window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"pop_86376": {
"type": "attachments",
"id": "pop_86376",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "86376",
"found": true
},
"parent": 61190,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-520x346.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 346
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-1024x576.jpg",
"width": 1024,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-960x639.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 639
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-375x250.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 250
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290.jpg",
"width": 1024,
"height": 682
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-1020x679.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 679
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/01/GettyImages-629253290-240x160.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 160
}
},
"publishDate": 1497469106,
"modified": 1497473347,
"caption": "Photo: Emma McIntyre/Getty Images for CBS Radio",
"description": null,
"title": "KROQ Almost Acoustic Christmas 2016 - Day 2",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13436318": {
"type": "attachments",
"id": "arts_13436318",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13436318",
"found": true
},
"parent": 13436256,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Anita-Pallenberg-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1497469237,
"modified": 1497469305,
"caption": "Anita Pallenberg walks the runway at the Pam Hogg show at Fashion Scout during London Fashion Week back in 2016. ",
"description": "Anita Pallenberg walks the runway at the Pam Hogg show at Fashion Scout during London Fashion Week back in 2016. ",
"title": "Pam Hogg - Runway - LFW September 2016",
"credit": "Photo: Eamonn M. McCormack/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_86178": {
"type": "attachments",
"id": "pop_86178",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "86178",
"found": true
},
"parent": 86168,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-520x330.png",
"width": 520,
"mimeType": "image/png",
"height": 330
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-920x576.png",
"width": 920,
"mimeType": "image/png",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-160x102.png",
"width": 160,
"mimeType": "image/png",
"height": 102
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-672x372.png",
"width": 672,
"mimeType": "image/png",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-375x238.png",
"width": 375,
"mimeType": "image/png",
"height": 238
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution.png",
"width": 920,
"height": 584
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-50x50.png",
"width": 50,
"mimeType": "image/png",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-96x96.png",
"width": 96,
"mimeType": "image/png",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-800x508.png",
"width": 800,
"mimeType": "image/png",
"height": 508
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-64x64.png",
"width": 64,
"mimeType": "image/png",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-32x32.png",
"width": 32,
"mimeType": "image/png",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-150x150.png",
"width": 150,
"mimeType": "image/png",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-768x488.png",
"width": 768,
"mimeType": "image/png",
"height": 488
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-128x128.png",
"width": 128,
"mimeType": "image/png",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/greendayrevolution-240x152.png",
"width": 240,
"mimeType": "image/png",
"height": 152
}
},
"publishDate": 1497382207,
"modified": 1497383143,
"caption": "Photo: YouTube ",
"description": null,
"title": "greendayrevolution",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_86020": {
"type": "attachments",
"id": "pop_86020",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "86020",
"found": true
},
"parent": 86017,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/gettyimages-530794476_custom-ba0915842d9c92bc2e9be7264e8f90c534848c42-s600-c85-520x406.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 406
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/gettyimages-530794476_custom-ba0915842d9c92bc2e9be7264e8f90c534848c42-s600-c85-160x125.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 125
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/gettyimages-530794476_custom-ba0915842d9c92bc2e9be7264e8f90c534848c42-s600-c85-600x372.jpg",
"width": 600,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/gettyimages-530794476_custom-ba0915842d9c92bc2e9be7264e8f90c534848c42-s600-c85-375x293.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 293
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/gettyimages-530794476_custom-ba0915842d9c92bc2e9be7264e8f90c534848c42-s600-c85.jpg",
"width": 600,
"height": 468
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/gettyimages-530794476_custom-ba0915842d9c92bc2e9be7264e8f90c534848c42-s600-c85-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/gettyimages-530794476_custom-ba0915842d9c92bc2e9be7264e8f90c534848c42-s600-c85-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/gettyimages-530794476_custom-ba0915842d9c92bc2e9be7264e8f90c534848c42-s600-c85-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/gettyimages-530794476_custom-ba0915842d9c92bc2e9be7264e8f90c534848c42-s600-c85-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/gettyimages-530794476_custom-ba0915842d9c92bc2e9be7264e8f90c534848c42-s600-c85-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/gettyimages-530794476_custom-ba0915842d9c92bc2e9be7264e8f90c534848c42-s600-c85-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/gettyimages-530794476_custom-ba0915842d9c92bc2e9be7264e8f90c534848c42-s600-c85-240x187.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 187
}
},
"publishDate": 1497306800,
"modified": 1497306837,
"caption": "'Guess Who's Coming to Dinner' arrived in theaters six months to the day after interracial marriage was legalized by the Loving v. Virginia Supreme Court decision in 1967. Above, Sidney Poitier, from left, Katharine Houghton and Spencer Tracy.\n(George Rinhart/Corbis via Getty Images)",
"description": null,
"title": "gettyimages-530794476_custom-ba0915842d9c92bc2e9be7264e8f90c534848c42-s600-c85",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_85959": {
"type": "attachments",
"id": "pop_85959",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "85959",
"found": true
},
"parent": 85006,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother.jpg",
"width": 1200,
"height": 675
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/big-brother-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1497294643,
"modified": 1497294692,
"caption": "Photo: Big Brother Magazine",
"description": null,
"title": "big-brother",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_26214": {
"type": "attachments",
"id": "pop_26214",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "26214",
"found": true
},
"parent": 25746,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/nba-finals-maroney-warriors-cavs-400x214.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 214
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/nba-finals-maroney-warriors-cavs-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/nba-finals-maroney-warriors-cavs.jpg",
"width": 800,
"height": 427
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/nba-finals-maroney-warriors-cavs-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/nba-finals-maroney-warriors-cavs-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/nba-finals-maroney-warriors-cavs-800x427.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 427
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/nba-finals-maroney-warriors-cavs-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/nba-finals-maroney-warriors-cavs-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/nba-finals-maroney-warriors-cavs-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/nba-finals-maroney-warriors-cavs-768x410.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 410
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/nba-finals-maroney-warriors-cavs-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1465413465,
"modified": 1465413478,
"caption": "Photo: Emmanuel Hapsis",
"description": null,
"title": "nba-finals-maroney-warriors-cavs",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_85253": {
"type": "attachments",
"id": "pop_85253",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "85253",
"found": true
},
"parent": 85252,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7.jpg",
"width": 2000,
"height": 1125
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/05/illustration-failure-et-1_wide-69bc290976021b40e54e85ff6270799e10bfccd7-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1496949143,
"modified": 1496949222,
"caption": "Isabel Seliger for NPR",
"description": "In 1982, one man worked around the clock to program the video game version of Steven Spielberg's \u003cem>E.T.\u003c/em> in just five weeks.",
"title": "In 1982, one man worked around the clock to program the video game version of Steven Spielberg's E.T. in just five weeks.",
"credit": "Isabel Seliger for NPR",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_85177": {
"type": "attachments",
"id": "pop_85177",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "85177",
"found": true
},
"parent": 84150,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s.jpg",
"width": 1280,
"height": 720
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/1967s-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1496916247,
"modified": 1496916298,
"caption": "Image: Emmanuel Hapsis",
"description": null,
"title": "1967s",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_85140": {
"type": "attachments",
"id": "pop_85140",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "85140",
"found": true
},
"parent": 84935,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-520x293.png",
"width": 520,
"mimeType": "image/png",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-1038x576.png",
"width": 1038,
"mimeType": "image/png",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-160x90.png",
"width": 160,
"mimeType": "image/png",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-960x540.png",
"width": 960,
"mimeType": "image/png",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-672x372.png",
"width": 672,
"mimeType": "image/png",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-375x211.png",
"width": 375,
"mimeType": "image/png",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080.png",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-1020x574.png",
"width": 1020,
"mimeType": "image/png",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-1180x664.png",
"width": 1180,
"mimeType": "image/png",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-50x50.png",
"width": 50,
"mimeType": "image/png",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-96x96.png",
"width": 96,
"mimeType": "image/png",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-800x450.png",
"width": 800,
"mimeType": "image/png",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-64x64.png",
"width": 64,
"mimeType": "image/png",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-32x32.png",
"width": 32,
"mimeType": "image/png",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-1920x1080.png",
"width": 1920,
"mimeType": "image/png",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-1180x664.png",
"width": 1180,
"mimeType": "image/png",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-1920x1080.png",
"width": 1920,
"mimeType": "image/png",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-150x150.png",
"width": 150,
"mimeType": "image/png",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-768x432.png",
"width": 768,
"mimeType": "image/png",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-128x128.png",
"width": 128,
"mimeType": "image/png",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/rihanna-wedding-side-eye-1920x1080-240x135.png",
"width": 240,
"mimeType": "image/png",
"height": 135
}
},
"publishDate": 1496898922,
"modified": 1496917581,
"caption": "Image: Jamedra Brown Fleischman",
"description": null,
"title": "rihanna-wedding-side-eye-1920x1080",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_85166": {
"type": "attachments",
"id": "pop_85166",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "85166",
"found": true
},
"parent": 85065,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove.jpg",
"width": 1280,
"height": 720
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2017/06/summeroflove-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1496910366,
"modified": 1496910392,
"caption": "Image: Emmanuel Hapsis",
"description": null,
"title": "summeroflove",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10629351": {
"type": "attachments",
"id": "arts_10629351",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10629351",
"found": true
},
"parent": 10629349,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/05/url-e1430942674350-400x226.jpeg",
"width": 400,
"mimeType": "image/jpeg",
"height": 226
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/05/url-672x338.jpeg",
"width": 672,
"mimeType": "image/jpeg",
"height": 338
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/05/url-e1430942674350.jpeg",
"width": 573,
"height": 324
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/05/url-e1430942674350-96x96.jpeg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/05/url-e1430942674350-64x64.jpeg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/05/url-e1430942674350-75x75.jpeg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/05/url-e1430942674350-32x32.jpeg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/05/url-e1430942674350-128x128.jpeg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1430942644,
"modified": 1467927919,
"caption": "Phono del Sol Festival in Portrero del Sol Park in San Francisco",
"description": "Phono del Sol Festival in Portrero del Sol Park in San Francisco",
"title": "Phono del Sol Festival in Portrero del Sol Park in San Francisco",
"credit": "Photo: Courtesy Phono Del Sol Festival",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13389210": {
"type": "attachments",
"id": "arts_13389210",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13389210",
"found": true
},
"parent": 13389209,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-520x390.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 390
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-960x720.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 720
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-375x281.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 281
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2.jpg",
"width": 1790,
"height": 1342
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-1180x885.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 885
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-1180x885.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 885
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/cthulhu-wars-gameplay-e9813fbf459d824170b371d298dbe8622aee78c2-240x180.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 180
}
},
"publishDate": 1496873888,
"modified": 1496873888,
"caption": null,
"description": "Four players sit around Cthulhu Wars, a game designed by Sandy Petersen, who also designed Call of Cthulhu.",
"title": "Four players sit around Cthulhu Wars, a game designed by Sandy Petersen, who also designed Call of Cthulhu.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13436256": {
"type": "authors",
"id": "byline_arts_13436256",
"meta": {
"override": true
},
"slug": "byline_arts_13436256",
"name": "Mesfin Fekadu, Associated Press",
"isLoading": false
},
"byline_pop_86017": {
"type": "authors",
"id": "byline_pop_86017",
"meta": {
"override": true
},
"slug": "byline_pop_86017",
"name": "Bob Mondello",
"isLoading": false
},
"byline_pop_85252": {
"type": "authors",
"id": "byline_pop_85252",
"meta": {
"override": true
},
"slug": "byline_pop_85252",
"name": "Geoff Brumfiel",
"isLoading": false
},
"byline_arts_13389209": {
"type": "authors",
"id": "byline_arts_13389209",
"meta": {
"override": true
},
"slug": "byline_arts_13389209",
"name": "Christianna Silva",
"isLoading": false
},
"ehapsis": {
"type": "authors",
"id": "27",
"meta": {
"index": "authors_1716337520",
"id": "27",
"found": true
},
"name": "Emmanuel Hapsis",
"firstName": "Emmanuel",
"lastName": "Hapsis",
"slug": "ehapsis",
"email": "ehapsis@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Emmanuel Hapsis is the creator and editor of KQED Pop and also the host of \u003cem>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>\u003c/em>. He studied creative writing at University of Maryland and went on to receive his MFA in the field from California College of the Arts. In his free time, he sings his heart out at karaoke.",
"avatar": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g",
"twitter": "xcusemybeauty",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Emmanuel Hapsis | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ehapsis"
},
"cmusiker": {
"type": "authors",
"id": "32",
"meta": {
"index": "authors_1716337520",
"id": "32",
"found": true
},
"name": "Cy Musiker",
"firstName": "Cy",
"lastName": "Musiker",
"slug": "cmusiker",
"email": "cmusiker@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Cy Musiker is a former co-host of The Do List and a former reporter covering the arts for KQED News and The California Report. He loves live performance, especially great theater, jazz, roots music, anything by Mahler. Cy has an MJ from UC Berkeley's School of Journalism, and got his BA from Hampshire College. His work has been recognized by the Society for Professional Journalists with their Sigma Delta Chi Award for Public Service in Journalism. When he can, Cy likes to swim in Tomales Bay, run with his dog in the East Bay Hills, and hike the Sierra.",
"avatar": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "bayareabites",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Cy Musiker | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/cmusiker"
},
"jamedra": {
"type": "authors",
"id": "8661",
"meta": {
"index": "authors_1716337520",
"id": "8661",
"found": true
},
"name": "Jamedra Brown Fleischman",
"firstName": "Jamedra",
"lastName": "Brown Fleischman",
"slug": "jamedra",
"email": "jbrown@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Jamedra Brown Fleischman is the Social Media & Distribution Specialist for KQED Arts. In her spare time she enjoys most things mommyhood, fashion and pop culture.",
"avatar": "https://secure.gravatar.com/avatar/374f4a7f5b0565e3c4ef33664ec089eefcff922fee4f4d8c6d784e84f35d2558?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "pop",
"roles": [
"subscriber"
]
},
{
"site": "about",
"roles": [
"subscriber"
]
},
{
"site": "education",
"roles": []
}
],
"headData": {
"title": "Jamedra Brown Fleischman | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/374f4a7f5b0565e3c4ef33664ec089eefcff922fee4f4d8c6d784e84f35d2558?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/374f4a7f5b0565e3c4ef33664ec089eefcff922fee4f4d8c6d784e84f35d2558?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/jamedra"
},
"ralexandra": {
"type": "authors",
"id": "11242",
"meta": {
"index": "authors_1716337520",
"id": "11242",
"found": true
},
"name": "Rae Alexandra",
"firstName": "Rae",
"lastName": "Alexandra",
"slug": "ralexandra",
"email": "ralexandra@kqed.org",
"display_author_email": true,
"staff_mastheads": [],
"title": "Reporter/Producer",
"bio": "Rae Alexandra is a Reporter/Producer for KQED Arts & Culture, and the creator/author of the \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\">Rebel Girls From Bay Area History\u003c/a> and \u003ca href=\"https://www.kqed.org/bizarrebayarea\">Bizarre Bay Area\u003c/a> series. Her debut book, \u003ca href=\"https://citylights.com/politics-current-events-history/unsung-heroines35-women-who-changed/\">Unsung Heroines: 35 Women Who Changed the Bay Area\u003c/a> was published by City Lights in March 2026. In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture. Rae was born and raised in Wales and subsequently — even after two decades in Northern California — still uses phrases that regularly baffle her coworkers.",
"avatar": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "news",
"roles": [
"subscriber"
]
},
{
"site": "pop",
"roles": [
"subscriber"
]
},
{
"site": "bayareabites",
"roles": [
"subscriber"
]
},
{
"site": "science",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Rae Alexandra | KQED",
"description": "Reporter/Producer",
"ogImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ralexandra"
}
},
"pagesReducer": {
"arts_category_popculture": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"score": 14.408322
},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"title": "Pop Culture",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 160
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=popculture",
"seeMore": false,
"paginated": true,
"page": 160
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"pop_61190": {
"type": "posts",
"id": "pop_61190",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "61190",
"score": null,
"sort": [
1497472208000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1497472208,
"format": "standard",
"disqusTitle": "The Groupie Myth: How Teens Are Exploited Both On the Road and Online",
"title": "The Groupie Myth: How Teens Are Exploited Both On the Road and Online",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>In 1993, I was 14-years-old and the kind of fervently enthusiastic music fan that goes on to write about it for a living. One night, after attending a concert featuring two prominent metal bands, my best friend and I stood outside the front entrance of the arena and waited for her dad to pick us up. As we excitedly dissected the evening’s events, we were approached by a grizzled-looking man in requisite rock 'n' roll clothing, an all-access pass hanging from his belt loop.\u003c/p>\n\u003cp>“You girls wanna meet the bands?” he asked.\u003c/p>\n\u003cp>My friend and I looked at each other, bemused.\u003c/p>\n\u003cp>“Well… yeah…” my friend replied, hesitant, but not wanting to miss out on a golden opportunity.\u003c/p>\n\u003cp>“Alright,” this man -- probably in his mid-40s -- replied. “Follow me.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Hang on,” I said. “What do \u003cem>you\u003c/em> get out of this?”\u003c/p>\n\u003cp>Without any hesitation, he smirked, nodded and pointed to his groin. I linked arms with my friend, who, like me, had visibly recoiled, and said, “Uhhh, NO.”\u003c/p>\n\u003cp>“Suit yourselves!” he snapped back and went off in search of other, less prudish schoolgirls.\u003c/p>\n\u003cp>Five minutes later, we were safely in the back of my friend’s dad’s car and on our way home. We never told any adults about the incident -- certainly not our parents, who fearfully might have stopped us from going to any more concerts -- and we barely discussed it with each other, because thinking about it creeped us out.\u003c/p>\n\u003cp>It was my first experience of the kind of exploitation that routinely takes place on the road. At the time, despite my youth, I knew all about groupies. I knew that as a female in this particular music scene, I was in a minority. And I knew that I might sometimes be targeted by creepy older men. But when it actually happened in real life, it was an infinitely more intimidating experience than I had bargained for.\u003c/p>\n\u003cp>A couple of months later, while squeezed into the crowd of a (to this day) well-respected alternative band, my friend was sexually assaulted by an older boy. She told me afterwards that she was trapped and scared and froze when this stranger’s hand climbed up her skirt because he was so much bigger than her. If you know any women who grew up going to shows in their teens, you will be hard pressed to find one who hasn’t experienced the wandering hands of a fellow audience member.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LU1bEeKsHs8\u003c/p>\n\u003cp>Assault at shows is an issue that has been publicly discussed since riot grrrl first shone a light on it in the early 1990s. This reached its peak in 1999 when the \u003ca href=\"http://www.mtv.com/news/516319/two-woodstock-fans-allegedly-raped-in-mosh-pits/\">chaos of Woodstock\u003c/a> resulted in numerous sexual assault reports and a number of rape allegations from audience members. More recently, in 2015, five teenage girls in the U.K. started \u003ca href=\"http://www.dazeddigital.com/music/article/28377/1/meet-the-teen-girls-fighting-sexual-assault-at-music-venues\">#GirlsAgainst\u003c/a> to highlight the fact that this problem is ongoing. Just last year, 26 women reported being assaulted at the \u003ca href=\"http://www.cnn.com/2016/06/01/europe/germany-concert-sex-assaults/\">Schlossgrabenfest music festival\u003c/a> in Germany.\u003c/p>\n\u003cp>It’s not talked about all that often, but the risks facing women and girls who like live music are not limited to fellow audience members. There is a culture of silence in this male-dominated industry that, in my 18 years of journalistic experience on the road and backstage, has shocked me.\u003c/p>\n\u003cp>I once saw two girls pretend to faint at a pop-punk show in England, in order to get backstage. They succeeded. I happened to walk into a room after the show, where they were laughing about how clever they had been. I asked them how old they were. “Eighteen,” the chorus came back, but their undeveloped bodies and nervous giggling told a different story. After making out with each other for the entertainment of the headlining band, they were ushered into separate rooms by a singer and a drummer on the tour. I am not clear about what happened behind those closed doors, but I would hazard a guess that it probably wasn’t legal.\u003c/p>\n\u003cp>I have seen similar scenes play out, backstage at festivals all over the world, while tents are being broken down and gear loaded out. There are bands who are vigilant, who will politely shoo these girls away and call out other bands on the bill who don’t carry the same sympathy for, and sexual aversion to, underage girls. These bands are, thankfully, in the majority. But, in my experience, if you line up 10 tour buses, there are probably going to be a couple of people (sometimes crew members), who have no qualms about taking advantage of naïve fandom when the opportunity presents itself.\u003c/p>\n\u003cfigure id=\"attachment_61198\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg class=\"wp-image-61198\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/watkins-1020x1009.png\" alt=\"watkins\" width=\"300\" height=\"297\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-1020x1009.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-160x158.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-800x791.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-768x759.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-1920x1899.png 1920w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-1180x1167.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-960x949.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-240x237.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-375x371.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-520x514.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-50x50.png 50w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-150x150.png 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Ian Watkins, vocalist, convicted sex offender\u003c/figcaption>\u003c/figure>\n\u003cp>When Lostprophets frontman, Ian Watkins, was convicted of \u003ca href=\"https://www.theguardian.com/uk-news/2013/dec/18/ian-watkins-jailed-child-sex-crimes\">a litany of child sex offences\u003c/a> in 2013, the focus was on the fact that the case horrifyingly involved two infants, whose mothers had been targeted by Watkins as “superfans” and ultimately were complicit in, and convicted of, the abuse of their own children. Watkins was also convicted of carrying out (and filming) degrading sex acts on a teenage fan, who had been an underage virgin at the time.\u003c/p>\n\u003cp>The issues surrounding bands and groupies are complex and frequently rooted in a culture that tells rock musicians that it's their right, and tells young women that their greatest commodity -- their easiest “in” -- is their bodies and their sexuality. Romanticized depictions of groupies in TV and movies (Showtime’s \u003cem>\u003ca href=\"http://www.sho.com/roadies\">Roadies\u003c/a> \u003c/em>was a recent offender) continue to perpetuate the idea that groupies are beloved and essential; that women can get in on the excitement of being on the road, if only they’ll give it up. In reality, groupies are often mocked by the band the second they’ve been ushered off the bus.\u003c/p>\n\u003cp>On one occasion nine years ago, I was traveling with an emo band in Europe. As the venue cleared out, I went to use the ladies' room and found a girl crying by the sinks. I asked if she was okay.\u003c/p>\n\u003cp>“No one asked me backstage,” she sobbed. “I really wanted to meet the band, so I dressed like this…” -- skin-tight, hip-hugging jeans, push-up bra and a cropped top; a lot of make-up for a face so fresh -- “…but still no one noticed me.”\u003c/p>\n\u003cp>“The reason you weren’t asked backstage,” I gently explained, “was because this band are good people. The only thing going on back there is eating, email-checking, and girlfriend-Skyping. You’re not missing anything, I promise.”\u003c/p>\n\u003cp>“I still wanted to be asked,” she wept.\u003c/p>\n\u003cp>“How old are you?”\u003c/p>\n\u003cp>“Fifteen.”\u003c/p>\n\u003cp>A mere 10 minutes of telling this girl that there were other ways to participate in this scene that didn’t involve her body, she had stopped crying, started to mull over the possibilities of becoming a music photographer, and was ready to go home. If this had been a different band and a different concert, her evening could have ended very differently.\u003c/p>\n\u003cp>In the digital age, a brand new form of fan exploitation has emerged, and it doesn’t even require fans to leave the house. Just this week, YouTube star \u003ca href=\"http://www.huffingtonpost.com/entry/youtube-singing-star-austin-jones-faces-child-pornography-charges_us_594101bfe4b0d3185485fb0a\">Austin Jones was arrested\u003c/a> on two counts of producing child pornography, after he allegedly requested sexually explicit material from underage fans, via Facebook.\u003c/p>\n\u003cp>Back in January, a Boston man named \u003ca href=\"http://www.billboard.com/articles/news/7655473/man-posed-justin-bieber-extort-nude-photos\">Bryan Asrary was arrested\u003c/a> after nude photos of a 9-year-old girl were found on his laptop and cellphone. He is alleged to have impersonated Justin Bieber online in order get them.\u003c/p>\n\u003cp>Similarly, traveling punk festival Warped Tour was plagued with problems in 2015 after allowing then-23-year-old Jake McElfresh (a.k.a. Front Porch Step) onto the bill, even though multiple underage, teenage girls had \u003ca href=\"http://www.billboard.com/front-porch-step-jacob-mcelfresh-warped-tour-sexual-misconduct-underage-sexting-kevin-lyman\">complained online\u003c/a> about McElfresh’s lewd behavior towards them. These girls, scattered around the country, posted messages and explicit photos, allegedly from McElfresh, to their Tumblr accounts, having grown uncomfortable with the contact.\u003c/p>\n\u003cp>Today, most of the public concern expressed and discussed around this subject is focused on the online dangers facing children and teenagers. What those discussions so often fail to acknowledge is that the link between music and fan exploitation has always been there, and that the myth of the in-control, gleeful groupie is a frequently false one.\u003c/p>\n\u003cp>Certainly, the internet age does offer new and horrifying forms of exploitation, but it also leaves digital fingerprints, evidence, screenshots, and, like never before, a means to expose and convict the people who take advantage of music fans in sexual ways. The culture that encourages these uneasy and sometimes illegal relationships between musicians and fans needs a major reset -- one that we may finally be making steps towards in the wake of Austin Jones' and Brian Asrary’s arrests, McElfresh’s public humiliation, and the universal revulsion that greeted Watkins’ case.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>In the meantime, we should be grateful that the digital age finally offers us a means to prove these predators exist, and do something about it -- something my best friend and I would have been eternally grateful for back in 1993.\u003c/p>\n\n",
