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"content": "\u003cp>In California, manicures are big business. Nail services nationwide represent a booming $8.3 billion industry that hit a record high in 2013. For Southern California graphic designers, illustrators and painters, nail art is a way to make some money off their work.\u003c/p>\n\u003cp>In a tiny West Hollywood studio apartment, nail artists Natalie Minerva and Britney Tokyo sit with a friend and client, Roxy Ferrari. Tokyo pulls out a binder thick with nail decals and slides it across the table to Ferrari, who lands on a design by local artist Ana Guajardo. “Oh my God. I have to,” Ferrari laughs, selecting her decals. “She has Biggie Smalls stickers, that’s awesome. He’s giving a face for sure. He’s mean mugging.”\u003c/p>\n\u003cp>Tokyo gets to work filing Ferrari’s nails, shaping her cuticles and applying a few decals of 1990s rap icon.\u003c/p>\n\u003cp>Guajardo, an L.A.-based graphic designer who made the Biggie decals, started her business, \u003ca href=\"http://www.etsy.com/shop/chachacovers\">Cha Cha Covers\u003c/a>, a few years ago. She was up late one night watching YouTube videos about nail art when she came up with an idea for a new product. “A light bulb went off in my head,” Guajardo said. “I was thinking, ‘Oh my gosh, can you imagine the Virgin of Guadalupe on your nails? Or Frida Kahlo on your nails?’ What that would look like?”\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/chachanails-1.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Ana Guajardo of Cha Cha Covers applies decals to her 6-year-old daughter Fatima’s nails. She designed a vintage sweater pattern and snowman for the occasion. Photo: Caitlin Esch/KQED\u003cbr>\u003c/center>\n\u003cp>Guajardo wanted to create a line that reflected her style as a 30-something, Mexico-born, Texas-bred, L.A. resident, nostalgic for the hip-hop fashions of her youth. “Our identity is so much more complex than what you see on these major Spanish-language networks,” she said. “And I think what I’m doing, it really speaks to like being bicultural in the U.S.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Guajardo’s decals are mashups of Mexican iconography and pop culture: Day of the Dead sugar skulls, Mexican wrestlers and papel picados — those cutout paper flags — mixed with images of pop stars like Morrissey. “I chopped off his head and added a little papel picado flag underneath and created a Morrissey bust,” Guajardo said, pointing to one of her most popular designs.\u003c/p>\n\u003cp>Guajardo designs, prints and packages the decals from home. She sells them online for about $6 a set. She uses some public domain images. Others, she significantly alters to avoid copyright issues.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/chachanails-2.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Photo: Caitlin Esch/KQED\u003cbr>\u003c/center>\n\u003cp>Guajardo’s designs are popular among nail artists who take her decals and add paint, charms and designs during custom manicures. But is nail art really art? “Yeah, I believe nail art is art,” said Chelsea Kent, owner and operator of Scratch Nail Wraps, a company that partners with graphic designers, illustrators and painters to produce collections of nail decals. “It means they get to reach more of their audience with their piece of work,” Kent said. “So, for example, instead of one painting — 500-plus people could be wearing that one painting on their nails.”\u003c/p>\n\u003cp>Back in West Hollywood, nail artist Natalie Minerva said she also considers a good manicure a form of art. “I think most nail artists, we’re visual people to begin with, and (we) had other outlets and then found this and were like, wait, this is an amazing outlet for art, and I can get paid every day for doing it.”\u003c/p>\n\u003cp>After 90 minutes, Roxy Ferrari’s manicure is complete. “I love my nails,” she said. “They look very glamorous. Like, rich, glamorous.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Business is growing so fast for Guajardo that she can barely keep up with demand. Soon, she hopes to turn her do-it-yourself side project into a full-time job.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Guajardo’s decals are mashups of Mexican iconography and pop culture: Day of the Dead sugar skulls, Mexican wrestlers and papel picados — those cutout paper flags — mixed with images of pop stars like Morrissey. “I chopped off his head and added a little papel picado flag underneath and created a Morrissey bust,” Guajardo said, pointing to one of her most popular designs.\u003c/p>\n\u003cp>Guajardo designs, prints and packages the decals from home. She sells them online for about $6 a set. She uses some public domain images. Others, she significantly alters to avoid copyright issues.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/chachanails-2.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Photo: Caitlin Esch/KQED\u003cbr>\u003c/center>\n\u003cp>Guajardo’s designs are popular among nail artists who take her decals and add paint, charms and designs during custom manicures. But is nail art really art? “Yeah, I believe nail art is art,” said Chelsea Kent, owner and operator of Scratch Nail Wraps, a company that partners with graphic designers, illustrators and painters to produce collections of nail decals. “It means they get to reach more of their audience with their piece of work,” Kent said. “So, for example, instead of one painting — 500-plus people could be wearing that one painting on their nails.”\u003c/p>\n\u003cp>Back in West Hollywood, nail artist Natalie Minerva said she also considers a good manicure a form of art. “I think most nail artists, we’re visual people to begin with, and (we) had other outlets and then found this and were like, wait, this is an amazing outlet for art, and I can get paid every day for doing it.”\u003c/p>\n\u003cp>After 90 minutes, Roxy Ferrari’s manicure is complete. “I love my nails,” she said. “They look very glamorous. Like, rich, glamorous.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Business is growing so fast for Guajardo that she can barely keep up with demand. Soon, she hopes to turn her do-it-yourself side project into a full-time job.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It’s that time of year again. Award show season is here and the Golden Globes have kicked it off in customarily repetitive red carpet style. All the men wore suits, attempting to pass themselves off as an army of 007 clones, and the women wore miniaturized parade floats, seen in-person by a sea of camera lenses, then sorted into various categories by fashion gurus the Internet over. It was quite the affair. Now through March we can expect the usual steady supply of shows: the SAGs, the Grammys, and of course it all wraps up with the season’s crowning jewel — the Oscars. New year, same old thank you speeches to God, mom, producers and personal trainers, for all we know.\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://media0.giphy.com/media/12wPElEkteoJUY/giphy.gif\" width=\"500\" height=\"264\" alt=\"Source: giphy.com\" class>\u003cfigcaption class=\"wp-caption-text\">Source: giphy.com\u003c/figcaption>\u003c/figure>\n\u003cp>But if actors in fancy outfits aren’t really your thing, there’s a new award show this year that might strike your fancy: the .GIFYs, the worlds first award show for gifs. The Internet is full of them. We use them to add emotion to text, enjoy little moments in infinite loops, and revel in the balm of repetition. Gifs are a pillar of Internet fandoms, are being used as educational tools, and are central to digital art. But with a near-infinite supply of gifs to pick from, where do you start? The .GIFYs assembled a team of Internet-obsessed writers and editors from Buzzfeed, The Daily Dot, Engadget, Gawker, Joystiq, Mashable, Tumblr and more. These panelists compiled a list of the top gifs they have come across in a plethora of categories: Animals, Art and Design, Film and Television, Reaction, WTF, Can’t Look Away, News and Politics and, the Internet’s favorite category of all: Cats.\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://media2.giphy.com/media/UslGBU1GPKc0g/giphy.gif\" width=\"500\" height=\"279\" alt=\"Source: giphy.com\" class>\u003cfigcaption class=\"wp-caption-text\">Source: giphy.com\u003c/figcaption>\u003c/figure>\n\u003cp>This isn’t the Internet’s first try at awards. \u003ca href=\"http://www.webbyawards.com/\">The Webbys\u003c/a> manage to hand out a wide range of accolades without all the pomp and teary acceptance speeches, but The .GIFYs are taking it a step further. This award show promotes and rewards the gifs themselves without all those pesky people involved. It might seem a bit ignominious to cut out the human element, but with most of these images, it remains pretty nebulous who might deserve credit. When ‘Weather Woman Hit by Stop Sign’ wins gif of the year, who should accept the prize, thanking God and family at the podium until the times-up music ushers them backstage? The storm? The stop sign? Holly Ellenbogen, the weather woman? The cameraman? The news channel? The person who made the gif? The share that made the gif go viral? An argument could be made for any one of these and more.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://209.160.41.119/d/364/102/1f5nk6twik/1336536903.gif\" width=\"500\" height=\"258\" class=\"aligncenter\">\u003c/p>\n\u003cp>In the future, when the Internet has moved on to new file format pastures, it will be nice to reminisce about the early teens and the gifs that ruled the world. Voting starts Tuesday, January 21, 2014 at \u003ca href=\"http://thegifys.com/\">thegifys.com\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s that time of year again. Award show season is here and the Golden Globes have kicked it off in customarily repetitive red carpet style. All the men wore suits, attempting to pass themselves off as an army of 007 clones, and the women wore miniaturized parade floats, seen in-person by a sea of camera lenses, then sorted into various categories by fashion gurus the Internet over. It was quite the affair. Now through March we can expect the usual steady supply of shows: the SAGs, the Grammys, and of course it all wraps up with the season’s crowning jewel — the Oscars. New year, same old thank you speeches to God, mom, producers and personal trainers, for all we know.\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://media0.giphy.com/media/12wPElEkteoJUY/giphy.gif\" width=\"500\" height=\"264\" alt=\"Source: giphy.com\" class>\u003cfigcaption class=\"wp-caption-text\">Source: giphy.com\u003c/figcaption>\u003c/figure>\n\u003cp>But if actors in fancy outfits aren’t really your thing, there’s a new award show this year that might strike your fancy: the .GIFYs, the worlds first award show for gifs. The Internet is full of them. We use them to add emotion to text, enjoy little moments in infinite loops, and revel in the balm of repetition. Gifs are a pillar of Internet fandoms, are being used as educational tools, and are central to digital art. But with a near-infinite supply of gifs to pick from, where do you start? The .GIFYs assembled a team of Internet-obsessed writers and editors from Buzzfeed, The Daily Dot, Engadget, Gawker, Joystiq, Mashable, Tumblr and more. These panelists compiled a list of the top gifs they have come across in a plethora of categories: Animals, Art and Design, Film and Television, Reaction, WTF, Can’t Look Away, News and Politics and, the Internet’s favorite category of all: Cats.\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://media2.giphy.com/media/UslGBU1GPKc0g/giphy.gif\" width=\"500\" height=\"279\" alt=\"Source: giphy.com\" class>\u003cfigcaption class=\"wp-caption-text\">Source: giphy.com\u003c/figcaption>\u003c/figure>\n\u003cp>This isn’t the Internet’s first try at awards. \u003ca href=\"http://www.webbyawards.com/\">The Webbys\u003c/a> manage to hand out a wide range of accolades without all the pomp and teary acceptance speeches, but The .GIFYs are taking it a step further. This award show promotes and rewards the gifs themselves without all those pesky people involved. It might seem a bit ignominious to cut out the human element, but with most of these images, it remains pretty nebulous who might deserve credit. When ‘Weather Woman Hit by Stop Sign’ wins gif of the year, who should accept the prize, thanking God and family at the podium until the times-up music ushers them backstage? The storm? The stop sign? Holly Ellenbogen, the weather woman? The cameraman? The news channel? The person who made the gif? The share that made the gif go viral? An argument could be made for any one of these and more.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://209.160.41.119/d/364/102/1f5nk6twik/1336536903.gif\" width=\"500\" height=\"258\" class=\"aligncenter\">\u003c/p>\n\u003cp>In the future, when the Internet has moved on to new file format pastures, it will be nice to reminisce about the early teens and the gifs that ruled the world. Voting starts Tuesday, January 21, 2014 at \u003ca href=\"http://thegifys.com/\">thegifys.com\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Nothing exposes you like asking a tough question.\u003c/p>\n\u003cp>Like a boxer extending a jab, you reveal yourself in the moment, stepping aggressively to a subject in a way that also makes you vulnerable. Handle the moment badly, and like an off-balance prizefighter, you might be the one hugging the canvas after a knockout blow.\u003c/p>\n\u003cp>That’s a truth that emerged in recent days during two separate incidents at the Television Critics Association’s winter press tour — a twice–annual event where people who make television arrange long days of press conferences and cocktail parties where TV critics and reporters can ask questions about programming to come.\u003c/p>\n\u003cp>The setup is simple: Stars and producers sit on a stage in a huge meeting room and take questions from journalists who sit in the audience and are handed microphones. Usually, the biggest problem here is writers who forget to act like journalists, turned into fawning compliment machines by the aura of stars like Matthew McConaughey or Julia Roberts.\u003c/p>\n\u003cp>But occasionally, the effort to ask a tough question during a press conference filled with dozens of writers goes badly wrong, exposing the widening gulf between generations of journalists, the changing nature of arts criticism and the difficulty of expressing a complex thought in a 30-second turn at the microphone.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Jonathan Storm, a former TV critic at the \u003cem>Philadelphia Inquirer\u003c/em>, found himself on the wrong end of that dynamic when he asked MSNBC and \u003cem>Today\u003c/em> show anchor Tamron Hall how she balances her time among those two jobs for NBC and hosting a show called \u003cem>Deadline Crime\u003c/em> for Discovery channel’s Investigation Discovery.