window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13868272": {
"type": "attachments",
"id": "arts_13868272",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13868272",
"found": true
},
"title": "Taylor Swift performs during a Tiny Desk concert on Oct. 10, 2019. (Bob Boilen/NPR)",
"publishDate": 1571239021,
"status": "inherit",
"parent": 13868271,
"modified": 1725565014,
"caption": "Taylor Swift performs during a Tiny Desk concert on Oct. 10, 2019. ",
"credit": "Bob Boilen/NPR",
"altTag": null,
"description": "Taylor Swift performs during a Tiny Desk concert on Oct. 10, 2019. (Bob Boilen/NPR)",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/taylorswift-bboilen02_wide-dbc4e595dab7bf7e15d7a9a788dd5548d61e4861-160x90.jpg",
"width": 160,
"height": 90,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/taylorswift-bboilen02_wide-dbc4e595dab7bf7e15d7a9a788dd5548d61e4861-800x450.jpg",
"width": 800,
"height": 450,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/taylorswift-bboilen02_wide-dbc4e595dab7bf7e15d7a9a788dd5548d61e4861-768x432.jpg",
"width": 768,
"height": 432,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/taylorswift-bboilen02_wide-dbc4e595dab7bf7e15d7a9a788dd5548d61e4861-1020x573.jpg",
"width": 1020,
"height": 573,
"mimeType": "image/jpeg"
},
"complete_open_graph": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/taylorswift-bboilen02_wide-dbc4e595dab7bf7e15d7a9a788dd5548d61e4861-1200x674.jpg",
"width": 1200,
"height": 674,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/taylorswift-bboilen02_wide-dbc4e595dab7bf7e15d7a9a788dd5548d61e4861-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/taylorswift-bboilen02_wide-dbc4e595dab7bf7e15d7a9a788dd5548d61e4861-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/taylorswift-bboilen02_wide-dbc4e595dab7bf7e15d7a9a788dd5548d61e4861.jpg",
"width": 1500,
"height": 843
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13868268": {
"type": "attachments",
"id": "arts_13868268",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13868268",
"found": true
},
"parent": 13868267,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/2019-10-11-ronan-farrow-chavar-15_wide-4ab56c61737d097433c2f728d02bb28515982e05-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/2019-10-11-ronan-farrow-chavar-15_wide-4ab56c61737d097433c2f728d02bb28515982e05-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/2019-10-11-ronan-farrow-chavar-15_wide-4ab56c61737d097433c2f728d02bb28515982e05-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/2019-10-11-ronan-farrow-chavar-15_wide-4ab56c61737d097433c2f728d02bb28515982e05-e1571252137345.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/2019-10-11-ronan-farrow-chavar-15_wide-4ab56c61737d097433c2f728d02bb28515982e05-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/2019-10-11-ronan-farrow-chavar-15_wide-4ab56c61737d097433c2f728d02bb28515982e05-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/2019-10-11-ronan-farrow-chavar-15_wide-4ab56c61737d097433c2f728d02bb28515982e05-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/2019-10-11-ronan-farrow-chavar-15_wide-4ab56c61737d097433c2f728d02bb28515982e05-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/2019-10-11-ronan-farrow-chavar-15_wide-4ab56c61737d097433c2f728d02bb28515982e05-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1571177902,
"modified": 1571177902,
"caption": null,
"description": "Pulitzer Prize-winning investigative journalist Ronan Farrow poses for a portrait in NPR's Manhattan offices ahead of the release of his book \u003cem>Catch and Kill.\u003c/em>",
"title": "Pulitzer Prize-winning investigative journalist Ronan Farrow poses for a portrait in NPR's Manhattan offices ahead of the release of his book Catch and Kill.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13868250": {
"type": "attachments",
"id": "arts_13868250",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13868250",
"found": true
},
"parent": 13868249,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-1144277-24785b61bf35a70595d0c2c2d1aa1b6798e5e108-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-1144277-24785b61bf35a70595d0c2c2d1aa1b6798e5e108-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-1144277-24785b61bf35a70595d0c2c2d1aa1b6798e5e108-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-1144277-24785b61bf35a70595d0c2c2d1aa1b6798e5e108.jpg",
"width": 1438,
"height": 1078
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-1144277-24785b61bf35a70595d0c2c2d1aa1b6798e5e108-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-1144277-24785b61bf35a70595d0c2c2d1aa1b6798e5e108-1200x900.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 900
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-1144277-24785b61bf35a70595d0c2c2d1aa1b6798e5e108-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-1144277-24785b61bf35a70595d0c2c2d1aa1b6798e5e108-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
}
},
"publishDate": 1571163608,
"modified": 1571163799,
"caption": "Whitney Houston was nominated for the Rock & Roll Hall of Fame on Tuesday.",
"description": "Whitney Houston was nominated for the Rock & Roll Hall of Fame on Tuesday.",
"title": "Whitney Houston was nominated for the Rock & Roll Hall of Fame on Tuesday.",
"credit": "Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"news_11779555": {
"type": "attachments",
"id": "news_11779555",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11779555",
"found": true
},
"parent": 11779554,
"imgSizes": {
"apple_news_ca_landscape_5_5": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-1044x720.jpg",
"width": 1044,
"mimeType": "image/jpeg",
"height": 720
},
"apple_news_ca_square_4_0": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-470x470.jpg",
"width": 470,
"mimeType": "image/jpeg",
"height": 470
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1.jpg",
"width": 1280,
"height": 720
},
"apple_news_ca_landscape_4_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-632x474.jpg",
"width": 632,
"mimeType": "image/jpeg",
"height": 474
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"apple_news_ca_landscape_4_0": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-536x402.jpg",
"width": 536,
"mimeType": "image/jpeg",
"height": 402
},
"apple_news_ca_portrait_12_9": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-1122x720.jpg",
"width": 1122,
"mimeType": "image/jpeg",
"height": 720
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"apple_news_ca_portrait_4_0": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-354x472.jpg",
"width": 354,
"mimeType": "image/jpeg",
"height": 472
},
"apple_news_ca_portrait_9_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-840x720.jpg",
"width": 840,
"mimeType": "image/jpeg",
"height": 720
},
"apple_news_ca_square_9_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-1104x720.jpg",
"width": 1104,
"mimeType": "image/jpeg",
"height": 720
},
"apple_news_ca_portrait_4_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-414x552.jpg",
"width": 414,
"mimeType": "image/jpeg",
"height": 552
},
"apple_news_ca_portrait_5_5": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-687x720.jpg",
"width": 687,
"mimeType": "image/jpeg",
"height": 720
},
"apple_news_ca_square_4_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-550x550.jpg",
"width": 550,
"mimeType": "image/jpeg",
"height": 550
},
"apple_news_ca_square_5_5": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/702-MARQUEE-1-912x720.jpg",
"width": 912,
"mimeType": "image/jpeg",
"height": 720
}
},
"publishDate": 1570817057,
"modified": 1570817057,
"caption": null,
"description": null,
"title": "702 MARQUEE",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13868123": {
"type": "attachments",
"id": "arts_13868123",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13868123",
"found": true
},
"parent": 13868122,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-2948991_wide-b217d7caa7b8fd9f4bd7d43743a05ce18048767f-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-2948991_wide-b217d7caa7b8fd9f4bd7d43743a05ce18048767f-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-2948991_wide-b217d7caa7b8fd9f4bd7d43743a05ce18048767f-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-2948991_wide-b217d7caa7b8fd9f4bd7d43743a05ce18048767f-e1570811583611.jpg",
"width": 1919,
"height": 1079
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-2948991_wide-b217d7caa7b8fd9f4bd7d43743a05ce18048767f-1020x573.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 573
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-2948991_wide-b217d7caa7b8fd9f4bd7d43743a05ce18048767f-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-2948991_wide-b217d7caa7b8fd9f4bd7d43743a05ce18048767f-1920x1079.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1079
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-2948991_wide-b217d7caa7b8fd9f4bd7d43743a05ce18048767f-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/10/gettyimages-2948991_wide-b217d7caa7b8fd9f4bd7d43743a05ce18048767f-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1570811550,
"modified": 1570811601,
"caption": "Prince's estate was not happy with President Trump on Thursday night.",
"description": "Prince's estate was not happy with President Trump on Thursday night.",
"title": "Prince's estate was not happy with President Trump on Thursday night.",
"credit": "Frank Micelotta/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"news_11778556": {
"type": "attachments",
"id": "news_11778556",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11778556",
"found": true
},
"parent": 11778553,
"imgSizes": {
"apple_news_ca_landscape_5_5": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-1044x783.jpg",
"width": 1044,
"mimeType": "image/jpeg",
"height": 783
},
"apple_news_ca_square_4_0": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-470x470.jpg",
"width": 470,
"mimeType": "image/jpeg",
"height": 470
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks.jpg",
"width": 2048,
"height": 1536
},
"apple_news_ca_landscape_4_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-632x474.jpg",
"width": 632,
"mimeType": "image/jpeg",
"height": 474
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-1200x900.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 900
},
"apple_news_ca_landscape_4_0": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-536x402.jpg",
"width": 536,
"mimeType": "image/jpeg",
"height": 402
},
"apple_news_ca_portrait_12_9": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-1122x1496.jpg",
"width": 1122,
"mimeType": "image/jpeg",
"height": 1496
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"apple_news_ca_portrait_4_0": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-354x472.jpg",
"width": 354,
"mimeType": "image/jpeg",
"height": 472
},
"apple_news_ca_portrait_9_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-840x1120.jpg",
"width": 840,
"mimeType": "image/jpeg",
"height": 1120
},
"apple_news_ca_landscape_12_9": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-1832x1374.jpg",
"width": 1832,
"mimeType": "image/jpeg",
"height": 1374
},
"apple_news_ca_square_9_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-1104x1104.jpg",
"width": 1104,
"mimeType": "image/jpeg",
"height": 1104
},
"apple_news_ca_portrait_4_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-414x552.jpg",
"width": 414,
"mimeType": "image/jpeg",
"height": 552
},
"apple_news_ca_square_12_9": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-1472x1472.jpg",
"width": 1472,
"mimeType": "image/jpeg",
"height": 1472
},
"apple_news_ca_portrait_5_5": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-687x916.jpg",
"width": 687,
"mimeType": "image/jpeg",
"height": 916
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"apple_news_ca_square_4_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-550x550.jpg",
"width": 550,
"mimeType": "image/jpeg",
"height": 550
},
"apple_news_ca_landscape_9_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-1376x1032.jpg",
"width": 1376,
"mimeType": "image/jpeg",
"height": 1032
},
"apple_news_ca_square_5_5": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Polishing-Rocks-912x912.jpg",
"width": 912,
"mimeType": "image/jpeg",
"height": 912
}
},
"publishDate": 1570482277,
"modified": 1570482344,
"caption": "Noel Runyan polishes rocks for competitions and uses his hands to tell if they look beautiful.",
"description": null,
"title": "Noel Polishing Rocks",
"credit": "Sam Harnett/KQED",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"news_11754686": {
"type": "attachments",
"id": "news_11754686",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11754686",
"found": true
},
"parent": 11754681,
"imgSizes": {
"apple_news_ca_landscape_5_5": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-1044x783.jpg",
"width": 1044,
"mimeType": "image/jpeg",
"height": 783
},
"apple_news_ca_square_4_0": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-470x470.jpg",
"width": 470,
"mimeType": "image/jpeg",
"height": 470
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana.jpg",
"width": 2048,
"height": 1536
},
"apple_news_ca_landscape_4_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-632x474.jpg",
"width": 632,
"mimeType": "image/jpeg",
"height": 474
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-1200x900.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 900
},
"apple_news_ca_landscape_4_0": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-536x402.jpg",
"width": 536,
"mimeType": "image/jpeg",
"height": 402
},
"apple_news_ca_portrait_12_9": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-1122x1496.jpg",
"width": 1122,
"mimeType": "image/jpeg",
"height": 1496
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"apple_news_ca_portrait_4_0": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-354x472.jpg",
"width": 354,
"mimeType": "image/jpeg",
"height": 472
},
"apple_news_ca_portrait_9_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-840x1120.jpg",
"width": 840,
"mimeType": "image/jpeg",
"height": 1120
},
"apple_news_ca_landscape_12_9": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-1832x1374.jpg",
"width": 1832,
"mimeType": "image/jpeg",
"height": 1374
},
"apple_news_ca_square_9_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-1104x1104.jpg",
"width": 1104,
"mimeType": "image/jpeg",
"height": 1104
},
"apple_news_ca_portrait_4_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-414x552.jpg",
"width": 414,
"mimeType": "image/jpeg",
"height": 552
},
"apple_news_ca_square_12_9": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-1472x1472.jpg",
"width": 1472,
"mimeType": "image/jpeg",
"height": 1472
},
"apple_news_ca_portrait_5_5": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-687x916.jpg",
"width": 687,
"mimeType": "image/jpeg",
"height": 916
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"apple_news_ca_square_4_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-550x550.jpg",
"width": 550,
"mimeType": "image/jpeg",
"height": 550
},
"apple_news_ca_landscape_9_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-1376x1032.jpg",
"width": 1376,
"mimeType": "image/jpeg",
"height": 1032
},
"apple_news_ca_square_5_5": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/06/Ioana-912x912.jpg",
"width": 912,
"mimeType": "image/jpeg",
"height": 912
}
},
"publishDate": 1560500429,
"modified": 1560500761,
"caption": "Ioana was born blind and has been making music since she was just a few years old.",
"description": null,
"title": "Ioana",
"credit": "Sam Harnett/KQED",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"news_11779213": {
"type": "attachments",
"id": "news_11779213",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11779213",
"found": true
},
"parent": 11778612,
"imgSizes": {
"apple_news_ca_landscape_5_5": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-1044x783.jpg",
"width": 1044,
"mimeType": "image/jpeg",
"height": 783
},
"apple_news_ca_square_4_0": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-470x470.jpg",
"width": 470,
"mimeType": "image/jpeg",
"height": 470
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-160x111.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 111
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel.jpg",
"width": 1280,
"height": 886
},
"apple_news_ca_landscape_4_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-632x474.jpg",
"width": 632,
"mimeType": "image/jpeg",
"height": 474