"disqusIdentifier": "61190 https://ww2.kqed.org/pop/?p=61190",
"disqusUrl": "https://ww2.kqed.org/pop/2017/06/14/the-groupie-myth-how-teens-are-exploited-both-on-the-road-and-online/",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1609,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 32
},
"modified": 1497475328,
"excerpt": "Sexual exploitation of music fans isn't anything new, but now there's a digital footprint.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Sexual exploitation of music fans isn't anything new, but now there's a digital footprint.",
"title": "The Groupie Myth: How Teens Are Exploited Both On the Road and Online | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Groupie Myth: How Teens Are Exploited Both On the Road and Online",
"datePublished": "2017-06-14T13:30:08-07:00",
"dateModified": "2017-06-14T14:22:08-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the-groupie-myth-how-teens-are-exploited-both-on-the-road-and-online",
"status": "publish",
"path": "/pop/61190/the-groupie-myth-how-teens-are-exploited-both-on-the-road-and-online",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 1993, I was 14-years-old and the kind of fervently enthusiastic music fan that goes on to write about it for a living. One night, after attending a concert featuring two prominent metal bands, my best friend and I stood outside the front entrance of the arena and waited for her dad to pick us up. As we excitedly dissected the evening’s events, we were approached by a grizzled-looking man in requisite rock 'n' roll clothing, an all-access pass hanging from his belt loop.\u003c/p>\n\u003cp>“You girls wanna meet the bands?” he asked.\u003c/p>\n\u003cp>My friend and I looked at each other, bemused.\u003c/p>\n\u003cp>“Well… yeah…” my friend replied, hesitant, but not wanting to miss out on a golden opportunity.\u003c/p>\n\u003cp>“Alright,” this man -- probably in his mid-40s -- replied. “Follow me.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Hang on,” I said. “What do \u003cem>you\u003c/em> get out of this?”\u003c/p>\n\u003cp>Without any hesitation, he smirked, nodded and pointed to his groin. I linked arms with my friend, who, like me, had visibly recoiled, and said, “Uhhh, NO.”\u003c/p>\n\u003cp>“Suit yourselves!” he snapped back and went off in search of other, less prudish schoolgirls.\u003c/p>\n\u003cp>Five minutes later, we were safely in the back of my friend’s dad’s car and on our way home. We never told any adults about the incident -- certainly not our parents, who fearfully might have stopped us from going to any more concerts -- and we barely discussed it with each other, because thinking about it creeped us out.\u003c/p>\n\u003cp>It was my first experience of the kind of exploitation that routinely takes place on the road. At the time, despite my youth, I knew all about groupies. I knew that as a female in this particular music scene, I was in a minority. And I knew that I might sometimes be targeted by creepy older men. But when it actually happened in real life, it was an infinitely more intimidating experience than I had bargained for.\u003c/p>\n\u003cp>A couple of months later, while squeezed into the crowd of a (to this day) well-respected alternative band, my friend was sexually assaulted by an older boy. She told me afterwards that she was trapped and scared and froze when this stranger’s hand climbed up her skirt because he was so much bigger than her. If you know any women who grew up going to shows in their teens, you will be hard pressed to find one who hasn’t experienced the wandering hands of a fellow audience member.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LU1bEeKsHs8'\n title='//www.youtube.com/embed/LU1bEeKsHs8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Assault at shows is an issue that has been publicly discussed since riot grrrl first shone a light on it in the early 1990s. This reached its peak in 1999 when the \u003ca href=\"http://www.mtv.com/news/516319/two-woodstock-fans-allegedly-raped-in-mosh-pits/\">chaos of Woodstock\u003c/a> resulted in numerous sexual assault reports and a number of rape allegations from audience members. More recently, in 2015, five teenage girls in the U.K. started \u003ca href=\"http://www.dazeddigital.com/music/article/28377/1/meet-the-teen-girls-fighting-sexual-assault-at-music-venues\">#GirlsAgainst\u003c/a> to highlight the fact that this problem is ongoing. Just last year, 26 women reported being assaulted at the \u003ca href=\"http://www.cnn.com/2016/06/01/europe/germany-concert-sex-assaults/\">Schlossgrabenfest music festival\u003c/a> in Germany.\u003c/p>\n\u003cp>It’s not talked about all that often, but the risks facing women and girls who like live music are not limited to fellow audience members. There is a culture of silence in this male-dominated industry that, in my 18 years of journalistic experience on the road and backstage, has shocked me.\u003c/p>\n\u003cp>I once saw two girls pretend to faint at a pop-punk show in England, in order to get backstage. They succeeded. I happened to walk into a room after the show, where they were laughing about how clever they had been. I asked them how old they were. “Eighteen,” the chorus came back, but their undeveloped bodies and nervous giggling told a different story. After making out with each other for the entertainment of the headlining band, they were ushered into separate rooms by a singer and a drummer on the tour. I am not clear about what happened behind those closed doors, but I would hazard a guess that it probably wasn’t legal.\u003c/p>\n\u003cp>I have seen similar scenes play out, backstage at festivals all over the world, while tents are being broken down and gear loaded out. There are bands who are vigilant, who will politely shoo these girls away and call out other bands on the bill who don’t carry the same sympathy for, and sexual aversion to, underage girls. These bands are, thankfully, in the majority. But, in my experience, if you line up 10 tour buses, there are probably going to be a couple of people (sometimes crew members), who have no qualms about taking advantage of naïve fandom when the opportunity presents itself.\u003c/p>\n\u003cfigure id=\"attachment_61198\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg class=\"wp-image-61198\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/watkins-1020x1009.png\" alt=\"watkins\" width=\"300\" height=\"297\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-1020x1009.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-160x158.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-800x791.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-768x759.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-1920x1899.png 1920w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-1180x1167.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-960x949.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-240x237.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-375x371.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-520x514.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-50x50.png 50w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/watkins-150x150.png 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Ian Watkins, vocalist, convicted sex offender\u003c/figcaption>\u003c/figure>\n\u003cp>When Lostprophets frontman, Ian Watkins, was convicted of \u003ca href=\"https://www.theguardian.com/uk-news/2013/dec/18/ian-watkins-jailed-child-sex-crimes\">a litany of child sex offences\u003c/a> in 2013, the focus was on the fact that the case horrifyingly involved two infants, whose mothers had been targeted by Watkins as “superfans” and ultimately were complicit in, and convicted of, the abuse of their own children. Watkins was also convicted of carrying out (and filming) degrading sex acts on a teenage fan, who had been an underage virgin at the time.\u003c/p>\n\u003cp>The issues surrounding bands and groupies are complex and frequently rooted in a culture that tells rock musicians that it's their right, and tells young women that their greatest commodity -- their easiest “in” -- is their bodies and their sexuality. Romanticized depictions of groupies in TV and movies (Showtime’s \u003cem>\u003ca href=\"http://www.sho.com/roadies\">Roadies\u003c/a> \u003c/em>was a recent offender) continue to perpetuate the idea that groupies are beloved and essential; that women can get in on the excitement of being on the road, if only they’ll give it up. In reality, groupies are often mocked by the band the second they’ve been ushered off the bus.\u003c/p>\n\u003cp>On one occasion nine years ago, I was traveling with an emo band in Europe. As the venue cleared out, I went to use the ladies' room and found a girl crying by the sinks. I asked if she was okay.\u003c/p>\n\u003cp>“No one asked me backstage,” she sobbed. “I really wanted to meet the band, so I dressed like this…” -- skin-tight, hip-hugging jeans, push-up bra and a cropped top; a lot of make-up for a face so fresh -- “…but still no one noticed me.”\u003c/p>\n\u003cp>“The reason you weren’t asked backstage,” I gently explained, “was because this band are good people. The only thing going on back there is eating, email-checking, and girlfriend-Skyping. You’re not missing anything, I promise.”\u003c/p>\n\u003cp>“I still wanted to be asked,” she wept.\u003c/p>\n\u003cp>“How old are you?”\u003c/p>\n\u003cp>“Fifteen.”\u003c/p>\n\u003cp>A mere 10 minutes of telling this girl that there were other ways to participate in this scene that didn’t involve her body, she had stopped crying, started to mull over the possibilities of becoming a music photographer, and was ready to go home. If this had been a different band and a different concert, her evening could have ended very differently.\u003c/p>\n\u003cp>In the digital age, a brand new form of fan exploitation has emerged, and it doesn’t even require fans to leave the house. Just this week, YouTube star \u003ca href=\"http://www.huffingtonpost.com/entry/youtube-singing-star-austin-jones-faces-child-pornography-charges_us_594101bfe4b0d3185485fb0a\">Austin Jones was arrested\u003c/a> on two counts of producing child pornography, after he allegedly requested sexually explicit material from underage fans, via Facebook.\u003c/p>\n\u003cp>Back in January, a Boston man named \u003ca href=\"http://www.billboard.com/articles/news/7655473/man-posed-justin-bieber-extort-nude-photos\">Bryan Asrary was arrested\u003c/a> after nude photos of a 9-year-old girl were found on his laptop and cellphone. He is alleged to have impersonated Justin Bieber online in order get them.\u003c/p>\n\u003cp>Similarly, traveling punk festival Warped Tour was plagued with problems in 2015 after allowing then-23-year-old Jake McElfresh (a.k.a. Front Porch Step) onto the bill, even though multiple underage, teenage girls had \u003ca href=\"http://www.billboard.com/front-porch-step-jacob-mcelfresh-warped-tour-sexual-misconduct-underage-sexting-kevin-lyman\">complained online\u003c/a> about McElfresh’s lewd behavior towards them. These girls, scattered around the country, posted messages and explicit photos, allegedly from McElfresh, to their Tumblr accounts, having grown uncomfortable with the contact.\u003c/p>\n\u003cp>Today, most of the public concern expressed and discussed around this subject is focused on the online dangers facing children and teenagers. What those discussions so often fail to acknowledge is that the link between music and fan exploitation has always been there, and that the myth of the in-control, gleeful groupie is a frequently false one.\u003c/p>\n\u003cp>Certainly, the internet age does offer new and horrifying forms of exploitation, but it also leaves digital fingerprints, evidence, screenshots, and, like never before, a means to expose and convict the people who take advantage of music fans in sexual ways. The culture that encourages these uneasy and sometimes illegal relationships between musicians and fans needs a major reset -- one that we may finally be making steps towards in the wake of Austin Jones' and Brian Asrary’s arrests, McElfresh’s public humiliation, and the universal revulsion that greeted Watkins’ case.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the meantime, we should be grateful that the digital age finally offers us a means to prove these predators exist, and do something about it -- something my best friend and I would have been eternally grateful for back in 1993.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/61190/the-groupie-myth-how-teens-are-exploited-both-on-the-road-and-online",
"authors": [
"11242"
],
"categories": [
"pop_4",
"pop_1041"
],
"tags": [
"pop_197",
"pop_1412"
],
"featImg": "pop_86376",
"label": "pop"
},
"arts_13436256": {
"type": "posts",
"id": "arts_13436256",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13436256",
"score": null,
"sort": [
1497469377000
]
},
"guestAuthors": [],
"slug": "anita-pallenberg-muse-for-the-rolling-stones-dead-at-75",
"title": "Anita Pallenberg, Muse for the Rolling Stones, Dead at 75",
"publishDate": 1497469377,
"format": "standard",
"headTitle": "Anita Pallenberg, Muse for the Rolling Stones, Dead at 75 | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Anita Pallenberg, a model and actress who had children with Keith Richards and served as a muse for The Rolling Stones, has died. She was 75.\u003c/p>\n\u003cp>A spokesperson for Richards told The Associated Press that Pallenberg died Tuesday at St. Richard’s Hospital in the city of Chichester, located in southeast England. The cause of death was not revealed, but the statement released Wednesday said Pallenberg “had been ill for some time” and that her family was by her side.\u003c/p>\n\u003cp>“A most remarkable woman. Always in my heart,” Richards said in a statement.\u003c/p>\n\u003cp>Pallenberg was born on April 6, 1942. She served as inspiration for the Stones’ “Miss Amanda Jones” and “You Got the Silver.”\u003c/p>\n\u003cp>She appeared in films like \u003cem>Barbarella\u003c/em>, \u003cem>Candy\u003c/em>, \u003cem>Le Berceau de Cristal\u003c/em> and \u003cem>Performance\u003c/em>, which included Mick Jagger.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Pallenberg first dated the late Brian Jones of the Stones, but later dated Richards, with whom she had three children (their youngest son died months after he was born).\u003c/p>\n\u003cp>Pallenberg said in an interview with The Guardian in 2008 that she didn’t want to write her autobiography because publishers wanted dirt and drama about the Stones.\u003c/p>\n\u003cp>“I had several publishers and they were all the same. They all wanted salacious,” she said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Pallenberg will be cremated and a memorial service is being planned. She is survived by a son, a daughter and five grandchildren.\u003cbr>\n.\u003c/p>\n\n",
"blocks": [],
"excerpt": "The model and actress who had children with Keith Richards, died in England surrounded by family.",
"status": "publish",
"parent": 0,
"modified": 1726707368,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 11,
"wordCount": 242
},
"headData": {
"title": "Anita Pallenberg, Muse for the Rolling Stones, Dead at 75 | KQED",
"description": "The model and actress who had children with Keith Richards, died in England surrounded by family.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Anita Pallenberg, Muse for the Rolling Stones, Dead at 75",
"datePublished": "2017-06-14T12:42:57-07:00",
"dateModified": "2024-09-18T17:56:08-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Mesfin Fekadu, Associated Press",
"path": "/arts/13436256/anita-pallenberg-muse-for-the-rolling-stones-dead-at-75",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Anita Pallenberg, a model and actress who had children with Keith Richards and served as a muse for The Rolling Stones, has died. She was 75.\u003c/p>\n\u003cp>A spokesperson for Richards told The Associated Press that Pallenberg died Tuesday at St. Richard’s Hospital in the city of Chichester, located in southeast England. The cause of death was not revealed, but the statement released Wednesday said Pallenberg “had been ill for some time” and that her family was by her side.\u003c/p>\n\u003cp>“A most remarkable woman. Always in my heart,” Richards said in a statement.\u003c/p>\n\u003cp>Pallenberg was born on April 6, 1942. She served as inspiration for the Stones’ “Miss Amanda Jones” and “You Got the Silver.”\u003c/p>\n\u003cp>She appeared in films like \u003cem>Barbarella\u003c/em>, \u003cem>Candy\u003c/em>, \u003cem>Le Berceau de Cristal\u003c/em> and \u003cem>Performance\u003c/em>, which included Mick Jagger.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Pallenberg first dated the late Brian Jones of the Stones, but later dated Richards, with whom she had three children (their youngest son died months after he was born).\u003c/p>\n\u003cp>Pallenberg said in an interview with The Guardian in 2008 that she didn’t want to write her autobiography because publishers wanted dirt and drama about the Stones.\u003c/p>\n\u003cp>“I had several publishers and they were all the same. They all wanted salacious,” she said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Pallenberg will be cremated and a memorial service is being planned. She is survived by a son, a daughter and five grandchildren.\u003cbr>\n.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13436256/anita-pallenberg-muse-for-the-rolling-stones-dead-at-75",
"authors": [
"byline_arts_13436256"
],
"categories": [
"arts_69",
"arts_235",
"arts_75"
],
"tags": [
"arts_1448",
"arts_596",
"arts_1091"
],
"featImg": "arts_13436318",
"label": "arts"
},
"pop_86168": {
"type": "posts",
"id": "pop_86168",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "86168",
"score": null,
"sort": [
1497383162000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1497383162,
"format": "standard",
"disqusTitle": "Green Day's New Video Pays Tribute to the Berkeley Venue That Banned Them",
"title": "Green Day's New Video Pays Tribute to the Berkeley Venue That Banned Them",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>In their brand new video for \"Revolution Radio,\" \u003ca href=\"http://www.greenday.com/stillbreathing?ref=https://www.google.com/\">Green Day\u003c/a> pays tribute to Berkeley's famed punk rock venue / community center, \u003ca href=\"https://en.wikipedia.org/wiki/924_Gilman_Street\">924 Gilman Street,\u003c/a> by performing inside the heavily graffiti-ed space and splicing in footage of them playing Gilman in the band's early days.\u003c/p>\n\u003cp>Which is particularly heart-warming because, back when Green Day first signed to a major label in 1993, Gilman banned the band on account of them being corporate sellouts. Billy Joe, Tré, and Mike were eventully allowed back for a show \u003ca href=\"https://www.youtube.com/watch?v=0B9Rpg3avv0\">in 2001\u003c/a> (best YouTube comment: \"I wonder if this concert felt weird for them, like meeting your ex girlfriend for coffee five years later\"), then played a benefit show there for \u003ca href=\"https://www.akpress.org/\">AK Press\u003c/a> in \u003ca href=\"https://www.youtube.com/watch?v=60LAyqVSE3U\">2015\u003c/a>.\u003c/p>\n\u003cp>In the mid-'90s, nobody thought this video would ever happen, so enjoy!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=B4zc-f0TIZ4\u003c/p>\n\u003cp>If you want to see more of Green Day at Gilman, check out the recently released documentary, \u003ca href=\"https://eastbaypunk.com/\">\u003cem>Turn it Around: The Story of East Bay Punk\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"disqusIdentifier": "86168 https://ww2.kqed.org/pop/?p=86168",
"disqusUrl": "https://ww2.kqed.org/pop/2017/06/13/green-days-new-video-pays-tribute-to-the-berkeley-venue-that-banned-them/",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 178,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1497383162,
"excerpt": "The Bay Area's most famous punk trio performs at Gilman Street in new video, proving that time heals all wounds.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Bay Area's most famous punk trio performs at Gilman Street in new video, proving that time heals all wounds.",
"title": "Green Day's New Video Pays Tribute to the Berkeley Venue That Banned Them | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Green Day's New Video Pays Tribute to the Berkeley Venue That Banned Them",
"datePublished": "2017-06-13T12:46:02-07:00",
"dateModified": "2017-06-13T12:46:02-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "green-days-new-video-pays-tribute-to-the-berkeley-venue-that-banned-them",
"status": "publish",
"path": "/pop/86168/green-days-new-video-pays-tribute-to-the-berkeley-venue-that-banned-them",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In their brand new video for \"Revolution Radio,\" \u003ca href=\"http://www.greenday.com/stillbreathing?ref=https://www.google.com/\">Green Day\u003c/a> pays tribute to Berkeley's famed punk rock venue / community center, \u003ca href=\"https://en.wikipedia.org/wiki/924_Gilman_Street\">924 Gilman Street,\u003c/a> by performing inside the heavily graffiti-ed space and splicing in footage of them playing Gilman in the band's early days.\u003c/p>\n\u003cp>Which is particularly heart-warming because, back when Green Day first signed to a major label in 1993, Gilman banned the band on account of them being corporate sellouts. Billy Joe, Tré, and Mike were eventully allowed back for a show \u003ca href=\"https://www.youtube.com/watch?v=0B9Rpg3avv0\">in 2001\u003c/a> (best YouTube comment: \"I wonder if this concert felt weird for them, like meeting your ex girlfriend for coffee five years later\"), then played a benefit show there for \u003ca href=\"https://www.akpress.org/\">AK Press\u003c/a> in \u003ca href=\"https://www.youtube.com/watch?v=60LAyqVSE3U\">2015\u003c/a>.\u003c/p>\n\u003cp>In the mid-'90s, nobody thought this video would ever happen, so enjoy!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/B4zc-f0TIZ4'\n title='//www.youtube.com/embed/B4zc-f0TIZ4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you want to see more of Green Day at Gilman, check out the recently released documentary, \u003ca href=\"https://eastbaypunk.com/\">\u003cem>Turn it Around: The Story of East Bay Punk\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/86168/green-days-new-video-pays-tribute-to-the-berkeley-venue-that-banned-them",
"authors": [
"11242"
],
"categories": [
"pop_4"
],
"tags": [
"pop_2967",
"pop_2966"
],
"featImg": "pop_86178",
"label": "pop"
},
"pop_86017": {
"type": "posts",
"id": "pop_86017",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "86017",
"score": null,
"sort": [
1497340855000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1497340855,
"format": "standard",
"disqusTitle": "50 Years After 'Loving,' Hollywood Still Struggles With Interracial Romance",