\u003c/p>\n\u003cp>Hall responded with a detailed story about how the show was inspired by her experience seeing her sister murdered; the anchor talked in a way that seemed heartfelt and emotional about guilt over once rejecting her sister for failing to disconnect from an abusive partner.\u003c/p>\n\u003cp>Storm’s response was to seek an answer to the question he actually asked: “That’s all very nice,” he said. “But can you explain the relationship between your job and NBC and your job at Discovery?”\u003c/p>\n\u003cp>The air seemed to go out of the room a bit as other critics immediately realized how far south this interaction was going. Hall seemed to struggle with the unexpected response: “Well, let me be clear,” she replied. “To say that it’s just all very nice, when I don’t know if you’ve had a sister found murdered, but I have. So it is not meant to be nice … “\u003c/p>\n\u003cp>The interaction inspired a flurry of tweets from other critics praising Hall and criticizing Storm. The Huffington Post wrote a story titled “Tamron Hall Reveals Details of Sister’s Murder, Gets Awful Response from Reporter,” while Mediaite’s story was headlined “\u003ca href=\"http://www.mediaite.com/online/msnbc%E2%80%99s-tamron-hall-opens-up-about-sister%E2%80%99s-murder-at-tv-event-gets-shocking-response/\" target=\"_blank\" rel=\"noopener\">MSNBC’s Tamron Hall Opens Up about Sister’s Murder at TV Event, Gets Shocking Response\u003c/a>.”\u003c/p>\n\u003cp>Storm, who retired from the \u003cem>Inquirer\u003c/em> in 2011 after 22 years, still writes as a freelance critic. He acknowledged he could have been more diplomatic in his response to Hall, but said he grew angry at what he felt was a “pre-programmed speech” the anchor had prepared to gain sympathy.\u003c/p>\n\u003cp>“I had the impression, if somebody had asked her what time is it [she would have given that speech],” said Storm, who reserves a special dislike for TV news anchors who include personal tragedies in their on-screen work.\u003c/p>\n\u003cp>He also noted that the audience at the press tour is no longer dominated by the old-school newspaper journalists who once filled the majority of Television Critics Association memberships. “It used to be [at TCA], you were in a room primarily filled with cynical reporters,” he added. “Now you’re in a room with a plurality of sympathetic fans. … I’ve learned there is a place for cynicism, but it shouldn’t necessarily rule [my thoughts] on the topic I’m covering.”\u003c/p>\n\u003cp>From my seat, it seemed Storm didn’t communicate what was really bothering him about what Hall said — in part because it is so difficult to communicate complex, controversial thoughts in this setting.\u003c/p>\n\u003cp>Tim Molloy, a writer for The Wrap website, found similar difficulties at a different press conference when trying to ask a question about how HBO’s sometimes explicit dramedy \u003cem>Girls\u003c/em> uses nudity.\u003c/p>\n\u003cp>He asked star Lena Dunham: “I don’t get the purpose of all of the nudity on the show, by you particularly, and I feel like I’m walking into a trap where you go, ‘Nobody complains about the nudity on \u003cem>Game of Thrones\u003c/em>,’ but I get why they are doing it. They are doing it to be salacious and, you know, titillate people. And your character is often naked just at random times for no reason.”\u003c/p>\n\u003cp>Dunham’s response was revealing while pushing back a little at the reporter: “It’s because it’s a realistic expression of what it’s like to be alive, I think, and I totally get it. If you are not into me, that’s your problem, and you are going to have to kind of work that out with … whatever professionals you’ve hired.”\u003c/p>\n\u003cp>But Dunham’s collaborators, executive producers Judd Apatow and Jenni Konner, were more pointed in their responses, with Apatow implying Molloy might feel bad about his own body and Konner admitting she was in a “rage spiral” over “this idea that you would talk to a woman like that and accuse a woman of showing her body too much.”\u003c/p>\n\u003cp>That’s not exactly what happened. Molloy was trying to start a conversation about how the show uses nudity. But by singling out Dunham’s nudity as particularly perplexing, he also seemed to be implying that because she doesn’t have the body of a supermodel, her nakedness wouldn’t be sexy and was shown onscreen “for no reason.”\u003c/p>\n\u003cp>I think \u003cem>Girls\u003c/em> deliberately uses the nudity of all its characters to push back against the unrealistic depictions of male and female bodies in other media. And I wish the star and producers hadn’t used an inartfully-phrased question to sidestep that valid and interesting conversation. Instead, they focused on putting down the writer, and the whole exchange became another story about a train-wreck moment during a press conference.\u003c/p>\n\u003cp>My own question about why \u003cem>Girls\u003c/em> seems to struggle with ethnic diversity, many months after Dunham admitted it’s an issue the show should address, seemed to go down easier.\u003c/p>\n\u003cp>“We didn’t add any regular cast members second season,” Dunham replied. “We were just trying to honor and serve the stories of the people that we had already introduced. And I think, third season, we are finally finding room to expand the world because we’ve sort of given you their backstories. We’ve given you their lives. But … I’ve learned so much in the past few years about, sort of, intersectionality, the way that feminism has underserved women of color. I really try to educate myself in those areas, and also, we try to just make choices that we think we never want to start a storyline that we are going to kind of let flitter off. So, now, we are finding ways to introduce people who are more lasting, because we are ready to kind of open up the worlds of these girls.”\u003c/p>\n\u003cp>The short version of that answer seemed to be: stay tuned. But that didn’t get turned into a story on AOL’s homepage in the way the dustup over nudity did.\u003c/p>\n\u003cp>The fact remains: There are few news events as odd and journalistically challenging as the TCA press tours. And as TV shows get more complex — while journalists covering them increasingly ride the line between independent critics and professional fans — our attempts to have real conversations about them will only get tougher.\u003c/p>\n\u003cp>Good thing the public gets to learn from our mistakes — even when the effort to push back on important questions gets lost in translation.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003c/p>\u003cdiv class=\"fullattribution\">Copyright 2014 NPR. To see more, visit \u003ca href=\"http://www.npr.org/\">http://www.npr.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=When+Tough+Questions+Go+Horribly+Wrong&utme=8(APIKey)9(MDAzOTIwODA0MDEyNTA4MTM1OTcyMGJmMA001)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nothing exposes you like asking a tough question.\u003c/p>\n\u003cp>Like a boxer extending a jab, you reveal yourself in the moment, stepping aggressively to a subject in a way that also makes you vulnerable. Handle the moment badly, and like an off-balance prizefighter, you might be the one hugging the canvas after a knockout blow.\u003c/p>\n\u003cp>That’s a truth that emerged in recent days during two separate incidents at the Television Critics Association’s winter press tour — a twice–annual event where people who make television arrange long days of press conferences and cocktail parties where TV critics and reporters can ask questions about programming to come.\u003c/p>\n\u003cp>The setup is simple: Stars and producers sit on a stage in a huge meeting room and take questions from journalists who sit in the audience and are handed microphones. Usually, the biggest problem here is writers who forget to act like journalists, turned into fawning compliment machines by the aura of stars like Matthew McConaughey or Julia Roberts.\u003c/p>\n\u003cp>But occasionally, the effort to ask a tough question during a press conference filled with dozens of writers goes badly wrong, exposing the widening gulf between generations of journalists, the changing nature of arts criticism and the difficulty of expressing a complex thought in a 30-second turn at the microphone.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Jonathan Storm, a former TV critic at the \u003cem>Philadelphia Inquirer\u003c/em>, found himself on the wrong end of that dynamic when he asked MSNBC and \u003cem>Today\u003c/em> show anchor Tamron Hall how she balances her time among those two jobs for NBC and hosting a show called \u003cem>Deadline Crime\u003c/em> for Discovery channel’s Investigation Discovery.\u003c/p>\n\u003cp>Hall responded with a detailed story about how the show was inspired by her experience seeing her sister murdered; the anchor talked in a way that seemed heartfelt and emotional about guilt over once rejecting her sister for failing to disconnect from an abusive partner.\u003c/p>\n\u003cp>Storm’s response was to seek an answer to the question he actually asked: “That’s all very nice,” he said. “But can you explain the relationship between your job and NBC and your job at Discovery?”\u003c/p>\n\u003cp>The air seemed to go out of the room a bit as other critics immediately realized how far south this interaction was going. Hall seemed to struggle with the unexpected response: “Well, let me be clear,” she replied. “To say that it’s just all very nice, when I don’t know if you’ve had a sister found murdered, but I have. So it is not meant to be nice … “\u003c/p>\n\u003cp>The interaction inspired a flurry of tweets from other critics praising Hall and criticizing Storm. The Huffington Post wrote a story titled “Tamron Hall Reveals Details of Sister’s Murder, Gets Awful Response from Reporter,” while Mediaite’s story was headlined “\u003ca href=\"http://www.mediaite.com/online/msnbc%E2%80%99s-tamron-hall-opens-up-about-sister%E2%80%99s-murder-at-tv-event-gets-shocking-response/\" target=\"_blank\" rel=\"noopener\">MSNBC’s Tamron Hall Opens Up about Sister’s Murder at TV Event, Gets Shocking Response\u003c/a>.”\u003c/p>\n\u003cp>Storm, who retired from the \u003cem>Inquirer\u003c/em> in 2011 after 22 years, still writes as a freelance critic. He acknowledged he could have been more diplomatic in his response to Hall, but said he grew angry at what he felt was a “pre-programmed speech” the anchor had prepared to gain sympathy.\u003c/p>\n\u003cp>“I had the impression, if somebody had asked her what time is it [she would have given that speech],” said Storm, who reserves a special dislike for TV news anchors who include personal tragedies in their on-screen work.\u003c/p>\n\u003cp>He also noted that the audience at the press tour is no longer dominated by the old-school newspaper journalists who once filled the majority of Television Critics Association memberships. “It used to be [at TCA], you were in a room primarily filled with cynical reporters,” he added. “Now you’re in a room with a plurality of sympathetic fans. … I’ve learned there is a place for cynicism, but it shouldn’t necessarily rule [my thoughts] on the topic I’m covering.”\u003c/p>\n\u003cp>From my seat, it seemed Storm didn’t communicate what was really bothering him about what Hall said — in part because it is so difficult to communicate complex, controversial thoughts in this setting.\u003c/p>\n\u003cp>Tim Molloy, a writer for The Wrap website, found similar difficulties at a different press conference when trying to ask a question about how HBO’s sometimes explicit dramedy \u003cem>Girls\u003c/em> uses nudity.\u003c/p>\n\u003cp>He asked star Lena Dunham: “I don’t get the purpose of all of the nudity on the show, by you particularly, and I feel like I’m walking into a trap where you go, ‘Nobody complains about the nudity on \u003cem>Game of Thrones\u003c/em>,’ but I get why they are doing it. They are doing it to be salacious and, you know, titillate people. And your character is often naked just at random times for no reason.”\u003c/p>\n\u003cp>Dunham’s response was revealing while pushing back a little at the reporter: “It’s because it’s a realistic expression of what it’s like to be alive, I think, and I totally get it. If you are not into me, that’s your problem, and you are going to have to kind of work that out with … whatever professionals you’ve hired.”\u003c/p>\n\u003cp>But Dunham’s collaborators, executive producers Judd Apatow and Jenni Konner, were more pointed in their responses, with Apatow implying Molloy might feel bad about his own body and Konner admitting she was in a “rage spiral” over “this idea that you would talk to a woman like that and accuse a woman of showing her body too much.”\u003c/p>\n\u003cp>That’s not exactly what happened. Molloy was trying to start a conversation about how the show uses nudity. But by singling out Dunham’s nudity as particularly perplexing, he also seemed to be implying that because she doesn’t have the body of a supermodel, her nakedness wouldn’t be sexy and was shown onscreen “for no reason.”\u003c/p>\n\u003cp>I think \u003cem>Girls\u003c/em> deliberately uses the nudity of all its characters to push back against the unrealistic depictions of male and female bodies in other media. And I wish the star and producers hadn’t used an inartfully-phrased question to sidestep that valid and interesting conversation. Instead, they focused on putting down the writer, and the whole exchange became another story about a train-wreck moment during a press conference.\u003c/p>\n\u003cp>My own question about why \u003cem>Girls\u003c/em> seems to struggle with ethnic diversity, many months after Dunham admitted it’s an issue the show should address, seemed to go down easier.\u003c/p>\n\u003cp>“We didn’t add any regular cast members second season,” Dunham replied. “We were just trying to honor and serve the stories of the people that we had already introduced. And I think, third season, we are finally finding room to expand the world because we’ve sort of given you their backstories. We’ve given you their lives. But … I’ve learned so much in the past few years about, sort of, intersectionality, the way that feminism has underserved women of color. I really try to educate myself in those areas, and also, we try to just make choices that we think we never want to start a storyline that we are going to kind of let flitter off. So, now, we are finding ways to introduce people who are more lasting, because we are ready to kind of open up the worlds of these girls.”\u003c/p>\n\u003cp>The short version of that answer seemed to be: stay tuned. But that didn’t get turned into a story on AOL’s homepage in the way the dustup over nudity did.\u003c/p>\n\u003cp>The fact remains: There are few news events as odd and journalistically challenging as the TCA press tours. And as TV shows get more complex — while journalists covering them increasingly ride the line between independent critics and professional fans — our attempts to have real conversations about them will only get tougher.\u003c/p>\n\u003cp>Good thing the public gets to learn from our mistakes — even when the effort to push back on important questions gets lost in translation.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Nothing exposes you like asking a tough question.