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"content": "\u003cp>Official music videos for five songs from Prince's iconic album \u003cem>Purple Rain\u003c/em> appeared on YouTube and Vevo Friday, the latest event in a general expansion of the availability of the Purple One's music since his death more than a year ago. An official Prince channel on \u003ca href=\"https://www.youtube.com/channel/UCv3mNSNjuWldihk1DUdnGtw\" target=\"_blank\" rel=\"noopener noreferrer\">each\u003c/a> \u003ca href=\"https://www.vevo.com/artist/prince\" target=\"_blank\" rel=\"noopener noreferrer\">site\u003c/a> now features music videos for the singles \"When Doves Cry\" and \"Let's Go Crazy,\" along with electric live performance clips of \"Take Me With U,\" \"I Would Die 4 U\" and a ridiculously funky, 13-minute version of \"Baby I'm A Star.\"\u003c/p>\n\u003cp>While he was alive, Prince was notoriously protective of his music and meticulous about scrubbing fan-generated videos from the Internet. (The Supreme Court recently \u003ca href=\"http://www.hollywoodreporter.com/thr-esq/supreme-court-turns-down-dancing-baby-copyright-case-1014641\">decided not to hear an appeal\u003c/a> in a dispute over the 2007 takedown of a 30-second \u003ca href=\"https://www.youtube.com/watch?v=N1KfJHFWlhQ\">video of a baby dancing\u003c/a> to \"Let's Go Crazy.\") But since his death last April, Prince's music has gradually become more accessible on the web. His Warner Brothers catalog, including his biggest hits, returned to major streaming services like Spotify and Apple Music in February, and previously unreleased material — \u003ca href=\"http://www.npr.org/sections/therecord/2017/04/20/524886598/deliverance-denied-release-of-posthumous-prince-record-stopped-by-judge\" target=\"_blank\" rel=\"noopener noreferrer\">some unsanctioned\u003c/a> — has been trickling out.\u003c/p>\n\u003cp>These videos' official appearance comes two weeks after Warner Bros.' release of the 30th-anniversary deluxe version of \u003cem>Purple Rain, \u003c/em>which includes a full disc of songs newly uncovered from Prince's famed Paisley Park vault. The reissue \u003ca href=\"http://www.billboard.com/articles/columns/chart-beat/7857763/prince-purple-rain-reissue-top-five-albums-chart-billboard-200\" target=\"_blank\" rel=\"noopener noreferrer\">debuted at No. 4\u003c/a> in the \u003cem>Billboard 200\u003c/em>.\u003c/p>\n\u003cp>And there's more good news for Prince fans: A representative for Warner Bros. records confirmed to NPR in an email that more Prince videos are on their way. But for now, fans have this handful of clips of some of his best-known work, a selection that represents The Revolution and their leader in their prime.\u003c/p>\n\u003cp>So if this week the elevator tries to break you down — go crazy.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Watch the Videos:\u003c/p>\n\u003cp>\"Let's Go Crazy\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=aXJhDltzYVQ\u003c/p>\n\u003cp>\"When Doves Cry\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=UG3VcCAlUgE\u003c/p>\n\u003cp>\"I Would Die 4 U (Live)\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=1&v=SVEFRQavTNI\u003c/p>\n\u003cp>\"Baby I'm A Star (Live)\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=9Lgf2VU_M70\u003c/p>\n\u003cp>\"Take Me With U (Live)\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=c80mYF6dR7s\u003c/p>\n\u003cp>\"When Doves Cry (Extended Version)\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=2&v=IUc0R8bbWQE\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Prince%27s+Music+Videos+Are+Back+Online&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cp>Due to the space-time continuum and physics and stuff, we will all \u003ca href=\"http://media.giphy.com/media/tuY8ESmFTMxlm/giphy.gif\">wake up one day\u003c/a> and something will alert us to a \u003ca href=\"http://www.breatheheavy.com/wp-content/uploads/2015/09/spice-girls_scream.gif\">distressing\u003c/a> bit of news: \u003ca href=\"http://images6.fanpop.com/image/photos/32600000/Freaky-Friday-freaky-friday-32605392-245-220.gif\">we are old\u003c/a>. Maybe it's finding that first white hair, or changing your bedtime to 10pm, or not being able to drink without a hangover. Maybe it's a post telling you that the Spice Girls' \"Wannabe\" is old enough to legally drink in this country.\u003c/p>\n\u003cp>It feels like only yesterday that we were all \u003ca href=\"http://www.kittynpink.com/wp-content/uploads/2010/09/spice_girls_lollipops_003.png\">chomping down on those Chupa-Chups\u003c/a>, inadvertently becoming girl power feminists, and fighting over who got to be which Spice Girl (\u003ca href=\"https://img.buzzfeed.com/buzzfeed-static/static/2014-01/enhanced/webdr07/22/18/enhanced-buzz-20417-1390432166-18.jpg\">even Aaliyah and Nicole Richie got in on this\u003c/a>), yet here we are all elderly, still in love with this song. But no matter; all it takes is watching the music video that started it all to feel young again. Take a little time to zigazig-ah (and wonder how they got away with so many nipples in this video):\u003c/p>\n\u003cp>http://youtu.be/gJLIiF15wjQ\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/07/08/wannabe-turns-18-today-and-youve-never-been-older/melb/\" rel=\"attachment wp-att-12804\">\u003cimg class=\"aligncenter size-full wp-image-12804\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/07/MELB.gif\" alt=\"MELB\" width=\"383\" height=\"288\">\u003c/a>\u003c/p>\n\u003cp>And, while we're at it, let's watch celebrities like Nicole Kidman, Riz Ahmed, and others perform the song in honor of its anniversary:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=aX_EdMAFXLg\u003c/p>\n\u003cp>And this wonderful women's rights-focused remix video, produced by the Global Goals movement:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=sZQ2RUFd54o\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Time sure does fly when you're spicing up your life...\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Due to the space-time continuum and physics and stuff, we will all \u003ca href=\"http://media.giphy.com/media/tuY8ESmFTMxlm/giphy.gif\">wake up one day\u003c/a> and something will alert us to a \u003ca href=\"http://www.breatheheavy.com/wp-content/uploads/2015/09/spice-girls_scream.gif\">distressing\u003c/a> bit of news: \u003ca href=\"http://images6.fanpop.com/image/photos/32600000/Freaky-Friday-freaky-friday-32605392-245-220.gif\">we are old\u003c/a>. Maybe it's finding that first white hair, or changing your bedtime to 10pm, or not being able to drink without a hangover. Maybe it's a post telling you that the Spice Girls' \"Wannabe\" is old enough to legally drink in this country.\u003c/p>\n\u003cp>It feels like only yesterday that we were all \u003ca href=\"http://www.kittynpink.com/wp-content/uploads/2010/09/spice_girls_lollipops_003.png\">chomping down on those Chupa-Chups\u003c/a>, inadvertently becoming girl power feminists, and fighting over who got to be which Spice Girl (\u003ca href=\"https://img.buzzfeed.com/buzzfeed-static/static/2014-01/enhanced/webdr07/22/18/enhanced-buzz-20417-1390432166-18.jpg\">even Aaliyah and Nicole Richie got in on this\u003c/a>), yet here we are all elderly, still in love with this song. But no matter; all it takes is watching the music video that started it all to feel young again. Take a little time to zigazig-ah (and wonder how they got away with so many nipples in this video):\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gJLIiF15wjQ'\n title='//www.youtube.com/embed/gJLIiF15wjQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/07/08/wannabe-turns-18-today-and-youve-never-been-older/melb/\" rel=\"attachment wp-att-12804\">\u003cimg class=\"aligncenter size-full wp-image-12804\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/07/MELB.gif\" alt=\"MELB\" width=\"383\" height=\"288\">\u003c/a>\u003c/p>\n\u003cp>And, while we're at it, let's watch celebrities like Nicole Kidman, Riz Ahmed, and others perform the song in honor of its anniversary:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/aX_EdMAFXLg'\n title='//www.youtube.com/embed/aX_EdMAFXLg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And this wonderful women's rights-focused remix video, produced by the Global Goals movement:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sZQ2RUFd54o'\n title='//www.youtube.com/embed/sZQ2RUFd54o'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>Time sure does fly when you're spicing up your life...\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Remembering Sheila Michaels, the Feminist Who Popularized the Term 'Ms.'",
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"content": "\u003cp>How much thought have you ever given the term 'Ms.'? If your answer is not much, you're probably not alone. We see this pairing of two letters and a dot and assume it's always existed on forms beside Mr. and Mrs. and Miss. But the signifier has a shorter history than you'd imagine, one that holds Sheila Michaels -- who \u003ca href=\"https://www.theguardian.com/lifeandstyle/2017/jul/07/sheila-michaels-who-brought-ms-into-mainstream-dies-aged-78\">died on June 22, 2017\u003c/a> at the age of 78 -- in its center.\u003c/p>\n\u003cp>Michaels assumed many forms in her life -- New York cabbie, Japanese restaurateur, civil-rights organizer, newspaper editor, oral historian -- but one thing remained fixed: her unapologetic commitment to challenging entrenched misogynist and racist norms.\u003c/p>\n\u003cp>Her revolutionary streak revealed itself early on -- she was expelled from the College of William and Mary partly because of her anti-segregation editorials in the campus newspaper -- and became more and more pronounced as the years went on.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=jkFrOh4HAEg\u003c/p>\n\u003cp>In 1961, an issue of a Marxist magazine \u003cem>News & Letters\u003c/em> caught Michaels' eye. Addressed to her roommate, fellow civil-rights worker Mari Hamilton, the label read: Ms. Mari Hamilton. Michaels assumed the honorific was a typo, but she soon learned the term actually had roots as far back as 1901, but had largely fallen out of use. “Apparently, it was in use in stenographic books for a while,” Michaels \u003ca href=\"https://www.nytimes.com/2017/07/06/us/sheila-michaels-ms-title-dies-at-78.html\">told the \u003cem>New York Times\u003c/em>\u003c/a>. “I had never seen it before. It was kind of arcane knowledge.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Back then, women fell in two categories: Miss (which implied a woman was unwed and still belonged to her father) and Mrs. (which implied that a woman had finally served her function and gotten married). Both terms obscure the very person they're meant to signify with the shadows of men.\u003c/p>\n\u003cp>Upon discovering 'Ms.' on her roommate's mail, Michaels saw an opportunity to introduce a symbol that could serve as a solution to this identity crisis, and broadcast a reality some weren't yet comfortable with: women -- whether single, married, divorced, widowed -- are in charge of their own lives, men or no men.\u003c/p>\n\u003cp>But not everyone was as excited about Michael's lexical idea, not even her fellow feminists, who believed there were bigger battles worth fighting.\u003c/p>\n\u003cp>\"It was terribly frustrating, because no one wanted to hear about it,\" Michaels remembered. \"There was no feminist movement in 1961, and so no one to listen. I couldn't just go ahead and call myself 'Ms.' without spending every hour of every day explaining myself and being laughed at, to boot. I had to learn to be brave.\"\u003c/p>\n\u003cfigure id=\"attachment_90580\" class=\"wp-caption alignright\" style=\"max-width: 340px\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280.jpg\">\u003cimg class=\"wp-image-90580\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-1020x1391.jpg\" alt=\"\" width=\"340\" height=\"464\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-1020x1391.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-160x218.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-800x1091.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-768x1047.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-1180x1609.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-960x1309.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-240x327.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-375x511.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-520x709.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280.jpg 1280w\" sizes=\"(max-width: 340px) 100vw, 340px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">One of the first issues of Ms.\u003c/figcaption>\u003c/figure>\n\u003cp id=\"story-continues-5\" class=\"story-body-text story-content\">And she remained brave for the rest of the decade, even when she was disowned by her own family as a result of her activism. Finally, in 1969, people were finally ready to hear what Michaels had been saying for so long. While representing a far-left women's rights group called the Feminists on a New York radio show, Michaels once again pitched her idea of using the term to reclaim a woman's autonomy and identity.\u003c/p>\n\u003cp class=\"story-body-text story-content\">Around this time, Gloria Steinem was on the hunt for a name for her progressive feminist magazine, and was informed by a friend of what Michaels had said on the radio. The rest is herstory: the magazine, titled \u003cem>Ms.\u003c/em>, debuted in 1971, the \u003cem>New York Times\u003c/em> adopted the term in 1986, and 'Ms.' is now widely-used in the English-speaking world.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp class=\"story-body-text story-content\">Did 'Ms.' suddenly bring about gender equality? Of course not, but every single step toward that end matters. 'Ms.' isn't just an added option on a government form; it's a rallying cry that declares, in no uncertain terms: \u003cem>Women belong to themselves\u003c/em>. And we have Sheila Michaels to thank for that.