"title": "50 Years After 'Loving,' Hollywood Still Struggles With Interracial Romance",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Fifty years ago, on June 12, 1967, the Supreme Court's decision in \u003cem>Loving v. Virginia\u003c/em> legalized interracial marriage. Just two weeks earlier, shooting had been completed on a movie about that very subject — Stanley Kramer's soon-to-be-classic, Oscar-winning, box-office smash \u003cem>Guess Who's Coming To Dinner,\u003c/em> starring Spencer Tracy, Katharine Houghton and Sidney Poitier.\u003c/p>\n\u003cp>Profits are a powerful motivator for Hollywood studios. So it might seem obvious that a blockbusting indicator of audience acceptance for interracial romance on-screen would lead to studios greenlighting more of them. But prejudices in Hollywood were as long-standing as they were elsewhere in society. Those prejudices did not disappear overnight, and the film industry did not embrace mixed-race couples on-screen.\u003c/p>\n\u003cp>There had been interracial screen romances, even in the silent era, but they were almost always pictured as either comically foolish or flat-out doomed. D.W. Griffith ended his silent tragedy \u003cem>Broken Blossoms Or the Yellow Man and the Girl\u003c/em> with the deaths of both his title characters — a Chinese immigrant and a London prizefighter's daughter.\u003c/p>\n\u003cp>The silent drama \u003cem>The Bronze Bride,\u003c/em> about a white fur trapper who marries a Native American woman, also ended with tears. And in \u003cem>Show Boat\u003c/em> in 1936, things end happily for nearly everyone except Julie, the wife of the showboat's white leading man. She is of mixed race, but has been passing as white.\u003c/p>\n\u003cp>In the song \"Can't Help Lovin' That Man of Mine,\" Julie sings of being helplessly in love, and her husband is devoted to her. But she will nonetheless end up drunk and alone at the film's end, looking from the shadows at the happier characters who have married within their own race.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In that, she had lots of company on-screen. Hollywood had adopted a Motion Picture Production Code in 1930 — popularly known as the Hays Code for its author, Will H. Hays, president of the Motion Picture Producers and Distributors of America — which explicitly prohibited the depiction of \"sex relationships between the white and black races.\" The code was meant to curb what bluenoses of that era considered immorality, and with interracial marriage then illegal in 30 states, depicting it would arguably have been condoning an illegal act.\u003c/p>\n\u003cp>Though \u003cem>Show Boat\u003c/em> had been a hit on Broadway, movie theaters, especially in the South, might well have refused to play it even with the Production Code seal of approval. But the filmmakers had a trick to get around objections — a casting gambit used in many motion pictures of that era: Audiences were not actually seeing a black/white couple on-screen, because the biracial character was played by Helen Morgan, a white actress. Griffith had done the same thing in \u003cem>Broken Blossoms, \u003c/em>casting a heavily made-up Richard Barthelmess as Chinese immigrant Cheng Huan.\u003c/p>\n\u003cp>The same thing happened when \u003cem>Show Boat\u003c/em> was remade in 1951. Although Lena Horne campaigned hard for the role, Ava Gardner was cast as Julie, and not only was she not black, she wasn't even singing (though she certainly could have; she recorded a vocal track they ended up not using that is lighter and more contemporary to modern ears).\u003c/p>\n\u003cp>Colorblind and, in several different senses, tone-deaf, this qualified as Hollywood artificiality at its peak. And it followed close on the heels of another drama Horne had campaigned for, \u003cem>Pinky,\u003c/em> about another character who was passing as white. That part went to Jeanne Crain, for whom passing was relatively easy, as she was white. She got an Oscar nomination as best actress for pretending not to be.\u003c/p>\n\u003cp>Foreign films weren't as timid. In 1935, Josephine Baker — who had moved to Paris because of racial prejudice in the U.S. and was becoming a big star there — starred in the French-made \u003cem>Princess Tam Tam,\u003c/em> playing a Tunisian woman who is the muse of a white French novelist.\u003c/p>\n\u003cp>In the U.S., though, because of the Hays Code, that film and others like it played only in theaters catering strictly to black patrons. Then, in 1956, the code was revised, and the stipulation about race was dropped, which allowed a blonde Inger Stevens to have what was, at the time, an incendiary conversation with Harry Belafonte in \u003cem>The World, The Flesh and The Devil,\u003c/em> a science-fiction film in which a nuclear war had left the two of them virtually alone in the world. \u003cem>(Note: The dialogue below contains language some readers may find offensive.)\u003c/em>\u003c/p>\n\u003cp>Stevens has asked Belafonte to be honest with her, and Belafonte has responded that if she pushes, he'll be \"so honest it'll burn you.\"\u003c/p>\n\u003cp>When she does push, he erupts in fury: \"If you're squeamish about words, I'm 'colored.' If you face facts I'm a Negro. If you're a polite Southerner, I'm a 'Negra,' and I'm a 'nigger' if you're not. ... A little while ago, you said you were 'free, white and 21.' That didn't mean anything to you. Just an expression you'd heard a thousand times. Well, to me it was an arrow in my guts.\"\u003c/p>\n\u003cp>Stevens asks for help getting it right: \"You're a fine, decent man; what else is there to know?\"\u003c/p>\n\u003cp>\"[In] that world we came from you wouldn't know that,\" Belafonte's character replies. \"You wouldn't even know me. Why should the world fall down to prove I'm what I am, and that there's nothing wrong with what I am?\"\u003c/p>\n\u003cp>Good question, and others were asking it, too: In the British film \u003cem>A Taste of Honey,\u003c/em> Rita Tushingham gets pregnant by a black sailor and decides to keep the baby. Hollywood's first interracial kiss appeared in the drama \u003cem>Island in the Sun.\u003c/em> And the era-defining \u003cem>Guess Who's Coming to Dinner\u003c/em> arrived in theaters six months to the day after interracial marriage was legalized by the \u003cem>Loving\u003c/em> decision.\u003c/p>\n\u003cp>Lawyers only had to make their closing argument to nine Supreme Court justices. Spencer Tracy's summation went out to more than 40 million moviegoers, when he said this to Sidney Poitier and Katharine Houghton:\u003c/p>\n\u003cblockquote>\u003cp>\" 'Anybody could make a case — and a helluva good case — against your getting married,' he says. 'The arguments are so obvious that nobody has to make them. But you're two wonderful people, who happened to fall in love, and happen to have a pigmentation problem. And I think that now, no matter what kind of a case some bastard could make against your getting married, there would be only one thing worse. And that would be if, knowing what you two are, knowing what you two have, and knowing what you two feel, you didn't get married.' \"\u003c/p>\u003c/blockquote>\n\u003cp>And that broke the logjam, right?\u003c/p>\n\u003cp>No, not really. Hollywood spent the rest of the 20th century debating how to follow \u003cem>Guess Who's Coming To Dinner,\u003c/em> and mostly deciding not to.\u003c/p>\n\u003cfigure id=\"attachment_86018\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-86018 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-1920x1080.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Allison Williams and Daniel Kaluuya star in Jordan Peele's 'Get Out'.\u003cbr> (Justin Lubin/Courtesy of Universal Pictures)\u003c/figcaption>\u003c/figure>\n\u003cp>Bromances with black-white pairings were fine — say, the \u003cem>Lethal Weapon\u003c/em> franchise. Producers who could attract stars of sufficient wattage — say Kevin Costner at the height of his fame, and Whitney Houston at the height of hers — could dare audiences to resist their pairing in a film like \u003cem>The Bodyguard\u003c/em>. And there were occasional problem-dramas that tackled the issue head-on as an issue — Spike Lee's \u003cem>Jungle Fever,\u003c/em> for instance, or the lesbian interracial romance \u003cem>The Watermelon Woman\u003c/em>.\u003c/p>\n\u003cp>But for many in Hollywood, the risk of alienating some part of the audience has not seemed a risk worth taking on a multimillion-dollar budget. So Will Smith and Denzel Washington have spent most of their careers appearing opposite African-American love interests, and Brad Pitt and Tom Cruise have not. Never mind that multiracial casting has been a boon at the box office for, say, the \u003cem>Fast and Furious\u003c/em> films.\u003c/p>\n\u003cp>There are, of course, outliers. Jordan Peele's satirical dramedy \u003cem>Get Out\u003c/em> is a witty look at social stereotyping, which uses race to subvert and amplify horror tropes. With a first-time director, \u003cem>Get Out\u003c/em> has taken in almost a quarter of a billion dollars at the worldwide box office.\u003c/p>\n\u003cp>Also this year, in \u003cem>Everything, Everything,\u003c/em> an African-American girl-in-a-bubble and a white neighbor fall in love. The supporting cast of \u003cem>Beauty and the Beast\u003c/em> turned out to have two interracial couples, once the magic spell was broken. And in the upcoming comedy \u003cem>The Big Sick,\u003c/em> Kumail Nanjiani will tell the true story of how he, a man of Pakistani descent, met his Caucasian wife.\u003c/p>\n\u003cp>These films, let's note, make sense in the current movie marketplace, especially for younger viewers. The Pew Research Center \u003ca href=\"http://www.pewsocialtrends.org/2017/05/18/intermarriage-in-the-u-s-50-years-after-loving-v-virginia/#fn-22844-2\" target=\"_blank\" rel=\"noopener noreferrer\">recently reported\u003c/a> that in 2015, the most recent year for which figures are available, \"17 percent of all U.S. newlyweds had a spouse of a different race or ethnicity.\" That compares with 3 percent in 1967 — the year of the \u003cem>Loving\u003c/em> decision and of \u003cem>Guess Who's Coming to Dinner.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The nation has changed, and Hollywood will, too. At the moment, though, it's still playing catch-up.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=50+Years+After+%27Loving%2C%27+Hollywood+Still+Struggles+With+Interracial+Romance&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"disqusIdentifier": "86017 https://ww2.kqed.org/pop/?p=86017",
"disqusUrl": "https://ww2.kqed.org/pop/2017/06/13/50-years-after-loving-hollywood-still-struggles-with-interracial-romance/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1564,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 28
},
"modified": 1497377960,
"excerpt": "Hollywood's long history of not putting interracial romance on-screen goes back to 1930's Hays Code.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Hollywood's long history of not putting interracial romance on-screen goes back to 1930's Hays Code.",
"title": "50 Years After 'Loving,' Hollywood Still Struggles With Interracial Romance | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "50 Years After 'Loving,' Hollywood Still Struggles With Interracial Romance",
"datePublished": "2017-06-13T01:00:55-07:00",
"dateModified": "2017-06-13T11:19:20-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "50-years-after-loving-hollywood-still-struggles-with-interracial-romance",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=532580867&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Bob Mondello",
"nprStoryDate": "Mon, 12 Jun 2017 17:00:00 -0400",
"nprLastModifiedDate": "Mon, 12 Jun 2017 18:28:39 -0400",
"nprHtmlLink": "http://www.npr.org/sections/codeswitch/2017/06/12/532580867/50-years-after-loving-hollywood-still-struggles-with-interracial-romance?ft=nprml&f=532580867",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/06/20170612_atc_50_years_after_loving_hollywood_still_struggles_with_interracial_romance.mp3?orgId=1&topicId=1045&d=479&p=2&story=532580867&t=progseg&e=532574087&seg=7&ft=nprml&f=532580867",
"nprAudioM3u": "http://api.npr.org/m3u/1532646064-77ef83.m3u?orgId=1&topicId=1045&d=479&p=2&story=532580867&t=progseg&e=532574087&seg=7&ft=nprml&f=532580867",
"nprStoryId": "532580867",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 12 Jun 2017 18:24:00 -0400",
"path": "/pop/86017/50-years-after-loving-hollywood-still-struggles-with-interracial-romance",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/06/20170612_atc_50_years_after_loving_hollywood_still_struggles_with_interracial_romance.mp3?orgId=1&topicId=1045&d=479&p=2&story=532580867&t=progseg&e=532574087&seg=7&ft=nprml&f=532580867",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fifty years ago, on June 12, 1967, the Supreme Court's decision in \u003cem>Loving v. Virginia\u003c/em> legalized interracial marriage. Just two weeks earlier, shooting had been completed on a movie about that very subject — Stanley Kramer's soon-to-be-classic, Oscar-winning, box-office smash \u003cem>Guess Who's Coming To Dinner,\u003c/em> starring Spencer Tracy, Katharine Houghton and Sidney Poitier.\u003c/p>\n\u003cp>Profits are a powerful motivator for Hollywood studios. So it might seem obvious that a blockbusting indicator of audience acceptance for interracial romance on-screen would lead to studios greenlighting more of them. But prejudices in Hollywood were as long-standing as they were elsewhere in society. Those prejudices did not disappear overnight, and the film industry did not embrace mixed-race couples on-screen.\u003c/p>\n\u003cp>There had been interracial screen romances, even in the silent era, but they were almost always pictured as either comically foolish or flat-out doomed. D.W. Griffith ended his silent tragedy \u003cem>Broken Blossoms Or the Yellow Man and the Girl\u003c/em> with the deaths of both his title characters — a Chinese immigrant and a London prizefighter's daughter.\u003c/p>\n\u003cp>The silent drama \u003cem>The Bronze Bride,\u003c/em> about a white fur trapper who marries a Native American woman, also ended with tears. And in \u003cem>Show Boat\u003c/em> in 1936, things end happily for nearly everyone except Julie, the wife of the showboat's white leading man. She is of mixed race, but has been passing as white.\u003c/p>\n\u003cp>In the song \"Can't Help Lovin' That Man of Mine,\" Julie sings of being helplessly in love, and her husband is devoted to her. But she will nonetheless end up drunk and alone at the film's end, looking from the shadows at the happier characters who have married within their own race.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In that, she had lots of company on-screen. Hollywood had adopted a Motion Picture Production Code in 1930 — popularly known as the Hays Code for its author, Will H. Hays, president of the Motion Picture Producers and Distributors of America — which explicitly prohibited the depiction of \"sex relationships between the white and black races.\" The code was meant to curb what bluenoses of that era considered immorality, and with interracial marriage then illegal in 30 states, depicting it would arguably have been condoning an illegal act.\u003c/p>\n\u003cp>Though \u003cem>Show Boat\u003c/em> had been a hit on Broadway, movie theaters, especially in the South, might well have refused to play it even with the Production Code seal of approval. But the filmmakers had a trick to get around objections — a casting gambit used in many motion pictures of that era: Audiences were not actually seeing a black/white couple on-screen, because the biracial character was played by Helen Morgan, a white actress. Griffith had done the same thing in \u003cem>Broken Blossoms, \u003c/em>casting a heavily made-up Richard Barthelmess as Chinese immigrant Cheng Huan.\u003c/p>\n\u003cp>The same thing happened when \u003cem>Show Boat\u003c/em> was remade in 1951. Although Lena Horne campaigned hard for the role, Ava Gardner was cast as Julie, and not only was she not black, she wasn't even singing (though she certainly could have; she recorded a vocal track they ended up not using that is lighter and more contemporary to modern ears).\u003c/p>\n\u003cp>Colorblind and, in several different senses, tone-deaf, this qualified as Hollywood artificiality at its peak. And it followed close on the heels of another drama Horne had campaigned for, \u003cem>Pinky,\u003c/em> about another character who was passing as white. That part went to Jeanne Crain, for whom passing was relatively easy, as she was white. She got an Oscar nomination as best actress for pretending not to be.\u003c/p>\n\u003cp>Foreign films weren't as timid. In 1935, Josephine Baker — who had moved to Paris because of racial prejudice in the U.S. and was becoming a big star there — starred in the French-made \u003cem>Princess Tam Tam,\u003c/em> playing a Tunisian woman who is the muse of a white French novelist.\u003c/p>\n\u003cp>In the U.S., though, because of the Hays Code, that film and others like it played only in theaters catering strictly to black patrons. Then, in 1956, the code was revised, and the stipulation about race was dropped, which allowed a blonde Inger Stevens to have what was, at the time, an incendiary conversation with Harry Belafonte in \u003cem>The World, The Flesh and The Devil,\u003c/em> a science-fiction film in which a nuclear war had left the two of them virtually alone in the world. \u003cem>(Note: The dialogue below contains language some readers may find offensive.)\u003c/em>\u003c/p>\n\u003cp>Stevens has asked Belafonte to be honest with her, and Belafonte has responded that if she pushes, he'll be \"so honest it'll burn you.\"\u003c/p>\n\u003cp>When she does push, he erupts in fury: \"If you're squeamish about words, I'm 'colored.' If you face facts I'm a Negro. If you're a polite Southerner, I'm a 'Negra,' and I'm a 'nigger' if you're not. ... A little while ago, you said you were 'free, white and 21.' That didn't mean anything to you. Just an expression you'd heard a thousand times. Well, to me it was an arrow in my guts.\"\u003c/p>\n\u003cp>Stevens asks for help getting it right: \"You're a fine, decent man; what else is there to know?\"\u003c/p>\n\u003cp>\"[In] that world we came from you wouldn't know that,\" Belafonte's character replies. \"You wouldn't even know me. Why should the world fall down to prove I'm what I am, and that there's nothing wrong with what I am?\"\u003c/p>\n\u003cp>Good question, and others were asking it, too: In the British film \u003cem>A Taste of Honey,\u003c/em> Rita Tushingham gets pregnant by a black sailor and decides to keep the baby. Hollywood's first interracial kiss appeared in the drama \u003cem>Island in the Sun.\u003c/em> And the era-defining \u003cem>Guess Who's Coming to Dinner\u003c/em> arrived in theaters six months to the day after interracial marriage was legalized by the \u003cem>Loving\u003c/em> decision.\u003c/p>\n\u003cp>Lawyers only had to make their closing argument to nine Supreme Court justices. Spencer Tracy's summation went out to more than 40 million moviegoers, when he said this to Sidney Poitier and Katharine Houghton:\u003c/p>\n\u003cblockquote>\u003cp>\" 'Anybody could make a case — and a helluva good case — against your getting married,' he says. 'The arguments are so obvious that nobody has to make them. But you're two wonderful people, who happened to fall in love, and happen to have a pigmentation problem. And I think that now, no matter what kind of a case some bastard could make against your getting married, there would be only one thing worse. And that would be if, knowing what you two are, knowing what you two have, and knowing what you two feel, you didn't get married.' \"\u003c/p>\u003c/blockquote>\n\u003cp>And that broke the logjam, right?\u003c/p>\n\u003cp>No, not really. Hollywood spent the rest of the 20th century debating how to follow \u003cem>Guess Who's Coming To Dinner,\u003c/em> and mostly deciding not to.\u003c/p>\n\u003cfigure id=\"attachment_86018\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-86018 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-1920x1080.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/get-out_wide-fc9e8bd7202b898af83d99d08cde26cb7af09a95-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Allison Williams and Daniel Kaluuya star in Jordan Peele's 'Get Out'.\u003cbr> (Justin Lubin/Courtesy of Universal Pictures)\u003c/figcaption>\u003c/figure>\n\u003cp>Bromances with black-white pairings were fine — say, the \u003cem>Lethal Weapon\u003c/em> franchise. Producers who could attract stars of sufficient wattage — say Kevin Costner at the height of his fame, and Whitney Houston at the height of hers — could dare audiences to resist their pairing in a film like \u003cem>The Bodyguard\u003c/em>. And there were occasional problem-dramas that tackled the issue head-on as an issue — Spike Lee's \u003cem>Jungle Fever,\u003c/em> for instance, or the lesbian interracial romance \u003cem>The Watermelon Woman\u003c/em>.\u003c/p>\n\u003cp>But for many in Hollywood, the risk of alienating some part of the audience has not seemed a risk worth taking on a multimillion-dollar budget. So Will Smith and Denzel Washington have spent most of their careers appearing opposite African-American love interests, and Brad Pitt and Tom Cruise have not. Never mind that multiracial casting has been a boon at the box office for, say, the \u003cem>Fast and Furious\u003c/em> films.\u003c/p>\n\u003cp>There are, of course, outliers. Jordan Peele's satirical dramedy \u003cem>Get Out\u003c/em> is a witty look at social stereotyping, which uses race to subvert and amplify horror tropes. With a first-time director, \u003cem>Get Out\u003c/em> has taken in almost a quarter of a billion dollars at the worldwide box office.\u003c/p>\n\u003cp>Also this year, in \u003cem>Everything, Everything,\u003c/em> an African-American girl-in-a-bubble and a white neighbor fall in love. The supporting cast of \u003cem>Beauty and the Beast\u003c/em> turned out to have two interracial couples, once the magic spell was broken. And in the upcoming comedy \u003cem>The Big Sick,\u003c/em> Kumail Nanjiani will tell the true story of how he, a man of Pakistani descent, met his Caucasian wife.\u003c/p>\n\u003cp>These films, let's note, make sense in the current movie marketplace, especially for younger viewers. The Pew Research Center \u003ca href=\"http://www.pewsocialtrends.org/2017/05/18/intermarriage-in-the-u-s-50-years-after-loving-v-virginia/#fn-22844-2\" target=\"_blank\" rel=\"noopener noreferrer\">recently reported\u003c/a> that in 2015, the most recent year for which figures are available, \"17 percent of all U.S. newlyweds had a spouse of a different race or ethnicity.\" That compares with 3 percent in 1967 — the year of the \u003cem>Loving\u003c/em> decision and of \u003cem>Guess Who's Coming to Dinner.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The nation has changed, and Hollywood will, too. At the moment, though, it's still playing catch-up.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=50+Years+After+%27Loving%2C%27+Hollywood+Still+Struggles+With+Interracial+Romance&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/86017/50-years-after-loving-hollywood-still-struggles-with-interracial-romance",
"authors": [
"byline_pop_86017"
],
"categories": [
"pop_51"
],
"featImg": "pop_86020",
"label": "pop"
},
"pop_85006": {
"type": "posts",
"id": "pop_85006",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "85006",
"score": null,
"sort": [
1497358834000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1497358834,
"format": "standard",
"disqusTitle": "How Big Brother Magazine Paved the Way for 'Jackass,' Jonah Hill, and Our Collective Desensitization",
"title": "How Big Brother Magazine Paved the Way for 'Jackass,' Jonah Hill, and Our Collective Desensitization",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>In case you haven't checked Hulu's new movies section recently, there's a documentary that just came out titled \u003ca href=\"https://www.hulu.com/watch/1086233\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Dumb: The Story of Big Brother Magazine\u003c/em>\u003c/a>. Unless you were a skateboarder in the '90s, you probably have no idea what \u003ca href=\"https://en.wikipedia.org/wiki/Big_Brother_(magazine)\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Big Brother\u003c/em>\u003c/a> was. But the magazine's influence\u003cem> \u003c/em>is still ricocheting around the pop culture landscape and has undoubtedly touched you at some point, whether you know it or not.\u003c/p>\n\u003cp>The most obvious thing to come out of \u003cem>Big Brother\u003c/em> was \u003cem>Jackass—\u003c/em>MTV's paean to stupid stunts and behaving badly. Before \u003cem>Jackass\u003c/em>, \u003ca href=\"https://en.wikipedia.org/wiki/Johnny_Knoxville\" target=\"_blank\" rel=\"noopener noreferrer\">Johnny Knoxville\u003c/a> made a name for himself in the skate community (despite not even being a skater) by showing up on \u003cem>Big Brother\u003c/em> videos and literally attacking himself with a variety of weapons, including an actual gun.\u003c/p>\n\u003cp>As somebody who was pretty submerged in the skateboard community the year the video below came out (1998), I cannot overstate the gleeful-yet-horrified impact that watching Knoxville shoot himself had at that time. Approach this footage with caution if you don't like cursing and/ or watching dudes really, really hurt themselves:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=xU9eakbujlg\u003c/p>\n\u003cp>By the time Knoxville had thrown himself in front of a moving vehicle for another\u003ca href=\"https://www.youtube.com/playlist?list=PLltys3SF2WxOE69B-797-dRWCKqV2bJB-\" target=\"_blank\" rel=\"noopener noreferrer\"> \u003cem>Big Brother\u003c/em>\u003c/a> video, just a year later, the skate community was as desensitized to this kind of stunt as the entire nation would later become after three seasons of \u003cem>Jackass\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It wasn't just the \u003cem>Big Brother\u003c/em> skate videos that were nuts, \u003cem>Big Brother\u003c/em> magazine made \u003cem>National Lampoon\u003c/em> look like \u003cem>Disney Adventures. \u003c/em>(\u003ca href=\"https://en.wikipedia.org/wiki/Chris_Pontius\" target=\"_blank\" rel=\"noopener noreferrer\">Chris Pontius\u003c/a> wrote for it, \u003ca href=\"https://en.wikipedia.org/wiki/Steve-O\" target=\"_blank\" rel=\"noopener noreferrer\">Steve-O\u003c/a> literally set his face on fire to get in the magazine, and Jason \"\u003ca href=\"https://en.wikipedia.org/wiki/Jason_Acu%C3%B1a\" target=\"_blank\" rel=\"noopener noreferrer\">Wee Man\u003c/a>\" Acuña was the subscription manager.) It was less about skateboarding and more about self-consciously trying to offend—which is why there were \u003ca href=\"https://www.youtube.com/watch?v=Jwrz1pc-tv8\" target=\"_blank\" rel=\"noopener noreferrer\">news stories warning parents\u003c/a> about the dangers of \u003cem>Big Brother,\u003c/em> and why it ended up being owned by \u003ca href=\"https://en.wikipedia.org/wiki/Hustler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Hustler\u003c/em>\u003c/a>-founder and First Amendment fan, \u003ca href=\"https://en.wikipedia.org/wiki/Larry_Flynt\" target=\"_blank\" rel=\"noopener noreferrer\">Larry Flynt\u003c/a>.\u003c/p>\n\u003cp>Truly, in the pre-internet age,\u003cem> Big Brother\u003c/em> was a dark entity. It was a window into the most self-destructive, nihilistic elements of skateboarding. It was uncomfortable to read. There were graphic depictions of bodily fluids and rampant, full frontal nudity. It was sometimes homophobic and frequently sexist. Its \"KIDS ISSUE\" had a cover designed to appeal to children, but articles about bestiality and BDSM inside. Instructions on how to take drugs and how to commit suicide were featured. \u003cem>Big Brother\u003c/em> embraced every taboo possible in the same decade that political correctness became a thing, and thrived both because, and in spite, of it.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=0jcKEifF0og\u003c/p>\n\u003cp>When \u003cem>Big Brother\u003c/em> first emerged in 1992, the shadier, dirtier, riskier elements of skating were already well-established (thanks in no small part to \u003ca href=\"https://www.youtube.com/watch?v=hzx5Ji3Yyas&t=2137s\" target=\"_blank\" rel=\"noopener noreferrer\">what was happening in the Bay Area\u003c/a> in the late '80s and early '90s). \u003cem>Big Brother\u003c/em> just did more to shine a light on them than anyone else ever had, and subsequently managed to push skateboarding's focus almost entirely in that direction—at least for a few years. The more sexual and offensive content there was in the magazine, the more the entire skateboard industry embraced shock value.\u003c/p>\n\u003cp>As previously stated, without \u003cem>Big Brother\u003c/em>, there would have been no \u003cem>Jackass. \u003c/em>And without\u003cem> Jackass,\u003c/em> the boundaries of how ridiculous and dangerous you can be on television and in movies would not be where they are now. Actor Jonah Hill, speaking in the \u003cem>Dumb\u003c/em> documentary, describes \u003cem>Big Brother\u003c/em> as his \"biggest influence comedically\" because it made him think \"humor could be cool, because it could be dangerous.\" In the world of print, one has to wonder if men's magazines like \u003cem>\u003ca href=\"https://en.wikipedia.org/wiki/Maxim_(magazine)\" target=\"_blank\" rel=\"noopener noreferrer\">Maxim\u003c/a> \u003c/em>(launched 1995)\u003cem> \u003c/em>and\u003cem> \u003ca href=\"https://books.google.com/books?id=nT6pCgAAQBAJ&pg=PT294&lpg=PT294&dq=FHM+launched+in+USA&source=bl&ots=sR6FGQFBb1&sig=mhjhC1nOhYsIQ46CJQV2vmi0bmg&hl=en&sa=X&ved=0ahUKEwiNjser16zUAhUN5mMKHbxDBF4Q6AEISjAG#v=onepage&q=FHM%20launched%20in%20USA&f=false\" target=\"_blank\" rel=\"noopener noreferrer\">FHM\u003c/a>\u003c/em> (launched 1999) would have had the idea of incorporating so much unclothed female flesh into non-related and mainstream content if \u003cem>Big Brother\u003c/em> hadn't done it first\u003cem>.\u003c/em>\u003c/p>\n\u003cp>One of the great ironies of \u003cem>Big Brother\u003c/em> is that it helped create the environment that caused the boom in skateboarding in the late '90s and early 2000s, but was simultaneously destroyed because of it. Once skating hit the mainstream—thanks in part to the growing success of the \u003ca href=\"http://xgames.espn.com/xgames/\" target=\"_blank\" rel=\"noopener noreferrer\">X Games\u003c/a>—skate companies, wishing to cultivate an air of respectability, couldn't get away from \u003cem>Big Brother\u003c/em> fast enough. And without advertising dollars, the magazine was doomed.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the post-internet age, it's difficult to imagine anything being able to shock quite like \u003cem>Big Brother\u003c/em> did in its heyday—but \u003cem>Big Brother\u003c/em> is also an indelible part of why we, as a culture, are inherently less shockable now.\u003c/p>\n\n",
"disqusIdentifier": "85006 https://ww2.kqed.org/pop/?p=85006",
"disqusUrl": "https://ww2.kqed.org/pop/2017/06/13/how-big-brother-magazine-paved-the-way-for-jackass-jonah-hill-and-our-collective-desensitization/",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 817,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 12
},
"modified": 1610671331,
"excerpt": "Big Brother wanted to push skateboarding's boundaries, but ended up changing pop culture forever.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Big Brother wanted to push skateboarding's boundaries, but ended up changing pop culture forever.",
"title": "How Big Brother Magazine Paved the Way for 'Jackass,' Jonah Hill, and Our Collective Desensitization - KQED Pop",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "How Big Brother Magazine Paved the Way for 'Jackass,' Jonah Hill, and Our Collective Desensitization",
"datePublished": "2017-06-13T06:00:34-07:00",