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-1020x706.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 706
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-1200x831.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 831
},
"apple_news_ca_landscape_4_0": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-536x402.jpg",
"width": 536,
"mimeType": "image/jpeg",
"height": 402
},
"apple_news_ca_portrait_12_9": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-1122x886.jpg",
"width": 1122,
"mimeType": "image/jpeg",
"height": 886
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-800x554.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 554
},
"apple_news_ca_portrait_4_0": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-354x472.jpg",
"width": 354,
"mimeType": "image/jpeg",
"height": 472
},
"apple_news_ca_portrait_9_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-840x886.jpg",
"width": 840,
"mimeType": "image/jpeg",
"height": 886
},
"apple_news_ca_square_9_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-1104x886.jpg",
"width": 1104,
"mimeType": "image/jpeg",
"height": 886
},
"apple_news_ca_portrait_4_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-414x552.jpg",
"width": 414,
"mimeType": "image/jpeg",
"height": 552
},
"apple_news_ca_portrait_5_5": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-687x886.jpg",
"width": 687,
"mimeType": "image/jpeg",
"height": 886
},
"apple_news_ca_square_4_7": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-550x550.jpg",
"width": 550,
"mimeType": "image/jpeg",
"height": 550
},
"apple_news_ca_square_5_5": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2019/10/Aftel-912x886.jpg",
"width": 912,
"mimeType": "image/jpeg",
"height": 886
}
},
"publishDate": 1570726389,
"modified": 1570726452,
"caption": "A Selection of Exhibits at the Aftel Archive of Curious Scents",
"description": "A Selection of Exhibits at the Aftel Archive of Curious Scents",
"title": "A Selection of Exhibits at the Aftel Archive of Curious Scents",
"credit": "Courtesy of Mandy Aftel",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13868271": {
"type": "authors",
"id": "byline_arts_13868271",
"meta": {
"override": true
},
"slug": "byline_arts_13868271",
"name": "Lyndsey McKenna",
"isLoading": false
},
"byline_arts_13868267": {
"type": "authors",
"id": "byline_arts_13868267",
"meta": {
"override": true
},
"slug": "byline_arts_13868267",
"name": "Terry Gross",
"isLoading": false
},
"byline_arts_13868249": {
"type": "authors",
"id": "byline_arts_13868249",
"meta": {
"override": true
},
"slug": "byline_arts_13868249",
"name": "Anastasia Tsioulcas",
"isLoading": false
},
"byline_arts_13868122": {
"type": "authors",
"id": "byline_arts_13868122",
"meta": {
"override": true
},
"slug": "byline_arts_13868122",
"name": "Anastasia Tsioulcas",
"isLoading": false
},
"kqed": {
"type": "authors",
"id": "236",
"meta": {
"index": "authors_1716337520",
"id": "236",
"found": true
},
"name": "KQED News Staff",
"firstName": "KQED News Staff",
"lastName": null,
"slug": "kqed",
"email": "faq@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/ef0e801a68c4c54afa9180db14084167?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "futureofyou",
"roles": [
"author"
]
}
],
"headData": {
"title": "KQED News Staff | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/ef0e801a68c4c54afa9180db14084167?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/ef0e801a68c4c54afa9180db14084167?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kqed"
},
"samharnett": {
"type": "authors",
"id": "253",
"meta": {
"index": "authors_1716337520",
"id": "253",
"found": true
},
"name": "Sam Harnett",
"firstName": "Sam",
"lastName": "Harnett",
"slug": "samharnett",
"email": "samharnett@gmail.com",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Sam Harnett covered tech and work at KQED. He is the co-creator of \u003cem>\u003ca href=\"http://www.theworldaccordingtosound.org\">The World According to Sound\u003c/a>,\u003c/em> a 90-second podcast that features different sounds and the stories behind them.\r\n\r\nBefore coming to KQED, Sam worked as an independent reporter who contributed regularly to \u003cem>The California Report, Marketplace,\u003c/em> \u003cem>The World \u003c/em>and NPR.",
"avatar": "https://secure.gravatar.com/avatar/2538b972ac02f2b9546c7a6c59a0f3d0?s=600&d=blank&r=g",
"twitter": "Samwharnett",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "news",
"roles": [
"edit_others_posts",
"subscriber"
]
},
{
"site": "stateofhealth",
"roles": [
"author"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "quest",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Sam Harnett | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/2538b972ac02f2b9546c7a6c59a0f3d0?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/2538b972ac02f2b9546c7a6c59a0f3d0?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/samharnett"
},
"jplaczek": {
"type": "authors",
"id": "8606",
"meta": {
"index": "authors_1716337520",
"id": "8606",
"found": true
},
"name": "Jessica Placzek",
"firstName": "Jessica",
"lastName": "Placzek",
"slug": "jplaczek",
"email": "jessicalplaczek@gmail.com",
"display_author_email": false,
"staff_mastheads": [
"news"
],
"title": "KQED Contributor",
"bio": "\u003cspan style=\"font-weight: 400;\">Jessica Placzek is a former senior editor of podcasts at KQED where she served as the editorial lead of the podcast department. She worked with shows like MindShift, Rightnowish, Consider This, SOLD OUT, Bay Curious and The Bay. She’s also been a reporter and audio producer at KQED, KPFA, and KALW. She taught audio production to men incarcerated at California State Prison Solano and edited pieces they produced for the Uncuffed podcast through KALW. In 2018 she co-hosted and produced the third season of Raw Material for SFMOMA. In New Orleans she wrote for the Nola Defender. Her work has also appeared on Marketplace, All Things Considered, The California Report, and Vice. You can find more at jessicaplaczek.com\u003c/span>",
"avatar": "https://secure.gravatar.com/avatar/4505f7be77b50826a2a1b8bd3a120685?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"subscriber"
]
},
{
"site": "stateofhealth",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Jessica Placzek | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/4505f7be77b50826a2a1b8bd3a120685?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/4505f7be77b50826a2a1b8bd3a120685?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/jplaczek"
}
},
"pagesReducer": {
"arts_category_news": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"score": 10.810421
},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"title": "News",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 92
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=news",
"seeMore": false,
"paginated": true,
"page": 92
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13868271": {
"type": "posts",
"id": "arts_13868271",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13868271",
"score": null,
"sort": [
1571239615000
]
},
"guestAuthors": [],
"slug": "watch-taylor-swifts-npr-tiny-desk-concert",
"title": "Watch Taylor Swift's NPR Tiny Desk Concert",
"publishDate": 1571239615,
"format": "standard",
"headTitle": "Watch Taylor Swift’s NPR Tiny Desk Concert | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>As \u003ca href=\"https://www.npr.org/artists/120581188/taylor-swift\">Taylor Swift\u003c/a> settled in for her Tiny Desk, she looked out at the 300-plus NPR employees and guests. “Wow! This is a lot of people in a tiny office!” she said. “I love it!” Then, after introducing herself, she explained her objective: “I just decided to take this as an opportunity to show you guys how the songs sounded when I first wrote them.”\u003c/p>\n\u003cp>It should come as no surprise that someone who commands stadium stages could hold court in NPR Music’s corner of our Washington, D.C. office — specifically, behind Bob Boilen’s desk — but Taylor Swift was truly at home in stripped-down, solo session mode. (“It’s just me. There’s no dancers, unfortunately,” she quipped.)\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"600\" height=\"338\" src=\"https://www.npr.org/templates/event/embeddedVideo.php?storyId=770318649&mediaId=770323524\" frameborder=\"0\" scrolling=\"no\">\u003c/iframe>\u003c/p>\n\u003cp>Opening with an acoustic rendition of “The Man,” from her 2019 album \u003cem>Lover, \u003c/em>Swift delivered a critique of gender double-standards with a sense of humor (and a perfectly deployed hair toss), Leonardo DiCaprio name-check and all. Turning to the piano for \u003cem>Lover\u003c/em>‘s title track, with a smile, she explained the guitar-string scars of the song’s bridge. Picking up the guitar again for “Death by a Thousand Cuts,” Swift confronted a question that she says has haunted her career: What will you ever do if you get happy? Across the song’s run-on thoughts and relentless searching, Swift offered an answer: She’ll continue to excel at crafting superb story-songs.\u003c/p>\n\u003cp>Though most Tiny Desk concerts stop at three songs, we couldn’t turn down the chance to hear “All Too Well” from Swift’s 2012 album, \u003ca href=\"https://www.npr.org/2017/08/28/546359653/shocking-omissions-taylor-swift-s-red-a-canonical-coming-of-age-album\">\u003cem>Red\u003c/em>\u003c/a>. Routinely cited by critics and fans alike as a favorite, the beloved track has become the stuff of Swiftie legends, striking in its \u003ca href=\"https://www.npr.org/2019/08/26/754300347/show-and-tell-on-lover-taylor-swift-lets-listeners-in-on-her-own-terms\">specificity\u003c/a> (that scarf!) and relatable in a way that anyone who has loved and lost can understand.\u003c/p>\n\u003cp>That sense of connection is at the heart of it all. Some 800 Tiny Desk concerts since we published our very first back \u003ca href=\"https://www.npr.org/sections/allsongs/2015/02/12/385532517/all-songs-at-15-our-first-ever-tiny-desk-concert\">in April of 2008\u003c/a>, the aim remains the same: In the midst of meetings and conference calls, Tiny Desk concerts offer respite from the workday and an opportunity to see an artist reimagine their work in a strange setting. It’s always special, but on some days, it feels downright magical. Watching Taylor Swift perform – and then interact with coworkers and guests who have grown up with her – was simply enchanting.\u003c/p>\n\u003ch3>SET LIST\u003c/h3>\n\u003cul>\n\u003cli>“The Man”\u003c/li>\n\u003cli>“Lover”\u003c/li>\n\u003cli>“Death by a Thousand Cuts”\u003c/li>\n\u003cli>“All Too Well”\u003c/li>\n\u003c/ul>\n\u003ch3>MUSICIAN\u003c/h3>\n\u003cp>\u003cem>Taylor Swift: vocals, guitar, piano\u003c/em>\u003c/p>\n\u003ch3>CREDITS\u003c/h3>\n\u003cp>\u003cem>Producers: Bob Boilen, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineers: Josh Rogosin, Natasha Branch; Videographers: Morgan Noelle Smith, Kara Frame, Maia Stern; Associate Producer: Bobby Carter; Production Assistants: Jack Corbett, Mito Habe-Evans; Executive Producer: Lauren Onkey; Senior VP, Programming: Anya Grundmann; Photo: Bob Boilen/NPR\u003c/em> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Taylor+Swift%3A+Tiny+Desk+Concert&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Taylor Swift performs at NPR's Tiny Desk, taking the opportunity \"to show you guys how the songs sounded when I first wrote them.\"",
"status": "publish",
"parent": 0,
"modified": 1726766074,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": true,
"iframeSrcs": [
"https://www.npr.org/templates/event/embeddedVideo.php"
],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 10,
"wordCount": 514
},
"headData": {
"title": "Watch Taylor Swift's NPR Tiny Desk Concert | KQED",
"description": "Taylor Swift performs at NPR's Tiny Desk, taking the opportunity "to show you guys how the songs sounded when I first wrote them."",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Watch Taylor Swift's NPR Tiny Desk Concert",
"datePublished": "2019-10-16T08:26:55-07:00",
"dateModified": "2024-09-19T10:14:34-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprImageCredit": "Bob Boilen",
"nprByline": "Lyndsey McKenna",
"nprImageAgency": "NPR",
"nprStoryId": "770318649",
"nprApiLink": "http://api.npr.org/query?id=770318649&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "https://www.npr.org/2019/10/16/770318649/taylor-swift-tiny-desk-concert?ft=nprml&f=770318649",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 16 Oct 2019 09:54:00 -0400",
"nprStoryDate": "Wed, 16 Oct 2019 05:00:00 -0400",
"nprLastModifiedDate": "Wed, 16 Oct 2019 09:54:44 -0400",
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13868271/watch-taylor-swifts-npr-tiny-desk-concert",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As \u003ca href=\"https://www.npr.org/artists/120581188/taylor-swift\">Taylor Swift\u003c/a> settled in for her Tiny Desk, she looked out at the 300-plus NPR employees and guests. “Wow! This is a lot of people in a tiny office!” she said. “I love it!” Then, after introducing herself, she explained her objective: “I just decided to take this as an opportunity to show you guys how the songs sounded when I first wrote them.”\u003c/p>\n\u003cp>It should come as no surprise that someone who commands stadium stages could hold court in NPR Music’s corner of our Washington, D.C. office — specifically, behind Bob Boilen’s desk — but Taylor Swift was truly at home in stripped-down, solo session mode. (“It’s just me. There’s no dancers, unfortunately,” she quipped.)\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"600\" height=\"338\" src=\"https://www.npr.org/templates/event/embeddedVideo.php?storyId=770318649&mediaId=770323524\" frameborder=\"0\" scrolling=\"no\">\u003c/iframe>\u003c/p>\n\u003cp>Opening with an acoustic rendition of “The Man,” from her 2019 album \u003cem>Lover, \u003c/em>Swift delivered a critique of gender double-standards with a sense of humor (and a perfectly deployed hair toss), Leonardo DiCaprio name-check and all. Turning to the piano for \u003cem>Lover\u003c/em>‘s title track, with a smile, she explained the guitar-string scars of the song’s bridge. Picking up the guitar again for “Death by a Thousand Cuts,” Swift confronted a question that she says has haunted her career: What will you ever do if you get happy? Across the song’s run-on thoughts and relentless searching, Swift offered an answer: She’ll continue to excel at crafting superb story-songs.\u003c/p>\n\u003cp>Though most Tiny Desk concerts stop at three songs, we couldn’t turn down the chance to hear “All Too Well” from Swift’s 2012 album, \u003ca href=\"https://www.npr.org/2017/08/28/546359653/shocking-omissions-taylor-swift-s-red-a-canonical-coming-of-age-album\">\u003cem>Red\u003c/em>\u003c/a>. Routinely cited by critics and fans alike as a favorite, the beloved track has become the stuff of Swiftie legends, striking in its \u003ca href=\"https://www.npr.org/2019/08/26/754300347/show-and-tell-on-lover-taylor-swift-lets-listeners-in-on-her-own-terms\">specificity\u003c/a> (that scarf!) and relatable in a way that anyone who has loved and lost can understand.\u003c/p>\n\u003cp>That sense of connection is at the heart of it all. Some 800 Tiny Desk concerts since we published our very first back \u003ca href=\"https://www.npr.org/sections/allsongs/2015/02/12/385532517/all-songs-at-15-our-first-ever-tiny-desk-concert\">in April of 2008\u003c/a>, the aim remains the same: In the midst of meetings and conference calls, Tiny Desk concerts offer respite from the workday and an opportunity to see an artist reimagine their work in a strange setting. It’s always special, but on some days, it feels downright magical. Watching Taylor Swift perform – and then interact with coworkers and guests who have grown up with her – was simply enchanting.\u003c/p>\n\u003ch3>SET LIST\u003c/h3>\n\u003cul>\n\u003cli>“The Man”\u003c/li>\n\u003cli>“Lover”\u003c/li>\n\u003cli>“Death by a Thousand Cuts”\u003c/li>\n\u003cli>“All Too Well”\u003c/li>\n\u003c/ul>\n\u003ch3>MUSICIAN\u003c/h3>\n\u003cp>\u003cem>Taylor Swift: vocals, guitar, piano\u003c/em>\u003c/p>\n\u003ch3>CREDITS\u003c/h3>\n\u003cp>\u003cem>Producers: Bob Boilen, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineers: Josh Rogosin, Natasha Branch; Videographers: Morgan Noelle Smith, Kara Frame, Maia Stern; Associate Producer: Bobby Carter; Production Assistants: Jack Corbett, Mito Habe-Evans; Executive Producer: Lauren Onkey; Senior VP, Programming: Anya Grundmann; Photo: Bob Boilen/NPR\u003c/em> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Taylor+Swift%3A+Tiny+Desk+Concert&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13868271/watch-taylor-swifts-npr-tiny-desk-concert",