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>How much thought have you ever given the term 'Ms.'? If your answer is not much, you're probably not alone. We see this pairing of two letters and a dot and assume it's always existed on forms beside Mr. and Mrs. and Miss. But the signifier has a shorter history than you'd imagine, one that holds Sheila Michaels -- who \u003ca href=\"https://www.theguardian.com/lifeandstyle/2017/jul/07/sheila-michaels-who-brought-ms-into-mainstream-dies-aged-78\">died on June 22, 2017\u003c/a> at the age of 78 -- in its center.\u003c/p>\n\u003cp>Michaels assumed many forms in her life -- New York cabbie, Japanese restaurateur, civil-rights organizer, newspaper editor, oral historian -- but one thing remained fixed: her unapologetic commitment to challenging entrenched misogynist and racist norms.\u003c/p>\n\u003cp>Her revolutionary streak revealed itself early on -- she was expelled from the College of William and Mary partly because of her anti-segregation editorials in the campus newspaper -- and became more and more pronounced as the years went on.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/jkFrOh4HAEg'\n title='//www.youtube.com/embed/jkFrOh4HAEg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In 1961, an issue of a Marxist magazine \u003cem>News & Letters\u003c/em> caught Michaels' eye. Addressed to her roommate, fellow civil-rights worker Mari Hamilton, the label read: Ms. Mari Hamilton. Michaels assumed the honorific was a typo, but she soon learned the term actually had roots as far back as 1901, but had largely fallen out of use. “Apparently, it was in use in stenographic books for a while,” Michaels \u003ca href=\"https://www.nytimes.com/2017/07/06/us/sheila-michaels-ms-title-dies-at-78.html\">told the \u003cem>New York Times\u003c/em>\u003c/a>. “I had never seen it before. It was kind of arcane knowledge.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Back then, women fell in two categories: Miss (which implied a woman was unwed and still belonged to her father) and Mrs. (which implied that a woman had finally served her function and gotten married). Both terms obscure the very person they're meant to signify with the shadows of men.\u003c/p>\n\u003cp>Upon discovering 'Ms.' on her roommate's mail, Michaels saw an opportunity to introduce a symbol that could serve as a solution to this identity crisis, and broadcast a reality some weren't yet comfortable with: women -- whether single, married, divorced, widowed -- are in charge of their own lives, men or no men.\u003c/p>\n\u003cp>But not everyone was as excited about Michael's lexical idea, not even her fellow feminists, who believed there were bigger battles worth fighting.\u003c/p>\n\u003cp>\"It was terribly frustrating, because no one wanted to hear about it,\" Michaels remembered. \"There was no feminist movement in 1961, and so no one to listen. I couldn't just go ahead and call myself 'Ms.' without spending every hour of every day explaining myself and being laughed at, to boot. I had to learn to be brave.\"\u003c/p>\n\u003cfigure id=\"attachment_90580\" class=\"wp-caption alignright\" style=\"max-width: 340px\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280.jpg\">\u003cimg class=\"wp-image-90580\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-1020x1391.jpg\" alt=\"\" width=\"340\" height=\"464\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-1020x1391.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-160x218.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-800x1091.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-768x1047.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-1180x1609.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-960x1309.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-240x327.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-375x511.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280-520x709.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/tumblr_m5k9ulgGYR1rvlmeyo1_1280.jpg 1280w\" sizes=\"(max-width: 340px) 100vw, 340px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">One of the first issues of Ms.\u003c/figcaption>\u003c/figure>\n\u003cp id=\"story-continues-5\" class=\"story-body-text story-content\">And she remained brave for the rest of the decade, even when she was disowned by her own family as a result of her activism. Finally, in 1969, people were finally ready to hear what Michaels had been saying for so long. While representing a far-left women's rights group called the Feminists on a New York radio show, Michaels once again pitched her idea of using the term to reclaim a woman's autonomy and identity.\u003c/p>\n\u003cp class=\"story-body-text story-content\">Around this time, Gloria Steinem was on the hunt for a name for her progressive feminist magazine, and was informed by a friend of what Michaels had said on the radio. The rest is herstory: the magazine, titled \u003cem>Ms.\u003c/em>, debuted in 1971, the \u003cem>New York Times\u003c/em> adopted the term in 1986, and 'Ms.' is now widely-used in the English-speaking world.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp class=\"story-body-text story-content\">Did 'Ms.' suddenly bring about gender equality? Of course not, but every single step toward that end matters. 'Ms.' isn't just an added option on a government form; it's a rallying cry that declares, in no uncertain terms: \u003cem>Women belong to themselves\u003c/em>. And we have Sheila Michaels to thank for that.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Kesha's Comeback Single \"Praying\" is Astonishingly Good (and a Little Depressing)",
"title": "Kesha's Comeback Single \"Praying\" is Astonishingly Good (and a Little Depressing)",
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"content": "\u003cp>Yesterday, we celebrated Kesha's \u003ca href=\"https://ww2.kqed.org/pop/2017/07/05/get-ready-to-bathe-in-glitter-because-kesha-is-staging-a-comeback/\">imminent return\u003c/a>, and kept our fingers crossed that this was really, really happening. Today, everything we have ever wanted from a Kesha single crashed into our computer screens, in an explosive glittery rainbow of defiance and healing and... holy crap, who knew Kesha could sing like \u003cem>that\u003c/em>?!\u003c/p>\n\u003cp>Here is the emotional rollercoaster that is \"Praying.\"\u003cbr>\n\u003cem>(Content warning: Watching this video may result in both chills and tears.)\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=v-Dur3uXXCQ\u003c/p>\n\u003cp>Sure, the first minute \u003ca href=\"https://www.youtube.com/watch?v=QxsmWxxouIM\">borrows\u003c/a> shamelessly from Beyoncé's \u003cem>Lemonade\u003c/em> (spoken word, asking God rhetorical questions, black and white, slow motion, \u003ca href=\"https://www.youtube.com/watch?v=WDZJPJV__bQ\">lying on submerged structures\u003c/a> in large bodies of water, etc.), but \"Praying\" is undeniably powerful.\u003c/p>\n\u003cp>Its impact doesn't just lie in the fact that it is a perfect ballad (which it is). There is extra weight here because the world already knows exactly who and what this is all about. Kesha doesn't have to tell us her backstory on this track because we all already know it. Instead, she describes how she has survived and what she intends to do now -- \u003cem>\"When I'm finished, they won't even know your name\"\u003c/em> packs the kind of punch one can only accumulate after multiple years of emotional trauma and futile legal wranglings.\u003c/p>\n\u003cfigure id=\"attachment_90362\" class=\"wp-caption alignright\" style=\"max-width: 225px\">\u003cimg class=\"size-full wp-image-90362\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/download.jpg\" alt=\"\" width=\"225\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/download.jpg 225w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-150x150.jpg 150w\" sizes=\"(max-width: 225px) 100vw, 225px\">\u003cfigcaption class=\"wp-caption-text\">'Rainbow' album cover\u003c/figcaption>\u003c/figure>\n\u003cp>Depressingly,\u003ca href=\"https://www.buzzfeed.com/claudiarosenbaum/kesha-contract-new-album?utm_term=.mavJ755OJ#.hqo5Vwwb5\"> Buzzfeed reported \u003c/a>earlier today that Kesha has not, in fact, been able to free herself from her ties with Dr. Luke and that \"she has not succeeded on any legal claim or motion to avoid them.\" This means that upcoming album, \u003cem>Rainbow\u003c/em> (due out August 11) -- her first since 2012's \u003cem>Warrior\u003c/em> -- will be just one of three more albums required before she can get out of her contract with her alleged abuser.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Dr. Luke's legal team stated this morning: \"As legally required all along, [\u003cem>Rainbow\u003c/em>] was released with Dr. Luke's approval by Kemosabe, which is a joint venture label of Dr. Luke and Sony.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Kesha needing to get Dr. Luke's approval before she can release a song about Dr. Luke isn't just ironic, it's horrifying. But it remains thrilling to see Kesha's spirit will not be bowed by all of the problems that have befallen her and the deeply problematic working conditions she finds herself in.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Yesterday, we celebrated Kesha's \u003ca href=\"https://ww2.kqed.org/pop/2017/07/05/get-ready-to-bathe-in-glitter-because-kesha-is-staging-a-comeback/\">imminent return\u003c/a>, and kept our fingers crossed that this was really, really happening. Today, everything we have ever wanted from a Kesha single crashed into our computer screens, in an explosive glittery rainbow of defiance and healing and... holy crap, who knew Kesha could sing like \u003cem>that\u003c/em>?!\u003c/p>\n\u003cp>Here is the emotional rollercoaster that is \"Praying.\"\u003cbr>\n\u003cem>(Content warning: Watching this video may result in both chills and tears.)\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/v-Dur3uXXCQ'\n title='//www.youtube.com/embed/v-Dur3uXXCQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Sure, the first minute \u003ca href=\"https://www.youtube.com/watch?v=QxsmWxxouIM\">borrows\u003c/a> shamelessly from Beyoncé's \u003cem>Lemonade\u003c/em> (spoken word, asking God rhetorical questions, black and white, slow motion, \u003ca href=\"https://www.youtube.com/watch?v=WDZJPJV__bQ\">lying on submerged structures\u003c/a> in large bodies of water, etc.), but \"Praying\" is undeniably powerful.\u003c/p>\n\u003cp>Its impact doesn't just lie in the fact that it is a perfect ballad (which it is). There is extra weight here because the world already knows exactly who and what this is all about. Kesha doesn't have to tell us her backstory on this track because we all already know it. Instead, she describes how she has survived and what she intends to do now -- \u003cem>\"When I'm finished, they won't even know your name\"\u003c/em> packs the kind of punch one can only accumulate after multiple years of emotional trauma and futile legal wranglings.\u003c/p>\n\u003cfigure id=\"attachment_90362\" class=\"wp-caption alignright\" style=\"max-width: 225px\">\u003cimg class=\"size-full wp-image-90362\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/download.jpg\" alt=\"\" width=\"225\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/download.jpg 225w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/download-150x150.jpg 150w\" sizes=\"(max-width: 225px) 100vw, 225px\">\u003cfigcaption class=\"wp-caption-text\">'Rainbow' album cover\u003c/figcaption>\u003c/figure>\n\u003cp>Depressingly,\u003ca href=\"https://www.buzzfeed.com/claudiarosenbaum/kesha-contract-new-album?utm_term=.mavJ755OJ#.hqo5Vwwb5\"> Buzzfeed reported \u003c/a>earlier today that Kesha has not, in fact, been able to free herself from her ties with Dr. Luke and that \"she has not succeeded on any legal claim or motion to avoid them.\" This means that upcoming album, \u003cem>Rainbow\u003c/em> (due out August 11) -- her first since 2012's \u003cem>Warrior\u003c/em> -- will be just one of three more albums required before she can get out of her contract with her alleged abuser.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Dr. Luke's legal team stated this morning: \"As legally required all along, [\u003cem>Rainbow\u003c/em>] was released with Dr. Luke's approval by Kemosabe, which is a joint venture label of Dr. Luke and Sony.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Kesha needing to get Dr. Luke's approval before she can release a song about Dr. Luke isn't just ironic, it's horrifying. But it remains thrilling to see Kesha's spirit will not be bowed by all of the problems that have befallen her and the deeply problematic working conditions she finds herself in.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Rob Kardashian's Treatment of Blac Chyna Isn't a Slice of Reality TV Drama, It's Illegal",
