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"disqusTitle": "Beyond Janis and Jimi: The Forgotten Jams from the Summer of Love",
"title": "Beyond Janis and Jimi: The Forgotten Jams from the Summer of Love",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>\u003cem>This piece was inspired by an episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>, KQED’s weekly pop culture podcast. Give it a listen!\u003c/em>\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/06/1967SummerofLove.mp3\" title=\"Summer of Love Bops The World Forgot\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>\u003cspan style=\"font-weight: 400\">This summer marks the 50th anniversary of the Summer of Love, which saw as many as 100,000 flower children descend on San Francisco’s Haight-Ashbury neighborhood to start a revolution based on love, unity, peace, flower crowns, lots and lots of weed, and, last but certainly not least, music! Janis Joplin, Jimi Hendrix, the Grateful Dead, the Mamas and the Papas, Jefferson Airplane: these are the names that come to mind when thinking of 1967. But this is only a partial picture. What else were people jamming to during the Summer of Love? What are the songs that were popular, but didn’t become canonized in the historical counterculture narrative, and are now more or less forgotten?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In order to find the answer to these questions and get a fuller idea of what music in 1967 was \u003cem>really\u003c/em> like, I dove head first into the deepest, darkest parts of the Billboard chart archives. Here’s what I found:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You most likely remember the song “San Francisco (Be Sure to Wear Flowers in Your Hair),” which was written for Scott McKenzie by John Phillips of the Mamas and the Papas. In case you're not familiar, it’s a certified bop and sounds like this:\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7I0vkKy504U\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Released in May of 1967, the song was an instant classic, convincing even more hippies to migrate to San Francisco that summer, and going on to sell seven million copies. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A song you most likely\u003cem> don't\u003c/em> remember is \"Let's Go to San Francisco,\" by a British band called the Flower Pot Men (Mary Jane reference, you dig?). The group released the song a few months after Scott McKenzie's monster smash, trying to capitalize on the let's-ditch-our-lives-and-live-it-up-in-SF movement. It was moderately popular in the UK, but had little to no crossover appeal in the States. The Flower Pot Children are considered a one-hit wonder across the pond.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=puuWsTitPa4\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When a song is called \"I Was Kaiser Bill's Batman,\" you want answers. But you're not going to get any from this Whistling Jack Smith number, because there are no lyrics -- just passionate whistling. Despite there being no words to sing along with, the song was a big hit, reaching No. 20 on the Billboard Hot 100 and spending seven weeks on the chart. None of this makes sense, but this live performance of what can best be described as Spock's younger gay brother hopping around on a big stage emphatically whistling for several minutes makes it all worthwhile. Behold this thing of beauty:\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zQQ5sEOhbjQ\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A band called the Box Tops had a No. 1 hit during the summer of 1967 with a song about the power of snail mail called “The Letter.” \u003ca href=\"http://www.rollingstone.com/music/lists/the-500-greatest-songs-of-all-time-20110407/the-box-tops-the-letter-20110526\">According to \u003cem>Rolling Stone\u003c/em>\u003c/a>, “The Letter” is one of the 500 Greatest Songs of All Time. \u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=toBl4rvTgs8\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A lesser-known song about correspondence that didn't make it onto \u003cem>Rolling Stone\u003c/em>’s list, \"Western Union\" by the Five Americans reached No. 8 on the charts before fading away. And I’m not sure why, because it’s glorious. It’s about being broken up with via telegram, which was the '60s version of being broken up with \u003ca href=\"https://s-media-cache-ak0.pinimg.com/736x/8a/95/19/8a9519f71f2ddcf0413f589f0177ebbe.jpg\">via Post-it note\u003c/a> or text message. Plus, the chorus involves the band members mimicking the sound of a telegram. What else could you want?\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fJMwxucTJyo\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Anyone who knows me knows I love a good witch. Stevie Nicks, the girls from \u003cem>Charmed\u003c/em>, Nicole Kidman in \u003cem>Practical Magic\u003c/em>, Bette Midler in \u003cem>Hocus Pocus\u003c/em>, Lana del Rey, teenage Sabrina, the girls from \u003cem>The Craft\u003c/em>, Hermione Granger, Luna Lovegood, Professor McGonagall... I could go on. So it's no surprise that I’m in love with a song called “The Oogum Boogum Song” by Brenton Wood, which peaked at No. 19 on the Billboard chart. It’s about a hot hipster witch putting a spell on him. Been there.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LuWC0T3izDs\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Speaking of witches, the Fifth Estate had a hit with “Ding Dong! The Witch Is Dead,” which borrows from \u003cem>The Wizard of Oz\u003c/em> and features a cheery little whistle that makes me want to twerk for some reason (don't judge me). The song peaked at No. 11 and spent 10 weeks on the charts.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gT3QhfiGxRI\u003c/p>\n\u003cp>A random trend around 1967 was spoken word songs by Congressmen. Can you image Mitch McConnell talking in his native language of \u003ca href=\"http://i.imgur.com/9q7OlUS.jpg\">Frowning Turtle\u003c/a> over a trap beat? 2017 has had so many atrocities already, that I wouldn’t even be surprised. Back in the '60s, 71-year-old Senator Everett Dirksen became the oldest person to reach the Top 40 with “Gallant Men.” The song was meant for the troops and climbed all the way up to No. 29, despite being boring as sin.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fAt1VJfEq2k\u003c/p>\n\u003cp>As a response to “Gallant Men,” a comedian named Bill Minkin released a cover version of “Wild Thing,” under the pseudonym Senator Bobby, in the voice of -- you guessed it -- Robert Kennedy. Despite no one asking for this, and its overall weirdness, the song reached No. 20 on the charts. Maybe the hot penny whistle lick turned people on?\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=bAD9QTNpbdY\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While we’re on the topic of songs by white dudes who can’t sing, “An Open Letter to My Teenage Son” by Victor Lundberg, a random newscaster from Grand Rapids, Michigan, became a very unlikely top 10 hit, despite the fact that the track is essentially a rambling rant about long hair, beards, glue-sniffing, whether god is dead, and George Washington. The song escalates quickly, ending with this threat:\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>And I will remind you that your mother will love you no matter what you do, because she is a woman\u003cbr>\nAnd I love you too, son\u003cbr>\nBut I also love our country and the principles for which we stand\u003cbr>\nAnd if you decide to burn your draft card\u003cbr>\nthen burn your birth certificate at the same time\u003cbr>\nFrom that moment on, I have no son\u003c/p>\u003c/blockquote>\n\u003cp>Ummm, okay then.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gBU6GkseD1w\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Speaking of war, a band called the Royal Guardsmen had a hit with a song all about Snoopy -- yes, that Snoopy -- fighting Germans, called “Snoopy vs. the Red Baron.” I've listened to this song more than a few times in an attempt to deduce why this band decided to pair a cartoon dog with a German antagonist, and all I've come up with is: ¯\\_(ツ)_/¯.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wtJ1Gnh9wPU\u003c/p>\n\u003cp>Our culture is full of single-named legends: Madonna. Prince. Cher. Keith? A random dude with the most generic name had a huge hit in 1967 called \"98.6\" about how much he loves the sun and his natural body temperature. It reached No. 6 on the charts. Two decades later, Keith, possibly annoyed that no one remembered his name, legally changed it to Bazza Keefer.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ykN6Cz05bLM\u003c/p>\n\u003cp>You know that feeling when you get out of work on a Friday afternoon and you think to the wide universe, \u003cem>Put all the liquor inside me\u003c/em>? Well, there’s a song for that feeling by Helena Ferguson called “Where Is The Party?” It did not do well on the charts, but I think that’s a mistake, and so will you once you hear her craving croon, which can be likened to a tipsy motorcycle rev.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=yVxS3OIlfs0\u003c/p>\n\u003cp>If you hate music, history, and the '60s, and have been really bored throughout this article, then \"I'm Bored\" by the Bonzo Dog Doo-Dah Band (yes, that's their real name) is for you:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=5jrnfKe7rqU\u003c/p>\n\u003cp>If, on the other hand, you weren’t bored by all of this music from 1967, there’s even more where these selections came from. Indulge in a summer of music-loving pleasure with this Spotify playlist I made just for you.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://open.spotify.com/embed/user/excusemybeauty/playlist/1FIJj38cB3UkQw2MMiaVOL\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Peace out!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This piece was inspired by an episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>, KQED’s weekly pop culture podcast. Give it a listen!\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>\u003cspan style=\"font-weight: 400\">This summer marks the 50th anniversary of the Summer of Love, which saw as many as 100,000 flower children descend on San Francisco’s Haight-Ashbury neighborhood to start a revolution based on love, unity, peace, flower crowns, lots and lots of weed, and, last but certainly not least, music! Janis Joplin, Jimi Hendrix, the Grateful Dead, the Mamas and the Papas, Jefferson Airplane: these are the names that come to mind when thinking of 1967. But this is only a partial picture. What else were people jamming to during the Summer of Love? What are the songs that were popular, but didn’t become canonized in the historical counterculture narrative, and are now more or less forgotten?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In order to find the answer to these questions and get a fuller idea of what music in 1967 was \u003cem>really\u003c/em> like, I dove head first into the deepest, darkest parts of the Billboard chart archives. Here’s what I found:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You most likely remember the song “San Francisco (Be Sure to Wear Flowers in Your Hair),” which was written for Scott McKenzie by John Phillips of the Mamas and the Papas. In case you're not familiar, it’s a certified bop and sounds like this:\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7I0vkKy504U'\n title='//www.youtube.com/embed/7I0vkKy504U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Released in May of 1967, the song was an instant classic, convincing even more hippies to migrate to San Francisco that summer, and going on to sell seven million copies. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A song you most likely\u003cem> don't\u003c/em> remember is \"Let's Go to San Francisco,\" by a British band called the Flower Pot Men (Mary Jane reference, you dig?). The group released the song a few months after Scott McKenzie's monster smash, trying to capitalize on the let's-ditch-our-lives-and-live-it-up-in-SF movement. It was moderately popular in the UK, but had little to no crossover appeal in the States. The Flower Pot Children are considered a one-hit wonder across the pond.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/puuWsTitPa4'\n title='//www.youtube.com/embed/puuWsTitPa4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">When a song is called \"I Was Kaiser Bill's Batman,\" you want answers. But you're not going to get any from this Whistling Jack Smith number, because there are no lyrics -- just passionate whistling. Despite there being no words to sing along with, the song was a big hit, reaching No. 20 on the Billboard Hot 100 and spending seven weeks on the chart. None of this makes sense, but this live performance of what can best be described as Spock's younger gay brother hopping around on a big stage emphatically whistling for several minutes makes it all worthwhile. Behold this thing of beauty:\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zQQ5sEOhbjQ'\n title='//www.youtube.com/embed/zQQ5sEOhbjQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">A band called the Box Tops had a No. 1 hit during the summer of 1967 with a song about the power of snail mail called “The Letter.” \u003ca href=\"http://www.rollingstone.com/music/lists/the-500-greatest-songs-of-all-time-20110407/the-box-tops-the-letter-20110526\">According to \u003cem>Rolling Stone\u003c/em>\u003c/a>, “The Letter” is one of the 500 Greatest Songs of All Time. \u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/toBl4rvTgs8'\n title='//www.youtube.com/embed/toBl4rvTgs8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">A lesser-known song about correspondence that didn't make it onto \u003cem>Rolling Stone\u003c/em>’s list, \"Western Union\" by the Five Americans reached No. 8 on the charts before fading away. And I’m not sure why, because it’s glorious. It’s about being broken up with via telegram, which was the '60s version of being broken up with \u003ca href=\"https://s-media-cache-ak0.pinimg.com/736x/8a/95/19/8a9519f71f2ddcf0413f589f0177ebbe.jpg\">via Post-it note\u003c/a> or text message. Plus, the chorus involves the band members mimicking the sound of a telegram. What else could you want?\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fJMwxucTJyo'\n title='//www.youtube.com/embed/fJMwxucTJyo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Anyone who knows me knows I love a good witch. Stevie Nicks, the girls from \u003cem>Charmed\u003c/em>, Nicole Kidman in \u003cem>Practical Magic\u003c/em>, Bette Midler in \u003cem>Hocus Pocus\u003c/em>, Lana del Rey, teenage Sabrina, the girls from \u003cem>The Craft\u003c/em>, Hermione Granger, Luna Lovegood, Professor McGonagall... I could go on. So it's no surprise that I’m in love with a song called “The Oogum Boogum Song” by Brenton Wood, which peaked at No. 19 on the Billboard chart. It’s about a hot hipster witch putting a spell on him. Been there.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LuWC0T3izDs'\n title='//www.youtube.com/embed/LuWC0T3izDs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Speaking of witches, the Fifth Estate had a hit with “Ding Dong! The Witch Is Dead,” which borrows from \u003cem>The Wizard of Oz\u003c/em> and features a cheery little whistle that makes me want to twerk for some reason (don't judge me). The song peaked at No. 11 and spent 10 weeks on the charts.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gT3QhfiGxRI'\n title='//www.youtube.com/embed/gT3QhfiGxRI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A random trend around 1967 was spoken word songs by Congressmen. Can you image Mitch McConnell talking in his native language of \u003ca href=\"http://i.imgur.com/9q7OlUS.jpg\">Frowning Turtle\u003c/a> over a trap beat? 2017 has had so many atrocities already, that I wouldn’t even be surprised. Back in the '60s, 71-year-old Senator Everett Dirksen became the oldest person to reach the Top 40 with “Gallant Men.” The song was meant for the troops and climbed all the way up to No. 29, despite being boring as sin.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fAt1VJfEq2k'\n title='//www.youtube.com/embed/fAt1VJfEq2k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As a response to “Gallant Men,” a comedian named Bill Minkin released a cover version of “Wild Thing,” under the pseudonym Senator Bobby, in the voice of -- you guessed it -- Robert Kennedy. Despite no one asking for this, and its overall weirdness, the song reached No. 20 on the charts. Maybe the hot penny whistle lick turned people on?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bAD9QTNpbdY'\n title='//www.youtube.com/embed/bAD9QTNpbdY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">While we’re on the topic of songs by white dudes who can’t sing, “An Open Letter to My Teenage Son” by Victor Lundberg, a random newscaster from Grand Rapids, Michigan, became a very unlikely top 10 hit, despite the fact that the track is essentially a rambling rant about long hair, beards, glue-sniffing, whether god is dead, and George Washington. The song escalates quickly, ending with this threat:\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>And I will remind you that your mother will love you no matter what you do, because she is a woman\u003cbr>\nAnd I love you too, son\u003cbr>\nBut I also love our country and the principles for which we stand\u003cbr>\nAnd if you decide to burn your draft card\u003cbr>\nthen burn your birth certificate at the same time\u003cbr>\nFrom that moment on, I have no son\u003c/p>\u003c/blockquote>\n\u003cp>Ummm, okay then.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gBU6GkseD1w'\n title='//www.youtube.com/embed/gBU6GkseD1w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Speaking of war, a band called the Royal Guardsmen had a hit with a song all about Snoopy -- yes, that Snoopy -- fighting Germans, called “Snoopy vs. the Red Baron.” I've listened to this song more than a few times in an attempt to deduce why this band decided to pair a cartoon dog with a German antagonist, and all I've come up with is: ¯\\_(ツ)_/¯.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wtJ1Gnh9wPU'\n title='//www.youtube.com/embed/wtJ1Gnh9wPU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Our culture is full of single-named legends: Madonna. Prince. Cher. Keith? A random dude with the most generic name had a huge hit in 1967 called \"98.6\" about how much he loves the sun and his natural body temperature. It reached No. 6 on the charts. Two decades later, Keith, possibly annoyed that no one remembered his name, legally changed it to Bazza Keefer.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ykN6Cz05bLM'\n title='//www.youtube.com/embed/ykN6Cz05bLM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>You know that feeling when you get out of work on a Friday afternoon and you think to the wide universe, \u003cem>Put all the liquor inside me\u003c/em>? Well, there’s a song for that feeling by Helena Ferguson called “Where Is The Party?” It did not do well on the charts, but I think that’s a mistake, and so will you once you hear her craving croon, which can be likened to a tipsy motorcycle rev.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yVxS3OIlfs0'\n title='//www.youtube.com/embed/yVxS3OIlfs0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you hate music, history, and the '60s, and have been really bored throughout this article, then \"I'm Bored\" by the Bonzo Dog Doo-Dah Band (yes, that's their real name) is for you:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5jrnfKe7rqU'\n title='//www.youtube.com/embed/5jrnfKe7rqU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If, on the other hand, you weren’t bored by all of this music from 1967, there’s even more where these selections came from. Indulge in a summer of music-loving pleasure with this Spotify playlist I made just for you.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://open.spotify.com/embed/user/excusemybeauty/playlist/1FIJj38cB3UkQw2MMiaVOL\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "How Much Do You Know About Wedding Etiquette? Test Yourself with This Quiz",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>\u003cem>This piece was inspired by an episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>, KQED’s weekly pop culture podcast. Give it a listen!\u003c/em>\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/06/1967SummerofLove.mp3\" title=\"Summer of Love Bops The World Forgot\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>\u003cspan style=\"font-weight: 400\">Let’s be real for a moment, shall we? Summer is barreling toward us faster than a Kathy Griffin apology. In your late teens and early twenties, summer is the time to plan Instagrammable vacations, shop for clothes that make you feel (keyword: \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">feel\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">) like Rihanna, and dabble in a fling or two. \u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-84936\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/tumblr_lhyr74uRq71qgdoz7o1_r1_500.gif\" alt=\"\" width=\"500\" height=\"279\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cut to your mid to late twenties and early thirties, and you may still do all of the above with one addition: participation in wedding season. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For those wondering \u003cem>W\u003c/em>\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">hat the hell is wedding season?, \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">congratulations, you’ve managed to make it this far without having to awkwardly decline multiple invitations. I’ll provide the Cliffs Notes: According to wedding experts, June through October are the most popular months for getting hitched. Given that information and where we are in the year, you likely have at least one wedding on your calendar, or one invite making its way to your mailbox (shout out to the procrastinators who scoff at \u003c/span>\u003cspan style=\"font-weight: 400\">Save the Date cards\u003c/span>\u003cspan style=\"font-weight: 400\">).\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-84937\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/giphy-35.gif\" alt=\"\" width=\"640\" height=\"360\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Although weddings can be a joyous occasion, they can also be an expensive undertaking for both the happy couple and for guests. According to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Knot\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">,\u003c/span>\u003ca href=\"https://www.theknot.com/content/average-wedding-cost-2016\">\u003cspan style=\"font-weight: 400\"> the average cost of a wedding in 2016 was $35,329\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. That’s actually an eight percent increase from \u003cimg class=\" wp-image-84945 alignright\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/giphy-36.gif\" alt=\"\" width=\"224\" height=\"123\">2015. Perhaps it’s just me, but when someone invites you to \u003c/span>\u003ca href=\"https://www.washingtonpost.com/news/soloish/wp/2017/02/02/6-things-that-cost-as-much-as-the-average-u-s-wedding/?utm_term=.a3b5178c6b95\">\u003cspan style=\"font-weight: 400\">a party that costs as much as a food truck\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, you feel inclined to bring your wardrobe and gift-giving A-game. Factor in travel costs, and there's a lot of potential to blow your budget. So sometimes it pays to know when to decline a wedding invite (\u003ca href=\"https://www.washingtonpost.com/news/soloish/wp/2017/05/24/in-my-20s-and-30s-i-accepted-nearly-every-wedding-invitation-now-i-rsvp-no/?utm_term=.f4938caa0d7f\">here's some great advice on how to know when that's a good idea\u003c/a>).\u003c/span>\u003c/p>\n\u003cp>Needless to say, there are a lot of details when it comes to wedding season. How well do you know them? Test your knowledge with this quiz:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe id=\"quizWidget-423159\" width=\"100%\" height=\"700px\" frameborder=\"0\" border=\"none\" src=\"https://www.qzzr.com/widget/quiz/fi9xdWl6emVzLzQyMzE1OQ\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>\u003cspan style=\"font-weight: 400\">Let’s be real for a moment, shall we? Summer is barreling toward us faster than a Kathy Griffin apology. In your late teens and early twenties, summer is the time to plan Instagrammable vacations, shop for clothes that make you feel (keyword: \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">feel\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">) like Rihanna, and dabble in a fling or two. \u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-84936\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/tumblr_lhyr74uRq71qgdoz7o1_r1_500.gif\" alt=\"\" width=\"500\" height=\"279\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cut to your mid to late twenties and early thirties, and you may still do all of the above with one addition: participation in wedding season. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For those wondering \u003cem>W\u003c/em>\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">hat the hell is wedding season?, \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">congratulations, you’ve managed to make it this far without having to awkwardly decline multiple invitations. I’ll provide the Cliffs Notes: According to wedding experts, June through October are the most popular months for getting hitched. Given that information and where we are in the year, you likely have at least one wedding on your calendar, or one invite making its way to your mailbox (shout out to the procrastinators who scoff at \u003c/span>\u003cspan style=\"font-weight: 400\">Save the Date cards\u003c/span>\u003cspan style=\"font-weight: 400\">).