window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_11597825": {
"type": "attachments",
"id": "arts_11597825",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11597825",
"found": true
},
"parent": 11597686,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/On-the-Road-covers-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/On-the-Road-covers-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/On-the-Road-covers.jpg",
"width": 789,
"height": 444
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/On-the-Road-covers-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/On-the-Road-covers-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/On-the-Road-covers-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/On-the-Road-covers-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/On-the-Road-covers-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/On-the-Road-covers-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/On-the-Road-covers-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1463695975,
"modified": 1463696191,
"caption": "A hardback copy of the 50th-anniversary edition(L) of Jack Kerouac's \" On The Road\" sits next to the 40th-anniversary edition on the shelves at Borders Books in New York 20 August 2007. ",
"description": "A hardback copy of the 50th-anniversary edition(L) of Jack Kerouac's \" On The Road\" sits next to the 40th-anniversary edition on the shelves at Borders Books in New York 20 August 2007. ",
"title": "A hardback copy of the 50th-anniversary",
"credit": "Photo: Timothy A. Clary/AFP/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"news_93966": {
"type": "attachments",
"id": "news_93966",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "93966",
"found": true
},
"parent": 93962,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2013/04/RS1613_101560214-e1463670226127.jpg",
"width": 1920,
"height": 1280
}
},
"publishDate": 1365709075,
"modified": 1487374247,
"caption": "Facebook CEO Mark Zuckerberg, photographed in a meeting with conservative commentators in 2013, has once again affirmed his commitment to globalization.",
"description": "Mark Zuckerberg and a number of Silicon Valley leaders have founded a new immigration reform advocacy organization. (Gabriel Bouys/AFP/Getty Images)",
"title": "Mark Zuckerberg",
"credit": "Gabriel Bouys/AFP-Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11594423": {
"type": "attachments",
"id": "arts_11594423",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11594423",
"found": true
},
"parent": 11594415,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-960x539.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 539
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953.jpg",
"width": 1246,
"height": 700
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-800x449.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 449
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-768x431.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 431
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Island-City-Waterways-e1463613053953-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1463604529,
"modified": 1463613109,
"caption": "(L-R)Carolyn West, Kathryn Cabunoc, Ed Holmes, Janet Koike, Tina Blaine, Jeannie McKenzie, Megan Lowe are all in the show 'Island City Waterways'",
"description": "(L-R)Carolyn West, Kathryn Cabunoc, Ed Holmes, Janet Koike, Tina Blaine, Jeannie McKenzie, Megan Lowe are all in the show 'Island City Waterways'",
"title": "Carolyn West, Kathryn Cabunoc, Ed Holmes, Janet Koike, Tina Blaine, Jeannie McKenzie, Megan Lowe are all in the show 'Island City Waterways'",
"credit": "Photo: Andy Mogg/Island City Waterways",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11594425": {
"type": "attachments",
"id": "arts_11594425",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11594425",
"found": true
},
"parent": 11594424,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-400x300.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 300
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-960x720.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 720
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1.jpg",
"width": 2478,
"height": 1858
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-1180x885.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 885
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-1180x885.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 885
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/ap_555075794591-6e23000520001146539ecd5774d44f63cbe118c1-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1463604617,
"modified": 1463604617,
"caption": null,
"description": "Two people hold electronic devices while looking over a sculpture by George Segal with the Living Wall in the background at the newly expanded San Francisco Museum of Modern Art.",
"title": "Two people hold electronic devices while looking over a sculpture by George Segal with the Living Wall in the background at the newly expanded San Francisco Museum of Modern Art.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11594279": {
"type": "attachments",
"id": "arts_11594279",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11594279",
"found": true
},
"parent": 11594276,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Sinead-O-Conner2-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Sinead-O-Conner2-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Sinead-O-Conner2.jpg",
"width": 913,
"height": 514
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Sinead-O-Conner2-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Sinead-O-Conner2-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Sinead-O-Conner2-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Sinead-O-Conner2-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Sinead-O-Conner2-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Sinead-O-Conner2-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Sinead-O-Conner2-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Sinead-O-Conner2-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1463602864,
"modified": 1463602941,
"caption": "Irish singer-songwriter Sinead O'Connor performs during a concert at the Koninklijk Circus - Cirque Royal, in Brussels in 2012. ",
"description": "Irish singer-songwriter Sinead O'Connor performs during a concert at the Koninklijk Circus - Cirque Royal, in Brussels in 2012. ",
"title": "Irish singer-songwriter Sinead O'Connor",
"credit": "Photo: Christophe Ketels/AFP/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11588342": {
"type": "attachments",
"id": "arts_11588342",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11588342",
"found": true
},
"parent": 11588339,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/LizzWinstead-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1463447397,
"modified": 1463447454,
"caption": "Lizz Winstead speaks onstage at the PFLAG National Straight For Equality Awards at Marriott Marquis Times Square",
"description": "Lizz Winstead speaks onstage at the PFLAG National Straight For Equality Awards at Marriott Marquis Times Square",
"title": "PFLAG National Straight For Equality Awards",
"credit": " Photo: D Dipasupil/Getty Images for PFLAG",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11592625": {
"type": "attachments",
"id": "arts_11592625",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11592625",
"found": true
},
"parent": 11592352,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Guy-Clark-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Guy-Clark-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Guy-Clark.jpg",
"width": 800,
"height": 450
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Guy-Clark-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Guy-Clark-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Guy-Clark-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Guy-Clark-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Guy-Clark-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Guy-Clark-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Guy-Clark-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Guy-Clark-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1463556980,
"modified": 1463557171,
"caption": "Singer/Songwriter Guy Clark performs at the 2009 New Orleans Jazz & Heritage Festival ",
"description": "Singer/Songwriter Guy Clark performs at the 2009 New Orleans Jazz & Heritage Festival ",
"title": "2009 New Orleans Jazz & Heritage Festival Presented By Shell - Day 7",
"credit": "Photo: Rick Diamond/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11591669": {
"type": "attachments",
"id": "arts_11591669",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11591669",
"found": true
},
"parent": 11591668,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a.jpg",
"width": 1929,
"height": 1086
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-1920x1081.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1081
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/gettyimages-105161103_wide-2b21ce18cae6e45e13ca1880d47407baf423c31a-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1463533046,
"modified": 1463533166,
"caption": "Emilio Navaira during the 4th Annual Latin Grammy Awards in Miami in 2003. The musician has died at the age of 53.",
"description": "Emilio Navaira during the 4th Annual Latin Grammy Awards in Miami in 2003. The musician has died at the age of 53.",
"title": "Emilio Navaira during the 4th Annual Latin Grammy Awards in Miami in 2003. The musician has died at the age of 53.",
"credit": "Photo: Michael Caulfield Archive/WireImage/GettyImages",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11588888": {
"type": "attachments",
"id": "arts_11588888",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11588888",
"found": true
},
"parent": 11588617,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19497_IMG_1747-qut-e1463514690110-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1463459866,
"modified": 1463459930,
"caption": "On Friday, May 13, Building 180 hosted ‘Terminus,’ the last Treasure Island warehouse party before the building is razed to make way for redevelopment.",
"description": "On Friday, May 13, Building 180 hosted ‘Terminus,’ the last Treasure Island warehouse party before the building is razed to make way for redevelopment.",
"title": "RS19497_IMG_1747-qut",
"credit": "Photo: Rachael Myrow/KQED",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"news_10958494": {
"type": "attachments",
"id": "news_10958494",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "10958494",
"found": true
},
"parent": 10957401,
"imgSizes": {
"jmtc-small-thumb": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/SignalGroup-280x150.jpg",
"width": 280,
"mimeType": "image/jpeg",
"height": 150
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/SignalGroup-400x267.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 267
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/SignalGroup-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/SignalGroup.jpg",
"width": 800,
"height": 533
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/SignalGroup-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/SignalGroup-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/SignalGroup-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/SignalGroup-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/SignalGroup-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/SignalGroup-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/SignalGroup-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1463506156,
"modified": 1463507189,
"caption": "Events at the Signal Room typically involved 15 or 20 people invited by previous guests. ",
"description": "Events at the Signal Room typically involved 15 or 20 people invited by previous guests. ",
"title": "SignalGroup",
"credit": "Courtesy Mona Caron",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11588333": {
"type": "attachments",
"id": "arts_11588333",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11588333",
"found": true
},
"parent": 11588189,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg.jpg",
"width": 1914,
"height": 1077
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/Mark-Zuckerberg-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1463446101,
"modified": 1463446166,
"caption": "Facebook chief executive and founder Mark Zuckerberg speaks during a 'town-hall' meeting at the Indian Institute of Technology (IIT) in New Delhi ",
"description": "Facebook chief executive and founder Mark Zuckerberg speaks during a 'town-hall' meeting at the Indian Institute of Technology (IIT) in New Delhi ",
"title": "INDIA-INTERNET-FACEBOOK-COMPUTERS",
"credit": " Photo: Money Sharma/AFP/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10138271": {
"type": "attachments",
"id": "arts_10138271",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10138271",
"found": true
},
"parent": 10138263,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/06/LucasMuseum-400x221.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 221
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/06/LucasMuseum-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/06/LucasMuseum.jpg",
"width": 800,
"height": 442
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/06/LucasMuseum-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/06/LucasMuseum-300x165.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 165
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/06/LucasMuseum-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/06/LucasMuseum-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/06/LucasMuseum-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/06/LucasMuseum-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1403654955,
"modified": 1463440765,
"caption": "Artist’s rendering of proposed Lucas Cultural Arts Museum in San Francisco’s Presidio. The body governing the former Army base has rejected the museum and two other proposals. ",
"description": "Artist’s rendering of proposed Lucas Cultural Arts Museum in San Francisco’s Presidio. The body governing the former Army base has rejected the museum and two other proposals. ",
"title": "LucasMuseum",
"credit": "Photo: Lucas Cultural Art Museum presentation, January 2014)",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_11597686": {
"type": "authors",
"id": "byline_arts_11597686",
"meta": {
"override": true
},
"slug": "byline_arts_11597686",
"name": "Associated Press",
"isLoading": false
},
"byline_news_10960580": {
"type": "authors",
"id": "byline_news_10960580",
"meta": {
"override": true
},
"slug": "byline_news_10960580",
"name": "\u003cstrong>Ryan Nakashima\u003cbr />Associated Press\u003c/strong>",
"isLoading": false
},
"byline_arts_11594424": {
"type": "authors",
"id": "byline_arts_11594424",
"meta": {
"override": true
},
"slug": "byline_arts_11594424",
"name": "Laura Sydell",
"isLoading": false
},
"byline_arts_11594276": {
"type": "authors",
"id": "byline_arts_11594276",
"meta": {
"override": true
},
"slug": "byline_arts_11594276",
"name": "Associated Press",
"isLoading": false
},
"byline_arts_11592352": {
"type": "authors",
"id": "byline_arts_11592352",
"meta": {
"override": true
},
"slug": "byline_arts_11592352",
"name": "Kristin M. Hall, Associated Press",
"isLoading": false
},
"byline_arts_11591668": {
"type": "authors",
"id": "byline_arts_11591668",
"meta": {
"override": true
},
"slug": "byline_arts_11591668",
"name": "Camila Domonoske",
"isLoading": false
},
"byline_arts_11588189": {
"type": "authors",
"id": "byline_arts_11588189",
"meta": {
"override": true
},
"slug": "byline_arts_11588189",
"name": "Associated Press",
"isLoading": false
},
"cmusiker": {
"type": "authors",
"id": "32",
"meta": {
"index": "authors_1716337520",
"id": "32",
"found": true
},
"name": "Cy Musiker",
"firstName": "Cy",
"lastName": "Musiker",
"slug": "cmusiker",
"email": "cmusiker@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Cy Musiker is a former co-host of The Do List and a former reporter covering the arts for KQED News and The California Report. He loves live performance, especially great theater, jazz, roots music, anything by Mahler. Cy has an MJ from UC Berkeley's School of Journalism, and got his BA from Hampshire College. His work has been recognized by the Society for Professional Journalists with their Sigma Delta Chi Award for Public Service in Journalism. When he can, Cy likes to swim in Tomales Bay, run with his dog in the East Bay Hills, and hike the Sierra.",
"avatar": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "bayareabites",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Cy Musiker | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/cmusiker"
},
"kqedarts": {
"type": "authors",
"id": "92",
"meta": {
"index": "authors_1716337520",
"id": "92",
"found": true
},
"name": "KQED Arts",
"firstName": "KQED",
"lastName": "Arts",
"slug": "kqedarts",
"email": "arts@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Staff",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": "https://www.instagram.com/kqed_arts/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
},
{
"site": "science",
"roles": [
"author"
]
},
{
"site": "food",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "KQED Arts | KQED",
"description": "KQED Staff",
"ogImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kqedarts"
},
"rachael-myrow": {
"type": "authors",
"id": "251",
"meta": {
"index": "authors_1716337520",
"id": "251",
"found": true
},
"name": "Rachael Myrow",
"firstName": "Rachael",
"lastName": "Myrow",
"slug": "rachael-myrow",
"email": "rmyrow@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"news"
],
"title": "Senior Editor of KQED's Silicon Valley News Desk",
"bio": "• I write and edit stories about how Silicon Valley power and policies shape everyday life in California. I’m also passionate about making Bay Area history and culture more accessible to a broad public. • I’ve been a journalist for most of my life, starting in high school with The Franklin Press in Los Angeles, where I grew up. While earning my first degree in English at UC Berkeley, I got my start in public radio at KALX-FM. After completing a second degree in journalism at Cal, I landed my first professional job at Marketplace, then moved on to KPCC (now LAist), and then KQED, where I hosted The California Report for more than seven years. • My reporting has appeared on NPR, The World, WBUR’s \u003ci>Here & Now\u003c/i>, and the BBC. I also guest host for KQED’s \u003ci>Forum\u003c/i>, as well as the Commonwealth Club in San Francisco. • I speak periodically on media, democracy and technology issues, and do voiceover work for documentaries and educational video projects. • Outside of the studio, you'll find me hiking Bay Area trails and whipping up Insta-ready meals in my kitchen. • I do not accept gifts, money, or favors from anyone connected to my reporting, I don't pay people for information, and I do not support or donate to political causes. • I strive to treat the people I report on with fairness, honesty, and respect. I also recognize there are often multiple sides to a story and work to verify information through multiple sources and documentation. If I get something wrong, I correct it.",
"avatar": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g",
"twitter": "rachaelmyrow",
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": "https://www.linkedin.com/in/rachaelmyrow/",
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"edit_others_posts",
"editor"
]
},
{
"site": "futureofyou",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "stateofhealth",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"author"
]
}
],
"headData": {
"title": "Rachael Myrow | KQED",
"description": "Senior Editor of KQED's Silicon Valley News Desk",
"ogImgSrc": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/rachael-myrow"
},
"jplaczek": {
"type": "authors",
"id": "8606",
"meta": {
"index": "authors_1716337520",
"id": "8606",
"found": true
},
"name": "Jessica Placzek",
"firstName": "Jessica",
"lastName": "Placzek",
"slug": "jplaczek",
"email": "jessicalplaczek@gmail.com",
"display_author_email": false,
"staff_mastheads": [
"news"
],
"title": "KQED Contributor",
"bio": "\u003cspan style=\"font-weight: 400;\">Jessica Placzek is a former senior editor of podcasts at KQED where she served as the editorial lead of the podcast department. She worked with shows like MindShift, Rightnowish, Consider This, SOLD OUT, Bay Curious and The Bay. She’s also been a reporter and audio producer at KQED, KPFA, and KALW. She taught audio production to men incarcerated at California State Prison Solano and edited pieces they produced for the Uncuffed podcast through KALW. In 2018 she co-hosted and produced the third season of Raw Material for SFMOMA. In New Orleans she wrote for the Nola Defender. Her work has also appeared on Marketplace, All Things Considered, The California Report, and Vice. You can find more at jessicaplaczek.com\u003c/span>",
"avatar": "https://secure.gravatar.com/avatar/4505f7be77b50826a2a1b8bd3a120685?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"subscriber"
]
},
{
