window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_11653959": {
"type": "attachments",
"id": "arts_11653959",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11653959",
"found": true
},
"parent": 11653957,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live.jpg",
"width": 1766,
"height": 993
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Kanye-West-live-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1465243578,
"modified": 1465243606,
"caption": "Kanye West performs onstage at the 2015 iHeartRadio Music Festival at MGM Grand Garden Arena on September 18, 2015 in Las Vegas, Nevada. ",
"description": "Kanye West performs onstage at the 2015 iHeartRadio Music Festival at MGM Grand Garden Arena on September 18, 2015 in Las Vegas, Nevada. ",
"title": "2015 iHeartRadio Music Festival - Night 1 - Show",
"credit": "Photo: Christopher Polk/Getty Images for iHeartMedia",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11653954": {
"type": "attachments",
"id": "arts_11653954",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11653954",
"found": true
},
"parent": 11653953,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Richard-Simmons-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Richard-Simmons-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Richard-Simmons.jpg",
"width": 800,
"height": 450
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Richard-Simmons-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Richard-Simmons-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Richard-Simmons-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Richard-Simmons-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Richard-Simmons-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Richard-Simmons-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Richard-Simmons-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Richard-Simmons-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1465242864,
"modified": 1465243069,
"caption": "Richard Simmons attends the Elizabeth Glaser Pediatric AIDS Foundation's 24th Annual \"A Time For Heroes\" at Century Park on June 2, 2013 in Los Angeles, California. ",
"description": "Richard Simmons attends the Elizabeth Glaser Pediatric AIDS Foundation's 24th Annual \"A Time For Heroes\" at Century Park on June 2, 2013 in Los Angeles, California. ",
"title": "Elizabeth Glaser Pediatric AIDS Foundation's 24th Annual \"A Time For Heroes\" - Red Carpet",
"credit": " Photo: Jason Kempin/Getty Images for EGPAF",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_25994": {
"type": "attachments",
"id": "pop_25994",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "25994",
"found": true
},
"parent": 25988,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/13321866_10154238341272264_-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/13321866_10154238341272264_-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/13321866_10154238341272264_-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/13321866_10154238341272264_.jpg",
"width": 960,
"height": 540
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/13321866_10154238341272264_-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/13321866_10154238341272264_-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/13321866_10154238341272264_-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/13321866_10154238341272264_-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/13321866_10154238341272264_-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/13321866_10154238341272264_-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/13321866_10154238341272264_-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/06/13321866_10154238341272264_-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1465247821,
"modified": 1465247844,
"caption": "Paul Simon.",
"description": "Paul Simon.",
"title": "Paul Simon.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"bayareabites_109904": {
"type": "attachments",
"id": "bayareabites_109904",
"meta": {
"index": "attachments_1716263798",
"site": "bayareabites",
"id": "109904",
"found": true
},
"parent": 109903,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-400x257.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 257
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-960x616.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 616
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9.jpg",
"width": 2000,
"height": 1283
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-1440x924.jpg",
"width": 1440,
"mimeType": "image/jpeg",
"height": 924
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-800x513.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 513
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"cat_post_thumb_sizecategory-posts-2": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-1920x1232.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1232
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-1180x757.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 757
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-768x493.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 493
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/06/almondsandbees_enl-6277764d25bc8dfc1a4ae8eb45068b19ce998de9-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1465232150,
"modified": 1465232347,
"caption": "Between January and March, beekeepers send millions of hives to California to pollinate almond trees. A sign in this almond orchard warns it is patrolled — a measure to combat rising beehive thefts.",
"description": "Between January and March, beekeepers send millions of hives to California to pollinate almond trees. A sign in this almond orchard warns it is patrolled -- a measure to combat rising beehive thefts",
"title": "Between January and March, beekeepers send millions of hives to California to pollinate almond trees. A sign in this almond orchard warns it is patrolled — a measure to combat rising beehive thefts.",
"credit": "Barbara Rich/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"news_10980120": {
"type": "attachments",
"id": "news_10980120",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "10980120",
"found": true
},
"parent": 10980118,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-400x267.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 267
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-960x640.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 640
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-e1465228529750.jpg",
"width": 1920,
"height": 1280
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"jmtc-small-thumb": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-280x150.jpg",
"width": 280,
"mimeType": "image/jpeg",
"height": 150
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-1180x787.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 787
