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"content": "\u003cp>Move over, Lazarus. There's a new resurrected entity in town! MS Paint, a.k.a. the rudimentary illustrating program some of us used for killing time (and drawing \u003ca href=\"http://knowyourmeme.com/memes/super-s-stussy\">Stussy S's\u003c/a> and penises) before AOL free trials were a thing, died yesterday (technically it was \"deprecated,\" which means it wouldn't be developed further and would be removed from future products).\u003c/p>\n\u003cp>The internet collectively mourned, joked, and mourned some more:\u003c/p>\n\u003cp>https://twitter.com/SwiftOnSecurity/status/889861119980040192\u003c/p>\n\u003cp>https://twitter.com/McDoFi/status/889453382540328961\u003c/p>\n\u003cp>https://twitter.com/jjc_uk/status/889459845509853184?ref_src=twsrc%5Etfw&ref_url=http%3A%2F%2Fmashable.com%2F2017%2F07%2F25%2Fmicrosoft-paint-tributes%2F\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/unrepentantmess/status/889788489100820480\u003c/p>\n\u003cp>https://twitter.com/MrRyanPorter/status/889485593998131202\u003c/p>\n\u003cp>https://twitter.com/lowfundaboy/status/889821260498313216\u003c/p>\n\u003cp>All the noise was enough to get Microsoft to say, \"JK! Our bad! you can keep it! Don't hurt us!\"\u003c/p>\n\u003cp>Okay, I paraphrased a bit. Here's what a rep actually said:\u003c/p>\n\u003cblockquote>\u003cp>\"Today, we’ve seen an incredible outpouring of support and nostalgia around MS Paint. If there’s anything we learned, it’s that after 32 years, MS Paint has a lot of fans. It’s been amazing to see so much love for our trusty old app. Amidst today’s commentary around MS Paint we wanted to take this opportunity to set the record straight, clear up some confusion and share some good news: MS Paint is here to stay, it will just have a new home soon, in the Windows Store where it will be available for free.\"\u003c/p>\u003c/blockquote>\n\u003cp>Phew! My feelings can be best expressed through this evergreen Lady Gaga tweet:\u003c/p>\n\u003cp>https://twitter.com/ladygaga/status/84441635211059201?lang=en\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>They say you don't know what you've got 'til it's gone (for a few hours). Now that we've been reminded of how deep our love and affection goes for this messy tech relic, I expect us all to forgo Photoshop next time we want to make ourselves look younger in a photo. Paint bucket tool or bust!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>All the noise was enough to get Microsoft to say, \"JK! Our bad! you can keep it! Don't hurt us!\"\u003c/p>\n\u003cp>Okay, I paraphrased a bit. Here's what a rep actually said:\u003c/p>\n\u003cblockquote>\u003cp>\"Today, we’ve seen an incredible outpouring of support and nostalgia around MS Paint. If there’s anything we learned, it’s that after 32 years, MS Paint has a lot of fans. It’s been amazing to see so much love for our trusty old app. Amidst today’s commentary around MS Paint we wanted to take this opportunity to set the record straight, clear up some confusion and share some good news: MS Paint is here to stay, it will just have a new home soon, in the Windows Store where it will be available for free.\"\u003c/p>\u003c/blockquote>\n\u003cp>Phew! My feelings can be best expressed through this evergreen Lady Gaga tweet:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cp>Earlier this week, \u003ca href=\"https://www.instagram.com/pink/\" target=\"_blank\" rel=\"noopener noreferrer\">Pink\u003c/a> posted a photo of her multi-tasking at home, cooking a meal with her 6-year-old daughter Willow and 7-month-old son Jameson. It was the kind of photo all parents can relate to—that ever-present need to take care of business while you're taking care of babies.\u003c/p>\n\u003cp>https://www.instagram.com/p/BWonpJ8lzgn/?taken-by=pink\u003c/p>\n\u003cp>The vast majority of comments that followed were of support and empathy (@jmlopez22 noted: \"This is what real motherhood looks like. Good job!!\"; @tange119 said: \"Can't even begin to count how many times I had to do this with my son on my chest,\" ) but, this being social media, the singer came under fire from some corners. One comment said: “please don’t cook wearing the baby. I’ve read some really horrific stories about terrible accidents that have occurred doing this.\" Another: \"The better alternative, I suppose if you really must, would be wearing the baby on your back. Not directly facing the hot stove.”\u003c/p>\n\u003cp>Before the internet, these types of criticisms used to be confined to the realms of overzealous relatives and friends who \"knew better,\" but these days they are hard to escape. Celebrity parent-shaming has been a thing as long as tabloids have. Print media has a long history of analyzing post-baby bodies and gossiping about new moms, but those were weekly installments, not the around-the-clock critiques we get online.\u003c/p>\n\u003cp>Back in 2006, when Britney Spears was coming under fire because of the \u003ca href=\"http://abcnews.go.com/GMA/Entertainment/story?id=1971687&page=1\" target=\"_blank\" rel=\"noopener noreferrer\">position of her child's car seat\u003c/a>, it felt born out of a somewhat genuine public concern over her recent, very public nervous breakdown. In 2010, Angelina Jolie\u003ca href=\"http://www.hollywoodreporter.com/news/angelina-jolie-defends-daughters-self-25372\" target=\"_blank\" rel=\"noopener noreferrer\"> had to defend\u003c/a> the fact that her daughter Shiloh prefers to wear boys' clothes, but given the volume of conservative voices in this country, it wasn't terribly surprising.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Last year, mommy-shaming went into overdrive. Chrissy Teigen had to defend the fact that she \u003ca href=\"https://twitter.com/chrissyteigen/status/724290037290926080/photo/1?ref_src=twsrc%5Etfw&ref_url=http%3A%2F%2Fthestir.cafemom.com%2Fcelebrity_moms%2F199630%2F16_celebrities_the_internet_momshamed\" target=\"_blank\" rel=\"noopener noreferrer\">went out to dinner\u003c/a> a week and a half after giving birth. Just two months later, Teigen—probably on high-alert still—came to the aid of Kristin Cavallari when the ex-\u003cem>Laguna Beach\u003c/em> star was accused of essentially starving her own son. \"Kid looks like a skeleton....sad\" read one comment next to a perfectly nice family photo at the beach.\u003c/p>\n\u003cp>[aside postid='pop_109131']Many of the criticisms launched at famous moms say far more about the commenters' issues than the shamed celebrity's parenting skills. Last summer, mom-of-four Victoria Beckham was called \"disgusting\" for posting a photo of her giving her daughter a motherly \u003ca href=\"http://www.cnn.com/2016/07/14/health/victoria-beckham-kisses-daughter-on-lips/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">peck on the lips\u003c/a>, with the sweet tagline: \"kisses from mummy X.\"\u003c/p>\n\u003cp>Similarly, just last month, \u003ca href=\"http://www.theblaze.com/news/2017/06/08/critics-blast-jessica-simpson-over-this-public-photo-of-her-5-year-old-daughter/\" target=\"_blank\" rel=\"noopener noreferrer\">Jessica Simpson came under fire\u003c/a> for posting a perfectly innocent photo of her five-year-old daughter wearing a bikini. Simpson was criticized to such a degree about endangering her child (because: pedophilia), she eventually removed the pic. Kim Kardashian, on the other hand, doesn't even need to pose with her kids to get mommy-shamed—posing nude is enough, and it's not just the public that has chimed in. After Kardashian's internet-breaking \u003ca href=\"http://www.papermag.com/introducing-our-winter-cover-star-kim-kardashian-1427448936.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Paper\u003c/em>\u003c/a> photoshoot, Naya Rivera commented, \"You're someone's mother.\"\u003c/p>\n\u003cp>Not only are these types of criticisms monumentally unfair, they add to the insecurities felt by new mothers everywhere. The specific way in which celebrity moms are publicly criticized doesn't just offer a window into how all mothers, famous or not, are criticized in the midst of figuring out new parenting, it instills further fear that they must be doing everything wrong.\u003c/p>\n\u003cp>Mommy-shaming has been exacerbated by both social media and a relatively new kind of parenting industry. In the 1970s and '80s, the pressures on parents were different. New fathers were expected to provide financially; new mothers were expected, above all else, to put their own personalities and interests second to that of their children (to an even greater degree than is still expected today), but at least most of them weren't made to feel neglectful if their kids somehow gained access to \u003ca href=\"http://time.com/2914155/organic-food-children-health/\" target=\"_blank\" rel=\"noopener noreferrer\">non-organic food\u003c/a> or \u003ca href=\"http://www.comfykid.com/Organic-Baby-Clothes.htm\" target=\"_blank\" rel=\"noopener noreferrer\">toys and clothes\u003c/a> that weren't hypoallergenic.\u003c/p>\n\u003cp>Anyone who grew up in the 1970s and '80s will tell you that, for most people, it was the age of frozen convenience food, microwave dinners, playgrounds that were made of steel and concrete, and the kind of driving environment where neither carseats (nor even seatbelts) were required past the age of three. Moms drank alcohol and parents smoked with all the windows closed—and nobody batted an eyelid. What was considered good parenting in those decades would inspire online diatribes about neglect today.\u003c/p>\n\u003cp>2016's \u003cem>Bad Moms\u003c/em> movie (which has \u003ca href=\"http://www.imdb.com/title/tt6359956/?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener noreferrer\">a sequel\u003c/a> coming out this November) isn't actually about bad mothers. It's about amazing mothers who think they \"suck\" because they're late for stuff sometimes, get drunk now and again, and (*gasp*) give kids store-bought desserts. The movie is also careful to repeatedly emphasize that, despite all of their frustrations, these mothers also \"love being... mom[s].\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=iKCw-kqo3cs\u003c/p>\n\u003cp>\u003cem>Bad Moms\u003c/em> puts the bar for perfect mom-hood so high that the regular moms are supposed to be the \"bad\" ones. That's not helpful or fair to the everyday mothers watching, who may absorb, relate, and then identify as such.\u003c/p>\n\u003cp>[aside postid='arts_13874517']The most cursory of online searches reveals just how much moms beat themselves up over the smallest of infractions these days. There are currently \u003cspan class=\"_bkw5z\">108,698\u003c/span> Instagram posts tagged #badmoms (most have nothing to do with the movie) and \u003cspan class=\"_bkw5z\">26,385\u003c/span> Instagram posts tagged #badmommy (most not related to \u003ca href=\"https://www.amazon.com/Bad-Mommy-Tarryn-Fisher/dp/1541221435/ref=sr_1_1?ie=UTF8&qid=1500493258&sr=8-1&keywords=bad+mommy\" target=\"_blank\" rel=\"noopener noreferrer\">Tarryn Fisher's novel\u003c/a> of the same name). The majority of these posts merely show moms having their own lives (swimming, barbecuing, enjoying a glass of wine) and feeling kinda guilty about it.\u003c/p>\n\u003cp>While it is undoubtedly true that male parents also have more to worry about now than they used to (according to \u003ca href=\"http://www.cnn.com/2013/05/04/opinion/drexler-mothers-leaving/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">CNN\u003c/a>, \"the number of single fathers has [risen] from more than 600,000 in 1982 to more than 2 million in 2011\"), women in 2017 still take on the brunt of hands-on parent duties. According to \u003ca href=\"http://www.pewsocialtrends.org/2013/03/14/modern-parenthood-roles-of-moms-and-dads-converge-as-they-balance-work-and-family/\" target=\"_blank\" rel=\"noopener noreferrer\">2011 Pew Research figures\u003c/a>, moms spend, on average, twice as long taking care of the kids per week, than dads do. It follows then, that, as with the fashion, diet, and beauty industries before them, the relatively new perfect-parent industry relies on creating insecurities in women to make money.\u003c/p>\n\u003cp>It goes without saying that not getting drunk while pregnant and not smoking in rooms with small children are all positive steps forward in how American children are raised now. But most parents would be much happier if they didn't also have to wonder if they were neglecting their kids for not committing exclusively to a \"holistic education\" for their children, or a monthly bottle of \u003ca href=\"https://shop.goop.com/shop/products/chill-child-kid-calming-mist\" target=\"_blank\" rel=\"noopener noreferrer\">\"Kid Calming Mist\"\u003c/a> from Gwyneth Paltrow's Goop store.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The non-stop criticism of celebrity moms online is a both a snapshot of what our current culture tells all parents, and the thing that exacerbates it. There's nothing wrong with wanting the best for children and striving to keep them as safe as possible, but parenting, in the vast majority of cases, should be left up to the parents.\u003c/p>\n\n",
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"excerpt": "Exploring the unfair pressures (and profits) that have led to the ubiquity of the \"bad mom\" in America.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Earlier this week, \u003ca href=\"https://www.instagram.com/pink/\" target=\"_blank\" rel=\"noopener noreferrer\">Pink\u003c/a> posted a photo of her multi-tasking at home, cooking a meal with her 6-year-old daughter Willow and 7-month-old son Jameson. It was the kind of photo all parents can relate to—that ever-present need to take care of business while you're taking care of babies.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The vast majority of comments that followed were of support and empathy (@jmlopez22 noted: \"This is what real motherhood looks like. Good job!!\"; @tange119 said: \"Can't even begin to count how many times I had to do this with my son on my chest,\" ) but, this being social media, the singer came under fire from some corners. One comment said: “please don’t cook wearing the baby. I’ve read some really horrific stories about terrible accidents that have occurred doing this.\" Another: \"The better alternative, I suppose if you really must, would be wearing the baby on your back. Not directly facing the hot stove.”\u003c/p>\n\u003cp>Before the internet, these types of criticisms used to be confined to the realms of overzealous relatives and friends who \"knew better,\" but these days they are hard to escape. Celebrity parent-shaming has been a thing as long as tabloids have. Print media has a long history of analyzing post-baby bodies and gossiping about new moms, but those were weekly installments, not the around-the-clock critiques we get online.\u003c/p>\n\u003cp>Back in 2006, when Britney Spears was coming under fire because of the \u003ca href=\"http://abcnews.go.com/GMA/Entertainment/story?id=1971687&page=1\" target=\"_blank\" rel=\"noopener noreferrer\">position of her child's car seat\u003c/a>, it felt born out of a somewhat genuine public concern over her recent, very public nervous breakdown. In 2010, Angelina Jolie\u003ca href=\"http://www.hollywoodreporter.com/news/angelina-jolie-defends-daughters-self-25372\" target=\"_blank\" rel=\"noopener noreferrer\"> had to defend\u003c/a> the fact that her daughter Shiloh prefers to wear boys' clothes, but given the volume of conservative voices in this country, it wasn't terribly surprising.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Last year, mommy-shaming went into overdrive. Chrissy Teigen had to defend the fact that she \u003ca href=\"https://twitter.com/chrissyteigen/status/724290037290926080/photo/1?ref_src=twsrc%5Etfw&ref_url=http%3A%2F%2Fthestir.cafemom.com%2Fcelebrity_moms%2F199630%2F16_celebrities_the_internet_momshamed\" target=\"_blank\" rel=\"noopener noreferrer\">went out to dinner\u003c/a> a week and a half after giving birth. Just two months later, Teigen—probably on high-alert still—came to the aid of Kristin Cavallari when the ex-\u003cem>Laguna Beach\u003c/em> star was accused of essentially starving her own son. \"Kid looks like a skeleton....sad\" read one comment next to a perfectly nice family photo at the beach.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Many of the criticisms launched at famous moms say far more about the commenters' issues than the shamed celebrity's parenting skills. Last summer, mom-of-four Victoria Beckham was called \"disgusting\" for posting a photo of her giving her daughter a motherly \u003ca href=\"http://www.cnn.com/2016/07/14/health/victoria-beckham-kisses-daughter-on-lips/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">peck on the lips\u003c/a>, with the sweet tagline: \"kisses from mummy X.\"\u003c/p>\n\u003cp>Similarly, just last month, \u003ca href=\"http://www.theblaze.com/news/2017/06/08/critics-blast-jessica-simpson-over-this-public-photo-of-her-5-year-old-daughter/\" target=\"_blank\" rel=\"noopener noreferrer\">Jessica Simpson came under fire\u003c/a> for posting a perfectly innocent photo of her five-year-old daughter wearing a bikini. Simpson was criticized to such a degree about endangering her child (because: pedophilia), she eventually removed the pic. Kim Kardashian, on the other hand, doesn't even need to pose with her kids to get mommy-shamed—posing nude is enough, and it's not just the public that has chimed in. After Kardashian's internet-breaking \u003ca href=\"http://www.papermag.com/introducing-our-winter-cover-star-kim-kardashian-1427448936.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Paper\u003c/em>\u003c/a> photoshoot, Naya Rivera commented, \"You're someone's mother.\"\u003c/p>\n\u003cp>Not only are these types of criticisms monumentally unfair, they add to the insecurities felt by new mothers everywhere. The specific way in which celebrity moms are publicly criticized doesn't just offer a window into how all mothers, famous or not, are criticized in the midst of figuring out new parenting, it instills further fear that they must be doing everything wrong.