\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-84937\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/giphy-35.gif\" alt=\"\" width=\"640\" height=\"360\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Although weddings can be a joyous occasion, they can also be an expensive undertaking for both the happy couple and for guests. According to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Knot\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">,\u003c/span>\u003ca href=\"https://www.theknot.com/content/average-wedding-cost-2016\">\u003cspan style=\"font-weight: 400\"> the average cost of a wedding in 2016 was $35,329\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. That’s actually an eight percent increase from \u003cimg class=\" wp-image-84945 alignright\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/giphy-36.gif\" alt=\"\" width=\"224\" height=\"123\">2015. Perhaps it’s just me, but when someone invites you to \u003c/span>\u003ca href=\"https://www.washingtonpost.com/news/soloish/wp/2017/02/02/6-things-that-cost-as-much-as-the-average-u-s-wedding/?utm_term=.a3b5178c6b95\">\u003cspan style=\"font-weight: 400\">a party that costs as much as a food truck\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, you feel inclined to bring your wardrobe and gift-giving A-game. Factor in travel costs, and there's a lot of potential to blow your budget. So sometimes it pays to know when to decline a wedding invite (\u003ca href=\"https://www.washingtonpost.com/news/soloish/wp/2017/05/24/in-my-20s-and-30s-i-accepted-nearly-every-wedding-invitation-now-i-rsvp-no/?utm_term=.f4938caa0d7f\">here's some great advice on how to know when that's a good idea\u003c/a>).\u003c/span>\u003c/p>\n\u003cp>Needless to say, there are a lot of details when it comes to wedding season. How well do you know them? Test your knowledge with this quiz:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe id=\"quizWidget-423159\" width=\"100%\" height=\"700px\" frameborder=\"0\" border=\"none\" src=\"https://www.qzzr.com/widget/quiz/fi9xdWl6emVzLzQyMzE1OQ\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Beyond Janis Joplin and Jimi Hendrix, we uncover the 1967 jams that failed to stand the test of time. Also, a guide on how to do wedding season right and not be an a-hole.\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/06/1967SummerofLove.mp3\" title=\"Summer of Love Bops The World Forgot\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp> \u003c/p>\n\u003cp>We take a deep dive into the history books to uncover forgotten Summer of Love jams and get a fuller picture of what 1967 was truly like.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/tumblr_n5mi2dEOP81ss6wowo1_250.gif\">\u003cimg class=\"size-full wp-image-85071 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/tumblr_n5mi2dEOP81ss6wowo1_250.gif\" alt=\"\" width=\"245\" height=\"150\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Wedding season is upon us! We give you some tips on how to do it right and not be an a-hole:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/635578110455049430-587324446_attack.gif\">\u003cimg class=\"size-full wp-image-85079 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/635578110455049430-587324446_attack.gif\" alt=\"\" width=\"245\" height=\"200\">\u003c/a>\u003c/p>\n\u003cp>We have a message for people freaking out about drag queens reading to children:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=idJRmUDRrb8\u003c/p>\n\u003cp>Alanis Morissette's\u003cem> Jagged Little Pill\u003c/em> is coming to Broadway. Two of us are JAZZED about it.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Alanis_-_Dogma.gif\">\u003cimg class=\"size-full wp-image-85080 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Alanis_-_Dogma.gif\" alt=\"\" width=\"500\" height=\"208\">\u003c/a>\u003c/p>\n\u003cp>And we ride out on \"Mirage\" by Tommy James and the Shondells:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=f5bb042V3vs\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Wedding season is upon us! We give you some tips on how to do it right and not be an a-hole:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/635578110455049430-587324446_attack.gif\">\u003cimg class=\"size-full wp-image-85079 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/635578110455049430-587324446_attack.gif\" alt=\"\" width=\"245\" height=\"200\">\u003c/a>\u003c/p>\n\u003cp>We have a message for people freaking out about drag queens reading to children:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/idJRmUDRrb8'\n title='//www.youtube.com/embed/idJRmUDRrb8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Alanis Morissette's\u003cem> Jagged Little Pill\u003c/em> is coming to Broadway. Two of us are JAZZED about it.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Alanis_-_Dogma.gif\">\u003cimg class=\"size-full wp-image-85080 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Alanis_-_Dogma.gif\" alt=\"\" width=\"500\" height=\"208\">\u003c/a>\u003c/p>\n\u003cp>And we ride out on \"Mirage\" by Tommy James and the Shondells:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/f5bb042V3vs'\n title='//www.youtube.com/embed/f5bb042V3vs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Yes, The Do List is changing. We’re welcoming guest hosts to join me in the studio each week, and we’re so happy to start this state of perpetual renewal with \u003ca href=\"http://www.johnvanderslice.com/\" target=\"_blank\" rel=\"noopener noreferrer\">John Vanderslice\u003c/a>, a singer-songwriter, record producer, and master of the analog reel-to-reel at Tiny Telephone Studios in San Francisco and Oakland. John also helps organize the \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Phono del Sol Festival\u003c/a>, and that’s part of our lineup on the show this week. And one more thing. The Do List needs your help. \u003cstrong>We want to know what you think about our experiments\u003c/strong>. Follow\u003ca href=\"https://docs.google.com/a/kqed.org/forms/d/e/1FAIpQLSdPzmeFGcnpnPkYw_dq-afHmiCyV6ESV0sXWCMTMfsa0KhDJw/viewform?c=0&w=1\" target=\"_blank\" rel=\"noopener noreferrer\"> this link to a few short questions\u003c/a>. Please answer them by Monday, June 12. And thanks! Now here’s the show.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fxICQySR1e0\u003c/p>\n\u003cp>\u003cstrong>June 9-10\u003c/strong>: \u003ca href=\"http://www.huichica.com/welcome-1\" target=\"_blank\" rel=\"noopener noreferrer\">Huichica\u003c/a> is one of those little music festivals that get a lot of love because they’re \u003cem>not \u003c/em>the big gobstoppers like BottleRock or Outside Lands. Huichica still manages the warm, outdoor wine and food country vibe, because it’s hosted and sponsored by \u003ca href=\"http://www.gunbun.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Gundlach Bundschu Winery\u003c/a> in the town of Sonoma. The artists that caught our ear include Heron Oblivion, who make psychedelic rock withdreamy vocals from singer Meg Baird, Cass McCombs (John loves his latest album), and Robyn Hitchcock. (\u003ca href=\"http://www.sfgate.com/music/article/Robyn-Hitchcock-s-songs-pour-out-from-6143274.php\" target=\"_blank\" rel=\"noopener noreferrer\">Hitchcock’s ode to San Francisco, \u003cem>Eye\u003c/em>\u003c/a> is another of John’s favorites.) And we both love Gospel Beach and Christopher Owens’ (Girls) new band Curls. Details for \u003ca href=\"http://www.huichica.com/welcome-1\" target=\"_blank\" rel=\"noopener noreferrer\">Huichica are here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=QWhJqvuB1ZA\u003c/p>\n\u003cp>\u003cstrong>June 22-24\u003c/strong>: \u003ca href=\"http://gadelmaleh.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Gad Elmaleh\u003c/a> is the Moroccan-born-French version of Jerry Seinfeld. He does observational comedy about everyday stuff, like dating and airline travel (and he was a guest on Seinfeld’s \u003cem>Comedians in Cars Getting Coffee)\u003c/em>, but his best jokes are about culture clashes. He’s a Sephardic Jew from an Arab country who speaks Hebrew, French, Arabic, and now Elmaleh’s trying to make it in the US even as he’s still mastering English. Details on Elmaleh’s show at the Improv in San Jose later this month are\u003ca href=\"http://sanjose.improv.com/comedian/tw-eventinfo/Gad+Elmaleh/7407085/\" target=\"_blank\" rel=\"noopener noreferrer\"> here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ujfG_ZYdOtM\u003c/p>\n\u003cp>\u003cstrong>June 10: \u003c/strong>\u003ca href=\"http://www.switchboardmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Switchboard Music Festiva\u003c/a>l is all about classical chamber music by living people. Which sounds so obvious, except new music gets such a raw deal from the big classical arts organizations, and way too many audience members. Don’t be scared. A lot of the music is just lovely (\u003ca href=\"http://www.splinterreeds.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Splinter Reeds\u003c/a>), and there’s an ambitious mini-opera by \u003ca href=\"http://www.dinamaccabee.com/about/\" target=\"_blank\" rel=\"noopener noreferrer\">Dina Maccabee \u003c/a>and Jesse Olsen Bay based on Gertrude Stein’s children’s book \u003cem>Roses are Blue\u003c/em>. Veteran Bay Area new music crusaders The Kronos Quartet play the final hour of this marathon show (3-9 pm). As John notes, new music expands your brain. Details for the 10th annual Switchboard Music Festival at Z Space are \u003ca href=\"http://www.switchboardmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=SiDBiIsFiqU\u003c/p>\n\u003cp>\u003cstrong>June 15- 17\u003c/strong>: Ojai in Berkeley is another annual festival of new music, an extension of the Ojai Music Festival in the idyllic little town of Ojai east of Santa Barbara. A new artistic director picks the music every year, with pianist and composer Vijay Iyer in charge for 2017. He’s programmed a new concerto he wrote for the talented violinist Jennifer Koh, a concert with Indian musicians, including tabla master Zakir Hussain, plus an opera by trombonist and composer George Lewis, who writes avant-garde scores (like Iyer) mixing jazz and classical. Details for these Cal Performances concerts at Zellerbach Hall and Zellerbach Playhouse are \u003ca href=\"http://secure.calperformances.org/single/eventlisting.aspx?k=142\" target=\"_blank\" rel=\"noopener noreferrer\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Qu6k0Xh2VSU\u003c/p>\n\u003cp>\u003cstrong>June 9-11\u003c/strong>: John and I couldn’t resist adding these three concerts from the San Francisco Symphony, with \u003ca href=\"http://www.harrisonparrott.com/artist/profile/susanna-malkki\" target=\"_blank\" rel=\"noopener noreferrer\">Susanna Mälkki \u003c/a>guest conducting. She’s very sympatico with the musicians in Davies Hall, and I’m always wondering, who will someday replace the ageless Michael Tilson Thomas. Mälkki’s record here, especially tackling contemporary works, would seem to make her a great choice. She’s conducting Stravinsky’s Rite of Spring and Beethoven’s Piano Concerto #1 with the great Garrick Ohlson. Details for the concerts are\u003ca href=\"http://www.sfsymphony.org/Buy-Tickets/Calendar?gclid=CIiq2JbhrNQCFQ94fgodzdIMbg\" target=\"_blank\" rel=\"noopener noreferrer\"> here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11841768\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11841768\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-800x533.jpg\" alt=\"Margo Hall and Aldo Billingslea star in Fences at California Shakespeare Theater\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-1920x1278.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-960x639.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Margo Hall and Aldo Billingslea star in Fences at California Shakespeare Theater \u003ccite>(Photo: Kevin Berne/California Shakespeare Theater)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 15-July 9\u003c/strong>: Margo Hall is directing \u003cem>brownsville song (b-side for tray)\u003c/em>, a Bay Area premiere by Kimber Lee at \u003ca href=\"https://www.shotgunplayers.org/Online/default.asp\" target=\"_blank\" rel=\"noopener noreferrer\">Shotgun Players \u003c/a>in Berkeley. It’s a show about a black high schooler who plays by all the rules, and still something awful happens to him and his family. I’m a big fan of Hall as both an actor and director. She’s so good at finding the humanity and individuality in the people she plays, and she’s terrific at helping her actors do the same in the shows she directs. Details for \u003cem>brownsville song \u003c/em>at Shotgun in Berkeley\u003ca href=\"https://shotgunplayers.org/Online/brownsville\" target=\"_blank\" rel=\"noopener noreferrer\"> are here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=1XpaGaCXn5w\u003c/p>\n\u003cp>\u003cstrong>June 17\u003c/strong>: The \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Phono del Sol Festival \u003c/a>was John’s brainchild seven years ago. He lives nearby and saw how Potero del Sol Park was lovely and sunny, with birthday parties galore on weekends, but still underused. John invited the \u003ca href=\"http://thebaybridged.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Bridged \u003c/a>to come on board to help produce this daylong fest, in which pop and rock mixed with Dvorak. The mission continues: feature the wonderfully eclectic sounds of Bay Area bands, plus a rich mix of food trucks. This year Melina Duterte, known as Jay Som, is one of the headliners, riding a wave of praise for her first full album (\u003cem>Everybody Works\u003c/em>). You can also hear the ingenious chamber jazz and Afro-pop of Bells Atlas, singer-songwriter Sean Hayes, indie rockers Never Young, rappers Duckwrth and R&B singer Rayana Jay from Richmond. John thinks Thee Oh Sees do one of the best live shows of any band, and will make a great closer. Details for Phono del Sol \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener noreferrer\">are here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=R6NiZitg9l8\u003c/p>\n\u003cp>A few extras this week: John recommends \u003ca href=\"http://bombadilmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bombadil\u003c/a>, an acoustic folk-pop band from Durham, NC, with a serious interest in Tolkien, and a fastidious approach to recording (no electric instruments ever). Details for their gig \u003cstrong>June 11\u003c/strong> at the Cafe du Nord \u003ca href=\"http://www.ticketfly.com/purchase/event/1469213?utm_medium=459899\" target=\"_blank\" rel=\"noopener noreferrer\">are here.\u003c/a> I squeezed in \u003ca href=\"http://lizzwright.net/\" target=\"_blank\" rel=\"noopener noreferrer\">Lizz Wright\u003c/a>, part of the lineup at the SFJAZZ Festival. Wright has the warmest, most sensuous voice, and is doing a tribute \u003cstrong>June 9 and 10\u003c/strong> to Ella Fitzgerald. \u003ca href=\"https://www.sfjazz.org/events/35sfjf/0610/lizz-wright\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13389701\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13389701\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-800x445.jpg\" alt=\"KQED's Cy Musiker and Do List guest co-host John Vanderslice\" width=\"800\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-800x445.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-160x89.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-768x427.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1020x567.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1920x1068.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1180x656.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-960x534.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1038x576.jpg 1038w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-240x133.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-375x209.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-520x289.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Cy Musiker and Do List guest co-host John Vanderslice \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Yes, The Do List is changing. We’re welcoming guest hosts to join me in the studio each week, and we’re so happy to start this state of perpetual renewal with \u003ca href=\"http://www.johnvanderslice.com/\" target=\"_blank\" rel=\"noopener noreferrer\">John Vanderslice\u003c/a>, a singer-songwriter, record producer, and master of the analog reel-to-reel at Tiny Telephone Studios in San Francisco and Oakland. John also helps organize the \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Phono del Sol Festival\u003c/a>, and that’s part of our lineup on the show this week. And one more thing. The Do List needs your help. \u003cstrong>We want to know what you think about our experiments\u003c/strong>. Follow\u003ca href=\"https://docs.google.com/a/kqed.org/forms/d/e/1FAIpQLSdPzmeFGcnpnPkYw_dq-afHmiCyV6ESV0sXWCMTMfsa0KhDJw/viewform?c=0&w=1\" target=\"_blank\" rel=\"noopener noreferrer\"> this link to a few short questions\u003c/a>. Please answer them by Monday, June 12. And thanks! Now here’s the show.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fxICQySR1e0'\n title='//www.youtube.com/embed/fxICQySR1e0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 9-10\u003c/strong>: \u003ca href=\"http://www.huichica.com/welcome-1\" target=\"_blank\" rel=\"noopener noreferrer\">Huichica\u003c/a> is one of those little music festivals that get a lot of love because they’re \u003cem>not \u003c/em>the big gobstoppers like BottleRock or Outside Lands. Huichica still manages the warm, outdoor wine and food country vibe, because it’s hosted and sponsored by \u003ca href=\"http://www.gunbun.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Gundlach Bundschu Winery\u003c/a> in the town of Sonoma. The artists that caught our ear include Heron Oblivion, who make psychedelic rock withdreamy vocals from singer Meg Baird, Cass McCombs (John loves his latest album), and Robyn Hitchcock. (\u003ca href=\"http://www.sfgate.com/music/article/Robyn-Hitchcock-s-songs-pour-out-from-6143274.php\" target=\"_blank\" rel=\"noopener noreferrer\">Hitchcock’s ode to San Francisco, \u003cem>Eye\u003c/em>\u003c/a> is another of John’s favorites.) And we both love Gospel Beach and Christopher Owens’ (Girls) new band Curls. Details for \u003ca href=\"http://www.huichica.com/welcome-1\" target=\"_blank\" rel=\"noopener noreferrer\">Huichica are here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QWhJqvuB1ZA'\n title='//www.youtube.com/embed/QWhJqvuB1ZA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 22-24\u003c/strong>: \u003ca href=\"http://gadelmaleh.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Gad Elmaleh\u003c/a> is the Moroccan-born-French version of Jerry Seinfeld. He does observational comedy about everyday stuff, like dating and airline travel (and he was a guest on Seinfeld’s \u003cem>Comedians in Cars Getting Coffee)\u003c/em>, but his best jokes are about culture clashes. He’s a Sephardic Jew from an Arab country who speaks Hebrew, French, Arabic, and now Elmaleh’s trying to make it in the US even as he’s still mastering English. Details on Elmaleh’s show at the Improv in San Jose later this month are\u003ca href=\"http://sanjose.improv.com/comedian/tw-eventinfo/Gad+Elmaleh/7407085/\" target=\"_blank\" rel=\"noopener noreferrer\"> here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ujfG_ZYdOtM'\n title='//www.youtube.com/embed/ujfG_ZYdOtM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 10: \u003c/strong>\u003ca href=\"http://www.switchboardmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Switchboard Music Festiva\u003c/a>l is all about classical chamber music by living people. Which sounds so obvious, except new music gets such a raw deal from the big classical arts organizations, and way too many audience members. Don’t be scared. A lot of the music is just lovely (\u003ca href=\"http://www.splinterreeds.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Splinter Reeds\u003c/a>), and there’s an ambitious mini-opera by \u003ca href=\"http://www.dinamaccabee.com/about/\" target=\"_blank\" rel=\"noopener noreferrer\">Dina Maccabee \u003c/a>and Jesse Olsen Bay based on Gertrude Stein’s children’s book \u003cem>Roses are Blue\u003c/em>. Veteran Bay Area new music crusaders The Kronos Quartet play the final hour of this marathon show (3-9 pm). As John notes, new music expands your brain. Details for the 10th annual Switchboard Music Festival at Z Space are \u003ca href=\"http://www.switchboardmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SiDBiIsFiqU'\n title='//www.youtube.com/embed/SiDBiIsFiqU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 15- 17\u003c/strong>: Ojai in Berkeley is another annual festival of new music, an extension of the Ojai Music Festival in the idyllic little town of Ojai east of Santa Barbara. A new artistic director picks the music every year, with pianist and composer Vijay Iyer in charge for 2017. He’s programmed a new concerto he wrote for the talented violinist Jennifer Koh, a concert with Indian musicians, including tabla master Zakir Hussain, plus an opera by trombonist and composer George Lewis, who writes avant-garde scores (like Iyer) mixing jazz and classical. Details for these Cal Performances concerts at Zellerbach Hall and Zellerbach Playhouse are \u003ca href=\"http://secure.calperformances.org/single/eventlisting.aspx?k=142\" target=\"_blank\" rel=\"noopener noreferrer\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Qu6k0Xh2VSU'\n title='//www.youtube.com/embed/Qu6k0Xh2VSU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 9-11\u003c/strong>: John and I couldn’t resist adding these three concerts from the San Francisco Symphony, with \u003ca href=\"http://www.harrisonparrott.com/artist/profile/susanna-malkki\" target=\"_blank\" rel=\"noopener noreferrer\">Susanna Mälkki \u003c/a>guest conducting. She’s very sympatico with the musicians in Davies Hall, and I’m always wondering, who will someday replace the ageless Michael Tilson Thomas. Mälkki’s record here, especially tackling contemporary works, would seem to make her a great choice. She’s conducting Stravinsky’s Rite of Spring and Beethoven’s Piano Concerto #1 with the great Garrick Ohlson. Details for the concerts are\u003ca href=\"http://www.sfsymphony.org/Buy-Tickets/Calendar?gclid=CIiq2JbhrNQCFQ94fgodzdIMbg\" target=\"_blank\" rel=\"noopener noreferrer\"> here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11841768\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11841768\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-800x533.jpg\" alt=\"Margo Hall and Aldo Billingslea star in Fences at California Shakespeare Theater\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-1920x1278.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Margo-Hall-and-Aldo-Billingslea-star-in-Fences-at-California-Shakespeare-Theater-960x639.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Margo Hall and Aldo Billingslea star in Fences at California Shakespeare Theater \u003ccite>(Photo: Kevin Berne/California Shakespeare Theater)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 15-July 9\u003c/strong>: Margo Hall is directing \u003cem>brownsville song (b-side for tray)\u003c/em>, a Bay Area premiere by Kimber Lee at \u003ca href=\"https://www.shotgunplayers.org/Online/default.asp\" target=\"_blank\" rel=\"noopener noreferrer\">Shotgun Players \u003c/a>in Berkeley. It’s a show about a black high schooler who plays by all the rules, and still something awful happens to him and his family. I’m a big fan of Hall as both an actor and director. She’s so good at finding the humanity and individuality in the people she plays, and she’s terrific at helping her actors do the same in the shows she directs. Details for \u003cem>brownsville song \u003c/em>at Shotgun in Berkeley\u003ca href=\"https://shotgunplayers.org/Online/brownsville\" target=\"_blank\" rel=\"noopener noreferrer\"> are here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1XpaGaCXn5w'\n title='//www.youtube.com/embed/1XpaGaCXn5w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 17\u003c/strong>: The \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Phono del Sol Festival \u003c/a>was John’s brainchild seven years ago. He lives nearby and saw how Potero del Sol Park was lovely and sunny, with birthday parties galore on weekends, but still underused. John invited the \u003ca href=\"http://thebaybridged.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Bridged \u003c/a>to come on board to help produce this daylong fest, in which pop and rock mixed with Dvorak. The mission continues: feature the wonderfully eclectic sounds of Bay Area bands, plus a rich mix of food trucks. This year Melina Duterte, known as Jay Som, is one of the headliners, riding a wave of praise for her first full album (\u003cem>Everybody Works\u003c/em>). You can also hear the ingenious chamber jazz and Afro-pop of Bells Atlas, singer-songwriter Sean Hayes, indie rockers Never Young, rappers Duckwrth and R&B singer Rayana Jay from Richmond. John thinks Thee Oh Sees do one of the best live shows of any band, and will make a great closer. Details for Phono del Sol \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener noreferrer\">are here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/R6NiZitg9l8'\n title='//www.youtube.com/embed/R6NiZitg9l8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A few extras this week: John recommends \u003ca href=\"http://bombadilmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bombadil\u003c/a>, an acoustic folk-pop band from Durham, NC, with a serious interest in Tolkien, and a fastidious approach to recording (no electric instruments ever). Details for their gig \u003cstrong>June 11\u003c/strong> at the Cafe du Nord \u003ca href=\"http://www.ticketfly.com/purchase/event/1469213?utm_medium=459899\" target=\"_blank\" rel=\"noopener noreferrer\">are here.\u003c/a> I squeezed in \u003ca href=\"http://lizzwright.net/\" target=\"_blank\" rel=\"noopener noreferrer\">Lizz Wright\u003c/a>, part of the lineup at the SFJAZZ Festival. Wright has the warmest, most sensuous voice, and is doing a tribute \u003cstrong>June 9 and 10\u003c/strong> to Ella Fitzgerald. \u003ca href=\"https://www.sfjazz.org/events/35sfjf/0610/lizz-wright\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13389701\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13389701\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-800x445.jpg\" alt=\"KQED's Cy Musiker and Do List guest co-host John Vanderslice\" width=\"800\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-800x445.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-160x89.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-768x427.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1020x567.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1920x1068.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1180x656.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-960x534.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-1038x576.jpg 1038w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-240x133.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-375x209.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/IMG_6258-e1496879882857-520x289.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Cy Musiker and Do List guest co-host John Vanderslice \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "H.P. Lovecraft's Monster is Wrapping Family Game Night Up in Tentacles",
