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"content": "\u003cp>Even if you are a serious person with adult responsibilities, you are likely aware that a new incarnation of \u003cem>Ghostbusters \u003c/em>arrives in theaters this week. It stars four funny women and was co-written by a fifth, and at least some proportion of its intended audience has found these staffing decisions alarming. While I haven't seen it yet, \u003cem>Ghostbusters\u003c/em> '16 is by most accounts neither a feminist battle cry nor a cynically made disaster, but a light midsummer amusement. \"Too risk-averse,\" \u003ca href=\"http://www.villagevoice.com/film/busted-flat-all-too-normal-activity-dominates-the-ghostbusters-remake-8841463\">wrote the \u003cem>Village Voice's\u003c/em> Melissa Anderson\u003c/a>. \"It never strays far from the anodyne, generic humor that pervades the Ivan Reitman-directed 1984 original.\"\u003c/p>\n\u003cp>Those words — \u003cem>anodyne, generic\u003c/em> — are comedy anti-matter. But they perfectly capture how weird it is that \u003cem>Ghostbusters\u003c/em> has become a subject of controversy. If you were at all cognizant of pop culture in 1984, as I was just starting to be, the idea that 32 years later Prince — the artist formerly known as the guy who almost single-handedly prompted Tipper Gore to found the Parents Music Resource Counsel — would find himself near-universally beloved, while \u003cem>Ghostbusters\u003c/em> has become a divisive topic, is a tough thing to get your head around.\u003c/p>\n\u003cp>There was something going on that year, 1984. More than three decades before it arrived, George Orwell had pegged it as a year in which fresh ideas would be violently suppressed. No one knew it at the time, but 1984's box-office charts foretold the originality-averse multiplex dystopia that awaited us on the other side of the millennium. In \u003cem>The Terminator\u003c/em>, the year's 21st(!)-highest grossing film we learned that the early 21st century would find the shivering, starving, war-thinned human herd hunted to extinction by machines. Emotionless. Data-driven. They do not feel pity, or remorse, or fear. In that respect they'er a lot like the beings who decide, in this nightmare year of Two Thousand Sixteen, which movies get greenlit.\u003c/p>\n\u003cp>Okay, that's an overstatement. This isn't: In box office terms, 1984 resembled 2014 a lot more closely than it did 1983 or 1985. Because, for the first time in history, \u003cem>every single one\u003c/em> of its Top Ten grossing films spawned a sequel or a remake or both ... except for the Daryl Hannah-Tom Hanks mermaid romance \u003cem>Splash.\u003c/em>\u003c/p>\n\u003cp>(Wait, no, sorry, I'm getting something in my earpiece. It's seems there was a made-for-TV \u003cem>Splash Too,\u003c/em> featuring none of \u003cem>Splash\u003c/em>'s principal players, in 1988.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>(Movies are only real if they're released in theaters, agreed?)\u003c/p>\n\u003cp>Anyway: producer Brian Grazer announced last month that he's working on a big-screen \u003cem>Splash\u003c/em> remake.\u003c/p>\n\u003cp>Of course he is.\u003c/p>\n\u003cp>\u003cstrong>1984: The Year We Made Contact\u003c/strong>\u003c/p>\n\u003cp>The Top 10 Films of 1984, as reported by Box Office Mojo.\u003c/p>\n\u003col>\n\u003cli>\u003cem>Beverly Hills Cop\u003c/em> (Sequels in '87, '94, unsuccessful TV pilot in 2014)\u003c/li>\n\u003cli>\u003cem>Ghostbusters\u003c/em> (Sequeled in '89, rebooted 2016)\u003c/li>\n\u003cli>\u003cem>Indiana Jones and the Temple of Doom\u003c/em> (Sequels in '89 & '08; reboot threatened)\u003c/li>\n\u003cli>\u003cem>Gremlins\u003c/em>* (Sequeled in 1990)\u003c/li>\n\u003cli>\u003cem>The Karate Kid\u003c/em> (Sequels '86, '89, '94, remade 2010)\u003c/li>\n\u003cli>\u003cem>Police Academy\u003c/em> (Sequels '85, '86, '87, '88, '89, '94)\u003c/li>\n\u003cli>\u003cem>Footloose\u003c/em> (remade 2011)\u003c/li>\n\u003cli>\u003cem>Romancing the Stone\u003c/em> (Sequeled 1985)\u003c/li>\n\u003cli>\u003cem>Star Trek III: The Search for Spock\u003c/em> (Sequels '86, '89, '91, '94, rebooted 2009)\u003c/li>\n\u003cli>\u003cem>Splash\u003c/em>*\u003c/li>\n\u003c/ol>\n\u003cp>\u003cem>*\u003c/em>Numbers 11 and 12 were \u003cem>Purple Rain\u003c/em> and \u003cem>Amadeus\u003c/em>, respectively. Their principal creators, Prince and the playwright Peter Shaffer, both died just this year. Number 15 was \u003cem>Greystoke: The Legend of Tarzan\u003c/em>, \u003cem>Lord of the Apes\u003c/em>, another property we're \u003ca href=\"http://www.npr.org/2016/07/01/483702536/can-you-really-rebuild-tarzan-out-of-whole-loin-cloth\">still monkeying around with\u003c/a>.\u003c/p>\n\u003cp>While nine of these films would spawn theatrically-released sequels — hell, \u003cem>Police Academy\u003c/em> and \u003cem>Romancing the Stone\u003c/em> had quickie follow-ups out the following year — only two of them \u003cem>were\u003c/em> sequels. (\u003cem>Temple of Doom\u003c/em> was technically a \u003cem>prequel\u003c/em> to 1981's \u003cem>Raiders of the Lost Ark, \u003c/em>but whatever.) Four of the top five were original concepts.\u003c/p>\n\u003cp>That wasn't unusual at the time. 1983's Top 10 contained four sequels/franchise installments: \u003cem>The Return of the Jedi\u003c/em> at Number 1; the Roger-Moore-in-clown-makeup James Bond flick \u003cem>Octopussy\u003c/em> at Number 6; \u003cem>Sudden Impact,\u003c/em> the third sequel to \u003cem>Dirty Harry, \u003c/em>at Number 7; and \u003cem>Staying Alive,\u003c/em> a follow-up to \u003cem>Saturday Night Fever\u003c/em> written and directed by Sylvester Stallone because \u003cem>sure,\u003c/em> at Number 8.\u003c/p>\n\u003cp>The remainder of the lushly exploitable IP in 1983's Top Ten has been left alone, mostly. 1983's No. 2 movie, the Best Picture-winning \u003cem>Terms of Endearment, \u003c/em>got an unlikely sequel. It was called \u003cem>The Evening Star,\u003c/em> and it was one of the most bruising belly-flops of 1996, failing to crack that year's Top 100. Like \u003cem>Terms of Endearment, The Evening Star \u003c/em>was adapted from a Larry McMurty novel.\u003c/p>\n\u003cp>But there was no follow-up to 1983's far likelier candidates for the Electric Boogalo treatment: not \u003cem>Flashdance, \u003c/em>the year's Number 3 hit, nor \u003cem>Trading Places\u003c/em> (Number 4) nor \u003cem>WarGames\u003c/em> (Number 5) nor \u003cem>Risky Business \u003c/em>(Number 10). Compared to '83, 1984's biggest hits were simply easier to franchise.\u003c/p>\n\u003cp>(Wait, sorry, I'm receiving new information that a direct-to-DVD sequel entitled \u003cem>WarGames: The Dead Code, \u003c/em>directed by and starring no one you've ever heard of, sought to capitalize on \u003cem>WarGames' \u003c/em>massive Reagan-era cache in... 2008. What did we say about DTV releases? They don't count. Moving on.)\u003c/p>\n\u003cp>\u003cstrong>Johnny '85 Is Alive\u003c/strong>\u003c/p>\n\u003cp>But enough of 1984's past, let's get back... to the future! 1985's box office champ, \u003cem>Back to the Future,\u003c/em> towered over its closest competition by a cool $60 million. In the Number 2 and 3 positions we get \u003cem>Rambo: First Blood Part II\u003c/em> and \u003cem>Rocky IV, \u003c/em>respectively. Clearly, Sly did not let the poor reviews of \u003cem>Staying Alive\u003c/em> get him down — \"It's not even as good as \u003cem>Flashdance,\" \u003c/em>Roger Ebert \u003ca href=\"http://www.rogerebert.com/reviews/staying-alive-1983\">wrote\u003c/a> — because '85 was indisputably \u003cem>his year.\u003c/em>\u003c/p>\n\u003cp>Well, his and Phil Collins'.\u003c/p>\n\u003cp>But after those three, 1985's Top Ten opened up to accommodate plenty of serious, and as yet, un-remade, fare: \u003cem>The Color Purple \u003c/em>(adapted from Alice Walker's novel, and now the basis for a Broadway musical that could well become a movie); \u003cem>Out of Africa \u003c/em>(adapted from Karen Blixen's memoir); and \u003cem>Witness, \u003c/em>which actually won the Academy Award for Best Original Screenplay.\u003c/p>\n\u003cp>It also included\u003cem> The Goonies \u003c/em>and\u003cem> Spies Like Us, \u003c/em>both of which seem eminently remakeable, but for whatever reason have not been.\u003c/p>\n\u003cp>The 80s ran themselves out in similar fashion. In each year, sequels or adaptations of preexisting material were the exceptions in the Top Ten rather than the rule. Until, that is, 1989, when the top earners included the long-in-development \u003cem>Batman, Indiana Jones and the Last Crusade, Lethal Weapon 2, \u003c/em>and\u003cem> Back to the Future Part II. \u003c/em>Oh, and one other sequel, less inspired than any of those: \u003cem>Ghostbusters II.\u003c/em>\u003c/p>\n\u003cp>But 1989 was an anomaly. Five years later, the ratio of new material to old in the Top Ten was far smaller than it had been a decade earlier, but still healthier than today. The biggest hit of 1994's was a Best Picture-winning adaptation of Winston Groom's novel \u003cem>Forrest Gump. \u003c/em>Number 2 was \u003cem>The Lion King — Hamlet\u003c/em> for kids, but we'll still count it as an original. Number 3, the action comedy \u003cem>True Lies, \u003c/em>was in fact a pumped-up remake of a French farce called \u003cem>La Totale!,\u003c/em> but this was probably not one of the key factors that persuaded millions of patriotic Americans to buy a ticket for a James Cameron-directed Arnold Schwarzenegger movie.\u003c/p>\n\u003cp>Also in the Top 10: \u003cem>Clear and Present Danger\u003c/em> (based on a Tom Clancy novel,), \u003cem>The Flintstones\u003c/em> (based on a Hanna-Barbera cartoon), and \u003cem>The Mask\u003c/em> (based on a comic book). Squeaking in at Number 10 was a wildly energetic and unpredictable crime picture, one that exuded originality from every pore --despite taking its title from a genre where formulaic plots and stock characters are celebrated. It was called \u003cem>Pulp Fiction.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Millennium Approaches: Sequels, Adaptations, Passion Plays\u003c/strong>\u003c/p>\n\u003cp>On the other side of the millennium, innovation waned. The biggest hits of 2004 were \u003cem>Shrek 2 \u003c/em>and \u003cem>Spider-Man 2, \u003c/em>followed by Mel Gibson's \u003cem>The Passion of the Christ, \u003c/em>which was, you know, based on preexisting material, if not exactly in the same way that \u003cem>Meet the Fockers \u003c/em>was.\u003c/p>\n\u003cp>There were still a few \"originals,\" however derivative, in the Top Ten: The Roland Emmerich bad-weather thriller \u003cem>The Day After Tomorrow\u003c/em>. \u003cem>National Treasure.\u003c/em> Brad Bird's wonderful Pixar superhero movie \u003cem>The Incredibles. \u003c/em>And when the franchise entries were as strong as \u003cem>Spider-Man 2\u003c/em> (Number 2), \u003cem>Harry Potter and the Prisoner of Azkaban \u003c/em>(Number 4), and \u003cem>The Bourne Supremacy\u003c/em> (Number 8), who was going to complain?\u003c/p>\n\u003cp>By 2014, there was \u003cem>nothing\u003c/em> not extrapolated from a preexisting movie or comic book or Navy SEAL's memoir in the Top Ten.\u003cem> (American Sniper \u003c/em>became the first R-rated movie to win its year since\u003cem> Saving Private Ryan \u003c/em>16 years earlier.) Unless of course you want to count \u003cem>Maleficent, \u003c/em>a reframing of \u003cem>Sleeping Beauty,\u003c/em> or \u003cem>The Lego Movie\u003c/em>, which was of course adapted from a set of molded plastic blocks that hurt when you step on them barefoot.\u003c/p>\n\u003cp>We got our first glimpse of this state of affairs 32 years ago now, in that year Orwell warned us about. We weren't afraid of no ghosts, but maybe we should have been. These days, they're pretty much all all we get.\u003c/p>\n\u003cp>And yet: when our franchise entries are as strong as \u003ca href=\"http://www.npr.org/2015/05/14/406009465/a-visceral-inventive-blockbuster-roars-to-life-in-mad-max-fury-road\">\u003cem>Mad Max: Fury Road\u003c/em>\u003c/a> and \u003ca href=\"http://www.npr.org/2015/11/25/457130828/vital-and-tear-jerking-creed-is-the-best-rocky-movie-since-rocky\">\u003cem>Creed\u003c/em>\u003c/a> and \u003ca href=\"http://www.npr.org/sections/monkeysee/2015/12/18/460001132/pop-culture-happy-hour-star-wars-the-force-awakens-and-toys\">\u003cem>Star Wars: The Force Awakens\u003c/em>\u003c/a> and \u003ca href=\"http://www.npr.org/2016/05/06/476490464/captain-america-civil-war-is-the-mightiest-marvel-movie\">\u003cem>Captain America: Civil War\u003c/em>\u003c/a>\u003cem>, \u003c/em>who's going to complain? Not me.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>But... maybe go see \u003cem>The Lobster,\u003c/em> too, would you?\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=1984%3A+The+Year+We+Unwittingly+Stopped+Watching+Movies+And+Started+Watching+Franchises&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Even if you are a serious person with adult responsibilities, you are likely aware that a new incarnation of \u003cem>Ghostbusters \u003c/em>arrives in theaters this week. It stars four funny women and was co-written by a fifth, and at least some proportion of its intended audience has found these staffing decisions alarming. While I haven't seen it yet, \u003cem>Ghostbusters\u003c/em> '16 is by most accounts neither a feminist battle cry nor a cynically made disaster, but a light midsummer amusement. \"Too risk-averse,\" \u003ca href=\"http://www.villagevoice.com/film/busted-flat-all-too-normal-activity-dominates-the-ghostbusters-remake-8841463\">wrote the \u003cem>Village Voice's\u003c/em> Melissa Anderson\u003c/a>. \"It never strays far from the anodyne, generic humor that pervades the Ivan Reitman-directed 1984 original.\"\u003c/p>\n\u003cp>Those words — \u003cem>anodyne, generic\u003c/em> — are comedy anti-matter. But they perfectly capture how weird it is that \u003cem>Ghostbusters\u003c/em> has become a subject of controversy. If you were at all cognizant of pop culture in 1984, as I was just starting to be, the idea that 32 years later Prince — the artist formerly known as the guy who almost single-handedly prompted Tipper Gore to found the Parents Music Resource Counsel — would find himself near-universally beloved, while \u003cem>Ghostbusters\u003c/em> has become a divisive topic, is a tough thing to get your head around.\u003c/p>\n\u003cp>There was something going on that year, 1984. More than three decades before it arrived, George Orwell had pegged it as a year in which fresh ideas would be violently suppressed. No one knew it at the time, but 1984's box-office charts foretold the originality-averse multiplex dystopia that awaited us on the other side of the millennium. In \u003cem>The Terminator\u003c/em>, the year's 21st(!)-highest grossing film we learned that the early 21st century would find the shivering, starving, war-thinned human herd hunted to extinction by machines. Emotionless. Data-driven. They do not feel pity, or remorse, or fear. In that respect they'er a lot like the beings who decide, in this nightmare year of Two Thousand Sixteen, which movies get greenlit.\u003c/p>\n\u003cp>Okay, that's an overstatement. This isn't: In box office terms, 1984 resembled 2014 a lot more closely than it did 1983 or 1985. Because, for the first time in history, \u003cem>every single one\u003c/em> of its Top Ten grossing films spawned a sequel or a remake or both ... except for the Daryl Hannah-Tom Hanks mermaid romance \u003cem>Splash.\u003c/em>\u003c/p>\n\u003cp>(Wait, no, sorry, I'm getting something in my earpiece. It's seems there was a made-for-TV \u003cem>Splash Too,\u003c/em> featuring none of \u003cem>Splash\u003c/em>'s principal players, in 1988.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>(Movies are only real if they're released in theaters, agreed?)\u003c/p>\n\u003cp>Anyway: producer Brian Grazer announced last month that he's working on a big-screen \u003cem>Splash\u003c/em> remake.\u003c/p>\n\u003cp>Of course he is.\u003c/p>\n\u003cp>\u003cstrong>1984: The Year We Made Contact\u003c/strong>\u003c/p>\n\u003cp>The Top 10 Films of 1984, as reported by Box Office Mojo.\u003c/p>\n\u003col>\n\u003cli>\u003cem>Beverly Hills Cop\u003c/em> (Sequels in '87, '94, unsuccessful TV pilot in 2014)\u003c/li>\n\u003cli>\u003cem>Ghostbusters\u003c/em> (Sequeled in '89, rebooted 2016)\u003c/li>\n\u003cli>\u003cem>Indiana Jones and the Temple of Doom\u003c/em> (Sequels in '89 & '08; reboot threatened)\u003c/li>\n\u003cli>\u003cem>Gremlins\u003c/em>* (Sequeled in 1990)\u003c/li>\n\u003cli>\u003cem>The Karate Kid\u003c/em> (Sequels '86, '89, '94, remade 2010)\u003c/li>\n\u003cli>\u003cem>Police Academy\u003c/em> (Sequels '85, '86, '87, '88, '89, '94)\u003c/li>\n\u003cli>\u003cem>Footloose\u003c/em> (remade 2011)\u003c/li>\n\u003cli>\u003cem>Romancing the Stone\u003c/em> (Sequeled 1985)\u003c/li>\n\u003cli>\u003cem>Star Trek III: The Search for Spock\u003c/em> (Sequels '86, '89, '91, '94, rebooted 2009)\u003c/li>\n\u003cli>\u003cem>Splash\u003c/em>*\u003c/li>\n\u003c/ol>\n\u003cp>\u003cem>*\u003c/em>Numbers 11 and 12 were \u003cem>Purple Rain\u003c/em> and \u003cem>Amadeus\u003c/em>, respectively. Their principal creators, Prince and the playwright Peter Shaffer, both died just this year. Number 15 was \u003cem>Greystoke: The Legend of Tarzan\u003c/em>, \u003cem>Lord of the Apes\u003c/em>, another property we're \u003ca href=\"http://www.npr.org/2016/07/01/483702536/can-you-really-rebuild-tarzan-out-of-whole-loin-cloth\">still monkeying around with\u003c/a>.\u003c/p>\n\u003cp>While nine of these films would spawn theatrically-released sequels — hell, \u003cem>Police Academy\u003c/em> and \u003cem>Romancing the Stone\u003c/em> had quickie follow-ups out the following year — only two of them \u003cem>were\u003c/em> sequels. (\u003cem>Temple of Doom\u003c/em> was technically a \u003cem>prequel\u003c/em> to 1981's \u003cem>Raiders of the Lost Ark, \u003c/em>but whatever.) Four of the top five were original concepts.\u003c/p>\n\u003cp>That wasn't unusual at the time. 1983's Top 10 contained four sequels/franchise installments: \u003cem>The Return of the Jedi\u003c/em> at Number 1; the Roger-Moore-in-clown-makeup James Bond flick \u003cem>Octopussy\u003c/em> at Number 6; \u003cem>Sudden Impact,\u003c/em> the third sequel to \u003cem>Dirty Harry, \u003c/em>at Number 7; and \u003cem>Staying Alive,\u003c/em> a follow-up to \u003cem>Saturday Night Fever\u003c/em> written and directed by Sylvester Stallone because \u003cem>sure,\u003c/em> at Number 8.\u003c/p>\n\u003cp>The remainder of the lushly exploitable IP in 1983's Top Ten has been left alone, mostly. 1983's No. 2 movie, the Best Picture-winning \u003cem>Terms of Endearment, \u003c/em>got an unlikely sequel. It was called \u003cem>The Evening Star,\u003c/em> and it was one of the most bruising belly-flops of 1996, failing to crack that year's Top 100. Like \u003cem>Terms of Endearment, The Evening Star \u003c/em>was adapted from a Larry McMurty novel.\u003c/p>\n\u003cp>But there was no follow-up to 1983's far likelier candidates for the Electric Boogalo treatment: not \u003cem>Flashdance, \u003c/em>the year's Number 3 hit, nor \u003cem>Trading Places\u003c/em> (Number 4) nor \u003cem>WarGames\u003c/em> (Number 5) nor \u003cem>Risky Business \u003c/em>(Number 10). Compared to '83, 1984's biggest hits were simply easier to franchise.