"title": "Rob Kardashian's Treatment of Blac Chyna Isn't a Slice of Reality TV Drama, It's Illegal",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>This week, Rob Kardashian and Blac Chyna aired all of their dirty laundry on social media. In the midst of their horrifying online exchanges, Blac Chyna alleged that Rob Kardashian had physically abused her. The allegation didn't seem particularly unfeasible given everything else that was going on.\u003c/p>\n\u003cp>After enduring online verbal abuse from her ex -- relating to her sex life, spending habits, recreational activities, and parenting (among other things) -- the father of her second child went on to post photos of her that were so explicit, Instagram had to take them down. Twice. Eventually, the photo-sharing app was forced to\u003ca href=\"http://www.tmz.com/2017/07/05/rob-kardashian-instagram-page-shut-down-tweets-blac-chyna-nudes/\"> \u003c/a>\u003ca href=\"http://www.tmz.com/2017/07/05/rob-kardashian-instagram-page-shut-down-tweets-blac-chyna-nudes/\">shut Kardashian's entire account down\u003c/a> to make him stop posting revenge porn.\u003c/p>\n\u003cp>While the dirty laundry aired by Kardashian online is shocking even by 2017 standards (even Snoop Dogg felt the need to \u003ca href=\"https://www.youtube.com/watch?v=we2l4GEQYyY\">weigh in\u003c/a>), what isn't new is Rob's penchant for misogyny. The youngest Kardashian has a long and well-documented history when it comes to hating, and attempting to shame, women -- including his sisters.\u003c/p>\n\u003cp>Rob has been a regular on his family's reality TV hit, \u003cem>Keeping Up With the Kardashians\u003c/em>, on and off since it launched in 2007. It has been difficult in that time not to notice the vernacular he uses any time he has a disagreement with one of his sisters -- his go-to word has consistently been \u003ca href=\"https://www.youtube.com/watch?v=vshHTXWzT-U\">\"whore.\"\u003c/a> The show has also effectively demonstrated that when Rob Kardashian is triggered, he lashes out quickly, aggressively, and in a manner that is usually startlingly uncalled for.\u003c/p>\n\u003cp>Even when his relationship with Chyna was happy, Kardashian referred to his baby mama in objectifying and dehumanizing ways online, most memorably:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-90172\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/article-rob-0224.jpg\" alt=\"\" width=\"250\" height=\"202\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/article-rob-0224.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/article-rob-0224-160x129.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/article-rob-0224-240x194.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/article-rob-0224-375x303.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/article-rob-0224-520x420.jpg 520w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/p>\n\u003cp>Little surprise then, that Kardashian is also a prolific slut-shamer. In his most recent rants about Blac Chyna, he said: \"She everybody’s and it’s been that way.\" He once told Kim: \u003ca href=\"https://www.youtube.com/watch?v=3z3msnEwNes\">\"I hope your sex tape haunts you for the rest of your life.\"\u003c/a> Another of Rob's exes, Adrienne Bailon, recently noted on an episode of \u003ca href=\"http://www.eonline.com/news/796608/adrienne-bailon-clears-up-past-rob-kardashian-rumors-i-absolutely-never-cheated\">\u003cem>The Real\u003c/em>\u003c/a>: \"I absolutely never cheated on Rob... And the way it's said—it's like, 'She slept with mad people.' I'm like, 'Uh, I can't speak for anybody else, but I can assure [you] that was not me.'\"\u003c/p>\n\u003cp>Similarly, when Kardashian and Rita Ora split, he went on an unhinged Twitter tirade that prompted the (appalling) phrase \"Rita Whora\" to start trending.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-90173\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/A9M-GEPCcAEBmi0.jpg-large.jpg\" alt=\"\" width=\"440\" height=\"660\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/A9M-GEPCcAEBmi0.jpg-large.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/A9M-GEPCcAEBmi0.jpg-large-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/A9M-GEPCcAEBmi0.jpg-large-240x360.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/A9M-GEPCcAEBmi0.jpg-large-375x563.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/A9M-GEPCcAEBmi0.jpg-large-520x780.jpg 520w\" sizes=\"(max-width: 440px) 100vw, 440px\">\u003c/p>\n\u003cp>Every time Rob Kardashian breaks up with a woman, he publicly and viciously accuses her of sleeping around. His behavior is consistent, horrifying, and very familiar to anybody who has ever found themselves caught in an abusive relationship.\u003c/p>\n\u003cp>In an article designed to help individuals recognize whether or not they are in an abusive relationship, \u003ca href=\"https://www.helpguide.org/articles/abuse/domestic-violence-and-abuse.htm\">Helpguide.org\u003c/a> describes a number of traits displayed publicly by Kardashian: \"Abusive individuals need to feel in charge of the relationship. Your abuser may treat you… as [a] possession.\"\u003c/p>\n\u003cp>It goes on: \"An abuser will do everything he or she can to make you feel bad about yourself or defective in some way. Insults, name-calling, shaming, and public put-downs are all weapons of abuse designed to erode your self-esteem and make you feel powerless.\u003c/p>\n\u003cp>\"Abusers... will commonly shift the responsibility on to you: Somehow, his… behavior is your fault.\"\u003c/p>\n\u003cp>This last one is why Rob Kardashian is so focused on the sex lives of his exes -- it gives him an excuse to enact the aforementioned public put-downs that he wields in a desperate bid to shame his exes into submission and \"feel in charge\" again.\u003c/p>\n\u003cp>In Blac Chyna's Snapchat posts that allege Rob \"beat\" and \"put hand\" on her, she also exclaims: \"I'm supposed to be quiet because you're a Kardashian.\" It is undoubtedly true that famous men have historically been given free passes when it comes to getting away with domestic violence, and, when it comes to this specific allegation, at this stage, it can only be Chyna's word against Kardashian's.\u003c/p>\n\u003cp>However, if Chyna wished to press charges against Kardashian for revenge porn, she would be well within her rights, as a California resident, to do so.\u003c/p>\n\u003cp>According to \u003ca href=\"https://www.wksexcrimes.com/what-you-need-to-know-about-californias-revenge-porn-law/\">Whallin & Klarich Law Corporation\u003c/a>: \"Under SB 255, an act of revenge porn is defined as someone who 'photographs or records by any means the image of the intimate body part or parts of another identifiable person, under circumstances where the parties agree or understand that the image shall remain private, and the person subsequently distributes the image taken, with the intent to cause serious emotional distress, and the depicted person suffers serious emotional distress.\"\u003c/p>\n\u003cp>Further, \"SB 255 classifies revenge porn as disorderly conduct, which is a misdemeanor in California. If you are convicted of this crime, a first offense could land you in county jail for up to six months and you could also be fined up to $1,000 fine under PC 647.\"\u003c/p>\n\u003cp>It is reasonably unlikely that Blac Chyna would seek to prosecute an individual that she co-parents with, but if she did move in that direction, it may teach Kardashian -- and other abusers, famous or otherwise -- a valuable lesson. Currently, Rob Kardashian thinks so little of the abuse he spews onto social media, he keeps doing it over and over again. Even Instagram's objections to the images he was posting did not to deter him from repeatedly posting them. There is a level of self-entitlement and privilege -- not to mention his own sense of being justified -- that should set alarm bells off for everyone in Rob Kardashian's vicinity, as well as everyone watching this whole sorry mess go down from a safe distance.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Kardashian's behavior is both abusive and illegal. It should be recognized as such and not merely treated as another slice of reality TV drama.\u003c/p>\n\n",
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"excerpt": "The latest in Rob Kardashian's long history of publicly shaming women.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week, Rob Kardashian and Blac Chyna aired all of their dirty laundry on social media. In the midst of their horrifying online exchanges, Blac Chyna alleged that Rob Kardashian had physically abused her. The allegation didn't seem particularly unfeasible given everything else that was going on.\u003c/p>\n\u003cp>After enduring online verbal abuse from her ex -- relating to her sex life, spending habits, recreational activities, and parenting (among other things) -- the father of her second child went on to post photos of her that were so explicit, Instagram had to take them down. Twice. Eventually, the photo-sharing app was forced to\u003ca href=\"http://www.tmz.com/2017/07/05/rob-kardashian-instagram-page-shut-down-tweets-blac-chyna-nudes/\"> \u003c/a>\u003ca href=\"http://www.tmz.com/2017/07/05/rob-kardashian-instagram-page-shut-down-tweets-blac-chyna-nudes/\">shut Kardashian's entire account down\u003c/a> to make him stop posting revenge porn.\u003c/p>\n\u003cp>While the dirty laundry aired by Kardashian online is shocking even by 2017 standards (even Snoop Dogg felt the need to \u003ca href=\"https://www.youtube.com/watch?v=we2l4GEQYyY\">weigh in\u003c/a>), what isn't new is Rob's penchant for misogyny. The youngest Kardashian has a long and well-documented history when it comes to hating, and attempting to shame, women -- including his sisters.\u003c/p>\n\u003cp>Rob has been a regular on his family's reality TV hit, \u003cem>Keeping Up With the Kardashians\u003c/em>, on and off since it launched in 2007. It has been difficult in that time not to notice the vernacular he uses any time he has a disagreement with one of his sisters -- his go-to word has consistently been \u003ca href=\"https://www.youtube.com/watch?v=vshHTXWzT-U\">\"whore.\"\u003c/a> The show has also effectively demonstrated that when Rob Kardashian is triggered, he lashes out quickly, aggressively, and in a manner that is usually startlingly uncalled for.\u003c/p>\n\u003cp>Even when his relationship with Chyna was happy, Kardashian referred to his baby mama in objectifying and dehumanizing ways online, most memorably:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-90172\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/article-rob-0224.jpg\" alt=\"\" width=\"250\" height=\"202\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/article-rob-0224.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/article-rob-0224-160x129.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/article-rob-0224-240x194.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/article-rob-0224-375x303.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/article-rob-0224-520x420.jpg 520w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/p>\n\u003cp>Little surprise then, that Kardashian is also a prolific slut-shamer. In his most recent rants about Blac Chyna, he said: \"She everybody’s and it’s been that way.\" He once told Kim: \u003ca href=\"https://www.youtube.com/watch?v=3z3msnEwNes\">\"I hope your sex tape haunts you for the rest of your life.\"\u003c/a> Another of Rob's exes, Adrienne Bailon, recently noted on an episode of \u003ca href=\"http://www.eonline.com/news/796608/adrienne-bailon-clears-up-past-rob-kardashian-rumors-i-absolutely-never-cheated\">\u003cem>The Real\u003c/em>\u003c/a>: \"I absolutely never cheated on Rob... And the way it's said—it's like, 'She slept with mad people.' I'm like, 'Uh, I can't speak for anybody else, but I can assure [you] that was not me.'\"\u003c/p>\n\u003cp>Similarly, when Kardashian and Rita Ora split, he went on an unhinged Twitter tirade that prompted the (appalling) phrase \"Rita Whora\" to start trending.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-90173\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/A9M-GEPCcAEBmi0.jpg-large.jpg\" alt=\"\" width=\"440\" height=\"660\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/A9M-GEPCcAEBmi0.jpg-large.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/A9M-GEPCcAEBmi0.jpg-large-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/A9M-GEPCcAEBmi0.jpg-large-240x360.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/A9M-GEPCcAEBmi0.jpg-large-375x563.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/A9M-GEPCcAEBmi0.jpg-large-520x780.jpg 520w\" sizes=\"(max-width: 440px) 100vw, 440px\">\u003c/p>\n\u003cp>Every time Rob Kardashian breaks up with a woman, he publicly and viciously accuses her of sleeping around. His behavior is consistent, horrifying, and very familiar to anybody who has ever found themselves caught in an abusive relationship.\u003c/p>\n\u003cp>In an article designed to help individuals recognize whether or not they are in an abusive relationship, \u003ca href=\"https://www.helpguide.org/articles/abuse/domestic-violence-and-abuse.htm\">Helpguide.org\u003c/a> describes a number of traits displayed publicly by Kardashian: \"Abusive individuals need to feel in charge of the relationship. Your abuser may treat you… as [a] possession.\"\u003c/p>\n\u003cp>It goes on: \"An abuser will do everything he or she can to make you feel bad about yourself or defective in some way. Insults, name-calling, shaming, and public put-downs are all weapons of abuse designed to erode your self-esteem and make you feel powerless.\u003c/p>\n\u003cp>\"Abusers... will commonly shift the responsibility on to you: Somehow, his… behavior is your fault.\"\u003c/p>\n\u003cp>This last one is why Rob Kardashian is so focused on the sex lives of his exes -- it gives him an excuse to enact the aforementioned public put-downs that he wields in a desperate bid to shame his exes into submission and \"feel in charge\" again.\u003c/p>\n\u003cp>In Blac Chyna's Snapchat posts that allege Rob \"beat\" and \"put hand\" on her, she also exclaims: \"I'm supposed to be quiet because you're a Kardashian.\" It is undoubtedly true that famous men have historically been given free passes when it comes to getting away with domestic violence, and, when it comes to this specific allegation, at this stage, it can only be Chyna's word against Kardashian's.\u003c/p>\n\u003cp>However, if Chyna wished to press charges against Kardashian for revenge porn, she would be well within her rights, as a California resident, to do so.\u003c/p>\n\u003cp>According to \u003ca href=\"https://www.wksexcrimes.com/what-you-need-to-know-about-californias-revenge-porn-law/\">Whallin & Klarich Law Corporation\u003c/a>: \"Under SB 255, an act of revenge porn is defined as someone who 'photographs or records by any means the image of the intimate body part or parts of another identifiable person, under circumstances where the parties agree or understand that the image shall remain private, and the person subsequently distributes the image taken, with the intent to cause serious emotional distress, and the depicted person suffers serious emotional distress.\"\u003c/p>\n\u003cp>Further, \"SB 255 classifies revenge porn as disorderly conduct, which is a misdemeanor in California. If you are convicted of this crime, a first offense could land you in county jail for up to six months and you could also be fined up to $1,000 fine under PC 647.\"\u003c/p>\n\u003cp>It is reasonably unlikely that Blac Chyna would seek to prosecute an individual that she co-parents with, but if she did move in that direction, it may teach Kardashian -- and other abusers, famous or otherwise -- a valuable lesson. Currently, Rob Kardashian thinks so little of the abuse he spews onto social media, he keeps doing it over and over again. Even Instagram's objections to the images he was posting did not to deter him from repeatedly posting them. There is a level of self-entitlement and privilege -- not to mention his own sense of being justified -- that should set alarm bells off for everyone in Rob Kardashian's vicinity, as well as everyone watching this whole sorry mess go down from a safe distance.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Kardashian's behavior is both abusive and illegal. It should be recognized as such and not merely treated as another slice of reality TV drama.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "cy-and-sarahs-picks-a-tale-of-four-immigrants-photos-of-injustice-and-a-musical-company-store",
