-bearing trees, berry bushes and vegetable beds that stretch on for two acres. As the staff here nurtures the plants, they nurture themselves too—not long ago, many of them were confined to cells in California’s notoriously overcrowded prison system.\u003c/p>\n\u003cp>Rasheed Lockheart, reentry coordinator at \u003ca href=\"https://plantingjustice.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Planting Justice\u003c/a>, the nonprofit that runs the nursery, was released only a few months ago after serving 18 years in San Quentin State Prison for an armed robbery. A few short months after he left the facility, a botched prison transfer sparked a disastrous COVID-19 outbreak in San Quentin. Now, over 1,200 inmates have been infected and 12 have died.\u003c/p>\n\u003cp>Lockheart was fortunate to be home by the time COVID-19 hit San Quentin, but he says he has survivor’s guilt. A couple of the guys he knows are recovering from the illness in \u003ca href=\"https://thestreetspirit.org/2020/07/17/i-am-incarcerated-at-san-quentin-i-have-covid-19/\" target=\"_blank\" rel=\"noopener noreferrer\">cramped, unsanitary conditions, with inadequate medical care\u003c/a>. The EMTs he worked with when he was a firefighter there are getting triple the amount of emergency calls a day. And a friend wrote him a letter to say goodbye in case he didn’t survive the outbreak.\u003c/p>\n\u003cp>“I would have to imagine it’s like death row. You know an execution’s coming, you’re just not sure when. And that’s tragic,” says Lockheart, looking down and taking a long pause to compose himself.\u003c/p>\n\u003cp>“It breaks my heart to think of some of the good men I left behind because I—it’s like they’re being victimized, you know. We all deserve a second chance. Some of us were on our third or fourth. But no one deserves what’s happening inside of San Quentin.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Lockheart is doing everything he can to advocate for those on the inside, and his work at Planting Justice is part of that mission. He’s become an unofficial media spokesperson, doing interviews with \u003ca href=\"https://www.kqed.org/arts/13881942/what-would-a-police-free-oakland-look-like\" target=\"_blank\" rel=\"noopener noreferrer\">KQED\u003c/a>, PRX’s \u003ca href=\"https://www.npr.org/podcasts/449018144/snap-judgment\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Snap Judgment\u003c/em>\u003c/a> podcast, \u003ca href=\"https://oaklandside.org/2020/07/16/leaving-prison-during-pandemic-and-protest-and-planting-seeds-of-justice/\" target=\"_blank\" rel=\"noopener noreferrer\">Oaklandside\u003c/a> and others, using his firsthand experience and ongoing communication with those inside to shed light on the growing crisis inside California’s prison walls. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The same thoughts keep running through his mind. “That guy sitting in his cell wondering if he’s going to outlive his sentence, all the amends he made or wants to make—will he get to see that through? Will he get to be like me and the numerous other people who are formerly incarcerated and are doing great things in the community right now? I think about them and that my voice has to be in advocacy for them.”\u003c/p>\n\u003cfigure id=\"attachment_13883867\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13883867\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/thumb_IMG_5467_1024-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5467_1024-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5467_1024-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5467_1024-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5467_1024-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5467_1024.jpg 1086w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rasheed Lockheart and Ashley Yates (left to right) of Planting Justice. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">B\u003c/span>\u003c/p>\u003cp>eyond the urgency of the San Quentin COVID outbreak, Lockheart’s day-to-day work at Planting Justice is about the longterm project of prison abolition, which means working with people to build healthier communities. The definition of that is manifold. It means helping formerly incarcerated people get on their feet through green jobs at Planting Justice, awakening them to a new sense of purpose by building raised flower beds for clients and tending to plants at the organization’s \u003ca href=\"https://plantingjustice.org/nursery-sogorea-te\" target=\"_blank\" rel=\"noopener noreferrer\">nursery\u003c/a> and \u003ca href=\"https://plantingjustice.org/farm\" target=\"_blank\" rel=\"noopener noreferrer\">farm\u003c/a>. It means \u003ca href=\"https://plantingjustice.org/food-justice-education\" target=\"_blank\" rel=\"noopener noreferrer\">teaching\u003c/a> about sustainability and food justice in public school classrooms, juvenile detention centers, jails and prisons. It means helping people who live in food deserts start \u003ca href=\"https://plantingjustice.org/community-justice-garden-hub-1\" target=\"_blank\" rel=\"noopener noreferrer\">urban gardens\u003c/a>. It means handing out free kale smoothies at Castlemont High School during a time when many are going hungry because of the pandemic-induced recession.\u003c/p>\n\u003cp>“If we go in and teach these people how to grow their own food and how to be sustainable—the Black Panther Party got it right,” Lockheart says. “With no food and no options, [people are] gonna go get it how they can. And unfortunately, that’s crime. And crime equals prison. We wanna abolish the prisons, we wanna abolish all these systems, but we first have to plant the seeds of love, trust and sustainability.”\u003c/p>\n\u003cp>Lockheart and his fellow reentry coordinator Diane Williams sow those seeds by helping their colleagues get acclimated to life outside of prison, sometimes in ways people who’ve never been incarcerated may take for granted. Planting Justice gives “former residents,” as formerly incarcerated people are called there, clothing and food stipends; Lockheart and Williams help them navigate bureaucratic tasks such as reinstating a drivers license after a DUI. They offer emotional support too. Meditation circles are as much a part of the workday as pulling weeds and watering strawberries and squashes.\u003c/p>\n\u003cp>“Really it’s believing in them and whatever they bring to the table that’s positive, encourage that,” says Williams, who brings 40 years of social work and substance-abuse counseling experience to Planting Justice. “So much stuff that happened to us as a little kids, we keep recycling it as adults until we process it and move on. So we’re just helping each other move on here.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">P\u003c/span>\u003c/p>\u003cp>lanting Justice takes a big-picture view of how access to healthy and environmentally conscious practices can help address some of the wounds of systemic racism and mass incarceration. Another one of the organization’s projects zooms out even further, addressing the ways the unjust systems that marginalize Black and Indigenous communities began with colonialism.\u003c/p>\n\u003cp>The organization collaborated with the \u003ca href=\"https://sogoreate-landtrust.org/?fbclid=IwAR3CPRen3DnT-giCwsXsgKRDdW_4BfzVk2gO88NN1lbbvnXsiuPR4gqgpfY\" target=\"_blank\" rel=\"noopener noreferrer\">Sogorea Te Land Trust\u003c/a> to give two acres of land back to people of the Ohlone community of Northern California. The Ohlone people aren’t a federally recognized tribe, nor do they have a land base. Now, two acres of the Rolling River Nursery are an Ohlone cultural heritage site and a space for ceremony.\u003c/p>\n\u003cfigure id=\"attachment_13883868\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13883868\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/thumb_IMG_5485_1024-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5485_1024-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5485_1024-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5485_1024-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5485_1024-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/thumb_IMG_5485_1024.jpg 1086w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rolling River Nursery in East Oakland. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Williams, who is part of the Native American community and helped organize the partnership, says that Ohlone ideas of land as sacred inform Planting Justice’s work. “It’s a love,” she says. “You can’t tell people, ‘You’ve got to love this land because it’s supporting you.’ No. It’s something you have to develop for people who’ve been separated from the land.”\u003c/p>\n\u003cp>“Understanding the history of colonization is the deeper work,” echoes Planting Justice media director Ashley Yates. “When you control the land, you control the people, you control the resources. And when we’re talking about BIPOC communities, you understand there’s also a disconnect that’s intentional because our spirituality and our communities are vested in the earth. We are an earth-reverent people. So when you disconnect people from that, you disconnect people from their power.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Yates moved to Oakland and began working with Planting Justice after leaving her hometown of St. Louis, Missouri. She was a frontline activist when the first major Black Lives Matter protests erupted after police officer Darren Wilson killed Ferguson teenager Mike Brown. She feared for her safety after the protests, recalling militarized police tanks parked outside her house. Oakland drew her because of its history of Black organizing, and she’s found a calling within Planting Justice’s environmental form of civil rights activism.\u003c/p>\n\u003cp>“A lot of the time you have to get into the soil, into the root,” she says.\u003c/p>\n\u003cp>Mass incarceration, food insecurity, land sovereignty—the interlocking issues Planting Justice tries to address with a few acres of soil, some plants and a small team of a few dozen staff members are overwhelming in scope. But the day-to-day ritual of working the land provides solace, too, and some hope that a more just future will grow from each seed planted.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“That’s what nature does, it reminds us of how free things are,” Lockheart says. “I don’t think you realize how free you are until you’re amongst things that are actually free.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>With COVID-19 cases climbing across the state, it’s unclear when California will advance to further stages of its reopening, and concerts and live performances are still far off in the future. That means many artists are missing out on income—and the data say as much, with the state reporting that \u003ca href=\"https://deadline.com/2020/07/california-unemployment-arts-entertainment-workers-coronavirus-1202990100/\" target=\"_blank\" rel=\"noopener noreferrer\">230,000 arts workers\u003c/a> have filed for unemployment since the state began sheltering in place. Of course, official numbers don’t account for those who previously subsisted on cash payments and aren’t eligible for government aid.\u003c/p>\n\u003cp>To help artists in these uncertain times, Red Bull launched a new microgrant program in 20 cities, including Oakland. The company is awarding two artists a month $1,000 each through the end of the year, and the grant application is now \u003ca href=\"https://win.gs/rbamicrogrant\" target=\"_blank\" rel=\"noopener noreferrer\">live\u003c/a>. The grants aren’t restricted to creative discipline, and artists are free to use the funds in whatever way suits their needs, including on living expenses. A panel of artists and activists from each city will review and select the grantees.\u003c/p>\n\u003cp>More details \u003ca href=\"https://win.gs/rbamicrogrant\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>With COVID-19 cases climbing across the state, it’s unclear when California will advance to further stages of its reopening, and concerts and live performances are still far off in the future. That means many artists are missing out on income—and the data say as much, with the state reporting that \u003ca href=\"https://deadline.com/2020/07/california-unemployment-arts-entertainment-workers-coronavirus-1202990100/\" target=\"_blank\" rel=\"noopener noreferrer\">230,000 arts workers\u003c/a> have filed for unemployment since the state began sheltering in place. Of course, official numbers don’t account for those who previously subsisted on cash payments and aren’t eligible for government aid.\u003c/p>\n\u003cp>To help artists in these uncertain times, Red Bull launched a new microgrant program in 20 cities, including Oakland. The company is awarding two artists a month $1,000 each through the end of the year, and the grant application is now \u003ca href=\"https://win.gs/rbamicrogrant\" target=\"_blank\" rel=\"noopener noreferrer\">live\u003c/a>. The grants aren’t restricted to creative discipline, and artists are free to use the funds in whatever way suits their needs, including on living expenses. A panel of artists and activists from each city will review and select the grantees.\u003c/p>\n\u003cp>More details \u003ca href=\"https://win.gs/rbamicrogrant\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>[dropcap]L[/dropcap]ast week, during a visit to the post office (snail mail has provided new realms of joy during shelter in place), I was approached by a woman.\u003c/p>\n\u003cp>“Hey,” she said in hushed tones from behind her mask. “Who did your hair?”\u003c/p>\n\u003cp>“No one’s cut it since February, but I do the color myself,” I replied.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final.jpg\" alt=\"\" width=\"180\" height=\"198\" class=\"alignright size-full wp-image-13882786\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final.jpg 180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final-160x176.jpg 160w\" sizes=\"(max-width: 180px) 100vw, 180px\">“Damn it!” the woman cursed. “I can’t find a stylist willing to break the rules. I thought you might know one. Last week, I got so desperate, I had my sister-in-law do my roots and she used too much bleach and now my hair is breaking off. Look!”\u003c/p>\n\u003cp>For anyone with a regular beauty routine that requires the assistance of paid professionals, coronavirus-related salon and spa closures have demanded new levels of personal creativity. And for those who can’t access their usual products and services, living with what God and DNA naturally gave us has simply become a requirement of the new normal.\u003c/p>\n\u003cp>In the middle of a global pandemic \u003cem>and\u003c/em> a movement for racial justice, even thinking about beauty can feel shamefully frivolous. After all, no one wants to be Karen at the rally holding up an “I NEED A HAIRCUT” sign. (Except for, you know, all of the Karens that actually did that.) Unfortunately, for most of the last century, women have been bombarded with messaging that tells them their beauty and worth are inextricably interwoven. That messaging can be a challenge to shake off, even in a crisis.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Last year, \u003ca href=\"https://www.glamourmagazine.co.uk/article/beauty-industry-mental-health-holistic-wellness\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Glamour\u003c/em> reported\u003c/a>: “Historically when we [feel] good, cleansing ourselves, grooming ourselves and doing makeup and hair serve to increase confidence and self-esteem. Conversely, if on a downhill spiral, many would stop doing basic things like washing themselves, wearing makeup and brushing their hair and teeth.”\u003c/p>\n\u003cp>In 2019, an assertion that not wearing makeup might indicate some sort of mental breakdown might slip by largely unnoticed. Fast forward to mid-2020 and women are publicly considering \u003ca href=\"https://www.cnet.com/news/life-in-quarantine-why-i-quit-wearing-makeup-2-months-ago/\" target=\"_blank\" rel=\"noopener noreferrer\">giving up makeup permanently\u003c/a>, while \u003ca href=\"https://www.harpersbazaar.com/fashion/trends/a32070316/bra-free-quarantine/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Harper’s Bazaar\u003c/em> is asking\u003c/a> if we’ll ever wear bras again.\u003c/p>\n\u003cp>Up until the strangeness of the last few months—even in these Gen Z, gender neutral, natural eyebrow-embracing times—a woman proudly wearing her naturally gray hair remained a talking point. Just think about last year when Keanu Reeves and Alexandra Grant debuted their relationship at the LACMA Art and Film Gala. [aside postid='arts_13869451']\u003c/p>\n\u003cp>The 55-year-old actor’s decision to date a 46-year-old woman with gray hair was seen by a majority of commenters as confirmation that Reeves was a “\u003ca href=\"https://twitter.com/MissBrittHayes/status/1191515987566383104\" target=\"_blank\" rel=\"noopener noreferrer\">Good Man\u003c/a>.” As if dating a woman with non-colored hair was a penance of some sort. Grant later felt pressured enough to make \u003ca href=\"https://www.instagram.com/p/B5rNIa_lFBx/?utm_source=ig_embed\" target=\"_blank\" rel=\"noopener noreferrer\">a public statement\u003c/a> about her haircare decisions, citing the “toxicity of dyes” in her decision to go \u003cem>au naturel\u003c/em>.\u003c/p>\n\u003cp>Nine months later and—despite there still being no female equivalent of the “silver fox”—numerous women are embracing the salt in their pepper like never before. Celebrity examples have been set by the likes of \u003ca href=\"https://www.instagram.com/p/CAd_x3UjzeP/\" target=\"_blank\" rel=\"noopener noreferrer\">Kelly Ripa\u003c/a> (who has been doing regular “Root Watch” stories on Instagram since shelter in place began), \u003ca href=\"https://www.instagram.com/p/B-AoNZYJUxr/\" target=\"_blank\" rel=\"noopener noreferrer\">Tamera Mowry-Housley\u003c/a> and Lily Allen.\u003c/p>\n\u003cp>https://www.instagram.com/p/CB2j-YiJ5Vm/\u003c/p>\n\u003cp>For those not ready to take the plunge, box color kits are a fall back option—in April, research firm \u003ca href=\"https://abc7news.com/coronavirus-shopping-out-of-stock-hair-color-dye-items-selling/6095606/\" target=\"_blank\" rel=\"noopener noreferrer\">Nielsen reported\u003c/a> that hair dye sales were up 23% compared to the same time last year. Even more telling was the news that the sales of hair clippers increased by more than 160% in the same period. Shaving it all off during shelter in place has been embraced by both \u003ca href=\"https://www.today.com/style/people-are-shaving-their-heads-quarantine-here-s-why-t177502\" target=\"_blank\" rel=\"noopener noreferrer\">men\u003c/a> and \u003ca href=\"https://www.cosmopolitan.com/style-beauty/beauty/a32188285/women-shaving-head-covid-quarantine/\" target=\"_blank\" rel=\"noopener noreferrer\">women\u003c/a>.\u003c/p>\n\u003cp>https://www.instagram.com/p/B-70fF5gobs/\u003c/p>\n\u003cp>\u003ca href=\"http://www.hairetics-salon.com/lisa-swiss/\" target=\"_blank\" rel=\"noopener noreferrer\">Lisa Swiss\u003c/a>, a stylist at San Francisco’s \u003ca href=\"https://www.hairetics-salon.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Hairetics\u003c/a> says her clients reflect the mixed reactions to salons being closed. While demand for Hairetics’ customized color kits, available for curbside pick-up, has been very high, a lot of clients are also rolling with new, natural looks—at least for the time being. Swiss has also been video conferencing to help people safely remove their hair extensions. [aside postid='pop_95111']\u003c/p>\n\u003cp>The stylist says it’s hard to know the lasting impacts of how people will treat their own beauty regimes when services are readily available again. “Maybe we will see more gray,” she says, “but I think the trends will be all over the place. I do think the majority of people are going to want a big change though—people have had too much time to stare at themselves. I also think people are going to value their hair stylist more than ever.”\u003c/p>\n\u003cp>Stephanie Reeder, practice manager at \u003ca href=\"https://bellemarin.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Belle Marin Aesthetic Medicine\u003c/a> in Mill Valley, says that their clients are having a similarly mixed response to lack of access to beauty services. “I think a lot of people are getting creative with ways to keep up their beauty habits at home” she says. “Based on the amount of product we’ve been shipping, I’d say a lot of people are sticking to their skincare routines. But there are also plenty of people who’ve stopped caring as much now that they’re either wearing a mask, or at home all the time.”\u003c/p>\n\u003cp>In 1990 feminist classic \u003cem>\u003ca href=\"https://en.wikipedia.org/wiki/The_Beauty_Myth\" target=\"_blank\" rel=\"noopener noreferrer\">The Beauty Myth\u003c/a>\u003c/em>, Naomi Wolf made the argument that, as women made social and professional strides forward throughout the 20th century, they were bombarded with ever more impossible beauty standards to adhere to. “More women have more money and power and scope and legal recognition than we have ever had before,” Wolf wrote, “but in terms of how we feel about ourselves physically, we may actually be worse off than our unliberated grandmothers.”\u003c/p>\n\u003cp>The body positivity movement enabled by the arrival of social media has gone some way to undoing that structure. But not since World War II have women been denied access to hair and beauty treatments on this scale. Once the standards we were holding ourselves to became physically inaccessible, it actually opened up new realms of possibility for how we may treat self-care in the future. For many of us, things that once seemed essential no longer rank particularly high on the list of priorities.\u003c/p>\n\u003cp>In the course of our conversation, my new friend at the post office also confided that, having been hair-free for the entirety of her marriage, she is now learning to live with hairy legs. “It’s okay now that I’m used to not going to the waxer,” she shrugged. “Weirdly, I’m just now realizing my husband doesn’t care either. Who knew?”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">L\u003c/span>\u003c/p>\u003cp>ast week, during a visit to the post office (snail mail has provided new realms of joy during shelter in place), I was approached by a woman.\u003c/p>\n\u003cp>“Hey,” she said in hushed tones from behind her mask. “Who did your hair?”\u003c/p>\n\u003cp>“No one’s cut it since February, but I do the color myself,” I replied.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final.jpg\" alt=\"\" width=\"180\" height=\"198\" class=\"alignright size-full wp-image-13882786\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final.jpg 180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final-160x176.jpg 160w\" sizes=\"(max-width: 180px) 100vw, 180px\">“Damn it!” the woman cursed. “I can’t find a stylist willing to break the rules. I thought you might know one. Last week, I got so desperate, I had my sister-in-law do my roots and she used too much bleach and now my hair is breaking off. Look!”\u003c/p>\n\u003cp>For anyone with a regular beauty routine that requires the assistance of paid professionals, coronavirus-related salon and spa closures have demanded new levels of personal creativity. And for those who can’t access their usual products and services, living with what God and DNA naturally gave us has simply become a requirement of the new normal.\u003c/p>\n\u003cp>In the middle of a global pandemic \u003cem>and\u003c/em> a movement for racial justice, even thinking about beauty can feel shamefully frivolous. After all, no one wants to be Karen at the rally holding up an “I NEED A HAIRCUT” sign. (Except for, you know, all of the Karens that actually did that.) Unfortunately, for most of the last century, women have been bombarded with messaging that tells them their beauty and worth are inextricably interwoven. That messaging can be a challenge to shake off, even in a crisis.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Last year, \u003ca href=\"https://www.glamourmagazine.co.uk/article/beauty-industry-mental-health-holistic-wellness\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Glamour\u003c/em> reported\u003c/a>: “Historically when we [feel] good, cleansing ourselves, grooming ourselves and doing makeup and hair serve to increase confidence and self-esteem. Conversely, if on a downhill spiral, many would stop doing basic things like washing themselves, wearing makeup and brushing their hair and teeth.”\u003c/p>\n\u003cp>In 2019, an assertion that not wearing makeup might indicate some sort of mental breakdown might slip by largely unnoticed. Fast forward to mid-2020 and women are publicly considering \u003ca href=\"https://www.cnet.com/news/life-in-quarantine-why-i-quit-wearing-makeup-2-months-ago/\" target=\"_blank\" rel=\"noopener noreferrer\">giving up makeup permanently\u003c/a>, while \u003ca href=\"https://www.harpersbazaar.com/fashion/trends/a32070316/bra-free-quarantine/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Harper’s Bazaar\u003c/em> is asking\u003c/a> if we’ll ever wear bras again.