\u003c/p>\n\u003cp>Mommy-shaming has been exacerbated by both social media and a relatively new kind of parenting industry. In the 1970s and '80s, the pressures on parents were different. New fathers were expected to provide financially; new mothers were expected, above all else, to put their own personalities and interests second to that of their children (to an even greater degree than is still expected today), but at least most of them weren't made to feel neglectful if their kids somehow gained access to \u003ca href=\"http://time.com/2914155/organic-food-children-health/\" target=\"_blank\" rel=\"noopener noreferrer\">non-organic food\u003c/a> or \u003ca href=\"http://www.comfykid.com/Organic-Baby-Clothes.htm\" target=\"_blank\" rel=\"noopener noreferrer\">toys and clothes\u003c/a> that weren't hypoallergenic.\u003c/p>\n\u003cp>Anyone who grew up in the 1970s and '80s will tell you that, for most people, it was the age of frozen convenience food, microwave dinners, playgrounds that were made of steel and concrete, and the kind of driving environment where neither carseats (nor even seatbelts) were required past the age of three. Moms drank alcohol and parents smoked with all the windows closed—and nobody batted an eyelid. What was considered good parenting in those decades would inspire online diatribes about neglect today.\u003c/p>\n\u003cp>2016's \u003cem>Bad Moms\u003c/em> movie (which has \u003ca href=\"http://www.imdb.com/title/tt6359956/?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener noreferrer\">a sequel\u003c/a> coming out this November) isn't actually about bad mothers. It's about amazing mothers who think they \"suck\" because they're late for stuff sometimes, get drunk now and again, and (*gasp*) give kids store-bought desserts. The movie is also careful to repeatedly emphasize that, despite all of their frustrations, these mothers also \"love being... mom[s].\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iKCw-kqo3cs'\n title='//www.youtube.com/embed/iKCw-kqo3cs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Bad Moms\u003c/em> puts the bar for perfect mom-hood so high that the regular moms are supposed to be the \"bad\" ones. That's not helpful or fair to the everyday mothers watching, who may absorb, relate, and then identify as such.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The most cursory of online searches reveals just how much moms beat themselves up over the smallest of infractions these days. There are currently \u003cspan class=\"_bkw5z\">108,698\u003c/span> Instagram posts tagged #badmoms (most have nothing to do with the movie) and \u003cspan class=\"_bkw5z\">26,385\u003c/span> Instagram posts tagged #badmommy (most not related to \u003ca href=\"https://www.amazon.com/Bad-Mommy-Tarryn-Fisher/dp/1541221435/ref=sr_1_1?ie=UTF8&qid=1500493258&sr=8-1&keywords=bad+mommy\" target=\"_blank\" rel=\"noopener noreferrer\">Tarryn Fisher's novel\u003c/a> of the same name). The majority of these posts merely show moms having their own lives (swimming, barbecuing, enjoying a glass of wine) and feeling kinda guilty about it.\u003c/p>\n\u003cp>While it is undoubtedly true that male parents also have more to worry about now than they used to (according to \u003ca href=\"http://www.cnn.com/2013/05/04/opinion/drexler-mothers-leaving/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">CNN\u003c/a>, \"the number of single fathers has [risen] from more than 600,000 in 1982 to more than 2 million in 2011\"), women in 2017 still take on the brunt of hands-on parent duties. According to \u003ca href=\"http://www.pewsocialtrends.org/2013/03/14/modern-parenthood-roles-of-moms-and-dads-converge-as-they-balance-work-and-family/\" target=\"_blank\" rel=\"noopener noreferrer\">2011 Pew Research figures\u003c/a>, moms spend, on average, twice as long taking care of the kids per week, than dads do. It follows then, that, as with the fashion, diet, and beauty industries before them, the relatively new perfect-parent industry relies on creating insecurities in women to make money.\u003c/p>\n\u003cp>It goes without saying that not getting drunk while pregnant and not smoking in rooms with small children are all positive steps forward in how American children are raised now. But most parents would be much happier if they didn't also have to wonder if they were neglecting their kids for not committing exclusively to a \"holistic education\" for their children, or a monthly bottle of \u003ca href=\"https://shop.goop.com/shop/products/chill-child-kid-calming-mist\" target=\"_blank\" rel=\"noopener noreferrer\">\"Kid Calming Mist\"\u003c/a> from Gwyneth Paltrow's Goop store.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The non-stop criticism of celebrity moms online is a both a snapshot of what our current culture tells all parents, and the thing that exacerbates it. There's nothing wrong with wanting the best for children and striving to keep them as safe as possible, but parenting, in the vast majority of cases, should be left up to the parents.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Bored? Sick? Gay? God? Why Did Justin Bieber Cancel His Tour?",
"title": "Bored? Sick? Gay? God? Why Did Justin Bieber Cancel His Tour?",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>This week, Justin Bieber unexpectedly canceled the rest of his Purpose Tour, with very little explanation. On Monday, a notice went up on the singer's \u003ca href=\"https://www.facebook.com/JustinBieber/posts/10155888091793888\">Facebook\u003c/a> page that read:\u003c/p>\n\u003cblockquote>\u003cp>\"Due to unforeseen circumstances, Justin Bieber will cancel the remainder of the Purpose World Tour concerts. Justin loves his fans and hates to disappoint them. He thanks his fans for the incredible experience of the Purpose World Tour over last 18 months. He is grateful and honored to have shared that experience with his cast and crew for over 150 successful shows across 6 continents during this run. However, after careful consideration he has decided he will not be performing any further dates. Tickets will be refunded at point of purchase.\"\u003c/p>\u003c/blockquote>\n\u003cp>For the agonizing hours that have since passed, fans on Twitter have been commiserating over their lost opportunity to see Biebs live and in the flesh. So what possible reason does JB have for canceling the final 14 dates, when he's already \u003ca href=\"https://en.wikipedia.org/wiki/Purpose_World_Tour#Shows\">completed 152\u003c/a>?\u003c/p>\n\u003cp>Let's explore possible reasons for Justin Bieber to bail so late in the game.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>1. Being Sick of His Own Damn Show\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=5jJ1Nongz9U\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A friend of mine, who used to sing in a relatively popular band, once explained to me why he quit his successful musical career for more conventional professional pursuits. \"Touring an album feels a bit silly after a while,\" he said. \"You take a year to make a record, then you go on tour with that record for another year. It feels like the equivalent of doing a painting, then traveling around just showing different audiences the painting every night. Almost immediately, you just want to go home and make another painting, but you can't because not everyone has seen the first one yet.\"\u003c/p>\n\u003cp>Justin Bieber has probably gone home because he's sick of the \u003cem>Purpose\u003c/em> painting. It is, after all, almost two years old at this point.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>2. Taking Care of His Mental Health\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_93849\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-93849\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/GettyImages-514592508-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-520x347.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Justin Bieber performs during opening night of the 'Purpose World Tour' at KeyArena on March 9, 2016 in Seattle, Washington. (Photo by Mat Hayward/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>From the get-go, \u003ca href=\"https://en.wikipedia.org/wiki/Purpose_World_Tour\">the Purpose World Tour\u003c/a> was going to be a grueling proposition. Being on tour isn't as glamorous as a lot of people think. It's a series of green rooms and buses and planes and hotel rooms and concrete corridors at faceless stadiums. And Justin Bieber has been living like that since March 2016. Wanna know how long ago that was? It was the same month \u003ca href=\"https://www.usnews.com/news/national-news/slideshows/top-news-stories-of-2016?slide=6\">the primaries happened\u003c/a>. Feels like a lifetime, right? Now imagine not being home for that entire time and imagine being trapped in all of those alien places because you're too famous to go outside. It \u003cem>would\u003c/em> kinda suck. Mental health is important, as is self-care. Do what you gotta do to stay well, Biebs.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>3. Being a Selfish, Lazy Oaf\u003c/strong>\u003c/p>\n\u003cp>https://twitter.com/xyanilovex/status/889734498652307456\u003c/p>\n\u003cp>You've got one job, Justin Bieber! Yes, it's a long tour, but think about Britney Spears, who has been doing the same show night-in, night-out since December 2013! By the time she's done, Brit will have been immersed in her Vegas residency for four entire years! And so far, she's managed to only cancel three shows -- due to an ankle sprain. Be professional, Justin; be like Britney. You only had two weeks left -- you should've done it for the kids. Surely the home stretch is the easiest one?\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>4. True Bromance\u003c/strong>\u003c/p>\n\u003cp>https://twitter.com/saucyrih/status/888535622440321024\u003c/p>\n\u003cp>Twitter has been all a-flutter since the news of the cancelation broke, speculating about whether or not Bieber's decision to quit the tour is related to the young man he's been seen out and about -- and really rather close -- with lately. Who is this mystery man? Stylist? Trainer? New BFF? New \u003cem>BF\u003c/em>? Everyone on Twitter (and their moms) seems to be hoping it's the latter...\u003c/p>\n\u003cp>\u003cstrong>5. He's Living for Jesus Now\u003c/strong>\u003c/p>\n\u003cp>https://www.instagram.com/p/BW5lCstjEr7/?taken-by=judahsmith\u003c/p>\n\u003cp>TMZ reports that Bieber quit the Purpose tour because he has decided to \u003ca href=\"http://www.tmz.com/2017/07/25/justin-bieber-canceled-tour-dedicated-religion-hillsong-church/\">\"rededicate his life to Christ.\"\u003c/a> \u003cem>The Mercury News\u003c/em> goes so far as to say the singer has quit to \u003ca href=\"http://www.mercurynews.com/2017/07/25/maybe-justin-bieber-wants-to-start-his-own-church-report-from-down-under-says/\">start his own church\u003c/a>, and some people on Twitter are saying he's going to \u003ca href=\"https://twitter.com/jessie_dee/status/889687893521780737\">become a pastor\u003c/a>. What's more? That hottie he's been cozying up with -- turns out his name is \u003ca href=\"https://www.instagram.com/carllentz/\">Carl Lentz\u003c/a> -- also appears to be \u003ca href=\"https://www.instagram.com/p/BVdysV6hWKS/?taken-by=carllentz\">a pastor\u003c/a>. Mutual friend \u003ca href=\"https://www.instagram.com/judahsmith/\">Judah Smith\u003c/a>, pastor of the City Church of Seattle, recently posted an Instagram pic of himself, Bieber, and Lentz on a golf course together, and later \u003ca href=\"https://www.instagram.com/p/BVZ1YvXDASh/?taken-by=judahsmith&hl=en\">praised Biebs\u003c/a> for \"fighting for [his] faith.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The plot thickens...\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week, Justin Bieber unexpectedly canceled the rest of his Purpose Tour, with very little explanation. On Monday, a notice went up on the singer's \u003ca href=\"https://www.facebook.com/JustinBieber/posts/10155888091793888\">Facebook\u003c/a> page that read:\u003c/p>\n\u003cblockquote>\u003cp>\"Due to unforeseen circumstances, Justin Bieber will cancel the remainder of the Purpose World Tour concerts. Justin loves his fans and hates to disappoint them. He thanks his fans for the incredible experience of the Purpose World Tour over last 18 months. He is grateful and honored to have shared that experience with his cast and crew for over 150 successful shows across 6 continents during this run. However, after careful consideration he has decided he will not be performing any further dates. Tickets will be refunded at point of purchase.\"\u003c/p>\u003c/blockquote>\n\u003cp>For the agonizing hours that have since passed, fans on Twitter have been commiserating over their lost opportunity to see Biebs live and in the flesh. So what possible reason does JB have for canceling the final 14 dates, when he's already \u003ca href=\"https://en.wikipedia.org/wiki/Purpose_World_Tour#Shows\">completed 152\u003c/a>?\u003c/p>\n\u003cp>Let's explore possible reasons for Justin Bieber to bail so late in the game.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>1. Being Sick of His Own Damn Show\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5jJ1Nongz9U'\n title='//www.youtube.com/embed/5jJ1Nongz9U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A friend of mine, who used to sing in a relatively popular band, once explained to me why he quit his successful musical career for more conventional professional pursuits. \"Touring an album feels a bit silly after a while,\" he said. \"You take a year to make a record, then you go on tour with that record for another year. It feels like the equivalent of doing a painting, then traveling around just showing different audiences the painting every night. Almost immediately, you just want to go home and make another painting, but you can't because not everyone has seen the first one yet.\"\u003c/p>\n\u003cp>Justin Bieber has probably gone home because he's sick of the \u003cem>Purpose\u003c/em> painting. It is, after all, almost two years old at this point.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>2. Taking Care of His Mental Health\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_93849\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-93849\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/GettyImages-514592508-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508-520x347.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/GettyImages-514592508.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Justin Bieber performs during opening night of the 'Purpose World Tour' at KeyArena on March 9, 2016 in Seattle, Washington. (Photo by Mat Hayward/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>From the get-go, \u003ca href=\"https://en.wikipedia.org/wiki/Purpose_World_Tour\">the Purpose World Tour\u003c/a> was going to be a grueling proposition. Being on tour isn't as glamorous as a lot of people think. It's a series of green rooms and buses and planes and hotel rooms and concrete corridors at faceless stadiums. And Justin Bieber has been living like that since March 2016. Wanna know how long ago that was? It was the same month \u003ca href=\"https://www.usnews.com/news/national-news/slideshows/top-news-stories-of-2016?slide=6\">the primaries happened\u003c/a>. Feels like a lifetime, right? Now imagine not being home for that entire time and imagine being trapped in all of those alien places because you're too famous to go outside. It \u003cem>would\u003c/em> kinda suck. Mental health is important, as is self-care. Do what you gotta do to stay well, Biebs.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>3. Being a Selfish, Lazy Oaf\u003c/strong>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>You've got one job, Justin Bieber! Yes, it's a long tour, but think about Britney Spears, who has been doing the same show night-in, night-out since December 2013! By the time she's done, Brit will have been immersed in her Vegas residency for four entire years! And so far, she's managed to only cancel three shows -- due to an ankle sprain. Be professional, Justin; be like Britney. You only had two weeks left -- you should've done it for the kids. Surely the home stretch is the easiest one?\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>4. True Bromance\u003c/strong>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Twitter has been all a-flutter since the news of the cancelation broke, speculating about whether or not Bieber's decision to quit the tour is related to the young man he's been seen out and about -- and really rather close -- with lately. Who is this mystery man? Stylist? Trainer? New BFF? New \u003cem>BF\u003c/em>? Everyone on Twitter (and their moms) seems to be hoping it's the latter...\u003c/p>\n\u003cp>\u003cstrong>5. He's Living for Jesus Now\u003c/strong>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>TMZ reports that Bieber quit the Purpose tour because he has decided to \u003ca href=\"http://www.tmz.com/2017/07/25/justin-bieber-canceled-tour-dedicated-religion-hillsong-church/\">\"rededicate his life to Christ.\"\u003c/a> \u003cem>The Mercury News\u003c/em> goes so far as to say the singer has quit to \u003ca href=\"http://www.mercurynews.com/2017/07/25/maybe-justin-bieber-wants-to-start-his-own-church-report-from-down-under-says/\">start his own church\u003c/a>, and some people on Twitter are saying he's going to \u003ca href=\"https://twitter.com/jessie_dee/status/889687893521780737\">become a pastor\u003c/a>. What's more? That hottie he's been cozying up with -- turns out his name is \u003ca href=\"https://www.instagram.com/carllentz/\">Carl Lentz\u003c/a> -- also appears to be \u003ca href=\"https://www.instagram.com/p/BVdysV6hWKS/?taken-by=carllentz\">a pastor\u003c/a>. Mutual friend \u003ca href=\"https://www.instagram.com/judahsmith/\">Judah Smith\u003c/a>, pastor of the City Church of Seattle, recently posted an Instagram pic of himself, Bieber, and Lentz on a golf course together, and later \u003ca href=\"https://www.instagram.com/p/BVZ1YvXDASh/?taken-by=judahsmith&hl=en\">praised Biebs\u003c/a> for \"fighting for [his] faith.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The plot thickens...\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Exploring the Wickedly Weird (But Surprisingly Kind) World of Yahoo! Answers",
"title": "Exploring the Wickedly Weird (But Surprisingly Kind) World of Yahoo! Answers",