\u003c/p>\n\u003cp>Like a boxer extending a jab, you reveal yourself in the moment, stepping aggressively to a subject in a way that also makes you vulnerable. Handle the moment badly, and like an off-balance prizefighter, you might be the one hugging the canvas after a knockout blow.\u003c/p>\n\u003cp>That’s a truth that emerged in recent days during two separate incidents at the Television Critics Association’s winter press tour — a twice–annual event where people who make television arrange long days of press conferences and cocktail parties where TV critics and reporters can ask questions about programming to come.\u003c/p>\n\u003cp>The setup is simple: Stars and producers sit on a stage in a huge meeting room and take questions from journalists who sit in the audience and are handed microphones. Usually, the biggest problem here is writers who forget to act like journalists, turned into fawning compliment machines by the aura of stars like Matthew McConaughey or Julia Roberts.\u003c/p>\n\u003cp>But occasionally, the effort to ask a tough question during a press conference filled with dozens of writers goes badly wrong, exposing the widening gulf between generations of journalists, the changing nature of arts criticism and the difficulty of expressing a complex thought in a 30-second turn at the microphone.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Jonathan Storm, a former TV critic at the \u003cem>Philadelphia Inquirer\u003c/em>, found himself on the wrong end of that dynamic when he asked MSNBC and \u003cem>Today\u003c/em> show anchor Tamron Hall how she balances her time among those two jobs for NBC and hosting a show called \u003cem>Deadline Crime\u003c/em> for Discovery channel’s Investigation Discovery.\u003c/p>\n\u003cp>Hall responded with a detailed story about how the show was inspired by her experience seeing her sister murdered; the anchor talked in a way that seemed heartfelt and emotional about guilt over once rejecting her sister for failing to disconnect from an abusive partner.\u003c/p>\n\u003cp>Storm’s response was to seek an answer to the question he actually asked: “That’s all very nice,” he said. “But can you explain the relationship between your job and NBC and your job at Discovery?”\u003c/p>\n\u003cp>The air seemed to go out of the room a bit as other critics immediately realized how far south this interaction was going. Hall seemed to struggle with the unexpected response: “Well, let me be clear,” she replied. “To say that it’s just all very nice, when I don’t know if you’ve had a sister found murdered, but I have. So it is not meant to be nice … “\u003c/p>\n\u003cp>The interaction inspired a flurry of tweets from other critics praising Hall and criticizing Storm. The Huffington Post wrote a story titled “Tamron Hall Reveals Details of Sister’s Murder, Gets Awful Response from Reporter,” while Mediaite’s story was headlined “\u003ca href=\"http://www.mediaite.com/online/msnbc%E2%80%99s-tamron-hall-opens-up-about-sister%E2%80%99s-murder-at-tv-event-gets-shocking-response/\" target=\"_blank\" rel=\"noopener\">MSNBC’s Tamron Hall Opens Up about Sister’s Murder at TV Event, Gets Shocking Response\u003c/a>.”\u003c/p>\n\u003cp>Storm, who retired from the \u003cem>Inquirer\u003c/em> in 2011 after 22 years, still writes as a freelance critic. He acknowledged he could have been more diplomatic in his response to Hall, but said he grew angry at what he felt was a “pre-programmed speech” the anchor had prepared to gain sympathy.\u003c/p>\n\u003cp>“I had the impression, if somebody had asked her what time is it [she would have given that speech],” said Storm, who reserves a special dislike for TV news anchors who include personal tragedies in their on-screen work.\u003c/p>\n\u003cp>He also noted that the audience at the press tour is no longer dominated by the old-school newspaper journalists who once filled the majority of Television Critics Association memberships. “It used to be [at TCA], you were in a room primarily filled with cynical reporters,” he added. “Now you’re in a room with a plurality of sympathetic fans. … I’ve learned there is a place for cynicism, but it shouldn’t necessarily rule [my thoughts] on the topic I’m covering.”\u003c/p>\n\u003cp>From my seat, it seemed Storm didn’t communicate what was really bothering him about what Hall said — in part because it is so difficult to communicate complex, controversial thoughts in this setting.\u003c/p>\n\u003cp>Tim Molloy, a writer for The Wrap website, found similar difficulties at a different press conference when trying to ask a question about how HBO’s sometimes explicit dramedy \u003cem>Girls\u003c/em> uses nudity.\u003c/p>\n\u003cp>He asked star Lena Dunham: “I don’t get the purpose of all of the nudity on the show, by you particularly, and I feel like I’m walking into a trap where you go, ‘Nobody complains about the nudity on \u003cem>Game of Thrones\u003c/em>,’ but I get why they are doing it. They are doing it to be salacious and, you know, titillate people. And your character is often naked just at random times for no reason.”\u003c/p>\n\u003cp>Dunham’s response was revealing while pushing back a little at the reporter: “It’s because it’s a realistic expression of what it’s like to be alive, I think, and I totally get it. If you are not into me, that’s your problem, and you are going to have to kind of work that out with … whatever professionals you’ve hired.”\u003c/p>\n\u003cp>But Dunham’s collaborators, executive producers Judd Apatow and Jenni Konner, were more pointed in their responses, with Apatow implying Molloy might feel bad about his own body and Konner admitting she was in a “rage spiral” over “this idea that you would talk to a woman like that and accuse a woman of showing her body too much.”\u003c/p>\n\u003cp>That’s not exactly what happened. Molloy was trying to start a conversation about how the show uses nudity. But by singling out Dunham’s nudity as particularly perplexing, he also seemed to be implying that because she doesn’t have the body of a supermodel, her nakedness wouldn’t be sexy and was shown onscreen “for no reason.”\u003c/p>\n\u003cp>I think \u003cem>Girls\u003c/em> deliberately uses the nudity of all its characters to push back against the unrealistic depictions of male and female bodies in other media. And I wish the star and producers hadn’t used an inartfully-phrased question to sidestep that valid and interesting conversation. Instead, they focused on putting down the writer, and the whole exchange became another story about a train-wreck moment during a press conference.\u003c/p>\n\u003cp>My own question about why \u003cem>Girls\u003c/em> seems to struggle with ethnic diversity, many months after Dunham admitted it’s an issue the show should address, seemed to go down easier.\u003c/p>\n\u003cp>“We didn’t add any regular cast members second season,” Dunham replied. “We were just trying to honor and serve the stories of the people that we had already introduced. And I think, third season, we are finally finding room to expand the world because we’ve sort of given you their backstories. We’ve given you their lives. But … I’ve learned so much in the past few years about, sort of, intersectionality, the way that feminism has underserved women of color. I really try to educate myself in those areas, and also, we try to just make choices that we think we never want to start a storyline that we are going to kind of let flitter off. So, now, we are finding ways to introduce people who are more lasting, because we are ready to kind of open up the worlds of these girls.”\u003c/p>\n\u003cp>The short version of that answer seemed to be: stay tuned. But that didn’t get turned into a story on AOL’s homepage in the way the dustup over nudity did.\u003c/p>\n\u003cp>The fact remains: There are few news events as odd and journalistically challenging as the TCA press tours. And as TV shows get more complex — while journalists covering them increasingly ride the line between independent critics and professional fans — our attempts to have real conversations about them will only get tougher.\u003c/p>\n\u003cp>Good thing the public gets to learn from our mistakes — even when the effort to push back on important questions gets lost in translation.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003c/p>\u003cdiv class=\"fullattribution\">Copyright 2014 NPR. To see more, visit \u003ca href=\"http://www.npr.org/\">http://www.npr.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=When+Tough+Questions+Go+Horribly+Wrong&utme=8(APIKey)9(MDAzOTIwODA0MDEyNTA4MTM1OTcyMGJmMA001)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nothing exposes you like asking a tough question.\u003c/p>\n\u003cp>Like a boxer extending a jab, you reveal yourself in the moment, stepping aggressively to a subject in a way that also makes you vulnerable. Handle the moment badly, and like an off-balance prizefighter, you might be the one hugging the canvas after a knockout blow.\u003c/p>\n\u003cp>That’s a truth that emerged in recent days during two separate incidents at the Television Critics Association’s winter press tour — a twice–annual event where people who make television arrange long days of press conferences and cocktail parties where TV critics and reporters can ask questions about programming to come.\u003c/p>\n\u003cp>The setup is simple: Stars and producers sit on a stage in a huge meeting room and take questions from journalists who sit in the audience and are handed microphones. Usually, the biggest problem here is writers who forget to act like journalists, turned into fawning compliment machines by the aura of stars like Matthew McConaughey or Julia Roberts.\u003c/p>\n\u003cp>But occasionally, the effort to ask a tough question during a press conference filled with dozens of writers goes badly wrong, exposing the widening gulf between generations of journalists, the changing nature of arts criticism and the difficulty of expressing a complex thought in a 30-second turn at the microphone.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Jonathan Storm, a former TV critic at the \u003cem>Philadelphia Inquirer\u003c/em>, found himself on the wrong end of that dynamic when he asked MSNBC and \u003cem>Today\u003c/em> show anchor Tamron Hall how she balances her time among those two jobs for NBC and hosting a show called \u003cem>Deadline Crime\u003c/em> for Discovery channel’s Investigation Discovery.\u003c/p>\n\u003cp>Hall responded with a detailed story about how the show was inspired by her experience seeing her sister murdered; the anchor talked in a way that seemed heartfelt and emotional about guilt over once rejecting her sister for failing to disconnect from an abusive partner.\u003c/p>\n\u003cp>Storm’s response was to seek an answer to the question he actually asked: “That’s all very nice,” he said. “But can you explain the relationship between your job and NBC and your job at Discovery?”\u003c/p>\n\u003cp>The air seemed to go out of the room a bit as other critics immediately realized how far south this interaction was going. Hall seemed to struggle with the unexpected response: “Well, let me be clear,” she replied. “To say that it’s just all very nice, when I don’t know if you’ve had a sister found murdered, but I have. So it is not meant to be nice … “\u003c/p>\n\u003cp>The interaction inspired a flurry of tweets from other critics praising Hall and criticizing Storm. The Huffington Post wrote a story titled “Tamron Hall Reveals Details of Sister’s Murder, Gets Awful Response from Reporter,” while Mediaite’s story was headlined “\u003ca href=\"http://www.mediaite.com/online/msnbc%E2%80%99s-tamron-hall-opens-up-about-sister%E2%80%99s-murder-at-tv-event-gets-shocking-response/\" target=\"_blank\" rel=\"noopener\">MSNBC’s Tamron Hall Opens Up about Sister’s Murder at TV Event, Gets Shocking Response\u003c/a>.”\u003c/p>\n\u003cp>Storm, who retired from the \u003cem>Inquirer\u003c/em> in 2011 after 22 years, still writes as a freelance critic. He acknowledged he could have been more diplomatic in his response to Hall, but said he grew angry at what he felt was a “pre-programmed speech” the anchor had prepared to gain sympathy.\u003c/p>\n\u003cp>“I had the impression, if somebody had asked her what time is it [she would have given that speech],” said Storm, who reserves a special dislike for TV news anchors who include personal tragedies in their on-screen work.\u003c/p>\n\u003cp>He also noted that the audience at the press tour is no longer dominated by the old-school newspaper journalists who once filled the majority of Television Critics Association memberships. “It used to be [at TCA], you were in a room primarily filled with cynical reporters,” he added. “Now you’re in a room with a plurality of sympathetic fans. … I’ve learned there is a place for cynicism, but it shouldn’t necessarily rule [my thoughts] on the topic I’m covering.”\u003c/p>\n\u003cp>From my seat, it seemed Storm didn’t communicate what was really bothering him about what Hall said — in part because it is so difficult to communicate complex, controversial thoughts in this setting.\u003c/p>\n\u003cp>Tim Molloy, a writer for The Wrap website, found similar difficulties at a different press conference when trying to ask a question about how HBO’s sometimes explicit dramedy \u003cem>Girls\u003c/em> uses nudity.\u003c/p>\n\u003cp>He asked star Lena Dunham: “I don’t get the purpose of all of the nudity on the show, by you particularly, and I feel like I’m walking into a trap where you go, ‘Nobody complains about the nudity on \u003cem>Game of Thrones\u003c/em>,’ but I get why they are doing it. They are doing it to be salacious and, you know, titillate people. And your character is often naked just at random times for no reason.”\u003c/p>\n\u003cp>Dunham’s response was revealing while pushing back a little at the reporter: “It’s because it’s a realistic expression of what it’s like to be alive, I think, and I totally get it. If you are not into me, that’s your problem, and you are going to have to kind of work that out with … whatever professionals you’ve hired.”\u003c/p>\n\u003cp>But Dunham’s collaborators, executive producers Judd Apatow and Jenni Konner, were more pointed in their responses, with Apatow implying Molloy might feel bad about his own body and Konner admitting she was in a “rage spiral” over “this idea that you would talk to a woman like that and accuse a woman of showing her body too much.”\u003c/p>\n\u003cp>That’s not exactly what happened. Molloy was trying to start a conversation about how the show uses nudity. But by singling out Dunham’s nudity as particularly perplexing, he also seemed to be implying that because she doesn’t have the body of a supermodel, her nakedness wouldn’t be sexy and was shown onscreen “for no reason.”\u003c/p>\n\u003cp>I think \u003cem>Girls\u003c/em> deliberately uses the nudity of all its characters to push back against the unrealistic depictions of male and female bodies in other media. And I wish the star and producers hadn’t used an inartfully-phrased question to sidestep that valid and interesting conversation. Instead, they focused on putting down the writer, and the whole exchange became another story about a train-wreck moment during a press conference.