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"title": "In the Balkan Brass Scene, a Conversation About Racism Unfolds",
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"content": "\u003cp>The word “gypsy” is everywhere. Herbal apothecaries, hippie clothing stores and restaurants use it to \u003ca href=\"https://www.yelp.com/biz/queen-hippie-gypsy-oakland-3?osq=gypsy\" target=\"_blank\" rel=\"noopener\">conjure\u003c/a> an exotic, free-spirited allure. And for numerous brass bands across the country, it’s shorthand for a horn-driven, percussive style of Balkan folk music.\u003c/p>\n\u003cp>Yet many don’t realize that the word “gypsy” is an ethnic slur against the Romani community, which has endured centuries of oppression in Europe and faces discrimination in the United States today. The Balkan brass band \u003ca href=\"http://www.inspectorgadje.com/\" target=\"_blank\" rel=\"noopener\">Inspector Gadje\u003c/a>, a 14-piece ensemble trained on the music of Romani masters, are part of a longstanding effort in the Bay Area to combat Romani stereotypes and draw attention to the culture from which this popular style originates.\u003c/p>\n\u003cp>Born out of the activist \u003ca href=\"https://www.kqed.org/arts/13808995/meet-brass-liberation-orchestra-a-radical-brass-band-drumming-up-energy-at-protests\" target=\"_blank\" rel=\"noopener\">Brass Liberation Orchestra\u003c/a>—a radical ensemble that drums up enthusiasm at protests—Inspector Gadje specializes in Southeastern European Romani music with a twist. On Oct. 12 at the Rickshaw Stop in San Francisco, the 14-piece band is accompanies virtuoso clarinetist \u003ca href=\"https://www.ismaillumanovski.com/\" target=\"_blank\" rel=\"noopener\">Ismail Lumanovski\u003c/a>, a star of the Balkman music scene in the U.S. and abroad, and one of the most popular Romani musicians on this side of the Atlantic.\u003c/p>\n\u003cp>https://youtu.be/_Mx2u-RdW5Q\u003c/p>\n\u003cp>In the Romani language, \u003cem>gadje\u003c/em> is a term for a non-Romani person (similar to \u003cem>gringo\u003c/em> in Spanish), and in Inspector Gadje’s case, it serves as a reminder of their status as guests in the Romani culture. The group was born out of a collaboration with the Sebastopol-based arts nonprofit \u003ca href=\"http://www.voiceofroma.com/\" target=\"_blank\" rel=\"noopener\">Voice of Roma\u003c/a>, a coalition of Romani activists and allies who use music as a tool for education and cultural exchange.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A fan of Brass Liberation Orchestra’s activism, Voice of Roma founder Shani Rifati enlisted members of the band to learn Romani music for a tour he organized in 2010. After six months of study under celebrated Romani multi-instrumentalist Rumen “Sali” Shopov, the members of BLO fell in love with the bouncy, danceable genre, which shares sensibilities with Middle Eastern and Eastern European folk music as well as jazz. [aside postid='arts_13859794']\u003c/p>\n\u003cp>“We all caught this bug, so by the end of the project most of us wanted to keep playing this music,” says Inspector Gadje percussionist and bandleader Marco Peris. “So with their permission, Inspector Gadje was born.”\u003c/p>\n\u003cp>Lumanovski came into the picture to give Inspector Gadje a master class, which turned into a years-long collaborative relationship. He and Inspector Gadje have toured the globe together, and recorded a live album in 2017.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I like working with Inspector Gadje because it actually expands my view of how people see Balkan music, and what can be done so it could be represented in the world in a way that can be legit and creative at the same time,” says Lumanovski. “\u003c/span>\u003cspan style=\"font-weight: 400\">What I do with Inspector Gadje is not just playing traditional melodies, which we do, but trying to compose new music that’s inspired by Balkan music, and create a new language basically.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13867990\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867990\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3-800x450.jpg\" alt=\"Brass band Inspector Gadje and clarinetist Ismail Lumanovski.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brass band Inspector Gadje and clarinetist Ismail Lumanovski. \u003ccite>(John Nilsen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Centuries of displacement lost in translation\u003c/h2>\n\u003cp>As non-Romani musicians specializing in the Romani musical tradition, the members of Inspector Gadje use their popularity in the Bay Area’s live music scene to draw attention to the Romani community, and educate the wider public about cultural sensitivity. Back in Italy, where Peris is originally from, he helped organize legal support for Romani families whose children were excluded from public schools. And Inspector Gadje’s website devotes a section to Voice of Roma’s efforts to educate the wider U.S. public about the offensiveness of the term “gypsy” and how it reinforces harmful racial and ethnic stereotypes.\u003c/p>\n\u003cp>Indeed, many people in the United States associate the word “gypsy” with a free-spirited, nomadic romanticism. But Rifati says that the stereotypical, pejorative term stems from a centuries-long history of displacement of and discrimination against Roma in virtually every European country they’ve inhabited since the Middle Ages, when they migrated from India to Europe.\u003c/p>\n\u003cp>Across Europe, Romani people have long been treated as second-class citizens and sequestered into slums. \u003cspan style=\"font-weight: 400\">“Then what’s there left for me as Roma?” says Rifati in a phone call from Berlin, where he now lives. “Just the road. It’s not by choice, it’s by necessity.”\u003c/span>\u003c/p>\n\u003cp>Many examples in recent history back this notion: Romani people were targeted by the Nazis during the Holocaust. And more recently, 100,000 Roma were stripped of citizenship rights in 1993 when Czechoslovakia split into two separate republics following the collapse of the Soviet Union. Today in Kosovo (once part of Yugoslavia, where Rifati was raised), many Roma, who make up 10 percent of the population, live in segregated settlements and are discriminated against in jobs and education.\u003c/p>\n\u003ch2>Reclaiming a pejorative term\u003c/h2>\n\u003cp>Anthropologist Carol Silverman, who sits on the board of Voice of Roma, says structural discrimination persists against Romani people in the United States today, especially in courts, policing, social services and mainstream media. \u003cspan style=\"font-weight: 400\">“Certain crimes are associated, structurally, with Roma,” she says. For instance, the word “gypped,” a synonym of “swindled,” stems from “gypsy.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“In fact, many police departments in the U.S. still have criminal divisions of investigative assumptions that there’s ‘gypsy criminality,'” Silverman adds. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To Rifati, equating the word “gypsy” with free-spirited wanderers erases centuries of oppression and exclusion from mainstream society. “I am not Gypsy, because that’s how the white men used to call us,” Rifati says, adding that in his home country, he was unable to work in his field as a chemist because of racist discrimination. “It’s inaccurate, it’s offensive and it’s wrong.”\u003c/span>\u003c/p>\n\u003cp>Still, Lumanovski, who lives in New York, says it’s more common for him to encounter well-meaning ignorance about his culture in America than overt racism, and doesn’t mind so much if bands use the word “gypsy” to refer to the style of music. His other band, the \u003ca href=\"https://www.nygypsyallstars.com/\" target=\"_blank\" rel=\"noopener\">New York Gypsy All-Stars\u003c/a>, has been praised on Huffington Post and Salon. He says he wouldn’t have chosen that band name himself, “but a manager who I trusted—a producer of a big festival—put that name for us, and I don’t feel like we’re doing anything wrong with that,” he says.\u003c/p>\n\u003cp>https://youtu.be/vBvRpYNPxzo\u003c/p>\n\u003cp>Still, Lumanovski concedes, “I\u003cspan style=\"font-weight: 400\">f I translate that word in Macedonian or any language in the Balkans, it would sound discriminatory,” he says. “\u003c/span>\u003cspan style=\"font-weight: 400\">Of course, I wish everyone would understand the culture and not use the g-word, but I understand people [in the United States] are not using it to discriminate.”\u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>As far as Peris and Inspector Gadje are concerned, it’s up to Romani people if they want to use the word “gypsy” for themselves. Inspector Gadje’s mission, rather, is to educate the broader public. As Peris says, “I only have a problem with if you want to use the word to your advantage, and you have no connection and no understanding of the culture.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The word “gypsy” is everywhere. Herbal apothecaries, hippie clothing stores and restaurants use it to \u003ca href=\"https://www.yelp.com/biz/queen-hippie-gypsy-oakland-3?osq=gypsy\" target=\"_blank\" rel=\"noopener\">conjure\u003c/a> an exotic, free-spirited allure. And for numerous brass bands across the country, it’s shorthand for a horn-driven, percussive style of Balkan folk music.\u003c/p>\n\u003cp>Yet many don’t realize that the word “gypsy” is an ethnic slur against the Romani community, which has endured centuries of oppression in Europe and faces discrimination in the United States today. The Balkan brass band \u003ca href=\"http://www.inspectorgadje.com/\" target=\"_blank\" rel=\"noopener\">Inspector Gadje\u003c/a>, a 14-piece ensemble trained on the music of Romani masters, are part of a longstanding effort in the Bay Area to combat Romani stereotypes and draw attention to the culture from which this popular style originates.\u003c/p>\n\u003cp>Born out of the activist \u003ca href=\"https://www.kqed.org/arts/13808995/meet-brass-liberation-orchestra-a-radical-brass-band-drumming-up-energy-at-protests\" target=\"_blank\" rel=\"noopener\">Brass Liberation Orchestra\u003c/a>—a radical ensemble that drums up enthusiasm at protests—Inspector Gadje specializes in Southeastern European Romani music with a twist. On Oct. 12 at the Rickshaw Stop in San Francisco, the 14-piece band is accompanies virtuoso clarinetist \u003ca href=\"https://www.ismaillumanovski.com/\" target=\"_blank\" rel=\"noopener\">Ismail Lumanovski\u003c/a>, a star of the Balkman music scene in the U.S. and abroad, and one of the most popular Romani musicians on this side of the Atlantic.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_Mx2u-RdW5Q'\n title='//www.youtube.com/embed/_Mx2u-RdW5Q'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In the Romani language, \u003cem>gadje\u003c/em> is a term for a non-Romani person (similar to \u003cem>gringo\u003c/em> in Spanish), and in Inspector Gadje’s case, it serves as a reminder of their status as guests in the Romani culture. The group was born out of a collaboration with the Sebastopol-based arts nonprofit \u003ca href=\"http://www.voiceofroma.com/\" target=\"_blank\" rel=\"noopener\">Voice of Roma\u003c/a>, a coalition of Romani activists and allies who use music as a tool for education and cultural exchange.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A fan of Brass Liberation Orchestra’s activism, Voice of Roma founder Shani Rifati enlisted members of the band to learn Romani music for a tour he organized in 2010. After six months of study under celebrated Romani multi-instrumentalist Rumen “Sali” Shopov, the members of BLO fell in love with the bouncy, danceable genre, which shares sensibilities with Middle Eastern and Eastern European folk music as well as jazz. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We all caught this bug, so by the end of the project most of us wanted to keep playing this music,” says Inspector Gadje percussionist and bandleader Marco Peris. “So with their permission, Inspector Gadje was born.”\u003c/p>\n\u003cp>Lumanovski came into the picture to give Inspector Gadje a master class, which turned into a years-long collaborative relationship. He and Inspector Gadje have toured the globe together, and recorded a live album in 2017.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I like working with Inspector Gadje because it actually expands my view of how people see Balkan music, and what can be done so it could be represented in the world in a way that can be legit and creative at the same time,” says Lumanovski. “\u003c/span>\u003cspan style=\"font-weight: 400\">What I do with Inspector Gadje is not just playing traditional melodies, which we do, but trying to compose new music that’s inspired by Balkan music, and create a new language basically.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13867990\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867990\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3-800x450.jpg\" alt=\"Brass band Inspector Gadje and clarinetist Ismail Lumanovski.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Inspector-Gadje-By-John-Nilsen-3.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brass band Inspector Gadje and clarinetist Ismail Lumanovski. \u003ccite>(John Nilsen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Centuries of displacement lost in translation\u003c/h2>\n\u003cp>As non-Romani musicians specializing in the Romani musical tradition, the members of Inspector Gadje use their popularity in the Bay Area’s live music scene to draw attention to the Romani community, and educate the wider public about cultural sensitivity. Back in Italy, where Peris is originally from, he helped organize legal support for Romani families whose children were excluded from public schools. And Inspector Gadje’s website devotes a section to Voice of Roma’s efforts to educate the wider U.S. public about the offensiveness of the term “gypsy” and how it reinforces harmful racial and ethnic stereotypes.\u003c/p>\n\u003cp>Indeed, many people in the United States associate the word “gypsy” with a free-spirited, nomadic romanticism. But Rifati says that the stereotypical, pejorative term stems from a centuries-long history of displacement of and discrimination against Roma in virtually every European country they’ve inhabited since the Middle Ages, when they migrated from India to Europe.\u003c/p>\n\u003cp>Across Europe, Romani people have long been treated as second-class citizens and sequestered into slums. \u003cspan style=\"font-weight: 400\">“Then what’s there left for me as Roma?” says Rifati in a phone call from Berlin, where he now lives. “Just the road. It’s not by choice, it’s by necessity.”\u003c/span>\u003c/p>\n\u003cp>Many examples in recent history back this notion: Romani people were targeted by the Nazis during the Holocaust. And more recently, 100,000 Roma were stripped of citizenship rights in 1993 when Czechoslovakia split into two separate republics following the collapse of the Soviet Union. Today in Kosovo (once part of Yugoslavia, where Rifati was raised), many Roma, who make up 10 percent of the population, live in segregated settlements and are discriminated against in jobs and education.\u003c/p>\n\u003ch2>Reclaiming a pejorative term\u003c/h2>\n\u003cp>Anthropologist Carol Silverman, who sits on the board of Voice of Roma, says structural discrimination persists against Romani people in the United States today, especially in courts, policing, social services and mainstream media. \u003cspan style=\"font-weight: 400\">“Certain crimes are associated, structurally, with Roma,” she says. For instance, the word “gypped,” a synonym of “swindled,” stems from “gypsy.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“In fact, many police departments in the U.S. still have criminal divisions of investigative assumptions that there’s ‘gypsy criminality,'” Silverman adds. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To Rifati, equating the word “gypsy” with free-spirited wanderers erases centuries of oppression and exclusion from mainstream society. “I am not Gypsy, because that’s how the white men used to call us,” Rifati says, adding that in his home country, he was unable to work in his field as a chemist because of racist discrimination. “It’s inaccurate, it’s offensive and it’s wrong.”\u003c/span>\u003c/p>\n\u003cp>Still, Lumanovski, who lives in New York, says it’s more common for him to encounter well-meaning ignorance about his culture in America than overt racism, and doesn’t mind so much if bands use the word “gypsy” to refer to the style of music. His other band, the \u003ca href=\"https://www.nygypsyallstars.com/\" target=\"_blank\" rel=\"noopener\">New York Gypsy All-Stars\u003c/a>, has been praised on Huffington Post and Salon. He says he wouldn’t have chosen that band name himself, “but a manager who I trusted—a producer of a big festival—put that name for us, and I don’t feel like we’re doing anything wrong with that,” he says.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vBvRpYNPxzo'\n title='//www.youtube.com/embed/vBvRpYNPxzo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Still, Lumanovski concedes, “I\u003cspan style=\"font-weight: 400\">f I translate that word in Macedonian or any language in the Balkans, it would sound discriminatory,” he says. “\u003c/span>\u003cspan style=\"font-weight: 400\">Of course, I wish everyone would understand the culture and not use the g-word, but I understand people [in the United States] are not using it to discriminate.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "San Francisco Fleet Week 2019: The Blue Angels Are Here (and So Is the Noise)",