"title": "Cy and Sarah's Picks: A Tale of Four Immigrants, Photos of Injustice, and a Musical Company Store",
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"headTitle": "Cy and Sarah’s Picks: A Tale of Four Immigrants, Photos of Injustice, and a Musical Company Store | KQED",
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"content": "\u003cp>My co-host this week is Sarah Sexton, an Oakland music promoter, founder of the record label \u003ca href=\"http://oaktownindiemayhem.com/\" target=\"_blank\" rel=\"noopener\">Oakland Indie Mayhem\u003c/a>, and \u003ca href=\"https://ww2.kqed.org/arts/2016/07/21/women-to-watch-sarah-sexton/\" target=\"_blank\" rel=\"noopener\">one of KQED’s ‘Women to Watch’\u003c/a> in 2016. The best part of doing the show with Sarah? We got to take an audio field trip to the Oakland Museum for \u003ca href=\"https://ww2.kqed.org/arts/2017/05/10/once-suppressed-dorothea-lange-photographs-capture-wartime-paranoia/\" target=\"_blank\" rel=\"noopener\">the Dorothea Lange show \u003cem>Politics of Seeing\u003c/em>\u003c/a>. Read on for more.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=R0flGuje298\u003c/p>\n\u003cp>\u003cstrong>July 8:\u003c/strong> Madeline Kenney (video above) is an Oakland baker, cartoon enthusiast, musician, and one of the headliners for Company Pop, a showcase and pop-up store for \u003ca href=\"http://companyrecordlabel.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Company Records \u003c/a>and its artists. Company Pop was founded by Berkeley’s Chaz Bundick, of the band \u003ca href=\"http://toroymoi.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Toro Y Moi\u003c/a>, and features Bundick’s side projects such as Les Sins and collaborations with \u003ca href=\"http://www.mattson2.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Mattson 2\u003c/a> and others — the roster is a diverse mix of indie rock, pop and jazz. The city of Berkeley recently celebrated Bundick by \u003ca href=\"http://pitchfork.com/news/toro-y-moi-honored-in-berkeley-with-chaz-bundick-day/\" target=\"_blank\" rel=\"noopener\">giving him a day in his honor\u003c/a>, so we’re happy they’re sharing him with Oakland for this show featuring music, art giveaways and video projections at the \u003ca href=\"https://www.facebook.com/pg/starlinesocialclub/events/?ref=page_internal\" target=\"_blank\" rel=\"noopener noreferrer\">Starline Social Club\u003c/a> on Saturday. \u003ca href=\"https://www.eventbrite.com/e/company-pop-showcase-featuring-toro-y-moi-dj-set-astronauts-etc-dj-set-vinyl-williams-madeline-tickets-35243433057\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Zg-sqo3awkg\u003c/p>\n\u003cp>\u003cstrong>July 13:\u003c/strong> The Quebe Sisters, out of Texas, are three young women who play fiddle and harmonize in a stylistic blend of Bob Wills and the Lennon Sisters. Like Wills, they mix country, jazz, and a little bit of bluegrass into an upbeat sound. My wife is a huge fan, so we’ll be at one of these shows. Details for their appearance at the Sierra Nevada Big Room in Chico on Tuesday July 11 \u003ca href=\"http://www.sierranevada.com/brewery/california/big-room\" target=\"_blank\" rel=\"noopener noreferrer\">are here\u003c/a>. Then they play Freight and Salvage in Berkeley on Thursday, July 13 (\u003ca href=\"http://thefreight.org/quebe-sisters\" target=\"_blank\" rel=\"noopener noreferrer\">details here\u003c/a>), or catch them Friday, July 14, on the plaza in Cloverdale for a free show. \u003ca href=\"http://www.cloverdaleartsalliance.org/fnlmusic/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13594147\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13594147\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-800x450.jpg\" alt=\"Charlie (Hansel Tan), Fred (Sean Fenton), Frank (Phil Wong), and Henry (James Seol) arrive in San Francisco in the 'Four Immigrants, an American Musical Manga\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-1920x1081.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charlie (Hansel Tan), Fred (Sean Fenton), Frank (Phil Wong), and Henry (James Seol) arrive in San Francisco in ‘Four Immigrants, an American Musical Manga.’ \u003ccite>(Photo: Kevin Berne/Theatreworks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>July 12–Aug. 6:\u003c/strong> Theatreworks founder and Artistic Director Robert Kelley never met a musical he didn’t like, so it’s no surprise to find him greenlighting a full production of \u003cem>The Four Immigrants, an American Musical Manga\u003c/em>, a play developed at the company’s New Works Festival last year.\u003c/p>\n\u003cfigure id=\"attachment_13594149\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13594149\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-800x671.jpg\" alt=\"An original illustration from the graphic novel 'The Four Immigrants' by Henry Kiyama, translated by Frederik L. Schodt\" width=\"800\" height=\"671\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-800x671.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-160x134.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-768x644.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-1020x856.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-1920x1611.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-1180x990.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-960x805.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-240x201.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-375x315.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-520x436.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An original illustration from the graphic novel ‘The Four Immigrants’ by Henry Kiyama, translated by Frederik L. Schodt. \u003ccite>(Photo: Courtesy of Theatreworks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Playwright \u003ca href=\"http://www.minkahng.com/4imm/\" target=\"_blank\" rel=\"noopener noreferrer\">Min Kahng \u003c/a>of Alameda based the musical \u003ca href=\"https://en.wikipedia.org/wiki/The_Four_Immigrants_Manga\" target=\"_blank\" rel=\"noopener noreferrer\">on a graphic novel written by Henry Kiyama\u003c/a> in 1931, based on his own experiences in San Francisco in the early 20th century, a period that covered the 1906 earthquake, the 1918 flu epidemic, and the Panama-Pacific International Exposition. The show promises to be both a celebration of the way immigrants have always believed in the American dream, but also a cautionary tale of how unwelcoming the United States has been for many Asian-Americans and other immigrants. \u003ca href=\"https://www.theatreworks.org/201718-season/201718-season/the-four-immigrants/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13593838\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13593838\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-800x517.jpg\" alt='\"Crossroads, General Store, North Carolina,\" by Dorothea Lange, part of the show ‘Politics of Seeing‘ at the Oakland Museum of California' width=\"800\" height=\"517\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-800x517.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-1020x660.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-1920x1242.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-1180x763.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-960x621.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-240x155.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-375x243.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-520x336.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Crossroads, General Store, North Carolina,” by Dorothea Lange, part of the show ‘Politics of Seeing‘ at the Oakland Museum of California. \u003ccite>(Photo: Dorothea Lange Courtesy of the Oakland Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Continuing through Aug. 13: \u003c/strong>\u003cem>Dorothea Lange: Politics of\u003c/em>\u003cbr>\n\u003cem> Seeing \u003c/em>is an exhibit showing that Lange, a journalist famous for her Depression era photos, was always working to fight injustice in her documentary work — whether covering poverty in the south (see above), migrants leaving the Midwest for California, \u003ca href=\"https://ww2.kqed.org/arts/2017/05/10/once-suppressed-dorothea-lange-photographs-capture-wartime-paranoia/\" target=\"_blank\" rel=\"noopener noreferrer\">Japanese-Americans facing internment\u003c/a>, or Public Defenders working for indigent clients. The pictures are always beautifully shot and framed, but for Lange, they only mattered if they provoked the viewer and brought reform. The show also shows how Lange influenced other photojournalists to expose poverty and injustice, among them Ken Light, who’s taught for years at the Journalism school at Cal Berkeley. Details for the exhibition at the Oakland Museum of California are \u003ca href=\"http://museumca.org/exhibit/dorothea-lange-politics-seeing\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=0BRegAkk1A4\u003c/p>\n\u003cp>\u003cstrong>July 13\u003c/strong>: Tall Black Guy is a beat maker and music producer out of Chicago. His music is often in a laid-back groove, and remixes artists both well-known and obscure, including Sade and the South African singer Moonchild. Sarah says she likes how he tells a story through his beats and samples. And his tracks often tackle deep issues such as racism, inequality and privilege. Details for his show Thursday at the Continental Bar and Lounge in San Jose \u003ca href=\"https://www.facebook.com/events/1695706470738563/?__xt__=33.%7B%22logging_data%22%3A%7B%22profile_id%22%3A1695706470738563%2C%22event_type%22%3A%22clicked_view_profile%22%2C%22impression_info%22%3A%22eyJmIjp7InN0eWxlIjoiMzUiLCJwYWdlX2lkIjoiMTUzMjEyMjA0ODE5NDU2IiwicmVxdWVzdF9pZCI6Ik5qazVNek0zT1RjekxUQXVOemd3TkRJME1EQWdNVFE1T1RJNU9ETTBOeTB4TVRZME16VXlOVFExIn19%22%2C%22surface%22%3A%22www_pages_home%22%2C%22interacted_story_type%22%3A%22509240112603598%22%2C%22session_id%22%3A%22e35b7ded23b17bd1447db3fe3c0467c0%22%7D%7D\" target=\"_blank\" rel=\"noopener noreferrer\">are here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13593444\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13593444\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-800x495.jpg\" alt=\"KQED's Cy Musiker and music producer Sarah Sexton at the Dorothea Lange show at the Oakland Museum of California\" width=\"800\" height=\"495\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-768x475.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-1020x631.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-1920x1188.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-1180x730.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-960x594.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-240x148.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-375x232.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-520x322.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Cy Musiker and music producer Sarah Sexton at the Dorothea Lange show at the Oakland Museum of California. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Thanks to Sarah Sexton for co-hosting this week’s show!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"excerpt": "Madeline Kinney, the Quebe Sisters, Dorothea Lange, Tall Black Guy and more make up this week's Do List with co-host Sarah Sexton.",
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"title": "Cy and Sarah's Picks: A Tale of Four Immigrants, Photos of Injustice, and a Musical Company Store | KQED",
"description": "Madeline Kinney, the Quebe Sisters, Dorothea Lange, Tall Black Guy and more make up this week's Do List with co-host Sarah Sexton.",