\u003c/p>\n\u003cp>My own question about why \u003cem>Girls\u003c/em> seems to struggle with ethnic diversity, many months after Dunham admitted it’s an issue the show should address, seemed to go down easier.\u003c/p>\n\u003cp>“We didn’t add any regular cast members second season,” Dunham replied. “We were just trying to honor and serve the stories of the people that we had already introduced. And I think, third season, we are finally finding room to expand the world because we’ve sort of given you their backstories. We’ve given you their lives. But … I’ve learned so much in the past few years about, sort of, intersectionality, the way that feminism has underserved women of color. I really try to educate myself in those areas, and also, we try to just make choices that we think we never want to start a storyline that we are going to kind of let flitter off. So, now, we are finding ways to introduce people who are more lasting, because we are ready to kind of open up the worlds of these girls.”\u003c/p>\n\u003cp>The short version of that answer seemed to be: stay tuned. But that didn’t get turned into a story on AOL’s homepage in the way the dustup over nudity did.\u003c/p>\n\u003cp>The fact remains: There are few news events as odd and journalistically challenging as the TCA press tours. And as TV shows get more complex — while journalists covering them increasingly ride the line between independent critics and professional fans — our attempts to have real conversations about them will only get tougher.\u003c/p>\n\u003cp>Good thing the public gets to learn from our mistakes — even when the effort to push back on important questions gets lost in translation.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Cy Musiker and Peter Hartlaub scout the Bay Area for things to do this coming weekend and turn up some duck soup, a little tramp, and much more!\u003c/p>\n\u003cp>\u003cb>\u003cspan style=\"font-size: large\">Clerestory\u003c/span>\u003c/b>\u003c/p>\n\u003cp>January 11, 2014\u003cbr>\nLive at Mission Blue\u003c/p>\n\u003cp>http://youtu.be/yegF4kcb5Aw\u003c/p>\n\u003cp>For \u003ca href=\"http://liveatmissionblue.com/\">tickets and more information\u003c/a>, visit liveatmissionblue.com.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>\u003cspan style=\"font-size: large\">A Charlie Chaplin Centennial Celebration\u003c/span>\u003c/b>\u003c/p>\n\u003cp>January 11, 2014\u003cbr>\nCastro Theatre\u003c/p>\n\u003cp>http://youtu.be/tp5L3583k5Q\u003c/p>\n\u003cp>For \u003ca href=\"http://www.silentfilm.org/pages/index/?catid=1174\">more information\u003c/a>, visit silentfilm.org.\u003c/p>\n\u003cp>\u003cb>\u003cspan style=\"font-size: large\">The Lisa Mezzacappa Trio\u003c/span>\u003c/b>\u003c/p>\n\u003cp>January 13, 2014\u003cbr>\nDuende\u003c/p>\n\u003cp>For \u003ca href=\"http://www.lisamezzacappa.com/index.html\">more information\u003c/a>, visit lisamezzacappa.com.\u003c/p>\n\u003cp>\u003cb>\u003cspan style=\"font-size: large\">Funny Ha-Ha: American Comedy, 1930-1959\u003c/span>\u003c/b>\u003c/p>\n\u003cp>January 16 – February 22, 2014\u003cbr>\nPacific Film Archive\u003c/p>\n\u003cp>http://youtu.be/ur9GKLl8v4U\u003c/p>\n\u003cp>Featuring classic comedies such as \u003ci>Duck Soup\u003c/i>, \u003ci>It Happened One Night\u003c/i>, \u003ci>His Girl Friday\u003c/i>, and \u003ci>Gentlemen Prefer Blondes\u003c/i>.\u003c/p>\n\u003cp>For \u003ca href=\"http://www.bampfa.berkeley.edu/filmseries/american_comedy\">tickets and more information\u003c/a>, visit bampfa.berkeley.edu.\u003c/p>\n\u003cp>\u003cb>\u003cspan style=\"font-size: large\">I The Mighty\u003c/span>\u003c/b>\u003c/p>\n\u003cp>January 11, 2014\u003cbr>\nBottom of the Hill\u003c/p>\n\u003cp>http://youtu.be/gotdkitGg0k\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For \u003ca href=\"http://www.bottomofthehill.com/20140111.html#.Us9E4vaxbjw\">tickets and more information\u003c/a>, visit bottomofthehill.com.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cspan style=\"font-size: large\">A Charlie Chaplin Centennial Celebration\u003c/span>\u003c/b>\u003c/p>\n\u003cp>January 11, 2014\u003cbr>\nCastro Theatre\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tp5L3583k5Q'\n title='//www.youtube.com/embed/tp5L3583k5Q'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>For \u003ca href=\"http://www.silentfilm.org/pages/index/?catid=1174\">more information\u003c/a>, visit silentfilm.org.\u003c/p>\n\u003cp>\u003cb>\u003cspan style=\"font-size: large\">The Lisa Mezzacappa Trio\u003c/span>\u003c/b>\u003c/p>\n\u003cp>January 13, 2014\u003cbr>\nDuende\u003c/p>\n\u003cp>For \u003ca href=\"http://www.lisamezzacappa.com/index.html\">more information\u003c/a>, visit lisamezzacappa.com.\u003c/p>\n\u003cp>\u003cb>\u003cspan style=\"font-size: large\">Funny Ha-Ha: American Comedy, 1930-1959\u003c/span>\u003c/b>\u003c/p>\n\u003cp>January 16 – February 22, 2014\u003cbr>\nPacific Film Archive\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ur9GKLl8v4U'\n title='//www.youtube.com/embed/ur9GKLl8v4U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Featuring classic comedies such as \u003ci>Duck Soup\u003c/i>, \u003ci>It Happened One Night\u003c/i>, \u003ci>His Girl Friday\u003c/i>, and \u003ci>Gentlemen Prefer Blondes\u003c/i>.\u003c/p>\n\u003cp>For \u003ca href=\"http://www.bampfa.berkeley.edu/filmseries/american_comedy\">tickets and more information\u003c/a>, visit bampfa.berkeley.edu.\u003c/p>\n\u003cp>\u003cb>\u003cspan style=\"font-size: large\">I The Mighty\u003c/span>\u003c/b>\u003c/p>\n\u003cp>January 11, 2014\u003cbr>\nBottom of the Hill\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gotdkitGg0k'\n title='//www.youtube.com/embed/gotdkitGg0k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>For \u003ca href=\"http://www.bottomofthehill.com/20140111.html#.Us9E4vaxbjw\">tickets and more information\u003c/a>, visit bottomofthehill.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Eyebombing, the Internet pastime of sticking googly eyes on inanimate objects to add a bit of anthropomorphic charm, has been popular for awhile, but in 2013 Googlyify created the “web 2.0” of googly eyed apps. Automatically adding eyes to gifs, it’s fun, ridiculous, and everything Tumblrites ever wanted in a web service.\u003c/p>\n\u003cfigure class=\"wp-caption alignright\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://media.egotvonline.com/wp-content/uploads/2011/07/GooglyEyesFridge.png?41ed4f\" width=\"500\" height=\"285\" alt=\"Image source: Ego TV\" class>\u003cfigcaption class=\"wp-caption-text\">Image source: Ego TV\u003c/figcaption>\u003c/figure>\n\u003cp>But before there were gif generators, googly eyes were decidedly low tech. Eyebombing started off with a few innocent stick-on eyes and a fun game to play with that powerful facial recognition software evolution hardwired into your head. With cameras and photo sharing, ubiquitous \u003ca href=\"http://eyebombing.com\">eyebombing\u003c/a> has become a way to liven up those social network posts. The eyes add a self aware joke to our otherwise mundane pictures, poking fun at our habit of posting images of every dessert we eat or cute dog we pass. But, as is the Internet’s way, over time the joke just got bigger and more self aware. I see your aghast hand sanitizer dispenser and raise you a fridge full of staring produce.\u003c/p>\n\u003cp>The big simplified eyes, much like the dewy eyes of anime characters, can make anything cute and, as the meme got more popular, several craft and hobby companies started making bigger googly eyes, freeing people to cute up everything from christmas trees to construction equipment. \u003c/p>\n\u003cfigure class=\"wp-caption alignleft\" style=\"max-width: 1280px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://31.media.tumblr.com/79de2feba9596d2b42aa2bedb6ad0fb4/tumblr_muqhh5D3h61r5w9tqo1_1280.jpg\" width=\"1280\" height=\"1707\" alt=\"Image source: Eyebombing.com\" class>\u003cfigcaption class=\"wp-caption-text\">Image source: Eyebombing.com\u003c/figcaption>\u003c/figure>\n\u003cp>But eyebombers didn’t just stop with making faces where there were none before, googly eyes started popping up over faces in ads, movie clips, and on \u003ca href=\"http://googlyeyebooks.tumblr.com/\">book covers\u003c/a>. It was here that the meme took a turn from a focus on cute to become a form of visual satire. Eyes on inanimate objects make adorable faces, but stick those black and white dobs where real eyes should be and you get a concoction of creepy, funny, weird, and cross-eyed people.\u003c/p>\n\u003cfigure class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg decoding=\"async\" src=\"http://24.media.tumblr.com/19e79f310342bc8f5ce669bea3540781/tumblr_mwfue4yRUV1t29ye7o1_500.jpg\" width=\"300\" alt=\"Image source: Eyes On My Junk\" class>\u003cfigcaption class=\"wp-caption-text\">Image source: Eyes On My Junk\u003c/figcaption>\u003c/figure>\n\u003cp>Step 37 in the progression of googly eyes? The physical eyes went digital. This is where Googlyify and their fantastic website — a mix of \u003ca href=\"http://knowyourmeme.com/memes/doge\">doge captions\u003c/a> and poorly translated Japanese — really brings the meme to the next level. Because the not-so-secret magic of googly eyes is that they can intensify anything. Want to amp up the high quality doofus of that mercat gif? Just use Googlyify to automatically add a set of animated eyes and you are in ridiculous business. Or maybe you have a gif of a woman seductively inviting her lover to bed? Stick some eyes on there and you got yourself a creepy, even threatening glare.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If you want to make your own googly gifs visit \u003ca href=\"http://knowyourmeme.com/memes/doge\">Googlyify\u003c/a> (Warning: The gifs on this site are not filtered and so the front page may be NSFW). Or if you’d rather gorge yourself on the endless well of others’ googly creations there are \u003ca href=\"http://www.tumblr.com/search/eyebombing\">blogs dedicated to your every googly eye need\u003c/a>.\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg decoding=\"async\" src=\"http://25.media.tumblr.com/0a14eda38c31356d1e164009ef1edf2f/tumblr_mwbasqeg1T1qlkkleo1_400.gif\" width=\"500\" alt=\"Image source: Amy of the Tardis\" class>\u003cfigcaption class=\"wp-caption-text\">Image source: Amy of the Tardis\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Eyebombing, the Internet pastime of sticking googly eyes on inanimate objects to add a bit of anthropomorphic charm, has been popular for awhile, but in 2013 Googlyify created the “web 2.0” of googly eyed apps. Automatically adding eyes to gifs, it’s fun, ridiculous, and everything Tumblrites ever wanted in a web service.\u003c/p>\n\u003cfigure class=\"wp-caption alignright\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://media.egotvonline.com/wp-content/uploads/2011/07/GooglyEyesFridge.png?41ed4f\" width=\"500\" height=\"285\" alt=\"Image source: Ego TV\" class>\u003cfigcaption class=\"wp-caption-text\">Image source: Ego TV\u003c/figcaption>\u003c/figure>\n\u003cp>But before there were gif generators, googly eyes were decidedly low tech. Eyebombing started off with a few innocent stick-on eyes and a fun game to play with that powerful facial recognition software evolution hardwired into your head. With cameras and photo sharing, ubiquitous \u003ca href=\"http://eyebombing.com\">eyebombing\u003c/a> has become a way to liven up those social network posts. The eyes add a self aware joke to our otherwise mundane pictures, poking fun at our habit of posting images of every dessert we eat or cute dog we pass. But, as is the Internet’s way, over time the joke just got bigger and more self aware. I see your aghast hand sanitizer dispenser and raise you a fridge full of staring produce.\u003c/p>\n\u003cp>The big simplified eyes, much like the dewy eyes of anime characters, can make anything cute and, as the meme got more popular, several craft and hobby companies started making bigger googly eyes, freeing people to cute up everything from christmas trees to construction equipment. \u003c/p>\n\u003cfigure class=\"wp-caption alignleft\" style=\"max-width: 1280px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://31.media.tumblr.com/79de2feba9596d2b42aa2bedb6ad0fb4/tumblr_muqhh5D3h61r5w9tqo1_1280.jpg\" width=\"1280\" height=\"1707\" alt=\"Image source: Eyebombing.com\" class>\u003cfigcaption class=\"wp-caption-text\">Image source: Eyebombing.com\u003c/figcaption>\u003c/figure>\n\u003cp>But eyebombers didn’t just stop with making faces where there were none before, googly eyes started popping up over faces in ads, movie clips, and on \u003ca href=\"http://googlyeyebooks.tumblr.com/\">book covers\u003c/a>. It was here that the meme took a turn from a focus on cute to become a form of visual satire. Eyes on inanimate objects make adorable faces, but stick those black and white dobs where real eyes should be and you get a concoction of creepy, funny, weird, and cross-eyed people.\u003c/p>\n\u003cfigure class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg decoding=\"async\" src=\"http://24.media.tumblr.com/19e79f310342bc8f5ce669bea3540781/tumblr_mwfue4yRUV1t29ye7o1_500.jpg\" width=\"300\" alt=\"Image source: Eyes On My Junk\" class>\u003cfigcaption class=\"wp-caption-text\">Image source: Eyes On My Junk\u003c/figcaption>\u003c/figure>\n\u003cp>Step 37 in the progression of googly eyes? The physical eyes went digital. This is where Googlyify and their fantastic website — a mix of \u003ca href=\"http://knowyourmeme.com/memes/doge\">doge captions\u003c/a> and poorly translated Japanese — really brings the meme to the next level. Because the not-so-secret magic of googly eyes is that they can intensify anything. Want to amp up the high quality doofus of that mercat gif? Just use Googlyify to automatically add a set of animated eyes and you are in ridiculous business. Or maybe you have a gif of a woman seductively inviting her lover to bed? Stick some eyes on there and you got yourself a creepy, even threatening glare.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If you want to make your own googly gifs visit \u003ca href=\"http://knowyourmeme.com/memes/doge\">Googlyify\u003c/a> (Warning: The gifs on this site are not filtered and so the front page may be NSFW). Or if you’d rather gorge yourself on the endless well of others’ googly creations there are \u003ca href=\"http://www.tumblr.com/search/eyebombing\">blogs dedicated to your every googly eye need\u003c/a>.\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg decoding=\"async\" src=\"http://25.media.tumblr.com/0a14eda38c31356d1e164009ef1edf2f/tumblr_mwbasqeg1T1qlkkleo1_400.gif\" width=\"500\" alt=\"Image source: Amy of the Tardis\" class>\u003cfigcaption class=\"wp-caption-text\">Image source: Amy of the Tardis\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Eyebombing, the Internet pastime of sticking googly eyes on inanimate objects to add a bit of anthropomorphic charm, has been popular for awhile, but in 2013 Googlyify created the “web 2.0” of googly eyed apps. Automatically adding eyes to gifs, it’s fun, ridiculous, and everything Tumblrites ever wanted in a web service.