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"description": "The legacy of the beloved Mister Rogers lives on with the hit television series Daniel Tiger’s Neighborhood from The Fred Rogers Company, airing daily on PBS KIDS. Now, Daniel and all of his friends are hopping aboard Trolley to delight live audiences with Daniel Tiger’s Neighborhood Live! This theatrical production filled with singing, dancing, laughter",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The legacy of the beloved Mister Rogers lives on with the hit television series\u003cem> Daniel Tiger’s Neighborhood\u003c/em> from The Fred Rogers Company, airing daily on PBS KIDS. Now, Daniel and all of his friends are hopping aboard Trolley to delight live audiences with \u003cem>\u003ca href=\"http://danieltigerlive.com/\">Daniel Tiger’s Neighborhood Live!\u003c/a>\u003c/em> This theatrical production filled with singing, dancing, laughter and “grr-ific” surprises will warm the hearts of multiple generations. \u003cstrong>Best of all, \u003cstrong>we've got a family four-pack of tickets to give away!\u003c/strong>\u003c/strong>\u003c/p>\n\u003cp style=\"color: #000000\">For your chance to win, send an email to \u003ca style=\"color: #114999\" href=\"mailto:giveaway@kqed.org\">giveaway@kqed.org\u003c/a> with the subject \"Daniel Tiger,\" and include your full name.\u003c/p>\n\u003cp style=\"color: #000000\">One winner, selected randomly from all entries, will receive four general admission tickets ($50 per-ticket value) to \u003cem>Daniel Tiger's Neighborhood Live!\u003c/em> at the \u003ca href=\"http://www.flintcenter.com/\">Flint Center for the Performing Arts\u003c/a> on Friday, November 4, 2016. We will also randomly select two runners-up to win a pair of tickets each.\u003c/p>\n\u003cp style=\"color: #000000\">\u003cstrong>The deadline to enter is Friday, August 19, at 9 am.\u003c/strong> Winners will be notified by email on Monday, August 22. Tickets will be at Will Call. You must be a California resident and 18 years or older to participate. Employees of KQED are not eligible to enter.\u003c/p>\n\u003cp style=\"color: #000000\">Tickets for \u003cem>Daniel Tiger's Neighborhood Live! \u003c/em>are available for purchase Friday, August 12, at 10am on \u003ca href=\"http://www.ticketmaster.com/\">Ticketmaster\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"color: #000000\">\u003cstrong>\u003cem>Daniel Tiger's Neighborhood Live!\u003c/em>\u003cbr>\nFriday, November 4, 2016, at 6pm\u003cbr>\nFlint Center for the Performing Arts\u003cstrong>\u003cbr>\n\u003c/strong>\u003c/strong>\u003cspan class=\"_Xbe\">21250 Stevens Creek Blvd.,\u003cbr>\nCupertino, CA 95014\u003c/span>\u003cbr>\n408.864.8820\u003cstrong>\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp style=\"color: #000000\">\u003cem>This exhibit is generously sponsored by Google.org\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In September 1993, the rapper then-known as Snoop Doggy Dogg was in the middle of what would prove to be the most fraught and controversial month of his entire career. He'd been \u003ca href=\"http://articles.latimes.com/1993-09-04/local/me-31460_1_rap-singer-snoop-doggy-dogg\">charged with murder\u003c/a>, and only turned himself in to the cops after he'd had the chance to award the Best R&B Video moonman to En Vogue at that year's VMAs.\u003c/p>\n\u003cp>Snoop was still up-and-coming at the time and to miss that prominent MTV spotlight, alongside his friend Dr. Dre, would've cost him some serious prime-time exposure. Legend has it, he drove to the police station to hand himself in directly from the award show.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=-hIjgofcuWU\u003c/p>\n\u003cp>Meanwhile, on the other side of the country, a tightly wound white lady by the name of Martha Stewart also found her public profile expanding. September 1993 was when her first TV show (named after her then-quarterly magazine) launched; little did she know that \u003ca href=\"http://www.tv.com/shows/martha-stewart-living/\">\u003cem>Martha Stewart Living\u003c/em>\u003c/a> was just the start of a multi-million dollar empire.\u003c/p>\n\u003cp>In the mid-1990s, the idea that Snoop and Martha would ever so much as be in the same room as each other was utterly laughable. Around the same time that a UK newspaper was splashing Snoop's mug next to the headline \"\u003ca href=\"http://cdn-03.independent.ie/incoming/article31254782.ece/f34fe/AUTOCROP/w620/Dg%20daily%20star.jpg\">KICK THIS EVIL BASTARD OUT!\u003c/a>\", Martha Stewart was puttering about in wood-paneled rooms, talking to a national audience of homemakers about \u003ca href=\"http://a%20national%20audience%20of%20homemakers.\">table centerpieces\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But here we are, two decades later, and the news that Martha and Snoop have just been hired by VH1 to host a cooking show together (titled \u003cem>\u003ca href=\"http://variety.com/2016/tv/news/martha-stewart-snoop-dogg-vh1-dinner-party-1201832529/\">Martha & Snoop’s Dinner Party\u003c/a>\u003c/em>) doesn't actually seem completely insane. Which is, in and of itself, kind of insane. Maybe the world might look at these two very different humans, making this probably-comedic show together, and take it as an example of how success levels the social and cultural playing field ... but there's also something about \u003cem>Martha & Snoop's Dinner Party\u003c/em> that's a little depressing.\u003c/p>\n\u003cp>After her arrest, 2004 conviction for insider trading, and subsequent prison sentence, Stewart had to shift some major gears before she could make her return to the public eye a successful one. Given that most of the people who liked her brand pre-jail-time declared her career over as soon as she was convicted, Stewart did the smartest thing she could: Post-release, she started juxtaposing her squeaky clean WASP image of old with a very palpable edge.\u003c/p>\n\u003cp>Snoop is not the kind of guest Martha Stewart could invite onto her show before she'd done some time, but a 2008 clip in which Snoop goes rogue on Martha as she's showing him how to make the most fattening mashed potatoes in the world remains a YouTube favorite. By the time the two got back together in 2015, under the guise of making Christmas brownies, the double act was almost entirely centered around \u003ca href=\"https://www.youtube.com/watch?v=pubH1prBf84\">weed jokes\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=-Ocre0kXgvg\u003c/p>\n\u003cp>Last year also saw Stewart resorting to joining in on Comedy Central's \u003ca href=\"https://www.youtube.com/watch?v=9V3PhXNNMGg\">roast of Justin Bieber\u003c/a>, even though her presence there made absolutely no sense whatsoever. \"Look!\" the joke seemed to be, \"Martha Stewart says mean things too! What a crazy badass!\"\u003c/p>\n\u003cp>Snoop has, of course, also adapted and changed over the last 20 years, but it feels altogether more organic. The biggest shift for the rapper came 10 years into his career, when he was finally permitted to show the world that he had an endearingly dorky, highly self-aware sense of humor. This came in the form of MTV's\u003cem> \u003ca href=\"https://www.youtube.com/watch?v=lSjf2M8xSIU\">Doggy Fizzle Televizzle\u003c/a>\u003c/em> in 2002 -- the first time he realized that people liked it when he put himself next to non-\"hood\" things and carried on being Snoop. (The first episode of \u003cem>Televizzle\u003c/em> put him in a bus full of senior citizens and gave him a microphone.)\u003c/p>\n\u003cp>Snoop's non-music profile peaked with the role of Huggy Bear in 2004's \u003ca href=\"https://en.wikipedia.org/wiki/Starsky_%26_Hutch_(film)\">\u003cem>Starsky & Hutch\u003c/em> \u003c/a>remake -- a role that was probably supposed to be amusing because pre-fame Snoop literally \u003ca href=\"http://www.rollingstone.com/music/news/snoop-lion-opens-up-about-his-pimp-past-20130508\">worked as a pimp.\u003c/a> (\u003cem>Hilarious\u003c/em>, obviously.) Even with that in mind, he was still one of the best things in the movie.\u003c/p>\n\u003cp>Since then, Snoop's done everything from \u003ca href=\"https://www.youtube.com/watch?v=Kgjy-k5mOqA\">GPS voiceover\u003c/a> work to a \u003ca href=\"https://www.youtube.com/channel/UC-OO324clObi3H-U0bP77dw\">GGN radio\u003c/a> show to inventing a new reggae-based persona for himself named \u003ca href=\"https://www.youtube.com/watch?v=-MI3CKL4NMI\">Snoop Lion\u003c/a>. One gets the impression that Snoop has a hard time saying no to anything; that if something looks like it might be fun for him to do, and that he might make some money out of it, that's an automatic yes. His brand is far from delicate.