"site": "stateofhealth",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Jessica Placzek | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/4505f7be77b50826a2a1b8bd3a120685?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/4505f7be77b50826a2a1b8bd3a120685?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/jplaczek"
},
"hswanhuyser": {
"type": "authors",
"id": "8641",
"meta": {
"index": "authors_1716337520",
"id": "8641",
"found": true
},
"name": "Hiya Swanhuyser",
"firstName": "Hiya",
"lastName": "Swanhuyser",
"slug": "hswanhuyser",
"email": "hiya.swanhuyser@gmail.com",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/ac82519cf874a4b89d7bb4486ab403ef?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Hiya Swanhuyser | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/ac82519cf874a4b89d7bb4486ab403ef?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/ac82519cf874a4b89d7bb4486ab403ef?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/hswanhuyser"
}
},
"pagesReducer": {
"arts_category_news": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"score": 10.810295
},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"title": "News",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 247
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=news",
"seeMore": false,
"paginated": true,
"page": 247
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_11597686": {
"type": "posts",
"id": "arts_11597686",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11597686",
"score": null,
"sort": [
1463696258000
]
},
"guestAuthors": [],
"slug": "neal-cassady-letter-that-inspired-kerouac-to-be-auctioned-off-could-bring-600000",
"title": "Neal Cassady Letter That Inspired Kerouac to Be Auctioned Off",
"publishDate": 1463696258,
"format": "standard",
"headTitle": "Neal Cassady Letter That Inspired Kerouac to Be Auctioned Off | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>A 1950 Neal Cassady letter that inspired Jack Kerouac’s spontaneous style in \u003cem>On the Road\u003c/em> is heading to auction where it’s expected to bring up to $600,000.\u003cbr>\n\u003ca href=\"http://www.christies.com/features/Neal-Cassady-long-lost-letter-to-Jack-Kerouac-comes-to-auction-7393-1.aspx\" target=\"_blank\" rel=\"noopener\">Christie’s\u003c/a> is offering the 18 double-sided-page letter on June 16.\u003c/p>\n\u003cp>Known as the “Joan Anderson Letter,” it was believed lost until it surfaced in 2012 in the discarded files of the now-defunct Golden Goose Press, a San Francisco publishing house where it had been placed in a “to read” pile.\u003c/p>\n\u003cp>Cassady wrote the 16,000-word letter to Kerouac, his fellow Beat generation figure, about an amorous relationship. Only a fragment, believed to have been copied by Kerouac himself, had been published in 1964 by John Bryan in his “Notes from Underground #1.”\u003c/p>\n\u003cp>Kerouac said in an interview in 1968 that Cassady’s letter “was the greatest piece of writing I ever saw” and that it gave him the idea for the “spontaneous style” of \u003cem>On the Road\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_11597935\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/1463684603-cassady-letter-800x400.jpg\" alt='An excerpt of the \"Joan Anderson Letter\" written by Neal Cassady' width=\"800\" height=\"400\" class=\"size-medium wp-image-11597935\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1463684603-cassady-letter-800x400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1463684603-cassady-letter-400x200.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1463684603-cassady-letter-768x384.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1463684603-cassady-letter-960x480.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1463684603-cassady-letter.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An excerpt of the “Joan Anderson Letter” written by Neal Cassady \u003ccite>(Photo: Courtesy of Christie's)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I got the idea for the spontaneous style of ‘On the Road’ from seeing how good old Neal Cassady wrote his letters to me, all first person, fast, mad, confessional, completely serious, all detailed, with real names in his case, however (being letters),” Kerouac wrote.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Cassady later admitted that he had been binging on Benzedrine when he wrote the letter.\u003c/p>\n\u003cp>In 1971, the fragment was published by City Lights as an addendum to Cassady’s book “The First Third.” It was also the basis for the 1997 film, “The Last Time I Committed Suicide,” starring Thomas Jane and Keanu Reeves.\u003c/p>\n\u003cp>Christie’s says title claims to the letter that were raised during a small California auction in 2014 — in which the letter was withdrawn — have been resolved, allowing the letter to be offered at its upcoming books and manuscripts sale. Christie’s declined to name the seller. However, the copyright on the letter lists Cassady family members.\u003c/p>\n\u003cp>The letter will tour Seattle, San Francisco, Los Angeles and New York between May 31 and June 15.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
"blocks": [],
"excerpt": "The letter by Cassady, who later admitted he wrote it while high on benzedrine, inspired Kerouac's spontaneous style",
"status": "publish",
"parent": 0,
"modified": 1726709760,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 12,
"wordCount": 392
},
"headData": {
"title": "Neal Cassady Letter That Inspired Kerouac to Be Auctioned Off | KQED",
"description": "The letter by Cassady, who later admitted he wrote it while high on benzedrine, inspired Kerouac's spontaneous style",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Neal Cassady Letter That Inspired Kerouac to Be Auctioned Off",
"datePublished": "2016-05-19T15:17:38-07:00",
"dateModified": "2024-09-18T18:36:00-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Associated Press",
"nprStoryId": "478756861",
"path": "/arts/11597686/neal-cassady-letter-that-inspired-kerouac-to-be-auctioned-off-could-bring-600000",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A 1950 Neal Cassady letter that inspired Jack Kerouac’s spontaneous style in \u003cem>On the Road\u003c/em> is heading to auction where it’s expected to bring up to $600,000.\u003cbr>\n\u003ca href=\"http://www.christies.com/features/Neal-Cassady-long-lost-letter-to-Jack-Kerouac-comes-to-auction-7393-1.aspx\" target=\"_blank\" rel=\"noopener\">Christie’s\u003c/a> is offering the 18 double-sided-page letter on June 16.\u003c/p>\n\u003cp>Known as the “Joan Anderson Letter,” it was believed lost until it surfaced in 2012 in the discarded files of the now-defunct Golden Goose Press, a San Francisco publishing house where it had been placed in a “to read” pile.\u003c/p>\n\u003cp>Cassady wrote the 16,000-word letter to Kerouac, his fellow Beat generation figure, about an amorous relationship. Only a fragment, believed to have been copied by Kerouac himself, had been published in 1964 by John Bryan in his “Notes from Underground #1.”\u003c/p>\n\u003cp>Kerouac said in an interview in 1968 that Cassady’s letter “was the greatest piece of writing I ever saw” and that it gave him the idea for the “spontaneous style” of \u003cem>On the Road\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_11597935\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/1463684603-cassady-letter-800x400.jpg\" alt='An excerpt of the \"Joan Anderson Letter\" written by Neal Cassady' width=\"800\" height=\"400\" class=\"size-medium wp-image-11597935\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1463684603-cassady-letter-800x400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1463684603-cassady-letter-400x200.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1463684603-cassady-letter-768x384.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1463684603-cassady-letter-960x480.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/1463684603-cassady-letter.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An excerpt of the “Joan Anderson Letter” written by Neal Cassady \u003ccite>(Photo: Courtesy of Christie's)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I got the idea for the spontaneous style of ‘On the Road’ from seeing how good old Neal Cassady wrote his letters to me, all first person, fast, mad, confessional, completely serious, all detailed, with real names in his case, however (being letters),” Kerouac wrote.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Cassady later admitted that he had been binging on Benzedrine when he wrote the letter.\u003c/p>\n\u003cp>In 1971, the fragment was published by City Lights as an addendum to Cassady’s book “The First Third.” It was also the basis for the 1997 film, “The Last Time I Committed Suicide,” starring Thomas Jane and Keanu Reeves.\u003c/p>\n\u003cp>Christie’s says title claims to the letter that were raised during a small California auction in 2014 — in which the letter was withdrawn — have been resolved, allowing the letter to be offered at its upcoming books and manuscripts sale. Christie’s declined to name the seller. However, the copyright on the letter lists Cassady family members.\u003c/p>\n\u003cp>The letter will tour Seattle, San Francisco, Los Angeles and New York between May 31 and June 15.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11597686/neal-cassady-letter-that-inspired-kerouac-to-be-auctioned-off-could-bring-600000",
"authors": [
"byline_arts_11597686"
],
"categories": [
"arts_73",
"arts_235"
],
"tags": [
"arts_596",
"arts_1427"
],
"featImg": "arts_11597825",
"label": "arts"
},
"news_10960580": {
"type": "posts",
"id": "news_10960580",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "10960580",
"score": null,
"sort": [
1463670485000
]
},
"parent": 0,
"labelTerm": {
"site": "news",
"term": 6944
},
"blocks": [],
"publishDate": 1463670485,
"format": "standard",
"disqusTitle": "Facebook's Top Execs Meet With Conservatives to Discuss Bias Charges",
"title": "Facebook's Top Execs Meet With Conservatives to Discuss Bias Charges",
"headTitle": "News Fix | KQED News",
"content": "\u003cp>Mark Zuckerberg on Wednesday held a wide-ranging discussion with a group of conservative commentators who said afterward the Facebook CEO acknowledged the giant social network has a problem reaching conservatives.\u003c/p>\n\u003cp>The meeting at Facebook's Menlo Park headquarters came about after a report accused the company of harboring a bias against conservative views.\u003c/p>\n\u003cp>S.E. Cupp, a columnist with the New York Daily News who attended the meeting, said Facebook executives \"were very clear to acknowledge that there is a problem and the problem is a serious one.\"\u003c/p>\n\u003cp>Cupp said Zuckerberg, Chief Operating Officer Sheryl Sandberg, Vice President Joel Kaplan and board member Peter Thiel mostly listened to the 17 conservatives who attended.\u003c/p>\n\u003cp>While the Facebook executives did not comment further on an internal investigation into allegations of political manipulation, they explained how difficult it would be for Facebook employees to inject bias into what stories make it into the \"trending topics\" section of the site or on individual users' news feeds, Cupp said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Facebook team also said any such tampering would be \"philosophically against both the mission of the company and Mark's personal mission,\" Cupp said. \"I believed them.\"\u003c/p>\n\u003cp>Rob Bluey, editor-in-chief of the website The Daily Signal, made similar comments to Fox News' Greta Van Susteren shortly after the meeting ended.\u003c/p>\n\u003cp>\"They certainly acknowledged that there was a problem with getting the message out to conservatives,\" he said.\u003c/p>\n\u003cp>Facebook spokesman Andy Stone confirmed that was the tenor of the meeting.\u003c/p>\n\u003cp>In a Facebook post afterward, Zuckerberg did not directly respond to allegations that Facebook employees suppressed conservative stories on its \"trending topics\" feature. But he said, \"I know many conservatives don't trust that our platform surfaces content without a political bias.\"\u003c/p>\n\u003cp>\"I wanted to hear their concerns personally and have an open conversation about how we can build trust. I want to do everything I can to make sure our teams uphold the integrity of our products,\" he wrote.\u003c/p>\n\u003cp>Among others in attendance, according to Facebook, were radio host Glenn Beck, American Enterprise Institute President Arthur Brooks, Tea Party Patriots CEO Jenny Beth Martin and Brent Bozell, president of the Media Research Center.\u003c/p>\n\u003cp>Bozell said in a statement afterward that the meeting was \"very productive.\"\u003c/p>\n\u003cp>\"There has been a serious issue of trust within the conservative movement about this issue, but everyone in that room, on both sides, wants to see it restored,\" he said.\u003c/p>\n\u003cp>Zuckerberg invited the group after the tech blog Gizmodo claimed that Facebook downplays conservative news subjects on its trending feature. Facebook denied the report, which relied upon a single anonymous individual with self-described conservative leanings. The company said it is investigating the matter.\u003c/p>\n\u003cp>Cupp said the viewpoints of the conservatives and the Facebook executives were aligned on issues such as data security, privacy, deregulation and free markets.\u003c/p>\n\u003cp>\"We have a lot more in common than public perception would have you believe,\" she said.\u003c/p>\n\u003cp>Facebook's trending topics are most visible on the desktop version of the social network, although it is possible to access them on mobile, too.\u003c/p>\n\u003cp>On browsers, the topics appear on the top right corner, separate from the news feed containing updates from your friends and family. On mobile devices, users can tap on the search bar to see the top trends, but they can't see separate categories.\u003c/p>\n\u003cp>Topics that appear as trending can have a self-fulfilling effect, as more Facebook readers see and share the items, and other news organizations decide to write their own stories.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>AP Technology Writer Barbara Ortutay in New York contributed to this report.\u003c/em>\u003c/p>\n\n",
"disqusIdentifier": "10960580 http://ww2.kqed.org/news/?p=10960580",
"disqusUrl": "https://ww2.kqed.org/news/2016/05/19/facebooks-top-execs-meet-with-conservatives-to-discuss-bias-charges/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 600,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 23
},
"modified": 1463694724,
"excerpt": "CEO Mark Zuckerberg called meeting to 'build trust' after charges that news editors suppress right-wing voices.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "CEO Mark Zuckerberg called meeting to 'build trust' after charges that news editors suppress right-wing voices.",
"title": "Facebook's Top Execs Meet With Conservatives to Discuss Bias Charges | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Facebook's Top Execs Meet With Conservatives to Discuss Bias Charges",
"datePublished": "2016-05-19T08:08:05-07:00",
"dateModified": "2016-05-19T14:52:04-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"guestAuthors": [],
"slug": "facebooks-top-execs-meet-with-conservatives-to-discuss-bias-charges",
"status": "publish",
"nprByline": "\u003cstrong>Ryan Nakashima\u003cbr />Associated Press\u003c/strong>",
"nprStoryId": "478682597",
"path": "/news/10960580/facebooks-top-execs-meet-with-conservatives-to-discuss-bias-charges",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mark Zuckerberg on Wednesday held a wide-ranging discussion with a group of conservative commentators who said afterward the Facebook CEO acknowledged the giant social network has a problem reaching conservatives.\u003c/p>\n\u003cp>The meeting at Facebook's Menlo Park headquarters came about after a report accused the company of harboring a bias against conservative views.\u003c/p>\n\u003cp>S.E. Cupp, a columnist with the New York Daily News who attended the meeting, said Facebook executives \"were very clear to acknowledge that there is a problem and the problem is a serious one.\"\u003c/p>\n\u003cp>Cupp said Zuckerberg, Chief Operating Officer Sheryl Sandberg, Vice President Joel Kaplan and board member Peter Thiel mostly listened to the 17 conservatives who attended.\u003c/p>\n\u003cp>While the Facebook executives did not comment further on an internal investigation into allegations of political manipulation, they explained how difficult it would be for Facebook employees to inject bias into what stories make it into the \"trending topics\" section of the site or on individual users' news feeds, Cupp said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Facebook team also said any such tampering would be \"philosophically against both the mission of the company and Mark's personal mission,\" Cupp said. \"I believed them.\"\u003c/p>\n\u003cp>Rob Bluey, editor-in-chief of the website The Daily Signal, made similar comments to Fox News' Greta Van Susteren shortly after the meeting ended.\u003c/p>\n\u003cp>\"They certainly acknowledged that there was a problem with getting the message out to conservatives,\" he said.\u003c/p>\n\u003cp>Facebook spokesman Andy Stone confirmed that was the tenor of the meeting.\u003c/p>\n\u003cp>In a Facebook post afterward, Zuckerberg did not directly respond to allegations that Facebook employees suppressed conservative stories on its \"trending topics\" feature. But he said, \"I know many conservatives don't trust that our platform surfaces content without a political bias.\"\u003c/p>\n\u003cp>\"I wanted to hear their concerns personally and have an open conversation about how we can build trust. I want to do everything I can to make sure our teams uphold the integrity of our products,\" he wrote.\u003c/p>\n\u003cp>Among others in attendance, according to Facebook, were radio host Glenn Beck, American Enterprise Institute President Arthur Brooks, Tea Party Patriots CEO Jenny Beth Martin and Brent Bozell, president of the Media Research Center.\u003c/p>\n\u003cp>Bozell said in a statement afterward that the meeting was \"very productive.\"\u003c/p>\n\u003cp>\"There has been a serious issue of trust within the conservative movement about this issue, but everyone in that room, on both sides, wants to see it restored,\" he said.\u003c/p>\n\u003cp>Zuckerberg invited the group after the tech blog Gizmodo claimed that Facebook downplays conservative news subjects on its trending feature. Facebook denied the report, which relied upon a single anonymous individual with self-described conservative leanings. The company said it is investigating the matter.\u003c/p>\n\u003cp>Cupp said the viewpoints of the conservatives and the Facebook executives were aligned on issues such as data security, privacy, deregulation and free markets.\u003c/p>\n\u003cp>\"We have a lot more in common than public perception would have you believe,\" she said.\u003c/p>\n\u003cp>Facebook's trending topics are most visible on the desktop version of the social network, although it is possible to access them on mobile, too.\u003c/p>\n\u003cp>On browsers, the topics appear on the top right corner, separate from the news feed containing updates from your friends and family. On mobile devices, users can tap on the search bar to see the top trends, but they can't see separate categories.\u003c/p>\n\u003cp>Topics that appear as trending can have a self-fulfilling effect, as more Facebook readers see and share the items, and other news organizations decide to write their own stories.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>AP Technology Writer Barbara Ortutay in New York contributed to this report.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/10960580/facebooks-top-execs-meet-with-conservatives-to-discuss-bias-charges",
"authors": [
"byline_news_10960580"
],
"programs": [
"news_6944"
],
"categories": [
"news_223",
"news_13"
],
"tags": [
"news_249",
"news_250"
],
"featImg": "news_93966",
"label": "news_6944"
},
"arts_11594415": {
"type": "posts",
"id": "arts_11594415",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11594415",
"score": null,
"sort": [
1463616044000
]
},
"guestAuthors": [],
"slug": "alamedas-history-honored-through-a-mix-of-dance-storytelling-and-song",
"title": "Alameda's History Honored Through a Mix of Dance, Storytelling and Song",
"publishDate": 1463616044,
"format": "standard",