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"content": "\u003cp>You've probably already seen the brilliant compilations of all the horrendous spelling and grammar atrocities that litter Yahoo! Answers. In case you haven't, this one is a good place to start (please put the sound on; the voiceover guy is a bonafide reading genius):\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=EShUeudtaFg\u003c/p>\n\u003cp>While tear-inducingly hilarious, the work of \u003ca href=\"https://www.youtube.com/channel/UC6sRD42pb43-BcuTCa_X9-Q\">J.T. Sexkik\u003c/a>'s YouTube channel merely scratches the surface of what is truly one of the most entertaining, underrated, and surprisingly gentle places online: \u003ca href=\"https://answers.yahoo.com/\">Yahoo! Answers\u003c/a>.\u003c/p>\n\u003cp>This odd little corner of the web is truly a place where the tragedy and comedy of life can play out in the most surprising (and frequently hilarious) ways. If you want to find out about humanity's deepest, darkest secrets -- our fears, our loves, our paranoias, our desires -- Yahoo! Answers is positively Shakespearean in its scope. It's also frequented by an awful lot of people who appear to be in the midst of existential crises.\u003c/p>\n\u003cp>\u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXoCB.anZZDxEAmxBPmolQ;_ylu=X3oDMTEybXNoODNyBGNvbG8DZ3ExBHBvcwMxBHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20070409232622AApPy7e\">\"Is Jesus Alive?\"\u003c/a> has garnered 37 answers so far, that range from devout confirmations, passages of bible scripture, historical analysis of non-biblical texts, and, brilliantly, some guy who says: \"Sorry, he's long dead; you missed him by almost 2000 years. But there are still a lot of people worth knowing who are alive today.\" Thanks for the positive spin, eldad9!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Then there's the question of \u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXoCBqcHZZBkAAfCFPmolQ;_ylu=X3oDMTEybXNoODNyBGNvbG8DZ3ExBHBvcwMxBHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20070514051635AADid7O\">\"Where is the devil?\"\u003c/a> Depending on who you listen to in the thread that follows, Satan is either \"inside all of us,\" \"right here on Earth,\" \"on the news,\" \"1600 Pennsylvania Avenue,\" \"in man's imagination,\" \"in hell,\" and (compellingly, two separate people offer this answer) \"Rome.\"\u003c/p>\n\u003cp>\u003ca href=\"https://answers.yahoo.com/question/index?qid=20071218123856AA3yIbd\">\"Are Ghosts Real....?\"\u003c/a> receives answers that cover everything from spiritism, demons, electromagnetic power, \"people's imaginations,\" \"Pareidolia,\" poltergeists, and, wonderfully, an interjection noting that \"the words 'ghost' and 'guest' derive from the same original word.\" Who knew?\u003c/p>\n\u003cp>In addition to answering life's most compelling questions, Yahoo! Answers offers an insight into other humans you simply don't find anywhere else. One of the greatest-ever entries asks \u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXnCJ44HZZ018AwjNPmolQ;_ylu=X3oDMTEybXNoODNyBGNvbG8DZ3ExBHBvcwMxBHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20090725181636AAFcmUA\">\"Do I have a stigmatic twin?\"\u003c/a> The individual asking the question goes into great detail, trying to explain why they suspect a long lost twin might be lurking somewhere.\u003c/p>\n\u003cblockquote>\u003cp>\"twins can sense if something is wrong with each other, but lately ive been really itchy all the time, i usually get bruises that come out of know where and sometimes my side just has a really dull pain in it. i never really asked if i had a twin... or im just going paranoid. this one time a while back, i had a sharp kinda pain in my ear and i don't have an ear infection or anything but it was like i got my cartilage pierced or something. ...im really freaked out. and i swear sometimes that someone says my name and no one says it at all...i have even looked at the family tree and stuff and i didn't find anything...please help.\"\u003c/p>\u003c/blockquote>\n\u003cp>The user gets several responses that delicately reassure them that the likelihood of a long lost twin is unlikely.\u003c/p>\n\u003cp>The insight Yahoo! Answers gives us into humanity's capacity for (ir)rationality, as well as patience, is astounding. When one user asks: \"\u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXgiP5e3ZZ_DIANSBPmolQ;_ylu=X3oDMTEybXNoODNyBGNvbG8DZ3ExBHBvcwMxBHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20100331204121AARfQRL\">Am i reincarnated?\u003c/a> I asked this... because when I was a little kid, I started to use a bo (martial art weapon... nobody ever thought me to use), and I can eat with chopsticks (nobody thought me how to eat with chopsticks),\" they are -- like the suspected stigmatic twin -- not greeted with mockery. In fact, the \"best answer\" under the reincarnation question features the phrase: \"in my opinion, the attraction to those things may be indicative of past life attachments.\"\u003c/p>\n\u003cp>In a world where we routinely tell each other not to read the comments, Yahoo! Answers is an incredibly caring place. For every stupid question that makes you wonder what the hell is wrong with people (\u003ca href=\"http://2.media.collegehumor.cvcdn.com/99/60/9cc2f015e528f31d2e2f25944f43bfe1.jpg\">\"Did I turn my boyfriend into a vampire?,\"\u003c/a> anyone?), there is someone reaching out and trying to help, thereby immediately restoring your faith in humanity.\u003c/p>\n\u003cp>A lot of the questions on this website are so irrational and obvious, they don't even require more than a simple yes or no response.\u003c/p>\n\u003cp>\u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXgyJZbHZZcAsAnyZPmolQ;_ylu=X3oDMTEyMWRmM3VqBGNvbG8DZ3ExBHBvcwM2BHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20100327105616AAmNQg6\">\"Has anyone been deathly ill before?\"\u003c/a> Yes!\u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXgiMJbnZZ3WoAYAdPmolQ;_ylu=X3oDMTEya3Zpc2tkBGNvbG8DZ3ExBHBvcwMyBHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20080210115656AAiI7fT\">\u003cbr>\n\u003c/a>\u003ca href=\"https://answers.yahoo.com/question/index?qid=20080210115656AAiI7fT\">\"will i die if i ate expiry dated balsamic vinegar?\"\u003c/a> No!\u003cbr>\n\u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXnCF.bnZZ1RwAAHFPmolQ;_ylu=X3oDMTEzZTFjN3RkBGNvbG8DZ3ExBHBvcwMxMAR2dGlkA0IyNTU5XzEEc2VjA3Ny?qid=20081120223342AAx7K0P\">\"Will my step child grow up to enjoy real food?\"\u003c/a> Yes!\u003c/p>\n\u003cp>And yet, time and again, people answer with in-depth, serious responses that earnestly try to be of service. This even occurs when people ask questions that are impossible to answer without knowing the people involved -- \u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXnCDkfHZZK1wAuXZPmolQ;_ylu=X3oDMTEyaXF2Z2QwBGNvbG8DZ3ExBHBvcwM0BHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20101105201614AAn3LKC\">\"Why is my cousin mean to me?\"\u003c/a> and \u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXnCakfXZZiUEAnhFPmolQ;_ylu=X3oDMTEyMWJvMmU0BGNvbG8DZ3ExBHBvcwMzBHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20160511002959AARfj7B\">\"Why did my boyfriend leave me?\"\u003c/a> being excellent examples.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the end, any real exploration of Yahoo! Answers is not only an addictive time-suck, it's an emotional rollercoaster. And while elements of it will always be difficult not to make fun of, this public forum acts as a snapshot of humanity's greatest fears and concerns, as well as its finest altruistic attributes. And, if you can get past the frequent flagrant disregard for spelling and grammar, it's a surprisingly nice place to hang out.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>You've probably already seen the brilliant compilations of all the horrendous spelling and grammar atrocities that litter Yahoo! Answers. In case you haven't, this one is a good place to start (please put the sound on; the voiceover guy is a bonafide reading genius):\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EShUeudtaFg'\n title='//www.youtube.com/embed/EShUeudtaFg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>While tear-inducingly hilarious, the work of \u003ca href=\"https://www.youtube.com/channel/UC6sRD42pb43-BcuTCa_X9-Q\">J.T. Sexkik\u003c/a>'s YouTube channel merely scratches the surface of what is truly one of the most entertaining, underrated, and surprisingly gentle places online: \u003ca href=\"https://answers.yahoo.com/\">Yahoo! Answers\u003c/a>.\u003c/p>\n\u003cp>This odd little corner of the web is truly a place where the tragedy and comedy of life can play out in the most surprising (and frequently hilarious) ways. If you want to find out about humanity's deepest, darkest secrets -- our fears, our loves, our paranoias, our desires -- Yahoo! Answers is positively Shakespearean in its scope. It's also frequented by an awful lot of people who appear to be in the midst of existential crises.\u003c/p>\n\u003cp>\u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXoCB.anZZDxEAmxBPmolQ;_ylu=X3oDMTEybXNoODNyBGNvbG8DZ3ExBHBvcwMxBHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20070409232622AApPy7e\">\"Is Jesus Alive?\"\u003c/a> has garnered 37 answers so far, that range from devout confirmations, passages of bible scripture, historical analysis of non-biblical texts, and, brilliantly, some guy who says: \"Sorry, he's long dead; you missed him by almost 2000 years. But there are still a lot of people worth knowing who are alive today.\" Thanks for the positive spin, eldad9!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Then there's the question of \u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXoCBqcHZZBkAAfCFPmolQ;_ylu=X3oDMTEybXNoODNyBGNvbG8DZ3ExBHBvcwMxBHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20070514051635AADid7O\">\"Where is the devil?\"\u003c/a> Depending on who you listen to in the thread that follows, Satan is either \"inside all of us,\" \"right here on Earth,\" \"on the news,\" \"1600 Pennsylvania Avenue,\" \"in man's imagination,\" \"in hell,\" and (compellingly, two separate people offer this answer) \"Rome.\"\u003c/p>\n\u003cp>\u003ca href=\"https://answers.yahoo.com/question/index?qid=20071218123856AA3yIbd\">\"Are Ghosts Real....?\"\u003c/a> receives answers that cover everything from spiritism, demons, electromagnetic power, \"people's imaginations,\" \"Pareidolia,\" poltergeists, and, wonderfully, an interjection noting that \"the words 'ghost' and 'guest' derive from the same original word.\" Who knew?\u003c/p>\n\u003cp>In addition to answering life's most compelling questions, Yahoo! Answers offers an insight into other humans you simply don't find anywhere else. One of the greatest-ever entries asks \u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXnCJ44HZZ018AwjNPmolQ;_ylu=X3oDMTEybXNoODNyBGNvbG8DZ3ExBHBvcwMxBHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20090725181636AAFcmUA\">\"Do I have a stigmatic twin?\"\u003c/a> The individual asking the question goes into great detail, trying to explain why they suspect a long lost twin might be lurking somewhere.\u003c/p>\n\u003cblockquote>\u003cp>\"twins can sense if something is wrong with each other, but lately ive been really itchy all the time, i usually get bruises that come out of know where and sometimes my side just has a really dull pain in it. i never really asked if i had a twin... or im just going paranoid. this one time a while back, i had a sharp kinda pain in my ear and i don't have an ear infection or anything but it was like i got my cartilage pierced or something. ...im really freaked out. and i swear sometimes that someone says my name and no one says it at all...i have even looked at the family tree and stuff and i didn't find anything...please help.\"\u003c/p>\u003c/blockquote>\n\u003cp>The user gets several responses that delicately reassure them that the likelihood of a long lost twin is unlikely.\u003c/p>\n\u003cp>The insight Yahoo! Answers gives us into humanity's capacity for (ir)rationality, as well as patience, is astounding. When one user asks: \"\u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXgiP5e3ZZ_DIANSBPmolQ;_ylu=X3oDMTEybXNoODNyBGNvbG8DZ3ExBHBvcwMxBHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20100331204121AARfQRL\">Am i reincarnated?\u003c/a> I asked this... because when I was a little kid, I started to use a bo (martial art weapon... nobody ever thought me to use), and I can eat with chopsticks (nobody thought me how to eat with chopsticks),\" they are -- like the suspected stigmatic twin -- not greeted with mockery. In fact, the \"best answer\" under the reincarnation question features the phrase: \"in my opinion, the attraction to those things may be indicative of past life attachments.\"\u003c/p>\n\u003cp>In a world where we routinely tell each other not to read the comments, Yahoo! Answers is an incredibly caring place. For every stupid question that makes you wonder what the hell is wrong with people (\u003ca href=\"http://2.media.collegehumor.cvcdn.com/99/60/9cc2f015e528f31d2e2f25944f43bfe1.jpg\">\"Did I turn my boyfriend into a vampire?,\"\u003c/a> anyone?), there is someone reaching out and trying to help, thereby immediately restoring your faith in humanity.\u003c/p>\n\u003cp>A lot of the questions on this website are so irrational and obvious, they don't even require more than a simple yes or no response.\u003c/p>\n\u003cp>\u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXgyJZbHZZcAsAnyZPmolQ;_ylu=X3oDMTEyMWRmM3VqBGNvbG8DZ3ExBHBvcwM2BHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20100327105616AAmNQg6\">\"Has anyone been deathly ill before?\"\u003c/a> Yes!\u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXgiMJbnZZ3WoAYAdPmolQ;_ylu=X3oDMTEya3Zpc2tkBGNvbG8DZ3ExBHBvcwMyBHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20080210115656AAiI7fT\">\u003cbr>\n\u003c/a>\u003ca href=\"https://answers.yahoo.com/question/index?qid=20080210115656AAiI7fT\">\"will i die if i ate expiry dated balsamic vinegar?\"\u003c/a> No!\u003cbr>\n\u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXnCF.bnZZ1RwAAHFPmolQ;_ylu=X3oDMTEzZTFjN3RkBGNvbG8DZ3ExBHBvcwMxMAR2dGlkA0IyNTU5XzEEc2VjA3Ny?qid=20081120223342AAx7K0P\">\"Will my step child grow up to enjoy real food?\"\u003c/a> Yes!\u003c/p>\n\u003cp>And yet, time and again, people answer with in-depth, serious responses that earnestly try to be of service. This even occurs when people ask questions that are impossible to answer without knowing the people involved -- \u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXnCDkfHZZK1wAuXZPmolQ;_ylu=X3oDMTEyaXF2Z2QwBGNvbG8DZ3ExBHBvcwM0BHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20101105201614AAn3LKC\">\"Why is my cousin mean to me?\"\u003c/a> and \u003ca href=\"https://answers.yahoo.com/question/index;_ylt=AwrXnCakfXZZiUEAnhFPmolQ;_ylu=X3oDMTEyMWJvMmU0BGNvbG8DZ3ExBHBvcwMzBHZ0aWQDQjI1NTlfMQRzZWMDc3I-?qid=20160511002959AARfj7B\">\"Why did my boyfriend leave me?\"\u003c/a> being excellent examples.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the end, any real exploration of Yahoo! Answers is not only an addictive time-suck, it's an emotional rollercoaster. And while elements of it will always be difficult not to make fun of, this public forum acts as a snapshot of humanity's greatest fears and concerns, as well as its finest altruistic attributes. And, if you can get past the frequent flagrant disregard for spelling and grammar, it's a surprisingly nice place to hang out.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "The Next 'Game of Thrones' Could Be Set In Post-Apocalyptic Africa",
"title": "The Next 'Game of Thrones' Could Be Set In Post-Apocalyptic Africa",
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"content": "\u003cp>The next \u003cem>Game of Thrones\u003c/em> could be a sci-fi epic set in Africa.\u003c/p>\n\u003cp>On Monday, Nigerian-American author Nnedi Okorafor posted an announcement on her Facebook page:\u003c/p>\n\u003cblockquote>\u003cp>\"I'm finally free to announce this: My World Fantasy Award winning novel WHO FEARS DEATH has been optioned by HBO and is now in early development as a TV series with George R. R. Martin as executive producer. Note: This did not happen overnight. It's been nearly 4 years coming.\"\u003c/p>\u003c/blockquote>\n\u003cp>Martin is, of course, the author of the novels that became the HBO smash hit \u003cem>Game of Thrones\u003c/em> and also serves as a co-executive producer of the series.\u003c/p>\n\u003cp>The news is a major win not just for Okorafor but for African fiction and representation of African issues on television. To understand why, it's important to understand the themes Okorafor explores in her work.\u003c/p>\n\u003cp>Getting to know the author is the first step in understanding her work. Born in America and the daughter of Nigerian immigrants, \u003ca href=\"http://nnedi.com/\">Nnedi Okorafor\u003c/a> grew up in Illinois. She was a star tennis player until she was diagnosed with scoliosis. It was during her recovery from surgery that Okorafor turned to writing. Her first published novels were young adult books set in West Africa, mainly in Nigeria. \u003cem>Who Fears Death \u003c/em>is her first adult novel.\u003c/p>\n\u003cfigure id=\"attachment_93822\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-93822 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-800x1067.jpg\" alt=\"\" width=\"800\" height=\"1067\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-768x1025.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-1020x1361.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-1180x1574.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-960x1281.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-240x320.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-375x500.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-520x694.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0.jpg 1874w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nnedi Okorafor is the author of the sci-fi novel Who Fears Death, which has been optioned by HBO.\u003cbr> Jim Hines/Flickr\u003c/figcaption>\u003c/figure>\n\u003cp>A professor of English at the University at Buffalo, The State University of New York, Okorafor has written several other books, including the Hugo and Nebula award-winning \u003ca href=\"https://www.amazon.com/Binti-Nnedi-Okorafor/dp/0765385252/ref=sr_1_2?s=books&ie=UTF8&qid=1500667627&sr=1-2&keywords=binti+nnedi\">Binti\u003c/a>. Her main characters are usually young black African women who want to shape their own destiny but first must overcome present circumstances (going against their parents' wishes, leaving abusive relationships or coming to terms with being an unwanted outsider in a community). She contributed a short story to \u003ca href=\"http://www.starwars.com/news/star-wars-from-a-certain-point-of-view-anthology-book-celebrates-40-years-of-a-galaxy-far-far-away\">Star Wars: From A Certain Point Of View\u003c/a>, an anthology set in the Star Wars universe, due for release in October and was part of a panel discussion on Wonder Woman's \"Sister Protagonists\" at this year's San Diego Comic-Con.