"headTitle": "H.P. Lovecraft’s Monster is Wrapping Family Game Night Up in Tentacles | KQED",
"content": "\u003cp>H.P. Lovecraft, the early 1900s horror writer, is best known for his creation of the deity Cthulhu — a monster of great power who sleeps in the Pacific Ocean in the sunken city of R’lyeh.\u003c/p>\n\u003cp>Now, almost 100 years after its conception, Cthulhu is making a creepy comeback via a new crop of board games.\u003c/p>\n\u003cp>Lovecraft created Cthulhu, which is typically pronounced Ka-thu-lu, in his 1920s short story “\u003ca href=\"http://www.hplovecraft.com/writings/texts/fiction/cc.aspx\" target=\"_blank\" rel=\"noopener\">The Call of Cthulhu\u003c/a>.” In illustrations, the monster’s depiction has taken on a look similar to a mixture of the Kraken, the dragon from Shrek and Xenomorphs from \u003cem>Alien,\u003c/em> but with really great biceps.\u003c/p>\n\u003cp>In 1987, one of the first Lovecraft-themed board games, \u003ca href=\"https://www.fantasyflightgames.com/en/products/arkham-horror/\" target=\"_blank\" rel=\"noopener\">Arkham Horror\u003c/a>, popped up and became wildly popular. Between then and 1997, there was an average of less than one Lovecraft-themed game published each year — and that number didn’t budge until everything seemed to explode in 2014. That year and every year since, there have been over a dozen Lovecraft-themed board games released.\u003c/p>\n\u003cp>And in 2017, the most anticipated board game this year, \u003ca href=\"https://boardgamegeek.com/geeklist/217265/20-most-anticipated-games-2017-nominations-are-clo\" target=\"_blank\" rel=\"noopener\">according to Board Game Geek\u003c/a>, is a Cthulhu Wars expansion. Three of the other titles on the 20-game list are also takes on Lovecraft’s world.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>What’s impressive about this phenomenon is that after coming into pop culture, Cthulhu has taken over more than just board games: with \u003ca href=\"http://www.imdb.com/list/ls071029311/\" target=\"_blank\" rel=\"noopener\">movies\u003c/a>, \u003ca href=\"http://www.goodreads.com/genres/cthulhu-mythos\" target=\"_blank\" rel=\"noopener\">books\u003c/a>, a \u003ca href=\"https://cthulhuforamerica.com/\" target=\"_blank\" rel=\"noopener\">bid for the 2020 presidential election\u003c/a> (it gathered a couple of votes in \u003ca href=\"http://www.huffingtonpost.com/entry/cthulhu-for-president_us_574fba9ee4b0ed593f134933\" target=\"_blank\" rel=\"noopener\">2016\u003c/a>). You can even get a \u003ca href=\"https://itunes.apple.com/us/app/cthulhu-virtual-pet/id1042479814?mt=8\" target=\"_blank\" rel=\"noopener\">Cthulhu virtual pet\u003c/a> for your phone.\u003c/p>\n\u003cp>Chris Reardon, a fan of Lovecraft’s work and player of Lovecraft-themed games, is happy the author is emerging into the public light.\u003c/p>\n\u003cp>“I really like Lovecraft-themed board games because they are cooperative games,” Reardon says. And the “addition of his characters and his theme add a cool extra layer.”\u003c/p>\n\u003cp>He says Lovecraft would have loved seeing his works coming back and being collaborated on, because he collaborated with people a lot as a writer.\u003c/p>\n\u003cp>Justin Johns, who works for \u003ca href=\"http://www.labyrinthgameshop.com/\" target=\"_blank\" rel=\"noopener\">Labyrinth Games and Puzzles\u003c/a> in Washington, D.C., has enjoyed his fair share of Lovecraft-themed board games. He said he became a fan of the games after reading some of Lovecraft’s work on a whim.\u003c/p>\n\u003cp>“I feel like [Lovecraft-themed games] have been a lot more prevalent in the last three or four years,” Johns says. “I do think there has been an uptick in the theme and interest in Cthulhu stuff. I think Lovecraft has always been around and is sort of a background to a lot of modern horror ideas — the idea that there are big scary things that man is not meant to know.”\u003c/p>\n\u003cp>But why the uptick, seemingly out of the blue (where Cthulhu resides) almost a century after its conception?\u003c/p>\n\u003cp>First, it could be the licensing issue. Some of Lovecraft’s works became public domain within the past decade, so it takes a lot less work for board game creators to use Cthulhu.\u003c/p>\n\u003cp>Second, crowdfunding sites became a haven to fund board game creators’ passion projects. The \u003ca href=\"https://www.kickstarter.com/projects/1816687860/cthulhu-wars?ref=nav_search\" target=\"_blank\" rel=\"noopener\">Cthulhu Wars Kickstarter\u003c/a> raised over $1.4 million. A \u003ca href=\"https://www.kickstarter.com/projects/1816687860/cthulhu-wars-onslaught-two?ref=nav_search\" target=\"_blank\" rel=\"noopener\">second printing\u003c/a> raised an additional $1 million.\u003c/p>\n\u003cp>But lots of things are public domain and don’t have nearly the uptick in consumer attention, and the increase in Lovecraft games funded on Kickstarter lines up with that of \u003ca href=\"https://fivethirtyeight.com/features/crowdfunding-is-driving-a-196-million-board-game-renaissance/\" target=\"_blank\" rel=\"noopener\">all board games\u003c/a> from the crowdfunding sites.\u003c/p>\n\u003cp>Many fans \u003ca href=\"https://www.reddit.com/r/boardgames/comments/4uhpgm/is_there_a_lovecraftian_board_games_revival/?st=j34xiogv&sh=38a7311f\" target=\"_blank\" rel=\"noopener\">argue\u003c/a> that it’s less of a revival and more of a bandwagon. As with zombies and pirates, once creators saw they could make money off the theme, they jumped on board.\u003c/p>\n\u003cp>Donovan Loucks, who is in charge of the H.P. Lovecraft \u003ca href=\"http://www.hplovecraft.com/\" target=\"_blank\" rel=\"noopener\">online archive\u003c/a>, speculated that game creators saw that some Lovecraft games were becoming popular, and once the licensing was released, realized they should take advantage of that market.\u003c/p>\n\u003cp>“I think it prompted a lot of people to say, ‘Hey, we can do Lovecraft too,’ ” says Loucks, who is also an avid board game fan.\u003c/p>\n\u003cp>One possible reason, Johns says, is that board games with cooperative play styles have increased in popularity and most games with a Lovecraft theme are just that — a group of players try to take down the big bad monster and save the world. It’s the players against the board.\u003c/p>\n\u003cp>“I think it’s really interesting to see all the different ways that people are interpreting the ideas of this big scary thing and all the different ways that it’s influenced different writing and games,” Johns says. “Even movies like the \u003cem>Alien\u003c/em> movies, this big scary thing, they go off into the unknown and they’re changed and killed by this unknown character. It echoes throughout the rest of our popular culture.”\u003c/p>\n\u003cp>What is actually different about Lovecraft is that in recent years, he underwent some \u003ca href=\"http://www.salon.com/2014/09/11/its_ok_to_admit_that_h_p_lovecraft_was_racist/\" target=\"_blank\" rel=\"noopener\">pretty intense\u003c/a>, \u003ca href=\"https://www.theatlantic.com/entertainment/archive/2015/08/hp-lovecraft-125/401471/\" target=\"_blank\" rel=\"noopener\">public scrutiny\u003c/a> about racist letters to a friend depicting opinions on his Jewish, black, Italian, Portuguese and Asian peers. Lovecraft wrote that the “extra-legal measures such as lynching and intimidation” were “ingenious,” among other pretty deplorable quotes.\u003c/p>\n\u003cp>But these letters brought attention to Lovecraft’s work.\u003c/p>\n\u003cp>“Any press is good press, in a sense,” Loucks says. “Because of this, people are becoming more aware of him.”\u003c/p>\n\u003cp>Loucks says Lovecraft fans don’t really like Lovecraft the man, and some don’t even like his writing, which is much more detailed than that of other writers of his time. But the fans do love the creatures and monsters he created. So the thought in the Lovecraft community is that perhaps the bad press for his personal opinions brought his work to light, and intrigued people. Then, with it being in the public domain, they were free to use his work to create some of their own — in the form of board games.\u003c/p>\n\u003cp>Whatever the reason for Lovecraft’s rise to fame, one thing is certain: We are in the middle of a board game renaissance, and the deity of choice is Cthulhu.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Christianna Silva is an NPR Digital News intern.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=H.P.+Lovecraft%27s+Monster+Is+Wrapping+Family+Game+Night+Up+In+Tentacles&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "A century after the horror writer created Cthulhu, board game creators and players have resurrected the deep sea monster and brought it into pop culture. Why is this beast making a comeback?",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>H.P. Lovecraft, the early 1900s horror writer, is best known for his creation of the deity Cthulhu — a monster of great power who sleeps in the Pacific Ocean in the sunken city of R’lyeh.\u003c/p>\n\u003cp>Now, almost 100 years after its conception, Cthulhu is making a creepy comeback via a new crop of board games.\u003c/p>\n\u003cp>Lovecraft created Cthulhu, which is typically pronounced Ka-thu-lu, in his 1920s short story “\u003ca href=\"http://www.hplovecraft.com/writings/texts/fiction/cc.aspx\" target=\"_blank\" rel=\"noopener\">The Call of Cthulhu\u003c/a>.” In illustrations, the monster’s depiction has taken on a look similar to a mixture of the Kraken, the dragon from Shrek and Xenomorphs from \u003cem>Alien,\u003c/em> but with really great biceps.\u003c/p>\n\u003cp>In 1987, one of the first Lovecraft-themed board games, \u003ca href=\"https://www.fantasyflightgames.com/en/products/arkham-horror/\" target=\"_blank\" rel=\"noopener\">Arkham Horror\u003c/a>, popped up and became wildly popular. Between then and 1997, there was an average of less than one Lovecraft-themed game published each year — and that number didn’t budge until everything seemed to explode in 2014. That year and every year since, there have been over a dozen Lovecraft-themed board games released.\u003c/p>\n\u003cp>And in 2017, the most anticipated board game this year, \u003ca href=\"https://boardgamegeek.com/geeklist/217265/20-most-anticipated-games-2017-nominations-are-clo\" target=\"_blank\" rel=\"noopener\">according to Board Game Geek\u003c/a>, is a Cthulhu Wars expansion. Three of the other titles on the 20-game list are also takes on Lovecraft’s world.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>What’s impressive about this phenomenon is that after coming into pop culture, Cthulhu has taken over more than just board games: with \u003ca href=\"http://www.imdb.com/list/ls071029311/\" target=\"_blank\" rel=\"noopener\">movies\u003c/a>, \u003ca href=\"http://www.goodreads.com/genres/cthulhu-mythos\" target=\"_blank\" rel=\"noopener\">books\u003c/a>, a \u003ca href=\"https://cthulhuforamerica.com/\" target=\"_blank\" rel=\"noopener\">bid for the 2020 presidential election\u003c/a> (it gathered a couple of votes in \u003ca href=\"http://www.huffingtonpost.com/entry/cthulhu-for-president_us_574fba9ee4b0ed593f134933\" target=\"_blank\" rel=\"noopener\">2016\u003c/a>). You can even get a \u003ca href=\"https://itunes.apple.com/us/app/cthulhu-virtual-pet/id1042479814?mt=8\" target=\"_blank\" rel=\"noopener\">Cthulhu virtual pet\u003c/a> for your phone.\u003c/p>\n\u003cp>Chris Reardon, a fan of Lovecraft’s work and player of Lovecraft-themed games, is happy the author is emerging into the public light.\u003c/p>\n\u003cp>“I really like Lovecraft-themed board games because they are cooperative games,” Reardon says. And the “addition of his characters and his theme add a cool extra layer.”\u003c/p>\n\u003cp>He says Lovecraft would have loved seeing his works coming back and being collaborated on, because he collaborated with people a lot as a writer.\u003c/p>\n\u003cp>Justin Johns, who works for \u003ca href=\"http://www.labyrinthgameshop.com/\" target=\"_blank\" rel=\"noopener\">Labyrinth Games and Puzzles\u003c/a> in Washington, D.C., has enjoyed his fair share of Lovecraft-themed board games. He said he became a fan of the games after reading some of Lovecraft’s work on a whim.\u003c/p>\n\u003cp>“I feel like [Lovecraft-themed games] have been a lot more prevalent in the last three or four years,” Johns says. “I do think there has been an uptick in the theme and interest in Cthulhu stuff. I think Lovecraft has always been around and is sort of a background to a lot of modern horror ideas — the idea that there are big scary things that man is not meant to know.”\u003c/p>\n\u003cp>But why the uptick, seemingly out of the blue (where Cthulhu resides) almost a century after its conception?\u003c/p>\n\u003cp>First, it could be the licensing issue. Some of Lovecraft’s works became public domain within the past decade, so it takes a lot less work for board game creators to use Cthulhu.\u003c/p>\n\u003cp>Second, crowdfunding sites became a haven to fund board game creators’ passion projects. The \u003ca href=\"https://www.kickstarter.com/projects/1816687860/cthulhu-wars?ref=nav_search\" target=\"_blank\" rel=\"noopener\">Cthulhu Wars Kickstarter\u003c/a> raised over $1.4 million. A \u003ca href=\"https://www.kickstarter.com/projects/1816687860/cthulhu-wars-onslaught-two?ref=nav_search\" target=\"_blank\" rel=\"noopener\">second printing\u003c/a> raised an additional $1 million.\u003c/p>\n\u003cp>But lots of things are public domain and don’t have nearly the uptick in consumer attention, and the increase in Lovecraft games funded on Kickstarter lines up with that of \u003ca href=\"https://fivethirtyeight.com/features/crowdfunding-is-driving-a-196-million-board-game-renaissance/\" target=\"_blank\" rel=\"noopener\">all board games\u003c/a> from the crowdfunding sites.\u003c/p>\n\u003cp>Many fans \u003ca href=\"https://www.reddit.com/r/boardgames/comments/4uhpgm/is_there_a_lovecraftian_board_games_revival/?st=j34xiogv&sh=38a7311f\" target=\"_blank\" rel=\"noopener\">argue\u003c/a> that it’s less of a revival and more of a bandwagon. As with zombies and pirates, once creators saw they could make money off the theme, they jumped on board.\u003c/p>\n\u003cp>Donovan Loucks, who is in charge of the H.P. Lovecraft \u003ca href=\"http://www.hplovecraft.com/\" target=\"_blank\" rel=\"noopener\">online archive\u003c/a>, speculated that game creators saw that some Lovecraft games were becoming popular, and once the licensing was released, realized they should take advantage of that market.\u003c/p>\n\u003cp>“I think it prompted a lot of people to say, ‘Hey, we can do Lovecraft too,’ ” says Loucks, who is also an avid board game fan.\u003c/p>\n\u003cp>One possible reason, Johns says, is that board games with cooperative play styles have increased in popularity and most games with a Lovecraft theme are just that — a group of players try to take down the big bad monster and save the world. It’s the players against the board.\u003c/p>\n\u003cp>“I think it’s really interesting to see all the different ways that people are interpreting the ideas of this big scary thing and all the different ways that it’s influenced different writing and games,” Johns says. “Even movies like the \u003cem>Alien\u003c/em> movies, this big scary thing, they go off into the unknown and they’re changed and killed by this unknown character. It echoes throughout the rest of our popular culture.”\u003c/p>\n\u003cp>What is actually different about Lovecraft is that in recent years, he underwent some \u003ca href=\"http://www.salon.com/2014/09/11/its_ok_to_admit_that_h_p_lovecraft_was_racist/\" target=\"_blank\" rel=\"noopener\">pretty intense\u003c/a>, \u003ca href=\"https://www.theatlantic.com/entertainment/archive/2015/08/hp-lovecraft-125/401471/\" target=\"_blank\" rel=\"noopener\">public scrutiny\u003c/a> about racist letters to a friend depicting opinions on his Jewish, black, Italian, Portuguese and Asian peers. Lovecraft wrote that the “extra-legal measures such as lynching and intimidation” were “ingenious,” among other pretty deplorable quotes.\u003c/p>\n\u003cp>But these letters brought attention to Lovecraft’s work.\u003c/p>\n\u003cp>“Any press is good press, in a sense,” Loucks says. “Because of this, people are becoming more aware of him.”\u003c/p>\n\u003cp>Loucks says Lovecraft fans don’t really like Lovecraft the man, and some don’t even like his writing, which is much more detailed than that of other writers of his time. But the fans do love the creatures and monsters he created. So the thought in the Lovecraft community is that perhaps the bad press for his personal opinions brought his work to light, and intrigued people. Then, with it being in the public domain, they were free to use his work to create some of their own — in the form of board games.\u003c/p>\n\u003cp>Whatever the reason for Lovecraft’s rise to fame, one thing is certain: We are in the middle of a board game renaissance, and the deity of choice is Cthulhu.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Christianna Silva is an NPR Digital News intern.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=H.P.+Lovecraft%27s+Monster+Is+Wrapping+Family+Game+Night+Up+In+Tentacles&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In case it wasn’t already abundantly clear, this week proved yet again that, when you mess with Rihanna, she will mess with you back. After being trolled by an attention-seeking sports blogger who asked “Is Rihanna Going to Make Being Fat the Hot New Trend?,” the singer took to her \u003ca href=\"https://ww2.kqed.org/pop/2017/06/06/rihanna-and-halle-berry-dont-have-time-for-your-fat-shaming-nonsense/\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"https://ww2.kqed.org/pop/2017/06/06/rihanna-and-halle-berry-dont-have-time-for-your-fat-shaming-nonsense/\" target=\"_blank\" title=\"Rihanna and Halle Berry Don’t Have Time for Fat-Shaming Nonsense\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "\u003cp>In case it wasn't already abundantly clear, this week proved yet again that, when you mess with Rihanna, she will mess with you back. After being trolled by an attention-seeking sports blogger who asked “Is Rihanna Going to Make Being Fat the Hot New Trend?,” the singer took to her \u003ca href=\"https://ww2.kqed.org/pop/2017/06/06/rihanna-and-halle-berry-dont-have-time-for-your-fat-shaming-nonsense/\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> ...read more\u003c/a>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In case it wasn’t already abundantly clear, this week proved yet again that, when you mess with Rihanna, she will mess with you back. After being trolled by an attention-seeking sports blogger who asked “Is Rihanna Going to Make Being Fat the Hot New Trend?,” the singer took to her \u003ca href=\"https://ww2.kqed.org/pop/2017/06/06/rihanna-and-halle-berry-dont-have-time-for-your-fat-shaming-nonsense/\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"https://ww2.kqed.org/pop/2017/06/06/rihanna-and-halle-berry-dont-have-time-for-your-fat-shaming-nonsense/\" target=\"_blank\" title=\"Rihanna and Halle Berry Don’t Have Time for Fat-Shaming Nonsense\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Can 'Wonder Woman' Offer A Superhero Soundtrack That Sticks?",
"title": "Can 'Wonder Woman' Offer A Superhero Soundtrack That Sticks?",
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"content": "\u003cp>\"I guess every superhero need his theme music,\" \u003ca href=\"https://www.youtube.com/watch?v=L53gjP-TtGE\" target=\"_blank\" rel=\"noopener noreferrer\">sang Kanye West\u003c/a> seven years ago. The sentiment is right, the pronoun is ... questionable. That Wonder Woman's triumphant big-screen debut this weekend comes 39 years after Superman's and 28 years after Batman's is a travesty — her comic-book debut followed those of her fellow DC Comics heroes by three years and two, respectively. But at least she can claim to have at least one thing that Iron Man still doesn't, never mind Black Widow: a memorable cue.\u003c/p>\n\u003cp>By way of example, take the teaser trailer for next year's \u003cem>Deadpool\u003c/em> sequel. It's built around one major gag: The mutant mercenary witnesses a mugging and ducks into a phone booth to prepare for battle. But Lycra is clingy, and by the time Ryan Reynolds has shimmed into uniform, the victim is dead and his killer has escaped.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wLeGWcVeIZ4\u003c/p>\n\u003cp>Mocking Deadpool's ineptitude under all this is \u003ca href=\"http://www.npr.org/artists/15003640/john-williams-composer\" target=\"_blank\" rel=\"noopener noreferrer\">John Williams\u003c/a>' stirring march from \u003cem>Superman: The Movie\u003c/em> — the first big-budget, big-screen comic-book adaption, from 1978. Its ad campaign promised disillusioned post-Vietnam, post-Watergate audiences, \u003cem>You'll believe a man can fly. \u003c/em>Williams' \u003cem>Superman: The Soundtrack\u003c/em> was one big reason they did.\u003c/p>\n\u003cp>\u003cem>Superman\u003c/em> was a huge hit that spawned fast-declining sequels, but it did not produce a wave of films derived from comic books. The next big one took a little over a decade to arrive, but Tim Burton's \u003cem>Batman\u003c/em> became the biggest domestic hit of 1989. Although the movie's first trailer, strikingly, featured no music at all, Danny Elfman's brooding, Wagnerian score bat-signaled to audiences that this take on the character would be more gothic and less campy than the Bat-tusi-ing '60s TV Batman that was — at least to people who didn't read comics, where Batman was having a huge resurgence in the late '80s — the version that had stuck.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>(There was also, you know, a whole separate soundtrack album comprising \"Batdance\" and other original tunes by Warner Brothers recording artist \u003ca href=\"http://www.npr.org/artists/15394157/prince\" target=\"_blank\" rel=\"noopener noreferrer\">Prince\u003c/a>. Dig if you will the picture / You and I engaged in a mercantile act of corporate synergy.)\u003c/p>\n\u003cp>DC's forever rival Marvel Comics tried mightily to get their heroes turned into hit movies, but for the longest time all they got were TV movies or unintentionally hilarious, low-budget versions that often didn't even get released at all. That changed in 2000, when Bryan Singer's \u003cem>X-Men \u003c/em>x-ceeded Fox's expectations for its gross. Then came Sam Raimi's \u003cem>Spider-Man,\u003c/em> in 2002. I saw them both in theaters, more than once. I bought the DVDs. I eagerly awaited their sequels, which did not disappoint.\u003c/p>\n\u003cp>I could not hum a bar of music from either one to save my life.\u003c/p>\n\u003cp>Marvel stopped outsourcing its filmmaking and got into the game itself with 2008's \u003cem>Iron Man,\u003c/em> the start of a four-year campaign of solo adventures building up to 2012's Marvel team-up \u003cem>The Avengers.\u003c/em> The movie was written and directed by Joss Whedon, a man who likes musicals so much that he actually wrote the web series \u003cem>Dr. Horrible's Sing-Along Blog\u003c/em> (with his brothers Zack, a TV writer, and Jed, a composer) just to keep himself busy during the 2007-8 writer's strike.\u003c/p>\n\u003cp>But even his superhero epic — scored by Alan Silvestri, whose credits included \u003cem>Back to the Future \u003c/em>— sounded bland. Instead of all those post-credits scenes, \u003cem>The Avengers \u003c/em>should've ended with a song with lyrics describing each hero's special powers. There's an excellent model for this: Paul Francis Webster and Robert Harris' \u003ca href=\"https://www.youtube.com/watch?v=SUtziaZlDeE\" target=\"_blank\" rel=\"noopener noreferrer\">theme song\u003c/a> to the mid-'60s Spider-Man cartoon. You know a tune has staying power when it's been covered by \u003ca href=\"http://www.npr.org/artists/15180457/the-ramones\" target=\"_blank\" rel=\"noopener noreferrer\">The Ramones\u003c/a> \u003cem>and\u003c/em> Michael Bublé. (Composer Michael Giacchino has hinted that the song will be paid homage in his music for \u003cem>Spider-Man: Homecoming \u003c/em>later this summer.)\u003c/p>\n\u003cp>The two \u003cem>Guardians of the Galaxy\u003c/em> films are each helped along by an \"Awesome Mix\" of '70s FM. \u003ca href=\"http://www.npr.org/2017/03/02/517009491/logan-is-the-best-at-what-it-does-and-what-it-does-is-gritty\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Logan\u003c/em>\u003c/a> ended with \"The Man Comes Around,\" one of the last songs \u003ca href=\"http://www.npr.org/artists/15165794/johnny-cash\" target=\"_blank\" rel=\"noopener noreferrer\">Johnny Cash\u003c/a> wrote before he died. (It was perfect.) But these are exceptions. Clearly, a crisis is upon us. Superhero movies are everywhere. Superhero music is in decline. Who will help us? Who?