"headTitle": "Alameda’s History Honored Through a Mix of Dance, Storytelling and Song | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/264794885″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>We’re at a narrow park on the Alameda side of the Oakland Estuary, with cars clanking above on the Fruitvale Bridge and boats motoring by on the water.\u003c/p>\n\u003cp>Suddenly, a man wearing a pea coat and a captain’s hat begins to speak:\u003c/p>\n\u003cfigure id=\"attachment_11594421\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11594421\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/015-e1463604813350-800x438.jpg\" alt=\"Ed Holmes in Rhythmix Cultural Center’s ‘Island City Waterways’ \" width=\"800\" height=\"438\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/015-e1463604813350-800x438.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/015-e1463604813350-400x219.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/015-e1463604813350-768x420.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/015-e1463604813350-1180x646.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/015-e1463604813350-1920x1051.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/015-e1463604813350-960x526.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ed Holmes in Rhythmix Cultural Center’s ‘Island City Waterways’ \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“If only the mud could talk,” he says, “or the water to tell who and what have come before and who and what have stayed and left their mark.”\u003c/p>\n\u003cp>Then a troupe of eight or so dancers weave and tumble out of a thin line of trees by the bridge, as a band of musicians begins a rhythmic whistling and drumming.\u003c/p>\n\u003cfigure id=\"attachment_11594420\" class=\"wp-caption aligncenter\" style=\"max-width: 790px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11594420\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/017-790x600.jpg\" alt=\"Dancers in Rhythmix Cultural Center’s ‘Island City Waterways’ \" width=\"790\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/017-790x600.jpg 790w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/017-400x304.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/017-768x583.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/017-1180x896.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/017-1920x1458.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/017-960x729.jpg 960w\" sizes=\"(max-width: 790px) 100vw, 790px\">\u003cfigcaption class=\"wp-caption-text\">Dancers in Rhythmix Cultural Center’s ‘Island City Waterways’\u003c/figcaption>\u003c/figure>\n\u003cp>They’re evoking the arrival of the Ohlone Indians to Alameda 1,400 years ago.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This is a rehearsal for\u003ca href=\"http://www.islandcitywaterways.org/\" target=\"_blank\" rel=\"noopener\">\u003cem> Island City Waterways\u003c/em>\u003c/a> put on this weekend by Alameda’s \u003ca href=\"http://www.rhythmix.org/index.php?gclid=CJru7Pi95MwCFQdbfgodxVgPBg\" target=\"_blank\" rel=\"noopener\">Rhythmix Cultural Gallery.\u003c/a> Waterways is an ambitious performance that combines site-specific dance, music, and storytelling, plus an art show that celebrates the legacy of those who immigrated to the island and helped settle the area.\u003c/p>\n\u003cp>Ed Holmes is a former San Francisco Mime Troupe member and once served at the now-closed \u003ca href=\"http://alamedapointinfo.com/\" target=\"_blank\" rel=\"noopener\">Navy base in Alameda\u003c/a>. He’s the narrator for this show, “About who are the waves of immigrants. Waves,” Holmes interrupts himself to add, “are an important metaphor in this production. The waves that have come through here since day zero.”\u003c/p>\n\u003cfigure id=\"attachment_11594422\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11594422\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/001-e1463605222539-800x505.jpg\" alt=\"The now closed W.F. Stone Boat Yard on the Alameda Estuary dates back to 1853\" width=\"800\" height=\"505\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/001-e1463605222539-800x505.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/001-e1463605222539-400x253.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/001-e1463605222539-768x485.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/001-e1463605222539-1180x745.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/001-e1463605222539-1920x1213.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/001-e1463605222539-960x606.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The now closed W.F. Stone Boat Yard on the Alameda Estuary dates back to 1853 \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Island City Waterways\u003c/em> will be literally moving, because during six shows Saturday and Sunday, the dancers will parade hundreds of audience members along the waterfront from the Fruitvale to the Park Street Bridge. They’ll do the same with students from Alameda schools on Friday.\u003c/p>\n\u003cp>Choreographer Kim Epifano of \u003ca href=\"http://www.epiphanydance.org/\" target=\"_blank\" rel=\"noopener\">Epiphany Productions Sonic Dance Theater\u003c/a> hopes \u003cem>Waterways\u003c/em> will nurture pride in the city for Alamedans and visitors alike. “It’s going to be an amazing journey to take,” Epifano says, “because I don’t think many people walk along that waterfront. And then it makes you want to take care of it, it’s so extraordinary.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Island City Waterways\u003c/em> takes an upbeat view of Alameda history. It’s not about the city’s current fights over soaring home prices, development and rent control. But the show’s director, Rhythmix Cultural Center Founder Janet Koike, says audiences can share their own Alameda experiences-both good and bad. “We also have a kiosk,” she said, “for people to record their own stories of how they got here.” The video booth will be at Rhythmix for the next few months, and the recordings will eventually go to the Alameda Library for preservation.\u003c/p>\n\n",
"blocks": [],
"excerpt": "An ambitious dance and theater piece celebrates the immigrants who settled Alameda, the Island City.",
"status": "publish",
"parent": 0,
"modified": 1726788049,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 13,
"wordCount": 552
},
"headData": {
"title": "Alameda's History Honored Through a Mix of Dance, Storytelling and Song | KQED",
"description": "An ambitious dance and theater piece celebrates the immigrants who settled Alameda, the Island City.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Alameda's History Honored Through a Mix of Dance, Storytelling and Song",
"datePublished": "2016-05-18T17:00:44-07:00",
"dateModified": "2024-09-19T16:20:49-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "478610029",
"path": "/arts/11594415/alamedas-history-honored-through-a-mix-of-dance-storytelling-and-song",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/264794885″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/264794885″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>We’re at a narrow park on the Alameda side of the Oakland Estuary, with cars clanking above on the Fruitvale Bridge and boats motoring by on the water.\u003c/p>\n\u003cp>Suddenly, a man wearing a pea coat and a captain’s hat begins to speak:\u003c/p>\n\u003cfigure id=\"attachment_11594421\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11594421\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/015-e1463604813350-800x438.jpg\" alt=\"Ed Holmes in Rhythmix Cultural Center’s ‘Island City Waterways’ \" width=\"800\" height=\"438\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/015-e1463604813350-800x438.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/015-e1463604813350-400x219.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/015-e1463604813350-768x420.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/015-e1463604813350-1180x646.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/015-e1463604813350-1920x1051.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/015-e1463604813350-960x526.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ed Holmes in Rhythmix Cultural Center’s ‘Island City Waterways’ \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“If only the mud could talk,” he says, “or the water to tell who and what have come before and who and what have stayed and left their mark.”\u003c/p>\n\u003cp>Then a troupe of eight or so dancers weave and tumble out of a thin line of trees by the bridge, as a band of musicians begins a rhythmic whistling and drumming.\u003c/p>\n\u003cfigure id=\"attachment_11594420\" class=\"wp-caption aligncenter\" style=\"max-width: 790px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11594420\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/017-790x600.jpg\" alt=\"Dancers in Rhythmix Cultural Center’s ‘Island City Waterways’ \" width=\"790\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/017-790x600.jpg 790w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/017-400x304.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/017-768x583.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/017-1180x896.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/017-1920x1458.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/017-960x729.jpg 960w\" sizes=\"(max-width: 790px) 100vw, 790px\">\u003cfigcaption class=\"wp-caption-text\">Dancers in Rhythmix Cultural Center’s ‘Island City Waterways’\u003c/figcaption>\u003c/figure>\n\u003cp>They’re evoking the arrival of the Ohlone Indians to Alameda 1,400 years ago.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This is a rehearsal for\u003ca href=\"http://www.islandcitywaterways.org/\" target=\"_blank\" rel=\"noopener\">\u003cem> Island City Waterways\u003c/em>\u003c/a> put on this weekend by Alameda’s \u003ca href=\"http://www.rhythmix.org/index.php?gclid=CJru7Pi95MwCFQdbfgodxVgPBg\" target=\"_blank\" rel=\"noopener\">Rhythmix Cultural Gallery.\u003c/a> Waterways is an ambitious performance that combines site-specific dance, music, and storytelling, plus an art show that celebrates the legacy of those who immigrated to the island and helped settle the area.\u003c/p>\n\u003cp>Ed Holmes is a former San Francisco Mime Troupe member and once served at the now-closed \u003ca href=\"http://alamedapointinfo.com/\" target=\"_blank\" rel=\"noopener\">Navy base in Alameda\u003c/a>. He’s the narrator for this show, “About who are the waves of immigrants. Waves,” Holmes interrupts himself to add, “are an important metaphor in this production. The waves that have come through here since day zero.”\u003c/p>\n\u003cfigure id=\"attachment_11594422\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11594422\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/001-e1463605222539-800x505.jpg\" alt=\"The now closed W.F. Stone Boat Yard on the Alameda Estuary dates back to 1853\" width=\"800\" height=\"505\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/001-e1463605222539-800x505.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/001-e1463605222539-400x253.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/001-e1463605222539-768x485.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/001-e1463605222539-1180x745.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/001-e1463605222539-1920x1213.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/001-e1463605222539-960x606.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The now closed W.F. Stone Boat Yard on the Alameda Estuary dates back to 1853 \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Island City Waterways\u003c/em> will be literally moving, because during six shows Saturday and Sunday, the dancers will parade hundreds of audience members along the waterfront from the Fruitvale to the Park Street Bridge. They’ll do the same with students from Alameda schools on Friday.\u003c/p>\n\u003cp>Choreographer Kim Epifano of \u003ca href=\"http://www.epiphanydance.org/\" target=\"_blank\" rel=\"noopener\">Epiphany Productions Sonic Dance Theater\u003c/a> hopes \u003cem>Waterways\u003c/em> will nurture pride in the city for Alamedans and visitors alike. “It’s going to be an amazing journey to take,” Epifano says, “because I don’t think many people walk along that waterfront. And then it makes you want to take care of it, it’s so extraordinary.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Island City Waterways\u003c/em> takes an upbeat view of Alameda history. It’s not about the city’s current fights over soaring home prices, development and rent control. But the show’s director, Rhythmix Cultural Center Founder Janet Koike, says audiences can share their own Alameda experiences-both good and bad. “We also have a kiosk,” she said, “for people to record their own stories of how they got here.” The video booth will be at Rhythmix for the next few months, and the recordings will eventually go to the Alameda Library for preservation.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11594415/alamedas-history-honored-through-a-mix-of-dance-storytelling-and-song",
"authors": [
"32"
],
"categories": [
"arts_966",
"arts_69",
"arts_235",
"arts_967"
],
"tags": [
"arts_1310",
"arts_1037",
"arts_596"
],
"featImg": "arts_11594423",
"label": "arts"
},
"arts_11594424": {
"type": "posts",
"id": "arts_11594424",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11594424",
"score": null,
"sort": [
1463606659000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1463606659,
"format": "standard",
"title": "Too Much Technology Can Spoil Your Warhol Experience",
"headTitle": "Too Much Technology Can Spoil Your Warhol Experience | KQED",
"content": "\u003cp>Looking at art is the core museum experience. I remember, when I was a kid, seeing Van Gogh’s \u003cem>Starry Night\u003c/em> for the first time. I stood for what seemed like hours, staring at the thick paint and swirling colors in a quiet gallery at the Museum of Modern Art in New York.\u003c/p>\n\u003cp>But San Francisco is not just any city. “Silicon Valley, San Francisco, is a place of innovation, and so we feel quite a strong pressure to play a role in that in the museum space,” says Keir Winesmith, head of Web and digital platforms at the \u003ca href=\"https://www.sfmoma.org/\">San Francisco Museum of Modern Art\u003c/a>.\u003c/p>\n\u003cp>The museum reopened this weekend after a three-year closure \u003ca href=\"https://www.sfmoma.org/about/our-expansion-2016/\" target=\"_blank\" rel=\"noopener\">to build an addition\u003c/a>. Its expanded collection includes works by modern icons such as Andy Warhol, Mark Rothko and Richard Serra, and some new interactive technology. And like a growing number of museums, the San Francisco MOMA hopes the new tech doesn’t get in the way of looking at the art.\u003c/p>\n\u003cfigure id=\"attachment_11594426\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-1180x884.jpg\" alt=\"A photography interpretive gallery is seen next to the Sightglass coffee bar in the newly expanded San Francisco Museum of Modern Art.\" width=\"640\" height=\"479\" class=\"size-large wp-image-11594426\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-1180x884.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-1920x1439.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-960x720.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A photography interpretive gallery is seen next to the Sightglass coffee bar in the newly expanded San Francisco Museum of Modern Art.\u003c/figcaption>\u003c/figure>\n\u003cp>Winesmith gave me a walk-through of new technological features in this museum in the heart of downtown San Francisco. Most of the experiences are outside of the galleries — interactive touch screens to tell you more about what you just saw.\u003c/p>\n\u003cp>Within the galleries themselves, how much tech to use has been an ongoing question, Winesmith says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Most museums, especially art museums, are trying to balance this intent that they have about creating a really quiet or an engaged, almost religious commune with the art — with this real strong need to be relevant to modern audiences, to millennial audiences, to attract new audiences,” he says.\u003c/p>\n\u003cp>And Winesmith says they built an app for that. You can download it to your own phone.\u003c/p>\n\u003cp>At first it may seem like a creative take on traditional museum tours narrated by a variety of people, including one by the high-wire artist Philippe Petit.\u003c/p>\n\u003cp>The guide will tell you to turn left, or right, or go up the stairs to find a particular work of art or a collection. But it won’t start telling you about the art until you’re right in front of it, because the GPS is accurate enough to know your precise location.\u003c/p>\n\u003cp>“We described it as an eyes-up experience, a phone-in-pocket experience,” says Winesmith. “So, really, we wanted the device out of people’s hands because we want people \u003cem>not\u003c/em> playing on their devices when they’re in the museum.”\u003c/p>\n\u003cp>Other museums are more cautious about introducing digital technology into the galleries, even here in the heart of Silicon Valley.\u003c/p>\n\u003cfigure id=\"attachment_11594427\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-885x1180.jpg\" alt=\"People walk up to the entrance to the new SFMOMA.\" width=\"640\" height=\"853\" class=\"size-large wp-image-11594427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-885x1180.jpg 885w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-450x600.jpg 450w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-1920x2561.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-1180x1574.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-960x1280.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">People walk up to the entrance to the new SFMOMA.\u003c/figcaption>\u003c/figure>\n\u003cp>Connie Wolf, the director of the \u003ca href=\"http://museum.stanford.edu/index.html\" target=\"_blank\" rel=\"noopener\">Cantor Arts Center at Stanford University\u003c/a>, is taking a cautious approach. “In our busy lives, in our crazy lives, we’re always connected to technology,” she says. “People want to come into museums and put that technology aside for a moment.”\u003c/p>\n\u003cp>The Cantor does hand out some very old technology: packages of colored pencils and sketching paper for students and families. “You can walk through our museum at any point and there’s some kid lying on the floor looking at a work of art and drawing,” Wolf says. “And there’s no better way to experience art than to really be active in looking.”\u003c/p>\n\u003cp>Still, she says, they don’t ban mobile devices from the galleries. People are allowed to take photos, including selfies. When they share the photos, it’s great publicity for the museum.\u003c/p>\n\u003cp>For some museums, even photography is too much.\u003c/p>\n\u003cp>Kate Levin at Bloomberg Philanthropies oversees a program that has handed out $83 million to museums — including SFMOMA — to experiment with ways that technology may help enhance the museum experience. She says some institutions have even found photography and selfies a little \u003cem>dangerous\u003c/em>.\u003c/p>\n\u003cp>“It wasn’t just that everybody trying to look at a work of art had to brave a thicket of cellphones,” says Levin, “but that to get the good shot, people were starting to back up into each other and into the furniture.”\u003c/p>\n\u003cp>As SFMOMA opens its doors to the public, Winesmith says, museum officials are nervously waiting to see what happens. In tests, people still looked down at the app.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There’s something about that beautiful shiny screen that’s so attractive,” Winesmith says. “People still have that phone out and are still looking down a lot more than we’d like.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Too+Much+Technology+Can+Spoil+Your+Warhol+Experience&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 817,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 21
},
"modified": 1705034182,
"excerpt": "The San Francisco Museum of Modern Art has reopened after a three-year closure. Like a growing number of museums, it hopes new tech doesn't get in the way of looking at the art.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The San Francisco Museum of Modern Art has reopened after a three-year closure. Like a growing number of museums, it hopes new tech doesn't get in the way of looking at the art.",
"title": "Too Much Technology Can Spoil Your Warhol Experience | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Too Much Technology Can Spoil Your Warhol Experience",
"datePublished": "2016-05-18T14:24:19-07:00",
"dateModified": "2024-01-11T20:36:22-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "too-much-technology-can-spoil-your-warhol-experience",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=478270516&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprStoryDate": "Tue, 17 May 2016 07:01:00 -0400",
"nprLastModifiedDate": "Tue, 17 May 2016 11:08:51 -0400",
"nprHtmlLink": "http://www.npr.org/sections/alltechconsidered/2016/05/17/478270516/too-much-technology-can-spoil-your-warhol-experience?ft=nprml&f=478270516",
"nprAudio": "http://pd.npr.org/anon.npr-mp3/npr/atc/2016/05/20160516_atc_san_franciscos_modern_art_museum_looks_to_break_ground_with_interactive_tech.mp3?orgId=1&topicId=1019&d=260&story=478270516&ft=nprml&f=478270516",
"nprImageAgency": "AP",
"nprAudioM3u": "http://api.npr.org/m3u/1478356234-bb6d74.m3u?orgId=1&topicId=1019&d=260&story=478270516&ft=nprml&f=478270516",
"nprStoryId": "478270516",
"nprByline": "Laura Sydell",
"sticky": false,
"nprImageCredit": "Eric Risberg",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 17 May 2016 11:08:00 -0400",
"path": "/arts/11594424/too-much-technology-can-spoil-your-warhol-experience",