\u003c/p>\n\u003cp>(Wait, sorry, I'm receiving new information that a direct-to-DVD sequel entitled \u003cem>WarGames: The Dead Code, \u003c/em>directed by and starring no one you've ever heard of, sought to capitalize on \u003cem>WarGames' \u003c/em>massive Reagan-era cache in... 2008. What did we say about DTV releases? They don't count. Moving on.)\u003c/p>\n\u003cp>\u003cstrong>Johnny '85 Is Alive\u003c/strong>\u003c/p>\n\u003cp>But enough of 1984's past, let's get back... to the future! 1985's box office champ, \u003cem>Back to the Future,\u003c/em> towered over its closest competition by a cool $60 million. In the Number 2 and 3 positions we get \u003cem>Rambo: First Blood Part II\u003c/em> and \u003cem>Rocky IV, \u003c/em>respectively. Clearly, Sly did not let the poor reviews of \u003cem>Staying Alive\u003c/em> get him down — \"It's not even as good as \u003cem>Flashdance,\" \u003c/em>Roger Ebert \u003ca href=\"http://www.rogerebert.com/reviews/staying-alive-1983\">wrote\u003c/a> — because '85 was indisputably \u003cem>his year.\u003c/em>\u003c/p>\n\u003cp>Well, his and Phil Collins'.\u003c/p>\n\u003cp>But after those three, 1985's Top Ten opened up to accommodate plenty of serious, and as yet, un-remade, fare: \u003cem>The Color Purple \u003c/em>(adapted from Alice Walker's novel, and now the basis for a Broadway musical that could well become a movie); \u003cem>Out of Africa \u003c/em>(adapted from Karen Blixen's memoir); and \u003cem>Witness, \u003c/em>which actually won the Academy Award for Best Original Screenplay.\u003c/p>\n\u003cp>It also included\u003cem> The Goonies \u003c/em>and\u003cem> Spies Like Us, \u003c/em>both of which seem eminently remakeable, but for whatever reason have not been.\u003c/p>\n\u003cp>The 80s ran themselves out in similar fashion. In each year, sequels or adaptations of preexisting material were the exceptions in the Top Ten rather than the rule. Until, that is, 1989, when the top earners included the long-in-development \u003cem>Batman, Indiana Jones and the Last Crusade, Lethal Weapon 2, \u003c/em>and\u003cem> Back to the Future Part II. \u003c/em>Oh, and one other sequel, less inspired than any of those: \u003cem>Ghostbusters II.\u003c/em>\u003c/p>\n\u003cp>But 1989 was an anomaly. Five years later, the ratio of new material to old in the Top Ten was far smaller than it had been a decade earlier, but still healthier than today. The biggest hit of 1994's was a Best Picture-winning adaptation of Winston Groom's novel \u003cem>Forrest Gump. \u003c/em>Number 2 was \u003cem>The Lion King — Hamlet\u003c/em> for kids, but we'll still count it as an original. Number 3, the action comedy \u003cem>True Lies, \u003c/em>was in fact a pumped-up remake of a French farce called \u003cem>La Totale!,\u003c/em> but this was probably not one of the key factors that persuaded millions of patriotic Americans to buy a ticket for a James Cameron-directed Arnold Schwarzenegger movie.\u003c/p>\n\u003cp>Also in the Top 10: \u003cem>Clear and Present Danger\u003c/em> (based on a Tom Clancy novel,), \u003cem>The Flintstones\u003c/em> (based on a Hanna-Barbera cartoon), and \u003cem>The Mask\u003c/em> (based on a comic book). Squeaking in at Number 10 was a wildly energetic and unpredictable crime picture, one that exuded originality from every pore --despite taking its title from a genre where formulaic plots and stock characters are celebrated. It was called \u003cem>Pulp Fiction.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Millennium Approaches: Sequels, Adaptations, Passion Plays\u003c/strong>\u003c/p>\n\u003cp>On the other side of the millennium, innovation waned. The biggest hits of 2004 were \u003cem>Shrek 2 \u003c/em>and \u003cem>Spider-Man 2, \u003c/em>followed by Mel Gibson's \u003cem>The Passion of the Christ, \u003c/em>which was, you know, based on preexisting material, if not exactly in the same way that \u003cem>Meet the Fockers \u003c/em>was.\u003c/p>\n\u003cp>There were still a few \"originals,\" however derivative, in the Top Ten: The Roland Emmerich bad-weather thriller \u003cem>The Day After Tomorrow\u003c/em>. \u003cem>National Treasure.\u003c/em> Brad Bird's wonderful Pixar superhero movie \u003cem>The Incredibles. \u003c/em>And when the franchise entries were as strong as \u003cem>Spider-Man 2\u003c/em> (Number 2), \u003cem>Harry Potter and the Prisoner of Azkaban \u003c/em>(Number 4), and \u003cem>The Bourne Supremacy\u003c/em> (Number 8), who was going to complain?\u003c/p>\n\u003cp>By 2014, there was \u003cem>nothing\u003c/em> not extrapolated from a preexisting movie or comic book or Navy SEAL's memoir in the Top Ten.\u003cem> (American Sniper \u003c/em>became the first R-rated movie to win its year since\u003cem> Saving Private Ryan \u003c/em>16 years earlier.) Unless of course you want to count \u003cem>Maleficent, \u003c/em>a reframing of \u003cem>Sleeping Beauty,\u003c/em> or \u003cem>The Lego Movie\u003c/em>, which was of course adapted from a set of molded plastic blocks that hurt when you step on them barefoot.\u003c/p>\n\u003cp>We got our first glimpse of this state of affairs 32 years ago now, in that year Orwell warned us about. We weren't afraid of no ghosts, but maybe we should have been. These days, they're pretty much all all we get.\u003c/p>\n\u003cp>And yet: when our franchise entries are as strong as \u003ca href=\"http://www.npr.org/2015/05/14/406009465/a-visceral-inventive-blockbuster-roars-to-life-in-mad-max-fury-road\">\u003cem>Mad Max: Fury Road\u003c/em>\u003c/a> and \u003ca href=\"http://www.npr.org/2015/11/25/457130828/vital-and-tear-jerking-creed-is-the-best-rocky-movie-since-rocky\">\u003cem>Creed\u003c/em>\u003c/a> and \u003ca href=\"http://www.npr.org/sections/monkeysee/2015/12/18/460001132/pop-culture-happy-hour-star-wars-the-force-awakens-and-toys\">\u003cem>Star Wars: The Force Awakens\u003c/em>\u003c/a> and \u003ca href=\"http://www.npr.org/2016/05/06/476490464/captain-america-civil-war-is-the-mightiest-marvel-movie\">\u003cem>Captain America: Civil War\u003c/em>\u003c/a>\u003cem>, \u003c/em>who's going to complain? Not me.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But... maybe go see \u003cem>The Lobster,\u003c/em> too, would you?\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=1984%3A+The+Year+We+Unwittingly+Stopped+Watching+Movies+And+Started+Watching+Franchises&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Above image by \u003ca href=\"https://guideyourpet.com/black-cat-symbolism/\" rel=\"noopener noreferrer\" target=\"_blank\">GuideYourPet\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>It's tough to be a black cat\u003c/strong>. The superstition that surrounds them might seem trivial, but studies show \u003ca href=\"http://www.huffingtonpost.com/2013/10/21/black-cats-_n_4137673.html\" target=\"_blank\" rel=\"noopener noreferrer\">they're actually adopted less frequently than kitties who sport other colors on their coats\u003c/a>. Around Halloween, especially, if cats could groan, you'd be hearing a big collective one from our darker-haired feline friends.\u003c/p>\n\u003cp>But why, exactly, do we consider black cats bad luck in the first place? In a new video from the YouTube series \u003cem>Today I Learned\u003c/em>, host Simon Whistler explains the trouble began, essentially, with -- surprise! -- fear of women.\u003c/p>\n\u003cp>Black cats were considered near-royalty prior to the Middle Ages, when hysteria around \"witches\" began to snowball in Europe, explains Whistler. Alley cats were often fed and cared for by, yes, lonely older women, leading people to associate felines with these clearly sinister female humans who had the gall to age while continuing to be single.\u003c/p>\n\u003cp>But the black cat association, in particular, can apparently be traced to a story that spread like wildfire in the 1560s in England. When a black cat crossed the path of a father and son, the pair decided to throw rocks at it (natch), injuring the poor thing until it took shelter in a woman's house. The next day they allegedly saw the woman limping, and came to a very scientific conclusion: Witches turn into black cats at night. Then that whole Salem witch trial thing happened, and, well, we all know how that one turned out.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Whistler has a few other weird feline facts for you witches -- sorry, cat people out there. Give the video a watch below.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=m8ccVofwO-E\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Above image by \u003ca href=\"https://guideyourpet.com/black-cat-symbolism/\" rel=\"noopener noreferrer\" target=\"_blank\">GuideYourPet\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>It's tough to be a black cat\u003c/strong>. The superstition that surrounds them might seem trivial, but studies show \u003ca href=\"http://www.huffingtonpost.com/2013/10/21/black-cats-_n_4137673.html\" target=\"_blank\" rel=\"noopener noreferrer\">they're actually adopted less frequently than kitties who sport other colors on their coats\u003c/a>. Around Halloween, especially, if cats could groan, you'd be hearing a big collective one from our darker-haired feline friends.\u003c/p>\n\u003cp>But why, exactly, do we consider black cats bad luck in the first place? In a new video from the YouTube series \u003cem>Today I Learned\u003c/em>, host Simon Whistler explains the trouble began, essentially, with -- surprise! -- fear of women.\u003c/p>\n\u003cp>Black cats were considered near-royalty prior to the Middle Ages, when hysteria around \"witches\" began to snowball in Europe, explains Whistler. Alley cats were often fed and cared for by, yes, lonely older women, leading people to associate felines with these clearly sinister female humans who had the gall to age while continuing to be single.\u003c/p>\n\u003cp>But the black cat association, in particular, can apparently be traced to a story that spread like wildfire in the 1560s in England. When a black cat crossed the path of a father and son, the pair decided to throw rocks at it (natch), injuring the poor thing until it took shelter in a woman's house. The next day they allegedly saw the woman limping, and came to a very scientific conclusion: Witches turn into black cats at night. Then that whole Salem witch trial thing happened, and, well, we all know how that one turned out.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Nintendo to Produce Tiny Retro NES, Because Nostalgia Is an Oil Well That Never Runs Dry",
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"content": "\u003cp>Are you a person who is currently one age, but used to be a different age? Do you remember things that happened when you were different ages, like maybe, say, those years in which getting on the internet involved tying up a landline (ha! so crazy!), or \u003ca href=\"https://www.youtube.com/watch?v=mjrtsIY4WqQ\" target=\"_blank\">a serial rapist got million-dollar contracts for advertising snack foods to children\u003c/a>? Oh man! Previous decades were just nutso!\u003c/p>\n\u003cp>This combination of wistfulness and whimsy we feel at the inexorable march of time is, aside from being the bulk of Buzzfeed's editorial strategy, a reliably bankable force in a #Millennial-driven consumer marketplace.\u003c/p>\n\u003cp>So it makes sense that the Nintendo corporation -- not content with their recent achievement of \u003ca href=\"http://www.bbc.com/news/business-36791275\" target=\"_blank\">overnight worldwide domination\u003c/a> in the form of grown adults \u003ca href=\"https://ww2.kqed.org/pop/2016/07/12/sfpd-issues-pokemon-go-safety-tips-like-do-not-run-into-trees/\" target=\"_blank\">walking into traffic and shrubbery\u003c/a> in pursuit of \u003ca href=\"https://ww2.kqed.org/pop/2016/07/11/why-everyone-you-know-is-suddenly-obsessed-with-pokemon-go/\" target=\"_blank\">animated dragons and whatnot\u003c/a> -- would strike while the nostalgia iron is hot.\u003c/p>\n\u003cp>https://twitter.com/NintendoAmerica/status/753559995849990144\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Yes, the company announced a new yet familiar-looking product today that they're calling the NES Classic Edition. The miniature entertainment system will hit stores Nov. 11, loaded with 30 classic games like \u003cem>Super Mario Bros., The Legend of Zelda, Donkey Kong, Final Fantasy\u003c/em>, and more.\u003c/p>\n\u003cp>If you are a person who played these games when you were younger, the thinking goes, maybe you'd like to play them again, even though you are in fact now older, and games and their respective systems have advanced along with your age? Perhaps you even have children who are now around the same age you were when you first played these games, and it will give you some type of feeling to show this console to said children and tell them about how you used to be their age, which is actually a very weird and disturbing thing to think about when you are a young child, so maybe don't be surprised if they just look at you funny and then go back to playing with their Apple Watches?\u003c/p>\n\u003cp>It's complicated stuff -- and, as a person without a business degree, I don't pretend to understand it entirely. But hey, I'm also one of those poor saps who never had video games as a kid anyway. If anyone needs me I'll just be over here watching the \u003ca href=\"http://ww2.kqed.org/pop/2016/03/03/25-years-of-clarissa-explaining-it-all/\" target=\"_blank\">\u003cem>Clarissa Explains It All\u003c/em>\u003c/a> intro on repeat.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Are you a person who is currently one age, but used to be a different age? Do you remember things that happened when you were different ages, like maybe, say, those years in which getting on the internet involved tying up a landline (ha! so crazy!), or \u003ca href=\"https://www.youtube.com/watch?v=mjrtsIY4WqQ\" target=\"_blank\">a serial rapist got million-dollar contracts for advertising snack foods to children\u003c/a>? Oh man! Previous decades were just nutso!\u003c/p>\n\u003cp>This combination of wistfulness and whimsy we feel at the inexorable march of time is, aside from being the bulk of Buzzfeed's editorial strategy, a reliably bankable force in a #Millennial-driven consumer marketplace.\u003c/p>\n\u003cp>So it makes sense that the Nintendo corporation -- not content with their recent achievement of \u003ca href=\"http://www.bbc.com/news/business-36791275\" target=\"_blank\">overnight worldwide domination\u003c/a> in the form of grown adults \u003ca href=\"https://ww2.kqed.org/pop/2016/07/12/sfpd-issues-pokemon-go-safety-tips-like-do-not-run-into-trees/\" target=\"_blank\">walking into traffic and shrubbery\u003c/a> in pursuit of \u003ca href=\"https://ww2.kqed.org/pop/2016/07/11/why-everyone-you-know-is-suddenly-obsessed-with-pokemon-go/\" target=\"_blank\">animated dragons and whatnot\u003c/a> -- would strike while the nostalgia iron is hot.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Yes, the company announced a new yet familiar-looking product today that they're calling the NES Classic Edition. The miniature entertainment system will hit stores Nov. 11, loaded with 30 classic games like \u003cem>Super Mario Bros., The Legend of Zelda, Donkey Kong, Final Fantasy\u003c/em>, and more.\u003c/p>\n\u003cp>If you are a person who played these games when you were younger, the thinking goes, maybe you'd like to play them again, even though you are in fact now older, and games and their respective systems have advanced along with your age? Perhaps you even have children who are now around the same age you were when you first played these games, and it will give you some type of feeling to show this console to said children and tell them about how you used to be their age, which is actually a very weird and disturbing thing to think about when you are a young child, so maybe don't be surprised if they just look at you funny and then go back to playing with their Apple Watches?\u003c/p>\n\u003cp>It's complicated stuff -- and, as a person without a business degree, I don't pretend to understand it entirely. But hey, I'm also one of those poor saps who never had video games as a kid anyway. If anyone needs me I'll just be over here watching the \u003ca href=\"http://ww2.kqed.org/pop/2016/03/03/25-years-of-clarissa-explaining-it-all/\" target=\"_blank\">\u003cem>Clarissa Explains It All\u003c/em>\u003c/a> intro on repeat.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Race, Identity and the (Digital) Airwaves: The Renaissance of POC-Hosted Podcasts",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">First off, let’s be clear on one thing — just because a podcast is hosted and created by brown people doesn’t mean that it is exclusively for people of color (POC). It's also true that, in this so-called “golden age of podcasts,” some of my favorites happen to be by brown folks -- people who have historically been underrepresented in media jobs, and people who, mind you, actually represent this country's future majority. According to the U.S. Census, people of color will exceed white people by \u003ca href=\"https://www.youtube.com/watch?v=85fr6nbiMT4\">2042\u003c/a>. (Latinos already outnumber whites in the great state of California, according to the \u003cem>\u003ca href=\"http://www.latimes.com/local/california/la-me-census-latinos-20150708-story.html\">LA Times\u003c/a>\u003c/em>\u003c/span>\u003cspan style=\"font-weight: 400\">). \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A 2015 \u003cem>Wired\u003c/em> article on our current podcast renaissance told readers to \u003ca href=\"http://www.wired.com/2015/12/if-podcasts-are-the-new-blogs-enjoy-the-golden-age-while-it-lasts/\">“Enjoy the golden age while it lasts.”\u003c/a> \u003c/span>\u003cspan style=\"font-weight: 400\">I say instead: Hear ye, hear ye, enjoy the POC-cast renaissance while it lasts! Here are a few of my faves.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Our National Conversation About Conversations About Race \u003c/b>\u003c/p>\n\u003cp>https://soundcloud.com/panoply/005-the-i-check-all-the-boxes-episode\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The About Race podcast was the first podcast I binge-listened to after Serial. Hosted by authors \u003c/span>\u003ca href=\"http://baratunde.com/\">\u003cspan style=\"font-weight: 400\">Baratunde Thurston\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (How To Be Black), \u003c/span>\u003ca href=\"http://djalirancher.com/\">\u003cspan style=\"font-weight: 400\">Raquel Cepeda\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (Bird Of Paradise: How I Became Latina) and \u003c/span>\u003ca href=\"http://tannercolby.com/\">\u003cspan style=\"font-weight: 400\">Tanner Colby\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (Some Of My Best Friends Are Black) All About Race makes the listener feel smarter while also approaching topics with nuance. There’s room for disagreement, inquiry and uncomfortable interactions without disrespect or craziness. Bonus: The \u003ca href=\"http://www.showaboutrace.com/episode-005\">notes section\u003c/a> of each episode is on point with links to articles, books and movies mentioned in each episode.