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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>PBS announced Tuesday that CNN correspondent and host Christiane Amanpour will host a new late night public affairs program on the channel, permanently replacing disgraced host Charlie Rose’s long-running interview show.\u003c/p>\n\u003cp>The new hour-long show, \u003cem>Amanpour & Company\u003c/em>, will feature interviews with global leaders and reports from correspondents like Michel Martin, the weekend host of NPR’s \u003cem>All Things Considered\u003c/em>; and Hari Sreenivasan, anchor for PBS’s \u003cem>NewsHour Weekend\u003c/em> and host of \u003cem>SciTech Now\u003c/em>. The show is scheduled to begin airing in July.\u003c/p>\n\u003cp>“I am very pleased to be taking this role at PBS, which is a long proven bastion of quality journalism and quality programming,” Amanpour told \u003ca href=\"https://www.hollywoodreporter.com/news/christiane-amanpour-will-lead-new-pbs-late-night-program-1109701\" rel=\"noopener\" target=\"_blank\">the Hollywood Reporter\u003c/a>. “And I am delighted for the opportunity it gives me to speak to Americans about what’s happening in the rest of the world and about how the world views America.”\u003c/p>\n\u003cp>A simulcast of Amanpour’s half-hour global affairs show on CNN, \u003ci>Amanpour\u003c/i>, served as a temporary fill-in for Rose’s PBS show \u003cem>Charlie Rose\u003c/em> after its cancellation in November.\u003c/p>\n\u003cp>First broadcast on PBS in 1991, Rose’s one-on-one interview show ended after eight women and former co-workers of his \u003ca href=\"https://www.washingtonpost.com/investigations/eight-women-say-charlie-rose-sexually-harassed-them--with-nudity-groping-and-lewd-calls/2017/11/20/9b168de8-caec-11e7-8321-481fd63f174d_story.html\" rel=\"noopener\" target=\"_blank\">publicly accused him of sexual harassment\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>PBS president and CEO Paula Kerger released a statement Tuesday citing an “enthusiastic response” to Amanpour’s show since the start of the simulcast, and that her new show will “give viewers a better understanding of our world.” \u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Hungarian Metal, Israeli Pop, Dancing Robots: It Must Be Time for Eurovision",
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"content": "\u003cp>Fans of key changes, pyrotechnics and nonsensical lyrics are getting ready for their equivalent of the World Cup, taking place in Lisbon, Portugal this week, the first time the country has hosted the competition. The 63rd edition of the Eurovision Song Contest semi-finals start Tuesday and continue this Thursday, with the singing competition’s grand finals on Saturday.\u003c/p>\n\u003cp>Each year, the contest is hosted by the previous year’s winner, with an audience estimated to be around 180 million people worldwide. The contest helped launch the careers of Abba and Celine Dion, and is known for its idiosyncratic, over-the-top performances.\u003c/p>\n\u003cp>Salvador Sobral \u003ca href=\"https://www.npr.org/sections/therecord/2017/05/14/528352454/after-a-fraught-year-eurovision-crowns-portugals-salvador-sobral\">won on behalf of Portugal last year\u003c/a> with an understated but emotional performance of his song “Amar Pelos Dois.” After winning, Sobral decried what he called “fast-food music,” a seeming swipe at the cheeseball pop that is Eurovision’s bread-and-butter.\u003c/p>\n\u003cp>He told the crowd at the time that his win “could be a victory for … people that make music that actually means something. Music is not fireworks, music is feeling. So let’s try to change this and bring music back, which is really what matters.”\u003c/p>\n\u003cp>Despite Sobral’s overtures to the higher-brow and the progress to that end his win represented, it appears it could be a short-lived victory — most of this year’s favorites to win fall firmly into the category of campy, classically Eurovision, pop.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This year’s favorite to win — at least, \u003ca href=\"https://eurovisionworld.com/odds/eurovision\">according\u003c/a> to bookies — is Israel’s entry, the song \u003ca href=\"https://www.youtube.com/watch?v=CziHrYYSyPc\">“Toy” by Netta\u003c/a>. It’s a catchy dance number, buttressed with a message of female empowerment, with Netta declaring: “I’m not your toy, you stupid boy.” And for reasons not entirely made clear, she and her backup dancers also lean heavily into what can only be described as a chicken dance routine.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=CziHrYYSyPc\u003c/p>\n\u003cp>The betting public also think Norway’s Alexander Rybak (who was behind 2009’s winning entry, the song “Fairytale”) might win with his on-the-nose “\u003ca href=\"https://www.youtube.com/watch?v=Mvxni-WcD9A\">That’s How You Write A Song\u003c/a>.” It’s a cheesy, upbeat tune that… well, features advice on how to write a song. Eurovision does not shy away from the meta.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Mvxni-WcD9A\u003c/p>\n\u003cp>There’s another favorite going into the contest that breaks from the cheesy to take on a political issue. Madame Monsieur’s “\u003ca href=\"https://www.youtube.com/watch?v=dHb-gWC-WTc\">Mercy\u003c/a>,” France’s entry, is an electro-pop tune inspired by the story of a baby named Mercy, \u003ca href=\"https://www.billboard.com/articles/news/8390266/madame-monsieur-mercy-eurovision\">born to a refugee\u003c/a> on a French rescue ship in the Mediterranean.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=y4xlvh6qW6M\" target=\"_blank\" rel=\"noopener\">Finland\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=eDSgs6syrgg\" target=\"_blank\" rel=\"noopener\">Cyprus\u003c/a> and the \u003ca href=\"https://www.youtube.com/watch?v=k6_oxE2MxZE\" target=\"_blank\" rel=\"noopener\">Czech Republic\u003c/a> have also fielded strong contenders.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dHb-gWC-WTc\u003c/p>\n\u003cp>And it’s not just pop music competing. There’s \u003ca href=\"https://www.youtube.com/watch?v=76KOUIfDry8\">opera from Estonia\u003c/a>; country \u003ca href=\"https://www.youtube.com/watch?v=8TowcElmyek\">from the Netherlands\u003c/a>; \u003ca href=\"https://www.youtube.com/watch?v=w00c8KbQIME\">metal from Hungary\u003c/a>. But it wouldn’t be Eurovision without performances that leave you unsure of what, exactly, just happened.\u003c/p>\n\u003cp>San Marino, the micro-state with a population of just 33,000, has taken an early lead when it comes to inexplicable staging, with its entry featuring miniature dancing robots and a rapper from San Marino’s (presumably) nascent rap scene recommending personal strength in the face of online bullying: “If they dissin’ you on Twitter / Don’t get sad, don’t be bitter / Don’t give up and be a quitter / Show em’ you’re better.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ZNflc1Zcw2A\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The finale of this year’s Eurovision Song Contest airs in the United States on Logo TV Saturday, May 12, with semi-finals scheduled for May 8 and 10.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Hungarian+Metal%2C+Israeli+Pop%2C+Dancing+Robots%3A+It+Must+Be+Time+For+Eurovision&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fans of key changes, pyrotechnics and nonsensical lyrics are getting ready for their equivalent of the World Cup, taking place in Lisbon, Portugal this week, the first time the country has hosted the competition. The 63rd edition of the Eurovision Song Contest semi-finals start Tuesday and continue this Thursday, with the singing competition’s grand finals on Saturday.\u003c/p>\n\u003cp>Each year, the contest is hosted by the previous year’s winner, with an audience estimated to be around 180 million people worldwide. The contest helped launch the careers of Abba and Celine Dion, and is known for its idiosyncratic, over-the-top performances.\u003c/p>\n\u003cp>Salvador Sobral \u003ca href=\"https://www.npr.org/sections/therecord/2017/05/14/528352454/after-a-fraught-year-eurovision-crowns-portugals-salvador-sobral\">won on behalf of Portugal last year\u003c/a> with an understated but emotional performance of his song “Amar Pelos Dois.” After winning, Sobral decried what he called “fast-food music,” a seeming swipe at the cheeseball pop that is Eurovision’s bread-and-butter.\u003c/p>\n\u003cp>He told the crowd at the time that his win “could be a victory for … people that make music that actually means something. Music is not fireworks, music is feeling. So let’s try to change this and bring music back, which is really what matters.”\u003c/p>\n\u003cp>Despite Sobral’s overtures to the higher-brow and the progress to that end his win represented, it appears it could be a short-lived victory — most of this year’s favorites to win fall firmly into the category of campy, classically Eurovision, pop.