\u003c/p>\n\u003cp>Up until the strangeness of the last few months—even in these Gen Z, gender neutral, natural eyebrow-embracing times—a woman proudly wearing her naturally gray hair remained a talking point. Just think about last year when Keanu Reeves and Alexandra Grant debuted their relationship at the LACMA Art and Film Gala. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The 55-year-old actor’s decision to date a 46-year-old woman with gray hair was seen by a majority of commenters as confirmation that Reeves was a “\u003ca href=\"https://twitter.com/MissBrittHayes/status/1191515987566383104\" target=\"_blank\" rel=\"noopener noreferrer\">Good Man\u003c/a>.” As if dating a woman with non-colored hair was a penance of some sort. Grant later felt pressured enough to make \u003ca href=\"https://www.instagram.com/p/B5rNIa_lFBx/?utm_source=ig_embed\" target=\"_blank\" rel=\"noopener noreferrer\">a public statement\u003c/a> about her haircare decisions, citing the “toxicity of dyes” in her decision to go \u003cem>au naturel\u003c/em>.\u003c/p>\n\u003cp>Nine months later and—despite there still being no female equivalent of the “silver fox”—numerous women are embracing the salt in their pepper like never before. Celebrity examples have been set by the likes of \u003ca href=\"https://www.instagram.com/p/CAd_x3UjzeP/\" target=\"_blank\" rel=\"noopener noreferrer\">Kelly Ripa\u003c/a> (who has been doing regular “Root Watch” stories on Instagram since shelter in place began), \u003ca href=\"https://www.instagram.com/p/B-AoNZYJUxr/\" target=\"_blank\" rel=\"noopener noreferrer\">Tamera Mowry-Housley\u003c/a> and Lily Allen.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For those not ready to take the plunge, box color kits are a fall back option—in April, research firm \u003ca href=\"https://abc7news.com/coronavirus-shopping-out-of-stock-hair-color-dye-items-selling/6095606/\" target=\"_blank\" rel=\"noopener noreferrer\">Nielsen reported\u003c/a> that hair dye sales were up 23% compared to the same time last year. Even more telling was the news that the sales of hair clippers increased by more than 160% in the same period. Shaving it all off during shelter in place has been embraced by both \u003ca href=\"https://www.today.com/style/people-are-shaving-their-heads-quarantine-here-s-why-t177502\" target=\"_blank\" rel=\"noopener noreferrer\">men\u003c/a> and \u003ca href=\"https://www.cosmopolitan.com/style-beauty/beauty/a32188285/women-shaving-head-covid-quarantine/\" target=\"_blank\" rel=\"noopener noreferrer\">women\u003c/a>.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://www.hairetics-salon.com/lisa-swiss/\" target=\"_blank\" rel=\"noopener noreferrer\">Lisa Swiss\u003c/a>, a stylist at San Francisco’s \u003ca href=\"https://www.hairetics-salon.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Hairetics\u003c/a> says her clients reflect the mixed reactions to salons being closed. While demand for Hairetics’ customized color kits, available for curbside pick-up, has been very high, a lot of clients are also rolling with new, natural looks—at least for the time being. Swiss has also been video conferencing to help people safely remove their hair extensions. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The stylist says it’s hard to know the lasting impacts of how people will treat their own beauty regimes when services are readily available again. “Maybe we will see more gray,” she says, “but I think the trends will be all over the place. I do think the majority of people are going to want a big change though—people have had too much time to stare at themselves. I also think people are going to value their hair stylist more than ever.”\u003c/p>\n\u003cp>Stephanie Reeder, practice manager at \u003ca href=\"https://bellemarin.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Belle Marin Aesthetic Medicine\u003c/a> in Mill Valley, says that their clients are having a similarly mixed response to lack of access to beauty services. “I think a lot of people are getting creative with ways to keep up their beauty habits at home” she says. “Based on the amount of product we’ve been shipping, I’d say a lot of people are sticking to their skincare routines. But there are also plenty of people who’ve stopped caring as much now that they’re either wearing a mask, or at home all the time.”\u003c/p>\n\u003cp>In 1990 feminist classic \u003cem>\u003ca href=\"https://en.wikipedia.org/wiki/The_Beauty_Myth\" target=\"_blank\" rel=\"noopener noreferrer\">The Beauty Myth\u003c/a>\u003c/em>, Naomi Wolf made the argument that, as women made social and professional strides forward throughout the 20th century, they were bombarded with ever more impossible beauty standards to adhere to. “More women have more money and power and scope and legal recognition than we have ever had before,” Wolf wrote, “but in terms of how we feel about ourselves physically, we may actually be worse off than our unliberated grandmothers.”\u003c/p>\n\u003cp>The body positivity movement enabled by the arrival of social media has gone some way to undoing that structure. But not since World War II have women been denied access to hair and beauty treatments on this scale. Once the standards we were holding ourselves to became physically inaccessible, it actually opened up new realms of possibility for how we may treat self-care in the future. For many of us, things that once seemed essential no longer rank particularly high on the list of priorities.\u003c/p>\n\u003cp>In the course of our conversation, my new friend at the post office also confided that, having been hair-free for the entirety of her marriage, she is now learning to live with hairy legs. “It’s okay now that I’m used to not going to the waxer,” she shrugged. “Weirdly, I’m just now realizing my husband doesn’t care either. Who knew?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Residents at the Sydmar Lodge Care Home in Edgeware, England, have been in lockdown for four months.\u003c/p>\n\u003cp>As activities manager at the home, Robert Speker wanted to keep spirits up while visitors and outside entertainment aren’t permitted.\u003c/p>\n\u003cp>Thus, a brilliant project was born: re-creating classic album covers with residents cast as the rock stars.\u003c/p>\n\u003cp>Speker \u003ca href=\"https://twitter.com/robertspeker/status/1281627807546839042\" target=\"_blank\" rel=\"noopener noreferrer\">tweeted \u003c/a>side-by-side photos of the original covers and the Sydmar Lodge residents’ new takes, and the tweets quickly took off.\u003c/p>\n\u003cp>https://twitter.com/robertspeker/status/1281627747136274432\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Instead of British singer Adele, meet 93-year-old Vera.\u003c/p>\n\u003cp>Riffing on Springsteen’s famous \u003cem>Born In The U.S.A.\u003c/em>, there’s a blue-jeaned Martin Steinberg in front of the English flag.\u003c/p>\n\u003cp>Could anyone improve upon David Bowie’s iconic lightning-bolt painted face? Roma Cohen appears to be an icon herself with the lightning bolt highlighted by her white hair.\u003c/p>\n\u003cp>https://twitter.com/robertspeker/status/1281627807546839042?s=20\u003c/p>\n\u003cp>There’s Toba David as Michael Jackson, tough in a leather jacket.\u003c/p>\n\u003cp>And Sheila Solomon as a Sydmar Lodge punk, reinventing The Clash’s guitar-smashing with a walking cane ready to come crashing down.\u003c/p>\n\u003cp>Staffers got in on the project, too, with four carers lit from below looking every bit as moody as Queen.\u003c/p>\n\u003cp>“I made the suggestions of which albums and which resident best suited the look, or had a vague similarity to the artist,” Speker \u003ca href=\"https://twitter.com/robertspeker/status/1282455570944069636\" target=\"_blank\" rel=\"noopener noreferrer\">explained\u003c/a> on Twitter. “Then I proposed the idea to each resident. Gladly all of them were enthused and perhaps a bit bemused by the idea, but happy to participate.”\u003c/p>\n\u003cp>He says he did the residents’ makeup, drew their tattoos, and did the photography and editing. A care home manager helped with hair and makeup touch-ups.\u003c/p>\n\u003cp>Speker, who began working at Sydmar Lodge in 2015, has won accolades for his inventiveness before. “Robert continues to astound us with his creative, and somewhat ‘out of the box’ ideas,” Sydmar Lodge Manager Julie Davey testifies on the home’s website.\u003c/p>\n\u003cp>Noting that Speker had won an activities coordinator award, Sydmar Lodge \u003ca href=\"https://www.sydmarlodge.co.uk/\" target=\"_blank\" rel=\"noopener noreferrer\">notes\u003c/a> that he “performs his activities with creativeness, ingenuity, individuality and originality” and recently took a resident swimming for the first time in 20 years.\u003c/p>\n\u003cp>These have been bleak times at some care homes in the U.K. Among residents at nursing homes in England and Wales from Dec. 28, 2019, to June 12, 2020, there were \u003ca href=\"https://www.ons.gov.uk/peoplepopulationandcommunity/birthsdeathsandmarriages/deaths/articles/deathsinvolvingcovid19inthecaresectorenglandandwales/deathsoccurringupto12june2020andregisteredupto20june2020provisional\" target=\"_blank\" rel=\"noopener noreferrer\">nearly 30,000\u003c/a> more deaths than during the same period last year.\u003c/p>\n\u003cp>“As this situation is on-going it could be months before the situation changes for them and the need to keep them happy entertained and full of spirit has never been more crucial,” Speker wrote on \u003ca href=\"https://www.gofundme.com/f/8rz5n-the-show-must-go-on\" target=\"_blank\" rel=\"noopener noreferrer\">a GoFundMe page\u003c/a> he created to support the care home.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Elderly people will remain in lockdown for a long time,” he wrote, “and I want to make their time as happy and full of enjoyment and interest as possible.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=At+U.K.+Care+Home%2C+Residents+Brilliantly+Re-Create+Iconic+Album+Covers+On+Twitter&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cp>This morning, during an otherwise jovial appearance on \u003cem>The Today Show\u003c/em>, Tom Hanks went full “America’s Dad” on COVID-19 deniers. He wasn’t angry, exactly—just very, very disappointed. “There’s no law against ignorance,” Hanks said. “It’s not illegal to have opinions that are wrong. But I think you flout a number of realities when two and two don’t add up to four.”\u003c/p>\n\u003cp>After briefly discussing the daily slog he and his wife Rita endured while \u003ca href=\"https://www.kqed.org/arts/13876500/tom-hanks-wife-rita-wilson-test-positive-for-coronavirus\" rel=\"noopener noreferrer\" target=\"_blank\">battling coronavirus\u003c/a> back in March, Hanks drew a comparison between social responsibility during World War II and what we see happening now, during the pandemic.\u003c/p>\n\u003cp>“There was a sensibility that permeated all of society [in the war], which was ‘Do your part. We’re all in this together,'” he said. “And doing your part meant there was a tiny amount of stuff you could do to aid the ongoing status of an effort that had no sign of its conclusion. World War II went on for an awfully long time—a big portion of everyone’s lives. They didn’t know when it was going to come to an end and we don’t know what’s going to happen with COVID-19. The idea of doing one’s part, though, should be so simple.”\u003c/p>\n\u003cp>Hanks went on: “Wear a mask, social distance, wash your hands. That alone means you are contributing to the betterment of your house, your work, your town, your society as a whole and it’s such a small thing. It’s a mystery to me how somehow that has been wiped out of what should be ingrained in the behavior of us all. Simple things! Do your part!”\u003c/p>\n\u003cp>Then Hanks employed the most American tool at anyone’s disposal in a time of crisis: Bruce Springsteen lyrics. “There is a darkness of the edge of town here, folks,” he said, referencing the 1978 song and album. “Let’s not confuse the fact—it’s killing people… You can say ‘Well, traffic accidents kill a lot of people too.’ Yeah, and traffic accidents happen because a lot of people aren’t doing their part.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The 14-minute segment also includes friendly banter with Hoda Kotb and promotion for Hanks’ new World War II epic, \u003cem>Greyhound. \u003c/em>You can watch the interview in full, below.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=bzGYqX81Wu8\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This morning, during an otherwise jovial appearance on \u003cem>The Today Show\u003c/em>, Tom Hanks went full “America’s Dad” on COVID-19 deniers. He wasn’t angry, exactly—just very, very disappointed. “There’s no law against ignorance,” Hanks said. “It’s not illegal to have opinions that are wrong. But I think you flout a number of realities when two and two don’t add up to four.”\u003c/p>\n\u003cp>After briefly discussing the daily slog he and his wife Rita endured while \u003ca href=\"https://www.kqed.org/arts/13876500/tom-hanks-wife-rita-wilson-test-positive-for-coronavirus\" rel=\"noopener noreferrer\" target=\"_blank\">battling coronavirus\u003c/a> back in March, Hanks drew a comparison between social responsibility during World War II and what we see happening now, during the pandemic.\u003c/p>\n\u003cp>“There was a sensibility that permeated all of society [in the war], which was ‘Do your part. We’re all in this together,'” he said. “And doing your part meant there was a tiny amount of stuff you could do to aid the ongoing status of an effort that had no sign of its conclusion. World War II went on for an awfully long time—a big portion of everyone’s lives. They didn’t know when it was going to come to an end and we don’t know what’s going to happen with COVID-19. The idea of doing one’s part, though, should be so simple.”\u003c/p>\n\u003cp>Hanks went on: “Wear a mask, social distance, wash your hands. That alone means you are contributing to the betterment of your house, your work, your town, your society as a whole and it’s such a small thing. It’s a mystery to me how somehow that has been wiped out of what should be ingrained in the behavior of us all. Simple things! Do your part!”\u003c/p>\n\u003cp>Then Hanks employed the most American tool at anyone’s disposal in a time of crisis: Bruce Springsteen lyrics. “There is a darkness of the edge of town here, folks,” he said, referencing the 1978 song and album. “Let’s not confuse the fact—it’s killing people… You can say ‘Well, traffic accidents kill a lot of people too.’ Yeah, and traffic accidents happen because a lot of people aren’t doing their part.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">C\u003c/span>alvin Williams and Leila McCabe Williams hoped to welcome their baby, Malik, into a village of supportive friends and family members, but safety measures during the COVID-19 pandemic required the family to change their plans.\u003c/p>\n\u003cp>In a Zoom call from their art-filled living room, 8-month-old Malik crawls on the carpet (a skill he’s recently mastered) as the Oakland couple tells me about sleepless nights and emergency diaper changes during important work calls, including one with former President Barack Obama. Handing a squirming Malik to Calvin, Leila rushes off to another Zoom meeting for her job at the nonprofit consulting firm where she and Calvin both work.\u003c/p>\n\u003cp>Navigating work and caring for a baby would be hard enough as it is. Add the global pandemic, a national uprising against racism and the recent death of Calvin’s father, and you have two people stretched to their limits. Calvin’s father lived in Alabama, and because of the threat of COVID-19, he was never able to travel to Oakland to meet Malik for the first time. For the same reason, Calvin couldn’t go back for the funeral.\u003c/p>\n\u003cp>“The last exchange I had with him was saying that that’s my main duty—to love and protect Malik,” he says. “The next morning I found out that he had a major heart attack and unfortunately didn’t recover.”\u003c/p>\n\u003cp>Grieving, sleep-deprived and physically isolated from friends and family who could ordinarily offer comforting hugs or help with the baby, Calvin and Leila, like many parents raising young children in 2020, have had to get creative with how they maintain and build their support structures.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I feel pretty strong in my spiritual and health practices, and I’m struggling,” says Calvin, adding that he recently asked friends from his \u003ca href=\"https://www.nationalcompadresnetwork.org/institutes/healing-generations/\" target=\"_blank\" rel=\"noopener noreferrer\">Healing Generations\u003c/a> support group to host a virtual healing circle for him. “I need to be held, I need a space because the reservoir is not being replenished.” [aside postid='arts_13881725']\u003c/p>\n\u003cp>The Williamses are intentional about the ways they seek emotional support from their loved ones, and each partner has a wide network of close confidants rather than expecting the other to fill every emotional need. In addition to regular check-ins with their therapist, Calvin is part of an intergenerational group for Black men, the \u003ca href=\"http://brotherhoodofelders.net/\" target=\"_blank\" rel=\"noopener noreferrer\">Brotherhood of Elders\u003c/a>, who come together biweekly to offer each other support on a variety of topics, including fatherhood. He’s also in group chats with other first-time dads. Leila is part of a women’s support group that connects over the phone, and a member of several allyship groups for non-Black people looking to contribute to the Black Lives Matter movement.\u003c/p>\n\u003cp>“It’s nice to have that space to turn to and say I’m having a hard time so I don’t have to put that on [Calvin],” she says, adding that she’s doing her best to be there for him while he mourns his father.\u003c/p>\n\u003cp>And while the couple hasn’t gone out to protests in person out of caution around the pandemic, Calvin has been writing the Oakland City Council and the school board, and remotely working with the \u003ca href=\"http://blackorganizingproject.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Black Organizing Project\u003c/a>. The birth of Malik has been a major motivating factor for his activism—he doesn’t want to have to give his son the infamous “\u003ca href=\"https://www.webmd.com/mental-health/news/20200608/deaths-shape-how-black-parents-navigate-the-talk\" target=\"_blank\" rel=\"noopener noreferrer\">talk\u003c/a>” that many Black boys get from parents about interacting with police. That desire is giving him a sense of urgency.\u003c/p>\n\u003cp>“Nothing in that talk actually saves you, it’s just a hope that it shields you from triggering the white rage of an armed officer who can use their power with impunity to take your freedom and take your life, if not both,” he says.\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span> therapist, friendly neighbors, extended family and a healthy co-parenting relationship with his ex have been key supports for Leon Sykes, father of a four-year-old also named Leon. Sykes, a media teacher at Fremont High School in Oakland, says that reframing how he gets politically active during the pandemic has been crucial to maintaining his mental health.\u003c/p>\n\u003cp>“I’m active online as far as spreading information, but I’m not as active as I used to be,” he says. “And that has to do with the fears of something happening and I’m not there for my son. A lot of it was fears during COVID. It’s these huge groups.”\u003c/p>\n\u003cfigure id=\"attachment_13883002\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13883002\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/leon-sykes.jpeg\" alt=\"A father and son pose in front of Lake Merritt and the Oakland skyline.\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/leon-sykes.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/leon-sykes-160x213.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/leon-sykes-768x1024.jpeg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Leon Sykes and his son, little Leon. \u003ccite>(Courtesy of Leon Sykes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Having open communication with little Leon’s mom about harm reduction and family agreements around partaking in various activities has helped him cope with the uncertainty of the pandemic and California’s reopening. An extrovert, Sykes has been missing teaching in the classroom and going to community events. But after strategizing about how the family would go about social distancing and hygiene protocols, he got a bike and began cycling around Lake Merritt and working out with some of his cousins at a six-foot-distance.\u003c/p>\n\u003cp>In addition to this physical outlet, conversations with friends who are also fathers have been crucial, as well as monthly video checkins with his therapist. “Me and my boys have conversations about everything from finances to mental health, and how therapy is the way to go,” Sykes says.\u003c/p>\n\u003cp>It was important for him to find a Black therapist, and he connected with her through \u003ca href=\"https://www.psychologytoday.com/us/therapists\" target=\"_blank\" rel=\"noopener noreferrer\">Psychology Today\u003c/a>, which offers a customizable search for specific cultural competencies.\u003c/p>\n\u003cp>“I think people have the idea that, I don’t have any issues, my mental health is great,” he adds. “Therapy is not a bad thing, and therapy is not just because things are going wrong in life. Therapy is just being able to talk things out—whatever it is.”\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">F\u003c/span>or Liz Bernstein, an artist and educator, the pandemic and Black Lives Matter movement have brought up other questions—how to raise a conscientious white child who can be part of the movement to end white supremacy. Her family dynamic is unique: her five-year-old son, Langston, is white, and his adoptive father, Bernstein’s ex, is Black.\u003c/p>\n\u003cp>“For [Langston] to even hear how the world views Black men it’s particularly like, what the the fuck. Like, ‘That’s my daddy,’” she says.\u003c/p>\n\u003cfigure id=\"attachment_13883003\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13883003\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/IMG_9511-800x601.jpg\" alt=\"A mother and son pose in grey sweaters. \" width=\"800\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/IMG_9511-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/IMG_9511-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/IMG_9511-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/IMG_9511-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/IMG_9511-1536x1154.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/IMG_9511.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Liz Bernstein and her son, Langston. \u003ccite>(Courtesy of Liz Bernstein)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As Langston’s primary caretaker, she’s been looking for age-appropriate ways to educate him on inequality, homelessness, racism and why the world is the way it is. “I feel it has just put a spotlight on white families to talk to their white children about what the world is really like,” she says, adding that she’s been using \u003ca href=\"https://www.cnn.com/2020/06/06/us/cnn-sesame-street-town-hall-racism-trnd/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Sesame Street\u003c/em>’s recent episodes\u003c/a> about racism as an educational tool.\u003c/p>\n\u003cp>“We talked about how things are not fair—not everyone has been given same opportunities,” she says.[aside postid='arts_13881199']\u003c/p>\n\u003cp>Bernstein lives in a duplex with her best friend, her wife and their four- and six-year-old boys, who are like an extended family. And in addition to this support system, she has weekly calls with her therapist.\u003c/p>\n\u003cp>“It’s been some really dark days, truthfully,” she says, describing how her mood has fluctuated between rage at the federal government’s slow, disorganized pandemic response and “self-flagellation” at being too exhausted to come up with a constant schedule of hands-on crafting projects for Langston.\u003c/p>\n\u003cp>“It’s a lot of pressure because the village that was helping you before—namely their teachers—isn’t there anymore, and they did a lot,” she says, adding that she is nonetheless considering home-school as an option because of the rising number of COVID-19 cases in California.\u003c/p>\n\u003cp>The pandemic has been tough, but Bernstein is heartened by the help available—including online support groups and affordable online therapy. The key, she says, is to ask for help, even if it’s in ways we’re not used to.