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/50_custom-9b5375d268232680af5c20ad8e1ab13d78cd2cfb-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1465227746,
"modified": 1465228535,
"caption": "A girl stands in the middle of a poppy field as Marines pass by on patrol. From the story \"In Afghanistan, Flowers Call The Shots,\" 2011.",
"description": "A girl stands in the middle of a poppy field as Marines pass by on patrol. \u003cem>From the story \"\u003ca href=\"http://www.npr.org/sections/pictureshow/2011/05/13/136213445/in-afghanistan-flowers-call-the-shots\" target=\"_blank\">In Afghanistan, Flowers Call The Shots\u003c/a>,\" 2011.\u003c/em>",
"title": "Gilkey-Afghanistan",
"credit": "David Gilkey/NPR",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"news_10979265": {
"type": "attachments",
"id": "news_10979265",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "10979265",
"found": true
},
"parent": 10979254,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-1038x576.jpe",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-400x264.jpe",
"width": 400,
"mimeType": "image/jpeg",
"height": 264
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-960x633.jpe",
"width": 960,
"mimeType": "image/jpeg",
"height": 633
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-672x372.jpe",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-e1465165639215.jpe",
"width": 1920,
"height": 1265
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-1920x1265.jpe",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1265
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-50x50.jpe",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-96x96.jpe",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-800x527.jpe",
"width": 800,
"mimeType": "image/jpeg",
"height": 527
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-64x64.jpe",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-32x32.jpe",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"jmtc-small-thumb": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-280x150.jpe",
"width": 280,
"mimeType": "image/jpeg",
"height": 150
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-1920x1265.jpe",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1265
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-1180x778.jpe",
"width": 1180,
"mimeType": "image/jpeg",
"height": 778
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-150x150.jpe",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/06/david-gilkey-npr-photographer-at-kandahar-airfield-afghanistan-on-may-29-2016.jpg_custom-df6a1657abfe49d01676acb71de8e2aca90e767d-128x128.jpe",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1465165584,
"modified": 1465165687,
"caption": "NPR photographer David Gilkey at Kandahar Airfield, Afghanistan, on May 29, 2016.",
"description": "NPR photographer David Gilkey at Kandahar Airfield, Afghanistan, on May 29, 2016.",
"title": "David Gilkey-NPR-Afghanistan",
"credit": "Michael M. Phillips/The Wall Street Journal",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"news_10969650": {
"type": "attachments",
"id": "news_10969650",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "10969650",
"found": true
},
"parent": 10969533,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log-1038x576.jpeg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log-400x284.jpeg",
"width": 400,
"mimeType": "image/jpeg",
"height": 284
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log-960x682.jpeg",
"width": 960,
"mimeType": "image/jpeg",
"height": 682
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log-672x372.jpeg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log.jpeg",
"width": 1536,
"height": 1091
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log-50x50.jpeg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log-96x96.jpeg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log-800x568.jpeg",
"width": 800,
"mimeType": "image/jpeg",
"height": 568
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log-64x64.jpeg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log-32x32.jpeg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"jmtc-small-thumb": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log-280x150.jpeg",
"width": 280,
"mimeType": "image/jpeg",
"height": 150
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log-1180x838.jpeg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 838
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log-150x150.jpeg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/05/kellog-and-finished-log-128x128.jpeg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1464378100,
"modified": 1464996840,
"caption": "Charles Kellogg and the RV he built out of the trunk of a fallen redwood. He traveled across the country in it four times, trumpeting the virtues of the sequoia. He claimed he was born with the throat of a bird.",
"description": "Charles Kellogg and the RV he built out of the trunk of a fallen redwood. He traveled across the country in it four times, trumpeting the virtues of the sequoia. He claimed he was born with the throat of a bird.",
"title": "kellog and finished log",
"credit": "Humboldt Redwoods Interpretive Assocation",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11641351": {
"type": "attachments",
"id": "arts_11641351",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11641351",
"found": true
},
"parent": 11639043,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fantastic-Negrito-e1464910952922-1021x576.jpg",
"width": 1021,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fantastic-Negrito-e1464910952922-400x272.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 272
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fantastic-Negrito-e1464910952922-960x653.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 653
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fantastic-Negrito-e1464910952922-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fantastic-Negrito-e1464910952922.jpg",
"width": 1021,
"height": 694
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fantastic-Negrito-e1464910952922-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fantastic-Negrito-e1464910952922-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fantastic-Negrito-e1464910952922-800x544.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 544
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fantastic-Negrito-e1464910952922-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fantastic-Negrito-e1464910952922-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fantastic-Negrito-e1464910952922-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fantastic-Negrito-e1464910952922-768x522.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 522