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This year’s favorite to win — at least, \u003ca href=\"https://eurovisionworld.com/odds/eurovision\">according\u003c/a> to bookies — is Israel’s entry, the song \u003ca href=\"https://www.youtube.com/watch?v=CziHrYYSyPc\">“Toy” by Netta\u003c/a>. It’s a catchy dance number, buttressed with a message of female empowerment, with Netta declaring: “I’m not your toy, you stupid boy.” And for reasons not entirely made clear, she and her backup dancers also lean heavily into what can only be described as a chicken dance routine.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/CziHrYYSyPc'\n title='//www.youtube.com/embed/CziHrYYSyPc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The betting public also think Norway’s Alexander Rybak (who was behind 2009’s winning entry, the song “Fairytale”) might win with his on-the-nose “\u003ca href=\"https://www.youtube.com/watch?v=Mvxni-WcD9A\">That’s How You Write A Song\u003c/a>.” It’s a cheesy, upbeat tune that… well, features advice on how to write a song. Eurovision does not shy away from the meta.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Mvxni-WcD9A'\n title='//www.youtube.com/embed/Mvxni-WcD9A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There’s another favorite going into the contest that breaks from the cheesy to take on a political issue. Madame Monsieur’s “\u003ca href=\"https://www.youtube.com/watch?v=dHb-gWC-WTc\">Mercy\u003c/a>,” France’s entry, is an electro-pop tune inspired by the story of a baby named Mercy, \u003ca href=\"https://www.billboard.com/articles/news/8390266/madame-monsieur-mercy-eurovision\">born to a refugee\u003c/a> on a French rescue ship in the Mediterranean.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=y4xlvh6qW6M\" target=\"_blank\" rel=\"noopener\">Finland\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=eDSgs6syrgg\" target=\"_blank\" rel=\"noopener\">Cyprus\u003c/a> and the \u003ca href=\"https://www.youtube.com/watch?v=k6_oxE2MxZE\" target=\"_blank\" rel=\"noopener\">Czech Republic\u003c/a> have also fielded strong contenders.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dHb-gWC-WTc'\n title='//www.youtube.com/embed/dHb-gWC-WTc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And it’s not just pop music competing. There’s \u003ca href=\"https://www.youtube.com/watch?v=76KOUIfDry8\">opera from Estonia\u003c/a>; country \u003ca href=\"https://www.youtube.com/watch?v=8TowcElmyek\">from the Netherlands\u003c/a>; \u003ca href=\"https://www.youtube.com/watch?v=w00c8KbQIME\">metal from Hungary\u003c/a>. But it wouldn’t be Eurovision without performances that leave you unsure of what, exactly, just happened.\u003c/p>\n\u003cp>San Marino, the micro-state with a population of just 33,000, has taken an early lead when it comes to inexplicable staging, with its entry featuring miniature dancing robots and a rapper from San Marino’s (presumably) nascent rap scene recommending personal strength in the face of online bullying: “If they dissin’ you on Twitter / Don’t get sad, don’t be bitter / Don’t give up and be a quitter / Show em’ you’re better.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZNflc1Zcw2A'\n title='//www.youtube.com/embed/ZNflc1Zcw2A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The finale of this year’s Eurovision Song Contest airs in the United States on Logo TV Saturday, May 12, with semi-finals scheduled for May 8 and 10.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Hungarian+Metal%2C+Israeli+Pop%2C+Dancing+Robots%3A+It+Must+Be+Time+For+Eurovision&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Bob Dorough, Jazz Musician Best Known for 'Schoolhouse Rock!,' Dead at 94",
"headTitle": "Bob Dorough, Jazz Musician Best Known for ‘Schoolhouse Rock!,’ Dead at 94 | KQED",
"content": "\u003cp>\u003cem>\u003cstrong>Updated at 12:33 p.m. ET\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>Bob Dorough, whose career began as a composer, arranger and singer in the booming New York jazz scene of the ’50s and ’60s before he became the musical keystone of \u003cem>Schoolhouse Rock!\u003c/em>, died Monday afternoon in Mt. Bethel, Penn., his wife, Sally Shanley Dorough, confirmed to NPR. He was 94.\u003c/p>\n\u003cp>The Arkansas-born, Texas-raised Dorough began working in music in the army, serving as a composer, arranger and player in the Special Services Army Band between 1943 and ’45, before getting a Bachelor of Music degree from the University of North Texas. In the late ’40s, Dorough made his way to New York, working there as a pianist and singer.\u003c/p>\n\u003cp>He released his debut album, \u003cem>Devil May Care\u003c/em>, in 1956 on Gus Wildi’s Bethlehem label, also home to Nina Simone’s first album. \u003cem>Devil May Care\u003c/em> was a document of loungey bebop, with Dorough’s windy, charming and idiosyncratically accented singing of buoyant lyrics that hinted at his success to come. “In a dream / the strangest and oddest things / appear / and what insane insane and silly things / we do,” he sang on “I Had the Craziest Dream.”\u003c/p>\n\u003cp>Not long after the release of \u003cem>Devil May Care\u003c/em>, the legendary Miles Davis recorded \u003ca href=\"https://open.spotify.com/track/31YlcTTs1XGGz2VCjD4JQ6?si=tvSQgQwpTvaOGPM5HkbOyw\" target=\"_blank\" rel=\"noopener\">his own interpretation\u003c/a> of its title track, which would go on to become a jazz standard.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LdZTKvNXxPA\u003c/p>\n\u003cp>Dorough collaborated with Davis on the serrated holiday song “Blue Xmas (To Whom It May Concern)” and later sang on “Nothing Like You,” the closing track of Davis’ 1967 album \u003cem>Sorcerer. \u003c/em>As critic Ben Ratliff \u003ca href=\"http://www.vinylmeplease.com/magazine/sorcerer-liner-notes/\" target=\"_blank\" rel=\"noopener\">wrote\u003c/a> in notes accompanying a vinyl reissue of \u003cem>Sorcerer\u003c/em> last fall: “The trumpeter Leron Thomas recently told me that he thinks of it as Miles’s version of a Looney Tunes move: ‘That’s All, Folks.’ ”\u003c/p>\n\u003cp>Then, in 1971, with the jazz money running thin, Dorough was asked by his boss at the advertising company where he had a day job to set the multiplication tables to music; his boss cited his children’s ability to remember Hendrix and Rolling Stones lyrics, but not their school lessons.\u003c/p>\n\u003cp>“I got the idea that three is a magic number,” Dorough told NPR’s Rachel Martin \u003ca href=\"https://www.npr.org/2013/01/06/168699556/the-voice-of-schoolhouse-rock-on-the-series-at-40\" target=\"_blank\" rel=\"noopener\">in 2013\u003c/a>. “Then I looked in the magic book and sure enough, three \u003cem>is\u003c/em> one of the magic numbers.” That concept became the song “Three Is a Magic Number” and the project would become the Grammy-nominated \u003cem>Multiplication Rock\u003c/em>. Originally intended as a school workbook, the concept was pitched and sold to ABC executive Michael Eisner, becoming the first of the long-running \u003cem>Schoolhouse Rock! \u003c/em>series of educational cartoons that became an all-but inseparable part of of ’70s and ’80s childhood.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=n2cjiP1mh48\u003c/p>\n\u003cp>After the fully Dorough-penned \u003cem>Multiplication Rock\u003c/em>, the series’ contributors expanded to include Lynn Ahrens, Dave Frishberg (writer of “I’m Just a Bill”) and George Newall, with Dorough staying on as musical director. Expanding to cover grammar — Dorough’s least-favorite subject to pen music on — American politics and history and science, the initial series ran for 12 years and was revived in the ’90s.\u003c/p>\n\u003cp>The tribute album \u003cem>Schoolhouse Rock! Rocks\u003c/em>, recorded by indie artists that had no doubt grown up watching the series, was released in 1996. It featured reinterpretations of the now-famous tunes, including Dorough compositions “Conjunction Junction” (Better Than Ezra), “Three Is a Magic Number” (Blind Melon), “Electricity, Electricity” (Goodness) and “Lolly, Lolly, Lolly, Get Your Adverbs Here” (Buffalo Tom).\u003c/p>\n\u003cp>Later in life, Dorough became a mentor to the British-American singer, actress and comedian Nellie McKay, whom he first met in 1997, McKay tells NPR. “He was leaving Professor Pat Dorian’s office at East Stroudsburg University — even in an academic setting, he glowed with health and good cheer, spreading sunshine wherever he went,” McKay says. “Lou Reed’s idea of hell would be to sit in heaven with Bob Dorough,” McKay says, referencing the famously cantankerous New York rocker.\u003c/p>\n\u003cp>Dorough himself continued to play live for the rest of his life — at 92, Dorough performed “Devil May Care” for member station WBGO — and as recently as three weeks ago in upstate New York. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=n7kKSSjGJZ8\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Bob+Dorough%2C+Jazz+Musician+Best+Known+For+%27Schoolhouse+Rock%21%2C%27+Dead+At+94&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Updated at 12:33 p.m. ET\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>Bob Dorough, whose career began as a composer, arranger and singer in the booming New York jazz scene of the ’50s and ’60s before he became the musical keystone of \u003cem>Schoolhouse Rock!