\u003c/p>\n\u003cp>This guy.\u003c/p>\n\u003cfigure id=\"attachment_84805\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003cimg class=\"size-full wp-image-84805\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125.jpg\" alt=\"\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125.jpg 200w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-150x150.jpg 150w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003cfigcaption class=\"wp-caption-text\">Rupert Gregson-Williams composed the score for Wonder Woman.\u003cbr>Photo: Courtesy of the composer\u003c/figcaption>\u003c/figure>\n\u003cp>His name is Rupert Gregson-Williams, mild-mannered composer of scores for prestige television (\u003cem>Veep\u003c/em>, \u003cem>The Crown\u003c/em>) and film (\u003cem>Hacksaw Ridge\u003c/em>). Last summer's \u003cem>The Legend of Tarzan\u003c/em> was the closest thing on his resume to a superhero film until \u003cem>Wonder Woman\u003c/em> director Patty Jenkins tapped him to write the music.\u003c/p>\n\u003cp>Well, most of it. Gal Gadot's Wonder Woman had already been introduced in last year's \u003ca href=\"http://www.npr.org/2016/03/24/471035756/batman-v-superman-superheroes-adrift-in-a-grim-sea-of-studio-money\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Batman v Superman: Dawn of Justice\u003c/em>\u003c/a>\u003cem>.\u003c/em> When she shows up in uniform near the film's climax, composers \u003ca href=\"http://www.npr.org/artists/15399647/hans-zimmer\" target=\"_blank\" rel=\"noopener noreferrer\">Hans Zimmer\u003c/a> and Junkie XL give her a distinctive riff. (It sounds like an electric guitar, but it's actually performed on the electric cello by \u003ca href=\"https://twitter.com/Tinaguo\" target=\"_blank\" rel=\"noopener noreferrer\">Tina Guo\u003c/a>.) Gregson-Williams understood that his score would have to include that instantly memorable theme.\u003c/p>\n\u003cp>\"That was a Wonder Woman that had arrived at the peak of her powers,\" he says. \"She knows her strengths, and the theme really reflected that. It's rocking.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=261&v=S176AKQhcCk\u003c/p>\n\u003cp>I asked Gregson-Williams flat-out why so little of the music of our current era of superhero saturation has distinguished itself.\u003c/p>\n\u003cp>\u003cem>\"\u003c/em>There's a generic language, musically, that's grown up,\" he says. \"In the same way, there are other types of film — Westerns or sci-fi — where there's a generic language which is difficult to shake off. And I guess it's down to the depth of character that you're writing for. If they have some depth, or if there's something different about their powers or about their character or their emotions, I guess it would make it easier to shake that that language off.\"\u003c/p>\n\u003cp>That's fair. Superheroes, like characters in any genre, are defined by their conventions. And this is the first Wonder Woman movie, not the inflated sequel or the back-to-basics reboot.\u003c/p>\n\u003cp>My theory is that music is especially critical to superhero films — and I'll include literary creations like Sherlock Holmes and James Bond, and cinematic homages like Indiana Jones in this category — because the character is larger than any one story. They're fixed in perpetuity. A great score can help give them that immortality.\u003c/p>\n\u003cp>Superman had been around for 40 years when Williams sat down to compose; he's been around another 40 since. In his music, Williams reflected perfectly that film's balance of innocence and sophistication.\u003cem> Wonder Woman, \u003c/em>happily, has that same cocktail of attributes; the same unabashed romanticism and the same understated romance. (Gadot and Chris Pine, who's as fine a foil to her as Margot Kidder was to Christopher Reeve in \u003cem>Superman,\u003c/em> have a chemistry that fairly bubbles.)\u003c/p>\n\u003cp>\"Patty made a film that is much more on the classic side,\" Gregson-Williams says. \u003cem>\"\u003c/em>And so we could get get involved with more lyricism and melody in parts for the score. With some movies, you back off melody because these days it feels like we're trying too hard.\"\u003c/p>\n\u003cp>The movie begins and ends in the present, but most of the story is set about a century ago, during the first World War. In fact, it's in a trench warfare sequence that Princess Diana — Wonder Woman's Amazonian name — first reveals her powers to the world. The title of this composition is \"No-Man's Land.\" Gregson-Williams says it was important to nail that scene exactly, and that Jenkins sent him back to the composing board several times.\u003c/p>\n\u003cfigure id=\"attachment_84806\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-84806 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-1020x1020.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-1180x1180.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-960x960.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-520x520.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-150x150.jpg 150w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f.jpg 1198w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wonder Woman director Patty Jenkins consults with composer Rupert Gregson-Williams.\u003cbr>Photo: James Gillham / Sting Media\u003c/figcaption>\u003c/figure>\n\u003cp>\"That was an exciting moment to write,\" the composer says. \"It was quite painful to write because I didn't get it right first time, or the second, third or fourth time.\"\u003c/p>\n\u003cp>Getting it right came down to Jenkins directing the composer as she would an actor. \"Patty would act out what Diana was thinking for every single move. That really instructed me, rhythmically and tempo-wise, how she wanted it.\"\u003c/p>\n\u003cp>And of course, there's a fine line between honoring convention and being a hack.\u003c/p>\n\u003cp>\"There are certain moves, musically, that you can't help but muster for a certain emotion,\" Gregson-Williams admits. \"And you can tear yourself apart by trying to find a new answer to that musical harmony that says to you: This is a beautiful and proud moment.\"\u003c/p>\n\u003cp>Those moments are what we turn to this genre for, however. It's the part when Superman takes flight for the first time. It's the scene in \u003cem>Captain America: The First Avenger \u003c/em>— my favorite Marvel movie, and the one that \u003cem>Wonder Woman\u003c/em> most resembles — when skinny Steve Rogers throws himself on top of the grenade.\u003c/p>\n\u003cp>Not that camp or irony is all bad. I do miss the lyrics from the 1970s \u003cem>Wonder Woman\u003c/em> TV theme by Charles Fox and Norman Gimbel — the funky encomium to the Amazonian who's \"fighting for her rights in her satin tights / And the old red, white and blue.\" Does Gregson-Williams think lyrics might make a return to the super-music game?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\"I don't see too much future in it,\" he laughs. \"Certainly not from my pen.\"\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Can+%27Wonder+Woman%27+Offer+A+Superhero+Soundtrack+That+Sticks%3F&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\"I guess every superhero need his theme music,\" \u003ca href=\"https://www.youtube.com/watch?v=L53gjP-TtGE\" target=\"_blank\" rel=\"noopener noreferrer\">sang Kanye West\u003c/a> seven years ago. The sentiment is right, the pronoun is ... questionable. That Wonder Woman's triumphant big-screen debut this weekend comes 39 years after Superman's and 28 years after Batman's is a travesty — her comic-book debut followed those of her fellow DC Comics heroes by three years and two, respectively. But at least she can claim to have at least one thing that Iron Man still doesn't, never mind Black Widow: a memorable cue.\u003c/p>\n\u003cp>By way of example, take the teaser trailer for next year's \u003cem>Deadpool\u003c/em> sequel. It's built around one major gag: The mutant mercenary witnesses a mugging and ducks into a phone booth to prepare for battle. But Lycra is clingy, and by the time Ryan Reynolds has shimmed into uniform, the victim is dead and his killer has escaped.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wLeGWcVeIZ4'\n title='//www.youtube.com/embed/wLeGWcVeIZ4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Mocking Deadpool's ineptitude under all this is \u003ca href=\"http://www.npr.org/artists/15003640/john-williams-composer\" target=\"_blank\" rel=\"noopener noreferrer\">John Williams\u003c/a>' stirring march from \u003cem>Superman: The Movie\u003c/em> — the first big-budget, big-screen comic-book adaption, from 1978. Its ad campaign promised disillusioned post-Vietnam, post-Watergate audiences, \u003cem>You'll believe a man can fly. \u003c/em>Williams' \u003cem>Superman: The Soundtrack\u003c/em> was one big reason they did.\u003c/p>\n\u003cp>\u003cem>Superman\u003c/em> was a huge hit that spawned fast-declining sequels, but it did not produce a wave of films derived from comic books. The next big one took a little over a decade to arrive, but Tim Burton's \u003cem>Batman\u003c/em> became the biggest domestic hit of 1989. Although the movie's first trailer, strikingly, featured no music at all, Danny Elfman's brooding, Wagnerian score bat-signaled to audiences that this take on the character would be more gothic and less campy than the Bat-tusi-ing '60s TV Batman that was — at least to people who didn't read comics, where Batman was having a huge resurgence in the late '80s — the version that had stuck.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>(There was also, you know, a whole separate soundtrack album comprising \"Batdance\" and other original tunes by Warner Brothers recording artist \u003ca href=\"http://www.npr.org/artists/15394157/prince\" target=\"_blank\" rel=\"noopener noreferrer\">Prince\u003c/a>. Dig if you will the picture / You and I engaged in a mercantile act of corporate synergy.)\u003c/p>\n\u003cp>DC's forever rival Marvel Comics tried mightily to get their heroes turned into hit movies, but for the longest time all they got were TV movies or unintentionally hilarious, low-budget versions that often didn't even get released at all. That changed in 2000, when Bryan Singer's \u003cem>X-Men \u003c/em>x-ceeded Fox's expectations for its gross. Then came Sam Raimi's \u003cem>Spider-Man,\u003c/em> in 2002. I saw them both in theaters, more than once. I bought the DVDs. I eagerly awaited their sequels, which did not disappoint.\u003c/p>\n\u003cp>I could not hum a bar of music from either one to save my life.\u003c/p>\n\u003cp>Marvel stopped outsourcing its filmmaking and got into the game itself with 2008's \u003cem>Iron Man,\u003c/em> the start of a four-year campaign of solo adventures building up to 2012's Marvel team-up \u003cem>The Avengers.\u003c/em> The movie was written and directed by Joss Whedon, a man who likes musicals so much that he actually wrote the web series \u003cem>Dr. Horrible's Sing-Along Blog\u003c/em> (with his brothers Zack, a TV writer, and Jed, a composer) just to keep himself busy during the 2007-8 writer's strike.\u003c/p>\n\u003cp>But even his superhero epic — scored by Alan Silvestri, whose credits included \u003cem>Back to the Future \u003c/em>— sounded bland. Instead of all those post-credits scenes, \u003cem>The Avengers \u003c/em>should've ended with a song with lyrics describing each hero's special powers. There's an excellent model for this: Paul Francis Webster and Robert Harris' \u003ca href=\"https://www.youtube.com/watch?v=SUtziaZlDeE\" target=\"_blank\" rel=\"noopener noreferrer\">theme song\u003c/a> to the mid-'60s Spider-Man cartoon. You know a tune has staying power when it's been covered by \u003ca href=\"http://www.npr.org/artists/15180457/the-ramones\" target=\"_blank\" rel=\"noopener noreferrer\">The Ramones\u003c/a> \u003cem>and\u003c/em> Michael Bublé. (Composer Michael Giacchino has hinted that the song will be paid homage in his music for \u003cem>Spider-Man: Homecoming \u003c/em>later this summer.)\u003c/p>\n\u003cp>The two \u003cem>Guardians of the Galaxy\u003c/em> films are each helped along by an \"Awesome Mix\" of '70s FM. \u003ca href=\"http://www.npr.org/2017/03/02/517009491/logan-is-the-best-at-what-it-does-and-what-it-does-is-gritty\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Logan\u003c/em>\u003c/a> ended with \"The Man Comes Around,\" one of the last songs \u003ca href=\"http://www.npr.org/artists/15165794/johnny-cash\" target=\"_blank\" rel=\"noopener noreferrer\">Johnny Cash\u003c/a> wrote before he died. (It was perfect.) But these are exceptions. Clearly, a crisis is upon us. Superhero movies are everywhere. Superhero music is in decline. Who will help us? Who?\u003c/p>\n\u003cp>This guy.\u003c/p>\n\u003cfigure id=\"attachment_84805\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003cimg class=\"size-full wp-image-84805\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125.jpg\" alt=\"\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125.jpg 200w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/rupert-gregson-williams_sq-a77cf8012bec32c5f615847beee2f991085b8125-150x150.jpg 150w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003cfigcaption class=\"wp-caption-text\">Rupert Gregson-Williams composed the score for Wonder Woman.\u003cbr>Photo: Courtesy of the composer\u003c/figcaption>\u003c/figure>\n\u003cp>His name is Rupert Gregson-Williams, mild-mannered composer of scores for prestige television (\u003cem>Veep\u003c/em>, \u003cem>The Crown\u003c/em>) and film (\u003cem>Hacksaw Ridge\u003c/em>). Last summer's \u003cem>The Legend of Tarzan\u003c/em> was the closest thing on his resume to a superhero film until \u003cem>Wonder Woman\u003c/em> director Patty Jenkins tapped him to write the music.\u003c/p>\n\u003cp>Well, most of it. Gal Gadot's Wonder Woman had already been introduced in last year's \u003ca href=\"http://www.npr.org/2016/03/24/471035756/batman-v-superman-superheroes-adrift-in-a-grim-sea-of-studio-money\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Batman v Superman: Dawn of Justice\u003c/em>\u003c/a>\u003cem>.\u003c/em> When she shows up in uniform near the film's climax, composers \u003ca href=\"http://www.npr.org/artists/15399647/hans-zimmer\" target=\"_blank\" rel=\"noopener noreferrer\">Hans Zimmer\u003c/a> and Junkie XL give her a distinctive riff. (It sounds like an electric guitar, but it's actually performed on the electric cello by \u003ca href=\"https://twitter.com/Tinaguo\" target=\"_blank\" rel=\"noopener noreferrer\">Tina Guo\u003c/a>.) Gregson-Williams understood that his score would have to include that instantly memorable theme.\u003c/p>\n\u003cp>\"That was a Wonder Woman that had arrived at the peak of her powers,\" he says. \"She knows her strengths, and the theme really reflected that. It's rocking.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/S176AKQhcCk'\n title='//www.youtube.com/embed/S176AKQhcCk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I asked Gregson-Williams flat-out why so little of the music of our current era of superhero saturation has distinguished itself.\u003c/p>\n\u003cp>\u003cem>\"\u003c/em>There's a generic language, musically, that's grown up,\" he says. \"In the same way, there are other types of film — Westerns or sci-fi — where there's a generic language which is difficult to shake off. And I guess it's down to the depth of character that you're writing for. If they have some depth, or if there's something different about their powers or about their character or their emotions, I guess it would make it easier to shake that that language off.\"\u003c/p>\n\u003cp>That's fair. Superheroes, like characters in any genre, are defined by their conventions. And this is the first Wonder Woman movie, not the inflated sequel or the back-to-basics reboot.\u003c/p>\n\u003cp>My theory is that music is especially critical to superhero films — and I'll include literary creations like Sherlock Holmes and James Bond, and cinematic homages like Indiana Jones in this category — because the character is larger than any one story. They're fixed in perpetuity. A great score can help give them that immortality.\u003c/p>\n\u003cp>Superman had been around for 40 years when Williams sat down to compose; he's been around another 40 since. In his music, Williams reflected perfectly that film's balance of innocence and sophistication.\u003cem> Wonder Woman, \u003c/em>happily, has that same cocktail of attributes; the same unabashed romanticism and the same understated romance. (Gadot and Chris Pine, who's as fine a foil to her as Margot Kidder was to Christopher Reeve in \u003cem>Superman,\u003c/em> have a chemistry that fairly bubbles.)\u003c/p>\n\u003cp>\"Patty made a film that is much more on the classic side,\" Gregson-Williams says. \u003cem>\"\u003c/em>And so we could get get involved with more lyricism and melody in parts for the score. With some movies, you back off melody because these days it feels like we're trying too hard.\"\u003c/p>\n\u003cp>The movie begins and ends in the present, but most of the story is set about a century ago, during the first World War. In fact, it's in a trench warfare sequence that Princess Diana — Wonder Woman's Amazonian name — first reveals her powers to the world. The title of this composition is \"No-Man's Land.\" Gregson-Williams says it was important to nail that scene exactly, and that Jenkins sent him back to the composing board several times.\u003c/p>\n\u003cfigure id=\"attachment_84806\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-84806 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-1020x1020.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-1180x1180.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-960x960.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-520x520.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f-150x150.jpg 150w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/patty-jenkins-rupert-gregson-williams_sq-e446da19378d4504769131cc35ec67bda104de4f.jpg 1198w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wonder Woman director Patty Jenkins consults with composer Rupert Gregson-Williams.\u003cbr>Photo: James Gillham / Sting Media\u003c/figcaption>\u003c/figure>\n\u003cp>\"That was an exciting moment to write,\" the composer says. \"It was quite painful to write because I didn't get it right first time, or the second, third or fourth time.\"\u003c/p>\n\u003cp>Getting it right came down to Jenkins directing the composer as she would an actor. \"Patty would act out what Diana was thinking for every single move. That really instructed me, rhythmically and tempo-wise, how she wanted it.\"\u003c/p>\n\u003cp>And of course, there's a fine line between honoring convention and being a hack.\u003c/p>\n\u003cp>\"There are certain moves, musically, that you can't help but muster for a certain emotion,\" Gregson-Williams admits. \"And you can tear yourself apart by trying to find a new answer to that musical harmony that says to you: This is a beautiful and proud moment.\"\u003c/p>\n\u003cp>Those moments are what we turn to this genre for, however. It's the part when Superman takes flight for the first time. It's the scene in \u003cem>Captain America: The First Avenger \u003c/em>— my favorite Marvel movie, and the one that \u003cem>Wonder Woman\u003c/em> most resembles — when skinny Steve Rogers throws himself on top of the grenade.\u003c/p>\n\u003cp>Not that camp or irony is all bad. I do miss the lyrics from the 1970s \u003cem>Wonder Woman\u003c/em> TV theme by Charles Fox and Norman Gimbel — the funky encomium to the Amazonian who's \"fighting for her rights in her satin tights / And the old red, white and blue.\" Does Gregson-Williams think lyrics might make a return to the super-music game?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"I don't see too much future in it,\" he laughs. \"Certainly not from my pen.\"\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Can+%27Wonder+Woman%27+Offer+A+Superhero+Soundtrack+That+Sticks%3F&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Ariana Grande Just Showed the World Why We Should Never Underestimate the Power of Girls",
"title": "Ariana Grande Just Showed the World Why We Should Never Underestimate the Power of Girls",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Up until a few weeks ago, Ariana Grande was the most childlike of the nation's pop talent. Even amidst broad attempts to sex up her image (the \u003ca href=\"https://www.youtube.com/watch?v=SXiSVQZLje8\" target=\"_blank\" rel=\"noopener noreferrer\">\"Side to Side\"\u003c/a> video even pulled off the feat of making exercise bicycles seem sexy), she's never quite been able to shake off an overwhelming air of innocence. Maybe it's the doe eyes and the ponytail; perhaps it's just been impossible for us to forget about her \u003ca href=\"https://www.youtube.com/watch?v=HzMD11TxWT8\" target=\"_blank\" rel=\"noopener noreferrer\">Nickelodeon background\u003c/a>; but even in the midst of singing a song titled \u003ca href=\"https://www.youtube.com/watch?v=9WbCfHutDSE\" target=\"_blank\" rel=\"noopener noreferrer\">\"Dangerous Woman,\"\u003c/a> clad in nothing but lingerie, it's been consistently difficult to see Grande as a bonafide grown up—somebody worth taking seriously.\u003c/p>\n\u003cp>The media, broadly speaking, has contributed to the infantilization of Grande. At the end of 2014,\u003cem> Jezebel\u003c/em> asked \u003ca href=\"http://jezebel.com/is-ariana-grande-actually-a-baby-an-investigation-1669981980\" target=\"_blank\" rel=\"noopener noreferrer\">\"Is Ariana Grande Actually a Baby?\"\u003c/a> During that same period, \u003cem>The New York Daily News\u003c/em> ran a story titled \u003ca href=\"http://www.nydailynews.com/entertainment/gossip/ariana-grande-demands-carried-baby-report-article-1.2040588\" target=\"_blank\" rel=\"noopener noreferrer\">\"Ariana Grande demands to be carried like a baby when she's tired,\"\u003c/a> and \u003cem>TMZ\u003c/em> queried \"\u003ca href=\"http://www.tmz.com/videos/0_8rxlnys6/\" target=\"_blank\" rel=\"noopener noreferrer\">Ariana Grande Gets Carried Like a Baby?\u003c/a>\" In \u003cem>USA Today\u003c/em>'s report on the matter, they also called her \"\u003ca href=\"https://www.usatoday.com/story/life/entertainthis/2014/12/19/big-sean-ariana-grande-only-gets-carried-like-a-baby-under-extreme-circumstances/77479766/\" target=\"_blank\" rel=\"noopener noreferrer\">pint-sized\u003c/a>.\" Grande's habit of indulging in this particularly unusual method of backstage transportation is less note-worthy than the fact that multiple news outlets compared her to an infant because of it. If it was, say, Rihanna being lifted off her feet after a show, she would surely have been called a diva, not a baby.\u003c/p>\n\u003cp>There has been much speculation about why it was Grande's \u003ca href=\"https://en.wikipedia.org/wiki/2017_Manchester_Arena_bombing\" target=\"_blank\" rel=\"noopener noreferrer\">show in Manchester Arena\u003c/a> that was singled out by a suicide bomber, and it's possible that her girlie image was a factor. Across the board, the conclusion reached by pretty much everyone—\u003cem>\u003ca href=\"http://www.rollingstone.com/culture/features/why-it-matters-that-the-manchester-attack-targeted-girls-w483855\" target=\"_blank\" rel=\"noopener noreferrer\">Rolling Stone\u003c/a>, \u003ca href=\"http://msmagazine.com/blog/2017/05/26/manchester-bombing-attack-women-girls/\" target=\"_blank\" rel=\"noopener noreferrer\">Ms\u003c/a>., \u003ca href=\"http://www.slate.com/blogs/xx_factor/2017/05/22/the_bombing_at_a_manchester_ariana_grande_show_was_an_attack_on_girls_and.html\" target=\"_blank\" rel=\"noopener noreferrer\">Slate\u003c/a>, \u003ca href=\"http://www.salon.com/2017/05/23/manchester-was-an-attack-on-girls/\" target=\"_blank\" rel=\"noopener noreferrer\">Salon\u003c/a>, \u003ca href=\"https://www.theatlantic.com/entertainment/archive/2017/05/manchester-attacks-ariana-grande/527736/\" target=\"_blank\" rel=\"noopener noreferrer\">The Atlantic\u003c/a>\u003c/em> and many more—was that this was an attack specifically designed to target young girls and women. \u003cem>Ms.\u003c/em> in particular noted: \"Ignoring the overwhelming evidence of the Manchester Arena bombing as gender-based prevents progress from continuous oppression against women and girls alongside other marginalized groups.\"\u003c/p>\n\u003cp>It is impossible to predict how artists who experience tragedy at their shows will respond after the fact. In 2000, \u003ca href=\"http://www.rollingstone.com/music/news/nine-dead-at-pearl-jam-concert-20000817\" target=\"_blank\" rel=\"noopener noreferrer\">nine people were killed\u003c/a> and 26 people were injured during Pearl Jam's set at the Roskilde Festival in Denmark. In the wake of the horror, the band almost broke up, wrote a song about the accident (titled \u003ca href=\"https://www.youtube.com/watch?v=6XWqLJQ_7_k\" target=\"_blank\" rel=\"noopener noreferrer\">\"Love Boat Captain\"\u003c/a>), and said they would \u003ca href=\"http://articles.chicagotribune.com/2002-11-12/features/0211110284_1_pearl-jam-courageous-option-riot-act\" target=\"_blank\" rel=\"noopener noreferrer\">never play a festival\u003c/a> ever again. In 1979, when 11 people were killed in a crush at a concert by The Who, they forged ahead with the rest of their tour, at the behest of guitarist Pete Townshend who told his bandmates, \"\u003ca href=\"http://ultimateclassicrock.com/worst-concert-mishaps-and-tragedies/#photogallery-1=3\" target=\"_blank\" rel=\"noopener noreferrer\">If we don't play tomorrow, we'll never play again.