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"headline": "Cy and Sarah's Picks: A Tale of Four Immigrants, Photos of Injustice, and a Musical Company Store",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>My co-host this week is Sarah Sexton, an Oakland music promoter, founder of the record label \u003ca href=\"http://oaktownindiemayhem.com/\" target=\"_blank\" rel=\"noopener\">Oakland Indie Mayhem\u003c/a>, and \u003ca href=\"https://ww2.kqed.org/arts/2016/07/21/women-to-watch-sarah-sexton/\" target=\"_blank\" rel=\"noopener\">one of KQED’s ‘Women to Watch’\u003c/a> in 2016. The best part of doing the show with Sarah? We got to take an audio field trip to the Oakland Museum for \u003ca href=\"https://ww2.kqed.org/arts/2017/05/10/once-suppressed-dorothea-lange-photographs-capture-wartime-paranoia/\" target=\"_blank\" rel=\"noopener\">the Dorothea Lange show \u003cem>Politics of Seeing\u003c/em>\u003c/a>. Read on for more.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/R0flGuje298'\n title='//www.youtube.com/embed/R0flGuje298'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>July 8:\u003c/strong> Madeline Kenney (video above) is an Oakland baker, cartoon enthusiast, musician, and one of the headliners for Company Pop, a showcase and pop-up store for \u003ca href=\"http://companyrecordlabel.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Company Records \u003c/a>and its artists. Company Pop was founded by Berkeley’s Chaz Bundick, of the band \u003ca href=\"http://toroymoi.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Toro Y Moi\u003c/a>, and features Bundick’s side projects such as Les Sins and collaborations with \u003ca href=\"http://www.mattson2.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Mattson 2\u003c/a> and others — the roster is a diverse mix of indie rock, pop and jazz. The city of Berkeley recently celebrated Bundick by \u003ca href=\"http://pitchfork.com/news/toro-y-moi-honored-in-berkeley-with-chaz-bundick-day/\" target=\"_blank\" rel=\"noopener\">giving him a day in his honor\u003c/a>, so we’re happy they’re sharing him with Oakland for this show featuring music, art giveaways and video projections at the \u003ca href=\"https://www.facebook.com/pg/starlinesocialclub/events/?ref=page_internal\" target=\"_blank\" rel=\"noopener noreferrer\">Starline Social Club\u003c/a> on Saturday. \u003ca href=\"https://www.eventbrite.com/e/company-pop-showcase-featuring-toro-y-moi-dj-set-astronauts-etc-dj-set-vinyl-williams-madeline-tickets-35243433057\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Zg-sqo3awkg'\n title='//www.youtube.com/embed/Zg-sqo3awkg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>July 13:\u003c/strong> The Quebe Sisters, out of Texas, are three young women who play fiddle and harmonize in a stylistic blend of Bob Wills and the Lennon Sisters. Like Wills, they mix country, jazz, and a little bit of bluegrass into an upbeat sound. My wife is a huge fan, so we’ll be at one of these shows. Details for their appearance at the Sierra Nevada Big Room in Chico on Tuesday July 11 \u003ca href=\"http://www.sierranevada.com/brewery/california/big-room\" target=\"_blank\" rel=\"noopener noreferrer\">are here\u003c/a>. Then they play Freight and Salvage in Berkeley on Thursday, July 13 (\u003ca href=\"http://thefreight.org/quebe-sisters\" target=\"_blank\" rel=\"noopener noreferrer\">details here\u003c/a>), or catch them Friday, July 14, on the plaza in Cloverdale for a free show. \u003ca href=\"http://www.cloverdaleartsalliance.org/fnlmusic/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13594147\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13594147\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-800x450.jpg\" alt=\"Charlie (Hansel Tan), Fred (Sean Fenton), Frank (Phil Wong), and Henry (James Seol) arrive in San Francisco in the 'Four Immigrants, an American Musical Manga\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-1920x1081.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-e1499299167585-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charlie (Hansel Tan), Fred (Sean Fenton), Frank (Phil Wong), and Henry (James Seol) arrive in San Francisco in ‘Four Immigrants, an American Musical Manga.’ \u003ccite>(Photo: Kevin Berne/Theatreworks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>July 12–Aug. 6:\u003c/strong> Theatreworks founder and Artistic Director Robert Kelley never met a musical he didn’t like, so it’s no surprise to find him greenlighting a full production of \u003cem>The Four Immigrants, an American Musical Manga\u003c/em>, a play developed at the company’s New Works Festival last year.\u003c/p>\n\u003cfigure id=\"attachment_13594149\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13594149\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-800x671.jpg\" alt=\"An original illustration from the graphic novel 'The Four Immigrants' by Henry Kiyama, translated by Frederik L. Schodt\" width=\"800\" height=\"671\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-800x671.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-160x134.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-768x644.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-1020x856.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-1920x1611.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-1180x990.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-960x805.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-240x201.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-375x315.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/The-Four-Immigrants-Illustration-520x436.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An original illustration from the graphic novel ‘The Four Immigrants’ by Henry Kiyama, translated by Frederik L. Schodt. \u003ccite>(Photo: Courtesy of Theatreworks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Playwright \u003ca href=\"http://www.minkahng.com/4imm/\" target=\"_blank\" rel=\"noopener noreferrer\">Min Kahng \u003c/a>of Alameda based the musical \u003ca href=\"https://en.wikipedia.org/wiki/The_Four_Immigrants_Manga\" target=\"_blank\" rel=\"noopener noreferrer\">on a graphic novel written by Henry Kiyama\u003c/a> in 1931, based on his own experiences in San Francisco in the early 20th century, a period that covered the 1906 earthquake, the 1918 flu epidemic, and the Panama-Pacific International Exposition. The show promises to be both a celebration of the way immigrants have always believed in the American dream, but also a cautionary tale of how unwelcoming the United States has been for many Asian-Americans and other immigrants. \u003ca href=\"https://www.theatreworks.org/201718-season/201718-season/the-four-immigrants/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13593838\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13593838\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-800x517.jpg\" alt='\"Crossroads, General Store, North Carolina,\" by Dorothea Lange, part of the show ‘Politics of Seeing‘ at the Oakland Museum of California' width=\"800\" height=\"517\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-800x517.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-1020x660.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-1920x1242.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-1180x763.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-960x621.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-240x155.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-375x243.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Crossroads-General-Store-North-Carolina-1938-e1499295357772-520x336.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Crossroads, General Store, North Carolina,” by Dorothea Lange, part of the show ‘Politics of Seeing‘ at the Oakland Museum of California. \u003ccite>(Photo: Dorothea Lange Courtesy of the Oakland Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Continuing through Aug. 13: \u003c/strong>\u003cem>Dorothea Lange: Politics of\u003c/em>\u003cbr>\n\u003cem> Seeing \u003c/em>is an exhibit showing that Lange, a journalist famous for her Depression era photos, was always working to fight injustice in her documentary work — whether covering poverty in the south (see above), migrants leaving the Midwest for California, \u003ca href=\"https://ww2.kqed.org/arts/2017/05/10/once-suppressed-dorothea-lange-photographs-capture-wartime-paranoia/\" target=\"_blank\" rel=\"noopener noreferrer\">Japanese-Americans facing internment\u003c/a>, or Public Defenders working for indigent clients. The pictures are always beautifully shot and framed, but for Lange, they only mattered if they provoked the viewer and brought reform. The show also shows how Lange influenced other photojournalists to expose poverty and injustice, among them Ken Light, who’s taught for years at the Journalism school at Cal Berkeley. Details for the exhibition at the Oakland Museum of California are \u003ca href=\"http://museumca.org/exhibit/dorothea-lange-politics-seeing\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/0BRegAkk1A4'\n title='//www.youtube.com/embed/0BRegAkk1A4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>July 13\u003c/strong>: Tall Black Guy is a beat maker and music producer out of Chicago. His music is often in a laid-back groove, and remixes artists both well-known and obscure, including Sade and the South African singer Moonchild. Sarah says she likes how he tells a story through his beats and samples. And his tracks often tackle deep issues such as racism, inequality and privilege. Details for his show Thursday at the Continental Bar and Lounge in San Jose \u003ca href=\"https://www.facebook.com/events/1695706470738563/?__xt__=33.%7B%22logging_data%22%3A%7B%22profile_id%22%3A1695706470738563%2C%22event_type%22%3A%22clicked_view_profile%22%2C%22impression_info%22%3A%22eyJmIjp7InN0eWxlIjoiMzUiLCJwYWdlX2lkIjoiMTUzMjEyMjA0ODE5NDU2IiwicmVxdWVzdF9pZCI6Ik5qazVNek0zT1RjekxUQXVOemd3TkRJME1EQWdNVFE1T1RJNU9ETTBOeTB4TVRZME16VXlOVFExIn19%22%2C%22surface%22%3A%22www_pages_home%22%2C%22interacted_story_type%22%3A%22509240112603598%22%2C%22session_id%22%3A%22e35b7ded23b17bd1447db3fe3c0467c0%22%7D%7D\" target=\"_blank\" rel=\"noopener noreferrer\">are here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13593444\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13593444\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-800x495.jpg\" alt=\"KQED's Cy Musiker and music producer Sarah Sexton at the Dorothea Lange show at the Oakland Museum of California\" width=\"800\" height=\"495\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-768x475.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-1020x631.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-1920x1188.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-1180x730.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-960x594.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-240x148.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-375x232.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-520x322.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Cy Musiker and music producer Sarah Sexton at the Dorothea Lange show at the Oakland Museum of California. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Thanks to Sarah Sexton for co-hosting this week’s show!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "A Film Claims to Solve the Mystery of Amelia Earhart's Fate",
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"content": "\u003cp>The photo is haunting. Among a number of figures gathered on a dock, the fuzzy image seems to be that of a woman, her back to the camera, gazing at what may be her crippled aircraft loaded on a barge, and perhaps wondering what her future might hold.\u003c/p>\n\u003cp>Is this Amelia Earhart, the world-famous aviator, witnessed after her mysterious disappearance while attempting the first round-the-world flight 80 years ago this month?\u003c/p>\n\u003cp>That is the theory put forth in \u003cem>Amelia Earhart: The Lost Evidence\u003c/em>, a two-hour documentary airing Sunday on the History channel. It uncovers records, including this newly revealed photograph that shows what may be a healthy Earhart along with her navigator Fred Noonan, after they were last heard from.\u003c/p>\n\u003cp>The film also argues that after the pair crash-landed in the Japanese-held Marshall Islands, they were picked up by the Japanese military and that Earhart, perhaps presumed to be a U.S. spy, was held prisoner.\u003c/p>\n\u003cp>And there’s more: the United States government knew of her whereabouts and did nothing to rescue her, according to the film.\u003c/p>\n\u003cfigure id=\"attachment_13594146\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-800x622.jpg\" alt=\"Researchers feel this photograph might show Amelia Earhart, her navigator Fred Noonan and their plane after their disappearance in 1937. \" width=\"800\" height=\"622\" class=\"size-medium wp-image-13594146\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-800x622.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-768x597.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-1020x793.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-1180x918.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-960x747.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-240x187.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-375x292.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-520x404.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Researchers feel this photograph might show Amelia Earhart, her navigator Fred Noonan and their plane after their disappearance in 1937. \u003ccite>(Courtesy of the National Archive)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The disappearance of Earhart and Noonan on July 2, 1937, in the Western Pacific Ocean has gained legendary status among the age’s unsolved mysteries.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>By then she had already logged numerous aviation feats, including that of being the first woman to fly solo across the Atlantic Ocean in 1932. She reigned as an international hero.\u003c/p>\n\u003cp>And yet the U.S. government closed the book on its investigation just two weeks after her disappearance. Its vaguely worded findings were inconclusive.\u003c/p>\n\u003cp>Was there a cover-up? The film proposes there was.\u003c/p>\n\u003cp>The documentary is hosted by former FBI Executive Assistant Director Shawn Henry, whose fascination with the case is equaled by former U.S. Treasury Agent Les Kinney, who discovered the photo hidden and mislabeled in the U.S. National Archives.\u003c/p>\n\u003cp>In the documentary, that photo is subjected to facial-recognition and other forensic testing. It is judged authentic, and likely that of Earhart and Noonan.