"authors": [
"byline_arts_13868271"
],
"categories": [
"arts_69",
"arts_235",
"arts_75"
],
"tags": [
"arts_1118",
"arts_1377",
"arts_4591",
"arts_3026",
"arts_4271"
],
"featImg": "arts_13868272",
"label": "arts"
},
"arts_13868267": {
"type": "posts",
"id": "arts_13868267",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13868267",
"score": null,
"sort": [
1571180244000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1571180244,
"format": "standard",
"title": "Ronan Farrow: 'Catch and Kill' Tactics Protected Both Weinstein and Trump",
"headTitle": "Ronan Farrow: ‘Catch and Kill’ Tactics Protected Both Weinstein and Trump | KQED",
"content": "\u003cp>Ronan Farrow’s 2017 \u003ca href=\"https://www.npr.org/tags/570698249/-metoo\">exposé \u003c/a>of the sexual misconduct allegations against film producer Harvey Weinstein in \u003cem>The New Yorker\u003c/em> earned him a Pulitzer Prize and helped usher in the \u003ca href=\"https://www.npr.org/tags/570698249/-metoo\">#MeToo\u003c/a> movement. Now, in his new book, \u003cem>Catch and Kill,\u003c/em> Farrow writes about the extreme tactics Weinstein allegedly used in an attempt to keep him from reporting the story.\u003c/p>\n\u003cp>“Harvey Weinstein’s attorneys … signed a contract with this Israeli private intelligence firm \u003ca href=\"https://www.npr.org/tags/562631560/black-cube\">Black Cube \u003c/a>explicitly tasking secret agents with killing reporting on Harvey Weinstein,” Farrow says. “There was a full-on international espionage operation that was built up around this.”\u003c/p>\n\u003cp>Farrow says that he was followed and that his house was bugged as a result of his work on the story. He eventually moved into a safe house and put his reporting documents into a safe deposit box with a note reading, “Should anything happen to me, please make sure this information is released.”\u003c/p>\n\u003cp>Farrow had started investigating Weinstein as a reporter at NBC News. But, he says, network executives blocked the story from ever being broadcast and eventually let Farrow go. Farrow speculates that the network was doing so, in part, to protect news anchor Matt Lauer, who was subsequently accused of sexual misconduct. Farrow spoke about NBC’s efforts to stifle the Weinstein story in \u003ca href=\"https://www.npr.org/2019/10/11/769326096/ronan-farrow-stands-by-his-reporting-on-nbc-s-corrosive-secrecy-around-sexual-ab\">this NPR interview\u003c/a>. NBC News has maintained that Farrow’s story on the sexual misconduct allegations was not solid—that he had no accusers on record, specifically—when it refused to move forward with the story in 2017 before he took it to \u003cem>The New Yorker\u003c/em>.\u003c/p>\n\u003cp>Farrow notes that NBC’s efforts to quash the story are part of a broader “catch and kill” strategy, whereby powerful entities and individuals go to extreme lengths to keep unfavorable stories from being reported. His book alleges that American Media Inc., the parent company of the tabloid \u003cem>National Enquirer, \u003c/em>engaged in such practices in an effort to control negative stories about then- presidential candidate Donald Trump.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I personally reported a number of stories about cases in which AMI sought or actually did buy the rights to a story in order to get rid of it during the election, and that subsequently has become the subject of a serious criminal investigation,” Farrow says.\u003c/p>\n\u003cp>He adds that the practice of catch and kill is “used both literally in the plot with respect to several stories that AMI goes after and tries to bury for Donald Trump and others, but also figuratively about the media’s role in sometimes not just advancing, but also suppressing, stories.”\u003c/p>\n\u003chr>\n\u003ch3>Interview highlights\u003c/h3>\n\u003cp>\u003cstrong>On the backlash he has experienced because of the book \u003c/strong>\u003c/p>\n\u003cp>Doing these kinds of investigations of powerful interests means that you get a whole smear machine spun up against you every single time. It happened on the Weinstein story; it happened on the CBS story; it happened on the NBC story; it happened on the AMI story. And all I can say is I’ve been immensely heartened, Terry, by the way in which fellow reporters have rallied around the journalism in this book and defended it and independently corroborated it. And the reaction has been pretty uniform.\u003c/p>\n\u003cp>Just like with the Harvey Weinstein story, I think people have seen through the spin and I think that they have correctly pulled out of this book the important themes which is there are systems still in place at some of the top institutions in this country that aid and abet and protect people accused of serious crimes and silence accusers and shut down reporting. But there are also really brave sources who continue to speak and reporters who continue to bang their heads against the wall trying to make sure the truth comes out. And I leave this process of reporting this book with immense hope and immense optimism, because I don’t see any signs of that stopping.\u003c/p>\n\u003cp>\u003cstrong>On how AMI’s catch-and-kill efforts relate to the Weinstein story\u003c/strong>\u003c/p>\n\u003cp>[AMI] had what’s called a “kill file,” which they have for various celebrities containing all of the dirt that they haven’t published on someone. … There’s various reasons why AMI doesn’t publish things. … In a number of cases they don’t publish things because of an arrangement they broker with a powerful person. … [Chief Content Officer and Vice President] Dylan Howard develops a very close relationship with Harvey Weinstein. We have all of his statements saying, “This was purely a professional relationship,” but we document [that their relationship] extended to secretly recording people who might be used to impeach Harvey Weinstein’s accusers, really going after accusers in collaboration with Harvey Weinstein.\u003c/p>\n\u003cp>\u003cstrong>On AMI’s kill file on Donald Trump \u003c/strong>\u003c/p>\n\u003cp>AMI did indeed purchase the rights to [\u003cem>Playboy \u003c/em>model] Karen McDougal’s story in order to bury it. Another story that I broke … is about a case in which they purchased the rights to a claim by a Trump Tower doorman that he was aware of a relationship Trump had had that had produced a “love child.” …\u003c/p>\n\u003cp>Like many of these catch-and-kill stories, it’s unclear whether the underlying claim has any veracity. The love child story … may or may not be spurious, and also on some level, who cares, right? … The thing that is absolutely worth caring about is the transaction, the fact that there was a potential violation of campaign finance law here and a media outlet acting as an arm of a political candidate. Here again there is an example of collaboration between the candidate and the news outlet, \u003cem>The National Enquirer, \u003c/em>to try to go after a story, and here again, the underlying claim in that lawsuit raises a lot of question marks. … But the fact that AMI went after it has not been disputed by them—they’ve confirmed it—and is yet another interesting data point in this unfolding saga which is still a subject of serious criminal investigation.\u003c/p>\n\u003cp>\u003cstrong>On Trump’s personal lawyer \u003c/strong>\u003ca href=\"https://www.npr.org/2019/02/27/696752450/michael-cohen-to-testify-publicly-before-congress-on-alleged-trump-lawbreaking\">\u003cstrong>Michael Cohen\u003c/strong>\u003c/a>\u003cstrong> going to the \u003c/strong>\u003cem>\u003cstrong>Enquirer \u003c/strong>\u003c/em>\u003cstrong>and requesting the kill file \u003c/strong>\u003c/p>\n\u003cp>I talk about for the first time seeing the master list of all of the Trump dirt, if you will, that AMI had in its vaults. Early in 2016 … the \u003cem>National Enquirer\u003c/em> and Dylan Howard created a master list of everything that they had on Trump. And again, you’ll sense a running theme here. The story here is not what was on the list we saw. It’s about 60 entries and this is the first time a reporter has seen the insides of the vault, if you will. It is mostly news that has already been out there. There’s about five affairs—some of those haven’t become public—but consensual affairs-type items. There’s at least one allegation of abuse, but it’s the \u003ca href=\"https://www.npr.org/2016/10/13/497799354/a-list-of-donald-trumps-accusers-of-inappropriate-sexual-conduct\">Jill Harth \u003c/a>allegation, which ultimately did become public. But what is a significant story is that this list was made and we have a multiple-sourced account backed by documentation of \u003cem>National Enquirer\u003c/em> leadership beginning to shred documents related to Trump in the days before the election—and this is strenuously denied by Dylan Howard. We have that denial in the book, but there are ironclad accounts of him ordering a destruction of documents and, a year later—when a senior official at the\u003cem> National Enquirer \u003c/em>went to check whether all of the Trump dirt still existed in the vault—there were documents that were missing consistent with that account of document destruction.\u003c/p>\n\u003cp>\u003cstrong>On the \u003c/strong>\u003cem>\u003cstrong>Enquirer\u003c/strong>\u003c/em>\u003cstrong>‘s endorsement of candidate Trump \u003c/strong>\u003c/p>\n\u003cp>Throughout the election, the\u003cem> Enquirer, \u003c/em>as it was seeking to catch and kill stories for Trump, was also sort of descending farther and farther into this rabbit hole of endorsing Trump and really hammering on Hillary Clinton. … For the whole year she was about to die, according to the \u003cem>National Enquirer. \u003c/em>And I think that a lot of us in the press discounted the significance of that. We weren’t conscious of all of this real estate on checkout stands at grocery stores all around the country being devoted to pushing one candidate. And that’s where the criminal investigation and the nonprosecution agreement signed between AMI and prosecutors is significant, because it acknowledges that something quite possibly illegal and quite possibly material to the election and the future of this country played out. The stakes … are very high, both for the individuals involved and for the future of our democracy. We had an election that was very much, I think, affected by this practice of catch and kill.\u003c/p>\n\u003cp>\u003cstrong>On what AMI got in return for killing unflattering stories about Trump \u003c/strong>\u003c/p>\n\u003cp>They have now admitted that there was a quid pro quo and that there were meetings in which a deal was struck to collaborate in this way. … You saw things like [AMI CEO] \u003ca href=\"https://www.npr.org/2018/08/24/641490961/david-pecker-of-national-enquirer-publisher-said-to-have-immunity-in-cohen-case\">David Pecker \u003c/a>getting a lot of access to the White House, suddenly getting a lot of access to potential Saudi donors at a time when the\u003cem> Enquirer\u003c/em> was on its last legs and suffering from declining circulation numbers and a lot of debt. So we’re very careful not to say anything speculative, but certainly there are ways in which David Pecker, the head of the\u003cem> National Enquirer, \u003c/em>the head of AMI and others at the\u003cem> Enquirer\u003c/em> benefited from this. And we talk about Dylan Howard … the editor of the\u003cem> National Enquirer,\u003c/em> who worked under David Pecker, sending friends pictures from inaugural events, really having access and being in the corridors of power. So there was an exchange of access and largesse for killing these stories, it appears.\u003c/p>\n\u003cp>\u003cstrong>On the\u003c/strong>\u003cem>\u003cstrong> Enquirer\u003c/strong>\u003c/em>\u003cstrong>‘s attempts to discredit Farrow \u003c/strong>\u003c/p>\n\u003cp>As I began to break these stories about the\u003cem> National Enquirer\u003c/em> I, too, became in Dylan Howard’s words, “\u003cem>National Enquirer\u003c/em> fodder,” and he sent a letter to [\u003cem>New Yorker\u003c/em> Editor] David Remnick, very furiously railing against me and saying, “Ronan is about to become \u003cem>National Enquirer\u003c/em> fodder,” and indeed I did. For a brief shining moment, Terry, I was an all-caps sans serif villain in the pages of the\u003cem> National Enquirer,\u003c/em> and I joke about it, but it is actually painful and intrusive and an ugly business to have an outlet that is essentially a thinly veiled attack dog for powerful people come at you and say, you better come in and talk or we’re going to just unleash whatever we want to make up or dig up about you, and with the\u003cem> Enquirer \u003c/em>it’s usually a lot of both.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Sam Briger and Seth Kelley produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Meghan Sullivan adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Ronan+Farrow%3A+%27Catch+And+Kill%27+Tactics+Protected+Both+Weinstein+And+Trump+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1868,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 26
},
"modified": 1705021975,
"excerpt": "He was followed and his house bugged as he reported on allegations against Harvey Weinstein. Farrow says it's part of a pattern in which powerful entities go to extremes to quash unfavorable stories.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "He was followed and his house bugged as he reported on allegations against Harvey Weinstein. Farrow says it's part of a pattern in which powerful entities go to extremes to quash unfavorable stories.",
"title": "Ronan Farrow: 'Catch and Kill' Tactics Protected Both Weinstein and Trump | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Ronan Farrow: 'Catch and Kill' Tactics Protected Both Weinstein and Trump",
"datePublished": "2019-10-15T15:57:24-07:00",
"dateModified": "2024-01-11T17:12:55-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "ronan-farrow-catch-and-kill-tactics-protected-both-weinstein-and-trump",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=770249717&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Tue, 15 Oct 2019 14:22:00 -0400",
"nprLastModifiedDate": "Tue, 15 Oct 2019 17:45:31 -0400",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2019/10/15/770249717/ronan-farrow-catch-and-kill-tactics-protected-both-weinstein-and-trump?ft=nprml&f=770249717",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/fa/2019/10/20191015_fa_01.mp3?orgId=427869011&topicId=1033&d=2541&p=13&story=770249717&ft=nprml&f=770249717",
"nprImageAgency": "A.J. Chavar for NPR",
"nprAudioM3u": "http://api.npr.org/m3u/1770373707-76cac2.m3u?orgId=427869011&topicId=1033&d=2541&p=13&story=770249717&ft=nprml&f=770249717",
"nprStoryId": "770249717",
"nprByline": "Terry Gross",
"sticky": false,
"audioTrackLength": 2542,
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 15 Oct 2019 17:45:00 -0400",
"path": "/arts/13868267/ronan-farrow-catch-and-kill-tactics-protected-both-weinstein-and-trump",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/fa/2019/10/20191015_fa_01.mp3?orgId=427869011&topicId=1033&d=2541&p=13&story=770249717&ft=nprml&f=770249717",