\u003c/em>, died Monday afternoon in Mt. Bethel, Penn., his wife, Sally Shanley Dorough, confirmed to NPR. He was 94.\u003c/p>\n\u003cp>The Arkansas-born, Texas-raised Dorough began working in music in the army, serving as a composer, arranger and player in the Special Services Army Band between 1943 and ’45, before getting a Bachelor of Music degree from the University of North Texas. In the late ’40s, Dorough made his way to New York, working there as a pianist and singer.\u003c/p>\n\u003cp>He released his debut album, \u003cem>Devil May Care\u003c/em>, in 1956 on Gus Wildi’s Bethlehem label, also home to Nina Simone’s first album. \u003cem>Devil May Care\u003c/em> was a document of loungey bebop, with Dorough’s windy, charming and idiosyncratically accented singing of buoyant lyrics that hinted at his success to come. “In a dream / the strangest and oddest things / appear / and what insane insane and silly things / we do,” he sang on “I Had the Craziest Dream.”\u003c/p>\n\u003cp>Not long after the release of \u003cem>Devil May Care\u003c/em>, the legendary Miles Davis recorded \u003ca href=\"https://open.spotify.com/track/31YlcTTs1XGGz2VCjD4JQ6?si=tvSQgQwpTvaOGPM5HkbOyw\" target=\"_blank\" rel=\"noopener\">his own interpretation\u003c/a> of its title track, which would go on to become a jazz standard.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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Originally intended as a school workbook, the concept was pitched and sold to ABC executive Michael Eisner, becoming the first of the long-running \u003cem>Schoolhouse Rock! \u003c/em>series of educational cartoons that became an all-but inseparable part of of ’70s and ’80s childhood.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/n2cjiP1mh48'\n title='//www.youtube.com/embed/n2cjiP1mh48'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>After the fully Dorough-penned \u003cem>Multiplication Rock\u003c/em>, the series’ contributors expanded to include Lynn Ahrens, Dave Frishberg (writer of “I’m Just a Bill”) and George Newall, with Dorough staying on as musical director. Expanding to cover grammar — Dorough’s least-favorite subject to pen music on — American politics and history and science, the initial series ran for 12 years and was revived in the ’90s.\u003c/p>\n\u003cp>The tribute album \u003cem>Schoolhouse Rock! Rocks\u003c/em>, recorded by indie artists that had no doubt grown up watching the series, was released in 1996. It featured reinterpretations of the now-famous tunes, including Dorough compositions “Conjunction Junction” (Better Than Ezra), “Three Is a Magic Number” (Blind Melon), “Electricity, Electricity” (Goodness) and “Lolly, Lolly, Lolly, Get Your Adverbs Here” (Buffalo Tom).\u003c/p>\n\u003cp>Later in life, Dorough became a mentor to the British-American singer, actress and comedian Nellie McKay, whom he first met in 1997, McKay tells NPR. “He was leaving Professor Pat Dorian’s office at East Stroudsburg University — even in an academic setting, he glowed with health and good cheer, spreading sunshine wherever he went,” McKay says. “Lou Reed’s idea of hell would be to sit in heaven with Bob Dorough,” McKay says, referencing the famously cantankerous New York rocker.\u003c/p>\n\u003cp>Dorough himself continued to play live for the rest of his life — at 92, Dorough performed “Devil May Care” for member station WBGO — and as recently as three weeks ago in upstate New York. \u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/n7kKSSjGJZ8'\n title='//www.youtube.com/embed/n7kKSSjGJZ8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Bob+Dorough%2C+Jazz+Musician+Best+Known+For+%27Schoolhouse+Rock%21%2C%27+Dead+At+94&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Say hello to \u003ca href=\"http://www.svcomiccon.com/\" target=\"_blank\" rel=\"noopener\">Silicon Valley Comic Con 3.0\u003c/a>.\u003c/p>\n\u003cp>This weekend, the streets of downtown San Jose will be packed with science geeks. You’re probably thinking, “This is new, how?” Well, some of them will be wearing costumes. But also, this comic con is very much different from the others worldwide in the sense it’s the baby of The Woz, Steve Wozniak of Apple fame.\u003c/p>\n\u003cp>“From the very beginning we chose to incorporate science and technology as much as we focus on pop culture. There is this union between the two, but we extend that much further,” Silicon Valley Comic Con chairman Trip Hunter said.\u003c/p>\n\u003cp>Along those lines, Silicon Valley’s Comic Con goes to extra lengths to pay tribute to real world heroes whose names are not as familiar to the public as the stars of film and television. For example, astronaut Dr. Mae Jemison, the first African American woman to go into space, will give a talk about human interstellar travel, introduced by \u003cem>Star Trek’s\u003c/em> Nichelle Nichols, who was the first African American woman to travel to space on TV.\u003c/p>\n\u003cfigure id=\"attachment_13828679\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828679\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-800x661.jpg\" alt=\"Steve Wozniak and Stan Lee, two accomplished giants, one in technology, the other in science fiction, geek out at the Silicon Valley Comic Con.\" width=\"800\" height=\"661\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-800x661.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-160x132.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-768x634.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-1020x842.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-1920x1586.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-1180x974.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-960x793.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-240x198.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-375x310.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-520x429.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1.jpg 2048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Steve Wozniak and Stan Lee, two accomplished giants, one in technology, the other in science fiction, geek out at the Silicon Valley Comic Con. \u003ccite>(Photo: Courtesy of Silicon Valley Comic Con)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“There are not that many public platforms for scientists delivering this size of a crowd,” Hunter noted, adding he feels a strong drive to inspire the event’s youngest attendees, from that 8-year-old experimenting with nuclear fission in his garage to that kid who just needs to know that science is cool.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Last year, at a panel called “Women in STEM,” astrophysicist \u003ca href=\"http://jannalevin.com\" target=\"_blank\" rel=\"noopener\">Janna Levin\u003c/a> spoke about black holes. Hunter thrills at the thought of the email he received afterward from a 15-year-old girl who wrote, “Until I went to that panel, I didn’t know what to do with my life.”\u003c/p>\n\u003cp>Hunter estimates the vast majority of the 60,000 people who annually attend are local. “90 percent California.” I’d add that 100 percent are from this galaxy, but who can tell when so many people are in costume?\u003c/p>\n\u003cp>So don’t get the idea science crowds out cos play and pop culture at SVCC. You can bet the blockbuster film \u003cem>Black Panther\u003c/em> is on everybody’s lips and there will be a capacity crowd to hear pop culture critic \u003ca href=\"http://www.svcomiccon.com/index.php/guest/evan-narcisse/\" target=\"_blank\" rel=\"noopener\">Evan Narcisse\u003c/a>, talk about writing for Marvel Comics, including the \u003cem>Rise of the Black Panther\u003c/em> series. (The fourth issue just came out this week.)\u003c/p>\n\u003cfigure id=\"attachment_13828682\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828682\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther-800x571.jpg\" alt=\"Evan Narcisse will probably be busy getting autographs at the Silicon Valley Comic Con, when he isn't busy giving then to Black Panther fans.\" width=\"800\" height=\"571\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther-768x548.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther-520x371.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Evan Narcisse will probably be busy getting autographs at the Silicon Valley Comic Con, when he isn’t busy giving then to Black Panther fans. \u003ccite>(Photo: Courtesy of Silicon Valley Comic Con)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Is Narcisse a Comic Con enthusiast? Do you have to ask? “The best part of the experience has been meeting people who are reading the work and enjoying it, but also I’m going to get the chance to moderate some panels with people whose work I’ve loved my entire life and enjoy what’s it’s like to be a nerd in 2018,” Narcisse told me.