\u003c/p>\n\u003cp>The film also displays plane parts found in an uninhabited island of the Marshall Islands by Earhart investigator Dick Spink that are consistent with the aircraft that Earhart was flying on her round-the-world attempt. And it hears from the last living eyewitness who claims to have seen Earhart and Noonan after their crash.\u003c/p>\n\u003cp>The documentary tells of “a world-famous aviator who got caught up in an international dispute, was abandoned by her own government, and made the ultimate sacrifice,” Henry sums up. “She may very well be the first casualty of World War II.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>_____\u003cbr>\nOnline: http://www.history.com/specials/amelia-earhart-the-lost-evidence\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The photo is haunting. Among a number of figures gathered on a dock, the fuzzy image seems to be that of a woman, her back to the camera, gazing at what may be her crippled aircraft loaded on a barge, and perhaps wondering what her future might hold.\u003c/p>\n\u003cp>Is this Amelia Earhart, the world-famous aviator, witnessed after her mysterious disappearance while attempting the first round-the-world flight 80 years ago this month?\u003c/p>\n\u003cp>That is the theory put forth in \u003cem>Amelia Earhart: The Lost Evidence\u003c/em>, a two-hour documentary airing Sunday on the History channel. It uncovers records, including this newly revealed photograph that shows what may be a healthy Earhart along with her navigator Fred Noonan, after they were last heard from.\u003c/p>\n\u003cp>The film also argues that after the pair crash-landed in the Japanese-held Marshall Islands, they were picked up by the Japanese military and that Earhart, perhaps presumed to be a U.S. spy, was held prisoner.\u003c/p>\n\u003cp>And there’s more: the United States government knew of her whereabouts and did nothing to rescue her, according to the film.\u003c/p>\n\u003cfigure id=\"attachment_13594146\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-800x622.jpg\" alt=\"Researchers feel this photograph might show Amelia Earhart, her navigator Fred Noonan and their plane after their disappearance in 1937. \" width=\"800\" height=\"622\" class=\"size-medium wp-image-13594146\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-800x622.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-768x597.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-1020x793.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-1180x918.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-960x747.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-240x187.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-375x292.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/EarhartDockPhoto-520x404.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Researchers feel this photograph might show Amelia Earhart, her navigator Fred Noonan and their plane after their disappearance in 1937. \u003ccite>(Courtesy of the National Archive)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The disappearance of Earhart and Noonan on July 2, 1937, in the Western Pacific Ocean has gained legendary status among the age’s unsolved mysteries.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>By then she had already logged numerous aviation feats, including that of being the first woman to fly solo across the Atlantic Ocean in 1932. She reigned as an international hero.\u003c/p>\n\u003cp>And yet the U.S. government closed the book on its investigation just two weeks after her disappearance. Its vaguely worded findings were inconclusive.\u003c/p>\n\u003cp>Was there a cover-up? The film proposes there was.\u003c/p>\n\u003cp>The documentary is hosted by former FBI Executive Assistant Director Shawn Henry, whose fascination with the case is equaled by former U.S. Treasury Agent Les Kinney, who discovered the photo hidden and mislabeled in the U.S. National Archives.\u003c/p>\n\u003cp>In the documentary, that photo is subjected to facial-recognition and other forensic testing. It is judged authentic, and likely that of Earhart and Noonan.\u003c/p>\n\u003cp>The film also displays plane parts found in an uninhabited island of the Marshall Islands by Earhart investigator Dick Spink that are consistent with the aircraft that Earhart was flying on her round-the-world attempt. And it hears from the last living eyewitness who claims to have seen Earhart and Noonan after their crash.\u003c/p>\n\u003cp>The documentary tells of “a world-famous aviator who got caught up in an international dispute, was abandoned by her own government, and made the ultimate sacrifice,” Henry sums up. “She may very well be the first casualty of World War II.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>_____\u003cbr>\nOnline: http://www.history.com/specials/amelia-earhart-the-lost-evidence\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Yesterday (Independence Day!), in what was a masterfully well-timed presentation of dramatic imagery, Kesha threw six photos up on \u003ca href=\"https://www.instagram.com/iiswhoiis/\">Instagram\u003c/a> to make one larger image. The fancy word for that is a hexaptych. We should use the fancy word, because Kesha deserves fancy things.\u003c/p>\n\u003cp>Here's the hexaptych in all its fancy glory:\u003c/p>\n\u003cfigure id=\"attachment_90146\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-90146 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-800x530.png\" alt=\"\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-800x530.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-160x106.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-768x509.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-240x159.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-375x248.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-520x344.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM.png 957w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Instagram\u003c/figcaption>\u003c/figure>\n\u003cp>A couple of days ago, \u003ca href=\"http://www.justjared.com/2017/07/03/kesha-might-be-releasing-new-music-this-week/\">Just Jared\u003c/a> declared that Kesha \"might\" be releasing new music this week. Twitter has been awash with rumors too.\u003c/p>\n\u003cp>https://twitter.com/omgkesharose/status/880821900133445632?ref_src=twsrc%5Etfw&ref_url=https%3A%2F%2Fwww.directlyrics.com%2Fkesha-to-release-new-song-praying-on-july-7th-news.html\u003c/p>\n\u003cp>We don't know how Kesha is doing this, given all of the complicated \u003ca href=\"https://en.wikipedia.org/wiki/Kesha_v._Dr._Luke\">legal wranglings\u003c/a> with Dr. Luke that shut down her career in the first place, but, frankly, we don't care. Kesha is back, you guys! (Probably!)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So nice of her to give us an official heads up in advance; if \"Praying\" really is dropping on July 7, that gives fans everywhere two days to invest in new glitter bath bombs, pastel hair dye, flower crowns, bell bottoms, and whatever else they need to embrace their inner Kesha. The world is rooting for you, Kesha Rose!\u003c/p>\n\u003cp>UPDATE! Kesha has confirmed that \"Praying\" does, in fact, arrive tomorrow. Also, she \"f**king loves you.\" (Thanks, Kesha!) See?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.instagram.com/p/BWLd51_hzbz/?taken-by=iiswhoiis\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Yesterday (Independence Day!), in what was a masterfully well-timed presentation of dramatic imagery, Kesha threw six photos up on \u003ca href=\"https://www.instagram.com/iiswhoiis/\">Instagram\u003c/a> to make one larger image. The fancy word for that is a hexaptych. We should use the fancy word, because Kesha deserves fancy things.\u003c/p>\n\u003cp>Here's the hexaptych in all its fancy glory:\u003c/p>\n\u003cfigure id=\"attachment_90146\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-90146 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-800x530.png\" alt=\"\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-800x530.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-160x106.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-768x509.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-240x159.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-375x248.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM-520x344.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/07/Screen-Shot-2017-07-05-at-11.37.10-AM.png 957w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Instagram\u003c/figcaption>\u003c/figure>\n\u003cp>A couple of days ago, \u003ca href=\"http://www.justjared.com/2017/07/03/kesha-might-be-releasing-new-music-this-week/\">Just Jared\u003c/a> declared that Kesha \"might\" be releasing new music this week. Twitter has been awash with rumors too.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So nice of her to give us an official heads up in advance; if \"Praying\" really is dropping on July 7, that gives fans everywhere two days to invest in new glitter bath bombs, pastel hair dye, flower crowns, bell bottoms, and whatever else they need to embrace their inner Kesha. The world is rooting for you, Kesha Rose!\u003c/p>\n\u003cp>UPDATE! Kesha has confirmed that \"Praying\" does, in fact, arrive tomorrow. Also, she \"f**king loves you.\" (Thanks, Kesha!) See?\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003c/div>",
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"title": "Holding a Bipartisan Barbecue This Fourth of July? Here's Your Playlist",
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"content": "\u003cp>Pretty much the only thing that all Americans can agree on right now is that we can’t agree on anything. Finding any common ground in the midst of the deep divisions between right and left is increasingly difficult since the Trump era began—and it’s making the gatherings of our national holidays even more awkward and politically charged. Which brings us to a serious party issue: What in the name of the stars and stripes do you play at your Fourth of July barbecue this year, if you have a crowd of both protest-favoring Democrats and allegiance-pledging Republicans?\u003c/p>\n\u003cp>Here are some songs that both groups will think are directed at them, to help get you through the day.\u003c/p>\n\u003cp>\u003cstrong>Lana Del Rey, “National Anthem”\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=sxDdEPED0h8\u003c/p>\n\u003cp>The song opens with the words “Money is the anthem of success,” thereby immediately getting your Republican guests on board. Later on, when they hear “Money is the reason we exist / Everybody knows it, it’s a fact,” they’ll feel buoyed by your fiscal-favoring musical choices. The Democrats in your vicinity will be more focused on the sarcastic “kiss-kiss” at the end of that line, and know that the All-American girl singing this song is, in fact, expressing a deeply cynical hatred of rampant capitalism. What’s more Fourth of July than a song called “National Anthem” anyway?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Miley Cyrus, “Party in the USA”\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=M11SvDtPBhA\u003c/p>\n\u003cp>No one has ever heard the opening lines of “Party in the USA” and felt bummed about it. This magical track makes everyone inexplicably happy to be alive and living in America, regardless of whatever political turmoil we’re in the middle of. With this 2009 favorite, the Republicans have a perfect song to wave their flags to, while even the most cynical of Democrats can feel less guilty about their own patriotic love of this thing by remembering what a big ol’, \u003ca href=\"http://www.happyhippies.org/\" target=\"_blank\" rel=\"noopener noreferrer\">LGBTQ-loving lefty\u003c/a> Miley is. Everybody wins!\u003c/p>\n\u003cp>\u003cstrong>Lenny Kravitz, “American Woman”\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=UzWHE32IxUc\u003c/p>\n\u003cp>Thanks to Lenny Kravitz’s 2008 rendition of “American Woman,” there is a now-commonly-held view that this song is about a woman so sexy and crazy, and crazy-sexy, that not even Lenny Kravitz can take her on. The video hammered the point home, full as it was of stars ‘n’ stripes, fast cars, and tons of cleavage. As such, for people on the right, this song might as well have been called “America the Beautiful.” People on the left, however, have more of a tendency to recall that the original version of “American Woman” was written by The Guess Who as \u003ca href=\"http://www.songfacts.com/detail.php?id=446\" target=\"_blank\" rel=\"noopener noreferrer\">“an anti-war protest song”\u003c/a> in the midst of the Vietnam War. If a fight breaks out when this track comes on, rest assured that it won’t be about party politics, it’ll be about sexism. (But that’s a topic for another article.)\u003c/p>\n\u003cp>\u003cstrong>Sharon Jones & the Dap-Kings, “This Land is Your Land”\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=XQ78uDio_ao\u003c/p>\n\u003cp>Woody Guthrie’s lyrics remind the most patriotic Americans of the vast expanse of this majestic country, from “California to the New York island,” name-checking both exquisite countryside (like the “golden valley”) and man-made marvels (like “that ribbon of highway”) along the way. For conservatives, it’s a reminder of how blessed they are to be American. For left-wingers, in Guthrie’s hands, “This Land is Your Land” sounds positively Marxist, and Sharon Jones’ super-soulful 2012 version carries with it a reminder of racial divides.\u003c/p>\n\u003cp>\u003cstrong>Bruce Springsteen, “Born in the USA”\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=EPhWR4d3FJQ\u003c/p>\n\u003cp>Fact: Bruce Springsteen is more American than everyone else in the country. (Don’t question it—he just is.) He’s also a Democrat-favoring, \u003ca href=\"https://www.washingtonpost.com/news/reliable-source/wp/2017/04/17/the-obamas-are-vacationing-with-bruce-springsteen-oprah-winfrey-and-tom-hanks/?utm_term=.671bfb7f58ef\" target=\"_blank\" rel=\"noopener noreferrer\">Obama vacation guest\u003c/a> who’s all about the working man. Strangely though, there are still tons of Republicans wandering around, laboring under the assumption that “Born in the USA” is a declaration of patriotism, rather than an expression of working class frustration.