"audioUrl": "http://pd.npr.org/anon.npr-mp3/npr/atc/2016/05/20160516_atc_san_franciscos_modern_art_museum_looks_to_break_ground_with_interactive_tech.mp3?orgId=1&topicId=1019&d=260&story=478270516&ft=nprml&f=478270516",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Looking at art is the core museum experience. I remember, when I was a kid, seeing Van Gogh’s \u003cem>Starry Night\u003c/em> for the first time. I stood for what seemed like hours, staring at the thick paint and swirling colors in a quiet gallery at the Museum of Modern Art in New York.\u003c/p>\n\u003cp>But San Francisco is not just any city. “Silicon Valley, San Francisco, is a place of innovation, and so we feel quite a strong pressure to play a role in that in the museum space,” says Keir Winesmith, head of Web and digital platforms at the \u003ca href=\"https://www.sfmoma.org/\">San Francisco Museum of Modern Art\u003c/a>.\u003c/p>\n\u003cp>The museum reopened this weekend after a three-year closure \u003ca href=\"https://www.sfmoma.org/about/our-expansion-2016/\" target=\"_blank\" rel=\"noopener\">to build an addition\u003c/a>. Its expanded collection includes works by modern icons such as Andy Warhol, Mark Rothko and Richard Serra, and some new interactive technology. And like a growing number of museums, the San Francisco MOMA hopes the new tech doesn’t get in the way of looking at the art.\u003c/p>\n\u003cfigure id=\"attachment_11594426\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-1180x884.jpg\" alt=\"A photography interpretive gallery is seen next to the Sightglass coffee bar in the newly expanded San Francisco Museum of Modern Art.\" width=\"640\" height=\"479\" class=\"size-large wp-image-11594426\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-1180x884.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-1920x1439.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/ap_16135710180659-6c2b3af5abd2df36f8b8ee2123bef54c16316b64-960x720.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A photography interpretive gallery is seen next to the Sightglass coffee bar in the newly expanded San Francisco Museum of Modern Art.\u003c/figcaption>\u003c/figure>\n\u003cp>Winesmith gave me a walk-through of new technological features in this museum in the heart of downtown San Francisco. Most of the experiences are outside of the galleries — interactive touch screens to tell you more about what you just saw.\u003c/p>\n\u003cp>Within the galleries themselves, how much tech to use has been an ongoing question, Winesmith says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Most museums, especially art museums, are trying to balance this intent that they have about creating a really quiet or an engaged, almost religious commune with the art — with this real strong need to be relevant to modern audiences, to millennial audiences, to attract new audiences,” he says.\u003c/p>\n\u003cp>And Winesmith says they built an app for that. You can download it to your own phone.\u003c/p>\n\u003cp>At first it may seem like a creative take on traditional museum tours narrated by a variety of people, including one by the high-wire artist Philippe Petit.\u003c/p>\n\u003cp>The guide will tell you to turn left, or right, or go up the stairs to find a particular work of art or a collection. But it won’t start telling you about the art until you’re right in front of it, because the GPS is accurate enough to know your precise location.\u003c/p>\n\u003cp>“We described it as an eyes-up experience, a phone-in-pocket experience,” says Winesmith. “So, really, we wanted the device out of people’s hands because we want people \u003cem>not\u003c/em> playing on their devices when they’re in the museum.”\u003c/p>\n\u003cp>Other museums are more cautious about introducing digital technology into the galleries, even here in the heart of Silicon Valley.\u003c/p>\n\u003cfigure id=\"attachment_11594427\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-885x1180.jpg\" alt=\"People walk up to the entrance to the new SFMOMA.\" width=\"640\" height=\"853\" class=\"size-large wp-image-11594427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-885x1180.jpg 885w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-450x600.jpg 450w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-1920x2561.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-1180x1574.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/img_3119-2_vert-07c59693f834f226f88d8c1ee3e8128d5ddef6eb-960x1280.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">People walk up to the entrance to the new SFMOMA.\u003c/figcaption>\u003c/figure>\n\u003cp>Connie Wolf, the director of the \u003ca href=\"http://museum.stanford.edu/index.html\" target=\"_blank\" rel=\"noopener\">Cantor Arts Center at Stanford University\u003c/a>, is taking a cautious approach. “In our busy lives, in our crazy lives, we’re always connected to technology,” she says. “People want to come into museums and put that technology aside for a moment.”\u003c/p>\n\u003cp>The Cantor does hand out some very old technology: packages of colored pencils and sketching paper for students and families. “You can walk through our museum at any point and there’s some kid lying on the floor looking at a work of art and drawing,” Wolf says. “And there’s no better way to experience art than to really be active in looking.”\u003c/p>\n\u003cp>Still, she says, they don’t ban mobile devices from the galleries. People are allowed to take photos, including selfies. When they share the photos, it’s great publicity for the museum.\u003c/p>\n\u003cp>For some museums, even photography is too much.\u003c/p>\n\u003cp>Kate Levin at Bloomberg Philanthropies oversees a program that has handed out $83 million to museums — including SFMOMA — to experiment with ways that technology may help enhance the museum experience. She says some institutions have even found photography and selfies a little \u003cem>dangerous\u003c/em>.\u003c/p>\n\u003cp>“It wasn’t just that everybody trying to look at a work of art had to brave a thicket of cellphones,” says Levin, “but that to get the good shot, people were starting to back up into each other and into the furniture.”\u003c/p>\n\u003cp>As SFMOMA opens its doors to the public, Winesmith says, museum officials are nervously waiting to see what happens. In tests, people still looked down at the app.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There’s something about that beautiful shiny screen that’s so attractive,” Winesmith says. “People still have that phone out and are still looking down a lot more than we’d like.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Too+Much+Technology+Can+Spoil+Your+Warhol+Experience&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11594424/too-much-technology-can-spoil-your-warhol-experience",
"authors": [
"byline_arts_11594424"
],
"categories": [
"arts_235",
"arts_70"
],
"tags": [
"arts_1119",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_11594425",
"label": "arts_137"
},
"arts_11594276": {
"type": "posts",
"id": "arts_11594276",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11594276",
"score": null,
"sort": [
1463602945000
]
},
"guestAuthors": [],
"slug": "police-say-sinead-oconnor-was-found-at-hotel",
"title": "Police Say Sinead O'Connor Was Found at Hotel",
"publishDate": 1463602945,
"format": "standard",
"headTitle": "Police Say Sinead O’Connor Was Found at Hotel | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Suburban Chicago police say they found Irish singer-songwriter Sinead O’Connor after she went missing earlier this week staying at a hotel.\u003c/p>\n\u003cp>Wilmette police spokesman Eric Peterson said Tuesday that 10 departments helped canvass area hotels. He said finding O’Connor safe Monday afternoon was “a wonderful outcome.”\u003c/p>\n\u003cp>He declined to provide other details, including about where exactly O’Connor was found, her condition or where she is now.\u003c/p>\n\u003cp>A rambling message posted Monday evening on O’Connor’s \u003ca href=\"https://www.facebook.com/sineadoconnor/posts/1104773712894949\" target=\"_blank\" rel=\"noopener\">official Facebook page\u003c/a> referred to emotional trauma she had been through over the years.\u003c/p>\n\u003cp>https://www.facebook.com/sineadoconnor/posts/1104773712894949\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>O’Connor scored an international hit in 1990 with her rendition of Prince’s ballad “Nothing Compares 2 U.”\u003c/p>\n\n",
"blocks": [],
"excerpt": "Police would not comment on O' Connor's condition but after she was found, she posted a rant on her Facebook page ",
"status": "publish",
"parent": 0,
"modified": 1726709771,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 7,
"wordCount": 133
},
"headData": {
"title": "Police Say Sinead O'Connor Was Found at Hotel | KQED",
"description": "Police would not comment on O' Connor's condition but after she was found, she posted a rant on her Facebook page ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Police Say Sinead O'Connor Was Found at Hotel",
"datePublished": "2016-05-18T13:22:25-07:00",
"dateModified": "2024-09-18T18:36:11-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Associated Press",
"nprStoryId": "478575715",
"path": "/arts/11594276/police-say-sinead-oconnor-was-found-at-hotel",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Suburban Chicago police say they found Irish singer-songwriter Sinead O’Connor after she went missing earlier this week staying at a hotel.\u003c/p>\n\u003cp>Wilmette police spokesman Eric Peterson said Tuesday that 10 departments helped canvass area hotels. He said finding O’Connor safe Monday afternoon was “a wonderful outcome.”\u003c/p>\n\u003cp>He declined to provide other details, including about where exactly O’Connor was found, her condition or where she is now.\u003c/p>\n\u003cp>A rambling message posted Monday evening on O’Connor’s \u003ca href=\"https://www.facebook.com/sineadoconnor/posts/1104773712894949\" target=\"_blank\" rel=\"noopener\">official Facebook page\u003c/a> referred to emotional trauma she had been through over the years.\u003c/p>\n\u003cp>https://www.facebook.com/sineadoconnor/posts/1104773712894949\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>O’Connor scored an international hit in 1990 with her rendition of Prince’s ballad “Nothing Compares 2 U.”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11594276/police-say-sinead-oconnor-was-found-at-hotel",
"authors": [
"byline_arts_11594276"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_596",
"arts_1427"
],
"featImg": "arts_11594279",
"label": "arts"
},
"arts_11588339": {
"type": "posts",
"id": "arts_11588339",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11588339",
"score": null,
"sort": [
1463583607000
]
},
"guestAuthors": [],
"slug": "lizz-winstead-lady-parts-justice",
"title": "Lizz Winstead Has a Feminist, Pro-Choice Posse and They Wield Jokes",
"publishDate": 1463583607,
"format": "image",
"headTitle": "Lizz Winstead Has a Feminist, Pro-Choice Posse and They Wield Jokes | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>On Monday, the San Francisco’s \u003ca href=\"http://womenscommunityclinic.org/\" target=\"_blank\" rel=\"noopener\">Women’s Community Clinic\u003c/a> called and told me the news: Lizz Winstead is bringing us pizza tomorrow. \u003c/p>\n\u003cp>A co-creator of \u003cem>the Daily Show\u003c/em>, co-founder of Air America radio, and an unstoppable feminist joke machine, Winstead often drops by reproductive healthcare clinics with treats. She brings them, she says, because everyone she knows has been to a clinic at some point in their lives, and because the people who work in reproductive healthcare can get lonely. \u003c/p>\n\u003cp>It’s just one part of her latest project, \u003ca href=\"http://www.ladypartsjustice.com/\" target=\"_blank\" rel=\"noopener\">Lady Parts Justice,\u003c/a> which uses comedy and information to battle anti-choice legislation. Willing to support clinics however she can, sometimes Winstead brings the workers a comedy show, but she can also bring breakfast, “or take them out for drinks, or we’re going to Fort Worth Texas, to build a fence in August,” she told me over the phone last week. “We’re part Amy Schumer show, part USO, part Habitat for Humanity.” \u003c/p>\n\u003cp>She wasn’t kidding. When we talked, Winstead was calling from Louisville, where she had done a show the night before with the Lady Parts Justice team, a rotating group of pro-choice feminist comics that perform across the U.S. It’s just \u003ca href=\"http://www.ladypartsjustice.com/events/\" target=\"_blank\" rel=\"noopener\">one of many ways \u003c/a>Winstead and crew draw attention to potential threats to reproductive rights. \u003c/p>\n\u003cp>In the end, I wasn’t able to go to the clinic and eat any of Winstead’s pizza. But as we talked on the phone, I realized I was treated to a feminist stand-up show for one. \u003c/p>\n\u003cfigure id=\"attachment_11588340\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/LizzWinstead3.jpg\" alt='(L-R) Jim Colucci, Lizz Winstead and Frank DeCaro at the wedding of Frank DeCaro and Jim Colucci live on air of \"The Frank DeCaro Show\" ' width=\"800\" height=\"450\" class=\"size-full wp-image-11588340\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/LizzWinstead3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/LizzWinstead3-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/LizzWinstead3-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(L-R) Jim Colucci, Lizz Winstead and Frank DeCaro at the wedding of Frank DeCaro and Jim Colucci live on air of “The Frank DeCaro Show” \u003ccite>(Photo: Neilson Barnard/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>With \u003cem>the Daily Show,\u003c/em> and since 2012, with Lady Parts Justice, you’ve made a habit of taking on subject matter usually addressed by activists. Can you explain how you write about issues you yourself are passionately opinionated about, but at the same time maintain a level head so you can figure out where the funny is? \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I’ve always poked my little stick at the seamy underbelly of things that I’ve found either hypocritical or oppressive. You can really find humor when you figure out where your targets are, and then figure out the lies, manipulation, and hypocrisy. When you stark poking around, you’ll always see that the purpose of what they’re doing is so that the power structure that exists can remain the power structure, whether that is banking, whether that is undocumented workers, whether that is Black Lives Matter, whether that’s reproductive rights issues. It’s always the case: “How can we make sure that people remain vulnerable?” So our job is to blow the lid off of that, and laugh at their ridiculous reasoning. For example, when you tell women that to have less clinics is better healthcare, that’s just a laughable base of operations to start from. People will become homicidal if their app doesn’t download fast enough, yet you make a woman wait for a health care decision anywhere between 24 and 72 hours because you’re just sure she hasn’t thought about it enough? There are so many things I could say, but I’ll start with that. \u003c/p>\n\u003cp>\u003cstrong>Reproductive rights is a complicated area for comedy. How do you come at it ethically? What do you worry about? \u003c/strong>\u003c/p>\n\u003cp>“Complicated.” “Ethically.” I feel like those are words the right has engrained into us to say. I follow the science and the necessity of what abortion means: There’s simply nothing unethical about needing to terminate a pregnancy, but the language has been highjacked by right-wing extremists for the last 40 years. Allowing them to talk about babies, allowing them to say the word mother, when the person just simply doesn’t want to be pregnant anymore. I have no moral or ethical problem with talking about abortion or having abortion be part of a comedy routine, because I don’t buy into, nor will I promote, any kind of untrue facts about why people need abortion, what abortion actually is, or what pregnancy actually is. When you have someone saying you can’t have an abortion in the first 72 hours of a sperm hitting an egg, when it’s not even a pregnancy? There is no moral or ethical reason I shouldn’t make as much fun of that person as possible. \u003c/p>\n\u003cfigure id=\"attachment_11591660\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Lizz-Winstead-4.jpg\" alt=\"Lizz Winstead speaks to a guest during the PFLAG National Straight For Equality Awards \" width=\"800\" height=\"532\" class=\"size-full wp-image-11591660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lizz-Winstead-4.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lizz-Winstead-4-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lizz-Winstead-4-768x511.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizz Winstead speaks to a guest during the PFLAG National Straight For Equality Awards \u003ccite>(Photo: D Dipasupil/Getty Images for PFLAG)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Some people see what they’re calling a “new wave” of comedy that talks about reproductive rights. They point to comics like Samantha Bee and John Oliver. Do you see yourself as part of a new wave, or more as part of a longer tradition? \u003c/strong>\u003c/p>\n\u003cp>I’ve been doing this a really long time. I just did a show recently and someone brought a flyer from 1992 of a fundraiser that I did for an abortion-rights advocacy group in Minnesota. So I’m glad that people are understanding what’s at stake, and Samantha Bee and John Oliver and Amy Schumer and Sarah Sliverman are paving the way, because they’re being smart about exposing a lot of the things people don’t know about when it comes to this issue. Like in 1992, there was Casey v. Planned Parenthood — the criteria was that you can curb abortion access if you don’t cause an “undue burden,” but nobody defined what that burden was.\u003c/p>\n\u003cp>\u003cstrong>In a recent BBC online article about abortion rates worldwide, which suggests that rate is a steady 25 percent of all pregnancies regardless of the legal status of termination, Dr. Bela Ganatra of the World Health Organization said “The high rates of abortion seen in our study provide further evidence of the need to improve and expand access to effective contraceptive services.” \u003c/strong>\u003c/p>\n\u003cp>Yeah, and the problem is, we live in a country where they’re telling us they want to reduce the number of abortions and the way they want to do that is to remove access to the places that provide affordable contraception. I don’t know why people like that are even listened to and not laughed off the planet. We don’t live in some world where there’s abstinence and unicorns. People have sex, unintended pregnancies happen, people don’t want to be parents or can’t have more kids. And some people would be shitty at it and know that about themselves. I’m one of those people. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/LizzWinstead2.jpg\" alt=\"Frank DeCaro Gets Married On SiriusXM's "The Frank DeCaro Show"\" width=\"800\" height=\"534\" class=\"aligncenter size-full wp-image-11588341\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/LizzWinstead2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/LizzWinstead2-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/LizzWinstead2-768x513.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>What is the thing with people who oppose contraceptives? I’m from San Francisco so I’m baffled by that. \u003c/strong>\u003c/p>\n\u003cp>That’s really where this story always goes. It gets out of abortion very quickly, and goes to the whole: “Sex is for procreation, contraception encourages sex not for procreation, it goes against God’s plan, I believe in God’s plan, and America was based on God’s plan.” It’s like “Whoa, whoa, and WHOA.” \u003c/p>\n\u003cp>\u003cstrong>You told \u003cem>Time\u003c/em> magazine you plan “to encourage people to incorporate a little bit of activism into their social lives, and so it becomes something that you do like your yoga practice” Do you think we could maybe just get people to totally replace their yoga practice with activism? \u003c/strong>\u003c/p>\n\u003cp>I just think that — first of all, that’s really funny. But our philosophy is to bring the information into places where people are already gathered; I don’t try to lure people into my world. There are buzzwords, like the word activist, people hate that word. But we live in a world where our art, everything, our conversations, our films, evolved around thinking about sex, trying to have sex, having sex, thinking about when you’re going to have sex again, and then eating. Right? We live in a sexual society, and you might not have anything in common with me, but we all like sex. And we know that. And if you make someone laugh, they like you. And if they like you, more often than not they’re willing to listen to what you have to say. \u003c/p>\n\u003cp>\u003cstrong>There must be a lot of competition from all the pro-life comedy out there. \u003c/strong>\u003c/p>\n\u003cp>You know what, that’s the hardest thing. They’re everywhere. Everywhere you turn, there’s another person on the anti-choice comedy tour. But no, there’s no one out there doing what we’re doing from the other side. I don’t think. Pass them along to me, I’d love to know. \u003c/p>\n\u003cp>\u003cstrong>Where can people find your work if they can’t catch you at the Women’s Community Clinic benefit?\u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Look at our videos on \u003ca href=\"http://www.ladypartsjustice.com/videos/\" target=\"_blank\" rel=\"noopener\">Lady Parts Justice\u003c/a>, and sign up to find out about \u003ca href=\"http://www.ladypartsjustice.com/v-to-shining-v/\" target=\"_blank\" rel=\"noopener\">V to Shining V\u003c/a>. This year it’s going to be a big awards show called the Golden Probes; we’re doing a livestream out of New York honoring outstanding achievements in sexism. We’re going to get somebody from every state, we have dance numbers, we have comedians, it’s going to be really fun.\u003cbr>\n____\u003cbr>\n\u003cem>\u003cbr>\nLizz Winstead performs May 19 at the Jewish Community Center of San Francisco. Tickets are $125 (though they are currently sold out.) For tickets, time, and more information, visit the \u003ca href=\"http://womenscommunityclinic.org/2016/02/hysteria2016/?\" target=\"_blank\" rel=\"noopener\">clinic’s website\u003c/a>.\u003c/em> \u003c/p>\n\n",