\u003c/p>\n\u003cp>He’ll probably also find a way to point out how the success of \u003cem>Black Panther\u003c/em> has dramatically proven, as he told me, “how if you give a wide latitude and agency to people of color — and black people, specifically — and trust and resources, you can reap similar benefits as what Marvel and Disney have.”\u003c/p>\n\u003cp>Silicon Valley Comic Con runs April 6-8 at the San Jose Convention Center. \u003ca href=\"http://www.svcomiccon.com\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"headline": "Science Parties with Pop Culture at Silicon Valley Comic Con 2018",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Say hello to \u003ca href=\"http://www.svcomiccon.com/\" target=\"_blank\" rel=\"noopener\">Silicon Valley Comic Con 3.0\u003c/a>.\u003c/p>\n\u003cp>This weekend, the streets of downtown San Jose will be packed with science geeks. You’re probably thinking, “This is new, how?” Well, some of them will be wearing costumes. But also, this comic con is very much different from the others worldwide in the sense it’s the baby of The Woz, Steve Wozniak of Apple fame.\u003c/p>\n\u003cp>“From the very beginning we chose to incorporate science and technology as much as we focus on pop culture. There is this union between the two, but we extend that much further,” Silicon Valley Comic Con chairman Trip Hunter said.\u003c/p>\n\u003cp>Along those lines, Silicon Valley’s Comic Con goes to extra lengths to pay tribute to real world heroes whose names are not as familiar to the public as the stars of film and television. For example, astronaut Dr. Mae Jemison, the first African American woman to go into space, will give a talk about human interstellar travel, introduced by \u003cem>Star Trek’s\u003c/em> Nichelle Nichols, who was the first African American woman to travel to space on TV.\u003c/p>\n\u003cfigure id=\"attachment_13828679\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828679\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-800x661.jpg\" alt=\"Steve Wozniak and Stan Lee, two accomplished giants, one in technology, the other in science fiction, geek out at the Silicon Valley Comic Con.\" width=\"800\" height=\"661\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-800x661.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-160x132.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-768x634.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-1020x842.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-1920x1586.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-1180x974.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-960x793.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-240x198.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-375x310.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1-520x429.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Woz_StanLee_OnStage1.jpg 2048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Steve Wozniak and Stan Lee, two accomplished giants, one in technology, the other in science fiction, geek out at the Silicon Valley Comic Con. \u003ccite>(Photo: Courtesy of Silicon Valley Comic Con)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“There are not that many public platforms for scientists delivering this size of a crowd,” Hunter noted, adding he feels a strong drive to inspire the event’s youngest attendees, from that 8-year-old experimenting with nuclear fission in his garage to that kid who just needs to know that science is cool.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Last year, at a panel called “Women in STEM,” astrophysicist \u003ca href=\"http://jannalevin.com\" target=\"_blank\" rel=\"noopener\">Janna Levin\u003c/a> spoke about black holes. Hunter thrills at the thought of the email he received afterward from a 15-year-old girl who wrote, “Until I went to that panel, I didn’t know what to do with my life.”\u003c/p>\n\u003cp>Hunter estimates the vast majority of the 60,000 people who annually attend are local. “90 percent California.” I’d add that 100 percent are from this galaxy, but who can tell when so many people are in costume?\u003c/p>\n\u003cp>So don’t get the idea science crowds out cos play and pop culture at SVCC. You can bet the blockbuster film \u003cem>Black Panther\u003c/em> is on everybody’s lips and there will be a capacity crowd to hear pop culture critic \u003ca href=\"http://www.svcomiccon.com/index.php/guest/evan-narcisse/\" target=\"_blank\" rel=\"noopener\">Evan Narcisse\u003c/a>, talk about writing for Marvel Comics, including the \u003cem>Rise of the Black Panther\u003c/em> series. (The fourth issue just came out this week.)\u003c/p>\n\u003cfigure id=\"attachment_13828682\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828682\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther-800x571.jpg\" alt=\"Evan Narcisse will probably be busy getting autographs at the Silicon Valley Comic Con, when he isn't busy giving then to Black Panther fans.\" width=\"800\" height=\"571\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther-768x548.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Evan20Narcisse20Black20Panther-520x371.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Evan Narcisse will probably be busy getting autographs at the Silicon Valley Comic Con, when he isn’t busy giving then to Black Panther fans. \u003ccite>(Photo: Courtesy of Silicon Valley Comic Con)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Is Narcisse a Comic Con enthusiast? Do you have to ask? “The best part of the experience has been meeting people who are reading the work and enjoying it, but also I’m going to get the chance to moderate some panels with people whose work I’ve loved my entire life and enjoy what’s it’s like to be a nerd in 2018,” Narcisse told me.\u003c/p>\n\u003cp>He’ll probably also find a way to point out how the success of \u003cem>Black Panther\u003c/em> has dramatically proven, as he told me, “how if you give a wide latitude and agency to people of color — and black people, specifically — and trust and resources, you can reap similar benefits as what Marvel and Disney have.”\u003c/p>\n\u003cp>Silicon Valley Comic Con runs April 6-8 at the San Jose Convention Center. \u003ca href=\"http://www.svcomiccon.com\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Are Kanye West and Michael Scott from 'The Office' The Same Person? Yes.",
"headTitle": "Are Kanye West and Michael Scott from ‘The Office’ The Same Person? Yes. | KQED",
"content": "\u003cp>An enterprising YouTube user, MrBroks00, took the time to make a primer on Kanye West’s sonically disparate discography by using a selection of timeless scenes from \u003cem>The Office \u003c/em>as conceptual analogues.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=PZBWI5vz2Hg\u003c/p>\n\u003cp>There’s a profound discovery to be made when these strange bedfellows link up — Michael Scott and Kanye West, it turns out, are two peas in an idiosyncratic pod. Michael’s need to be respected turns out to be an fitting descriptor of \u003cem>My Beautiful Dark Twisted Fantasy \u003c/em>and Kanye West’s overall public persona. \u003c/p>\n\u003cp>Still lost? If you need a quick brushing up on your \u003cem>Office \u003c/em>and/or Yeezy knowledge\u003cem>,\u003c/em> here’s here’s how to decipher the meaning between the corresponding scenes and albums. \u003c/p>\n\u003cp>\u003cem>\u003cstrong>The College Dropout, \u003c/strong>\u003c/em> \u003cstrong>Season 4, Episode 7 and 8: “Money”\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Kanye West’s Grammy-winning debut album, \u003cem>The College Dropout\u003c/em>, chronicles a young black man skipping Chi-town to make beats and abandoning the hopes of his mother in the process. In “Money,” Michael Scott hops a train because the dude can’t budget responsibly. Ergo, “blow and dodge.” \u003c/p>\n\u003cp>\u003cem>\u003cstrong>Late Registration\u003c/strong>\u003c/em>, \u003cstrong>Season 1, Episode 5: “Basketball”\u003c/strong>\u003c/p>\n\u003cp>On \u003cem>Late Registration\u003c/em>, West broadens his sonic palette beyond nostalgia-heavy sampling to incorporate jazz lines, funk staples and a wealth of stunning classical flourishes in his productions with the help of legendary producer and composer Jon Brion. It’s not quite like jazz, but then again, neither is basketball. \u003c/p>\n\u003cp>\u003cem>\u003cstrong>Graduation, \u003c/strong>\u003c/em>\u003cstrong>Season 9, Episode 8: “The Target”\u003c/strong>\u003c/p>\n\u003cp>Kanye scraps the lush, jazzy soundscapes in \u003cem>Late Registration\u003c/em> for \u003cem>Graduation’s \u003c/em>extravagant, stadium-trotting pop-rap, \u003ca href=\"https://www.rollingstone.com/music/news/kanye-vs-50-cent-20070906\">squashing beefs\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=YQYslaA1Lus\">setting trends\u003c/a> once it dropped. It was a hit, selling 957,000 copies in its first week alone. But West’s abandonment of the warmth and introspection that came to define his early sound alienated \u003ca href=\"http://www.nytimes.com/2007/09/05/arts/music/05west.html\">a select faction of fans and critics alike\u003c/a>. (Besides, Angela likely enjoys Kanye West about as much as she does jazz musicianship, which is to say not very.) \u003c/p>\n\u003cfigure id=\"attachment_13827928\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-800x450.jpg\" alt=\"Steve Carrell as Michael Scott on the set of 'The Office' in 2008.