\u003c/p>\n\u003cp>In 1984, when Ronald Reagan wanted to use the song as a campaign anthem, The Boss shut the idea down. Undeterred (and still not understanding what the song was about), Reagan publicly declared, in what was surely one of the most ironic things that has ever happened: “America’s future rests in a thousand dreams inside our hearts. It rests in the message of hope in the songs of a man so many young Americans admire: New Jersey’s own Bruce Springsteen.”\u003c/p>\n\u003cp>Springsteen later had to also take action to stop both Bob Dole and Pat Buchanan from using “Born in the USA” in their campaigns. Republicans don’t seem to listen to the verses on this one, so it’s totally safe for your bipartisan barbecue.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Have a great Fourth, everyone!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Pretty much the only thing that all Americans can agree on right now is that we can’t agree on anything. Finding any common ground in the midst of the deep divisions between right and left is increasingly difficult since the Trump era began—and it’s making the gatherings of our national holidays even more awkward and politically charged. Which brings us to a serious party issue: What in the name of the stars and stripes do you play at your Fourth of July barbecue this year, if you have a crowd of both protest-favoring Democrats and allegiance-pledging Republicans?\u003c/p>\n\u003cp>Here are some songs that both groups will think are directed at them, to help get you through the day.\u003c/p>\n\u003cp>\u003cstrong>Lana Del Rey, “National Anthem”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sxDdEPED0h8'\n title='//www.youtube.com/embed/sxDdEPED0h8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The song opens with the words “Money is the anthem of success,” thereby immediately getting your Republican guests on board. Later on, when they hear “Money is the reason we exist / Everybody knows it, it’s a fact,” they’ll feel buoyed by your fiscal-favoring musical choices. The Democrats in your vicinity will be more focused on the sarcastic “kiss-kiss” at the end of that line, and know that the All-American girl singing this song is, in fact, expressing a deeply cynical hatred of rampant capitalism. What’s more Fourth of July than a song called “National Anthem” anyway?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Miley Cyrus, “Party in the USA”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/M11SvDtPBhA'\n title='//www.youtube.com/embed/M11SvDtPBhA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>No one has ever heard the opening lines of “Party in the USA” and felt bummed about it. This magical track makes everyone inexplicably happy to be alive and living in America, regardless of whatever political turmoil we’re in the middle of. With this 2009 favorite, the Republicans have a perfect song to wave their flags to, while even the most cynical of Democrats can feel less guilty about their own patriotic love of this thing by remembering what a big ol’, \u003ca href=\"http://www.happyhippies.org/\" target=\"_blank\" rel=\"noopener noreferrer\">LGBTQ-loving lefty\u003c/a> Miley is. Everybody wins!\u003c/p>\n\u003cp>\u003cstrong>Lenny Kravitz, “American Woman”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/UzWHE32IxUc'\n title='//www.youtube.com/embed/UzWHE32IxUc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Thanks to Lenny Kravitz’s 2008 rendition of “American Woman,” there is a now-commonly-held view that this song is about a woman so sexy and crazy, and crazy-sexy, that not even Lenny Kravitz can take her on. The video hammered the point home, full as it was of stars ‘n’ stripes, fast cars, and tons of cleavage. As such, for people on the right, this song might as well have been called “America the Beautiful.” People on the left, however, have more of a tendency to recall that the original version of “American Woman” was written by The Guess Who as \u003ca href=\"http://www.songfacts.com/detail.php?id=446\" target=\"_blank\" rel=\"noopener noreferrer\">“an anti-war protest song”\u003c/a> in the midst of the Vietnam War. If a fight breaks out when this track comes on, rest assured that it won’t be about party politics, it’ll be about sexism. (But that’s a topic for another article.)\u003c/p>\n\u003cp>\u003cstrong>Sharon Jones & the Dap-Kings, “This Land is Your Land”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XQ78uDio_ao'\n title='//www.youtube.com/embed/XQ78uDio_ao'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Woody Guthrie’s lyrics remind the most patriotic Americans of the vast expanse of this majestic country, from “California to the New York island,” name-checking both exquisite countryside (like the “golden valley”) and man-made marvels (like “that ribbon of highway”) along the way. For conservatives, it’s a reminder of how blessed they are to be American. For left-wingers, in Guthrie’s hands, “This Land is Your Land” sounds positively Marxist, and Sharon Jones’ super-soulful 2012 version carries with it a reminder of racial divides.\u003c/p>\n\u003cp>\u003cstrong>Bruce Springsteen, “Born in the USA”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EPhWR4d3FJQ'\n title='//www.youtube.com/embed/EPhWR4d3FJQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Fact: Bruce Springsteen is more American than everyone else in the country. (Don’t question it—he just is.) He’s also a Democrat-favoring, \u003ca href=\"https://www.washingtonpost.com/news/reliable-source/wp/2017/04/17/the-obamas-are-vacationing-with-bruce-springsteen-oprah-winfrey-and-tom-hanks/?utm_term=.671bfb7f58ef\" target=\"_blank\" rel=\"noopener noreferrer\">Obama vacation guest\u003c/a> who’s all about the working man. Strangely though, there are still tons of Republicans wandering around, laboring under the assumption that “Born in the USA” is a declaration of patriotism, rather than an expression of working class frustration.\u003c/p>\n\u003cp>In 1984, when Ronald Reagan wanted to use the song as a campaign anthem, The Boss shut the idea down. Undeterred (and still not understanding what the song was about), Reagan publicly declared, in what was surely one of the most ironic things that has ever happened: “America’s future rests in a thousand dreams inside our hearts. It rests in the message of hope in the songs of a man so many young Americans admire: New Jersey’s own Bruce Springsteen.”\u003c/p>\n\u003cp>Springsteen later had to also take action to stop both Bob Dole and Pat Buchanan from using “Born in the USA” in their campaigns. Republicans don’t seem to listen to the verses on this one, so it’s totally safe for your bipartisan barbecue.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Have a great Fourth, everyone!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It's doubtful that even \u003ca href=\"https://en.wikipedia.org/wiki/Lin-Manuel_Miranda\">Lin-Manuel Miranda\u003c/a> had any inkling about what a runaway hit his musical \u003ca href=\"http://www.hamiltonbroadway.com/\">\u003cem>Hamilton\u003c/em>\u003c/a> would turn out to be. Let's face it: in another set of hands, the combination of hip-hop and history could have been an unintentionally comedic disaster.\u003c/p>\n\u003cp>Over two years after its Broadway debut, \u003cem>Hamilton\u003c/em> has truly taken on a life of its own, with the non-theater world embracing Lin-Manuel Miranda in a way few playwrights ever experience. (Can you think of any others that have \u003ca href=\"https://www.nbc.com/saturday-night-live/video/linmanuel-miranda-monologue/3112623?snl=1\">hosted \u003cem>Saturday Night Live\u003c/em>\u003c/a>?) Miranda's combination of savvy, smarts, and boundless creativity means \u003cem>Hamilton\u003c/em> is the gift that keeps on giving, as evidenced by last year's \u003ca href=\"https://en.wikipedia.org/wiki/The_Hamilton_Mixtape\">\u003cem>The Hamilton Mixtape\u003c/em>\u003c/a> album -- a collection of covers and reinterpretations performed by the likes of The Roots and John Legend.\u003c/p>\n\u003cp>Just two days after the Supreme Court permitted portions of Trump's travel ban to go into effect, a video to accompany \u003cem>Mixtape\u003c/em> standout \"Immigrants (We Get the Job Done)\" has been released. Performed by \u003ca href=\"https://www.facebook.com/knaan/\">K'naan\u003c/a> featuring \u003ca href=\"http://residente.com/en/\">Residente\u003c/a>, \u003ca href=\"https://www.facebook.com/rizmc/\">Riz MC\u003c/a>, and \u003ca href=\"http://www.snowthaproduct.com/\">Snow Tha Product,\u003c/a> the song's title and refrain is taken from a line in one of \u003cem>Hamilton\u003c/em>'s most famous songs, \u003ca href=\"https://www.youtube.com/watch?v=NpsuEcKW8ZE\">\"Yorktown (The World Turned Upside Down).” \u003c/a>\u003c/p>\n\u003cp>Timely, powerful, and perfect for protests, here it is:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6_35a7sn6ds&t=303s\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Hamilton\u003c/em> is being performed at San Francisco's \u003ca href=\"https://www.shnsf.com/Online/default.asp\">Orpheum Theatre\u003c/a> until August 5, 2017.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It's doubtful that even \u003ca href=\"https://en.wikipedia.org/wiki/Lin-Manuel_Miranda\">Lin-Manuel Miranda\u003c/a> had any inkling about what a runaway hit his musical \u003ca href=\"http://www.hamiltonbroadway.com/\">\u003cem>Hamilton\u003c/em>\u003c/a> would turn out to be. Let's face it: in another set of hands, the combination of hip-hop and history could have been an unintentionally comedic disaster.\u003c/p>\n\u003cp>Over two years after its Broadway debut, \u003cem>Hamilton\u003c/em> has truly taken on a life of its own, with the non-theater world embracing Lin-Manuel Miranda in a way few playwrights ever experience. (Can you think of any others that have \u003ca href=\"https://www.nbc.com/saturday-night-live/video/linmanuel-miranda-monologue/3112623?snl=1\">hosted \u003cem>Saturday Night Live\u003c/em>\u003c/a>?) Miranda's combination of savvy, smarts, and boundless creativity means \u003cem>Hamilton\u003c/em> is the gift that keeps on giving, as evidenced by last year's \u003ca href=\"https://en.wikipedia.org/wiki/The_Hamilton_Mixtape\">\u003cem>The Hamilton Mixtape\u003c/em>\u003c/a> album -- a collection of covers and reinterpretations performed by the likes of The Roots and John Legend.\u003c/p>\n\u003cp>Just two days after the Supreme Court permitted portions of Trump's travel ban to go into effect, a video to accompany \u003cem>Mixtape\u003c/em> standout \"Immigrants (We Get the Job Done)\" has been released. Performed by \u003ca href=\"https://www.facebook.com/knaan/\">K'naan\u003c/a> featuring \u003ca href=\"http://residente.com/en/\">Residente\u003c/a>, \u003ca href=\"https://www.facebook.com/rizmc/\">Riz MC\u003c/a>, and \u003ca href=\"http://www.snowthaproduct.com/\">Snow Tha Product,\u003c/a> the song's title and refrain is taken from a line in one of \u003cem>Hamilton\u003c/em>'s most famous songs, \u003ca href=\"https://www.youtube.com/watch?v=NpsuEcKW8ZE\">\"Yorktown (The World Turned Upside Down).” \u003c/a>\u003c/p>\n\u003cp>Timely, powerful, and perfect for protests, here it is:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6_35a7sn6ds'\n title='//www.youtube.com/embed/6_35a7sn6ds'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>The last time I danced in public, it was 2014 and my birthday. Swept up by free vodka and the company of great friends, I found myself dancing on a Brooklyn hotel rooftop to (and, truly, I couldn't have picked a more aptly titled song) \u003ca href=\"https://www.youtube.com/watch?v=CcNo07Xp8aQ\" target=\"_blank\" rel=\"noopener noreferrer\">\"Dancing On My Own\"\u003c/a> by Robyn. I was happy and drunk, so the music took over and I danced in a way that feels natural to me, which looks to everyone else like I might be having a seizure of some kind.\u003c/p>\n\u003cp>The next day, one of my friends, genuinely perplexed, said, \"In all the years I've known you, I've never seen you dance before.\"\u003cbr>\n\"That's because I don't dance like a normal human,\" I replied.\u003cbr>\n\"Yeah,\" continued the friend. \"You looked like a unicorn on crack.\"\u003c/p>\n\u003cp>Now, in all fairness, my friend was making an observation that I don't consider factually incorrect and have heard on many occasions. Perhaps I do resemble a coked-up glorified horse every time I hit the dance floor. The problem is, I have been shamed out of indulging in what was once a joyful activity, by the normal majority of people who understand how to move appropriately to music in public settings.\u003c/p>\n\u003cp>This brings us to Lorde.\u003c/p>\n\u003cp>I have probably listened to her first album, \u003cem>Pure Heroine\u003c/em>, about 10,000 times at this point, but until recently, I had never seen her really move around a stage. Then, back in March, I caught her performing \"Green Light\" on \u003cem>Saturday Night Live,\u003c/em> and a flash of recognition washed over me around the 1:25 mark. Lorde did some air punching, then flicked her head from side-to-side while doing something resembling jazz hands. Later, there were raised knees and foot stomping.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There it was. Finally! Someone was doing my moves! Sweet relief!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=KHB_ZpbTi30\u003c/p>\n\u003cp>Much was made of Lorde's dancing after the \u003cem>SNL\u003c/em> performance, and much of the commentary—a solid mix of outright insults and backhanded compliments—reinforced everything I had ever been told about my own (in)ability to dance (the way people want me to). Most of the hate came via Twitter—something that enabled \u003cem>\u003ca href=\"http://www.dailymotion.com/video/x5ep74f\" target=\"_blank\" rel=\"noopener noreferrer\">Inside Edition\u003c/a>\u003c/em> to shine a light on tweets that compared Lorde's dancing, not entirely unfairly, to that of Elaine on \u003cem>Seinfeld\u003c/em>.