"dateModified": "2021-01-14T16:42:11-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "how-big-brother-magazine-paved-the-way-for-jackass-jonah-hill-and-our-collective-desensitization",
"status": "publish",
"templateType": "standard",
"featuredImageType": "standard",
"path": "/pop/85006/how-big-brother-magazine-paved-the-way-for-jackass-jonah-hill-and-our-collective-desensitization",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In case you haven't checked Hulu's new movies section recently, there's a documentary that just came out titled \u003ca href=\"https://www.hulu.com/watch/1086233\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Dumb: The Story of Big Brother Magazine\u003c/em>\u003c/a>. Unless you were a skateboarder in the '90s, you probably have no idea what \u003ca href=\"https://en.wikipedia.org/wiki/Big_Brother_(magazine)\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Big Brother\u003c/em>\u003c/a> was. But the magazine's influence\u003cem> \u003c/em>is still ricocheting around the pop culture landscape and has undoubtedly touched you at some point, whether you know it or not.\u003c/p>\n\u003cp>The most obvious thing to come out of \u003cem>Big Brother\u003c/em> was \u003cem>Jackass—\u003c/em>MTV's paean to stupid stunts and behaving badly. Before \u003cem>Jackass\u003c/em>, \u003ca href=\"https://en.wikipedia.org/wiki/Johnny_Knoxville\" target=\"_blank\" rel=\"noopener noreferrer\">Johnny Knoxville\u003c/a> made a name for himself in the skate community (despite not even being a skater) by showing up on \u003cem>Big Brother\u003c/em> videos and literally attacking himself with a variety of weapons, including an actual gun.\u003c/p>\n\u003cp>As somebody who was pretty submerged in the skateboard community the year the video below came out (1998), I cannot overstate the gleeful-yet-horrified impact that watching Knoxville shoot himself had at that time. Approach this footage with caution if you don't like cursing and/ or watching dudes really, really hurt themselves:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/xU9eakbujlg'\n title='//www.youtube.com/embed/xU9eakbujlg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>By the time Knoxville had thrown himself in front of a moving vehicle for another\u003ca href=\"https://www.youtube.com/playlist?list=PLltys3SF2WxOE69B-797-dRWCKqV2bJB-\" target=\"_blank\" rel=\"noopener noreferrer\"> \u003cem>Big Brother\u003c/em>\u003c/a> video, just a year later, the skate community was as desensitized to this kind of stunt as the entire nation would later become after three seasons of \u003cem>Jackass\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It wasn't just the \u003cem>Big Brother\u003c/em> skate videos that were nuts, \u003cem>Big Brother\u003c/em> magazine made \u003cem>National Lampoon\u003c/em> look like \u003cem>Disney Adventures. \u003c/em>(\u003ca href=\"https://en.wikipedia.org/wiki/Chris_Pontius\" target=\"_blank\" rel=\"noopener noreferrer\">Chris Pontius\u003c/a> wrote for it, \u003ca href=\"https://en.wikipedia.org/wiki/Steve-O\" target=\"_blank\" rel=\"noopener noreferrer\">Steve-O\u003c/a> literally set his face on fire to get in the magazine, and Jason \"\u003ca href=\"https://en.wikipedia.org/wiki/Jason_Acu%C3%B1a\" target=\"_blank\" rel=\"noopener noreferrer\">Wee Man\u003c/a>\" Acuña was the subscription manager.) It was less about skateboarding and more about self-consciously trying to offend—which is why there were \u003ca href=\"https://www.youtube.com/watch?v=Jwrz1pc-tv8\" target=\"_blank\" rel=\"noopener noreferrer\">news stories warning parents\u003c/a> about the dangers of \u003cem>Big Brother,\u003c/em> and why it ended up being owned by \u003ca href=\"https://en.wikipedia.org/wiki/Hustler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Hustler\u003c/em>\u003c/a>-founder and First Amendment fan, \u003ca href=\"https://en.wikipedia.org/wiki/Larry_Flynt\" target=\"_blank\" rel=\"noopener noreferrer\">Larry Flynt\u003c/a>.\u003c/p>\n\u003cp>Truly, in the pre-internet age,\u003cem> Big Brother\u003c/em> was a dark entity. It was a window into the most self-destructive, nihilistic elements of skateboarding. It was uncomfortable to read. There were graphic depictions of bodily fluids and rampant, full frontal nudity. It was sometimes homophobic and frequently sexist. Its \"KIDS ISSUE\" had a cover designed to appeal to children, but articles about bestiality and BDSM inside. Instructions on how to take drugs and how to commit suicide were featured. \u003cem>Big Brother\u003c/em> embraced every taboo possible in the same decade that political correctness became a thing, and thrived both because, and in spite, of it.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/0jcKEifF0og'\n title='//www.youtube.com/embed/0jcKEifF0og'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>When \u003cem>Big Brother\u003c/em> first emerged in 1992, the shadier, dirtier, riskier elements of skating were already well-established (thanks in no small part to \u003ca href=\"https://www.youtube.com/watch?v=hzx5Ji3Yyas&t=2137s\" target=\"_blank\" rel=\"noopener noreferrer\">what was happening in the Bay Area\u003c/a> in the late '80s and early '90s). \u003cem>Big Brother\u003c/em> just did more to shine a light on them than anyone else ever had, and subsequently managed to push skateboarding's focus almost entirely in that direction—at least for a few years. The more sexual and offensive content there was in the magazine, the more the entire skateboard industry embraced shock value.\u003c/p>\n\u003cp>As previously stated, without \u003cem>Big Brother\u003c/em>, there would have been no \u003cem>Jackass. \u003c/em>And without\u003cem> Jackass,\u003c/em> the boundaries of how ridiculous and dangerous you can be on television and in movies would not be where they are now. Actor Jonah Hill, speaking in the \u003cem>Dumb\u003c/em> documentary, describes \u003cem>Big Brother\u003c/em> as his \"biggest influence comedically\" because it made him think \"humor could be cool, because it could be dangerous.\" In the world of print, one has to wonder if men's magazines like \u003cem>\u003ca href=\"https://en.wikipedia.org/wiki/Maxim_(magazine)\" target=\"_blank\" rel=\"noopener noreferrer\">Maxim\u003c/a> \u003c/em>(launched 1995)\u003cem> \u003c/em>and\u003cem> \u003ca href=\"https://books.google.com/books?id=nT6pCgAAQBAJ&pg=PT294&lpg=PT294&dq=FHM+launched+in+USA&source=bl&ots=sR6FGQFBb1&sig=mhjhC1nOhYsIQ46CJQV2vmi0bmg&hl=en&sa=X&ved=0ahUKEwiNjser16zUAhUN5mMKHbxDBF4Q6AEISjAG#v=onepage&q=FHM%20launched%20in%20USA&f=false\" target=\"_blank\" rel=\"noopener noreferrer\">FHM\u003c/a>\u003c/em> (launched 1999) would have had the idea of incorporating so much unclothed female flesh into non-related and mainstream content if \u003cem>Big Brother\u003c/em> hadn't done it first\u003cem>.\u003c/em>\u003c/p>\n\u003cp>One of the great ironies of \u003cem>Big Brother\u003c/em> is that it helped create the environment that caused the boom in skateboarding in the late '90s and early 2000s, but was simultaneously destroyed because of it. Once skating hit the mainstream—thanks in part to the growing success of the \u003ca href=\"http://xgames.espn.com/xgames/\" target=\"_blank\" rel=\"noopener noreferrer\">X Games\u003c/a>—skate companies, wishing to cultivate an air of respectability, couldn't get away from \u003cem>Big Brother\u003c/em> fast enough. And without advertising dollars, the magazine was doomed.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the post-internet age, it's difficult to imagine anything being able to shock quite like \u003cem>Big Brother\u003c/em> did in its heyday—but \u003cem>Big Brother\u003c/em> is also an indelible part of why we, as a culture, are inherently less shockable now.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/85006/how-big-brother-magazine-paved-the-way-for-jackass-jonah-hill-and-our-collective-desensitization",
"authors": [
"11242"
],
"categories": [
"pop_3",
"pop_1041"
],
"featImg": "pop_85959",
"label": "pop"
},
"pop_85030": {
"type": "posts",
"id": "pop_85030",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "85030",
"score": null,
"sort": [
1496867070000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1496867070,
"format": "standard",
"disqusTitle": "A Reluctant Sports Fan’s Guide to the 2017 NBA Finals",
"title": "A Reluctant Sports Fan’s Guide to the 2017 NBA Finals",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/06/Warriors.mp3\" title=\"An Oral History of Selfies and the Warriors\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>Allow me to tell you the story of me and sports. Don't worry, it won't take very long. From an early age, my mother decided to shape her only son into a “man” through gifts of over-sized Redskins winter apparel. I could live with that because it was infinitely better than \u003ca href=\"https://www.instagram.com/p/YQROlsKL3M/?taken-by=excusemybeauty\" target=\"_blank\" rel=\"noopener noreferrer\">the bow ties forced upon me in earlier years\u003c/a>. Something that was harder to accept was being enlisted in an actual sport.\u003c/p>\n\u003cp>This isn't recorded in any record books, but it's true: I was the most apathetic defense soccer player in the history of the game. As halfheartedly as Daria plays volleyball, I did my best to be as unhelpful as possible. But that didn't stop a hurtling ball from finding the side of my head. Stars! Just like in the cartoons!\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"http://25.media.tumblr.com/tumblr_mbg2yrSz2C1reihnqo1_400.gif\" alt=\"\">\u003c/p>\n\u003cp>If I was a fictional being in a Hollywood movie, this would have been the part of the story where I became impassioned and fueled by the pain and made some memorable winning play or something. What actually happened is I cried a lot and the coach took me to the sidelines and then did that thing jocks do in movies where they rally an unwilling person into doing something they don't actually want to do. \"YOU GOT THIS! YOU'RE FINE! YOU READY TO GO BACK IN THERE???\" I'm not exactly sure what I said, considering the head injury, but it was something in the neighborhood of: Hell no. That was the last day of my illustrious sporting career.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Since then, sports don't come up that often. Well, until recently, that is, with the Warriors making the NBA Finals in three consecutive years, and the SF Giants winning three World Series over the span of five years. On each of those occasions, I took the “if you can’t beat ‘em, join ‘em” approach and sacrificed myself to \u003ca href=\"http://a1.ec-images.myspacecdn.com/images01/90/087cb41702aff307d024cf8f163986a6/l.jpg\">the sporty gods\u003c/a>. And you know what, it wasn’t terrible. With the NBA Finals upon us, what’s a non-sports fan to do?\u003c/p>\n\u003cp>Here are a few tips on how to successfully pretend you care about sports (and maybe even have some fun while you’re at it):\u003c/p>\n\u003cp style=\"text-align: center\">1. \u003cstrong>Do respect the high holiday and mind your manners.\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"http://1.bp.blogspot.com/-kNIlbDZHJlU/ThI7plOhyBI/AAAAAAAAAKM/qHKlw3qKOLs/s1600/manners.jpg\" alt=\"\">\u003c/p>\n\u003cp>I’m not sure if Emily Post ever touched on the topic of talking loudly over an important televised event, but I bet she would have been against it. So don’t be a chatterbox during pivotal plays. Just because you don’t care doesn’t mean that others don’t. This is called manners. You wouldn’t want someone to go on and on about how they just can’t figure out why so-and-so never called them back while you’re watching reruns of \u003cem>\u003ca href=\"http://ww2.kqed.org/pop/tag/full-house/\" target=\"_blank\" rel=\"noopener noreferrer\">Full House\u003c/a>\u003c/em>, now would you?\u003c/p>\n\u003cp style=\"text-align: center\">2. \u003cstrong>Do wear the right colors.\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/01/c4ce9940-1a5f-0131-b0bc-4e7ad7558a4b.gif\" rel=\"attachment wp-att-20154\">\u003cimg class=\"aligncenter size-full wp-image-20154\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/01/c4ce9940-1a5f-0131-b0bc-4e7ad7558a4b.gif\" alt=\"clueless clothes gif\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp>Dressing up is fun (see: Halloween and Quinceañeras, Rocky Horror shows and raves). So get in the mood by putting together an ensemble that is appropriate for the occasion. You don’t have to go so far as to wear a jersey or hat, but at least get the colors right if you plan on rooting for a specific team. Don some midnight blue, gold, and/or international orange for the Warriors. If for some weird reason you're rooting for the Cavaliers, go for wine, gold and/or navy blue.\u003c/p>\n\u003cp style=\"text-align: center\">3. \u003cstrong>Do find your people.\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=RRteokw7m80\u003c/p>\n\u003cp>Life is too short to surround yourself with people that don't get you so find out where your kindred spirits hang out. If you like to be in the middle of the action, Mission dive bars are the place for you. If you enjoy reliving your college years, head to the Marina. If you don’t like strangers, invite yourself over to a friend’s house. And if you’re gay and aren’t opposed to \u003ca href=\"http://ww2.kqed.org/pop/2013/01/30/proven-gays-like-sports-too/\" target=\"_blank\" rel=\"noopener noreferrer\">a celebratory kiss\u003c/a>, check out Hi Tops in the Castro. If you don't live in San Francisco, I'm sure you know which local spot you'd feel most comfortable in.\u003c/p>\n\u003cp style=\"text-align: center\">4. \u003cstrong>Do your homework.\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"http://www.bbisd.org/pages/uploaded_images/Garfeils.gif\" alt=\"\">\u003c/p>\n\u003cp>No one likes a dunce so do some light studying. Okay, let's be real; you're not going to study. Here's a cheat sheet from me to you:\u003c/p>\n\u003cp>https://ww2.kqed.org/pop/2016/06/08/21-fun-facts-you-might-not-know-about-the-golden-state-warriors/\u003c/p>\n\u003cp class=\"Normal_0020_0028Web_0029\">Got all that? Good!\u003c/p>\n\u003cp>If all the above fails to up your interest level, here's a secret weapon: If you’re a girl, gay boy or open-minded straight guy, go through both teams’ rosters and pick your next boyfriend. As anyone who has crushed on their high school math teacher knows, love can make any subject interesting.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp style=\"text-align: left\">So put your shiver-inducing sports memories behind you and let these tips guide you to surviving and maybe even enjoying America’s biggest and baddest sporting event. In the words of my former coach: “YOU GOT THIS!”\u003c/p>\n\n",
"disqusIdentifier": "85030 https://ww2.kqed.org/pop/?p=85030",
"disqusUrl": "https://ww2.kqed.org/pop/2017/06/07/a-reluctant-sports-fans-guide-to-the-2017-nba-finals/",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": true,
"hasPolis": false,
"wordCount": 927,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 15
},
"modified": 1496867070,
"excerpt": "Here are a few tips on how to successfully pretend you care about sports for one day (and maybe even have some fun while you’re at it).",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Here are a few tips on how to successfully pretend you care about sports for one day (and maybe even have some fun while you’re at it).",
"title": "A Reluctant Sports Fan’s Guide to the 2017 NBA Finals | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "A Reluctant Sports Fan’s Guide to the 2017 NBA Finals",
"datePublished": "2017-06-07T13:24:30-07:00",
"dateModified": "2017-06-07T13:24:30-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "a-reluctant-sports-fans-guide-to-the-2017-nba-finals",
"status": "publish",
"customPermalink": "2017/06/07/a-reluctant-sports-fans-guide-to-the-2017-nba-finals",
"path": "/pop/85030/a-reluctant-sports-fans-guide-to-the-2017-nba-finals",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "audio",
"attributes": {
"named": {
"program": "The Cooler",
"image": "https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg",
"label": "src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/06/Warriors.mp3\" title=\"An Oral History of Selfies and the Warriors\""
},
"numeric": [
"src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/06/Warriors.mp3\" title=\"An",
"Oral",
"History",
"of",
"Selfies",
"and",
"the",
"Warriors\""
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>Allow me to tell you the story of me and sports. Don't worry, it won't take very long. From an early age, my mother decided to shape her only son into a “man” through gifts of over-sized Redskins winter apparel. I could live with that because it was infinitely better than \u003ca href=\"https://www.instagram.com/p/YQROlsKL3M/?taken-by=excusemybeauty\" target=\"_blank\" rel=\"noopener noreferrer\">the bow ties forced upon me in earlier years\u003c/a>. Something that was harder to accept was being enlisted in an actual sport.\u003c/p>\n\u003cp>This isn't recorded in any record books, but it's true: I was the most apathetic defense soccer player in the history of the game. As halfheartedly as Daria plays volleyball, I did my best to be as unhelpful as possible. But that didn't stop a hurtling ball from finding the side of my head. Stars! Just like in the cartoons!\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"http://25.media.tumblr.com/tumblr_mbg2yrSz2C1reihnqo1_400.gif\" alt=\"\">\u003c/p>\n\u003cp>If I was a fictional being in a Hollywood movie, this would have been the part of the story where I became impassioned and fueled by the pain and made some memorable winning play or something. What actually happened is I cried a lot and the coach took me to the sidelines and then did that thing jocks do in movies where they rally an unwilling person into doing something they don't actually want to do. \"YOU GOT THIS! YOU'RE FINE! YOU READY TO GO BACK IN THERE???\" I'm not exactly sure what I said, considering the head injury, but it was something in the neighborhood of: Hell no. That was the last day of my illustrious sporting career.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Since then, sports don't come up that often. Well, until recently, that is, with the Warriors making the NBA Finals in three consecutive years, and the SF Giants winning three World Series over the span of five years. On each of those occasions, I took the “if you can’t beat ‘em, join ‘em” approach and sacrificed myself to \u003ca href=\"http://a1.ec-images.myspacecdn.com/images01/90/087cb41702aff307d024cf8f163986a6/l.jpg\">the sporty gods\u003c/a>. And you know what, it wasn’t terrible. With the NBA Finals upon us, what’s a non-sports fan to do?\u003c/p>\n\u003cp>Here are a few tips on how to successfully pretend you care about sports (and maybe even have some fun while you’re at it):\u003c/p>\n\u003cp style=\"text-align: center\">1. \u003cstrong>Do respect the high holiday and mind your manners.\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"http://1.bp.blogspot.com/-kNIlbDZHJlU/ThI7plOhyBI/AAAAAAAAAKM/qHKlw3qKOLs/s1600/manners.jpg\" alt=\"\">\u003c/p>\n\u003cp>I’m not sure if Emily Post ever touched on the topic of talking loudly over an important televised event, but I bet she would have been against it. So don’t be a chatterbox during pivotal plays. Just because you don’t care doesn’t mean that others don’t. This is called manners. You wouldn’t want someone to go on and on about how they just can’t figure out why so-and-so never called them back while you’re watching reruns of \u003cem>\u003ca href=\"http://ww2.kqed.org/pop/tag/full-house/\" target=\"_blank\" rel=\"noopener noreferrer\">Full House\u003c/a>\u003c/em>, now would you?\u003c/p>\n\u003cp style=\"text-align: center\">2. \u003cstrong>Do wear the right colors.\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/01/c4ce9940-1a5f-0131-b0bc-4e7ad7558a4b.gif\" rel=\"attachment wp-att-20154\">\u003cimg class=\"aligncenter size-full wp-image-20154\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/01/c4ce9940-1a5f-0131-b0bc-4e7ad7558a4b.gif\" alt=\"clueless clothes gif\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp>Dressing up is fun (see: Halloween and Quinceañeras, Rocky Horror shows and raves). So get in the mood by putting together an ensemble that is appropriate for the occasion. You don’t have to go so far as to wear a jersey or hat, but at least get the colors right if you plan on rooting for a specific team. Don some midnight blue, gold, and/or international orange for the Warriors. If for some weird reason you're rooting for the Cavaliers, go for wine, gold and/or navy blue.\u003c/p>\n\u003cp style=\"text-align: center\">3. \u003cstrong>Do find your people.\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RRteokw7m80'\n title='//www.youtube.com/embed/RRteokw7m80'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Life is too short to surround yourself with people that don't get you so find out where your kindred spirits hang out. If you like to be in the middle of the action, Mission dive bars are the place for you. If you enjoy reliving your college years, head to the Marina. If you don’t like strangers, invite yourself over to a friend’s house. And if you’re gay and aren’t opposed to \u003ca href=\"http://ww2.kqed.org/pop/2013/01/30/proven-gays-like-sports-too/\" target=\"_blank\" rel=\"noopener noreferrer\">a celebratory kiss\u003c/a>, check out Hi Tops in the Castro. If you don't live in San Francisco, I'm sure you know which local spot you'd feel most comfortable in.\u003c/p>\n\u003cp style=\"text-align: center\">4. \u003cstrong>Do your homework.\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"http://www.bbisd.org/pages/uploaded_images/Garfeils.gif\" alt=\"\">\u003c/p>\n\u003cp>No one likes a dunce so do some light studying. Okay, let's be real; you're not going to study. Here's a cheat sheet from me to you:\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "kqedEmbed",
"attributes": {
"named": {
"url": "https://ww2.kqed.org/pop/2016/06/08/21-fun-facts-you-might-not-know-about-the-golden-state-warriors/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp class=\"Normal_0020_0028Web_0029\">Got all that? Good!\u003c/p>\n\u003cp>If all the above fails to up your interest level, here's a secret weapon: If you’re a girl, gay boy or open-minded straight guy, go through both teams’ rosters and pick your next boyfriend. As anyone who has crushed on their high school math teacher knows, love can make any subject interesting.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp style=\"text-align: left\">So put your shiver-inducing sports memories behind you and let these tips guide you to surviving and maybe even enjoying America’s biggest and baddest sporting event. In the words of my former coach: “YOU GOT THIS!”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/85030/a-reluctant-sports-fans-guide-to-the-2017-nba-finals",
"authors": [
"27"
],
"categories": [
"pop_1041"
],
"tags": [
"pop_898",
"pop_81",
"pop_393"
],
"featImg": "pop_26214",
"label": "pop"
},
"pop_85252": {
"type": "posts",
"id": "pop_85252",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "85252",
"score": null,
"sort": [
1497027632000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1497027632,
"format": "standard",
"disqusTitle": "Total Failure: The World's Worst Video Game",
"title": "Total Failure: The World's Worst Video Game",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Howard Scott Warshaw has had many gigs over the years, but perhaps his most notable achievement was also a spectacular failure:\u003c/p>\n\u003cp>\"I did the E.T. video game, the game that is widely held to be the worst video game of all time,\" he says.\u003c/p>\n\u003cp>E.T. The Extra-Terrestrial for the Atari 2600 was a commercial flop and a gaming disaster. Based loosely on Steven Spielberg's 1982 blockbuster of the same name, the game was a confusing mess that left players frustrated and disoriented. Millions of copies went unsold, and Atari ended up literally burying the game by dumping many surplus cartridges into a New Mexico landfill.\u003c/p>\n\u003cp>Within a year of E.T.'s release, the entire video game industry collapsed. Warshaw ultimately had to give up his career as a game designer. But the failure also laid the foundations for a new life.\u003c/p>\n\u003cp>To understand the makings of what has been described as the worst video game ever, you have to understand the mind of the man who made it. From the very start of life, Howard Scott Warshaw was in a hurry.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"When I was a kid, I wanted to be older. When I was older, I wanted to be an adult. I wanted to get out and I wanted to engage life,\" he says.\u003c/p>\n\u003cp>He wanted to get through school fast, make a quick, tidy fortune in business, and retire by 30.\u003c/p>\n\u003cp>To that end, he zipped through college, got a master's degree in computer engineering and headed to Silicon Valley. In 1981, he was hired at a new company called Atari. Atari was basically an early Silicon Valley startup. Its main product, the Atari 2600, was the first really popular video game console.\u003c/p>\n\u003cp>Warshaw's job was to design games. This was the era of games like Pong, in which users used black-and-white virtual paddles to push a small, square \"ball\" around a screen. It was pretty sedate.\u003c/p>\n\u003cp>Warshaw took a much more exciting approach to game design. At a time when graphics were primitive and in-game plots were nonexistent, he pushed to make his games feel more like movies.\u003c/p>\n\u003cp>\"I tried to make every single thing on the screen move and pulse with color and sound,\" he says.\u003c/p>\n\u003cp>His first game was Yars' Revenge. The user played a mutant space fly, trying to kill a giant monster. It was unlike anything that had come before, and it was a runaway hit.\u003c/p>\n\u003cfigure id=\"attachment_85254\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-85254 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-800x440.jpg\" alt=\"\" width=\"800\" height=\"440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-800x440.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-160x88.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-768x422.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-240x132.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-375x206.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-520x286.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75.jpg 950w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Howard Scott Warshaw was working at Atari in 1982 when Steven Spielberg asked him to design a video game adaptation of E.T.\u003cbr> (Courtesy of Dave Staugas)\u003c/figcaption>\u003c/figure>\n\u003cp>Warshaw quickly became one of the company's superstar programmers. When Atari got the rights to make the video game version of Steven Spielberg's first Indiana Jones movie, \u003cem>Raiders of the Lost Ark\u003c/em>, they put him on the job. Now to put this in perspective, nobody had ever made a video game based on a movie. At 23, Warshaw was going to be the first programmer to ever attempt it.\u003c/p>\n\u003cp>It took him 10 months to design the \u003cem>Raiders\u003c/em> game, write the code, get feedback, reprogram it and put it through quality control. When all that was finished, he showed Spielberg the final product.\u003c/p>\n\u003cp>\u003cstrong> \"\u003c/strong>He looks up at me and he says, 'It's just like a movie. I feel like I just watched a movie,' \" Warshaw recalls. \"I thought, 'Oh my God! Steven Spielberg thinks my adventure game is just like a movie!' To me that was the ultimate compliment I could possibly receive on this work.\"\u003c/p>\n\u003cp>And here's where the trouble began. The next movie Spielberg made was \u003cem>E.T.\u003c/em> Spielberg wanted a video game based on \u003cem>E.T\u003c/em>. And he wanted Warshaw to program it.\u003c/p>\n\u003cp>\"Spielberg had requested that I do E.T\u003cem>.\u003c/em> So fine, I'm not going to argue,\" Warshaw says. \"But what had happened, the negotiations for E.T\u003cem>.\u003c/em> had run very long.\"\u003c/p>\n\u003cp>Atari and Spielberg haggled over rights and money until the end of July 1982. To get the game out in time for the Christmas holiday, Warshaw would have to build it from scratch in five weeks. The CEO of Atari called him directly.\u003c/p>\n\u003cp>\"He goes, 'We need an \u003cem>E.T.\u003c/em> game and we need it for September first, can you do it?' And I said, 'You bet I can. I absolutely can,'\" he says.\u003c/p>\n\u003cp>\"I don't know exactly what I was full of at the time, exactly, but whatever it was I was overflowing with it, and I believed I could pull it off. I mean the hubris of it!\"\u003c/p>\n\u003cp>Warshaw wasn't the only one full of hubris. During this period, Atari was one of the fastest growing companies in America. Its profits were soaring and bonus checks were rolling in. Inside the headquarters were drugs and sex and booze.\u003c/p>\n\u003cp>\"It was a ridiculous, excessive, sort of 'fall of Rome' kind of environment,\" he says.\u003c/p>\n\u003cp>And everyone there believed that nothing could stop them.\u003c/p>\n\u003cp>Warshaw had just 36 hours to come up with a concept for the game. In the movie, E.T. puts together a communicator he uses to \"phone home.