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fantastic-Negrito-e1464910952922-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1464898906,
"modified": 1464910900,
"caption": "Oakland blues man Fantastic Negrito plays a full set at Oakland First Fridays June 3.",
"description": "Oakland Blues Man Fantastic Negrito plays a full set at Oakland First Fridays June 3.",
"title": "Oakland Blues Man Fantastic Negrito plays a full set at Oakland First Fridays June 3",
"credit": "Photo: Courtesy of Blackball Universe",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11635263": {
"type": "attachments",
"id": "arts_11635263",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11635263",
"found": true
},
"parent": 11635262,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19639_Mary-Ellen-Bartley-THE_EDGE_OF_VISION-qut-1000x576.jpg",
"width": 1000,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19639_Mary-Ellen-Bartley-THE_EDGE_OF_VISION-qut-e1464845925658-400x220.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 220
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19639_Mary-Ellen-Bartley-THE_EDGE_OF_VISION-qut-e1464845925658-960x528.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 528
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19639_Mary-Ellen-Bartley-THE_EDGE_OF_VISION-qut-e1464845925658-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19639_Mary-Ellen-Bartley-THE_EDGE_OF_VISION-qut-e1464845925658.jpg",
"width": 1000,
"height": 550
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19639_Mary-Ellen-Bartley-THE_EDGE_OF_VISION-qut-e1464845925658-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19639_Mary-Ellen-Bartley-THE_EDGE_OF_VISION-qut-e1464845925658-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19639_Mary-Ellen-Bartley-THE_EDGE_OF_VISION-qut-e1464845925658-800x440.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 440
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19639_Mary-Ellen-Bartley-THE_EDGE_OF_VISION-qut-e1464845925658-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19639_Mary-Ellen-Bartley-THE_EDGE_OF_VISION-qut-e1464845925658-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19639_Mary-Ellen-Bartley-THE_EDGE_OF_VISION-qut-e1464845925658-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19639_Mary-Ellen-Bartley-THE_EDGE_OF_VISION-qut-e1464845925658-768x422.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 422
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/05/RS19639_Mary-Ellen-Bartley-THE_EDGE_OF_VISION-qut-e1464845925658-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1464727724,
"modified": 1464727764,
"caption": "The\tEdge of\tVision (2010) by Mary Ellen Bartley. From the series Standing Open. Pigment\tprints on\trag\tpaper, 18x27\".",
"description": "The\tEdge of\tVision (2010) by Mary Ellen Bartley. From the series Standing Open. Pigment\tprints on\trag\tpaper, 18x27\".",
"title": "RS19639_Mary Ellen Bartley-THE_EDGE_OF_VISION-qut",
"credit": "Photo: Courtesy of the Artist and Yancey Richardson Gallery",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10986524": {
"type": "attachments",
"id": "arts_10986524",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10986524",
"found": true
},
"parent": 10986505,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/09/Ramos-vertical-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/09/Ramos-vertical-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/09/Ramos-vertical.jpg",
"width": 800,
"height": 450
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/09/Ramos-vertical-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/09/Ramos-vertical-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/09/Ramos-vertical-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/09/Ramos-vertical-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/09/Ramos-vertical-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/09/Ramos-vertical-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1443564951,
"modified": 1443569291,
"caption": "Antonio Ramos working on the West Street Mural in Oakland",
"description": "Antonio Ramos working on the West Street Mural in Oakland",
"title": "Ramos vertical",
"credit": "Courtesy: Attitudinal Healing Connection of Oakland",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11535516": {
"type": "attachments",
"id": "arts_11535516",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11535516",
"found": true
},
"parent": 11535515,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/04/Prince-guitarCROP-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/04/Prince-guitarCROP-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/04/Prince-guitarCROP-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/04/Prince-guitarCROP.jpg",
"width": 1020,
"height": 574
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/04/Prince-guitarCROP-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/04/Prince-guitarCROP-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/04/Prince-guitarCROP-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/04/Prince-guitarCROP-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/04/Prince-guitarCROP-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/04/Prince-guitarCROP-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/04/Prince-guitarCROP-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1461920062,
"modified": 1461920118,
"caption": "Prince performs in, 2009 at the Grand Palais in Paris. ",
"description": "Prince performs in, 2009 at the Grand Palais in Paris. ",
"title": "US singer Prince performs on October 11,",
"credit": "Photo: Bertrand Guay/AFP/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11638913": {
"type": "attachments",
"id": "arts_11638913",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11638913",
"found": true
},
"parent": 11638890,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fetty-Wap-2-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fetty-Wap-2-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fetty-Wap-2.jpg",
"width": 800,
"height": 450
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fetty-Wap-2-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fetty-Wap-2-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fetty-Wap-2-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fetty-Wap-2-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fetty-Wap-2-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fetty-Wap-2-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fetty-Wap-2-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Fetty-Wap-2-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1464825098,
"modified": 1464825143,
"caption": "Fetty Wap performs in the infield before the 141st running of the Preakness Stakes at Pimlico Race Course on May 21, 2016 in Baltimore. ",
"description": "Fetty Wap performs in the infield before the 141st running of the Preakness Stakes at Pimlico Race Course on May 21, 2016 in Baltimore. ",