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ronan Farrow’s 2017 \u003ca href=\"https://www.npr.org/tags/570698249/-metoo\">exposé \u003c/a>of the sexual misconduct allegations against film producer Harvey Weinstein in \u003cem>The New Yorker\u003c/em> earned him a Pulitzer Prize and helped usher in the \u003ca href=\"https://www.npr.org/tags/570698249/-metoo\">#MeToo\u003c/a> movement. Now, in his new book, \u003cem>Catch and Kill,\u003c/em> Farrow writes about the extreme tactics Weinstein allegedly used in an attempt to keep him from reporting the story.\u003c/p>\n\u003cp>“Harvey Weinstein’s attorneys … signed a contract with this Israeli private intelligence firm \u003ca href=\"https://www.npr.org/tags/562631560/black-cube\">Black Cube \u003c/a>explicitly tasking secret agents with killing reporting on Harvey Weinstein,” Farrow says. “There was a full-on international espionage operation that was built up around this.”\u003c/p>\n\u003cp>Farrow says that he was followed and that his house was bugged as a result of his work on the story. He eventually moved into a safe house and put his reporting documents into a safe deposit box with a note reading, “Should anything happen to me, please make sure this information is released.”\u003c/p>\n\u003cp>Farrow had started investigating Weinstein as a reporter at NBC News. But, he says, network executives blocked the story from ever being broadcast and eventually let Farrow go. Farrow speculates that the network was doing so, in part, to protect news anchor Matt Lauer, who was subsequently accused of sexual misconduct. Farrow spoke about NBC’s efforts to stifle the Weinstein story in \u003ca href=\"https://www.npr.org/2019/10/11/769326096/ronan-farrow-stands-by-his-reporting-on-nbc-s-corrosive-secrecy-around-sexual-ab\">this NPR interview\u003c/a>. NBC News has maintained that Farrow’s story on the sexual misconduct allegations was not solid—that he had no accusers on record, specifically—when it refused to move forward with the story in 2017 before he took it to \u003cem>The New Yorker\u003c/em>.\u003c/p>\n\u003cp>Farrow notes that NBC’s efforts to quash the story are part of a broader “catch and kill” strategy, whereby powerful entities and individuals go to extreme lengths to keep unfavorable stories from being reported. His book alleges that American Media Inc., the parent company of the tabloid \u003cem>National Enquirer, \u003c/em>engaged in such practices in an effort to control negative stories about then- presidential candidate Donald Trump.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I personally reported a number of stories about cases in which AMI sought or actually did buy the rights to a story in order to get rid of it during the election, and that subsequently has become the subject of a serious criminal investigation,” Farrow says.\u003c/p>\n\u003cp>He adds that the practice of catch and kill is “used both literally in the plot with respect to several stories that AMI goes after and tries to bury for Donald Trump and others, but also figuratively about the media’s role in sometimes not just advancing, but also suppressing, stories.”\u003c/p>\n\u003chr>\n\u003ch3>Interview highlights\u003c/h3>\n\u003cp>\u003cstrong>On the backlash he has experienced because of the book \u003c/strong>\u003c/p>\n\u003cp>Doing these kinds of investigations of powerful interests means that you get a whole smear machine spun up against you every single time. It happened on the Weinstein story; it happened on the CBS story; it happened on the NBC story; it happened on the AMI story. And all I can say is I’ve been immensely heartened, Terry, by the way in which fellow reporters have rallied around the journalism in this book and defended it and independently corroborated it. And the reaction has been pretty uniform.\u003c/p>\n\u003cp>Just like with the Harvey Weinstein story, I think people have seen through the spin and I think that they have correctly pulled out of this book the important themes which is there are systems still in place at some of the top institutions in this country that aid and abet and protect people accused of serious crimes and silence accusers and shut down reporting. But there are also really brave sources who continue to speak and reporters who continue to bang their heads against the wall trying to make sure the truth comes out. And I leave this process of reporting this book with immense hope and immense optimism, because I don’t see any signs of that stopping.\u003c/p>\n\u003cp>\u003cstrong>On how AMI’s catch-and-kill efforts relate to the Weinstein story\u003c/strong>\u003c/p>\n\u003cp>[AMI] had what’s called a “kill file,” which they have for various celebrities containing all of the dirt that they haven’t published on someone. … There’s various reasons why AMI doesn’t publish things. … In a number of cases they don’t publish things because of an arrangement they broker with a powerful person. … [Chief Content Officer and Vice President] Dylan Howard develops a very close relationship with Harvey Weinstein. We have all of his statements saying, “This was purely a professional relationship,” but we document [that their relationship] extended to secretly recording people who might be used to impeach Harvey Weinstein’s accusers, really going after accusers in collaboration with Harvey Weinstein.\u003c/p>\n\u003cp>\u003cstrong>On AMI’s kill file on Donald Trump \u003c/strong>\u003c/p>\n\u003cp>AMI did indeed purchase the rights to [\u003cem>Playboy \u003c/em>model] Karen McDougal’s story in order to bury it. Another story that I broke … is about a case in which they purchased the rights to a claim by a Trump Tower doorman that he was aware of a relationship Trump had had that had produced a “love child.” …\u003c/p>\n\u003cp>Like many of these catch-and-kill stories, it’s unclear whether the underlying claim has any veracity. The love child story … may or may not be spurious, and also on some level, who cares, right? … The thing that is absolutely worth caring about is the transaction, the fact that there was a potential violation of campaign finance law here and a media outlet acting as an arm of a political candidate. Here again there is an example of collaboration between the candidate and the news outlet, \u003cem>The National Enquirer, \u003c/em>to try to go after a story, and here again, the underlying claim in that lawsuit raises a lot of question marks. … But the fact that AMI went after it has not been disputed by them—they’ve confirmed it—and is yet another interesting data point in this unfolding saga which is still a subject of serious criminal investigation.\u003c/p>\n\u003cp>\u003cstrong>On Trump’s personal lawyer \u003c/strong>\u003ca href=\"https://www.npr.org/2019/02/27/696752450/michael-cohen-to-testify-publicly-before-congress-on-alleged-trump-lawbreaking\">\u003cstrong>Michael Cohen\u003c/strong>\u003c/a>\u003cstrong> going to the \u003c/strong>\u003cem>\u003cstrong>Enquirer \u003c/strong>\u003c/em>\u003cstrong>and requesting the kill file \u003c/strong>\u003c/p>\n\u003cp>I talk about for the first time seeing the master list of all of the Trump dirt, if you will, that AMI had in its vaults. Early in 2016 … the \u003cem>National Enquirer\u003c/em> and Dylan Howard created a master list of everything that they had on Trump. And again, you’ll sense a running theme here. The story here is not what was on the list we saw. It’s about 60 entries and this is the first time a reporter has seen the insides of the vault, if you will. It is mostly news that has already been out there. There’s about five affairs—some of those haven’t become public—but consensual affairs-type items. There’s at least one allegation of abuse, but it’s the \u003ca href=\"https://www.npr.org/2016/10/13/497799354/a-list-of-donald-trumps-accusers-of-inappropriate-sexual-conduct\">Jill Harth \u003c/a>allegation, which ultimately did become public. But what is a significant story is that this list was made and we have a multiple-sourced account backed by documentation of \u003cem>National Enquirer\u003c/em> leadership beginning to shred documents related to Trump in the days before the election—and this is strenuously denied by Dylan Howard. We have that denial in the book, but there are ironclad accounts of him ordering a destruction of documents and, a year later—when a senior official at the\u003cem> National Enquirer \u003c/em>went to check whether all of the Trump dirt still existed in the vault—there were documents that were missing consistent with that account of document destruction.\u003c/p>\n\u003cp>\u003cstrong>On the \u003c/strong>\u003cem>\u003cstrong>Enquirer\u003c/strong>\u003c/em>\u003cstrong>‘s endorsement of candidate Trump \u003c/strong>\u003c/p>\n\u003cp>Throughout the election, the\u003cem> Enquirer, \u003c/em>as it was seeking to catch and kill stories for Trump, was also sort of descending farther and farther into this rabbit hole of endorsing Trump and really hammering on Hillary Clinton. … For the whole year she was about to die, according to the \u003cem>National Enquirer. \u003c/em>And I think that a lot of us in the press discounted the significance of that. We weren’t conscious of all of this real estate on checkout stands at grocery stores all around the country being devoted to pushing one candidate. And that’s where the criminal investigation and the nonprosecution agreement signed between AMI and prosecutors is significant, because it acknowledges that something quite possibly illegal and quite possibly material to the election and the future of this country played out. The stakes … are very high, both for the individuals involved and for the future of our democracy. We had an election that was very much, I think, affected by this practice of catch and kill.\u003c/p>\n\u003cp>\u003cstrong>On what AMI got in return for killing unflattering stories about Trump \u003c/strong>\u003c/p>\n\u003cp>They have now admitted that there was a quid pro quo and that there were meetings in which a deal was struck to collaborate in this way. … You saw things like [AMI CEO] \u003ca href=\"https://www.npr.org/2018/08/24/641490961/david-pecker-of-national-enquirer-publisher-said-to-have-immunity-in-cohen-case\">David Pecker \u003c/a>getting a lot of access to the White House, suddenly getting a lot of access to potential Saudi donors at a time when the\u003cem> Enquirer\u003c/em> was on its last legs and suffering from declining circulation numbers and a lot of debt. So we’re very careful not to say anything speculative, but certainly there are ways in which David Pecker, the head of the\u003cem> National Enquirer, \u003c/em>the head of AMI and others at the\u003cem> Enquirer\u003c/em> benefited from this. And we talk about Dylan Howard … the editor of the\u003cem> National Enquirer,\u003c/em> who worked under David Pecker, sending friends pictures from inaugural events, really having access and being in the corridors of power. So there was an exchange of access and largesse for killing these stories, it appears.\u003c/p>\n\u003cp>\u003cstrong>On the\u003c/strong>\u003cem>\u003cstrong> Enquirer\u003c/strong>\u003c/em>\u003cstrong>‘s attempts to discredit Farrow \u003c/strong>\u003c/p>\n\u003cp>As I began to break these stories about the\u003cem> National Enquirer\u003c/em> I, too, became in Dylan Howard’s words, “\u003cem>National Enquirer\u003c/em> fodder,” and he sent a letter to [\u003cem>New Yorker\u003c/em> Editor] David Remnick, very furiously railing against me and saying, “Ronan is about to become \u003cem>National Enquirer\u003c/em> fodder,” and indeed I did. For a brief shining moment, Terry, I was an all-caps sans serif villain in the pages of the\u003cem> National Enquirer,\u003c/em> and I joke about it, but it is actually painful and intrusive and an ugly business to have an outlet that is essentially a thinly veiled attack dog for powerful people come at you and say, you better come in and talk or we’re going to just unleash whatever we want to make up or dig up about you, and with the\u003cem> Enquirer \u003c/em>it’s usually a lot of both.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Sam Briger and Seth Kelley produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Meghan Sullivan adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Ronan+Farrow%3A+%27Catch+And+Kill%27+Tactics+Protected+Both+Weinstein+And+Trump+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13868267/ronan-farrow-catch-and-kill-tactics-protected-both-weinstein-and-trump",
"authors": [
"byline_arts_13868267"
],
"categories": [
"arts_73",
"arts_235",
"arts_75"
],
"tags": [
"arts_1753",
"arts_1962",
"arts_2777",
"arts_6125"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13868268",
"label": "arts_137"
},
"arts_13868249": {
"type": "posts",
"id": "arts_13868249",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13868249",
"score": null,
"sort": [
1571163850000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1571163850,
"format": "standard",
"title": "Whitney Houston, Notorious B.I.G. Among 16 Nominees For Rock & Roll Hall of Fame",
"headTitle": "Whitney Houston, Notorious B.I.G. Among 16 Nominees For Rock & Roll Hall of Fame | KQED",
"content": "\u003cp>\u003ca href=\"https://www.rockhall.com/\" target=\"_blank\" rel=\"noopener\">The Rock & Roll Hall of Fame\u003c/a> announced its nominees for its newest class of inductees on Tuesday morning: 16 artists and groups ranging from the late Whitney Houston to German synth pioneers Kraftwerk to rap royalty in the form of the late Notorious B.I.G.\u003c/p>\n\u003cp>The 2020 nominees also include Dave Matthews Band, Pat Benatar, Depeche Mode, The Doobie Brothers, Judas Priest, MC5, Motörhead, Nine Inch Nails, Rufus featuring Chaka Khan, Todd Rundgren, Soundgarden, T. Rex and Thin Lizzy.\u003c/p>\n\u003cp>In order to be considered eligible, artists or bands must have released their first commercial recording at least 25 years ago. Of this year’s nominees, nine are first-timers on the ballot—some of them acts that came of age in the 1990s, and some legacy artists who have yet to be included on the Rock Hall’s roster.\u003c/p>\n\u003cp>The 2020 inductees will be announced in January; the next ceremony will take place in Cleveland on May 2.\u003c/p>\n\u003chr>\n\u003ch3>The Complete List Of 2020 Rock & Roll Hall of Fame Nominees\u003c/h3>\n\u003cul>\n\u003cli>Pat Benatar\u003c/li>\n\u003cli>Dave Matthews Band\u003c/li>\n\u003cli>Depeche Mode\u003c/li>\n\u003cli>The Doobie Brothers\u003c/li>\n\u003cli>Whitney Houston\u003c/li>\n\u003cli>Judas Priest\u003c/li>\n\u003cli>Kraftwerk\u003c/li>\n\u003cli>MC5\u003c/li>\n\u003cli>Motörhead\u003c/li>\n\u003cli>Nine Inch Nails\u003c/li>\n\u003cli>The Notorious B.I.G.\u003c/li>\n\u003cli>Rufus featuring Chaka Khan\u003c/li>\n\u003cli>Todd Rundgren\u003c/li>\n\u003cli>Soundgarden\u003c/li>\n\u003cli>T.Rex\u003c/li>\n\u003cli>Thin Lizzy\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Whitney+Houston%2C+Notorious+B.I.G.+Among+16+Nominees+For+Rock+%26+Roll+Hall+Of+Fame&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 225,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705021980,
"excerpt": "Other first-time nominees include Dave Matthews Band, Soundgarden and The Doobie Brothers.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Other first-time nominees include Dave Matthews Band, Soundgarden and The Doobie Brothers.",
"title": "Whitney Houston, Notorious B.I.G. Among 16 Nominees For Rock & Roll Hall of Fame | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Whitney Houston, Notorious B.I.G. Among 16 Nominees For Rock & Roll Hall of Fame",
"datePublished": "2019-10-15T11:24:10-07:00",
"dateModified": "2024-01-11T17:13:00-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "whitney-houston-notorious-b-i-g-among-16-nominees-for-rock-roll-hall-of-fame",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=770246693&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprByline": "Anastasia Tsioulcas",
"nprStoryDate": "Tue, 15 Oct 2019 08:09:23 -0400",
"nprLastModifiedDate": "Tue, 15 Oct 2019 08:16:51 -0400",
"featuredImageType": "standard",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/2019/10/15/770246693/whitney-houston-notorious-b-i-g-among-16-nominees-for-rock-roll-hall-of-fame?ft=nprml&f=770246693",
"nprImageAgency": "Getty Images",
"nprStoryId": "770246693",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 15 Oct 2019 08:15:00 -0400",
"path": "/arts/13868249/whitney-houston-notorious-b-i-g-among-16-nominees-for-rock-roll-hall-of-fame",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.rockhall.com/\" target=\"_blank\" rel=\"noopener\">The Rock & Roll Hall of Fame\u003c/a> announced its nominees for its newest class of inductees on Tuesday morning: 16 artists and groups ranging from the late Whitney Houston to German synth pioneers Kraftwerk to rap royalty in the form of the late Notorious B.I.G.\u003c/p>\n\u003cp>The 2020 nominees also include Dave Matthews Band, Pat Benatar, Depeche Mode, The Doobie Brothers, Judas Priest, MC5, Motörhead, Nine Inch Nails, Rufus featuring Chaka Khan, Todd Rundgren, Soundgarden, T. Rex and Thin Lizzy.\u003c/p>\n\u003cp>In order to be considered eligible, artists or bands must have released their first commercial recording at least 25 years ago. Of this year’s nominees, nine are first-timers on the ballot—some of them acts that came of age in the 1990s, and some legacy artists who have yet to be included on the Rock Hall’s roster.\u003c/p>\n\u003cp>The 2020 inductees will be announced in January; the next ceremony will take place in Cleveland on May 2.\u003c/p>\n\u003chr>\n\u003ch3>The Complete List Of 2020 Rock & Roll Hall of Fame Nominees\u003c/h3>\n\u003cul>\n\u003cli>Pat Benatar\u003c/li>\n\u003cli>Dave Matthews Band\u003c/li>\n\u003cli>Depeche Mode\u003c/li>\n\u003cli>The Doobie Brothers\u003c/li>\n\u003cli>Whitney Houston\u003c/li>\n\u003cli>Judas Priest\u003c/li>\n\u003cli>Kraftwerk\u003c/li>\n\u003cli>MC5\u003c/li>\n\u003cli>Motörhead\u003c/li>\n\u003cli>Nine Inch Nails\u003c/li>\n\u003cli>The Notorious B.I.G.\u003c/li>\n\u003cli>Rufus featuring Chaka Khan\u003c/li>\n\u003cli>Todd Rundgren\u003c/li>\n\u003cli>Soundgarden\u003c/li>\n\u003cli>T.Rex\u003c/li>\n\u003cli>Thin Lizzy\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Whitney+Houston%2C+Notorious+B.I.G.+Among+16+Nominees+For+Rock+%26+Roll+Hall+Of+Fame&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13868249/whitney-houston-notorious-b-i-g-among-16-nominees-for-rock-roll-hall-of-fame",