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"content": "\u003cp>\u003cem>Updated 3 p.m. October 9, 2019\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/perspectives/201601136412/love-hate-and-the-blue-angels\" target=\"_blank\" rel=\"noopener\">Love it or hate it\u003c/a>, it's 2019's San Francisco Fleet Week. Have questions? We've got you covered.\u003c/p>\n\u003cp>\u003cstrong>What is Fleet Week?\u003c/strong>\u003c/p>\n\u003cp>Every October since 1981, military ships fill San Francisco Bay and the Blue Angels (usually) take to the skies. \u003ca href=\"https://fleetweeksf.org/\">Fleet Week\u003c/a> is a celebration of the \u003ca href=\"https://fleetweeksf.org/about-us/\" target=\"_blank\" rel=\"noopener\">Bay Area's naval history\u003c/a> and is made up of a series of events around San Francisco, from art exhibits to ship tours and air shows. The U.S. Navy, U.S. Coast Guard, U.S. Marine Corps and the California National Guard are all part of the weeklong event.\u003c/p>\n\u003cp>\"We are excited and proud to welcome the women and men of the sea services back to San Francisco,” said San Francisco Mayor London Breed, in a press release for this year's festivities. “During Fleet Week, our first responders will have the opportunity to conduct joint exercises with the sea services. This collaboration is key to making sure that our public safety departments are prepared to serve our city when a disaster occurs.”\u003c/p>\n\u003cp>The weeklong event is known to draw millions of visitors and, according to the press release from last year, can bring in over $100 million to San Francisco's economy.\u003c/p>\n\u003cp>This year Fleet Week takes place Oct. 6-14.\u003c/p>\n\u003cp>\u003cstrong>Where will it be?\u003c/strong>\u003c/p>\n\u003cp>Fleet Week events take place all over San Francisco and range from safety drills to processions.\u003c/p>\n\u003cp>https://twitter.com/LondonBreed/status/1181287012596236289\u003c/p>\n\u003cp>The air show happens over three days, so if you miss Friday's show, you can catch it Saturday and Sunday. All you have to do is head over to the festival area at Marina Green. It's free, but if you're looking for a better view and don't want to bring your own chair, they do \u003ca href=\"https://fleetweeksf.org/tickets/\" target=\"_blank\" rel=\"noopener\">offer tickets\u003c/a> for prime spots.\u003c/p>\n\u003cp>Check out the full calendar of events (with a map!) \u003ca href=\"https://fleetweeksf.org/events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>What are the Blue Angels?\u003c/strong>\u003c/p>\n\u003cp>The Blue Angels are the U.S. Navy's official flight demonstration squad, performing dozens of shows annually.\u003c/p>\n\u003cp>San Franciscans are split on whether they \u003ca href=\"https://www.kqed.org/perspectives/201601136412/love-hate-and-the-blue-angels\" target=\"_blank\" rel=\"noopener\">love or hate\u003c/a> this high-flying show that features aerial acrobatics. Still, the three-day show is one of the more popular Fleet Week events.\u003c/p>\n\u003cp>Some complain about the noise, \u003ca href=\"https://www.kqed.org/news/77575/how-much-do-the-blue-angels-cost\" target=\"_blank\" rel=\"noopener\">cost\u003c/a> and pollution, but it does bring in \u003ca href=\"https://www.kqed.org/news/77575/how-much-do-the-blue-angels-cost\" target=\"_blank\" rel=\"noopener\">an estimated 1 million people\u003c/a>.\u003c/p>\n\u003cp>https://twitter.com/FleetWeekSF/status/1181014575300239360\u003c/p>\n\u003cp>\u003cstrong>What should you bring?\u003c/strong>\u003c/p>\n\u003cp>Camera, backup battery, binoculars (depending on how far you are from the air show) and a map. You might also find the Fleet Week \u003ca href=\"https://fleetweeksf.org/download-the-mobile-app/\" target=\"_blank\" rel=\"noopener\">mobile app\u003c/a> useful.\u003c/p>\n\u003cp>\u003cstrong>Getting around \u003c/strong>\u003c/p>\n\u003cp>Depending on which event you're attending, and its location in the city, parking may be a challenge. The \u003ca href=\"https://fleetweeksf.org/parking/\" target=\"_blank\" rel=\"noopener\">Fleet Week website\u003c/a> is offering a quick and easy way to reserve parking at various lots for a slight discount.\u003c/p>\n\u003cp>If you're getting around the city via public transit, use \u003ca href=\"https://511.org/\" target=\"_blank\" rel=\"noopener\">511\u003c/a> to help plan your trip. The San Francisco Bay Ferry is \u003ca href=\"https://sanfranciscobayferry.com/\" target=\"_blank\" rel=\"noopener\">also an option\u003c/a> if you want another way to get into the city.\u003c/p>\n\u003cp>https://twitter.com/sfmta_muni/status/1181327734296809472\u003c/p>\n\u003cp>\u003cstrong>What hashtag should people use on social media?\u003c/strong>\u003c/p>\n\u003cp>#FleetWeekSF\u003c/p>\n\u003cp>Tag @KQEDNews in your Twitter and Instagram posts and we might feature your photos and videos!\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated 3 p.m. October 9, 2019\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/perspectives/201601136412/love-hate-and-the-blue-angels\" target=\"_blank\" rel=\"noopener\">Love it or hate it\u003c/a>, it's 2019's San Francisco Fleet Week. Have questions? We've got you covered.\u003c/p>\n\u003cp>\u003cstrong>What is Fleet Week?\u003c/strong>\u003c/p>\n\u003cp>Every October since 1981, military ships fill San Francisco Bay and the Blue Angels (usually) take to the skies. \u003ca href=\"https://fleetweeksf.org/\">Fleet Week\u003c/a> is a celebration of the \u003ca href=\"https://fleetweeksf.org/about-us/\" target=\"_blank\" rel=\"noopener\">Bay Area's naval history\u003c/a> and is made up of a series of events around San Francisco, from art exhibits to ship tours and air shows. The U.S. Navy, U.S. Coast Guard, U.S. Marine Corps and the California National Guard are all part of the weeklong event.\u003c/p>\n\u003cp>\"We are excited and proud to welcome the women and men of the sea services back to San Francisco,” said San Francisco Mayor London Breed, in a press release for this year's festivities. “During Fleet Week, our first responders will have the opportunity to conduct joint exercises with the sea services. This collaboration is key to making sure that our public safety departments are prepared to serve our city when a disaster occurs.”\u003c/p>\n\u003cp>The weeklong event is known to draw millions of visitors and, according to the press release from last year, can bring in over $100 million to San Francisco's economy.\u003c/p>\n\u003cp>This year Fleet Week takes place Oct. 6-14.\u003c/p>\n\u003cp>\u003cstrong>Where will it be?\u003c/strong>\u003c/p>\n\u003cp>Fleet Week events take place all over San Francisco and range from safety drills to processions.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The air show happens over three days, so if you miss Friday's show, you can catch it Saturday and Sunday. All you have to do is head over to the festival area at Marina Green. It's free, but if you're looking for a better view and don't want to bring your own chair, they do \u003ca href=\"https://fleetweeksf.org/tickets/\" target=\"_blank\" rel=\"noopener\">offer tickets\u003c/a> for prime spots.\u003c/p>\n\u003cp>Check out the full calendar of events (with a map!) \u003ca href=\"https://fleetweeksf.org/events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>What are the Blue Angels?\u003c/strong>\u003c/p>\n\u003cp>The Blue Angels are the U.S. Navy's official flight demonstration squad, performing dozens of shows annually.\u003c/p>\n\u003cp>San Franciscans are split on whether they \u003ca href=\"https://www.kqed.org/perspectives/201601136412/love-hate-and-the-blue-angels\" target=\"_blank\" rel=\"noopener\">love or hate\u003c/a> this high-flying show that features aerial acrobatics. Still, the three-day show is one of the more popular Fleet Week events.\u003c/p>\n\u003cp>Some complain about the noise, \u003ca href=\"https://www.kqed.org/news/77575/how-much-do-the-blue-angels-cost\" target=\"_blank\" rel=\"noopener\">cost\u003c/a> and pollution, but it does bring in \u003ca href=\"https://www.kqed.org/news/77575/how-much-do-the-blue-angels-cost\" target=\"_blank\" rel=\"noopener\">an estimated 1 million people\u003c/a>.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cstrong>What should you bring?\u003c/strong>\u003c/p>\n\u003cp>Camera, backup battery, binoculars (depending on how far you are from the air show) and a map. You might also find the Fleet Week \u003ca href=\"https://fleetweeksf.org/download-the-mobile-app/\" target=\"_blank\" rel=\"noopener\">mobile app\u003c/a> useful.\u003c/p>\n\u003cp>\u003cstrong>Getting around \u003c/strong>\u003c/p>\n\u003cp>Depending on which event you're attending, and its location in the city, parking may be a challenge. The \u003ca href=\"https://fleetweeksf.org/parking/\" target=\"_blank\" rel=\"noopener\">Fleet Week website\u003c/a> is offering a quick and easy way to reserve parking at various lots for a slight discount.\u003c/p>\n\u003cp>If you're getting around the city via public transit, use \u003ca href=\"https://511.org/\" target=\"_blank\" rel=\"noopener\">511\u003c/a> to help plan your trip. The San Francisco Bay Ferry is \u003ca href=\"https://sanfranciscobayferry.com/\" target=\"_blank\" rel=\"noopener\">also an option\u003c/a> if you want another way to get into the city.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cstrong>What hashtag should people use on social media?\u003c/strong>\u003c/p>\n\u003cp>#FleetWeekSF\u003c/p>\n\u003cp>Tag @KQEDNews in your Twitter and Instagram posts and we might feature your photos and videos!\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"disqusTitle": "Prosecutors Will Retry Case of Ghost Ship Defendant Derick Almena",
"title": "Prosecutors Will Retry Case of Ghost Ship Defendant Derick Almena",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>Alameda County prosecutors will move forward with a retrial in the case of Derick Almena, who is charged with 36 counts of involuntary manslaughter for the deaths of three dozen people in a 2016 fire that burned through a converted Oakland warehouse known as the Ghost Ship.\u003c/p>\n\u003cp>Judge Trina Thompson set a new trial date for March 30, 2020, which both parties had agreed to, during a Friday hearing in the long-running case that's seen an aborted plea deal and a hung jury on charges against Almena.\u003c/p>\n\u003cp>Thompson \u003ca href=\"https://www.kqed.org/news/11764921/ghost-ship-defendant-max-harris-acquitted-of-all-charges-jury-hung-on-derick-almena\" target=\"_blank\" rel=\"noopener\">declared a mistrial in the case of Almena, the Ghost Ship's master tenant, on Sept. 5\u003c/a> after the jury deadlocked on a 10-2 vote to convict him.\u003c/p>\n\u003cp>The jury acquitted co-defendant Max Harris, who had been described as second-in-command and creative director of the Ghost Ship, of all 36 charges.\u003c/p>\n\u003cp>https://twitter.com/ClydeDon/status/1180168308340871170?s=20\u003c/p>\n\u003cp>Tony Serra, Almena's defense lawyer, said he was confident about the upcoming trial.\u003c/p>\n\u003cp>\"Both the prosecution and defense have the same desire,\" Serra said. \"And what is that desire? We want to go to trial. We don't want to negotiate. We don't want to involve ourselves in any kind of plea agreement. We want a trial. Our case is stronger. We're confident.\"\u003c/p>\n\u003cp>Serra said he doesn't expect any negotiations before the next trial begins.\u003c/p>\n\u003cp>\"It's the end of it,\" Serra said. \"We will prevail in the next trial.\"\u003c/p>\n\u003cp>https://twitter.com/ClydeDon/status/1180166491687157761?s=20\u003c/p>\n\u003cp>A defense motion to reduce Almena's bail \"significantly\" from $750,000 was denied. Brian Getz, who represents Almena, called for bail to be reduced to $50,000.\u003c/p>\n\u003cp>Getz argued in court his client was not a flight risk because he had no money and he was too recognizable from the high-profile case. He argued that if Almena fled he \"would never see his family again.\" He also argued there was \"no intent to hurt anyone\" and that \"everything he has done is in cooperation with the court.\"\u003c/p>\n\u003cp>But Judge Thompson alluded to Almena having not abided by court-ordered rules in the past.\u003c/p>\n\u003cp>\"I can’t ignore the fact that Mr. Almena has had court orders or been placed on supervision of some kind in the past, and didn’t always abide by the rules of the authorities,\" Thompson said.\u003c/p>\n\u003cp>She also said that although Almena had a \"mild\" criminal past, she was also considering that \"36 lives were lost, and this case has the most heightened circumstances of any homicide case.\"\u003c/p>\n\u003cp>Getz said outside court that it was \"unfathomable\" his client's bail wasn't reduced.\u003c/p>\n\u003cp>\"I felt that this was a bail motion that had merit because Mr. Almena never intended to hurt anybody,\" Getz said. \"And this is different than the other cases where bail was high but there was intentional, willful, violent conduct on the part of the person who was in jail. I know there are some people who say that Almena is not remorseful and has not shown remorse for what happened. Well, he has. Every single day he thinks about it.