"title": "The 141st Running of the Preakness Stakes",
"credit": "Photo: Maddie Meyer/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_11653957": {
"type": "authors",
"id": "byline_arts_11653957",
"meta": {
"override": true
},
"slug": "byline_arts_11653957",
"name": "Associated Press",
"isLoading": false
},
"byline_arts_11653953": {
"type": "authors",
"id": "byline_arts_11653953",
"meta": {
"override": true
},
"slug": "byline_arts_11653953",
"name": "Associated Press",
"isLoading": false
},
"byline_bayareabites_109903": {
"type": "authors",
"id": "byline_bayareabites_109903",
"meta": {
"override": true
},
"slug": "byline_bayareabites_109903",
"name": "Jodi Helmer, \u003ca href=\"https://ww2.kqed.org/bayareabites/author/nprfood/\">NPR Food\u003c/a>",
"isLoading": false
},
"byline_news_10980118": {
"type": "authors",
"id": "byline_news_10980118",
"meta": {
"override": true
},
"slug": "byline_news_10980118",
"name": "\u003cstrong>Ariel Zambelich\u003cbr />NPR\u003c/strong>",
"isLoading": false
},
"byline_news_10979254": {
"type": "authors",
"id": "byline_news_10979254",
"meta": {
"override": true
},
"slug": "byline_news_10979254",
"name": "\u003cstrong>Eyder Peralta\u003cbr />NPR\u003c/strong>",
"isLoading": false
},
"byline_news_10969533": {
"type": "authors",
"id": "byline_news_10969533",
"meta": {
"override": true
},
"slug": "byline_news_10969533",
"name": "\u003cstrong>Chris Hoff\u003c/strong> and \u003cstrong>Sam Harnett\u003c/strong>",
"isLoading": false
},
"byline_arts_11640945": {
"type": "authors",
"id": "byline_arts_11640945",
"meta": {
"override": true
},
"slug": "byline_arts_11640945",
"name": "Associated Press",
"isLoading": false
},
"byline_arts_11638890": {
"type": "authors",
"id": "byline_arts_11638890",
"meta": {
"override": true
},
"slug": "byline_arts_11638890",
"name": "Associated Press",
"isLoading": false
},
"cmusiker": {
"type": "authors",
"id": "32",
"meta": {
"index": "authors_1716337520",
"id": "32",
"found": true
},
"name": "Cy Musiker",
"firstName": "Cy",
"lastName": "Musiker",
"slug": "cmusiker",
"email": "cmusiker@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Cy Musiker is a former co-host of The Do List and a former reporter covering the arts for KQED News and The California Report. He loves live performance, especially great theater, jazz, roots music, anything by Mahler. Cy has an MJ from UC Berkeley's School of Journalism, and got his BA from Hampshire College. His work has been recognized by the Society for Professional Journalists with their Sigma Delta Chi Award for Public Service in Journalism. When he can, Cy likes to swim in Tomales Bay, run with his dog in the East Bay Hills, and hike the Sierra.",
"avatar": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "bayareabites",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Cy Musiker | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/cmusiker"
},
"kjones": {
"type": "authors",
"id": "93",
"meta": {
"index": "authors_1716337520",
"id": "93",
"found": true
},
"name": "Kevin L. Jones",
"firstName": "Kevin",
"lastName": "Jones",
"slug": "kjones",
"email": "kjones@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "styleguide",
"roles": [
"contributor"
]
},
{
"site": "artschool",
"roles": [
"subscriber"
]
},
{
"site": "news",
"roles": [
"subscriber"
]
},
{
"site": "pop",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Kevin L. Jones | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kjones"
},
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"administrator"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"rachael-myrow": {
"type": "authors",
"id": "251",
"meta": {
"index": "authors_1716337520",
"id": "251",
"found": true
},
"name": "Rachael Myrow",
"firstName": "Rachael",
"lastName": "Myrow",
"slug": "rachael-myrow",
"email": "rmyrow@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"news"
],
"title": "Senior Editor of KQED's Silicon Valley News Desk",
"bio": "• I write and edit stories about how Silicon Valley power and policies shape everyday life in California. I’m also passionate about making Bay Area history and culture more accessible to a broad public. • I’ve been a journalist for most of my life, starting in high school with The Franklin Press in Los Angeles, where I grew up. While earning my first degree in English at UC Berkeley, I got my start in public radio at KALX-FM. After completing a second degree in journalism at Cal, I landed my first professional job at Marketplace, then moved on to KPCC (now LAist), and then KQED, where I hosted The California Report for more than seven years. • My reporting has appeared on NPR, The World, WBUR’s \u003ci>Here & Now\u003c/i>, and the BBC. I also guest host for KQED’s \u003ci>Forum\u003c/i>, as well as the Commonwealth Club in San Francisco. • I speak periodically on media, democracy and technology issues, and do voiceover work for documentaries and educational video projects. • Outside of the studio, you'll find me hiking Bay Area trails and whipping up Insta-ready meals in my kitchen. • I do not accept gifts, money, or favors from anyone connected to my reporting, I don't pay people for information, and I do not support or donate to political causes. • I strive to treat the people I report on with fairness, honesty, and respect. I also recognize there are often multiple sides to a story and work to verify information through multiple sources and documentation. If I get something wrong, I correct it.",
"avatar": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g",
"twitter": "rachaelmyrow",
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": "https://www.linkedin.com/in/rachaelmyrow/",
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"edit_others_posts",
"editor"
]
},
{
"site": "futureofyou",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "stateofhealth",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"author"
]
}
],
"headData": {
"title": "Rachael Myrow | KQED",
"description": "Senior Editor of KQED's Silicon Valley News Desk",
"ogImgSrc": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/rachael-myrow"
}
},
"pagesReducer": {
"arts_category_news": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"score": 10.815882
},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"title": "News",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 248
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=news",
"seeMore": false,
"paginated": true,
"page": 248
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_11653957": {
"type": "posts",
"id": "arts_11653957",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11653957",
"score": null,
"sort": [
1465243758000
]
},
"guestAuthors": [],
"slug": "would-be-surprise-kanye-west-show-turns-to-chaos-in-nyc",
"title": "Would-Be Surprise Kanye West Show Turns to Chaos in NYC",