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“Whatever issue you’re having, so is somebody else,” she says. “And no matter how specific and intense your particular psychological issue is, there are other people out there who are sharing it, and when you find those other people, you will feel better.”\u003c/p>\n\u003ch2>More Resources\u003c/h2>\n\u003cul>\n\u003cli>\u003ca href=\"https://safeandsound.org/for-parents/\" target=\"_blank\" rel=\"noopener noreferrer\">Safe & Sound’s Parental Stress TALK Line\u003c/a>: 415-441-5437\u003c/li>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/13881725/where-to-find-affordable-culturally-competent-therapy-in-bay-area-and-beyond\" target=\"_blank\" rel=\"noopener noreferrer\">Where to Find Affordable, Culturally Competent Therapy in Bay Area and Beyond\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11809225/coronavirus-has-upended-our-world-its-ok-to-grieve\" target=\"_blank\" rel=\"noopener noreferrer\">Coronavirus Has Upended Our World. It’s OK to Grieve\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/13881399/why-we-must-center-healing-in-the-movement-for-black-lives\" target=\"_blank\" rel=\"noopener noreferrer\">Why We Must Center Healing in the Movement for Black Lives\u003c/a>\u003c/li>\n\u003c/ul>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I feel pretty strong in my spiritual and health practices, and I’m struggling,” says Calvin, adding that he recently asked friends from his \u003ca href=\"https://www.nationalcompadresnetwork.org/institutes/healing-generations/\" target=\"_blank\" rel=\"noopener noreferrer\">Healing Generations\u003c/a> support group to host a virtual healing circle for him. “I need to be held, I need a space because the reservoir is not being replenished.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Williamses are intentional about the ways they seek emotional support from their loved ones, and each partner has a wide network of close confidants rather than expecting the other to fill every emotional need. In addition to regular check-ins with their therapist, Calvin is part of an intergenerational group for Black men, the \u003ca href=\"http://brotherhoodofelders.net/\" target=\"_blank\" rel=\"noopener noreferrer\">Brotherhood of Elders\u003c/a>, who come together biweekly to offer each other support on a variety of topics, including fatherhood. He’s also in group chats with other first-time dads. Leila is part of a women’s support group that connects over the phone, and a member of several allyship groups for non-Black people looking to contribute to the Black Lives Matter movement.\u003c/p>\n\u003cp>“It’s nice to have that space to turn to and say I’m having a hard time so I don’t have to put that on [Calvin],” she says, adding that she’s doing her best to be there for him while he mourns his father.\u003c/p>\n\u003cp>And while the couple hasn’t gone out to protests in person out of caution around the pandemic, Calvin has been writing the Oakland City Council and the school board, and remotely working with the \u003ca href=\"http://blackorganizingproject.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Black Organizing Project\u003c/a>. The birth of Malik has been a major motivating factor for his activism—he doesn’t want to have to give his son the infamous “\u003ca href=\"https://www.webmd.com/mental-health/news/20200608/deaths-shape-how-black-parents-navigate-the-talk\" target=\"_blank\" rel=\"noopener noreferrer\">talk\u003c/a>” that many Black boys get from parents about interacting with police. That desire is giving him a sense of urgency.\u003c/p>\n\u003cp>“Nothing in that talk actually saves you, it’s just a hope that it shields you from triggering the white rage of an armed officer who can use their power with impunity to take your freedom and take your life, if not both,” he says.\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span> therapist, friendly neighbors, extended family and a healthy co-parenting relationship with his ex have been key supports for Leon Sykes, father of a four-year-old also named Leon. Sykes, a media teacher at Fremont High School in Oakland, says that reframing how he gets politically active during the pandemic has been crucial to maintaining his mental health.\u003c/p>\n\u003cp>“I’m active online as far as spreading information, but I’m not as active as I used to be,” he says. “And that has to do with the fears of something happening and I’m not there for my son. A lot of it was fears during COVID. It’s these huge groups.”\u003c/p>\n\u003cfigure id=\"attachment_13883002\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13883002\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/leon-sykes.jpeg\" alt=\"A father and son pose in front of Lake Merritt and the Oakland skyline.\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/leon-sykes.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/leon-sykes-160x213.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/leon-sykes-768x1024.jpeg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Leon Sykes and his son, little Leon. \u003ccite>(Courtesy of Leon Sykes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Having open communication with little Leon’s mom about harm reduction and family agreements around partaking in various activities has helped him cope with the uncertainty of the pandemic and California’s reopening. An extrovert, Sykes has been missing teaching in the classroom and going to community events. But after strategizing about how the family would go about social distancing and hygiene protocols, he got a bike and began cycling around Lake Merritt and working out with some of his cousins at a six-foot-distance.\u003c/p>\n\u003cp>In addition to this physical outlet, conversations with friends who are also fathers have been crucial, as well as monthly video checkins with his therapist. “Me and my boys have conversations about everything from finances to mental health, and how therapy is the way to go,” Sykes says.\u003c/p>\n\u003cp>It was important for him to find a Black therapist, and he connected with her through \u003ca href=\"https://www.psychologytoday.com/us/therapists\" target=\"_blank\" rel=\"noopener noreferrer\">Psychology Today\u003c/a>, which offers a customizable search for specific cultural competencies.\u003c/p>\n\u003cp>“I think people have the idea that, I don’t have any issues, my mental health is great,” he adds. “Therapy is not a bad thing, and therapy is not just because things are going wrong in life. Therapy is just being able to talk things out—whatever it is.”\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">F\u003c/span>or Liz Bernstein, an artist and educator, the pandemic and Black Lives Matter movement have brought up other questions—how to raise a conscientious white child who can be part of the movement to end white supremacy. Her family dynamic is unique: her five-year-old son, Langston, is white, and his adoptive father, Bernstein’s ex, is Black.\u003c/p>\n\u003cp>“For [Langston] to even hear how the world views Black men it’s particularly like, what the the fuck. Like, ‘That’s my daddy,’” she says.\u003c/p>\n\u003cfigure id=\"attachment_13883003\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13883003\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/IMG_9511-800x601.jpg\" alt=\"A mother and son pose in grey sweaters. \" width=\"800\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/IMG_9511-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/IMG_9511-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/IMG_9511-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/IMG_9511-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/IMG_9511-1536x1154.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/IMG_9511.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Liz Bernstein and her son, Langston. \u003ccite>(Courtesy of Liz Bernstein)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As Langston’s primary caretaker, she’s been looking for age-appropriate ways to educate him on inequality, homelessness, racism and why the world is the way it is. “I feel it has just put a spotlight on white families to talk to their white children about what the world is really like,” she says, adding that she’s been using \u003ca href=\"https://www.cnn.com/2020/06/06/us/cnn-sesame-street-town-hall-racism-trnd/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Sesame Street\u003c/em>’s recent episodes\u003c/a> about racism as an educational tool.\u003c/p>\n\u003cp>“We talked about how things are not fair—not everyone has been given same opportunities,” she says.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bernstein lives in a duplex with her best friend, her wife and their four- and six-year-old boys, who are like an extended family. And in addition to this support system, she has weekly calls with her therapist.\u003c/p>\n\u003cp>“It’s been some really dark days, truthfully,” she says, describing how her mood has fluctuated between rage at the federal government’s slow, disorganized pandemic response and “self-flagellation” at being too exhausted to come up with a constant schedule of hands-on crafting projects for Langston.\u003c/p>\n\u003cp>“It’s a lot of pressure because the village that was helping you before—namely their teachers—isn’t there anymore, and they did a lot,” she says, adding that she is nonetheless considering home-school as an option because of the rising number of COVID-19 cases in California.\u003c/p>\n\u003cp>The pandemic has been tough, but Bernstein is heartened by the help available—including online support groups and affordable online therapy. The key, she says, is to ask for help, even if it’s in ways we’re not used to.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Whatever issue you’re having, so is somebody else,” she says. “And no matter how specific and intense your particular psychological issue is, there are other people out there who are sharing it, and when you find those other people, you will feel better.”\u003c/p>\n\u003ch2>More Resources\u003c/h2>\n\u003cul>\n\u003cli>\u003ca href=\"https://safeandsound.org/for-parents/\" target=\"_blank\" rel=\"noopener noreferrer\">Safe & Sound’s Parental Stress TALK Line\u003c/a>: 415-441-5437\u003c/li>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/13881725/where-to-find-affordable-culturally-competent-therapy-in-bay-area-and-beyond\" target=\"_blank\" rel=\"noopener noreferrer\">Where to Find Affordable, Culturally Competent Therapy in Bay Area and Beyond\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11809225/coronavirus-has-upended-our-world-its-ok-to-grieve\" target=\"_blank\" rel=\"noopener noreferrer\">Coronavirus Has Upended Our World. It’s OK to Grieve\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/13881399/why-we-must-center-healing-in-the-movement-for-black-lives\" target=\"_blank\" rel=\"noopener noreferrer\">Why We Must Center Healing in the Movement for Black Lives\u003c/a>\u003c/li>\n\u003c/ul>\n\n\u003c/div>\u003c/p>",
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"title": "Somebody’s Sick In The World: Fatherhood During COVID-19",
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"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he seemingly astronomical task of protecting a three year-old girl from germs is actually kind of easy. Protecting her from the rest of the world—that’s a little more difficult. And because the rest of the world has influenced me, the hardest part of all might just be protecting her from me.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>As sheltering in place comes to an end, so will this life of home schooling during a pandemic. I couldn’t fit all of the lessons learned during this time period onto a single syllabus. But I can tell you that the overarching theme of this semester was the fact that I’m the one who was in school. Not my three-year-old daughter.\u003c/p>\n\u003cp>It didn’t start that way.\u003c/p>\n\u003cp>I tried being a good teacher. I had structure and everything. Breakfast and \u003cem>Sesame Street\u003c/em> while I send emails. 10:30am recess meant a walk to a nearby patch of grass to play soccer or Frisbee, or even a jog while she sat in the stroller, periodically yelling for me to pause so she could pick flowers. 2:30pm is nap time, or “just go to your room and close your eyes and be quiet for an hour—please” time. And then a book before bedtime, ideally around 8pm.\u003c/p>\n\u003cp>Problem was, my structure wasn’t made of steel—more like bamboo.\u003c/p>\n\u003cp>Between Zoom video meetings one day, we built a whole tent. We’ve become regulars at the dance parties that happen in club “living room.” And those events last way past bedtime.\u003c/p>\n\u003cp>The other day, I laid my daughter down for her 2:30pm break, and went to my closet to interview \u003ca href=\"https://www.kqed.org/arts/13881954/getting-out-of-the-way-for-your-creative-child\" target=\"_blank\" rel=\"noopener noreferrer\">Sydney Nycole and Gary Reeves\u003c/a> for a \u003cem>Rightnowish\u003c/em> podcast episode about father-daughter relationships. I walked away from the Zoom call to realize my daughter had gone number two in the potty, properly wiped, washed her hands and was jumping on my bed. I mean, she didn’t flush the toilet, but I was impressed nonetheless.\u003c/p>\n\u003cp>She’s taught me that she’s capable of learning fast.\u003c/p>\n\u003cfigure id=\"attachment_13882121\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13882121\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/F066ACED-BD11-42C5-9F23-FEA476BEC46A-800x450.jpg\" alt=\"On a run for take-out, we paused for a photo opp\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/F066ACED-BD11-42C5-9F23-FEA476BEC46A-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/F066ACED-BD11-42C5-9F23-FEA476BEC46A-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/F066ACED-BD11-42C5-9F23-FEA476BEC46A-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/F066ACED-BD11-42C5-9F23-FEA476BEC46A-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/F066ACED-BD11-42C5-9F23-FEA476BEC46A.jpg 1309w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">On a run for take-out, we paused for a photo op. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> told her we couldn’t go on our library trips anymore because there’s a virus out there making people in the world sick. She took it as “somebody is sick in the world,” and that’s what she’s been saying for three months.\u003c/p>\n\u003cp>And it’s that simple for her. For me it’s much more complex. But I’ve been trying to take notes and process it all.\u003c/p>\n\u003cp>I can now confirm Doc McStuffins is not a doctor but an engineer—she fixes inanimate objects. Grumpy Bear, of the Care Bear family, once said he likes his “clowns to look like clowns,” and it hit home as I thought about a certain elected official. (That same elected official came to mind when Pocahontas’ father said, “These white men are dangerous.”)\u003c/p>\n\u003cp>The main character in the cartoon \u003cem>Pinkalicious\u003c/em> talks about what she wants to be when she grows up, and it changes every episode. As I sit across the living room writing essays about combating oppression, I whisper, \u003cem>don’t grow up, it’s a trap\u003c/em>. You’ll end up like me: with an immovable belly and a beard that brings out more grey hair every time I shave. I feel like Tim Allen in \u003cem>The Santa Clause\u003c/em>.\u003c/p>\n\u003cp>Even with the dad bod and old-man face, I’m learning lessons I should’ve gathered as a child—oftentimes, \u003cem>from\u003c/em> a child. Or children’s shows. Or other adults who are also learning from their children.\u003c/p>\n\u003cp>In listening to the first few episodes of Alicia Garza’s podcast, \u003cem>Lady Don’t Take No\u003c/em>, I learned that even high-profile people, like BART \u003ca href=\"https://lady-dont-take-no.simplecast.com/episodes/lateefah-simons-edges-J7_dlyUt\">Board Director Lateefah Simon\u003c/a> and \u003ca href=\"https://lady-dont-take-no.simplecast.com/episodes/w-kamau-bells-epic-dm-slide\">political comedian W. Kamau Bell\u003c/a> are also having unique experiences as parents during this time—on top of all the other hats they’re wearing. Glad I’m not alone.\u003c/p>\n\u003cfigure id=\"attachment_13882269\" class=\"wp-caption aligncenter\" style=\"max-width: 770px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13882269\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/JoeEskenazi.jpg\" alt=\"Joe Eskenazi interrupted by son Leo on live television.\" width=\"770\" height=\"433\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/JoeEskenazi.jpg 770w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/JoeEskenazi-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/JoeEskenazi-768x432.jpg 768w\" sizes=\"(max-width: 770px) 100vw, 770px\">\u003cfigcaption class=\"wp-caption-text\">Joe Eskenazi interrupted by son Leo on live television. \u003ccite>(ABC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://abc7news.com/kid-interrupts-interview-live-coronavirus-san-francisco-bay-area-abc7/6109071/\">\u003ci>Mission Local\u003c/i> reporter Joe Eskenazi\u003c/a> taught me how to maintain your cool—even when your child busts through a locked door while you’re on camera doing a live interview. Again, glad I’m not alone.\u003c/p>\n\u003cp>The greatest parent-to-parent lesson has come from my sister, who recently married a man who has kids of his own. His youngest is a six-year-old with special needs. My sister realized quickly that she couldn’t recreate the classroom setting, and the take-home assignments weren’t working. But she found guidance in simply teaching what she knows: arts, gardening, language and all the other skills she’s gathered through living.\u003c/p>\n\u003cp>Let your strongpoints be the areas of focus, and through that, other aspects of education will follow.\u003c/p>\n\u003cp>So that’s what I’ve done. During trips for groceries, my daughter and I spell out the items we put in the grocery cart. I’m not good at math, but I can cook my ass off—so we practice numbers in the kitchen. Not good at doing hair … so, bless her amazing mother, Tanara, for teaching me the importance of head wraps and hair-bows. Actually, I’m not good at a lot of things, so bless her amazing mother in general.\u003c/p>\n\u003cp>I’ve failed a lot as a father, ya’ll.\u003c/p>\n\u003cp>I mean, during this shelter in place, there have been some \u003cem>comical\u003c/em> failures. Like, that time I thought I could put a fitted sheet on a suspended pull-up bar and create a swing in the doorway of my closet. It worked until the kid’s momentum went askew, causing her head to meet the closet’s doorframe. She laughed it off and wanted to swing again. I immediately disassembled it.\u003c/p>\n\u003cp>And there have been some not so comical failures, things that haunt me to this day.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">B\u003c/span>ack when I found out I was having a child, I was bad human. There’s no other way to put it.\u003c/p>\n\u003cp>It was an unexpected pregnancy. We weren’t “in a relationship,” I didn’t have a stable job and I was living in a room in my homeboy’s house.\u003c/p>\n\u003cp>So the news of a child moved me to have child-like fits. I argued with Tanara. I became depressed, and fell into a real dark space.\u003c/p>\n\u003cp>I’ve since worked on myself. Tanara and I have a much better relationship, and I’m proud to say it’s growing everyday. I have not just a job but a career. And I have an apartment; my daughter even has her own room.\u003c/p>\n\u003cp>But I still struggle with what I’d like to call “heavy gravity” situations around what it means to be a father. Only now, it’s in a different context.\u003c/p>\n\u003cp>A Mother’s Day call to my 85-year-old grandmother, the woman who raised my father, put in perspective what it means for me to be a dad. A \u003cem>real\u003c/em> dad.\u003c/p>\n\u003cp>My pops never knew his real father. My mother’s father passed before she was a teen. My sister and I grew up without our father in the household, as did my niece and nephew. But we all had stepfathers.\u003c/p>\n\u003cp>Nonetheless, after talking to granny, that depressive bullshit hit again.\u003c/p>\n\u003cp>It wasn’t the same way I was feeling before my daughter was born. This was a more rational understanding of a certain weight to the situation at hand.\u003c/p>\n\u003cp>My family history. Combined with fears, concerns and the around-the-clock reporting on COVID. Coupled with example after example of how racist and misogynistic this country is. I felt low.\u003c/p>\n\u003cp>The time I’ve spent these past three months with my daughter have been the most intimate time I’ve had with another human in my adult life. The highs of this period outweigh the lows by a ton. But during that low period, that’s when it got real.\u003c/p>\n\u003cp>The thoughts about the number of fathers not being in the lives of their children—not just in my family, but historically in the African American community. And how my generation of men is doing wonders at \u003ca href=\"https://www.cdc.gov/nchs/data/nhsr/nhsr071.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">breaking that cycle\u003c/a>, but still struggling in relationships with our co-parents.\u003c/p>\n\u003cp>And directly tied into that is the misogynistic ideology that this country was built on. And being that I’m from this country, and specifically Oakland, California—that mindset is in me. And I’m trying to exorcise it. I have to. How can I raise a Black woman in this sick world when I’m not fully healthy myself?\u003c/p>\n\u003cp>I promise y’all, I’m trying to learn, grow and be malleable. I figure it’s all a part of the structure of fatherhood: don’t be steel, be bamboo.\u003c/p>\n\u003cp>\u003cem>There’s somebody sick in the world.\u003c/em> And I’m trying to cure myself.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he seemingly astronomical task of protecting a three year-old girl from germs is actually kind of easy. Protecting her from the rest of the world—that’s a little more difficult. And because the rest of the world has influenced me, the hardest part of all might just be protecting her from me.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>As sheltering in place comes to an end, so will this life of home schooling during a pandemic. I couldn’t fit all of the lessons learned during this time period onto a single syllabus. But I can tell you that the overarching theme of this semester was the fact that I’m the one who was in school. Not my three-year-old daughter.\u003c/p>\n\u003cp>It didn’t start that way.\u003c/p>\n\u003cp>I tried being a good teacher. I had structure and everything. Breakfast and \u003cem>Sesame Street\u003c/em> while I send emails. 10:30am recess meant a walk to a nearby patch of grass to play soccer or Frisbee, or even a jog while she sat in the stroller, periodically yelling for me to pause so she could pick flowers. 2:30pm is nap time, or “just go to your room and close your eyes and be quiet for an hour—please” time. And then a book before bedtime, ideally around 8pm.\u003c/p>\n\u003cp>Problem was, my structure wasn’t made of steel—more like bamboo.\u003c/p>\n\u003cp>Between Zoom video meetings one day, we built a whole tent. We’ve become regulars at the dance parties that happen in club “living room.” And those events last way past bedtime.\u003c/p>\n\u003cp>The other day, I laid my daughter down for her 2:30pm break, and went to my closet to interview \u003ca href=\"https://www.kqed.org/arts/13881954/getting-out-of-the-way-for-your-creative-child\" target=\"_blank\" rel=\"noopener noreferrer\">Sydney Nycole and Gary Reeves\u003c/a> for a \u003cem>Rightnowish\u003c/em> podcast episode about father-daughter relationships. I walked away from the Zoom call to realize my daughter had gone number two in the potty, properly wiped, washed her hands and was jumping on my bed. I mean, she didn’t flush the toilet, but I was impressed nonetheless.\u003c/p>\n\u003cp>She’s taught me that she’s capable of learning fast.\u003c/p>\n\u003cfigure id=\"attachment_13882121\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13882121\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/F066ACED-BD11-42C5-9F23-FEA476BEC46A-800x450.jpg\" alt=\"On a run for take-out, we paused for a photo opp\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/F066ACED-BD11-42C5-9F23-FEA476BEC46A-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/F066ACED-BD11-42C5-9F23-FEA476BEC46A-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/F066ACED-BD11-42C5-9F23-FEA476BEC46A-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/F066ACED-BD11-42C5-9F23-FEA476BEC46A-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/F066ACED-BD11-42C5-9F23-FEA476BEC46A.jpg 1309w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">On a run for take-out, we paused for a photo op. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> told her we couldn’t go on our library trips anymore because there’s a virus out there making people in the world sick. She took it as “somebody is sick in the world,” and that’s what she’s been saying for three months.\u003c/p>\n\u003cp>And it’s that simple for her. For me it’s much more complex. But I’ve been trying to take notes and process it all.\u003c/p>\n\u003cp>I can now confirm Doc McStuffins is not a doctor but an engineer—she fixes inanimate objects. Grumpy Bear, of the Care Bear family, once said he likes his “clowns to look like clowns,” and it hit home as I thought about a certain elected official. (That same elected official came to mind when Pocahontas’ father said, “These white men are dangerous.”)\u003c/p>\n\u003cp>The main character in the cartoon \u003cem>Pinkalicious\u003c/em> talks about what she wants to be when she grows up, and it changes every episode. As I sit across the living room writing essays about combating oppression, I whisper, \u003cem>don’t grow up, it’s a trap\u003c/em>. You’ll end up like me: with an immovable belly and a beard that brings out more grey hair every time I shave. I feel like Tim Allen in \u003cem>The Santa Clause\u003c/em>.\u003c/p>\n\u003cp>Even with the dad bod and old-man face, I’m learning lessons I should’ve gathered as a child—oftentimes, \u003cem>from\u003c/em> a child. Or children’s shows. Or other adults who are also learning from their children.\u003c/p>\n\u003cp>In listening to the first few episodes of Alicia Garza’s podcast, \u003cem>Lady Don’t Take No\u003c/em>, I learned that even high-profile people, like BART \u003ca href=\"https://lady-dont-take-no.simplecast.com/episodes/lateefah-simons-edges-J7_dlyUt\">Board Director Lateefah Simon\u003c/a> and \u003ca href=\"https://lady-dont-take-no.simplecast.com/episodes/w-kamau-bells-epic-dm-slide\">political comedian W. Kamau Bell\u003c/a> are also having unique experiences as parents during this time—on top of all the other hats they’re wearing. Glad I’m not alone.\u003c/p>\n\u003cfigure id=\"attachment_13882269\" class=\"wp-caption aligncenter\" style=\"max-width: 770px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13882269\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/JoeEskenazi.jpg\" alt=\"Joe Eskenazi interrupted by son Leo on live television.\" width=\"770\" height=\"433\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/JoeEskenazi.jpg 770w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/JoeEskenazi-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/JoeEskenazi-768x432.jpg 768w\" sizes=\"(max-width: 770px) 100vw, 770px\">\u003cfigcaption class=\"wp-caption-text\">Joe Eskenazi interrupted by son Leo on live television. \u003ccite>(ABC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://abc7news.com/kid-interrupts-interview-live-coronavirus-san-francisco-bay-area-abc7/6109071/\">\u003ci>Mission Local\u003c/i> reporter Joe Eskenazi\u003c/a> taught me how to maintain your cool—even when your child busts through a locked door while you’re on camera doing a live interview. Again, glad I’m not alone.\u003c/p>\n\u003cp>The greatest parent-to-parent lesson has come from my sister, who recently married a man who has kids of his own. His youngest is a six-year-old with special needs. My sister realized quickly that she couldn’t recreate the classroom setting, and the take-home assignments weren’t working. But she found guidance in simply teaching what she knows: arts, gardening, language and all the other skills she’s gathered through living.\u003c/p>\n\u003cp>Let your strongpoints be the areas of focus, and through that, other aspects of education will follow.\u003c/p>\n\u003cp>So that’s what I’ve done. During trips for groceries, my daughter and I spell out the items we put in the grocery cart. I’m not good at math, but I can cook my ass off—so we practice numbers in the kitchen. Not good at doing hair … so, bless her amazing mother, Tanara, for teaching me the importance of head wraps and hair-bows. Actually, I’m not good at a lot of things, so bless her amazing mother in general.\u003c/p>\n\u003cp>I’ve failed a lot as a father, ya’ll.\u003c/p>\n\u003cp>I mean, during this shelter in place, there have been some \u003cem>comical\u003c/em> failures. Like, that time I thought I could put a fitted sheet on a suspended pull-up bar and create a swing in the doorway of my closet. It worked until the kid’s momentum went askew, causing her head to meet the closet’s doorframe. She laughed it off and wanted to swing again. I immediately disassembled it.\u003c/p>\n\u003cp>And there have been some not so comical failures, things that haunt me to this day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">B\u003c/span>ack when I found out I was having a child, I was bad human. There’s no other way to put it.\u003c/p>\n\u003cp>It was an unexpected pregnancy. We weren’t “in a relationship,” I didn’t have a stable job and I was living in a room in my homeboy’s house.\u003c/p>\n\u003cp>So the news of a child moved me to have child-like fits. I argued with Tanara. I became depressed, and fell into a real dark space.\u003c/p>\n\u003cp>I’ve since worked on myself. Tanara and I have a much better relationship, and I’m proud to say it’s growing everyday. I have not just a job but a career. And I have an apartment; my daughter even has her own room.\u003c/p>\n\u003cp>But I still struggle with what I’d like to call “heavy gravity” situations around what it means to be a father. Only now, it’s in a different context.\u003c/p>\n\u003cp>A Mother’s Day call to my 85-year-old grandmother, the woman who raised my father, put in perspective what it means for me to be a dad. A \u003cem>real\u003c/em> dad.\u003c/p>\n\u003cp>My pops never knew his real father. My mother’s father passed before she was a teen. My sister and I grew up without our father in the household, as did my niece and nephew. But we all had stepfathers.\u003c/p>\n\u003cp>Nonetheless, after talking to granny, that depressive bullshit hit again.\u003c/p>\n\u003cp>It wasn’t the same way I was feeling before my daughter was born. This was a more rational understanding of a certain weight to the situation at hand.\u003c/p>\n\u003cp>My family history. Combined with fears, concerns and the around-the-clock reporting on COVID. Coupled with example after example of how racist and misogynistic this country is. I felt low.\u003c/p>\n\u003cp>The time I’ve spent these past three months with my daughter have been the most intimate time I’ve had with another human in my adult life. The highs of this period outweigh the lows by a ton. But during that low period, that’s when it got real.\u003c/p>\n\u003cp>The thoughts about the number of fathers not being in the lives of their children—not just in my family, but historically in the African American community. And how my generation of men is doing wonders at \u003ca href=\"https://www.cdc.gov/nchs/data/nhsr/nhsr071.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">breaking that cycle\u003c/a>, but still struggling in relationships with our co-parents.\u003c/p>\n\u003cp>And directly tied into that is the misogynistic ideology that this country was built on. And being that I’m from this country, and specifically Oakland, California—that mindset is in me. And I’m trying to exorcise it. I have to. How can I raise a Black woman in this sick world when I’m not fully healthy myself?\u003c/p>\n\u003cp>I promise y’all, I’m trying to learn, grow and be malleable. I figure it’s all a part of the structure of fatherhood: don’t be steel, be bamboo.\u003c/p>\n\u003cp>\u003cem>There’s somebody sick in the world.\u003c/em> And I’m trying to cure myself.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "A New Library of Congress Project Commissions Music of the Pandemic",
"headTitle": "A New Library of Congress Project Commissions Music of the Pandemic | KQED",
"content": "\u003cp>The shutdown due to the coronavirus pandemic hit musicians hard, with concert halls and rehearsal spaces shuttered and silent. But a new music initiative from the Library of Congress embraces the constraints of COVID-19. The series is a collection of 10 videos of 10 different original compositions that will premiere online starting Monday, June 15. It’s called the \u003ca href=\"https://loc.gov/item/prn-20-038/\" target=\"_blank\" rel=\"noopener noreferrer\">Boccaccio Project\u003c/a>.\u003c/p>\n\u003cp>David Plylar is a senior music specialist at the Library of Congress and the person who spearheaded the project; it’s named after the Italian writer Giovanni Boccaccio, who saw the Black Death devastate Europe during the 14th century. Boccaccio’s \u003cem>The Decameron \u003c/em>follows 10 people who flee the plague in Florence and tell each other stories in a remote refuge. Pylar says that story feels very modern.\u003c/p>\n\u003cp>“You can take people out of what they know about society and they still have this compulsion to tell a story,” he says. “And I felt that Boccaccio exemplifies that. And while we are much more connected now than they were in his time, we are isolated and we still have this desire to reach out to each other.”\u003c/p>\n\u003cp>Luciano Chessa, one of the composers commissioned by the Library of Congress, meant to stay only a week in San Francisco. Chessa flew out from New York for a concert in March. From there he had events scheduled in Colorado, in Ohio and around the country. But then, like so many other musicians, the coronavirus pandemic changed his plans.\u003c/p>\n\u003cp>“The world changed,” he says. “So I ended up staying in San Francisco for two months instead of just a week.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He worried about his parents in Italy as that country felt the worst of COVID-19.\u003c/p>\n\u003cp>“I think the most vivid images were basically caskets in piles outside of hospitals or retirement homes,” Chessa says. “And my aunt died in March. We don’t know whether exactly [if] it was COVID-19 or not because at the time, there were no tests.”\u003c/p>\n\u003cfigure id=\"attachment_13881930\" class=\"wp-caption alignright\" style=\"max-width: 248px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13881930\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Screen-Shot-2020-06-12-at-12.03.52-PM.png\" alt=\"The composer Luciano Chessa.\" width=\"248\" height=\"224\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Screen-Shot-2020-06-12-at-12.03.52-PM.png 248w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Screen-Shot-2020-06-12-at-12.03.52-PM-160x145.png 160w\" sizes=\"(max-width: 248px) 100vw, 248px\">\u003cfigcaption class=\"wp-caption-text\">The composer Luciano Chessa. \u003ccite>(Melesio Núñez/Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In April, he got a commission from the Library of Congress for the Boccaccio project. The instructions were simple: Write a work responding to the pandemic—just a couple minutes long—for a single performer to videotape at home. Chessa says the commission was more than welcome.\u003c/p>\n\u003cp>“After two months making fresh pasta and wearing the same shirt you probably kind of are ready for a change,” he says.\u003c/p>\n\u003cp>Chessa wrote a piece called “1462 Willard Street,” named after the address where he spent the early months of the pandemic, uprooted and uncertain. The video opens on a length of twine looped around the lower strings of a viola. It scrapes the instrument and obscures a melody. The violist is Charlton Lee of the Del Sol Quartet, and as he plays he glides through the room. Eventually, the twine falls away and the melody becomes clearer\u003c/p>\n\u003cp>“I find it to be nostalgic,” Lee says. “Somehow there’s hope and sadness and joy all wrapped together.”\u003c/p>\n\u003cp>Chessa says the video captures the feeling of composing while isolated during a pandemic.\u003c/p>\n\u003cp>“The player is set free halfway through the piece,” he says. “In my opinion it was supposed to be a way of staging this process between constraint and freedom.”\u003c/p>\n\u003cp>Damien Sneed, another composer commissioned by the Boccaccio Project, wrote a piece called “Sequestered Thoughts.” Jeremy Jordan, who performed it, says that the limitations of the project forced composers to test their creativity.\u003c/p>\n\u003cp>“Talented composers sometimes have the ability to create wonderful works with great creative restraints placed upon them,” he says. “You have to not only write a piece between one and three minutes, but then it has to be meaningful.”\u003c/p>\n\u003cp>Jordan learned the piece in a day or two.\u003c/p>\n\u003cp>“In some ways it was kind of a pure experience because I just received the music and learned it and played it,” he says.\u003c/p>\n\u003cp>Jordan’s attention to detail impressed the composer.\u003c/p>\n\u003cp>“I was mesmerized and amazed by how he personally interpreted what was on the page and brought it to life,” Sneed says.\u003c/p>\n\u003cp>The pandemic was a jolt for Sneed. He had just finished a 40-city tour when he began sheltering in place, alone. He means for his piece to evoke confinement, hope, the will to survive—and says all that resonates now with protests against police violence.\u003c/p>\n\u003cp>“At the end of ‘Sequestered Thoughts,’ it moves up the scale of the piano, so to speak,” he says. “And it ends up looking upward and that’s really the object of protest and reconciliation. Music allows us, these protests allow us, to hopefully get to a place where we are elevated.”\u003c/p>\n\u003cp>Another piece comes from Flutronix—composed of flautists and composers Allison Loggins-Hull and Nathalie Joachim. In response to COVID-19, Loggins-Hull wrote “Have and Hold.”\u003c/p>\n\u003cp>“I was really craving just the feeling of having companionship and being near people and just physical contact,” she says.\u003c/p>\n\u003cp>Loggins-Hull says her craving only intensified as news of police killings arrived.\u003c/p>\n\u003cp>“Whenever these shootings happen, I still have that desire to hold people that I love, even to hold people that I don’t know who share this common experience we all share as black people in this country,” she says.\u003c/p>\n\u003cp>Nathalie Joachim says that when she recorded the piece, it felt less like a performance and more like mourning.\u003c/p>\n\u003cp>“It’s not these killings happening in abstraction, or all of these bodies that are having to take to the streets to fight for what we deserve, which is humanity,” she says. “I claim each of these people as my own family.”\u003c/p>\n\u003cp>David Plylar, at the Library of Congress, says composers and performers are reacting to this moment, and as listeners we need to grab on to what they’re saying.\u003c/p>\n\u003cp>“I think that these artists were already doing this and that this is just another outlet for them,” he says. “But it’s a way of documenting what is happening, taking an artistic stance and then trying to preserve that so that other people can benefit from it down the road.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>The Boccaccio Project premieres Monday on the Library of Congress’ \u003c/em>\u003ca href=\"https://loc.gov/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>website\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+New+Library+Of+Congress+Project+Commissions+Music+Of+The+Coronavirus+Pandemic&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The shutdown due to the coronavirus pandemic hit musicians hard, with concert halls and rehearsal spaces shuttered and silent. But a new music initiative from the Library of Congress embraces the constraints of COVID-19. The series is a collection of 10 videos of 10 different original compositions that will premiere online starting Monday, June 15. It’s called the \u003ca href=\"https://loc.gov/item/prn-20-038/\" target=\"_blank\" rel=\"noopener noreferrer\">Boccaccio Project\u003c/a>.\u003c/p>\n\u003cp>David Plylar is a senior music specialist at the Library of Congress and the person who spearheaded the project; it’s named after the Italian writer Giovanni Boccaccio, who saw the Black Death devastate Europe during the 14th century. Boccaccio’s \u003cem>The Decameron \u003c/em>follows 10 people who flee the plague in Florence and tell each other stories in a remote refuge. Pylar says that story feels very modern.\u003c/p>\n\u003cp>“You can take people out of what they know about society and they still have this compulsion to tell a story,” he says. “And I felt that Boccaccio exemplifies that. And while we are much more connected now than they were in his time, we are isolated and we still have this desire to reach out to each other.”\u003c/p>\n\u003cp>Luciano Chessa, one of the composers commissioned by the Library of Congress, meant to stay only a week in San Francisco. Chessa flew out from New York for a concert in March. From there he had events scheduled in Colorado, in Ohio and around the country. But then, like so many other musicians, the coronavirus pandemic changed his plans.\u003c/p>\n\u003cp>“The world changed,” he says. “So I ended up staying in San Francisco for two months instead of just a week.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He worried about his parents in Italy as that country felt the worst of COVID-19.\u003c/p>\n\u003cp>“I think the most vivid images were basically caskets in piles outside of hospitals or retirement homes,” Chessa says. “And my aunt died in March. We don’t know whether exactly [if] it was COVID-19 or not because at the time, there were no tests.”\u003c/p>\n\u003cfigure id=\"attachment_13881930\" class=\"wp-caption alignright\" style=\"max-width: 248px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13881930\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Screen-Shot-2020-06-12-at-12.03.52-PM.png\" alt=\"The composer Luciano Chessa.\" width=\"248\" height=\"224\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Screen-Shot-2020-06-12-at-12.03.52-PM.png 248w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Screen-Shot-2020-06-12-at-12.03.52-PM-160x145.png 160w\" sizes=\"(max-width: 248px) 100vw, 248px\">\u003cfigcaption class=\"wp-caption-text\">The composer Luciano Chessa. \u003ccite>(Melesio Núñez/Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In April, he got a commission from the Library of Congress for the Boccaccio project. The instructions were simple: Write a work responding to the pandemic—just a couple minutes long—for a single performer to videotape at home. Chessa says the commission was more than welcome.\u003c/p>\n\u003cp>“After two months making fresh pasta and wearing the same shirt you probably kind of are ready for a change,” he says.\u003c/p>\n\u003cp>Chessa wrote a piece called “1462 Willard Street,” named after the address where he spent the early months of the pandemic, uprooted and uncertain. The video opens on a length of twine looped around the lower strings of a viola. It scrapes the instrument and obscures a melody. The violist is Charlton Lee of the Del Sol Quartet, and as he plays he glides through the room. Eventually, the twine falls away and the melody becomes clearer\u003c/p>\n\u003cp>“I find it to be nostalgic,” Lee says. “Somehow there’s hope and sadness and joy all wrapped together.”\u003c/p>\n\u003cp>Chessa says the video captures the feeling of composing while isolated during a pandemic.\u003c/p>\n\u003cp>“The player is set free halfway through the piece,” he says. “In my opinion it was supposed to be a way of staging this process between constraint and freedom.”\u003c/p>\n\u003cp>Damien Sneed, another composer commissioned by the Boccaccio Project, wrote a piece called “Sequestered Thoughts.” Jeremy Jordan, who performed it, says that the limitations of the project forced composers to test their creativity.\u003c/p>\n\u003cp>“Talented composers sometimes have the ability to create wonderful works with great creative restraints placed upon them,” he says. “You have to not only write a piece between one and three minutes, but then it has to be meaningful.”\u003c/p>\n\u003cp>Jordan learned the piece in a day or two.\u003c/p>\n\u003cp>“In some ways it was kind of a pure experience because I just received the music and learned it and played it,” he says.\u003c/p>\n\u003cp>Jordan’s attention to detail impressed the composer.\u003c/p>\n\u003cp>“I was mesmerized and amazed by how he personally interpreted what was on the page and brought it to life,” Sneed says.\u003c/p>\n\u003cp>The pandemic was a jolt for Sneed. He had just finished a 40-city tour when he began sheltering in place, alone. He means for his piece to evoke confinement, hope, the will to survive—and says all that resonates now with protests against police violence.\u003c/p>\n\u003cp>“At the end of ‘Sequestered Thoughts,’ it moves up the scale of the piano, so to speak,” he says. “And it ends up looking upward and that’s really the object of protest and reconciliation. Music allows us, these protests allow us, to hopefully get to a place where we are elevated.”\u003c/p>\n\u003cp>Another piece comes from Flutronix—composed of flautists and composers Allison Loggins-Hull and Nathalie Joachim. In response to COVID-19, Loggins-Hull wrote “Have and Hold.”\u003c/p>\n\u003cp>“I was really craving just the feeling of having companionship and being near people and just physical contact,” she says.\u003c/p>\n\u003cp>Loggins-Hull says her craving only intensified as news of police killings arrived.\u003c/p>\n\u003cp>“Whenever these shootings happen, I still have that desire to hold people that I love, even to hold people that I don’t know who share this common experience we all share as black people in this country,” she says.\u003c/p>\n\u003cp>Nathalie Joachim says that when she recorded the piece, it felt less like a performance and more like mourning.\u003c/p>\n\u003cp>“It’s not these killings happening in abstraction, or all of these bodies that are having to take to the streets to fight for what we deserve, which is humanity,” she says. “I claim each of these people as my own family.”\u003c/p>\n\u003cp>David Plylar, at the Library of Congress, says composers and performers are reacting to this moment, and as listeners we need to grab on to what they’re saying.\u003c/p>\n\u003cp>“I think that these artists were already doing this and that this is just another outlet for them,” he says. “But it’s a way of documenting what is happening, taking an artistic stance and then trying to preserve that so that other people can benefit from it down the road.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>The Boccaccio Project premieres Monday on the Library of Congress’ \u003c/em>\u003ca href=\"https://loc.gov/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>website\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+New+Library+Of+Congress+Project+Commissions+Music+Of+The+Coronavirus+Pandemic&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "America's Independent Music Venues Could Close Soon Due to Coronavirus",