\u003c/p>\n\u003cp>Martha Stewart's reasoning for signing on to a cooking show co-hosted by Snoop Dogg looks considerably more contrived. Stewart's whole brand has been under siege for a few years now, thanks to new competition from high-end companies started by a new wave of rich-white-lady homemakers. It's clear she's feeling threatened: she's \u003ca href=\"http://www.huffingtonpost.com/2014/10/13/martha-stewart-gwyneth-paltrow_n_5966142.html\">talked some sh*t\u003c/a> about \u003ca href=\"http://ww2.kqed.org/pop/2016/05/06/deep-breaths-a-dispatch-from-the-gwyneth-paltrow-industrial-complex/\" target=\"_blank\">Goop's Gwyneth Paltrow\u003c/a> several times, when she would be much better off trying to collaborate with her.\u003c/p>\n\u003cp>To make matters worse, Martha is having difficulty keeping up her down-with-the-kids image -- which is not surprising when that's not, naturally, who she's ever really been. Stewart's recent \u003ca href=\"http://nymag.com/thecut/2016/07/martha-stewart-millennials-tomato-plant.html\">outburst about millennials\u003c/a>, in which she labeled an entire generation lazy and stupid doesn't exactly endear her to a younger audience. It's really hard to like someone, even ironically, when they've just said about you: \"They don’t know anything… They know how to make money and how to develop software, but they don’t know how to plant a tree.\"\u003c/p>\n\u003cp>In the end, Martha Stewart needs this TV show more than Snoop does, because she desperately needs people to like her more right now -- something Snoop's never really had a problem with. Stewart needs to show the world she still has something to offer, and if Snoop's by her side, she knows people will tune in for the odd couple act. Snoop's laid-back presence is just about the only thing on Earth that genuinely makes Martha Stewart seem not so uptight.\u003c/p>\n\u003cp>In the end, this might be a good show. It might be a funny show. But Snoop and Martha (and their writers) should keep in mind that it's hard to keep a single joke going for an entire season of anything, and make plans accordingly. Snoop has the ability to move onto the next thing and be just fine; he's the personification of going with the flow. Stewart's proven herself to be a survivor before, but she's scraping at the bottom of something for laughs here, and instinct says you don't bounce back quite so easily from failed self-parody.\u003c/p>\n\u003cp>Are we not giving her enough credit? Is Martha suddenly going to seem down-to-earth in a cool, street-smart, yet not desperate way? It'd be lovely to be surprised -- but either way, joke's on us: We'll just have to tune in this fall to find out.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In September 1993, the rapper then-known as Snoop Doggy Dogg was in the middle of what would prove to be the most fraught and controversial month of his entire career. He'd been \u003ca href=\"http://articles.latimes.com/1993-09-04/local/me-31460_1_rap-singer-snoop-doggy-dogg\">charged with murder\u003c/a>, and only turned himself in to the cops after he'd had the chance to award the Best R&B Video moonman to En Vogue at that year's VMAs.\u003c/p>\n\u003cp>Snoop was still up-and-coming at the time and to miss that prominent MTV spotlight, alongside his friend Dr. Dre, would've cost him some serious prime-time exposure. Legend has it, he drove to the police station to hand himself in directly from the award show.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-hIjgofcuWU'\n title='//www.youtube.com/embed/-hIjgofcuWU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Meanwhile, on the other side of the country, a tightly wound white lady by the name of Martha Stewart also found her public profile expanding. September 1993 was when her first TV show (named after her then-quarterly magazine) launched; little did she know that \u003ca href=\"http://www.tv.com/shows/martha-stewart-living/\">\u003cem>Martha Stewart Living\u003c/em>\u003c/a> was just the start of a multi-million dollar empire.\u003c/p>\n\u003cp>In the mid-1990s, the idea that Snoop and Martha would ever so much as be in the same room as each other was utterly laughable. Around the same time that a UK newspaper was splashing Snoop's mug next to the headline \"\u003ca href=\"http://cdn-03.independent.ie/incoming/article31254782.ece/f34fe/AUTOCROP/w620/Dg%20daily%20star.jpg\">KICK THIS EVIL BASTARD OUT!\u003c/a>\", Martha Stewart was puttering about in wood-paneled rooms, talking to a national audience of homemakers about \u003ca href=\"http://a%20national%20audience%20of%20homemakers.\">table centerpieces\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But here we are, two decades later, and the news that Martha and Snoop have just been hired by VH1 to host a cooking show together (titled \u003cem>\u003ca href=\"http://variety.com/2016/tv/news/martha-stewart-snoop-dogg-vh1-dinner-party-1201832529/\">Martha & Snoop’s Dinner Party\u003c/a>\u003c/em>) doesn't actually seem completely insane. Which is, in and of itself, kind of insane. Maybe the world might look at these two very different humans, making this probably-comedic show together, and take it as an example of how success levels the social and cultural playing field ... but there's also something about \u003cem>Martha & Snoop's Dinner Party\u003c/em> that's a little depressing.\u003c/p>\n\u003cp>After her arrest, 2004 conviction for insider trading, and subsequent prison sentence, Stewart had to shift some major gears before she could make her return to the public eye a successful one. Given that most of the people who liked her brand pre-jail-time declared her career over as soon as she was convicted, Stewart did the smartest thing she could: Post-release, she started juxtaposing her squeaky clean WASP image of old with a very palpable edge.\u003c/p>\n\u003cp>Snoop is not the kind of guest Martha Stewart could invite onto her show before she'd done some time, but a 2008 clip in which Snoop goes rogue on Martha as she's showing him how to make the most fattening mashed potatoes in the world remains a YouTube favorite. By the time the two got back together in 2015, under the guise of making Christmas brownies, the double act was almost entirely centered around \u003ca href=\"https://www.youtube.com/watch?v=pubH1prBf84\">weed jokes\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-Ocre0kXgvg'\n title='//www.youtube.com/embed/-Ocre0kXgvg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Last year also saw Stewart resorting to joining in on Comedy Central's \u003ca href=\"https://www.youtube.com/watch?v=9V3PhXNNMGg\">roast of Justin Bieber\u003c/a>, even though her presence there made absolutely no sense whatsoever. \"Look!\" the joke seemed to be, \"Martha Stewart says mean things too! What a crazy badass!\"\u003c/p>\n\u003cp>Snoop has, of course, also adapted and changed over the last 20 years, but it feels altogether more organic. The biggest shift for the rapper came 10 years into his career, when he was finally permitted to show the world that he had an endearingly dorky, highly self-aware sense of humor. This came in the form of MTV's\u003cem> \u003ca href=\"https://www.youtube.com/watch?v=lSjf2M8xSIU\">Doggy Fizzle Televizzle\u003c/a>\u003c/em> in 2002 -- the first time he realized that people liked it when he put himself next to non-\"hood\" things and carried on being Snoop. (The first episode of \u003cem>Televizzle\u003c/em> put him in a bus full of senior citizens and gave him a microphone.)\u003c/p>\n\u003cp>Snoop's non-music profile peaked with the role of Huggy Bear in 2004's \u003ca href=\"https://en.wikipedia.org/wiki/Starsky_%26_Hutch_(film)\">\u003cem>Starsky & Hutch\u003c/em> \u003c/a>remake -- a role that was probably supposed to be amusing because pre-fame Snoop literally \u003ca href=\"http://www.rollingstone.com/music/news/snoop-lion-opens-up-about-his-pimp-past-20130508\">worked as a pimp.\u003c/a> (\u003cem>Hilarious\u003c/em>, obviously.) Even with that in mind, he was still one of the best things in the movie.\u003c/p>\n\u003cp>Since then, Snoop's done everything from \u003ca href=\"https://www.youtube.com/watch?v=Kgjy-k5mOqA\">GPS voiceover\u003c/a> work to a \u003ca href=\"https://www.youtube.com/channel/UC-OO324clObi3H-U0bP77dw\">GGN radio\u003c/a> show to inventing a new reggae-based persona for himself named \u003ca href=\"https://www.youtube.com/watch?v=-MI3CKL4NMI\">Snoop Lion\u003c/a>. One gets the impression that Snoop has a hard time saying no to anything; that if something looks like it might be fun for him to do, and that he might make some money out of it, that's an automatic yes. His brand is far from delicate.\u003c/p>\n\u003cp>Martha Stewart's reasoning for signing on to a cooking show co-hosted by Snoop Dogg looks considerably more contrived. Stewart's whole brand has been under siege for a few years now, thanks to new competition from high-end companies started by a new wave of rich-white-lady homemakers. It's clear she's feeling threatened: she's \u003ca href=\"http://www.huffingtonpost.com/2014/10/13/martha-stewart-gwyneth-paltrow_n_5966142.html\">talked some sh*t\u003c/a> about \u003ca href=\"http://ww2.kqed.org/pop/2016/05/06/deep-breaths-a-dispatch-from-the-gwyneth-paltrow-industrial-complex/\" target=\"_blank\">Goop's Gwyneth Paltrow\u003c/a> several times, when she would be much better off trying to collaborate with her.