"publishDate": 1465243758,
"format": "standard",
"headTitle": "Would-Be Surprise Kanye West Show Turns to Chaos in NYC | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>What was supposed to be a surprise Kanye West show in New York City quickly turned to chaos as thousands of fans descended on the venue.\u003c/p>\n\u003cp>More than 4,000 people swarmed Webster Hall, which only holds 1,500, early Monday for the pop-up show. They climbed on top of cars, dumpsters and scaffolding and hung out of windows hoping to get a better view.\u003c/p>\n\u003cp>The \u003ca href=\"http://nydn.us/1PyVOUE\" target=\"_blank\" rel=\"noopener\">New York Daily News reports\u003c/a> West hinted on social media that he was going to do a 2am show. His Governors Ball appearance Sunday had been canceled due to the weather.\u003c/p>\n\u003cp>Shortly before 2 a.m., Webster Hall tweeted that there would be no show.\u003c/p>\n\u003cp>Police made one arrest for disorderly conduct while dispersing the crowd.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n",
"blocks": [],
"excerpt": "More than 4,000 people swarmed Webster Hall, which only holds 1,500, early Monday for the pop-up show",
"status": "publish",
"parent": 0,
"modified": 1726709621,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 9,
"wordCount": 134
},
"headData": {
"title": "Would-Be Surprise Kanye West Show Turns to Chaos in NYC | KQED",
"description": "More than 4,000 people swarmed Webster Hall, which only holds 1,500, early Monday for the pop-up show",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Would-Be Surprise Kanye West Show Turns to Chaos in NYC",
"datePublished": "2016-06-06T13:09:18-07:00",
"dateModified": "2024-09-18T18:33:41-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Associated Press",
"path": "/arts/11653957/would-be-surprise-kanye-west-show-turns-to-chaos-in-nyc",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>What was supposed to be a surprise Kanye West show in New York City quickly turned to chaos as thousands of fans descended on the venue.\u003c/p>\n\u003cp>More than 4,000 people swarmed Webster Hall, which only holds 1,500, early Monday for the pop-up show. They climbed on top of cars, dumpsters and scaffolding and hung out of windows hoping to get a better view.\u003c/p>\n\u003cp>The \u003ca href=\"http://nydn.us/1PyVOUE\" target=\"_blank\" rel=\"noopener\">New York Daily News reports\u003c/a> West hinted on social media that he was going to do a 2am show. His Governors Ball appearance Sunday had been canceled due to the weather.\u003c/p>\n\u003cp>Shortly before 2 a.m., Webster Hall tweeted that there would be no show.\u003c/p>\n\u003cp>Police made one arrest for disorderly conduct while dispersing the crowd.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11653957/would-be-surprise-kanye-west-show-turns-to-chaos-in-nyc",
"authors": [
"byline_arts_11653957"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_596",
"arts_1427"
],
"featImg": "arts_11653959",
"label": "arts"
},
"arts_11653953": {
"type": "posts",
"id": "arts_11653953",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11653953",
"score": null,
"sort": [
1465243074000
]
},
"guestAuthors": [],
"slug": "richard-simmons-feeling-great-following-hospital-stay",
"title": "Richard Simmons \"Feeling Great\" Following Hospital Stay",
"publishDate": 1465243074,
"format": "standard",
"headTitle": "Richard Simmons “Feeling Great” Following Hospital Stay | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Richard Simmons says dehydration is the reason for his recent hospital stay.\u003c/p>\n\u003cp>USA Today reports the 67-year-old fitness guru said in a statement through his publicist Sunday that he was “dehydrated and needed some fluids” and that he’s now “feeling great!”\u003c/p>\n\u003cp>TMZ had reported Friday that Simmons had been hospitalized.\u003c/p>\n\u003cp>The New York Daily News reported in March that friends of Simmons told the newspaper that they feared he was being held captive at his home by his live-in housekeeper.\u003c/p>\n\u003cp>Simmons responded to the report by explaining to “Entertainment Tonight” that he was purposefully staying out of the public eye saying, “this is how I want to live my life right now.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
"blocks": [],
"excerpt": "USA Today reports the 67-year-old fitness guru said in a statement that he was \"dehydrated and needed some fluids\"",
"status": "publish",
"parent": 0,
"modified": 1726770979,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 8,
"wordCount": 135
},
"headData": {
"title": "Richard Simmons \"Feeling Great\" Following Hospital Stay | KQED",
"description": "USA Today reports the 67-year-old fitness guru said in a statement that he was "dehydrated and needed some fluids"",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Richard Simmons \"Feeling Great\" Following Hospital Stay",
"datePublished": "2016-06-06T12:57:54-07:00",
"dateModified": "2024-09-19T11:36:19-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Associated Press",
"path": "/arts/11653953/richard-simmons-feeling-great-following-hospital-stay",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Richard Simmons says dehydration is the reason for his recent hospital stay.\u003c/p>\n\u003cp>USA Today reports the 67-year-old fitness guru said in a statement through his publicist Sunday that he was “dehydrated and needed some fluids” and that he’s now “feeling great!”\u003c/p>\n\u003cp>TMZ had reported Friday that Simmons had been hospitalized.\u003c/p>\n\u003cp>The New York Daily News reported in March that friends of Simmons told the newspaper that they feared he was being held captive at his home by his live-in housekeeper.\u003c/p>\n\u003cp>Simmons responded to the report by explaining to “Entertainment Tonight” that he was purposefully staying out of the public eye saying, “this is how I want to live my life right now.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11653953/richard-simmons-feeling-great-following-hospital-stay",
"authors": [
"byline_arts_11653953"
],
"categories": [
"arts_968",
"arts_235"
],
"tags": [
"arts_596",
"arts_1427"
],
"featImg": "arts_11653954",
"label": "arts"
},
"pop_25988": {
"type": "posts",
"id": "pop_25988",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "25988",
"score": null,
"sort": [
1465248657000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1465248657,
"format": "video",
"disqusTitle": "Watch: Paul Simon Breaks News of Muhammad Ali's Death During 'The Boxer' in Berkeley",