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>NPR’s Code Switch\u003c/b>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-11774674 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/Screen-Shot-2016-07-04-at-7.22.45-PM-800x494.png\" alt=\"Screen Shot 2016-07-04 at 7.22.45 PM\" width=\"800\" height=\"494\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I have patiently been waiting for the NPR Code Switch podcast to drop since I heard rumors last fall. Like a mid-summer gift arriving every Wednesday, it has been a small bit of auditory delight. The first episode, “\u003ca href=\"http://www.npr.org/sections/codeswitch/2016/05/31/479733094/the-code-switch-podcast-episode-1-can-we-talk-about-whiteness\">Can We Talk About Whiteness?\u003c/a>,”\u003c/span>\u003cspan style=\"font-weight: 400\"> made me call up my friends from college to reminisce about reading “What’s in your Knapsack” by Peggy McIntosh. Her voice has a lovely lilt. The podcast was \u003c/span>\u003cspan style=\"font-weight: 400\">created by a team of talented POCs working at the epicenter of whiteness -- public radio (NPR diversity stats can be seen \u003ca href=\"http://www.npr.org/sections/ombudsman/2015/12/15/459707396/nprs-staff-diversity-numbers-updated\">here\u003c/a>, KQED is yet to release theirs). The Code Switch doesn't shy away from these stats, they've spoken candidly about the whiteness of public media. While there are moments that sound a bit scripted (and one moment comes to mind in which Gene Demby sounded like he was trying to slow his excitement), this podcast is sure to keep me looking forward to Wednesdays for a while. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Politically Re-Active\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Hari Kondabolu and W.Kamau Bell are two of my favorite comedians, so it only makes sense that I would appreciate this POC-cast. \u003c/span>\u003ca href=\"http://www.politicallyreactive.com/\">\u003cspan style=\"font-weight: 400\">Politically Re-Active\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> is, as Kondabolu describes it in the first episode, “basically what we do over the phone, except recorded and in front of white people.”\u003c/span>\u003cspan style=\"font-weight: 400\"> It succeeds because these dudes are funny, smart and they are tackling relevant issues. The second episode features an interview with \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cem>\u003ca href=\"https://www.facebook.com/motherjones/\">Mother Jones\u003c/a>\u003c/em>'\u003c/span>\u003cspan style=\"font-weight: 400\"> Shane Bauer, who discusses his experience working as a guard in a private prison. \u003c/span>\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">Listening to \u003ca href=\"https://twitter.com/wkamaubell\">@wkamaubell\u003c/a> and \u003ca href=\"https://twitter.com/harikondabolu\">@harikondabolu\u003c/a> 's \u003ca href=\"https://twitter.com/hashtag/PoliticallyReactive?src=hash\">#PoliticallyReactive\u003c/a> = best remedy after dealing w/ privileged white geek boys\u003c/p>\n\u003cp>— Jen Wang (@JeniverseAbr) \u003ca href=\"https://twitter.com/JeniverseAbr/status/749092010150113282\">July 2, 2016\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cb>Another Round\u003c/b>\u003c/p>\n\u003cp>https://soundcloud.com/anotherroundwithhebenandtracy/28-hillary-clinton-for-pos\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Admittedly, I am a newcomer to Buzzfeed’s \u003ca href=\"https://soundcloud.com/anotherroundwithhebenandtracy\">Another Round\u003c/a> podcast -- but thus far it’s like smart lady power meets cackling girlfriends (in the best way possible). It's h\u003c/span>\u003cspan style=\"font-weight: 400\">osted by Tracy Clayton and Heben Nigatu; if you're looking for a starting point, the episode in which they interview Secretary Hillary Clinton is particularly on point.\u003c/span>\u003cspan style=\"font-weight: 400\"> “\u003c/span>\u003ca href=\"https://soundcloud.com/anotherroundwithhebenandtracy/28-hillary-clinton-for-pos\">\u003cspan style=\"font-weight: 400\">Madam Secretary, What’s Good?\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">” placed at No. 8 of \u003cem>The Atlantic\u003c/em>’s 50 best Podcast Episodes of 2015. As that article states, “You’d be hard-pressed to find another show\u003c/span> \u003cspan style=\"font-weight: 400\">that does a better job balancing scholarship with laugh-out-loud humor.” \u003c/span>\u003c/p>\n\u003cp>\u003cb>There Goes the Neighborhood\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Black folks are disappearing… What we don’t talk about is race...Racism and systemic racism...” these are just some of the opening lines in “\u003ca href=\"http://www.wnyc.org/shows/neighborhood\">There Goes the Neighborhood.\u003c/a>” \u003c/span>\u003cspan style=\"font-weight: 400\">Hosted by editor of The Nation, \u003c/span>\u003ca href=\"http://www.thenation.com/authors/kai-wright/\">\u003cspan style=\"font-weight: 400\">Kai Wright\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and in partnership with \u003c/span>\u003ca href=\"http://www.wnyc.org/shows/neighborhood/\">\u003cspan style=\"font-weight: 400\">WNYC Studios\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, this is a close-up examination of gentrification in Brooklyn and the integral role that race plays in the process. Oakland even gets a shoutout as the fifth most expensive rental market in the country (yeah — ugh), but it’s not just about real estate. It’s about humanizing information that is overwhelming. How do you really understand the exponential increase in real estate transactions? What is gentrification and how does it persist? The nine-episode series finished in May, so you can binge-listen at your leisure.\u003c/span>\u003c/p>\n\u003ch4>A Few More to Keep an Ear Out For\u003c/h4>\n\u003cp>\u003cstrong>Sooo Many White Guys\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Hosted by \u003c/span>\u003cspan style=\"font-weight: 400\">Phoebe Robinson (one part of \u003ca href=\"http://www.wnyc.org/shows/dopequeens\">Two Dope Queens\u003c/a>), this podcast will soon be available every Tuesday. Tired of being the token black woman, \u003ca href=\"http://www.wnyc.org/shows/whiteguys/about\">Sooo Many White Guys\u003c/a> will feature interviews people who aren’t white dudes. However, Robinson plans to have one token white guy at the end of the season:\u003c/span>\u003cspan style=\"font-weight: 400\"> “He will have to speak for the entire white race,” she says in the teaser. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Sarcasmic\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The best part of the “\u003ca href=\"http://www.ravishly.com/podcast/sarcasmic-dhaya-lakshminarayanan-ep4-women-speaking\">Speaking up and speaking out\u003c/a>” episode is when\u003c/span>\u003cspan style=\"font-weight: 400\"> host Dhaya Lakshminarayanan and Karinda Dobbins talk about macaroni and cheese and the absurdity of fancy versions.\u003c/span>\u003c/p>\n\u003ch4>Shout-Outs\u003c/h4>\n\u003cp>\u003cspan style=\"font-weight: 400\">Shout outs to \u003ca href=\"http://ww2.kqed.org/news/programs/truthbetold\">Truth Be Told\u003c/a> hosted by Joshua Johnson, \u003ca href=\"https://www.revealnews.org/episodes\">Reveal\u003c/a> hosted by Al Letson, \u003ca href=\"https://ww2.kqed.org/pop/category/the-cooler/\">The Cooler\u003c/a> and \u003ca href=\"https://ww2.kqed.org/pop/category/the-cooler/\">Call Your Girlfriend\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">What did I miss? Comment below or tweet me with your favorite POC-cast.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">First off, let’s be clear on one thing — just because a podcast is hosted and created by brown people doesn’t mean that it is exclusively for people of color (POC). It's also true that, in this so-called “golden age of podcasts,” some of my favorites happen to be by brown folks -- people who have historically been underrepresented in media jobs, and people who, mind you, actually represent this country's future majority. According to the U.S. Census, people of color will exceed white people by \u003ca href=\"https://www.youtube.com/watch?v=85fr6nbiMT4\">2042\u003c/a>. (Latinos already outnumber whites in the great state of California, according to the \u003cem>\u003ca href=\"http://www.latimes.com/local/california/la-me-census-latinos-20150708-story.html\">LA Times\u003c/a>\u003c/em>\u003c/span>\u003cspan style=\"font-weight: 400\">). \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A 2015 \u003cem>Wired\u003c/em> article on our current podcast renaissance told readers to \u003ca href=\"http://www.wired.com/2015/12/if-podcasts-are-the-new-blogs-enjoy-the-golden-age-while-it-lasts/\">“Enjoy the golden age while it lasts.”\u003c/a> \u003c/span>\u003cspan style=\"font-weight: 400\">I say instead: Hear ye, hear ye, enjoy the POC-cast renaissance while it lasts! Here are a few of my faves.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Our National Conversation About Conversations About Race \u003c/b>\u003c/p>\n\u003cp>https://soundcloud.com/panoply/005-the-i-check-all-the-boxes-episode\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The About Race podcast was the first podcast I binge-listened to after Serial. Hosted by authors \u003c/span>\u003ca href=\"http://baratunde.com/\">\u003cspan style=\"font-weight: 400\">Baratunde Thurston\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (How To Be Black), \u003c/span>\u003ca href=\"http://djalirancher.com/\">\u003cspan style=\"font-weight: 400\">Raquel Cepeda\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (Bird Of Paradise: How I Became Latina) and \u003c/span>\u003ca href=\"http://tannercolby.com/\">\u003cspan style=\"font-weight: 400\">Tanner Colby\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (Some Of My Best Friends Are Black) All About Race makes the listener feel smarter while also approaching topics with nuance. There’s room for disagreement, inquiry and uncomfortable interactions without disrespect or craziness. Bonus: The \u003ca href=\"http://www.showaboutrace.com/episode-005\">notes section\u003c/a> of each episode is on point with links to articles, books and movies mentioned in each episode.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>NPR’s Code Switch\u003c/b>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-11774674 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/Screen-Shot-2016-07-04-at-7.22.45-PM-800x494.png\" alt=\"Screen Shot 2016-07-04 at 7.22.45 PM\" width=\"800\" height=\"494\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I have patiently been waiting for the NPR Code Switch podcast to drop since I heard rumors last fall. Like a mid-summer gift arriving every Wednesday, it has been a small bit of auditory delight. The first episode, “\u003ca href=\"http://www.npr.org/sections/codeswitch/2016/05/31/479733094/the-code-switch-podcast-episode-1-can-we-talk-about-whiteness\">Can We Talk About Whiteness?\u003c/a>,”\u003c/span>\u003cspan style=\"font-weight: 400\"> made me call up my friends from college to reminisce about reading “What’s in your Knapsack” by Peggy McIntosh. Her voice has a lovely lilt. The podcast was \u003c/span>\u003cspan style=\"font-weight: 400\">created by a team of talented POCs working at the epicenter of whiteness -- public radio (NPR diversity stats can be seen \u003ca href=\"http://www.npr.org/sections/ombudsman/2015/12/15/459707396/nprs-staff-diversity-numbers-updated\">here\u003c/a>, KQED is yet to release theirs). The Code Switch doesn't shy away from these stats, they've spoken candidly about the whiteness of public media. While there are moments that sound a bit scripted (and one moment comes to mind in which Gene Demby sounded like he was trying to slow his excitement), this podcast is sure to keep me looking forward to Wednesdays for a while. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Politically Re-Active\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Hari Kondabolu and W.Kamau Bell are two of my favorite comedians, so it only makes sense that I would appreciate this POC-cast. \u003c/span>\u003ca href=\"http://www.politicallyreactive.com/\">\u003cspan style=\"font-weight: 400\">Politically Re-Active\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> is, as Kondabolu describes it in the first episode, “basically what we do over the phone, except recorded and in front of white people.”\u003c/span>\u003cspan style=\"font-weight: 400\"> It succeeds because these dudes are funny, smart and they are tackling relevant issues. The second episode features an interview with \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cem>\u003ca href=\"https://www.facebook.com/motherjones/\">Mother Jones\u003c/a>\u003c/em>'\u003c/span>\u003cspan style=\"font-weight: 400\"> Shane Bauer, who discusses his experience working as a guard in a private prison. \u003c/span>\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">Listening to \u003ca href=\"https://twitter.com/wkamaubell\">@wkamaubell\u003c/a> and \u003ca href=\"https://twitter.com/harikondabolu\">@harikondabolu\u003c/a> 's \u003ca href=\"https://twitter.com/hashtag/PoliticallyReactive?src=hash\">#PoliticallyReactive\u003c/a> = best remedy after dealing w/ privileged white geek boys\u003c/p>\n\u003cp>— Jen Wang (@JeniverseAbr) \u003ca href=\"https://twitter.com/JeniverseAbr/status/749092010150113282\">July 2, 2016\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cb>Another Round\u003c/b>\u003c/p>\n\u003cp>https://soundcloud.com/anotherroundwithhebenandtracy/28-hillary-clinton-for-pos\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Admittedly, I am a newcomer to Buzzfeed’s \u003ca href=\"https://soundcloud.com/anotherroundwithhebenandtracy\">Another Round\u003c/a> podcast -- but thus far it’s like smart lady power meets cackling girlfriends (in the best way possible). It's h\u003c/span>\u003cspan style=\"font-weight: 400\">osted by Tracy Clayton and Heben Nigatu; if you're looking for a starting point, the episode in which they interview Secretary Hillary Clinton is particularly on point.\u003c/span>\u003cspan style=\"font-weight: 400\"> “\u003c/span>\u003ca href=\"https://soundcloud.com/anotherroundwithhebenandtracy/28-hillary-clinton-for-pos\">\u003cspan style=\"font-weight: 400\">Madam Secretary, What’s Good?\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">” placed at No. 8 of \u003cem>The Atlantic\u003c/em>’s 50 best Podcast Episodes of 2015. As that article states, “You’d be hard-pressed to find another show\u003c/span> \u003cspan style=\"font-weight: 400\">that does a better job balancing scholarship with laugh-out-loud humor.” \u003c/span>\u003c/p>\n\u003cp>\u003cb>There Goes the Neighborhood\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Black folks are disappearing… What we don’t talk about is race...Racism and systemic racism...” these are just some of the opening lines in “\u003ca href=\"http://www.wnyc.org/shows/neighborhood\">There Goes the Neighborhood.\u003c/a>” \u003c/span>\u003cspan style=\"font-weight: 400\">Hosted by editor of The Nation, \u003c/span>\u003ca href=\"http://www.thenation.com/authors/kai-wright/\">\u003cspan style=\"font-weight: 400\">Kai Wright\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and in partnership with \u003c/span>\u003ca href=\"http://www.wnyc.org/shows/neighborhood/\">\u003cspan style=\"font-weight: 400\">WNYC Studios\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, this is a close-up examination of gentrification in Brooklyn and the integral role that race plays in the process. Oakland even gets a shoutout as the fifth most expensive rental market in the country (yeah — ugh), but it’s not just about real estate. It’s about humanizing information that is overwhelming. How do you really understand the exponential increase in real estate transactions? What is gentrification and how does it persist? The nine-episode series finished in May, so you can binge-listen at your leisure.\u003c/span>\u003c/p>\n\u003ch4>A Few More to Keep an Ear Out For\u003c/h4>\n\u003cp>\u003cstrong>Sooo Many White Guys\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Hosted by \u003c/span>\u003cspan style=\"font-weight: 400\">Phoebe Robinson (one part of \u003ca href=\"http://www.wnyc.org/shows/dopequeens\">Two Dope Queens\u003c/a>), this podcast will soon be available every Tuesday. Tired of being the token black woman, \u003ca href=\"http://www.wnyc.org/shows/whiteguys/about\">Sooo Many White Guys\u003c/a> will feature interviews people who aren’t white dudes. However, Robinson plans to have one token white guy at the end of the season:\u003c/span>\u003cspan style=\"font-weight: 400\"> “He will have to speak for the entire white race,” she says in the teaser. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Sarcasmic\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The best part of the “\u003ca href=\"http://www.ravishly.com/podcast/sarcasmic-dhaya-lakshminarayanan-ep4-women-speaking\">Speaking up and speaking out\u003c/a>” episode is when\u003c/span>\u003cspan style=\"font-weight: 400\"> host Dhaya Lakshminarayanan and Karinda Dobbins talk about macaroni and cheese and the absurdity of fancy versions.\u003c/span>\u003c/p>\n\u003ch4>Shout-Outs\u003c/h4>\n\u003cp>\u003cspan style=\"font-weight: 400\">Shout outs to \u003ca href=\"http://ww2.kqed.org/news/programs/truthbetold\">Truth Be Told\u003c/a> hosted by Joshua Johnson, \u003ca href=\"https://www.revealnews.org/episodes\">Reveal\u003c/a> hosted by Al Letson, \u003ca href=\"https://ww2.kqed.org/pop/category/the-cooler/\">The Cooler\u003c/a> and \u003ca href=\"https://ww2.kqed.org/pop/category/the-cooler/\">Call Your Girlfriend\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">What did I miss? Comment below or tweet me with your favorite POC-cast.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In the days since last week's horrific violence, we've seen \u003ca href=\"https://ww2.kqed.org/pop/2016/07/08/snoop-dogg-just-held-a-press-conference-with-the-lapd-and-other-musician-responses-to-a-truly-awful-week/\" target=\"_blank\">many celebrities speak out\u003c/a> to express anger, solidarity, or prayers for peace.\u003c/p>\n\u003cp>Now, a who's-who of A-listers have come together for a video in partnership with Mic.com, titled \"23 Ways You Could Be Killed If You Are Black in America.\" In it, Beyoncé, Pink, Chris Rock, Janelle Monae, Rihanna, and other stars solemnly read off the commonplace activities in which black victims of police violence were partaking when they were shot -- followed by a photo of the victim and their name. Oakland's own Oscar Grant III, in case you've forgotten, was simply \"taking a commuter train.\" The sheer volume of names and smiling faces, paired with activities like \"laughing,\" is nothing short of chilling by the video's end.\u003c/p>\n\u003cp>The list ends with a plea from Keys to make your voice heard to President Obama and Congress by clicking over to the website of Keys' nonprofit, \u003ca href=\"http://weareheremovement.com/\" target=\"_blank\">weareheremovement.com\u003c/a>.\u003c/p>\n\u003cp>Watch the video below.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=U_VaNhI4CLo\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cp>Jennifer Aniston is one of those celebrities who provokes endless speculation not because of her outlandish debutante-like behavior, but because of her seeming normality: She's drop-dead gorgeous and fabulously wealthy, yes, but she's also something of a permanent girl next door. She got famous on one of America's most beloved sitcoms, for starters. And then there's her role in the celebrity love triangle that rocked the mid-aughts -- she the jilted good girl to Angelina Jolie's edgy, black swan temptress.