"authors": [
"byline_arts_13868249"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_905"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13868250",
"label": "arts_137"
},
"news_11779554": {
"type": "posts",
"id": "news_11779554",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11779554",
"score": null,
"sort": [
1570836248000
]
},
"guestAuthors": [],
"slug": "pge-power-shutoffs-sf-district-attorneys-race-queen-meryl",
"title": "PG&E Power Shutoffs, SF District Attorney’s Race, ‘Queen Meryl’",
"publishDate": 1570836248,
"format": "video",
"headTitle": "PG&E Power Shutoffs, SF District Attorney’s Race, ‘Queen Meryl’ | KQED",
"labelTerm": {
"term": 7052,
"site": "news"
},
"content": "\u003cp>\u003cb>PG&E Cuts Power to Hundreds of Thousands Amid Wildfire Risk\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Early Wednesday, PG&E began shutting off power to roughly 800,000 customers in Northern and Central California. The planned outages include Napa and Sonoma counties where the Tubbs Fire in 2017 decimated neighborhoods like Coffey Park in Santa Rosa. The utility shut off power to parts of 35 counties to reduce the risk of wildfires from gusty winds and dry conditions. PG&E is currently in bankruptcy proceedings, facing billions of dollars in liabilities for wildfires in 2017 and 2018 linked to its equipment\u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Jeremy Siegel, weekend afternoon anchor, KQED News\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Jonathan Cox, division chief, Cal Fire \u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>San Francisco DA’s Race\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Next month, voters in San Francisco will get to elect the city’s next district attorney. The closely watched race got a jolt last week when incumbent George Gascón abruptly announced his resignation to explore a run for the DA’s race in Los Angeles. But now the race in San Francisco is mired in controversy. The day after \u003c/span>\u003cspan style=\"font-weight: 400\">Gascón\u003c/span>\u003cspan style=\"font-weight: 400\"> announced his departure, San Francisco Mayor London Breed appointed one of the candidates, Suzy Loftus, as interim district attorney, less than four weeks before the election. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Chesa Boudin, San Francisco district attorney candidate\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Suzy Loftus, interim San Francisco district attorney \u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>‘Queen Meryl’\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Since her stage debut in 1975, Meryl Streep has won three Oscars and garnered 21 nominations, making her the most nominated actor in the history of the Academy Awards. She has also fought ageism and sexism in Hollywood and has embraced pivotal roles in films like “The Bridges of Madison County” and “The Devil Wears Prada.” San Francisco-based writer Erin Carlson spent nine months researching the traits that have made the iconic actor such a commanding presence on stage and on screen. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Guest:\u003c/b>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\"> Erin Carlson, author, “Queen Meryl” \u003c/span>\u003c/li>\n\u003c/ul>\n\n",
"blocks": [],
"excerpt": "Early Wednesday, PG&E began shutting off power to roughly 800,000 customers in Northern and Central California.",
"status": "publish",
"parent": 0,
"modified": 1722632577,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 8,
"wordCount": 336
},
"headData": {
"title": "PG&E Power Shutoffs, SF District Attorney’s Race, ‘Queen Meryl’ | KQED",
"description": "Early Wednesday, PG&E began shutting off power to roughly 800,000 customers in Northern and Central California.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "PG&E Power Shutoffs, SF District Attorney’s Race, ‘Queen Meryl’",
"datePublished": "2019-10-11T16:24:08-07:00",
"dateModified": "2024-08-02T14:02:57-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"videoEmbed": "https://youtu.be/LmiF6XZq4r0",
"sticky": false,
"path": "/news/11779554/pge-power-shutoffs-sf-district-attorneys-race-queen-meryl",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>PG&E Cuts Power to Hundreds of Thousands Amid Wildfire Risk\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Early Wednesday, PG&E began shutting off power to roughly 800,000 customers in Northern and Central California. The planned outages include Napa and Sonoma counties where the Tubbs Fire in 2017 decimated neighborhoods like Coffey Park in Santa Rosa. The utility shut off power to parts of 35 counties to reduce the risk of wildfires from gusty winds and dry conditions. PG&E is currently in bankruptcy proceedings, facing billions of dollars in liabilities for wildfires in 2017 and 2018 linked to its equipment\u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Jeremy Siegel, weekend afternoon anchor, KQED News\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Jonathan Cox, division chief, Cal Fire \u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>San Francisco DA’s Race\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Next month, voters in San Francisco will get to elect the city’s next district attorney. The closely watched race got a jolt last week when incumbent George Gascón abruptly announced his resignation to explore a run for the DA’s race in Los Angeles. But now the race in San Francisco is mired in controversy. The day after \u003c/span>\u003cspan style=\"font-weight: 400\">Gascón\u003c/span>\u003cspan style=\"font-weight: 400\"> announced his departure, San Francisco Mayor London Breed appointed one of the candidates, Suzy Loftus, as interim district attorney, less than four weeks before the election. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Chesa Boudin, San Francisco district attorney candidate\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Suzy Loftus, interim San Francisco district attorney \u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>‘Queen Meryl’\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Since her stage debut in 1975, Meryl Streep has won three Oscars and garnered 21 nominations, making her the most nominated actor in the history of the Academy Awards. She has also fought ageism and sexism in Hollywood and has embraced pivotal roles in films like “The Bridges of Madison County” and “The Devil Wears Prada.” San Francisco-based writer Erin Carlson spent nine months researching the traits that have made the iconic actor such a commanding presence on stage and on screen. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Guest:\u003c/b>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\"> Erin Carlson, author, “Queen Meryl” \u003c/span>\u003c/li>\n\u003c/ul>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11779554/pge-power-shutoffs-sf-district-attorneys-race-queen-meryl",
"authors": [
"236"
],
"programs": [
"news_7052"
],
"categories": [
"news_223",
"news_19906",
"news_8",
"news_13"
],
"tags": [
"news_6383",
"news_24162",
"news_20297",
"news_19177",
"news_6615",
"news_26815",
"news_38",
"news_559",
"news_22739",
"news_4463"
],
"featImg": "news_11779555",
"label": "news_7052"
},
"arts_13868122": {
"type": "posts",
"id": "arts_13868122",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13868122",
"score": null,
"sort": [
1570811706000
]
},
"guestAuthors": [],
"slug": "princes-estate-condemns-trumps-use-of-purple-rain-at-campaign-rally",
"title": "Prince's Estate Condemns Trump's Use Of 'Purple Rain' At Campaign Rally",
"publishDate": 1570811706,
"format": "standard",
"headTitle": "Prince’s Estate Condemns Trump’s Use Of ‘Purple Rain’ At Campaign Rally | KQED",
"labelTerm": {
"term": 137,
"site": "arts"
},
"content": "\u003cp>Among all the other things that transpired \u003ca href=\"https://www.mprnews.org/story/2019/10/10/trump-aims-to-turn-impeachment-probe-into-campaign-asset-at-minneapolis-rally\">at\u003c/a> and \u003ca href=\"https://www.npr.org/2019/10/09/768697916/trump-faces-protests-in-minneapolis-during-his-campaign-rally\">around\u003c/a> President Trump’s reelection campaign in Minneapolis Thursday night, his team played the music of a hometown hero: Prince’s “Purple Rain.” Soon after, the estate of Minnesota’s late musical hero made it clear just how unhappy it was — and \u003ca href=\"https://twitter.com/prince/status/1182484599781416960?s=20\">shared\u003c/a> a letter from Trump’s legal team from a year ago, in which the campaign explicitly promised not to use Prince’s music.\u003c/p>\n\u003cp>Politicians soundtracking – or co-opting, depending on your point of view — famous songs is a familiar conundrum for artists. Candidates want well-known, usually mood-boosting hits to get the crowd going. (One notable exception: the rather doleful “You Can’t Always Get What You Want” by the Rolling Stones, which was a favorite for then-candidate Donald J. Trump in 2016.)\u003c/p>\n\u003cp>https://twitter.com/prince/status/1182484599781416960\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>As long as they pay for the rights to the songs, candidates in the U.S. are \u003ca href=\"https://www.npr.org/sections/therecord/2016/07/22/487022287/cleveland-rocked-music-at-the-republican-national-convention\">generally\u003c/a> legally free to use any music they like, no matter how at odds the artists’ own politics may be from those on the campaign trail. (During his remarks at Minneapolis’ Target Center Thursday night, Trump \u003ca href=\"https://www.youtube.com/watch?time_continue=15&v=Kh3ZB_oX9cY\">said\u003c/a>: “I didn’t need Beyoncé and Jay-Z, and I didn’t need little Bruce Springsteen” to secure his 2016 electoral victory.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As Melinda Newman \u003ca href=\"https://www.forbes.com/sites/melindanewman/2016/07/19/why-queen-cannot-stop-trumps-use-of-we-are-the-champions/#5d02a6386d4b\">observed\u003c/a> in \u003cem>Forbes\u003c/em> in July 2016, “The sad truth is for many artists, they cannot keep their songs from being used in this context even if they vehemently disagree with the politician who is using the song.” The only restrictions relate to political commercials.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But the Prince estate might stand in a different position, due to a letter from the Trump campaign it posted to Twitter on Thursday night, and as of publication has been retweeted 28,000 times. Dated October 15, 2018, and written by the law firm Jones Day on behalf of the president’s reelection campaign, the Trump team specifically says that “going forward,” the campaign will not use any of Prince’s music at Trump rallies and other campaign events, after the estate requested it. (However, it does not stipulate how long such an agreement might last.) Given that, it looks like this situation will be one for the lawyers.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/div>\n\n",
"blocks": [],
"excerpt": "According to Prince's estate, President Trump had promised not to use any of the icon's music during his campaign.",
"status": "publish",
"parent": 0,
"modified": 1726704482,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 7,
"wordCount": 408
},
"headData": {
"title": "Prince's Estate Condemns Trump's Use Of 'Purple Rain' At Campaign Rally | KQED",
"description": "According to Prince's estate, President Trump had promised not to use any of the icon's music during his campaign.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Prince's Estate Condemns Trump's Use Of 'Purple Rain' At Campaign Rally",
"datePublished": "2019-10-11T09:35:06-07:00",
"dateModified": "2024-09-18T17:08:02-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprImageCredit": "Frank Micelotta",
"nprByline": "Anastasia Tsioulcas",
"nprImageAgency": "Getty Images",
"nprStoryId": "769251857",
"nprApiLink": "http://api.npr.org/query?id=769251857&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "https://www.npr.org/2019/10/11/769251857/princes-estate-condemns-trumps-use-of-purple-rain-at-campaign-rally?ft=nprml&f=769251857",
"nprRetrievedStory": "1",
"nprPubDate": "Fri, 11 Oct 2019 10:34:00 -0400",
"nprStoryDate": "Fri, 11 Oct 2019 10:14:00 -0400",
"nprLastModifiedDate": "Fri, 11 Oct 2019 10:34:47 -0400",
"path": "/arts/13868122/princes-estate-condemns-trumps-use-of-purple-rain-at-campaign-rally",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Among all the other things that transpired \u003ca href=\"https://www.mprnews.org/story/2019/10/10/trump-aims-to-turn-impeachment-probe-into-campaign-asset-at-minneapolis-rally\">at\u003c/a> and \u003ca href=\"https://www.npr.org/2019/10/09/768697916/trump-faces-protests-in-minneapolis-during-his-campaign-rally\">around\u003c/a> President Trump’s reelection campaign in Minneapolis Thursday night, his team played the music of a hometown hero: Prince’s “Purple Rain.” Soon after, the estate of Minnesota’s late musical hero made it clear just how unhappy it was — and \u003ca href=\"https://twitter.com/prince/status/1182484599781416960?s=20\">shared\u003c/a> a letter from Trump’s legal team from a year ago, in which the campaign explicitly promised not to use Prince’s music.\u003c/p>\n\u003cp>Politicians soundtracking – or co-opting, depending on your point of view — famous songs is a familiar conundrum for artists. Candidates want well-known, usually mood-boosting hits to get the crowd going. (One notable exception: the rather doleful “You Can’t Always Get What You Want” by the Rolling Stones, which was a favorite for then-candidate Donald J. Trump in 2016.)\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1182484599781416960"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp> \u003c/p>\n\u003cp>As long as they pay for the rights to the songs, candidates in the U.S. are \u003ca href=\"https://www.npr.org/sections/therecord/2016/07/22/487022287/cleveland-rocked-music-at-the-republican-national-convention\">generally\u003c/a> legally free to use any music they like, no matter how at odds the artists’ own politics may be from those on the campaign trail. (During his remarks at Minneapolis’ Target Center Thursday night, Trump \u003ca href=\"https://www.youtube.com/watch?time_continue=15&v=Kh3ZB_oX9cY\">said\u003c/a>: “I didn’t need Beyoncé and Jay-Z, and I didn’t need little Bruce Springsteen” to secure his 2016 electoral victory.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As Melinda Newman \u003ca href=\"https://www.forbes.com/sites/melindanewman/2016/07/19/why-queen-cannot-stop-trumps-use-of-we-are-the-champions/#5d02a6386d4b\">observed\u003c/a> in \u003cem>Forbes\u003c/em> in July 2016, “The sad truth is for many artists, they cannot keep their songs from being used in this context even if they vehemently disagree with the politician who is using the song.” The only restrictions relate to political commercials.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But the Prince estate might stand in a different position, due to a letter from the Trump campaign it posted to Twitter on Thursday night, and as of publication has been retweeted 28,000 times. Dated October 15, 2018, and written by the law firm Jones Day on behalf of the president’s reelection campaign, the Trump team specifically says that “going forward,” the campaign will not use any of Prince’s music at Trump rallies and other campaign events, after the estate requested it. (However, it does not stipulate how long such an agreement might last.) Given that, it looks like this situation will be one for the lawyers.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13868122/princes-estate-condemns-trumps-use-of-purple-rain-at-campaign-rally",