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>What makes \u003ca href=\"https://www.amazon.com/Fears-Okorafor-18-Mar-2014-Market-Paperback/dp/B011T7CQCC/ref=pd_lpo_sbs_14_t_0?_encoding=UTF8&psc=1&refRID=9D01QZQCC2NNJPMB51P5\">Who Fears Death\u003c/a> the right fit for television? Like \u003cem>Game of Thrones\u003c/em>, it is a great blend of fantasy, magic and suspense. First published in 2010, the 304-page book is a perfect example of the way African science fiction critiques real-life, modern-day Africa. The book is set in a post-apocalyptic Sudan plagued by civil war. The light-skinned Nuru tribe enslaves and wants to exterminate the Okere tribe. Whole villages are burnt and plundered; the dark-skinned Okere women are raped by the Nuru. The novel's protagonist, Onyesonwu, was born from such a rape. Onyesonwu has magical powers, making her a threat to the Nuru and especially to her sorcerer father, Daib. Ultimately, she must overcome her fears and defeat him. In fact, the meaning of Onyesonwu's name is \"who fears death,\" given to her by her mother, in an African language invented for the book.\u003c/p>\n\u003cp>While the book has the same fantastical elements that make \u003cem>Game of Thrones\u003c/em> so popular, it is grounded in current African affairs. The cycle of armed conflict between tribes in Africa is not an invention of science fiction. Okorafor wrote that she gained inspiration for the plot from a \u003cem>Washington Post\u003c/em> article about the children born from sexual violence in Congo and Sudan during their civil wars. Their existence serves as proof of a heinous crime that no one talks about.\u003c/p>\n\u003cp>As Okorafor writes in the book:\u003c/p>\n\u003cblockquote>\u003cp>\"To be something abnormal meant that you were to serve the normal. And if you refused, they hated you ... and often the normal hated you even when you did serve them.\"\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_93821\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-93821\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-800x1201.jpg\" alt=\"\" width=\"800\" height=\"1201\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-800x1201.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-768x1153.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-1020x1532.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-1180x1772.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-960x1442.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-240x360.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-375x563.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-520x781.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3.jpg 1798w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Penguin Random House\u003c/figcaption>\u003c/figure>\n\u003cp>The practice of female genital mutilation is part of the story. Onyesonwu undergoes FGM and her powers are severely impaired. Steven Barnes, an African-American science fiction writer, criticized this element in the book. In a review for \u003cem>American Book Review, \u003c/em>he said Okorafor made traditional African culture look bad and should have used her book to celebrate the good aspects of the culture. Okorafor responded:\u003c/p>\n\u003cblockquote>\u003cp>\"Culture is alive and it is fluid. It is not made of stone nor is it absolute. Just because I believe that aspects of my culture are problematic does not mean I am 'betraying' my people by pointing out those problems.\"\u003c/p>\u003c/blockquote>\n\u003cp>Okorafor is confident that the TV adaptation of her book, if it happens, will remain true to her vision. In a post on her Facebook page, she explains why having Martin as a producer is a bonus:\u003c/p>\n\u003cblockquote>\u003cp>\"I think I need to say this because I see a lot of people saying weird things: They didn't just choose George R.R. Martin strictly because he's a big name and he's already with HBO and he didn't just agree to executive produce because of all these bs reasons people are making up.\u003c/p>\n\u003cp>I've known George for over three years now. Since BEFORE all this with. He's been a sort of mentor to me since the day I [met] him. We've had long phone conversations about writing, Hollywood, teaching, academia, juggling it all. If I had questions, I could just call him up and ask and I have. We are well met. This isn't just a project throwing my book into George's hands just because. He-knows-me.\u003c/p>\n\u003cp>And note: George is a really cool and wonderful person.\"\u003c/p>\u003c/blockquote>\n\u003cp>The edginess to her writing is also apparent in her social media. When a tweet showed the book jacket without her name, Okorafor was quick to let everyone know that while Martin was helping bring \u003cem>Who Fears Death\u003c/em> to television, no one should forget the writer behind the book.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Mako Muzenda is a freelance journalist and blogger. She's from Zimbabwe and is now studying in South Africa at Rhodes University. Reach her\u003c/em>\u003cem> \u003ca href=\"https://twitter.com/mgmuzenda\">@MGMuzenda\u003c/a>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+Next+%27Game+of+Thrones%27+Could+Be+Set+In+Post-Apocalyptic+Africa&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The next \u003cem>Game of Thrones\u003c/em> could be a sci-fi epic set in Africa.\u003c/p>\n\u003cp>On Monday, Nigerian-American author Nnedi Okorafor posted an announcement on her Facebook page:\u003c/p>\n\u003cblockquote>\u003cp>\"I'm finally free to announce this: My World Fantasy Award winning novel WHO FEARS DEATH has been optioned by HBO and is now in early development as a TV series with George R. R. Martin as executive producer. Note: This did not happen overnight. It's been nearly 4 years coming.\"\u003c/p>\u003c/blockquote>\n\u003cp>Martin is, of course, the author of the novels that became the HBO smash hit \u003cem>Game of Thrones\u003c/em> and also serves as a co-executive producer of the series.\u003c/p>\n\u003cp>The news is a major win not just for Okorafor but for African fiction and representation of African issues on television. To understand why, it's important to understand the themes Okorafor explores in her work.\u003c/p>\n\u003cp>Getting to know the author is the first step in understanding her work. Born in America and the daughter of Nigerian immigrants, \u003ca href=\"http://nnedi.com/\">Nnedi Okorafor\u003c/a> grew up in Illinois. She was a star tennis player until she was diagnosed with scoliosis. It was during her recovery from surgery that Okorafor turned to writing. Her first published novels were young adult books set in West Africa, mainly in Nigeria. \u003cem>Who Fears Death \u003c/em>is her first adult novel.\u003c/p>\n\u003cfigure id=\"attachment_93822\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-93822 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-800x1067.jpg\" alt=\"\" width=\"800\" height=\"1067\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-768x1025.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-1020x1361.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-1180x1574.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-960x1281.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-240x320.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-375x500.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0-520x694.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/14517382789_3cf6b76f40_o_vert-ec94021a0078ca2c972d4f9a17a0a0e4ebf079e0.jpg 1874w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nnedi Okorafor is the author of the sci-fi novel Who Fears Death, which has been optioned by HBO.\u003cbr> Jim Hines/Flickr\u003c/figcaption>\u003c/figure>\n\u003cp>A professor of English at the University at Buffalo, The State University of New York, Okorafor has written several other books, including the Hugo and Nebula award-winning \u003ca href=\"https://www.amazon.com/Binti-Nnedi-Okorafor/dp/0765385252/ref=sr_1_2?s=books&ie=UTF8&qid=1500667627&sr=1-2&keywords=binti+nnedi\">Binti\u003c/a>. Her main characters are usually young black African women who want to shape their own destiny but first must overcome present circumstances (going against their parents' wishes, leaving abusive relationships or coming to terms with being an unwanted outsider in a community). She contributed a short story to \u003ca href=\"http://www.starwars.com/news/star-wars-from-a-certain-point-of-view-anthology-book-celebrates-40-years-of-a-galaxy-far-far-away\">Star Wars: From A Certain Point Of View\u003c/a>, an anthology set in the Star Wars universe, due for release in October and was part of a panel discussion on Wonder Woman's \"Sister Protagonists\" at this year's San Diego Comic-Con.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>What makes \u003ca href=\"https://www.amazon.com/Fears-Okorafor-18-Mar-2014-Market-Paperback/dp/B011T7CQCC/ref=pd_lpo_sbs_14_t_0?_encoding=UTF8&psc=1&refRID=9D01QZQCC2NNJPMB51P5\">Who Fears Death\u003c/a> the right fit for television? Like \u003cem>Game of Thrones\u003c/em>, it is a great blend of fantasy, magic and suspense. First published in 2010, the 304-page book is a perfect example of the way African science fiction critiques real-life, modern-day Africa. The book is set in a post-apocalyptic Sudan plagued by civil war. The light-skinned Nuru tribe enslaves and wants to exterminate the Okere tribe. Whole villages are burnt and plundered; the dark-skinned Okere women are raped by the Nuru. The novel's protagonist, Onyesonwu, was born from such a rape. Onyesonwu has magical powers, making her a threat to the Nuru and especially to her sorcerer father, Daib. Ultimately, she must overcome her fears and defeat him. In fact, the meaning of Onyesonwu's name is \"who fears death,\" given to her by her mother, in an African language invented for the book.\u003c/p>\n\u003cp>While the book has the same fantastical elements that make \u003cem>Game of Thrones\u003c/em> so popular, it is grounded in current African affairs. The cycle of armed conflict between tribes in Africa is not an invention of science fiction. Okorafor wrote that she gained inspiration for the plot from a \u003cem>Washington Post\u003c/em> article about the children born from sexual violence in Congo and Sudan during their civil wars. Their existence serves as proof of a heinous crime that no one talks about.\u003c/p>\n\u003cp>As Okorafor writes in the book:\u003c/p>\n\u003cblockquote>\u003cp>\"To be something abnormal meant that you were to serve the normal. And if you refused, they hated you ... and often the normal hated you even when you did serve them.\"\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_93821\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-93821\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-800x1201.jpg\" alt=\"\" width=\"800\" height=\"1201\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-800x1201.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-768x1153.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-1020x1532.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-1180x1772.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-960x1442.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-240x360.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-375x563.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3-520x781.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/9780756407285_custom-7db5d141e15876388b9753aa2f0e9898c51f7da3.jpg 1798w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Penguin Random House\u003c/figcaption>\u003c/figure>\n\u003cp>The practice of female genital mutilation is part of the story. Onyesonwu undergoes FGM and her powers are severely impaired. Steven Barnes, an African-American science fiction writer, criticized this element in the book. In a review for \u003cem>American Book Review, \u003c/em>he said Okorafor made traditional African culture look bad and should have used her book to celebrate the good aspects of the culture. Okorafor responded:\u003c/p>\n\u003cblockquote>\u003cp>\"Culture is alive and it is fluid. It is not made of stone nor is it absolute. Just because I believe that aspects of my culture are problematic does not mean I am 'betraying' my people by pointing out those problems.\"\u003c/p>\u003c/blockquote>\n\u003cp>Okorafor is confident that the TV adaptation of her book, if it happens, will remain true to her vision. In a post on her Facebook page, she explains why having Martin as a producer is a bonus:\u003c/p>\n\u003cblockquote>\u003cp>\"I think I need to say this because I see a lot of people saying weird things: They didn't just choose George R.R. Martin strictly because he's a big name and he's already with HBO and he didn't just agree to executive produce because of all these bs reasons people are making up.\u003c/p>\n\u003cp>I've known George for over three years now. Since BEFORE all this with. He's been a sort of mentor to me since the day I [met] him. We've had long phone conversations about writing, Hollywood, teaching, academia, juggling it all. If I had questions, I could just call him up and ask and I have. We are well met. This isn't just a project throwing my book into George's hands just because. He-knows-me.\u003c/p>\n\u003cp>And note: George is a really cool and wonderful person.\"\u003c/p>\u003c/blockquote>\n\u003cp>The edginess to her writing is also apparent in her social media. When a tweet showed the book jacket without her name, Okorafor was quick to let everyone know that while Martin was helping bring \u003cem>Who Fears Death\u003c/em> to television, no one should forget the writer behind the book.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Mako Muzenda is a freelance journalist and blogger. She's from Zimbabwe and is now studying in South Africa at Rhodes University. Reach her\u003c/em>\u003cem> \u003ca href=\"https://twitter.com/mgmuzenda\">@MGMuzenda\u003c/a>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+Next+%27Game+of+Thrones%27+Could+Be+Set+In+Post-Apocalyptic+Africa&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Our Long History of Absurd Shark Content, from Left Shark to Michael Phelps Racing One",
"title": "Our Long History of Absurd Shark Content, from Left Shark to Michael Phelps Racing One",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>There's no subtle way to talk about the fact that Michael Phelps raced a shark on Sunday. (Who knew that winning 23 Olympic gold medals could end in... this?)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=nR6Z_9YUvss\u003c/p>\n\u003cp>If you're wondering what happened, Phelps did not swim side-by-side with a shark, or \u003ca href=\"http://media.ufc.tv/photo_galleries/122_weighin/122_weighin-07_UFC122_Soszynski_v_Reljic.jpg\">face off\u003c/a> beforehand, à la UFC matches. In the end (spoiler alert!), even with the aid of something called a \"monofin,\" Phelps lost to both the hammerhead and great white sharks. In your face, mankind!\u003c/p>\n\u003cp>The Discovery Channel's annual \u003ca href=\"https://www.discovery.com/tv-shows/shark-week/\">\u003cem>Shark Week\u003c/em>\u003c/a> is, of course, a law unto itself at this point. But fewer species have suffered the sheer number of humiliations in the name of popular culture as the shark.\u003c/p>\n\u003cp>It can all be traced back to that infamous 1977 episode of \u003ca href=\"https://en.wikipedia.org/wiki/Happy_Days\">\u003cem>Happy Days\u003c/em>\u003c/a> in which Fonzie, propelled by Richie Cunningham in a speed boat, did a waterski jump over a shark because: ratings desperation. This is where the term \"jumping the shark\" comes from -- a phrase that has come to signify the ultimate in pushing a TV show into a ridiculous premise, in the hopes of keeping it alive past its sell-by date.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Welcome to three of the most embarrassing minutes in all of \u003cem>Happy Days\u003c/em>' -- nay television's -- history:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=WvGopsM1G9g\u003c/p>\n\u003cp>It was 1975's \u003ca href=\"https://en.wikipedia.org/wiki/Jaws_(film)\">\u003cem>Jaws\u003c/em>\u003c/a> that originally put sharks on the pop culture map. Widely considered to be the world's \u003ca href=\"http://variety.com/2015/film/news/jaws-40th-anniversary-at-40-box-office-summer-blockbuster-1201521198/\">first summer blockbuster\u003c/a>, the movie gave swimmers everywhere -- including, inexplicably, the ones in pools -- phobias of what might be hiding beneath the water's surface. The movie is so enduringly adored that there is an annual event in Austin, Texas where people \u003ca href=\"https://www.buzzfeed.com/shylawatson/you-couldnt-pay-me-to-attend-this-on-the-water-screening-of?utm_term=.xmqdO33Rd#.qaO9zPPv9\">float in Lake Travis\u003c/a>, while watching the movie. (Rumor has it, a couple of years ago, organizers went to the trouble of hiring divers to tickle the feet of audience members under the water.) Last month, \u003cem>Jaws\u003c/em> also launched a series of \u003ca href=\"https://www.timeout.com/london/blog/time-out-is-launching-londons-first-cinema-to-sail-the-river-thames-050217\">\u003cem>Movies on the River\u003c/em>\u003c/a> in London, England.\u003c/p>\n\u003cp>What the adoration for the original movie so frequently forgets, however, is how completely insane this franchise eventually became. Remember: \u003cem>\u003ca href=\"https://en.wikipedia.org/wiki/Jaws_3-D\">Jaws 3-D's\u003c/a>\u003c/em> plot starts with a shark breaking into SeaWorld to eat people, and ends with dolphins rescuing Dennis Quaid. Even worse than that, the premise of \u003ca href=\"https://en.wikipedia.org/wiki/Jaws:_The_Revenge\">\u003cem>Jaws 4\u003c/em>\u003c/a> is that a great white shark is stalking the one specific family that has featured in each \u003cem>Jaws\u003c/em> installment, with the purpose of seeking vengeance for its previously murdered shark brethren. This revenge-hungry shark is so angry, it follows the family all the way to the Bahamas.\u003c/p>\n\u003cp>Thankfully, a fan went to the trouble of summing up the absurdity of the entire movie thusly:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=nf2K_645qtw\u003c/p>\n\u003cp>As shark movies go, 1999's \u003ca href=\"https://en.wikipedia.org/wiki/Deep_Blue_Sea_(1999_film)\">\u003cem>Deep Blue Sea\u003c/em>\u003c/a> had the good sense to alter the DNA of its sharks to turn them into actual monsters. It also won a lot of people over with one of the most joyously \u003ca href=\"https://www.youtube.com/watch?v=BS8I9H07wKw\">unexpected character death\u003c/a> scenes in movie history. Sadly, further shark movies have not faired nearly as well.