"title": "Watch: Paul Simon Breaks News of Muhammad Ali's Death During 'The Boxer' in Berkeley",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Boxers are aggressive by nature, but \"\u003ca href=\"https://www.youtube.com/watch?v=l3LFML_pxlY\" target=\"_blank\">The Boxer\u003c/a>\" -- from Simon & Garfunkel's \u003cem>Bridge Over Troubled Water\u003c/em> -- ruminates on the more sensitive, vulnerable psychology of those whose chief profession it is to knock another man unconscious.\u003c/p>\n\u003cp>So it's fitting that at his concert at the Greek Theatre in Berkeley on Friday night, Paul Simon took a moment to inform the 8,000-capacity crowd of the breaking news: \"I'm sorry to tell you this way,\" he announced mid-song, \"but Muhammad Ali has passed away.\"\u003c/p>\n\u003cp>In the video above, hear the crowd react to the news, while also taking note that the moment comes with a little bit of a bubble burst: Paul Simon has repeatedly said that \"The Boxer\" is autobiographical, about his own bouts with critics, and not about actual left-hook throwing pugilists like Muhammad Ali. \u003c/p>\n\u003cp>Does that diminish the poignancy of the moment? As someone who knows many people who were in the Berkeley audience that night, I can say confidently: Not at all.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"disqusIdentifier": "25988 http://ww2.kqed.org/pop/?p=25988",
"disqusUrl": "https://ww2.kqed.org/pop/2016/06/06/watch-paul-simon-breaks-news-of-muhammad-alis-death-during-the-boxer-in-berkeley/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 172,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1465249166,
"excerpt": "During his concert at the Greek Theater in Berkeley on Friday night, Paul Simon took a moment to inform the 8,000-capacity crowd of the boxer's death.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "During his concert at the Greek Theater in Berkeley on Friday night, Paul Simon took a moment to inform the 8,000-capacity crowd of the boxer's death.",
"title": "Watch: Paul Simon Breaks News of Muhammad Ali's Death During 'The Boxer' in Berkeley | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Watch: Paul Simon Breaks News of Muhammad Ali's Death During 'The Boxer' in Berkeley",
"datePublished": "2016-06-06T14:30:57-07:00",
"dateModified": "2016-06-06T14:39:26-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "watch-paul-simon-breaks-news-of-muhammad-alis-death-during-the-boxer-in-berkeley",
"status": "publish",
"videoEmbed": "https://www.youtube.com/watch?v=vRdrtcUtyUM",
"path": "/pop/25988/watch-paul-simon-breaks-news-of-muhammad-alis-death-during-the-boxer-in-berkeley",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Boxers are aggressive by nature, but \"\u003ca href=\"https://www.youtube.com/watch?v=l3LFML_pxlY\" target=\"_blank\">The Boxer\u003c/a>\" -- from Simon & Garfunkel's \u003cem>Bridge Over Troubled Water\u003c/em> -- ruminates on the more sensitive, vulnerable psychology of those whose chief profession it is to knock another man unconscious.\u003c/p>\n\u003cp>So it's fitting that at his concert at the Greek Theatre in Berkeley on Friday night, Paul Simon took a moment to inform the 8,000-capacity crowd of the breaking news: \"I'm sorry to tell you this way,\" he announced mid-song, \"but Muhammad Ali has passed away.\"\u003c/p>\n\u003cp>In the video above, hear the crowd react to the news, while also taking note that the moment comes with a little bit of a bubble burst: Paul Simon has repeatedly said that \"The Boxer\" is autobiographical, about his own bouts with critics, and not about actual left-hook throwing pugilists like Muhammad Ali. \u003c/p>\n\u003cp>Does that diminish the poignancy of the moment? As someone who knows many people who were in the Berkeley audience that night, I can say confidently: Not at all.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/25988/watch-paul-simon-breaks-news-of-muhammad-alis-death-during-the-boxer-in-berkeley",
"authors": [
"185"
],
"categories": [
"pop_4"
],
"featImg": "pop_25994",
"label": "pop"
},
"bayareabites_109903": {
"type": "posts",
"id": "bayareabites_109903",
"meta": {
"index": "posts_1716263798",
"site": "bayareabites",
"id": "109903",
"score": null,
"sort": [
1465232869000
]
},
"parent": 0,
"labelTerm": {
"site": "bayareabites"
},
"blocks": [],
"publishDate": 1465232869,
"format": "standard",
"disqusTitle": "Beekeepers Feel The Sting Of Hives Stolen In California",
"title": "Beekeepers Feel The Sting Of Hives Stolen In California",
"headTitle": "Bay Area Bites | KQED Food",
"content": "\u003cp>Between December and March, beekeepers send millions of hives to California to pollinate almond trees. Not all of the hives make it back home.\u003c/p>\n\u003cp>\"The number of beehive thefts is increasing,\" explains Jay Freeman, a detective with the Butte County Sheriff's Office.\u003c/p>\n\u003cp>In California, 1,734 hives were stolen during peak almond pollination season in 2016. In Butte County alone, the number of stolen hives jumped from 200 in 2015 to 400 this year, according to Freeman.\u003c/p>\n\u003cp>Denise Qualls, a California bee broker who arranges contracts between beekeepers and almond growers, isn't surprised that beehive thefts are on the rise.\u003c/p>\n\u003cp>It takes more than 2 million beehives to pollinate California almonds. Currently, beekeepers are paid $200 per hive for pollination services (compared with $130 per hive in 2010).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>To complicate matters, bee brokers who arrange contracts between beekeepers and almond growers are discovering that there are not enough beehives to go around, driving up demand, rental costs — and thefts.\u003c/p>\n\u003cp>Because of the expertise required to steal hives, the general consensus is that beekeepers are behind the heists.\u003c/p>\n\u003cp>\"Beekeepers have the knowledge and equipment to go in and take the hives and the market to profit from them,\" Qualls says.\u003c/p>\n\u003cp>Thieves targeting hives to rent during pollination season are not making off with one or two hives. In Butte County, several large-scale hive thefts occurred this year, with reports ranging from 64 to 200 hives swiped at a time.\u003c/p>\n\u003cp>\"Almond orchards are in rural areas with acres of trees, few homesteads and almost no surveillance,\" says Qualls, president and CEO of Pollination Connection. \"It's hard to monitor the hives.\"\u003c/p>\n\u003cp>Most hives are unmarked, making it impossible to identify hives that might be stolen. Beekeepers who do brand each of their hives with the names and numbers of their apiaries often fall victim to creative thieves who remove the frames (the guts of the hive that are covered with bees and laden with honey) and put them in new, unmarked hive bodies.\u003c/p>\n\u003cp>\"Thieves are going after easily accessible hives and unmarked hives,\" says Freeman. \"Someone who knows how to handle them can move 200 hives in a matter of minutes.\"\u003c/p>\n\u003cp>Because stolen hives are hard to detect, it's difficult for law enforcement to catch and prosecute thieves and return hives to beekeepers. When thieves are caught, the penalties are harsh.