\"\u003c/p>\n\u003cp>Micah Allison, Almena's wife and mother of their three children, attended the hearing, along with other supporters.\u003c/p>\n\u003cp>\"It's really important for me, just for people to know that there are people all over the world praying for our family, and that they want to see him come home to his children,\" Allison said to reporters after the hearing. \"I'm obviously really sad about this denial of the bail. All Derick wants to do is to be with his kids. That's all he wants. That's all he's ever wanted.\"\u003c/p>\n\u003cp>Allison said \"the remorse that we feel and that everyone feels is immeasurable.\"\u003c/p>\n\u003cp>\"We will never be the same. We will never be the same,\" Allison said. \"There is nothing that I can do that can take away what happened. Nothing.\"\u003c/p>\n\u003cp>Colleen Dolan, mother of fire victim Chelsea Faith Dolan, was glad Almena was heading back to trial.\u003c/p>\n\u003cp>\"I miss her every day. I miss her every night. I think about the fire every day and every night,\" Dolan said of her daughter outside court. \"And I do want the man responsible to be held accountable.\"\u003c/p>\n\u003cp>Dolan said she was glad Almena's bail wasn't reduced because she believes he would flee with his family.\u003c/p>\n\u003cp>After Almena left court on Friday, Thompson held a hearing for \u003ca href=\"https://www.kqed.org/news/11768668/at-least-2-jurors-dismissed-in-ghost-ship-trial-could-be-held-in-contempt-of-court\" target=\"_blank\" rel=\"noopener\">two jurors who she dismissed on Aug. 19\u003c/a> during jury deliberations for improper communications and found both of them to be in contempt of court.\u003c/p>\n\u003cp>Thompson issued a $500 fine for one of the jurors but said she wouldn't impose it and make her pay it. Thompson told the other juror that she would not impose a fine or order her to serve any jail time.\u003c/p>\n\u003cp>[aside postID='news_11777380,arts_13865804,news_11764921' label='More Ghost Ship Coverage']\u003c/p>\n\u003ch2>The Criminal Trial\u003c/h2>\n\u003cp>Almena and Harris had both faced the same charges, one count for each of the 35 concertgoers and one tenant who died from a fire that began shortly after 11 p.m. on Dec. 2, 2016, during an electronic music party in the warehouse converted into a ramshackle artists' residence and illegal event space.\u003c/p>\n\u003cp>The prosecution had argued during the previous trial that the actions of Almena and Harris amounted to criminal negligence. They argued the warehouse was illegally converted into an unsafe living space with complete disregard for safety, violating nine fire codes. Prosecutors argued the victims didn't have enough notice, time or the ability to exit when the building began to fill with smoke, due to a lack of sprinklers, alarms and adequate exit signage.\u003c/p>\n\u003cp>Deputy District Attorney Autrey James also argued that Almena almost immediately violated the terms of the lease he signed in November 2013 by allowing people to live there. The prosecution said major alterations to the Ghost Ship were made without the required building permits and that events were held in the building without clearance from the city of Oakland.\u003c/p>\n\u003cp>Warehouse owner Chor Ng, and her son and daughter, Kai and Eva Ng, were not charged. Almena testified that landlord Eva Ng had asked him to get permits for changes to the warehouse but that he had declined, and that \"early on\" in the immediate months after signing the lease he had \u003ca href=\"https://www.kqed.org/news/11760427/ghost-ship-defendant-says-he-wont-blame-anybody-for-deadly-warehouse-fire\" target=\"_blank\" rel=\"noopener\">asked the Ngs to obtain the proper permits\u003c/a>.\u003c/p>\n\u003cp>During closing arguments, defense attorneys pointed to testimony by many former tenants and visitors who said they felt the Ghost Ship was safe.\u003c/p>\n\u003cp>The defense also argued that personnel from several agencies, including Oakland's police and fire departments, as well as Child Protective Services, had passed through the warehouse dozens of times in the years leading up to the fire and had never flagged the building, never red-tagged it or issued any eviction notices.\u003c/p>\n\u003cp>Attorneys for both defendants also argued during the criminal trial the fire may have been intentionally set, presenting testimony from several witnesses who said they saw a group of people starting the deadly blaze. Almena and Harris, their attorneys said, couldn't have done anything to prevent the alleged arson. James said in his rebuttal to the defense's closing arguments that there was no evidence of arson and called testimony by a key witness \"unbelievable.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The defense also said in closing arguments that their clients were scapegoats for the city of Oakland, which Serra said failed to enforce its own building and safety regulations. The city is one of several defendants in a civil lawsuit arising from the fire.\u003c/p>\n\u003cp>The trial began on April 30 and jury deliberations began three months later on July 31. On the 10th day of deliberations, three jurors were dismissed for misconduct. \u003ca href=\"https://www.kqed.org/news/11768501/3-jurors-in-ghost-ship-trial-replaced-deliberations-must-begin-all-over-again\" target=\"_blank\" rel=\"noopener\">Three alternates were rotated into the jury and Thompson told them to begin deliberations anew\u003c/a>. The newly formed jury reached their decision on Sept. 5, which was day 6 of deliberations.\u003c/p>\n\u003ch2>Events Leading Up to the Criminal Trial\u003c/h2>\n\u003cp>Almena and Harris \u003ca href=\"https://www.kqed.org/news/11495325/two-reportedly-charged-with-manslaughter-in-oaklands-ghost-ship-fire\" target=\"_blank\" rel=\"noopener\">were arrested on June 5, 2017\u003c/a>, and each charged with 36 counts of involuntary manslaughter.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11678966/men-plead-no-contest-in-deadly-ghost-ship-fire\" target=\"_blank\" rel=\"noopener\">Both pleaded no contest\u003c/a> to the charges on July 3, 2018, in Alameda County Superior Court, with Almena agreeing to a nine-year jail sentence with four years of supervised release. Harris agreed to a six-year jail sentence with four years of supervised release.\u003c/p>\n\u003cp>But on Aug. 10, 2018, Alameda County Superior Court Judge James Cramer \u003ca href=\"https://www.kqed.org/news/11686316/judge-rejects-plea-deals-in-deadly-oakland-warehouse-fire\" target=\"_blank\" rel=\"noopener\">rejected the pleas\u003c/a>, a decision that put the case on the path to this year's trial.\u003c/p>\n\u003cp>In explaining his decision, Cramer said Almena didn't acknowledge responsibility or show remorse for the fatal blaze. Cramer said the plea deal would have been fair for Harris, but in rejecting it for one defendant, he was bound by the law to reject it for both.\u003c/p>\n\u003cp>\u003cem>Reporting from Bay City News was used in this report.\u003c/em>\u003c/p>\n\u003cp>\u003cem>This post has been updated.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "The Ghost Ship trial judge declared a mistrial in the case of Almena on Sept. 5 after the jury deadlocked on a 10-2 vote to convict him of 36 counts of involuntary manslaughter. The jury acquitted co-defendant Max Harris of all charges.",
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"description": "The Ghost Ship trial judge declared a mistrial in the case of Almena on Sept. 5 after the jury deadlocked on a 10-2 vote to convict him of 36 counts of involuntary manslaughter. The jury acquitted co-defendant Max Harris of all charges.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Alameda County prosecutors will move forward with a retrial in the case of Derick Almena, who is charged with 36 counts of involuntary manslaughter for the deaths of three dozen people in a 2016 fire that burned through a converted Oakland warehouse known as the Ghost Ship.\u003c/p>\n\u003cp>Judge Trina Thompson set a new trial date for March 30, 2020, which both parties had agreed to, during a Friday hearing in the long-running case that's seen an aborted plea deal and a hung jury on charges against Almena.\u003c/p>\n\u003cp>Thompson \u003ca href=\"https://www.kqed.org/news/11764921/ghost-ship-defendant-max-harris-acquitted-of-all-charges-jury-hung-on-derick-almena\" target=\"_blank\" rel=\"noopener\">declared a mistrial in the case of Almena, the Ghost Ship's master tenant, on Sept. 5\u003c/a> after the jury deadlocked on a 10-2 vote to convict him.\u003c/p>\n\u003cp>The jury acquitted co-defendant Max Harris, who had been described as second-in-command and creative director of the Ghost Ship, of all 36 charges.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Tony Serra, Almena's defense lawyer, said he was confident about the upcoming trial.\u003c/p>\n\u003cp>\"Both the prosecution and defense have the same desire,\" Serra said. \"And what is that desire? We want to go to trial. We don't want to negotiate. We don't want to involve ourselves in any kind of plea agreement. We want a trial. Our case is stronger. We're confident.\"\u003c/p>\n\u003cp>Serra said he doesn't expect any negotiations before the next trial begins.\u003c/p>\n\u003cp>\"It's the end of it,\" Serra said. \"We will prevail in the next trial.\"\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>A defense motion to reduce Almena's bail \"significantly\" from $750,000 was denied. Brian Getz, who represents Almena, called for bail to be reduced to $50,000.\u003c/p>\n\u003cp>Getz argued in court his client was not a flight risk because he had no money and he was too recognizable from the high-profile case. He argued that if Almena fled he \"would never see his family again.\" He also argued there was \"no intent to hurt anyone\" and that \"everything he has done is in cooperation with the court.\"\u003c/p>\n\u003cp>But Judge Thompson alluded to Almena having not abided by court-ordered rules in the past.\u003c/p>\n\u003cp>\"I can’t ignore the fact that Mr. Almena has had court orders or been placed on supervision of some kind in the past, and didn’t always abide by the rules of the authorities,\" Thompson said.\u003c/p>\n\u003cp>She also said that although Almena had a \"mild\" criminal past, she was also considering that \"36 lives were lost, and this case has the most heightened circumstances of any homicide case.\"\u003c/p>\n\u003cp>Getz said outside court that it was \"unfathomable\" his client's bail wasn't reduced.\u003c/p>\n\u003cp>\"I felt that this was a bail motion that had merit because Mr. Almena never intended to hurt anybody,\" Getz said. \"And this is different than the other cases where bail was high but there was intentional, willful, violent conduct on the part of the person who was in jail. I know there are some people who say that Almena is not remorseful and has not shown remorse for what happened. Well, he has. Every single day he thinks about it.\"\u003c/p>\n\u003cp>Micah Allison, Almena's wife and mother of their three children, attended the hearing, along with other supporters.\u003c/p>\n\u003cp>\"It's really important for me, just for people to know that there are people all over the world praying for our family, and that they want to see him come home to his children,\" Allison said to reporters after the hearing. \"I'm obviously really sad about this denial of the bail. All Derick wants to do is to be with his kids. That's all he wants. That's all he's ever wanted.\"\u003c/p>\n\u003cp>Allison said \"the remorse that we feel and that everyone feels is immeasurable.\"\u003c/p>\n\u003cp>\"We will never be the same. We will never be the same,\" Allison said. \"There is nothing that I can do that can take away what happened. Nothing.\"\u003c/p>\n\u003cp>Colleen Dolan, mother of fire victim Chelsea Faith Dolan, was glad Almena was heading back to trial.\u003c/p>\n\u003cp>\"I miss her every day. I miss her every night. I think about the fire every day and every night,\" Dolan said of her daughter outside court. \"And I do want the man responsible to be held accountable.\"\u003c/p>\n\u003cp>Dolan said she was glad Almena's bail wasn't reduced because she believes he would flee with his family.\u003c/p>\n\u003cp>After Almena left court on Friday, Thompson held a hearing for \u003ca href=\"https://www.kqed.org/news/11768668/at-least-2-jurors-dismissed-in-ghost-ship-trial-could-be-held-in-contempt-of-court\" target=\"_blank\" rel=\"noopener\">two jurors who she dismissed on Aug. 19\u003c/a> during jury deliberations for improper communications and found both of them to be in contempt of court.\u003c/p>\n\u003cp>Thompson issued a $500 fine for one of the jurors but said she wouldn't impose it and make her pay it. Thompson told the other juror that she would not impose a fine or order her to serve any jail time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>The Criminal Trial\u003c/h2>\n\u003cp>Almena and Harris had both faced the same charges, one count for each of the 35 concertgoers and one tenant who died from a fire that began shortly after 11 p.m. on Dec. 2, 2016, during an electronic music party in the warehouse converted into a ramshackle artists' residence and illegal event space.\u003c/p>\n\u003cp>The prosecution had argued during the previous trial that the actions of Almena and Harris amounted to criminal negligence. They argued the warehouse was illegally converted into an unsafe living space with complete disregard for safety, violating nine fire codes. Prosecutors argued the victims didn't have enough notice, time or the ability to exit when the building began to fill with smoke, due to a lack of sprinklers, alarms and adequate exit signage.\u003c/p>\n\u003cp>Deputy District Attorney Autrey James also argued that Almena almost immediately violated the terms of the lease he signed in November 2013 by allowing people to live there. The prosecution said major alterations to the Ghost Ship were made without the required building permits and that events were held in the building without clearance from the city of Oakland.\u003c/p>\n\u003cp>Warehouse owner Chor Ng, and her son and daughter, Kai and Eva Ng, were not charged. Almena testified that landlord Eva Ng had asked him to get permits for changes to the warehouse but that he had declined, and that \"early on\" in the immediate months after signing the lease he had \u003ca href=\"https://www.kqed.org/news/11760427/ghost-ship-defendant-says-he-wont-blame-anybody-for-deadly-warehouse-fire\" target=\"_blank\" rel=\"noopener\">asked the Ngs to obtain the proper permits\u003c/a>.\u003c/p>\n\u003cp>During closing arguments, defense attorneys pointed to testimony by many former tenants and visitors who said they felt the Ghost Ship was safe.\u003c/p>\n\u003cp>The defense also argued that personnel from several agencies, including Oakland's police and fire departments, as well as Child Protective Services, had passed through the warehouse dozens of times in the years leading up to the fire and had never flagged the building, never red-tagged it or issued any eviction notices.\u003c/p>\n\u003cp>Attorneys for both defendants also argued during the criminal trial the fire may have been intentionally set, presenting testimony from several witnesses who said they saw a group of people starting the deadly blaze. Almena and Harris, their attorneys said, couldn't have done anything to prevent the alleged arson. James said in his rebuttal to the defense's closing arguments that there was no evidence of arson and called testimony by a key witness \"unbelievable.