\" So Warshaw made that the basic plot of the game, too. The player as E.T. was to go around gathering parts for the phone.\u003c/p>\n\u003cp>\"Another issue with me is that it's not enough that we're going to do something in five weeks. I wanted to do something that was a step up, not just an add-on,\" he says.\u003c/p>\n\u003cp>Warshaw created an elaborate world for the Atari E.T. to explore. The world was designed to wrap around on itself, so traveling in any direction eventually returned E.T. to his starting point.\u003c/p>\n\u003cfigure id=\"attachment_85255\" class=\"wp-caption alignright\" style=\"max-width: 316px\">\u003cimg class=\"size-full wp-image-85255\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/et-2_enl-1ca07a16cf17786b685e544b86145a2334d5e38b.png\" alt=\"\" width=\"316\" height=\"196\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/et-2_enl-1ca07a16cf17786b685e544b86145a2334d5e38b.png 316w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/et-2_enl-1ca07a16cf17786b685e544b86145a2334d5e38b-160x99.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/et-2_enl-1ca07a16cf17786b685e544b86145a2334d5e38b-240x149.png 240w\" sizes=\"(max-width: 316px) 100vw, 316px\">\u003cfigcaption class=\"wp-caption-text\">In a still from the game, Elliott meets E.T. in a field of wells. The player must also collect Reese's Pieces, which are represented by small black dots throughout the game.\u003cbr>(Wikipedia)\u003c/figcaption>\u003c/figure>\n\u003cp>Then Warshaw added lots of pits in the ground to hide parts of the phone in. (We'll get back to those pits later.)\u003c/p>\n\u003cp>Warshaw flew down to LA to show Spielberg the concept.\u003c/p>\n\u003cp>\"I lay the whole thing out and here it is, and Spielberg looks at me and he goes, 'Couldn't you just do something like Pac-Man?'\"\u003c/p>\n\u003cp>Warshaw was furious. \"Just to give you an idea of how full of myself I was at that point. I'm sitting there with Steven Spielberg and I wanted to say, 'Well, gee, Steven couldn't you do something like \u003cem>The Day the Earth Stood Still\u003c/em>?'\"\u003c/p>\n\u003cp>In the end Spielberg signed off on the game's design. Warshaw went back to Silicon Valley. He had a game development system moved into his home so he could work on E.T. day and night.\u003c/p>\n\u003cp>\"I would say workwise it was the hardest five weeks of my life,\" he says.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7W41bHU7F0U\u003c/p>\n\u003cp>And in five, magical weeks, he took the blockbuster film \u003cem>E.T.\u003c/em> and turned it into a horrible video game.\u003c/p>\n\u003cp>Here's the fundamental problem with E.T.: It's really confusing to play. The E.T. game character travels through a wraparound world that keeps returning players to the same screen again and again without explanation. The pits in the ground, in which E.T.'s phone is hidden, constantly trap the little alien. In the words of NPR's \u003ca href=\"http://www.npr.org/people/182264497/gene-demby\">Gene Demby\u003c/a>, who received a copy one Christmas in his youth, E.T. is the video-game equivalent of \"purgatory.\"\u003c/p>\n\u003cp>Warshaw has a different way of explaining the game's problem: \"There's a difference between frustration and disorientation,\" he says. \"Video games are all about frustration. It's OK to frustrate a user. In fact, it's important to frustrate a user. But you don't want to disorient the user.\"\u003c/p>\n\u003cp>At first, Warshaw didn't know that he'd made a dud. Sales around the holidays were strong. E.T. was at the top of the charts. But then, in the halls at Atari, people started coming up to him and saying things that made it clear E.T. had flopped.\u003c/p>\n\u003cp>\"It hurt,\" Warshaw recalls. \"I mean it hurt to hear that people aren't liking my game.\"\u003c/p>\n\u003cfigure id=\"attachment_85265\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-85265 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85-800x531.jpg\" alt=\"\" width=\"800\" height=\"531\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85-768x510.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85-240x159.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85-375x249.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An E.T. video game cartridge found along with other discarded Atari games in a New Mexico landfill in 2013.\u003cbr> (taylorhatmaker/ Wikimedia)\u003c/figcaption>\u003c/figure>\n\u003cp>At the same time Warshaw's game flopped, Atari was running into real trouble. The company's owners were making bad business deals. Programmers like Warshaw were making bad games. And just as quickly as it had risen, Atari was falling. The CEO was fired, and the company had to lay off hundreds of employees.\u003c/p>\n\u003cp>Soon, Warshaw was out of a job. \"Atari was the world to me,\" he says. \"You want to talk about a failure. The failure of E.T. was really nothing at that time in my life compared to the loss of Atari as a workplace.\"\u003c/p>\n\u003cp>But when it came to failure, Warshaw was just getting started. Atari had made him a millionaire, but he squandered it on bad investments. And then the IRS came after him for back taxes. Warshaw hit bottom.\u003c/p>\n\u003cp>\"Until one day, I really had a sit-down with myself, and I said, 'You know, the IRS can only take my money. That's really all they can do. If I give them my happiness, that's on me.' \"\u003c/p>\n\u003cp>And he began a long, slow journey toward finding that happiness again. He went from job to job: computers, videography, real estate. Some gigs were better than others, but none compared to his time at Atari. The months stretched into years, and eventually more than a decade. And then one day, he was talking to his girlfriend at the time and she asked him, \"What do you really want to do?\"\u003c/p>\n\u003cp>\"I said, 'Well, I'd be a therapist.' I mean, I didn't even think for a second, I knew exactly what I wanted to do,\" he says.\u003c/p>\n\u003cfigure id=\"attachment_85256\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-85256 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-800x489.jpg\" alt=\"\" width=\"800\" height=\"489\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-800x489.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-160x98.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-768x469.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-1020x623.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-1920x1173.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-1180x721.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-960x587.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-240x147.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-375x229.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-520x318.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Warshaw and his wife, Sherri Warshaw, earlier this year.\u003cbr> (Courtesy of Howard Scott Warshaw)\u003c/figcaption>\u003c/figure>\n\u003cp>Therapy. It made perfect sense. Silicon Valley was booming, except instead of video games it was smartphones and apps. Startups were failing. People's careers were crashing and burning. And after everything he'd been through, Warshaw knew he was the guy who could help.\u003c/p>\n\u003cp>\"I have been there; I do know what it's like. I have succeeded and I've failed and I've lost it, and I've had it and I've lost it. I've seen all this go. I can help people really understand and relate and find a way around and through it,\" he says.\u003c/p>\n\u003cp>Warshaw got his license, and today he calls himself the \u003ca href=\"http://hswarshaw.com/wordpress/\">Silicon Valley Therapist\u003c/a>. His clients are a lot like he was back in the day: young, ambitious and rushing ahead. Business is good.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>This story is the third in a four-part series on the experience of failure and how people deal with it. It was developed in NPR's \u003c/em>Story Lab\u003cem>. Nicholas DePrey created original music for the series.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Total+Failure%3A+The+World%27s+Worst+Video+Game&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"disqusIdentifier": "85252 https://ww2.kqed.org/pop/?p=85252",
"disqusUrl": "https://ww2.kqed.org/pop/2017/06/09/total-failure-the-worlds-worst-video-game/",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1880,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 49
},
"modified": 1496950603,
"excerpt": "In the late summer of 1982, one man worked around the clock to program the video game version of Steven Spielberg's 'E.T.' in just five weeks. The result wasn't pretty.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "In the late summer of 1982, one man worked around the clock to program the video game version of Steven Spielberg's 'E.T.' in just five weeks. The result wasn't pretty.",
"title": "Total Failure: The World's Worst Video Game | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Total Failure: The World's Worst Video Game",
"datePublished": "2017-06-09T10:00:32-07:00",
"dateModified": "2017-06-08T12:36:43-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "total-failure-the-worlds-worst-video-game",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=530235165&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Geoff Brumfiel",
"nprStoryDate": "Wed, 31 May 2017 12:30:00 -0400",
"nprLastModifiedDate": "Wed, 07 Jun 2017 11:28:40 -0400",
"nprHtmlLink": "http://www.npr.org/2017/05/31/530235165/total-failure-the-worlds-worst-video-game?ft=nprml&f=530235165",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/05/20170531_atc_total_failure_the_worlds_worst_video_game.mp3?orgId=1&topicId=1019&d=604&p=2&story=530235165&t=progseg&e=530845747&seg=6&ft=nprml&f=530235165",
"nprImageAgency": "Isabel Seliger for NPR",
"nprAudioM3u": "http://api.npr.org/m3u/1530929965-1f3ea8.m3u?orgId=1&topicId=1019&d=604&p=2&story=530235165&t=progseg&e=530845747&seg=6&ft=nprml&f=530235165",
"nprStoryId": "530235165",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 07 Jun 2017 11:28:00 -0400",
"path": "/pop/85252/total-failure-the-worlds-worst-video-game",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/05/20170531_atc_total_failure_the_worlds_worst_video_game.mp3?orgId=1&topicId=1019&d=604&p=2&story=530235165&t=progseg&e=530845747&seg=6&ft=nprml&f=530235165",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Howard Scott Warshaw has had many gigs over the years, but perhaps his most notable achievement was also a spectacular failure:\u003c/p>\n\u003cp>\"I did the E.T. video game, the game that is widely held to be the worst video game of all time,\" he says.\u003c/p>\n\u003cp>E.T. The Extra-Terrestrial for the Atari 2600 was a commercial flop and a gaming disaster. Based loosely on Steven Spielberg's 1982 blockbuster of the same name, the game was a confusing mess that left players frustrated and disoriented. Millions of copies went unsold, and Atari ended up literally burying the game by dumping many surplus cartridges into a New Mexico landfill.\u003c/p>\n\u003cp>Within a year of E.T.'s release, the entire video game industry collapsed. Warshaw ultimately had to give up his career as a game designer. But the failure also laid the foundations for a new life.\u003c/p>\n\u003cp>To understand the makings of what has been described as the worst video game ever, you have to understand the mind of the man who made it. From the very start of life, Howard Scott Warshaw was in a hurry.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"When I was a kid, I wanted to be older. When I was older, I wanted to be an adult. I wanted to get out and I wanted to engage life,\" he says.\u003c/p>\n\u003cp>He wanted to get through school fast, make a quick, tidy fortune in business, and retire by 30.\u003c/p>\n\u003cp>To that end, he zipped through college, got a master's degree in computer engineering and headed to Silicon Valley. In 1981, he was hired at a new company called Atari. Atari was basically an early Silicon Valley startup. Its main product, the Atari 2600, was the first really popular video game console.\u003c/p>\n\u003cp>Warshaw's job was to design games. This was the era of games like Pong, in which users used black-and-white virtual paddles to push a small, square \"ball\" around a screen. It was pretty sedate.\u003c/p>\n\u003cp>Warshaw took a much more exciting approach to game design. At a time when graphics were primitive and in-game plots were nonexistent, he pushed to make his games feel more like movies.\u003c/p>\n\u003cp>\"I tried to make every single thing on the screen move and pulse with color and sound,\" he says.\u003c/p>\n\u003cp>His first game was Yars' Revenge. The user played a mutant space fly, trying to kill a giant monster. It was unlike anything that had come before, and it was a runaway hit.\u003c/p>\n\u003cfigure id=\"attachment_85254\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-85254 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-800x440.jpg\" alt=\"\" width=\"800\" height=\"440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-800x440.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-160x88.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-768x422.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-240x132.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-375x206.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75-520x286.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/dave-staugas-1_enl-30a7af3bf9ed96dbe796aa722539cd0ba4ab5c75.jpg 950w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Howard Scott Warshaw was working at Atari in 1982 when Steven Spielberg asked him to design a video game adaptation of E.T.\u003cbr> (Courtesy of Dave Staugas)\u003c/figcaption>\u003c/figure>\n\u003cp>Warshaw quickly became one of the company's superstar programmers. When Atari got the rights to make the video game version of Steven Spielberg's first Indiana Jones movie, \u003cem>Raiders of the Lost Ark\u003c/em>, they put him on the job. Now to put this in perspective, nobody had ever made a video game based on a movie. At 23, Warshaw was going to be the first programmer to ever attempt it.\u003c/p>\n\u003cp>It took him 10 months to design the \u003cem>Raiders\u003c/em> game, write the code, get feedback, reprogram it and put it through quality control. When all that was finished, he showed Spielberg the final product.\u003c/p>\n\u003cp>\u003cstrong> \"\u003c/strong>He looks up at me and he says, 'It's just like a movie. I feel like I just watched a movie,' \" Warshaw recalls. \"I thought, 'Oh my God! Steven Spielberg thinks my adventure game is just like a movie!' To me that was the ultimate compliment I could possibly receive on this work.\"\u003c/p>\n\u003cp>And here's where the trouble began. The next movie Spielberg made was \u003cem>E.T.\u003c/em> Spielberg wanted a video game based on \u003cem>E.T\u003c/em>. And he wanted Warshaw to program it.\u003c/p>\n\u003cp>\"Spielberg had requested that I do E.T\u003cem>.\u003c/em> So fine, I'm not going to argue,\" Warshaw says. \"But what had happened, the negotiations for E.T\u003cem>.\u003c/em> had run very long.\"\u003c/p>\n\u003cp>Atari and Spielberg haggled over rights and money until the end of July 1982. To get the game out in time for the Christmas holiday, Warshaw would have to build it from scratch in five weeks. The CEO of Atari called him directly.\u003c/p>\n\u003cp>\"He goes, 'We need an \u003cem>E.T.\u003c/em> game and we need it for September first, can you do it?' And I said, 'You bet I can. I absolutely can,'\" he says.\u003c/p>\n\u003cp>\"I don't know exactly what I was full of at the time, exactly, but whatever it was I was overflowing with it, and I believed I could pull it off. I mean the hubris of it!\"\u003c/p>\n\u003cp>Warshaw wasn't the only one full of hubris. During this period, Atari was one of the fastest growing companies in America. Its profits were soaring and bonus checks were rolling in. Inside the headquarters were drugs and sex and booze.\u003c/p>\n\u003cp>\"It was a ridiculous, excessive, sort of 'fall of Rome' kind of environment,\" he says.\u003c/p>\n\u003cp>And everyone there believed that nothing could stop them.\u003c/p>\n\u003cp>Warshaw had just 36 hours to come up with a concept for the game. In the movie, E.T. puts together a communicator he uses to \"phone home.\" So Warshaw made that the basic plot of the game, too. The player as E.T. was to go around gathering parts for the phone.\u003c/p>\n\u003cp>\"Another issue with me is that it's not enough that we're going to do something in five weeks. I wanted to do something that was a step up, not just an add-on,\" he says.\u003c/p>\n\u003cp>Warshaw created an elaborate world for the Atari E.T. to explore. The world was designed to wrap around on itself, so traveling in any direction eventually returned E.T. to his starting point.\u003c/p>\n\u003cfigure id=\"attachment_85255\" class=\"wp-caption alignright\" style=\"max-width: 316px\">\u003cimg class=\"size-full wp-image-85255\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/et-2_enl-1ca07a16cf17786b685e544b86145a2334d5e38b.png\" alt=\"\" width=\"316\" height=\"196\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/et-2_enl-1ca07a16cf17786b685e544b86145a2334d5e38b.png 316w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/et-2_enl-1ca07a16cf17786b685e544b86145a2334d5e38b-160x99.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/et-2_enl-1ca07a16cf17786b685e544b86145a2334d5e38b-240x149.png 240w\" sizes=\"(max-width: 316px) 100vw, 316px\">\u003cfigcaption class=\"wp-caption-text\">In a still from the game, Elliott meets E.T. in a field of wells. The player must also collect Reese's Pieces, which are represented by small black dots throughout the game.\u003cbr>(Wikipedia)\u003c/figcaption>\u003c/figure>\n\u003cp>Then Warshaw added lots of pits in the ground to hide parts of the phone in. (We'll get back to those pits later.)\u003c/p>\n\u003cp>Warshaw flew down to LA to show Spielberg the concept.\u003c/p>\n\u003cp>\"I lay the whole thing out and here it is, and Spielberg looks at me and he goes, 'Couldn't you just do something like Pac-Man?'\"\u003c/p>\n\u003cp>Warshaw was furious. \"Just to give you an idea of how full of myself I was at that point. I'm sitting there with Steven Spielberg and I wanted to say, 'Well, gee, Steven couldn't you do something like \u003cem>The Day the Earth Stood Still\u003c/em>?'\"\u003c/p>\n\u003cp>In the end Spielberg signed off on the game's design. Warshaw went back to Silicon Valley. He had a game development system moved into his home so he could work on E.T. day and night.\u003c/p>\n\u003cp>\"I would say workwise it was the hardest five weeks of my life,\" he says.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7W41bHU7F0U'\n title='//www.youtube.com/embed/7W41bHU7F0U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And in five, magical weeks, he took the blockbuster film \u003cem>E.T.\u003c/em> and turned it into a horrible video game.\u003c/p>\n\u003cp>Here's the fundamental problem with E.T.: It's really confusing to play. The E.T. game character travels through a wraparound world that keeps returning players to the same screen again and again without explanation. The pits in the ground, in which E.T.'s phone is hidden, constantly trap the little alien. In the words of NPR's \u003ca href=\"http://www.npr.org/people/182264497/gene-demby\">Gene Demby\u003c/a>, who received a copy one Christmas in his youth, E.T. is the video-game equivalent of \"purgatory.\"\u003c/p>\n\u003cp>Warshaw has a different way of explaining the game's problem: \"There's a difference between frustration and disorientation,\" he says. \"Video games are all about frustration. It's OK to frustrate a user. In fact, it's important to frustrate a user. But you don't want to disorient the user.\"\u003c/p>\n\u003cp>At first, Warshaw didn't know that he'd made a dud. Sales around the holidays were strong. E.T. was at the top of the charts. But then, in the halls at Atari, people started coming up to him and saying things that made it clear E.T. had flopped.\u003c/p>\n\u003cp>\"It hurt,\" Warshaw recalls. \"I mean it hurt to hear that people aren't liking my game.\"\u003c/p>\n\u003cfigure id=\"attachment_85265\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-85265 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85-800x531.jpg\" alt=\"\" width=\"800\" height=\"531\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85-768x510.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85-240x159.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85-375x249.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/et-1_custom-c3583ef1f8e9fca5088b3f2dd7c1f6371e4958e9-s800-c85-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An E.T. video game cartridge found along with other discarded Atari games in a New Mexico landfill in 2013.\u003cbr> (taylorhatmaker/ Wikimedia)\u003c/figcaption>\u003c/figure>\n\u003cp>At the same time Warshaw's game flopped, Atari was running into real trouble. The company's owners were making bad business deals. Programmers like Warshaw were making bad games. And just as quickly as it had risen, Atari was falling. The CEO was fired, and the company had to lay off hundreds of employees.\u003c/p>\n\u003cp>Soon, Warshaw was out of a job. \"Atari was the world to me,\" he says. \"You want to talk about a failure. The failure of E.T. was really nothing at that time in my life compared to the loss of Atari as a workplace.\"\u003c/p>\n\u003cp>But when it came to failure, Warshaw was just getting started. Atari had made him a millionaire, but he squandered it on bad investments. And then the IRS came after him for back taxes. Warshaw hit bottom.\u003c/p>\n\u003cp>\"Until one day, I really had a sit-down with myself, and I said, 'You know, the IRS can only take my money. That's really all they can do. If I give them my happiness, that's on me.' \"\u003c/p>\n\u003cp>And he began a long, slow journey toward finding that happiness again. He went from job to job: computers, videography, real estate. Some gigs were better than others, but none compared to his time at Atari. The months stretched into years, and eventually more than a decade. And then one day, he was talking to his girlfriend at the time and she asked him, \"What do you really want to do?\"\u003c/p>\n\u003cp>\"I said, 'Well, I'd be a therapist.' I mean, I didn't even think for a second, I knew exactly what I wanted to do,\" he says.\u003c/p>\n\u003cfigure id=\"attachment_85256\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-85256 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-800x489.jpg\" alt=\"\" width=\"800\" height=\"489\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-800x489.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-160x98.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-768x469.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-1020x623.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-1920x1173.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-1180x721.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-960x587.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-240x147.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-375x229.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/howard-1_enl-e3671150a5837724cda460944556d0a6ea771284-520x318.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Warshaw and his wife, Sherri Warshaw, earlier this year.\u003cbr> (Courtesy of Howard Scott Warshaw)\u003c/figcaption>\u003c/figure>\n\u003cp>Therapy. It made perfect sense. Silicon Valley was booming, except instead of video games it was smartphones and apps. Startups were failing. People's careers were crashing and burning. And after everything he'd been through, Warshaw knew he was the guy who could help.\u003c/p>\n\u003cp>\"I have been there; I do know what it's like. I have succeeded and I've failed and I've lost it, and I've had it and I've lost it. I've seen all this go. I can help people really understand and relate and find a way around and through it,\" he says.\u003c/p>\n\u003cp>Warshaw got his license, and today he calls himself the \u003ca href=\"http://hswarshaw.com/wordpress/\">Silicon Valley Therapist\u003c/a>. His clients are a lot like he was back in the day: young, ambitious and rushing ahead. Business is good.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>This story is the third in a four-part series on the experience of failure and how people deal with it. It was developed in NPR's \u003c/em>Story Lab\u003cem>. Nicholas DePrey created original music for the series.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Total+Failure%3A+The+World%27s+Worst+Video+Game&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/85252/total-failure-the-worlds-worst-video-game",
"authors": [
"byline_pop_85252"
],
"categories": [
"pop_1155"
],
"tags": [
"pop_2962",
"pop_2961",
"pop_2963"
],
"featImg": "pop_85253",
"label": "pop"
},
"pop_84150": {
"type": "posts",
"id": "pop_84150",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "84150",
"score": null,
"sort": [
1496923247000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1496923247,
"format": "standard",
"disqusTitle": "Beyond Janis and Jimi: The Forgotten Jams from the Summer of Love",