"blocks": [],
"excerpt": "Winstead, an unstoppable feminist joke machine, discusses how jokes about reproductive rights are part of the new wave of comedy. ",
"status": "publish",
"parent": 0,
"modified": 1726788052,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 24,
"wordCount": 1667
},
"headData": {
"title": "Lizz Winstead Has a Feminist, Pro-Choice Posse and They Wield Jokes | KQED",
"description": "Winstead, an unstoppable feminist joke machine, discusses how jokes about reproductive rights are part of the new wave of comedy. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Lizz Winstead Has a Feminist, Pro-Choice Posse and They Wield Jokes",
"datePublished": "2016-05-18T08:00:07-07:00",
"dateModified": "2024-09-19T16:20:52-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "478524421",
"path": "/arts/11588339/lizz-winstead-lady-parts-justice",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Monday, the San Francisco’s \u003ca href=\"http://womenscommunityclinic.org/\" target=\"_blank\" rel=\"noopener\">Women’s Community Clinic\u003c/a> called and told me the news: Lizz Winstead is bringing us pizza tomorrow. \u003c/p>\n\u003cp>A co-creator of \u003cem>the Daily Show\u003c/em>, co-founder of Air America radio, and an unstoppable feminist joke machine, Winstead often drops by reproductive healthcare clinics with treats. She brings them, she says, because everyone she knows has been to a clinic at some point in their lives, and because the people who work in reproductive healthcare can get lonely. \u003c/p>\n\u003cp>It’s just one part of her latest project, \u003ca href=\"http://www.ladypartsjustice.com/\" target=\"_blank\" rel=\"noopener\">Lady Parts Justice,\u003c/a> which uses comedy and information to battle anti-choice legislation. Willing to support clinics however she can, sometimes Winstead brings the workers a comedy show, but she can also bring breakfast, “or take them out for drinks, or we’re going to Fort Worth Texas, to build a fence in August,” she told me over the phone last week. “We’re part Amy Schumer show, part USO, part Habitat for Humanity.” \u003c/p>\n\u003cp>She wasn’t kidding. When we talked, Winstead was calling from Louisville, where she had done a show the night before with the Lady Parts Justice team, a rotating group of pro-choice feminist comics that perform across the U.S. It’s just \u003ca href=\"http://www.ladypartsjustice.com/events/\" target=\"_blank\" rel=\"noopener\">one of many ways \u003c/a>Winstead and crew draw attention to potential threats to reproductive rights. \u003c/p>\n\u003cp>In the end, I wasn’t able to go to the clinic and eat any of Winstead’s pizza. But as we talked on the phone, I realized I was treated to a feminist stand-up show for one. \u003c/p>\n\u003cfigure id=\"attachment_11588340\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/LizzWinstead3.jpg\" alt='(L-R) Jim Colucci, Lizz Winstead and Frank DeCaro at the wedding of Frank DeCaro and Jim Colucci live on air of \"The Frank DeCaro Show\" ' width=\"800\" height=\"450\" class=\"size-full wp-image-11588340\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/LizzWinstead3.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/LizzWinstead3-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/LizzWinstead3-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(L-R) Jim Colucci, Lizz Winstead and Frank DeCaro at the wedding of Frank DeCaro and Jim Colucci live on air of “The Frank DeCaro Show” \u003ccite>(Photo: Neilson Barnard/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>With \u003cem>the Daily Show,\u003c/em> and since 2012, with Lady Parts Justice, you’ve made a habit of taking on subject matter usually addressed by activists. Can you explain how you write about issues you yourself are passionately opinionated about, but at the same time maintain a level head so you can figure out where the funny is? \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I’ve always poked my little stick at the seamy underbelly of things that I’ve found either hypocritical or oppressive. You can really find humor when you figure out where your targets are, and then figure out the lies, manipulation, and hypocrisy. When you stark poking around, you’ll always see that the purpose of what they’re doing is so that the power structure that exists can remain the power structure, whether that is banking, whether that is undocumented workers, whether that is Black Lives Matter, whether that’s reproductive rights issues. It’s always the case: “How can we make sure that people remain vulnerable?” So our job is to blow the lid off of that, and laugh at their ridiculous reasoning. For example, when you tell women that to have less clinics is better healthcare, that’s just a laughable base of operations to start from. People will become homicidal if their app doesn’t download fast enough, yet you make a woman wait for a health care decision anywhere between 24 and 72 hours because you’re just sure she hasn’t thought about it enough? There are so many things I could say, but I’ll start with that. \u003c/p>\n\u003cp>\u003cstrong>Reproductive rights is a complicated area for comedy. How do you come at it ethically? What do you worry about? \u003c/strong>\u003c/p>\n\u003cp>“Complicated.” “Ethically.” I feel like those are words the right has engrained into us to say. I follow the science and the necessity of what abortion means: There’s simply nothing unethical about needing to terminate a pregnancy, but the language has been highjacked by right-wing extremists for the last 40 years. Allowing them to talk about babies, allowing them to say the word mother, when the person just simply doesn’t want to be pregnant anymore. I have no moral or ethical problem with talking about abortion or having abortion be part of a comedy routine, because I don’t buy into, nor will I promote, any kind of untrue facts about why people need abortion, what abortion actually is, or what pregnancy actually is. When you have someone saying you can’t have an abortion in the first 72 hours of a sperm hitting an egg, when it’s not even a pregnancy? There is no moral or ethical reason I shouldn’t make as much fun of that person as possible. \u003c/p>\n\u003cfigure id=\"attachment_11591660\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Lizz-Winstead-4.jpg\" alt=\"Lizz Winstead speaks to a guest during the PFLAG National Straight For Equality Awards \" width=\"800\" height=\"532\" class=\"size-full wp-image-11591660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lizz-Winstead-4.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lizz-Winstead-4-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lizz-Winstead-4-768x511.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizz Winstead speaks to a guest during the PFLAG National Straight For Equality Awards \u003ccite>(Photo: D Dipasupil/Getty Images for PFLAG)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Some people see what they’re calling a “new wave” of comedy that talks about reproductive rights. They point to comics like Samantha Bee and John Oliver. Do you see yourself as part of a new wave, or more as part of a longer tradition? \u003c/strong>\u003c/p>\n\u003cp>I’ve been doing this a really long time. I just did a show recently and someone brought a flyer from 1992 of a fundraiser that I did for an abortion-rights advocacy group in Minnesota. So I’m glad that people are understanding what’s at stake, and Samantha Bee and John Oliver and Amy Schumer and Sarah Sliverman are paving the way, because they’re being smart about exposing a lot of the things people don’t know about when it comes to this issue. Like in 1992, there was Casey v. Planned Parenthood — the criteria was that you can curb abortion access if you don’t cause an “undue burden,” but nobody defined what that burden was.\u003c/p>\n\u003cp>\u003cstrong>In a recent BBC online article about abortion rates worldwide, which suggests that rate is a steady 25 percent of all pregnancies regardless of the legal status of termination, Dr. Bela Ganatra of the World Health Organization said “The high rates of abortion seen in our study provide further evidence of the need to improve and expand access to effective contraceptive services.” \u003c/strong>\u003c/p>\n\u003cp>Yeah, and the problem is, we live in a country where they’re telling us they want to reduce the number of abortions and the way they want to do that is to remove access to the places that provide affordable contraception. I don’t know why people like that are even listened to and not laughed off the planet. We don’t live in some world where there’s abstinence and unicorns. People have sex, unintended pregnancies happen, people don’t want to be parents or can’t have more kids. And some people would be shitty at it and know that about themselves. I’m one of those people. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/LizzWinstead2.jpg\" alt=\"Frank DeCaro Gets Married On SiriusXM's "The Frank DeCaro Show"\" width=\"800\" height=\"534\" class=\"aligncenter size-full wp-image-11588341\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/LizzWinstead2.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/LizzWinstead2-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/LizzWinstead2-768x513.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>What is the thing with people who oppose contraceptives? I’m from San Francisco so I’m baffled by that. \u003c/strong>\u003c/p>\n\u003cp>That’s really where this story always goes. It gets out of abortion very quickly, and goes to the whole: “Sex is for procreation, contraception encourages sex not for procreation, it goes against God’s plan, I believe in God’s plan, and America was based on God’s plan.” It’s like “Whoa, whoa, and WHOA.” \u003c/p>\n\u003cp>\u003cstrong>You told \u003cem>Time\u003c/em> magazine you plan “to encourage people to incorporate a little bit of activism into their social lives, and so it becomes something that you do like your yoga practice” Do you think we could maybe just get people to totally replace their yoga practice with activism? \u003c/strong>\u003c/p>\n\u003cp>I just think that — first of all, that’s really funny. But our philosophy is to bring the information into places where people are already gathered; I don’t try to lure people into my world. There are buzzwords, like the word activist, people hate that word. But we live in a world where our art, everything, our conversations, our films, evolved around thinking about sex, trying to have sex, having sex, thinking about when you’re going to have sex again, and then eating. Right? We live in a sexual society, and you might not have anything in common with me, but we all like sex. And we know that. And if you make someone laugh, they like you. And if they like you, more often than not they’re willing to listen to what you have to say. \u003c/p>\n\u003cp>\u003cstrong>There must be a lot of competition from all the pro-life comedy out there. \u003c/strong>\u003c/p>\n\u003cp>You know what, that’s the hardest thing. They’re everywhere. Everywhere you turn, there’s another person on the anti-choice comedy tour. But no, there’s no one out there doing what we’re doing from the other side. I don’t think. Pass them along to me, I’d love to know. \u003c/p>\n\u003cp>\u003cstrong>Where can people find your work if they can’t catch you at the Women’s Community Clinic benefit?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Look at our videos on \u003ca href=\"http://www.ladypartsjustice.com/videos/\" target=\"_blank\" rel=\"noopener\">Lady Parts Justice\u003c/a>, and sign up to find out about \u003ca href=\"http://www.ladypartsjustice.com/v-to-shining-v/\" target=\"_blank\" rel=\"noopener\">V to Shining V\u003c/a>. This year it’s going to be a big awards show called the Golden Probes; we’re doing a livestream out of New York honoring outstanding achievements in sexism. We’re going to get somebody from every state, we have dance numbers, we have comedians, it’s going to be really fun.\u003cbr>\n____\u003cbr>\n\u003cem>\u003cbr>\nLizz Winstead performs May 19 at the Jewish Community Center of San Francisco. Tickets are $125 (though they are currently sold out.) For tickets, time, and more information, visit the \u003ca href=\"http://womenscommunityclinic.org/2016/02/hysteria2016/?\" target=\"_blank\" rel=\"noopener\">clinic’s website\u003c/a>.\u003c/em> \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11588339/lizz-winstead-lady-parts-justice",
"authors": [
"8641"
],
"categories": [
"arts_968",
"arts_235"
],
"tags": [
"arts_1118",
"arts_596",
"arts_989"
],
"featImg": "arts_11588342",
"label": "arts"
},
"arts_11592352": {
"type": "posts",
"id": "arts_11592352",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11592352",
"score": null,
"sort": [
1463557266000
]
},
"guestAuthors": [],
"slug": "guy-clark-grammy-winning-songwriter-dead-at-74",
"title": "Guy Clark, Grammy-Winning Songwriter, Dead at 74",
"publishDate": 1463557266,
"format": "standard",
"headTitle": "Guy Clark, Grammy-Winning Songwriter, Dead at 74 | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Texas singer-songwriter Guy Clark, who helped mentor a generation of songwriters and wrote hits like “L.A. Freeway” and “Desperados Waiting for a Train,” has died. He was 74.\u003c/p>\n\u003cp>Clark died Tuesday at his home in Nashville, Tennessee, according to his manager, Keith Case. He’d been in poor health, although Case didn’t give an official cause of death.\u003c/p>\n\u003cp>A native of Monahans, Texas, Clark belonged to a group of highly influential Texas songwriters that included Townes Van Zandt and Mickey Newbury. Together with his painter-songwriter wife, Susanna, Clark’s home in Nashville became a gathering place for artists like Rodney Crowell and Steve Earle. He wrote songs for Johnny Cash, Ricky Skaggs, Jerry Jeff Walker, Bobby Bare, Vince Gill and John Conlee.\u003c/p>\n\u003cp>Born in 1941, Clark’s upbringing in west Texas inspired the scenes and characters for many of his songs, including “Desperados,” based on an oil well digger who once stayed at his grandmother’s shotgun hotel. His interest in music was inspired by his father’s law partner, and most of the first songs he learned to sing and play were in Spanish.\u003c/p>\n\u003cp>He moved to Houston in the 1960s, where he met Van Zandt and several other folk songwriters and played in coffee shops and bars. He married his first wife, Susan Spaw, and they had a son, Travis, in 1966. After his split with Susan, he met painter Susanna Talley and they moved to Los Angeles to pursue his music career.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>His dissatisfaction with the city’s hectic lifestyle was the basis of his song “L.A. Freeway,” which was recorded by Walker on his debut album. He and Susanna moved to Nashville in 1971, where his success as a songwriter led to a recording contract with RCA, and he released his first album, “Old No. 1,” in 1975. The album included songs like “She Ain’t Going Nowhere” and “Texas 1947,” which Cash also recorded.\u003c/p>\n\u003cp>“The only songs I have gotten cut were the ones I wrote for myself to sing,” Clark said in an interview with The Associated Press in 2013. “And I didn’t even think about the radio. Or think about other artists doing them. So I just quit wasting my time thinking about it. Because the best work always comes from writing for yourself and writing stuff you know about, rather than, ‘What would George Jones like?’ or ‘What would George Strait like?'”\u003c/p>\n\u003cp>His home was a Bohemian artistic enclave, with paintings on the wall and stacked in every corner, hundreds of tapes of recordings and a workshop where he made dobros and guitars. He was close friends with many of Nashville’s talented musicians, including Steve Earle, Emmylou Harris, Lyle Lovett and Shawn Camp.\u003c/p>\n\u003cp>“He was the best self-editor that I have ever known … and it was one of the first gifts of generosity he gave me,” said Crowell, who wrote many songs with Clark, including his hit, “She’s Crazy for Leavin'” and “Stuff That Works.”\u003c/p>\n\u003cp>“It’s almost like his music was embedded in the land,” said fellow Texan Sarah Jarosz, a Grammy-nominated singer-songwriter and mandolin player. “The songs, with their depth, soul and simplicity were an important part of life for so many. As a young songwriter, I continue to find great inspiration from his music — a never ending journey and discovery of masterful songwriting. He touched countless lives with the gift of song, and the world is a much better place having had him in it.”\u003c/p>\n\u003cp>His songs were very detailed, literary and full of imagery, such as “The Randall Knife,” about the knife his father carried with him through World War II. A tribute album to Clark, “This One’s for Him,” which featured recordings by Rosanne Cash, Willie Nelson, Kris Kristofferson and John Prine, won album of the year at the Americana Music Association’s Honors and Awards in 2012.\u003c/p>\n\u003cp>Clark received the Poet’s Award from the Academy of Country Music in 2012. He was inducted into the Nashville Songwriter’s Hall of Fame in 2004.\u003c/p>\n\u003cp>“I am glad that I raised the bar to some extent, if in fact I did, but, I mean, you can’t live on that every day,” Clark said in 2013. “You have to reinvent yourself the next day. You have to write as good and continue to do so. And that gets harder.”\u003c/p>\n\u003cp>He recorded several albums, and although he never achieved the same success as a performer, but he was beloved in the folk and Americana musical community. His final album, “My Favorite Picture of You,” won a Grammy in 2014 for best folk album. The title song was inspired by his wife, who died in 2012 and who is featured on the album’s cover. The picture shows a frustrated Susanna, her arms crossed and a glare on her face.\u003c/p>\n\u003cp>“Townes (Van Zandt) and I were in that house that she is in front of and we were drunk, drunk, just obnoxiously drunk,” Clark said during a 2013 interview with the AP. “And she had just had enough.”\u003c/p>\n\u003cp>He is survived by his son Travis and daughter-in-law Krista McMurtry Clark; grandchildren Dylan and Ellie Clark; sisters Caroline Clark Dugan and Jan Clark. Funeral arrangements are pending.\u003c/p>\n\u003cp>__\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
"blocks": [],
"excerpt": "Clark mentored a generation of songwriters, including Steve Earle, and wrote hits such as \"L.A. Freeway.\" ",
"status": "publish",
"parent": 0,
"modified": 1726709776,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 20,
"wordCount": 957
},
"headData": {
"title": "Guy Clark, Grammy-Winning Songwriter, Dead at 74 | KQED",
"description": "Clark mentored a generation of songwriters, including Steve Earle, and wrote hits such as "L.A. Freeway." ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Guy Clark, Grammy-Winning Songwriter, Dead at 74",
"datePublished": "2016-05-18T00:41:06-07:00",
"dateModified": "2024-09-18T18:36:16-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Kristin M. Hall, Associated Press",
"nprStoryId": "478487565",