"authors": [
"byline_arts_13868122"
],
"categories": [
"arts_69",
"arts_235",
"arts_75"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13868123",
"label": "arts_137"
},
"news_11778553": {
"type": "posts",
"id": "news_11778553",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11778553",
"score": null,
"sort": [
1570809656000
]
},
"parent": 0,
"labelTerm": {
"site": "news",
"term": 26731
},
"blocks": [],
"publishDate": 1570809656,
"format": "standard",
"disqusTitle": "If Noel Runyan Can't Find What He Needs, He Builds It Himself",
"title": "If Noel Runyan Can't Find What He Needs, He Builds It Himself",
"headTitle": "The California Report Magazine | KQED News",
"content": "\u003cp>Many things in our world are not made accessible for the visually impaired, which means they have to find their own workarounds. That requires ingenuity and a fair bit of tinkering — which comes very naturally to Noel Runyan.\u003c/p>\n\u003cfigure id=\"attachment_11778564\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11778564\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-800x1067.jpg\" alt=\"\" width=\"800\" height=\"1067\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-1020x1360.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-900x1200.jpg 900w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-1122x1496.jpg 1122w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-840x1120.jpg 840w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-687x916.jpg 687w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-414x552.jpg 414w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-354x472.jpg 354w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111.jpg 1536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Noel Runyan developed a gun sight that vibrates when it's pointed at the target. \u003ccite>(Sam Harnett/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Runyan is an engineer by training and isn't afraid to take on any challenge. After losing his sight, he has built everything from an electric Jacob's ladder to a vibrating gun sight so he can shoot targets at a local shooting range. He has also set up a workshop to polish rocks, and he makes small sculptures in his spare time.\u003c/p>\n\u003cfigure id=\"attachment_11778563\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11778563\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/Noel-Critters-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-536x402.jpg 536w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Noel Runyan builds sculptures out of rocks and old computer parts. \u003ccite>(Sam Harnett/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003chr>\n\u003cp>\u003cem>This story comes to us from Chris Hoff and Sam Harnett of \u003ca href=\"http://www.theworldaccordingtosound.org/\">The World According to Sound podcast\u003c/a>. They’re partnering with the \u003ca href=\"http://lighthouse-sf.org/\">LightHouse for the Blind and Visually Impaired\u003c/a> in San Francisco to help us reimagine California in the rich way blind people experience it every day. The project has additional support from \u003ca href=\"https://calhum.org/\"> California Humanities\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"disqusIdentifier": "11778553 https://ww2.kqed.org/news/?p=11778553",
"disqusUrl": "https://ww2.kqed.org/news/2019/10/11/california-sounds-noel-runyan-a-master-of-tinkering/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 195,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 5
},
"modified": 1570894650,
"excerpt": "This engineer and 'tinkerer' can't see the objects he creates with his eyes, but he can feel their beauty through his fingertips. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This engineer and 'tinkerer' can't see the objects he creates with his eyes, but he can feel their beauty through his fingertips. ",
"title": "If Noel Runyan Can't Find What He Needs, He Builds It Himself | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "If Noel Runyan Can't Find What He Needs, He Builds It Himself",
"datePublished": "2019-10-11T09:00:56-07:00",
"dateModified": "2019-10-12T08:37:30-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"guestAuthors": [],
"slug": "california-sounds-noel-runyan-a-master-of-tinkering",
"status": "publish",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/tcrmag/2019/10/MagNoel.mp3",
"audioTrackLength": 381,
"path": "/news/11778553/california-sounds-noel-runyan-a-master-of-tinkering",
"audioDuration": 380000,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Many things in our world are not made accessible for the visually impaired, which means they have to find their own workarounds. That requires ingenuity and a fair bit of tinkering — which comes very naturally to Noel Runyan.\u003c/p>\n\u003cfigure id=\"attachment_11778564\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11778564\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-800x1067.jpg\" alt=\"\" width=\"800\" height=\"1067\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-1020x1360.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-900x1200.jpg 900w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-1122x1496.jpg 1122w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-840x1120.jpg 840w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-687x916.jpg 687w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-414x552.jpg 414w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111-354x472.jpg 354w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Target-Shooting-e1570483334111.jpg 1536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Noel Runyan developed a gun sight that vibrates when it's pointed at the target. \u003ccite>(Sam Harnett/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Runyan is an engineer by training and isn't afraid to take on any challenge. After losing his sight, he has built everything from an electric Jacob's ladder to a vibrating gun sight so he can shoot targets at a local shooting range. He has also set up a workshop to polish rocks, and he makes small sculptures in his spare time.\u003c/p>\n\u003cfigure id=\"attachment_11778563\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11778563\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/Noel-Critters-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters-536x402.jpg 536w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/Noel-Critters.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Noel Runyan builds sculptures out of rocks and old computer parts. \u003ccite>(Sam Harnett/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003chr>\n\u003cp>\u003cem>This story comes to us from Chris Hoff and Sam Harnett of \u003ca href=\"http://www.theworldaccordingtosound.org/\">The World According to Sound podcast\u003c/a>. They’re partnering with the \u003ca href=\"http://lighthouse-sf.org/\">LightHouse for the Blind and Visually Impaired\u003c/a> in San Francisco to help us reimagine California in the rich way blind people experience it every day. The project has additional support from \u003ca href=\"https://calhum.org/\"> California Humanities\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11778553/california-sounds-noel-runyan-a-master-of-tinkering",
"authors": [
"253"
],
"programs": [
"news_26731"
],
"categories": [
"news_223",
"news_8"
],
"tags": [
"news_21855",
"news_18826",
"news_25962",
"news_19928"
],
"featImg": "news_11778556",
"label": "news_26731"
},
"news_11754681": {
"type": "posts",
"id": "news_11754681",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11754681",
"score": null,
"sort": [
1570809621000
]
},
"guestAuthors": [],
"slug": "california-sounds-ioana-gandrabur-doesnt-want-you-to-think-of-her-as-the-blind-guitarist",
"title": "Ioana Gandrabur Is Not 'The Blind Guitarist'",
"publishDate": 1570809621,
"format": "standard",
"headTitle": "Ioana Gandrabur Is Not ‘The Blind Guitarist’ | KQED",
"labelTerm": {
"term": 26731,
"site": "news"
},
"content": "\u003cp>Ioana Gandrabur is a classical guitarist who also happens to be blind. Grandrabur is originally from Romania, but she now lives in Montreal. She recently came to the Bay Area to play a few local concerts and get paired with a new guide dog at \u003ca href=\"https://www.guidedogs.com/\">Guide Dogs for the Blind\u003c/a> in San Rafael.\u003c/p>\n\u003cp>While here, she met with Sam Harnett to play some music, discuss her career and talk about how she manages the attention she gets as a blind guitarist.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>This story comes to us from Chris Hoff and Sam Harnett of \u003ca href=\"http://www.theworldaccordingtosound.org/\">The World According to Sound podcast\u003c/a>. They’re partnering with the \u003ca href=\"http://lighthouse-sf.org/\">LightHouse for the Blind and Visually Impaired\u003c/a> in San Francisco to help us reimagine California in the rich way blind people experience it every day. The project has additional support from \u003ca href=\"https://calhum.org/\"> California Humanities\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Gandrabur was the only blind kid in a sighted school, and says she felt special, but also segregated. 'And then all of a sudden through music, I felt like I had a way to reach people,' she says.\r\n",
"status": "publish",
"parent": 0,
"modified": 1721113905,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 5,
"wordCount": 141
},
"headData": {
"title": "Ioana Gandrabur Is Not 'The Blind Guitarist' | KQED",
"description": "Gandrabur was the only blind kid in a sighted school, and says she felt special, but also segregated. 'And then all of a sudden through music, I felt like I had a way to reach people,' she says.\r\n",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Ioana Gandrabur Is Not 'The Blind Guitarist'",
"datePublished": "2019-10-11T09:00:21-07:00",
"dateModified": "2024-07-16T00:11:45-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"audioUrl": "https://www.kqed.org/.stream/anon/radio/tcrmag/2019/10/MagGuitarist.mp3",
"sticky": false,
"audioTrackLength": 228,
"path": "/news/11754681/california-sounds-ioana-gandrabur-doesnt-want-you-to-think-of-her-as-the-blind-guitarist",
"audioDuration": 227000,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ioana Gandrabur is a classical guitarist who also happens to be blind. Grandrabur is originally from Romania, but she now lives in Montreal. She recently came to the Bay Area to play a few local concerts and get paired with a new guide dog at \u003ca href=\"https://www.guidedogs.com/\">Guide Dogs for the Blind\u003c/a> in San Rafael.\u003c/p>\n\u003cp>While here, she met with Sam Harnett to play some music, discuss her career and talk about how she manages the attention she gets as a blind guitarist.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>This story comes to us from Chris Hoff and Sam Harnett of \u003ca href=\"http://www.theworldaccordingtosound.org/\">The World According to Sound podcast\u003c/a>. They’re partnering with the \u003ca href=\"http://lighthouse-sf.org/\">LightHouse for the Blind and Visually Impaired\u003c/a> in San Francisco to help us reimagine California in the rich way blind people experience it every day. The project has additional support from \u003ca href=\"https://calhum.org/\"> California Humanities\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11754681/california-sounds-ioana-gandrabur-doesnt-want-you-to-think-of-her-as-the-blind-guitarist",
"authors": [
"253"
],
"programs": [
"news_26731"
],
"categories": [
"news_223",
"news_8"
],
"tags": [
"news_19133",
"news_21855",
"news_18826",
"news_25962",
"news_19928"
],
"featImg": "news_11754686",
"label": "news_26731"
},
"news_11778612": {
"type": "posts",
"id": "news_11778612",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11778612",
"score": null,
"sort": [
1570701650000
]
},
"parent": 0,
"labelTerm": {},
"blocks": [],
"publishDate": 1570701650,
"format": "standard",
"title": "12 Offbeat Museums in the Bay Area to Visit This Fall",
"headTitle": "12 Offbeat Museums in the Bay Area to Visit This Fall | KQED",
"content": "\u003cp>In honor of this week’s Bay Curious episode looking at small or unusual museums in the Bay Area, we asked listeners to contribute their favorite unconventional local spots and received a handful of \u003ca href=\"https://twitter.com/KQED/status/1177333253600006146\">great recommendations\u003c/a>. With listener support we present a short list:\u003c/p>\n\u003cp>\u003ca href=\"https://www.aftelier.com/Articles.asp?ID=256\">\u003cb>Aftel Archive of Curious Scents\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Berkeley\u003c/em>\u003cbr>\nThe collection is run by Mandy Aftel, a perfumer who has curated more than 300 fragrances for visitors to smell. The archive includes 100-year-old scents alongside their modern counterparts, the raw botanical material used to create scents and perfume books from the turn of the century.\u003c/p>\n\u003cp>\u003ca href=\"https://www.spn.usace.army.mil/Missions/Recreation/Bay-Model-Visitor-Center/\">\u003cb>The Bay Model\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Sausalito\u003c/em>\u003cbr>\nThis scale model of the San Francisco Bay and the Sacramento-San Joaquin River Delta system was completed by the Army Corps of Engineers in 1957. At roughly 1.5 acres, this three-dimensional hydraulic model is capable of simulating tides and currents. It was built to study public works proposals, like a plan to dam the South Bay (it proved that idea was ill-advised). It’s no longer used for research, but still works! In the age of computer modeling software, the Bay Model is quite the sight.\u003c/p>\n\u003cfigure id=\"attachment_11778838\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11778838 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/IMG_3663-2-800x600.jpg\" alt=\"The rendering of the Bay Bridge as part of The Bay Model, 320-feet by 400-feet wide, scale model of the Bay Delta watershed.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-536x402.jpg 536w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The rendering of the San Francisco–Oakland Bay Bridge as part of the Bay Model, a 320-by-400 foot scale model of the Bay Delta watershed. \u003ccite>(Olivia Allen-Price/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.bigfootdiscoveryproject.com/\">\u003cb>Bigfoot Discovery Museum\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Felton\u003c/em>\u003cbr>\nSkeptics and believers alike will find all things related to Bigfoot (or, if you prefer, Sasquatch/Yeti) here at this tiny museum just outside of Santa Cruz, from archive photo “evidence” and artifacts to Bigfoot memorabilia and pop culture clippings.\u003c/p>\n\u003cp>\u003ca href=\"https://letterformarchive.org/\">\u003cb>Letterform Archive\u003c/b>\u003c/a>\u003cbr>\n\u003cem>San Francisco\u003c/em>\u003cbr>\nIf you love lettering, typography, calligraphy and graphic design this place is for you. On the shelves you’ll find a style book for NASA, stamps from the iconic 1968 Summer Olympics in Mexico, original Fillmore posters and hand-drawn holy manuscripts from the 1400s. The nonprofit center allows visitors hands-on access to a curated collection of over 50,000 items.\u003c/p>\n\u003cfigure id=\"attachment_11778833\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11778833 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-800x600.jpg\" alt=\"The Lick Observatory peaking through the snow dusted top of Mount Hamilton.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-536x402.jpg 536w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Lick Observatory peaking through the snow dusted top of Mount Hamilton. \u003ccite>(Gordon Wrigley/flickr)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.ucolick.org/main/visit/info.html\">\u003cb>Lick Observatory\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Mount Hamilton\u003c/em>\u003cbr>\nSweeping vistas of the Santa Clara Valley will greet you in the parking lot, inside you can peruse informative exhibits and at night you can explore the sky using one of the major telescopes used to discover extrasolar planets. The observatory opened in 1888 as part of the University of California. It was funded by James Lick and according to the website, “Lick’s gift of $700,000 was the largest philanthropic gift in the history of science and would amount to $1.2 billion by today’s standards.