\u003c/p>\n\u003cp>To make matters worse, Martha is having difficulty keeping up her down-with-the-kids image -- which is not surprising when that's not, naturally, who she's ever really been. Stewart's recent \u003ca href=\"http://nymag.com/thecut/2016/07/martha-stewart-millennials-tomato-plant.html\">outburst about millennials\u003c/a>, in which she labeled an entire generation lazy and stupid doesn't exactly endear her to a younger audience. It's really hard to like someone, even ironically, when they've just said about you: \"They don’t know anything… They know how to make money and how to develop software, but they don’t know how to plant a tree.\"\u003c/p>\n\u003cp>In the end, Martha Stewart needs this TV show more than Snoop does, because she desperately needs people to like her more right now -- something Snoop's never really had a problem with. Stewart needs to show the world she still has something to offer, and if Snoop's by her side, she knows people will tune in for the odd couple act. Snoop's laid-back presence is just about the only thing on Earth that genuinely makes Martha Stewart seem not so uptight.\u003c/p>\n\u003cp>In the end, this might be a good show. It might be a funny show. But Snoop and Martha (and their writers) should keep in mind that it's hard to keep a single joke going for an entire season of anything, and make plans accordingly. Snoop has the ability to move onto the next thing and be just fine; he's the personification of going with the flow. Stewart's proven herself to be a survivor before, but she's scraping at the bottom of something for laughs here, and instinct says you don't bounce back quite so easily from failed self-parody.\u003c/p>\n\u003cp>Are we not giving her enough credit? Is Martha suddenly going to seem down-to-earth in a cool, street-smart, yet not desperate way? It'd be lovely to be surprised -- but either way, joke's on us: We'll just have to tune in this fall to find out.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sesame Workshop has apologized for what it calls “misunderstandings around the changing cast roles at \u003cem>Sesame Street\u003c/em>.”\u003c/p>\n\u003cp>A statement issued Tuesday by Sesame Workshop CEO Jeffrey D. Dunn attempted to clarify the status of three veteran actors on the long-running children’s series: Emilio Delgado, who plays Luis the handyman; Roscoe Orman, who has played original character Gordon since 1974; and Bob McGrath, who was part of the original cast in 1969.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Last week, a public uproar erupted from McGrath’s assertion that he and his co-stars had been fired months before.\u003c/p>\n\u003cp>The children’s show said that McGrath and Delgado last performed in episodes taped in 2013. Orman has filmed new appearances for the current season of the show, which, beginning this year, is airing on HBO as well as on PBS.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Dunn said that in 2014 the producers informed all the cast members that demands on them would be reduced in keeping with the series’ new half-hour format. However, “the door was left open for all actors to continue to appear” based on future story lines.\u003c/p>\n\u003cp>But Dunn acknowledged that producers could have done a better job of communicating future episode plans with the three stars in question.\u003c/p>\n\u003cp>He said he expected to meet with each of them to discuss “how we best adapt their talents to the current content needs and preschool media landscape, in a way that honors their historic contributions.”\u003c/p>\n\u003cp>In a statement, Orman confirmed that such a meeting is set for September.\u003c/p>\n\u003cp>“Hopefully, this will result in upcoming productions,” said Orman, who added he would share the results of that meeting with his fans.\u003c/p>\n\u003cp>A representative for Delgado referred The Associated Press to Sesame Workshop. McGrath could not be immediately reached for comment.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Starz network has found an avid audience targeting what its boss regards as “underserved” viewers like women and African-Americans with high-quality series.\u003c/p>\n\u003cp>But much to Chris Albrecht’s exasperation, Emmy doesn’t notice.\u003c/p>\n\u003cp>“I was part of the team that invented how to campaign for Emmy awards,” the Starz CEO told TV writers Monday at the Television Critics Association meeting. “Trust me, it’s not a level playing field. I spent years inside the TV Academy, working it. It took a lot of money, and there’s a certain momentum that goes along with that.”\u003c/p>\n\u003cp>Starz, which has won audiences and critical acclaim for such series as \u003cem>Outlander\u003c/em>, \u003cem>Power\u003c/em> and \u003cem>Ash vs. Evil Dead\u003c/em>, routinely gets the cold shoulder from the Television Academy.\u003c/p>\n\u003cp>It is happening again this year. Starz’ only 2016 Emmy nods amount to four technical nominations.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We couldn’t be more proud of the work that is being done by the people on these shows,” said Albrecht. “They are award-worthy. Whether it’s an Emmy award or not is not the point.”\u003c/p>\n\u003cp>Albrecht thinks it’s the Television Academy that’s missing the point, failing to recognize what he called “an unprecedented time in our industry” with an explosion of deserving programs and mushrooming numbers of channels.\u003c/p>\n\u003cp>The Academy, he said, “should be finding a way to platform the diversity, to have something that reflects this expansion, and not have what is continually, by these sheer numbers, something that ends up with a longer list of losers and the same number of winners.\u003c/p>\n\u003cp>“I don’t worry about that,” he insisted. “I know my staff worries about it. I know the people who work on these shows like to see their names included with the names of their peers (at award time).”\u003c/p>\n\u003cp>And sooner or later, there will be a Starz show that breaks through and scores Emmy love, Albrecht predicted. “You won’t know which one it is, and all of a sudden it will be the one.”\u003c/p>\n\u003cp>But there won’t be a better reason for that show’s reception than there would have been for \u003cem>Outlander\u003c/em> or \u003cem>Power\u003c/em> or \u003cem>Survivor’s Remorse\u003c/em>, he declared: “It’ll just be a reason.\u003c/p>\n\u003cp>“This is all, this is all,” he summed up haltingly, trying to find an acceptable way to sum up how he sees Emmy’s snubs — “silly.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Starz network has found an avid audience targeting what its boss regards as “underserved” viewers like women and African-Americans with high-quality series.\u003c/p>\n\u003cp>But much to Chris Albrecht’s exasperation, Emmy doesn’t notice.\u003c/p>\n\u003cp>“I was part of the team that invented how to campaign for Emmy awards,” the Starz CEO told TV writers Monday at the Television Critics Association meeting. “Trust me, it’s not a level playing field. I spent years inside the TV Academy, working it. It took a lot of money, and there’s a certain momentum that goes along with that.”\u003c/p>\n\u003cp>Starz, which has won audiences and critical acclaim for such series as \u003cem>Outlander\u003c/em>, \u003cem>Power\u003c/em> and \u003cem>Ash vs. Evil Dead\u003c/em>, routinely gets the cold shoulder from the Television Academy.\u003c/p>\n\u003cp>It is happening again this year. Starz’ only 2016 Emmy nods amount to four technical nominations.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We couldn’t be more proud of the work that is being done by the people on these shows,” said Albrecht. “They are award-worthy. Whether it’s an Emmy award or not is not the point.”\u003c/p>\n\u003cp>Albrecht thinks it’s the Television Academy that’s missing the point, failing to recognize what he called “an unprecedented time in our industry” with an explosion of deserving programs and mushrooming numbers of channels.\u003c/p>\n\u003cp>The Academy, he said, “should be finding a way to platform the diversity, to have something that reflects this expansion, and not have what is continually, by these sheer numbers, something that ends up with a longer list of losers and the same number of winners.\u003c/p>\n\u003cp>“I don’t worry about that,” he insisted. “I know my staff worries about it. I know the people who work on these shows like to see their names included with the names of their peers (at award time).”\u003c/p>\n\u003cp>And sooner or later, there will be a Starz show that breaks through and scores Emmy love, Albrecht predicted. “You won’t know which one it is, and all of a sudden it will be the one.”\u003c/p>\n\u003cp>But there won’t be a better reason for that show’s reception than there would have been for \u003cem>Outlander\u003c/em> or \u003cem>Power\u003c/em> or \u003cem>Survivor’s Remorse\u003c/em>, he declared: “It’ll just be a reason.