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13827928\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Steve Carrell as Michael Scott on the set of ‘The Office’ in 2008. \u003ccite>(NBC/NBC via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>\u003cstrong>808s & Heartbreak, \u003c/strong>\u003c/em>\u003cstrong>Season 5, Episode 4: “Local Ad”\u003c/strong>\u003c/p>\n\u003cp>Dropping the subdued, ballad-heavy \u003cem>808s & Heartbreak\u003c/em> only a year after the celebratory, party-rap fest Graduation ended in whiplash for plenty of Yeezy’s devotees. It made sense for Kanye: \u003cem>808s\u003c/em> was an emotional bloodletting after a much-publicized split with his fianceé, designer Alexis Phifer and the death of his mother, Donda West. But, Michael’s protestation wasn’t wrong: “I was under the impression that this was gonna be a rap.”\u003c/p>\n\u003cp>\u003cem>\u003cstrong>My Beautiful Dark Twisted Fantasy, \u003c/strong>\u003c/em>\u003cstrong>Season 4, Episode 1: “Fun Run” \u003c/strong>\u003c/p>\n\u003cp>Michael’s indelible monologue is the perfect thesis for \u003cem>My Beautiful Dark Twisted Fantasy\u003c/em>, West’s critically revered opus. They both cast themselves as the villain in their own stories, West after a public excommunication from the general public’s good graces after the 2009 MTV Video Music Awards, Scott after running Meredith over in the Dunder Mifflin parking lot. Indeed, no one man should have all that power. \u003c/p>\n\u003cp>\u003cstrong>\u003cem>Watch The Throne\u003c/em>\u003c/strong>\u003cstrong>, Season 3, Episode 8: “The Merger”\u003c/strong>\u003c/p>\n\u003cp>In the canon of seminal rap duos, there’s Eric B. and Rakim, Mos Def and Talib Kweli, Bun B and Pimp C, Prodigy and Havoc, Big Boi and 3000, Pusha and Malice, Jay and Ye and…Dwight and Michael. (“Lazy Scranton” is low-key a banger.) \u003c/p>\n\u003cp>\u003cem>\u003cstrong>Yeezus\u003c/strong>\u003c/em>\u003cstrong>,\u003c/strong>\u003cem>\u003cstrong> \u003c/strong>\u003c/em>\u003cstrong>Season 5, Episodes 14 and 15: “Stress Relief”\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=Shoej-GlMbw\">Listen to the first thirty seconds of “On Sight,” the opening number to \u003cem>Yeezus\u003c/em>\u003c/a>\u003cem>. \u003c/em>Now, watch Dwight’s impromptu fire drill.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Life of Pablo\u003c/strong>\u003c/em>\u003cstrong>,\u003c/strong>\u003cem>\u003cstrong> \u003c/strong>\u003c/em>\u003cstrong>Season 5, Episodes 14 and 15: “Stress Relief”\u003c/strong> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Life of Pablo \u003c/em>was a living, breathing work broadcast in real time, \u003ca href=\"http://www.xxlmag.com/news/2016/06/kanye-west-the-life-of-pablo-changes/\">as West released version after version of the album as he saw necessary.\u003c/a> Did he know what to do? Probably. Did Michael know what to do after Stanley suffered a heart attack after the nightmarish fire drill? (See above.) Definitely not. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Are+Kanye+West+And+Michael+Scott+From+%27The+Office%27+The+Same+Person%3F+Yes.&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "The Internet has a great way of merging pieces of pop culture that may seem disparate — to wit, one Kanye West fan is using scenes from the hit NBC comedy to review the Chicago rapper's discography. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>An enterprising YouTube user, MrBroks00, took the time to make a primer on Kanye West’s sonically disparate discography by using a selection of timeless scenes from \u003cem>The Office \u003c/em>as conceptual analogues.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PZBWI5vz2Hg'\n title='//www.youtube.com/embed/PZBWI5vz2Hg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There’s a profound discovery to be made when these strange bedfellows link up — Michael Scott and Kanye West, it turns out, are two peas in an idiosyncratic pod. Michael’s need to be respected turns out to be an fitting descriptor of \u003cem>My Beautiful Dark Twisted Fantasy \u003c/em>and Kanye West’s overall public persona. \u003c/p>\n\u003cp>Still lost? If you need a quick brushing up on your \u003cem>Office \u003c/em>and/or Yeezy knowledge\u003cem>,\u003c/em> here’s here’s how to decipher the meaning between the corresponding scenes and albums. \u003c/p>\n\u003cp>\u003cem>\u003cstrong>The College Dropout, \u003c/strong>\u003c/em> \u003cstrong>Season 4, Episode 7 and 8: “Money”\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Kanye West’s Grammy-winning debut album, \u003cem>The College Dropout\u003c/em>, chronicles a young black man skipping Chi-town to make beats and abandoning the hopes of his mother in the process. In “Money,” Michael Scott hops a train because the dude can’t budget responsibly. Ergo, “blow and dodge.” \u003c/p>\n\u003cp>\u003cem>\u003cstrong>Late Registration\u003c/strong>\u003c/em>, \u003cstrong>Season 1, Episode 5: “Basketball”\u003c/strong>\u003c/p>\n\u003cp>On \u003cem>Late Registration\u003c/em>, West broadens his sonic palette beyond nostalgia-heavy sampling to incorporate jazz lines, funk staples and a wealth of stunning classical flourishes in his productions with the help of legendary producer and composer Jon Brion. It’s not quite like jazz, but then again, neither is basketball. \u003c/p>\n\u003cp>\u003cem>\u003cstrong>Graduation, \u003c/strong>\u003c/em>\u003cstrong>Season 9, Episode 8: “The Target”\u003c/strong>\u003c/p>\n\u003cp>Kanye scraps the lush, jazzy soundscapes in \u003cem>Late Registration\u003c/em> for \u003cem>Graduation’s \u003c/em>extravagant, stadium-trotting pop-rap, \u003ca href=\"https://www.rollingstone.com/music/news/kanye-vs-50-cent-20070906\">squashing beefs\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=YQYslaA1Lus\">setting trends\u003c/a> once it dropped. It was a hit, selling 957,000 copies in its first week alone. But West’s abandonment of the warmth and introspection that came to define his early sound alienated \u003ca href=\"http://www.nytimes.com/2007/09/05/arts/music/05west.html\">a select faction of fans and critics alike\u003c/a>. (Besides, Angela likely enjoys Kanye West about as much as she does jazz musicianship, which is to say not very.) \u003c/p>\n\u003cfigure id=\"attachment_13827928\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-800x450.jpg\" alt=\"Steve Carrell as Michael Scott on the set of 'The Office' in 2008.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13827928\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-138461032_wide-64fa9766c5ad989e83964e85077ed4c1e3be7b24.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Steve Carrell as Michael Scott on the set of ‘The Office’ in 2008. \u003ccite>(NBC/NBC via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>\u003cstrong>808s & Heartbreak, \u003c/strong>\u003c/em>\u003cstrong>Season 5, Episode 4: “Local Ad”\u003c/strong>\u003c/p>\n\u003cp>Dropping the subdued, ballad-heavy \u003cem>808s & Heartbreak\u003c/em> only a year after the celebratory, party-rap fest Graduation ended in whiplash for plenty of Yeezy’s devotees. It made sense for Kanye: \u003cem>808s\u003c/em> was an emotional bloodletting after a much-publicized split with his fianceé, designer Alexis Phifer and the death of his mother, Donda West. But, Michael’s protestation wasn’t wrong: “I was under the impression that this was gonna be a rap.”\u003c/p>\n\u003cp>\u003cem>\u003cstrong>My Beautiful Dark Twisted Fantasy, \u003c/strong>\u003c/em>\u003cstrong>Season 4, Episode 1: “Fun Run” \u003c/strong>\u003c/p>\n\u003cp>Michael’s indelible monologue is the perfect thesis for \u003cem>My Beautiful Dark Twisted Fantasy\u003c/em>, West’s critically revered opus. They both cast themselves as the villain in their own stories, West after a public excommunication from the general public’s good graces after the 2009 MTV Video Music Awards, Scott after running Meredith over in the Dunder Mifflin parking lot. Indeed, no one man should have all that power. \u003c/p>\n\u003cp>\u003cstrong>\u003cem>Watch The Throne\u003c/em>\u003c/strong>\u003cstrong>, Season 3, Episode 8: “The Merger”\u003c/strong>\u003c/p>\n\u003cp>In the canon of seminal rap duos, there’s Eric B. and Rakim, Mos Def and Talib Kweli, Bun B and Pimp C, Prodigy and Havoc, Big Boi and 3000, Pusha and Malice, Jay and Ye and…Dwight and Michael. (“Lazy Scranton” is low-key a banger.) \u003c/p>\n\u003cp>\u003cem>\u003cstrong>Yeezus\u003c/strong>\u003c/em>\u003cstrong>,\u003c/strong>\u003cem>\u003cstrong> \u003c/strong>\u003c/em>\u003cstrong>Season 5, Episodes 14 and 15: “Stress Relief”\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=Shoej-GlMbw\">Listen to the first thirty seconds of “On Sight,” the opening number to \u003cem>Yeezus\u003c/em>\u003c/a>\u003cem>. \u003c/em>Now, watch Dwight’s impromptu fire drill.