\u003c/p>\n\u003cp>2016's \u003ca href=\"https://en.wikipedia.org/wiki/The_Shallows_(film)\">\u003cem>The Shallows\u003c/em>\u003c/a> starred a shark that decided that stalking and waiting all day for Blake Lively to fall off a rock was a much better idea than eating the massive dead whale that had brought it into shallow, probably-too-warm waters in the first place. Truly, the movie's premise made absolutely no sense, but 2010's \u003ca href=\"https://en.wikipedia.org/wiki/The_Reef_(2010_film)\">\u003cem>The Reef\u003c/em>\u003c/a> also featured a shark that was dead set on stalking humans as well.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=NBS6r4QB86E\u003c/p>\n\u003cp>Of course, \u003cem>The Shallows\u003c/em> looks like a BBC wildlife documentary when compared with one of the most preposterous movies in history, \u003cem>\u003ca href=\"https://en.wikipedia.org/wiki/Sharknado\">Sharknado\u003c/a>,\u003c/em> which suggests that, with the right combination of extreme weather conditions, sharks could legitimately get sucked into the sky and then rained down onto land-dwelling humans below, snapping at, killing, and getting chopped in half by chainsaw-wielding ex-\u003cem>Beverly Hills 90210\u003c/em> \u003ca href=\"https://en.wikipedia.org/wiki/Ian_Ziering\">cast members\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=M-pXDoe5a0E\u003c/p>\n\u003cp>\u003cem>Sharknado\u003c/em> was so insane, and such a guilty pleasure for so many, that this August, we'll be facing down \u003ca href=\"https://www.youtube.com/watch?v=hbRroXtmvOU\">\u003cem>Sharknado 5\u003c/em>\u003c/a>. No, really. There's five of these suckers now -- and there's absolutely no need for at least four of them -- especially when you consider how many shark-based B-movies already exist.\u003c/p>\n\u003cp>Here are some relatively recent shark movies you may not know about, but are 100% real: \u003cem>Shark Night 3-D, Bait 3-D, Shark Attack, 2-Headed Shark Attack, Jurassic Shark, Ghost Shark, Supershark, Dinoshark, Swamp Shark, Sand Shark, Megashark Vs. Mechashark, Megashark Vs. Giant Octopus, Shark Swarm, Shark Attack, Raging Sharks, Sharktopus\u003c/em>. Truly, the list is endless. There are a lot more out there, but that's what Google is for.\u003c/p>\n\u003cp>Outside of movies, one of the most insane iterations of pop culture-related shark humiliation took place during the halftime show of 2015's \u003ca href=\"https://en.wikipedia.org/wiki/Super_Bowl_XLIX_halftime_show\">Superbowl XLIX\u003c/a>. It's impossible to know what possessed Katy Perry to stick a couple of dancers in shark costumes to do a jaunty little routine for \"Teenage Dream,\" but all anyone could talk about the next day was Left Shark: the one that momentarily forgot its dance steps, so collapsed into flailing wildly on national television in front of 118.5 million viewers.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"https://68.media.tumblr.com/a22c1ea0974a1af00f8f0c44dcf447cc/tumblr_nj4pr3bVvH1s2wio8o1_500.gif\">\u003c/p>\n\u003cp>Left Shark first prompted a bazillion memes and gifs, then stretched out into \u003ca href=\"http://29odkrngwwiml6xqsb8nbfh.wpengine.netdna-cdn.com/wp-content/uploads/2015/05/Screen-Shot-2015-05-01-at-12.29.36-PM.png\">parodies\u003c/a>, \u003ca href=\"https://cdn-s3.si.com/s3fs-public/styles/marquee_large_2x/public/2015/02/03/super-bowl-left-shark-tattoo.jpg?itok=uD5Y0XBj\">tattoos\u003c/a>, \u003ca href=\"http://www.billboard.com/articles/news/6859524/katy-perry-left-shark-revealed-true-story-super-bowl\">background stories\u003c/a>, \u003ca href=\"https://www.redbubble.com/shop/left+shark\">merch\u003c/a>, and, yes, eventually, even a \u003ca href=\"http://bitterempire.com/most-ridiculous-celebrity-lawsuit-of-the-week-katy-perrys-left-shark-trademark-rejected/\">trademark-related lawsuit\u003c/a> because: America. Sure, the incriminating footage of Left Shark remains tear-inducingly funny even now, but the sheer expansion of Left Shark into so many areas of our lives was a prime example of a pop culture moment, uh, jumping the shark.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The amount of attention we give, and the scary information we perpetuate about sharks has little basis in reality (though 2003's \u003ca href=\"http://www.blumhouse.com/2016/03/16/the-true-story-behind-the-movie-open-water/\">\u003cem>Open Water\u003c/em>\u003c/a> was based on a true story). Movies that depict sharks as ruthless human-murderers are really quite unfair. The \u003ca href=\"https://www.floridamuseum.ufl.edu/fish/isaf/what-are-odds/risks-comparison/risk-death\">Florida Museum of Natural History\u003c/a> puts your chances, as an American, of being killed by a shark in your lifetime at 1 in 3,748,067. Given the fact that fireworks carries a 1 in 340,733 risk, we should probably quit being so mean to these ancient creatures. Unless of course, the rumors turn out to be true... in which case, Michael Phelps should ready himself for a life of stalking by a cartilaginous fish. Stranger things have happened.\u003c/p>\n\n",
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"headline": "Our Long History of Absurd Shark Content, from Left Shark to Michael Phelps Racing One",
"datePublished": "2017-07-24T06:00:34-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There's no subtle way to talk about the fact that Michael Phelps raced a shark on Sunday. (Who knew that winning 23 Olympic gold medals could end in... this?)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nR6Z_9YUvss'\n title='//www.youtube.com/embed/nR6Z_9YUvss'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you're wondering what happened, Phelps did not swim side-by-side with a shark, or \u003ca href=\"http://media.ufc.tv/photo_galleries/122_weighin/122_weighin-07_UFC122_Soszynski_v_Reljic.jpg\">face off\u003c/a> beforehand, à la UFC matches. In the end (spoiler alert!), even with the aid of something called a \"monofin,\" Phelps lost to both the hammerhead and great white sharks. In your face, mankind!\u003c/p>\n\u003cp>The Discovery Channel's annual \u003ca href=\"https://www.discovery.com/tv-shows/shark-week/\">\u003cem>Shark Week\u003c/em>\u003c/a> is, of course, a law unto itself at this point. But fewer species have suffered the sheer number of humiliations in the name of popular culture as the shark.\u003c/p>\n\u003cp>It can all be traced back to that infamous 1977 episode of \u003ca href=\"https://en.wikipedia.org/wiki/Happy_Days\">\u003cem>Happy Days\u003c/em>\u003c/a> in which Fonzie, propelled by Richie Cunningham in a speed boat, did a waterski jump over a shark because: ratings desperation. This is where the term \"jumping the shark\" comes from -- a phrase that has come to signify the ultimate in pushing a TV show into a ridiculous premise, in the hopes of keeping it alive past its sell-by date.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Welcome to three of the most embarrassing minutes in all of \u003cem>Happy Days\u003c/em>' -- nay television's -- history:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WvGopsM1G9g'\n title='//www.youtube.com/embed/WvGopsM1G9g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It was 1975's \u003ca href=\"https://en.wikipedia.org/wiki/Jaws_(film)\">\u003cem>Jaws\u003c/em>\u003c/a> that originally put sharks on the pop culture map. Widely considered to be the world's \u003ca href=\"http://variety.com/2015/film/news/jaws-40th-anniversary-at-40-box-office-summer-blockbuster-1201521198/\">first summer blockbuster\u003c/a>, the movie gave swimmers everywhere -- including, inexplicably, the ones in pools -- phobias of what might be hiding beneath the water's surface. The movie is so enduringly adored that there is an annual event in Austin, Texas where people \u003ca href=\"https://www.buzzfeed.com/shylawatson/you-couldnt-pay-me-to-attend-this-on-the-water-screening-of?utm_term=.xmqdO33Rd#.qaO9zPPv9\">float in Lake Travis\u003c/a>, while watching the movie. (Rumor has it, a couple of years ago, organizers went to the trouble of hiring divers to tickle the feet of audience members under the water.) Last month, \u003cem>Jaws\u003c/em> also launched a series of \u003ca href=\"https://www.timeout.com/london/blog/time-out-is-launching-londons-first-cinema-to-sail-the-river-thames-050217\">\u003cem>Movies on the River\u003c/em>\u003c/a> in London, England.\u003c/p>\n\u003cp>What the adoration for the original movie so frequently forgets, however, is how completely insane this franchise eventually became. Remember: \u003cem>\u003ca href=\"https://en.wikipedia.org/wiki/Jaws_3-D\">Jaws 3-D's\u003c/a>\u003c/em> plot starts with a shark breaking into SeaWorld to eat people, and ends with dolphins rescuing Dennis Quaid. Even worse than that, the premise of \u003ca href=\"https://en.wikipedia.org/wiki/Jaws:_The_Revenge\">\u003cem>Jaws 4\u003c/em>\u003c/a> is that a great white shark is stalking the one specific family that has featured in each \u003cem>Jaws\u003c/em> installment, with the purpose of seeking vengeance for its previously murdered shark brethren. This revenge-hungry shark is so angry, it follows the family all the way to the Bahamas.\u003c/p>\n\u003cp>Thankfully, a fan went to the trouble of summing up the absurdity of the entire movie thusly:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nf2K_645qtw'\n title='//www.youtube.com/embed/nf2K_645qtw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As shark movies go, 1999's \u003ca href=\"https://en.wikipedia.org/wiki/Deep_Blue_Sea_(1999_film)\">\u003cem>Deep Blue Sea\u003c/em>\u003c/a> had the good sense to alter the DNA of its sharks to turn them into actual monsters. It also won a lot of people over with one of the most joyously \u003ca href=\"https://www.youtube.com/watch?v=BS8I9H07wKw\">unexpected character death\u003c/a> scenes in movie history. Sadly, further shark movies have not faired nearly as well.\u003c/p>\n\u003cp>2016's \u003ca href=\"https://en.wikipedia.org/wiki/The_Shallows_(film)\">\u003cem>The Shallows\u003c/em>\u003c/a> starred a shark that decided that stalking and waiting all day for Blake Lively to fall off a rock was a much better idea than eating the massive dead whale that had brought it into shallow, probably-too-warm waters in the first place. Truly, the movie's premise made absolutely no sense, but 2010's \u003ca href=\"https://en.wikipedia.org/wiki/The_Reef_(2010_film)\">\u003cem>The Reef\u003c/em>\u003c/a> also featured a shark that was dead set on stalking humans as well.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NBS6r4QB86E'\n title='//www.youtube.com/embed/NBS6r4QB86E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Of course, \u003cem>The Shallows\u003c/em> looks like a BBC wildlife documentary when compared with one of the most preposterous movies in history, \u003cem>\u003ca href=\"https://en.wikipedia.org/wiki/Sharknado\">Sharknado\u003c/a>,\u003c/em> which suggests that, with the right combination of extreme weather conditions, sharks could legitimately get sucked into the sky and then rained down onto land-dwelling humans below, snapping at, killing, and getting chopped in half by chainsaw-wielding ex-\u003cem>Beverly Hills 90210\u003c/em> \u003ca href=\"https://en.wikipedia.org/wiki/Ian_Ziering\">cast members\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/M-pXDoe5a0E'\n title='//www.youtube.com/embed/M-pXDoe5a0E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Sharknado\u003c/em> was so insane, and such a guilty pleasure for so many, that this August, we'll be facing down \u003ca href=\"https://www.youtube.com/watch?v=hbRroXtmvOU\">\u003cem>Sharknado 5\u003c/em>\u003c/a>. No, really. There's five of these suckers now -- and there's absolutely no need for at least four of them -- especially when you consider how many shark-based B-movies already exist.\u003c/p>\n\u003cp>Here are some relatively recent shark movies you may not know about, but are 100% real: \u003cem>Shark Night 3-D, Bait 3-D, Shark Attack, 2-Headed Shark Attack, Jurassic Shark, Ghost Shark, Supershark, Dinoshark, Swamp Shark, Sand Shark, Megashark Vs. Mechashark, Megashark Vs. Giant Octopus, Shark Swarm, Shark Attack, Raging Sharks, Sharktopus\u003c/em>. Truly, the list is endless. There are a lot more out there, but that's what Google is for.\u003c/p>\n\u003cp>Outside of movies, one of the most insane iterations of pop culture-related shark humiliation took place during the halftime show of 2015's \u003ca href=\"https://en.wikipedia.org/wiki/Super_Bowl_XLIX_halftime_show\">Superbowl XLIX\u003c/a>. It's impossible to know what possessed Katy Perry to stick a couple of dancers in shark costumes to do a jaunty little routine for \"Teenage Dream,\" but all anyone could talk about the next day was Left Shark: the one that momentarily forgot its dance steps, so collapsed into flailing wildly on national television in front of 118.5 million viewers.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"https://68.media.tumblr.com/a22c1ea0974a1af00f8f0c44dcf447cc/tumblr_nj4pr3bVvH1s2wio8o1_500.gif\">\u003c/p>\n\u003cp>Left Shark first prompted a bazillion memes and gifs, then stretched out into \u003ca href=\"http://29odkrngwwiml6xqsb8nbfh.wpengine.netdna-cdn.com/wp-content/uploads/2015/05/Screen-Shot-2015-05-01-at-12.29.36-PM.png\">parodies\u003c/a>, \u003ca href=\"https://cdn-s3.si.com/s3fs-public/styles/marquee_large_2x/public/2015/02/03/super-bowl-left-shark-tattoo.jpg?itok=uD5Y0XBj\">tattoos\u003c/a>, \u003ca href=\"http://www.billboard.com/articles/news/6859524/katy-perry-left-shark-revealed-true-story-super-bowl\">background stories\u003c/a>, \u003ca href=\"https://www.redbubble.com/shop/left+shark\">merch\u003c/a>, and, yes, eventually, even a \u003ca href=\"http://bitterempire.com/most-ridiculous-celebrity-lawsuit-of-the-week-katy-perrys-left-shark-trademark-rejected/\">trademark-related lawsuit\u003c/a> because: America. Sure, the incriminating footage of Left Shark remains tear-inducingly funny even now, but the sheer expansion of Left Shark into so many areas of our lives was a prime example of a pop culture moment, uh, jumping the shark.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The amount of attention we give, and the scary information we perpetuate about sharks has little basis in reality (though 2003's \u003ca href=\"http://www.blumhouse.com/2016/03/16/the-true-story-behind-the-movie-open-water/\">\u003cem>Open Water\u003c/em>\u003c/a> was based on a true story). Movies that depict sharks as ruthless human-murderers are really quite unfair. The \u003ca href=\"https://www.floridamuseum.ufl.edu/fish/isaf/what-are-odds/risks-comparison/risk-death\">Florida Museum of Natural History\u003c/a> puts your chances, as an American, of being killed by a shark in your lifetime at 1 in 3,748,067. Given the fact that fireworks carries a 1 in 340,733 risk, we should probably quit being so mean to these ancient creatures. Unless of course, the rumors turn out to be true... in which case, Michael Phelps should ready himself for a life of stalking by a cartilaginous fish. Stranger things have happened.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "silicon-valley-composer-transforms-steve-jobs-life-story-into-opera",
"title": "Silicon Valley Composer Transforms Steve Jobs' Life Story Into Opera",
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"headTitle": "Silicon Valley Composer Transforms Steve Jobs’ Life Story Into Opera | KQED",
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"content": "\u003cp>Composer and electronica DJ \u003ca href=\"http://www.masonbates.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Mason Bates\u003c/a> is listening intently to the sound of a clicking computer key through speakers rigged up to a laptop in his Burlingame music studio.\u003c/p>\n\u003cp>[audio src=\"http://www.kqed.org/.stream/anon/radio/RDnews/2017/07/20170724JobsOperaVeltman.mp3\" image=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-1180x668.jpg\" title=\"Silicon Valley Composer Transforms Steve Jobs' Life Story Into Opera\" program=\"The California Report\"]\u003c/p>\n\u003cp>Bates admits the key clicks don’t sound like much on their own. But the opening music in his new opera, \u003ca href=\"https://www.santafeopera.org/operas-and-ticketing/the-revolution-of-steve-jobs\" target=\"_blank\" rel=\"noopener noreferrer\">“The (R)evolution of Steve Jobs”\u003c/a>, morphs out of those simple sounds.\u003c/p>\n\u003cp>“When you take them together and then turn them into a rhythmic device, they create a bit of a tapestry,” he says.\u003c/p>\n\u003cfigure id=\"attachment_11577470\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11577470\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-800x451.jpg\" alt=\"Composer Mason Bates in his home music studio in Burlingame.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-1920x1082.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Composer Mason Bates in his home music studio in Burlingame. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bates often uses digital technology in his orchestral works. He’s written major pieces for the likes of the San Francisco Symphony and the Kennedy Center in Washington, D.C., among other top-tier arts institutions.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But this is his first full-length opera. And it matters to the 40-year-old composer that the pops, beeps and whizzes in his score come from genuine Apple gear. The key clicks are those of the Mac Plus computer, released in 1986.\u003c/p>\n\u003cp>“While you might not be able to pick out exactly that’s a spinning hard drive of an Apple I, a Power Mac or Mac Plus key click, I think the accumulation of those sounds does lend an authenticity to the sound world,” Bates says.\u003c/p>\n\u003cfigure id=\"attachment_43874\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-43874\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/10/Jobs_2003_rev3.jpg\" alt=\"Steve Jobs in 2003. Creative Commons.\" width=\"1920\" height=\"1755\">\u003cfigcaption class=\"wp-caption-text\">Steve Jobs in 2003. Creative Commons.\u003c/figcaption>\u003c/figure>\n\u003cp>But it takes more than an authentic sound world to make sense of Steve Jobs’ epic life story on stage; it’s not for nothing that Walter Isaacson’s well-known 2011 biography of Jobs (which Bates cites as a major source of inspiration for his opera) runs to more than 650 pages.