\u003c/p>\n\u003cp>Last week, a beekeeper stood trial for the theft of 64 hives that he pilfered from Butte County and rented to an almond grower (through a bee broker) in a neighboring county. At the trial for the February crime, he was convicted of grand theft of an animal — a felony in California — and sentenced to 90 days in county jail and three years' probation.\u003c/p>\n\u003cp>Insurance policies are cost prohibitive, according to Freeman, and few beekeepers are reimbursed for their losses. To combat bee theft, some beekeepers are putting GPS units in their hives. And some growers are hiring guards to patrol almond orchards overnight.\u003c/p>\n\u003cp>\"For the growers, this is their entire livelihood,\" Qualls says. \"If someone steals their bees, it hurts their crops.\"\u003c/p>\n\u003cp>It's not just large-scale apiaries and California almond growers feeling the sting.\u003c/p>\n\u003cp>In April, 184 hives valued at CA$200,000 were stolen in Quebec. Three hives were pinched from the garden at a dental office in Greenville, S.C., in February. And thieves made off with two hives from a clover field in Des Moines, Iowa, in May.\u003c/p>\n\u003cp>The Iowa theft was caught on a surveillance camera. The thieves pulled up in a pickup truck and loaded up the hives. None of the beehives, which belonged to the Iowa Honey Co., were branded, according to its owner, Rob Taylor.\u003c/p>\n\u003cp>Taylor, a beekeeper and member of the U.S. House of Representatives, lost the honey and equipment and spent more than $500 on replacements.\u003c/p>\n\u003cp>\"If someone steals the hives, they have no upfront costs,\" he says. \"Any honey they pull off at the end of the season is pure profit; they are short-cutting the system.\"\u003c/p>\n\u003cp>The sheriff who took the report said he'd never heard of a beehive theft before. When news of the stolen hives hit the local media, three more Iowa beekeepers came forward with similar reports.\u003c/p>\n\u003cp>Taylor hopes the surveillance footage will help local law enforcement catch the thieves and recover the stolen hives. In the meantime, he's branded the 17 additional hives he maintains in locations throughout Des Moines and installed GPS tracking systems in each one in case his hives are targeted again.\u003c/p>\n\u003cp>\"Who would have thought in the 21st century we'd have to worry about bee rustlers?\" he ponders.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Jodi Helmer is a North Carolina journalist and beekeeper who frequently writes about food and farming.\u003c/em> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Copyright 2016 \u003ca href=\"http://www.npr.org/\" target=\"_blank\">NPR\u003c/a>.\u003c/em> \u003c/p>\n\n",
"disqusIdentifier": "109903 http://ww2.kqed.org/bayareabites/?p=109903",
"disqusUrl": "https://ww2.kqed.org/bayareabites/2016/06/06/beekeepers-feel-the-sting-of-hives-stolen-in-california/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 801,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 28
},
"modified": 1465232869,
"excerpt": "Beekeepers make money renting out hives to pollinate crops. But in California, thefts are on the rise. That's led to a hive shortage that is driving up demand, costs — and more thefts.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Beekeepers make money renting out hives to pollinate crops. But in California, thefts are on the rise. That's led to a hive shortage that is driving up demand, costs — and more thefts.",
"title": "Beekeepers Feel The Sting Of Hives Stolen In California | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Beekeepers Feel The Sting Of Hives Stolen In California",
"datePublished": "2016-06-06T10:07:49-07:00",
"dateModified": "2016-06-06T10:07:49-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "beekeepers-feel-the-sting-of-hives-stolen-in-california",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=480192314&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Jodi Helmer, \u003ca href=\"https://ww2.kqed.org/bayareabites/author/nprfood/\">NPR Food\u003c/a>",
"nprStoryDate": "Mon, 06 Jun 2016 09:54:00 -0400",
"nprLastModifiedDate": "Mon, 06 Jun 2016 11:11:48 -0400",
"nprHtmlLink": "http://www.npr.org/sections/thesalt/2016/06/06/480192314/beekeepers-feel-the-sting-of-stolen-hives?ft=nprml&f=480192314",
"nprImageAgency": "Getty Images",
"nprImageCredit": "Barbara Rich",
"nprStoryId": "480192314",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 06 Jun 2016 09:55:00 -0400",
"path": "/bayareabites/109903/beekeepers-feel-the-sting-of-hives-stolen-in-california",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Between December and March, beekeepers send millions of hives to California to pollinate almond trees. Not all of the hives make it back home.\u003c/p>\n\u003cp>\"The number of beehive thefts is increasing,\" explains Jay Freeman, a detective with the Butte County Sheriff's Office.\u003c/p>\n\u003cp>In California, 1,734 hives were stolen during peak almond pollination season in 2016. In Butte County alone, the number of stolen hives jumped from 200 in 2015 to 400 this year, according to Freeman.\u003c/p>\n\u003cp>Denise Qualls, a California bee broker who arranges contracts between beekeepers and almond growers, isn't surprised that beehive thefts are on the rise.\u003c/p>\n\u003cp>It takes more than 2 million beehives to pollinate California almonds. Currently, beekeepers are paid $200 per hive for pollination services (compared with $130 per hive in 2010).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>To complicate matters, bee brokers who arrange contracts between beekeepers and almond growers are discovering that there are not enough beehives to go around, driving up demand, rental costs — and thefts.\u003c/p>\n\u003cp>Because of the expertise required to steal hives, the general consensus is that beekeepers are behind the heists.\u003c/p>\n\u003cp>\"Beekeepers have the knowledge and equipment to go in and take the hives and the market to profit from them,\" Qualls says.\u003c/p>\n\u003cp>Thieves targeting hives to rent during pollination season are not making off with one or two hives. In Butte County, several large-scale hive thefts occurred this year, with reports ranging from 64 to 200 hives swiped at a time.\u003c/p>\n\u003cp>\"Almond orchards are in rural areas with acres of trees, few homesteads and almost no surveillance,\" says Qualls, president and CEO of Pollination Connection. \"It's hard to monitor the hives.\"\u003c/p>\n\u003cp>Most hives are unmarked, making it impossible to identify hives that might be stolen. Beekeepers who do brand each of their hives with the names and numbers of their apiaries often fall victim to creative thieves who remove the frames (the guts of the hive that are covered with bees and laden with honey) and put them in new, unmarked hive bodies.