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The defense also said in closing arguments that their clients were scapegoats for the city of Oakland, which Serra said failed to enforce its own building and safety regulations. The city is one of several defendants in a civil lawsuit arising from the fire.\u003c/p>\n\u003cp>The trial began on April 30 and jury deliberations began three months later on July 31. On the 10th day of deliberations, three jurors were dismissed for misconduct. \u003ca href=\"https://www.kqed.org/news/11768501/3-jurors-in-ghost-ship-trial-replaced-deliberations-must-begin-all-over-again\" target=\"_blank\" rel=\"noopener\">Three alternates were rotated into the jury and Thompson told them to begin deliberations anew\u003c/a>. The newly formed jury reached their decision on Sept. 5, which was day 6 of deliberations.\u003c/p>\n\u003ch2>Events Leading Up to the Criminal Trial\u003c/h2>\n\u003cp>Almena and Harris \u003ca href=\"https://www.kqed.org/news/11495325/two-reportedly-charged-with-manslaughter-in-oaklands-ghost-ship-fire\" target=\"_blank\" rel=\"noopener\">were arrested on June 5, 2017\u003c/a>, and each charged with 36 counts of involuntary manslaughter.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11678966/men-plead-no-contest-in-deadly-ghost-ship-fire\" target=\"_blank\" rel=\"noopener\">Both pleaded no contest\u003c/a> to the charges on July 3, 2018, in Alameda County Superior Court, with Almena agreeing to a nine-year jail sentence with four years of supervised release. Harris agreed to a six-year jail sentence with four years of supervised release.\u003c/p>\n\u003cp>But on Aug. 10, 2018, Alameda County Superior Court Judge James Cramer \u003ca href=\"https://www.kqed.org/news/11686316/judge-rejects-plea-deals-in-deadly-oakland-warehouse-fire\" target=\"_blank\" rel=\"noopener\">rejected the pleas\u003c/a>, a decision that put the case on the path to this year's trial.\u003c/p>\n\u003cp>In explaining his decision, Cramer said Almena didn't acknowledge responsibility or show remorse for the fatal blaze. Cramer said the plea deal would have been fair for Harris, but in rejecting it for one defendant, he was bound by the law to reject it for both.\u003c/p>\n\u003cp>\u003cem>Reporting from Bay City News was used in this report.\u003c/em>\u003c/p>\n\u003cp>\u003cem>This post has been updated.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Vallejo rapper Lul G, a.k.a. George Harris, was arrested for murder on Sept. 21, according to the Solano County Sheriff’s inmate database. [aside postid='arts_13868326']\u003c/p>\n\u003cp>Harris is being held at the Stanton Correctional Facility in Fairfield. His bail has not been set and no other information about the case has been reported at this time.\u003c/p>\n\u003cp>Lul G is best known for his work with SOB x RBE, a dynamic Vallejo rap group that rose to local and national prominence in 2017 with tracks like “Anti” and “Lane Switching.” After the group collaborated with Kendrick Lamar on “Paramedic!” for the \u003cem>Black Panther\u003c/em> soundtrack, Lul G split from the group, signing a solo deal with Def Jam. Last weekend at Rolling Loud in Oakland, the remaining three members of SOB x RBE performed without Lul G.\u003c/p>\n\u003cp>We’ll update this post when we learn more.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Harris is being held at the Stanton Correctional Facility in Fairfield. His bail has not been set and no other information about the case has been reported at this time.\u003c/p>\n\u003cp>Lul G is best known for his work with SOB x RBE, a dynamic Vallejo rap group that rose to local and national prominence in 2017 with tracks like “Anti” and “Lane Switching.” After the group collaborated with Kendrick Lamar on “Paramedic!” for the \u003cem>Black Panther\u003c/em> soundtrack, Lul G split from the group, signing a solo deal with Def Jam. Last weekend at Rolling Loud in Oakland, the remaining three members of SOB x RBE performed without Lul G.\u003c/p>\n\u003cp>We’ll update this post when we learn more.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "'It Made Me Appreciate Life': Keak Da Sneak Celebrates Prison Release at Rolling Loud",
"headTitle": "‘It Made Me Appreciate Life’: Keak Da Sneak Celebrates Prison Release at Rolling Loud | KQED",
"content": "\u003cp>Just days after \u003ca href=\"https://www.instagram.com/officialkeakdasneak\" target=\"_blank\" rel=\"noopener\">Keak Da Sneak\u003c/a> was released from California state prison, he took the stage in Oakland in front of 40,000 cheering fans at the rap festival Rolling Loud, performing his Bay Area anthem “Super Hyphy” during headliner G-Eazy’s set.\u003c/p>\n\u003cp>“I don’t think no drug can amount to that feeling of being on stage and thousands of people wanting to see you and happy that you’re up there. It’s a feeling that I try to describe in words, but it’s just like—\u003cem>wow\u003c/em>,” says the rapper, whose real name is Charles Williams.\u003c/p>\n\u003cp>It marked a triumphant comeback from a \u003ca href=\"https://www.kqed.org/arts/13849409/keak-da-sneak-heads-to-prison-no-compassion-for-disabilities-he-says\" target=\"_blank\" rel=\"noopener\">situation that seemed dire six months ago\u003c/a>, when Williams was sentenced to 16 months in state custody despite requiring ongoing medical care for various physical disabilities. After \u003ca href=\"https://www.kqed.org/arts/13854812/keak-da-sneak-begins-prison-sentence-after-lengthy-legal-battle\" target=\"_blank\" rel=\"noopener\">turning himself in\u003c/a> on April 11, he was released on probation on Sept. 24 thanks to \u003ca href=\"https://www.kqed.org/news/11081078/gov-brown-sees-prop-57-as-key-to-ending-court-prison-oversight\" target=\"_blank\" rel=\"noopener\">Prop 57\u003c/a>, a recent California law that allowed him to earn 66.6% credit on his sentence as a minimum security inmate.\u003c/p>\n\u003cp>https://www.instagram.com/p/B2zmtZrHtQs/\u003c/p>\n\u003cp>Williams’ two-year legal battle stemmed from a 2017 charge of firearm possession as a convicted felon. As he told KQED in January, he carried a gun for protection after surviving a shooting. A police officer in Amador County discovered the firearm after searching his car in a situation Williams described as “racial profiling at an all-time high.” During the course of the trial, he survived yet another shooting that left him in a wheelchair and in need of medical care and physical therapy multiple times a week. His sentencing was delayed multiple times to give him time to complete medical procedures.\u003c/p>\n\u003cp>After \u003ca href=\"https://www.kqed.org/arts/13849409/keak-da-sneak-heads-to-prison-no-compassion-for-disabilities-he-says\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a> broke the story of his sentencing, high-profile music publications like \u003cem>XXL\u003c/em>, HipHopDX and Okayplayer as well as various cable news channels across Northern California covered Williams’ plight. Williams credits the media attention and the \u003ca href=\"https://www.change.org/p/alternative-sentencing-instead-of-prison-for-disabled-rapper-keak-da-sneak\" target=\"_blank\" rel=\"noopener\">Change.org petition\u003c/a> started by his wife, Dee Bowens—which amassed over 70,200 signatures—with pressuring state prison officials to send him to a state facility with quality medical care.\u003c/p>\n\u003cp>[pullquote align='right' citation='Keak Da Sneak']“God works in mysterious ways. I just know I was supposed to see that, and how fast your freedom can be taken from you, you know? It made me appreciate life and appreciate my freedom.”[/pullquote]\u003c/p>\n\u003cp>“Big shout out to y’all, I want to thank KQED,” he says. “I want to thank the people who signed my petition on Change.org. If it wasn’t for y’all, I don’t think it would have went as smooth for me, you know? I don’t know if they would have sent me where they sent me, because I made a big deal of the level of care I needed, so they made sure that was there for me.”\u003c/p>\n\u003cp>After turning himself in, Williams served his term at the California Health Care Facility (CHCF) in Stockton, which has round-the-clock medical care. Before he knew where he was headed, he feared the California Department of Corrections and Rehabilitation would send him to a facility that couldn’t meet his medical needs. Indeed, disability rights advocates say that quality of medical care and ADA accessibility varies greatly from facility to facility, even within the same state. The office of the California Inspector General rated medical care at CHCF “inadequate” in\u003ca href=\"https://www.oig.ca.gov/wp-content/uploads/2019/05/CHCF_Medical_Inspection_Report_Cycle_5.pdf\" target=\"_blank\" rel=\"noopener\"> an April 2019 report\u003c/a>.\u003c/p>\n\u003cp>“For the most part, man, it wasn’t as bad as I thought it was gonna be,” Williams says. “But for the other part—that jail shit ain’t where it’s at. There’s people in there that are never coming home, they don’t have a release date at all. So, God works in mysterious ways. I just know I was supposed to see that, and how fast your freedom can be taken from you, you know? It made me appreciate life and appreciate my freedom.” [aside postid='arts_13849409']\u003c/p>\n\u003cp>Still, Williams says that not all of his medical needs were met. For instance, after spending a month on a waiting list, he says he was only able to attend an hour of physical therapy once a week rather than several times a week—which slowed down his progress on relearning to stand up and eventually walk again.\u003c/p>\n\u003cp>“I don’t need someone to get me in and get me out of there,” he says. “I need someone to work with me on my therapy. In there, it was overcrowded with inmates.”\u003c/p>\n\u003cp>Nonetheless, Williams’ mood was optimistic during our interview. He’s now back home with his wife and kids, and his mom came over to treat him to a home cooked meal of oxtails, collard greens, macaroni and cheese and cornbread. “I ate three plates of it, too,” he says.\u003c/p>\n\u003cp>After hanging out with family and getting a pedicure, he hit the headlining stage at Rolling Loud on Sept. 28. This week, he’s busy reestablishing his medical care routine with the help of his doctor, and is already back in the studio working on two new mixtapes and searching for new talent for his label, AllnFallnDoe.\u003c/p>\n\u003cp>“I’m still blessed with opportunities,” he says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Just days after \u003ca href=\"https://www.instagram.com/officialkeakdasneak\" target=\"_blank\" rel=\"noopener\">Keak Da Sneak\u003c/a> was released from California state prison, he took the stage in Oakland in front of 40,000 cheering fans at the rap festival Rolling Loud, performing his Bay Area anthem “Super Hyphy” during headliner G-Eazy’s set.\u003c/p>\n\u003cp>“I don’t think no drug can amount to that feeling of being on stage and thousands of people wanting to see you and happy that you’re up there. It’s a feeling that I try to describe in words, but it’s just like—\u003cem>wow\u003c/em>,” says the rapper, whose real name is Charles Williams.\u003c/p>\n\u003cp>It marked a triumphant comeback from a \u003ca href=\"https://www.kqed.org/arts/13849409/keak-da-sneak-heads-to-prison-no-compassion-for-disabilities-he-says\" target=\"_blank\" rel=\"noopener\">situation that seemed dire six months ago\u003c/a>, when Williams was sentenced to 16 months in state custody despite requiring ongoing medical care for various physical disabilities. After \u003ca href=\"https://www.kqed.org/arts/13854812/keak-da-sneak-begins-prison-sentence-after-lengthy-legal-battle\" target=\"_blank\" rel=\"noopener\">turning himself in\u003c/a> on April 11, he was released on probation on Sept. 24 thanks to \u003ca href=\"https://www.kqed.org/news/11081078/gov-brown-sees-prop-57-as-key-to-ending-court-prison-oversight\" target=\"_blank\" rel=\"noopener\">Prop 57\u003c/a>, a recent California law that allowed him to earn 66.6% credit on his sentence as a minimum security inmate.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Williams’ two-year legal battle stemmed from a 2017 charge of firearm possession as a convicted felon. As he told KQED in January, he carried a gun for protection after surviving a shooting. A police officer in Amador County discovered the firearm after searching his car in a situation Williams described as “racial profiling at an all-time high.” During the course of the trial, he survived yet another shooting that left him in a wheelchair and in need of medical care and physical therapy multiple times a week. His sentencing was delayed multiple times to give him time to complete medical procedures.\u003c/p>\n\u003cp>After \u003ca href=\"https://www.kqed.org/arts/13849409/keak-da-sneak-heads-to-prison-no-compassion-for-disabilities-he-says\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a> broke the story of his sentencing, high-profile music publications like \u003cem>XXL\u003c/em>, HipHopDX and Okayplayer as well as various cable news channels across Northern California covered Williams’ plight. Williams credits the media attention and the \u003ca href=\"https://www.change.org/p/alternative-sentencing-instead-of-prison-for-disabled-rapper-keak-da-sneak\" target=\"_blank\" rel=\"noopener\">Change.org petition\u003c/a> started by his wife, Dee Bowens—which amassed over 70,200 signatures—with pressuring state prison officials to send him to a state facility with quality medical care.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Big shout out to y’all, I want to thank KQED,” he says. “I want to thank the people who signed my petition on Change.org. If it wasn’t for y’all, I don’t think it would have went as smooth for me, you know? I don’t know if they would have sent me where they sent me, because I made a big deal of the level of care I needed, so they made sure that was there for me.”\u003c/p>\n\u003cp>After turning himself in, Williams served his term at the California Health Care Facility (CHCF) in Stockton, which has round-the-clock medical care. Before he knew where he was headed, he feared the California Department of Corrections and Rehabilitation would send him to a facility that couldn’t meet his medical needs. Indeed, disability rights advocates say that quality of medical care and ADA accessibility varies greatly from facility to facility, even within the same state. The office of the California Inspector General rated medical care at CHCF “inadequate” in\u003ca href=\"https://www.oig.ca.gov/wp-content/uploads/2019/05/CHCF_Medical_Inspection_Report_Cycle_5.pdf\" target=\"_blank\" rel=\"noopener\"> an April 2019 report\u003c/a>.\u003c/p>\n\u003cp>“For the most part, man, it wasn’t as bad as I thought it was gonna be,” Williams says. “But for the other part—that jail shit ain’t where it’s at. There’s people in there that are never coming home, they don’t have a release date at all. So, God works in mysterious ways. I just know I was supposed to see that, and how fast your freedom can be taken from you, you know? It made me appreciate life and appreciate my freedom.