\u003c/p>\n\u003cp>The Minions by Miguel A. Montecastro; courtesy \u003ca href=\"http://eyebombing.com/post/48289558753/the-minions-artist-miguel-a-montecastro\">Eyebombing.com\u003c/a>\u003c/p>\n\u003cp>But before there were gif generators, googly eyes were decidedly low tech. Eyebombing started off with a few innocent stick-on eyes and a fun game to play with that powerful facial recognition software evolution hardwired into your head. With cameras and photo sharing, ubiquitous \u003ca href=\"http://eyebombing.com\">eyebombing\u003c/a> has become a way to liven up those social network posts. The eyes add a self aware joke to our otherwise mundane pictures, poking fun at our habit of posting images of every dessert we eat or cute dog we pass. But, as is the Internet’s way, over time the joke just got bigger and more self aware. I see your aghast hand sanitizer dispenser and raise you a fridge full of staring produce.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://media.egotvonline.com/wp-content/uploads/2011/07/GooglyEyesFridge.png?41ed4f\" width=\"500px;\" alt=\"refrigerator full of googly eyes\" style=\"margin-bottom: 10px;\">Image source: \u003ca href=\"http://media.egotvonline.com/wp-content/uploads/2011/07/GooglyEyesFridge.png?41ed4f\">Ego TV\u003c/a>\u003cbr>\u003c/center>\n\u003cp>The big simplified eyes, much like the dewy eyes of anime characters, can make anything cute and, as the meme got more popular, several craft and hobby companies started making bigger googly eyes, freeing people to cute up everything from christmas trees to construction equipment. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://31.media.tumblr.com/79de2feba9596d2b42aa2bedb6ad0fb4/tumblr_muqhh5D3h61r5w9tqo1_1280.jpg\" width=\"500px;\" alt=\"back hoe googly\" style=\"margin-bottom: 10px;\">Image source: \u003ca href=\"http://eyebombing.com/image/64194509503\">Eyebombing.com\u003c/a>\u003cbr>\u003c/center>\n\u003cp>But eyebombers didn’t just stop with making faces where there were none before, googly eyes started popping up over faces in ads, movie clips, and on \u003ca href=\"http://googlyeyebooks.tumblr.com/\">book covers\u003c/a>. It was here that the meme took a turn from a focus on cute to become a form of visual satire. Eyes on inanimate objects make adorable faces, but stick those black and white dobs where real eyes should be and you get a concoction of creepy, funny, weird, and cross-eyed people.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://24.media.tumblr.com/19e79f310342bc8f5ce669bea3540781/tumblr_mwfue4yRUV1t29ye7o1_500.jpg\" width=\"500px;\" alt=\"luke skywalker googly\" style=\"margin-bottom: 10px;\">Image source: \u003ca href=\"http://eyesonmyjunk.tumblr.com/post/67327076012/noooooooooooggly-eyes\">Eyes On My Junk\u003c/a>\u003cbr>\u003c/center>\n\u003cp>Step 37 in the progression of googly eyes? The physical eyes went digital. This is where Googlyify and their fantastic website — a mix of \u003ca href=\"http://knowyourmeme.com/memes/doge\">doge captions\u003c/a> and poorly translated Japanese — really brings the meme to the next level. Because the not-so-secret magic of googly eyes is that they can intensify anything. Want to amp up the high quality doofus of that mercat gif? Just use Googlyify to automatically add a set of animated eyes and you are in ridiculous business. Or maybe you have a gif of a woman seductively inviting her lover to bed? Stick some eyes on there and you got yourself a creepy, even threatening glare.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://25.media.tumblr.com/0a14eda38c31356d1e164009ef1edf2f/tumblr_mwbasqeg1T1qlkkleo1_400.gif\" width=\"500px;\" alt=\"mercat googly\" style=\"margin-bottom: 10px;\">Image source: \u003ca href=\"http://amyofthetardis.tumblr.com/post/67075735171\">Amy of the Tardis\u003c/a>\u003cbr>\u003c/center>\n\u003cp>\u003c/p>\n\u003cp>If you want to make your own googly gifs visit \u003ca href=\"http://knowyourmeme.com/memes/doge\">Googlyify\u003c/a> (Warning: The gifs on this site are not filtered and so the front page may be NSFW). Or if you’d rather gorge yourself on the endless well of others’ googly creations there are \u003ca href=\"http://www.tumblr.com/search/eyebombing\">blogs dedicated to your every googly eye need\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Eyebombing, the Internet pastime of sticking googly eyes on inanimate objects to add a bit of anthropomorphic charm, has been popular for awhile, but in 2013 Googlyify created the “web 2.0” of googly eyed apps. Automatically adding eyes to gifs, it’s fun, ridiculous, and everything Tumblrites ever wanted in a web service.\u003c/p>\n\u003cp>The Minions by Miguel A. Montecastro; courtesy \u003ca href=\"http://eyebombing.com/post/48289558753/the-minions-artist-miguel-a-montecastro\">Eyebombing.com\u003c/a>\u003c/p>\n\u003cp>But before there were gif generators, googly eyes were decidedly low tech. Eyebombing started off with a few innocent stick-on eyes and a fun game to play with that powerful facial recognition software evolution hardwired into your head. With cameras and photo sharing, ubiquitous \u003ca href=\"http://eyebombing.com\">eyebombing\u003c/a> has become a way to liven up those social network posts. The eyes add a self aware joke to our otherwise mundane pictures, poking fun at our habit of posting images of every dessert we eat or cute dog we pass. But, as is the Internet’s way, over time the joke just got bigger and more self aware. I see your aghast hand sanitizer dispenser and raise you a fridge full of staring produce.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://media.egotvonline.com/wp-content/uploads/2011/07/GooglyEyesFridge.png?41ed4f\" width=\"500px;\" alt=\"refrigerator full of googly eyes\" style=\"margin-bottom: 10px;\">Image source: \u003ca href=\"http://media.egotvonline.com/wp-content/uploads/2011/07/GooglyEyesFridge.png?41ed4f\">Ego TV\u003c/a>\u003cbr>\u003c/center>\n\u003cp>The big simplified eyes, much like the dewy eyes of anime characters, can make anything cute and, as the meme got more popular, several craft and hobby companies started making bigger googly eyes, freeing people to cute up everything from christmas trees to construction equipment. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://31.media.tumblr.com/79de2feba9596d2b42aa2bedb6ad0fb4/tumblr_muqhh5D3h61r5w9tqo1_1280.jpg\" width=\"500px;\" alt=\"back hoe googly\" style=\"margin-bottom: 10px;\">Image source: \u003ca href=\"http://eyebombing.com/image/64194509503\">Eyebombing.com\u003c/a>\u003cbr>\u003c/center>\n\u003cp>But eyebombers didn’t just stop with making faces where there were none before, googly eyes started popping up over faces in ads, movie clips, and on \u003ca href=\"http://googlyeyebooks.tumblr.com/\">book covers\u003c/a>. It was here that the meme took a turn from a focus on cute to become a form of visual satire. Eyes on inanimate objects make adorable faces, but stick those black and white dobs where real eyes should be and you get a concoction of creepy, funny, weird, and cross-eyed people.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://24.media.tumblr.com/19e79f310342bc8f5ce669bea3540781/tumblr_mwfue4yRUV1t29ye7o1_500.jpg\" width=\"500px;\" alt=\"luke skywalker googly\" style=\"margin-bottom: 10px;\">Image source: \u003ca href=\"http://eyesonmyjunk.tumblr.com/post/67327076012/noooooooooooggly-eyes\">Eyes On My Junk\u003c/a>\u003cbr>\u003c/center>\n\u003cp>Step 37 in the progression of googly eyes? The physical eyes went digital. This is where Googlyify and their fantastic website — a mix of \u003ca href=\"http://knowyourmeme.com/memes/doge\">doge captions\u003c/a> and poorly translated Japanese — really brings the meme to the next level. Because the not-so-secret magic of googly eyes is that they can intensify anything. Want to amp up the high quality doofus of that mercat gif? Just use Googlyify to automatically add a set of animated eyes and you are in ridiculous business. Or maybe you have a gif of a woman seductively inviting her lover to bed? Stick some eyes on there and you got yourself a creepy, even threatening glare.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://25.media.tumblr.com/0a14eda38c31356d1e164009ef1edf2f/tumblr_mwbasqeg1T1qlkkleo1_400.gif\" width=\"500px;\" alt=\"mercat googly\" style=\"margin-bottom: 10px;\">Image source: \u003ca href=\"http://amyofthetardis.tumblr.com/post/67075735171\">Amy of the Tardis\u003c/a>\u003cbr>\u003c/center>\n\u003cp>\u003c/p>\n\u003cp>If you want to make your own googly gifs visit \u003ca href=\"http://knowyourmeme.com/memes/doge\">Googlyify\u003c/a> (Warning: The gifs on this site are not filtered and so the front page may be NSFW). Or if you’d rather gorge yourself on the endless well of others’ googly creations there are \u003ca href=\"http://www.tumblr.com/search/eyebombing\">blogs dedicated to your every googly eye need\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It started with social media, as so many stories begin these days. A friend and colleague posted a link on Facebook, proclaiming, “I’m officially a rabid fan.” I clicked, intrigued, and my very own wish fulfillment fantasy unfolded in front of me until I could click no more. The link took me to \u003ca href=\"https://www.stitchfix.com/\">Stitch Fix\u003c/a>, a styling service that delivers handpicked clothing to your doorstep, five items at a time. Within an hour, I had a shipment scheduled to arrive at the earliest possible date. I was giddy with anticipation.\u003c/p>\n\u003cp>According to testimonials featured on the site, women love the service for any number of reasons: no more trying to fit dressing room time into busy work/travel/childcare schedules, joined by choruses of “Wow, I never would have picked this for myself, but I love it!” and “It’s like Christmas in [insert month here]!”\u003c/p>\n\u003cp>Why was I seduced? Because I hate shopping, both online and in the flesh. Hunting through clothing racks, trying on different styles, putting guilty pleasure purchases on the credit card — none of that appeals to me. I can take about 30 minutes of retail environments before I get grumpy, petulant, frustrated, and generally unpleasant to be around. I consider emerging from a dress shop without anything to show for my time spent inside a personal victory over capitalism.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" style=\"margin-bottom: 10px\" src=\"http://a.s.kqed.net/img/arts/blog/stitchfix1.jpg\" alt=\"\">The problem is, I still need clothes. Not shopping means wearing things past the point of professionalism, still looking like an art student four years after graduating. I need help, and Stitch Fix was offering it to me in the most appealing way. With minimal effort on my part, someone would do all the dirty work of finding clothes long enough for my 6’1″ frame and effectively tell me what to wear and how to wear it. It’s personal shopper meets \u003ca href=\"https://www.taskrabbit.com/\">Task Rabbit\u003c/a>, without any pesky face-to-face interaction.\u003c/p>\n\u003cp>So when my first “Fix” arrived (a questionable reference to shopaholicism?), optimism prevailed over my natural inclination towards cynicism. “I hope you enjoy your first fix!” read the card from my new stylist (XO, Heather). Nestled inside the package were three tops, one skirt, and an infinity scarf — each more preposterously unflattering and ill-suited for me than the last. I was offended — didn’t Heather \u003ci>know\u003c/i> me? Couldn’t she see that I would never, ever, wear a front-twist top with a faux leather detail across the shoulders?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Duh, Sarah. She \u003ci>can’t\u003c/i> see you! I turned to self-blame. Somewhere in that 50 part online questionnaire I must have misrepresented myself. Did I get my personal style wrong? Stitch Fix operates within seven categories: Bohemian Chic, Casual Chic, Classic, Edgy, Glamorous, Preppy, and Romantic. Maybe I didn’t really know what I wanted to “flaunt” or “keep covered.” Maybe my price points were too low to get anything but stretchy, synthetic, strange clothing.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" style=\"margin-bottom: 10px\" src=\"http://a.s.kqed.net/img/arts/blog/stitchfix2.jpg\" alt=\"\">Where had I gone wrong? In my disappointment I realized just how much I had been hoping for Stitch Fix to be some sort of miracle find. As I packaged up the clothing meant for someone else, I turned to an old friend with years of professional styling experience for her take on the service.\u003c/p>\n\u003cp>“I will admit that I think it cheapens the process of styling,” she wrote to me by email. “But I’m biased, obviously.” Without spending time with a person, seeing how they choose their own clothes and arrange them on their body, she explained, the stylist has very little to go on. If styling creates a narrative through selection and combination, the Stitch Fix process would lead to piecemeal, generalized items.\u003c/p>\n\u003cp>And as for my role in the entire twist top debacle? “Most women (and people) don’t know how to talk about their bodies,” she explained. “There is an entirely different language that regular folk use when they are describing their bodies than the people who dress them do.”\u003c/p>\n\u003cp>That was it! When I chose “less is more, keep it covered” in regards to my midriff, I thought I was ruling out crop tops, a style I am decidedly unwilling to experiment within. Heather (or the robots behind Stitch Fix) potentially read this as waistline insecurity, leading to three flowy, blousy tops that could easily blend in with the maternity wear at Target.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" style=\"margin-bottom: 10px\" src=\"http://a.s.kqed.net/img/arts/blog/stitchfix3.jpg\" alt=\"\">My friend’s final point got to the heart of my disappointment. When I opened the Stitch Fix box, I wanted to be taken out of my comfort zone in a good way. “It’s being too faithful to your words, or the portrait of yourself (verbal or otherwise) that you provided them,” she wrote. “I don’t want to make it seem like real life stylists \u003ci>aren’t\u003c/i> listening, but they know when to stop listening to you, look you up and down, and pick something unexpected. Nine times out of ten, that is the thing you’ll want.”\u003c/p>\n\u003cp>So instead of writing Stitch Fix off as a $20 experiment (the styling fee for each shipment, absorbed into the cost of the items you decide to keep), I revamped my profile. I now prefer to avoid faux leather, “love to flaunt” my midsection, and when it comes to “adventurous” Fixes, I told Heather to bring it.\u003c/p>\n\u003cp>My advice for those equally intrigued by this service is to provide the stylists and algorithms behind Stitch Fix with as much information as possible. They will look to your Linkedin, Twitter, and Pinterest accounts for inspiration if you choose to share those profiles. And instead of going it alone — have a friend sit down with you to answer questions like “how would you characterize your proportions.” Because if there’s one thing I learned from Stitch Fix, it’s that no woman is an island. We may have eliminated the dressing room, but you still need a second pair of eyes to reflect what a mirror (or a digital interaction) cannot.\u003c/p>\n\u003cp>Now that my relationship to the service has morphed from curious excitement to writing assignment to semi-sociological study, I’ve actually started looking at clothes — and the dreaded specter of shopping — in a different way. Finding attire that makes you feel professional, confident, well dressed and in control is an empowering experience. And while I’ll never have the patience or the budget to shop till I drop, it’s time to admit clothes are a facet of identity. The better I know myself and what I want to project via my wardrobe, the less tortuous the prospect of making these decisions will become.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>To try \u003ca href=\"https://www.stitchfix.com/\">Stitch Fix\u003c/a> out for yourself, or purchase a gift card for a lady in your life, visit stitchfix.com.\u003c/p>\n\n",