\u003c/p>\n\u003cp>This is all, of course, utter bullsh*t perpetrated mostly by tabloids' bottom lines. It does, however, provide some context for why the media has been fixated since time immemorial on whether or not Jennifer Aniston\u003ca href=\"http://www.intouchweekly.com/posts/jennifer-aniston-pregnant-105227\" target=\"_blank\"> is pregnant\u003c/a>, thinking about becoming pregnant, \u003ca href=\"http://www.dailymail.co.uk/tvshowbiz/article-2313617/Jennifer-Aniston-relying-cupping-boost-fertility.html\" target=\"_blank\">sad that she is not pregnant\u003c/a>, or some variation thereof. It's your nagging Aunt Gertie reminding you over the phone from Florida that you're not getting any younger, you know -- only on a world stage. Seems fun!\u003c/p>\n\u003cp>https://twitter.com/KateHarding/status/743152115770597379\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Well, she's apparently had enough. \u003ca href=\"http://www.huffingtonpost.com/entry/for-the-record_us_57855586e4b03fc3ee4e626f\" target=\"_blank\">Aniston just penned an open letter in the \u003c/a>\u003cem>Huffington Post\u003c/em> decrying the media's objectification of women, alongside journalists' fixation on her childfree existence and when it will end.\u003c/p>\n\u003cblockquote>\u003cp>If I am some kind of symbol to some people out there, then clearly I am an example of the lens through which we, as a society, view our mothers, daughters, sisters, wives, female friends and colleagues. The objectification and scrutiny we put women through is absurd and disturbing. The way I am portrayed by the media is simply a reflection of how we see and portray women in general, measured against some warped standard of beauty. ...\u003c/p>\n\u003cp>The message that girls are not pretty unless they’re incredibly thin, that they’re not worthy of our attention unless they look like a supermodel or an actress on the cover of a magazine is something we’re all willingly buying into. This conditioning is something girls then carry into womanhood. We use celebrity “news” to perpetuate this dehumanizing view of females, focused solely on one’s physical appearance, which tabloids turn into a sporting event of speculation. Is she pregnant? Is she eating too much? Has she let herself go? Is her marriage on the rocks because the camera detects some physical “imperfection”?\u003c/p>\u003c/blockquote>\n\u003cp>And:\u003c/p>\n\u003cblockquote>\u003cp>I have grown tired of being part of this narrative. Yes, I may become a mother some day, and since I’m laying it all out there, if I ever do, I will be the first to let you know. But I’m not in pursuit of motherhood because I feel incomplete in some way, as our celebrity news culture would lead us all to believe. I resent being made to feel “less than” because my body is changing and/or I had a burger for lunch and was photographed from a weird angle and therefore deemed one of two things: “pregnant” or “fat.”\u003c/p>\u003c/blockquote>\n\u003cp>If you've ever spent five minutes reading an \u003cem>Us Weekly\u003c/em> \"article\" featuring photos of Aniston or another celebrity with circles drawn over their body parts, take five minutes and \u003ca href=\"http://www.huffingtonpost.com/entry/for-the-record_us_57855586e4b03fc3ee4e626f\" target=\"_blank\">read the whole thing here.\u003c/a> All in all, it's a compelling yet (sorry) highly relatable message for Aniston to send.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Truth be told, the only thing I find to be slightly off the mark in this piece is the implication that she ever eats burgers for lunch. Sorry, Jen. Otherwise: Go on with your bad (gorgeous, 47-year-old) self. I'm not holding my breath, but Aunt Gertie really should find a better hobby.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp> \u003c/p>\n\u003cp>Well, she's apparently had enough. \u003ca href=\"http://www.huffingtonpost.com/entry/for-the-record_us_57855586e4b03fc3ee4e626f\" target=\"_blank\">Aniston just penned an open letter in the \u003c/a>\u003cem>Huffington Post\u003c/em> decrying the media's objectification of women, alongside journalists' fixation on her childfree existence and when it will end.\u003c/p>\n\u003cblockquote>\u003cp>If I am some kind of symbol to some people out there, then clearly I am an example of the lens through which we, as a society, view our mothers, daughters, sisters, wives, female friends and colleagues. The objectification and scrutiny we put women through is absurd and disturbing. The way I am portrayed by the media is simply a reflection of how we see and portray women in general, measured against some warped standard of beauty. ...\u003c/p>\n\u003cp>The message that girls are not pretty unless they’re incredibly thin, that they’re not worthy of our attention unless they look like a supermodel or an actress on the cover of a magazine is something we’re all willingly buying into. This conditioning is something girls then carry into womanhood. We use celebrity “news” to perpetuate this dehumanizing view of females, focused solely on one’s physical appearance, which tabloids turn into a sporting event of speculation. Is she pregnant? Is she eating too much? Has she let herself go? Is her marriage on the rocks because the camera detects some physical “imperfection”?\u003c/p>\u003c/blockquote>\n\u003cp>And:\u003c/p>\n\u003cblockquote>\u003cp>I have grown tired of being part of this narrative. Yes, I may become a mother some day, and since I’m laying it all out there, if I ever do, I will be the first to let you know. But I’m not in pursuit of motherhood because I feel incomplete in some way, as our celebrity news culture would lead us all to believe. I resent being made to feel “less than” because my body is changing and/or I had a burger for lunch and was photographed from a weird angle and therefore deemed one of two things: “pregnant” or “fat.”\u003c/p>\u003c/blockquote>\n\u003cp>If you've ever spent five minutes reading an \u003cem>Us Weekly\u003c/em> \"article\" featuring photos of Aniston or another celebrity with circles drawn over their body parts, take five minutes and \u003ca href=\"http://www.huffingtonpost.com/entry/for-the-record_us_57855586e4b03fc3ee4e626f\" target=\"_blank\">read the whole thing here.\u003c/a> All in all, it's a compelling yet (sorry) highly relatable message for Aniston to send.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Truth be told, the only thing I find to be slightly off the mark in this piece is the implication that she ever eats burgers for lunch. Sorry, Jen. Otherwise: Go on with your bad (gorgeous, 47-year-old) self. I'm not holding my breath, but Aunt Gertie really should find a better hobby.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "SFPD Issues Pokémon Go Safety Tips, Like 'Do Not Run Into Trees'",
"title": "SFPD Issues Pokémon Go Safety Tips, Like 'Do Not Run Into Trees'",
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"content": "\u003cp>I'm not sure if you guys have heard about this -- it seems like maybe it's been covered \u003ca href=\"https://theawl.com/the-seventeen-remaining-pokemon-go-headlines-d6adb2d98687#.k6el4n1g8\" target=\"_blank\">a few other places?\u003c/a> -- but there's a game that many people are currently playing called\u003ca href=\"https://ww2.kqed.org/pop/2016/07/11/why-everyone-you-know-is-suddenly-obsessed-with-pokemon-go/\" target=\"_blank\"> Pokémon Go\u003c/a>.\u003c/p>\n\u003cp>Most of these people are having a very nice time. As\u003ca href=\"https://ww2.kqed.org/pop/2016/07/11/why-everyone-you-know-is-suddenly-obsessed-with-pokemon-go/\" target=\"_blank\"> Gabe Meline explored yesterday\u003c/a>, players are leaving the house at times when they might not otherwise, meeting new friends, and exploring their neighborhoods. And \u003ca href=\"http://www.people.com/article/pokemon-go-users-tripping-falling-getting-sunburned-while-using-app\" target=\"_blank\">some people\u003c/a> are acting like \u003ca href=\"https://www.washingtonpost.com/news/the-switch/wp/2016/07/12/holocaust-museum-to-visitors-please-stop-catching-pokemon-here/?tid=pm_business_pop_b\" target=\"_blank\">goddamn idiots\u003c/a>.\u003c/p>\n\u003cp>In an attempt to stave off said idiocy (and perhaps limit the number of Pokémon related injuries and accidents to which they must respond), the San Francisco Police Department issued some official safety guidelines this week for Pokémon enthusiasts, as shared by the Bayview Station's social media accounts.\u003c/p>\n\u003cp>You can view all of these tips in \u003ca href=\"https://docs.google.com/document/d/1UaBFollamezYLeKKAGTchGlwyedP48kFzll7M98fiyI/pub\" target=\"_blank\">a document here\u003c/a>, along with a cute lo-fi graphic that it's kinda fun to imagine a police officer spending time cropping and pasting into a Google doc, especially while an investigative panel is issuing \u003ca href=\"http://www.sfexaminer.com/sfpd-culture-bar-reforms-blue-ribbon-panel/\" target=\"_blank\">damning reports about pervasive and institutional racism across the SFPD.\u003c/a>\u003c/p>\n\u003cp>In any event, here's the memo in full:\u003c/p>\n\u003cblockquote>\n\u003cp class=\"c2\">\u003cspan class=\"c1\">As the Pokemon Go fever hits the Streets of San Francisco, I wanted to take a few minutes to remind you/your kids of some simple safety tips. So as you battle, train, and capture your Pokemon - just remember you’re still in the real world! Other law enforcement agencies throughout the world have already reported accidents, injuries, and string of robberies where suspects have set up fake ‘Poke-spots’. \u003c/span>\u003c/p>\n\u003c/blockquote>\n\u003cul class=\"c5 lst-kix_3ui711jcommo-0 start\">\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Know your surroundings and pay attention to where you are going/who is around you. Slow car paralleling a person on foot, might be a sign it’s a get-away car. If you get the sense you are being followed or set-up for a robbery, head to a lighted area with people around. \u003c/span>\u003c/p>\u003c/blockquote>\n\u003c/li>\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Watch where you are going, please don’t look down at your phone while crossing streets, getting off buses, or even while walking. Obey traffic laws, please.\u003c/span>\u003c/p>\u003c/blockquote>\n\u003c/li>\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Do not run into trees, meters, and things that are attached to the sidewalk; they hurt.\u003c/span>\u003c/p>\u003c/blockquote>\n\u003c/li>\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Do not drive or ride your bike / skateboard / hipster techie device while interacting with the app. \u003c/span>\u003c/p>\u003c/blockquote>\n\u003c/li>\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Know where your kids are going when playing with the app, set limits on where they can go, so they don’t keep going trying to get that Pokemon. \u003c/span>\u003c/p>\u003c/blockquote>\n\u003c/li>\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Tell your kids about stranger-danger because the app may bring strangers together in real life at ‘pokestops’. \u003c/span>\u003c/p>\u003c/blockquote>\n\u003c/li>\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Do not go onto private property, dark alleys, or areas that you usually would not go if you weren’t playing the game. \u003c/span>\u003c/p>\n\u003cp>\u003cspan class=\"c1\">Be Safe, Enjoy!\u003c/span>\u003c/p>\n\u003cp class=\"c2\">\u003cspan class=\"c1\">Captain Vaswani\u003c/span>\u003c/p>\n\u003cp class=\"c2\">\u003cspan class=\"c1\">Bayview Police Station, San Francisco Police\u003c/span>\u003c/p>\n\u003c/blockquote>\n\u003c/li>\n\u003c/ul>\n\u003cp class=\"c2\">And there you have it, folks. You might note that most of these tips are in fact just basic common sense for continuing to be an alive person in a city, but it sure is fun to reframe them as safety tips for Pokémon Go!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp class=\"c2\">Have fun out there, and remember: You're still in the real world. Whatever that means anymore.\u003c/p>\n\u003cp class=\"c2\">\u003cimg class=\"aligncenter size-medium wp-image-29830\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/landscape-1456483171-pokemon2-800x400.jpg\" alt=\"landscape-1456483171-pokemon2\" width=\"800\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/landscape-1456483171-pokemon2-800x400.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/landscape-1456483171-pokemon2-400x200.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/landscape-1456483171-pokemon2-768x384.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/landscape-1456483171-pokemon2-960x480.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/landscape-1456483171-pokemon2.jpg 980w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "The guidelines also feature a cute dig at \"hipster techie\" modes of transportation. Sick burn, Bayview police station!",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I'm not sure if you guys have heard about this -- it seems like maybe it's been covered \u003ca href=\"https://theawl.com/the-seventeen-remaining-pokemon-go-headlines-d6adb2d98687#.k6el4n1g8\" target=\"_blank\">a few other places?\u003c/a> -- but there's a game that many people are currently playing called\u003ca href=\"https://ww2.kqed.org/pop/2016/07/11/why-everyone-you-know-is-suddenly-obsessed-with-pokemon-go/\" target=\"_blank\"> Pokémon Go\u003c/a>.\u003c/p>\n\u003cp>Most of these people are having a very nice time. As\u003ca href=\"https://ww2.kqed.org/pop/2016/07/11/why-everyone-you-know-is-suddenly-obsessed-with-pokemon-go/\" target=\"_blank\"> Gabe Meline explored yesterday\u003c/a>, players are leaving the house at times when they might not otherwise, meeting new friends, and exploring their neighborhoods. And \u003ca href=\"http://www.people.com/article/pokemon-go-users-tripping-falling-getting-sunburned-while-using-app\" target=\"_blank\">some people\u003c/a> are acting like \u003ca href=\"https://www.washingtonpost.com/news/the-switch/wp/2016/07/12/holocaust-museum-to-visitors-please-stop-catching-pokemon-here/?tid=pm_business_pop_b\" target=\"_blank\">goddamn idiots\u003c/a>.\u003c/p>\n\u003cp>In an attempt to stave off said idiocy (and perhaps limit the number of Pokémon related injuries and accidents to which they must respond), the San Francisco Police Department issued some official safety guidelines this week for Pokémon enthusiasts, as shared by the Bayview Station's social media accounts.\u003c/p>\n\u003cp>You can view all of these tips in \u003ca href=\"https://docs.google.com/document/d/1UaBFollamezYLeKKAGTchGlwyedP48kFzll7M98fiyI/pub\" target=\"_blank\">a document here\u003c/a>, along with a cute lo-fi graphic that it's kinda fun to imagine a police officer spending time cropping and pasting into a Google doc, especially while an investigative panel is issuing \u003ca href=\"http://www.sfexaminer.com/sfpd-culture-bar-reforms-blue-ribbon-panel/\" target=\"_blank\">damning reports about pervasive and institutional racism across the SFPD.\u003c/a>\u003c/p>\n\u003cp>In any event, here's the memo in full:\u003c/p>\n\u003cblockquote>\n\u003cp class=\"c2\">\u003cspan class=\"c1\">As the Pokemon Go fever hits the Streets of San Francisco, I wanted to take a few minutes to remind you/your kids of some simple safety tips. So as you battle, train, and capture your Pokemon - just remember you’re still in the real world! Other law enforcement agencies throughout the world have already reported accidents, injuries, and string of robberies where suspects have set up fake ‘Poke-spots’. \u003c/span>\u003c/p>\n\u003c/blockquote>\n\u003cul class=\"c5 lst-kix_3ui711jcommo-0 start\">\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Know your surroundings and pay attention to where you are going/who is around you. Slow car paralleling a person on foot, might be a sign it’s a get-away car. If you get the sense you are being followed or set-up for a robbery, head to a lighted area with people around. \u003c/span>\u003c/p>\u003c/blockquote>\n\u003c/li>\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Watch where you are going, please don’t look down at your phone while crossing streets, getting off buses, or even while walking. Obey traffic laws, please.\u003c/span>\u003c/p>\u003c/blockquote>\n\u003c/li>\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Do not run into trees, meters, and things that are attached to the sidewalk; they hurt.\u003c/span>\u003c/p>\u003c/blockquote>\n\u003c/li>\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Do not drive or ride your bike / skateboard / hipster techie device while interacting with the app. \u003c/span>\u003c/p>\u003c/blockquote>\n\u003c/li>\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Know where your kids are going when playing with the app, set limits on where they can go, so they don’t keep going trying to get that Pokemon. \u003c/span>\u003c/p>\u003c/blockquote>\n\u003c/li>\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Tell your kids about stranger-danger because the app may bring strangers together in real life at ‘pokestops’. \u003c/span>\u003c/p>\u003c/blockquote>\n\u003c/li>\n\u003cli class=\"c0\">\n\u003cblockquote>\u003cp>\u003cspan class=\"c1\">Do not go onto private property, dark alleys, or areas that you usually would not go if you weren’t playing the game. \u003c/span>\u003c/p>\n\u003cp>\u003cspan class=\"c1\">Be Safe, Enjoy!\u003c/span>\u003c/p>\n\u003cp class=\"c2\">\u003cspan class=\"c1\">Captain Vaswani\u003c/span>\u003c/p>\n\u003cp class=\"c2\">\u003cspan class=\"c1\">Bayview Police Station, San Francisco Police\u003c/span>\u003c/p>\n\u003c/blockquote>\n\u003c/li>\n\u003c/ul>\n\u003cp class=\"c2\">And there you have it, folks. You might note that most of these tips are in fact just basic common sense for continuing to be an alive person in a city, but it sure is fun to reframe them as safety tips for Pokémon Go!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp class=\"c2\">Have fun out there, and remember: You're still in the real world. Whatever that means anymore.\u003c/p>\n\u003cp class=\"c2\">\u003cimg class=\"aligncenter size-medium wp-image-29830\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/landscape-1456483171-pokemon2-800x400.jpg\" alt=\"landscape-1456483171-pokemon2\" width=\"800\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/landscape-1456483171-pokemon2-800x400.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/landscape-1456483171-pokemon2-400x200.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/landscape-1456483171-pokemon2-768x384.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/landscape-1456483171-pokemon2-960x480.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/landscape-1456483171-pokemon2.jpg 980w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "women-to-watch-irene-tu",