"path": "/arts/11592352/guy-clark-grammy-winning-songwriter-dead-at-74",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Texas singer-songwriter Guy Clark, who helped mentor a generation of songwriters and wrote hits like “L.A. Freeway” and “Desperados Waiting for a Train,” has died. He was 74.\u003c/p>\n\u003cp>Clark died Tuesday at his home in Nashville, Tennessee, according to his manager, Keith Case. He’d been in poor health, although Case didn’t give an official cause of death.\u003c/p>\n\u003cp>A native of Monahans, Texas, Clark belonged to a group of highly influential Texas songwriters that included Townes Van Zandt and Mickey Newbury. Together with his painter-songwriter wife, Susanna, Clark’s home in Nashville became a gathering place for artists like Rodney Crowell and Steve Earle. He wrote songs for Johnny Cash, Ricky Skaggs, Jerry Jeff Walker, Bobby Bare, Vince Gill and John Conlee.\u003c/p>\n\u003cp>Born in 1941, Clark’s upbringing in west Texas inspired the scenes and characters for many of his songs, including “Desperados,” based on an oil well digger who once stayed at his grandmother’s shotgun hotel. His interest in music was inspired by his father’s law partner, and most of the first songs he learned to sing and play were in Spanish.\u003c/p>\n\u003cp>He moved to Houston in the 1960s, where he met Van Zandt and several other folk songwriters and played in coffee shops and bars. He married his first wife, Susan Spaw, and they had a son, Travis, in 1966. After his split with Susan, he met painter Susanna Talley and they moved to Los Angeles to pursue his music career.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>His dissatisfaction with the city’s hectic lifestyle was the basis of his song “L.A. Freeway,” which was recorded by Walker on his debut album. He and Susanna moved to Nashville in 1971, where his success as a songwriter led to a recording contract with RCA, and he released his first album, “Old No. 1,” in 1975. The album included songs like “She Ain’t Going Nowhere” and “Texas 1947,” which Cash also recorded.\u003c/p>\n\u003cp>“The only songs I have gotten cut were the ones I wrote for myself to sing,” Clark said in an interview with The Associated Press in 2013. “And I didn’t even think about the radio. Or think about other artists doing them. So I just quit wasting my time thinking about it. Because the best work always comes from writing for yourself and writing stuff you know about, rather than, ‘What would George Jones like?’ or ‘What would George Strait like?'”\u003c/p>\n\u003cp>His home was a Bohemian artistic enclave, with paintings on the wall and stacked in every corner, hundreds of tapes of recordings and a workshop where he made dobros and guitars. He was close friends with many of Nashville’s talented musicians, including Steve Earle, Emmylou Harris, Lyle Lovett and Shawn Camp.\u003c/p>\n\u003cp>“He was the best self-editor that I have ever known … and it was one of the first gifts of generosity he gave me,” said Crowell, who wrote many songs with Clark, including his hit, “She’s Crazy for Leavin'” and “Stuff That Works.”\u003c/p>\n\u003cp>“It’s almost like his music was embedded in the land,” said fellow Texan Sarah Jarosz, a Grammy-nominated singer-songwriter and mandolin player. “The songs, with their depth, soul and simplicity were an important part of life for so many. As a young songwriter, I continue to find great inspiration from his music — a never ending journey and discovery of masterful songwriting. He touched countless lives with the gift of song, and the world is a much better place having had him in it.”\u003c/p>\n\u003cp>His songs were very detailed, literary and full of imagery, such as “The Randall Knife,” about the knife his father carried with him through World War II. A tribute album to Clark, “This One’s for Him,” which featured recordings by Rosanne Cash, Willie Nelson, Kris Kristofferson and John Prine, won album of the year at the Americana Music Association’s Honors and Awards in 2012.\u003c/p>\n\u003cp>Clark received the Poet’s Award from the Academy of Country Music in 2012. He was inducted into the Nashville Songwriter’s Hall of Fame in 2004.\u003c/p>\n\u003cp>“I am glad that I raised the bar to some extent, if in fact I did, but, I mean, you can’t live on that every day,” Clark said in 2013. “You have to reinvent yourself the next day. You have to write as good and continue to do so. And that gets harder.”\u003c/p>\n\u003cp>He recorded several albums, and although he never achieved the same success as a performer, but he was beloved in the folk and Americana musical community. His final album, “My Favorite Picture of You,” won a Grammy in 2014 for best folk album. The title song was inspired by his wife, who died in 2012 and who is featured on the album’s cover. The picture shows a frustrated Susanna, her arms crossed and a glare on her face.\u003c/p>\n\u003cp>“Townes (Van Zandt) and I were in that house that she is in front of and we were drunk, drunk, just obnoxiously drunk,” Clark said during a 2013 interview with the AP. “And she had just had enough.”\u003c/p>\n\u003cp>He is survived by his son Travis and daughter-in-law Krista McMurtry Clark; grandchildren Dylan and Ellie Clark; sisters Caroline Clark Dugan and Jan Clark. Funeral arrangements are pending.\u003c/p>\n\u003cp>__\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11592352/guy-clark-grammy-winning-songwriter-dead-at-74",
"authors": [
"byline_arts_11592352"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1254",
"arts_596",
"arts_1427"
],
"featImg": "arts_11592625",
"label": "arts"
},
"arts_11591668": {
"type": "posts",
"id": "arts_11591668",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11591668",
"score": null,
"sort": [
1463533173000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1463533173,
"format": "standard",
"title": "Tejano Music Legend Emilio Navaira Dies At 53",
"headTitle": "Tejano Music Legend Emilio Navaira Dies At 53 | KQED",
"content": "\u003cp>Emilio Navaira, a legend in the Tejano music scene, has died at 53.\u003c/p>\n\u003cp>Navaira was found unconscious at his home on Monday night, according to police in New Braunfels, Texas. Police say he appears to have died of natural causes.\u003c/p>\n\u003cp>The singer — known to many as simply “Emilio” — was famous in both the U.S. and Mexico. He was a Tejano superstar who shared the stage with Selena several times and became \u003ca href=\"http://www.spokesman.com/stories/1996/may/01/king-of-tejano-after-death-of-female-tejano-star/\" target=\"_blank\" rel=\"noopener\">the most prominent figure in the genre\u003c/a> after Selena’s death.\u003c/p>\n\u003cp>“He was riding that wave of when Tejano was strong,” A.B. Quintanilla, Selena’s brother, \u003ca href=\"http://www.npr.org/2016/05/17/478417145/tejano-music-king-emilio-navaira-dies-at-53\" target=\"_blank\" rel=\"noopener\">told All Things Considered\u003c/a>. “The ladies loved him, you know what I’m saying, and he packed the houses.”\u003c/p>\n\u003cp>But he also found crossover success with English-language country songs, such as “It’s Not the End of the World.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6iJnQ4_JIDA\u003c/p>\n\u003cp>In 1995, Navaira told NPR that switching languages and genres wasn’t much of a stretch.\u003c/p>\n\u003cp>“Being a Tejano singer, I’ve always sang country — so all my audience knows already. The audience that I have in the Latin world knows I’ve been doing this for a while,” he said.\u003c/p>\n\u003cp>“It’s more a surprise to the people who don’t know Emilio as a Latin star — that all of a sudden, ‘Where’s this guy coming from? Where does he have this following?’ ”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Emilio’s following is now in mourning: News 4 San Antonio has collected \u003ca href=\"http://news4sanantonio.com/news/local/tejano-music-icon-emilio-navaira-dies-at-53\" target=\"_blank>some of the remembrances</a> on social media.</p>\n<p>In 2008, Navaira was seriously injured in a bus crash; it was later determined he had been <a href=\" http: https: fullattribution>Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Tejano+Music+Legend+Emilio+Navaira+Dies+At+53&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\n\u003c/a>\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 286,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705034192,
"excerpt": "Navaira — known to many as just \"Emilio\" — was a star in both English and Spanish, and in both the U.S. and Mexico. He was found unconscious at his house on Monday night, police say.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Navaira — known to many as just "Emilio" — was a star in both English and Spanish, and in both the U.S. and Mexico. He was found unconscious at his house on Monday night, police say.",
"title": "Tejano Music Legend Emilio Navaira Dies At 53 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Tejano Music Legend Emilio Navaira Dies At 53",
"datePublished": "2016-05-17T17:59:33-07:00",
"dateModified": "2024-01-11T20:36:32-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "tejano-music-legend-emilio-navaira-dies-at-53",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=478351867&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Camila Domonoske",
"nprStoryDate": "Tue, 17 May 2016 09:48:00 -0400",
"nprLastModifiedDate": "Tue, 17 May 2016 20:51:38 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/sections/thetwo-way/2016/05/17/478351867/tejano-music-legend-emilio-navaira-dies-at-53?ft=nprml&f=478351867",
"nprImageAgency": "WireImage/GettyImages",
"nprImageCredit": "Michael Caulfield Archive",
"nprStoryId": "478351867",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 17 May 2016 20:51:00 -0400",
"path": "/arts/11591668/tejano-music-legend-emilio-navaira-dies-at-53",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Emilio Navaira, a legend in the Tejano music scene, has died at 53.\u003c/p>\n\u003cp>Navaira was found unconscious at his home on Monday night, according to police in New Braunfels, Texas. Police say he appears to have died of natural causes.\u003c/p>\n\u003cp>The singer — known to many as simply “Emilio” — was famous in both the U.S. and Mexico. He was a Tejano superstar who shared the stage with Selena several times and became \u003ca href=\"http://www.spokesman.com/stories/1996/may/01/king-of-tejano-after-death-of-female-tejano-star/\" target=\"_blank\" rel=\"noopener\">the most prominent figure in the genre\u003c/a> after Selena’s death.\u003c/p>\n\u003cp>“He was riding that wave of when Tejano was strong,” A.B. Quintanilla, Selena’s brother, \u003ca href=\"http://www.npr.org/2016/05/17/478417145/tejano-music-king-emilio-navaira-dies-at-53\" target=\"_blank\" rel=\"noopener\">told All Things Considered\u003c/a>. “The ladies loved him, you know what I’m saying, and he packed the houses.”\u003c/p>\n\u003cp>But he also found crossover success with English-language country songs, such as “It’s Not the End of the World.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6iJnQ4_JIDA'\n title='//www.youtube.com/embed/6iJnQ4_JIDA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In 1995, Navaira told NPR that switching languages and genres wasn’t much of a stretch.\u003c/p>\n\u003cp>“Being a Tejano singer, I’ve always sang country — so all my audience knows already. The audience that I have in the Latin world knows I’ve been doing this for a while,” he said.\u003c/p>\n\u003cp>“It’s more a surprise to the people who don’t know Emilio as a Latin star — that all of a sudden, ‘Where’s this guy coming from? Where does he have this following?’ ”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Emilio’s following is now in mourning: News 4 San Antonio has collected \u003ca href=\"http://news4sanantonio.com/news/local/tejano-music-icon-emilio-navaira-dies-at-53\" target=\"_blank>some of the remembrances</a> on social media.</p>\n<p>In 2008, Navaira was seriously injured in a bus crash; it was later determined he had been <a href=\" http: https: fullattribution>Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Tejano+Music+Legend+Emilio+Navaira+Dies+At+53&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\n\u003c/a>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11591668/tejano-music-legend-emilio-navaira-dies-at-53",
"authors": [
"byline_arts_11591668"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1254",
"arts_596",
"arts_1427"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_11591669",
"label": "arts_137"
},
"arts_11588617": {
"type": "posts",
"id": "arts_11588617",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11588617",
"score": null,
"sort": [
1463529627000
]
},
"guestAuthors": [],
"slug": "last-hurrah-on-treasure-island-artists-bid-farewell-to-building-180",
"title": "Burning Man Artists Bid Farewell to Treasure Island's Building 180",
"publishDate": 1463529627,
"format": "standard",
"headTitle": "Burning Man Artists Bid Farewell to Treasure Island’s Building 180 | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>“Cheers,” said one party goer to another. “To the beginning of the end.”\u003c/p>\n\u003cp>The party — a warehouse rave for about 2,000 people — was called \u003ca href=\"http://www.sfstation.com/terminus-the-last-treasure-island-warehouse-party-e2295526\" target=\"_blank\" rel=\"noopener\">Terminus.\u003c/a> It was a farewell party — a Baby Burning Man to mark the end of something special at Building 180 on Treasure Island.\u003c/p>\n\u003cp>Treasure Island is a man-made, 393-acre postage stamp of a landmass in the San Francisco Bay, and it’s being \u003ca href=\"http://sftreasureisland.org/development-project\" target=\"_blank\" rel=\"noopener\">redeveloped\u003c/a> over the next 20 years in the guise of a packed offshore neighborhood. It’s expected to house an estimated 19,000 people with condos, hotels, a ferry landing, parks, and possibly a \u003ca href=\"http://www.sfgate.com/bayarea/matier-ross/article/George-Lucas-looking-at-Treasure-Island-as-new-SF-7468257.php\" target=\"_blank\" rel=\"noopener\">new museum\u003c/a> from Star Wars creator George Lucas (if Mayor Ed Lee has his way).\u003c/p>\n\u003cp>The developers are expected to fork over \u003ca href=\"http://ww2.kqed.org/arts/2015/07/21/city-plans-to-transform-treasure-island-with-50-million-for-public-art/\" target=\"_blank\" rel=\"noopener\">$50 million\u003c/a> dollars for public art, to be spent by the\u003ca href=\"http://www.sfartscommission.org/\" target=\"_blank\" rel=\"noopener\"> San Francisco Art Commission\u003c/a>. But that’s years away. Before all that, some 40 buildings will be demolished, including Building 180.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/264590821″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=’166′ iframe=”true” /]\u003c/p>\n\u003cp>Building 180 used to be an airplane hangar, back when the U.S. military ran the the island. Until this week, it was home to 40 studios and hundreds of artists, many of them making large scale work — the kind of art you place in a civic plaza. Or The Playa, for \u003ca href=\"http://burningman.org/\" target=\"_blank\" rel=\"noopener\">Burning Man\u003c/a>. It’s a place that produces the kind of art that makes for an epic party when the lights go down and the electronic music goes up.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In fact, greeting party goers at the door was something they might have seen at Burning Man in 2014: \u003ca href=\"https://www.facebook.com/PeterHudsonOfficialArtistPage/\" target=\"_blank\" rel=\"noopener\">Peter Hudson’\u003c/a>s “Eternal Return.” A giant, pedal-powered, stroboscopic zoetrope that, when moving, looks like it’s sending gold gymnasts spinning through the air.\u003c/p>\n\u003cp>Hudson inspired fellow artist \u003ca href=\"http://www.marcocochranesculpture.net/\" target=\"_blank\" rel=\"noopener\">Marco Cochrane\u003c/a> to go really big with his sculptures. “It totally changed my sense of scale and what I’m doing with my work,” Cochrane says. Now, Cochrane’s best known for monumental female nudes. Cochran found another building to sublease on Treasure Island, but he’s leaving behind three 15-foot-models. They go down when the building goes down.\u003c/p>\n\u003cp>“If you do what you have to do to get ‘em out of here, which is tilt ‘em sideways, they’ll just collapse,” he says ruefully.\u003c/p>\n\u003cfigure id=\"attachment_11588889\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11588889\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-400x533.jpg\" alt=\"Marco Cochrane's "Bliss Dance," the version that showed at Burning Man, was 40 feet high. But the 15 foot metal and ceramic model at Treasure Island's Building 180 is also pretty impressive.\" width=\"400\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-450x600.jpg 450w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-885x1180.jpg 885w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-960x1280.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Marco Cochrane’s “Bliss Dance,” the version that showed at Burning Man, was 40 feet high. But the 15 foot metal and ceramic model at Treasure Island’s Building 180 is also pretty impressive. \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Roughly half of the artists at Building 180, including Cochrane, found studio space elsewhere on Treasure Island, some in historic buildings which will not be demolished. But not Hudson; he’s leaving for Las Vegas.\u003c/p>\n\u003cp>\u003cstrong>Bay Area Pushing Out Artists\u003c/strong>\u003c/p>\n\u003cp>“People from Las Vegas have come to me and are willing to offer space because they want and love artists,” Hudson says, adding the “San Francisco Bay Area seems to be pushing artists out of their equation.”\u003c/p>\n\u003cp>Hudson says he’s not just sad about losing square feet. “It was a wonderful, organic community that came together to help each other, foster each others’ creativity,” he says.\u003c/p>\n\u003cp>Cochrane’s wife, Julia Whitelaw, also feels a sense of loss. Artists working on big projects brought together teams of volunteers to help. These teams spawned new projects, as the artists inspired each other. “There was tool sharing and family dinners every Tuesday,” Whitelaw says. “So, it’s sad. It’s really sad.”\u003c/p>\n\u003cp>The sense of community wasn’t a happy accident, according to the businessman, Burner and curator \u003ca href=\"http://www.osc2.org/members/timothy-childs/\" target=\"_blank\" rel=\"noopener\">Timothy Childs\u003c/a>, who turned Building 180 into an art studio space. Childs says the city of San Francisco prompted him to make something out of a building that was never going to last forever. “We expected to have a couple of years,” Childs says. “We got five or six years out of it. So it’s been a really great run.”\u003c/p>\n\u003cp>[contextly_sidebar id=”D49dz0XniyhRJTbUZE8Hwy89Uvze2xmc”]\u003c/p>\n\u003cp>Childs says he and his colleagues thought long and hard about whom to invite into the Building 180 community. “We tried to put all sorts of interesting people next to each other,” Childs says. “I put some Facebook retirees next to some welders and have them cross pollinate, and folks that never used a drill gun before make art cars and things like that. Just really trying to create a scene that was very similar to the art scene that was happening here before the first tech boom.”\u003c/p>\n\u003cp>\u003cstrong>What Lies Ahead\u003c/strong>\u003c/p>\n\u003cp>Not that he’s prone to nostalgia. Childs predicts that $50 million from the developers will turn Treasure Island into a haven for public art. “It’s going to be a very dynamic thing that’s going to be happening here,” Childs says. “It’s going to be great for the city.”\u003c/p>\n\u003cp>But in the meantime, the same regional real estate market that spawned the redevelopment is making it harder for \u003ca href=\"http://ww2.kqed.org/arts/2015/09/16/survey-confirms-market-forces-pushing-artists-out-of-san-francisco/\" target=\"_blank\" rel=\"noopener\">local artists to find studio space\u003c/a> that allows them to dream big.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hCU_c9jBMcc\u003c/p>\n\n",
"blocks": [],
"excerpt": "As development picks up steam on the island, hundreds of artists making large-scale work clear out, but not before throwing a wild party. ",
"status": "publish",
"parent": 0,
"modified": 1726700735,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 22,
"wordCount": 966
},
"headData": {
"title": "Burning Man Artists Bid Farewell to Treasure Island's Building 180 | KQED",
"description": "As development picks up steam on the island, hundreds of artists making large-scale work clear out, but not before throwing a wild party. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Burning Man Artists Bid Farewell to Treasure Island's Building 180",
"datePublished": "2016-05-17T17:00:27-07:00",
"dateModified": "2024-09-18T16:05:35-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "478455791",