\u003c/p>\n\u003cp>“This is all, this is all,” he summed up haltingly, trying to find an acceptable way to sum up how he sees Emmy’s snubs — “silly.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp style=\"color: #000000\">Largely responsible for the explosion of bold American television in the 1970s, writer/producer Norman Lear’s name is synonymous with the sitcom. With unprecedented access to Lear, his work and his massive personal archives, \u003ca href=\"http://www.pbs.org/wnet/americanmasters/blog/theatrical-release-of-norman-lear-just-another-version-of-you/\">\u003cstrong>\u003cem>American Masters – Norman Lear: Just Another Version of You\u003c/em>\u003c/strong> \u003c/a>combines stories from his turbulent childhood and early career with his groundbreaking TV success (\u003cem>All in the Family\u003c/em>, \u003cem>The Jeffersons\u003c/em>, \u003cem>Good Times\u003c/em>, \u003cem>Maude\u003c/em>) and social activism. The documentary also features colorful stories from Lear’s family, friends and collaborators, including John Amos, Mel Brooks, George Clooney, Alan Horn, Bill Moyers, Carl Reiner, Rob Reiner and Russell Simmons. Academy Award-nominated filmmakers Heidi Ewing and Rachel Grady show how a poor Jewish kid from Connecticut became one of TV’s most successful producers. Bringing provocative subjects like war, poverty, and prejudice into 120 million homes every week, Lear proved that social change was possible through an unlikely prism – laughter – and created some of the greatest moments in television history.\u003cstrong> Interested in seeing the film? We've partnered with \u003ca href=\"http://www.wnet.org/\" target=\"_blank\">WNET\u003c/a> to give away five pairs of tickets to the theatrical release at San Francisco's Opera Plaza Cinema and Berkeley Shattuck Cinema. \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>To be in with a chance of winning them, just send an email to \u003ca style=\"color: #114999\" href=\"mailto:giveaway@kqed.org\">giveaway@kqed.org\u003c/a> with the subject \"NORMAN\" that contains your full name and the date and venue of your choice.\u003c/strong>\u003c/p>\n\u003cp style=\"color: #000000\">From all entries we'll randomly select five winners for a pair of tickets (worth up to $20 per pair.) \u003cstrong>Deadline to enter is Wednesday, August 3 at 11:59 pm.\u003c/strong> Winners will be notified and receive passes via e-mail on Thursday. You must be a California resident and 18 years or older to participate. Employees of KQED are not eligible to enter.\u003c/p>\n\u003cp style=\"color: #000000\">\u003cstrong>\u003cem>\u003ca style=\"color: #114999\" href=\"https://www.landmarktheatres.com/san-francisco/opera-plaza-cinema/film-info/norman-lear-just-another-version-of-you\" target=\"_blank\">Opera Plaza Cinema: American Masters – Norman Lear: Just Another Version of You\u003cbr>\n\u003c/a>\u003c/em>\u003c/strong>Monday, August 8\u003cbr>\nTuesday, August 9\u003cbr>\nWednesday, August 10\u003cbr>\nThursday, August 11\u003cbr>\n\u003ca href=\"https://www.landmarktheatres.com/san-francisco/opera-plaza-cinema/film-info/norman-lear-just-another-version-of-you\" target=\"_blank\">601 Van Ness Avenue, San Francisco, CA 94102\u003c/a>\u003c/p>\n\u003cp style=\"color: #000000\">\u003cstrong>\u003cem>\u003ca style=\"color: #114999\" href=\"https://www.landmarktheatres.com/san-francisco-east-bay/shattuck-cinemas/film-info/norman-lear-just-another-version-of-you\" target=\"_blank\">Berkeley Shattuck Cinema: \u003c/a>\u003cbr>\n\u003ca style=\"color: #114999\" href=\"https://www.landmarktheatres.com/san-francisco-east-bay/shattuck-cinemas/info\" target=\"_blank\">American Masters – Norman Lear: Just Another Version of You \u003c/a>\u003c/em>\u003c/strong>\u003cbr>\nMonday, August 8\u003cbr>\nTuesday, August 9\u003cbr>\nWednesday, August 10\u003cbr>\nThursday, August 11\u003cbr>\n\u003ca href=\"https://www.landmarktheatres.com/san-francisco-east-bay/shattuck-cinemas/info\">2230 Shattuck Avenue, Berkeley, CA, 94704\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp style=\"color: #000000\">Be sure to tune into \u003ca href=\"http://video.kqed.org/show/american-masters/\" target=\"_blank\">\u003cem>American Masters\u003c/em>\u003c/a> online and on \u003ca href=\"http://=\" target=\"_blank\">KQED9\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp style=\"color: #000000\">Largely responsible for the explosion of bold American television in the 1970s, writer/producer Norman Lear’s name is synonymous with the sitcom. With unprecedented access to Lear, his work and his massive personal archives, \u003ca href=\"http://www.pbs.org/wnet/americanmasters/blog/theatrical-release-of-norman-lear-just-another-version-of-you/\">\u003cstrong>\u003cem>American Masters – Norman Lear: Just Another Version of You\u003c/em>\u003c/strong> \u003c/a>combines stories from his turbulent childhood and early career with his groundbreaking TV success (\u003cem>All in the Family\u003c/em>, \u003cem>The Jeffersons\u003c/em>, \u003cem>Good Times\u003c/em>, \u003cem>Maude\u003c/em>) and social activism. The documentary also features colorful stories from Lear’s family, friends and collaborators, including John Amos, Mel Brooks, George Clooney, Alan Horn, Bill Moyers, Carl Reiner, Rob Reiner and Russell Simmons. Academy Award-nominated filmmakers Heidi Ewing and Rachel Grady show how a poor Jewish kid from Connecticut became one of TV’s most successful producers. Bringing provocative subjects like war, poverty, and prejudice into 120 million homes every week, Lear proved that social change was possible through an unlikely prism – laughter – and created some of the greatest moments in television history.\u003cstrong> Interested in seeing the film? We've partnered with \u003ca href=\"http://www.wnet.org/\" target=\"_blank\">WNET\u003c/a> to give away five pairs of tickets to the theatrical release at San Francisco's Opera Plaza Cinema and Berkeley Shattuck Cinema. \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>To be in with a chance of winning them, just send an email to \u003ca style=\"color: #114999\" href=\"mailto:giveaway@kqed.org\">giveaway@kqed.org\u003c/a> with the subject \"NORMAN\" that contains your full name and the date and venue of your choice.\u003c/strong>\u003c/p>\n\u003cp style=\"color: #000000\">From all entries we'll randomly select five winners for a pair of tickets (worth up to $20 per pair.) \u003cstrong>Deadline to enter is Wednesday, August 3 at 11:59 pm.\u003c/strong> Winners will be notified and receive passes via e-mail on Thursday. You must be a California resident and 18 years or older to participate. Employees of KQED are not eligible to enter.\u003c/p>\n\u003cp style=\"color: #000000\">\u003cstrong>\u003cem>\u003ca style=\"color: #114999\" href=\"https://www.landmarktheatres.com/san-francisco/opera-plaza-cinema/film-info/norman-lear-just-another-version-of-you\" target=\"_blank\">Opera Plaza Cinema: American Masters – Norman Lear: Just Another Version of You\u003cbr>\n\u003c/a>\u003c/em>\u003c/strong>Monday, August 8\u003cbr>\nTuesday, August 9\u003cbr>\nWednesday, August 10\u003cbr>\nThursday, August 11\u003cbr>\n\u003ca href=\"https://www.landmarktheatres.com/san-francisco/opera-plaza-cinema/film-info/norman-lear-just-another-version-of-you\" target=\"_blank\">601 Van Ness Avenue, San Francisco, CA 94102\u003c/a>\u003c/p>\n\u003cp style=\"color: #000000\">\u003cstrong>\u003cem>\u003ca style=\"color: #114999\" href=\"https://www.landmarktheatres.com/san-francisco-east-bay/shattuck-cinemas/film-info/norman-lear-just-another-version-of-you\" target=\"_blank\">Berkeley Shattuck Cinema: \u003c/a>\u003cbr>\n\u003ca style=\"color: #114999\" href=\"https://www.landmarktheatres.com/san-francisco-east-bay/shattuck-cinemas/info\" target=\"_blank\">American Masters – Norman Lear: Just Another Version of You \u003c/a>\u003c/em>\u003c/strong>\u003cbr>\nMonday, August 8\u003cbr>\nTuesday, August 9\u003cbr>\nWednesday, August 10\u003cbr>\nThursday, August 11\u003cbr>\n\u003ca href=\"https://www.landmarktheatres.com/san-francisco-east-bay/shattuck-cinemas/info\">2230 Shattuck Avenue, Berkeley, CA, 94704\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>One of the senior cast members of \u003ci>Sesame Street\u003c/i> who was recently cut from the beloved kids’ television series announced on social media Friday that the show’s producers are looking into bringing him and two other actors back.