"title": "Beyond Janis and Jimi: The Forgotten Jams from the Summer of Love",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>\u003cem>This piece was inspired by an episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>, KQED’s weekly pop culture podcast. Give it a listen!\u003c/em>\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/06/1967SummerofLove.mp3\" title=\"Summer of Love Bops The World Forgot\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>\u003cspan style=\"font-weight: 400\">This summer marks the 50th anniversary of the Summer of Love, which saw as many as 100,000 flower children descend on San Francisco’s Haight-Ashbury neighborhood to start a revolution based on love, unity, peace, flower crowns, lots and lots of weed, and, last but certainly not least, music! Janis Joplin, Jimi Hendrix, the Grateful Dead, the Mamas and the Papas, Jefferson Airplane: these are the names that come to mind when thinking of 1967. But this is only a partial picture. What else were people jamming to during the Summer of Love? What are the songs that were popular, but didn’t become canonized in the historical counterculture narrative, and are now more or less forgotten?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In order to find the answer to these questions and get a fuller idea of what music in 1967 was \u003cem>really\u003c/em> like, I dove head first into the deepest, darkest parts of the Billboard chart archives. Here’s what I found:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You most likely remember the song “San Francisco (Be Sure to Wear Flowers in Your Hair),” which was written for Scott McKenzie by John Phillips of the Mamas and the Papas. In case you're not familiar, it’s a certified bop and sounds like this:\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7I0vkKy504U\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Released in May of 1967, the song was an instant classic, convincing even more hippies to migrate to San Francisco that summer, and going on to sell seven million copies. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A song you most likely\u003cem> don't\u003c/em> remember is \"Let's Go to San Francisco,\" by a British band called the Flower Pot Men (Mary Jane reference, you dig?). The group released the song a few months after Scott McKenzie's monster smash, trying to capitalize on the let's-ditch-our-lives-and-live-it-up-in-SF movement. It was moderately popular in the UK, but had little to no crossover appeal in the States. The Flower Pot Children are considered a one-hit wonder across the pond.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=puuWsTitPa4\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When a song is called \"I Was Kaiser Bill's Batman,\" you want answers. But you're not going to get any from this Whistling Jack Smith number, because there are no lyrics -- just passionate whistling. Despite there being no words to sing along with, the song was a big hit, reaching No. 20 on the Billboard Hot 100 and spending seven weeks on the chart. None of this makes sense, but this live performance of what can best be described as Spock's younger gay brother hopping around on a big stage emphatically whistling for several minutes makes it all worthwhile. Behold this thing of beauty:\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zQQ5sEOhbjQ\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A band called the Box Tops had a No. 1 hit during the summer of 1967 with a song about the power of snail mail called “The Letter.” \u003ca href=\"http://www.rollingstone.com/music/lists/the-500-greatest-songs-of-all-time-20110407/the-box-tops-the-letter-20110526\">According to \u003cem>Rolling Stone\u003c/em>\u003c/a>, “The Letter” is one of the 500 Greatest Songs of All Time. \u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=toBl4rvTgs8\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A lesser-known song about correspondence that didn't make it onto \u003cem>Rolling Stone\u003c/em>’s list, \"Western Union\" by the Five Americans reached No. 8 on the charts before fading away. And I’m not sure why, because it’s glorious. It’s about being broken up with via telegram, which was the '60s version of being broken up with \u003ca href=\"https://s-media-cache-ak0.pinimg.com/736x/8a/95/19/8a9519f71f2ddcf0413f589f0177ebbe.jpg\">via Post-it note\u003c/a> or text message. Plus, the chorus involves the band members mimicking the sound of a telegram. What else could you want?\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fJMwxucTJyo\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Anyone who knows me knows I love a good witch. Stevie Nicks, the girls from \u003cem>Charmed\u003c/em>, Nicole Kidman in \u003cem>Practical Magic\u003c/em>, Bette Midler in \u003cem>Hocus Pocus\u003c/em>, Lana del Rey, teenage Sabrina, the girls from \u003cem>The Craft\u003c/em>, Hermione Granger, Luna Lovegood, Professor McGonagall... I could go on. So it's no surprise that I’m in love with a song called “The Oogum Boogum Song” by Brenton Wood, which peaked at No. 19 on the Billboard chart. It’s about a hot hipster witch putting a spell on him. Been there.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LuWC0T3izDs\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Speaking of witches, the Fifth Estate had a hit with “Ding Dong! The Witch Is Dead,” which borrows from \u003cem>The Wizard of Oz\u003c/em> and features a cheery little whistle that makes me want to twerk for some reason (don't judge me). The song peaked at No. 11 and spent 10 weeks on the charts.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gT3QhfiGxRI\u003c/p>\n\u003cp>A random trend around 1967 was spoken word songs by Congressmen. Can you image Mitch McConnell talking in his native language of \u003ca href=\"http://i.imgur.com/9q7OlUS.jpg\">Frowning Turtle\u003c/a> over a trap beat? 2017 has had so many atrocities already, that I wouldn’t even be surprised. Back in the '60s, 71-year-old Senator Everett Dirksen became the oldest person to reach the Top 40 with “Gallant Men.” The song was meant for the troops and climbed all the way up to No. 29, despite being boring as sin.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fAt1VJfEq2k\u003c/p>\n\u003cp>As a response to “Gallant Men,” a comedian named Bill Minkin released a cover version of “Wild Thing,” under the pseudonym Senator Bobby, in the voice of -- you guessed it -- Robert Kennedy. Despite no one asking for this, and its overall weirdness, the song reached No. 20 on the charts. Maybe the hot penny whistle lick turned people on?\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=bAD9QTNpbdY\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While we’re on the topic of songs by white dudes who can’t sing, “An Open Letter to My Teenage Son” by Victor Lundberg, a random newscaster from Grand Rapids, Michigan, became a very unlikely top 10 hit, despite the fact that the track is essentially a rambling rant about long hair, beards, glue-sniffing, whether god is dead, and George Washington. The song escalates quickly, ending with this threat:\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>And I will remind you that your mother will love you no matter what you do, because she is a woman\u003cbr>\nAnd I love you too, son\u003cbr>\nBut I also love our country and the principles for which we stand\u003cbr>\nAnd if you decide to burn your draft card\u003cbr>\nthen burn your birth certificate at the same time\u003cbr>\nFrom that moment on, I have no son\u003c/p>\u003c/blockquote>\n\u003cp>Ummm, okay then.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gBU6GkseD1w\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Speaking of war, a band called the Royal Guardsmen had a hit with a song all about Snoopy -- yes, that Snoopy -- fighting Germans, called “Snoopy vs. the Red Baron.” I've listened to this song more than a few times in an attempt to deduce why this band decided to pair a cartoon dog with a German antagonist, and all I've come up with is: ¯\\_(ツ)_/¯.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wtJ1Gnh9wPU\u003c/p>\n\u003cp>Our culture is full of single-named legends: Madonna. Prince. Cher. Keith? A random dude with the most generic name had a huge hit in 1967 called \"98.6\" about how much he loves the sun and his natural body temperature. It reached No. 6 on the charts. Two decades later, Keith, possibly annoyed that no one remembered his name, legally changed it to Bazza Keefer.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ykN6Cz05bLM\u003c/p>\n\u003cp>You know that feeling when you get out of work on a Friday afternoon and you think to the wide universe, \u003cem>Put all the liquor inside me\u003c/em>? Well, there’s a song for that feeling by Helena Ferguson called “Where Is The Party?” It did not do well on the charts, but I think that’s a mistake, and so will you once you hear her craving croon, which can be likened to a tipsy motorcycle rev.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=yVxS3OIlfs0\u003c/p>\n\u003cp>If you hate music, history, and the '60s, and have been really bored throughout this article, then \"I'm Bored\" by the Bonzo Dog Doo-Dah Band (yes, that's their real name) is for you:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=5jrnfKe7rqU\u003c/p>\n\u003cp>If, on the other hand, you weren’t bored by all of this music from 1967, there’s even more where these selections came from. Indulge in a summer of music-loving pleasure with this Spotify playlist I made just for you.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://open.spotify.com/embed/user/excusemybeauty/playlist/1FIJj38cB3UkQw2MMiaVOL\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Peace out!\u003c/p>\n\n",
"disqusIdentifier": "84150 https://ww2.kqed.org/pop/?p=84150",
"disqusUrl": "https://ww2.kqed.org/pop/2017/06/08/beyond-janis-and-jimi-the-forgotten-jams-from-the-summer-of-love/",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": true,
"hasPolis": false,
"wordCount": 1500,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 25
},
"modified": 1512008199,
"excerpt": "What are the songs that were popular in 1967, but didn’t stand the test of time and are now more or less forgotten?",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "What are the songs that were popular in 1967, but didn’t stand the test of time and are now more or less forgotten?",
"title": "Beyond Janis and Jimi: The Forgotten Jams from the Summer of Love | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Beyond Janis and Jimi: The Forgotten Jams from the Summer of Love",
"datePublished": "2017-06-08T05:00:47-07:00",
"dateModified": "2017-11-29T18:16:39-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "beyond-janis-and-jimi-the-forgotten-jams-from-the-summer-of-love",
"status": "publish",
"path": "/pop/84150/beyond-janis-and-jimi-the-forgotten-jams-from-the-summer-of-love",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This piece was inspired by an episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>, KQED’s weekly pop culture podcast. Give it a listen!\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "audio",
"attributes": {
"named": {
"program": "The Cooler",
"image": "https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg",
"label": "src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/06/1967SummerofLove.mp3\" title=\"Summer of Love Bops The World Forgot\""
},
"numeric": [
"src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/06/1967SummerofLove.mp3\" title=\"Summer",
"of",
"Love",
"Bops",
"The",
"World",
"Forgot\""
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>\u003cspan style=\"font-weight: 400\">This summer marks the 50th anniversary of the Summer of Love, which saw as many as 100,000 flower children descend on San Francisco’s Haight-Ashbury neighborhood to start a revolution based on love, unity, peace, flower crowns, lots and lots of weed, and, last but certainly not least, music! Janis Joplin, Jimi Hendrix, the Grateful Dead, the Mamas and the Papas, Jefferson Airplane: these are the names that come to mind when thinking of 1967. But this is only a partial picture. What else were people jamming to during the Summer of Love? What are the songs that were popular, but didn’t become canonized in the historical counterculture narrative, and are now more or less forgotten?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In order to find the answer to these questions and get a fuller idea of what music in 1967 was \u003cem>really\u003c/em> like, I dove head first into the deepest, darkest parts of the Billboard chart archives. Here’s what I found:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You most likely remember the song “San Francisco (Be Sure to Wear Flowers in Your Hair),” which was written for Scott McKenzie by John Phillips of the Mamas and the Papas. In case you're not familiar, it’s a certified bop and sounds like this:\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7I0vkKy504U'\n title='//www.youtube.com/embed/7I0vkKy504U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Released in May of 1967, the song was an instant classic, convincing even more hippies to migrate to San Francisco that summer, and going on to sell seven million copies. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A song you most likely\u003cem> don't\u003c/em> remember is \"Let's Go to San Francisco,\" by a British band called the Flower Pot Men (Mary Jane reference, you dig?). The group released the song a few months after Scott McKenzie's monster smash, trying to capitalize on the let's-ditch-our-lives-and-live-it-up-in-SF movement. It was moderately popular in the UK, but had little to no crossover appeal in the States. The Flower Pot Children are considered a one-hit wonder across the pond.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/puuWsTitPa4'\n title='//www.youtube.com/embed/puuWsTitPa4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">When a song is called \"I Was Kaiser Bill's Batman,\" you want answers. But you're not going to get any from this Whistling Jack Smith number, because there are no lyrics -- just passionate whistling. Despite there being no words to sing along with, the song was a big hit, reaching No. 20 on the Billboard Hot 100 and spending seven weeks on the chart. None of this makes sense, but this live performance of what can best be described as Spock's younger gay brother hopping around on a big stage emphatically whistling for several minutes makes it all worthwhile. Behold this thing of beauty:\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zQQ5sEOhbjQ'\n title='//www.youtube.com/embed/zQQ5sEOhbjQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">A band called the Box Tops had a No. 1 hit during the summer of 1967 with a song about the power of snail mail called “The Letter.” \u003ca href=\"http://www.rollingstone.com/music/lists/the-500-greatest-songs-of-all-time-20110407/the-box-tops-the-letter-20110526\">According to \u003cem>Rolling Stone\u003c/em>\u003c/a>, “The Letter” is one of the 500 Greatest Songs of All Time. \u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/toBl4rvTgs8'\n title='//www.youtube.com/embed/toBl4rvTgs8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">A lesser-known song about correspondence that didn't make it onto \u003cem>Rolling Stone\u003c/em>’s list, \"Western Union\" by the Five Americans reached No. 8 on the charts before fading away. And I’m not sure why, because it’s glorious. It’s about being broken up with via telegram, which was the '60s version of being broken up with \u003ca href=\"https://s-media-cache-ak0.pinimg.com/736x/8a/95/19/8a9519f71f2ddcf0413f589f0177ebbe.jpg\">via Post-it note\u003c/a> or text message. Plus, the chorus involves the band members mimicking the sound of a telegram. What else could you want?\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fJMwxucTJyo'\n title='//www.youtube.com/embed/fJMwxucTJyo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Anyone who knows me knows I love a good witch. Stevie Nicks, the girls from \u003cem>Charmed\u003c/em>, Nicole Kidman in \u003cem>Practical Magic\u003c/em>, Bette Midler in \u003cem>Hocus Pocus\u003c/em>, Lana del Rey, teenage Sabrina, the girls from \u003cem>The Craft\u003c/em>, Hermione Granger, Luna Lovegood, Professor McGonagall... I could go on. So it's no surprise that I’m in love with a song called “The Oogum Boogum Song” by Brenton Wood, which peaked at No. 19 on the Billboard chart. It’s about a hot hipster witch putting a spell on him. Been there.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LuWC0T3izDs'\n title='//www.youtube.com/embed/LuWC0T3izDs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Speaking of witches, the Fifth Estate had a hit with “Ding Dong! The Witch Is Dead,” which borrows from \u003cem>The Wizard of Oz\u003c/em> and features a cheery little whistle that makes me want to twerk for some reason (don't judge me). The song peaked at No. 11 and spent 10 weeks on the charts.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gT3QhfiGxRI'\n title='//www.youtube.com/embed/gT3QhfiGxRI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A random trend around 1967 was spoken word songs by Congressmen. Can you image Mitch McConnell talking in his native language of \u003ca href=\"http://i.imgur.com/9q7OlUS.jpg\">Frowning Turtle\u003c/a> over a trap beat? 2017 has had so many atrocities already, that I wouldn’t even be surprised. Back in the '60s, 71-year-old Senator Everett Dirksen became the oldest person to reach the Top 40 with “Gallant Men.” The song was meant for the troops and climbed all the way up to No. 29, despite being boring as sin.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fAt1VJfEq2k'\n title='//www.youtube.com/embed/fAt1VJfEq2k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As a response to “Gallant Men,” a comedian named Bill Minkin released a cover version of “Wild Thing,” under the pseudonym Senator Bobby, in the voice of -- you guessed it -- Robert Kennedy. Despite no one asking for this, and its overall weirdness, the song reached No. 20 on the charts. Maybe the hot penny whistle lick turned people on?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bAD9QTNpbdY'\n title='//www.youtube.com/embed/bAD9QTNpbdY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">While we’re on the topic of songs by white dudes who can’t sing, “An Open Letter to My Teenage Son” by Victor Lundberg, a random newscaster from Grand Rapids, Michigan, became a very unlikely top 10 hit, despite the fact that the track is essentially a rambling rant about long hair, beards, glue-sniffing, whether god is dead, and George Washington. The song escalates quickly, ending with this threat:\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>And I will remind you that your mother will love you no matter what you do, because she is a woman\u003cbr>\nAnd I love you too, son\u003cbr>\nBut I also love our country and the principles for which we stand\u003cbr>\nAnd if you decide to burn your draft card\u003cbr>\nthen burn your birth certificate at the same time\u003cbr>\nFrom that moment on, I have no son\u003c/p>\u003c/blockquote>\n\u003cp>Ummm, okay then.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gBU6GkseD1w'\n title='//www.youtube.com/embed/gBU6GkseD1w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Speaking of war, a band called the Royal Guardsmen had a hit with a song all about Snoopy -- yes, that Snoopy -- fighting Germans, called “Snoopy vs. the Red Baron.” I've listened to this song more than a few times in an attempt to deduce why this band decided to pair a cartoon dog with a German antagonist, and all I've come up with is: ¯\\_(ツ)_/¯.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wtJ1Gnh9wPU'\n title='//www.youtube.com/embed/wtJ1Gnh9wPU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Our culture is full of single-named legends: Madonna. Prince. Cher. Keith? A random dude with the most generic name had a huge hit in 1967 called \"98.6\" about how much he loves the sun and his natural body temperature. It reached No. 6 on the charts. Two decades later, Keith, possibly annoyed that no one remembered his name, legally changed it to Bazza Keefer.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ykN6Cz05bLM'\n title='//www.youtube.com/embed/ykN6Cz05bLM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>You know that feeling when you get out of work on a Friday afternoon and you think to the wide universe, \u003cem>Put all the liquor inside me\u003c/em>? Well, there’s a song for that feeling by Helena Ferguson called “Where Is The Party?” It did not do well on the charts, but I think that’s a mistake, and so will you once you hear her craving croon, which can be likened to a tipsy motorcycle rev.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yVxS3OIlfs0'\n title='//www.youtube.com/embed/yVxS3OIlfs0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you hate music, history, and the '60s, and have been really bored throughout this article, then \"I'm Bored\" by the Bonzo Dog Doo-Dah Band (yes, that's their real name) is for you:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5jrnfKe7rqU'\n title='//www.youtube.com/embed/5jrnfKe7rqU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If, on the other hand, you weren’t bored by all of this music from 1967, there’s even more where these selections came from. Indulge in a summer of music-loving pleasure with this Spotify playlist I made just for you.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://open.spotify.com/embed/user/excusemybeauty/playlist/1FIJj38cB3UkQw2MMiaVOL\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Peace out!\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/84150/beyond-janis-and-jimi-the-forgotten-jams-from-the-summer-of-love",
"authors": [
"27"
],
"categories": [
"pop_4"
],
"tags": [
"pop_1100"
],
"featImg": "pop_85177",
"label": "pop"
},
"pop_84935": {
"type": "posts",
"id": "pop_84935",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "84935",
"score": null,
"sort": [
1496923055000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1496923055,
"format": "standard",
"disqusTitle": "How Much Do You Know About Wedding Etiquette? Test Yourself with This Quiz",
"title": "How Much Do You Know About Wedding Etiquette? Test Yourself with This Quiz",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>\u003cem>This piece was inspired by an episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>, KQED’s weekly pop culture podcast. Give it a listen!\u003c/em>\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/06/1967SummerofLove.mp3\" title=\"Summer of Love Bops The World Forgot\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>\u003cspan style=\"font-weight: 400\">Let’s be real for a moment, shall we? Summer is barreling toward us faster than a Kathy Griffin apology. In your late teens and early twenties, summer is the time to plan Instagrammable vacations, shop for clothes that make you feel (keyword: \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">feel\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">) like Rihanna, and dabble in a fling or two. \u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-84936\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/tumblr_lhyr74uRq71qgdoz7o1_r1_500.gif\" alt=\"\" width=\"500\" height=\"279\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cut to your mid to late twenties and early thirties, and you may still do all of the above with one addition: participation in wedding season. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For those wondering \u003cem>W\u003c/em>\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">hat the hell is wedding season?, \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">congratulations, you’ve managed to make it this far without having to awkwardly decline multiple invitations. I’ll provide the Cliffs Notes: According to wedding experts, June through October are the most popular months for getting hitched. Given that information and where we are in the year, you likely have at least one wedding on your calendar, or one invite making its way to your mailbox (shout out to the procrastinators who scoff at \u003c/span>\u003cspan style=\"font-weight: 400\">Save the Date cards\u003c/span>\u003cspan style=\"font-weight: 400\">).\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-84937\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/giphy-35.gif\" alt=\"\" width=\"640\" height=\"360\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Although weddings can be a joyous occasion, they can also be an expensive undertaking for both the happy couple and for guests. According to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Knot\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">,\u003c/span>\u003ca href=\"https://www.theknot.com/content/average-wedding-cost-2016\">\u003cspan style=\"font-weight: 400\"> the average cost of a wedding in 2016 was $35,329\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. That’s actually an eight percent increase from \u003cimg class=\" wp-image-84945 alignright\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/giphy-36.gif\" alt=\"\" width=\"224\" height=\"123\">2015. Perhaps it’s just me, but when someone invites you to \u003c/span>\u003ca href=\"https://www.washingtonpost.com/news/soloish/wp/2017/02/02/6-things-that-cost-as-much-as-the-average-u-s-wedding/?utm_term=.a3b5178c6b95\">\u003cspan style=\"font-weight: 400\">a party that costs as much as a food truck\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, you feel inclined to bring your wardrobe and gift-giving A-game. Factor in travel costs, and there's a lot of potential to blow your budget. So sometimes it pays to know when to decline a wedding invite (\u003ca href=\"https://www.washingtonpost.com/news/soloish/wp/2017/05/24/in-my-20s-and-30s-i-accepted-nearly-every-wedding-invitation-now-i-rsvp-no/?utm_term=.f4938caa0d7f\">here's some great advice on how to know when that's a good idea\u003c/a>).\u003c/span>\u003c/p>\n\u003cp>Needless to say, there are a lot of details when it comes to wedding season. How well do you know them? Test your knowledge with this quiz:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe id=\"quizWidget-423159\" width=\"100%\" height=\"700px\" frameborder=\"0\" border=\"none\" src=\"https://www.qzzr.com/widget/quiz/fi9xdWl6emVzLzQyMzE1OQ\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n",
"disqusIdentifier": "84935 https://ww2.kqed.org/pop/?p=84935",
"disqusUrl": "https://ww2.kqed.org/pop/2017/06/08/how-much-do-you-know-about-wedding-etiquette-test-yourself-with-this-quiz/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": true,
"hasPolis": false,
"wordCount": 391,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1496919767,
"excerpt": "Wedding season is barreling toward us faster than a Kathy Griffin apology. How ready are you?",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Wedding season is barreling toward us faster than a Kathy Griffin apology. How ready are you?",
"title": "How Much Do You Know About Wedding Etiquette? Test Yourself with This Quiz | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "How Much Do You Know About Wedding Etiquette? Test Yourself with This Quiz",
"datePublished": "2017-06-08T04:57:35-07:00",
"dateModified": "2017-06-08T04:02:47-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "how-much-do-you-know-about-wedding-etiquette-test-yourself-with-this-quiz",
"status": "publish",
"path": "/pop/84935/how-much-do-you-know-about-wedding-etiquette-test-yourself-with-this-quiz",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This piece was inspired by an episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>, KQED’s weekly pop culture podcast. Give it a listen!\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "audio",
"attributes": {
"named": {
"program": "The Cooler",
"image": "https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg",
"label": "src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/06/1967SummerofLove.mp3\" title=\"Summer of Love Bops The World Forgot\""
},
"numeric": [
"src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/06/1967SummerofLove.mp3\" title=\"Summer",
"of",
"Love",
"Bops",
"The",
"World",
"Forgot\""
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>\u003cspan style=\"font-weight: 400\">Let’s be real for a moment, shall we? Summer is barreling toward us faster than a Kathy Griffin apology. In your late teens and early twenties, summer is the time to plan Instagrammable vacations, shop for clothes that make you feel (keyword: \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">feel\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">) like Rihanna, and dabble in a fling or two. \u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-84936\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/tumblr_lhyr74uRq71qgdoz7o1_r1_500.gif\" alt=\"\" width=\"500\" height=\"279\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cut to your mid to late twenties and early thirties, and you may still do all of the above with one addition: participation in wedding season. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For those wondering \u003cem>W\u003c/em>\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">hat the hell is wedding season?, \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">congratulations, you’ve managed to make it this far without having to awkwardly decline multiple invitations. I’ll provide the Cliffs Notes: According to wedding experts, June through October are the most popular months for getting hitched. Given that information and where we are in the year, you likely have at least one wedding on your calendar, or one invite making its way to your mailbox (shout out to the procrastinators who scoff at \u003c/span>\u003cspan style=\"font-weight: 400\">Save the Date cards\u003c/span>\u003cspan style=\"font-weight: 400\">).\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-84937\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/giphy-35.gif\" alt=\"\" width=\"640\" height=\"360\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Although weddings can be a joyous occasion, they can also be an expensive undertaking for both the happy couple and for guests. According to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Knot\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">,\u003c/span>\u003ca href=\"https://www.theknot.com/content/average-wedding-cost-2016\">\u003cspan style=\"font-weight: 400\"> the average cost of a wedding in 2016 was $35,329\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. That’s actually an eight percent increase from \u003cimg class=\" wp-image-84945 alignright\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/giphy-36.gif\" alt=\"\" width=\"224\" height=\"123\">2015. Perhaps it’s just me, but when someone invites you to \u003c/span>\u003ca href=\"https://www.washingtonpost.com/news/soloish/wp/2017/02/02/6-things-that-cost-as-much-as-the-average-u-s-wedding/?utm_term=.a3b5178c6b95\">\u003cspan style=\"font-weight: 400\">a party that costs as much as a food truck\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, you feel inclined to bring your wardrobe and gift-giving A-game. Factor in travel costs, and there's a lot of potential to blow your budget. So sometimes it pays to know when to decline a wedding invite (\u003ca href=\"https://www.washingtonpost.com/news/soloish/wp/2017/05/24/in-my-20s-and-30s-i-accepted-nearly-every-wedding-invitation-now-i-rsvp-no/?utm_term=.f4938caa0d7f\">here's some great advice on how to know when that's a good idea\u003c/a>).\u003c/span>\u003c/p>\n\u003cp>Needless to say, there are a lot of details when it comes to wedding season. How well do you know them? Test your knowledge with this quiz:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe id=\"quizWidget-423159\" width=\"100%\" height=\"700px\" frameborder=\"0\" border=\"none\" src=\"https://www.qzzr.com/widget/quiz/fi9xdWl6emVzLzQyMzE1OQ\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/84935/how-much-do-you-know-about-wedding-etiquette-test-yourself-with-this-quiz",
"authors": [
"8661"
],
"categories": [
"pop_1041"
],
"tags": [
"pop_12"
],
"featImg": "pop_85140",
"label": "pop"
},
"pop_85065": {
"type": "posts",
"id": "pop_85065",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "85065",
"score": null,
"sort": [
1496910455000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1496910455,
"format": "standard",
"disqusTitle": "Summer of Love Bops The World Forgot",