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"excerpt": "What happens when someone who hates shopping lets the Internet do it for her? On outsourcing decision-making and the fashion lessons that ensue.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It started with social media, as so many stories begin these days. A friend and colleague posted a link on Facebook, proclaiming, “I’m officially a rabid fan.” I clicked, intrigued, and my very own wish fulfillment fantasy unfolded in front of me until I could click no more. The link took me to \u003ca href=\"https://www.stitchfix.com/\">Stitch Fix\u003c/a>, a styling service that delivers handpicked clothing to your doorstep, five items at a time. Within an hour, I had a shipment scheduled to arrive at the earliest possible date. I was giddy with anticipation.\u003c/p>\n\u003cp>According to testimonials featured on the site, women love the service for any number of reasons: no more trying to fit dressing room time into busy work/travel/childcare schedules, joined by choruses of “Wow, I never would have picked this for myself, but I love it!” and “It’s like Christmas in [insert month here]!”\u003c/p>\n\u003cp>Why was I seduced? Because I hate shopping, both online and in the flesh. Hunting through clothing racks, trying on different styles, putting guilty pleasure purchases on the credit card — none of that appeals to me. I can take about 30 minutes of retail environments before I get grumpy, petulant, frustrated, and generally unpleasant to be around. I consider emerging from a dress shop without anything to show for my time spent inside a personal victory over capitalism.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" style=\"margin-bottom: 10px\" src=\"http://a.s.kqed.net/img/arts/blog/stitchfix1.jpg\" alt=\"\">The problem is, I still need clothes. Not shopping means wearing things past the point of professionalism, still looking like an art student four years after graduating. I need help, and Stitch Fix was offering it to me in the most appealing way. With minimal effort on my part, someone would do all the dirty work of finding clothes long enough for my 6’1″ frame and effectively tell me what to wear and how to wear it. It’s personal shopper meets \u003ca href=\"https://www.taskrabbit.com/\">Task Rabbit\u003c/a>, without any pesky face-to-face interaction.\u003c/p>\n\u003cp>So when my first “Fix” arrived (a questionable reference to shopaholicism?), optimism prevailed over my natural inclination towards cynicism. “I hope you enjoy your first fix!” read the card from my new stylist (XO, Heather). Nestled inside the package were three tops, one skirt, and an infinity scarf — each more preposterously unflattering and ill-suited for me than the last. I was offended — didn’t Heather \u003ci>know\u003c/i> me? Couldn’t she see that I would never, ever, wear a front-twist top with a faux leather detail across the shoulders?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Duh, Sarah. She \u003ci>can’t\u003c/i> see you! I turned to self-blame. Somewhere in that 50 part online questionnaire I must have misrepresented myself. Did I get my personal style wrong? Stitch Fix operates within seven categories: Bohemian Chic, Casual Chic, Classic, Edgy, Glamorous, Preppy, and Romantic. Maybe I didn’t really know what I wanted to “flaunt” or “keep covered.” Maybe my price points were too low to get anything but stretchy, synthetic, strange clothing.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" style=\"margin-bottom: 10px\" src=\"http://a.s.kqed.net/img/arts/blog/stitchfix2.jpg\" alt=\"\">Where had I gone wrong? In my disappointment I realized just how much I had been hoping for Stitch Fix to be some sort of miracle find. As I packaged up the clothing meant for someone else, I turned to an old friend with years of professional styling experience for her take on the service.\u003c/p>\n\u003cp>“I will admit that I think it cheapens the process of styling,” she wrote to me by email. “But I’m biased, obviously.” Without spending time with a person, seeing how they choose their own clothes and arrange them on their body, she explained, the stylist has very little to go on. If styling creates a narrative through selection and combination, the Stitch Fix process would lead to piecemeal, generalized items.\u003c/p>\n\u003cp>And as for my role in the entire twist top debacle? “Most women (and people) don’t know how to talk about their bodies,” she explained. “There is an entirely different language that regular folk use when they are describing their bodies than the people who dress them do.”\u003c/p>\n\u003cp>That was it! When I chose “less is more, keep it covered” in regards to my midriff, I thought I was ruling out crop tops, a style I am decidedly unwilling to experiment within. Heather (or the robots behind Stitch Fix) potentially read this as waistline insecurity, leading to three flowy, blousy tops that could easily blend in with the maternity wear at Target.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" style=\"margin-bottom: 10px\" src=\"http://a.s.kqed.net/img/arts/blog/stitchfix3.jpg\" alt=\"\">My friend’s final point got to the heart of my disappointment. When I opened the Stitch Fix box, I wanted to be taken out of my comfort zone in a good way. “It’s being too faithful to your words, or the portrait of yourself (verbal or otherwise) that you provided them,” she wrote. “I don’t want to make it seem like real life stylists \u003ci>aren’t\u003c/i> listening, but they know when to stop listening to you, look you up and down, and pick something unexpected. Nine times out of ten, that is the thing you’ll want.”\u003c/p>\n\u003cp>So instead of writing Stitch Fix off as a $20 experiment (the styling fee for each shipment, absorbed into the cost of the items you decide to keep), I revamped my profile. I now prefer to avoid faux leather, “love to flaunt” my midsection, and when it comes to “adventurous” Fixes, I told Heather to bring it.\u003c/p>\n\u003cp>My advice for those equally intrigued by this service is to provide the stylists and algorithms behind Stitch Fix with as much information as possible. They will look to your Linkedin, Twitter, and Pinterest accounts for inspiration if you choose to share those profiles. And instead of going it alone — have a friend sit down with you to answer questions like “how would you characterize your proportions.” Because if there’s one thing I learned from Stitch Fix, it’s that no woman is an island. We may have eliminated the dressing room, but you still need a second pair of eyes to reflect what a mirror (or a digital interaction) cannot.\u003c/p>\n\u003cp>Now that my relationship to the service has morphed from curious excitement to writing assignment to semi-sociological study, I’ve actually started looking at clothes — and the dreaded specter of shopping — in a different way. Finding attire that makes you feel professional, confident, well dressed and in control is an empowering experience. And while I’ll never have the patience or the budget to shop till I drop, it’s time to admit clothes are a facet of identity. The better I know myself and what I want to project via my wardrobe, the less tortuous the prospect of making these decisions will become.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003ci>We asked \u003ci>Forum\u003c/i>‘s producers to pick their favorite arts shows from 2013. Here is Online Producer Amanda Stupi’s pick.\u003c/i>\u003c/p>\n\u003cp>It started out simply, with Forum’s Senior Editor Dan Zoll asking “Should we have the executive producer of \u003ca href=\"http://www.pbs.org/wgbh/masterpiece/downtonabbey/\">\u003ci>Downton Abbey\u003c/i>\u003c/a> on?” I proceeded to freak out and spewed some indecipherable answer that sounded like “Yesohmygodwehavetohaveheron Iloveodowntonabbey yesohmygodyes.”Rebecca Eaton was the guest Zoll was referring to, and she is actually the Executive Producer of the entire \u003ca href=\"http://www.pbs.org/wgbh/masterpiece/\">\u003ci>Masterpiece\u003c/i>\u003c/a> series, not only \u003ci>Downton Abbey\u003c/i>. I’m a huge \u003ci>Downton\u003c/i> fan, but the interview stayed with me for lots of other reasons as well: I found it refreshing that Eaton acknowledged the timing and luck involved with her success. She used the word “malarkey.” Guest host Rachael Myrow read an email from a listener that said “OMG, \u003ca href=\"http://www.pbs.org/wgbh/masterpiece/programs/series/mr-selfridge/\">\u003ci>Mr. Selfridge\u003c/i>\u003c/a> bit so hard,” and Eaton responded to the criticism without missing a beat. And lastly, as the person who manages the online side of a radio show with a longstanding and loyal following, I related to Eaton’s challenge of rebranding a classic like \u003ci>Masterpiece\u003c/i>.\u003c/p>\n\u003cp>\u003c/p>\u003ch2>Interview Highlights\u003c/h2>\n\n\u003cp>\u003cb>On How She Got Her Job:\u003c/b>\u003cbr>“I have been incredibly lucky in my life and my career, because I fell into public broadcasting by wanting to live in England. That’s all I wanted to do growing up. I read all these books and was just a complete Anglophile living in Pasadena, California. There was a program at my college, which sent two graduates a year to work at the \u003ca href=\"http://www.bbc.com/\">BBC\u003c/a> in London. I just took the job, I didn’t know what BBC even stood for, I just wanted to live in London and go to the theater. Then one thing, as so often happens, leads to another. And I was there for a year and a half, and came back just at the moment that NPR was starting. PBS had gone on the air a year or two before… this is 1971, and I volunteered at WGBH in Boston and started producing an arts show…”\u003c/p>\n\u003cp>\u003cb>On Rebranding \u003ci>Masterpiece\u003c/i>:\u003c/b>\u003cbr>“I don’t know anything about branding or rebranding, and it might’ve been a blessing that I didn’t because \u003ca href=\"http://www.nbcnews.com/id/7209828/#.Uq98AuKYx8E\">rebranding a classic like Coke\u003c/a>, for instance, is a really dangerous thing to do. You run the risk of alienating your very faithful fans, and that’s what \u003ci>Masterpiece\u003c/i> had. And you run the risk of throwing away millions of dollars to try to attract new people who basically won’t be attracted. So, not knowing any of that, we were able to get a little bit of money from PBS and from the Corporation for Public Broadcasting — a very little bit of money — and we did our own research. We basically hired a wonderful branding expert named Bob Knapp and said ‘Don’t give us any malarkey, don’t give us any mission statements, any expensive ideas, we need really doable advice.’ He did… So, we took a deep breath and redid the kind of \u003ca href=\"http://www.current.org/wp-content/themes/current/archive-site/drama/drama0709masterpiece.shtml\">window dressing of \u003ci>Masterpiece\u003c/i>\u003c/a>.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>On the Audience Reaction to Mathew’s Death:\u003c/b>\u003cbr>“As Julian Fellowes said, ‘How else could he have gone? Would he and Mary have grown apart? Would he have gone off on a trip?’ If he had gone off on a trip, you would be waiting for him to come back, endlessly. I don’t know if the complaint is that there was no — that he was clearly dead and then there wasn’t any time for the audience to mourn with the family. For instance, you’re watching it, he’s dead and that’s the end of the show and there you are, sitting in your living room and now what do you do? It would have been more comforting to have, what will be part of the \u003ca href=\"http://www.pbs.org/wgbh/masterpiece/watch-online/previews/downton-abbey-season-4-no-turning-back/\">beginning of Season Four\u003c/a>, which is the family in mourning… I think that it will help for the audience to be with them, briefly, and maybe it could have helped if we could have been with Mary when she heard the news. But, oh my gosh, that would have been excruciating too. I don’t know how we could have made people feel better about it.”\u003c/p>\n\u003cp>\u003cb>On \u003ci>Downton Abbey\u003c/i> Creator Julian Fellowes:\u003c/b>\u003cbr>“There is one writer for \u003ci>Downton Abbey\u003c/i>: \u003ca href=\"http://www.npr.org/2013/01/07/166979868/julian-fellowes-on-the-rules-of-downton\">Julian Fellowes\u003c/a>. He created it, and he is the only writer. He writes every word. He designs every scene, not physically, but he envisions every scene. I think he probably acts out every part as he’s writing it and none better than \u003ca href=\"http://video.pbs.org/video/2196625085/\">Maggie Smith\u003c/a>. He and Maggie Smith have arrived together on some planet and they don’t need to speak. He can sense how a line would sound coming from Maggie and he writes for her. So you have to hand it for Julian Fellowes. He is the guy.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cb>On Complaints About American Broadcast Delays:\u003c/b>\u003cbr>“We hear about this a lot, with \u003ci>Sherlock\u003c/i> as well as with \u003ci>Downton\u003c/i>. We think about it all the time. We talk about it all the time. We try to figure out the pros and cons of moving the broadcast closer to the UK transmission. So, I will just say this: Technically it’s complicated because there are different lengths and different formats in the UK. But, the truth of it is, with \u003ci>Downton\u003c/i> for instance, it airs in the UK in September and October and we broadcast it in January. January and February is a very sweet spot for PBS and for \u003ci>Masterpiece\u003c/i>. The audience numbers are very high. I don’t know if it’s because the weather is bad and people are inside watching television. To put it earlier, we would put \u003ci>Downton\u003c/i> in the teeth of the storm. We would put it up against the premiers for all the network shows and they have a lot of money and a very loud voice and it is potentially a difficult time for a show. We have been asked by the critics constantly when we have done that, ‘Why did you air this show up against the premieres? It’s stupid, don’t do it!'”