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Life of Pablo\u003c/strong>\u003c/em>\u003cstrong>,\u003c/strong>\u003cem>\u003cstrong> \u003c/strong>\u003c/em>\u003cstrong>Season 5, Episodes 14 and 15: “Stress Relief”\u003c/strong> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Life of Pablo \u003c/em>was a living, breathing work broadcast in real time, \u003ca href=\"http://www.xxlmag.com/news/2016/06/kanye-west-the-life-of-pablo-changes/\">as West released version after version of the album as he saw necessary.\u003c/a> Did he know what to do? Probably. Did Michael know what to do after Stanley suffered a heart attack after the nightmarish fire drill? (See above.) Definitely not. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Are+Kanye+West+And+Michael+Scott+From+%27The+Office%27+The+Same+Person%3F+Yes.&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Former \u003cem>Sex And the City\u003c/em> star Cynthia Nixon said on Twitter Monday that she’ll challenge Gov. Andrew Cuomo in New York’s Democratic primary in September.\u003c/p>\n\u003cp>Her announcement sets up a race pitting an openly gay liberal activist against a two-term incumbent with a $30 million war chest and possible presidential ambitions.\u003c/p>\n\u003cp>In a video on Twitter, the public education advocate said, “We want our government to work again.”\u003c/p>\n\u003cp>https://twitter.com/CynthiaNixon/status/975794613221982209\u003c/p>\n\u003cp>Nixon in recent speeches has called on Democrats nationally to carve out a strong liberal identity instead of being merely the “anti-Trump party.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The 51-year-old Manhattan mother of three is an ally of Democratic New York City Mayor Bill de Blasio, who frequently clashes with Cuomo on various issues.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The 60-year-old Cuomo was favored 66 percent to 19 percent over Nixon in a recent Siena College poll.\u003c/p>\n\n",
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"content": "\u003cp>Former President Barack Obama is in negotiations with Netflix to produce a series of high-profile shows, according to a story in \u003ca href=\"https://www.nytimes.com/2018/03/08/us/politics/obama-netflix-shows.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=first-column-region®ion=top-news&WT.nav=top-news\" target=\"_blank\" rel=\"noopener\">The New York Times\u003c/a>.\u003c/p>\n\u003cp>The paper, citing people who are familiar with the “advanced” discussions, reports:\u003c/p>\n\u003cblockquote>\n\u003cp data-para-count=\"319\" data-total-count=\"579\">“Under terms of a proposed deal, which is not yet final, Netflix would pay Mr. Obama and his wife, Michelle, for exclusive content that would be available only on the streaming service, which has nearly 118 million subscribers around the world. The number of episodes and the formats for the shows have not been decided.\u003c/p>\n\u003cp data-para-count=\"275\" data-total-count=\"854\">“Mr. Obama does not intend to use his Netflix shows to directly respond to President Trump or conservative critics, according to people familiar with discussions about the programming. They said the Obamas had talked about producing shows that highlight inspirational stories.”\u003c/p>\n\u003c/blockquote>\n\u003cp data-para-count=\"275\" data-total-count=\"854\">Multiple show concepts are under consideration.\u003c/p>\n\u003cp data-para-count=\"294\" data-total-count=\"1895\">In one possible show idea, Obama could moderate conversations on topics that dominated his presidency — health care, voting rights, immigration, foreign policy, climate change — and that have continued to divide a polarized American electorate during President Trump’s time in office.\u003c/p>\n\u003cp data-para-count=\"296\" data-total-count=\"2191\">Another program could feature the former first lady on topics, like nutrition, that she championed in the White House. The Obamas could also lend their brand — and their endorsement — to documentaries or fictional programming on Netflix that align with their beliefs and values.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp data-para-count=\"296\" data-total-count=\"2191\">It’s unclear how much the Obamas would be paid. Executives from Apple and Amazon, which have their own streaming services, are said to have expressed interest in talking with the former president about content deals.\u003c/p>\n\u003cp data-para-count=\"275\" data-total-count=\"854\">“President and Mrs. Obama have always believed in the power of storytelling to inspire,” Eric Schultz, a senior adviser to the former president, told the T\u003cem>imes\u003c/em> Thursday.\u003c/p>\n\u003cp data-para-count=\"275\" data-total-count=\"854\">“Throughout their lives, they have lifted up stories of people whose efforts to make a difference are quietly changing the world for the better. As they consider their future personal plans, they continue to explore new ways to help others tell and share their stories,” Schultz said.\u003c/p>\n\u003cp data-para-count=\"275\" data-total-count=\"854\">A Netflix spokesman declined to comment to media organizations.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp data-para-count=\"275\" data-total-count=\"854\">Netflix reports that they have more than 117 million subscribers, 55 million of whom are in the U.S. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Obama+In+Talks+To+Produce+Shows+For+Netflix%2C+Report+Says&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Former President Barack Obama is in negotiations with Netflix to produce a series of high-profile shows, according to a story in \u003ca href=\"https://www.nytimes.com/2018/03/08/us/politics/obama-netflix-shows.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=first-column-region®ion=top-news&WT.nav=top-news\" target=\"_blank\" rel=\"noopener\">The New York Times\u003c/a>.\u003c/p>\n\u003cp>The paper, citing people who are familiar with the “advanced” discussions, reports:\u003c/p>\n\u003cblockquote>\n\u003cp data-para-count=\"319\" data-total-count=\"579\">“Under terms of a proposed deal, which is not yet final, Netflix would pay Mr. Obama and his wife, Michelle, for exclusive content that would be available only on the streaming service, which has nearly 118 million subscribers around the world. The number of episodes and the formats for the shows have not been decided.\u003c/p>\n\u003cp data-para-count=\"275\" data-total-count=\"854\">“Mr. Obama does not intend to use his Netflix shows to directly respond to President Trump or conservative critics, according to people familiar with discussions about the programming. They said the Obamas had talked about producing shows that highlight inspirational stories.”\u003c/p>\n\u003c/blockquote>\n\u003cp data-para-count=\"275\" data-total-count=\"854\">Multiple show concepts are under consideration.\u003c/p>\n\u003cp data-para-count=\"294\" data-total-count=\"1895\">In one possible show idea, Obama could moderate conversations on topics that dominated his presidency — health care, voting rights, immigration, foreign policy, climate change — and that have continued to divide a polarized American electorate during President Trump’s time in office.\u003c/p>\n\u003cp data-para-count=\"296\" data-total-count=\"2191\">Another program could feature the former first lady on topics, like nutrition, that she championed in the White House. The Obamas could also lend their brand — and their endorsement — to documentaries or fictional programming on Netflix that align with their beliefs and values.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp data-para-count=\"296\" data-total-count=\"2191\">It’s unclear how much the Obamas would be paid. Executives from Apple and Amazon, which have their own streaming services, are said to have expressed interest in talking with the former president about content deals.\u003c/p>\n\u003cp data-para-count=\"275\" data-total-count=\"854\">“President and Mrs. Obama have always believed in the power of storytelling to inspire,” Eric Schultz, a senior adviser to the former president, told the T\u003cem>imes\u003c/em> Thursday.\u003c/p>\n\u003cp data-para-count=\"275\" data-total-count=\"854\">“Throughout their lives, they have lifted up stories of people whose efforts to make a difference are quietly changing the world for the better. As they consider their future personal plans, they continue to explore new ways to help others tell and share their stories,” Schultz said.\u003c/p>\n\u003cp data-para-count=\"275\" data-total-count=\"854\">A Netflix spokesman declined to comment to media organizations.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp data-para-count=\"275\" data-total-count=\"854\">Netflix reports that they have more than 117 million subscribers, 55 million of whom are in the U.S. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Obama+In+Talks+To+Produce+Shows+For+Netflix%2C+Report+Says&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "It's a Beautiful 50th Birthday for 'Mister Rogers' Neighborhood'",