"title": "Summer of Love Bops The World Forgot",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Beyond Janis Joplin and Jimi Hendrix, we uncover the 1967 jams that failed to stand the test of time. Also, a guide on how to do wedding season right and not be an a-hole.\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/06/1967SummerofLove.mp3\" title=\"Summer of Love Bops The World Forgot\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp> \u003c/p>\n\u003cp>We take a deep dive into the history books to uncover forgotten Summer of Love jams and get a fuller picture of what 1967 was truly like.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/tumblr_n5mi2dEOP81ss6wowo1_250.gif\">\u003cimg class=\"size-full wp-image-85071 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/tumblr_n5mi2dEOP81ss6wowo1_250.gif\" alt=\"\" width=\"245\" height=\"150\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Wedding season is upon us! We give you some tips on how to do it right and not be an a-hole:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/635578110455049430-587324446_attack.gif\">\u003cimg class=\"size-full wp-image-85079 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/635578110455049430-587324446_attack.gif\" alt=\"\" width=\"245\" height=\"200\">\u003c/a>\u003c/p>\n\u003cp>We have a message for people freaking out about drag queens reading to children:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=idJRmUDRrb8\u003c/p>\n\u003cp>Alanis Morissette's\u003cem> Jagged Little Pill\u003c/em> is coming to Broadway. Two of us are JAZZED about it.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Alanis_-_Dogma.gif\">\u003cimg class=\"size-full wp-image-85080 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Alanis_-_Dogma.gif\" alt=\"\" width=\"500\" height=\"208\">\u003c/a>\u003c/p>\n\u003cp>And we ride out on \"Mirage\" by Tommy James and the Shondells:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=f5bb042V3vs\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter\u003c/a>!\u003c/p>\n\n",
"disqusIdentifier": "85065 https://ww2.kqed.org/pop/?p=85065",
"disqusUrl": "https://ww2.kqed.org/pop/2017/06/08/summer-of-love-bops-the-world-forgot/",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": true,
"hasPolis": false,
"wordCount": 208,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 12
},
"modified": 1496910455,
"excerpt": "Beyond Janis Joplin and Jimi Hendrix, we uncover the 1967 jams that failed to stand the test of time. Also, a guide on how to do wedding season right and not be an a-hole.\r\n",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Beyond Janis Joplin and Jimi Hendrix, we uncover the 1967 jams that failed to stand the test of time. Also, a guide on how to do wedding season right and not be an a-hole.\r\n",
"title": "Summer of Love Bops The World Forgot | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Summer of Love Bops The World Forgot",
"datePublished": "2017-06-08T01:27:35-07:00",
"dateModified": "2017-06-08T01:27:35-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "summer-of-love-bops-the-world-forgot",
"status": "publish",
"path": "/pop/85065/summer-of-love-bops-the-world-forgot",
"audioUrl": "https://www.kqed.org/.stream/mp3splice/radio/thecooler/2017/06/1967SummerofLove.mp3",
"audioDuration": 2549000,
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Beyond Janis Joplin and Jimi Hendrix, we uncover the 1967 jams that failed to stand the test of time. Also, a guide on how to do wedding season right and not be an a-hole.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "audio",
"attributes": {
"named": {
"program": "The Cooler",
"image": "https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg",
"label": "src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/06/1967SummerofLove.mp3\" title=\"Summer of Love Bops The World Forgot\""
},
"numeric": [
"src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/06/1967SummerofLove.mp3\" title=\"Summer",
"of",
"Love",
"Bops",
"The",
"World",
"Forgot\""
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp> \u003c/p>\n\u003cp>We take a deep dive into the history books to uncover forgotten Summer of Love jams and get a fuller picture of what 1967 was truly like.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/tumblr_n5mi2dEOP81ss6wowo1_250.gif\">\u003cimg class=\"size-full wp-image-85071 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/tumblr_n5mi2dEOP81ss6wowo1_250.gif\" alt=\"\" width=\"245\" height=\"150\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Wedding season is upon us! We give you some tips on how to do it right and not be an a-hole:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/635578110455049430-587324446_attack.gif\">\u003cimg class=\"size-full wp-image-85079 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/635578110455049430-587324446_attack.gif\" alt=\"\" width=\"245\" height=\"200\">\u003c/a>\u003c/p>\n\u003cp>We have a message for people freaking out about drag queens reading to children:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/idJRmUDRrb8'\n title='//www.youtube.com/embed/idJRmUDRrb8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Alanis Morissette's\u003cem> Jagged Little Pill\u003c/em> is coming to Broadway. Two of us are JAZZED about it.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Alanis_-_Dogma.gif\">\u003cimg class=\"size-full wp-image-85080 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Alanis_-_Dogma.gif\" alt=\"\" width=\"500\" height=\"208\">\u003c/a>\u003c/p>\n\u003cp>And we ride out on \"Mirage\" by Tommy James and the Shondells:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/f5bb042V3vs'\n title='//www.youtube.com/embed/f5bb042V3vs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/85065/summer-of-love-bops-the-world-forgot",
"authors": [
"27"
],
"categories": [
"pop_2793"
],
"tags": [
"pop_2859"
],
"featImg": "pop_85166",
"label": "pop"
},
"arts_13382943": {
"type": "posts",
"id": "arts_13382943",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13382943",
"score": null,
"sort": [
1496884818000
]
},
"guestAuthors": [],
"slug": "cy-and-john-vanderslices-picks-a-feast-of-music-festivals-and-an-ode-to-a-good-kid",
"title": "Cy and John Vanderslice's Picks: A Feast of Music Festivals and an Ode to a Good Kid",
"publishDate": 1496884818,
"format": "audio",
"headTitle": "Cy and John Vanderslice’s Picks: A Feast of Music Festivals and an Ode to a Good Kid | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>Yes, The Do List is changing. We’re welcoming guest hosts to join me in the studio each week, and we’re so happy to start this state of perpetual renewal with \u003ca href=\"http://www.johnvanderslice.com/\" target=\"_blank\" rel=\"noopener noreferrer\">John Vanderslice\u003c/a>, a singer-songwriter, record producer, and master of the analog reel-to-reel at Tiny Telephone Studios in San Francisco and Oakland. John also helps organize the \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Phono del Sol Festival\u003c/a>, and that’s part of our lineup on the show this week. And one more thing. The Do List needs your help. \u003cstrong>We want to know what you think about our experiments\u003c/strong>. Follow\u003ca href=\"https://docs.google.com/a/kqed.org/forms/d/e/1FAIpQLSdPzmeFGcnpnPkYw_dq-afHmiCyV6ESV0sXWCMTMfsa0KhDJw/viewform?c=0&w=1\" target=\"_blank\" rel=\"noopener noreferrer\"> this link to a few short questions\u003c/a>. Please answer them by Monday, June 12. And thanks! Now here’s the show.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fxICQySR1e0\u003c/p>\n\u003cp>\u003cstrong>June 9-10\u003c/strong>: \u003ca href=\"http://www.huichica.com/welcome-1\" target=\"_blank\" rel=\"noopener noreferrer\">Huichica\u003c/a> is one of those little music festivals that get a lot of love because they’re \u003cem>not \u003c/em>the big gobstoppers like BottleRock or Outside Lands. Huichica still manages the warm, outdoor wine and food country vibe, because it’s hosted and sponsored by \u003ca href=\"http://www.gunbun.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Gundlach Bundschu Winery\u003c/a> in the town of Sonoma. The artists that caught our ear include Heron Oblivion, who make psychedelic rock withdreamy vocals from singer Meg Baird, Cass McCombs (John loves his latest album), and Robyn Hitchcock. (\u003ca href=\"http://www.sfgate.com/music/article/Robyn-Hitchcock-s-songs-pour-out-from-6143274.php\" target=\"_blank\" rel=\"noopener noreferrer\">Hitchcock’s ode to San Francisco, \u003cem>Eye\u003c/em>\u003c/a> is another of John’s favorites.) And we both love Gospel Beach and Christopher Owens’ (Girls) new band Curls. Details for \u003ca href=\"http://www.huichica.com/welcome-1\" target=\"_blank\" rel=\"noopener noreferrer\">Huichica are here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=QWhJqvuB1ZA\u003c/p>\n\u003cp>\u003cstrong>June 22-24\u003c/strong>: \u003ca href=\"http://gadelmaleh.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Gad Elmaleh\u003c/a> is the Moroccan-born-French version of Jerry Seinfeld. He does observational comedy about everyday stuff, like dating and airline travel (and he was a guest on Seinfeld’s \u003cem>Comedians in Cars Getting Coffee)\u003c/em>, but his best jokes are about culture clashes. He’s a Sephardic Jew from an Arab country who speaks Hebrew, French, Arabic, and now Elmaleh’s trying to make it in the US even as he’s still mastering English. Details on Elmaleh’s show at the Improv in San Jose later this month are\u003ca href=\"http://sanjose.improv.com/comedian/tw-eventinfo/Gad+Elmaleh/7407085/\" target=\"_blank\" rel=\"noopener noreferrer\"> here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ujfG_ZYdOtM\u003c/p>\n\u003cp>\u003cstrong>June 10: \u003c/strong>\u003ca href=\"http://www.switchboardmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Switchboard Music Festiva\u003c/a>l is all about classical chamber music by living people. Which sounds so obvious, except new music gets such a raw deal from the big classical arts organizations, and way too many audience members. Don’t be scared. A lot of the music is just lovely (\u003ca href=\"http://www.splinterreeds.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Splinter Reeds\u003c/a>), and there’s an ambitious mini-opera by \u003ca href=\"http://www.dinamaccabee.com/about/\" target=\"_blank\" rel=\"noopener noreferrer\">Dina Maccabee \u003c/a>and Jesse Olsen Bay based on Gertrude Stein’s children’s book \u003cem>Roses are Blue\u003c/em>. Veteran Bay Area new music crusaders The Kronos Quartet play the final hour of this marathon show (3-9 pm). As John notes, new music expands your brain. Details for the 10th annual Switchboard Music Festival at Z Space are \u003ca href=\"http://www.switchboardmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=SiDBiIsFiqU\u003c/p>\n\u003cp>\u003cstrong>June 15- 17\u003c/strong>: Ojai in Berkeley is another annual festival of new music, an extension of the Ojai Music Festival in the idyllic little town of Ojai east of Santa Barbara. A new artistic director picks the music every year, with pianist and composer Vijay Iyer in charge for 2017. He’s programmed a new concerto he wrote for the talented violinist Jennifer Koh, a concert with Indian musicians, including tabla master Zakir Hussain, plus an opera by trombonist and composer George Lewis, who writes avant-garde scores (like Iyer) mixing jazz and classical. Details for these Cal Performances concerts at Zellerbach Hall and Zellerbach Playhouse are \u003ca href=\"http://secure.calperformances.org/single/eventlisting.aspx?k=142\" target=\"_blank\" rel=\"noopener noreferrer\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Qu6k0Xh2VSU\u003c/p>\n\u003cp>\u003cstrong>June 9-11\u003c/strong>: John and I couldn’t resist adding these three concerts from the San Francisco Symphony, with \u003ca href=\"http://www.harrisonparrott.com/artist/profile/susanna-malkki\" target=\"_blank\" rel=\"noopener noreferrer\">Susanna Mälkki \u003c/a>guest conducting. She’s very sympatico with the musicians in Davies Hall, and I’m always wondering, who will someday replace the ageless Michael Tilson Thomas. Mälkki’s record here, especially tackling contemporary works, would seem to make her a great choice. She’s conducting Stravinsky’s Rite of Spring and Beethoven’s Piano Concerto #1 with the great Garrick Ohlson. Details for the concerts are\u003ca href=\"http://www.sfsymphony.org/Buy-Tickets/Calendar?gclid=CIiq2JbhrNQCFQ94fgodzdIMbg\" target=\"_blank\" rel=\"noopener noreferrer\"> here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11841768\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11841768\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-800x533.jpg\" alt=\"Margo Hall and Aldo Billingslea star in Fences at California Shakespeare Theater\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-1920x1278.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-960x639.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Margo Hall and Aldo Billingslea star in Fences at California Shakespeare Theater \u003ccite>(Photo: Kevin Berne/California Shakespeare Theater)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 15-July 9\u003c/strong>: Margo Hall is directing \u003cem>brownsville song (b-side for tray)\u003c/em>, a Bay Area premiere by Kimber Lee at \u003ca href=\"https://www.shotgunplayers.org/Online/default.asp\" target=\"_blank\" rel=\"noopener noreferrer\">Shotgun Players \u003c/a>in Berkeley. It’s a show about a black high schooler who plays by all the rules, and still something awful happens to him and his family. I’m a big fan of Hall as both an actor and director. She’s so good at finding the humanity and individuality in the people she plays, and she’s terrific at helping her actors do the same in the shows she directs. Details for \u003cem>brownsville song \u003c/em>at Shotgun in Berkeley\u003ca href=\"https://shotgunplayers.org/Online/brownsville\" target=\"_blank\" rel=\"noopener noreferrer\"> are here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=1XpaGaCXn5w\u003c/p>\n\u003cp>\u003cstrong>June 17\u003c/strong>: The \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Phono del Sol Festival \u003c/a>was John’s brainchild seven years ago. He lives nearby and saw how Potero del Sol Park was lovely and sunny, with birthday parties galore on weekends, but still underused. John invited the \u003ca href=\"http://thebaybridged.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Bridged \u003c/a>to come on board to help produce this daylong fest, in which pop and rock mixed with Dvorak. The mission continues: feature the wonderfully eclectic sounds of Bay Area bands, plus a rich mix of food trucks. This year Melina Duterte, known as Jay Som, is one of the headliners, riding a wave of praise for her first full album (\u003cem>Everybody Works\u003c/em>). You can also hear the ingenious chamber jazz and Afro-pop of Bells Atlas, singer-songwriter Sean Hayes, indie rockers Never Young, rappers Duckwrth and R&B singer Rayana Jay from Richmond. John thinks Thee Oh Sees do one of the best live shows of any band, and will make a great closer. Details for Phono del Sol \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener noreferrer\">are here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=R6NiZitg9l8\u003c/p>\n\u003cp>A few extras this week: John recommends \u003ca href=\"http://bombadilmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bombadil\u003c/a>, an acoustic folk-pop band from Durham, NC, with a serious interest in Tolkien, and a fastidious approach to recording (no electric instruments ever). Details for their gig \u003cstrong>June 11\u003c/strong> at the Cafe du Nord \u003ca href=\"http://www.ticketfly.com/purchase/event/1469213?utm_medium=459899\" target=\"_blank\" rel=\"noopener noreferrer\">are here.\u003c/a> I squeezed in \u003ca href=\"http://lizzwright.net/\" target=\"_blank\" rel=\"noopener noreferrer\">Lizz Wright\u003c/a>, part of the lineup at the SFJAZZ Festival. Wright has the warmest, most sensuous voice, and is doing a tribute \u003cstrong>June 9 and 10\u003c/strong> to Ella Fitzgerald. \u003ca href=\"https://www.sfjazz.org/events/35sfjf/0610/lizz-wright\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13389701\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13389701\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-800x445.jpg\" alt=\"KQED's Cy Musiker and Do List guest co-host John Vanderslice\" width=\"800\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-800x445.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-160x89.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-768x427.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1020x567.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1920x1068.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1180x656.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-960x534.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1038x576.jpg 1038w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-240x133.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-375x209.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-520x289.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Cy Musiker and Do List guest co-host John Vanderslice \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
"blocks": [],
"excerpt": "Cy and cohost John Vanderslice talk about music fests and a Moroccan-French comedian making it in the US.",
"status": "publish",
"parent": 0,
"modified": 1726785623,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 11,
"wordCount": 1145
},
"headData": {
"title": "Cy and John Vanderslice's Picks: A Feast of Music Festivals and an Ode to a Good Kid | KQED",
"description": "Cy and cohost John Vanderslice talk about music fests and a Moroccan-French comedian making it in the US.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Cy and John Vanderslice's Picks: A Feast of Music Festivals and an Ode to a Good Kid",
"datePublished": "2017-06-07T18:20:18-07:00",
"dateModified": "2024-09-19T15:40:23-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"audioUrl": "http:www.kqed.org/.stream/anon/radio//2017/06/TheDoListPodcastforJune9thwithJohnVanderslice.mp3",
"guestFields": "0",
"sticky": false,
"path": "/arts/13382943/cy-and-john-vanderslices-picks-a-feast-of-music-festivals-and-an-ode-to-a-good-kid",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Yes, The Do List is changing. We’re welcoming guest hosts to join me in the studio each week, and we’re so happy to start this state of perpetual renewal with \u003ca href=\"http://www.johnvanderslice.com/\" target=\"_blank\" rel=\"noopener noreferrer\">John Vanderslice\u003c/a>, a singer-songwriter, record producer, and master of the analog reel-to-reel at Tiny Telephone Studios in San Francisco and Oakland. John also helps organize the \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Phono del Sol Festival\u003c/a>, and that’s part of our lineup on the show this week. And one more thing. The Do List needs your help. \u003cstrong>We want to know what you think about our experiments\u003c/strong>. Follow\u003ca href=\"https://docs.google.com/a/kqed.org/forms/d/e/1FAIpQLSdPzmeFGcnpnPkYw_dq-afHmiCyV6ESV0sXWCMTMfsa0KhDJw/viewform?c=0&w=1\" target=\"_blank\" rel=\"noopener noreferrer\"> this link to a few short questions\u003c/a>. Please answer them by Monday, June 12. And thanks! Now here’s the show.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fxICQySR1e0'\n title='//www.youtube.com/embed/fxICQySR1e0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 9-10\u003c/strong>: \u003ca href=\"http://www.huichica.com/welcome-1\" target=\"_blank\" rel=\"noopener noreferrer\">Huichica\u003c/a> is one of those little music festivals that get a lot of love because they’re \u003cem>not \u003c/em>the big gobstoppers like BottleRock or Outside Lands. Huichica still manages the warm, outdoor wine and food country vibe, because it’s hosted and sponsored by \u003ca href=\"http://www.gunbun.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Gundlach Bundschu Winery\u003c/a> in the town of Sonoma. The artists that caught our ear include Heron Oblivion, who make psychedelic rock withdreamy vocals from singer Meg Baird, Cass McCombs (John loves his latest album), and Robyn Hitchcock. (\u003ca href=\"http://www.sfgate.com/music/article/Robyn-Hitchcock-s-songs-pour-out-from-6143274.php\" target=\"_blank\" rel=\"noopener noreferrer\">Hitchcock’s ode to San Francisco, \u003cem>Eye\u003c/em>\u003c/a> is another of John’s favorites.) And we both love Gospel Beach and Christopher Owens’ (Girls) new band Curls. Details for \u003ca href=\"http://www.huichica.com/welcome-1\" target=\"_blank\" rel=\"noopener noreferrer\">Huichica are here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QWhJqvuB1ZA'\n title='//www.youtube.com/embed/QWhJqvuB1ZA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 22-24\u003c/strong>: \u003ca href=\"http://gadelmaleh.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Gad Elmaleh\u003c/a> is the Moroccan-born-French version of Jerry Seinfeld. He does observational comedy about everyday stuff, like dating and airline travel (and he was a guest on Seinfeld’s \u003cem>Comedians in Cars Getting Coffee)\u003c/em>, but his best jokes are about culture clashes. He’s a Sephardic Jew from an Arab country who speaks Hebrew, French, Arabic, and now Elmaleh’s trying to make it in the US even as he’s still mastering English. Details on Elmaleh’s show at the Improv in San Jose later this month are\u003ca href=\"http://sanjose.improv.com/comedian/tw-eventinfo/Gad+Elmaleh/7407085/\" target=\"_blank\" rel=\"noopener noreferrer\"> here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ujfG_ZYdOtM'\n title='//www.youtube.com/embed/ujfG_ZYdOtM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 10: \u003c/strong>\u003ca href=\"http://www.switchboardmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Switchboard Music Festiva\u003c/a>l is all about classical chamber music by living people. Which sounds so obvious, except new music gets such a raw deal from the big classical arts organizations, and way too many audience members. Don’t be scared. A lot of the music is just lovely (\u003ca href=\"http://www.splinterreeds.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Splinter Reeds\u003c/a>), and there’s an ambitious mini-opera by \u003ca href=\"http://www.dinamaccabee.com/about/\" target=\"_blank\" rel=\"noopener noreferrer\">Dina Maccabee \u003c/a>and Jesse Olsen Bay based on Gertrude Stein’s children’s book \u003cem>Roses are Blue\u003c/em>. Veteran Bay Area new music crusaders The Kronos Quartet play the final hour of this marathon show (3-9 pm). As John notes, new music expands your brain. Details for the 10th annual Switchboard Music Festival at Z Space are \u003ca href=\"http://www.switchboardmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SiDBiIsFiqU'\n title='//www.youtube.com/embed/SiDBiIsFiqU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 15- 17\u003c/strong>: Ojai in Berkeley is another annual festival of new music, an extension of the Ojai Music Festival in the idyllic little town of Ojai east of Santa Barbara. A new artistic director picks the music every year, with pianist and composer Vijay Iyer in charge for 2017. He’s programmed a new concerto he wrote for the talented violinist Jennifer Koh, a concert with Indian musicians, including tabla master Zakir Hussain, plus an opera by trombonist and composer George Lewis, who writes avant-garde scores (like Iyer) mixing jazz and classical. Details for these Cal Performances concerts at Zellerbach Hall and Zellerbach Playhouse are \u003ca href=\"http://secure.calperformances.org/single/eventlisting.aspx?k=142\" target=\"_blank\" rel=\"noopener noreferrer\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Qu6k0Xh2VSU'\n title='//www.youtube.com/embed/Qu6k0Xh2VSU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 9-11\u003c/strong>: John and I couldn’t resist adding these three concerts from the San Francisco Symphony, with \u003ca href=\"http://www.harrisonparrott.com/artist/profile/susanna-malkki\" target=\"_blank\" rel=\"noopener noreferrer\">Susanna Mälkki \u003c/a>guest conducting. She’s very sympatico with the musicians in Davies Hall, and I’m always wondering, who will someday replace the ageless Michael Tilson Thomas. Mälkki’s record here, especially tackling contemporary works, would seem to make her a great choice. She’s conducting Stravinsky’s Rite of Spring and Beethoven’s Piano Concerto #1 with the great Garrick Ohlson. Details for the concerts are\u003ca href=\"http://www.sfsymphony.org/Buy-Tickets/Calendar?gclid=CIiq2JbhrNQCFQ94fgodzdIMbg\" target=\"_blank\" rel=\"noopener noreferrer\"> here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11841768\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11841768\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-800x533.jpg\" alt=\"Margo Hall and Aldo Billingslea star in Fences at California Shakespeare Theater\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-1920x1278.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-960x639.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Margo Hall and Aldo Billingslea star in Fences at California Shakespeare Theater \u003ccite>(Photo: Kevin Berne/California Shakespeare Theater)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 15-July 9\u003c/strong>: Margo Hall is directing \u003cem>brownsville song (b-side for tray)\u003c/em>, a Bay Area premiere by Kimber Lee at \u003ca href=\"https://www.shotgunplayers.org/Online/default.asp\" target=\"_blank\" rel=\"noopener noreferrer\">Shotgun Players \u003c/a>in Berkeley. It’s a show about a black high schooler who plays by all the rules, and still something awful happens to him and his family. I’m a big fan of Hall as both an actor and director. She’s so good at finding the humanity and individuality in the people she plays, and she’s terrific at helping her actors do the same in the shows she directs. Details for \u003cem>brownsville song \u003c/em>at Shotgun in Berkeley\u003ca href=\"https://shotgunplayers.org/Online/brownsville\" target=\"_blank\" rel=\"noopener noreferrer\"> are here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1XpaGaCXn5w'\n title='//www.youtube.com/embed/1XpaGaCXn5w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 17\u003c/strong>: The \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Phono del Sol Festival \u003c/a>was John’s brainchild seven years ago. He lives nearby and saw how Potero del Sol Park was lovely and sunny, with birthday parties galore on weekends, but still underused. John invited the \u003ca href=\"http://thebaybridged.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Bridged \u003c/a>to come on board to help produce this daylong fest, in which pop and rock mixed with Dvorak. The mission continues: feature the wonderfully eclectic sounds of Bay Area bands, plus a rich mix of food trucks. This year Melina Duterte, known as Jay Som, is one of the headliners, riding a wave of praise for her first full album (\u003cem>Everybody Works\u003c/em>). You can also hear the ingenious chamber jazz and Afro-pop of Bells Atlas, singer-songwriter Sean Hayes, indie rockers Never Young, rappers Duckwrth and R&B singer Rayana Jay from Richmond. John thinks Thee Oh Sees do one of the best live shows of any band, and will make a great closer. Details for Phono del Sol \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener noreferrer\">are here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/R6NiZitg9l8'\n title='//www.youtube.com/embed/R6NiZitg9l8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A few extras this week: John recommends \u003ca href=\"http://bombadilmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bombadil\u003c/a>, an acoustic folk-pop band from Durham, NC, with a serious interest in Tolkien, and a fastidious approach to recording (no electric instruments ever). Details for their gig \u003cstrong>June 11\u003c/strong> at the Cafe du Nord \u003ca href=\"http://www.ticketfly.com/purchase/event/1469213?utm_medium=459899\" target=\"_blank\" rel=\"noopener noreferrer\">are here.\u003c/a> I squeezed in \u003ca href=\"http://lizzwright.net/\" target=\"_blank\" rel=\"noopener noreferrer\">Lizz Wright\u003c/a>, part of the lineup at the SFJAZZ Festival. Wright has the warmest, most sensuous voice, and is doing a tribute \u003cstrong>June 9 and 10\u003c/strong> to Ella Fitzgerald. \u003ca href=\"https://www.sfjazz.org/events/35sfjf/0610/lizz-wright\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13389701\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13389701\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-800x445.jpg\" alt=\"KQED's Cy Musiker and Do List guest co-host John Vanderslice\" width=\"800\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-800x445.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-160x89.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-768x427.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1020x567.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1920x1068.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1180x656.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-960x534.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1038x576.jpg 1038w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-240x133.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-375x209.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-520x289.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Cy Musiker and Do List guest co-host John Vanderslice \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13382943/cy-and-john-vanderslices-picks-a-feast-of-music-festivals-and-an-ode-to-a-good-kid",
"authors": [
"32"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_968",
"arts_69",
"arts_235",
"arts_75",
"arts_967"
],
"tags": [
"arts_1118",
"arts_596",
"arts_1334",
"arts_626"
],
"featImg": "arts_10629351",
"label": "arts_140"
},
"arts_13389209": {
"type": "posts",
"id": "arts_13389209",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13389209",
"score": null,
"sort": [
1496874906000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1496874906,
"format": "standard",