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://nilesfilmmuseum.org/\">\u003cb>Niles Essanay Silent Film Museum\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Fremont\u003c/em>\u003cbr>\nA stone’s throw away from where Charlie Chaplin made movies at the turn of the century, this theater is dedicated to preserving and showing silent films. The exhibits and theater stand in what was once the town of Niles (now a historic district in Fremont), which has been called the first Hollywood. The museum has weekly showings and for October they’ve curated some spooky options.\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>\u003ca href=\"http://www.museemecaniquesf.com/\">\u003cb>Musée Mécanique\u003c/b>\u003c/a>\u003cbr>\n\u003cem>San Francisco\u003c/em>\u003cbr>\nThe Musée Mécanique houses over 200 coin-operated machines on Pier 45 in Fisherman’s Wharf. You can find all the coin-operated classics from your childhood, no matter when you were a child. It’s got whack-a-mole, Addams Family pinball, arm wrestling, coin-operated peep shows, loads of fortune telling devices and a variety of musical machines including, a wurlitzer (it’s a type of machine you can find in the middle of werry-go-rounds) built in 1915 with 130 pipes in it, orchestra bells, a bass drum, a snare drum and a symbol. Learn more about it in this week’s Bay Curious episode.\u003c/p>\n\u003cfigure id=\"attachment_11774569\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11774569 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/09/IMG_0352-800x600.jpg\" alt=\"Machines at Musée Mécanique\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-536x402.jpg 536w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Machines at Musée Mécanique \u003ccite>(Maggie Galloway/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://themade.org/\">\u003cb>Museum of Art and Digital Entertainment\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Oakland\u003c/em>\u003cbr>\nFrom Atari to the PlayStation 3, from old classics to new classics, “The MADE” houses thousands of playable video games, offers free programming classes for kids, lectures, tournaments, game development parties and community events like “Cosplay Comedy.”\u003c/p>\n\u003cp>\u003ca href=\"https://museumofpropaganda.org/\">\u003cb>The Museum of International Propaganda\u003c/b>\u003c/a>\u003cbr>\n\u003cem>San Rafael\u003c/em>\u003cbr>\nIn a former children’s shoe store, the museum displays 20th and 21st century political art from places like North Korea, Russia, Iran, China and the United States. The exhibits are grouped into several themes, techniques and styles of propaganda.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sccgov.org/sites/parks/parkfinder/Pages/Almaden-Quicksilver-Mining-Museum.aspx\">\u003cb>New Almaden Quicksilver Mining Museum\u003c/b>\u003c/a>\u003cbr>\n\u003cem>San Jose\u003c/em>\u003cbr>\nLearn the history of mercury mining in the area, the technology used and the culture of various mining communities. Mining at New Almaden began in 1845, when a Mexican Cavalry officer found the red rock used by the Ohlone to paint the walls of the Santa Clara Mission contained mercury. The mercury could be used to process silver in Mexican mines.\u003c/p>\n\u003cfigure id=\"attachment_11552135\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-11552135\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-1020x680.jpg\" alt=\"The local order of Rosicrucians is planning a new museum to focus on alchemy.\" width=\"640\" height=\"427\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-520x347.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The local order of Rosicrucians is planning a new museum to focus on alchemy. \u003ccite>(Bert Johnson/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://egyptianmuseum.org/\">Rosicrucian Egyptian Museum\u003c/a>\u003c/strong>\u003cbr>\n\u003cem>San Jose\u003c/em>\u003cbr>\nThis museum boasts of a vast collection of artifacts: sculpture, jewelry, tools, ritual objects and, yes, mummies — both human and animal. There are also several high-quality replicas on display, including a cast of King Tutankhamun’s golden sarcophagus and the Rosetta Stone. As you’ll hear in our \u003ca href=\"https://www.kqed.org/news/11551947/what-is-the-rosicrucian-egyptian-museum-and-why-is-it-in-san-jose\">2017 Bay Curious episode\u003c/a> on the museum, many visitors say their highlight is the life-size tomb that is a composite replica of several real tombs in Egypt.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.cityofsantacruz.com/government/city-departments/parks-recreation/facilities/surfing-museum\">\u003cb>Santa Cruz Surfing Museum\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Santa Cruz\u003c/em>\u003cbr>\nInside the Mark Abbott Memorial Lighthouse, which commemorates a surfer who died surfing at nearby Pleasure Point, this small museum covers over 100 years of surfing history in Santa Cruz. A plaque details how visiting royal Hawaiians kicked off the craze in 1885. You can learn more about it in this week’s Bay Curious episode.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 995,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 16
},
"modified": 1700590979,
"excerpt": "A list of the Bay Area's interesting and unusual museums off the beaten path. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A list of the Bay Area's interesting and unusual museums off the beaten path. ",
"title": "12 Offbeat Museums in the Bay Area to Visit This Fall | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "12 Offbeat Museums in the Bay Area to Visit This Fall",
"datePublished": "2019-10-10T03:00:50-07:00",
"dateModified": "2023-11-21T10:22:59-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"guestAuthors": [],
"slug": "12-off-beat-museums-in-the-bay-area-to-visit-this-fall",
"status": "publish",
"sourceUrl": "/food/",
"audioUrl": "https://od1.kqed.org/anon.kqed/radio/new-bay-curious/2019/10/UniqueMuseums.mp3",
"audioTrackLength": 716,
"source": "Food",
"path": "/news/11778612/12-off-beat-museums-in-the-bay-area-to-visit-this-fall",
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In honor of this week’s Bay Curious episode looking at small or unusual museums in the Bay Area, we asked listeners to contribute their favorite unconventional local spots and received a handful of \u003ca href=\"https://twitter.com/KQED/status/1177333253600006146\">great recommendations\u003c/a>. With listener support we present a short list:\u003c/p>\n\u003cp>\u003ca href=\"https://www.aftelier.com/Articles.asp?ID=256\">\u003cb>Aftel Archive of Curious Scents\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Berkeley\u003c/em>\u003cbr>\nThe collection is run by Mandy Aftel, a perfumer who has curated more than 300 fragrances for visitors to smell. The archive includes 100-year-old scents alongside their modern counterparts, the raw botanical material used to create scents and perfume books from the turn of the century.\u003c/p>\n\u003cp>\u003ca href=\"https://www.spn.usace.army.mil/Missions/Recreation/Bay-Model-Visitor-Center/\">\u003cb>The Bay Model\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Sausalito\u003c/em>\u003cbr>\nThis scale model of the San Francisco Bay and the Sacramento-San Joaquin River Delta system was completed by the Army Corps of Engineers in 1957. At roughly 1.5 acres, this three-dimensional hydraulic model is capable of simulating tides and currents. It was built to study public works proposals, like a plan to dam the South Bay (it proved that idea was ill-advised). It’s no longer used for research, but still works! In the age of computer modeling software, the Bay Model is quite the sight.\u003c/p>\n\u003cfigure id=\"attachment_11778838\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11778838 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/IMG_3663-2-800x600.jpg\" alt=\"The rendering of the Bay Bridge as part of The Bay Model, 320-feet by 400-feet wide, scale model of the Bay Delta watershed.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2-536x402.jpg 536w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/IMG_3663-2.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The rendering of the San Francisco–Oakland Bay Bridge as part of the Bay Model, a 320-by-400 foot scale model of the Bay Delta watershed. \u003ccite>(Olivia Allen-Price/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.bigfootdiscoveryproject.com/\">\u003cb>Bigfoot Discovery Museum\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Felton\u003c/em>\u003cbr>\nSkeptics and believers alike will find all things related to Bigfoot (or, if you prefer, Sasquatch/Yeti) here at this tiny museum just outside of Santa Cruz, from archive photo “evidence” and artifacts to Bigfoot memorabilia and pop culture clippings.\u003c/p>\n\u003cp>\u003ca href=\"https://letterformarchive.org/\">\u003cb>Letterform Archive\u003c/b>\u003c/a>\u003cbr>\n\u003cem>San Francisco\u003c/em>\u003cbr>\nIf you love lettering, typography, calligraphy and graphic design this place is for you. On the shelves you’ll find a style book for NASA, stamps from the iconic 1968 Summer Olympics in Mexico, original Fillmore posters and hand-drawn holy manuscripts from the 1400s. The nonprofit center allows visitors hands-on access to a curated collection of over 50,000 items.\u003c/p>\n\u003cfigure id=\"attachment_11778833\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11778833 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-800x600.jpg\" alt=\"The Lick Observatory peaking through the snow dusted top of Mount Hamilton.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k-536x402.jpg 536w, https://ww2.kqed.org/app/uploads/sites/10/2019/10/6037040107_d676b70b3f_k.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Lick Observatory peaking through the snow dusted top of Mount Hamilton. \u003ccite>(Gordon Wrigley/flickr)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.ucolick.org/main/visit/info.html\">\u003cb>Lick Observatory\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Mount Hamilton\u003c/em>\u003cbr>\nSweeping vistas of the Santa Clara Valley will greet you in the parking lot, inside you can peruse informative exhibits and at night you can explore the sky using one of the major telescopes used to discover extrasolar planets. The observatory opened in 1888 as part of the University of California. It was funded by James Lick and according to the website, “Lick’s gift of $700,000 was the largest philanthropic gift in the history of science and would amount to $1.2 billion by today’s standards.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://nilesfilmmuseum.org/\">\u003cb>Niles Essanay Silent Film Museum\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Fremont\u003c/em>\u003cbr>\nA stone’s throw away from where Charlie Chaplin made movies at the turn of the century, this theater is dedicated to preserving and showing silent films. The exhibits and theater stand in what was once the town of Niles (now a historic district in Fremont), which has been called the first Hollywood. The museum has weekly showings and for October they’ve curated some spooky options.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.museemecaniquesf.com/\">\u003cb>Musée Mécanique\u003c/b>\u003c/a>\u003cbr>\n\u003cem>San Francisco\u003c/em>\u003cbr>\nThe Musée Mécanique houses over 200 coin-operated machines on Pier 45 in Fisherman’s Wharf. You can find all the coin-operated classics from your childhood, no matter when you were a child. It’s got whack-a-mole, Addams Family pinball, arm wrestling, coin-operated peep shows, loads of fortune telling devices and a variety of musical machines including, a wurlitzer (it’s a type of machine you can find in the middle of werry-go-rounds) built in 1915 with 130 pipes in it, orchestra bells, a bass drum, a snare drum and a symbol. Learn more about it in this week’s Bay Curious episode.\u003c/p>\n\u003cfigure id=\"attachment_11774569\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11774569 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/09/IMG_0352-800x600.jpg\" alt=\"Machines at Musée Mécanique\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352-536x402.jpg 536w, https://ww2.kqed.org/app/uploads/sites/10/2019/09/IMG_0352.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Machines at Musée Mécanique \u003ccite>(Maggie Galloway/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://themade.org/\">\u003cb>Museum of Art and Digital Entertainment\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Oakland\u003c/em>\u003cbr>\nFrom Atari to the PlayStation 3, from old classics to new classics, “The MADE” houses thousands of playable video games, offers free programming classes for kids, lectures, tournaments, game development parties and community events like “Cosplay Comedy.”\u003c/p>\n\u003cp>\u003ca href=\"https://museumofpropaganda.org/\">\u003cb>The Museum of International Propaganda\u003c/b>\u003c/a>\u003cbr>\n\u003cem>San Rafael\u003c/em>\u003cbr>\nIn a former children’s shoe store, the museum displays 20th and 21st century political art from places like North Korea, Russia, Iran, China and the United States. The exhibits are grouped into several themes, techniques and styles of propaganda.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sccgov.org/sites/parks/parkfinder/Pages/Almaden-Quicksilver-Mining-Museum.aspx\">\u003cb>New Almaden Quicksilver Mining Museum\u003c/b>\u003c/a>\u003cbr>\n\u003cem>San Jose\u003c/em>\u003cbr>\nLearn the history of mercury mining in the area, the technology used and the culture of various mining communities. Mining at New Almaden began in 1845, when a Mexican Cavalry officer found the red rock used by the Ohlone to paint the walls of the Santa Clara Mission contained mercury. The mercury could be used to process silver in Mexican mines.\u003c/p>\n\u003cfigure id=\"attachment_11552135\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-11552135\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-1020x680.jpg\" alt=\"The local order of Rosicrucians is planning a new museum to focus on alchemy.\" width=\"640\" height=\"427\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/07/RS25565_20170524_Rosicrucian_credit_BertJohnson-7-qut-520x347.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The local order of Rosicrucians is planning a new museum to focus on alchemy. \u003ccite>(Bert Johnson/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://egyptianmuseum.org/\">Rosicrucian Egyptian Museum\u003c/a>\u003c/strong>\u003cbr>\n\u003cem>San Jose\u003c/em>\u003cbr>\nThis museum boasts of a vast collection of artifacts: sculpture, jewelry, tools, ritual objects and, yes, mummies — both human and animal. There are also several high-quality replicas on display, including a cast of King Tutankhamun’s golden sarcophagus and the Rosetta Stone. As you’ll hear in our \u003ca href=\"https://www.kqed.org/news/11551947/what-is-the-rosicrucian-egyptian-museum-and-why-is-it-in-san-jose\">2017 Bay Curious episode\u003c/a> on the museum, many visitors say their highlight is the life-size tomb that is a composite replica of several real tombs in Egypt.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.cityofsantacruz.com/government/city-departments/parks-recreation/facilities/surfing-museum\">\u003cb>Santa Cruz Surfing Museum\u003c/b>\u003c/a>\u003cbr>\n\u003cem>Santa Cruz\u003c/em>\u003cbr>\nInside the Mark Abbott Memorial Lighthouse, which commemorates a surfer who died surfing at nearby Pleasure Point, this small museum covers over 100 years of surfing history in Santa Cruz. A plaque details how visiting royal Hawaiians kicked off the craze in 1885. You can learn more about it in this week’s Bay Curious episode.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11778612/12-off-beat-museums-in-the-bay-area-to-visit-this-fall",
"authors": [
"8606"
],
"programs": [
"news_33523"
],
"series": [
"news_17986"
],
"categories": [
"news_223",
"news_8",
"news_33520"
],
"tags": [
"news_18426",
"news_26456",
"news_24374"
],
"featImg": "news_11779213",
"label": "source_news_11778612"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=news": {
"isFetching": false,
"latestQuery": {
"from": 1092,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 3720,
"relation": "eq"
},
"items": [
"arts_13868271",
"arts_13868267",
"arts_13868249",
"news_11779554",
"news_11779554",
"arts_13868122",
"news_11778553",
"news_11778553",
"news_11754681",
"news_11754681",
"news_11778612",
"news_11778612"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_news": {