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"content": "\u003cp>\u003ciframe loading=\"lazy\" src=\"https://www.npr.org/player/embed/1178498/1178499\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\">\u003c/iframe>\u003c/p>\n\u003cp>Fifty years ago Monday,\u003cstrong> \u003c/strong>when Fred Rogers showed up on national public television as the host of what then was a brand new children’s show called \u003cem>Mister Rogers’ Neighborhood,\u003c/em> TV was a lot different. PBS wasn’t even a network then — not by that name, anyway — and aside from CBS, NBC and ABC, there were only a few independent local channels to watch, if that.\u003c/p>\n\u003cp>But 50 years ago, young kids were pretty much the same. I interviewed Fred Rogers a few times over the years, and one time I asked him about the secret of his success — why his slow, deliberate manner of relating to children, and why seeming to look at them and talk to them directly through the TV lens, connected so strongly with young viewers. This is what he told me:\u003c/p>\n\u003cblockquote>\n\u003cp>Every one of us longs to be in touch with honesty. … I think we’re really attracted to people who will share some of their real self with us.\u003c/p>\n\u003c/blockquote>\n\u003cp>Rogers shared his real self with us from that very first day of \u003cem>Mister Rogers’ Neighborhood,\u003c/em> on Feb. 19, 1968, when he went national on public TV, removed his jacket and dress shoes, slipped on a sweater and sneakers and talked gently about tying shoelaces.\u003c/p>\n\u003cp>\u003cem>Mister Rogers’ Neighborhood\u003c/em> was all about encouragement and support. It loved to educate kids a little, inspire them a lot and, when necessary, calm them down a bit about what may be unspoken fears.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>That first week of \u003cem>Mister Rogers\u003c/em> was about change — even in the Neighborhood of Make Believe, where a puppet ruler named King Friday XIII was upset that his subjects were moving their homes around his kingdom. In this week-long story, King Friday becomes so upset that he orders a big wall to be built around the castle to keep everyone out. But eventually, the ruler decides he had nothing to fear and takes down the wall.\u003c/p>\n\u003cp>That was a reassuring story then, and Fred Rogers had hundreds of others. He could calm little kids by telling them they were too big to slip down the bathtub drain, but he also tackled more serious subjects.\u003c/p>\n\u003cp>In the summer of 1968, he took to prime time and had one of his most beloved hand puppet characters, Daniel Striped Tiger, asking for a definition of the word “assassination.” Robert F. Kennedy had just been shot and killed — and Rogers thought even very little children would pick up on how upset the grown-ups around them were, and deserved to be talked to and reassured a little.\u003c/p>\n\u003cp>And at a time when, once again, politicians are talking about defunding public television, it should be noted that Rogers went to Washington to testify before Congress in 1969 about why public TV was so important to young viewers — and to beg for $20 million in public funding.\u003c/p>\n\u003cp>Rogers appeared before gruff committee chair Sen. John Pastore. He described his show, sang a song and recited some poetry — and when he finished, the senator told him he’d earned the $20 million.\u003c/p>\n\u003cp>Fifty years later, the work and legacy of Fred Rogers has not been forgotten. The Fred Rogers Center, where I currently serve on the advisory board, aims to seek out and support new approaches to education and entertainment in the Rogers spirit.\u003c/p>\n\u003cp>The TV company that bears his name continues to produce programs, including the animated\u003cem> Daniel Tiger’s Neighborhood\u003c/em>. You can still get boxed DVD sets of some of the \u003cem>Mister Rogers\u003c/em> shows and specials, which ran on PBS until 2001, two years before his death.\u003c/p>\n\u003cp>And in this golden anniversary year of \u003cem>Mister Rogers’ Neighborhood\u003c/em>, there are many other plans afoot. Monday in his hometown, Latrobe, Pa., St. Vincent College is scheduled to host a screening of the very first \u003cem>Neighborhood\u003c/em> episode. The PBS KIDS network plans to pair other vintage episodes of \u003cem>Mister Rogers’ Neighborhood\u003c/em> with their cartoon \u003cem>Daniel Tig\u003c/em>er equivalents. PBS will also present a retrospective special salute in March, and a new documentary, Morgan Neville’s \u003cem>Won’t You Be My Neighbor?\u003c/em>, is scheduled to be released in theaters nationwide in June.\u003c/p>\n\u003cp>There’s a new biography due in September, the U.S. Postal Service is \u003ca href=\"https://www.npr.org/2018/02/07/583970831/mister-rogers-will-appear-forever-on-a-stamp\">issuing a Fred Rogers stamp\u003c/a> and it’s just been announced that \u003ca href=\"http://variety.com/2018/film/news/tom-hanks-mr-rogers-you-are-my-friend-tristar-1202676746/\">there’s a movie in the works\u003c/a>, with Tom Hanks set to play Rogers. That’s kind of perfect: One of the most-loved children’s hosts in TV history played by one of the most-loved actors in movie history.\u003c/p>\n\u003cp>It’s a lot of fuss, especially for a man who didn’t like to draw attention to himself. But Rogers deserves it. And today, our children’s children still deserve — and need — Fred Rogers.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Click the audio link above to hear Terry Gross’ 1984 interview with Rogers. \u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=It%27s+A+Beautiful+50th+Birthday+For+%27Mister+Rogers%27+Neighborhood%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>That first week of \u003cem>Mister Rogers\u003c/em> was about change — even in the Neighborhood of Make Believe, where a puppet ruler named King Friday XIII was upset that his subjects were moving their homes around his kingdom. In this week-long story, King Friday becomes so upset that he orders a big wall to be built around the castle to keep everyone out. But eventually, the ruler decides he had nothing to fear and takes down the wall.\u003c/p>\n\u003cp>That was a reassuring story then, and Fred Rogers had hundreds of others. He could calm little kids by telling them they were too big to slip down the bathtub drain, but he also tackled more serious subjects.\u003c/p>\n\u003cp>In the summer of 1968, he took to prime time and had one of his most beloved hand puppet characters, Daniel Striped Tiger, asking for a definition of the word “assassination.” Robert F. Kennedy had just been shot and killed — and Rogers thought even very little children would pick up on how upset the grown-ups around them were, and deserved to be talked to and reassured a little.\u003c/p>\n\u003cp>And at a time when, once again, politicians are talking about defunding public television, it should be noted that Rogers went to Washington to testify before Congress in 1969 about why public TV was so important to young viewers — and to beg for $20 million in public funding.\u003c/p>\n\u003cp>Rogers appeared before gruff committee chair Sen. John Pastore. He described his show, sang a song and recited some poetry — and when he finished, the senator told him he’d earned the $20 million.\u003c/p>\n\u003cp>Fifty years later, the work and legacy of Fred Rogers has not been forgotten. The Fred Rogers Center, where I currently serve on the advisory board, aims to seek out and support new approaches to education and entertainment in the Rogers spirit.\u003c/p>\n\u003cp>The TV company that bears his name continues to produce programs, including the animated\u003cem> Daniel Tiger’s Neighborhood\u003c/em>. You can still get boxed DVD sets of some of the \u003cem>Mister Rogers\u003c/em> shows and specials, which ran on PBS until 2001, two years before his death.\u003c/p>\n\u003cp>And in this golden anniversary year of \u003cem>Mister Rogers’ Neighborhood\u003c/em>, there are many other plans afoot. Monday in his hometown, Latrobe, Pa., St. Vincent College is scheduled to host a screening of the very first \u003cem>Neighborhood\u003c/em> episode. The PBS KIDS network plans to pair other vintage episodes of \u003cem>Mister Rogers’ Neighborhood\u003c/em> with their cartoon \u003cem>Daniel Tig\u003c/em>er equivalents. PBS will also present a retrospective special salute in March, and a new documentary, Morgan Neville’s \u003cem>Won’t You Be My Neighbor?\u003c/em>, is scheduled to be released in theaters nationwide in June.\u003c/p>\n\u003cp>There’s a new biography due in September, the U.S. Postal Service is \u003ca href=\"https://www.npr.org/2018/02/07/583970831/mister-rogers-will-appear-forever-on-a-stamp\">issuing a Fred Rogers stamp\u003c/a> and it’s just been announced that \u003ca href=\"http://variety.com/2018/film/news/tom-hanks-mr-rogers-you-are-my-friend-tristar-1202676746/\">there’s a movie in the works\u003c/a>, with Tom Hanks set to play Rogers. That’s kind of perfect: One of the most-loved children’s hosts in TV history played by one of the most-loved actors in movie history.