\u003c/p>\n\u003cp>After all, the man ran three major companies — Apple, NeXT and Pixar — where he oversaw the release of many wildly successful products and movies like the iPhone and \u003ci>Toy Story\u003c/i>.\u003c/p>\n\u003cp>He also had a complicated personal life. Jobs was adopted as a baby; he refused to publicly acknowledge his first child, Lisa Brennan-Jobs, for years; and he died young in 2011 of cancer at the age of 56.\u003c/p>\n\u003cfigure id=\"attachment_11577472\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11577472\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-800x453.jpg\" alt=\"Edward Parks as Steve Jobs in ‘The (R)evolution of Steve Jobs’.\" width=\"800\" height=\"453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-800x453.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-1020x577.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-1920x1086.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-1180x668.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-960x543.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-240x136.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-520x294.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Edward Parks as Steve Jobs in ‘The (R)evolution of Steve Jobs’. \u003ccite>(Photo: Ken Howard Courtesy Santa Fe Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“He was such a complex individual, I cannot even imagine how you’d capture Steve’s life in an opera,” says Andy Cunningham, who worked closely with Jobs as a publicist and witnessed the ups and down of his career — and erratic temperament — firsthand.\u003c/p>\n\u003cp>Cunningham says Jobs hired and fired her several times, and once demanded calla lilies for his hotel room at midnight. “Steve was a very emotional person, and he was driven largely by his emotions,” she says.\u003c/p>\n\u003cfigure id=\"attachment_11572896\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11572896\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-800x451.jpg\" alt=\"Andy Cunningham worked as a publicist for Steve Jobs in his early years at Apple, NeXT and Pixar. She witnessed the ups and down of his career — and erratic temperament — first hand.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-1920x1082.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Andy Cunningham worked as a publicist for Steve Jobs in his early years at Apple, NeXT and Pixar. She witnessed the ups and down of his career — and erratic temperament — firsthand. \u003ccite>(Photo: Richard Michel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other individuals and organizations have also questioned the idea of transforming Jobs’ story into opera.\u003c/p>\n\u003cp>For instance, the San Francisco Opera turned down the opportunity to host the world premiere when Bates and his early-stage collaborator on the project, UC Berkeley arts presenter Cal Performances, approached SF Opera’s leadership in 2013. (Since the project was workshopped at the San Francisco Conservatory of Music in 2015 and 2016, SF Opera has come around, and will be producing the work in its 2019-2020 season.)\u003c/p>\n\u003cp>But Bates revels in the complexity and emotionality of his subject. “His actual life is the stuff of opera,” Bates says.\u003c/p>\n\u003cp>The opera careens backward and forward between episodes in Jobs’ life. In one scene he’s launching the iPhone at MacWorld 2007. Then it’s 1974 and he’s dropping acid in an orchard with his girlfriend.\u003c/p>\n\u003cp>The work also weaves together intricate theme tunes for each individual character. There’s jazzy saxophone music for Steve Wozniak, Jobs’ partner in the early years of Apple. Gongs and prayer bowls illustrate Jobs’ spiritual adviser, Kobun Chino Otogawa.\u003c/p>\n\u003cfigure id=\"attachment_11577471\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11577471\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-800x453.jpg\" alt=\"Garrett Sorenson as Steve Wozniak and Edward Parks as Steve Jobs in ‘The (R)evolution of Steve Jobs’.\" width=\"800\" height=\"453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-800x453.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-1020x578.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-1920x1088.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-1180x668.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-960x544.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-240x136.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-520x295.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Garrett Sorenson as Steve Wozniak and Edward Parks as Steve Jobs in ‘The (R)evolution of Steve Jobs’. \u003ccite>(Photo: Ken Howard Courtesy Santa Fe Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Appropriately, Bates has created a sound world for the opera’s protagonist that features quicksilver electronic sounds and acoustic guitar — an instrument that Jobs adored, especially as played by Joan Baez and Bob Dylan.\u003c/p>\n\u003cp>And while operatic heroes are usually played by tenors, this one’s a baritone — a darker, more nuanced voice. American singer Edward Parks plays the character of Jobs in the world premiere production, opening in Santa Fe, New Mexico, this weekend. Like a true baritone, Parks isn’t afraid to embrace Jobs’ dark side.\u003c/p>\n\u003cp>“I’m mostly drawn to his flaws,” Parks says. “The arc of his life is grand. There’s a lot of betrayal, there’s a lot of anger towards people, and there’s a lot of love as well.”\u003c/p>\n\u003cp>All ingredients ripe for opera.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.santafeopera.org/operas-and-ticketing/the-revolution-of-steve-jobs\"> “The (R)evolution of Steve Jobs”\u003c/a> opens this weekend at Santa Fe Opera in Santa Fe, New Mexico. There will be a California production at San Francisco Opera during the company’s 2019-2020 season.\u003c/p>\n\n",
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"excerpt": "Burlingame-based composer Mason Bates unleashes his new, electronica-infused opera about the tech icon, 'The (R)evolution of Steve Jobs.'",
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"title": "Silicon Valley Composer Transforms Steve Jobs' Life Story Into Opera | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Composer and electronica DJ \u003ca href=\"http://www.masonbates.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Mason Bates\u003c/a> is listening intently to the sound of a clicking computer key through speakers rigged up to a laptop in his Burlingame music studio.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bates admits the key clicks don’t sound like much on their own. But the opening music in his new opera, \u003ca href=\"https://www.santafeopera.org/operas-and-ticketing/the-revolution-of-steve-jobs\" target=\"_blank\" rel=\"noopener noreferrer\">“The (R)evolution of Steve Jobs”\u003c/a>, morphs out of those simple sounds.\u003c/p>\n\u003cp>“When you take them together and then turn them into a rhythmic device, they create a bit of a tapestry,” he says.\u003c/p>\n\u003cfigure id=\"attachment_11577470\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11577470\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-800x451.jpg\" alt=\"Composer Mason Bates in his home music studio in Burlingame.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-1920x1082.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/mason-bates-in-studio-e1500565320462-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Composer Mason Bates in his home music studio in Burlingame. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bates often uses digital technology in his orchestral works. He’s written major pieces for the likes of the San Francisco Symphony and the Kennedy Center in Washington, D.C., among other top-tier arts institutions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But this is his first full-length opera. And it matters to the 40-year-old composer that the pops, beeps and whizzes in his score come from genuine Apple gear. The key clicks are those of the Mac Plus computer, released in 1986.\u003c/p>\n\u003cp>“While you might not be able to pick out exactly that’s a spinning hard drive of an Apple I, a Power Mac or Mac Plus key click, I think the accumulation of those sounds does lend an authenticity to the sound world,” Bates says.\u003c/p>\n\u003cfigure id=\"attachment_43874\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-43874\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/10/Jobs_2003_rev3.jpg\" alt=\"Steve Jobs in 2003. Creative Commons.\" width=\"1920\" height=\"1755\">\u003cfigcaption class=\"wp-caption-text\">Steve Jobs in 2003. Creative Commons.\u003c/figcaption>\u003c/figure>\n\u003cp>But it takes more than an authentic sound world to make sense of Steve Jobs’ epic life story on stage; it’s not for nothing that Walter Isaacson’s well-known 2011 biography of Jobs (which Bates cites as a major source of inspiration for his opera) runs to more than 650 pages.\u003c/p>\n\u003cp>After all, the man ran three major companies — Apple, NeXT and Pixar — where he oversaw the release of many wildly successful products and movies like the iPhone and \u003ci>Toy Story\u003c/i>.\u003c/p>\n\u003cp>He also had a complicated personal life. Jobs was adopted as a baby; he refused to publicly acknowledge his first child, Lisa Brennan-Jobs, for years; and he died young in 2011 of cancer at the age of 56.\u003c/p>\n\u003cfigure id=\"attachment_11577472\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11577472\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-800x453.jpg\" alt=\"Edward Parks as Steve Jobs in ‘The (R)evolution of Steve Jobs’.\" width=\"800\" height=\"453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-800x453.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-1020x577.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-1920x1086.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-1180x668.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-960x543.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-240x136.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/ed-parks-as-steve-jobs-e1500565671452-520x294.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Edward Parks as Steve Jobs in ‘The (R)evolution of Steve Jobs’. \u003ccite>(Photo: Ken Howard Courtesy Santa Fe Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“He was such a complex individual, I cannot even imagine how you’d capture Steve’s life in an opera,” says Andy Cunningham, who worked closely with Jobs as a publicist and witnessed the ups and down of his career — and erratic temperament — firsthand.\u003c/p>\n\u003cp>Cunningham says Jobs hired and fired her several times, and once demanded calla lilies for his hotel room at midnight. “Steve was a very emotional person, and he was driven largely by his emotions,” she says.\u003c/p>\n\u003cfigure id=\"attachment_11572896\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11572896\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-800x451.jpg\" alt=\"Andy Cunningham worked as a publicist for Steve Jobs in his early years at Apple, NeXT and Pixar. She witnessed the ups and down of his career — and erratic temperament — first hand.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-1920x1082.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/Andy-Cunningham-worked-as-a-publicist-for-Steve-Jobs-in-his-early-years-at-Apple-NeXT-and-Pixar-photo-credit-richard-michel-e1500322382895-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Andy Cunningham worked as a publicist for Steve Jobs in his early years at Apple, NeXT and Pixar. She witnessed the ups and down of his career — and erratic temperament — firsthand. \u003ccite>(Photo: Richard Michel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other individuals and organizations have also questioned the idea of transforming Jobs’ story into opera.\u003c/p>\n\u003cp>For instance, the San Francisco Opera turned down the opportunity to host the world premiere when Bates and his early-stage collaborator on the project, UC Berkeley arts presenter Cal Performances, approached SF Opera’s leadership in 2013. (Since the project was workshopped at the San Francisco Conservatory of Music in 2015 and 2016, SF Opera has come around, and will be producing the work in its 2019-2020 season.)\u003c/p>\n\u003cp>But Bates revels in the complexity and emotionality of his subject. “His actual life is the stuff of opera,” Bates says.\u003c/p>\n\u003cp>The opera careens backward and forward between episodes in Jobs’ life. In one scene he’s launching the iPhone at MacWorld 2007. Then it’s 1974 and he’s dropping acid in an orchard with his girlfriend.\u003c/p>\n\u003cp>The work also weaves together intricate theme tunes for each individual character. There’s jazzy saxophone music for Steve Wozniak, Jobs’ partner in the early years of Apple. Gongs and prayer bowls illustrate Jobs’ spiritual adviser, Kobun Chino Otogawa.\u003c/p>\n\u003cfigure id=\"attachment_11577471\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11577471\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-800x453.jpg\" alt=\"Garrett Sorenson as Steve Wozniak and Edward Parks as Steve Jobs in ‘The (R)evolution of Steve Jobs’.\" width=\"800\" height=\"453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-800x453.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-1020x578.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-1920x1088.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-1180x668.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-960x544.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-240x136.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/07/steve-and-woz-e1500565440961-520x295.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Garrett Sorenson as Steve Wozniak and Edward Parks as Steve Jobs in ‘The (R)evolution of Steve Jobs’. \u003ccite>(Photo: Ken Howard Courtesy Santa Fe Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Appropriately, Bates has created a sound world for the opera’s protagonist that features quicksilver electronic sounds and acoustic guitar — an instrument that Jobs adored, especially as played by Joan Baez and Bob Dylan.\u003c/p>\n\u003cp>And while operatic heroes are usually played by tenors, this one’s a baritone — a darker, more nuanced voice. American singer Edward Parks plays the character of Jobs in the world premiere production, opening in Santa Fe, New Mexico, this weekend. Like a true baritone, Parks isn’t afraid to embrace Jobs’ dark side.\u003c/p>\n\u003cp>“I’m mostly drawn to his flaws,” Parks says. “The arc of his life is grand. There’s a lot of betrayal, there’s a lot of anger towards people, and there’s a lot of love as well.”\u003c/p>\n\u003cp>All ingredients ripe for opera.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.santafeopera.org/operas-and-ticketing/the-revolution-of-steve-jobs\"> “The (R)evolution of Steve Jobs”\u003c/a> opens this weekend at Santa Fe Opera in Santa Fe, New Mexico. There will be a California production at San Francisco Opera during the company’s 2019-2020 season.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\"Despacito,\" the Spanish-language summer smash by Puerto Rican stars Luis Fonsi and \u003ca href=\"http://www.nytimes.com/2006/02/05/magazine/the-king-of-reggaeton.html\">\"king of reggaetón\"\u003c/a> Daddy Yankee, is now the most-streamed song in history.\u003c/p>\n\u003cp>On Wednesday, Universal Music, which released the song in January, said the original version of the hit and the subsequent remix featuring Justin Bieber have combined for 4.6 billion plays in just six months. That remix currently sits atop \u003cem>Billboard\u003c/em>'s \u003ca href=\"http://www.billboard.com/charts/summer-songs\">summer songs chart\u003c/a>.\u003c/p>\n\u003cp>Most of those plays — 2.6 billion of them — were generated on YouTube from views of the original version's music video, which is the \u003ca href=\"http://www.npr.org/sections/therecord/2017/07/11/536668657/gangnam-style-is-no-longer-the-king-of-youtube-views\">third-most watched video in the site's history\u003c/a>. An audio-only post of the Bieber remix has about 425 million plays on YouTube. On Spotify, the two versions were listened to a combined 1.1 billion times. (\"Despacito\" has yet to unseat Spotify's most-played song, Drake's \"One Dance,\" which is closing in on 1.3 billion plays.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=kJQP7kiw5Fk\u003c/p>\n\u003cp>Together, Spotify and YouTube accounted for 92 percent of the song's plays.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The speed with which the song reached this high-water mark is remarkable and points to the increasing popularity of music streaming services. According to analytics firm BuzzAngle, audio streams were up 58.5 percent in the first half of 2017.\u003c/p>\n\u003cp>While \"Despacito\" was a bona fide global hit prior to Bieber's involvement in April, it generated relatively little interest in U.S. markets. But when Universal Music re-released the song with an English introductory verse by Bieber, \"Despacito\" gradually found its way onto the American pop charts.\u003c/p>\n\u003cp>On the song's success, Universal Music Group chairman and CEO Lucian Grainge said in a statement that streaming \"has opened up the possibility of a song with a different beat, from a different culture and in a different language to become a juggernaut of success around the world.\"\u003c/p>\n\u003cp>To that end, expect to see major labels attempt to replicate the success of \"Despacito\" on other international hits through similar guest arrangements.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I think it's the beginning of a very long journey of new sounds,\" Charlie Walk, the Republic Records executive responsible for promoting the song, told \u003cem>Billboard\u003c/em> \u003ca href=\"http://www.billboard.com/articles/news/magazine-feature/7832991/despacito-success-record-labels-looking-latin\">last month\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Despacito%27+Quickly+Becomes+The+Most-Streamed+Song+Ever&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\"Despacito,\" the Spanish-language summer smash by Puerto Rican stars Luis Fonsi and \u003ca href=\"http://www.nytimes.com/2006/02/05/magazine/the-king-of-reggaeton.html\">\"king of reggaetón\"\u003c/a> Daddy Yankee, is now the most-streamed song in history.