\u003c/p>\n\u003cp>[contextly_sidebar id=”0ukpjWKtaI6oGphK7V6uvw0r6RN9535R”]\u003c/p>\n\u003cp>Roscoe Orman, who has played the character Gordon on the show since 1974, made the announcement on Facebook, which was shared by fellow cast member Emilio Delgado (who played Luis):\u003c/p>\n\u003cp>https://www.facebook.com/emilio.delgado.5851/posts/10206628612698115\u003c/p>\n\u003cp>Sesame Workshop, which produces \u003ci>Sesame Street,\u003c/i> reached out to Orman, Delgado and original cast member Bob McGrath (who played the role of Bob) after \u003ca href=\"http://muppetcast.com/news/sesame-street-releases-bob-mcgrath/\" target=\"_blank\" rel=\"noopener\">\u003cem>The Muppetcast\u003c/em>\u003c/a> reported Wednesday that they had been \u003ca href=\"http://ww2.kqed.org/arts/2016/07/27/sesame-street-lets-go-longtime-cast-members-bob-gordon-and-luis/\" target=\"_blank\" rel=\"noopener\">released from their contracts earlier this year\u003c/a>. The story lead to an outcry from thousands of longtime viewers, resulting in this statement being released by Sesame Workshop Thursday:\u003c/p>\n\u003cblockquote>\u003cp>Bob McGrath, Emilio Delgado (“Luis”) and Roscoe Orman (“Gordon”) remain a beloved part of the Sesame family and continue to represent us at public events. To us, and for millions of people worldwide, they are a treasured part of \u003cem>Sesame Street\u003c/em>. Since the show began, we are constantly evolving our content and curriculum, and hence, our characters, to meet the educational needs of children. As a result of this, our cast has changed over the years, though you can still expect to see many of them in upcoming productions. As we’ve stated previously, Sesame Workshop retains sole creative control over the show. HBO does not oversee the production.\u003c/p>\u003c/blockquote>\n\u003cp>Many critics blamed Sesame Workshop’s deal with HBO for cutting the veteran members, as it coincided with a \u003ca href=\"http://www.pressherald.com/2016/01/12/for-hbo-sesame-street-retooled-to-attract-tech-saturated-kids/\" target=\"_blank\" rel=\"noopener\">major re-tooling of the show\u003c/a>. As a result of the deal, the show was shortened from an hour to 30 minutes, and its content started to focus on teaching more socially-applicable skills to children such as “self-regulation” and “executive function.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Follow this story as it will be updated as KQED learns more details.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>One of the senior cast members of \u003ci>Sesame Street\u003c/i> who was recently cut from the beloved kids’ television series announced on social media Friday that the show’s producers are looking into bringing him and two other actors back.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Roscoe Orman, who has played the character Gordon on the show since 1974, made the announcement on Facebook, which was shared by fellow cast member Emilio Delgado (who played Luis):\u003c/p>\n\u003cp>https://www.facebook.com/emilio.delgado.5851/posts/10206628612698115\u003c/p>\n\u003cp>Sesame Workshop, which produces \u003ci>Sesame Street,\u003c/i> reached out to Orman, Delgado and original cast member Bob McGrath (who played the role of Bob) after \u003ca href=\"http://muppetcast.com/news/sesame-street-releases-bob-mcgrath/\" target=\"_blank\" rel=\"noopener\">\u003cem>The Muppetcast\u003c/em>\u003c/a> reported Wednesday that they had been \u003ca href=\"http://ww2.kqed.org/arts/2016/07/27/sesame-street-lets-go-longtime-cast-members-bob-gordon-and-luis/\" target=\"_blank\" rel=\"noopener\">released from their contracts earlier this year\u003c/a>. The story lead to an outcry from thousands of longtime viewers, resulting in this statement being released by Sesame Workshop Thursday:\u003c/p>\n\u003cblockquote>\u003cp>Bob McGrath, Emilio Delgado (“Luis”) and Roscoe Orman (“Gordon”) remain a beloved part of the Sesame family and continue to represent us at public events. To us, and for millions of people worldwide, they are a treasured part of \u003cem>Sesame Street\u003c/em>. Since the show began, we are constantly evolving our content and curriculum, and hence, our characters, to meet the educational needs of children. As a result of this, our cast has changed over the years, though you can still expect to see many of them in upcoming productions. As we’ve stated previously, Sesame Workshop retains sole creative control over the show. HBO does not oversee the production.\u003c/p>\u003c/blockquote>\n\u003cp>Many critics blamed Sesame Workshop’s deal with HBO for cutting the veteran members, as it coincided with a \u003ca href=\"http://www.pressherald.com/2016/01/12/for-hbo-sesame-street-retooled-to-attract-tech-saturated-kids/\" target=\"_blank\" rel=\"noopener\">major re-tooling of the show\u003c/a>. As a result of the deal, the show was shortened from an hour to 30 minutes, and its content started to focus on teaching more socially-applicable skills to children such as “self-regulation” and “executive function.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>[contextly_sidebar id=\"2qJpPEBN08oPJiLPgU3FkgiJBW3mhuZY\"]This week, Hillary Clinton officially became the first woman to be nominated for the Presidency by a major party. This is a big deal to most Americans today. But what of the women back in 1776? What would they think of this historic moment?\u003c/p>\n\u003cp>Colonial women Abatha Whitmore and Josephine Hindley inhabited the bodies of\u003cem> Broad City\u003c/em> stars Abbi Jacobson and Ilana Glazer to express their delight that a woman was able to break that glass ceiling in the year 1816:\u003c/p>\n\u003cp>\"Well, butter my bonnet! That is incredible! I'm going to celebrate by making a meal for my husband and then cleaning it up immediately.\"\u003c/p>\n\u003cp>\"You hear that, Ben Franklin? Women are on top! And not just your French whores!\"\u003c/p>\n\u003cp>Stephen Colbert clarifies that it actually takes 240 years, not 40.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"What the butter is wrong with you people?!?! Why did it take so long? It's right there in the Declaration of Independence: \u003cem>All men are created..\u003c/em>. Oh.\"\u003c/p>\n\u003cp>Disappointing, to say the least, but nothing mercury shots and twerking to the harpsichord can't fix:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=KT1SesX892Q\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>This week, Hillary Clinton officially became the first woman to be nominated for the Presidency by a major party. This is a big deal to most Americans today. But what of the women back in 1776? What would they think of this historic moment?\u003c/p>\n\u003cp>Colonial women Abatha Whitmore and Josephine Hindley inhabited the bodies of\u003cem> Broad City\u003c/em> stars Abbi Jacobson and Ilana Glazer to express their delight that a woman was able to break that glass ceiling in the year 1816:\u003c/p>\n\u003cp>\"Well, butter my bonnet! That is incredible! I'm going to celebrate by making a meal for my husband and then cleaning it up immediately.\"\u003c/p>\n\u003cp>\"You hear that, Ben Franklin? Women are on top! And not just your French whores!\"\u003c/p>\n\u003cp>Stephen Colbert clarifies that it actually takes 240 years, not 40.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "You're An Idiot, Steve Harrington: 'Stranger Things' and a Field Guide To Classic '80s Jerkwads",
"title": "You're An Idiot, Steve Harrington: 'Stranger Things' and a Field Guide To Classic '80s Jerkwads",
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"content": "\u003cp>\u003cem>\u003cstrong>[Warning: Spoilers ahead!]\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>I assume that like most streaming TV fiends, you’ve devoured the entire season of\u003cem> Stranger Things\u003c/em>, Netflix’s addictive new Winona Ryder-starring thriller that craftily references the big sci-fi, horror, teen romance, and paranormal movies of the ‘80s.\u003c/p>\n\u003cp>I’m also going to assume that, like \u003ca href=\"https://twitter.com/search?q=%20%23strangerthings%20steve&src=typd\" target=\"_blank\">most of Twitter\u003c/a> and all of my heart, you hate the Steve Harrington character. Because we’ve always hated ‘80s Steve-holes.\u003c/p>\n\u003cp>As the souffle-haired, BMW 733i-driving, Nancy-charming asshole who possesses a Trump-sized empathy streak for sensitive weirdos, Steve was supposed to follow the ‘80s arc of dying a miserable death — or at least not getting the girl in the end while cuddled up next to her in a f*cking reindeer sweater at Christmastime. Earning the heart of the smart female protagonist is a resolution that for years has been reserved for the sensitive guy bullied by the high school elite, not the smug preppy dude with a backyard pool. (Not to mention a guy who, \u003ca href=\"https://twitter.com/eastwes/status/756616898461179904\" target=\"_blank\">as one astute Twitter commenter noted\u003c/a>, is coiffed to look like “all of Crowded House combined in one face.”)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-31674\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/giphy.gif\" alt=\"steve\" width=\"480\" height=\"239\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>We wanted the phlegm-flower monster to serve Steve a bloody eel sandwich so Nancy could cuddle with Jonathan. Steve’s demise is our expected reward after watching him heartily pressure Nancy to appease so many early-in-the-\u003cem>Stranger Things\u003c/em>-season boners and then go on to break Jonathan’s camera.