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"content": "\u003cp>\u003cem>Welcome to KQED Arts’ \u003ca href=\"http://ww2.kqed.org/arts/women-to-watch/\" target=\"_blank\" rel=\"noopener\">Women to Watch\u003c/a>, a series celebrating 20 local women artists, creatives and makers who are pushing boundaries in 2016. Driven by passion for their own disciplines, from photography to comedy and every other medium in between, these women are true vanguards paving the way in their respective communities.\u003c/em>\u003c/p>\n\u003cp>It’s one of those “why didn’t this already exist?” ideas. Seeing a need for a safe space where women and queer comics could build material and community, standup comics \u003ca href=\"http://irenetu.com/\" target=\"_blank\" rel=\"noopener\">Irene Tu\u003c/a> and Jessica Sele began hosting the \u003ca href=\"https://www.facebook.com/hysteriacomedy/?fref=ts\" target=\"_blank\" rel=\"noopener\">Hysteria Comedy Open Mic Night\u003c/a> just one year ago.\u003c/p>\n\u003cp>“A lot of the open mics you go to are a lot of straight white dudes, to be blunt,” says Tu. “It’s kind of hard to start, if you’re a woman in comedy.” Now every Tuesday night at San Francisco’s Martuni’s, Tu and Dominique Gelin (Sele has since relocated to Los Angeles) welcome everyone from seasoned storytellers to beginner comics in the bar’s cozy back room, where a supportive crowd keeps the spirits high and the laughter rolling — no small task when it comes to fresh, untested jokes. But then again, Martuni’s famous martinis don’t hurt.[contextly_sidebar id=”U0fLrkfOyxo9nS5EabWG3M3j0xQi4qIP”]\u003c/p>\n\u003cp>\u003cstrong>Where do you live?\u003c/strong>\u003c/p>\n\u003cp>I live in Berkeley, California. I moved there about 4 years ago. I’m from Chicago originally.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>How would you describe yourself in one word?\u003c/strong>\u003c/p>\n\u003cp>Charming.\u003c/p>\n\u003cp>\u003cstrong>What did you do last night?\u003c/strong>\u003c/p>\n\u003cp>Last night I was supposed to do a show but it got cancelled or they never told me it was cancelled, so instead I stayed home and watched my two favorite shows on TV right now, which are \u003cem>Jane the Virgin\u003c/em> and \u003cem>My Crazy Ex-Girlfriend\u003c/em>.\u003c/p>\n\u003cp>\u003cstrong>What can’t you live without?\u003c/strong>\u003c/p>\n\u003cp>My Gmail. And Facebook, but I’m trying to quit.\u003c/p>\n\u003cp>\u003cstrong>If you could travel anywhere in the world, where would it be?\u003c/strong>\u003c/p>\n\u003cp>Probably just LA, I know it’s really boring.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_11800751\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11800751\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/wp-body-irene-800x450.jpg\" alt=\"Irene Tu\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-960x540.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Irene Tu \u003ccite>(Photo: Travis Jensen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Who is your personal hero? Why?\u003c/strong>\u003c/p>\n\u003cp>Ellen Degeneres, hands down. She’s my favorite comedian and life coach. I actually wrote my college essay about Ellen. But then I subsequently didn’t get into the colleges I wanted to go to. I’m sure it had nothing to do with her, I thought it was a great essay.\u003c/p>\n\u003cp>I just like that she’s so funny and also likable. Everyone loves Ellen. There’s no way you can’t not like her and if you do I think you’re a psychopath. I just want to be that likable.\u003c/p>\n\u003cp>\u003cstrong>How did you find your creative voice?\u003c/strong>\u003c/p>\n\u003cp>I think I am still trying to find exactly my voice in comedy. I think I’m getting closer but I still don’t know exactly what it is yet.\u003c/p>\n\u003cp>The moment I realized that I was probably going to keep doing comedy after college was when my adviser asked me to do stand up at my graduation.\u003c/p>\n\u003cp>\u003cstrong>What is something most people don’t know about you?\u003c/strong>\u003c/p>\n\u003cp>I say this when people ask me, that I kind of hate people. We’re doing terrible things. I wish we would stop doing that.\u003c/p>\n\u003cp>\u003cstrong>What do you do when you feel uninspired?\u003c/strong>\u003c/p>\n\u003cp>I like to go out and watch my friends do live stand up comedy.\u003c/p>\n\u003cfigure id=\"attachment_11800752\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11800752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/wp-body-irene-3-800x450.jpg\" alt=\"Irene Tu\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-3-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-3-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-3-960x540.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Irene Tu \u003ccite>(Photo: Travis Jensen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What was your biggest ‘learning moment,’ and what did you take from that experience?\u003c/strong>\u003c/p>\n\u003cp>I hadn’t been doing comedy very long and I saw someone posted they were looking for comedians to do this show. I sent a clip and [the promoter] was like, great, why don’t you come do a feature set. I had never really done more than, honestly, 10 minutes. So when I get there he was like, okay do 20 minutes. And I was so ill-prepared for that. I did like, okay, you know, but I was not ready.\u003c/p>\n\u003cp>I had carpooled with another comedian who was like way more established than me. And then he went up after me and killed it. That was the moment where I was like, okay take a step back and work on some jokes.\u003c/p>\n\u003cp>\u003cstrong>What’s your greatest achievement and how has it shaped you?\u003c/strong>\u003c/p>\n\u003cp>I feel like my greatest achievement was in high school, the first time I told a funny story in front of a large group of people. I told this story about how my mom forced me to go on the Tower of Terror when we went to Disneyworld when I was like ten and I was still mad at her. That was the first moment when I realized I could be funny and people liked it. It’s just been downhill since then.\u003c/p>\n\u003cp>\u003cstrong>Coffee or tea?\u003c/strong>\u003c/p>\n\u003cp>Can I say neither? I like Coca-Cola. The Mexican kind with a lime.\u003c/p>\n\u003cp>\u003cstrong>What does a perfect day look like for you?\u003c/strong>\u003c/p>\n\u003cp>Sleep in till noon. Eat brunch. Watch \u003cem>Ellen\u003c/em> at 4pm. Eat dinner. And then go do some shows. And between all that I’d be writing, but the highlights for me are eating, watching \u003cem>Ellen\u003c/em> and sleeping.\u003c/p>\n\u003cfigure id=\"attachment_11800756\" class=\"wp-caption aligncenter\" style=\"max-width: 650px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11800756\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/wp-body-irene-2-650x600.jpg\" alt=\"Irene Tu\" width=\"650\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-2-650x600.jpg 650w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-2-400x369.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-2-768x708.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-2-1180x1088.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-2-960x886.jpg 960w\" sizes=\"(max-width: 650px) 100vw, 650px\">\u003cfigcaption class=\"wp-caption-text\">Irene Tu \u003ccite>(Photo: Travis Jensen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Who are your local inspirations?\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://jessicasele.com/\" target=\"_blank\" rel=\"noopener\">Jessica Sele\u003c/a>. I love \u003ca href=\"https://karindadobbins.socxs.com/Home\" target=\"_blank\" rel=\"noopener\">Karinda Dobbins\u003c/a> and \u003ca href=\"http://www.wkamaubell.com/\" target=\"_blank\" rel=\"noopener\">W. Kamau Bell\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>What is your favorite meal?\u003c/strong>\u003c/p>\n\u003cp>My mom makes these snails that she kind of stir-fries with soy sauce.\u003c/p>\n\u003cp>\u003cstrong>What upcoming show are you excited about?\u003c/strong>\u003c/p>\n\u003cp>I run a show every month, every fourth Thursday that’s called \u003ca href=\"https://www.facebook.com/manhaterscomedy/\" target=\"_blank\" rel=\"noopener\">Man Haters\u003c/a>. That’s probably my favorite time of the month. It’s at the White Horse.\u003c/p>\n\u003cp>\u003cstrong>Where do you see yourself in five years?\u003c/strong>\u003c/p>\n\u003cp>Living in LA, hopefully in a nice apartment. I mean ideally, on some TV show or in some movie.\u003c/p>\n\u003cp>\u003cstrong>If you could live in a book, TV show, movie, play, song or painting what would it be?\u003c/strong>\u003c/p>\n\u003cp>Book one of \u003cem>Harry Potter\u003c/em> and I would be Hermione Granger.\u003c/p>\n\u003cp>\u003cem>Curious about who else made the list? Check out the \u003ca href=\"http://ww2.kqed.org/arts/women-to-watch/\" target=\"_blank\" rel=\"noopener\">Women to Watch \u003c/a>series page, including photo galleries, interviews, and videos.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Do you know a Bay Area artist who is doing amazing things? \u003ca href=\"https://www.instagram.com/kqed_arts/\" target=\"_blank\" rel=\"noopener\">We\u003c/a> want to hear from you! Highlight her efforts using \u003ca href=\"https://www.instagram.com/explore/tags/baybrilliant/\" target=\"_blank\" rel=\"noopener\">#BayBrilliant\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to KQED Arts’ \u003ca href=\"http://ww2.kqed.org/arts/women-to-watch/\" target=\"_blank\" rel=\"noopener\">Women to Watch\u003c/a>, a series celebrating 20 local women artists, creatives and makers who are pushing boundaries in 2016. Driven by passion for their own disciplines, from photography to comedy and every other medium in between, these women are true vanguards paving the way in their respective communities.\u003c/em>\u003c/p>\n\u003cp>It’s one of those “why didn’t this already exist?” ideas. Seeing a need for a safe space where women and queer comics could build material and community, standup comics \u003ca href=\"http://irenetu.com/\" target=\"_blank\" rel=\"noopener\">Irene Tu\u003c/a> and Jessica Sele began hosting the \u003ca href=\"https://www.facebook.com/hysteriacomedy/?fref=ts\" target=\"_blank\" rel=\"noopener\">Hysteria Comedy Open Mic Night\u003c/a> just one year ago.\u003c/p>\n\u003cp>“A lot of the open mics you go to are a lot of straight white dudes, to be blunt,” says Tu. “It’s kind of hard to start, if you’re a woman in comedy.” Now every Tuesday night at San Francisco’s Martuni’s, Tu and Dominique Gelin (Sele has since relocated to Los Angeles) welcome everyone from seasoned storytellers to beginner comics in the bar’s cozy back room, where a supportive crowd keeps the spirits high and the laughter rolling — no small task when it comes to fresh, untested jokes. But then again, Martuni’s famous martinis don’t hurt.\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Where do you live?\u003c/strong>\u003c/p>\n\u003cp>I live in Berkeley, California. I moved there about 4 years ago. I’m from Chicago originally.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>How would you describe yourself in one word?\u003c/strong>\u003c/p>\n\u003cp>Charming.\u003c/p>\n\u003cp>\u003cstrong>What did you do last night?\u003c/strong>\u003c/p>\n\u003cp>Last night I was supposed to do a show but it got cancelled or they never told me it was cancelled, so instead I stayed home and watched my two favorite shows on TV right now, which are \u003cem>Jane the Virgin\u003c/em> and \u003cem>My Crazy Ex-Girlfriend\u003c/em>.\u003c/p>\n\u003cp>\u003cstrong>What can’t you live without?\u003c/strong>\u003c/p>\n\u003cp>My Gmail. And Facebook, but I’m trying to quit.\u003c/p>\n\u003cp>\u003cstrong>If you could travel anywhere in the world, where would it be?\u003c/strong>\u003c/p>\n\u003cp>Probably just LA, I know it’s really boring.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_11800751\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11800751\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/wp-body-irene-800x450.jpg\" alt=\"Irene Tu\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-960x540.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Irene Tu \u003ccite>(Photo: Travis Jensen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Who is your personal hero? Why?\u003c/strong>\u003c/p>\n\u003cp>Ellen Degeneres, hands down. She’s my favorite comedian and life coach. I actually wrote my college essay about Ellen. But then I subsequently didn’t get into the colleges I wanted to go to. I’m sure it had nothing to do with her, I thought it was a great essay.\u003c/p>\n\u003cp>I just like that she’s so funny and also likable. Everyone loves Ellen. There’s no way you can’t not like her and if you do I think you’re a psychopath. I just want to be that likable.\u003c/p>\n\u003cp>\u003cstrong>How did you find your creative voice?\u003c/strong>\u003c/p>\n\u003cp>I think I am still trying to find exactly my voice in comedy. I think I’m getting closer but I still don’t know exactly what it is yet.\u003c/p>\n\u003cp>The moment I realized that I was probably going to keep doing comedy after college was when my adviser asked me to do stand up at my graduation.\u003c/p>\n\u003cp>\u003cstrong>What is something most people don’t know about you?\u003c/strong>\u003c/p>\n\u003cp>I say this when people ask me, that I kind of hate people. We’re doing terrible things. I wish we would stop doing that.\u003c/p>\n\u003cp>\u003cstrong>What do you do when you feel uninspired?\u003c/strong>\u003c/p>\n\u003cp>I like to go out and watch my friends do live stand up comedy.\u003c/p>\n\u003cfigure id=\"attachment_11800752\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11800752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/wp-body-irene-3-800x450.jpg\" alt=\"Irene Tu\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-3-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-3-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-3-960x540.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Irene Tu \u003ccite>(Photo: Travis Jensen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What was your biggest ‘learning moment,’ and what did you take from that experience?\u003c/strong>\u003c/p>\n\u003cp>I hadn’t been doing comedy very long and I saw someone posted they were looking for comedians to do this show. I sent a clip and [the promoter] was like, great, why don’t you come do a feature set. I had never really done more than, honestly, 10 minutes. So when I get there he was like, okay do 20 minutes. And I was so ill-prepared for that. I did like, okay, you know, but I was not ready.\u003c/p>\n\u003cp>I had carpooled with another comedian who was like way more established than me. And then he went up after me and killed it. That was the moment where I was like, okay take a step back and work on some jokes.\u003c/p>\n\u003cp>\u003cstrong>What’s your greatest achievement and how has it shaped you?\u003c/strong>\u003c/p>\n\u003cp>I feel like my greatest achievement was in high school, the first time I told a funny story in front of a large group of people. I told this story about how my mom forced me to go on the Tower of Terror when we went to Disneyworld when I was like ten and I was still mad at her. That was the first moment when I realized I could be funny and people liked it. It’s just been downhill since then.\u003c/p>\n\u003cp>\u003cstrong>Coffee or tea?\u003c/strong>\u003c/p>\n\u003cp>Can I say neither? I like Coca-Cola. The Mexican kind with a lime.\u003c/p>\n\u003cp>\u003cstrong>What does a perfect day look like for you?\u003c/strong>\u003c/p>\n\u003cp>Sleep in till noon. Eat brunch. Watch \u003cem>Ellen\u003c/em> at 4pm. Eat dinner. And then go do some shows. And between all that I’d be writing, but the highlights for me are eating, watching \u003cem>Ellen\u003c/em> and sleeping.\u003c/p>\n\u003cfigure id=\"attachment_11800756\" class=\"wp-caption aligncenter\" style=\"max-width: 650px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11800756\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/wp-body-irene-2-650x600.jpg\" alt=\"Irene Tu\" width=\"650\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-2-650x600.jpg 650w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-2-400x369.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-2-768x708.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-2-1180x1088.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/wp-body-irene-2-960x886.jpg 960w\" sizes=\"(max-width: 650px) 100vw, 650px\">\u003cfigcaption class=\"wp-caption-text\">Irene Tu \u003ccite>(Photo: Travis Jensen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Who are your local inspirations?\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://jessicasele.com/\" target=\"_blank\" rel=\"noopener\">Jessica Sele\u003c/a>. I love \u003ca href=\"https://karindadobbins.socxs.com/Home\" target=\"_blank\" rel=\"noopener\">Karinda Dobbins\u003c/a> and \u003ca href=\"http://www.wkamaubell.com/\" target=\"_blank\" rel=\"noopener\">W. Kamau Bell\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>What is your favorite meal?\u003c/strong>\u003c/p>\n\u003cp>My mom makes these snails that she kind of stir-fries with soy sauce.\u003c/p>\n\u003cp>\u003cstrong>What upcoming show are you excited about?\u003c/strong>\u003c/p>\n\u003cp>I run a show every month, every fourth Thursday that’s called \u003ca href=\"https://www.facebook.com/manhaterscomedy/\" target=\"_blank\" rel=\"noopener\">Man Haters\u003c/a>. That’s probably my favorite time of the month. It’s at the White Horse.\u003c/p>\n\u003cp>\u003cstrong>Where do you see yourself in five years?\u003c/strong>\u003c/p>\n\u003cp>Living in LA, hopefully in a nice apartment. I mean ideally, on some TV show or in some movie.\u003c/p>\n\u003cp>\u003cstrong>If you could live in a book, TV show, movie, play, song or painting what would it be?\u003c/strong>\u003c/p>\n\u003cp>Book one of \u003cem>Harry Potter\u003c/em> and I would be Hermione Granger.\u003c/p>\n\u003cp>\u003cem>Curious about who else made the list? Check out the \u003ca href=\"http://ww2.kqed.org/arts/women-to-watch/\" target=\"_blank\" rel=\"noopener\">Women to Watch \u003c/a>series page, including photo galleries, interviews, and videos.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Do you know a Bay Area artist who is doing amazing things? \u003ca href=\"https://www.instagram.com/kqed_arts/\" target=\"_blank\" rel=\"noopener\">We\u003c/a> want to hear from you! Highlight her efforts using \u003ca href=\"https://www.instagram.com/explore/tags/baybrilliant/\" target=\"_blank\" rel=\"noopener\">#BayBrilliant\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Why Everyone You Know Is Suddenly Obsessed With Pokémon Go",
"title": "Why Everyone You Know Is Suddenly Obsessed With Pokémon Go",