"path": "/arts/11588617/last-hurrah-on-treasure-island-artists-bid-farewell-to-building-180",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Cheers,” said one party goer to another. “To the beginning of the end.”\u003c/p>\n\u003cp>The party — a warehouse rave for about 2,000 people — was called \u003ca href=\"http://www.sfstation.com/terminus-the-last-treasure-island-warehouse-party-e2295526\" target=\"_blank\" rel=\"noopener\">Terminus.\u003c/a> It was a farewell party — a Baby Burning Man to mark the end of something special at Building 180 on Treasure Island.\u003c/p>\n\u003cp>Treasure Island is a man-made, 393-acre postage stamp of a landmass in the San Francisco Bay, and it’s being \u003ca href=\"http://sftreasureisland.org/development-project\" target=\"_blank\" rel=\"noopener\">redeveloped\u003c/a> over the next 20 years in the guise of a packed offshore neighborhood. It’s expected to house an estimated 19,000 people with condos, hotels, a ferry landing, parks, and possibly a \u003ca href=\"http://www.sfgate.com/bayarea/matier-ross/article/George-Lucas-looking-at-Treasure-Island-as-new-SF-7468257.php\" target=\"_blank\" rel=\"noopener\">new museum\u003c/a> from Star Wars creator George Lucas (if Mayor Ed Lee has his way).\u003c/p>\n\u003cp>The developers are expected to fork over \u003ca href=\"http://ww2.kqed.org/arts/2015/07/21/city-plans-to-transform-treasure-island-with-50-million-for-public-art/\" target=\"_blank\" rel=\"noopener\">$50 million\u003c/a> dollars for public art, to be spent by the\u003ca href=\"http://www.sfartscommission.org/\" target=\"_blank\" rel=\"noopener\"> San Francisco Art Commission\u003c/a>. But that’s years away. Before all that, some 40 buildings will be demolished, including Building 180.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='’166′'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/264590821″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/264590821″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Building 180 used to be an airplane hangar, back when the U.S. military ran the the island. Until this week, it was home to 40 studios and hundreds of artists, many of them making large scale work — the kind of art you place in a civic plaza. Or The Playa, for \u003ca href=\"http://burningman.org/\" target=\"_blank\" rel=\"noopener\">Burning Man\u003c/a>. It’s a place that produces the kind of art that makes for an epic party when the lights go down and the electronic music goes up.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In fact, greeting party goers at the door was something they might have seen at Burning Man in 2014: \u003ca href=\"https://www.facebook.com/PeterHudsonOfficialArtistPage/\" target=\"_blank\" rel=\"noopener\">Peter Hudson’\u003c/a>s “Eternal Return.” A giant, pedal-powered, stroboscopic zoetrope that, when moving, looks like it’s sending gold gymnasts spinning through the air.\u003c/p>\n\u003cp>Hudson inspired fellow artist \u003ca href=\"http://www.marcocochranesculpture.net/\" target=\"_blank\" rel=\"noopener\">Marco Cochrane\u003c/a> to go really big with his sculptures. “It totally changed my sense of scale and what I’m doing with my work,” Cochrane says. Now, Cochrane’s best known for monumental female nudes. Cochran found another building to sublease on Treasure Island, but he’s leaving behind three 15-foot-models. They go down when the building goes down.\u003c/p>\n\u003cp>“If you do what you have to do to get ‘em out of here, which is tilt ‘em sideways, they’ll just collapse,” he says ruefully.\u003c/p>\n\u003cfigure id=\"attachment_11588889\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11588889\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-400x533.jpg\" alt=\"Marco Cochrane's "Bliss Dance," the version that showed at Burning Man, was 40 feet high. But the 15 foot metal and ceramic model at Treasure Island's Building 180 is also pretty impressive.\" width=\"400\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-450x600.jpg 450w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-885x1180.jpg 885w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-960x1280.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Marco Cochrane’s “Bliss Dance,” the version that showed at Burning Man, was 40 feet high. But the 15 foot metal and ceramic model at Treasure Island’s Building 180 is also pretty impressive. \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Roughly half of the artists at Building 180, including Cochrane, found studio space elsewhere on Treasure Island, some in historic buildings which will not be demolished. But not Hudson; he’s leaving for Las Vegas.\u003c/p>\n\u003cp>\u003cstrong>Bay Area Pushing Out Artists\u003c/strong>\u003c/p>\n\u003cp>“People from Las Vegas have come to me and are willing to offer space because they want and love artists,” Hudson says, adding the “San Francisco Bay Area seems to be pushing artists out of their equation.”\u003c/p>\n\u003cp>Hudson says he’s not just sad about losing square feet. “It was a wonderful, organic community that came together to help each other, foster each others’ creativity,” he says.\u003c/p>\n\u003cp>Cochrane’s wife, Julia Whitelaw, also feels a sense of loss. Artists working on big projects brought together teams of volunteers to help. These teams spawned new projects, as the artists inspired each other. “There was tool sharing and family dinners every Tuesday,” Whitelaw says. “So, it’s sad. It’s really sad.”\u003c/p>\n\u003cp>The sense of community wasn’t a happy accident, according to the businessman, Burner and curator \u003ca href=\"http://www.osc2.org/members/timothy-childs/\" target=\"_blank\" rel=\"noopener\">Timothy Childs\u003c/a>, who turned Building 180 into an art studio space. Childs says the city of San Francisco prompted him to make something out of a building that was never going to last forever. “We expected to have a couple of years,” Childs says. “We got five or six years out of it. So it’s been a really great run.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Childs says he and his colleagues thought long and hard about whom to invite into the Building 180 community. “We tried to put all sorts of interesting people next to each other,” Childs says. “I put some Facebook retirees next to some welders and have them cross pollinate, and folks that never used a drill gun before make art cars and things like that. Just really trying to create a scene that was very similar to the art scene that was happening here before the first tech boom.”\u003c/p>\n\u003cp>\u003cstrong>What Lies Ahead\u003c/strong>\u003c/p>\n\u003cp>Not that he’s prone to nostalgia. Childs predicts that $50 million from the developers will turn Treasure Island into a haven for public art. “It’s going to be a very dynamic thing that’s going to be happening here,” Childs says. “It’s going to be great for the city.”\u003c/p>\n\u003cp>But in the meantime, the same regional real estate market that spawned the redevelopment is making it harder for \u003ca href=\"http://ww2.kqed.org/arts/2015/09/16/survey-confirms-market-forces-pushing-artists-out-of-san-francisco/\" target=\"_blank\" rel=\"noopener\">local artists to find studio space\u003c/a> that allows them to dream big.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hCU_c9jBMcc'\n title='//www.youtube.com/embed/hCU_c9jBMcc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11588617/last-hurrah-on-treasure-island-artists-bid-farewell-to-building-180",
"authors": [
"251"
],
"categories": [
"arts_1",
"arts_235",
"arts_70"
],
"tags": [
"arts_1119",
"arts_1118",
"arts_596"
],
"featImg": "arts_11588888",
"label": "arts"
},
"news_10957401": {
"type": "posts",
"id": "news_10957401",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "10957401",
"score": null,
"sort": [
1463491233000
]
},
"parent": 0,
"labelTerm": {
"site": "news",
"term": 6944
},
"blocks": [],
"publishDate": 1463491233,
"format": "standard",
"disqusTitle": "As Demolition Nears, Artist Still Trying to Save Yerba Buena Signal Room",
"title": "As Demolition Nears, Artist Still Trying to Save Yerba Buena Signal Room",
"headTitle": "News Fix | KQED News",
"content": "\u003cp>Up at the summit of Yerba Buena Island, at the top of a lone tower, sits the Signal Room. It’s a treasure hidden in plain sight that boasts incredible views.\u003c/p>\n\u003cp>Built in 1944, the tower was originally used for signal operations by the Navy. Since January of last year, the signal tower \u003ca href=\"http://ww2.kqed.org/news/2016/03/20/welcome-to-the-signal-room-secret-venue-for-san-franciscos-arts-underground\">has housed a secret speakeasy and cabaret\u003c/a> run by Eugene Ashton-Gonzalez. Next month the tower is scheduled to be demolished to make way for open space known, fittingly enough, as Hilltop Park.\u003c/p>\n\u003cp>“I want to stop them from tearing it down,\" says Ashton-Gonzalez. \"The Signal Room made me fall back in love with the Bay Area again.\"\u003c/p>\n\u003cp>He’s built a small community around the tower, organizing secret performances and concerts. Amid a tech boom that has displaced many artists, some saw this speakeasy as evidence that counterculture can still thrive in the Bay Area. That said, Ashton-Gonzalez wasn’t the first to use the tower as a drinking spot.\u003c/p>\n\u003cfigure id=\"attachment_10957412\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10957412\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/Skye-McKee-Bar-800x533.jpeg\" alt=\"The bar up in the Signal Room.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-Bar-800x533.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-Bar-400x267.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-Bar-1920x1280.jpeg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-Bar-1180x786.jpeg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-Bar-960x640.jpeg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-Bar.jpeg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The bar up in the Signal Room. (Skye McKee)\u003c/figcaption>\u003c/figure>\n\u003cp>After the tower was retired from signal operations, it was turned into an officers' club. For years, the place was known as the Tower Club, a place where military personnel would go to drink and be merry. The bar shut down after the 1989 Loma Prieta earthquake, and the building was condemned.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Although planning for Hilltop Park has been underway since 2005, Ashton-Gonzalez found out about the fate planned for the signal tower only last December.\u003c/p>\n\u003cfigure id=\"attachment_10957406\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10957406 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/image6-800x332.jpeg\" alt=\"A rendering of Hilltop Park on Yerba Buena Island.\" width=\"800\" height=\"332\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/image6-800x332.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/image6-400x166.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/image6-1920x796.jpeg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/image6-1180x489.jpeg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/image6-960x398.jpeg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A rendering of Hilltop Park on Yerba Buena Island.\u003c/figcaption>\u003c/figure>\n\u003cp>\"I actually felt energized by history, honestly. They used to call it ‘the tower that talks,' \" Ashton-Gonzalez says. \"... I felt I needed to double down and bring as many people up to the Signal Room as I could, to share it with as many people as possible. I wanted this little cabaret to stand for something bigger for San Francisco.\"\u003c/p>\n\u003cp>At first, Ashton-Gonzalez looked into using environmental law to save the tower, claiming historical significance. But the argument for historical preservation became more difficult when it was revealed that the tower was younger than he previously believed. He didn’t realize that a tower built in 1917 was replaced by a remarkably similar one in 1944. But Ashton-Gonzalez is still trying to find ways to save the structure.\u003c/p>\n\u003cp>[contextly_sidebar id=\"1IYO4j18jrlBfpIzaO1VbO5sRbUvGZGp\"]\u003c/p>\n\u003cp>Bob Beck, director of the city's Treasure Island Development Authority, says he can't recommend saving the tower.\u003c/p>\n\u003cp>“The merit of the building lies in being able to go up into the tower,\" he says. \"But, if you want it to be publicly accessible, then you’d have to install an elevator. That would be a significant structural investment. You’d end up with little space for the actual observation deck and it would hinder the views. It wouldn’t be the space that it is today.”\u003c/p>\n\u003cp>Beck adds he can't endorse Ashton-Gonzalez's transformation of the tower into the Signal Room.\u003c/p>\n\u003cp>\"There’s signs posted on the structure advising against trespassing,\" Beck said. \"[Ashton-Gonzalez’s] use has been a trespass. He’s taken the facility for a private use and it’s not a replicable or sustainable use.\"\u003c/p>\n\u003cfigure id=\"attachment_10957409\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10957409 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/Yesenia-Lara-800x534.jpeg\" alt=\"“Sailors Signaling Other Sailors” a performance by Torreya Cummings held in the Signal Room.\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/Yesenia-Lara-800x534.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Yesenia-Lara-400x267.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Yesenia-Lara-1920x1282.jpeg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Yesenia-Lara-1180x788.jpeg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Yesenia-Lara-960x641.jpeg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Yesenia-Lara.jpeg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Sailors Signaling Other Sailors,' a performance by Torreya Cummings held in the Signal Room. \u003ccite>(Yesenia Lara)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kheay Loke, the senior development manager at Wilson Meany, the co-developer with Lennar and Stockbridge on the hilltop project, says the open space at the island's summit is designed to provide better public access to the site's special views.\u003c/p>\n\u003cp>\"It will be a really nice series of parks with trails connecting them, Loke says. \"So people can enjoy the great view of the bay and surrounding hills.\"\u003c/p>\n\u003cfigure id=\"attachment_10957411\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10957411 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/Skye-McKee-800x533.jpeg\" alt=\"The view from the Signal Room, facing west towards the Golden Gate.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-800x533.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-400x267.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-1920x1280.jpeg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-1180x786.jpeg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-960x640.jpeg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee.jpeg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The view from the Signal Room, facing west toward the Golden Gate. \u003ccite>(Skye McKee)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Hilltop Park project has a budget of $4 million and is set to be completed sometime in 2018. Downhill from the park, developers plan to build 200 to 300 townhouses. To make way for the homes and parks, about 60 existing units are slated for demolition beginning next month. There is no set demolition date for the Signal Room, but Loke doesn’t believe plans will change.\u003c/p>\n\u003cp>\"Saving the tower isn’t compatible with the current plan,” he says.\u003c/p>\n\u003cp>Loke knows about Ashton-Gonzalez, but isn't thrilled by what he's been doing at the Signal Room.\u003c/p>\n\u003cp>\"I’m aware that someone has been trying to save the building,\" he says. \"It’s been a nuisance and annoyance. He has never officially contacted, but we do try to listen to the opinions out there.\"\u003c/p>\n\u003cp>Ashton-Gonzalez says he’s met employees of one developer, Lennar, at social events and hopes these informal connections will help rescue the tower. He won’t disclose names, but he says he’s also brought a number of San Francisco city officials up into the tower in hopes of saving it. However, these efforts have been cut short after the developers installed gates and padlocks around the entrances.\u003c/p>\n\u003cfigure id=\"attachment_10957407\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10957407 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/Paul-Hayes-800x450.jpeg\" alt=\"Paul Hayes\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/Paul-Hayes-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Paul-Hayes-400x225.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Paul-Hayes-1180x664.jpeg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Paul-Hayes-960x540.jpeg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Paul-Hayes.jpeg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An art installation in the Signal Room by Paul Hayes. \u003ccite>(Paul Hayes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Among those officials have been members of the city's Arts Commission, Ashton-Gonzalez says. He hopes to turn the building into an architectural sculpture if it can’t be maintained as a publicly accessible building. Ashton-Gonzalez says he’s talked to a local artist, \u003ca href=\"http://www.metaphorm.org/\">Brian Goggin\u003c/a>, about turning it into an installation.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Arts Commission declined comment on the tower. Although there are plans to build \u003ca href=\"http://ww2.kqed.org/arts/2015/07/21/city-plans-to-transform-treasure-island-with-50-million-for-public-art/\">sculpture gardens \u003c/a>elsewhere on Yerba Buena Island, it looks as if the tower will be gone long before sculptures and artists are selected.\u003c/p>\n\n",
"disqusIdentifier": "10957401 http://ww2.kqed.org/news/?p=10957401",
"disqusUrl": "https://ww2.kqed.org/news/2016/05/17/the-fate-of-yerba-buena-islands-signal-room/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 987,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 24
},
"modified": 1463525971,
"excerpt": "The semi-secret Yerba Buena Island hangout with one of the best views in the Bay Area faces its last day. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The semi-secret Yerba Buena Island hangout with one of the best views in the Bay Area faces its last day. ",
"title": "As Demolition Nears, Artist Still Trying to Save Yerba Buena Signal Room | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "As Demolition Nears, Artist Still Trying to Save Yerba Buena Signal Room",
"datePublished": "2016-05-17T06:20:33-07:00",
"dateModified": "2016-05-17T15:59:31-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"guestAuthors": [],
"slug": "the-fate-of-yerba-buena-islands-signal-room",
"status": "publish",
"nprStoryId": "478358301",
"path": "/news/10957401/the-fate-of-yerba-buena-islands-signal-room",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Up at the summit of Yerba Buena Island, at the top of a lone tower, sits the Signal Room. It’s a treasure hidden in plain sight that boasts incredible views.\u003c/p>\n\u003cp>Built in 1944, the tower was originally used for signal operations by the Navy. Since January of last year, the signal tower \u003ca href=\"http://ww2.kqed.org/news/2016/03/20/welcome-to-the-signal-room-secret-venue-for-san-franciscos-arts-underground\">has housed a secret speakeasy and cabaret\u003c/a> run by Eugene Ashton-Gonzalez. Next month the tower is scheduled to be demolished to make way for open space known, fittingly enough, as Hilltop Park.\u003c/p>\n\u003cp>“I want to stop them from tearing it down,\" says Ashton-Gonzalez. \"The Signal Room made me fall back in love with the Bay Area again.\"\u003c/p>\n\u003cp>He’s built a small community around the tower, organizing secret performances and concerts. Amid a tech boom that has displaced many artists, some saw this speakeasy as evidence that counterculture can still thrive in the Bay Area. That said, Ashton-Gonzalez wasn’t the first to use the tower as a drinking spot.\u003c/p>\n\u003cfigure id=\"attachment_10957412\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10957412\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/Skye-McKee-Bar-800x533.jpeg\" alt=\"The bar up in the Signal Room.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-Bar-800x533.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-Bar-400x267.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-Bar-1920x1280.jpeg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-Bar-1180x786.jpeg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-Bar-960x640.jpeg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-Bar.jpeg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The bar up in the Signal Room. (Skye McKee)\u003c/figcaption>\u003c/figure>\n\u003cp>After the tower was retired from signal operations, it was turned into an officers' club. For years, the place was known as the Tower Club, a place where military personnel would go to drink and be merry. The bar shut down after the 1989 Loma Prieta earthquake, and the building was condemned.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Although planning for Hilltop Park has been underway since 2005, Ashton-Gonzalez found out about the fate planned for the signal tower only last December.\u003c/p>\n\u003cfigure id=\"attachment_10957406\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10957406 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/image6-800x332.jpeg\" alt=\"A rendering of Hilltop Park on Yerba Buena Island.\" width=\"800\" height=\"332\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/image6-800x332.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/image6-400x166.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/image6-1920x796.jpeg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/image6-1180x489.jpeg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/image6-960x398.jpeg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A rendering of Hilltop Park on Yerba Buena Island.\u003c/figcaption>\u003c/figure>\n\u003cp>\"I actually felt energized by history, honestly. They used to call it ‘the tower that talks,' \" Ashton-Gonzalez says. \"... I felt I needed to double down and bring as many people up to the Signal Room as I could, to share it with as many people as possible. I wanted this little cabaret to stand for something bigger for San Francisco.\"\u003c/p>\n\u003cp>At first, Ashton-Gonzalez looked into using environmental law to save the tower, claiming historical significance. But the argument for historical preservation became more difficult when it was revealed that the tower was younger than he previously believed. He didn’t realize that a tower built in 1917 was replaced by a remarkably similar one in 1944. But Ashton-Gonzalez is still trying to find ways to save the structure.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Bob Beck, director of the city's Treasure Island Development Authority, says he can't recommend saving the tower.\u003c/p>\n\u003cp>“The merit of the building lies in being able to go up into the tower,\" he says. \"But, if you want it to be publicly accessible, then you’d have to install an elevator. That would be a significant structural investment. You’d end up with little space for the actual observation deck and it would hinder the views. It wouldn’t be the space that it is today.”