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Still, Williams says that not all of his medical needs were met. For instance, after spending a month on a waiting list, he says he was only able to attend an hour of physical therapy once a week rather than several times a week—which slowed down his progress on relearning to stand up and eventually walk again.\u003c/p>\n\u003cp>“I don’t need someone to get me in and get me out of there,” he says. “I need someone to work with me on my therapy. In there, it was overcrowded with inmates.”\u003c/p>\n\u003cp>Nonetheless, Williams’ mood was optimistic during our interview. He’s now back home with his wife and kids, and his mom came over to treat him to a home cooked meal of oxtails, collard greens, macaroni and cheese and cornbread. “I ate three plates of it, too,” he says.\u003c/p>\n\u003cp>After hanging out with family and getting a pedicure, he hit the headlining stage at Rolling Loud on Sept. 28. This week, he’s busy reestablishing his medical care routine with the help of his doctor, and is already back in the studio working on two new mixtapes and searching for new talent for his label, AllnFallnDoe.\u003c/p>\n\u003cp>“I’m still blessed with opportunities,” he says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>It’s called \u003ca href=\"https://grossdomesticproduct.com/\" target=\"_blank\" rel=\"noopener\">\u003ci>Gross Domestic Product\u003c/i>\u003c/a> and it’s currently on display in a large locked storefront in Croydon, a blue-collar borough of greater London. The collection of Banksy creations appeared overnight and was greeted as a pleasant surprise by locals on Oct. 1. The renegade artist announced its arrival via social media.\u003c/p>\n\u003cp>https://www.instagram.com/p/B3FAJKonJ_z/\u003c/p>\n\u003cp>Though the storefront does feature a variety of original Banksy artworks, as well as the infamous Union Jack “stab vest” worn by London emcee \u003ca href=\"https://www.kqed.org/pop/97349/everyone-loves-this-british-mc-for-getting-trapped-in-a-bathroom-stall\" target=\"_blank\" rel=\"noopener\">Stormzy\u003c/a> during his \u003ca href=\"https://www.youtube.com/watch?v=9vgar9pInkg\" target=\"_blank\" rel=\"noopener\">Glastonbury Festival\u003c/a> set last year, \u003ci>Gross Domestic Product\u003c/i> really is a new line of homewares, designed by Banksy, that will go on sale shortly at a new, dedicated website.\u003c/p>\n\u003cfigure id=\"attachment_13867522\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867522\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-800x534.jpg\" alt=\"The stab vest Banksy designed for Stormzy's headline set at the Glastonbury Festival, on display in the Gross Domestic Product store, Croydon, England.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The stab vest Banksy designed for Stormzy’s headline set at the Glastonbury Festival, on display in the Gross Domestic Product store, Croydon, England. \u003ccite>(Chris J Ratcliffe/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The range is exactly what you’d expect from the always provocative street artist. There’s a rug that appears to be made from the pelt of Frosted Flakes mascot Tony the Tiger. There are throw pillows that instruct: “LIFE’S TOO SHORT TO TAKE ADVICE FROM A CUSHION.” There are curtain pullbacks made from heavy chains and padlocks, wall clocks that resemble rats running on exercise wheels, and a crib surrounded by CCTV cameras. There are even welcome mats made of life jackets, that were sewn together by refugees from detainment camps in Greece. (All proceeds from the sale will go back to the people that made them.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=43&v=AAQYdtzGcU8\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The reason for this unexpected dystopian pop-up shop? A greeting card company is contesting Banksy’s trademark to his own work. “Banksy is in a difficult position because he doesn’t produce his own range of shoddy merchandise and the law is quite clear,” his lawyer \u003ca href=\"https://www.thisiscolossal.com/2019/10/gross-domestic-product/\" target=\"_blank\" rel=\"noopener\">Mark Stephens explained\u003c/a>. “If the trademark holder is not using the mark then it can be transferred to someone who will.” As such, Banksy needed to prove the trademark was still active—\u003ci>Gross Domestic Product\u003c/i> is the result.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Mugs, plates and clothing are also visible in the windows, and in a statement, Banksy said: “We hope to offer something for everyone, prices start from £10 but availability will be limited.” \u003ca href=\"https://www.thisiscolossal.com/2019/10/gross-domestic-product/\" target=\"_blank\" rel=\"noopener\">The artist also clarified\u003c/a> that: “I still encourage anyone to copy, borrow, steal and amend my art for amusement, academic research or activism. I just don’t want [the greeting card company] to get sole custody of my name.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Though the storefront does feature a variety of original Banksy artworks, as well as the infamous Union Jack “stab vest” worn by London emcee \u003ca href=\"https://www.kqed.org/pop/97349/everyone-loves-this-british-mc-for-getting-trapped-in-a-bathroom-stall\" target=\"_blank\" rel=\"noopener\">Stormzy\u003c/a> during his \u003ca href=\"https://www.youtube.com/watch?v=9vgar9pInkg\" target=\"_blank\" rel=\"noopener\">Glastonbury Festival\u003c/a> set last year, \u003ci>Gross Domestic Product\u003c/i> really is a new line of homewares, designed by Banksy, that will go on sale shortly at a new, dedicated website.\u003c/p>\n\u003cfigure id=\"attachment_13867522\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867522\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-800x534.jpg\" alt=\"The stab vest Banksy designed for Stormzy's headline set at the Glastonbury Festival, on display in the Gross Domestic Product store, Croydon, England.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The stab vest Banksy designed for Stormzy’s headline set at the Glastonbury Festival, on display in the Gross Domestic Product store, Croydon, England. \u003ccite>(Chris J Ratcliffe/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The range is exactly what you’d expect from the always provocative street artist. There’s a rug that appears to be made from the pelt of Frosted Flakes mascot Tony the Tiger. There are throw pillows that instruct: “LIFE’S TOO SHORT TO TAKE ADVICE FROM A CUSHION.” There are curtain pullbacks made from heavy chains and padlocks, wall clocks that resemble rats running on exercise wheels, and a crib surrounded by CCTV cameras. There are even welcome mats made of life jackets, that were sewn together by refugees from detainment camps in Greece. (All proceeds from the sale will go back to the people that made them.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/AAQYdtzGcU8'\n title='//www.youtube.com/embed/AAQYdtzGcU8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>In \u003ca href=\"http://www.copyslutband.com/\" target=\"_blank\" rel=\"noopener\">Copyslut\u003c/a>’s new music video for “Makers Mark,” a club becomes a ritualistic space of magic and transcendence.\u003c/p>\n\u003cp>Behind mirrored doors, dancers demonstrate superhuman abilities on the pole, and lap dances cast spells for collective liberation. With people of many gender expressions and body types enthusiastically participating in the bacchanal, performers and audience members become indistinguishable from one another. The revelry takes them to heights of spiritual ecstasy, like a church service might on a Sunday morning—except in this case, they’re leaving covered in glitter.\u003c/p>\n\u003cp>“We’re really about pleasure being healing, and the radical possibilities of how pleasure and letting go of shame can do some of this deep, internal self-love work,” says lead singer Chatz during a recent interview at \u003ca href=\"https://www.airshiplaboratories.com/\" target=\"_blank\" rel=\"noopener\">Airship Laboratories\u003c/a>, a Richmond recording studio where Copyslut laid down tracks for their debut album, due out in early 2020.\u003c/p>\n\u003cp>https://youtu.be/pKauvm0ePUU\u003c/p>\n\u003cp>“Makers Mark,” the latest single from the project, is a feminist reimagining of the legend of La Llorona, a character from Latin American folklore who drowns her children in a river after her husband leaves her. In Copyslut’s telling, La Llorona makes a complicated choice to protect her bloodline from energy-sucking vampires. An homage to guitarist Ray Zamora and art director Reiko Rasch’s Mexican heritage, the band’s hard-rocking anthem communes with La Llorona like a spirit guide for those “strong enough to walk that edge,” or thrive despite experiencing marginalization in society.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Living boldly and authentically, and claiming one’s sexuality as a source of power, are two big themes in Copyslut’s music, which the band members describe as their way of healing personal trauma and advocating for their communities. Chatz, whose soaring voice recalls Ann Wilson of Heart and Corin Tucker of Sleater-Kinney, balances her life as a musician with sex work and activism. In Copyslut, those worlds frequently merge.\u003c/p>\n\u003cp>“I think it’s really cool how Chatz is bringing that sex work element into talking about really deep stuff,” says Zamora, describing the band’s vulnerable yet campy live shows, which combine elements of musical theater, sexuality and rock ’n’ roll. “It re-sensitizes everybody into their bodies and makes people more receptive to ideas, actually being able to take things in on a deep soul level.”\u003c/p>\n\u003cfigure id=\"attachment_13867390\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867390\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-800x534.jpg\" alt=\"Chatz (left) and Ray Zamora of Copyslut.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-1920x1282.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chatz (left) and Ray Zamora of Copyslut on set for the “Makers Mark” music video. \u003ccite>(Kristen Wrzesniewski)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When and where Copyslut choose to play is often political. Last June, the band performed for sex workers and their allies at a rally at Oakland City Hall organized by \u003ca href=\"https://bayareaworkerssupport.org/\" target=\"_blank\" rel=\"noopener\">Bay Area Worker Support\u003c/a> (BAWS), a group that advocates for sex workers’ health and safety. BAWS mobilized following the controversial \u003ca href=\"https://www.vice.com/en_us/article/qvxeyq/trump-signed-fosta-sesta-into-law-sex-work\" target=\"_blank\" rel=\"noopener\">FOSTA/SESTA\u003c/a> law of 2018, which—in an attempt to curb online child trafficking—shut down Backpage, Craigslist Personals and other websites where consenting, adult sex workers vetted clients, forcing some of them into much-more-dangerous outdoor work.\u003c/p>\n\u003cp>After speeches from former Oakland mayoral candidate Cat Brooks and activist \u003ca href=\"https://www.kqed.org/news/11106467/why-the-celeste-guap-scandal-isnt-only-about-her-case\" target=\"_blank\" rel=\"noopener\">Celeste Guap\u003c/a>, Copyslut took the stage and performed “Right By You.” It was a particularly emotional moment for Chatz, who describes the song as a letter to her teenage self, who once upon a time was coming to terms with her queerness and contemplating leaving the Mormon church.\u003c/p>\n\u003cp>https://youtu.be/jLRH-l_ZN3A\u003c/p>\n\u003cp>“I’m just seeing this sea of beautiful people in red and black and fishnets—and just the love—and singing songs I’ve written to heal my own internalized whorephobia,” says Chatz of playing at the rally. “I grew up very sheltered, and I experienced it as very brainwashed. So deconstructing some of that, and healing baby [me] … and singing it to people like, ‘Oh my god, you’re healing \u003cem>your\u003c/em> baby, your inner child.’ It was really, really magical.”\u003c/p>\n\u003cp>With all three band members identifying as queer or trans, a crucial part of Copyslut’s mission is illuminating the role sex workers have played in the LGBTQ liberation movement from the beginning. Martha P. Johnson, a prominent activist who emerged from the infamous Stonewall Uprising of 1969, for instance, supported her activism in the nascent gay rights movement through sex work.\u003c/p>\n\u003cp>“I’m transgender, so I feel like there’s a lot of intersectional issues with sex workers and the queer community and trans community,” says bassist Eli Maliwan, a jazz saxophone instructor by day.\u003c/p>\n\u003cfigure id=\"attachment_13867411\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867411\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez-800x534.jpg\" alt='Copyslut bassist Eli Maliwan (center) with lead singer Chatz (left) and guitarist Ray Zamora (far right) and dancers on set for the \"Makers Mark\" music video. Maliwan strums his bass, smiling, while dancers cheer him on.' width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Copyslut bassist Eli Maliwan (center) with lead singer Chatz (left) and guitarist Ray Zamora (far right) and dancers on set for the “Makers Mark” music video. \u003ccite>(Kristen Wrzesniewski)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During this year’s Pride Month, which coincided with the 50th anniversary of Stonewall, Copyslut curated and headlined a Noise Pop show called Sex Work is Gay, which raised over $3,000 for \u003ca href=\"https://www.homelessyouthalliance.org/\" target=\"_blank\" rel=\"noopener\">Homeless Youth Alliance\u003c/a>, Chatz says. One of the band’s more recent shows, last month at the historic Phoenix Theater in Petaluma, raised money for \u003ca href=\"https://stjamesinfirmary.org/wordpress/\" target=\"_blank\" rel=\"noopener\">St. James Infirmary\u003c/a>, an LGBTQ-inclusive healthcare nonprofit serving the sex worker community.\u003c/p>\n\u003cp>As sex work gains visibility in mainstream media thanks to the box office smash \u003cem>Hustlers\u003c/em> and Emmy-winning TV series \u003cem>Pose\u003c/em>, Copyslut is playing an important role in expanding the conversation. Chatz and author and educator Vanessa Carlisle co-edited the zine \u003ca href=\"http://www.copyslutband.com/store/p8/Don%27t_Hate_My_Heels_Zine.html\" target=\"_blank\" rel=\"noopener\">\u003cem>Don’t Hate My Heels: A Confrontation with Whorephobia in Which the Whores Win \u003c/em>\u003c/a>(with illustrations by Rasch, who also does the band’s merch and album art). \u003cspan style=\"font-weight: 400\">With personal stories from sex workers navigating higher education, the music industry and political organizing, the zine was a finalist in the Broken Pencil Zine Awards, which celebrate independent publishing.\u003c/span>\u003c/p>\n\u003cp>Advocating for decriminalization of sex work rather than legalization, \u003cem>Don’t Hate My Heels\u003c/em> is a must-read for anyone curious about how sex workers’ fight for dignity and safety fits into other social movements, including anarchism, labor and gender equality.\u003c/p>\n\u003cp>Those struggles aren’t as separate as people think, the zine explains, and Copyslut’s multifaceted work is all about illuminating the intersections.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Copyslut performs with Wizard Apprentice, Louda and Blacker Face at Bottom of the Hill in San Francisco on Nov. 12. Details \u003ca href=\"http://www.stubmatic.com/bottomofthehill/event/10066\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In \u003ca href=\"http://www.copyslutband.com/\" target=\"_blank\" rel=\"noopener\">Copyslut\u003c/a>’s new music video for “Makers Mark,” a club becomes a ritualistic space of magic and transcendence.