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"content": "\u003cp>Across the country, music venues remain closed due to the pandemic—and according to a new survey, 90 percent of independent venue owners, promoters and bookers say that they will have to close permanently within the next few months, if they can’t get an infusion of targeted government funding.\u003c/p>\n\u003cp>The \u003ca href=\"https://static1.squarespace.com/static/5e91157c96fe495a4baf48f2/t/5edef4ab8d0d2c0d8e9fb8cb/1591669933173/NIVA-+Policy+and+Fact+Sheet.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">survey\u003c/a> of nearly 2,000 music professionals was conducted by the National Independent Venue Association (\u003ca href=\"https://www.nivassoc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">NIVA\u003c/a>), a recently established advocacy group for music venue owners and promoters. Its members include The Bowery Ballroom in New York City, Troubador in Los Angeles, 9:30 Club in Washington, D.C. and Ryman Auditorium in Nashville.\u003c/p>\n\u003cp>NIVA members were asked seven weeks ago if their businesses could remain open for six months without governmental assistance that went beyond the \u003ca href=\"https://www.npr.org/2020/05/28/863387203/why-the-small-business-rescue-program-has-slowed-way-down\" target=\"_blank\" rel=\"noopener noreferrer\">Payment Protection Program\u003c/a>.\u003c/p>\n\u003cp>The association points out that at this point, most musicians make the bulk of their income through live performances and touring—which they can’t do for the foreseeable future. The entertainment business is scheduled to be among the very last industries to reopen across the country, and many experts and industry leaders are now assuming that they won’t be able to reopen before \u003ca href=\"https://www.nytimes.com/2020/05/24/arts/reopening-dance-music-theater-virus.html\" target=\"_blank\" rel=\"noopener noreferrer\">2021\u003c/a>.\u003c/p>\n\u003cp>Even if venues were allowed to reopen sooner, public health restrictions like severely limited audience capacity would make their businesses economically unviable, the venue owners and promoters say. As a result, NIVA is looking to Congress to pass specific relief funding that would address their members’ needs.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In early April, the concert industry trade publication \u003ca href=\"https://www.pollstar.com/article/pollstar-projects-2020-total-box-office-would-have-hit-122-billion-144197\" target=\"_blank\" rel=\"noopener noreferrer\">Pollstar\u003c/a> estimated nearly $9 billion in industry losses due to coronavirus cancellations for 2020; on Monday, the advocacy group Americans for the Arts released its most recent impact findings, saying that \u003ca href=\"https://www.americansforthearts.org/node/103614\" target=\"_blank\" rel=\"noopener noreferrer\">62 percent\u003c/a> of American artists (across all disciplines) are now unemployed.\u003c/p>\n\u003cp>Whenever people eventually do go back out to hear live music, smaller clubs, festivals and niche artists may already be gone. Within the music community, performers and industry advocates have been expressing fear that the remaining music venues will be those owned and controlled by massive entities like Live Nation and AEG Presents. (On Monday, AEG Presents \u003ca href=\"https://www.latimes.com/entertainment-arts/music/story/2020-06-08/aeg-layoffs-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">announced\u003c/a> that it was taking significant steps to cut costs, including layoffs, furloughs and salary reductions.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A number of prominent musicians are publicly supporting the association’s quest for federal relief, including Billy Joel, Lady Gaga, Kacey Musgraves and Willie Nelson.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=America%27s+Independent+Music+Venues+Could+Close+Soon+Due+To+Coronavirus&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Across the country, music venues remain closed due to the pandemic—and according to a new survey, 90 percent of independent venue owners, promoters and bookers say that they will have to close permanently within the next few months, if they can’t get an infusion of targeted government funding.\u003c/p>\n\u003cp>The \u003ca href=\"https://static1.squarespace.com/static/5e91157c96fe495a4baf48f2/t/5edef4ab8d0d2c0d8e9fb8cb/1591669933173/NIVA-+Policy+and+Fact+Sheet.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">survey\u003c/a> of nearly 2,000 music professionals was conducted by the National Independent Venue Association (\u003ca href=\"https://www.nivassoc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">NIVA\u003c/a>), a recently established advocacy group for music venue owners and promoters. Its members include The Bowery Ballroom in New York City, Troubador in Los Angeles, 9:30 Club in Washington, D.C. and Ryman Auditorium in Nashville.\u003c/p>\n\u003cp>NIVA members were asked seven weeks ago if their businesses could remain open for six months without governmental assistance that went beyond the \u003ca href=\"https://www.npr.org/2020/05/28/863387203/why-the-small-business-rescue-program-has-slowed-way-down\" target=\"_blank\" rel=\"noopener noreferrer\">Payment Protection Program\u003c/a>.\u003c/p>\n\u003cp>The association points out that at this point, most musicians make the bulk of their income through live performances and touring—which they can’t do for the foreseeable future. The entertainment business is scheduled to be among the very last industries to reopen across the country, and many experts and industry leaders are now assuming that they won’t be able to reopen before \u003ca href=\"https://www.nytimes.com/2020/05/24/arts/reopening-dance-music-theater-virus.html\" target=\"_blank\" rel=\"noopener noreferrer\">2021\u003c/a>.\u003c/p>\n\u003cp>Even if venues were allowed to reopen sooner, public health restrictions like severely limited audience capacity would make their businesses economically unviable, the venue owners and promoters say. As a result, NIVA is looking to Congress to pass specific relief funding that would address their members’ needs.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In early April, the concert industry trade publication \u003ca href=\"https://www.pollstar.com/article/pollstar-projects-2020-total-box-office-would-have-hit-122-billion-144197\" target=\"_blank\" rel=\"noopener noreferrer\">Pollstar\u003c/a> estimated nearly $9 billion in industry losses due to coronavirus cancellations for 2020; on Monday, the advocacy group Americans for the Arts released its most recent impact findings, saying that \u003ca href=\"https://www.americansforthearts.org/node/103614\" target=\"_blank\" rel=\"noopener noreferrer\">62 percent\u003c/a> of American artists (across all disciplines) are now unemployed.\u003c/p>\n\u003cp>Whenever people eventually do go back out to hear live music, smaller clubs, festivals and niche artists may already be gone. Within the music community, performers and industry advocates have been expressing fear that the remaining music venues will be those owned and controlled by massive entities like Live Nation and AEG Presents. (On Monday, AEG Presents \u003ca href=\"https://www.latimes.com/entertainment-arts/music/story/2020-06-08/aeg-layoffs-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">announced\u003c/a> that it was taking significant steps to cut costs, including layoffs, furloughs and salary reductions.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A number of prominent musicians are publicly supporting the association’s quest for federal relief, including Billy Joel, Lady Gaga, Kacey Musgraves and Willie Nelson.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=America%27s+Independent+Music+Venues+Could+Close+Soon+Due+To+Coronavirus&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Even in a Pandemic, WHO Believes That Public Protests Are Important",
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"content": "\u003cp>In the midst of the coronavirus pandemic, the World Health Organization took time at its daily press conference to address another pressing issue: the wave of protests against police violence and racial injustice. The demonstrations began in the U.S. when George Floyd died on May 25 after a police officer had pressed a knee into his neck for 8 minutes and 46 seconds while detaining him in Minneapolis.\u003c/p>\n\u003cp>The protests are now spreading around the world to Europe, Africa and other regions.\u003c/p>\n\u003cp>“WHO fully supports equality and the global movement against racism. We reject discrimination of all kinds,” said WHO director-general Tedros Adhanom Ghebreyesus on \u003ca href=\"https://twitter.com/WHO/status/1270013794366812160\" target=\"_blank\" rel=\"noopener noreferrer\">June 8\u003c/a>.\u003c/p>\n\u003cp>The demonstrations have prompted fear that the close contact of thousands of marchers could lead to a spike in case counts—which hit a new high on Sunday, with 136,000 cases reported that day.\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/trvrb/status/1269786159032397824\" target=\"_blank\" rel=\"noopener noreferrer\">Modelers say\u003c/a> it’s difficult to assess how the protests will influence COVID-19 infections. Because COVID-19 generally has an incubation time of up to two weeks, public health officials think it will take a \u003ca href=\"https://www.npr.org/sections/coronavirus-live-updates/2020/06/01/867200259/protests-over-racism-versus-risk-of-covid-i-wouldn-t-weigh-these-crises-separate\" target=\"_blank\" rel=\"noopener noreferrer\">couple of weeks\u003c/a> before they see the impact.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But it’s clear that a key ingredient for transmission is present at many of these rallies: close contact. The images of protesters standing shoulder to shoulder—some wearing face masks, others not—raise concerns, especially in cities with higher rates of infection.\u003c/p>\n\u003cp>To that end, Tedros recommends that protesters follow the guidance of local health officials and take precautions to protect themselves from the novel coronavirus. “We encourage all those protesting around the world to do so safely,” he said, “Clean your hands, cover your cough and wear a mask if you attend a protest.” He also advised people to maintain a safe distance from others—and to stay home if they are sick.\u003c/p>\n\u003cp>“The riskiest situation to be in is to be in close proximity to a case, particularly a symptomatic case, of COVID-19,” said Michael Ryan, director of WHO’s health emergencies program at the \u003ca href=\"https://twitter.com/WHO/status/1270013794366812160\" target=\"_blank\" rel=\"noopener noreferrer\">Monday\u003c/a> press conference, so healthy people protesting next to one another may not meet the definition of coming in contact with the disease.\u003c/p>\n\u003cp>However, it’s become clear to researchers that the new coronavirus \u003ca href=\"https://www.npr.org/sections/goatsandsoda/2020/04/13/831883560/can-a-coronavirus-patient-who-isnt-showing-symptoms-infect-others\" target=\"_blank\" rel=\"noopener noreferrer\">can be spread\u003c/a> by people who aren’t showing symptoms of it. “Local public health official[s], on the basis of abundance of caution, could advise people either to quarantine or to get tested [after attending a mass gathering],” Ryan said.\u003c/p>\n\u003cp>Local officials have expressed similar worries about the interplay of the protests and the pandemic. Last week Washington, D.C., Mayor Muriel Bowser said she was concerned about what mass gatherings in the streets “could mean for spikes in our coronavirus cases later.” She urged protesters to consider their exposure and consider being tested.\u003c/p>\n\u003cp>Denver Mayor Michael Hancock announced free tests for demonstrators. Officials in Atlanta and New York have suggested testing as well.\u003c/p>\n\u003cp>“Testing everyone that participated in demonstrations would be useful in communities where many new cases are being reported every day. These new cases indicate that transmission is occurring at a high rate in the communities,” said Bill Miller, an epidemiologist and physician at Ohio State University.\u003c/p>\n\u003cp>He said an alternative to testing everyone would be active contact tracing. “With new cases, the tracers could ask about demonstration participation, including days and times,” Miller said. Then, if cases are linked to a demonstration, a call could go out to get everyone who participated in that event to be tested.\u003c/p>\n\u003cp>Being outdoors seems to reduce the risk of exposure because the virus can’t survive long in sunlight and there’s better air circulation, but it’s no guarantee against infection. Health experts warn that some activities linked with the protests—such as riding public transportation to attend rallies or getting arrested and jailed indoors with others—could increase a person’s risk of getting exposed to the virus.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Meanwhile, protests are expected to continue in the days ahead. George Floyd’s burial service will take place on Tuesday at a private service in Houston.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Even+In+A+Pandemic%2C+WHO+Believes+That+Public+Protests+Are+Important&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the midst of the coronavirus pandemic, the World Health Organization took time at its daily press conference to address another pressing issue: the wave of protests against police violence and racial injustice. The demonstrations began in the U.S. when George Floyd died on May 25 after a police officer had pressed a knee into his neck for 8 minutes and 46 seconds while detaining him in Minneapolis.\u003c/p>\n\u003cp>The protests are now spreading around the world to Europe, Africa and other regions.\u003c/p>\n\u003cp>“WHO fully supports equality and the global movement against racism. We reject discrimination of all kinds,” said WHO director-general Tedros Adhanom Ghebreyesus on \u003ca href=\"https://twitter.com/WHO/status/1270013794366812160\" target=\"_blank\" rel=\"noopener noreferrer\">June 8\u003c/a>.\u003c/p>\n\u003cp>The demonstrations have prompted fear that the close contact of thousands of marchers could lead to a spike in case counts—which hit a new high on Sunday, with 136,000 cases reported that day.\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/trvrb/status/1269786159032397824\" target=\"_blank\" rel=\"noopener noreferrer\">Modelers say\u003c/a> it’s difficult to assess how the protests will influence COVID-19 infections. Because COVID-19 generally has an incubation time of up to two weeks, public health officials think it will take a \u003ca href=\"https://www.npr.org/sections/coronavirus-live-updates/2020/06/01/867200259/protests-over-racism-versus-risk-of-covid-i-wouldn-t-weigh-these-crises-separate\" target=\"_blank\" rel=\"noopener noreferrer\">couple of weeks\u003c/a> before they see the impact.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But it’s clear that a key ingredient for transmission is present at many of these rallies: close contact. The images of protesters standing shoulder to shoulder—some wearing face masks, others not—raise concerns, especially in cities with higher rates of infection.\u003c/p>\n\u003cp>To that end, Tedros recommends that protesters follow the guidance of local health officials and take precautions to protect themselves from the novel coronavirus. “We encourage all those protesting around the world to do so safely,” he said, “Clean your hands, cover your cough and wear a mask if you attend a protest.” He also advised people to maintain a safe distance from others—and to stay home if they are sick.\u003c/p>\n\u003cp>“The riskiest situation to be in is to be in close proximity to a case, particularly a symptomatic case, of COVID-19,” said Michael Ryan, director of WHO’s health emergencies program at the \u003ca href=\"https://twitter.com/WHO/status/1270013794366812160\" target=\"_blank\" rel=\"noopener noreferrer\">Monday\u003c/a> press conference, so healthy people protesting next to one another may not meet the definition of coming in contact with the disease.\u003c/p>\n\u003cp>However, it’s become clear to researchers that the new coronavirus \u003ca href=\"https://www.npr.org/sections/goatsandsoda/2020/04/13/831883560/can-a-coronavirus-patient-who-isnt-showing-symptoms-infect-others\" target=\"_blank\" rel=\"noopener noreferrer\">can be spread\u003c/a> by people who aren’t showing symptoms of it. “Local public health official[s], on the basis of abundance of caution, could advise people either to quarantine or to get tested [after attending a mass gathering],” Ryan said.\u003c/p>\n\u003cp>Local officials have expressed similar worries about the interplay of the protests and the pandemic. Last week Washington, D.C., Mayor Muriel Bowser said she was concerned about what mass gatherings in the streets “could mean for spikes in our coronavirus cases later.” She urged protesters to consider their exposure and consider being tested.\u003c/p>\n\u003cp>Denver Mayor Michael Hancock announced free tests for demonstrators. Officials in Atlanta and New York have suggested testing as well.\u003c/p>\n\u003cp>“Testing everyone that participated in demonstrations would be useful in communities where many new cases are being reported every day. These new cases indicate that transmission is occurring at a high rate in the communities,” said Bill Miller, an epidemiologist and physician at Ohio State University.\u003c/p>\n\u003cp>He said an alternative to testing everyone would be active contact tracing. “With new cases, the tracers could ask about demonstration participation, including days and times,” Miller said. Then, if cases are linked to a demonstration, a call could go out to get everyone who participated in that event to be tested.\u003c/p>\n\u003cp>Being outdoors seems to reduce the risk of exposure because the virus can’t survive long in sunlight and there’s better air circulation, but it’s no guarantee against infection. Health experts warn that some activities linked with the protests—such as riding public transportation to attend rallies or getting arrested and jailed indoors with others—could increase a person’s risk of getting exposed to the virus.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Meanwhile, protests are expected to continue in the days ahead. George Floyd’s burial service will take place on Tuesday at a private service in Houston.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Even+In+A+Pandemic%2C+WHO+Believes+That+Public+Protests+Are+Important&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "A List Of Live Virtual Concerts To Watch During The Coronavirus Shutdown",
"headTitle": "A List Of Live Virtual Concerts To Watch During The Coronavirus Shutdown | KQED",
"content": "\u003cp>\u003cstrong>Updated on June 9 at 12:39 p.m. ET.\u003c/strong>\u003c/p>\n\u003cp>As more festivals, performances and concerts are canceled due to the coronavirus shutdown, musicians of all stripes and sizes are taking to social and streaming platforms to play live for their fans8\u003c/p>\n\u003cp>NPR Music is compiling a list of live audio and video streams from around the world, categorized by date and genre, with links out to streaming platforms such as Facebook, Instagram and YouTube. Some will require registration or a subscription, but most will be free, often with digital tip jars and opportunities to directly support artists by buying music and merchandise.\u003c/p>\n\u003cp>Some artists are planning daily streams — like \u003ca href=\"https://found.ee/BenGibbard-LiveFromHome\">Ben Gibbard\u003c/a> and \u003ca href=\"https://www.instagram.com/christineandthequeens/?hl=en\">Christine and the Queens\u003c/a> — and will be noted below as information becomes available.\u003c/p>\n\u003cp>This is a living document, updated every day until it’s no longer needed.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>If you would like a live concert to be considered for the list, please fill out this \u003c/strong>\u003ca href=\"https://forms.gle/P6pyn2LbB1A8aHsh6\">\u003cstrong>Google Form\u003c/strong>\u003c/a>\u003cstrong>. Thanks!\u003c/strong>\u003c/p>\n\u003chr>\n\u003ch3>June 8\u003c/h3>\n\u003ch6>classical\u003c/h6>\n\u003cp>\u003cstrong>Tulsa Opera Presents Aaron Blake\u003c/strong>\u003cbr>Time: 3 p.m. ET\u003cbr>Link: \u003ca href=\"https://tulsaopera.com/stayingalive/\">Tulsa Opera\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Metropolitan Opera: Mozart’s \u003c/strong>\u003cem>\u003cstrong>La Clemenza di Tito\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Blue Note at Home\u003c/strong>\u003cbr>– \u003cstrong>Jonathan Scales: \u003c/strong>8 p.m. ET\u003cbr>– \u003cstrong>A Bu\u003c/strong>: 10 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/bluenotenyc/?hl=en\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/BlueNoteNYC/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>The National\u003c/strong>\u003cbr>Time: 5 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCeiRyLo_Q9q4tlv9aaQJF5w\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Waxahatchee\u003c/strong> \u003cstrong>plays\u003c/strong>\u003cstrong>\u003cem> American Weekend\u003c/em>\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://noonchorus.com/upcoming/\">Noon Chorus\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Grace Potter\u003cbr>\u003c/strong>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/watch?v=7q-k-9U4M40\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Indie\u003c/h6>\n\u003cp>\u003cstrong>Shamir\u003c/strong>\u003cbr>Time: 1 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/blogotheque/\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>The Magnetic Fields\u003c/strong>\u003cbr>Time: 2 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/roughtradenyc/channel/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>R&B / Soul\u003c/h6>\n\u003cp>\u003cstrong>Pickathon Presents A Concert A Day: Mereba\u003c/strong>\u003cbr>Time: 4 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/amazonmusic\">Twitch\u003c/a> / \u003ca href=\"https://www.youtube.com/watch?list=PLuq8Lul5hf5K7ag9j8ei1omxCvA6eBewU&v=gPAZpUXMrV4\">YouTube\u003c/a> / \u003ca href=\"https://www.facebook.com/RecordingAcademy/live\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Garth Brooks\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/GarthBrooks/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nice Horse \u003c/strong>\u003cbr>Time: 11 a.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/nicehorsemusic\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Caitlyn Smith and Maggie Rose\u003c/strong>\u003cbr>Time: 3:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/caitlynsmith/\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Levi Hummon\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/soundslikenashville\">Facebook\u003cstrong> \u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Rhett Miller\u003cbr>\u003c/strong>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.stageit.com/RhettMiller\">Stage It\u003c/a>\u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>James McMurty with Heidi Newfield\u003c/strong>\u003cbr>Time: 8:30 p.m. ET\u003cbr>Link: \u003ca href=\"http://www.signaturesounds.com/homesessions\">Signature Sounds\u003c/a>\u003c/p>\n\u003ch6>Metal\u003c/h6>\n\u003cp>\u003cstrong>Metalica\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/watch?v=mJje9Xpp5GE&feature=emb_title\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Experimental Sound Studio: Pedro Lopez\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/experimental_sound_studio\">Twitch\u003c/a> / \u003ca href=\"https://ess.org/the-quarantine-concerts\">Experimental Sound Studio\u003c/a>\u003c/p>\n\u003ch3>June 9\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Tchaikovsky’s \u003c/strong>\u003cem>\u003cstrong>Iolanta\u003c/strong>\u003c/em>\u003cstrong> and Bartók’s \u003c/strong>\u003cem>\u003cstrong>Bluebeard’s Castle\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Multi-Genre\u003c/h6>\n\u003cp>\u003cstrong>All In For Chelsea: Will Dailey, Chadwick Stokes, Adam Ezra Group and more \u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/callingallcrows/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Caylee Hammack\u003c/strong> \u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/cmt\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Freedy Johnston\u003cbr>\u003c/strong>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"http://www.signaturesounds.com/homesessions\">Signature Sounds\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Trixie Mattel\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link:\u003ca href=\"https://www.twitch.tv/trixiemattel\"> Twitch\u003c/a>\u003c/p>\n\u003ch6>R&B / Soul\u003c/h6>\n\u003cp>\u003cstrong>Zeshan B\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/user/worldmusiccrasharts\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Phish\u003cbr>\u003c/strong>Time: 8:30 p.m. ET\u003cbr>Link:\u003ca href=\"https://webcast.livephish.com/\"> Live Phish \u003c/a>/ \u003ca href=\"https://www.facebook.com/phish/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>NCZA Lines\u003c/strong>\u003cbr>Time: 1 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/blogotheque/\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dim Mak Records\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link:\u003ca href=\"https://www.twitch.tv/dimmak\"> Twitch\u003c/a>\u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>David Wax Museum\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/DavidWaxMuseum/\">Faceboook\u003c/a>\u003c/p>\n\u003ch3>June 10\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Humperdinck’s \u003c/strong>\u003cem>\u003cstrong>Hansel and Gretel\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003cp>\u003cstrong>Tulsa Opera: Coleen Daly, soprano\u003c/strong>\u003cbr>Time: 3 p.m. ET\u003cbr>Link: \u003ca href=\"https://tulsaopera.com/stayingalive/\">Tulsa Opra\u003c/a>\u003c/p>\n\u003ch6>Multi-Genre\u003c/h6>\n\u003cp>\u003cstrong>A Night For Austin: Paul Simon, Norah Jones, Willy Nelson, Black Pumas and more\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.anightforaustin.com/\">A Night For Austin\u003c/a> / \u003ca href=\"https://www.twitch.tv/luckreunion\">Twitch\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>All in WA: Pearl Jam, Macklemore, Ben Gibbard and more\u003c/strong>\u003cbr>Time: 10 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/amazonmusic\">Twitch\u003c/a>\u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Ivan Neville\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/DumpstaphunkNOLA/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Dave Matthews Band\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.davematthewsband.com/drivein/\">Dave Matthews Band\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Bob Weir\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/BobbyWeir/live\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Brandy Clark\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/thebrandyclark/?hl=en\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>American Aquarium\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/americanaquarium/\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Rhett Miller\u003cbr>\u003c/strong>Time: 11 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.stageit.com/RhettMiller\">Stage It\u003c/a>\u003c/p>\n\u003ch6>Indie\u003c/h6>\n\u003cp>\u003cstrong>Alfie Templeman\u003c/strong>\u003cbr>Time: 1 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/blogotheque/\">Instagram\u003c/a>\u003c/p>\n\u003ch3>June 11\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Beth Morrison Projects: Opera of the Week\u003cbr>\u003c/strong>Time: 12 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.bethmorrisonprojects.org/\">Beth Morrison Projects\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Metropolitan Opera: Rossini’s \u003c/strong>\u003cem>\u003cstrong>L’Italiana in Algeri\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Picture Show: A Tribute to John Prine\u003cbr>\u003c/strong>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/user/ohboyrecords/\">YouTube\u003c/a> / \u003ca href=\"https://business.facebook.com/events/901288670282635/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Christian Lee Hutson \u003c/strong>\u003cbr>Time: 1 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/blogotheque/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Charlie Hunter\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"http://www.signaturesounds.com/homesessions\">Signature Sounds\u003c/a>\u003c/p>\n\u003ch6>Latin\u003c/h6>\n\u003cp>\u003cstrong>Jesse & Joy\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/jesseyjoy/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>Whitney\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://noonchorus.com/whitney/\">Noon Chorus\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Radiohead\u003c/strong>\u003cbr>Time: 5 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCq19-LqvG35A-30oyAiPiqA\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Low Cut Connie\u003c/strong>\u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/lowcutconnie/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/lowcutconnie/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Clap Your Hands Say Yeah\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/cyhsycyhsy/\">Twitch\u003c/a>\u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Fridman Gallery Solos: C. Lavender\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.fridmangallery.com/solos\">Fridman Gallery\u003c/a>\u003c/p>\n\u003ch3>June 12\u003c/h3>\n\u003ch6>classical\u003c/h6>\n\u003cp>\u003cstrong>Carnegie Hall Fridays: New World Symphony\u003c/strong>\u003cbr>Time: 3 a.m. ET\u003cbr>Link: \u003ca href=\"https://www.carnegiehall.org/Explore/Watch-and-Listen/Medici-Webcasts\">Carnegie Hall\u003c/a>\u003cbr>\u003cem>Note: Carnegie Hall’s Friday streams are available from 3 a.m. ET Friday until 3 a.m. ET the following Monday. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>New World Symphony Fellows Live From Our Living Rooms\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/NewWorldSymphony/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Tulsa Opera: Weston Hurt, baritone \u003c/strong> \u003cbr>Time: 3 p.m. ET\u003cbr>Link: \u003ca href=\"https://tulsaopera.com/stayingalive/\">Tulsa Opera\u003c/a>\u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>The Tallest Man on Earth\u003c/strong>\u003cbr>Time: 3 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UC9EHP9xTtUHNAkgaAraAPWA/featured\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Béla Fleck & Abigail Washburn\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/belafleckbanjo/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Rhett Miller\u003cbr>\u003c/strong>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.stageit.com/RhettMiller\">Stage It\u003c/a>\u003c/p>\n\u003ch6>Hip-Hop\u003c/h6>\n\u003cp>\u003cstrong>IDK\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/watch?v=25llsPSTN5A&list=PLWX4Jt4X9kyqt6oziZ0xgp3NmAugsLMjK&index=9&t=0s\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Derya Yildirim\u003c/strong>\u003cbr>Time: 1 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/blogotheque/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Diplo and Dillon Francis\u003cbr>\u003c/strong>Time: 11 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/maddecentlive/\">Twitch\u003c/a>\u003c/p>\n\u003ch3>June 13\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Jennifer Koh’s \u003c/strong>\u003cem>\u003cstrong>Alone Together \u003c/strong>\u003c/em>\u003cstrong>Finale\u003c/strong>\u003cem>\u003cstrong>: \u003c/strong>\u003c/em>New works from Kati Agócs, Vincent Calianno, Patrick Castillo, and Sugar Vendil\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/jenniferkohmusic/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/jenniferkohviolin/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Billy Hart Quartet\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch6>Hip-Hop\u003c/h6>\n\u003cp>\u003cstrong>Shoreline Mafia\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/watch?v=23DxSqfChyg&list=PLWX4Jt4X9kyqt6oziZ0xgp3NmAugsLMjK&index=10&t=0s\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Low Cut Connie\u003c/strong>\u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/lowcutconnie/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/lowcutconnie/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ben Folds\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link:\u003ca href=\"https://www.youtube.com/watch?v=BpM4EYDyyGk\"> YouTube\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Old Crow Medicine Show \u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCv9bnG14QgGhDOW_XJtDZ2w\">YouTube \u003c/a>/ \u003ca href=\"https://www.facebook.com/OldCrowMedicineShow/live/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dylan LeBlanc\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 4 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/dylanleblancmusic/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Jameson Rodgers\u003c/strong> \u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/jamesonrodgers/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Cabaret\u003c/h6>\n\u003cp>\u003cstrong>Puddles Pity Party\u003c/strong>\u003cbr>Time: 5:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://puddlespityparty.veeps.com/stream/schedule\">Veeps\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Major Lazer\u003cbr>\u003c/strong>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/maddecentlive/\">Twitch\u003c/a>\u003c/p>\n\u003ch3>June 14\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Handel’s \u003c/strong>\u003cem>\u003cstrong>Rodelinda\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Bang on a Can Marathon: Rhiannon Giddens, Terry Riley, Roscoe Mitchell, Nico Muhly, Conrad Tao and more \u003c/strong>\u003cbr>Time: 3 p.m. ET\u003cbr>Link: \u003ca href=\"https://marathon2020.bangonacan.org/\">Bang on a Can\u003c/a>\u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Billy Hart Quartet\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 2 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch6>Latin\u003c/h6>\n\u003cp>\u003cstrong>Gaby Moreno\u003c/strong>\u003cbr>Time: 2 p.m. ET\u003cbr>Link: \u003ca href=\"https://qchamberstream.com/concert/june-14-gravity-media-la/?buy\">QChamberStream\u003c/a>\u003c/p>\n\u003ch6>Hip-Hop\u003c/h6>\n\u003cp>\u003cstrong>G Herbo\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/watch?v=B7DuLCvOqaE&list=PLWX4Jt4X9kyqt6oziZ0xgp3NmAugsLMjK&index=11&t=0s\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Deep Sea Diver\u003c/strong>\u003cbr>Time: 10 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/thisisdeepseadiver/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>American Aquarium\u003c/strong> \u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/americanaquarium/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>Patty Larkin \u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"http://www.signaturesounds.com/homesessions\">Signature Sounds\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>David Wax Museum\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/DavidWaxMuseum/\">Facebook\u003c/a>\u003c/p>\n\u003ch3>June 15\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>The Violin Channel Live\u003c/strong>\u003cbr>– \u003cstrong>Violinist Callum Smart\u003c/strong>: 1 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UC_DO3GwiKhy-Z6XtmnxhfRA\">YouTube\u003c/a> / \u003ca href=\"https://www.facebook.com/theviolinchannel/\">Facebook \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Metropolitan Opera: Rossini’s \u003c/strong>\u003cem>\u003cstrong>Armida\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>The National\u003c/strong>\u003cbr>Time: 5 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCeiRyLo_Q9q4tlv9aaQJF5w\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Waxahatchee\u003c/strong> \u003cstrong>plays \u003c/strong>\u003cem>\u003cstrong>Cerulean Salt \u003c/strong>\u003c/em>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://noonchorus.com/upcoming/\">Noon Chorus\u003c/a>\u003c/p>\n\u003ch3>June 16\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Rossini’s \u003c/strong>\u003cem>\u003cstrong>Semiramide\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Phish\u003cbr>\u003c/strong>Time: 8:30 p.m. ET\u003cbr>Link:\u003ca href=\"https://webcast.livephish.com/\"> Live Phish \u003c/a>/ \u003ca href=\"https://www.facebook.com/phish/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Joe Pernice\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"http://www.signaturesounds.com/homesessions\">Signature Sounds\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Caylee Hammack\u003c/strong> \u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/cmt\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Trixie Mattel\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link:\u003ca href=\"https://www.twitch.tv/trixiemattel\"> Twitch\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Dim Mak Records\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003c/p>\n\u003ch3>June 17\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Gluck’s \u003c/strong>\u003cem>\u003cstrong>Iphigénie en Tauride\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Ivan Neville\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/DumpstaphunkNOLA/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Dave Matthews Band\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.davematthewsband.com/drivein/\">Dave Matthews Band\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Bob Weir\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/BobbyWeir/live\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Brandy Clark\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/thebrandyclark/?hl=en\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>American Aquarium\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/americanaquarium/\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Rhett Miller\u003cbr>\u003c/strong>Time: 11 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.stageit.com/RhettMiller\">Stage It\u003c/a>\u003c/p>\n\u003ch3>June 18\u003c/h3>\n\u003ch6>classical\u003c/h6>\n\u003cp>\u003cstrong>Beth Morrison Projects: Opera of the Week\u003cbr>\u003c/strong>Time: 12 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.bethmorrisonprojects.org/\">Beth Morrison Projects\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Metropolitan Opera: Verdi’s \u003c/strong>\u003cem>\u003cstrong>La Forza del Destino\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Latin\u003c/h6>\n\u003cp>\u003cstrong>Jesse & Joy\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/jesseyjoy/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Radiohead\u003c/strong>\u003cbr>Time: 5 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCq19-LqvG35A-30oyAiPiqA\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Low Cut Connie\u003c/strong>\u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/lowcutconnie/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/lowcutconnie/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Clap Your Hands Say Yeah\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/cyhsycyhsy/\">Twitch\u003c/a>\u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Fridman Gallery Solos: Leila Bordreuil\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.fridmangallery.com/solos\">Fridman Gallery\u003c/a>\u003c/p>\n\u003ch3>June 19\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Carnegie Hall Fridays: Munich Philharmonic\u003c/strong>\u003cbr>Time: 3 a.m. ET\u003cbr>Link: \u003ca href=\"https://www.carnegiehall.org/Explore/Watch-and-Listen/Medici-Webcasts\">Carnegie Hall\u003c/a>\u003cbr>\u003cem>Note: Carnegie Hall’s Friday streams are available from 3 a.m. ET Friday until 3 a.m. ET the following Monday. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Metropolitan Opera: Philip Glass’s \u003c/strong>\u003cem>\u003cstrong>Akhnaten\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Radiohead\u003c/strong>\u003cbr>Time: 5 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCq19-LqvG35A-30oyAiPiqA\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Low Cut Connie\u003c/strong>\u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/lowcutconnie/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/lowcutconnie/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Clap Your Hands Say Yeah\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/cyhsycyhsy/\">Twitch\u003c/a> \u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>The Tallest Man on Earth\u003c/strong>\u003cbr>Time: 3 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UC9EHP9xTtUHNAkgaAraAPWA/featured\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Béla Fleck & Abigail Washburn\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/belafleckbanjo/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Rhett Miller\u003cbr>\u003c/strong>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.stageit.com/RhettMiller\">Stage It\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Diplo and Dillon Francis\u003cbr>\u003c/strong>Time: 11 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/maddecentlive/\">Twitch\u003c/a>\u003c/p>\n\u003ch3>June 20\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Philip Glass’s \u003c/strong>\u003cem>\u003cstrong>Satyagraha\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Vijay Iyer Trio\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch6>k-pop\u003c/h6>\n\u003cp>\u003cstrong>KCON:TACT 2020 Summer\u003c/strong>\u003cbr>Time: 12 a.m. – 11:59 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/user/Mnet\">YouTube\u003c/a>\u003cbr>\u003cem>Note: KCON has not yet announced a detailed lineup or schedule. Check the festival’s \u003c/em>\u003ca href=\"http://www.kconusa.com/home/\">\u003cem>website\u003c/em>\u003c/a>\u003cem> for more details.\u003c/em>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Low Cut Connie\u003c/strong>\u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/lowcutconnie/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/lowcutconnie/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ben Folds\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/watch?v=Riu1A6PPW0M\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Old Crow Medicine Show \u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCv9bnG14QgGhDOW_XJtDZ2w\">YouTube \u003c/a>/ \u003ca href=\"https://www.facebook.com/OldCrowMedicineShow/live/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dylan LeBlanc\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 4 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/dylanleblancmusic/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Jameson Rodgers\u003c/strong> \u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/jamesonrodgers/\">Facebook\u003c/a>\u003c/p>\n\u003ch3>June 21\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Verdi’s \u003c/strong>\u003cem>\u003cstrong>La Traviata\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Vijay Iyer Trio\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 2 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch6>k-pop\u003c/h6>\n\u003cp>\u003cstrong>KCON:TACT 2020 Summer\u003c/strong>\u003cbr>Time: 12 a.m. – 11:59 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/user/Mnet\">YouTube\u003c/a>\u003cbr>\u003cem>Note: KCON has not yet announced a detailed lineup or schedule. Check the festival’s \u003c/em>\u003ca href=\"http://www.kconusa.com/home/\">\u003cem>website\u003c/em>\u003c/a>\u003cem> for more details.\u003c/em>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Deep Sea Diver\u003c/strong>\u003cbr>Time: 10 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/thisisdeepseadiver/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>American Aquarium\u003c/strong> \u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/americanaquarium/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>David Wax Museum\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/DavidWaxMuseum/\">Facebook\u003c/a>\u003c/p>\n\u003ch3>June 22\u003c/h3>\n\u003ch6>rock\u003c/h6>\n\u003cp>\u003cstrong>Waxahatchee\u003c/strong> \u003cstrong>plays\u003c/strong>\u003cstrong>\u003cem> Ivy Tripp\u003c/em>\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://noonchorus.com/upcoming/\">Noon Chorus\u003c/a>\u003c/p>\n\u003ch6>k-pop\u003c/h6>\n\u003cp>\u003cstrong>KCON:TACT 2020 Summer\u003c/strong>\u003cbr>Time: 12 a.m. – 11:59 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/user/Mnet\">YouTube\u003c/a>\u003cbr>\u003cem>Note: KCON has not yet announced a detailed lineup or schedule. Check the festival’s \u003c/em>\u003ca href=\"http://www.kconusa.com/home/\">\u003cem>website\u003c/em>\u003c/a>\u003cem> for more details.\u003c/em>\u003c/p>\n\u003ch3>June 23\u003c/h3>\n\u003ch6>k-pop\u003c/h6>\n\u003cp>\u003cstrong>KCON:TACT 2020 Summer\u003c/strong>\u003cbr>Time: 12 a.m. – 11:59 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/user/Mnet\">YouTube\u003c/a>\u003cbr>\u003cem>Note: KCON has not yet announced a detailed lineup or schedule. Check the festival’s \u003c/em>\u003ca href=\"http://www.kconusa.com/home/\">\u003cem>website\u003c/em>\u003c/a>\u003cem> for more details.\u003c/em>\u003c/p>\n\u003ch3>June 25 \u003c/h3>\n\u003ch6>Classical \u003c/h6>\n\u003cp>\u003cstrong>Beth Morrison Projects: Opera of the Week\u003cbr>\u003c/strong>Time: 12 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.bethmorrisonprojects.org/\">Beth Morrison Projects\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Electric Blockaloo: JAUZ, Diplo, A-Trak, Anjunabeats and more\u003c/strong>\u003cbr>Time: TBA\u003cbr>Link: \u003ca href=\"https://electricblockaloo.com/\">Electric Blockaloo\u003c/a>\u003cbr>\u003cem>Note: The festival will take place in the video game Minecraft.\u003c/em>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Radiohead\u003c/strong>\u003cbr>Time: 5 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCq19-LqvG35A-30oyAiPiqA\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Low Cut Connie\u003c/strong>\u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/lowcutconnie/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/lowcutconnie/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Clap Your Hands Say Yeah\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/cyhsycyhsy/\">Twitch\u003c/a>\u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Fridman Gallery Solos: Mendi and Keith Obadike\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.fridmangallery.com/solos\">Fridman Gallery\u003c/a>\u003c/p>\n\u003ch3>June 26\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Carnegie Hall Fridays: Philip Glass Ensemble: Music with Changing Parts\u003c/strong>\u003cbr>Time: 3 a.m. ET\u003cbr>Link: \u003ca href=\"https://www.carnegiehall.org/Explore/Watch-and-Listen/Medici-Webcasts\">Carnegie Hall\u003c/a>\u003cbr>\u003cem>Note: Carnegie Hall’s Friday streams are available from 3 a.m. ET Friday until 3 a.m. ET the following Monday. \u003c/em>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Electric Blockaloo: JAUZ, Diplo, A-Trak, Anjunabeats and more\u003c/strong>\u003cbr>Time: TBA\u003cbr>Link: \u003ca href=\"https://electricblockaloo.com/\">Electric Blockaloo\u003c/a>\u003cbr>\u003cem>Note: The festival will take place in the video game Minecraft.\u003c/em>\u003c/p>\n\u003ch3>June 27\u003c/h3>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>Bluegrass Pride: Allison de Groot and Patrick M’Gonigle, Jake Blount, Front Country, Alice Gerrard and more \u003c/strong>\u003cbr>Time: 4 – 11 p.m. ET\u003cbr>Link: \u003ca href=\"https://bluegrasspride.net/pages/porch-pride\">Bluegrass Pride\u003c/a>\u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Joe Martin Quartet\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Electric Blockaloo: JAUZ, Diplo, A-Trak, Anjunabeats and more\u003c/strong>\u003cbr>Time: TBA\u003cbr>Link: \u003ca href=\"https://electricblockaloo.com/\">Electric Blockaloo\u003c/a>\u003cbr>\u003cem>Note: The festival will take place in the video game Minecraft.\u003c/em>\u003c/p>\n\u003ch3>June 28\u003c/h3>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>Bluegrass Pride: Amythyst Kiah, Kimber Ludiker and Avril Smith, Sam Gleaves, Noa Laniakea and more\u003c/strong>\u003cbr>Time: 4 – 10:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://bluegrasspride.net/pages/porch-pride\">Bluegrass Pride\u003c/a>\u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Joe Martin Quartet\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 2 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Electric Blockaloo: JAUZ, Diplo, A-Trak, Anjunabeats and more\u003c/strong>\u003cbr>Time: TBA\u003cbr>Link: \u003ca href=\"https://electricblockaloo.com/\">Electric Blockaloo\u003c/a>\u003cbr>\u003cem>Note: The festival will take place in the video game Minecraft.\u003c/em>\u003c/p>\n\u003ch3>June 29\u003c/h3>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Waxahatchee\u003c/strong> \u003cstrong>plays\u003c/strong>\u003cstrong>\u003cem> Out In The Storm\u003c/em>\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://noonchorus.com/upcoming/\">Noon Chorus\u003c/a>\u003c/p>\n\u003ch3>July 2\u003c/h3>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Fridman Gallery Solos: Lea Bertucci\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.fridmangallery.com/solos\">Fridman Gallery\u003c/a>\u003c/p>\n\u003ch3>July 4\u003c/h3>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Joe Lovano Trio Fascination\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch3>July 5\u003c/h3>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Joe Lovano Trio Fascination\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 2 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch3>July 6 \u003c/h3>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Waxahatchee\u003c/strong> \u003cstrong>plays\u003c/strong>\u003cstrong>\u003cem> Saint Cloud\u003c/em>\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://noonchorus.com/upcoming/\">Noon Chorus\u003c/a>\u003c/p>\n\u003ch3>July 7\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Mimir Chamber Music Festival\u003c/strong>\u003cbr>Time: 8:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.mimirfestival.org/\">Mimir Festival\u003c/a>\u003c/p>\n\u003ch3>July 9\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Mimir Chamber Music Festival\u003c/strong>\u003cbr>Time: 8:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.mimirfestival.org/\">Mimir Festival\u003c/a>\u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Fridman Gallery Solos: Marina Rosenfeld / Ben Vida (solos) \u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.fridmangallery.com/solos\">Fridman Gallery\u003c/a>\u003c/p>\n\u003ch3>July 10\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Mimir Chamber Music Festival Emerging Artists Concert\u003c/strong>\u003cbr>Time: 8:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.mimirfestival.org/\">Mimir Festival\u003c/a>\u003c/p>\n\u003ch3>July 11\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Mimir Chamber Music Festival\u003c/strong>\u003cbr>Time: 8:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.mimirfestival.org/\">Mimir Festival\u003c/a>\u003c/p>\n\u003ch3>July 25\u003c/h3>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Tomorrowland Around the World\u003c/strong>\u003cbr>Time: 9 a.m. – 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.tomorrowland.com/en/around-the-world/welcome\">Tomorrowland\u003c/a>\u003c/p>\n\u003ch3>July 26\u003c/h3>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>Tomorrowland Around the World\u003c/strong>\u003cbr>Time: 9 a.m. – 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.tomorrowland.com/en/around-the-world/welcome\">Tomorrowland\u003c/a> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+List+Of+Live+Virtual+Concerts+To+Watch+During+The+Coronavirus+Shutdown&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Updated on June 9 at 12:39 p.m. ET.