"title": "H.P. Lovecraft's Monster is Wrapping Family Game Night Up in Tentacles",
"headTitle": "H.P. Lovecraft’s Monster is Wrapping Family Game Night Up in Tentacles | KQED",
"content": "\u003cp>H.P. Lovecraft, the early 1900s horror writer, is best known for his creation of the deity Cthulhu — a monster of great power who sleeps in the Pacific Ocean in the sunken city of R’lyeh.\u003c/p>\n\u003cp>Now, almost 100 years after its conception, Cthulhu is making a creepy comeback via a new crop of board games.\u003c/p>\n\u003cp>Lovecraft created Cthulhu, which is typically pronounced Ka-thu-lu, in his 1920s short story “\u003ca href=\"http://www.hplovecraft.com/writings/texts/fiction/cc.aspx\" target=\"_blank\" rel=\"noopener\">The Call of Cthulhu\u003c/a>.” In illustrations, the monster’s depiction has taken on a look similar to a mixture of the Kraken, the dragon from Shrek and Xenomorphs from \u003cem>Alien,\u003c/em> but with really great biceps.\u003c/p>\n\u003cp>In 1987, one of the first Lovecraft-themed board games, \u003ca href=\"https://www.fantasyflightgames.com/en/products/arkham-horror/\" target=\"_blank\" rel=\"noopener\">Arkham Horror\u003c/a>, popped up and became wildly popular. Between then and 1997, there was an average of less than one Lovecraft-themed game published each year — and that number didn’t budge until everything seemed to explode in 2014. That year and every year since, there have been over a dozen Lovecraft-themed board games released.\u003c/p>\n\u003cp>And in 2017, the most anticipated board game this year, \u003ca href=\"https://boardgamegeek.com/geeklist/217265/20-most-anticipated-games-2017-nominations-are-clo\" target=\"_blank\" rel=\"noopener\">according to Board Game Geek\u003c/a>, is a Cthulhu Wars expansion. Three of the other titles on the 20-game list are also takes on Lovecraft’s world.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>What’s impressive about this phenomenon is that after coming into pop culture, Cthulhu has taken over more than just board games: with \u003ca href=\"http://www.imdb.com/list/ls071029311/\" target=\"_blank\" rel=\"noopener\">movies\u003c/a>, \u003ca href=\"http://www.goodreads.com/genres/cthulhu-mythos\" target=\"_blank\" rel=\"noopener\">books\u003c/a>, a \u003ca href=\"https://cthulhuforamerica.com/\" target=\"_blank\" rel=\"noopener\">bid for the 2020 presidential election\u003c/a> (it gathered a couple of votes in \u003ca href=\"http://www.huffingtonpost.com/entry/cthulhu-for-president_us_574fba9ee4b0ed593f134933\" target=\"_blank\" rel=\"noopener\">2016\u003c/a>). You can even get a \u003ca href=\"https://itunes.apple.com/us/app/cthulhu-virtual-pet/id1042479814?mt=8\" target=\"_blank\" rel=\"noopener\">Cthulhu virtual pet\u003c/a> for your phone.\u003c/p>\n\u003cp>Chris Reardon, a fan of Lovecraft’s work and player of Lovecraft-themed games, is happy the author is emerging into the public light.\u003c/p>\n\u003cp>“I really like Lovecraft-themed board games because they are cooperative games,” Reardon says. And the “addition of his characters and his theme add a cool extra layer.”\u003c/p>\n\u003cp>He says Lovecraft would have loved seeing his works coming back and being collaborated on, because he collaborated with people a lot as a writer.\u003c/p>\n\u003cp>Justin Johns, who works for \u003ca href=\"http://www.labyrinthgameshop.com/\" target=\"_blank\" rel=\"noopener\">Labyrinth Games and Puzzles\u003c/a> in Washington, D.C., has enjoyed his fair share of Lovecraft-themed board games. He said he became a fan of the games after reading some of Lovecraft’s work on a whim.\u003c/p>\n\u003cp>“I feel like [Lovecraft-themed games] have been a lot more prevalent in the last three or four years,” Johns says. “I do think there has been an uptick in the theme and interest in Cthulhu stuff. I think Lovecraft has always been around and is sort of a background to a lot of modern horror ideas — the idea that there are big scary things that man is not meant to know.”\u003c/p>\n\u003cp>But why the uptick, seemingly out of the blue (where Cthulhu resides) almost a century after its conception?\u003c/p>\n\u003cp>First, it could be the licensing issue. Some of Lovecraft’s works became public domain within the past decade, so it takes a lot less work for board game creators to use Cthulhu.\u003c/p>\n\u003cp>Second, crowdfunding sites became a haven to fund board game creators’ passion projects. The \u003ca href=\"https://www.kickstarter.com/projects/1816687860/cthulhu-wars?ref=nav_search\" target=\"_blank\" rel=\"noopener\">Cthulhu Wars Kickstarter\u003c/a> raised over $1.4 million. A \u003ca href=\"https://www.kickstarter.com/projects/1816687860/cthulhu-wars-onslaught-two?ref=nav_search\" target=\"_blank\" rel=\"noopener\">second printing\u003c/a> raised an additional $1 million.\u003c/p>\n\u003cp>But lots of things are public domain and don’t have nearly the uptick in consumer attention, and the increase in Lovecraft games funded on Kickstarter lines up with that of \u003ca href=\"https://fivethirtyeight.com/features/crowdfunding-is-driving-a-196-million-board-game-renaissance/\" target=\"_blank\" rel=\"noopener\">all board games\u003c/a> from the crowdfunding sites.\u003c/p>\n\u003cp>Many fans \u003ca href=\"https://www.reddit.com/r/boardgames/comments/4uhpgm/is_there_a_lovecraftian_board_games_revival/?st=j34xiogv&sh=38a7311f\" target=\"_blank\" rel=\"noopener\">argue\u003c/a> that it’s less of a revival and more of a bandwagon. As with zombies and pirates, once creators saw they could make money off the theme, they jumped on board.\u003c/p>\n\u003cp>Donovan Loucks, who is in charge of the H.P. Lovecraft \u003ca href=\"http://www.hplovecraft.com/\" target=\"_blank\" rel=\"noopener\">online archive\u003c/a>, speculated that game creators saw that some Lovecraft games were becoming popular, and once the licensing was released, realized they should take advantage of that market.\u003c/p>\n\u003cp>“I think it prompted a lot of people to say, ‘Hey, we can do Lovecraft too,’ ” says Loucks, who is also an avid board game fan.\u003c/p>\n\u003cp>One possible reason, Johns says, is that board games with cooperative play styles have increased in popularity and most games with a Lovecraft theme are just that — a group of players try to take down the big bad monster and save the world. It’s the players against the board.\u003c/p>\n\u003cp>“I think it’s really interesting to see all the different ways that people are interpreting the ideas of this big scary thing and all the different ways that it’s influenced different writing and games,” Johns says. “Even movies like the \u003cem>Alien\u003c/em> movies, this big scary thing, they go off into the unknown and they’re changed and killed by this unknown character. It echoes throughout the rest of our popular culture.”\u003c/p>\n\u003cp>What is actually different about Lovecraft is that in recent years, he underwent some \u003ca href=\"http://www.salon.com/2014/09/11/its_ok_to_admit_that_h_p_lovecraft_was_racist/\" target=\"_blank\" rel=\"noopener\">pretty intense\u003c/a>, \u003ca href=\"https://www.theatlantic.com/entertainment/archive/2015/08/hp-lovecraft-125/401471/\" target=\"_blank\" rel=\"noopener\">public scrutiny\u003c/a> about racist letters to a friend depicting opinions on his Jewish, black, Italian, Portuguese and Asian peers. Lovecraft wrote that the “extra-legal measures such as lynching and intimidation” were “ingenious,” among other pretty deplorable quotes.\u003c/p>\n\u003cp>But these letters brought attention to Lovecraft’s work.\u003c/p>\n\u003cp>“Any press is good press, in a sense,” Loucks says. “Because of this, people are becoming more aware of him.”\u003c/p>\n\u003cp>Loucks says Lovecraft fans don’t really like Lovecraft the man, and some don’t even like his writing, which is much more detailed than that of other writers of his time. But the fans do love the creatures and monsters he created. So the thought in the Lovecraft community is that perhaps the bad press for his personal opinions brought his work to light, and intrigued people. Then, with it being in the public domain, they were free to use his work to create some of their own — in the form of board games.\u003c/p>\n\u003cp>Whatever the reason for Lovecraft’s rise to fame, one thing is certain: We are in the middle of a board game renaissance, and the deity of choice is Cthulhu.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Christianna Silva is an NPR Digital News intern.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=H.P.+Lovecraft%27s+Monster+Is+Wrapping+Family+Game+Night+Up+In+Tentacles&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1071,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 28
},
"modified": 1705030419,
"excerpt": "A century after the horror writer created Cthulhu, board game creators and players have resurrected the deep sea monster and brought it into pop culture. Why is this beast making a comeback?",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A century after the horror writer created Cthulhu, board game creators and players have resurrected the deep sea monster and brought it into pop culture. Why is this beast making a comeback?",
"title": "H.P. Lovecraft's Monster is Wrapping Family Game Night Up in Tentacles | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "H.P. Lovecraft's Monster is Wrapping Family Game Night Up in Tentacles",
"datePublished": "2017-06-07T15:35:06-07:00",
"dateModified": "2024-01-11T19:33:39-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "h-p-lovecrafts-monster-is-wrapping-family-game-night-up-in-tentacles",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=530186764&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Christianna Silva",
"nprStoryDate": "Wed, 07 Jun 2017 08:01:00 -0400",
"nprLastModifiedDate": "Wed, 07 Jun 2017 14:11:00 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/2017/06/07/530186764/h-p-lovecrafts-monster-is-wrapping-family-game-night-up-in-tentacles?ft=nprml&f=530186764",
"nprImageAgency": "Courtesy of Petersen Games",
"nprStoryId": "530186764",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 07 Jun 2017 14:11:00 -0400",
"path": "/arts/13389209/h-p-lovecrafts-monster-is-wrapping-family-game-night-up-in-tentacles",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>H.P. Lovecraft, the early 1900s horror writer, is best known for his creation of the deity Cthulhu — a monster of great power who sleeps in the Pacific Ocean in the sunken city of R’lyeh.\u003c/p>\n\u003cp>Now, almost 100 years after its conception, Cthulhu is making a creepy comeback via a new crop of board games.\u003c/p>\n\u003cp>Lovecraft created Cthulhu, which is typically pronounced Ka-thu-lu, in his 1920s short story “\u003ca href=\"http://www.hplovecraft.com/writings/texts/fiction/cc.aspx\" target=\"_blank\" rel=\"noopener\">The Call of Cthulhu\u003c/a>.” In illustrations, the monster’s depiction has taken on a look similar to a mixture of the Kraken, the dragon from Shrek and Xenomorphs from \u003cem>Alien,\u003c/em> but with really great biceps.\u003c/p>\n\u003cp>In 1987, one of the first Lovecraft-themed board games, \u003ca href=\"https://www.fantasyflightgames.com/en/products/arkham-horror/\" target=\"_blank\" rel=\"noopener\">Arkham Horror\u003c/a>, popped up and became wildly popular. Between then and 1997, there was an average of less than one Lovecraft-themed game published each year — and that number didn’t budge until everything seemed to explode in 2014. That year and every year since, there have been over a dozen Lovecraft-themed board games released.\u003c/p>\n\u003cp>And in 2017, the most anticipated board game this year, \u003ca href=\"https://boardgamegeek.com/geeklist/217265/20-most-anticipated-games-2017-nominations-are-clo\" target=\"_blank\" rel=\"noopener\">according to Board Game Geek\u003c/a>, is a Cthulhu Wars expansion. Three of the other titles on the 20-game list are also takes on Lovecraft’s world.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>What’s impressive about this phenomenon is that after coming into pop culture, Cthulhu has taken over more than just board games: with \u003ca href=\"http://www.imdb.com/list/ls071029311/\" target=\"_blank\" rel=\"noopener\">movies\u003c/a>, \u003ca href=\"http://www.goodreads.com/genres/cthulhu-mythos\" target=\"_blank\" rel=\"noopener\">books\u003c/a>, a \u003ca href=\"https://cthulhuforamerica.com/\" target=\"_blank\" rel=\"noopener\">bid for the 2020 presidential election\u003c/a> (it gathered a couple of votes in \u003ca href=\"http://www.huffingtonpost.com/entry/cthulhu-for-president_us_574fba9ee4b0ed593f134933\" target=\"_blank\" rel=\"noopener\">2016\u003c/a>). You can even get a \u003ca href=\"https://itunes.apple.com/us/app/cthulhu-virtual-pet/id1042479814?mt=8\" target=\"_blank\" rel=\"noopener\">Cthulhu virtual pet\u003c/a> for your phone.\u003c/p>\n\u003cp>Chris Reardon, a fan of Lovecraft’s work and player of Lovecraft-themed games, is happy the author is emerging into the public light.\u003c/p>\n\u003cp>“I really like Lovecraft-themed board games because they are cooperative games,” Reardon says. And the “addition of his characters and his theme add a cool extra layer.”\u003c/p>\n\u003cp>He says Lovecraft would have loved seeing his works coming back and being collaborated on, because he collaborated with people a lot as a writer.\u003c/p>\n\u003cp>Justin Johns, who works for \u003ca href=\"http://www.labyrinthgameshop.com/\" target=\"_blank\" rel=\"noopener\">Labyrinth Games and Puzzles\u003c/a> in Washington, D.C., has enjoyed his fair share of Lovecraft-themed board games. He said he became a fan of the games after reading some of Lovecraft’s work on a whim.\u003c/p>\n\u003cp>“I feel like [Lovecraft-themed games] have been a lot more prevalent in the last three or four years,” Johns says. “I do think there has been an uptick in the theme and interest in Cthulhu stuff. I think Lovecraft has always been around and is sort of a background to a lot of modern horror ideas — the idea that there are big scary things that man is not meant to know.”\u003c/p>\n\u003cp>But why the uptick, seemingly out of the blue (where Cthulhu resides) almost a century after its conception?\u003c/p>\n\u003cp>First, it could be the licensing issue. Some of Lovecraft’s works became public domain within the past decade, so it takes a lot less work for board game creators to use Cthulhu.\u003c/p>\n\u003cp>Second, crowdfunding sites became a haven to fund board game creators’ passion projects. The \u003ca href=\"https://www.kickstarter.com/projects/1816687860/cthulhu-wars?ref=nav_search\" target=\"_blank\" rel=\"noopener\">Cthulhu Wars Kickstarter\u003c/a> raised over $1.4 million. A \u003ca href=\"https://www.kickstarter.com/projects/1816687860/cthulhu-wars-onslaught-two?ref=nav_search\" target=\"_blank\" rel=\"noopener\">second printing\u003c/a> raised an additional $1 million.\u003c/p>\n\u003cp>But lots of things are public domain and don’t have nearly the uptick in consumer attention, and the increase in Lovecraft games funded on Kickstarter lines up with that of \u003ca href=\"https://fivethirtyeight.com/features/crowdfunding-is-driving-a-196-million-board-game-renaissance/\" target=\"_blank\" rel=\"noopener\">all board games\u003c/a> from the crowdfunding sites.\u003c/p>\n\u003cp>Many fans \u003ca href=\"https://www.reddit.com/r/boardgames/comments/4uhpgm/is_there_a_lovecraftian_board_games_revival/?st=j34xiogv&sh=38a7311f\" target=\"_blank\" rel=\"noopener\">argue\u003c/a> that it’s less of a revival and more of a bandwagon. As with zombies and pirates, once creators saw they could make money off the theme, they jumped on board.\u003c/p>\n\u003cp>Donovan Loucks, who is in charge of the H.P. Lovecraft \u003ca href=\"http://www.hplovecraft.com/\" target=\"_blank\" rel=\"noopener\">online archive\u003c/a>, speculated that game creators saw that some Lovecraft games were becoming popular, and once the licensing was released, realized they should take advantage of that market.\u003c/p>\n\u003cp>“I think it prompted a lot of people to say, ‘Hey, we can do Lovecraft too,’ ” says Loucks, who is also an avid board game fan.\u003c/p>\n\u003cp>One possible reason, Johns says, is that board games with cooperative play styles have increased in popularity and most games with a Lovecraft theme are just that — a group of players try to take down the big bad monster and save the world. It’s the players against the board.\u003c/p>\n\u003cp>“I think it’s really interesting to see all the different ways that people are interpreting the ideas of this big scary thing and all the different ways that it’s influenced different writing and games,” Johns says. “Even movies like the \u003cem>Alien\u003c/em> movies, this big scary thing, they go off into the unknown and they’re changed and killed by this unknown character. It echoes throughout the rest of our popular culture.”\u003c/p>\n\u003cp>What is actually different about Lovecraft is that in recent years, he underwent some \u003ca href=\"http://www.salon.com/2014/09/11/its_ok_to_admit_that_h_p_lovecraft_was_racist/\" target=\"_blank\" rel=\"noopener\">pretty intense\u003c/a>, \u003ca href=\"https://www.theatlantic.com/entertainment/archive/2015/08/hp-lovecraft-125/401471/\" target=\"_blank\" rel=\"noopener\">public scrutiny\u003c/a> about racist letters to a friend depicting opinions on his Jewish, black, Italian, Portuguese and Asian peers. Lovecraft wrote that the “extra-legal measures such as lynching and intimidation” were “ingenious,” among other pretty deplorable quotes.\u003c/p>\n\u003cp>But these letters brought attention to Lovecraft’s work.\u003c/p>\n\u003cp>“Any press is good press, in a sense,” Loucks says. “Because of this, people are becoming more aware of him.”\u003c/p>\n\u003cp>Loucks says Lovecraft fans don’t really like Lovecraft the man, and some don’t even like his writing, which is much more detailed than that of other writers of his time. But the fans do love the creatures and monsters he created. So the thought in the Lovecraft community is that perhaps the bad press for his personal opinions brought his work to light, and intrigued people. Then, with it being in the public domain, they were free to use his work to create some of their own — in the form of board games.\u003c/p>\n\u003cp>Whatever the reason for Lovecraft’s rise to fame, one thing is certain: We are in the middle of a board game renaissance, and the deity of choice is Cthulhu.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Christianna Silva is an NPR Digital News intern.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=H.P.+Lovecraft%27s+Monster+Is+Wrapping+Family+Game+Night+Up+In+Tentacles&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13389209/h-p-lovecrafts-monster-is-wrapping-family-game-night-up-in-tentacles",
"authors": [
"byline_arts_13389209"
],
"categories": [
"arts_1",
"arts_75"
],
"tags": [
"arts_1118",
"arts_596",
"arts_769"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13389210",
"label": "arts_137"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=popculture": {
"isFetching": false,
"latestQuery": {
"from": 1908,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 2995,
"relation": "eq"
},
"items": [
"pop_61190",
"arts_13436256",
"pop_86168",
"pop_86017",
"pop_85006",
"pop_85030",
"pop_85252",
"pop_84150",
"pop_84935",
"pop_85065",
"arts_13382943",
"arts_13389209"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_popculture": {
"isLoading": true
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"pop_4": {
"type": "terms",
"id": "pop_4",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "4",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4,
"slug": "music",
"isLoading": false,
"link": "/pop/category/music"
},
"pop_1041": {
"type": "terms",
"id": "pop_1041",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "1041",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Zeitgeist",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Zeitgeist Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1042,
"slug": "zeitgeist",
"isLoading": false,
"link": "/pop/category/zeitgeist"
},
"pop_197": {
"type": "terms",
"id": "pop_197",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "197",
"found": true
},
"relationships": {},
"featImg": null,
"name": "feminism",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "feminism Archives | KQED Arts",
"ogDescription": null
},
"ttid": 197,
"slug": "feminism",
"isLoading": false,
"link": "/pop/tag/feminism"
},
"pop_1412": {
"type": "terms",
"id": "pop_1412",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "1412",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Riot Grrrl",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Riot Grrrl Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1414,
"slug": "riot-grrrl",
"isLoading": false,
"link": "/pop/tag/riot-grrrl"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_1448": {
"type": "terms",
"id": "arts_1448",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1448",
"found": true
},
"relationships": {},
"featImg": null,
"name": "art wire",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "art wire Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1460,
"slug": "art-wire",
"isLoading": false,
"link": "/arts/tag/art-wire"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_1091": {
"type": "terms",
"id": "arts_1091",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1091",
"found": true
},
"relationships": {},
"featImg": null,
"name": "obit",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "obit Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1108,
"slug": "obit",
"isLoading": false,
"link": "/arts/tag/obit"
},
"pop_2967": {
"type": "terms",
"id": "pop_2967",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "2967",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Gilman St",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Gilman St Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2967,
"slug": "gilman-st",
"isLoading": false,
"link": "/pop/tag/gilman-st"
},
"pop_2966": {
"type": "terms",
"id": "pop_2966",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "2966",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Green Day",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Green Day Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2966,
"slug": "green-day",
"isLoading": false,
"link": "/pop/tag/green-day"
},
"pop_51": {
"type": "terms",
"id": "pop_51",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "51",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 51,
"slug": "movies",
"isLoading": false,
"link": "/pop/category/movies"
},
"pop_3": {
"type": "terms",
"id": "pop_3",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "3",
"found": true
},
"relationships": {},
"featImg": null,
"name": "TV",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "TV Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3,
"slug": "tv",
"isLoading": false,
"link": "/pop/category/tv"
},
"pop_898": {
"type": "terms",
"id": "pop_898",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "898",
"found": true
},
"relationships": {},
"featImg": null,
"name": "NBA",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NBA Archives | KQED Arts",
"ogDescription": null
},
"ttid": 899,
"slug": "nba",
"isLoading": false,
"link": "/pop/tag/nba"
},
"pop_81": {
"type": "terms",
"id": "pop_81",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "81",
"found": true
},
"relationships": {},
"featImg": null,
"name": "sports",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "sports Archives | KQED Arts",
"ogDescription": null
},
"ttid": 81,
"slug": "sports",
"isLoading": false,
"link": "/pop/tag/sports"
},
"pop_393": {
"type": "terms",
"id": "pop_393",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "393",
"found": true
},
"relationships": {},
"featImg": null,
"name": "The Warriors",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Warriors Archives | KQED Arts",
"ogDescription": null
},
"ttid": 393,
"slug": "the-warriors",
"isLoading": false,
"link": "/pop/tag/the-warriors"
},
"pop_1155": {
"type": "terms",
"id": "pop_1155",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "1155",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Tech Life",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Tech Life Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1156,
"slug": "tech-life",
"isLoading": false,
"link": "/pop/category/tech-life"
},
"pop_2962": {
"type": "terms",
"id": "pop_2962",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "2962",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Atari",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Atari Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2962,
"slug": "atari",
"isLoading": false,
"link": "/pop/tag/atari"
},
"pop_2961": {
"type": "terms",
"id": "pop_2961",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "2961",
"found": true
},
"relationships": {},
"featImg": null,
"name": "E.T.",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "E.T. Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2961,
"slug": "e-t",
"isLoading": false,
"link": "/pop/tag/e-t"
},
"pop_2963": {
"type": "terms",
"id": "pop_2963",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "2963",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Silicon Valley",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Silicon Valley Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2963,
"slug": "silicon-valley",
"isLoading": false,
"link": "/pop/tag/silicon-valley"
},
"pop_1100": {
"type": "terms",
"id": "pop_1100",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "1100",
"found": true
},
"relationships": {},
"featImg": null,
"name": "history",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "history Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1101,
"slug": "history",
"isLoading": false,
"link": "/pop/tag/history"
},
"pop_12": {
"type": "terms",
"id": "pop_12",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "12",
"found": true
},
"relationships": {},
"featImg": null,
"name": "weddings",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "weddings Archives | KQED Arts",
"ogDescription": null
},
"ttid": 12,
"slug": "weddings",
"isLoading": false,
"link": "/pop/tag/weddings"
},
"pop_2793": {
"type": "terms",
"id": "pop_2793",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "2793",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/12/2015/09/thecoolerlogo_BW_400.png",
"name": "The Cooler",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Cooler Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2793,
"slug": "the-cooler",
"isLoading": false,
"link": "/pop/category/the-cooler"
},
"pop_2859": {
"type": "terms",
"id": "pop_2859",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "2859",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the-cooler-featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the-cooler-featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2859,
"slug": "the-cooler-featured",
"isLoading": false,
"link": "/pop/tag/the-cooler-featured"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_968": {
"type": "terms",
"id": "arts_968",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "968",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Comedy",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 986,
"slug": "comedy",
"isLoading": false,
"link": "/arts/category/comedy"
},
"arts_967": {
"type": "terms",
"id": "arts_967",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "967",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Theater",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Theater Archives | KQED Arts",
"ogDescription": null
},
"ttid": 985,
"slug": "theater",
"isLoading": false,
"link": "/arts/category/theater"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_1334": {
"type": "terms",
"id": "arts_1334",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1334",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the do list",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the do list Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1346,
"slug": "the-do-list",
"isLoading": false,
"link": "/arts/tag/the-do-list"
},
"arts_626": {
"type": "terms",
"id": "arts_626",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "626",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the-do-list-featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the-do-list-featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 634,
"slug": "the-do-list-featured",
"isLoading": false,
"link": "/arts/tag/the-do-list-featured"
},
"arts_769": {
"type": "terms",
"id": "arts_769",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "769",
"found": true
},
"relationships": {},
"featImg": null,
"name": "review",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "review Archives | KQED Arts",
"ogDescription": null
},
"ttid": 787,
"slug": "review",
"isLoading": false,
"link": "/arts/tag/review"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
},
"navPromosReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": true,
"promos": {
"news": {
"name": "2026 Voter Guide",
"link": "/voterguide",
"imageURL": "https://cdn.kqed.org/wp-content/uploads/2026/10/Nav-News-Nov2026ElectionCoverage@2x-7bd4aad4.png",
"description": "Get informed in minutes with our Voter Guide for California’s November 3 election."
},
"podcasts-radio": {},
"video-tv": {},
"events": {},
"support": {}
}
}
}