\u003c/p>\n\u003cp>Behind mirrored doors, dancers demonstrate superhuman abilities on the pole, and lap dances cast spells for collective liberation. With people of many gender expressions and body types enthusiastically participating in the bacchanal, performers and audience members become indistinguishable from one another. The revelry takes them to heights of spiritual ecstasy, like a church service might on a Sunday morning—except in this case, they’re leaving covered in glitter.\u003c/p>\n\u003cp>“We’re really about pleasure being healing, and the radical possibilities of how pleasure and letting go of shame can do some of this deep, internal self-love work,” says lead singer Chatz during a recent interview at \u003ca href=\"https://www.airshiplaboratories.com/\" target=\"_blank\" rel=\"noopener\">Airship Laboratories\u003c/a>, a Richmond recording studio where Copyslut laid down tracks for their debut album, due out in early 2020.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pKauvm0ePUU'\n title='//www.youtube.com/embed/pKauvm0ePUU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“Makers Mark,” the latest single from the project, is a feminist reimagining of the legend of La Llorona, a character from Latin American folklore who drowns her children in a river after her husband leaves her. In Copyslut’s telling, La Llorona makes a complicated choice to protect her bloodline from energy-sucking vampires. An homage to guitarist Ray Zamora and art director Reiko Rasch’s Mexican heritage, the band’s hard-rocking anthem communes with La Llorona like a spirit guide for those “strong enough to walk that edge,” or thrive despite experiencing marginalization in society.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Living boldly and authentically, and claiming one’s sexuality as a source of power, are two big themes in Copyslut’s music, which the band members describe as their way of healing personal trauma and advocating for their communities. Chatz, whose soaring voice recalls Ann Wilson of Heart and Corin Tucker of Sleater-Kinney, balances her life as a musician with sex work and activism. In Copyslut, those worlds frequently merge.\u003c/p>\n\u003cp>“I think it’s really cool how Chatz is bringing that sex work element into talking about really deep stuff,” says Zamora, describing the band’s vulnerable yet campy live shows, which combine elements of musical theater, sexuality and rock ’n’ roll. “It re-sensitizes everybody into their bodies and makes people more receptive to ideas, actually being able to take things in on a deep soul level.”\u003c/p>\n\u003cfigure id=\"attachment_13867390\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867390\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-800x534.jpg\" alt=\"Chatz (left) and Ray Zamora of Copyslut.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM-1920x1282.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Photo-Aug-05-1-39-58-AM.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chatz (left) and Ray Zamora of Copyslut on set for the “Makers Mark” music video. \u003ccite>(Kristen Wrzesniewski)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When and where Copyslut choose to play is often political. Last June, the band performed for sex workers and their allies at a rally at Oakland City Hall organized by \u003ca href=\"https://bayareaworkerssupport.org/\" target=\"_blank\" rel=\"noopener\">Bay Area Worker Support\u003c/a> (BAWS), a group that advocates for sex workers’ health and safety. BAWS mobilized following the controversial \u003ca href=\"https://www.vice.com/en_us/article/qvxeyq/trump-signed-fosta-sesta-into-law-sex-work\" target=\"_blank\" rel=\"noopener\">FOSTA/SESTA\u003c/a> law of 2018, which—in an attempt to curb online child trafficking—shut down Backpage, Craigslist Personals and other websites where consenting, adult sex workers vetted clients, forcing some of them into much-more-dangerous outdoor work.\u003c/p>\n\u003cp>After speeches from former Oakland mayoral candidate Cat Brooks and activist \u003ca href=\"https://www.kqed.org/news/11106467/why-the-celeste-guap-scandal-isnt-only-about-her-case\" target=\"_blank\" rel=\"noopener\">Celeste Guap\u003c/a>, Copyslut took the stage and performed “Right By You.” It was a particularly emotional moment for Chatz, who describes the song as a letter to her teenage self, who once upon a time was coming to terms with her queerness and contemplating leaving the Mormon church.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/jLRH-l_ZN3A'\n title='//www.youtube.com/embed/jLRH-l_ZN3A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“I’m just seeing this sea of beautiful people in red and black and fishnets—and just the love—and singing songs I’ve written to heal my own internalized whorephobia,” says Chatz of playing at the rally. “I grew up very sheltered, and I experienced it as very brainwashed. So deconstructing some of that, and healing baby [me] … and singing it to people like, ‘Oh my god, you’re healing \u003cem>your\u003c/em> baby, your inner child.’ It was really, really magical.”\u003c/p>\n\u003cp>With all three band members identifying as queer or trans, a crucial part of Copyslut’s mission is illuminating the role sex workers have played in the LGBTQ liberation movement from the beginning. Martha P. Johnson, a prominent activist who emerged from the infamous Stonewall Uprising of 1969, for instance, supported her activism in the nascent gay rights movement through sex work.\u003c/p>\n\u003cp>“I’m transgender, so I feel like there’s a lot of intersectional issues with sex workers and the queer community and trans community,” says bassist Eli Maliwan, a jazz saxophone instructor by day.\u003c/p>\n\u003cfigure id=\"attachment_13867411\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867411\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez-800x534.jpg\" alt='Copyslut bassist Eli Maliwan (center) with lead singer Chatz (left) and guitarist Ray Zamora (far right) and dancers on set for the \"Makers Mark\" music video. Maliwan strums his bass, smiling, while dancers cheer him on.' width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Makers-Mark-Eli-BTS_kwrez.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Copyslut bassist Eli Maliwan (center) with lead singer Chatz (left) and guitarist Ray Zamora (far right) and dancers on set for the “Makers Mark” music video. \u003ccite>(Kristen Wrzesniewski)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During this year’s Pride Month, which coincided with the 50th anniversary of Stonewall, Copyslut curated and headlined a Noise Pop show called Sex Work is Gay, which raised over $3,000 for \u003ca href=\"https://www.homelessyouthalliance.org/\" target=\"_blank\" rel=\"noopener\">Homeless Youth Alliance\u003c/a>, Chatz says. One of the band’s more recent shows, last month at the historic Phoenix Theater in Petaluma, raised money for \u003ca href=\"https://stjamesinfirmary.org/wordpress/\" target=\"_blank\" rel=\"noopener\">St. James Infirmary\u003c/a>, an LGBTQ-inclusive healthcare nonprofit serving the sex worker community.\u003c/p>\n\u003cp>As sex work gains visibility in mainstream media thanks to the box office smash \u003cem>Hustlers\u003c/em> and Emmy-winning TV series \u003cem>Pose\u003c/em>, Copyslut is playing an important role in expanding the conversation. Chatz and author and educator Vanessa Carlisle co-edited the zine \u003ca href=\"http://www.copyslutband.com/store/p8/Don%27t_Hate_My_Heels_Zine.html\" target=\"_blank\" rel=\"noopener\">\u003cem>Don’t Hate My Heels: A Confrontation with Whorephobia in Which the Whores Win \u003c/em>\u003c/a>(with illustrations by Rasch, who also does the band’s merch and album art). \u003cspan style=\"font-weight: 400\">With personal stories from sex workers navigating higher education, the music industry and political organizing, the zine was a finalist in the Broken Pencil Zine Awards, which celebrate independent publishing.\u003c/span>\u003c/p>\n\u003cp>Advocating for decriminalization of sex work rather than legalization, \u003cem>Don’t Hate My Heels\u003c/em> is a must-read for anyone curious about how sex workers’ fight for dignity and safety fits into other social movements, including anarchism, labor and gender equality.\u003c/p>\n\u003cp>Those struggles aren’t as separate as people think, the zine explains, and Copyslut’s multifaceted work is all about illuminating the intersections.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Copyslut performs with Wizard Apprentice, Louda and Blacker Face at Bottom of the Hill in San Francisco on Nov. 12. Details \u003ca href=\"http://www.stubmatic.com/bottomofthehill/event/10066\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In 2015, Bay Area lawyer and activist Sarah Jornsay-Silverberg found herself in Paris representing island nations at the United Nations Climate Change Conference. She was thrilled to be there.\u003c/p>\n\u003cp>[pullquote size='medium' align='right' citation='Robin Cooper, a psychiatrist in San Francisco']‘We are biologically wired to respond with anxiety to alert us to respond to real threats.’[/pullquote]As the event progressed, however, “it was really clear that we were not going to achieve what we’d hoped,” she said.\u003c/p>\n\u003cp>What she and her colleagues had hoped for was a deal to limit global temperature rise to 1.5 degrees Celsius this century and a binding mechanism to enforce that. What they got was the\u003ca href=\"https://unfccc.int/process-and-meetings/the-paris-agreement/the-paris-agreement\" target=\"_blank\" rel=\"noopener noreferrer\"> Paris Agreement\u003c/a>, which aims to keep global temperature rise to “well below 2 degrees Celsius” — and which countries have signed on to through voluntary pledges.\u003c/p>\n\u003cp>Instead of celebrating in the streets, she found herself curled up in her hostel bed, crying.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/09/CoveringClimateNow.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-11777126\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/09/CoveringClimateNow.jpg\" alt=\"\" width=\"223\" height=\"223\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/CoveringClimateNow.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/CoveringClimateNow-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/CoveringClimateNow-550x550.jpg 550w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/CoveringClimateNow-470x470.jpg 470w\" sizes=\"(max-width: 223px) 100vw, 223px\">\u003c/a>The depression that struck Jornsay-Silverberg, 34, in 2015 still comes and goes today. She worries about ecosystems, native people and their habitats, the Amazon. She is also grieving a vision of her future that may no longer become a reality.\u003c/p>\n\u003cp>“People like myself are deciding whether [we] even want to have children,” she said. When she was younger, she always assumed that she would.\u003c/p>\n\u003cp>\u003cb>The Rise of Eco-Anxiety\u003c/b>\u003c/p>\n\u003cp>Environmental activists like Jornsay-Silverberg are not the only ones feeling overwhelmed with despair as the climate changes. While “eco-anxiety” is most commonly used to describe these feelings, therapists and others have bandied about different labels, too: climate anxiety, climate despair, eco-despair and eco-grief.\u003c/p>\n\u003cp>The American Psychological Association even published \u003ca href=\"https://www.apa.org/news/press/releases/2017/03/mental-health-climate.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">a guide for therapists\u003c/a> to help them assist their patients. In it, they wrote, “the psychological responses to climate change, such as conflict avoidance, fatalism, fear, helplessness and resignation are growing. These responses are keeping us, and our nation, from properly addressing the core causes of and solutions for our changing climate, and from building and supporting psychological resiliency.”\u003c/p>\n\u003cfigure id=\"attachment_11776259\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11776259\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/09/IMG_2809-800x600.jpg\" alt=\"Seth Dunn, Sarah Jornsay-Silverberg, and Michela Fitten at the Global Climate Strike in downtown San Francisco on Sept. 20, 2019.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Seth Dunn, Sarah Jornsay-Silverberg and Michela Fitten at the Global Climate Strike in downtown San Francisco on Sept. 20, 2019. \u003ccite>(Laura Klivans/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Robin Cooper, of San Francisco, is one of the founders of the \u003ca href=\"https://www.climatepsychiatry.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Climate Psychiatry Alliance\u003c/a>, a group of psychiatrists working to highlight how climate change impacts mental health, and how to help those affected.\u003c/p>\n\u003cp>She said she and her colleagues are seeing more patients with “tension, anxiety, worry, depression” about the climate.\u003c/p>\n\u003cp>In cases like this, one of the first things Cooper said she does is acknowledge the realistic nature of a patient’s concerns. Unlike an irrational fear, eco-anxiety is a healthy response to a serious risk, she said.\u003c/p>\n\u003cp>“We are biologically wired to respond with anxiety to alert us to respond to real threats,” she said.\u003c/p>\n\u003cp>\u003cstrong>Despair’s Antidote \u003c/strong>\u003c/p>\n\u003cp>So if the negative aspects of climate change won’t be going away, how do we “treat” eco-anxiety?\u003c/p>\n\u003cp>Experts seem to agree on a three-part strategy:\u003c/p>\n\u003col>\n\u003cli>\u003cstrong>Come together in community. \u003c/strong>“Find allies who understand what [you’re] feeling… and get together with them,” said Craig Chalquist, a psychologist and professor at the California Institute of Integral Studies. He said it can even be something informal. Often, people struggle with these feelings in isolation, since bringing up climate change is taboo in many social situations.\u003c/li>\n\u003cli>\u003cstrong>Process your feelings. \u003c/strong>This can happen through talking, \u003ca href=\"https://www.goodgriefnetwork.org/\" target=\"_blank\" rel=\"noopener noreferrer\">grief groups\u003c/a> and\u003ca href=\"https://www.amazon.com/Ecotherapy-Healing-Nature-Linda-Buzzell/dp/1578051614\" target=\"_blank\" rel=\"noopener noreferrer\"> spending time in nature\u003c/a>. Really? Just talk about such a huge issue? Chalquist said yes, adding that people with eco-anxiety then “quickly move from that phase into, ‘What can I do?'”\u003c/li>\n\u003cli>\u003cstrong>\u003cstrong>\u003cstrong>Identify what specific problems speak to you, and get to work. \u003c/strong>\u003c/strong>\u003c/strong>Interested in oceans? Food systems? Reforestation? Chalquist said because all these aspects of the environment are connected, “to work on one is actually to bring some healing to the whole thing.”\u003c/li>\n\u003c/ol>\n\u003cp>Sarah Jornsay-Silverberg said these steps have been crucial for her mental health.\u003c/p>\n\u003cp>[aside tag='climate-strike' label='More Coverage']She has found meaningful community through the \u003ca href=\"https://www.goodgriefnetwork.