\u003c/p>\n\u003cp>[aside postid='pop_67558']\u003cem>\u003ca href=\"http://www.vulture.com/2017/03/lorde-fires-back-dance-moves-snl-criticism.html\" target=\"_blank\" rel=\"noopener noreferrer\">Vulture\u003c/a>\u003c/em> made GIFs breaking down her various moves, giving them names like \"The Auckland Flail,\" \"The Christchurch Wiggle,\" and \"The High Fives All Around.\" \u003ca href=\"http://www.mtv.com/news/2992507/lorde-green-light-saturday-night-live/\" target=\"_blank\" rel=\"noopener noreferrer\">MTV\u003c/a> worked really hard to stay polite: \"This is far from the safe, predictable choreography typically reserved for pop performances.\" Amidst a lot of articles using the words \"weird\" and \"unique,\" \u003ca href=\"http://www.npr.org/sections/allsongs/2017/03/13/519615467/watch-lorde-perform-green-light-and-liability-on-saturday-night-live\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a> offered me some comfort: \"...her dancing, bad and with abandon, is the sort we could use more of on America's premier stages.\"\u003c/p>\n\u003cp>The chatter was loud enough that Lorde felt the need to make a statement on her \u003ca href=\"https://www.facebook.com/lordemusic/?ref=nf&hc_ref=NEWSFEED\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> page: \"one day i will do a normal dance choreographed by a nice person and i will look more like your other favourite performers but we have not yet reached that day ¯\\_(ツ)_/¯\"\u003c/p>\n\u003cp>Back when her music was slower, Lorde could get away with moving very little. With hindsight, the \"Tennis Court\" video, for example, was probably directed with the specific agenda of keeping her perfectly still. But that stillness didn't sit well with people either—it was considered unnerving.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=D8Ymd-OCucs\u003c/p>\n\u003cp>So when she finally allowed her arms to move and shoulders to jerk during a \u003ca href=\"https://www.youtube.com/watch?v=kQ_yfsw_opM\" target=\"_blank\" rel=\"noopener noreferrer\">2014 Grammy performance\u003c/a>, it was interpreted by much of the public as frightening. \u003ca href=\"https://www.buzzfeed.com/tanyachen/lordes-grammy-performance-proved-her-dancing-continues-to-fr?utm_term=.jcYXLbbdX#.xh2zKoojz\" target=\"_blank\" rel=\"noopener noreferrer\">Buzzfeed\u003c/a> collected some tweets about her performance and put them all together in one article to reflect the point. Words in those tweets included: \"paranormal,\" \"exorcism,\" and \"scariest.\"\u003c/p>\n\u003cp>We, as a culture, are accustomed to either choreographed dance moves, barely-there dance moves or no dance moves at all (Adele is the reigning queen of that last category). Older male musicians seem to get away with unconventional dancing with a bit less scrutiny (see: Thom Yorke, Michael Stipe, and Iggy Pop), but Lorde might be the first very young female star to refuse to conform to normal expectations about how a lady should move.\u003c/p>\n\u003cp>The phrase \"Dance like no one is watching\" is thrown around in inspirational memes a lot, but almost never observed, because in the age of \u003cem>\u003ca href=\"http://www.fox.com/so-you-think-you-can-dance\" target=\"_blank\" rel=\"noopener noreferrer\">So You Think You Can Dance\u003c/a>,\u003c/em> \u003cem>\u003ca href=\"http://www.nbc.com/world-of-dance?nbc=1\" target=\"_blank\" rel=\"noopener noreferrer\">World of Dance\u003c/a>,\u003c/em> and \u003ca href=\"http://abc.go.com/shows/dancing-with-the-stars\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Dancing With the Stars\u003c/em>\u003c/a>, you can only dance like no one is watching if you don't mind being ridiculed afterwards. Anyone who's ever been dance-shamed will tell you it really takes the joy out of the whole thing.\u003c/p>\n\u003cp>[aside postid='pop_95514']Not only does Lorde get dance-shamed on a regular basis, she's doing it on an international stage. Her persistence and commitment to unconventional physical expression is solid evidence that she genuinely couldn't care less what anyone thinks of her. Frankly, it's an inspiration to the dance-shamed everywhere—including myself.\u003c/p>\n\u003cp>From my perspective, Lorde's moves are the moves that occur when someone feels music strongly, but can't actually figure out which body part to move first, so they're forced to just get visceral about it. There is something wonderful about that freedom, even if we don't get to see it very often. Every time she dances on stage, Lorde is breaking both pop star convention \u003cem>and\u003c/em> social rules. More than that, seeing her carry on regardless gives hope to the people like me who have never figured out how to contain our feelings about music within conventional dance moves.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Undoubtedly, people will go on making fun of Lorde for the way she moves, but she does have the #1 album in America right now, and she is in no way letting it hold her performances back. Perhaps if we allow her to continue doing her thing in peace, other young music stars would feel more comfortable about letting their freak flag fly. And just imagine how much more fun that would be for both performers and audiences.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The last time I danced in public, it was 2014 and my birthday. Swept up by free vodka and the company of great friends, I found myself dancing on a Brooklyn hotel rooftop to (and, truly, I couldn't have picked a more aptly titled song) \u003ca href=\"https://www.youtube.com/watch?v=CcNo07Xp8aQ\" target=\"_blank\" rel=\"noopener noreferrer\">\"Dancing On My Own\"\u003c/a> by Robyn. I was happy and drunk, so the music took over and I danced in a way that feels natural to me, which looks to everyone else like I might be having a seizure of some kind.\u003c/p>\n\u003cp>The next day, one of my friends, genuinely perplexed, said, \"In all the years I've known you, I've never seen you dance before.\"\u003cbr>\n\"That's because I don't dance like a normal human,\" I replied.\u003cbr>\n\"Yeah,\" continued the friend. \"You looked like a unicorn on crack.\"\u003c/p>\n\u003cp>Now, in all fairness, my friend was making an observation that I don't consider factually incorrect and have heard on many occasions. Perhaps I do resemble a coked-up glorified horse every time I hit the dance floor. The problem is, I have been shamed out of indulging in what was once a joyful activity, by the normal majority of people who understand how to move appropriately to music in public settings.\u003c/p>\n\u003cp>This brings us to Lorde.\u003c/p>\n\u003cp>I have probably listened to her first album, \u003cem>Pure Heroine\u003c/em>, about 10,000 times at this point, but until recently, I had never seen her really move around a stage. Then, back in March, I caught her performing \"Green Light\" on \u003cem>Saturday Night Live,\u003c/em> and a flash of recognition washed over me around the 1:25 mark. Lorde did some air punching, then flicked her head from side-to-side while doing something resembling jazz hands. Later, there were raised knees and foot stomping.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>\u003ca href=\"http://www.vulture.com/2017/03/lorde-fires-back-dance-moves-snl-criticism.html\" target=\"_blank\" rel=\"noopener noreferrer\">Vulture\u003c/a>\u003c/em> made GIFs breaking down her various moves, giving them names like \"The Auckland Flail,\" \"The Christchurch Wiggle,\" and \"The High Fives All Around.\" \u003ca href=\"http://www.mtv.com/news/2992507/lorde-green-light-saturday-night-live/\" target=\"_blank\" rel=\"noopener noreferrer\">MTV\u003c/a> worked really hard to stay polite: \"This is far from the safe, predictable choreography typically reserved for pop performances.\" Amidst a lot of articles using the words \"weird\" and \"unique,\" \u003ca href=\"http://www.npr.org/sections/allsongs/2017/03/13/519615467/watch-lorde-perform-green-light-and-liability-on-saturday-night-live\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a> offered me some comfort: \"...her dancing, bad and with abandon, is the sort we could use more of on America's premier stages.\"\u003c/p>\n\u003cp>The chatter was loud enough that Lorde felt the need to make a statement on her \u003ca href=\"https://www.facebook.com/lordemusic/?ref=nf&hc_ref=NEWSFEED\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> page: \"one day i will do a normal dance choreographed by a nice person and i will look more like your other favourite performers but we have not yet reached that day ¯\\_(ツ)_/¯\"\u003c/p>\n\u003cp>Back when her music was slower, Lorde could get away with moving very little. With hindsight, the \"Tennis Court\" video, for example, was probably directed with the specific agenda of keeping her perfectly still. But that stillness didn't sit well with people either—it was considered unnerving.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/D8Ymd-OCucs'\n title='//www.youtube.com/embed/D8Ymd-OCucs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>So when she finally allowed her arms to move and shoulders to jerk during a \u003ca href=\"https://www.youtube.com/watch?v=kQ_yfsw_opM\" target=\"_blank\" rel=\"noopener noreferrer\">2014 Grammy performance\u003c/a>, it was interpreted by much of the public as frightening. \u003ca href=\"https://www.buzzfeed.com/tanyachen/lordes-grammy-performance-proved-her-dancing-continues-to-fr?utm_term=.jcYXLbbdX#.xh2zKoojz\" target=\"_blank\" rel=\"noopener noreferrer\">Buzzfeed\u003c/a> collected some tweets about her performance and put them all together in one article to reflect the point. Words in those tweets included: \"paranormal,\" \"exorcism,\" and \"scariest.\"\u003c/p>\n\u003cp>We, as a culture, are accustomed to either choreographed dance moves, barely-there dance moves or no dance moves at all (Adele is the reigning queen of that last category). Older male musicians seem to get away with unconventional dancing with a bit less scrutiny (see: Thom Yorke, Michael Stipe, and Iggy Pop), but Lorde might be the first very young female star to refuse to conform to normal expectations about how a lady should move.\u003c/p>\n\u003cp>The phrase \"Dance like no one is watching\" is thrown around in inspirational memes a lot, but almost never observed, because in the age of \u003cem>\u003ca href=\"http://www.fox.com/so-you-think-you-can-dance\" target=\"_blank\" rel=\"noopener noreferrer\">So You Think You Can Dance\u003c/a>,\u003c/em> \u003cem>\u003ca href=\"http://www.nbc.com/world-of-dance?nbc=1\" target=\"_blank\" rel=\"noopener noreferrer\">World of Dance\u003c/a>,\u003c/em> and \u003ca href=\"http://abc.go.com/shows/dancing-with-the-stars\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Dancing With the Stars\u003c/em>\u003c/a>, you can only dance like no one is watching if you don't mind being ridiculed afterwards. Anyone who's ever been dance-shamed will tell you it really takes the joy out of the whole thing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Not only does Lorde get dance-shamed on a regular basis, she's doing it on an international stage. Her persistence and commitment to unconventional physical expression is solid evidence that she genuinely couldn't care less what anyone thinks of her. Frankly, it's an inspiration to the dance-shamed everywhere—including myself.\u003c/p>\n\u003cp>From my perspective, Lorde's moves are the moves that occur when someone feels music strongly, but can't actually figure out which body part to move first, so they're forced to just get visceral about it. There is something wonderful about that freedom, even if we don't get to see it very often. Every time she dances on stage, Lorde is breaking both pop star convention \u003cem>and\u003c/em> social rules. More than that, seeing her carry on regardless gives hope to the people like me who have never figured out how to contain our feelings about music within conventional dance moves.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Undoubtedly, people will go on making fun of Lorde for the way she moves, but she does have the #1 album in America right now, and she is in no way letting it hold her performances back. Perhaps if we allow her to continue doing her thing in peace, other young music stars would feel more comfortable about letting their freak flag fly. And just imagine how much more fun that would be for both performers and audiences.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"order": 9
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"id": "fresh-air",
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"airtime": "SUN 7:30pm-8pm",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"order": 15
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"source": "American Public Media"
},
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"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
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"meta": {
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"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
"id": "morning-edition",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 11
},
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"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"link": "/radio/program/on-the-media",
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},
"pbs-newshour": {
"id": "pbs-newshour",
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"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
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},
"perspectives": {
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"order": 14
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
},
"link": "/podcasts/politicalbreakdown",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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