\u003c/a>”\u003c/p>\n\u003cp>Most recently, after \u003ca href=\"https://en.wikipedia.org/wiki/November_2015_Paris_attacks\" target=\"_blank\" rel=\"noopener noreferrer\">89 of their fans were murdered\u003c/a> by terrorists at the Bataclan venue in Paris, Eagles of Death Metal found healing in returning to the city, first as \u003ca href=\"http://pitchfork.com/news/62436-eagles-of-death-metal-return-to-the-stage-joining-u2-for-two-songs-in-paris/\" target=\"_blank\" rel=\"noopener noreferrer\">special guests at a U2 concert\u003c/a>, then at their own show\u003ca href=\"http://www.bbc.com/news/entertainment-arts-35586337\" target=\"_blank\" rel=\"noopener noreferrer\"> for survivors\u003c/a> of the attack, three months after it happened.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When Ariana Grande canceled the remainder of her tour in the wake of the Manchester Arena bombing, it was easy to imagine that this young woman was probably irretrievably broken by the horror of it all. How on Earth would Baby Ariana and her bunny ears cope with 22 dead and 119 injured fans? Nobody would have been surprised, or begrudged her a break, if Ariana Grande had decided to go into hiding for a year.\u003c/p>\n\u003cp>https://twitter.com/ArianaGrande/status/866849021519966208\u003c/p>\n\u003cp>In reality, the way that Ariana Grande has responded to having tragedy thrust upon her audience and herself has not only been a shining example of how to heal an entire community, it has also undoubtedly shifted the world's perception of her (\u003ca href=\"https://twitter.com/piersmorgan/status/871465038699270145\" target=\"_blank\" rel=\"noopener noreferrer\">including Piers Morgan's\u003c/a>) and, in turn, that of young women. Grande didn't cancel the rest of her tour to mourn or to hide, as we might have expected from a woman so young, she canceled just a few dates to focus on trying to heal Manchester. It started on a personal level—visiting survivors in the hospital, as well as victims' families—and culminated in the One Love concert over the weekend.\u003c/p>\n\u003cp>https://www.instagram.com/p/BU4klQ0lH2G/\u003c/p>\n\u003cp>It is an undeniable feat to put together a concert for 50,000 people with a line-up this incredible—Justin Bieber, Katy Perry, Miley Cyrus, Pharrell Williams, and more—in a matter of weeks, but Grande and her team managed just that. Just as astonishing as the \u003ca href=\"http://time.com/4805251/ariana-grande-manchester-benefit-concert-fundraising/\" target=\"_blank\" rel=\"noopener noreferrer\">$13 million\u003c/a> raised for the victims and their families, Grande's performance hit all the right notes: respectful and heartfelt without once making it about her.\u003c/p>\n\u003cp>From her performance with a \u003ca href=\"https://www.youtube.com/watch?v=uqYNhBXNOV4\" target=\"_blank\" rel=\"noopener noreferrer\">local school choir\u003c/a>, to \u003ca href=\"https://www.youtube.com/watch?v=nKhLx6vSHZs\" target=\"_blank\" rel=\"noopener noreferrer\">talking about the victims\u003c/a> between songs, to even her wardrobe (the singer dressed down in jeans and a bulky Manchester One Love sweater), Grande was about as close to perfect as any star has ever been. She displayed a strength most of us had no idea she had and, in turn, allowed her predominantly young, female audience to demonstrate their own bravery by showing up. If all of that wasn't enough, Grande has just \u003ca href=\"http://www.billboard.com/articles/news/7817586/ariana-grande-one-last-time-itunes-manchester-benefit-single\" target=\"_blank\" rel=\"noopener noreferrer\">re-released \"One Last Time\"\u003c/a> as part of her ongoing fundraising efforts.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cshg5ktpPtI\u003c/p>\n\u003cp>Thanks to the fact that the One Love Manchester concert had the biggest British TV audience of 2017 so far (\u003ca href=\"http://www.billboard.com/biz/articles/news/tv-film/7817647/ariana-grandes-manchester-benefit-concert-draws-biggest-uk-tv\" target=\"_blank\" rel=\"noopener noreferrer\">14.5 million people\u003c/a>, to be precise), it succeeded in uniting not just Manchester, but the entire country, in the wake of yet another \u003ca href=\"https://www.theguardian.com/uk-news/london-bridge-attack\" target=\"_blank\" rel=\"noopener noreferrer\">terror attack\u003c/a> over the weekend. “I think that the kind of love, the unity that you’re displaying is the medicine that the world really needs right now,” Grande told her audience on Sunday, apparently unaware of the fact that that was exactly what \u003cem>she\u003c/em> was doing.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In her overwhelming show of both strength and class, Ariana Grande has demonstrated that, not only have many of us been under-estimating her this entire time, in doing so, we have been under-estimating the awesome power of girls.\u003c/p>\n\n",
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"excerpt": "Turns out, America's most childlike pop star is probably the strongest one we have.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Up until a few weeks ago, Ariana Grande was the most childlike of the nation's pop talent. Even amidst broad attempts to sex up her image (the \u003ca href=\"https://www.youtube.com/watch?v=SXiSVQZLje8\" target=\"_blank\" rel=\"noopener noreferrer\">\"Side to Side\"\u003c/a> video even pulled off the feat of making exercise bicycles seem sexy), she's never quite been able to shake off an overwhelming air of innocence. Maybe it's the doe eyes and the ponytail; perhaps it's just been impossible for us to forget about her \u003ca href=\"https://www.youtube.com/watch?v=HzMD11TxWT8\" target=\"_blank\" rel=\"noopener noreferrer\">Nickelodeon background\u003c/a>; but even in the midst of singing a song titled \u003ca href=\"https://www.youtube.com/watch?v=9WbCfHutDSE\" target=\"_blank\" rel=\"noopener noreferrer\">\"Dangerous Woman,\"\u003c/a> clad in nothing but lingerie, it's been consistently difficult to see Grande as a bonafide grown up—somebody worth taking seriously.\u003c/p>\n\u003cp>The media, broadly speaking, has contributed to the infantilization of Grande. At the end of 2014,\u003cem> Jezebel\u003c/em> asked \u003ca href=\"http://jezebel.com/is-ariana-grande-actually-a-baby-an-investigation-1669981980\" target=\"_blank\" rel=\"noopener noreferrer\">\"Is Ariana Grande Actually a Baby?\"\u003c/a> During that same period, \u003cem>The New York Daily News\u003c/em> ran a story titled \u003ca href=\"http://www.nydailynews.com/entertainment/gossip/ariana-grande-demands-carried-baby-report-article-1.2040588\" target=\"_blank\" rel=\"noopener noreferrer\">\"Ariana Grande demands to be carried like a baby when she's tired,\"\u003c/a> and \u003cem>TMZ\u003c/em> queried \"\u003ca href=\"http://www.tmz.com/videos/0_8rxlnys6/\" target=\"_blank\" rel=\"noopener noreferrer\">Ariana Grande Gets Carried Like a Baby?\u003c/a>\" In \u003cem>USA Today\u003c/em>'s report on the matter, they also called her \"\u003ca href=\"https://www.usatoday.com/story/life/entertainthis/2014/12/19/big-sean-ariana-grande-only-gets-carried-like-a-baby-under-extreme-circumstances/77479766/\" target=\"_blank\" rel=\"noopener noreferrer\">pint-sized\u003c/a>.\" Grande's habit of indulging in this particularly unusual method of backstage transportation is less note-worthy than the fact that multiple news outlets compared her to an infant because of it. If it was, say, Rihanna being lifted off her feet after a show, she would surely have been called a diva, not a baby.\u003c/p>\n\u003cp>There has been much speculation about why it was Grande's \u003ca href=\"https://en.wikipedia.org/wiki/2017_Manchester_Arena_bombing\" target=\"_blank\" rel=\"noopener noreferrer\">show in Manchester Arena\u003c/a> that was singled out by a suicide bomber, and it's possible that her girlie image was a factor. Across the board, the conclusion reached by pretty much everyone—\u003cem>\u003ca href=\"http://www.rollingstone.com/culture/features/why-it-matters-that-the-manchester-attack-targeted-girls-w483855\" target=\"_blank\" rel=\"noopener noreferrer\">Rolling Stone\u003c/a>, \u003ca href=\"http://msmagazine.com/blog/2017/05/26/manchester-bombing-attack-women-girls/\" target=\"_blank\" rel=\"noopener noreferrer\">Ms\u003c/a>., \u003ca href=\"http://www.slate.com/blogs/xx_factor/2017/05/22/the_bombing_at_a_manchester_ariana_grande_show_was_an_attack_on_girls_and.html\" target=\"_blank\" rel=\"noopener noreferrer\">Slate\u003c/a>, \u003ca href=\"http://www.salon.com/2017/05/23/manchester-was-an-attack-on-girls/\" target=\"_blank\" rel=\"noopener noreferrer\">Salon\u003c/a>, \u003ca href=\"https://www.theatlantic.com/entertainment/archive/2017/05/manchester-attacks-ariana-grande/527736/\" target=\"_blank\" rel=\"noopener noreferrer\">The Atlantic\u003c/a>\u003c/em> and many more—was that this was an attack specifically designed to target young girls and women. \u003cem>Ms.\u003c/em> in particular noted: \"Ignoring the overwhelming evidence of the Manchester Arena bombing as gender-based prevents progress from continuous oppression against women and girls alongside other marginalized groups.\"\u003c/p>\n\u003cp>It is impossible to predict how artists who experience tragedy at their shows will respond after the fact. In 2000, \u003ca href=\"http://www.rollingstone.com/music/news/nine-dead-at-pearl-jam-concert-20000817\" target=\"_blank\" rel=\"noopener noreferrer\">nine people were killed\u003c/a> and 26 people were injured during Pearl Jam's set at the Roskilde Festival in Denmark. In the wake of the horror, the band almost broke up, wrote a song about the accident (titled \u003ca href=\"https://www.youtube.com/watch?v=6XWqLJQ_7_k\" target=\"_blank\" rel=\"noopener noreferrer\">\"Love Boat Captain\"\u003c/a>), and said they would \u003ca href=\"http://articles.chicagotribune.com/2002-11-12/features/0211110284_1_pearl-jam-courageous-option-riot-act\" target=\"_blank\" rel=\"noopener noreferrer\">never play a festival\u003c/a> ever again. In 1979, when 11 people were killed in a crush at a concert by The Who, they forged ahead with the rest of their tour, at the behest of guitarist Pete Townshend who told his bandmates, \"\u003ca href=\"http://ultimateclassicrock.com/worst-concert-mishaps-and-tragedies/#photogallery-1=3\" target=\"_blank\" rel=\"noopener noreferrer\">If we don't play tomorrow, we'll never play again.\u003c/a>”\u003c/p>\n\u003cp>Most recently, after \u003ca href=\"https://en.wikipedia.org/wiki/November_2015_Paris_attacks\" target=\"_blank\" rel=\"noopener noreferrer\">89 of their fans were murdered\u003c/a> by terrorists at the Bataclan venue in Paris, Eagles of Death Metal found healing in returning to the city, first as \u003ca href=\"http://pitchfork.com/news/62436-eagles-of-death-metal-return-to-the-stage-joining-u2-for-two-songs-in-paris/\" target=\"_blank\" rel=\"noopener noreferrer\">special guests at a U2 concert\u003c/a>, then at their own show\u003ca href=\"http://www.bbc.com/news/entertainment-arts-35586337\" target=\"_blank\" rel=\"noopener noreferrer\"> for survivors\u003c/a> of the attack, three months after it happened.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When Ariana Grande canceled the remainder of her tour in the wake of the Manchester Arena bombing, it was easy to imagine that this young woman was probably irretrievably broken by the horror of it all. How on Earth would Baby Ariana and her bunny ears cope with 22 dead and 119 injured fans? Nobody would have been surprised, or begrudged her a break, if Ariana Grande had decided to go into hiding for a year.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>In reality, the way that Ariana Grande has responded to having tragedy thrust upon her audience and herself has not only been a shining example of how to heal an entire community, it has also undoubtedly shifted the world's perception of her (\u003ca href=\"https://twitter.com/piersmorgan/status/871465038699270145\" target=\"_blank\" rel=\"noopener noreferrer\">including Piers Morgan's\u003c/a>) and, in turn, that of young women. Grande didn't cancel the rest of her tour to mourn or to hide, as we might have expected from a woman so young, she canceled just a few dates to focus on trying to heal Manchester. It started on a personal level—visiting survivors in the hospital, as well as victims' families—and culminated in the One Love concert over the weekend.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It is an undeniable feat to put together a concert for 50,000 people with a line-up this incredible—Justin Bieber, Katy Perry, Miley Cyrus, Pharrell Williams, and more—in a matter of weeks, but Grande and her team managed just that. Just as astonishing as the \u003ca href=\"http://time.com/4805251/ariana-grande-manchester-benefit-concert-fundraising/\" target=\"_blank\" rel=\"noopener noreferrer\">$13 million\u003c/a> raised for the victims and their families, Grande's performance hit all the right notes: respectful and heartfelt without once making it about her.\u003c/p>\n\u003cp>From her performance with a \u003ca href=\"https://www.youtube.com/watch?v=uqYNhBXNOV4\" target=\"_blank\" rel=\"noopener noreferrer\">local school choir\u003c/a>, to \u003ca href=\"https://www.youtube.com/watch?v=nKhLx6vSHZs\" target=\"_blank\" rel=\"noopener noreferrer\">talking about the victims\u003c/a> between songs, to even her wardrobe (the singer dressed down in jeans and a bulky Manchester One Love sweater), Grande was about as close to perfect as any star has ever been. She displayed a strength most of us had no idea she had and, in turn, allowed her predominantly young, female audience to demonstrate their own bravery by showing up. If all of that wasn't enough, Grande has just \u003ca href=\"http://www.billboard.com/articles/news/7817586/ariana-grande-one-last-time-itunes-manchester-benefit-single\" target=\"_blank\" rel=\"noopener noreferrer\">re-released \"One Last Time\"\u003c/a> as part of her ongoing fundraising efforts.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cshg5ktpPtI'\n title='//www.youtube.com/embed/cshg5ktpPtI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Thanks to the fact that the One Love Manchester concert had the biggest British TV audience of 2017 so far (\u003ca href=\"http://www.billboard.com/biz/articles/news/tv-film/7817647/ariana-grandes-manchester-benefit-concert-draws-biggest-uk-tv\" target=\"_blank\" rel=\"noopener noreferrer\">14.5 million people\u003c/a>, to be precise), it succeeded in uniting not just Manchester, but the entire country, in the wake of yet another \u003ca href=\"https://www.theguardian.com/uk-news/london-bridge-attack\" target=\"_blank\" rel=\"noopener noreferrer\">terror attack\u003c/a> over the weekend. “I think that the kind of love, the unity that you’re displaying is the medicine that the world really needs right now,” Grande told her audience on Sunday, apparently unaware of the fact that that was exactly what \u003cem>she\u003c/em> was doing.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In her overwhelming show of both strength and class, Ariana Grande has demonstrated that, not only have many of us been under-estimating her this entire time, in doing so, we have been under-estimating the awesome power of girls.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "'Poldark' Season 3 Trailer Promises More Fireworks, Baby Mama Drama, and Shirtless Dudes",
"title": "'Poldark' Season 3 Trailer Promises More Fireworks, Baby Mama Drama, and Shirtless Dudes",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>The five long months since the finale of \u003ca href=\"https://ww2.kqed.org/pop/tag/poldark/\">\u003cem>Poldark\u003c/em>\u003c/a>'s second season have felt like wandering an unforgiving desert, thirsty for water... and more shirtless shots of Aidan Turner scything and mining and, um, other stuff. Well, my fellow parched \u003cem>Poldark\u003c/em> fanatics, here's a droplet for you: the trailer for the third season!\u003c/p>\n\u003cp>\u003ca href=\"http://www.pbs.org/wgbh/masterpiece/clips/poldark-s3-trailer/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"aligncenter wp-image-84138 size-full\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-1.41.27-PM.png\" alt=\"\" width=\"693\" height=\"390\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-1.41.27-PM.png 693w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-1.41.27-PM-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-1.41.27-PM-240x135.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-1.41.27-PM-375x211.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-1.41.27-PM-520x293.png 520w\" sizes=\"(max-width: 693px) 100vw, 693px\">\u003c/a>\u003c/p>\n\u003cp>I've now watched this 40-second tease more than 12 times. Here's what I've learned about what we can expect when \u003cem>Poldark\u003c/em> returns on October 1, 2017:\u003c/p>\n\u003cp>Ross' awkward haircut has grown out...\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84133 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-800x440.png\" alt=\"\" width=\"800\" height=\"440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-800x440.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-768x423.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-1020x561.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-1180x649.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-960x528.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-520x286.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM.png 1394w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>...which means that Demelza won't be able to stay mad at him for any of his betrayals, but what else is new?\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84134 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-800x437.png\" alt=\"\" width=\"800\" height=\"437\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-800x437.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-160x87.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-768x420.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-1020x558.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-1180x645.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-960x525.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-240x131.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-375x205.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-520x284.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM.png 1401w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Elizabeth is really going through with this whole giving-birth-to-the-spawn-of-satan thing (or is Ross the actual father??). Paging Jerry Springer. Also, according to pregnancy lore, carrying low means it's a boy.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84132 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-800x445.png\" alt=\"\" width=\"800\" height=\"445\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-800x445.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-160x89.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-768x427.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-1020x567.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-1180x656.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-960x533.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-1038x576.png 1038w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-240x133.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-375x208.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-520x289.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM.png 1391w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Confirmed: It's a boy! And his name is going to be Valentine. You can't see the baby's face, but I bet he's side-eyeing George so hard.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84131 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-800x454.png\" alt=\"\" width=\"800\" height=\"454\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-800x454.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-160x91.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-768x436.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-1020x579.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-1180x670.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-960x545.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-240x136.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-375x213.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-520x295.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM.png 1355w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Agatha is still kicking, and will continue her habit of talking smack about people while pointing a finger right in their faces. Bless her.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84129 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-800x442.png\" alt=\"\" width=\"800\" height=\"442\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-800x442.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-768x424.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-1020x563.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-1180x651.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-960x530.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-672x372.png 672w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-375x207.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-520x287.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM.png 1393w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>New hottie alert! Demelza apparently has a brother that isn't an abusive slob! His name is Drake!\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84124 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-768x422.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-1020x560.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-1180x648.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM.png 1401w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>He has all of his teeth!\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84119 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-768x421.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-1020x559.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-1180x647.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM.png 1402w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>He bathes in babbling brooks!\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84121 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-800x440.png\" alt=\"\" width=\"800\" height=\"440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-800x440.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-768x422.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-1020x561.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-1180x649.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-960x528.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-520x286.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM.png 1401w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>The \u003cem>Poldark\u003c/em> producers clearly know what their audience wants.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84123 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-768x422.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-1020x560.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-1180x648.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-520x286.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM.png 1398w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>I think this warrants an animated gif replay, don't you?\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84136 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/landscape-1496332367-poldark-trailer.gif\" alt=\"\" width=\"480\" height=\"240\">\u003c/p>\n\u003cp>Some random teen likes what she sees.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84120 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-768x421.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-1020x560.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-1180x647.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM.png 1398w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>It isn't long before they get to whatever base symbolizes Eskimo kissing.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84115 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-800x437.png\" alt=\"\" width=\"800\" height=\"437\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-800x437.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-160x87.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-768x420.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-1020x558.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-1180x645.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-960x525.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-240x131.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-375x205.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-520x284.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM.png 1401w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>In addition to good looks, good teeth, and good bathing techniques, Drake is also good with children! This is beginning to be too much. Ross who?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM.png\">\u003cimg class=\"size-medium wp-image-84118 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-768x421.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-1020x559.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-1180x647.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM.png 1402w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>Once you think one new young babe is too much to handle, another one pops up, looking like a 19th century \u003ca href=\"https://ww2.kqed.org/pop/2017/05/19/wondering-where-harry-styles-got-his-new-direction-ask-robbie-williams/\">Harry Styles\u003c/a>.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84112 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-800x440.png\" alt=\"\" width=\"800\" height=\"440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-800x440.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-768x423.