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>We asked \u003ci>Forum\u003c/i>‘s producers to pick their favorite arts shows from 2013. Here is Online Producer Amanda Stupi’s pick.\u003c/i>\u003c/p>\n\u003cp>It started out simply, with Forum’s Senior Editor Dan Zoll asking “Should we have the executive producer of \u003ca href=\"http://www.pbs.org/wgbh/masterpiece/downtonabbey/\">\u003ci>Downton Abbey\u003c/i>\u003c/a> on?” I proceeded to freak out and spewed some indecipherable answer that sounded like “Yesohmygodwehavetohaveheron Iloveodowntonabbey yesohmygodyes.”Rebecca Eaton was the guest Zoll was referring to, and she is actually the Executive Producer of the entire \u003ca href=\"http://www.pbs.org/wgbh/masterpiece/\">\u003ci>Masterpiece\u003c/i>\u003c/a> series, not only \u003ci>Downton Abbey\u003c/i>. I’m a huge \u003ci>Downton\u003c/i> fan, but the interview stayed with me for lots of other reasons as well: I found it refreshing that Eaton acknowledged the timing and luck involved with her success. She used the word “malarkey.” Guest host Rachael Myrow read an email from a listener that said “OMG, \u003ca href=\"http://www.pbs.org/wgbh/masterpiece/programs/series/mr-selfridge/\">\u003ci>Mr. Selfridge\u003c/i>\u003c/a> bit so hard,” and Eaton responded to the criticism without missing a beat. And lastly, as the person who manages the online side of a radio show with a longstanding and loyal following, I related to Eaton’s challenge of rebranding a classic like \u003ci>Masterpiece\u003c/i>.\u003c/p>\n\u003cp>\u003c/p>\u003ch2>Interview Highlights\u003c/h2>\n\n\u003cp>\u003cb>On How She Got Her Job:\u003c/b>\u003cbr>“I have been incredibly lucky in my life and my career, because I fell into public broadcasting by wanting to live in England. That’s all I wanted to do growing up. I read all these books and was just a complete Anglophile living in Pasadena, California. There was a program at my college, which sent two graduates a year to work at the \u003ca href=\"http://www.bbc.com/\">BBC\u003c/a> in London. I just took the job, I didn’t know what BBC even stood for, I just wanted to live in London and go to the theater. Then one thing, as so often happens, leads to another. And I was there for a year and a half, and came back just at the moment that NPR was starting. PBS had gone on the air a year or two before… this is 1971, and I volunteered at WGBH in Boston and started producing an arts show…”\u003c/p>\n\u003cp>\u003cb>On Rebranding \u003ci>Masterpiece\u003c/i>:\u003c/b>\u003cbr>“I don’t know anything about branding or rebranding, and it might’ve been a blessing that I didn’t because \u003ca href=\"http://www.nbcnews.com/id/7209828/#.Uq98AuKYx8E\">rebranding a classic like Coke\u003c/a>, for instance, is a really dangerous thing to do. You run the risk of alienating your very faithful fans, and that’s what \u003ci>Masterpiece\u003c/i> had. And you run the risk of throwing away millions of dollars to try to attract new people who basically won’t be attracted. So, not knowing any of that, we were able to get a little bit of money from PBS and from the Corporation for Public Broadcasting — a very little bit of money — and we did our own research. We basically hired a wonderful branding expert named Bob Knapp and said ‘Don’t give us any malarkey, don’t give us any mission statements, any expensive ideas, we need really doable advice.’ He did… So, we took a deep breath and redid the kind of \u003ca href=\"http://www.current.org/wp-content/themes/current/archive-site/drama/drama0709masterpiece.shtml\">window dressing of \u003ci>Masterpiece\u003c/i>\u003c/a>.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>On the Audience Reaction to Mathew’s Death:\u003c/b>\u003cbr>“As Julian Fellowes said, ‘How else could he have gone? Would he and Mary have grown apart? Would he have gone off on a trip?’ If he had gone off on a trip, you would be waiting for him to come back, endlessly. I don’t know if the complaint is that there was no — that he was clearly dead and then there wasn’t any time for the audience to mourn with the family. For instance, you’re watching it, he’s dead and that’s the end of the show and there you are, sitting in your living room and now what do you do? It would have been more comforting to have, what will be part of the \u003ca href=\"http://www.pbs.org/wgbh/masterpiece/watch-online/previews/downton-abbey-season-4-no-turning-back/\">beginning of Season Four\u003c/a>, which is the family in mourning… I think that it will help for the audience to be with them, briefly, and maybe it could have helped if we could have been with Mary when she heard the news. But, oh my gosh, that would have been excruciating too. I don’t know how we could have made people feel better about it.”\u003c/p>\n\u003cp>\u003cb>On \u003ci>Downton Abbey\u003c/i> Creator Julian Fellowes:\u003c/b>\u003cbr>“There is one writer for \u003ci>Downton Abbey\u003c/i>: \u003ca href=\"http://www.npr.org/2013/01/07/166979868/julian-fellowes-on-the-rules-of-downton\">Julian Fellowes\u003c/a>. He created it, and he is the only writer. He writes every word. He designs every scene, not physically, but he envisions every scene. I think he probably acts out every part as he’s writing it and none better than \u003ca href=\"http://video.pbs.org/video/2196625085/\">Maggie Smith\u003c/a>. He and Maggie Smith have arrived together on some planet and they don’t need to speak. He can sense how a line would sound coming from Maggie and he writes for her. So you have to hand it for Julian Fellowes. He is the guy.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>On Complaints About American Broadcast Delays:\u003c/b>\u003cbr>“We hear about this a lot, with \u003ci>Sherlock\u003c/i> as well as with \u003ci>Downton\u003c/i>. We think about it all the time. We talk about it all the time. We try to figure out the pros and cons of moving the broadcast closer to the UK transmission. So, I will just say this: Technically it’s complicated because there are different lengths and different formats in the UK. But, the truth of it is, with \u003ci>Downton\u003c/i> for instance, it airs in the UK in September and October and we broadcast it in January. January and February is a very sweet spot for PBS and for \u003ci>Masterpiece\u003c/i>. The audience numbers are very high. I don’t know if it’s because the weather is bad and people are inside watching television. To put it earlier, we would put \u003ci>Downton\u003c/i> in the teeth of the storm. We would put it up against the premiers for all the network shows and they have a lot of money and a very loud voice and it is potentially a difficult time for a show. We have been asked by the critics constantly when we have done that, ‘Why did you air this show up against the premieres? It’s stupid, don’t do it!'”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003ci>We asked \u003ci>Forum\u003c/i>‘s producers to pick their favorite arts shows from 2013. Here is Senior Producer Dan Zoll’s pick:\u003c/i>\u003c/p>\n\u003cp>It’s a tough call, but I think my favorite was the interview with Bay Area prankster, broadcast personality, and musician Mal Sharpe as part of our ‘First Person’ series. I must confess I was already a fan of his work as part of the 1960s comedy duo \u003ca href=\"http://www.coyleandsharpe.com/\">Coyle and Sharpe\u003c/a> and his band Big Money in Jazz. When doing research for the segment, we came across a hilarious TV segment featuring Sharpe ‘covering’ the 1985 Democratic Convention in San Francisco the night when Geraldine Ferraro was nominated as vice-presidential candidate. To their surprise, Sharpe asked all the gathered delegates and luminaries the same question: ‘What is your favorite fish?’ The responses were priceless.\u003c/p>\n\u003cp>\u003c/p>\u003ch2>Interview Highlights:\u003c/h2>\n\n\u003cp>\u003cb>On Playing Pranks on People:\u003c/b>\u003cbr>“It always did make me a little uncomfortable. [Jim] Coyle was into it a little bit more than me, he lived to put people on… I kind of got into this because I knew how to turn a tape recorder on and off and I loved the imagination of it and the surrealism and the stories, and I loved meeting the people… But we did get criticism on that level and frankly I can understand it… When the sequence was over, we always had to let them know it was a joke and get a release from them and I would say 99 percent of the time they kind of suddenly, because they had been through this improvisational trip on the street, they didn’t mind it. Every once in a while there was someone who was bugged with us.”\u003c/p>\n\u003cp>\u003cb>On the Nietzsche Connection:\u003c/b>\u003cbr>“When you’re young — I’ll tell you, kind of behind it all, you want to have a one-up on grown-ups. You want to pull the wool over people’s eyes because you want to feel superior. Coyle was a big reader of [Friedrich] Nietzsche and [Arthur] Schopenhauer and he had this whole thing about dominating people in some strange way with his words.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>On How He Ended Up in San Francisco:\u003c/b>\u003cbr>“It was just a whim. I went to graduate school at Michigan State University… I finished the year and I had a few months before I went in the Army… it was right after Korea. And I think I saw an album cover of a \u003ca href=\"http://en.wikipedia.org/wiki/Turk_Murphy\">Turk Murphy\u003c/a> record and there were these really exotic people on the cover with him, bohemians I guess, and I just said ‘I don’t know… I’ll go out to San Francisco’ and I just flew out here. I had no idea what the city was like.”\u003c/p>\n\u003cp>\u003cb>On His First Few Weeks in San Francisco:\u003c/b>\u003cbr>“I got a job at Macy’s after a day or so. After I was here two weeks this girl that worked at Macy’s said ‘I have a place to live. I think you’ll find it interesting,’ and I got on the cable car with her and I went up on Powell Street and we got to the top of Nob Hill… She took me to her pad in North Beach where she had a mattress and an orange crate. She lived with a guy she wasn’t having sex with, he just slept in the other room, and I just thought ‘This is so cool, this is so cool.'”\u003c/p>\n\u003cp>\u003cb>On Learning Not to Laugh:\u003c/b>\u003cbr>“When you have a chance to make money, you keep a straight face. When you’re desperate to get some good sequence, you don’t laugh.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>On How His Work Differed From \u003ci>Candid Camera\u003c/i>:\u003c/b>\u003cbr>“There was \u003ca href=\"http://www.youtube.com/watch?v=-CpzNGhfVio\">\u003ci>Candid Camera\u003c/i>\u003c/a> and \u003ca href=\"http://www.steveallen.com/main_page/index.html\">Steve Allen\u003c/a> would go out in front of the \u003ca href=\"http://dearoldhollywood.blogspot.com/2010/06/james-deans-final-ride.html\">Ranch Market in Hollywood\u003c/a> and interview people. We were much more surrealistic. We were much more interested in painting the scene of bizarre terror and challenges to the people on the streets of San Francisco. We walked around with a hidden tape recorder for two years before anybody hired us — in and out of mortuaries and stores, so it was much more of a heady thing I like to think.”\u003c/p>\n\n",
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"excerpt": "We asked \u003ci>Forum\u003c/i>'s producers to pick their favorite arts shows from the past year. Senior Producer Dan Zoll chose Michael Krasny's July 31 interview with Bay Area prankster, broadcast personality, and musician Mal Sharpe.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>On How He Ended Up in San Francisco:\u003c/b>\u003cbr>“It was just a whim. I went to graduate school at Michigan State University… I finished the year and I had a few months before I went in the Army… it was right after Korea. And I think I saw an album cover of a \u003ca href=\"http://en.wikipedia.org/wiki/Turk_Murphy\">Turk Murphy\u003c/a> record and there were these really exotic people on the cover with him, bohemians I guess, and I just said ‘I don’t know… I’ll go out to San Francisco’ and I just flew out here. I had no idea what the city was like.”\u003c/p>\n\u003cp>\u003cb>On His First Few Weeks in San Francisco:\u003c/b>\u003cbr>“I got a job at Macy’s after a day or so. After I was here two weeks this girl that worked at Macy’s said ‘I have a place to live. I think you’ll find it interesting,’ and I got on the cable car with her and I went up on Powell Street and we got to the top of Nob Hill… She took me to her pad in North Beach where she had a mattress and an orange crate. She lived with a guy she wasn’t having sex with, he just slept in the other room, and I just thought ‘This is so cool, this is so cool.'”\u003c/p>\n\u003cp>\u003cb>On Learning Not to Laugh:\u003c/b>\u003cbr>“When you have a chance to make money, you keep a straight face. When you’re desperate to get some good sequence, you don’t laugh.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>On How His Work Differed From \u003ci>Candid Camera\u003c/i>:\u003c/b>\u003cbr>“There was \u003ca href=\"http://www.youtube.com/watch?v=-CpzNGhfVio\">\u003ci>Candid Camera\u003c/i>\u003c/a> and \u003ca href=\"http://www.steveallen.com/main_page/index.html\">Steve Allen\u003c/a> would go out in front of the \u003ca href=\"http://dearoldhollywood.blogspot.com/2010/06/james-deans-final-ride.html\">Ranch Market in Hollywood\u003c/a> and interview people. We were much more surrealistic. We were much more interested in painting the scene of bizarre terror and challenges to the people on the streets of San Francisco. We walked around with a hidden tape recorder for two years before anybody hired us — in and out of mortuaries and stores, so it was much more of a heady thing I like to think.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "How to Appreciate That Ugly Holiday Sweater",
"headTitle": "How to Appreciate That Ugly Holiday Sweater | KQED",