\u003c/p>\n\u003cp>On Wednesday, Universal Music, which released the song in January, said the original version of the hit and the subsequent remix featuring Justin Bieber have combined for 4.6 billion plays in just six months. That remix currently sits atop \u003cem>Billboard\u003c/em>'s \u003ca href=\"http://www.billboard.com/charts/summer-songs\">summer songs chart\u003c/a>.\u003c/p>\n\u003cp>Most of those plays — 2.6 billion of them — were generated on YouTube from views of the original version's music video, which is the \u003ca href=\"http://www.npr.org/sections/therecord/2017/07/11/536668657/gangnam-style-is-no-longer-the-king-of-youtube-views\">third-most watched video in the site's history\u003c/a>. An audio-only post of the Bieber remix has about 425 million plays on YouTube. On Spotify, the two versions were listened to a combined 1.1 billion times. (\"Despacito\" has yet to unseat Spotify's most-played song, Drake's \"One Dance,\" which is closing in on 1.3 billion plays.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kJQP7kiw5Fk'\n title='//www.youtube.com/embed/kJQP7kiw5Fk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Together, Spotify and YouTube accounted for 92 percent of the song's plays.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The speed with which the song reached this high-water mark is remarkable and points to the increasing popularity of music streaming services. According to analytics firm BuzzAngle, audio streams were up 58.5 percent in the first half of 2017.\u003c/p>\n\u003cp>While \"Despacito\" was a bona fide global hit prior to Bieber's involvement in April, it generated relatively little interest in U.S. markets. But when Universal Music re-released the song with an English introductory verse by Bieber, \"Despacito\" gradually found its way onto the American pop charts.\u003c/p>\n\u003cp>On the song's success, Universal Music Group chairman and CEO Lucian Grainge said in a statement that streaming \"has opened up the possibility of a song with a different beat, from a different culture and in a different language to become a juggernaut of success around the world.\"\u003c/p>\n\u003cp>To that end, expect to see major labels attempt to replicate the success of \"Despacito\" on other international hits through similar guest arrangements.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I think it's the beginning of a very long journey of new sounds,\" Charlie Walk, the Republic Records executive responsible for promoting the song, told \u003cem>Billboard\u003c/em> \u003ca href=\"http://www.billboard.com/articles/news/magazine-feature/7832991/despacito-success-record-labels-looking-latin\">last month\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Despacito%27+Quickly+Becomes+The+Most-Streamed+Song+Ever&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>“It’s terrible, it’s a bad situation” — and that’s how the creator of the situation, YouTube star Jake Paul, describes what his neighbors in West Hollywood are going through because of his rowdy lifestyle and made-for-video antics.\u003c/p>\n\u003cp>Residents of the street where Paul rents a large house are meeting with police and city officials to review code requirements — and they could file a class-action lawsuit that seeks to declare Paul a public nuisance, \u003ca href=\"http://ktla.com/2017/07/17/in-west-hollywood-social-media-star-jake-pauls-antics-stir-up-the-neighborhood/\" target=\"_blank\" rel=\"noopener\">local TV station KTLA 5\u003c/a> reports.\u003c/p>\n\u003cp>“I feel bad for them, for sure,” Paul, 20, said of his neighbors when KTLA visited his street. But he added, “There’s nothing we can do, though — the Jake Paulers are the strongest army out there,” using his nickname for his millions of followers.\u003c/p>\n\u003cp>When KTLA’s Chris Wolfe told Paul that some residents said he’s turned the area into a circus, Paul replied, “Yeah, it is. I mean, but people like going to circuses, right?”\u003c/p>\n\u003cp>The situation has generated hubbub in part because of Paul’s popularity — he has more than 8.5 million followers on both YouTube and on Instagram. Working with other social media stars under the title Team 10, his videos often include pranks and antics that center around his home’s pool — from sliding things and people into it to using it as a huge fire pit.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“This is a Team 10 house, and it is lit every single day, bro,” Paul says in one video.\u003c/p>\n\u003cp>His neighbors would like for it not to be lit so often — and not so loudly.\u003c/p>\n\u003cp>“We used to be a really nice, quiet street and now we’re just this, like, war zone,” neighbor Maytal Dahan told KTLA. “We’re families here, and we’re more than happy to have them live here if they’re respectful of their neighbors — but they’re not.”\u003c/p>\n\u003cp>Paul earns millions of dollars from his YouTube channel, according to an estimate from social media tracker \u003ca href=\"https://socialblade.com/youtube/c/jakepaulchannel\">Social Blade\u003c/a>. In addition to being an online celebrity, he is also an actor on \u003cem>Bizaardvark\u003c/em>, a Disney Channel show about … online celebrities.\u003c/p>\n\u003cp>https://twitter.com/jakepaul/status/887531517685248000\u003c/p>\n\u003cp>After local reports about the dispute on his block began to get attention far beyond California, Paul tweeted, “Lol it’s trending.” He later questioned \u003ca href=\"https://twitter.com/jakepaul/status/887531517685248000\" target=\"_blank\" rel=\"noopener\">why so many people care\u003c/a> about him “being a ‘bad’ neighbor,” particularly at a time when “innocent [people are] getting shot every day.”\u003c/p>\n\u003cp>One of the most popular responses to that tweet was a screenshot image (from \u003cem>Orange Is the New Black\u003c/em>) with a caption \u003ca href=\"https://twitter.com/forrestbIues/status/887543206505627648\" target=\"_blank\" rel=\"noopener\">that asks\u003c/a>, “Do you hear yourself sometimes? Like, when you speak?”\u003c/p>\n\u003cp>And while Paul’s fans urged him not to change, others questioned the underpinnings of his celebrity.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“This entire thread illustrates the downfall of our society. I’ve never been so glad to be in my 40’s,” \u003ca href=\"https://twitter.com/LeahJen/status/887540719480590336\" target=\"_blank\" rel=\"noopener\">Jen Leah wrote\u003c/a>. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=YouTube+Star+Jake+Paul%27s+Neighbors+Tell+Him%3A+We%27re+Not+Jake+Paulers&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“It’s terrible, it’s a bad situation” — and that’s how the creator of the situation, YouTube star Jake Paul, describes what his neighbors in West Hollywood are going through because of his rowdy lifestyle and made-for-video antics.\u003c/p>\n\u003cp>Residents of the street where Paul rents a large house are meeting with police and city officials to review code requirements — and they could file a class-action lawsuit that seeks to declare Paul a public nuisance, \u003ca href=\"http://ktla.com/2017/07/17/in-west-hollywood-social-media-star-jake-pauls-antics-stir-up-the-neighborhood/\" target=\"_blank\" rel=\"noopener\">local TV station KTLA 5\u003c/a> reports.\u003c/p>\n\u003cp>“I feel bad for them, for sure,” Paul, 20, said of his neighbors when KTLA visited his street. But he added, “There’s nothing we can do, though — the Jake Paulers are the strongest army out there,” using his nickname for his millions of followers.\u003c/p>\n\u003cp>When KTLA’s Chris Wolfe told Paul that some residents said he’s turned the area into a circus, Paul replied, “Yeah, it is. I mean, but people like going to circuses, right?”\u003c/p>\n\u003cp>The situation has generated hubbub in part because of Paul’s popularity — he has more than 8.5 million followers on both YouTube and on Instagram. Working with other social media stars under the title Team 10, his videos often include pranks and antics that center around his home’s pool — from sliding things and people into it to using it as a huge fire pit.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>After local reports about the dispute on his block began to get attention far beyond California, Paul tweeted, “Lol it’s trending.” He later questioned \u003ca href=\"https://twitter.com/jakepaul/status/887531517685248000\" target=\"_blank\" rel=\"noopener\">why so many people care\u003c/a> about him “being a ‘bad’ neighbor,” particularly at a time when “innocent [people are] getting shot every day.”\u003c/p>\n\u003cp>One of the most popular responses to that tweet was a screenshot image (from \u003cem>Orange Is the New Black\u003c/em>) with a caption \u003ca href=\"https://twitter.com/forrestbIues/status/887543206505627648\" target=\"_blank\" rel=\"noopener\">that asks\u003c/a>, “Do you hear yourself sometimes? Like, when you speak?”\u003c/p>\n\u003cp>And while Paul’s fans urged him not to change, others questioned the underpinnings of his celebrity.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“This entire thread illustrates the downfall of our society. I’ve never been so glad to be in my 40’s,” \u003ca href=\"https://twitter.com/LeahJen/status/887540719480590336\" target=\"_blank\" rel=\"noopener\">Jen Leah wrote\u003c/a>. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=YouTube+Star+Jake+Paul%27s+Neighbors+Tell+Him%3A+We%27re+Not+Jake+Paulers&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>There are many legendary movies that have used San Francisco's beautiful landscape as a backdrop: Hitchcock's \u003ca href=\"http://www.imdb.com/title/tt0052357/?ref_=nv_sr_1\">\u003cem>Vertigo\u003c/em>\u003c/a>, Eastwood's \u003cem>\u003ca href=\"http://www.imdb.com/title/tt0066999/?ref_=fn_al_tt_1\">Dirty Harry\u003c/a>\u003c/em>, McQueen's \u003cem>\u003ca href=\"http://www.imdb.com/title/tt0062765/?ref_=nv_sr_1\">Bullitt\u003c/a>,\u003c/em> and many, many more that are far too numerable to list here. (That's what the extremely handy book, \u003cem>\u003ca href=\"https://www.amazon.com/Celluloid-San-Francisco-Lovers-Locations/dp/1556525923\">Celluloid San Francisco: The Film Lover's Guide to Bay Area Movie Locations\u003c/a>\u003c/em> is for.)\u003c/p>\n\u003cp>Back in 2003 though, an enigmatic figure by the name of \u003ca href=\"http://www.imdb.com/name/nm1382072/bio?ref_=nm_ov_bio_sm\">Tommy Wiseau\u003c/a> made a movie in the city that has reached legendary status for all of the wrong reasons. \u003ca href=\"http://www.imdb.com/title/tt0368226/?ref_=nv_sr_1\">\u003cem>The Room\u003c/em>\u003c/a> is widely considered one of the worst films of all time, and therefore -- especially in San Francisco -- one of the most beloved on the cult circuit. Wiseau wrote, directed, and acted in \u003cem>The Room,\u003c/em> and the results were, to put it mildly, completely disastrous.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=EE6RQ8rC8hc\u003c/p>\n\u003cp>\u003cem>The Room\u003c/em> has proved to be the gift that keeps on giving ever since its initial release. If you've yet to see it, keep your eye on independent movie theaters all over the Bay Area; it will be showing in at least one of them relatively soon, because it always is. This morning though, a most exciting development emerged online: James Franco is starring as Wiseau in a movie about the making of \u003cem>The Room, \u003c/em>alongside his BFF, Seth Rogen\u003cem>.\u003c/em>\u003c/p>\n\u003cp>Based on the first teaser, it looks damn funny too:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=rir1WzZqwxE\u003c/p>\n\u003cp>Renowned workaholic Franco has a keen eye for, and understanding of, all forms of schlocky entertainment. Lest we forget that he was a regular guest star on daytime soap, \u003cem>General Hospital,\u003c/em> between 2009 and 2012. Over the course of 53 episodes, Franco played a serial killer/ graffiti guy/ modern artist named (ready?) Franco, who terrorized the city of Port Charles, in particular his long-lost brother, Jason. It is honestly one of the greatest things James Franco has ever done.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=BO4e71dqIXI\u003c/p>\n\u003cp>Point being, if anyone can do the legend that is Tommy Wiseau justice, it's James Franco. Sadly, we have to wait until December 8, 2017 for \u003ca href=\"http://www.imdb.com/title/tt3521126/?ref_=nv_sr_1\">\u003cem>The Disaster Artist\u003c/em>\u003c/a> to hit theaters. In the meantime, you can brush up on your \u003cem>The Room\u003c/em> knowledge by watching this:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=KmEHfX68sv8\u003c/p>\n\n",
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"content": "\u003cp>Over the weekend, news that British sci-fi hit \u003ca href=\"http://www.bbc.co.uk/programmes/b006q2x0\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Doctor Who\u003c/em>\u003c/a> would finally be welcoming its \u003ca href=\"https://www.youtube.com/watch?v=q1IczjLYCIM\" target=\"_blank\" rel=\"noopener noreferrer\">first female Doctor\u003c/a> threw the entire internet into a frenzy of both excitement and horror.\u003c/p>\n\u003cp>https://twitter.com/blankpaperstare/status/886945669063163904\u003c/p>\n\u003cp>For many, replacing the \u003ca href=\"https://en.wikipedia.org/wiki/Time_Lord\" target=\"_blank\" rel=\"noopener noreferrer\">Time Lord\u003c/a> with a Time Lady was a long-overdue step forward for a show that traditionally relegated female characters to sidekick roles. What many don't realize is that \u003cem>Doctor Who\u003c/em> has actually been a show that assisted women in breaking boundaries from the very start.\u003c/p>\n\u003cp>The program's creator, \u003ca href=\"https://en.wikipedia.org/wiki/Sydney_Newman\" target=\"_blank\" rel=\"noopener noreferrer\">Sydney Newman\u003c/a>, originally tried to introduce the idea of a female Doctor in the 1980s, as a way to revive the then-ailing show. The head of the BBC at the time shut the idea down—not terribly surprising given that \u003ca href=\"https://en.wikipedia.org/wiki/Peter_Davison\" target=\"_blank\" rel=\"noopener noreferrer\">Peter Davison\u003c/a>, who played the Doctor between 1981 and 1984, once publicly dismissed the idea of ever having a female lead, saying: \"It’s not as if you would have a female James Bond.\" (We'll see about that too, Davison!)\u003c/p>\n\u003cp>Newman's forward-thinking was also the reason he brought in the BBC's first ever female producer, \u003ca href=\"https://en.wikipedia.org/wiki/Verity_Lambert\" target=\"_blank\" rel=\"noopener noreferrer\">Verity Lambert\u003c/a>, to work on \u003cem>Doctor Who\u003c/em> in 1963. Newman later noted: \"‘I think the best thing I ever did... was to find Verity Lambert... She was gutsy.\" Lambert's important contributions were not forgotten. In 2002, she was awarded an OBE from Queen Elizabeth II for services to film and television production.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Lambert wasn't the only woman who was essential in \u003cem>Doctor Who\u003c/em>'s earliest days—that ear worm of a theme tune was created by an electronica pioneer named \u003ca href=\"https://en.wikipedia.org/wiki/Delia_Derbyshire\" target=\"_blank\" rel=\"noopener noreferrer\">Delia Derbyshire\u003c/a>. Though a man named \u003ca href=\"https://en.wikipedia.org/wiki/Ron_Grainer\" target=\"_blank\" rel=\"noopener noreferrer\">Ron Grainer\u003c/a> had written the score, Derbyshire so transformed it that Grainer was said to have asked her, \"Did I really write this?\" Derbyshire's arrangement stayed on the air, in its original form, for an impressive 17 years.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=75V4ClJZME4\u003c/p>\n\u003cp>Though Derbyshire was never formally credited by the BBC for her work on the theme tune, and received no royalties for it, what her forward-thinking approach to music did garner was a massive cult following, props from the likes of \u003ca href=\"http://www.delia-derbyshire.org/interview_surface.php\" target=\"_blank\" rel=\"noopener noreferrer\">Aphex Twin and Yoko Ono\u003c/a>, a fascinating \u003ca href=\"https://www.youtube.com/watch?v=MA6Fb0nuAYw\" target=\"_blank\" rel=\"noopener noreferrer\">documentary\u003c/a> about her life, and a street named after her in her hometown of Coventry, England.\u003c/p>\n\u003cp>Another pioneer in her field, \u003ca href=\"https://en.wikipedia.org/wiki/Judith_Merril\" target=\"_blank\" rel=\"noopener noreferrer\">Judith Merril\u003c/a> was a science fiction author who, in the late '70s and early '80s was given the task of dissecting \u003cem>Doctor Who\u003c/em> episodes directly after they had aired, for the BBC. Merril called herself the UnDoctor and would interview scientists and philosophers about various subjects raised in each episode. Merril not only got the opportunity to turn \u003cem>Doctor Who\u003c/em> into an educational experience, she clearly had a blast doing it.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=o9qdrgIk95k\u003c/p>\n\u003cp>By 2015, the roles for women on the show had so improved, \u003cem>Vanity Fair\u003c/em> declared \u003cem>Doctor Who\u003c/em> \u003ca href=\"http://www.vanityfair.com/hollywood/2015/12/doctor-who-finale-feminist-clara-tardis\" target=\"_blank\" rel=\"noopener noreferrer\">\"righteously feminist,\"\u003c/a> after an episode in which Clara Oswald and Ashildr take off in their own tardis. Strong, intelligent women have, in fact, shown up repeatedly since the show's 2005 re-boot. (See: Amy Pond, Rose Tyler, and Martha Jones.) [aside postid='pop_106360']\u003c/p>\n\u003cp>\u003cem>Doctor Who\u003c/em> has also been making strides forward in the sexuality stakes. It was praised earlier this year for introducing its first openly gay lead character (\u003ca href=\"http://tardis.wikia.com/wiki/Bill_Potts\" target=\"_blank\" rel=\"noopener noreferrer\">Bill Potts\u003c/a>), but has managed to approach sexuality in truly groundbreaking ways already. \u003cem>Doctor Who\u003c/em> has featured two \u003ca href=\"http://www.urbandictionary.com/define.php?term=omnisexual\" target=\"_blank\" rel=\"noopener noreferrer\">omnisexual\u003c/a> characters (the much-loved River Song and Captain Jack Harkness), as well as a married lesbian couple, \u003ca href=\"https://en.wikipedia.org/wiki/Madame_Vastra,_Jenny_Flint,_and_Strax\" target=\"_blank\" rel=\"noopener noreferrer\">Jenny Flint and Madam Vastra\u003c/a>, who also happen to be interspecies!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If the show was too male-dominated in the '70s and '80s (and it was), it's certainly more than making up for it now. Just as \u003cem>Star Trek\u003c/em> used science fiction as a means to break down taboos and social barriers (television's first \u003ca href=\"https://www.youtube.com/watch?v=9KGE7HYEie0\" target=\"_blank\" rel=\"noopener noreferrer\">interracial kiss\u003c/a>, anyone?), \u003cem>Doctor Who\u003c/em> is attempting to do the same at a much more rapid rate than anyone could have imagined in the show's early days. Now with its first female Doctor, that progress should be unstoppable.