\u003c/strong>\u003c/p>\n\u003cp>As more festivals, performances and concerts are canceled due to the coronavirus shutdown, musicians of all stripes and sizes are taking to social and streaming platforms to play live for their fans8\u003c/p>\n\u003cp>NPR Music is compiling a list of live audio and video streams from around the world, categorized by date and genre, with links out to streaming platforms such as Facebook, Instagram and YouTube. Some will require registration or a subscription, but most will be free, often with digital tip jars and opportunities to directly support artists by buying music and merchandise.\u003c/p>\n\u003cp>Some artists are planning daily streams — like \u003ca href=\"https://found.ee/BenGibbard-LiveFromHome\">Ben Gibbard\u003c/a> and \u003ca href=\"https://www.instagram.com/christineandthequeens/?hl=en\">Christine and the Queens\u003c/a> — and will be noted below as information becomes available.\u003c/p>\n\u003cp>This is a living document, updated every day until it’s no longer needed.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>If you would like a live concert to be considered for the list, please fill out this \u003c/strong>\u003ca href=\"https://forms.gle/P6pyn2LbB1A8aHsh6\">\u003cstrong>Google Form\u003c/strong>\u003c/a>\u003cstrong>. Thanks!\u003c/strong>\u003c/p>\n\u003chr>\n\u003ch3>June 8\u003c/h3>\n\u003ch6>classical\u003c/h6>\n\u003cp>\u003cstrong>Tulsa Opera Presents Aaron Blake\u003c/strong>\u003cbr>Time: 3 p.m. ET\u003cbr>Link: \u003ca href=\"https://tulsaopera.com/stayingalive/\">Tulsa Opera\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Metropolitan Opera: Mozart’s \u003c/strong>\u003cem>\u003cstrong>La Clemenza di Tito\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Blue Note at Home\u003c/strong>\u003cbr>– \u003cstrong>Jonathan Scales: \u003c/strong>8 p.m. ET\u003cbr>– \u003cstrong>A Bu\u003c/strong>: 10 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/bluenotenyc/?hl=en\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/BlueNoteNYC/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>The National\u003c/strong>\u003cbr>Time: 5 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCeiRyLo_Q9q4tlv9aaQJF5w\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Waxahatchee\u003c/strong> \u003cstrong>plays\u003c/strong>\u003cstrong>\u003cem> American Weekend\u003c/em>\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://noonchorus.com/upcoming/\">Noon Chorus\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Grace Potter\u003cbr>\u003c/strong>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/watch?v=7q-k-9U4M40\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Indie\u003c/h6>\n\u003cp>\u003cstrong>Shamir\u003c/strong>\u003cbr>Time: 1 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/blogotheque/\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>The Magnetic Fields\u003c/strong>\u003cbr>Time: 2 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/roughtradenyc/channel/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>R&B / Soul\u003c/h6>\n\u003cp>\u003cstrong>Pickathon Presents A Concert A Day: Mereba\u003c/strong>\u003cbr>Time: 4 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/amazonmusic\">Twitch\u003c/a> / \u003ca href=\"https://www.youtube.com/watch?list=PLuq8Lul5hf5K7ag9j8ei1omxCvA6eBewU&v=gPAZpUXMrV4\">YouTube\u003c/a> / \u003ca href=\"https://www.facebook.com/RecordingAcademy/live\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Garth Brooks\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/GarthBrooks/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nice Horse \u003c/strong>\u003cbr>Time: 11 a.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/nicehorsemusic\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Caitlyn Smith and Maggie Rose\u003c/strong>\u003cbr>Time: 3:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/caitlynsmith/\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Levi Hummon\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/soundslikenashville\">Facebook\u003cstrong> \u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Rhett Miller\u003cbr>\u003c/strong>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.stageit.com/RhettMiller\">Stage It\u003c/a>\u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>James McMurty with Heidi Newfield\u003c/strong>\u003cbr>Time: 8:30 p.m. ET\u003cbr>Link: \u003ca href=\"http://www.signaturesounds.com/homesessions\">Signature Sounds\u003c/a>\u003c/p>\n\u003ch6>Metal\u003c/h6>\n\u003cp>\u003cstrong>Metalica\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/watch?v=mJje9Xpp5GE&feature=emb_title\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Experimental Sound Studio: Pedro Lopez\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/experimental_sound_studio\">Twitch\u003c/a> / \u003ca href=\"https://ess.org/the-quarantine-concerts\">Experimental Sound Studio\u003c/a>\u003c/p>\n\u003ch3>June 9\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Tchaikovsky’s \u003c/strong>\u003cem>\u003cstrong>Iolanta\u003c/strong>\u003c/em>\u003cstrong> and Bartók’s \u003c/strong>\u003cem>\u003cstrong>Bluebeard’s Castle\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Multi-Genre\u003c/h6>\n\u003cp>\u003cstrong>All In For Chelsea: Will Dailey, Chadwick Stokes, Adam Ezra Group and more \u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/callingallcrows/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Caylee Hammack\u003c/strong> \u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/cmt\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Freedy Johnston\u003cbr>\u003c/strong>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"http://www.signaturesounds.com/homesessions\">Signature Sounds\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Trixie Mattel\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link:\u003ca href=\"https://www.twitch.tv/trixiemattel\"> Twitch\u003c/a>\u003c/p>\n\u003ch6>R&B / Soul\u003c/h6>\n\u003cp>\u003cstrong>Zeshan B\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/user/worldmusiccrasharts\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Phish\u003cbr>\u003c/strong>Time: 8:30 p.m. ET\u003cbr>Link:\u003ca href=\"https://webcast.livephish.com/\"> Live Phish \u003c/a>/ \u003ca href=\"https://www.facebook.com/phish/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>NCZA Lines\u003c/strong>\u003cbr>Time: 1 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/blogotheque/\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dim Mak Records\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link:\u003ca href=\"https://www.twitch.tv/dimmak\"> Twitch\u003c/a>\u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>David Wax Museum\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/DavidWaxMuseum/\">Faceboook\u003c/a>\u003c/p>\n\u003ch3>June 10\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Humperdinck’s \u003c/strong>\u003cem>\u003cstrong>Hansel and Gretel\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003cp>\u003cstrong>Tulsa Opera: Coleen Daly, soprano\u003c/strong>\u003cbr>Time: 3 p.m. ET\u003cbr>Link: \u003ca href=\"https://tulsaopera.com/stayingalive/\">Tulsa Opra\u003c/a>\u003c/p>\n\u003ch6>Multi-Genre\u003c/h6>\n\u003cp>\u003cstrong>A Night For Austin: Paul Simon, Norah Jones, Willy Nelson, Black Pumas and more\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.anightforaustin.com/\">A Night For Austin\u003c/a> / \u003ca href=\"https://www.twitch.tv/luckreunion\">Twitch\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>All in WA: Pearl Jam, Macklemore, Ben Gibbard and more\u003c/strong>\u003cbr>Time: 10 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/amazonmusic\">Twitch\u003c/a>\u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Ivan Neville\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/DumpstaphunkNOLA/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Dave Matthews Band\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.davematthewsband.com/drivein/\">Dave Matthews Band\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Bob Weir\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/BobbyWeir/live\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Brandy Clark\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/thebrandyclark/?hl=en\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>American Aquarium\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/americanaquarium/\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Rhett Miller\u003cbr>\u003c/strong>Time: 11 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.stageit.com/RhettMiller\">Stage It\u003c/a>\u003c/p>\n\u003ch6>Indie\u003c/h6>\n\u003cp>\u003cstrong>Alfie Templeman\u003c/strong>\u003cbr>Time: 1 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/blogotheque/\">Instagram\u003c/a>\u003c/p>\n\u003ch3>June 11\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Beth Morrison Projects: Opera of the Week\u003cbr>\u003c/strong>Time: 12 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.bethmorrisonprojects.org/\">Beth Morrison Projects\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Metropolitan Opera: Rossini’s \u003c/strong>\u003cem>\u003cstrong>L’Italiana in Algeri\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Picture Show: A Tribute to John Prine\u003cbr>\u003c/strong>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/user/ohboyrecords/\">YouTube\u003c/a> / \u003ca href=\"https://business.facebook.com/events/901288670282635/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Christian Lee Hutson \u003c/strong>\u003cbr>Time: 1 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/blogotheque/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Charlie Hunter\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"http://www.signaturesounds.com/homesessions\">Signature Sounds\u003c/a>\u003c/p>\n\u003ch6>Latin\u003c/h6>\n\u003cp>\u003cstrong>Jesse & Joy\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/jesseyjoy/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>Whitney\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://noonchorus.com/whitney/\">Noon Chorus\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Radiohead\u003c/strong>\u003cbr>Time: 5 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCq19-LqvG35A-30oyAiPiqA\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Low Cut Connie\u003c/strong>\u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/lowcutconnie/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/lowcutconnie/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Clap Your Hands Say Yeah\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/cyhsycyhsy/\">Twitch\u003c/a>\u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Fridman Gallery Solos: C. Lavender\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.fridmangallery.com/solos\">Fridman Gallery\u003c/a>\u003c/p>\n\u003ch3>June 12\u003c/h3>\n\u003ch6>classical\u003c/h6>\n\u003cp>\u003cstrong>Carnegie Hall Fridays: New World Symphony\u003c/strong>\u003cbr>Time: 3 a.m. ET\u003cbr>Link: \u003ca href=\"https://www.carnegiehall.org/Explore/Watch-and-Listen/Medici-Webcasts\">Carnegie Hall\u003c/a>\u003cbr>\u003cem>Note: Carnegie Hall’s Friday streams are available from 3 a.m. ET Friday until 3 a.m. ET the following Monday. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>New World Symphony Fellows Live From Our Living Rooms\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/NewWorldSymphony/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Tulsa Opera: Weston Hurt, baritone \u003c/strong> \u003cbr>Time: 3 p.m. ET\u003cbr>Link: \u003ca href=\"https://tulsaopera.com/stayingalive/\">Tulsa Opera\u003c/a>\u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>The Tallest Man on Earth\u003c/strong>\u003cbr>Time: 3 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UC9EHP9xTtUHNAkgaAraAPWA/featured\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Béla Fleck & Abigail Washburn\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/belafleckbanjo/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Rhett Miller\u003cbr>\u003c/strong>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.stageit.com/RhettMiller\">Stage It\u003c/a>\u003c/p>\n\u003ch6>Hip-Hop\u003c/h6>\n\u003cp>\u003cstrong>IDK\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/watch?v=25llsPSTN5A&list=PLWX4Jt4X9kyqt6oziZ0xgp3NmAugsLMjK&index=9&t=0s\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Derya Yildirim\u003c/strong>\u003cbr>Time: 1 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/blogotheque/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Diplo and Dillon Francis\u003cbr>\u003c/strong>Time: 11 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/maddecentlive/\">Twitch\u003c/a>\u003c/p>\n\u003ch3>June 13\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Jennifer Koh’s \u003c/strong>\u003cem>\u003cstrong>Alone Together \u003c/strong>\u003c/em>\u003cstrong>Finale\u003c/strong>\u003cem>\u003cstrong>: \u003c/strong>\u003c/em>New works from Kati Agócs, Vincent Calianno, Patrick Castillo, and Sugar Vendil\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/jenniferkohmusic/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/jenniferkohviolin/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Billy Hart Quartet\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch6>Hip-Hop\u003c/h6>\n\u003cp>\u003cstrong>Shoreline Mafia\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/watch?v=23DxSqfChyg&list=PLWX4Jt4X9kyqt6oziZ0xgp3NmAugsLMjK&index=10&t=0s\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Low Cut Connie\u003c/strong>\u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/lowcutconnie/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/lowcutconnie/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ben Folds\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link:\u003ca href=\"https://www.youtube.com/watch?v=BpM4EYDyyGk\"> YouTube\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Old Crow Medicine Show \u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCv9bnG14QgGhDOW_XJtDZ2w\">YouTube \u003c/a>/ \u003ca href=\"https://www.facebook.com/OldCrowMedicineShow/live/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dylan LeBlanc\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 4 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/dylanleblancmusic/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Jameson Rodgers\u003c/strong> \u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/jamesonrodgers/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Cabaret\u003c/h6>\n\u003cp>\u003cstrong>Puddles Pity Party\u003c/strong>\u003cbr>Time: 5:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://puddlespityparty.veeps.com/stream/schedule\">Veeps\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Major Lazer\u003cbr>\u003c/strong>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/maddecentlive/\">Twitch\u003c/a>\u003c/p>\n\u003ch3>June 14\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Handel’s \u003c/strong>\u003cem>\u003cstrong>Rodelinda\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Bang on a Can Marathon: Rhiannon Giddens, Terry Riley, Roscoe Mitchell, Nico Muhly, Conrad Tao and more \u003c/strong>\u003cbr>Time: 3 p.m. ET\u003cbr>Link: \u003ca href=\"https://marathon2020.bangonacan.org/\">Bang on a Can\u003c/a>\u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Billy Hart Quartet\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 2 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch6>Latin\u003c/h6>\n\u003cp>\u003cstrong>Gaby Moreno\u003c/strong>\u003cbr>Time: 2 p.m. ET\u003cbr>Link: \u003ca href=\"https://qchamberstream.com/concert/june-14-gravity-media-la/?buy\">QChamberStream\u003c/a>\u003c/p>\n\u003ch6>Hip-Hop\u003c/h6>\n\u003cp>\u003cstrong>G Herbo\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/watch?v=B7DuLCvOqaE&list=PLWX4Jt4X9kyqt6oziZ0xgp3NmAugsLMjK&index=11&t=0s\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Deep Sea Diver\u003c/strong>\u003cbr>Time: 10 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/thisisdeepseadiver/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>American Aquarium\u003c/strong> \u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/americanaquarium/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>Patty Larkin \u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"http://www.signaturesounds.com/homesessions\">Signature Sounds\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>David Wax Museum\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/DavidWaxMuseum/\">Facebook\u003c/a>\u003c/p>\n\u003ch3>June 15\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>The Violin Channel Live\u003c/strong>\u003cbr>– \u003cstrong>Violinist Callum Smart\u003c/strong>: 1 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UC_DO3GwiKhy-Z6XtmnxhfRA\">YouTube\u003c/a> / \u003ca href=\"https://www.facebook.com/theviolinchannel/\">Facebook \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Metropolitan Opera: Rossini’s \u003c/strong>\u003cem>\u003cstrong>Armida\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>The National\u003c/strong>\u003cbr>Time: 5 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCeiRyLo_Q9q4tlv9aaQJF5w\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Waxahatchee\u003c/strong> \u003cstrong>plays \u003c/strong>\u003cem>\u003cstrong>Cerulean Salt \u003c/strong>\u003c/em>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://noonchorus.com/upcoming/\">Noon Chorus\u003c/a>\u003c/p>\n\u003ch3>June 16\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Rossini’s \u003c/strong>\u003cem>\u003cstrong>Semiramide\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Phish\u003cbr>\u003c/strong>Time: 8:30 p.m. ET\u003cbr>Link:\u003ca href=\"https://webcast.livephish.com/\"> Live Phish \u003c/a>/ \u003ca href=\"https://www.facebook.com/phish/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Joe Pernice\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"http://www.signaturesounds.com/homesessions\">Signature Sounds\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Caylee Hammack\u003c/strong> \u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/cmt\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Trixie Mattel\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link:\u003ca href=\"https://www.twitch.tv/trixiemattel\"> Twitch\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Dim Mak Records\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003c/p>\n\u003ch3>June 17\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Gluck’s \u003c/strong>\u003cem>\u003cstrong>Iphigénie en Tauride\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Ivan Neville\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/DumpstaphunkNOLA/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Dave Matthews Band\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.davematthewsband.com/drivein/\">Dave Matthews Band\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Bob Weir\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/BobbyWeir/live\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Brandy Clark\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/thebrandyclark/?hl=en\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>American Aquarium\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/americanaquarium/\">Instagram\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Rhett Miller\u003cbr>\u003c/strong>Time: 11 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.stageit.com/RhettMiller\">Stage It\u003c/a>\u003c/p>\n\u003ch3>June 18\u003c/h3>\n\u003ch6>classical\u003c/h6>\n\u003cp>\u003cstrong>Beth Morrison Projects: Opera of the Week\u003cbr>\u003c/strong>Time: 12 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.bethmorrisonprojects.org/\">Beth Morrison Projects\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Metropolitan Opera: Verdi’s \u003c/strong>\u003cem>\u003cstrong>La Forza del Destino\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Latin\u003c/h6>\n\u003cp>\u003cstrong>Jesse & Joy\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/jesseyjoy/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Radiohead\u003c/strong>\u003cbr>Time: 5 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCq19-LqvG35A-30oyAiPiqA\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Low Cut Connie\u003c/strong>\u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/lowcutconnie/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/lowcutconnie/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Clap Your Hands Say Yeah\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/cyhsycyhsy/\">Twitch\u003c/a>\u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Fridman Gallery Solos: Leila Bordreuil\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.fridmangallery.com/solos\">Fridman Gallery\u003c/a>\u003c/p>\n\u003ch3>June 19\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Carnegie Hall Fridays: Munich Philharmonic\u003c/strong>\u003cbr>Time: 3 a.m. ET\u003cbr>Link: \u003ca href=\"https://www.carnegiehall.org/Explore/Watch-and-Listen/Medici-Webcasts\">Carnegie Hall\u003c/a>\u003cbr>\u003cem>Note: Carnegie Hall’s Friday streams are available from 3 a.m. ET Friday until 3 a.m. ET the following Monday. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Metropolitan Opera: Philip Glass’s \u003c/strong>\u003cem>\u003cstrong>Akhnaten\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Radiohead\u003c/strong>\u003cbr>Time: 5 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCq19-LqvG35A-30oyAiPiqA\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Low Cut Connie\u003c/strong>\u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/lowcutconnie/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/lowcutconnie/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Clap Your Hands Say Yeah\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/cyhsycyhsy/\">Twitch\u003c/a> \u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>The Tallest Man on Earth\u003c/strong>\u003cbr>Time: 3 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UC9EHP9xTtUHNAkgaAraAPWA/featured\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Béla Fleck & Abigail Washburn\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/belafleckbanjo/\">Facebook\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Rhett Miller\u003cbr>\u003c/strong>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.stageit.com/RhettMiller\">Stage It\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Diplo and Dillon Francis\u003cbr>\u003c/strong>Time: 11 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/maddecentlive/\">Twitch\u003c/a>\u003c/p>\n\u003ch3>June 20\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Philip Glass’s \u003c/strong>\u003cem>\u003cstrong>Satyagraha\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Vijay Iyer Trio\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch6>k-pop\u003c/h6>\n\u003cp>\u003cstrong>KCON:TACT 2020 Summer\u003c/strong>\u003cbr>Time: 12 a.m. – 11:59 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/user/Mnet\">YouTube\u003c/a>\u003cbr>\u003cem>Note: KCON has not yet announced a detailed lineup or schedule. Check the festival’s \u003c/em>\u003ca href=\"http://www.kconusa.com/home/\">\u003cem>website\u003c/em>\u003c/a>\u003cem> for more details.\u003c/em>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Low Cut Connie\u003c/strong>\u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/lowcutconnie/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/lowcutconnie/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ben Folds\u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/watch?v=Riu1A6PPW0M\">YouTube\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>Old Crow Medicine Show \u003c/strong>\u003cbr>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCv9bnG14QgGhDOW_XJtDZ2w\">YouTube \u003c/a>/ \u003ca href=\"https://www.facebook.com/OldCrowMedicineShow/live/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dylan LeBlanc\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 4 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/dylanleblancmusic/\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Jameson Rodgers\u003c/strong> \u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/jamesonrodgers/\">Facebook\u003c/a>\u003c/p>\n\u003ch3>June 21\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Metropolitan Opera: Verdi’s \u003c/strong>\u003cem>\u003cstrong>La Traviata\u003c/strong>\u003c/em>\u003cem>\u003cbr>\u003c/em>Time: 7:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.metopera.org/season/on-demand/opera/?upc=811357012031\">Met Opera\u003c/a> \u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Vijay Iyer Trio\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 2 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch6>k-pop\u003c/h6>\n\u003cp>\u003cstrong>KCON:TACT 2020 Summer\u003c/strong>\u003cbr>Time: 12 a.m. – 11:59 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/user/Mnet\">YouTube\u003c/a>\u003cbr>\u003cem>Note: KCON has not yet announced a detailed lineup or schedule. Check the festival’s \u003c/em>\u003ca href=\"http://www.kconusa.com/home/\">\u003cem>website\u003c/em>\u003c/a>\u003cem> for more details.