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"content": "\u003cp>Around the world, hundreds of thousands of grown adults are playing \u003ca href=\"http://www.pokemon.com/us/pokemon-video-games/pokemon-go/\" target=\"_blank\">Pokémon Go\u003c/a>: walking around, staring at their phones, repeatedly swiping the screen to throw a fake ball to catch a fake animal in a fake version of reality.\u003c/p>\n\u003cp>If you're \u003cem>not\u003c/em> one of these people, you probably already hate Pokémon Go. You've been oversaturated with Pokémon Go everywhere you turn, with screengrabs of Pokémon Go all over your Facebook timeline and in-jokes about Pokémon Go on your Instagram feed. You're weary of it before you're even able to learn what it is.\u003c/p>\n\u003cfigure id=\"attachment_29708\" class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Poke.Volvo_-400x514.jpg\" alt=\"Chances are you've seen screengrabs like this one over the last two days.\" width=\"400\" height=\"514\" class=\"size-thumbnail wp-image-29708\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Poke.Volvo_-400x514.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Poke.Volvo_.jpg 750w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Chances are you've seen screengrabs like this one over the last two days.\u003c/figcaption>\u003c/figure>\n\u003cp>Besides, you've seen all those headlines. Pokémon Go makes you \u003ca href=\"http://gizmodo.com/sore-legs-become-pandemic-as-pokemon-go-players-acciden-1783402931\" target=\"_blank\">exhausted\u003c/a>, makes you \u003ca href=\"http://factually.gizmodo.com/no-a-man-didnt-cause-a-major-traffic-accident-while-pl-1783425087\" target=\"_blank\">crash your car\u003c/a>, makes you a \u003ca href=\"http://arstechnica.com/gaming/2016/07/armed-muggers-use-pokemon-go-to-find-victims/\" target=\"_blank\">target for muggers\u003c/a> and even makes you \u003ca href=\"http://money.cnn.com/2016/07/09/technology/pokemon-go-dead-body/\" target=\"_blank\">discover dead bodies\u003c/a>. There have been \u003ca href=\"https://theawl.com/the-seventeen-remaining-pokemon-go-headlines-d6adb2d98687#.oq76tko7x\" target=\"_blank\">more clickbait headlines\u003c/a> about Pokémon Go this week than about Millennials. (And that's \u003ca href=\"https://ww2.kqed.org/pop/tag/millennials/\" target=\"_blank\">saying something\u003c/a>.)\u003c/p>\n\u003cfigure id=\"attachment_29669\" class=\"wp-caption aligncenter\" style=\"max-width: 873px\">\u003cimg class=\"size-full wp-image-29669\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/pokemongotrends.jpg\" alt='Searches for \"Pokémon Go\" over the last month, according to Google Trends.' width=\"873\" height=\"476\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends.jpg 873w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends-400x218.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends-800x436.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends-768x419.jpg 768w\" sizes=\"(max-width: 873px) 100vw, 873px\">\u003cfigcaption class=\"wp-caption-text\">Searches for \"Pokémon Go\" over the last month. \u003ccite>(Google Trends)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Usually, I'm with you! I am that insufferable breed of person who loudly recuses himself from ultra-popular phenomena on the grounds that \u003cem>it sucks, man\u003c/em>, without ever giving it a try. (I never saw \u003cem>Avatar\u003c/em>, but I hate \u003cem>Avatar\u003c/em>. That sort of thing.) Yet I know that this is obnoxious, and I know I can do better. So with the \"new me\" in mind, I steeled my too-cool-for-school resolve and I downloaded Pokémon Go.\u003c/p>\n\u003cp>I played it for two days, and can now safely say that I understand. Let me help you understand, too.\u003c/p>\n\u003cfigure id=\"attachment_29692\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg class=\"size-full wp-image-29692\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Pokemon.Juilliard.jpg\" alt=\"Two kids play Pokémon Go in the park. Note the absence of other players. That would soon change.\" width=\"1100\" height=\"733\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-960x640.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Two kids play Pokémon Go in the park. Note the absence of other players. That would soon change. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>What Is Pokémon Go, and Why Is Everyone Playing It?\u003c/h2>\n\u003cp>Pokémon Go is a augmented-reality game you play on your phone, downloadable as an app. In order to play it, you have to actually walk around outside, staring at your phone. As you walk around, your character on the screen walks around a map of your actual environment, showing streets and parks and creeks and the like. Using GPS and a mapping system similar to Google Street view, the game puts you in a half-reality of your actual city and a strange world of weird little animals.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/pokemon.screengrab.jpg\" alt=\"pokemon.screengrab\" width=\"400\" height=\"711\" class=\"aligncenter size-full wp-image-29702\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemon.screengrab.jpg 720w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemon.screengrab-400x711.jpg 400w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Those animals are Pokémon, which, as anyone alive in the 1990s remembers, starred in a hugely popular franchise of TV shows, card games, video games and movies. In Pokémon Go, the goal is that you've \"gotta catch 'em all\" -- capturing myriad breeds of Pokémon whenever, and wherever, they appear. The only way to find them is to walk around the real world until they pop up on your map. When they do, your phone's camera opens, and the Pokémon are suddenly standing in your stairwell, your BART station, you friend's leg, or wherever your camera happens to be pointing. Then you swipe a Pokéball at it and voilá -- it's caught.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-thumbnail wp-image-29690\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Pokemon.Rattata-400x711.jpg\" alt=\"Pokemon.Rattata\" width=\"400\" height=\"711\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Rattata-400x711.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Rattata.jpg 750w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Those are the basics, at least. There are refill stations called Pokéstops in the game, located at notable landmarks around town like schools, plazas and benches, and there are huge towers called Gyms, control of which players can battle using the Pokémon they've caught. These places attract a lot of people, and that's part of why the game is so great on a social level.\u003c/p>\n\u003cp>Much of the activity in Pokémon Go is programmed to happen in big outdoor public spaces like city centers and parks. So after launching our character, my daughter and I went to the park down the block. We immediately met another family, powering up at the same Pokéstop. Five minutes in and we'd already had a friendly conversation with complete strangers, right there on the sidewalk, while cars whizzed by and people back in their homes argued on the internet.\u003c/p>\n\u003cfigure id=\"attachment_29689\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg class=\"size-full wp-image-29689\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.PikachuShirt.jpg\" alt=\"A family playing Pokémon Go talks with other players.\" width=\"1100\" height=\"771\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-400x280.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-800x561.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-768x538.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-960x673.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">A family playing Pokémon Go talks with other players. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Here's How It's Good for Humanity (I'm Serious)\u003c/h2>\n\u003cp>Beyond the game itself of catching Pokémon, Pokémon Go is designed to get players out into the world. And, let's be honest: a lot of people are shut-ins who spend hours on the internet instead of getting out into the world. Modern culture, and especially modern \u003cem>gaming\u003c/em> culture, is definitely not known for being outdoorsy.\u003c/p>\n\u003cp>Pokémon Go forces people to get out -- and, invariably, talk to each other face-to-face. Often, to laugh and joke with each other.\u003c/p>\n\u003cp>When my daughter and I ran into the family at that first Pokéstop, we couldn't believe it: we found someone else playing the game!\u003c/p>\n\u003cp>We were so naïve. EVERYONE is playing this game.\u003c/p>\n\u003cfigure id=\"attachment_29688\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-29688\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.Crowd_-800x491.jpg\" alt=\"A crowd of people play Pokémon Go.\" width=\"800\" height=\"491\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-800x491.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-768x471.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-960x589.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A crowd of people play Pokémon Go. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Our next voyage to catch Pokémon took us to a large local park. We quickly found 20 other people walking around with their phones, playing Pokémon Go. We shared tips and strategies, and then formed a posse with a couple of them and walked a half-mile to another park, catching Pokémon and running into other players along the way.\u003c/p>\n\u003cp>At the second park, we ran into another dozen people playing it, battling each other for control of a Gym. On the screen, these people fought each other. In person, they were laughing, joking, and high-fiving each other after battles. \u003cem>Everyone\u003c/em> was talking to each other.\u003c/p>\n\u003cp>I know I'm over-romanticizing it here, but it was just a certain feeling that I can't put into words, other than to say that after the past week -- full of people arguing bitterly on Facebook about gun control and #BlackLivesMatter and \"Shillary\" or whatever -- it was very, very reassuring to see people come together, face-to-face, away from the keyboards that tend to turn them into jerks, to share a moment of compassion and humanity. Even if it was over a \u003ca href=\"http://pokemon.wikia.com/wiki/Psyduck\" target=\"_blank\">silly cartoon duck with a constant headache who can control the weather\u003c/a>. You know?\u003c/p>\n\u003cp>Already, informal reports have suggested that the game \u003ca href=\"http://www.attn.com/stories/9779/pokemon-go-affecting-players-mental-health\" target=\"_blank\">improves people's mental health\u003c/a>. Those suffering from severe depression \u003ca href=\"http://www.attn.com/stories/9779/pokemon-go-affecting-players-mental-health\" target=\"_blank\">report how liberating it is\u003c/a> to have a reason to get out of bed, get dressed, and go out into the world. I personally witnessed a shy-looking guy and a phone-wielding girl hit it off over Pokémon Go at one of the Pokéstops, and I don't want to be \u003ca href=\"http://gizmodo.com/did-you-get-laid-playing-pokemon-go-1783444839\" target=\"_blank\">too crass about it\u003c/a>, but there's no question that the love life of a lot of formerly reclusive people got a \u003cem>lot\u003c/em> more promising over the weekend.\u003c/p>\n\u003cfigure id=\"attachment_29691\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg class=\"size-full wp-image-29691\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.Closeup.jpg\" alt=\"Two kids try to capture a Pokémon in Pokémon Go.\" width=\"1100\" height=\"619\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-960x540.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Two kids try to capture a Pokémon in Pokémon Go. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Isn't It Addictive, Though?\u003c/h2>\n\u003cp>Don't believe all the stories you read about Pokémon Go. The one about the guy who caused a multi-vehicle car crash while trying to catch Pikachu has \u003ca href=\"http://www.snopes.com/man-stops-to-catch-pikachu/\" target=\"_blank\">already been debunked by Snopes\u003c/a>.\u003c/p>\n\u003cp>I \u003cem>will\u003c/em> tell you, however, that if you're playing it with a child, be on guard.\u003c/p>\n\u003cp>After downloading the game for my six-year-old daughter, we went out and within one minute caught Squirtle. For me, it was fun: the Pokémon appeared on top of our neighbor's trash can, my daughter swiped the little Pokéball to throw it in Squirtle's direction, and we captured it. My daughter, on the other hand, turned into an immediate addict.\u003c/p>\n\u003cp>After catching a couple more Pokémon, it was time to go to the grocery store.\u003c/p>\n\u003cp>\"But I wanna go downtown and catch all the Pokémon!\" she protested.\u003c/p>\n\u003cp>\"No,\" I said, \"we have to go shopping.\"\u003c/p>\n\u003cp>\"But then everyone else will catch all the Pokémon!\" she howled.\u003c/p>\n\u003cp>\"It doesn't work that way,\" I said. \"We need to go to the store.\"\u003c/p>\n\u003cp>\"But will there be Pokémon there?!\"\u003c/p>\n\u003cp>You get the idea.\u003c/p>\n\u003cfigure id=\"attachment_29675\" class=\"wp-caption aligncenter\" style=\"max-width: 578px\">\u003cimg class=\"size-full wp-image-29675\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/pokemonplus.jpg\" alt=\"Pokémon Go Plus is coming soon (and will easily make a million dollars).\" width=\"578\" height=\"240\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemonplus.jpg 578w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemonplus-400x166.jpg 400w\" sizes=\"(max-width: 578px) 100vw, 578px\">\u003cfigcaption class=\"wp-caption-text\">Pokémon Go Plus is coming soon (and will easily make a million dollars).\u003c/figcaption>\u003c/figure>\n\u003cp>As for myself -- a non-gamer, remember -- I got hooked too. On the drive home from a party last night, I had my daughter open the app \"just to see if it works while driving,\" I said. But when she mentioned she saw a Pokémon on the side of the road, I impulsively pulled over, looked around to see if there were other cars in the area, and backed up a little bit so we could catch it. Yes. I did that.\u003c/p>\n\u003cp>We got home. It was past her bedtime, but that didn't stop me. \"Let's just go down the block and see if we can catch any more,\" I suggested. \"We're almost on Level 6!\" I texted my wife saying we'd be a little bit late. We walked around. We didn't catch anything.\u003c/p>\n\u003cp>While I put my daughter to bed, I sneaked a quick look at the game and saw a rainshower of pink in the distance. Someone had left a lure at a Pokéstop just two blocks from our house! There'd be so many Pokémon there! And it was set to expire in 30 minutes! My daughter could get out of bed and put on some slippers! Gotta catch 'em a -----\u003c/p>\n\u003cp>It was then that I realized I just needed to \u003cem>close the damn game\u003c/em>. I haven't opened it since.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-29687\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.Congrats.jpg\" alt=\"POkemon.Congrats\" width=\"750\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Congrats.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Congrats-400x284.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/p>\n\u003ch2>Resources for Playing\u003c/h2>\n\u003cp>If you're interested, it's probably best to start playing Pokémon Go sooner than later. In two weeks' time, judging by the half-life of these types of phenomena, everyone will be \"so over\" Pokémon Go; the Gyms will all be controlled by super-strong Pokémon, the serious players will turn aggro in person instead of accommodating, and there'll be more reports about the negative side-effects of the game (while I was writing this post, in fact, the inevitable report about how Pokémon Go can \u003ca href=\"https://www.buzzfeed.com/josephbernstein/heres-all-the-data-pokemon-go-is-collecting-from-your-phone?utm_term=.tv4WXaAkB#.nr4OP37NX\" target=\"_blank\">access all your personal info and read all your emails\u003c/a> emerged). Soon, it won't be fun anymore.\u003c/p>\n\u003cp>But if you want to start now? Funny thing about Pokémon Go: it doesn't come with any instructions on how to play. Here are a few guides to help.\u003c/p>\n\u003cp>\u003ca href=\"http://kotaku.com/how-to-play-pokemon-go-1783354400\">How to Play Pokémon Go\u003c/a>\u003cbr>\nVia Kotaku, a very clear and simple explainer for the beginner.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=OqIdsLEJaLw\" target=\"_blank\">How to Pick Pikachu as Your Starter in Pokémon Go\u003c/a>\u003cbr>\nGame Informer breaks down the easiest way to capture Pikachu, a.k.a. the Pokémon that everyone wants.\u003c/p>\n\u003cp>\u003ca href=\"http://www.pokemon.com/us/pokemon-video-games/pokemon-go/\" target=\"_blank\">Pokémon Go Plus\u003c/a>\u003cbr>\nThis wristband accessory is coming soon, and will make playing it easier (and make players less annoying to non-players).\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ca href=\"http://www.polygon.com/2016/7/9/12136310/pokemon-go-tips-how-to-play-beginners\" target=\"_blank\">Six Pokémon Go Tips for the Ultimate Beginner\u003c/a>\u003cbr>\nPolygon gives a pretty good starter kit here.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Around the world, hundreds of thousands of grown adults are playing \u003ca href=\"http://www.pokemon.com/us/pokemon-video-games/pokemon-go/\" target=\"_blank\">Pokémon Go\u003c/a>: walking around, staring at their phones, repeatedly swiping the screen to throw a fake ball to catch a fake animal in a fake version of reality.\u003c/p>\n\u003cp>If you're \u003cem>not\u003c/em> one of these people, you probably already hate Pokémon Go. You've been oversaturated with Pokémon Go everywhere you turn, with screengrabs of Pokémon Go all over your Facebook timeline and in-jokes about Pokémon Go on your Instagram feed. You're weary of it before you're even able to learn what it is.\u003c/p>\n\u003cfigure id=\"attachment_29708\" class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Poke.Volvo_-400x514.jpg\" alt=\"Chances are you've seen screengrabs like this one over the last two days.\" width=\"400\" height=\"514\" class=\"size-thumbnail wp-image-29708\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Poke.Volvo_-400x514.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Poke.Volvo_.jpg 750w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Chances are you've seen screengrabs like this one over the last two days.\u003c/figcaption>\u003c/figure>\n\u003cp>Besides, you've seen all those headlines. Pokémon Go makes you \u003ca href=\"http://gizmodo.com/sore-legs-become-pandemic-as-pokemon-go-players-acciden-1783402931\" target=\"_blank\">exhausted\u003c/a>, makes you \u003ca href=\"http://factually.gizmodo.com/no-a-man-didnt-cause-a-major-traffic-accident-while-pl-1783425087\" target=\"_blank\">crash your car\u003c/a>, makes you a \u003ca href=\"http://arstechnica.com/gaming/2016/07/armed-muggers-use-pokemon-go-to-find-victims/\" target=\"_blank\">target for muggers\u003c/a> and even makes you \u003ca href=\"http://money.cnn.com/2016/07/09/technology/pokemon-go-dead-body/\" target=\"_blank\">discover dead bodies\u003c/a>. There have been \u003ca href=\"https://theawl.com/the-seventeen-remaining-pokemon-go-headlines-d6adb2d98687#.oq76tko7x\" target=\"_blank\">more clickbait headlines\u003c/a> about Pokémon Go this week than about Millennials. (And that's \u003ca href=\"https://ww2.kqed.org/pop/tag/millennials/\" target=\"_blank\">saying something\u003c/a>.)\u003c/p>\n\u003cfigure id=\"attachment_29669\" class=\"wp-caption aligncenter\" style=\"max-width: 873px\">\u003cimg class=\"size-full wp-image-29669\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/pokemongotrends.jpg\" alt='Searches for \"Pokémon Go\" over the last month, according to Google Trends.' width=\"873\" height=\"476\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends.jpg 873w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends-400x218.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends-800x436.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends-768x419.jpg 768w\" sizes=\"(max-width: 873px) 100vw, 873px\">\u003cfigcaption class=\"wp-caption-text\">Searches for \"Pokémon Go\" over the last month. \u003ccite>(Google Trends)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Usually, I'm with you! I am that insufferable breed of person who loudly recuses himself from ultra-popular phenomena on the grounds that \u003cem>it sucks, man\u003c/em>, without ever giving it a try. (I never saw \u003cem>Avatar\u003c/em>, but I hate \u003cem>Avatar\u003c/em>. That sort of thing.) Yet I know that this is obnoxious, and I know I can do better. So with the \"new me\" in mind, I steeled my too-cool-for-school resolve and I downloaded Pokémon Go.