\u003c/p>\n\u003cp>So why does Steve escape death while the \u003ca href=\"https://theringer.com/everyone-needs-a-friend-like-barb-a91b9937ba64?gi=dd2cf1e989bf\" target=\"_blank\">internet-beloved Barb \u003c/a>gets stuffed into an Upside Down coffin? The simple answer is the actor who plays Steve helped the character get a pass.\u003c/p>\n\u003cp>In an \u003ca href=\"http://variety.com/2016/tv/news/stranger-things-finale-duffer-brothers-interview-season-2-1201816664/\" target=\"_blank\">interview with \u003cem>Variety\u003c/em>\u003c/a>, \u003cem>Stranger Things\u003c/em> showrunners the Duffer Brothers said Steve, who in the original pilot is “the biggest douchebag on the planet,” wasn’t supposed to be Nancy’s snuggle buddy in the end.\u003c/p>\n\u003cp>“A lot of credit goes to Joe Keery [who plays Steve], because he was much more likable and charming than we originally had envisioned,” said Ross Duffer. “Joe was so good we started to fall in love with the idea that he has an arc himself.” Nancy helped make Steve a slightly better person by the end. Dammit.\u003c/p>\n\u003cp>Matt Duffer added that in the typical movie world trajectory, Nancy (Natalia Dyer) would end up with the “nicer kinder gentler” guy Jonathan (Charlie Heaton). “But it felt almost more real to us that she would wind up back with Steve,” he said, “this heartthrob who she’s had a crush on for a long time. It’s surprising, but it felt more honest.”\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-31676\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/stranger-things.1.1.2566000.65.gif\" alt=\"stranger-things.1.1.2566000.65\" width=\"500\" height=\"250\">\u003c/p>\n\u003cp>If you run the \u003cem>Stranger Things\u003c/em> tape backwards you can — almost — see how Steve could come out on top. After all, he erases the Nancy slut-shaming graffiti (that he helped write!) and he fights the bad monster. He worked hard to change, and Jonathan \u003cem>was\u003c/em> being a creeper by taking those photos of Nancy stripping in the first place, so maybe Jonathan deserved to lose those photo privileges. But ‘80s movie history has hardwired \u003cem>Stranger Things\u003c/em> fans to loathe Steve nonetheless.\u003c/p>\n\u003cp>Why can’t we forgive Steve just because he hit the monster with a nail bat? Because there’ve been too many Steve-holes before him. Our movie history —and an election cycle with another bratty, souffle-haired bully — has taught us that elitist dickwads rarely become good guys by the end.\u003c/p>\n\u003cp>As proof of this bias, I hereby give you a brief history of the ‘80s high school jerks who paved the way for our hatred of \u003cem>Stranger Things\u003c/em>’ Steve.\u003c/p>\n\u003cp>\u003cstrong>Steff in \u003cem>Pretty in Pink\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=35tfXSINbCQ\u003c/p>\n\u003cp>In the ‘80s, James Spader was the classic affluent douchebag fans loved to hate (and perhaps secretly crush out on). It all started with his breakout role as Steff in \u003cem>Pretty in Pink\u003c/em> — a movie where he calls Molly Ringwald’s artsy Andie a bitch, a mutant, trash, and “low-grade ass.” Steff is the perfect foil to blinky-eyed Blane (Andrew McCarthy), whose dick is caught in the typical ‘80s class divide (see also: Spader in \u003cem>Tuff Turf\u003c/em>) between what’s expected of him and what he really wants. Unlike Steve in \u003cem>Stranger Things\u003c/em>, Steff never redeems himself — he gets tackled by Andie’s BFF Duckie in the end.\u003c/p>\n\u003cp>Steff paved the way for Spader to graduate from high school prick to college-aged (but definitely not in college) drug dealer prick, Rip, in \u003cem>Less Than Zero\u003c/em>. Side note: Is it just me or did Spader seem to spend the ‘80s only acting in movies with either\u003ca href=\"https://www.youtube.com/watch?v=N6gpndlepiM\" target=\"_blank\"> McCarthy or with Robert Downey Jr.\u003c/a>?)\u003c/p>\n\u003cp>\u003cstrong>All of William Zabka’s characters in the ‘80s asshole trilogy\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Qco4RGHhJGo\u003c/p>\n\u003cp>Along with James Spader, William Zabka was the other recognizable blonde ‘80s asshole. He’s perhaps best remembered for playing Johnny in the \u003cem>Karate Kid\u003c/em> series (\u003cem>Karate Kid II\u003c/em> was brilliantly parodied, starring Zabka and most of the original cast, in \u003ca href=\"https://www.youtube.com/watch?v=olQ3vaiv47I\" target=\"_blank\">this music video\u003c/a> by the band No More Kings). But Zabka was a dick in \u003ca href=\"https://www.youtube.com/watch?v=o1egnKKkm54\" target=\"_blank\">\u003cem>Just One of the Guys\u003c/em> too\u003c/a>. He was righteously ridiculed in that one for being a table-tipper with a “small weenie,” among other things, before he aged into playing a college frat boy in \u003cem>Back to School\u003c/em>. In real life? Good dude! Last year \u003ca href=\"http://screencrush.com/billy-zabka-karate-kid-bully/\" target=\"_blank\">he came out against being an actual high school jerk during a talk he gave for Anti-Bullying Day\u003c/a>, in which he pointed to the fact that mean kids often come from broken homes.\u003c/p>\n\u003cp>\u003cstrong>Chet in \u003cem>Weird Science\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=mcUWG23hqvw\u003c/p>\n\u003cp>As the real “buttwad” in \u003cem>Weird Science\u003c/em>, older brother Chet (Bill Paxton) acted like the ultimate bro towards his younger brother Wyatt (IIan Michael-Smith) and his nerd pal Gary (Anthony Michael Hall). So it was very rewarding to watch the boys’ covergirl science experiment Lisa (Kelly LeBrock) turn Chet into a farting turd monster and hear Chet beg to get his human form (and dignity) back. (In comparison, \u003cem>Stranger Things'\u003c/em> Steve never had to beg for anything in his life — except sex!)\u003c/p>\n\u003cp>\u003cstrong>Roy Stalin in \u003cem>Better Off Dead\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gfyjFmJ6KVs\u003c/p>\n\u003cp>Given the choice between the captain of the high school ski team and a regular dude who sticks Q-tips up his nose, who’s gonna be the ‘80s villain? The leader of a rich person’s sport, of course — a dichotomy that played out in real life for the director of this movie. \u003cem>Better Off Dead\u003c/em> writer and \u003ca href=\"http://www.thesneeze.com/mt-archives/000134.php\" target=\"_blank\">director Savage Steve Holland\u003c/a> said his film, which starred John Cusack, was based on his own heartbreak. Holland’s old girlfriend apparently also left him for the ski team captain. Holland recreated his romantic rival in Roy Stalin, a classic prick who, it turns out, was also a classic prick in real life during the casting process! \u003ca href=\"http://mentalfloss.com/article/75810/13-better-facts-about-better-dead\" target=\"_blank\">\u003cem>Mental Floss\u003c/em> reported\u003c/a> that actor Aaron Dozier insulted Holland on the set, sealing the deal that he’d be the perfect asshole for the part.\u003c/p>\n\u003cp>\u003cstrong>Biff in \u003cem>Back to the Future\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=95_DB6GgLQs\u003c/p>\n\u003cp>Eighties antagonists often got monosyllabic names that you could spit out in a single breath: Steff. Chet. Roy. (Steve!). Add to this list Biff, a name that sounds like something a jock would grunt out while lifting weights. Biff is the beefy bro from the \u003cem>Back to the Future\u003c/em> series who makes Marty McFly feel like a “butthead” no matter which decade the two are contained within. If Thomas F. Wilson’s character seemed constructed after a certain Republican presidential candidate by \u003cem>Back to the Future II\u003c/em>, well, the man who wrote the movie, Bob Gale, \u003ca href=\"http://www.thedailybeast.com/articles/2015/10/21/how-back-to-the-future-predicted-trump.html\" target=\"_blank\">told the \u003cem>Daily Beast\u003c/em> last fall that Biff was indeed modeled after Donald Trump\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Archie in \u003cem>The Chocolate War\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ihXcPZ09_l4\u003c/p>\n\u003cp>Boxes of chocolates may seem like a silly instigator for a class war, but in this great 1988 drama, they’re the symbol of the intense pressure a small group of assholes can put on teen introverts to toe the status quo. Archie leads the secret society dick clique at a Catholic school where hawking chocolate boxes for a fundraiser is serious business. New kid Jerry’s disinterest in showing school spirit lands him in a world of hurt. Side note: Like \u003cem>Stranger Things\u003c/em>, \u003cem>The Chocolate War\u003c/em> gets bonus points for a killer ‘80s soundtrack, one that here includes Yaz, Kate Bush, and Peter Gabriel.