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Good Grief Network\u003c/a>, a group that follows a 10-step program to combat despair and eco-anxiety, and build “personal resilience.” Jornsay-Silverberg described this resilience as the ability to face the climate crisis head-on while not being bowled over by it.\u003c/p>\n\u003cp>Good Grief steps range from “accept the problem and its severity,” to “reinvest in problem-solving efforts,” according to the group’s website. Good Grief has been a place for Jornsay-Silverberg to process her emotions about the climate crisis.\u003c/p>\n\u003cp>“It’s really useful to be in community,” Jornsay-Silverberg said. She doesn’t feel like she’s bringing other people down “when I talk about where my mind goes and how sad and dark it feels sometimes.”\u003c/p>\n\u003cp>It has also reinvigorated her desire to fight for the environment in several ways. First, she and some friends are starting a Good Grief group in the Bay Area that’s open to new people. Second, she is launching an outdoor class aimed at helping kids develop emotional resilience to face whatever challenges our society may face in the future. And third, she is hitting the streets: She and friends marched in the recent Global Climate Strike in downtown San Francisco.\u003c/p>\n\u003cp>[pullquote size='medium' align='right' citation='Sarah Jornsay-Silverberg, Bay Area climate activist']‘You don’t have to be a trained climate activist to play your part. You just have to figure out what you’re good at and how you are a useful contributor, and just stick with that.’[/pullquote]“This is the antidote,” she said walking down 7th Street last Friday. “Being surrounded by people that also care about this, you feel so supported and held by this community. Like look at how many young people are here with their signs. I’m going to cry, you know?”\u003c/p>\n\u003cp>Jornsay-Silverberg’s eco-anxiety is not gone, and it probably never will be. But her actions help her feel like she is part of the solution.\u003c/p>\n\u003cp>“You don’t have to be a trained climate activist to play your part,” she said. “You just have to figure out what you’re good at and how you are a useful contributor, and just stick with that.”\u003c/p>\n\u003cp>\u003cem>This story is part of KQED Science’s partnership with Covering Climate Now, a global collaboration of more than 300 news outlets to strengthen coverage of the climate story.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>As the event progressed, however, “it was really clear that we were not going to achieve what we’d hoped,” she said.\u003c/p>\n\u003cp>What she and her colleagues had hoped for was a deal to limit global temperature rise to 1.5 degrees Celsius this century and a binding mechanism to enforce that. What they got was the\u003ca href=\"https://unfccc.int/process-and-meetings/the-paris-agreement/the-paris-agreement\" target=\"_blank\" rel=\"noopener noreferrer\"> Paris Agreement\u003c/a>, which aims to keep global temperature rise to “well below 2 degrees Celsius” — and which countries have signed on to through voluntary pledges.\u003c/p>\n\u003cp>Instead of celebrating in the streets, she found herself curled up in her hostel bed, crying.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/09/CoveringClimateNow.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-11777126\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/09/CoveringClimateNow.jpg\" alt=\"\" width=\"223\" height=\"223\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/CoveringClimateNow.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/CoveringClimateNow-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/CoveringClimateNow-550x550.jpg 550w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/CoveringClimateNow-470x470.jpg 470w\" sizes=\"(max-width: 223px) 100vw, 223px\">\u003c/a>The depression that struck Jornsay-Silverberg, 34, in 2015 still comes and goes today. She worries about ecosystems, native people and their habitats, the Amazon. She is also grieving a vision of her future that may no longer become a reality.\u003c/p>\n\u003cp>“People like myself are deciding whether [we] even want to have children,” she said. When she was younger, she always assumed that she would.\u003c/p>\n\u003cp>\u003cb>The Rise of Eco-Anxiety\u003c/b>\u003c/p>\n\u003cp>Environmental activists like Jornsay-Silverberg are not the only ones feeling overwhelmed with despair as the climate changes. While “eco-anxiety” is most commonly used to describe these feelings, therapists and others have bandied about different labels, too: climate anxiety, climate despair, eco-despair and eco-grief.\u003c/p>\n\u003cp>The American Psychological Association even published \u003ca href=\"https://www.apa.org/news/press/releases/2017/03/mental-health-climate.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">a guide for therapists\u003c/a> to help them assist their patients. In it, they wrote, “the psychological responses to climate change, such as conflict avoidance, fatalism, fear, helplessness and resignation are growing. These responses are keeping us, and our nation, from properly addressing the core causes of and solutions for our changing climate, and from building and supporting psychological resiliency.”\u003c/p>\n\u003cfigure id=\"attachment_11776259\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11776259\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/09/IMG_2809-800x600.jpg\" alt=\"Seth Dunn, Sarah Jornsay-Silverberg, and Michela Fitten at the Global Climate Strike in downtown San Francisco on Sept. 20, 2019.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/09/IMG_2809.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Seth Dunn, Sarah Jornsay-Silverberg and Michela Fitten at the Global Climate Strike in downtown San Francisco on Sept. 20, 2019. \u003ccite>(Laura Klivans/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Robin Cooper, of San Francisco, is one of the founders of the \u003ca href=\"https://www.climatepsychiatry.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Climate Psychiatry Alliance\u003c/a>, a group of psychiatrists working to highlight how climate change impacts mental health, and how to help those affected.\u003c/p>\n\u003cp>She said she and her colleagues are seeing more patients with “tension, anxiety, worry, depression” about the climate.\u003c/p>\n\u003cp>In cases like this, one of the first things Cooper said she does is acknowledge the realistic nature of a patient’s concerns. Unlike an irrational fear, eco-anxiety is a healthy response to a serious risk, she said.\u003c/p>\n\u003cp>“We are biologically wired to respond with anxiety to alert us to respond to real threats,” she said.\u003c/p>\n\u003cp>\u003cstrong>Despair’s Antidote \u003c/strong>\u003c/p>\n\u003cp>So if the negative aspects of climate change won’t be going away, how do we “treat” eco-anxiety?\u003c/p>\n\u003cp>Experts seem to agree on a three-part strategy:\u003c/p>\n\u003col>\n\u003cli>\u003cstrong>Come together in community. \u003c/strong>“Find allies who understand what [you’re] feeling… and get together with them,” said Craig Chalquist, a psychologist and professor at the California Institute of Integral Studies. He said it can even be something informal. Often, people struggle with these feelings in isolation, since bringing up climate change is taboo in many social situations.\u003c/li>\n\u003cli>\u003cstrong>Process your feelings. \u003c/strong>This can happen through talking, \u003ca href=\"https://www.goodgriefnetwork.org/\" target=\"_blank\" rel=\"noopener noreferrer\">grief groups\u003c/a> and\u003ca href=\"https://www.amazon.com/Ecotherapy-Healing-Nature-Linda-Buzzell/dp/1578051614\" target=\"_blank\" rel=\"noopener noreferrer\"> spending time in nature\u003c/a>. Really? Just talk about such a huge issue? Chalquist said yes, adding that people with eco-anxiety then “quickly move from that phase into, ‘What can I do?'”\u003c/li>\n\u003cli>\u003cstrong>\u003cstrong>\u003cstrong>Identify what specific problems speak to you, and get to work. \u003c/strong>\u003c/strong>\u003c/strong>Interested in oceans? Food systems? Reforestation? Chalquist said because all these aspects of the environment are connected, “to work on one is actually to bring some healing to the whole thing.”\u003c/li>\n\u003c/ol>\n\u003cp>Sarah Jornsay-Silverberg said these steps have been crucial for her mental health.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cb>Whistleblower’s Complaint Sparks Impeachment Inquiry\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400;\">On Thursday, two days after she announced the start of a formal impeachment inquiry against President Trump, House Speaker Nancy Pelosi accused the White House of a “cover-up” in blocking access to a record of a call made in July between President Trump and the president of Ukraine. That call is at the center of a whistleblower’s complaint accusing Trump of pressuring the Ukrainian president to get election help by opening a corruption investigation into Democratic presidential candidate Joe Biden. Trump condemned the impeachment inquiry as a “witch hunt,” attacked the credibility and character of the whistleblower, and called for the resignation of House Judiciary Committee chairman Adam Schiff (D-Burbank). \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">Scott Shafer, KQED senior editor of Politics and Government\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">Jessica Taylor, NPR political reporter\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>OUSD Superintendent Kyla Johnson-Trammell\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400;\">Kyla Johnson-Trammell is the superintendent of the Oakland Unified School District. As its top administrator, she oversees 83 public schools that serve the educational needs of nearly 37,000 children. But the district is facing funding deficits of millions of dollars, which has prompted layoffs, school closures and mergers. In March, it renegotiated a contract with the union representing its teachers, who went on a weeklong protest to demand higher wages and smaller class sizes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guest:\u003c/b>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">Kyla Johnson-Trammell, OUSD superintendent\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>“Mask”\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400;\">For decades, National Geographic Explorer and photographer Chris Rainier has traveled the world documenting cultures and traditions in danger of disappearing. His latest book, “Mask,” is a collection of stunning images that Rainier spent more than 30 years capturing across six continents, from the remote highlands of New Guinea to the cedar forests in British Columbia.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Rainier hopes his portraits not only help preserve mask rituals but also remind us of our shared connection to the natural world and the stories we tell about our place in it.\u003cbr>\n\u003c/span>\u003cb>\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Guest:\u003c/b>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">Chris Rainier, National Geographic photographer and author, “Mask”\u003c/span>\u003c/li>\n\u003c/ul>\n\n",
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"title": "10 Acts Not to Miss at Hardly Strictly 2019",
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"content": "\u003cp>\u003ca href=\"http://www.hardlystrictlybluegrass.com\" target=\"_blank\" rel=\"noopener\">Hardly Strictly\u003c/a> returns to San Francisco’s Golden Gate Park this year on Oct. 4–6, packed with country, bluegrass, folk, world music and more. With sounds from the Bay Area, New Orleans, Mexico, Ukraine and many places in between, the diverse lineup’s connecting thread is stellar musicianship that’s best experienced live.\u003c/p>\n\u003cp>Now in its 19th year, Hardly Strictly is free to attend as always. A few things are different at this year’s festival, though: festival organizers recently announced \u003ca href=\"http://hardlystrictlybluegrass.com/2019/info/\" target=\"_blank\" rel=\"noopener\">new safety precautions\u003c/a>, as festivals around the country \u003ca href=\"https://www.kqed.org/arts/13863343/music-festival-safety-mass-shootings\" target=\"_blank\" rel=\"noopener\">ramp up security measures\u003c/a> in the wake of numerous mass shootings. Those new rules include \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/wp-content/themes/hsb/HSB19_map_entrances.pdf\" target=\"_blank\" rel=\"noopener\">four official entrances and exits\u003c/a>—unlike the fully open, come-as-you-please atmosphere of past years—as well as a ban on coolers and a new policy that all bags must be transparent.\u003c/p>\n\u003cp>Aside from the big stars like Led Zeppelin’s Robert Plant, Summer-of-Love jam band Hot Tuna Electric and rising country star Margo Price, here are 10 artists you should put on your Hardly Strictly itinerary.\u003c/p>\n\u003cp>https://youtu.be/qfIGYRKK8GQ\u003c/p>\n\u003cp>\u003cstrong>Tanya Tucker\u003c/strong>\u003cbr>\n\u003cem>Banjo Stage\u003cbr>\nOct. 4, 4:15pm\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Known as the first lady of outlaw country, Tanya Tucker has had a wild journey in the music industry. A teen idol in the ’70s, she broke hearts (and climbed charts) with hits like “Would You Lay With Me (In a Field of Stone).” After overcoming many personal struggles that often come with childhood fame, she made a comeback in the ’90s, and again this year with her new album, \u003cem>While I’m Livin’\u003c/em>, where she reclaims her story and celebrates her resilience.\u003c/p>\n\u003cp>https://youtu.be/DDu4jk2_R_k\u003c/p>\n\u003cp>\u003cstrong>Bedouine\u003c/strong>\u003cbr>\n\u003cem>Bandwagon Stage\u003cbr>\nOct. 4, 5:10pm\u003c/em>\u003c/p>\n\u003cp>Delicately strumming her acoustic guitar, Bedouine sings lyrics that contain quiet, profound meditations on solitude, love, war and migration. Born to Armenian parents in Syria, Bedouine lived in Saudi Arabia for a time before she and her family immigrated to Los Angeles. By day a music editor for film (her credits include Kumail Nanjiani’s \u003cem>The Big Sick\u003c/em>), her folk songs are minimal in composition but mighty in emotional weight.\u003c/p>\n\u003cp>https://youtu.be/2OQf5YajK4s\u003c/p>\n\u003cp>\u003cstrong>Whiskerman\u003c/strong>\u003cbr>\n\u003cem>Porch Stage\u003cbr>\nOct. 5, 11am\u003c/em>\u003c/p>\n\u003cp>Oakland quintet Whiskerman brings the dance party early to Hardly Strictly on Saturday with a high-energy roots rock set with notes of soul, psychedelic and folk. With fuzzed-out guitar solos, a powered-up rhythm section and Graham Patzner’s freewheeling vocals, Whiskerman’s music has a ’70s revivalist appeal.\u003c/p>\n\u003cp>https://youtu.be/0yCkoLm3AKo\u003c/p>\n\u003cp>\u003cstrong>Adia Victoria\u003c/strong>\u003cbr>\n\u003cem>Porch Stage\u003cbr>\nOct. 5, 1:20pm\u003c/em>\u003cbr>\nNashville singer-songwriter Adia Victoria’s blues-inflected indie pop is dark and high-drama. She recently worked with producer and guitarist Aaron Dressner of The National on her album \u003cem>Silences\u003c/em>, where her soft voice elastically bends from a near-whisper to a growl as she sings about heartbreak, facing her demons and finding herself.