"content": "\u003cp>The holidays inspire some of humanity’s ugliest sweaters, and this year was certainly no exception. However, if you can readjust your non-precription vintage frames, a new appreciation for that cringe-worthy holiday sweater might come into view. Whether you received one as a gift, or thrust one upon a friend or relative, you may be surprised to learn that ugly sweaters have more longevity beyond the time it takes to pose for an \u003ca href=\"http://awkwardfamilyphotos.com/\">awkward family photo\u003c/a>.\u003c/p>\n\u003cp>The ugliest sweaters feature various holiday themes immortalized in knit and felt, embellished with sparkles, or even that old craft standby, puff paint. In years past, ugly holiday sweaters were resigned to the recesses of our closets and the racks of local thrift stores, but with a discerning eye for kitsch and appropriated cultural artifacts, you too can understand the full potential of your ugly holiday sweater.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" style=\"margin-bottom: 10px;\" src=\"http://u.s.kqed.net/2013/12/16/holidaysweater1.jpg\" alt=\"carol cicerone's famous x-mas sweater\">\u003cbr>\nThis sweater belongs to a KQED employee who wishes to remain anonymous.\u003c/center>Don’t be limited by the commonsensical notion that holiday sweaters should only be worn around the holidays. The more you can incorporate seasonal specific items into your year-round wardrobe in the name of irony, the better. One of the best excuses to resurrect the spirit of ugly holiday sweaters in the new year is to throw an “Ugly Sweater Party,” complete with a strictly tacky dress code. Needless to say, awkward photo ops abound.\n\u003cp>If you find that your holiday sweater is not nearly garish enough for such an occasion, consider investing a few dollars in a thrift store upgrade. Keep in mind that holiday sweaters can be appreciated not only for their ugliness, but also for everything they signify, including forced familial interactions, granny D.I.Y. culture and the opportunity to appear flippant.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" style=\"margin-bottom: 10px;\" src=\"http://u.s.kqed.net/2013/12/16/holidaysweater2.jpg\" alt=\"swants from westknits\">\u003cbr>\n“Swants” from \u003ca href=\"http://westknits.com/\">Westknits\u003c/a>\u003c/center>Sure, after the party, you could upcycle your mildly ugly sweaters into cozy pillowcases or classy throws, but the best way to retain the tacky essence of the holiday sweater is to turn it into something equally horrifying: like “swants.” That’s right, pants made out of a single sweater. The Icelandic company, Westknits, provides an excellent \u003ca href=\"http://westknits.com/index.php/2013/11/swants-tutorial\">online tutorial\u003c/a>. And the video below shows the design in action on the streets of Reykjavik set to “On and Ever Onward” by \u003ca href=\"https://itunes.apple.com/album/on-and-ever-onward/id470269617?i=470269701&ign-mpt=uo%3D5\">Dirty Projectors and Björk\u003c/a>.\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" src=\"//www.youtube.com/embed/71c_7MLq1ms\" width=\"480\" height=\"270\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\">\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>If you can’t muster the pastiche panache required to rock a holiday sweater any day of the year, set it free from your closet. Put that sense of nagging sentimentality aside as you donate your ugly sweater, knowing it has a better chance of finding a forever home. Or if you have more sinister intentions, re-gift your ugly sweater to an unsuspecting victim during the next holiday season.\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The holidays inspire some of humanity’s ugliest sweaters, and this year was certainly no exception. However, if you can readjust your non-precription vintage frames, a new appreciation for that cringe-worthy holiday sweater might come into view. Whether you received one as a gift, or thrust one upon a friend or relative, you may be surprised to learn that ugly sweaters have more longevity beyond the time it takes to pose for an \u003ca href=\"http://awkwardfamilyphotos.com/\">awkward family photo\u003c/a>.\u003c/p>\n\u003cp>The ugliest sweaters feature various holiday themes immortalized in knit and felt, embellished with sparkles, or even that old craft standby, puff paint. In years past, ugly holiday sweaters were resigned to the recesses of our closets and the racks of local thrift stores, but with a discerning eye for kitsch and appropriated cultural artifacts, you too can understand the full potential of your ugly holiday sweater.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" style=\"margin-bottom: 10px;\" src=\"http://u.s.kqed.net/2013/12/16/holidaysweater1.jpg\" alt=\"carol cicerone's famous x-mas sweater\">\u003cbr>\nThis sweater belongs to a KQED employee who wishes to remain anonymous.\u003c/center>Don’t be limited by the commonsensical notion that holiday sweaters should only be worn around the holidays. The more you can incorporate seasonal specific items into your year-round wardrobe in the name of irony, the better. One of the best excuses to resurrect the spirit of ugly holiday sweaters in the new year is to throw an “Ugly Sweater Party,” complete with a strictly tacky dress code. Needless to say, awkward photo ops abound.\n\u003cp>If you find that your holiday sweater is not nearly garish enough for such an occasion, consider investing a few dollars in a thrift store upgrade. Keep in mind that holiday sweaters can be appreciated not only for their ugliness, but also for everything they signify, including forced familial interactions, granny D.I.Y. culture and the opportunity to appear flippant.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" style=\"margin-bottom: 10px;\" src=\"http://u.s.kqed.net/2013/12/16/holidaysweater2.jpg\" alt=\"swants from westknits\">\u003cbr>\n“Swants” from \u003ca href=\"http://westknits.com/\">Westknits\u003c/a>\u003c/center>Sure, after the party, you could upcycle your mildly ugly sweaters into cozy pillowcases or classy throws, but the best way to retain the tacky essence of the holiday sweater is to turn it into something equally horrifying: like “swants.” That’s right, pants made out of a single sweater. The Icelandic company, Westknits, provides an excellent \u003ca href=\"http://westknits.com/index.php/2013/11/swants-tutorial\">online tutorial\u003c/a>. And the video below shows the design in action on the streets of Reykjavik set to “On and Ever Onward” by \u003ca href=\"https://itunes.apple.com/album/on-and-ever-onward/id470269617?i=470269701&ign-mpt=uo%3D5\">Dirty Projectors and Björk\u003c/a>.\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" src=\"//www.youtube.com/embed/71c_7MLq1ms\" width=\"480\" height=\"270\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\">\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>If you can’t muster the pastiche panache required to rock a holiday sweater any day of the year, set it free from your closet. Put that sense of nagging sentimentality aside as you donate your ugly sweater, knowing it has a better chance of finding a forever home. Or if you have more sinister intentions, re-gift your ugly sweater to an unsuspecting victim during the next holiday season.\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>As today’s young girls grow up with an Internet that equates \u003ca href=\"http://jezebel.com/selfies-arent-empowering-theyre-a-cry-for-help-1468965365\">selfies and empowerment\u003c/a>, Amy Poehler’s project, \u003ca href=\"http://sgatp.net/\">\u003ci>Smart Girls at the Party\u003c/i>\u003c/a> reinvents girl power online by highlighting females of all ages “who are changing the world by being themselves.”\u003c/p>\n\u003cp>Through YouTube, \u003ci>Smart Girls at the Party\u003c/i> offers young girls a well-rounded social network that supports their hopes and dreams while addressing their fears and challenges. This fills a cultural void concerning the extracurricular education and socialization of young girls, recently highlighted by the much talked about \u003ca href=\"http://www.youtube.com/watch?v=IIGyVa5Xftw\">“Goldiblocks” toy commercial\u003c/a> that showcases female empowerment through engineering marvels. The “Goldiblocks” product falls short of its ideological claims, while Poehler delivers meaningful YouTube content at no charge.\u003c/p>\n\u003cp>YouTube is a dangerous space for young children and especially young girls, who are inevitably exposed to the “male gaze” early on. In a disturbing YouTube phenomenon, countless preteen girls have uploaded videos of themselves asking users to comment on their appearance, in what have become known as \u003ca href=\"http://www.slate.com/blogs/xx_factor/2013/10/15/_am_i_pretty_or_ugly_youtube_videos_alarming_or_maybe_ok.html\">“Am I Ugly or Pretty” videos\u003c/a> like the one below.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=EGtV1gj5q-I&w=480&h=360]\u003c/p>\n\u003cp>And while young boys have also contributed to this tag, some \u003ca href=\"http://www.confidencecoalition.org/statistics-women\">statistics show that girls are more likely than boys to become victims of cyber-bullying\u003c/a> and suffer from low self-esteem. Alternatively, \u003ci>Smart Girls\u003c/i> aims to use Internet channels “to help young women and the young at heart with the process of cultivating their authentic selves.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As if it weren’t enough to make a name for herself in a male-dominated comedy industry, or play such a progressive feminist character as Leslie Knope, a small town council person on the television show, \u003ci>Parks and Recreation\u003c/i>, Amy Poehler, has also paired with producer, Merdith Walker, and musician, Amy Miles, to reach out to young girls specifically.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://media2.onsugar.com/files/2013/09/16/005/n/3019466/30baf1ccc5cf123b_amy-12.gif\" width=\"500px\" style=\"margin-bottom: 10px\">\u003c/p>\n\u003cp>Much like the characters she plays, Poehler’s “smart girls” are fun loving and confident in themselves. And while some have criticized \u003ci>Smart Girls at the Party\u003c/i> for not treating young girls seriously, Poehler’s mixture of real talk and goofy production proves that young girls can be seriously fun. What better way is there to get smart girls talking to each other than to throw a party for them?\u003c/p>\n\u003cp>The YouTube channel features a wide range of videos including direct addresses from Poehler’s webcam that answer viewers’ questions, and more traditional interviews with positive role models that are both well-known and up and coming. For “Ask Amy,” Poehler provides intimate advice and candid pep talks for all ages about everything from stress to power.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=h-djoZKPnLU&w=480&h=270]\u003c/p>\n\u003cp>Poehler often cheekily alludes to things viewers can look up for further inspiration; after quoting \u003ca href=\"http://en.wikipedia.org/wiki/Alfred,_Lord_Tennyson\">Alfred, Lord Tennyson\u003c/a> in her “love” episode she joked, “He is a very famous hip-hop producer. You should check out his work.”\u003c/p>\n\u003cp>Smart Girls doesn’t just tell young girls that “\u003ca href=\"http://www.youtube.com/watch?v=P5zbYkJCkR0\">smart girls do stunts\u003c/a>,” “\u003ca href=\"http://www.youtube.com/watch?v=yaLOzr4wFQs&list=PLVv710SrggAGNDbj7Ig5jGDhn_OfnZWgL\">smart girls go to space camp\u003c/a>,” or that “\u003ca href=\"http://www.youtube.com/watch?v=ZcAy9y_LQ3A\">smart girls become firefighters\u003c/a>,” they have real women proving it in their videos. They also spotlight girls in their everyday lives with “\u003ca href=\"http://www.youtube.com/watch?v=oLCTjeRnOgw\">Girls of the World\u003c/a>,” which makes the global scope of the project clear.\u003c/p>\n\u003cp>In addition to its distinct feminist slant, \u003ci>Smart Girls\u003c/i> encourages young boys and men to share their talents and perspectives with the community during “Boy’s Minute.” In one such minute, Poehler’s \u003ci>Parks and Recreation\u003c/i> co-star, Chris Pratt, humorously “teaches” viewers how to fashion a tie in the style of his character, Andy, while proudly aligning himself as a “smart girl.”\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=hEC73Gcc-lI&w=480&h=270]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Smart Girls at the Party\u003c/i> celebrates feminism online. To keep the party going offline, download a “\u003ca href=\"http://sgatp.net/?edmc=1468\">Smart Girl Party Kit\u003c/a>,” which includes printable decorations and party favors, suggestions for charitable actions as part of Smart Girls’ “Operation Nice” and the official “Smart Girls Party Song.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As if it weren’t enough to make a name for herself in a male-dominated comedy industry, or play such a progressive feminist character as Leslie Knope, a small town council person on the television show, \u003ci>Parks and Recreation\u003c/i>, Amy Poehler, has also paired with producer, Merdith Walker, and musician, Amy Miles, to reach out to young girls specifically.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://media2.onsugar.com/files/2013/09/16/005/n/3019466/30baf1ccc5cf123b_amy-12.gif\" width=\"500px\" style=\"margin-bottom: 10px\">\u003c/p>\n\u003cp>Much like the characters she plays, Poehler’s “smart girls” are fun loving and confident in themselves. And while some have criticized \u003ci>Smart Girls at the Party\u003c/i> for not treating young girls seriously, Poehler’s mixture of real talk and goofy production proves that young girls can be seriously fun. What better way is there to get smart girls talking to each other than to throw a party for them?\u003c/p>\n\u003cp>The YouTube channel features a wide range of videos including direct addresses from Poehler’s webcam that answer viewers’ questions, and more traditional interviews with positive role models that are both well-known and up and coming. For “Ask Amy,” Poehler provides intimate advice and candid pep talks for all ages about everything from stress to power.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/h-djoZKPnLU'\n title='//www.youtube.com/embed/h-djoZKPnLU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Poehler often cheekily alludes to things viewers can look up for further inspiration; after quoting \u003ca href=\"http://en.wikipedia.org/wiki/Alfred,_Lord_Tennyson\">Alfred, Lord Tennyson\u003c/a> in her “love” episode she joked, “He is a very famous hip-hop producer. You should check out his work.”\u003c/p>\n\u003cp>Smart Girls doesn’t just tell young girls that “\u003ca href=\"http://www.youtube.com/watch?v=P5zbYkJCkR0\">smart girls do stunts\u003c/a>,” “\u003ca href=\"http://www.youtube.com/watch?v=yaLOzr4wFQs&list=PLVv710SrggAGNDbj7Ig5jGDhn_OfnZWgL\">smart girls go to space camp\u003c/a>,” or that “\u003ca href=\"http://www.youtube.com/watch?v=ZcAy9y_LQ3A\">smart girls become firefighters\u003c/a>,” they have real women proving it in their videos. They also spotlight girls in their everyday lives with “\u003ca href=\"http://www.youtube.com/watch?v=oLCTjeRnOgw\">Girls of the World\u003c/a>,” which makes the global scope of the project clear.\u003c/p>\n\u003cp>In addition to its distinct feminist slant, \u003ci>Smart Girls\u003c/i> encourages young boys and men to share their talents and perspectives with the community during “Boy’s Minute.” In one such minute, Poehler’s \u003ci>Parks and Recreation\u003c/i> co-star, Chris Pratt, humorously “teaches” viewers how to fashion a tie in the style of his character, Andy, while proudly aligning himself as a “smart girl.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hEC73Gcc-lI'\n title='//www.youtube.com/embed/hEC73Gcc-lI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Smart Girls at the Party\u003c/i> celebrates feminism online. To keep the party going offline, download a “\u003ca href=\"http://sgatp.net/?edmc=1468\">Smart Girl Party Kit\u003c/a>,” which includes printable decorations and party favors, suggestions for charitable actions as part of Smart Girls’ “Operation Nice” and the official “Smart Girls Party Song.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
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