\u003c/p>\n\u003cp>\u003cstrong> Hardy Jenns in\u003cem> Some Kind of Wonderful\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=YTds2jCQHKA\u003c/p>\n\u003cp>Although Keith Nelson (Eric Stoltz) and Hardy Jenns (Craig Sheffer) share a Steve-hole ‘do in \u003cem>Some Kind of Wonderful\u003c/em>, don’t be fooled by the feathering when discerning who’s the good guy here. Hardy is the rich one, so he’s obviously also gonna be the jerk. When Keith falls for Hardy’s ex Amanda, Hardy’s revenge plot involves kicking Keith’s butt at a house party — until some cool punk dudes help put a stop to that one. This love triangle starring Lea Thompson as Amanda and Mary Stuart Masterson as the teenage rocker Watts was less about overcoming bullies, though, and more about loving the drummer girl over the fluff chick.\u003c/p>\n\u003cp>\u003cem> Some Kind of Wonderful\u003c/em> was one of many ‘80s movies setting the tone that the coveted guy/girl would fall for the underdog girl/guy in the end — which is why we totally expected \u003cem>Stranger Things\u003c/em>’ Nancy to get with Jonathan at the end. But then, \u003cem>Stranger Things\u003c/em> is about both cleverly riffing on ‘80s cliches and subverting them at unexpected moments. We’ll also hopefully have \u003ca href=\"http://www.indiewire.com/2016/07/stranger-things-season-2-netflix-david-lynch-winona-ryder-1201710567/\" target=\"_blank\">a whole new season of the show \u003c/a>ahead of us -- during which time we can all root for Steve to finally meet the dismal fate the earlier Spader-Zapka generation of golden assholes would have him deserve.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "The Netflix hit 'Stranger Things' plays on -- then upends -- many cliches of the '80s. But when it comes to rich, popular and awful boyfriends, Steve can't escape his lineage. ",
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"description": "The Netflix hit 'Stranger Things' plays on -- then upends -- many cliches of the '80s. But when it comes to rich, popular and awful boyfriends, Steve can't escape his lineage. ",
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"headline": "You're An Idiot, Steve Harrington: 'Stranger Things' and a Field Guide To Classic '80s Jerkwads",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>[Warning: Spoilers ahead!]\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>I assume that like most streaming TV fiends, you’ve devoured the entire season of\u003cem> Stranger Things\u003c/em>, Netflix’s addictive new Winona Ryder-starring thriller that craftily references the big sci-fi, horror, teen romance, and paranormal movies of the ‘80s.\u003c/p>\n\u003cp>I’m also going to assume that, like \u003ca href=\"https://twitter.com/search?q=%20%23strangerthings%20steve&src=typd\" target=\"_blank\">most of Twitter\u003c/a> and all of my heart, you hate the Steve Harrington character. Because we’ve always hated ‘80s Steve-holes.\u003c/p>\n\u003cp>As the souffle-haired, BMW 733i-driving, Nancy-charming asshole who possesses a Trump-sized empathy streak for sensitive weirdos, Steve was supposed to follow the ‘80s arc of dying a miserable death — or at least not getting the girl in the end while cuddled up next to her in a f*cking reindeer sweater at Christmastime. Earning the heart of the smart female protagonist is a resolution that for years has been reserved for the sensitive guy bullied by the high school elite, not the smug preppy dude with a backyard pool. (Not to mention a guy who, \u003ca href=\"https://twitter.com/eastwes/status/756616898461179904\" target=\"_blank\">as one astute Twitter commenter noted\u003c/a>, is coiffed to look like “all of Crowded House combined in one face.”)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-31674\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/giphy.gif\" alt=\"steve\" width=\"480\" height=\"239\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We wanted the phlegm-flower monster to serve Steve a bloody eel sandwich so Nancy could cuddle with Jonathan. Steve’s demise is our expected reward after watching him heartily pressure Nancy to appease so many early-in-the-\u003cem>Stranger Things\u003c/em>-season boners and then go on to break Jonathan’s camera.\u003c/p>\n\u003cp>So why does Steve escape death while the \u003ca href=\"https://theringer.com/everyone-needs-a-friend-like-barb-a91b9937ba64?gi=dd2cf1e989bf\" target=\"_blank\">internet-beloved Barb \u003c/a>gets stuffed into an Upside Down coffin? The simple answer is the actor who plays Steve helped the character get a pass.\u003c/p>\n\u003cp>In an \u003ca href=\"http://variety.com/2016/tv/news/stranger-things-finale-duffer-brothers-interview-season-2-1201816664/\" target=\"_blank\">interview with \u003cem>Variety\u003c/em>\u003c/a>, \u003cem>Stranger Things\u003c/em> showrunners the Duffer Brothers said Steve, who in the original pilot is “the biggest douchebag on the planet,” wasn’t supposed to be Nancy’s snuggle buddy in the end.\u003c/p>\n\u003cp>“A lot of credit goes to Joe Keery [who plays Steve], because he was much more likable and charming than we originally had envisioned,” said Ross Duffer. “Joe was so good we started to fall in love with the idea that he has an arc himself.” Nancy helped make Steve a slightly better person by the end. Dammit.\u003c/p>\n\u003cp>Matt Duffer added that in the typical movie world trajectory, Nancy (Natalia Dyer) would end up with the “nicer kinder gentler” guy Jonathan (Charlie Heaton). “But it felt almost more real to us that she would wind up back with Steve,” he said, “this heartthrob who she’s had a crush on for a long time. It’s surprising, but it felt more honest.”\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-31676\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/stranger-things.1.1.2566000.65.gif\" alt=\"stranger-things.1.1.2566000.65\" width=\"500\" height=\"250\">\u003c/p>\n\u003cp>If you run the \u003cem>Stranger Things\u003c/em> tape backwards you can — almost — see how Steve could come out on top. After all, he erases the Nancy slut-shaming graffiti (that he helped write!) and he fights the bad monster. He worked hard to change, and Jonathan \u003cem>was\u003c/em> being a creeper by taking those photos of Nancy stripping in the first place, so maybe Jonathan deserved to lose those photo privileges. But ‘80s movie history has hardwired \u003cem>Stranger Things\u003c/em> fans to loathe Steve nonetheless.\u003c/p>\n\u003cp>Why can’t we forgive Steve just because he hit the monster with a nail bat? Because there’ve been too many Steve-holes before him. Our movie history —and an election cycle with another bratty, souffle-haired bully — has taught us that elitist dickwads rarely become good guys by the end.\u003c/p>\n\u003cp>As proof of this bias, I hereby give you a brief history of the ‘80s high school jerks who paved the way for our hatred of \u003cem>Stranger Things\u003c/em>’ Steve.\u003c/p>\n\u003cp>\u003cstrong>Steff in \u003cem>Pretty in Pink\u003c/em>\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/35tfXSINbCQ'\n title='//www.youtube.com/embed/35tfXSINbCQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In the ‘80s, James Spader was the classic affluent douchebag fans loved to hate (and perhaps secretly crush out on). It all started with his breakout role as Steff in \u003cem>Pretty in Pink\u003c/em> — a movie where he calls Molly Ringwald’s artsy Andie a bitch, a mutant, trash, and “low-grade ass.” Steff is the perfect foil to blinky-eyed Blane (Andrew McCarthy), whose dick is caught in the typical ‘80s class divide (see also: Spader in \u003cem>Tuff Turf\u003c/em>) between what’s expected of him and what he really wants. Unlike Steve in \u003cem>Stranger Things\u003c/em>, Steff never redeems himself — he gets tackled by Andie’s BFF Duckie in the end.\u003c/p>\n\u003cp>Steff paved the way for Spader to graduate from high school prick to college-aged (but definitely not in college) drug dealer prick, Rip, in \u003cem>Less Than Zero\u003c/em>. Side note: Is it just me or did Spader seem to spend the ‘80s only acting in movies with either\u003ca href=\"https://www.youtube.com/watch?v=N6gpndlepiM\" target=\"_blank\"> McCarthy or with Robert Downey Jr.\u003c/a>?)\u003c/p>\n\u003cp>\u003cstrong>All of William Zabka’s characters in the ‘80s asshole trilogy\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Qco4RGHhJGo'\n title='//www.youtube.com/embed/Qco4RGHhJGo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Along with James Spader, William Zabka was the other recognizable blonde ‘80s asshole. He’s perhaps best remembered for playing Johnny in the \u003cem>Karate Kid\u003c/em> series (\u003cem>Karate Kid II\u003c/em> was brilliantly parodied, starring Zabka and most of the original cast, in \u003ca href=\"https://www.youtube.com/watch?v=olQ3vaiv47I\" target=\"_blank\">this music video\u003c/a> by the band No More Kings). But Zabka was a dick in \u003ca href=\"https://www.youtube.com/watch?v=o1egnKKkm54\" target=\"_blank\">\u003cem>Just One of the Guys\u003c/em> too\u003c/a>. He was righteously ridiculed in that one for being a table-tipper with a “small weenie,” among other things, before he aged into playing a college frat boy in \u003cem>Back to School\u003c/em>. In real life? Good dude! Last year \u003ca href=\"http://screencrush.com/billy-zabka-karate-kid-bully/\" target=\"_blank\">he came out against being an actual high school jerk during a talk he gave for Anti-Bullying Day\u003c/a>, in which he pointed to the fact that mean kids often come from broken homes.