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-1020x561.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-1180x649.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-960x528.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-520x286.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM.png 1394w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>But back to the old guard. Dwight Enys seems to be in danger! Hasn't he been through enough? The break-up with Caroline, for sure, but also never getting to hang out with Horace the Pug again.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84114 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-800x444.png\" alt=\"\" width=\"800\" height=\"444\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-800x444.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-160x89.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-768x426.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-1020x566.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-1180x654.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-960x532.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-672x372.png 672w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-1038x576.png 1038w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-240x133.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-375x208.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-520x288.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM.png 1392w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Speaking of Horace's mom, here she is. Can we pan the camera down to her feet to get a glimpse of the real star please?\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84113 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-768x422.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-1020x560.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-1180x648.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM.png 1399w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Woah! Demelza will find a reason to smile? We didn't get any of that last year, thanks to Ross being the worst husband ever, so this is a welcome sight.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84110 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-800x438.png\" alt=\"\" width=\"800\" height=\"438\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-800x438.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-768x421.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-1020x559.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-1180x647.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-960x526.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM.png 1403w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Ross will continue to engage in more awkward war stuff...\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84109 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-768x421.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-1020x559.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-1180x647.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-960x526.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM.png 1401w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>...and punch dudes in awkward hats. Cool, I guess.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-84107 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-800x440.png\" alt=\"\" width=\"800\" height=\"440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-800x440.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-768x423.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-1020x561.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-1180x649.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-960x528.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-520x286.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM.png 1394w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>And George is still working on his audition tape for \u003cem>RuPaul's Drag Race\u003c/em>.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84108 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-768x421.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-1020x560.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-1180x647.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM.png 1396w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>In case you're unfamiliar with \u003ca href=\"https://ww2.kqed.org/pop/tag/poldark/\">my previous Poldark-related work\u003c/a>, his drag person calls herself Hisstina Snakespeare and looks like this:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/09/hisstina-snakespeare.jpg\">\u003cimg class=\"size-medium wp-image-39601 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/09/hisstina-snakespeare-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/09/hisstina-snakespeare-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/09/hisstina-snakespeare-400x266.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/09/hisstina-snakespeare-768x511.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/09/hisstina-snakespeare.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>That's all we get for now. If this short preview wasn't enough \u003cem>Poldark\u003c/em> for you, don't distress; you can relive all the show's past glory through \u003ca href=\"https://ww2.kqed.org/pop/tag/poldark/\">my cheeky recaps\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Poldark Season 3 premieres October 1, 2017 on PBS.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The five long months since the finale of \u003ca href=\"https://ww2.kqed.org/pop/tag/poldark/\">\u003cem>Poldark\u003c/em>\u003c/a>'s second season have felt like wandering an unforgiving desert, thirsty for water... and more shirtless shots of Aidan Turner scything and mining and, um, other stuff. Well, my fellow parched \u003cem>Poldark\u003c/em> fanatics, here's a droplet for you: the trailer for the third season!\u003c/p>\n\u003cp>\u003ca href=\"http://www.pbs.org/wgbh/masterpiece/clips/poldark-s3-trailer/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"aligncenter wp-image-84138 size-full\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-1.41.27-PM.png\" alt=\"\" width=\"693\" height=\"390\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-1.41.27-PM.png 693w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-1.41.27-PM-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-1.41.27-PM-240x135.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-1.41.27-PM-375x211.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-1.41.27-PM-520x293.png 520w\" sizes=\"(max-width: 693px) 100vw, 693px\">\u003c/a>\u003c/p>\n\u003cp>I've now watched this 40-second tease more than 12 times. Here's what I've learned about what we can expect when \u003cem>Poldark\u003c/em> returns on October 1, 2017:\u003c/p>\n\u003cp>Ross' awkward haircut has grown out...\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84133 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-800x440.png\" alt=\"\" width=\"800\" height=\"440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-800x440.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-768x423.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-1020x561.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-1180x649.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-960x528.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM-520x286.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.46-PM.png 1394w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>...which means that Demelza won't be able to stay mad at him for any of his betrayals, but what else is new?\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84134 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-800x437.png\" alt=\"\" width=\"800\" height=\"437\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-800x437.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-160x87.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-768x420.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-1020x558.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-1180x645.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-960x525.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-240x131.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-375x205.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM-520x284.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.06.26-PM.png 1401w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Elizabeth is really going through with this whole giving-birth-to-the-spawn-of-satan thing (or is Ross the actual father??). Paging Jerry Springer. Also, according to pregnancy lore, carrying low means it's a boy.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84132 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-800x445.png\" alt=\"\" width=\"800\" height=\"445\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-800x445.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-160x89.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-768x427.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-1020x567.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-1180x656.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-960x533.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-1038x576.png 1038w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-240x133.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-375x208.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM-520x289.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.32-PM.png 1391w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Confirmed: It's a boy! And his name is going to be Valentine. You can't see the baby's face, but I bet he's side-eyeing George so hard.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84131 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-800x454.png\" alt=\"\" width=\"800\" height=\"454\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-800x454.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-160x91.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-768x436.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-1020x579.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-1180x670.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-960x545.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-240x136.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-375x213.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM-520x295.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.07.55-PM.png 1355w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Agatha is still kicking, and will continue her habit of talking smack about people while pointing a finger right in their faces. Bless her.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84129 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-800x442.png\" alt=\"\" width=\"800\" height=\"442\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-800x442.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-768x424.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-1020x563.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-1180x651.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-960x530.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-672x372.png 672w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-375x207.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM-520x287.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.09.32-PM.png 1393w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>New hottie alert! Demelza apparently has a brother that isn't an abusive slob! His name is Drake!\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84124 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-768x422.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-1020x560.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-1180x648.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.10.30-PM.png 1401w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>He has all of his teeth!\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84119 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-768x421.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-1020x559.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-1180x647.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.21-PM.png 1402w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>He bathes in babbling brooks!\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84121 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-800x440.png\" alt=\"\" width=\"800\" height=\"440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-800x440.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-768x422.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-1020x561.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-1180x649.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-960x528.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM-520x286.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.24-PM.png 1401w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>The \u003cem>Poldark\u003c/em> producers clearly know what their audience wants.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84123 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-768x422.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-1020x560.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-1180x648.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM-520x286.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.03-PM.png 1398w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>I think this warrants an animated gif replay, don't you?\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84136 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/landscape-1496332367-poldark-trailer.gif\" alt=\"\" width=\"480\" height=\"240\">\u003c/p>\n\u003cp>Some random teen likes what she sees.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84120 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-768x421.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-1020x560.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-1180x647.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.11.43-PM.png 1398w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>It isn't long before they get to whatever base symbolizes Eskimo kissing.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84115 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-800x437.png\" alt=\"\" width=\"800\" height=\"437\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-800x437.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-160x87.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-768x420.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-1020x558.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-1180x645.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-960x525.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-240x131.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-375x205.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM-520x284.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.04-PM.png 1401w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>In addition to good looks, good teeth, and good bathing techniques, Drake is also good with children! This is beginning to be too much. Ross who?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM.png\">\u003cimg class=\"size-medium wp-image-84118 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-768x421.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-1020x559.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-1180x647.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.12.53-PM.png 1402w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>Once you think one new young babe is too much to handle, another one pops up, looking like a 19th century \u003ca href=\"https://ww2.kqed.org/pop/2017/05/19/wondering-where-harry-styles-got-his-new-direction-ask-robbie-williams/\">Harry Styles\u003c/a>.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84112 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-800x440.png\" alt=\"\" width=\"800\" height=\"440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-800x440.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-768x423.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-1020x561.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-1180x649.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-960x528.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM-520x286.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.01-PM.png 1394w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>But back to the old guard. Dwight Enys seems to be in danger! Hasn't he been through enough? The break-up with Caroline, for sure, but also never getting to hang out with Horace the Pug again.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84114 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-800x444.png\" alt=\"\" width=\"800\" height=\"444\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-800x444.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-160x89.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-768x426.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-1020x566.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-1180x654.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-960x532.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-672x372.png 672w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-1038x576.png 1038w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-240x133.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-375x208.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM-520x288.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.31-PM.png 1392w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Speaking of Horace's mom, here she is. Can we pan the camera down to her feet to get a glimpse of the real star please?\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84113 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-768x422.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-1020x560.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-1180x648.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.14.42-PM.png 1399w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Woah! Demelza will find a reason to smile? We didn't get any of that last year, thanks to Ross being the worst husband ever, so this is a welcome sight.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84110 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-800x438.png\" alt=\"\" width=\"800\" height=\"438\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-800x438.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-768x421.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-1020x559.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-1180x647.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-960x526.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.15.46-PM.png 1403w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Ross will continue to engage in more awkward war stuff...\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84109 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-768x421.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-1020x559.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-1180x647.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-960x526.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.07-PM.png 1401w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>...and punch dudes in awkward hats. Cool, I guess.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-84107 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-800x440.png\" alt=\"\" width=\"800\" height=\"440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-800x440.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-768x423.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-1020x561.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-1180x649.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-960x528.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM-520x286.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.49-PM.png 1394w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>And George is still working on his audition tape for \u003cem>RuPaul's Drag Race\u003c/em>.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-84108 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-800x439.png\" alt=\"\" width=\"800\" height=\"439\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-800x439.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-160x88.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-768x421.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-1020x560.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-1180x647.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-960x527.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-240x132.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-375x206.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM-520x285.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/06/Screen-Shot-2017-06-02-at-2.16.27-PM.png 1396w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>In case you're unfamiliar with \u003ca href=\"https://ww2.kqed.org/pop/tag/poldark/\">my previous Poldark-related work\u003c/a>, his drag person calls herself Hisstina Snakespeare and looks like this:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/09/hisstina-snakespeare.jpg\">\u003cimg class=\"size-medium wp-image-39601 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/09/hisstina-snakespeare-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/09/hisstina-snakespeare-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/09/hisstina-snakespeare-400x266.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/09/hisstina-snakespeare-768x511.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/09/hisstina-snakespeare.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>That's all we get for now. If this short preview wasn't enough \u003cem>Poldark\u003c/em> for you, don't distress; you can relive all the show's past glory through \u003ca href=\"https://ww2.kqed.org/pop/tag/poldark/\">my cheeky recaps\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Poldark Season 3 premieres October 1, 2017 on PBS.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Remember That Time When Wonder Woman Was a U.N. Ambassador?",
"headTitle": "Remember That Time When Wonder Woman Was a U.N. Ambassador? | KQED",