\u003c/p>\n\u003cp>It’s a lot of fuss, especially for a man who didn’t like to draw attention to himself. But Rogers deserves it. And today, our children’s children still deserve — and need — Fred Rogers.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Click the audio link above to hear Terry Gross’ 1984 interview with Rogers. \u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=It%27s+A+Beautiful+50th+Birthday+For+%27Mister+Rogers%27+Neighborhood%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Jeffrey Tambor, Emmy-winning star of \u003cem>Transparent\u003c/em>, will not be returning to the cast for the show’s upcoming fifth season. Amazon Studios confirmed the actor’s departure to NPR on Thursday.\u003c/p>\n\u003cp>The announcement comes several months after multiple claims of sexual misconduct surfaced against Tambor, who played trans woman Maura Pfefferman in the Amazon Studio series. As NPR’s Emma Bowman \u003ca href=\"https://www.npr.org/565254200\" target=\"_blank\" rel=\"noopener\">reported in November\u003c/a>, Tambor had been accused of groping his former assistant, transgender actress Van Barnes, and making inappropriate sexual advances on transgender co-star Trace Lysette.\u003c/p>\n\u003cp>“I have great respect and admiration for Van Barnes and Trace Lysette, whose courage in speaking out about their experience on \u003cem>Transparent \u003c/em>is an example of the leadership this moment in our culture requires,” show creator and co-writer Jill Soloway said in a statement to NPR.\u003c/p>\n\u003cp>“We are grateful to the many trans people who have supported our vision for \u003cem>Transparent \u003c/em>since its inception,” Soloway continued, “and remain heartbroken about the pain and mistrust their experience has generated in our community. We are taking definitive action to ensure our workplace respects the safety and dignity of every individual, and are taking steps to heal as a family.”\u003c/p>\n\u003cp>Tambor has apologized for any inadvertent misbehavior but has denied the allegations against him, which he called “simply and utterly untrue.” And even in November, he signaled in a statement that his time with the show may be ending: “Given the politicized atmosphere that seems to have afflicted our set, I don’t see how I can return to ‘Transparent.’ ”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Both Tambor and Soloway have won multiple Emmys for their work on the show — Tambor for lead acting and Soloway for directing \u003ca href=\"https://www.emmys.com/shows/transparent\">in 2015 and 2016\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Amazon Studios did not immediately comment further beyond confirming the move. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Jeffrey+Tambor+Officially+Exits+%27Transparent%27+Following+Claims+Of+Misconduct&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Jeffrey Tambor, Emmy-winning star of \u003cem>Transparent\u003c/em>, will not be returning to the cast for the show’s upcoming fifth season. Amazon Studios confirmed the actor’s departure to NPR on Thursday.\u003c/p>\n\u003cp>The announcement comes several months after multiple claims of sexual misconduct surfaced against Tambor, who played trans woman Maura Pfefferman in the Amazon Studio series. As NPR’s Emma Bowman \u003ca href=\"https://www.npr.org/565254200\" target=\"_blank\" rel=\"noopener\">reported in November\u003c/a>, Tambor had been accused of groping his former assistant, transgender actress Van Barnes, and making inappropriate sexual advances on transgender co-star Trace Lysette.\u003c/p>\n\u003cp>“I have great respect and admiration for Van Barnes and Trace Lysette, whose courage in speaking out about their experience on \u003cem>Transparent \u003c/em>is an example of the leadership this moment in our culture requires,” show creator and co-writer Jill Soloway said in a statement to NPR.\u003c/p>\n\u003cp>“We are grateful to the many trans people who have supported our vision for \u003cem>Transparent \u003c/em>since its inception,” Soloway continued, “and remain heartbroken about the pain and mistrust their experience has generated in our community. We are taking definitive action to ensure our workplace respects the safety and dignity of every individual, and are taking steps to heal as a family.”\u003c/p>\n\u003cp>Tambor has apologized for any inadvertent misbehavior but has denied the allegations against him, which he called “simply and utterly untrue.” And even in November, he signaled in a statement that his time with the show may be ending: “Given the politicized atmosphere that seems to have afflicted our set, I don’t see how I can return to ‘Transparent.’ ”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Both Tambor and Soloway have won multiple Emmys for their work on the show — Tambor for lead acting and Soloway for directing \u003ca href=\"https://www.emmys.com/shows/transparent\">in 2015 and 2016\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Amazon Studios did not immediately comment further beyond confirming the move. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Jeffrey+Tambor+Officially+Exits+%27Transparent%27+Following+Claims+Of+Misconduct&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Jamedra Brown Fleischman is back as co-host this week, with her twins adding to the fun, watching from the control room of the studio. The picks this week are a reminder that we’re deep into Black History Month, but every month should feature such deeply intriguing and emotionally satisfying music and theater. Take a listen.\u003c/p>\n\u003cp>\u003cstrong>Feb. 22-24: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/what-viewers-didnt-see-changed-everything/\" target=\"_blank\" rel=\"noopener\">A musical performance about the troubling history of blackface, Ben Vereen and the 1981 Reagan Inauguration\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 14-17:\u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/the-effortlessly-hip-comedy-of-zainab-johnson/\" target=\"_blank\" rel=\"noopener\"> The effortlessly funny hipness of Zainab Johnson\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 22-24:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/wp-admin/post.php?post=13824549&action=edit\" target=\"_blank\" rel=\"noopener\">The long pauses of funnyman Ron Funches\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 22 and 28\u003c/strong>:\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/rapper-caleborate-is-still-a-real-person-despite-his-success/\" target=\"_blank\" rel=\"noopener\"> Rapper Caleborate still a “real person,” despite success\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Feb. 25: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/all-welcome-at-a-parade-of-black-joy-in-oakland/\" target=\"_blank\" rel=\"noopener\">A parade and street fair promise an afternoon of black joy\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct. 17-March 11: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/tales-of-seeking-sanctuary-woven-into-36-rugs-at-fort-mason/\" target=\"_blank\" rel=\"noopener\">For-Site gathers an exhibition of beautiful rugs on the theme of sanctuary for refugees\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 19 and 26: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/14/garage-rock-band-the-coathangers-have-plenty-to-be-pissed-off-about/\" target=\"_blank\" rel=\"noopener\">The Coathangers rock out with songs about men and other irritants\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb 19, 22, and 23: \u003c/strong>\u003ca href=\"http://www.leeannwomack.com/p/tour-dates\" target=\"_blank\" rel=\"noopener\">Lee Ann Womack brings her earthy Texas country rock to the Bay Area\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Feb. 18:\u003c/strong> \u003ca href=\"https://www.belovedoakland.org/\" target=\"_blank\" rel=\"noopener\">Beloved Oakland is a chance to celebrate The Town and some of its civic and artistic leaders at the Paramount\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13824627\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13824627\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-800x601.jpg\" alt=\"\" width=\"800\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1920x1442.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1180x886.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-960x721.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-375x282.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-520x391.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1.jpg 2048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A rug designed by Ammar al-Beik in For-Site’s show ‘Sanctuary’ at the Fort Mason Chapel \u003ccite>(Photo: Robert Divers Herrick/For-Site Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/bbc-world-service",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"here-and-now": {
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
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"order": 18
},
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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