\u003c/p>\n\u003cp>\u003cstrong>Chet in \u003cem>Weird Science\u003c/em>\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mcUWG23hqvw'\n title='//www.youtube.com/embed/mcUWG23hqvw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As the real “buttwad” in \u003cem>Weird Science\u003c/em>, older brother Chet (Bill Paxton) acted like the ultimate bro towards his younger brother Wyatt (IIan Michael-Smith) and his nerd pal Gary (Anthony Michael Hall). So it was very rewarding to watch the boys’ covergirl science experiment Lisa (Kelly LeBrock) turn Chet into a farting turd monster and hear Chet beg to get his human form (and dignity) back. (In comparison, \u003cem>Stranger Things'\u003c/em> Steve never had to beg for anything in his life — except sex!)\u003c/p>\n\u003cp>\u003cstrong>Roy Stalin in \u003cem>Better Off Dead\u003c/em>\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gfyjFmJ6KVs'\n title='//www.youtube.com/embed/gfyjFmJ6KVs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Given the choice between the captain of the high school ski team and a regular dude who sticks Q-tips up his nose, who’s gonna be the ‘80s villain? The leader of a rich person’s sport, of course — a dichotomy that played out in real life for the director of this movie. \u003cem>Better Off Dead\u003c/em> writer and \u003ca href=\"http://www.thesneeze.com/mt-archives/000134.php\" target=\"_blank\">director Savage Steve Holland\u003c/a> said his film, which starred John Cusack, was based on his own heartbreak. Holland’s old girlfriend apparently also left him for the ski team captain. Holland recreated his romantic rival in Roy Stalin, a classic prick who, it turns out, was also a classic prick in real life during the casting process! \u003ca href=\"http://mentalfloss.com/article/75810/13-better-facts-about-better-dead\" target=\"_blank\">\u003cem>Mental Floss\u003c/em> reported\u003c/a> that actor Aaron Dozier insulted Holland on the set, sealing the deal that he’d be the perfect asshole for the part.\u003c/p>\n\u003cp>\u003cstrong>Biff in \u003cem>Back to the Future\u003c/em>\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/95_DB6GgLQs'\n title='//www.youtube.com/embed/95_DB6GgLQs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Eighties antagonists often got monosyllabic names that you could spit out in a single breath: Steff. Chet. Roy. (Steve!). Add to this list Biff, a name that sounds like something a jock would grunt out while lifting weights. Biff is the beefy bro from the \u003cem>Back to the Future\u003c/em> series who makes Marty McFly feel like a “butthead” no matter which decade the two are contained within. If Thomas F. Wilson’s character seemed constructed after a certain Republican presidential candidate by \u003cem>Back to the Future II\u003c/em>, well, the man who wrote the movie, Bob Gale, \u003ca href=\"http://www.thedailybeast.com/articles/2015/10/21/how-back-to-the-future-predicted-trump.html\" target=\"_blank\">told the \u003cem>Daily Beast\u003c/em> last fall that Biff was indeed modeled after Donald Trump\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Archie in \u003cem>The Chocolate War\u003c/em>\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ihXcPZ09_l4'\n title='//www.youtube.com/embed/ihXcPZ09_l4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Boxes of chocolates may seem like a silly instigator for a class war, but in this great 1988 drama, they’re the symbol of the intense pressure a small group of assholes can put on teen introverts to toe the status quo. Archie leads the secret society dick clique at a Catholic school where hawking chocolate boxes for a fundraiser is serious business. New kid Jerry’s disinterest in showing school spirit lands him in a world of hurt. Side note: Like \u003cem>Stranger Things\u003c/em>, \u003cem>The Chocolate War\u003c/em> gets bonus points for a killer ‘80s soundtrack, one that here includes Yaz, Kate Bush, and Peter Gabriel.\u003c/p>\n\u003cp>\u003cstrong> Hardy Jenns in\u003cem> Some Kind of Wonderful\u003c/em>\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/YTds2jCQHKA'\n title='//www.youtube.com/embed/YTds2jCQHKA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Although Keith Nelson (Eric Stoltz) and Hardy Jenns (Craig Sheffer) share a Steve-hole ‘do in \u003cem>Some Kind of Wonderful\u003c/em>, don’t be fooled by the feathering when discerning who’s the good guy here. Hardy is the rich one, so he’s obviously also gonna be the jerk. When Keith falls for Hardy’s ex Amanda, Hardy’s revenge plot involves kicking Keith’s butt at a house party — until some cool punk dudes help put a stop to that one. This love triangle starring Lea Thompson as Amanda and Mary Stuart Masterson as the teenage rocker Watts was less about overcoming bullies, though, and more about loving the drummer girl over the fluff chick.\u003c/p>\n\u003cp>\u003cem> Some Kind of Wonderful\u003c/em> was one of many ‘80s movies setting the tone that the coveted guy/girl would fall for the underdog girl/guy in the end — which is why we totally expected \u003cem>Stranger Things\u003c/em>’ Nancy to get with Jonathan at the end. But then, \u003cem>Stranger Things\u003c/em> is about both cleverly riffing on ‘80s cliches and subverting them at unexpected moments. We’ll also hopefully have \u003ca href=\"http://www.indiewire.com/2016/07/stranger-things-season-2-netflix-david-lynch-winona-ryder-1201710567/\" target=\"_blank\">a whole new season of the show \u003c/a>ahead of us -- during which time we can all root for Steve to finally meet the dismal fate the earlier Spader-Zapka generation of golden assholes would have him deserve.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Bill Cosby has dropped a lawsuit that demanded the accuser in his criminal case repay the money from their confidential 2006 court settlement.\u003c/p>\n\u003cp>Cosby had sued Andrea Constand for breach of contract for speaking to police who reopened the criminal investigation last year. His lawyers argued that her police statements, along with two tweets and brief comments to a Toronto newspaper, violated the confidentiality clause.\u003c/p>\n\u003cp>A judge this month upheld her right to talk to police, but said Cosby could pursue the other issues. Cosby, though, dropped the suit entirely on Thursday. The move comes a week after he switched law firms for the second time in about a year.\u003c/p>\n\u003cp>“With a court validation of his ability to proceed … Mr. Cosby has today stepped away from that suit and will instead focus his efforts on defending himself against the claims that have been lodged against him,” his lawyer said in a statement.\u003c/p>\n\u003cp>The swirl of litigation surrounding Cosby includes the felony sexual-assault case involving Constand and a string of defamation lawsuits filed by women who said they were branded liars when Cosby or his agents denied their similar claims.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Constand’s lawyers called the lawsuit Cosby filed against their client “a blatant attempt at intimidation.” They had also been named as defendants, along with Constand’s mother.\u003c/p>\n\u003cp>“The dismissal is a victory for all victims,” lawyer Dolores Troiani said.\u003c/p>\n\u003cp>No trial date has been set for Cosby’s felony sex-assault trial. He is accused of drugging and molesting Constand at his home near Philadelphia in 2004.\u003c/p>\n\u003cp>Constand sued him in 2005 after prosecutors at the time declined to file charges. The criminal case was reopened after other accusers came forward and Cosby’s deposition in the civil suit was released.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Constand’s lawyers called the lawsuit Cosby filed against their client “a blatant attempt at intimidation.” They had also been named as defendants, along with Constand’s mother.\u003c/p>\n\u003cp>“The dismissal is a victory for all victims,” lawyer Dolores Troiani said.\u003c/p>\n\u003cp>No trial date has been set for Cosby’s felony sex-assault trial. He is accused of drugging and molesting Constand at his home near Philadelphia in 2004.\u003c/p>\n\u003cp>Constand sued him in 2005 after prosecutors at the time declined to file charges. The criminal case was reopened after other accusers came forward and Cosby’s deposition in the civil suit was released.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"radiolab": {
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},
"rightnowish": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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