"content": "\u003cp>Wonder Woman is certainly basking in accolades these days.\u003c/p>\n\u003cp>The new movie starring Gal Gadot is being widely praised for finally giving the world a big-screen female superhero who — to quote just a few of the glowing reviews — is both “awesomely fierce” and “surprisingly funny,” “sexually aware without being sexualized” and a refreshing throwback to the days of “uncomplicated role models … fighting for peace and justice.”\u003c/p>\n\u003cp>All of which got us thinking about our coverage last fall of Wonder Woman’s short-lived tenure as the United Nation’s honorary ambassador for the empowerment of women of girls.\u003c/p>\n\u003cp>Remember that episode? Back then her reviews were decidedly more mixed.\u003c/p>\n\u003cp>The idea was to make the character of Wonder Woman the face of a U.N. social media campaign to promote women’s rights via tweets and Facebook callouts. Women’s rights advocates exploded in outrage, and nearly 45,000 people signed a petition against the decision.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It’s an insult, frankly,” said \u003ca href=\"http://www.sps.nyu.edu/content/scps/faculty/faculty-profile.html?id=15655&name=Anne%20Marie-Goetz\" target=\"_blank\" rel=\"noopener\">Anne Marie Goetz\u003c/a> at the time. Goetz, a professor of global affairs at New York University and a former adviser on peace and security issues to the United Nations agency, U.N. Women, said a big issue was the timing.\u003c/p>\n\u003cfigure id=\"attachment_13350614\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-800x600.jpg\" alt=\"Wonder Woman on the cover of Sensation Comics\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13350614\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d.jpg 949w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wonder Woman on the cover of Sensation Comics\u003c/figcaption>\u003c/figure>\n\u003cp>The Wonder Woman campaign rollout — a collaboration with Warner Bros. and DC Comics, which owns the rights to the character — was intended to celebrate both the character’s 75th birthday and the upcoming movie featuring Gadot. The actress even attended the appointment ceremony at the U.N.’s New York headquarters, along with Lynda Carter, who portrayed the superhero in the 1970s television show. But the announcement also came on the heels of a disappointing, yearlong grass-roots effort to get the U.N. to choose its first female secretary-general.\u003c/p>\n\u003cp>“This was months and months of campaigning by feminist organizations around the world for a woman to be selected,” said Goetz.\u003c/p>\n\u003cp>Seven women — including a prime minister and other highly qualified individuals — were in the running, an unprecedented number. Ultimately the Security Council went with a man — Antonio Guterres. So at the time, the selection of Wonder Woman to represent women’s issues for the U.N. came off to Goetz and others as a sort of demeaning consolation prize.\u003c/p>\n\u003cp>“It’s frivolous, it’s fatuous and it reduces an extremely serious human rights problem experienced by half of the world to a cartoon,” she said.\u003c/p>\n\u003cp>And not just any cartoon, added Goetz. Wonder Woman in her view was tantamount to a Barbie/Playboy pinup. Like most female comic action figures, she has big breasts bursting out of a skimpy outfit and an impossibly tiny waist.\u003c/p>\n\u003cp>“The message to girls is that you are expected to meet a male standard in which your significance is reduced to your role as a sexual object,” said Goetz.\u003c/p>\n\u003cp>Maher Nasser, the U.N. official who essentially brokered Wonder Woman’s appointment, responded at the time that he and other U.N. colleagues had considered those concerns.\u003c/p>\n\u003cp>“I mean we have had these discussions, of course, with our partners,” said Nasser, who directs the Outreach Division of the U.N.’s Department of Public Information, which handles partnerships with celebrities and entertainment figures.\u003c/p>\n\u003cp>And Nasser noted that his team worked closely with artists at DC Comics to tone down the image that was used in the U.N. campaign.\u003c/p>\n\u003cp>“The campaign art that we are working with … doesn’t have that caricature image of the wrong stereotype of what a woman should look like,” he said.\u003c/p>\n\u003cp>For instance they only showed Wonder Woman from the waist up. And they gave her a cape draped round her neck and shoulders, making her bust less prominent.\u003c/p>\n\u003cp>Nasser also said the social media campaign was all about emphasizing Wonder Woman’s girl power credentials, what he called “the essence of the character.”\u003c/p>\n\u003cp>“The focus [of the U.N.] was on her feminist background, being the first female superhero in a world of male superheroes and that basically she always fought for fairness, justice and peace,” he said.\u003c/p>\n\u003cfigure id=\"attachment_13350615\" class=\"wp-caption alignright\" style=\"max-width: 434px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20.jpg\" alt=\"Many feminists of the 1970s, including Gloria Steinem, grew up reading Wonder Woman and considered her an inspiration. In 1972, 'Ms.' magazine put her on the cover\" width=\"434\" height=\"325\" class=\"size-full wp-image-13350615\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20.jpg 434w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20-375x281.jpg 375w\" sizes=\"(max-width: 434px) 100vw, 434px\">\u003cfigcaption class=\"wp-caption-text\">Many feminists of the 1970s, including Gloria Steinem, grew up reading Wonder Woman and considered her an inspiration. In 1972, ‘Ms.’ magazine put her on the cover\u003c/figcaption>\u003c/figure>\n\u003cp>Nasser said he expected the campaign to last well into 2017. But less than two months later, with little fanfare, U.N. officials announced that Wonder Woman’s U.N. career was coming to a close, adding that, actually, they had always intended it to be brief.\u003c/p>\n\u003cp>Jill Lepore, a professor at Harvard University who wrote a book, \u003ca href=\"https://www.amazon.com/Secret-History-Wonder-Woman/dp/0804173400\" target=\"_blank\" rel=\"noopener\">The Secret History of Wonder Woman\u003c/a>\u003cem>,\u003c/em>\u003cem> \u003c/em>about the comic book character’s creation, said disputes like this have long dogged Wonder Woman.\u003c/p>\n\u003cp>On one hand, said Lepore, the character has solid feminist roots. She was invented in 1941 by William Moulton Marston, a Harvard-trained Ph.D. psychologist-cum-advice columnist for \u003cem>Family Circle\u003c/em> magazine. Marston had been brought on board by the company that eventually became DC Comics to help deal with a public relations problem.\u003c/p>\n\u003cp>The company’s first two superheroes, created in the late 1930s, had become controversial. “Superman looked a bit like a fascist — he’s an ubermensch. Batman carried a gun and was quite violent,” explained Lepore.\u003c/p>\n\u003cp>It had gotten to the point where various religious and parental groups had banned the comics.\u003c/p>\n\u003cp>According to Lapore, “Marston said, ‘You know, you need a female superhero because she will embody the nurturing values of womanhood. She will be about peace not war.'”\u003c/p>\n\u003cp>The character he set about creating drew largely on a real-life woman Marston knew personally and greatly admired: Margaret Sanger, the co-founder of Planned Parenthood.\u003c/p>\n\u003cp>In the comic book — and now in the new movie — Wonder Woman is a princess of the Amazons of Greek mythology, living on an island where there are no men. That story, said Lepore, “comes not from science fiction but from feminist utopian fiction” popular with Sanger and other early feminists of the progressive era. (The cartoon then introduced the character of a U.S. Army officer, Capt. Steve Trevor, who crash lands on the island. Wonder Woman rescues him and then resolves to go with him to America to fight for democracy and equal rights.)\u003c/p>\n\u003cp>Marston had an ambitious vision for his new character, laid out in a remarkable press release, distributed soon after her debut. He stated: “The only hope for civilization is the greater freedom, development and equality of women in all fields of human activity. He added, “Frankly, Wonder Woman is psychological propaganda for the new type of woman who should, I believe, rule the world.”\u003c/p>\n\u003cp>Yet even in those earliest years Wonder Woman embodied contradictions. It wasn’t just the risqué outfits. Marston insisted that in every episode Wonder Woman had to be tied up or otherwise bound by the villain.\u003c/p>\n\u003cp>In part, said Lepore, this was a nod to the iconography of the suffragettes of the early 1900s, who often wore chains on marches seeking the right to vote. But it also became clear from letters to DC Comics that Wonder Woman’s largely male audience found this aspect of her story titillating.\u003c/p>\n\u003cp>And last fall, that bondage theme — at a time when women are under threat from extremist violence around the world — was just one more reason activists like Goetz were uncomfortable with the idea of Wonder Woman as a U.N. ambassador.\u003c/p>\n\u003cp>Wonder Woman nonetheless remained a darling of feminists through the 1970s — she was on the first cover of \u003cem>Ms.\u003c/em> magazine. But by the end of that decade she had started to symbolize a split within the feminist movement.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“A lot of people started to say, ‘Why is she the symbol of women’s power? She’s just so obviously made for men to look at and ogle,'” said Lepore. So it’s no surprise that she continues to raise conflicting feelings to this day. “Part of the richness of this character is that there are many layers to understanding her. Wonder Woman is always going to have a mixed legacy.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Remember+That+Time+When+Wonder+Woman+Was+A+U.N.+Ambassador%3F&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Wonder Woman is certainly basking in accolades these days.\u003c/p>\n\u003cp>The new movie starring Gal Gadot is being widely praised for finally giving the world a big-screen female superhero who — to quote just a few of the glowing reviews — is both “awesomely fierce” and “surprisingly funny,” “sexually aware without being sexualized” and a refreshing throwback to the days of “uncomplicated role models … fighting for peace and justice.”\u003c/p>\n\u003cp>All of which got us thinking about our coverage last fall of Wonder Woman’s short-lived tenure as the United Nation’s honorary ambassador for the empowerment of women of girls.\u003c/p>\n\u003cp>Remember that episode? Back then her reviews were decidedly more mixed.\u003c/p>\n\u003cp>The idea was to make the character of Wonder Woman the face of a U.N. social media campaign to promote women’s rights via tweets and Facebook callouts. Women’s rights advocates exploded in outrage, and nearly 45,000 people signed a petition against the decision.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s an insult, frankly,” said \u003ca href=\"http://www.sps.nyu.edu/content/scps/faculty/faculty-profile.html?id=15655&name=Anne%20Marie-Goetz\" target=\"_blank\" rel=\"noopener\">Anne Marie Goetz\u003c/a> at the time. Goetz, a professor of global affairs at New York University and a former adviser on peace and security issues to the United Nations agency, U.N. Women, said a big issue was the timing.\u003c/p>\n\u003cfigure id=\"attachment_13350614\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-800x600.jpg\" alt=\"Wonder Woman on the cover of Sensation Comics\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13350614\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d.jpg 949w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wonder Woman on the cover of Sensation Comics\u003c/figcaption>\u003c/figure>\n\u003cp>The Wonder Woman campaign rollout — a collaboration with Warner Bros. and DC Comics, which owns the rights to the character — was intended to celebrate both the character’s 75th birthday and the upcoming movie featuring Gadot. The actress even attended the appointment ceremony at the U.N.’s New York headquarters, along with Lynda Carter, who portrayed the superhero in the 1970s television show. But the announcement also came on the heels of a disappointing, yearlong grass-roots effort to get the U.N. to choose its first female secretary-general.\u003c/p>\n\u003cp>“This was months and months of campaigning by feminist organizations around the world for a woman to be selected,” said Goetz.\u003c/p>\n\u003cp>Seven women — including a prime minister and other highly qualified individuals — were in the running, an unprecedented number. Ultimately the Security Council went with a man — Antonio Guterres. So at the time, the selection of Wonder Woman to represent women’s issues for the U.N. came off to Goetz and others as a sort of demeaning consolation prize.\u003c/p>\n\u003cp>“It’s frivolous, it’s fatuous and it reduces an extremely serious human rights problem experienced by half of the world to a cartoon,” she said.\u003c/p>\n\u003cp>And not just any cartoon, added Goetz. Wonder Woman in her view was tantamount to a Barbie/Playboy pinup. Like most female comic action figures, she has big breasts bursting out of a skimpy outfit and an impossibly tiny waist.\u003c/p>\n\u003cp>“The message to girls is that you are expected to meet a male standard in which your significance is reduced to your role as a sexual object,” said Goetz.\u003c/p>\n\u003cp>Maher Nasser, the U.N. official who essentially brokered Wonder Woman’s appointment, responded at the time that he and other U.N. colleagues had considered those concerns.\u003c/p>\n\u003cp>“I mean we have had these discussions, of course, with our partners,” said Nasser, who directs the Outreach Division of the U.N.’s Department of Public Information, which handles partnerships with celebrities and entertainment figures.\u003c/p>\n\u003cp>And Nasser noted that his team worked closely with artists at DC Comics to tone down the image that was used in the U.N. campaign.\u003c/p>\n\u003cp>“The campaign art that we are working with … doesn’t have that caricature image of the wrong stereotype of what a woman should look like,” he said.\u003c/p>\n\u003cp>For instance they only showed Wonder Woman from the waist up. And they gave her a cape draped round her neck and shoulders, making her bust less prominent.\u003c/p>\n\u003cp>Nasser also said the social media campaign was all about emphasizing Wonder Woman’s girl power credentials, what he called “the essence of the character.”\u003c/p>\n\u003cp>“The focus [of the U.N.] was on her feminist background, being the first female superhero in a world of male superheroes and that basically she always fought for fairness, justice and peace,” he said.\u003c/p>\n\u003cfigure id=\"attachment_13350615\" class=\"wp-caption alignright\" style=\"max-width: 434px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20.jpg\" alt=\"Many feminists of the 1970s, including Gloria Steinem, grew up reading Wonder Woman and considered her an inspiration. In 1972, 'Ms.' magazine put her on the cover\" width=\"434\" height=\"325\" class=\"size-full wp-image-13350615\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20.jpg 434w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20-375x281.jpg 375w\" sizes=\"(max-width: 434px) 100vw, 434px\">\u003cfigcaption class=\"wp-caption-text\">Many feminists of the 1970s, including Gloria Steinem, grew up reading Wonder Woman and considered her an inspiration. In 1972, ‘Ms.’ magazine put her on the cover\u003c/figcaption>\u003c/figure>\n\u003cp>Nasser said he expected the campaign to last well into 2017. But less than two months later, with little fanfare, U.N. officials announced that Wonder Woman’s U.N. career was coming to a close, adding that, actually, they had always intended it to be brief.\u003c/p>\n\u003cp>Jill Lepore, a professor at Harvard University who wrote a book, \u003ca href=\"https://www.amazon.com/Secret-History-Wonder-Woman/dp/0804173400\" target=\"_blank\" rel=\"noopener\">The Secret History of Wonder Woman\u003c/a>\u003cem>,\u003c/em>\u003cem> \u003c/em>about the comic book character’s creation, said disputes like this have long dogged Wonder Woman.\u003c/p>\n\u003cp>On one hand, said Lepore, the character has solid feminist roots. She was invented in 1941 by William Moulton Marston, a Harvard-trained Ph.D. psychologist-cum-advice columnist for \u003cem>Family Circle\u003c/em> magazine. Marston had been brought on board by the company that eventually became DC Comics to help deal with a public relations problem.\u003c/p>\n\u003cp>The company’s first two superheroes, created in the late 1930s, had become controversial. “Superman looked a bit like a fascist — he’s an ubermensch. Batman carried a gun and was quite violent,” explained Lepore.\u003c/p>\n\u003cp>It had gotten to the point where various religious and parental groups had banned the comics.\u003c/p>\n\u003cp>According to Lapore, “Marston said, ‘You know, you need a female superhero because she will embody the nurturing values of womanhood. She will be about peace not war.'”\u003c/p>\n\u003cp>The character he set about creating drew largely on a real-life woman Marston knew personally and greatly admired: Margaret Sanger, the co-founder of Planned Parenthood.\u003c/p>\n\u003cp>In the comic book — and now in the new movie — Wonder Woman is a princess of the Amazons of Greek mythology, living on an island where there are no men. That story, said Lepore, “comes not from science fiction but from feminist utopian fiction” popular with Sanger and other early feminists of the progressive era. (The cartoon then introduced the character of a U.S. Army officer, Capt. Steve Trevor, who crash lands on the island. Wonder Woman rescues him and then resolves to go with him to America to fight for democracy and equal rights.)\u003c/p>\n\u003cp>Marston had an ambitious vision for his new character, laid out in a remarkable press release, distributed soon after her debut. He stated: “The only hope for civilization is the greater freedom, development and equality of women in all fields of human activity. He added, “Frankly, Wonder Woman is psychological propaganda for the new type of woman who should, I believe, rule the world.”\u003c/p>\n\u003cp>Yet even in those earliest years Wonder Woman embodied contradictions. It wasn’t just the risqué outfits. Marston insisted that in every episode Wonder Woman had to be tied up or otherwise bound by the villain.\u003c/p>\n\u003cp>In part, said Lepore, this was a nod to the iconography of the suffragettes of the early 1900s, who often wore chains on marches seeking the right to vote. But it also became clear from letters to DC Comics that Wonder Woman’s largely male audience found this aspect of her story titillating.\u003c/p>\n\u003cp>And last fall, that bondage theme — at a time when women are under threat from extremist violence around the world — was just one more reason activists like Goetz were uncomfortable with the idea of Wonder Woman as a U.N. ambassador.\u003c/p>\n\u003cp>Wonder Woman nonetheless remained a darling of feminists through the 1970s — she was on the first cover of \u003cem>Ms.\u003c/em> magazine. But by the end of that decade she had started to symbolize a split within the feminist movement.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“A lot of people started to say, ‘Why is she the symbol of women’s power? She’s just so obviously made for men to look at and ogle,'” said Lepore. So it’s no surprise that she continues to raise conflicting feelings to this day. “Part of the richness of this character is that there are many layers to understanding her. Wonder Woman is always going to have a mixed legacy.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Remember+That+Time+When+Wonder+Woman+Was+A+U.N.+Ambassador%3F&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "How Rosie O'Donnell vs. Elisabeth Hasselbeck Predicted Our Current Political Discourse",
"title": "How Rosie O'Donnell vs. Elisabeth Hasselbeck Predicted Our Current Political Discourse",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>\u003cem>This piece was inspired by an episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>, KQED’s weekly pop culture podcast. Give it a listen!\u003c/em>\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/05/Diesel.mp3\" title=\"Rosie vs. Elisabeth, 10 Years Later\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>\u003cspan style=\"font-weight: 400\">Certain historical events leave a mark. Some even go on to define entire generations. Where were you when JFK was shot? When Obama won the 2008 election? When Kurt Cobain died? When O.J. tried to speed away from the law in a Bronco? It makes sense why we can’t shake these moments; they changed the landscape of politics, culture, and so much more.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But iconic historical moments are not all created equal. There are macro events, like the ones mentioned above, that affect a grand swath of people, and then there are smaller, less significant cultural moments that only stick in the minds of a select few. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Do you remember where you were on May 23, 2007? I’m guessing that’s a no. But I do. That was the day Rosie O’Donnell and former \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Survivor\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> contestant / conservative pundit Elisabeth Hasselbeck yelled in each other’s faces on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The View\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, leading to the show’s first use of a split-screen, and Rosie’s premature exit from the show. Daytime TV had never been so radical or so real.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But before we get into the impact of that moment, let’s get some backstory:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs.jpg\">\u003cimg class=\"alignright wp-image-83808\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-800x875.jpg\" alt=\"\" width=\"300\" height=\"328\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-800x875.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-160x175.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-768x840.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-240x263.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-375x410.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-520x569.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs.jpg 936w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>Rosie O’Donnell made a name for herself in movies like \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">A League of Their Own\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Flintstones\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Sleepless in Seattle\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Harriet the Spy\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. But with her talk show, \u003cem>The Rosie O'Donnell Show\u003c/em>, she really shot to fame, like \u003ca href=\"https://s-media-cache-ak0.pinimg.com/originals/0c/b4/01/0cb401d5fea759842810918bedb2ae6b.jpg\">a koosh ball arcing into a studio audience\u003c/a>. She came to be known as the \"Queen of Nice.\" She kept conversations with her celebrity guests fun and light. Still in the closet, she played up her love of Tom Cruise. She made strangers' lives better by giving away scholarships, donations, and gifts. She sang show tunes and geeked out over Barbara Streisand. She did everything Ellen now gets to do (thanks to Rosie paving the way).\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_83817\" class=\"wp-caption alignleft\" style=\"max-width: 430px\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/rosie-and-view-co-hosts.jpg\">\u003cimg class=\"wp-image-83817\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/rosie-and-view-co-hosts.jpg\" alt=\"\" width=\"430\" height=\"412\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-and-view-co-hosts.jpg 680w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-and-view-co-hosts-160x153.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-and-view-co-hosts-240x230.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-and-view-co-hosts-375x359.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-and-view-co-hosts-520x498.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-and-view-co-hosts-32x32.jpg 32w\" sizes=\"(max-width: 430px) 100vw, 430px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: ABC\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">After \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Rosie Show\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> ended, six seasons later in 2002, Rosie left the limelight to focus on her family. It wasn’t long before people in the industry tried to coax her back onto daytime television. She turned down all offers -- until one of her childhood idols, Barbara Walters, asked her to be the main host of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The View\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. She agreed, and returned to the space that put her on the map. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But the Rosie that showed up on set in 2006 was not the Rosie America had grown accustomed to. This new Rosie was an out lesbian who was no longer afraid to speak her mind on politics and everything else. Rather than keeping it cute, Rosie had found her voice and wasn’t going to give it up without a fight. After years of saying what America was ready to hear, she switched gears to what America \u003cem>needed\u003c/em> to hear.\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/oreillyrosie2007.jpg\">\u003cimg class=\"alignright size-full wp-image-83821\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/oreillyrosie2007.jpg\" alt=\"\" width=\"315\" height=\"233\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/oreillyrosie2007.jpg 315w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/oreillyrosie2007-160x118.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/oreillyrosie2007-240x178.jpg 240w\" sizes=\"(max-width: 315px) 100vw, 315px\">\u003c/a>Her stint on \u003ci>The View\u003c/i> lasted only a year, and was filled with drama at every turn. Fox News regularly attacked her for her views on the Iraq War and President George W. Bush. This, remember, was in the wake of the \u003ca href=\"http://www.cnn.com/2003/SHOWBIZ/Music/03/14/dixie.chicks.reut/\" target=\"_blank\" rel=\"noopener noreferrer\">Dixie Chicks being blacklisted\u003c/a> for their political opinions, which created an environment that equated criticism of Bush and his administration's policies with being anti-American or unpatriotic. \u003ca href=\"http://www.cnn.com/2015/08/07/politics/donald-trump-rosie-odonnell-feud/\">Donald Trump also got into the action, attacking Rosie \u003c/a>for bringing up his bankruptcies and mocking his combover, calling her \"a woman out of control\" and threatening to sue her (\"Rosie will rue the words she said. I'll most likely sue her for making those false statements -- and it'll be fun. Rosie's a loser. A real loser. I look forward to taking lots of money from my nice fat little Rosie\").\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As if that wasn't enough, Rosie had to regularly go toe-to-toe with panelist Elisabeth Hasselbeck, who was aided by an executive producer who -- rumor has it -- fed Hasselback with Republican party talking points every morning. Every weekday, in front of millions, Elisabeth would dish out an entrée of alternative facts, and Rosie would take the bait.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The near-constant sparring resulted in numerous news cycles of Rosie being painted as the alleged bully and antagonist to Hasselbeck’s innocent-seeming, pretty, conservative Christian (one\u003c/span> \u003ci>\u003cspan style=\"font-weight: 400\">Los Angeles Times \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">piece went with the headline\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">\"\u003ca href=\"http://www.latimes.com/la-oe-goldberg3apr03-column.html\">The 'Queen of Nice' Goes Nuts\u003c/a>\")\u003c/span>\u003cspan style=\"font-weight: 400\">. The fact that Hasselbeck was pregnant for this particular season of \u003cem>The View\u003c/em> didn’t necessarily help optics.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_83822\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/GettyImages-57489257.jpg\">\u003cimg class=\"wp-image-83822\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/GettyImages-57489257-800x909.jpg\" alt=\"\" width=\"400\" height=\"455\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-800x909.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-160x182.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-768x873.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-1020x1159.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-1920x2182.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-1180x1341.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-960x1091.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-240x273.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-375x426.