\u003c/p>\n\u003cp>I played it for two days, and can now safely say that I understand. Let me help you understand, too.\u003c/p>\n\u003cfigure id=\"attachment_29692\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg class=\"size-full wp-image-29692\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Pokemon.Juilliard.jpg\" alt=\"Two kids play Pokémon Go in the park. Note the absence of other players. That would soon change.\" width=\"1100\" height=\"733\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-960x640.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Two kids play Pokémon Go in the park. Note the absence of other players. That would soon change. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>What Is Pokémon Go, and Why Is Everyone Playing It?\u003c/h2>\n\u003cp>Pokémon Go is a augmented-reality game you play on your phone, downloadable as an app. In order to play it, you have to actually walk around outside, staring at your phone. As you walk around, your character on the screen walks around a map of your actual environment, showing streets and parks and creeks and the like. Using GPS and a mapping system similar to Google Street view, the game puts you in a half-reality of your actual city and a strange world of weird little animals.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/pokemon.screengrab.jpg\" alt=\"pokemon.screengrab\" width=\"400\" height=\"711\" class=\"aligncenter size-full wp-image-29702\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemon.screengrab.jpg 720w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemon.screengrab-400x711.jpg 400w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Those animals are Pokémon, which, as anyone alive in the 1990s remembers, starred in a hugely popular franchise of TV shows, card games, video games and movies. In Pokémon Go, the goal is that you've \"gotta catch 'em all\" -- capturing myriad breeds of Pokémon whenever, and wherever, they appear. The only way to find them is to walk around the real world until they pop up on your map. When they do, your phone's camera opens, and the Pokémon are suddenly standing in your stairwell, your BART station, you friend's leg, or wherever your camera happens to be pointing. Then you swipe a Pokéball at it and voilá -- it's caught.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-thumbnail wp-image-29690\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Pokemon.Rattata-400x711.jpg\" alt=\"Pokemon.Rattata\" width=\"400\" height=\"711\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Rattata-400x711.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Rattata.jpg 750w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Those are the basics, at least. There are refill stations called Pokéstops in the game, located at notable landmarks around town like schools, plazas and benches, and there are huge towers called Gyms, control of which players can battle using the Pokémon they've caught. These places attract a lot of people, and that's part of why the game is so great on a social level.\u003c/p>\n\u003cp>Much of the activity in Pokémon Go is programmed to happen in big outdoor public spaces like city centers and parks. So after launching our character, my daughter and I went to the park down the block. We immediately met another family, powering up at the same Pokéstop. Five minutes in and we'd already had a friendly conversation with complete strangers, right there on the sidewalk, while cars whizzed by and people back in their homes argued on the internet.\u003c/p>\n\u003cfigure id=\"attachment_29689\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg class=\"size-full wp-image-29689\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.PikachuShirt.jpg\" alt=\"A family playing Pokémon Go talks with other players.\" width=\"1100\" height=\"771\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-400x280.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-800x561.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-768x538.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-960x673.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">A family playing Pokémon Go talks with other players. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Here's How It's Good for Humanity (I'm Serious)\u003c/h2>\n\u003cp>Beyond the game itself of catching Pokémon, Pokémon Go is designed to get players out into the world. And, let's be honest: a lot of people are shut-ins who spend hours on the internet instead of getting out into the world. Modern culture, and especially modern \u003cem>gaming\u003c/em> culture, is definitely not known for being outdoorsy.\u003c/p>\n\u003cp>Pokémon Go forces people to get out -- and, invariably, talk to each other face-to-face. Often, to laugh and joke with each other.\u003c/p>\n\u003cp>When my daughter and I ran into the family at that first Pokéstop, we couldn't believe it: we found someone else playing the game!\u003c/p>\n\u003cp>We were so naïve. EVERYONE is playing this game.\u003c/p>\n\u003cfigure id=\"attachment_29688\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-29688\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.Crowd_-800x491.jpg\" alt=\"A crowd of people play Pokémon Go.\" width=\"800\" height=\"491\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-800x491.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-768x471.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-960x589.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A crowd of people play Pokémon Go. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Our next voyage to catch Pokémon took us to a large local park. We quickly found 20 other people walking around with their phones, playing Pokémon Go. We shared tips and strategies, and then formed a posse with a couple of them and walked a half-mile to another park, catching Pokémon and running into other players along the way.\u003c/p>\n\u003cp>At the second park, we ran into another dozen people playing it, battling each other for control of a Gym. On the screen, these people fought each other. In person, they were laughing, joking, and high-fiving each other after battles. \u003cem>Everyone\u003c/em> was talking to each other.\u003c/p>\n\u003cp>I know I'm over-romanticizing it here, but it was just a certain feeling that I can't put into words, other than to say that after the past week -- full of people arguing bitterly on Facebook about gun control and #BlackLivesMatter and \"Shillary\" or whatever -- it was very, very reassuring to see people come together, face-to-face, away from the keyboards that tend to turn them into jerks, to share a moment of compassion and humanity. Even if it was over a \u003ca href=\"http://pokemon.wikia.com/wiki/Psyduck\" target=\"_blank\">silly cartoon duck with a constant headache who can control the weather\u003c/a>. You know?\u003c/p>\n\u003cp>Already, informal reports have suggested that the game \u003ca href=\"http://www.attn.com/stories/9779/pokemon-go-affecting-players-mental-health\" target=\"_blank\">improves people's mental health\u003c/a>. Those suffering from severe depression \u003ca href=\"http://www.attn.com/stories/9779/pokemon-go-affecting-players-mental-health\" target=\"_blank\">report how liberating it is\u003c/a> to have a reason to get out of bed, get dressed, and go out into the world. I personally witnessed a shy-looking guy and a phone-wielding girl hit it off over Pokémon Go at one of the Pokéstops, and I don't want to be \u003ca href=\"http://gizmodo.com/did-you-get-laid-playing-pokemon-go-1783444839\" target=\"_blank\">too crass about it\u003c/a>, but there's no question that the love life of a lot of formerly reclusive people got a \u003cem>lot\u003c/em> more promising over the weekend.\u003c/p>\n\u003cfigure id=\"attachment_29691\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg class=\"size-full wp-image-29691\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.Closeup.jpg\" alt=\"Two kids try to capture a Pokémon in Pokémon Go.\" width=\"1100\" height=\"619\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-960x540.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Two kids try to capture a Pokémon in Pokémon Go. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Isn't It Addictive, Though?\u003c/h2>\n\u003cp>Don't believe all the stories you read about Pokémon Go. The one about the guy who caused a multi-vehicle car crash while trying to catch Pikachu has \u003ca href=\"http://www.snopes.com/man-stops-to-catch-pikachu/\" target=\"_blank\">already been debunked by Snopes\u003c/a>.\u003c/p>\n\u003cp>I \u003cem>will\u003c/em> tell you, however, that if you're playing it with a child, be on guard.\u003c/p>\n\u003cp>After downloading the game for my six-year-old daughter, we went out and within one minute caught Squirtle. For me, it was fun: the Pokémon appeared on top of our neighbor's trash can, my daughter swiped the little Pokéball to throw it in Squirtle's direction, and we captured it. My daughter, on the other hand, turned into an immediate addict.\u003c/p>\n\u003cp>After catching a couple more Pokémon, it was time to go to the grocery store.\u003c/p>\n\u003cp>\"But I wanna go downtown and catch all the Pokémon!\" she protested.\u003c/p>\n\u003cp>\"No,\" I said, \"we have to go shopping.\"\u003c/p>\n\u003cp>\"But then everyone else will catch all the Pokémon!\" she howled.\u003c/p>\n\u003cp>\"It doesn't work that way,\" I said. \"We need to go to the store.\"\u003c/p>\n\u003cp>\"But will there be Pokémon there?!\"\u003c/p>\n\u003cp>You get the idea.\u003c/p>\n\u003cfigure id=\"attachment_29675\" class=\"wp-caption aligncenter\" style=\"max-width: 578px\">\u003cimg class=\"size-full wp-image-29675\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/pokemonplus.jpg\" alt=\"Pokémon Go Plus is coming soon (and will easily make a million dollars).\" width=\"578\" height=\"240\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemonplus.jpg 578w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemonplus-400x166.jpg 400w\" sizes=\"(max-width: 578px) 100vw, 578px\">\u003cfigcaption class=\"wp-caption-text\">Pokémon Go Plus is coming soon (and will easily make a million dollars).\u003c/figcaption>\u003c/figure>\n\u003cp>As for myself -- a non-gamer, remember -- I got hooked too. On the drive home from a party last night, I had my daughter open the app \"just to see if it works while driving,\" I said. But when she mentioned she saw a Pokémon on the side of the road, I impulsively pulled over, looked around to see if there were other cars in the area, and backed up a little bit so we could catch it. Yes. I did that.\u003c/p>\n\u003cp>We got home. It was past her bedtime, but that didn't stop me. \"Let's just go down the block and see if we can catch any more,\" I suggested. \"We're almost on Level 6!\" I texted my wife saying we'd be a little bit late. We walked around. We didn't catch anything.\u003c/p>\n\u003cp>While I put my daughter to bed, I sneaked a quick look at the game and saw a rainshower of pink in the distance. Someone had left a lure at a Pokéstop just two blocks from our house! There'd be so many Pokémon there! And it was set to expire in 30 minutes! My daughter could get out of bed and put on some slippers! Gotta catch 'em a -----\u003c/p>\n\u003cp>It was then that I realized I just needed to \u003cem>close the damn game\u003c/em>. I haven't opened it since.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-29687\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.Congrats.jpg\" alt=\"POkemon.Congrats\" width=\"750\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Congrats.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Congrats-400x284.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/p>\n\u003ch2>Resources for Playing\u003c/h2>\n\u003cp>If you're interested, it's probably best to start playing Pokémon Go sooner than later. In two weeks' time, judging by the half-life of these types of phenomena, everyone will be \"so over\" Pokémon Go; the Gyms will all be controlled by super-strong Pokémon, the serious players will turn aggro in person instead of accommodating, and there'll be more reports about the negative side-effects of the game (while I was writing this post, in fact, the inevitable report about how Pokémon Go can \u003ca href=\"https://www.buzzfeed.com/josephbernstein/heres-all-the-data-pokemon-go-is-collecting-from-your-phone?utm_term=.tv4WXaAkB#.nr4OP37NX\" target=\"_blank\">access all your personal info and read all your emails\u003c/a> emerged). Soon, it won't be fun anymore.\u003c/p>\n\u003cp>But if you want to start now? Funny thing about Pokémon Go: it doesn't come with any instructions on how to play. Here are a few guides to help.\u003c/p>\n\u003cp>\u003ca href=\"http://kotaku.com/how-to-play-pokemon-go-1783354400\">How to Play Pokémon Go\u003c/a>\u003cbr>\nVia Kotaku, a very clear and simple explainer for the beginner.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=OqIdsLEJaLw\" target=\"_blank\">How to Pick Pikachu as Your Starter in Pokémon Go\u003c/a>\u003cbr>\nGame Informer breaks down the easiest way to capture Pikachu, a.k.a. the Pokémon that everyone wants.\u003c/p>\n\u003cp>\u003ca href=\"http://www.pokemon.com/us/pokemon-video-games/pokemon-go/\" target=\"_blank\">Pokémon Go Plus\u003c/a>\u003cbr>\nThis wristband accessory is coming soon, and will make playing it easier (and make players less annoying to non-players).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.polygon.com/2016/7/9/12136310/pokemon-go-tips-how-to-play-beginners\" target=\"_blank\">Six Pokémon Go Tips for the Ultimate Beginner\u003c/a>\u003cbr>\nPolygon gives a pretty good starter kit here.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Snoop Dogg Just Held a Press Conference With the LAPD (and Other Musician Responses to a Truly Awful Week)",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It culminated in a press conference with city government and LAPD Police Chief Charlie Beck, which you should watch below.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EDCN67NQ5Ag'\n title='//www.youtube.com/embed/EDCN67NQ5Ag'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The rappers join a growing legion of music's heavy-hitters who responded to the week's violence on social media and through song.\u003c/p>\n\u003cp>Queen \u003cstrong>Beyoncé \u003c/strong>posted a \u003ca href=\"http://www.beyonce.com/\" target=\"_blank\">powerful missive to her website\u003c/a> July 7, reading, in part, \"We don't need sympathy. We need everyone to respect our lives.\" The message encouraged readers to click through to contact their representatives in Congress to protest the killings of Alton Sterling and Philando Castile.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>And we ride out on Real McCoy's \"Another Night\", a song chosen by our newly crowned Superfan:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Pav2f4b-1ZE'\n title='//www.youtube.com/embed/Pav2f4b-1ZE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you haven't already, please take our cute, little survey and let us know what you think of the show!\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Our next new episode will premiere on September 1, 2016. Until, then, \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">subscribe and rate us on iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\u003cp>If you end up really missing us, there's always binge re-listening to all of our past episodes! TTYS!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/0bye.gif\">\u003cimg class=\"aligncenter size-full wp-image-28697\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/0bye.gif\" alt=\"mariah kiss bye gif\" width=\"370\" height=\"215\">\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "About Face: On Beauty, Characters and Threading the Needle",
"headTitle": "About Face: On Beauty, Characters and Threading the Needle | KQED",
"content": "\u003cp>There is a myth that the most worshipped woman in popular culture is the one perceived as most perfectly beautiful, but that’s not so. What’s worshipped the most is the one who threads the needle most precisely such that she is almost impossibly beautiful, but something about her brings her toward you and into focus, close enough that you feel like you could touch her.\u003c/p>\n\u003cp>Consider the unintentionally funny opening of Rich Cohen’s recent \u003cem>Vanity Fair \u003c/em>\u003ca href=\"http://www.vanityfair.com/hollywood/2016/07/margot-robbie-cover-story\" target=\"_blank\" rel=\"noopener\">profile\u003c/a> of Margot Robbie, an interesting actress who is, among other things, about as conventionally beautiful as women get (and more power to her).\u003c/p>\n\u003cblockquote>\n\u003cp>“America is so far gone, we have to go to Australia to find a girl next door. In case you’ve missed it, her name is Margot Robbie. She is 26 and beautiful, not in that otherworldly, catwalk way but in a minor knock-around key, a blue mood, a slow dance. She is blonde but dark at the roots. She is tall but only with the help of certain shoes. She can be sexy and composed even while naked but only in character. As I said, she is from Australia. To understand her, you should think about what that means.”\u003c/p>\n\u003c/blockquote>\n\u003cp>Margot Robbie, according to this paragraph, is beautiful in a kind of regular, ordinary, normal, accessible way, even though the profile is entirely illustrated with wet-babe swimsuit shots. Apparently she has dark roots (which, by the way, are generally the result of waiting to color your hair, and not of any particular mystique or genetic ta-da) and is tall if she happens to wear very high heels (which, by the way, is true of many women because of the basic interlocking logic of shoes and height). And she is from Australia, and we should think about what that means. (Spoiler alert: The thesis is that “Australia is America 50 years ago,” so I’m sure they’re looking forward to getting the Internet someday.)\u003c/p>\n\u003cp>What follows is something like you’d expect to find in late-night Margot Robbie fan fiction, in which you meet her and really, really get to know the woman behind the blue eyes and blond hair — you look at her in a new way. She touches your heart a tad. “We sat for a moment in silence,” Cohen says. “She was thinking of something; I was thinking of something else.” (Say countless readers in unison: “Yes, I suspect you were not thinking the same thing in this particular moment.”) Somehow, this piece ends without a gentle, rueful kiss on the forehead, but that’s sort of where it seems to be going for a while there.\u003c/p>\n\u003cp>The effort to position Margot Robbie as less “otherworldly” but more of a “knock-around” kind of girl because she has dark roots and isn’t all that tall is a perfect example of worshipping a woman by arguing that she threads the needle in just the right way. She delights us, but you can see a flicker of ordinariness that binds her to us when we feel ordinary ourselves. The ones who are beautiful with no ordinariness at all will be classified as cold. Or stuck-up. Or worse.