\u003c/p>\n\u003cp>Beck adds he can't endorse Ashton-Gonzalez's transformation of the tower into the Signal Room.\u003c/p>\n\u003cp>\"There’s signs posted on the structure advising against trespassing,\" Beck said. \"[Ashton-Gonzalez’s] use has been a trespass. He’s taken the facility for a private use and it’s not a replicable or sustainable use.\"\u003c/p>\n\u003cfigure id=\"attachment_10957409\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10957409 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/Yesenia-Lara-800x534.jpeg\" alt=\"“Sailors Signaling Other Sailors” a performance by Torreya Cummings held in the Signal Room.\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/Yesenia-Lara-800x534.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Yesenia-Lara-400x267.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Yesenia-Lara-1920x1282.jpeg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Yesenia-Lara-1180x788.jpeg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Yesenia-Lara-960x641.jpeg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Yesenia-Lara.jpeg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Sailors Signaling Other Sailors,' a performance by Torreya Cummings held in the Signal Room. \u003ccite>(Yesenia Lara)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kheay Loke, the senior development manager at Wilson Meany, the co-developer with Lennar and Stockbridge on the hilltop project, says the open space at the island's summit is designed to provide better public access to the site's special views.\u003c/p>\n\u003cp>\"It will be a really nice series of parks with trails connecting them, Loke says. \"So people can enjoy the great view of the bay and surrounding hills.\"\u003c/p>\n\u003cfigure id=\"attachment_10957411\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10957411 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/Skye-McKee-800x533.jpeg\" alt=\"The view from the Signal Room, facing west towards the Golden Gate.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-800x533.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-400x267.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-1920x1280.jpeg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-1180x786.jpeg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee-960x640.jpeg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Skye-McKee.jpeg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The view from the Signal Room, facing west toward the Golden Gate. \u003ccite>(Skye McKee)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Hilltop Park project has a budget of $4 million and is set to be completed sometime in 2018. Downhill from the park, developers plan to build 200 to 300 townhouses. To make way for the homes and parks, about 60 existing units are slated for demolition beginning next month. There is no set demolition date for the Signal Room, but Loke doesn’t believe plans will change.\u003c/p>\n\u003cp>\"Saving the tower isn’t compatible with the current plan,” he says.\u003c/p>\n\u003cp>Loke knows about Ashton-Gonzalez, but isn't thrilled by what he's been doing at the Signal Room.\u003c/p>\n\u003cp>\"I’m aware that someone has been trying to save the building,\" he says. \"It’s been a nuisance and annoyance. He has never officially contacted, but we do try to listen to the opinions out there.\"\u003c/p>\n\u003cp>Ashton-Gonzalez says he’s met employees of one developer, Lennar, at social events and hopes these informal connections will help rescue the tower. He won’t disclose names, but he says he’s also brought a number of San Francisco city officials up into the tower in hopes of saving it. However, these efforts have been cut short after the developers installed gates and padlocks around the entrances.\u003c/p>\n\u003cfigure id=\"attachment_10957407\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10957407 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/Paul-Hayes-800x450.jpeg\" alt=\"Paul Hayes\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/Paul-Hayes-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Paul-Hayes-400x225.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Paul-Hayes-1180x664.jpeg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Paul-Hayes-960x540.jpeg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/Paul-Hayes.jpeg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An art installation in the Signal Room by Paul Hayes. \u003ccite>(Paul Hayes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Among those officials have been members of the city's Arts Commission, Ashton-Gonzalez says. He hopes to turn the building into an architectural sculpture if it can’t be maintained as a publicly accessible building. Ashton-Gonzalez says he’s talked to a local artist, \u003ca href=\"http://www.metaphorm.org/\">Brian Goggin\u003c/a>, about turning it into an installation.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Arts Commission declined comment on the tower. Although there are plans to build \u003ca href=\"http://ww2.kqed.org/arts/2015/07/21/city-plans-to-transform-treasure-island-with-50-million-for-public-art/\">sculpture gardens \u003c/a>elsewhere on Yerba Buena Island, it looks as if the tower will be gone long before sculptures and artists are selected.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/10957401/the-fate-of-yerba-buena-islands-signal-room",
"authors": [
"8606"
],
"programs": [
"news_6944"
],
"categories": [
"news_223",
"news_6266"
],
"tags": [
"news_38",
"news_19275"
],
"featImg": "news_10958494",
"label": "news_6944"
},
"arts_11588189": {
"type": "posts",
"id": "arts_11588189",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11588189",
"score": null,
"sort": [
1463446526000
]
},
"guestAuthors": [],
"slug": "facebook-ceo-to-meet-with-glenn-beck-other-conservatives",
"title": "Facebook CEO to Meet With Glenn Beck, Other Conservatives",
"publishDate": 1463446526,
"format": "standard",
"headTitle": "Facebook CEO to Meet With Glenn Beck, Other Conservatives | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Radio host Glenn Beck and American Enterprise Institute president Arthur Brooks are some of the conservative leaders Facebook CEO Mark Zuckerberg plans to meet with this week.\u003c/p>\n\u003cp>The meeting, scheduled for Wednesday, follows a report that Facebook employed bias in the way it selected stories for its “Trending Topics” feature. A report in the tech blog Gizmodo claimed that Facebook downplays conservative news subjects. Facebook denies that report, which relied upon a single anonymous individual with self-described conservative leanings.\u003c/p>\n\u003cp>Nonetheless, Zuckerberg said the Menlo Park, California, company is investigating the matter and has invited conservative leaders to meet with him. Others invited include Zac Moffatt, the co-founder of conservative technology company Targeted Victory, and Dana Perino, co-host of The Five on Fox News Channel.\u003c/p>\n\u003cp>“I want to have a direct conversation about what Facebook stands for and how we can be sure our platform stays as open as possible,” Zuckerberg said in a Facebook post last week.\u003c/p>\n\u003cp>Facebook has said that a series of checks and balances — involving both software formulas and humans — ensures that stories displayed in the “trending topics” section aren’t biased. In a blog post last week, the company also linked to a 28-page internal document it uses to determine trending topics, after the Guardian published a similar document that was leaked to it.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Glenn Beck and other notable conservatives will meeting with Mark Zuckerberg to discuss Facebook's News Feed.",
"status": "publish",
"parent": 0,
"modified": 1726771175,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 8,
"wordCount": 241
},
"headData": {
"title": "Facebook CEO to Meet With Glenn Beck, Other Conservatives | KQED",
"description": "Glenn Beck and other notable conservatives will meeting with Mark Zuckerberg to discuss Facebook's News Feed.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Facebook CEO to Meet With Glenn Beck, Other Conservatives",
"datePublished": "2016-05-16T17:55:26-07:00",
"dateModified": "2024-09-19T11:39:35-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Associated Press",
"nprStoryId": "478309357",
"path": "/arts/11588189/facebook-ceo-to-meet-with-glenn-beck-other-conservatives",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Radio host Glenn Beck and American Enterprise Institute president Arthur Brooks are some of the conservative leaders Facebook CEO Mark Zuckerberg plans to meet with this week.\u003c/p>\n\u003cp>The meeting, scheduled for Wednesday, follows a report that Facebook employed bias in the way it selected stories for its “Trending Topics” feature. A report in the tech blog Gizmodo claimed that Facebook downplays conservative news subjects. Facebook denies that report, which relied upon a single anonymous individual with self-described conservative leanings.\u003c/p>\n\u003cp>Nonetheless, Zuckerberg said the Menlo Park, California, company is investigating the matter and has invited conservative leaders to meet with him. Others invited include Zac Moffatt, the co-founder of conservative technology company Targeted Victory, and Dana Perino, co-host of The Five on Fox News Channel.\u003c/p>\n\u003cp>“I want to have a direct conversation about what Facebook stands for and how we can be sure our platform stays as open as possible,” Zuckerberg said in a Facebook post last week.\u003c/p>\n\u003cp>Facebook has said that a series of checks and balances — involving both software formulas and humans — ensures that stories displayed in the “trending topics” section aren’t biased. In a blog post last week, the company also linked to a 28-page internal document it uses to determine trending topics, after the Guardian published a similar document that was leaked to it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11588189/facebook-ceo-to-meet-with-glenn-beck-other-conservatives",
"authors": [
"byline_arts_11588189"
],
"categories": [
"arts_235",
"arts_75",
"arts_70"
],
"tags": [
"arts_596",
"arts_1427"
],
"featImg": "arts_11588333",
"label": "arts"
},
"arts_11588050": {
"type": "posts",
"id": "arts_11588050",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11588050",
"score": null,
"sort": [
1463441177000
]
},
"guestAuthors": [],
"slug": "san-francisco-supervisor-talking-with-george-lucas-about-site-for-his-museum",
"title": "San Francisco Supervisor Talking with George Lucas About Museum Site",
"publishDate": 1463441177,
"format": "standard",
"headTitle": "San Francisco Supervisor Talking with George Lucas About Museum Site | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>A San Francisco Board of Supervisors member says the city has had preliminary discussions with George Lucas’ representatives about building his museum on an island in San Francisco Bay, instead of in Chicago.\u003c/p>\n\u003cp>A plan to build the Lucas Museum of Narrative Arts along Chicago’s Lake Michigan waterfront is on hold due to a parks group’s lawsuit. Lucas’ wife, Mellody Hobson, recently said that the lawsuit has prompted a search outside the city for a place to build the museum.\u003c/p>\n\u003cp>San Francisco supervisor Aaron Peskin says the city has spoken with Lucas representatives about Treasure Island, which is a landfill turned into a now-decommissioned naval base that’s under redevelopment.\u003c/p>\n\u003cp>Lucas chose Chicago in 2014 over sites in San Francisco and Los Angeles.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Supervisor Aaron Peskin has reached out to the 'Star Wars' creator about a new potential site for his museum.",
"status": "publish",
"parent": 0,
"modified": 1726709786,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 6,
"wordCount": 133
},
"headData": {
"title": "San Francisco Supervisor Talking with George Lucas About Museum Site | KQED",
"description": "Supervisor Aaron Peskin has reached out to the 'Star Wars' creator about a new potential site for his museum.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "San Francisco Supervisor Talking with George Lucas About Museum Site",
"datePublished": "2016-05-16T16:26:17-07:00",
"dateModified": "2024-09-18T18:36:26-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "478302464",
"path": "/arts/11588050/san-francisco-supervisor-talking-with-george-lucas-about-site-for-his-museum",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A San Francisco Board of Supervisors member says the city has had preliminary discussions with George Lucas’ representatives about building his museum on an island in San Francisco Bay, instead of in Chicago.\u003c/p>\n\u003cp>A plan to build the Lucas Museum of Narrative Arts along Chicago’s Lake Michigan waterfront is on hold due to a parks group’s lawsuit. Lucas’ wife, Mellody Hobson, recently said that the lawsuit has prompted a search outside the city for a place to build the museum.\u003c/p>\n\u003cp>San Francisco supervisor Aaron Peskin says the city has spoken with Lucas representatives about Treasure Island, which is a landfill turned into a now-decommissioned naval base that’s under redevelopment.\u003c/p>\n\u003cp>Lucas chose Chicago in 2014 over sites in San Francisco and Los Angeles.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11588050/san-francisco-supervisor-talking-with-george-lucas-about-site-for-his-museum",
"authors": [
"92"
],
"categories": [
"arts_74",
"arts_235",
"arts_75",
"arts_70"
],
"tags": [
"arts_596",
"arts_1427"
],
"featImg": "arts_10138271",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=news": {
"isFetching": false,
"latestQuery": {
"from": 2952,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 3718,
"relation": "eq"
},
"items": [
"arts_11597686",
"news_10960580",
"arts_11594415",
"arts_11594424",
"arts_11594276",
"arts_11588339",
"arts_11592352",
"arts_11591668",
"arts_11588617",
"news_10957401",
"arts_11588189",
"arts_11588050"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_news": {
"isLoading": true
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_73": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"link": "/arts/category/literature"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_1427": {
"type": "terms",
"id": "arts_1427",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1427",
"found": true
},
"relationships": {},
"featImg": null,
"name": "wire",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "wire Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1439,
"slug": "wire",
"isLoading": false,
"link": "/arts/tag/wire"
},
"news_6944": {
"type": "terms",
"id": "news_6944",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "6944",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/10/2014/10/News-Fix-Logo-Web-Banners-04.png",
"name": "News Fix",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "The News Fix is a daily news podcast from KQED that breaks down the latest headlines and provides in-depth analysis of the stories that matter to the Bay Area.",
"title": "News Fix - Daily Dose of Bay Area News | KQED",
"ogDescription": null
},
"ttid": 6968,
"slug": "news-fix",
"isLoading": false,
"link": "/news/program/news-fix"
},
"news_223": {
"type": "terms",
"id": "news_223",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "223",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts and Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts and Culture Archives | KQED News",
"ogDescription": null
},
"ttid": 231,
"slug": "arts-and-culture",
"isLoading": false,
"link": "/news/category/arts-and-culture"
},
"news_13": {
"type": "terms",
"id": "news_13",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "13",
"found": true
},
"relationships": {},
"name": "Politics",
"slug": "politics",
"taxonomy": "category",
"description": null,
"featImg": null,
"headData": {
"title": "Politics | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 13,
"isLoading": false,
"link": "/news/category/politics"
},
"news_249": {
"type": "terms",
"id": "news_249",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "249",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Facebook",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Facebook Archives | KQED News",
"ogDescription": null
},
"ttid": 257,
"slug": "facebook",
"isLoading": false,
"link": "/news/tag/facebook"
},
"news_250": {
"type": "terms",
"id": "news_250",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "250",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Mark Zuckerberg",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Mark Zuckerberg Archives | KQED News",
"ogDescription": null
},
"ttid": 258,
"slug": "mark-zuckerberg",
"isLoading": false,
"link": "/news/tag/mark-zuckerberg"
},
"arts_966": {
"type": "terms",
"id": "arts_966",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "966",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Dance",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Dance Archives | KQED Arts",
"ogDescription": null
},
"ttid": 984,
"slug": "dance",
"isLoading": false,
"link": "/arts/category/dance"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_967": {
"type": "terms",
"id": "arts_967",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "967",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Theater",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Theater Archives | KQED Arts",
"ogDescription": null
},
"ttid": 985,
"slug": "theater",
"isLoading": false,
"link": "/arts/category/theater"
},
"arts_1310": {
"type": "terms",
"id": "arts_1310",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1310",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Art in the Open",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Art in the Open Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1322,
"slug": "art-in-the-open",
"isLoading": false,
"link": "/arts/tag/art-in-the-open"
},
"arts_1037": {
"type": "terms",
"id": "arts_1037",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1037",
"found": true
},
"relationships": {},
"featImg": null,
"name": "audio",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "audio Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1054,
"slug": "audio",
"isLoading": false,
"link": "/arts/tag/audio"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_1119": {
"type": "terms",
"id": "arts_1119",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1119",
"found": true
},
"relationships": {},
"featImg": null,
"name": "feature",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "feature Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1136,
"slug": "feature",
"isLoading": false,
"link": "/arts/tag/feature"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_968": {
"type": "terms",
"id": "arts_968",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "968",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Comedy",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 986,
"slug": "comedy",
"isLoading": false,
"link": "/arts/category/comedy"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_989": {
"type": "terms",
"id": "arts_989",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "989",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Q&A",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Q&A Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1007,
"slug": "qa",
"isLoading": false,
"link": "/arts/tag/qa"
},
"arts_1254": {
"type": "terms",
"id": "arts_1254",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1254",
"found": true
},
"relationships": {},
"featImg": null,
"name": "exclude",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "exclude Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1266,
"slug": "exclude",
"isLoading": false,
"link": "/arts/tag/exclude"
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"news_6266": {
"type": "terms",
"id": "news_6266",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "6266",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Housing",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Housing Archives | KQED News",
"ogDescription": null
},
"ttid": 6290,
"slug": "housing",
"isLoading": false,
"link": "/news/category/housing"
},
"news_38": {
"type": "terms",
"id": "news_38",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "38",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED News",
"ogDescription": null
},
"ttid": 58,
"slug": "san-francisco",
"isLoading": false,
"link": "/news/tag/san-francisco"
},
"news_19275": {
"type": "terms",
"id": "news_19275",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "19275",
"found": true
},
"relationships": {},
"name": "Yerba Buena Island",
"slug": "yerba-buena-island",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Yerba Buena Island | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"metaRobotsNoIndex": "noindex"
},
"ttid": 19292,
"isLoading": false,
"link": "/news/tag/yerba-buena-island"
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_74": {
"type": "terms",
"id": "arts_74",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "74",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 75,
"slug": "movies",
"isLoading": false,
"link": "/arts/category/movies"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}