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-520x591.jpg 520w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Rosie and Barbara in happier times. (Photo by Kevin Winter/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Each time some feud blossomed, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The View\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> enjoyed huge ratings, leading to a 17% increase in viewers from the previous Rosie-less season. Despite having a hit on their hands, things weren’t too joyous behind the scenes. A culture of distrust began to build; Rosie felt as though Walters, whom she thought of as a surrogate mother, didn’t have her back -- and that Walters and the show's producers were setting her up for more and more fireworks with Hasselbeck.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On May 23, 2007, everything finally boiled over. Comedian Joy Behar started a conversation about Al Gore and Jimmy Carter's belief that Bush was the country’s worst president, and listed Bush’s bad qualities (his handling of torture at Abu Ghraib; his response to Hurricane Katrina; his repeated mispronunciation of \"nuclear\"; the time he choked on a pretzel). Joy, Elisabeth, and Sherri Shepherd (a woman who, on a different episode of \u003cem>The View\u003c/em>, said \u003ca href=\"https://www.youtube.com/watch?v=UkrkaH_V7fE\">the world might actually be flat\u003c/a>) got into it for several minutes, while Rosie sat quietly. Tired of having her words misconstrued by Fox News every night, she was waiting for the clock to run out on her contract in a few weeks. But she couldn’t help but say something in response to Elisabeth calling Iraqis our enemies.\u003c/span>\u003c/p>\n\u003cp>Things quickly exploded:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=aAwoPLhJVAs\u003c/p>\n\u003cp>Six uninterrupted minutes of an epic, messy, personal fight ensued. The curtain was pulled back to reveal not just TV personalities debating \"hot topics,\" but one human being feeling betrayed and used by someone she thought was a friend.\u003c/p>\n\u003cp>This moment evokes and pokes holes in an idea that's been batted around a lot since the 2016 election -- that the way to heal the divisions in the country is for people from opposite ends of the political spectrum to engage in conversation. (If only liberals and conservatives had broken bread and chatted about their differences over some Budweisers, the thinking goes, then the country wouldn't have elected a man who called Mexican immigrants \"rapists,\" mocked a disabled reporter, promised to ban Muslims, and admitted to sexual assault on camera.) But no matter how good anyone's intentions may be, it can be impossible to have a productive dialogue when one person's belief system is founded in another's oppression, or argues against another's humanity and right to exist. There’s isn’t anywhere to go from there.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">During the back-and-forth, Rosie noticed that the producers had placed a split-screen between the two women so that viewers at home could watch each of their faces getting redder and angrier. The split-screen had never been used on the program before, and Rosie has said that she believes they crafted it specifically for this inevitability, which they seemed to hope would happen someday. They got their wish, and Rosie didn't return to the show the next day -- or the following day, or the one after that. A few weeks before her contract expired, Rosie quit.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=NP-x78w48Es\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Last week marked that moment’s tenth anniversary. A lot has happened in the past 10 years, but has our discourse really changed that much? After a detour to the left during the oasis of Obama, we’re right back into a timeline where criticizing the President or his administration is seen as unpatriotic. These days, President Trump will tweet about any celebrity who criticizes him (Rosie is still one of his favorite targets, so much so that he randomly brought her up during one of the 2016 presidential debates). And, beyond celebrities, working journalists are regularly attacked -- figuratively and literally -- for reporting the facts. Trump declaring the press “the enemy of the people” and “fake news” has engendered a culture in which a Montana Republican seeking election \u003ca href=\"https://twitter.com/Bencjacobs/status/867535038749040640\" target=\"_blank\" rel=\"noopener noreferrer\">body-slams a reporter for asking a question\u003c/a>, and it’s not even the most shocking news item of the day.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Every year, reality TV thrives more and more on conflict, overturned tables, wig tugs, and televised celebrity firings. It's gotten so bad that, on\u003cem> Love & Hip Hop Hollywood\u003c/em>,\u003ca href=\"https://twitter.com/Tacky_Nerd/status/656206312120975360?ref_src=twsrc%5Etfw&ref_url=https%3A%2F%2Fbossip.com%2F1242768%2Fyuck-on-yuck-lhhh-star-nikki-baby-mudarris-claps-back-at-nasty-nastassia-for-throwing-vomit-at-her-during-fight%2F\"> one woman vomited into her hand and threw it in another woman's face\u003c/a>. Has reality TV influenced us into becoming more conflict-oriented? Or has reality TV simply been holding up a mirror to what we already were? It's hard to say, but something that’s clear is that this moment between Rosie and Elisabeth foretold what we’re living through now: a culture of division, and a culture in which someone speaking or reporting truth will be smeared or punished. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover.jpg\">\u003cimg class=\"alignright wp-image-83818\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover.jpg\" alt=\"\" width=\"400\" height=\"517\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover.jpg 670w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover-160x207.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover-240x310.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover-375x485.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover-520x672.jpg 520w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>Since their epic showdown, Rosie has returned to stand-up and acting. Hasselbeck moved over to Fox News, where she was able to make statements like “\u003c/span>\u003cspan style=\"font-weight: 400\">Why has the Black Lives Matter movement not been classified yet as a hate group?\u003c/span>\u003cspan style=\"font-weight: 400\">” before eventually being replaced by another young blonde woman. In 2014, when Elisabeth heard that Rosie was asked to return as a host of \u003cem>The View\u003c/em>, she did not take the high road: \"What could ruin a vacation more than to hear news like this?\" she said. \"Talk about not securing the border. Here comes to \u003cem>The View\u003c/em> the very woman who spit in the face of our military, spit in the face of her own network and really in the face of a person who stood by her and had civilized debates for the time that she was there. \u003c/span>\u003cspan style=\"font-weight: 400\">I am happy to have a #momversation about why I would never defend her 2007 comments. #letfreedomring.\"\u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As far as I know, Rosie didn't respond to Elisabeth's remarks or take her up on that \"#momversation,\" and I don't blame her. As comforting as the notion of healing through conversation may be, I don't see much hope for Rosie and Elisabeth to ever mend fences. And the way things have gone in the past 10 years, I'm not sure \"conversation\" is going to unite the divided left and right in America either. But I hope I'm wrong. I really do.\u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>\u003cspan style=\"font-weight: 400\">Certain historical events leave a mark. Some even go on to define entire generations. Where were you when JFK was shot? When Obama won the 2008 election? When Kurt Cobain died? When O.J. tried to speed away from the law in a Bronco? It makes sense why we can’t shake these moments; they changed the landscape of politics, culture, and so much more.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But iconic historical moments are not all created equal. There are macro events, like the ones mentioned above, that affect a grand swath of people, and then there are smaller, less significant cultural moments that only stick in the minds of a select few. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Do you remember where you were on May 23, 2007? I’m guessing that’s a no. But I do. That was the day Rosie O’Donnell and former \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Survivor\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> contestant / conservative pundit Elisabeth Hasselbeck yelled in each other’s faces on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The View\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, leading to the show’s first use of a split-screen, and Rosie’s premature exit from the show. Daytime TV had never been so radical or so real.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But before we get into the impact of that moment, let’s get some backstory:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs.jpg\">\u003cimg class=\"alignright wp-image-83808\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-800x875.jpg\" alt=\"\" width=\"300\" height=\"328\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-800x875.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-160x175.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-768x840.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-240x263.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-375x410.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs-520x569.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/CnbbcHBXgAAB5Bs.jpg 936w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>Rosie O’Donnell made a name for herself in movies like \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">A League of Their Own\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Flintstones\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Sleepless in Seattle\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Harriet the Spy\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. But with her talk show, \u003cem>The Rosie O'Donnell Show\u003c/em>, she really shot to fame, like \u003ca href=\"https://s-media-cache-ak0.pinimg.com/originals/0c/b4/01/0cb401d5fea759842810918bedb2ae6b.jpg\">a koosh ball arcing into a studio audience\u003c/a>. She came to be known as the \"Queen of Nice.\" She kept conversations with her celebrity guests fun and light. Still in the closet, she played up her love of Tom Cruise. She made strangers' lives better by giving away scholarships, donations, and gifts. She sang show tunes and geeked out over Barbara Streisand. She did everything Ellen now gets to do (thanks to Rosie paving the way).\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_83817\" class=\"wp-caption alignleft\" style=\"max-width: 430px\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/rosie-and-view-co-hosts.jpg\">\u003cimg class=\"wp-image-83817\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/rosie-and-view-co-hosts.jpg\" alt=\"\" width=\"430\" height=\"412\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-and-view-co-hosts.jpg 680w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-and-view-co-hosts-160x153.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-and-view-co-hosts-240x230.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-and-view-co-hosts-375x359.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-and-view-co-hosts-520x498.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-and-view-co-hosts-32x32.jpg 32w\" sizes=\"(max-width: 430px) 100vw, 430px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: ABC\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">After \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Rosie Show\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> ended, six seasons later in 2002, Rosie left the limelight to focus on her family. It wasn’t long before people in the industry tried to coax her back onto daytime television. She turned down all offers -- until one of her childhood idols, Barbara Walters, asked her to be the main host of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The View\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. She agreed, and returned to the space that put her on the map. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But the Rosie that showed up on set in 2006 was not the Rosie America had grown accustomed to. This new Rosie was an out lesbian who was no longer afraid to speak her mind on politics and everything else. Rather than keeping it cute, Rosie had found her voice and wasn’t going to give it up without a fight. After years of saying what America was ready to hear, she switched gears to what America \u003cem>needed\u003c/em> to hear.\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/oreillyrosie2007.jpg\">\u003cimg class=\"alignright size-full wp-image-83821\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/oreillyrosie2007.jpg\" alt=\"\" width=\"315\" height=\"233\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/oreillyrosie2007.jpg 315w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/oreillyrosie2007-160x118.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/oreillyrosie2007-240x178.jpg 240w\" sizes=\"(max-width: 315px) 100vw, 315px\">\u003c/a>Her stint on \u003ci>The View\u003c/i> lasted only a year, and was filled with drama at every turn. Fox News regularly attacked her for her views on the Iraq War and President George W. Bush. This, remember, was in the wake of the \u003ca href=\"http://www.cnn.com/2003/SHOWBIZ/Music/03/14/dixie.chicks.reut/\" target=\"_blank\" rel=\"noopener noreferrer\">Dixie Chicks being blacklisted\u003c/a> for their political opinions, which created an environment that equated criticism of Bush and his administration's policies with being anti-American or unpatriotic. \u003ca href=\"http://www.cnn.com/2015/08/07/politics/donald-trump-rosie-odonnell-feud/\">Donald Trump also got into the action, attacking Rosie \u003c/a>for bringing up his bankruptcies and mocking his combover, calling her \"a woman out of control\" and threatening to sue her (\"Rosie will rue the words she said. I'll most likely sue her for making those false statements -- and it'll be fun. Rosie's a loser. A real loser. I look forward to taking lots of money from my nice fat little Rosie\").\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As if that wasn't enough, Rosie had to regularly go toe-to-toe with panelist Elisabeth Hasselbeck, who was aided by an executive producer who -- rumor has it -- fed Hasselback with Republican party talking points every morning. Every weekday, in front of millions, Elisabeth would dish out an entrée of alternative facts, and Rosie would take the bait.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The near-constant sparring resulted in numerous news cycles of Rosie being painted as the alleged bully and antagonist to Hasselbeck’s innocent-seeming, pretty, conservative Christian (one\u003c/span> \u003ci>\u003cspan style=\"font-weight: 400\">Los Angeles Times \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">piece went with the headline\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">\"\u003ca href=\"http://www.latimes.com/la-oe-goldberg3apr03-column.html\">The 'Queen of Nice' Goes Nuts\u003c/a>\")\u003c/span>\u003cspan style=\"font-weight: 400\">. The fact that Hasselbeck was pregnant for this particular season of \u003cem>The View\u003c/em> didn’t necessarily help optics.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_83822\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/GettyImages-57489257.jpg\">\u003cimg class=\"wp-image-83822\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/GettyImages-57489257-800x909.jpg\" alt=\"\" width=\"400\" height=\"455\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-800x909.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-160x182.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-768x873.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-1020x1159.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-1920x2182.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-1180x1341.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-960x1091.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-240x273.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-375x426.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/GettyImages-57489257-520x591.jpg 520w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Rosie and Barbara in happier times. (Photo by Kevin Winter/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Each time some feud blossomed, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The View\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> enjoyed huge ratings, leading to a 17% increase in viewers from the previous Rosie-less season. Despite having a hit on their hands, things weren’t too joyous behind the scenes. A culture of distrust began to build; Rosie felt as though Walters, whom she thought of as a surrogate mother, didn’t have her back -- and that Walters and the show's producers were setting her up for more and more fireworks with Hasselbeck.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On May 23, 2007, everything finally boiled over. Comedian Joy Behar started a conversation about Al Gore and Jimmy Carter's belief that Bush was the country’s worst president, and listed Bush’s bad qualities (his handling of torture at Abu Ghraib; his response to Hurricane Katrina; his repeated mispronunciation of \"nuclear\"; the time he choked on a pretzel). Joy, Elisabeth, and Sherri Shepherd (a woman who, on a different episode of \u003cem>The View\u003c/em>, said \u003ca href=\"https://www.youtube.com/watch?v=UkrkaH_V7fE\">the world might actually be flat\u003c/a>) got into it for several minutes, while Rosie sat quietly. Tired of having her words misconstrued by Fox News every night, she was waiting for the clock to run out on her contract in a few weeks. But she couldn’t help but say something in response to Elisabeth calling Iraqis our enemies.\u003c/span>\u003c/p>\n\u003cp>Things quickly exploded:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/aAwoPLhJVAs'\n title='//www.youtube.com/embed/aAwoPLhJVAs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Six uninterrupted minutes of an epic, messy, personal fight ensued. The curtain was pulled back to reveal not just TV personalities debating \"hot topics,\" but one human being feeling betrayed and used by someone she thought was a friend.\u003c/p>\n\u003cp>This moment evokes and pokes holes in an idea that's been batted around a lot since the 2016 election -- that the way to heal the divisions in the country is for people from opposite ends of the political spectrum to engage in conversation. (If only liberals and conservatives had broken bread and chatted about their differences over some Budweisers, the thinking goes, then the country wouldn't have elected a man who called Mexican immigrants \"rapists,\" mocked a disabled reporter, promised to ban Muslims, and admitted to sexual assault on camera.) But no matter how good anyone's intentions may be, it can be impossible to have a productive dialogue when one person's belief system is founded in another's oppression, or argues against another's humanity and right to exist. There’s isn’t anywhere to go from there.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">During the back-and-forth, Rosie noticed that the producers had placed a split-screen between the two women so that viewers at home could watch each of their faces getting redder and angrier. The split-screen had never been used on the program before, and Rosie has said that she believes they crafted it specifically for this inevitability, which they seemed to hope would happen someday. They got their wish, and Rosie didn't return to the show the next day -- or the following day, or the one after that. A few weeks before her contract expired, Rosie quit.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NP-x78w48Es'\n title='//www.youtube.com/embed/NP-x78w48Es'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Last week marked that moment’s tenth anniversary. A lot has happened in the past 10 years, but has our discourse really changed that much? After a detour to the left during the oasis of Obama, we’re right back into a timeline where criticizing the President or his administration is seen as unpatriotic. These days, President Trump will tweet about any celebrity who criticizes him (Rosie is still one of his favorite targets, so much so that he randomly brought her up during one of the 2016 presidential debates). And, beyond celebrities, working journalists are regularly attacked -- figuratively and literally -- for reporting the facts. Trump declaring the press “the enemy of the people” and “fake news” has engendered a culture in which a Montana Republican seeking election \u003ca href=\"https://twitter.com/Bencjacobs/status/867535038749040640\" target=\"_blank\" rel=\"noopener noreferrer\">body-slams a reporter for asking a question\u003c/a>, and it’s not even the most shocking news item of the day.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Every year, reality TV thrives more and more on conflict, overturned tables, wig tugs, and televised celebrity firings. It's gotten so bad that, on\u003cem> Love & Hip Hop Hollywood\u003c/em>,\u003ca href=\"https://twitter.com/Tacky_Nerd/status/656206312120975360?ref_src=twsrc%5Etfw&ref_url=https%3A%2F%2Fbossip.com%2F1242768%2Fyuck-on-yuck-lhhh-star-nikki-baby-mudarris-claps-back-at-nasty-nastassia-for-throwing-vomit-at-her-during-fight%2F\"> one woman vomited into her hand and threw it in another woman's face\u003c/a>. Has reality TV influenced us into becoming more conflict-oriented? Or has reality TV simply been holding up a mirror to what we already were? It's hard to say, but something that’s clear is that this moment between Rosie and Elisabeth foretold what we’re living through now: a culture of division, and a culture in which someone speaking or reporting truth will be smeared or punished. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover.jpg\">\u003cimg class=\"alignright wp-image-83818\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover.jpg\" alt=\"\" width=\"400\" height=\"517\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover.jpg 670w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover-160x207.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover-240x310.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover-375x485.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/05/rosie-odonnel-returns-to-the-view-cover-520x672.jpg 520w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>Since their epic showdown, Rosie has returned to stand-up and acting. Hasselbeck moved over to Fox News, where she was able to make statements like “\u003c/span>\u003cspan style=\"font-weight: 400\">Why has the Black Lives Matter movement not been classified yet as a hate group?\u003c/span>\u003cspan style=\"font-weight: 400\">” before eventually being replaced by another young blonde woman. In 2014, when Elisabeth heard that Rosie was asked to return as a host of \u003cem>The View\u003c/em>, she did not take the high road: \"What could ruin a vacation more than to hear news like this?\" she said. \"Talk about not securing the border. Here comes to \u003cem>The View\u003c/em> the very woman who spit in the face of our military, spit in the face of her own network and really in the face of a person who stood by her and had civilized debates for the time that she was there. \u003c/span>\u003cspan style=\"font-weight: 400\">I am happy to have a #momversation about why I would never defend her 2007 comments. #letfreedomring.\"\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As far as I know, Rosie didn't respond to Elisabeth's remarks or take her up on that \"#momversation,\" and I don't blame her. As comforting as the notion of healing through conversation may be, I don't see much hope for Rosie and Elisabeth to ever mend fences. And the way things have gone in the past 10 years, I'm not sure \"conversation\" is going to unite the divided left and right in America either. But I hope I'm wrong. I really do.\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Fast and furious advice, the 10th anniversary of Rosie O'Donnell vs. Elisabeth Hasselbeck on \u003cem>The View\u003c/em>, and our favorite viral infants.\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/05/Diesel.mp3\" title=\"The Book of Diesel: Life Lessons from the Fast and Furious Franchise\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp> \u003c/p>\n\u003cp>The \u003cem>Fast and Furious\u003c/em> franchise is full of flashy cars, explosions... and good life advice?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/Q8ZrV.gif\">\u003cimg class=\"aligncenter size-full wp-image-83740\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/Q8ZrV.gif\" alt=\"\" width=\"800\" height=\"450\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>10 years later, we're still thinking about the time Rosie O'Donnell and Elisabeth Hasselbeck yelled in each other's faces over the Iraq War on \u003cem>The View\u003c/em>:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=aAwoPLhJVAs\u003c/p>\n\u003cp>American adults seem to not know what they're doing these days, so we're looking to viral infants for wisdom:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=M3S9d5YMqvw\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=nA0ROh_DBkg\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3msjOKqllOk\u003c/p>\n\u003cp>And, in honor of dearly departed Paul Walker, we ride out on Wiz Khalifa and Charlie Puth's \"See You Again:\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=RgKAFK5djSk\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter\u003c/a>!\u003c/p>\n\n",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
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