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It made an interesting companion piece with \u003cem>Variety \u003c/em>film critic Owen Gleiberman’s recent \u003ca href=\"http://variety.com/2016/film/columns/renee-zellweger-bridget-joness-baby-1201806603/\" target=\"_blank\" rel=\"noopener\">column\u003c/a> lamenting the way Renee Zellweger looks in the trailer for \u003cem>Bridget Jones’s Baby\u003c/em>. Gleiberman guesses (without, he acknowledges, any evidence other than his own sense of what she \u003cem>should \u003c/em>look like were she aging naturally) that Zellweger has had “work done.” That, of course, is in turn a way of implying “plastic surgery” without saying so — there’s work that isn’t surgery, but that probably isn’t what we’re talking about. Gleiberman says that Zellweger is unrecognizable as herself and goes on to generalize that when \u003cem>that\u003c/em> happens, it’s not the result of a celebrity trying to look her best or trying to stay the same, but of something far more nefarious: “It’s the result of a decision, an ideology, a rejection of the self.” That is a lot to conclude based on a trailer, but let’s follow it for a bit.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=5aaWY7rQS3I\u003c/p>\n\u003cp>What seems to have bummed Gleiberman out in the case of Zellweger is, he says, rooted in his appreciation of the way she looked in \u003cem>Jerry Maguire\u003c/em> — to him, she wasn’t pretty like a movie star, but was, as he puts it, “beautiful in the way an ordinary person is.” In other words: a needle-threader. He ascribes essentially all of her appeal in the film\u003cem> \u003c/em>to this fact, saying nothing about her acting in it at all, only that her ordinary looks (that’s not really true to begin with, I don’t think, but let’s posit that it’s true) were what made the story special, what gave it meaning. That Tom Cruise could fall for a woman so regular-looking, so not-Julia-Roberts. “This is what completes you,” he says in reference to the film’s most famous line, “someone who looks just like this.”\u003c/p>\n\u003cp>The piece ends in hope that in the third Bridget Jones movie, Bridget will look like “a gloriously ordinary person” rather than “someone who looks like she no longer wants to look like who she is.” That sentence subtly shifts the lamentable thing from \u003cem>how Renee Zellweger looks\u003c/em>, which might be deemed superficial, to \u003cem>how Renee Zellweger looks like she feels about how she looks\u003c/em>, which is meant — sincerely, I think — as compassionate\u003cem>. \u003c/em>It’s also a surprising thought, given that not wanting to look like who she was essentially defined Bridget Jones, whose diary is all about weight loss and getting a boyfriend.\u003c/p>\n\u003cp>In any event, if I follow the logic, it’s that it’s sad to see an ordinary-looking actress succumb to pressure to conform, in this case not because of the way Zellweger actually looks, but because the \u003cem>motives \u003c/em>Gleiberman ascribes to Zellweger the actress (rejection of self) are inconsistent with Bridget the character. He seems to find Bridget more confident and self-assured than I ever have, but again, let’s go with it.\u003c/p>\n\u003cp>Here’s the thing: Actors change how they look all the time. They go blond. They go brunette. They shave their heads. They grow weird mustaches, they grow long beards and shave them off, they gain weight and lose weight, they pierce things and get terrible haircuts. Men go from wiry to jacked and back. \u003ca href=\"http://www.npr.org/sections/monkeysee/2012/04/21/151107477/what-zac-efrons-beard-means-for-men-and-women-in-hollywood\">Zac Efron\u003c/a> massively changed his image from a slender, nonthreatening teen wiggle-dancer to a scruffy brooder who could play a Marine. Joaquin Phoenix is \u003cem>often \u003c/em>unrecognizable compared to when last you saw him, depending on when last you saw him. Emma Stone already has an entire career’s worth of looks in her past.\u003c/p>\n\u003cp>It’s a lot to assume a substantial change in appearance, because it involves the face, can only be the result of “the rejection of the self.” It’s also a lot to assume that however different you think an actress looks, that’s how different she means to look — that if you cannot recognize her, she has chosen to be unrecognizable. (For the record, if it matters, I don’t happen to think Zellweger looks much different at all in the trailer from what I would expect an older Bridget to look like. I did think she looked different a couple of years ago, but people have all kinds of experiences, from beauty treatments to medication, that temporarily change their look.) It would be one thing to say, “Zellweger’s current look doesn’t fit Bridget.” It’s quite another to say, “I conclude that she’s doing this because she’s rejecting herself, and rejecting herself doesn’t fit Bridget.”\u003c/p>\n\u003cp>But ultimately, to place this much of Zellweger’s appeal in her physical face anyway, particularly through this pretty-but-in-a-not-\u003cem>that\u003c/em>-pretty-way lens, is assigning to ourselves a different relationship to her physical self than we probably ought to have. Actresses can change their faces if they want to, exactly as they can tattoo their bodies. They owe us nothing. It’s misdirection, I think, to analyze Zellweger’s self-worth as if she’s old insecure Bridget, crying on the couch again. If this is wrong for her because we are concerned for actresses’ well-being, then it’s equally wrong for an actress who’s playing an action hero or a glamorous goddess. But if it’s wrong because she owes us her 2001 face so that we can have pinchable-cheeked Bridget Jones the way we remember her, I don’t think that’s how faces work. Yours is yours; you may do with it as you like, and she may also. You then go to the movie or do not, but she doesn’t owe anyone any specific appearance at all.\u003c/p>\n\u003cp>Moreover, I’m not sure it’s more insidious (his word) to change your appearance substantially than it is to, as Gleiberman puts it, “nip and tuck” to avoid the appearance of aging and stay precisely as you are? Aging \u003cem>invites \u003c/em>the rejection of the self in the sense that it’s that same self, after all, that determinedly changes its appearance unless you intervene. Accepting that aging is natural requires accepting that a person whose appearance does \u003cem>not\u003c/em> change because of constant maintenance is not automatically more or less engaged in self-acceptance than someone who shows up with an entirely different nose. Choosing to push back against the naturally emerging visual manifestation of yourself — grayer, perhaps, or with more wrinkles — is certainly no \u003cem>less\u003c/em> emotionally fraught for many people than choosing to push back against the current version of yourself by coloring your hair or getting a tattoo or plumping your lips. People change how they present; it’s deeply personal.\u003c/p>\n\u003cp>A lot of people who lament cosmetic procedures in Hollywood say that they are — and in fact they consciously are — trying to take up for actresses who feel forced into it. And to them I would say this: If that’s the issue, even assuming you’re right, you’ll do more good by directing the anger at the problem, not at what your own analysis suggests the people affected by it do to survive.\u003c/p>\n\u003cp>Perhaps it’s vanity. Perhaps it’s pressure. Perhaps all that nipping and tucking that we don’t notice and dismiss as normal upkeep has blinded us to what it really looks like when actors age. How sure are we that we know what aging looks like in all cases? Have you ever been to a high school reunion?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>No one wants anyone to feel \u003cem>forced\u003c/em> into a rejection of the self. Still, the narrower we make the path that a pretty/ordinary or pretty ordinary woman has to walk — engaged in constant but undetectable upkeep, naturally gorgeous but possessed of a mole or a crooked smile or something else that tells us she might have been next to us in the yearbook — the more, not less, brutal this entire business becomes. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=About+Face%3A+On+Beauty%2C+Characters+And+Threading+The+Needle&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "The looks and faces of actresses provide endless fodder for debate and fascination. But some care is called for in where we take these arguments.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There is a myth that the most worshipped woman in popular culture is the one perceived as most perfectly beautiful, but that’s not so. What’s worshipped the most is the one who threads the needle most precisely such that she is almost impossibly beautiful, but something about her brings her toward you and into focus, close enough that you feel like you could touch her.\u003c/p>\n\u003cp>Consider the unintentionally funny opening of Rich Cohen’s recent \u003cem>Vanity Fair \u003c/em>\u003ca href=\"http://www.vanityfair.com/hollywood/2016/07/margot-robbie-cover-story\" target=\"_blank\" rel=\"noopener\">profile\u003c/a> of Margot Robbie, an interesting actress who is, among other things, about as conventionally beautiful as women get (and more power to her).\u003c/p>\n\u003cblockquote>\n\u003cp>“America is so far gone, we have to go to Australia to find a girl next door. In case you’ve missed it, her name is Margot Robbie. She is 26 and beautiful, not in that otherworldly, catwalk way but in a minor knock-around key, a blue mood, a slow dance. She is blonde but dark at the roots. She is tall but only with the help of certain shoes. She can be sexy and composed even while naked but only in character. As I said, she is from Australia. To understand her, you should think about what that means.”\u003c/p>\n\u003c/blockquote>\n\u003cp>Margot Robbie, according to this paragraph, is beautiful in a kind of regular, ordinary, normal, accessible way, even though the profile is entirely illustrated with wet-babe swimsuit shots. Apparently she has dark roots (which, by the way, are generally the result of waiting to color your hair, and not of any particular mystique or genetic ta-da) and is tall if she happens to wear very high heels (which, by the way, is true of many women because of the basic interlocking logic of shoes and height). And she is from Australia, and we should think about what that means. (Spoiler alert: The thesis is that “Australia is America 50 years ago,” so I’m sure they’re looking forward to getting the Internet someday.)\u003c/p>\n\u003cp>What follows is something like you’d expect to find in late-night Margot Robbie fan fiction, in which you meet her and really, really get to know the woman behind the blue eyes and blond hair — you look at her in a new way. She touches your heart a tad. “We sat for a moment in silence,” Cohen says. “She was thinking of something; I was thinking of something else.” (Say countless readers in unison: “Yes, I suspect you were not thinking the same thing in this particular moment.”) Somehow, this piece ends without a gentle, rueful kiss on the forehead, but that’s sort of where it seems to be going for a while there.\u003c/p>\n\u003cp>The effort to position Margot Robbie as less “otherworldly” but more of a “knock-around” kind of girl because she has dark roots and isn’t all that tall is a perfect example of worshipping a woman by arguing that she threads the needle in just the right way. She delights us, but you can see a flicker of ordinariness that binds her to us when we feel ordinary ourselves. The ones who are beautiful with no ordinariness at all will be classified as cold. Or stuck-up. Or worse.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It made an interesting companion piece with \u003cem>Variety \u003c/em>film critic Owen Gleiberman’s recent \u003ca href=\"http://variety.com/2016/film/columns/renee-zellweger-bridget-joness-baby-1201806603/\" target=\"_blank\" rel=\"noopener\">column\u003c/a> lamenting the way Renee Zellweger looks in the trailer for \u003cem>Bridget Jones’s Baby\u003c/em>. Gleiberman guesses (without, he acknowledges, any evidence other than his own sense of what she \u003cem>should \u003c/em>look like were she aging naturally) that Zellweger has had “work done.” That, of course, is in turn a way of implying “plastic surgery” without saying so — there’s work that isn’t surgery, but that probably isn’t what we’re talking about. Gleiberman says that Zellweger is unrecognizable as herself and goes on to generalize that when \u003cem>that\u003c/em> happens, it’s not the result of a celebrity trying to look her best or trying to stay the same, but of something far more nefarious: “It’s the result of a decision, an ideology, a rejection of the self.” That is a lot to conclude based on a trailer, but let’s follow it for a bit.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5aaWY7rQS3I'\n title='//www.youtube.com/embed/5aaWY7rQS3I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>What seems to have bummed Gleiberman out in the case of Zellweger is, he says, rooted in his appreciation of the way she looked in \u003cem>Jerry Maguire\u003c/em> — to him, she wasn’t pretty like a movie star, but was, as he puts it, “beautiful in the way an ordinary person is.” In other words: a needle-threader. He ascribes essentially all of her appeal in the film\u003cem> \u003c/em>to this fact, saying nothing about her acting in it at all, only that her ordinary looks (that’s not really true to begin with, I don’t think, but let’s posit that it’s true) were what made the story special, what gave it meaning. That Tom Cruise could fall for a woman so regular-looking, so not-Julia-Roberts. “This is what completes you,” he says in reference to the film’s most famous line, “someone who looks just like this.”\u003c/p>\n\u003cp>The piece ends in hope that in the third Bridget Jones movie, Bridget will look like “a gloriously ordinary person” rather than “someone who looks like she no longer wants to look like who she is.” That sentence subtly shifts the lamentable thing from \u003cem>how Renee Zellweger looks\u003c/em>, which might be deemed superficial, to \u003cem>how Renee Zellweger looks like she feels about how she looks\u003c/em>, which is meant — sincerely, I think — as compassionate\u003cem>. \u003c/em>It’s also a surprising thought, given that not wanting to look like who she was essentially defined Bridget Jones, whose diary is all about weight loss and getting a boyfriend.\u003c/p>\n\u003cp>In any event, if I follow the logic, it’s that it’s sad to see an ordinary-looking actress succumb to pressure to conform, in this case not because of the way Zellweger actually looks, but because the \u003cem>motives \u003c/em>Gleiberman ascribes to Zellweger the actress (rejection of self) are inconsistent with Bridget the character. He seems to find Bridget more confident and self-assured than I ever have, but again, let’s go with it.\u003c/p>\n\u003cp>Here’s the thing: Actors change how they look all the time. They go blond. They go brunette. They shave their heads. They grow weird mustaches, they grow long beards and shave them off, they gain weight and lose weight, they pierce things and get terrible haircuts. Men go from wiry to jacked and back. \u003ca href=\"http://www.npr.org/sections/monkeysee/2012/04/21/151107477/what-zac-efrons-beard-means-for-men-and-women-in-hollywood\">Zac Efron\u003c/a> massively changed his image from a slender, nonthreatening teen wiggle-dancer to a scruffy brooder who could play a Marine. Joaquin Phoenix is \u003cem>often \u003c/em>unrecognizable compared to when last you saw him, depending on when last you saw him. Emma Stone already has an entire career’s worth of looks in her past.\u003c/p>\n\u003cp>It’s a lot to assume a substantial change in appearance, because it involves the face, can only be the result of “the rejection of the self.” It’s also a lot to assume that however different you think an actress looks, that’s how different she means to look — that if you cannot recognize her, she has chosen to be unrecognizable. (For the record, if it matters, I don’t happen to think Zellweger looks much different at all in the trailer from what I would expect an older Bridget to look like. I did think she looked different a couple of years ago, but people have all kinds of experiences, from beauty treatments to medication, that temporarily change their look.) It would be one thing to say, “Zellweger’s current look doesn’t fit Bridget.” It’s quite another to say, “I conclude that she’s doing this because she’s rejecting herself, and rejecting herself doesn’t fit Bridget.”\u003c/p>\n\u003cp>But ultimately, to place this much of Zellweger’s appeal in her physical face anyway, particularly through this pretty-but-in-a-not-\u003cem>that\u003c/em>-pretty-way lens, is assigning to ourselves a different relationship to her physical self than we probably ought to have. Actresses can change their faces if they want to, exactly as they can tattoo their bodies. They owe us nothing. It’s misdirection, I think, to analyze Zellweger’s self-worth as if she’s old insecure Bridget, crying on the couch again. If this is wrong for her because we are concerned for actresses’ well-being, then it’s equally wrong for an actress who’s playing an action hero or a glamorous goddess. But if it’s wrong because she owes us her 2001 face so that we can have pinchable-cheeked Bridget Jones the way we remember her, I don’t think that’s how faces work. Yours is yours; you may do with it as you like, and she may also. You then go to the movie or do not, but she doesn’t owe anyone any specific appearance at all.\u003c/p>\n\u003cp>Moreover, I’m not sure it’s more insidious (his word) to change your appearance substantially than it is to, as Gleiberman puts it, “nip and tuck” to avoid the appearance of aging and stay precisely as you are? Aging \u003cem>invites \u003c/em>the rejection of the self in the sense that it’s that same self, after all, that determinedly changes its appearance unless you intervene. Accepting that aging is natural requires accepting that a person whose appearance does \u003cem>not\u003c/em> change because of constant maintenance is not automatically more or less engaged in self-acceptance than someone who shows up with an entirely different nose. Choosing to push back against the naturally emerging visual manifestation of yourself — grayer, perhaps, or with more wrinkles — is certainly no \u003cem>less\u003c/em> emotionally fraught for many people than choosing to push back against the current version of yourself by coloring your hair or getting a tattoo or plumping your lips. People change how they present; it’s deeply personal.\u003c/p>\n\u003cp>A lot of people who lament cosmetic procedures in Hollywood say that they are — and in fact they consciously are — trying to take up for actresses who feel forced into it. And to them I would say this: If that’s the issue, even assuming you’re right, you’ll do more good by directing the anger at the problem, not at what your own analysis suggests the people affected by it do to survive.\u003c/p>\n\u003cp>Perhaps it’s vanity. Perhaps it’s pressure. Perhaps all that nipping and tucking that we don’t notice and dismiss as normal upkeep has blinded us to what it really looks like when actors age. How sure are we that we know what aging looks like in all cases? Have you ever been to a high school reunion?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"soldout": {
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