"isLoading": true
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"source_news_11778612": {
"type": "terms",
"id": "source_news_11778612",
"meta": {
"override": true
},
"name": "Food",
"link": "/food/",
"isLoading": false
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_1377": {
"type": "terms",
"id": "arts_1377",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1377",
"found": true
},
"relationships": {},
"featImg": null,
"name": "NPR",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1389,
"slug": "npr",
"isLoading": false,
"link": "/arts/tag/npr"
},
"arts_4591": {
"type": "terms",
"id": "arts_4591",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4591",
"found": true
},
"relationships": {},
"featImg": null,
"name": "npr music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "npr music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4603,
"slug": "npr-music",
"isLoading": false,
"link": "/arts/tag/npr-music"
},
"arts_3026": {
"type": "terms",
"id": "arts_3026",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3026",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Taylor Swift",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Taylor Swift Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3038,
"slug": "taylor-swift",
"isLoading": false,
"link": "/arts/tag/taylor-swift"
},
"arts_4271": {
"type": "terms",
"id": "arts_4271",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4271",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tiny desk concert",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tiny desk concert Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4283,
"slug": "tiny-desk-concert",
"isLoading": false,
"link": "/arts/tag/tiny-desk-concert"
},
"arts_73": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"link": "/arts/category/literature"
},
"arts_1753": {
"type": "terms",
"id": "arts_1753",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1753",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Donald Trump",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Donald Trump Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1765,
"slug": "donald-trump",
"isLoading": false,
"link": "/arts/tag/donald-trump"
},
"arts_1962": {
"type": "terms",
"id": "arts_1962",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1962",
"found": true
},
"relationships": {},
"featImg": null,
"name": "feminism",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "feminism Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1974,
"slug": "feminism",
"isLoading": false,
"link": "/arts/tag/feminism"
},
"arts_2777": {
"type": "terms",
"id": "arts_2777",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2777",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Harvey Weinstein",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Harvey Weinstein Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2789,
"slug": "harvey-weinstein",
"isLoading": false,
"link": "/arts/tag/harvey-weinstein"
},
"arts_6125": {
"type": "terms",
"id": "arts_6125",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6125",
"found": true
},
"relationships": {},
"featImg": null,
"name": "new york times",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "new york times Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6137,
"slug": "new-york-times",
"isLoading": false,
"link": "/arts/tag/new-york-times"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_905": {
"type": "terms",
"id": "arts_905",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "905",
"found": true
},
"relationships": {},
"featImg": null,
"name": "rock",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "rock Archives | KQED Arts",
"ogDescription": null
},
"ttid": 923,
"slug": "rock",
"isLoading": false,
"link": "/arts/tag/rock"
},
"news_7052": {
"type": "terms",
"id": "news_7052",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "7052",
"found": true
},
"relationships": {
"ogImgId": {
"data": {
"type": "attachments",
"id": "news_117396"
}
}
},
"featImg": "https://ww2.kqed.org/app/uploads/sites/10/2014/10/KQED-Newsroom-Logo-Web-Banners-051.png",
"name": "KQED Newsroom",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": "KQED Newsroom",
"ogImgId": "news_117396",
"twDescription": null,
"description": "KQED Newsroom airs every Friday on KQED-9",
"title": "KQED Newsroom | KQED Arts",
"ogDescription": "KQED Newsroom is our weekly show highlighting the issues that matter most to the people of Northern California."
},
"ttid": 7078,
"slug": "kqed-newsroom",
"isLoading": false,
"link": "/news/program/kqed-newsroom"
},
"news_223": {
"type": "terms",
"id": "news_223",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "223",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts and Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts and Culture Archives | KQED News",
"ogDescription": null
},
"ttid": 231,
"slug": "arts-and-culture",
"isLoading": false,
"link": "/news/category/arts-and-culture"
},
"news_19906": {
"type": "terms",
"id": "news_19906",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "19906",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Environment",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Environment Archives | KQED News",
"ogDescription": null
},
"ttid": 19923,
"slug": "environment",
"isLoading": false,
"link": "/news/category/environment"
},
"news_8": {
"type": "terms",
"id": "news_8",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "8",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED News",
"ogDescription": null
},
"ttid": 8,
"slug": "news",
"isLoading": false,
"link": "/news/category/news"
},
"news_13": {
"type": "terms",
"id": "news_13",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "13",
"found": true
},
"relationships": {},
"name": "Politics",
"slug": "politics",
"taxonomy": "category",
"description": null,
"featImg": null,
"headData": {
"title": "Politics | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 13,
"isLoading": false,
"link": "/news/category/politics"
},
"news_6383": {
"type": "terms",
"id": "news_6383",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "6383",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Cal Fire",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Cal Fire Archives | KQED News",
"ogDescription": null
},
"ttid": 6407,
"slug": "cal-fire",
"isLoading": false,
"link": "/news/tag/cal-fire"
},
"news_24162": {
"type": "terms",
"id": "news_24162",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "24162",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Chesa Boudin",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Chesa Boudin Archives | KQED News",
"ogDescription": null
},
"ttid": 24179,
"slug": "chesa-boudin",
"isLoading": false,
"link": "/news/tag/chesa-boudin"
},
"news_20297": {
"type": "terms",
"id": "news_20297",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "20297",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/10/2014/10/KQED-Newsroom-Logo-Web-Banners-051.png",
"name": "KQED Newsroom Full Episodes",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "KQED Newsroom Full Episodes Archives | KQED News",
"ogDescription": null
},
"ttid": 20314,
"slug": "kqed-newsroom-episode",
"isLoading": false,
"link": "/news/tag/kqed-newsroom-episode"
},
"news_19177": {
"type": "terms",
"id": "news_19177",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "19177",
"found": true
},
"relationships": {},
"featImg": null,
"name": "kqed-newsroom-featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "kqed-newsroom-featured Archives | KQED News",
"ogDescription": null
},
"ttid": 19194,
"slug": "kqed-newsroom-featured",
"isLoading": false,
"link": "/news/tag/kqed-newsroom-featured"
},
"news_6615": {
"type": "terms",
"id": "news_6615",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "6615",
"found": true
},
"relationships": {},
"featImg": null,
"name": "North Bay",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "North Bay Archives | KQED News",
"ogDescription": null
},
"ttid": 6639,
"slug": "north-bay",
"isLoading": false,
"link": "/news/tag/north-bay"
},
"news_26815": {
"type": "terms",
"id": "news_26815",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "26815",
"found": true
},
"relationships": {},
"featImg": null,
"name": "pg&e blackouts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "pg&e blackouts Archives | KQED News",
"ogDescription": null
},
"ttid": 26832,
"slug": "pge-blackouts",
"isLoading": false,
"link": "/news/tag/pge-blackouts"
},
"news_38": {
"type": "terms",
"id": "news_38",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "38",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED News",
"ogDescription": null
},
"ttid": 58,
"slug": "san-francisco",
"isLoading": false,
"link": "/news/tag/san-francisco"
},
"news_559": {
"type": "terms",
"id": "news_559",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "559",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco District Attorney",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco District Attorney Archives | KQED News",
"ogDescription": null
},
"ttid": 568,
"slug": "san-francisco-district-attorney",
"isLoading": false,
"link": "/news/tag/san-francisco-district-attorney"
},
"news_22739": {
"type": "terms",
"id": "news_22739",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "22739",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Suzy Loftus",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Suzy Loftus Archives | KQED News",
"ogDescription": null
},
"ttid": 22756,
"slug": "suzy-loftus",
"isLoading": false,
"link": "/news/tag/suzy-loftus"
},
"news_4463": {
"type": "terms",
"id": "news_4463",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "4463",
"found": true
},
"relationships": {},
"featImg": null,
"name": "wildfires",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "wildfires Archives | KQED News",
"ogDescription": null
},
"ttid": 4482,
"slug": "wildfires",
"isLoading": false,
"link": "/news/tag/wildfires"
},
"news_26731": {
"type": "terms",
"id": "news_26731",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "26731",
"found": true
},
"relationships": {},
"featImg": null,
"name": "The California Report Magazine",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The California Report Magazine Archives | KQED News",
"ogDescription": null
},
"ttid": 26748,
"slug": "the-california-report-magazine",
"isLoading": false,
"link": "/news/program/the-california-report-magazine"
},
"news_21855": {
"type": "terms",
"id": "news_21855",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "21855",
"found": true
},
"relationships": {},
"featImg": null,
"name": "blind",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "blind Archives | KQED News",
"ogDescription": null
},
"ttid": 21872,
"slug": "blind",
"isLoading": false,
"link": "/news/tag/blind"
},
"news_18826": {
"type": "terms",
"id": "news_18826",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "18826",
"found": true
},
"relationships": {},
"featImg": null,
"name": "blindness",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "blindness Archives | KQED News",
"ogDescription": null
},
"ttid": 18843,
"slug": "blindness",
"isLoading": false,
"link": "/news/tag/blindness"
},
"news_25962": {
"type": "terms",
"id": "news_25962",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "25962",
"found": true
},
"relationships": {},
"featImg": null,
"name": "California Sounds",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "California Sounds Archives | KQED News",
"ogDescription": null
},
"ttid": 25979,
"slug": "california-sounds",
"isLoading": false,
"link": "/news/tag/california-sounds"
},
"news_19928": {
"type": "terms",
"id": "news_19928",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "19928",
"found": true
},
"relationships": {},
"featImg": null,
"name": "The World According to Sound",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The World According to Sound Archives | KQED News",
"ogDescription": null
},
"ttid": 19945,
"slug": "the-world-according-to-sound",
"isLoading": false,
"link": "/news/tag/the-world-according-to-sound"
},
"news_19133": {
"type": "terms",
"id": "news_19133",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "19133",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED News",
"ogDescription": null
},
"ttid": 19150,
"slug": "arts",
"isLoading": false,
"link": "/news/tag/arts"
},
"news_33523": {
"type": "terms",
"id": "news_33523",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33523",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Bay Curious",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Bay Curious Archives | KQED News",
"ogDescription": null
},
"ttid": 33540,
"slug": "bay-curious",
"isLoading": false,
"link": "/news/program/bay-curious"
},
"news_17986": {
"type": "terms",
"id": "news_17986",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "17986",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/10/2016/11/BayCuriousLogoFinal01-e1493662037229.png",
"name": "Bay Curious",
"description": "\u003ch2>A podcast exploring the Bay Area one question at a time\u003c/h2>\r\n\r\n\u003caside>\r\n\u003cdiv style=\"width: 100%; padding-right: 20px;\">\r\n\r\nKQED’s \u003cstrong>Bay Curious\u003c/strong> gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.\r\n\u003cbr />\r\n\u003cspan class=\"alignleft\">\u003ca href=\"https://itunes.apple.com/us/podcast/id1172473406\">\u003cimg width=\"75px\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\">\u003c/a> \u003ca href=\"https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&isi=691797987&ius=googleplaymusic&link=https://play.google.com/music/m/Ipi2mc5aqfen4nr2daayiziiyuy?t%3DBay_Curious\">\u003cimg width=\"75px\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\">\u003c/a>\u003c/span>\u003c/div>\r\n\u003c/aside> \r\n\u003ch2>What's your question?\u003c/h2>\r\n\u003cdiv id=\"huxq6\" class=\"curiosity-module\" data-pym-src=\"//modules.wearehearken.com/kqed/curiosity_modules/133\">\u003c/div>\r\n\u003cscript src=\"//assets.wearehearken.com/production/thirdparty/p.m.js\">\u003c/script>\r\n\u003ch2>Bay Curious monthly newsletter\u003c/h2>\r\nWe're launching it soon! \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSdEtzbyNbSQkRHCCAkKhoGiAl3Bd0zWxhk0ZseJ1KH_o_ZDjQ/viewform\" target=\"_blank\">Sign up\u003c/a> so you don't miss it when it drops.\r\n",
"taxonomy": "series",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "A podcast exploring the Bay Area one question at a time KQED’s Bay Curious gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers. What's your question? Bay Curious monthly newsletter We're launching it soon! Sign up so you don't miss it when it drops.",
"title": "Bay Curious Archives | KQED News",
"ogDescription": null
},
"ttid": 18020,
"slug": "baycurious",
"isLoading": false,
"link": "/news/series/baycurious"
},
"news_33520": {
"type": "terms",
"id": "news_33520",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33520",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Podcast",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Podcast Archives | KQED News",
"ogDescription": null
},
"ttid": 33537,
"slug": "podcast",
"isLoading": false,
"link": "/news/category/podcast"
},
"news_18426": {
"type": "terms",
"id": "news_18426",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "18426",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Bay Curious",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Bay Curious Archives | KQED News",
"ogDescription": null
},
"ttid": 18460,
"slug": "bay-curious",
"isLoading": false,
"link": "/news/tag/bay-curious"
},
"news_26456": {
"type": "terms",
"id": "news_26456",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "26456",
"found": true
},
"relationships": {},
"name": "Bay Curious Feature",
"slug": "bay-curious-feature",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Bay Curious Feature | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"metaRobotsNoIndex": "noindex"
},
"ttid": 26473,
"isLoading": false,
"link": "/news/tag/bay-curious-feature"
},
"news_24374": {
"type": "terms",
"id": "news_24374",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "24374",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Bay Curious featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Bay Curious featured Archives | KQED News",
"ogDescription": null
},
"ttid": 24391,
"slug": "bay-curious-featured",
"isLoading": false,
"link": "/news/tag/bay-curious-featured"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}