\u003c/p>\n\u003cp>https://youtu.be/Qa1fqiaIXIU\u003c/p>\n\u003cp>\u003cstrong>Tank and the Bangas\u003c/strong>\u003cbr>\n\u003cem>Towers of Gold Stage\u003cbr>\nOct. 5, 2:10pm\u003c/em>\u003c/p>\n\u003cp>Tank and the Bangas’ playful music is a good reminder that a childlike sense of joy and wonder can reinvigorate anyone in the oft-depressing adult world. Hailing from New Orleans, the R&B, neo-soul and hip-hop ensemble fuses out-there, jazzy instrumentation with Tarriona Ball’s whimsical vocal style. Unafraid to get silly, she makes poetry out of the most mundane topics, turning them upside down and examining them completely anew.\u003c/p>\n\u003cp>https://youtu.be/lGm6LZciHF8\u003c/p>\n\u003cp>\u003cstrong>Yola\u003c/strong>\u003cbr>\n\u003cem>Rooster Stage\u003c/em>\u003cbr>\n\u003cem>Oct. 5, 3:25pm\u003c/em>\u003c/p>\n\u003cp>Yola’s booming, soulful voice pairs gorgeously with sepia-toned, vintage country instrumentation, and the singer’s ruminations about love and loss have a way of sweeping listeners away into a sentimental reverie. Originally form the U.K., Yola worked with the Black Keys’ Dan Auerbach on her most recent album, \u003cem>Walk Through Fire\u003c/em>, and has a growing rep in Nashville as the “queen of country soul.”\u003c/p>\n\u003cp>https://youtu.be/MgXzKx0c0h8\u003c/p>\n\u003cp>\u003cstrong>Ismay\u003c/strong>\u003cbr>\n\u003cem>Bandwagon Stage\u003cbr>\nOct. 5, 3:10pm\u003c/em>\u003c/p>\n\u003cp>Folk singer-songwriter Ismay’s bravery and curiosity about nature and environmental justice reverberate throughout her finger-picked tracks. At Hardly Strictly, she performs a storytelling-driven showcase called \u003cem>Songs and Stories from Sonoma Mountain\u003c/em>, inspired by her seven years living and working on her family’s ranch. This is the latest suite of songs following her \u003cem>Songs of the Klamath\u003c/em> project, inspired by a month-long journey on horseback along the Klamath River.\u003c/p>\n\u003cp>https://youtu.be/AObDpJ6xQMk\u003c/p>\n\u003cp>\u003cstrong>DakhaBrakha\u003c/strong>\u003cbr>\n\u003cem>Porch Stage\u003cbr>\nOct. 6, 1:20pm\u003c/em>\u003c/p>\n\u003cp>Influenced by Ukrainian folk music tradition and surrealism in equal measure, DakhaBrakha sprung from an experimental theater troupe in Kyiv in 2004. Combining instruments like the \u003cem>garmoshka\u003c/em> (accordion) and jaw harp with strings, percussion and experimental vocals in Ukrainian, they’ve won an audience stateside with their highly experimental approach.\u003c/p>\n\u003cp>https://youtu.be/djWziMwFVWw\u003c/p>\n\u003cp>\u003cstrong>Fantastic Negrito\u003c/strong>\u003cbr>\n\u003cem>Swan Stage\u003cbr>\nOct. 6, 1:20\u003c/em>\u003c/p>\n\u003cp>Fantastic Negrito started out busking on Oakland’s streets and went on to win two Grammy Awards for Contemporary Blues Album in 2017 and ’19. His high-energy roots music oozes with gritty guitar solos, bluesy organ and soul- and gospel-tinged backing vocals. The infectious rhythms inspire his audience to dance, and also offer poignant commentary on issues like gentrification and cultural erasure.\u003c/p>\n\u003cp>https://youtu.be/TYa2_U6qrwY\u003c/p>\n\u003cp>\u003cstrong>Flor de Toloache\u003c/strong>\u003cbr>\n\u003cem>Bandwagon Stage\u003cbr>\nOct. 6, 3:10pm\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Mariachi music has long been a vibrant part of cultural life in Mexican-American immigrant enclaves, and it’s slowly making its way into mainstream pop culture with artists like YG and Cuco collaborating with mariachi ensembles in recent years. The bilingual all-woman group Flor de Toloache bridges pop and mariachi sounds, and has a growing following for their lively stage shows and collaborations with pop stars like Miguel and John Legend.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://www.hardlystrictlybluegrass.com\" target=\"_blank\" rel=\"noopener\">Hardly Strictly\u003c/a> returns to San Francisco’s Golden Gate Park this year on Oct. 4–6, packed with country, bluegrass, folk, world music and more. With sounds from the Bay Area, New Orleans, Mexico, Ukraine and many places in between, the diverse lineup’s connecting thread is stellar musicianship that’s best experienced live.\u003c/p>\n\u003cp>Now in its 19th year, Hardly Strictly is free to attend as always. A few things are different at this year’s festival, though: festival organizers recently announced \u003ca href=\"http://hardlystrictlybluegrass.com/2019/info/\" target=\"_blank\" rel=\"noopener\">new safety precautions\u003c/a>, as festivals around the country \u003ca href=\"https://www.kqed.org/arts/13863343/music-festival-safety-mass-shootings\" target=\"_blank\" rel=\"noopener\">ramp up security measures\u003c/a> in the wake of numerous mass shootings. Those new rules include \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/wp-content/themes/hsb/HSB19_map_entrances.pdf\" target=\"_blank\" rel=\"noopener\">four official entrances and exits\u003c/a>—unlike the fully open, come-as-you-please atmosphere of past years—as well as a ban on coolers and a new policy that all bags must be transparent.\u003c/p>\n\u003cp>Aside from the big stars like Led Zeppelin’s Robert Plant, Summer-of-Love jam band Hot Tuna Electric and rising country star Margo Price, here are 10 artists you should put on your Hardly Strictly itinerary.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qfIGYRKK8GQ'\n title='//www.youtube.com/embed/qfIGYRKK8GQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Tanya Tucker\u003c/strong>\u003cbr>\n\u003cem>Banjo Stage\u003cbr>\nOct. 4, 4:15pm\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Known as the first lady of outlaw country, Tanya Tucker has had a wild journey in the music industry. A teen idol in the ’70s, she broke hearts (and climbed charts) with hits like “Would You Lay With Me (In a Field of Stone).” After overcoming many personal struggles that often come with childhood fame, she made a comeback in the ’90s, and again this year with her new album, \u003cem>While I’m Livin’\u003c/em>, where she reclaims her story and celebrates her resilience.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/DDu4jk2_R_k'\n title='//www.youtube.com/embed/DDu4jk2_R_k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Bedouine\u003c/strong>\u003cbr>\n\u003cem>Bandwagon Stage\u003cbr>\nOct. 4, 5:10pm\u003c/em>\u003c/p>\n\u003cp>Delicately strumming her acoustic guitar, Bedouine sings lyrics that contain quiet, profound meditations on solitude, love, war and migration. Born to Armenian parents in Syria, Bedouine lived in Saudi Arabia for a time before she and her family immigrated to Los Angeles. By day a music editor for film (her credits include Kumail Nanjiani’s \u003cem>The Big Sick\u003c/em>), her folk songs are minimal in composition but mighty in emotional weight.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/2OQf5YajK4s'\n title='//www.youtube.com/embed/2OQf5YajK4s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Whiskerman\u003c/strong>\u003cbr>\n\u003cem>Porch Stage\u003cbr>\nOct. 5, 11am\u003c/em>\u003c/p>\n\u003cp>Oakland quintet Whiskerman brings the dance party early to Hardly Strictly on Saturday with a high-energy roots rock set with notes of soul, psychedelic and folk. With fuzzed-out guitar solos, a powered-up rhythm section and Graham Patzner’s freewheeling vocals, Whiskerman’s music has a ’70s revivalist appeal.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/0yCkoLm3AKo'\n title='//www.youtube.com/embed/0yCkoLm3AKo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Adia Victoria\u003c/strong>\u003cbr>\n\u003cem>Porch Stage\u003cbr>\nOct. 5, 1:20pm\u003c/em>\u003cbr>\nNashville singer-songwriter Adia Victoria’s blues-inflected indie pop is dark and high-drama. She recently worked with producer and guitarist Aaron Dressner of The National on her album \u003cem>Silences\u003c/em>, where her soft voice elastically bends from a near-whisper to a growl as she sings about heartbreak, facing her demons and finding herself.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Qa1fqiaIXIU'\n title='//www.youtube.com/embed/Qa1fqiaIXIU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Tank and the Bangas\u003c/strong>\u003cbr>\n\u003cem>Towers of Gold Stage\u003cbr>\nOct. 5, 2:10pm\u003c/em>\u003c/p>\n\u003cp>Tank and the Bangas’ playful music is a good reminder that a childlike sense of joy and wonder can reinvigorate anyone in the oft-depressing adult world. Hailing from New Orleans, the R&B, neo-soul and hip-hop ensemble fuses out-there, jazzy instrumentation with Tarriona Ball’s whimsical vocal style. Unafraid to get silly, she makes poetry out of the most mundane topics, turning them upside down and examining them completely anew.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lGm6LZciHF8'\n title='//www.youtube.com/embed/lGm6LZciHF8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Yola\u003c/strong>\u003cbr>\n\u003cem>Rooster Stage\u003c/em>\u003cbr>\n\u003cem>Oct. 5, 3:25pm\u003c/em>\u003c/p>\n\u003cp>Yola’s booming, soulful voice pairs gorgeously with sepia-toned, vintage country instrumentation, and the singer’s ruminations about love and loss have a way of sweeping listeners away into a sentimental reverie. Originally form the U.K., Yola worked with the Black Keys’ Dan Auerbach on her most recent album, \u003cem>Walk Through Fire\u003c/em>, and has a growing rep in Nashville as the “queen of country soul.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/MgXzKx0c0h8'\n title='//www.youtube.com/embed/MgXzKx0c0h8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Ismay\u003c/strong>\u003cbr>\n\u003cem>Bandwagon Stage\u003cbr>\nOct. 5, 3:10pm\u003c/em>\u003c/p>\n\u003cp>Folk singer-songwriter Ismay’s bravery and curiosity about nature and environmental justice reverberate throughout her finger-picked tracks. At Hardly Strictly, she performs a storytelling-driven showcase called \u003cem>Songs and Stories from Sonoma Mountain\u003c/em>, inspired by her seven years living and working on her family’s ranch. This is the latest suite of songs following her \u003cem>Songs of the Klamath\u003c/em> project, inspired by a month-long journey on horseback along the Klamath River.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/AObDpJ6xQMk'\n title='//www.youtube.com/embed/AObDpJ6xQMk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>DakhaBrakha\u003c/strong>\u003cbr>\n\u003cem>Porch Stage\u003cbr>\nOct. 6, 1:20pm\u003c/em>\u003c/p>\n\u003cp>Influenced by Ukrainian folk music tradition and surrealism in equal measure, DakhaBrakha sprung from an experimental theater troupe in Kyiv in 2004. Combining instruments like the \u003cem>garmoshka\u003c/em> (accordion) and jaw harp with strings, percussion and experimental vocals in Ukrainian, they’ve won an audience stateside with their highly experimental approach.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/djWziMwFVWw'\n title='//www.youtube.com/embed/djWziMwFVWw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Fantastic Negrito\u003c/strong>\u003cbr>\n\u003cem>Swan Stage\u003cbr>\nOct. 6, 1:20\u003c/em>\u003c/p>\n\u003cp>Fantastic Negrito started out busking on Oakland’s streets and went on to win two Grammy Awards for Contemporary Blues Album in 2017 and ’19. His high-energy roots music oozes with gritty guitar solos, bluesy organ and soul- and gospel-tinged backing vocals. The infectious rhythms inspire his audience to dance, and also offer poignant commentary on issues like gentrification and cultural erasure.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/TYa2_U6qrwY'\n title='//www.youtube.com/embed/TYa2_U6qrwY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Flor de Toloache\u003c/strong>\u003cbr>\n\u003cem>Bandwagon Stage\u003cbr>\nOct. 6, 3:10pm\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Mariachi music has long been a vibrant part of cultural life in Mexican-American immigrant enclaves, and it’s slowly making its way into mainstream pop culture with artists like YG and Cuco collaborating with mariachi ensembles in recent years. The bilingual all-woman group Flor de Toloache bridges pop and mariachi sounds, and has a growing following for their lively stage shows and collaborations with pop stars like Miguel and John Legend.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The UC Berkeley Art Museum and Pacific Film Archive announced today that director and chief curator Lawrence Rinder will leave the museum in March 2020. Rinder, who assumed the position in 2008, will continue to organize exhibitions at BAMPFA through the end of next year, and the museum will begin an immediate search for his successor.\u003c/p>\n\u003cp>Prior to this most recent role, Rinder worked at BAMPFA between 1988 and 1998 as a curator and assistant director for audience and programs. His other positions in the art world, on both coasts, include founding director of the CCA Wattis Institute for Contemporary Arts, curator of contemporary art at the Whitney Museum and dean of graduate studies and then dean of the college at California College of the Arts.\u003c/p>\n\u003cp>At BAMPFA, Rinder oversaw the institution’s move from its former building on Bancroft Way to the new Diller Scofidio + Renfro-designed expansion in downtown Berkeley, and curated the new space’s inaugural show, \u003ci>\u003ca href=\"https://www.kqed.org/arts/11283305/architecture-of-life-an-optimistic-start-for-new-bampfa\" rel=\"noopener\" target=\"_blank\">Architecture of Life\u003c/a>\u003c/i>. The move—and its proximity to the Downtown Berkeley BART station—connected the museum, its visual art and film programming to a growing audience. According to today’s announcement, BAMPFA attendance has doubled since its relocation. \u003c/p>\n\u003cp>Rinder also curated the two \u003ci>\u003ca href=\"https://www.kqed.org/arts/13819924/200-years-of-eclectic-bay-area-art-at-bampfa\" rel=\"noopener\" target=\"_blank\">Way Bay\u003c/a>\u003c/i> exhibitions, showcasing 200 years worth of Bay Area art, and an exhilarating number of recent acquisitions from contemporary artists. (The BAMPFA announcement notes that Rinder’s acquisition program has added over 6,000 works to the museum’s collection.) \u003c/p>\n\u003cp>By all reports, Rinder leaves the museum in good financial footing, ready for the next director’s vision: According to the \u003ci>\u003ca href=\"https://datebook.sfchronicle.com/art-exhibits/bampfa-leader-lawrence-rinder-is-leaving-his-post-to-learn-from-nature\" rel=\"noopener\" target=\"_blank\">San Francisco Chronicle\u003c/a>\u003c/i>, Rinder secured a “significant gift from an anonymous donor” prior to the announcement of his departure, which he characterizes as “a runway for a new director.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"order": 19
},
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
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"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
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"order": 3
},
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}
},
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"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
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},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"order": 1
},
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"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
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},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
"link": "/forum",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
},
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
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