\u003c/em>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Deep Sea Diver\u003c/strong>\u003cbr>Time: 10 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/thisisdeepseadiver/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Country / Americana\u003c/h6>\n\u003cp>\u003cstrong>American Aquarium\u003c/strong> \u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/americanaquarium/\">Instagram\u003c/a>\u003c/p>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>David Wax Museum\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.facebook.com/DavidWaxMuseum/\">Facebook\u003c/a>\u003c/p>\n\u003ch3>June 22\u003c/h3>\n\u003ch6>rock\u003c/h6>\n\u003cp>\u003cstrong>Waxahatchee\u003c/strong> \u003cstrong>plays\u003c/strong>\u003cstrong>\u003cem> Ivy Tripp\u003c/em>\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://noonchorus.com/upcoming/\">Noon Chorus\u003c/a>\u003c/p>\n\u003ch6>k-pop\u003c/h6>\n\u003cp>\u003cstrong>KCON:TACT 2020 Summer\u003c/strong>\u003cbr>Time: 12 a.m. – 11:59 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/user/Mnet\">YouTube\u003c/a>\u003cbr>\u003cem>Note: KCON has not yet announced a detailed lineup or schedule. Check the festival’s \u003c/em>\u003ca href=\"http://www.kconusa.com/home/\">\u003cem>website\u003c/em>\u003c/a>\u003cem> for more details.\u003c/em>\u003c/p>\n\u003ch3>June 23\u003c/h3>\n\u003ch6>k-pop\u003c/h6>\n\u003cp>\u003cstrong>KCON:TACT 2020 Summer\u003c/strong>\u003cbr>Time: 12 a.m. – 11:59 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/user/Mnet\">YouTube\u003c/a>\u003cbr>\u003cem>Note: KCON has not yet announced a detailed lineup or schedule. Check the festival’s \u003c/em>\u003ca href=\"http://www.kconusa.com/home/\">\u003cem>website\u003c/em>\u003c/a>\u003cem> for more details.\u003c/em>\u003c/p>\n\u003ch3>June 25 \u003c/h3>\n\u003ch6>Classical \u003c/h6>\n\u003cp>\u003cstrong>Beth Morrison Projects: Opera of the Week\u003cbr>\u003c/strong>Time: 12 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.bethmorrisonprojects.org/\">Beth Morrison Projects\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Electric Blockaloo: JAUZ, Diplo, A-Trak, Anjunabeats and more\u003c/strong>\u003cbr>Time: TBA\u003cbr>Link: \u003ca href=\"https://electricblockaloo.com/\">Electric Blockaloo\u003c/a>\u003cbr>\u003cem>Note: The festival will take place in the video game Minecraft.\u003c/em>\u003c/p>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Radiohead\u003c/strong>\u003cbr>Time: 5 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.youtube.com/channel/UCq19-LqvG35A-30oyAiPiqA\">YouTube\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Low Cut Connie\u003c/strong>\u003cbr>Time: 6 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.instagram.com/lowcutconnie/\">Instagram\u003c/a> / \u003ca href=\"https://www.facebook.com/lowcutconnie/live\">Facebook\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Clap Your Hands Say Yeah\u003c/strong>\u003cbr>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.twitch.tv/cyhsycyhsy/\">Twitch\u003c/a>\u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Fridman Gallery Solos: Mendi and Keith Obadike\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.fridmangallery.com/solos\">Fridman Gallery\u003c/a>\u003c/p>\n\u003ch3>June 26\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Carnegie Hall Fridays: Philip Glass Ensemble: Music with Changing Parts\u003c/strong>\u003cbr>Time: 3 a.m. ET\u003cbr>Link: \u003ca href=\"https://www.carnegiehall.org/Explore/Watch-and-Listen/Medici-Webcasts\">Carnegie Hall\u003c/a>\u003cbr>\u003cem>Note: Carnegie Hall’s Friday streams are available from 3 a.m. ET Friday until 3 a.m. ET the following Monday. \u003c/em>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Electric Blockaloo: JAUZ, Diplo, A-Trak, Anjunabeats and more\u003c/strong>\u003cbr>Time: TBA\u003cbr>Link: \u003ca href=\"https://electricblockaloo.com/\">Electric Blockaloo\u003c/a>\u003cbr>\u003cem>Note: The festival will take place in the video game Minecraft.\u003c/em>\u003c/p>\n\u003ch3>June 27\u003c/h3>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>Bluegrass Pride: Allison de Groot and Patrick M’Gonigle, Jake Blount, Front Country, Alice Gerrard and more \u003c/strong>\u003cbr>Time: 4 – 11 p.m. ET\u003cbr>Link: \u003ca href=\"https://bluegrasspride.net/pages/porch-pride\">Bluegrass Pride\u003c/a>\u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Joe Martin Quartet\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Electric Blockaloo: JAUZ, Diplo, A-Trak, Anjunabeats and more\u003c/strong>\u003cbr>Time: TBA\u003cbr>Link: \u003ca href=\"https://electricblockaloo.com/\">Electric Blockaloo\u003c/a>\u003cbr>\u003cem>Note: The festival will take place in the video game Minecraft.\u003c/em>\u003c/p>\n\u003ch3>June 28\u003c/h3>\n\u003ch6>Folk\u003c/h6>\n\u003cp>\u003cstrong>Bluegrass Pride: Amythyst Kiah, Kimber Ludiker and Avril Smith, Sam Gleaves, Noa Laniakea and more\u003c/strong>\u003cbr>Time: 4 – 10:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://bluegrasspride.net/pages/porch-pride\">Bluegrass Pride\u003c/a>\u003c/p>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Joe Martin Quartet\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 2 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Electric Blockaloo: JAUZ, Diplo, A-Trak, Anjunabeats and more\u003c/strong>\u003cbr>Time: TBA\u003cbr>Link: \u003ca href=\"https://electricblockaloo.com/\">Electric Blockaloo\u003c/a>\u003cbr>\u003cem>Note: The festival will take place in the video game Minecraft.\u003c/em>\u003c/p>\n\u003ch3>June 29\u003c/h3>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Waxahatchee\u003c/strong> \u003cstrong>plays\u003c/strong>\u003cstrong>\u003cem> Out In The Storm\u003c/em>\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://noonchorus.com/upcoming/\">Noon Chorus\u003c/a>\u003c/p>\n\u003ch3>July 2\u003c/h3>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Fridman Gallery Solos: Lea Bertucci\u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.fridmangallery.com/solos\">Fridman Gallery\u003c/a>\u003c/p>\n\u003ch3>July 4\u003c/h3>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Joe Lovano Trio Fascination\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch3>July 5\u003c/h3>\n\u003ch6>Jazz\u003c/h6>\n\u003cp>\u003cstrong>Live at the Village Vanguard: Joe Lovano Trio Fascination\u003c/strong> \u003cstrong>\u003cbr>\u003c/strong>Time: 2 p.m. ET\u003cbr>Link: \u003ca href=\"https://villagevanguard.com/\">Village Vanguard\u003c/a>\u003c/p>\n\u003ch3>July 6 \u003c/h3>\n\u003ch6>Rock\u003c/h6>\n\u003cp>\u003cstrong>Waxahatchee\u003c/strong> \u003cstrong>plays\u003c/strong>\u003cstrong>\u003cem> Saint Cloud\u003c/em>\u003c/strong>\u003cbr>Time: 9 p.m. ET\u003cbr>Link: \u003ca href=\"https://noonchorus.com/upcoming/\">Noon Chorus\u003c/a>\u003c/p>\n\u003ch3>July 7\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Mimir Chamber Music Festival\u003c/strong>\u003cbr>Time: 8:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.mimirfestival.org/\">Mimir Festival\u003c/a>\u003c/p>\n\u003ch3>July 9\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Mimir Chamber Music Festival\u003c/strong>\u003cbr>Time: 8:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.mimirfestival.org/\">Mimir Festival\u003c/a>\u003c/p>\n\u003ch6>Experimental\u003c/h6>\n\u003cp>\u003cstrong>Fridman Gallery Solos: Marina Rosenfeld / Ben Vida (solos) \u003cbr>\u003c/strong>Time: 8 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.fridmangallery.com/solos\">Fridman Gallery\u003c/a>\u003c/p>\n\u003ch3>July 10\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Mimir Chamber Music Festival Emerging Artists Concert\u003c/strong>\u003cbr>Time: 8:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.mimirfestival.org/\">Mimir Festival\u003c/a>\u003c/p>\n\u003ch3>July 11\u003c/h3>\n\u003ch6>Classical\u003c/h6>\n\u003cp>\u003cstrong>Mimir Chamber Music Festival\u003c/strong>\u003cbr>Time: 8:30 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.mimirfestival.org/\">Mimir Festival\u003c/a>\u003c/p>\n\u003ch3>July 25\u003c/h3>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003cstrong>Tomorrowland Around the World\u003c/strong>\u003cbr>Time: 9 a.m. – 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.tomorrowland.com/en/around-the-world/welcome\">Tomorrowland\u003c/a>\u003c/p>\n\u003ch3>July 26\u003c/h3>\n\u003ch6>Electronic\u003c/h6>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Tomorrowland Around the World\u003c/strong>\u003cbr>Time: 9 a.m. – 7 p.m. ET\u003cbr>Link: \u003ca href=\"https://www.tomorrowland.com/en/around-the-world/welcome\">Tomorrowland\u003c/a> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+List+Of+Live+Virtual+Concerts+To+Watch+During+The+Coronavirus+Shutdown&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Alone and Overwhelmed? This Short Film Has Some Tips for Sheltering Solo",
"headTitle": "Alone and Overwhelmed? This Short Film Has Some Tips for Sheltering Solo | KQED",
"content": "\u003cp>Journalist, actor and filmmaker \u003ca href=\"http://www.brentrose.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Brent Rose\u003c/a> bought a Sprinter van and essentially converted it into a mobile studio apartment, thinking he’d save money and find some adventure while traveling around for work. The plan was to live in the van for a year. Then one year became five. And though van life allowed Rose to tour the snow-capped mountains of Colorado and brick-red deserts of Utah and New Mexico, he also found the road somewhat isolating, especially when it came to relationships.\u003c/p>\n\u003cp>Then, when shelter-in-place orders came down in California, Rose suddenly found himself feeling \u003cem>very\u003c/em> alone. A first date he’d long been looking forward to was canceled. He sought comfort in a Zoom call with two coupled-up friends, but when they kissed on screen, he went into an anxious spiral of wondering when he’d experience romantic love and physical intimacy again—even so much as a hug.\u003c/p>\n\u003cp>So Rose decided to write, and emerged with a cathartic essay about the emotional ups and downs of weathering the pandemic solo—the sadness, the smugness at not having to deal with kids home from school, the frustration, the hope, the grief, the moments of peace. After he shared the essay with a group of his close high school friends, they teamed up to turn it into a short film: \u003ca href=\"https://www.goingitaloneshort.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Going It Alone\u003c/em>\u003c/a>, released last Friday through the newly formed Sneakout Studios, which consists of co-director and animator Rebecca Silvers, composer Yea-Ming Chen, sound designer Greg Sextro, illustrator Dylan Ricards and photographer C. Bay Milin.\u003c/p>\n\u003cp>https://youtu.be/e2XmAnpe-RA\u003c/p>\n\u003cp>Like Rose, Silvers, who collaborated on the storyline, is also sheltering alone in her apartment in Berkeley, and the two friends both use mindfulness and meditation to cope with the careening mood swings the pandemic can create. Observing one’s emotions, accepting them and letting them pass without judgment is foundational to many types of meditation; this idea anchors the plot of \u003cem>Going It Alone\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the short, the protagonist, an anthropomorphic, cartoon number 1 voiced by Rose eventually comes to terms with the fact that the flurry of emotions is going to cycle in and out of him for a long time. The more he works on accepting these volatile feelings, the less earth-shattering they become, and the more resilient he will be.\u003c/p>\n\u003cp>“It’s not just about the loneliness of wanting a romantic partner. A lot of it is the literally being alone,” reflects Rose, who is sheltering in place in the Central Valley town of Paso Robles. “When you have to be your own rock and you’re also feeling unmoored, it’s exhausting. And you have to come up with better coping strategies.”\u003c/p>\n\u003cfigure id=\"attachment_13881028\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881028\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/Sneakout-Studios-800x429.jpg\" alt=\"\" width=\"800\" height=\"429\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/Sneakout-Studios-800x429.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/Sneakout-Studios-160x86.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/Sneakout-Studios-768x412.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/Sneakout-Studios-1020x547.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/Sneakout-Studios.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Sneakout Studios team in a recent Zoom meeting. Top row, left to right: Rebecca Silvers, Brent Rose, Dylan Ricards. Bottom row, left to right: Greg Sextro, C. Bay Milin, Yea-Ming Chen. \u003ccite>(Sneakout Studios)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Indeed, some psychologists have described life in the pandemic as a \u003ca href=\"https://hbr.org/2020/03/that-discomfort-youre-feeling-is-grief\" target=\"_blank\" rel=\"noopener noreferrer\">collective state of grief\u003c/a>. Whether we’re mourning a personal loss or taking in the scope of the global tragedy, the stages of grief—denial, anger, bargaining, depression and acceptance—are typically not linear, and come and go in waves. Making matters more challenging, the grief only becomes more compounded with each new report on the pandemic’s death toll and economic devastation. For many people, it’s an emotionally exhausting cycle that’s left them feeling stressed, depressed or depleted.\u003c/p>\n\u003cp>“Basically we’re all processing trauma, and the trauma hose has not been turned off,” says Rose. “We’re still in this precarious situation. We’re still scared. We’re still learning about this virus, and we’re trying to figure out what our new reality looks like and it’s shifting under our feet everyday.”\u003c/p>\n\u003cp>The creators of \u003cem>Going It Alone\u003c/em> wanted to provide comfort, and to let viewers know that sheltering in place while single has its challenges, just like being cooped up with a spouse or entire family. Whether alone or with others, we all now have to find ways to cope.\u003c/p>\n\u003cfigure id=\"attachment_13881027\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881027\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/vlcsnap-2020-05-21-12h40m24s364-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/vlcsnap-2020-05-21-12h40m24s364-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/vlcsnap-2020-05-21-12h40m24s364-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/vlcsnap-2020-05-21-12h40m24s364-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/vlcsnap-2020-05-21-12h40m24s364-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/vlcsnap-2020-05-21-12h40m24s364.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Going It Alone’ poignantly illustrates dashed hopes of romantic connection during the pandemic. \u003ccite>(Sneakout Studios)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The notion that I can be OK currently as a single person living on my own and being content with that is a pretty new concept for me in my own life,” says Silvers, adding that she’s sometimes felt judged for not actively seeking a partnership. “It’s not an easy thing to accept because it goes against these kind of ingrained societal norms.”\u003c/p>\n\u003cp>To deal with life in the pandemic, Silvers says she’s been meditating every day and listening to talks and guided meditations by the psychologist \u003ca href=\"https://www.tarabrach.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Tara Brach\u003c/a>. She and Rose decided to add mental health resources to the \u003cem>Going It Alone\u003c/em> website, including links to Brach’s online offerings, the Open Path collective of sliding-scale therapists and the number for the National Suicide Prevention Lifeline, 800-273-TALK.\u003c/p>\n\u003cp>The film ends on a hopeful note: the pandemic is temporary and the emotions this time brings, overwhelming as they may be, are temporary too.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I just have to buckle in for the ride and stay present,” says Rose. “That helped me so I hoped it would help other people.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Journalist, actor and filmmaker \u003ca href=\"http://www.brentrose.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Brent Rose\u003c/a> bought a Sprinter van and essentially converted it into a mobile studio apartment, thinking he’d save money and find some adventure while traveling around for work. The plan was to live in the van for a year. Then one year became five. And though van life allowed Rose to tour the snow-capped mountains of Colorado and brick-red deserts of Utah and New Mexico, he also found the road somewhat isolating, especially when it came to relationships.\u003c/p>\n\u003cp>Then, when shelter-in-place orders came down in California, Rose suddenly found himself feeling \u003cem>very\u003c/em> alone. A first date he’d long been looking forward to was canceled. He sought comfort in a Zoom call with two coupled-up friends, but when they kissed on screen, he went into an anxious spiral of wondering when he’d experience romantic love and physical intimacy again—even so much as a hug.\u003c/p>\n\u003cp>So Rose decided to write, and emerged with a cathartic essay about the emotional ups and downs of weathering the pandemic solo—the sadness, the smugness at not having to deal with kids home from school, the frustration, the hope, the grief, the moments of peace. After he shared the essay with a group of his close high school friends, they teamed up to turn it into a short film: \u003ca href=\"https://www.goingitaloneshort.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Going It Alone\u003c/em>\u003c/a>, released last Friday through the newly formed Sneakout Studios, which consists of co-director and animator Rebecca Silvers, composer Yea-Ming Chen, sound designer Greg Sextro, illustrator Dylan Ricards and photographer C. Bay Milin.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/e2XmAnpe-RA'\n title='//www.youtube.com/embed/e2XmAnpe-RA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Like Rose, Silvers, who collaborated on the storyline, is also sheltering alone in her apartment in Berkeley, and the two friends both use mindfulness and meditation to cope with the careening mood swings the pandemic can create. Observing one’s emotions, accepting them and letting them pass without judgment is foundational to many types of meditation; this idea anchors the plot of \u003cem>Going It Alone\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the short, the protagonist, an anthropomorphic, cartoon number 1 voiced by Rose eventually comes to terms with the fact that the flurry of emotions is going to cycle in and out of him for a long time. The more he works on accepting these volatile feelings, the less earth-shattering they become, and the more resilient he will be.\u003c/p>\n\u003cp>“It’s not just about the loneliness of wanting a romantic partner. A lot of it is the literally being alone,” reflects Rose, who is sheltering in place in the Central Valley town of Paso Robles. “When you have to be your own rock and you’re also feeling unmoored, it’s exhausting. And you have to come up with better coping strategies.”\u003c/p>\n\u003cfigure id=\"attachment_13881028\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881028\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/Sneakout-Studios-800x429.jpg\" alt=\"\" width=\"800\" height=\"429\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/Sneakout-Studios-800x429.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/Sneakout-Studios-160x86.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/Sneakout-Studios-768x412.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/Sneakout-Studios-1020x547.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/Sneakout-Studios.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Sneakout Studios team in a recent Zoom meeting. Top row, left to right: Rebecca Silvers, Brent Rose, Dylan Ricards. Bottom row, left to right: Greg Sextro, C. Bay Milin, Yea-Ming Chen. \u003ccite>(Sneakout Studios)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Indeed, some psychologists have described life in the pandemic as a \u003ca href=\"https://hbr.org/2020/03/that-discomfort-youre-feeling-is-grief\" target=\"_blank\" rel=\"noopener noreferrer\">collective state of grief\u003c/a>. Whether we’re mourning a personal loss or taking in the scope of the global tragedy, the stages of grief—denial, anger, bargaining, depression and acceptance—are typically not linear, and come and go in waves. Making matters more challenging, the grief only becomes more compounded with each new report on the pandemic’s death toll and economic devastation. For many people, it’s an emotionally exhausting cycle that’s left them feeling stressed, depressed or depleted.\u003c/p>\n\u003cp>“Basically we’re all processing trauma, and the trauma hose has not been turned off,” says Rose. “We’re still in this precarious situation. We’re still scared. We’re still learning about this virus, and we’re trying to figure out what our new reality looks like and it’s shifting under our feet everyday.”\u003c/p>\n\u003cp>The creators of \u003cem>Going It Alone\u003c/em> wanted to provide comfort, and to let viewers know that sheltering in place while single has its challenges, just like being cooped up with a spouse or entire family. Whether alone or with others, we all now have to find ways to cope.\u003c/p>\n\u003cfigure id=\"attachment_13881027\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881027\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/vlcsnap-2020-05-21-12h40m24s364-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/vlcsnap-2020-05-21-12h40m24s364-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/vlcsnap-2020-05-21-12h40m24s364-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/vlcsnap-2020-05-21-12h40m24s364-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/vlcsnap-2020-05-21-12h40m24s364-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/vlcsnap-2020-05-21-12h40m24s364.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Going It Alone’ poignantly illustrates dashed hopes of romantic connection during the pandemic. \u003ccite>(Sneakout Studios)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The notion that I can be OK currently as a single person living on my own and being content with that is a pretty new concept for me in my own life,” says Silvers, adding that she’s sometimes felt judged for not actively seeking a partnership. “It’s not an easy thing to accept because it goes against these kind of ingrained societal norms.”\u003c/p>\n\u003cp>To deal with life in the pandemic, Silvers says she’s been meditating every day and listening to talks and guided meditations by the psychologist \u003ca href=\"https://www.tarabrach.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Tara Brach\u003c/a>. She and Rose decided to add mental health resources to the \u003cem>Going It Alone\u003c/em> website, including links to Brach’s online offerings, the Open Path collective of sliding-scale therapists and the number for the National Suicide Prevention Lifeline, 800-273-TALK.\u003c/p>\n\u003cp>The film ends on a hopeful note: the pandemic is temporary and the emotions this time brings, overwhelming as they may be, are temporary too.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I just have to buckle in for the ride and stay present,” says Rose. “That helped me so I hoped it would help other people.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"order": 11
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"on-the-media": {
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"link": "/radio/program/on-the-media",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"order": 5
},
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
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