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Over the weekend, news that British sci-fi hit \u003ca href=\"http://www.bbc.co.uk/programmes/b006q2x0\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Doctor Who\u003c/em>\u003c/a> would finally be welcoming its \u003ca href=\"https://www.youtube.com/watch?v=q1IczjLYCIM\" target=\"_blank\" rel=\"noopener noreferrer\">first female Doctor\u003c/a> threw the entire internet into a frenzy of both excitement and horror.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>For many, replacing the \u003ca href=\"https://en.wikipedia.org/wiki/Time_Lord\" target=\"_blank\" rel=\"noopener noreferrer\">Time Lord\u003c/a> with a Time Lady was a long-overdue step forward for a show that traditionally relegated female characters to sidekick roles. What many don't realize is that \u003cem>Doctor Who\u003c/em> has actually been a show that assisted women in breaking boundaries from the very start.\u003c/p>\n\u003cp>The program's creator, \u003ca href=\"https://en.wikipedia.org/wiki/Sydney_Newman\" target=\"_blank\" rel=\"noopener noreferrer\">Sydney Newman\u003c/a>, originally tried to introduce the idea of a female Doctor in the 1980s, as a way to revive the then-ailing show. The head of the BBC at the time shut the idea down—not terribly surprising given that \u003ca href=\"https://en.wikipedia.org/wiki/Peter_Davison\" target=\"_blank\" rel=\"noopener noreferrer\">Peter Davison\u003c/a>, who played the Doctor between 1981 and 1984, once publicly dismissed the idea of ever having a female lead, saying: \"It’s not as if you would have a female James Bond.\" (We'll see about that too, Davison!)\u003c/p>\n\u003cp>Newman's forward-thinking was also the reason he brought in the BBC's first ever female producer, \u003ca href=\"https://en.wikipedia.org/wiki/Verity_Lambert\" target=\"_blank\" rel=\"noopener noreferrer\">Verity Lambert\u003c/a>, to work on \u003cem>Doctor Who\u003c/em> in 1963. Newman later noted: \"‘I think the best thing I ever did... was to find Verity Lambert... She was gutsy.\" Lambert's important contributions were not forgotten. In 2002, she was awarded an OBE from Queen Elizabeth II for services to film and television production.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Lambert wasn't the only woman who was essential in \u003cem>Doctor Who\u003c/em>'s earliest days—that ear worm of a theme tune was created by an electronica pioneer named \u003ca href=\"https://en.wikipedia.org/wiki/Delia_Derbyshire\" target=\"_blank\" rel=\"noopener noreferrer\">Delia Derbyshire\u003c/a>. Though a man named \u003ca href=\"https://en.wikipedia.org/wiki/Ron_Grainer\" target=\"_blank\" rel=\"noopener noreferrer\">Ron Grainer\u003c/a> had written the score, Derbyshire so transformed it that Grainer was said to have asked her, \"Did I really write this?\" Derbyshire's arrangement stayed on the air, in its original form, for an impressive 17 years.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/75V4ClJZME4'\n title='//www.youtube.com/embed/75V4ClJZME4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Though Derbyshire was never formally credited by the BBC for her work on the theme tune, and received no royalties for it, what her forward-thinking approach to music did garner was a massive cult following, props from the likes of \u003ca href=\"http://www.delia-derbyshire.org/interview_surface.php\" target=\"_blank\" rel=\"noopener noreferrer\">Aphex Twin and Yoko Ono\u003c/a>, a fascinating \u003ca href=\"https://www.youtube.com/watch?v=MA6Fb0nuAYw\" target=\"_blank\" rel=\"noopener noreferrer\">documentary\u003c/a> about her life, and a street named after her in her hometown of Coventry, England.\u003c/p>\n\u003cp>Another pioneer in her field, \u003ca href=\"https://en.wikipedia.org/wiki/Judith_Merril\" target=\"_blank\" rel=\"noopener noreferrer\">Judith Merril\u003c/a> was a science fiction author who, in the late '70s and early '80s was given the task of dissecting \u003cem>Doctor Who\u003c/em> episodes directly after they had aired, for the BBC. Merril called herself the UnDoctor and would interview scientists and philosophers about various subjects raised in each episode. Merril not only got the opportunity to turn \u003cem>Doctor Who\u003c/em> into an educational experience, she clearly had a blast doing it.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/o9qdrgIk95k'\n title='//www.youtube.com/embed/o9qdrgIk95k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>By 2015, the roles for women on the show had so improved, \u003cem>Vanity Fair\u003c/em> declared \u003cem>Doctor Who\u003c/em> \u003ca href=\"http://www.vanityfair.com/hollywood/2015/12/doctor-who-finale-feminist-clara-tardis\" target=\"_blank\" rel=\"noopener noreferrer\">\"righteously feminist,\"\u003c/a> after an episode in which Clara Oswald and Ashildr take off in their own tardis. Strong, intelligent women have, in fact, shown up repeatedly since the show's 2005 re-boot. (See: Amy Pond, Rose Tyler, and Martha Jones.) \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Doctor Who\u003c/em> has also been making strides forward in the sexuality stakes. It was praised earlier this year for introducing its first openly gay lead character (\u003ca href=\"http://tardis.wikia.com/wiki/Bill_Potts\" target=\"_blank\" rel=\"noopener noreferrer\">Bill Potts\u003c/a>), but has managed to approach sexuality in truly groundbreaking ways already. \u003cem>Doctor Who\u003c/em> has featured two \u003ca href=\"http://www.urbandictionary.com/define.php?term=omnisexual\" target=\"_blank\" rel=\"noopener noreferrer\">omnisexual\u003c/a> characters (the much-loved River Song and Captain Jack Harkness), as well as a married lesbian couple, \u003ca href=\"https://en.wikipedia.org/wiki/Madame_Vastra,_Jenny_Flint,_and_Strax\" target=\"_blank\" rel=\"noopener noreferrer\">Jenny Flint and Madam Vastra\u003c/a>, who also happen to be interspecies!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If the show was too male-dominated in the '70s and '80s (and it was), it's certainly more than making up for it now. Just as \u003cem>Star Trek\u003c/em> used science fiction as a means to break down taboos and social barriers (television's first \u003ca href=\"https://www.youtube.com/watch?v=9KGE7HYEie0\" target=\"_blank\" rel=\"noopener noreferrer\">interracial kiss\u003c/a>, anyone?), \u003cem>Doctor Who\u003c/em> is attempting to do the same at a much more rapid rate than anyone could have imagined in the show's early days. Now with its first female Doctor, that progress should be unstoppable.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Remembering George Romero, A Filmmaker Who Brought The Dead To Life",
"title": "Remembering George Romero, A Filmmaker Who Brought The Dead To Life",
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"content": "\u003cp>When horror film pioneer George Romero first released \u003cem>Night of the Living Dead\u003c/em> nearly 50 years ago, the critical response wasn't enthusiastic. \u003cem>The New York Times\u003c/em> \u003ca href=\"http://www.nytimes.com/movie/review?res=EE05E7DF1731B82CA6484CC2B779948D6896\" target=\"_blank\" rel=\"noopener noreferrer\">called it\u003c/a> \"a grainy little movie acted by what appear to be nonprofessional actors.\" But today, it's a cult classic — and one of many beloved movies Romero made over a decades-long career.\u003c/p>\n\u003cp>Romero, who \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/07/16/537589005/george-romero-night-of-the-living-dead-director-dies-at-77\" target=\"_blank\" rel=\"noopener noreferrer\">died Sunday\u003c/a> at age 77, made \u003cem>Night of the Living Dead\u003c/em> on a shoestring budget, working on the weekends. It showed corpses rising up to feast on the living and was known for graphic shots of zombies munching on body parts.\u003c/p>\n\u003cp>The film shocked audiences at the time. In 1988, Romero told \u003cem>Fresh Air\u003c/em>, \"I certainly didn't make \u003cem>Night of the Living Dead\u003c/em> for it to be shown at a kiddie matinee.\" (Though in an era before movie ratings were widely used, \u003ca href=\"http://www.rogerebert.com/reviews/the-night-of-the-living-dead-1968\" target=\"_blank\" rel=\"noopener noreferrer\">that's exactly what happened\u003c/a>.)\u003c/p>\n\u003cp>After \u003cem>Night of the Living Dead\u003c/em>, Romero directed several sequels, including \u003cem>Dawn of the Dead\u003c/em> (1978)\u003cem>, \u003c/em>\u003cem>Day of the Dead (1985) \u003c/em>and \u003cem>Land of the Dead \u003c/em>(2005)\u003cem>. \u003c/em>He also directed \u003cem>Martin \u003c/em>(1978), about a teenager who thinks he's a vampire, and executive produced \u003cem>The Crazies\u003c/em> (2010), in which the residents of a small town in Iowa suddenly start going insane.\u003c/p>\n\u003cp>Below are excerpts from his 1988 interview.\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On teaching film extras to walk like zombies\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The moment when you have 40 people in makeup looking at you and you're trying to direct them and tell them what you want them to do — if you make the slightest little arm movement in the next shot, everyone makes that arm movement. So I pretty much leave it up to them and ask them to do whatever they think a zombie might do if it had just recently come back [from the dead] and had stiff limbs. ... Because truly, if you demonstrate at all, then all of a sudden you get everyone doing exactly that, and the only way that I've found to keep everyone doing their own thing is to let them do whatever they want to do.\u003c/p>\n\u003cp>\u003cstrong>On the bright red stage blood he used in \u003cem>Dawn of the Dead\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>I liked it. And Tom [Savini, the film's special-effects artist,] and I will always argue about it because I like the fact that it looked comic book. Tom felt it looked too bright red, it didn't look real; and I feel that that helps ease the pain a little bit, the fact that it was more comic book.\u003c/p>\n\u003cp>\u003cstrong>On what drew him to horror films when he was growing up\u003c/strong>\u003c/p>\n\u003cp>I liked them principally because they scared me. They were the most fun for me, I think, because the things that scare me in real life are always the more realistic things — the fear that someone might drop a bomb on my head. ... When I was growing up, I actually went through, in New York City, blackouts when we had to close the windows and worry about air raids. I don't know whether or not those were realistic worries or not, but as a kid, when we all had to run around pulling down the drapes and turning the lights off, it was a very frightening experience. ... I remember when John Cameron Swayze over the television told me personally that the Russians now had the atomic bomb; then I knew that we were goners.\u003c/p>\n\u003cp>\u003cstrong>On being arrested while making a movie when he was 14 years old\u003c/strong>\u003c/p>\n\u003cp>I grew up in New York City. And I lived in the Bronx in a place called Parkchester. And I was shooting with my uncle's 8 mm camera, and I was making a movie called \u003cem>The Man From the Meteor\u003c/em>. And the man from the meteor was ultimately shot with his own ray gun and fell flaming off the roof where I lived, in Parkchester. And I set fire to a little dummy and dropped it off the roof, having failed to contact the police and let them know I was going to do this. And so, yeah, I was hauled away by the police and my parents were called. It wasn't a serious arrest, I didn't have to spend the night in jail or anything.\u003c/p>\n\u003cp>\u003cstrong>On whether there's anything he'd be too squeamish to film\u003c/strong>\u003c/p>\n\u003cp>I couldn't shoot news, I don't think. I mean, again, it comes back to that. I don't think I would want to cover Vietnam. I don't think I could do it. In the context of fiction, I'm not bothered by it because, I guess, I feel that it's safe. And I'm always actually a little bit alarmed by the way that people react to it. I'm more alarmed by people reacting violently to the violence in my films than I am by the violence in films.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Bridget Bentz, Molly Seavy-Nesper and Nicole Cohen adapted this interview for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Remembering+George+Romero%2C+A+Filmmaker+Who+Brought+The+Dead+To+Life&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When horror film pioneer George Romero first released \u003cem>Night of the Living Dead\u003c/em> nearly 50 years ago, the critical response wasn't enthusiastic. \u003cem>The New York Times\u003c/em> \u003ca href=\"http://www.nytimes.com/movie/review?res=EE05E7DF1731B82CA6484CC2B779948D6896\" target=\"_blank\" rel=\"noopener noreferrer\">called it\u003c/a> \"a grainy little movie acted by what appear to be nonprofessional actors.\" But today, it's a cult classic — and one of many beloved movies Romero made over a decades-long career.\u003c/p>\n\u003cp>Romero, who \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/07/16/537589005/george-romero-night-of-the-living-dead-director-dies-at-77\" target=\"_blank\" rel=\"noopener noreferrer\">died Sunday\u003c/a> at age 77, made \u003cem>Night of the Living Dead\u003c/em> on a shoestring budget, working on the weekends. It showed corpses rising up to feast on the living and was known for graphic shots of zombies munching on body parts.\u003c/p>\n\u003cp>The film shocked audiences at the time. In 1988, Romero told \u003cem>Fresh Air\u003c/em>, \"I certainly didn't make \u003cem>Night of the Living Dead\u003c/em> for it to be shown at a kiddie matinee.\" (Though in an era before movie ratings were widely used, \u003ca href=\"http://www.rogerebert.com/reviews/the-night-of-the-living-dead-1968\" target=\"_blank\" rel=\"noopener noreferrer\">that's exactly what happened\u003c/a>.)\u003c/p>\n\u003cp>After \u003cem>Night of the Living Dead\u003c/em>, Romero directed several sequels, including \u003cem>Dawn of the Dead\u003c/em> (1978)\u003cem>, \u003c/em>\u003cem>Day of the Dead (1985) \u003c/em>and \u003cem>Land of the Dead \u003c/em>(2005)\u003cem>. \u003c/em>He also directed \u003cem>Martin \u003c/em>(1978), about a teenager who thinks he's a vampire, and executive produced \u003cem>The Crazies\u003c/em> (2010), in which the residents of a small town in Iowa suddenly start going insane.\u003c/p>\n\u003cp>Below are excerpts from his 1988 interview.\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On teaching film extras to walk like zombies\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The moment when you have 40 people in makeup looking at you and you're trying to direct them and tell them what you want them to do — if you make the slightest little arm movement in the next shot, everyone makes that arm movement. So I pretty much leave it up to them and ask them to do whatever they think a zombie might do if it had just recently come back [from the dead] and had stiff limbs. ... Because truly, if you demonstrate at all, then all of a sudden you get everyone doing exactly that, and the only way that I've found to keep everyone doing their own thing is to let them do whatever they want to do.\u003c/p>\n\u003cp>\u003cstrong>On the bright red stage blood he used in \u003cem>Dawn of the Dead\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>I liked it. And Tom [Savini, the film's special-effects artist,] and I will always argue about it because I like the fact that it looked comic book. Tom felt it looked too bright red, it didn't look real; and I feel that that helps ease the pain a little bit, the fact that it was more comic book.\u003c/p>\n\u003cp>\u003cstrong>On what drew him to horror films when he was growing up\u003c/strong>\u003c/p>\n\u003cp>I liked them principally because they scared me. They were the most fun for me, I think, because the things that scare me in real life are always the more realistic things — the fear that someone might drop a bomb on my head. ... When I was growing up, I actually went through, in New York City, blackouts when we had to close the windows and worry about air raids. I don't know whether or not those were realistic worries or not, but as a kid, when we all had to run around pulling down the drapes and turning the lights off, it was a very frightening experience. ... I remember when John Cameron Swayze over the television told me personally that the Russians now had the atomic bomb; then I knew that we were goners.\u003c/p>\n\u003cp>\u003cstrong>On being arrested while making a movie when he was 14 years old\u003c/strong>\u003c/p>\n\u003cp>I grew up in New York City. And I lived in the Bronx in a place called Parkchester. And I was shooting with my uncle's 8 mm camera, and I was making a movie called \u003cem>The Man From the Meteor\u003c/em>. And the man from the meteor was ultimately shot with his own ray gun and fell flaming off the roof where I lived, in Parkchester. And I set fire to a little dummy and dropped it off the roof, having failed to contact the police and let them know I was going to do this. And so, yeah, I was hauled away by the police and my parents were called. It wasn't a serious arrest, I didn't have to spend the night in jail or anything.\u003c/p>\n\u003cp>\u003cstrong>On whether there's anything he'd be too squeamish to film\u003c/strong>\u003c/p>\n\u003cp>I couldn't shoot news, I don't think. I mean, again, it comes back to that. I don't think I would want to cover Vietnam. I don't think I could do it. In the context of fiction, I'm not bothered by it because, I guess, I feel that it's safe. And I'm always actually a little bit alarmed by the way that people react to it. I'm more alarmed by people reacting violently to the violence in my films than I am by the violence in films.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Bridget Bentz, Molly Seavy-Nesper and Nicole Cohen adapted this interview for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Remembering+George+Romero%2C+A+Filmmaker+Who+Brought+The+Dead+To+Life&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
"id": "science-friday",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
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