\u003c/p>\n\u003cp>\"Thieves are going after easily accessible hives and unmarked hives,\" says Freeman. \"Someone who knows how to handle them can move 200 hives in a matter of minutes.\"\u003c/p>\n\u003cp>Because stolen hives are hard to detect, it's difficult for law enforcement to catch and prosecute thieves and return hives to beekeepers. When thieves are caught, the penalties are harsh.\u003c/p>\n\u003cp>Last week, a beekeeper stood trial for the theft of 64 hives that he pilfered from Butte County and rented to an almond grower (through a bee broker) in a neighboring county. At the trial for the February crime, he was convicted of grand theft of an animal — a felony in California — and sentenced to 90 days in county jail and three years' probation.\u003c/p>\n\u003cp>Insurance policies are cost prohibitive, according to Freeman, and few beekeepers are reimbursed for their losses. To combat bee theft, some beekeepers are putting GPS units in their hives. And some growers are hiring guards to patrol almond orchards overnight.\u003c/p>\n\u003cp>\"For the growers, this is their entire livelihood,\" Qualls says. \"If someone steals their bees, it hurts their crops.\"\u003c/p>\n\u003cp>It's not just large-scale apiaries and California almond growers feeling the sting.\u003c/p>\n\u003cp>In April, 184 hives valued at CA$200,000 were stolen in Quebec. Three hives were pinched from the garden at a dental office in Greenville, S.C., in February. And thieves made off with two hives from a clover field in Des Moines, Iowa, in May.\u003c/p>\n\u003cp>The Iowa theft was caught on a surveillance camera. The thieves pulled up in a pickup truck and loaded up the hives. None of the beehives, which belonged to the Iowa Honey Co., were branded, according to its owner, Rob Taylor.\u003c/p>\n\u003cp>Taylor, a beekeeper and member of the U.S. House of Representatives, lost the honey and equipment and spent more than $500 on replacements.\u003c/p>\n\u003cp>\"If someone steals the hives, they have no upfront costs,\" he says. \"Any honey they pull off at the end of the season is pure profit; they are short-cutting the system.\"\u003c/p>\n\u003cp>The sheriff who took the report said he'd never heard of a beehive theft before. When news of the stolen hives hit the local media, three more Iowa beekeepers came forward with similar reports.\u003c/p>\n\u003cp>Taylor hopes the surveillance footage will help local law enforcement catch the thieves and recover the stolen hives. In the meantime, he's branded the 17 additional hives he maintains in locations throughout Des Moines and installed GPS tracking systems in each one in case his hives are targeted again.\u003c/p>\n\u003cp>\"Who would have thought in the 21st century we'd have to worry about bee rustlers?\" he ponders.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Jodi Helmer is a North Carolina journalist and beekeeper who frequently writes about food and farming.\u003c/em> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Copyright 2016 \u003ca href=\"http://www.npr.org/\" target=\"_blank\">NPR\u003c/a>.\u003c/em> \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/bayareabites/109903/beekeepers-feel-the-sting-of-hives-stolen-in-california",
"authors": [
"byline_bayareabites_109903"
],
"categories": [
"bayareabites_1874",
"bayareabites_10028",
"bayareabites_358",
"bayareabites_60"
],
"tags": [
"bayareabites_15491",
"bayareabites_875",
"bayareabites_250",
"bayareabites_15492"
],
"featImg": "bayareabites_109904",
"label": "bayareabites"
},
"news_10980118": {
"type": "posts",
"id": "news_10980118",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "10980118",
"score": null,
"sort": [
1465229435000
]
},
"guestAuthors": [],
"slug": "remembering-npr-photojournalist-david-gilkey",
"title": "Through the Eyes of Late NPR Photojournalist David Gilkey",
"publishDate": 1465229435,
"format": "standard",
"headTitle": "Through the Eyes of Late NPR Photojournalist David Gilkey | KQED",
"labelTerm": {
"term": 6944,
"site": "news"
},
"content": "\u003cp>On Sunday, we lost one of our own.\u003c/p>\n\u003cp>David Gilkey, an NPR photojournalist who documented both tragedy and hope, was \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/06/05/480859153/npr-photographer-interpreter-killed-in-afghanistan\" target=\"_blank\" rel=\"noopener\">killed in Afghanistan\u003c/a> along with NPR’s Afghan interpreter and fellow journalist Zabihullah Tamanna.\u003c/p>\n\u003cp>David joined NPR in 2007. His work added the visual to an organization devoted to sound. David’s images presented the atrocities of war, the destruction of nature — and most importantly, their impact upon people. His photographs and videos were haunting in their beauty and poignant in their nuance. Every person and every scene was captured with care, moving beyond the news to the personal struggle and perseverance of the people who lived it.\u003c/p>\n\u003cp>David covered war in Afghanistan and Iraq, the earthquake in Haiti and the Ebola epidemic in Liberia. He spent time with Syrian refugees in Toledo, Ohio, and captured the stories of schoolchildren in Kabul. He took us to the edges of India and into the homes of Americans. He felt especially close to U.S. servicemen and women, taking every opportunity to highlight the sacrifices they made in the face of grave danger. But he also found humor in the dark moments, recognizing that even in the worst times, there could still be tenderness.\u003c/p>\n\u003cp>David brought us the world and made us all care.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It’s not just reporting. It’s not just taking pictures,” he said \u003ca href=\"https://www.youtube.com/watch?v=iZutq7Cvoe4\" target=\"_blank\" rel=\"noopener\">about the work he did in Haiti\u003c/a>. “It’s, ‘Do those visuals, do the stories, do they change somebody’s mind enough to take action?’\u003c/p>\n\u003cp>“So if we’re doing our part, it gets people to do their part. Hopefully.”\u003c/p>\n\u003cp>What follows is but a small selection of David’s remarkable work. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[gallery type=\"rectangular\" size=\"medium\" ids=\"10980121,10980134,10980131,10980129,10980127,10980123,10980125,10980119\"]\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Remembering+NPR+Photojournalist+David+Gilkey&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"blocks": [],
"excerpt": "Remembering a journalist who died in his quest to record the complex truth behind tragedies rarely seen, or considered, on the home front.",
"status": "publish",
"parent": 0,
"modified": 1721151107,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": true,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 11,
"wordCount": 320
},
"headData": {
"title": "Through the Eyes of Late NPR Photojournalist David Gilkey | KQED",
"description": "Remembering a journalist who died in his quest to record the complex truth behind tragedies rarely seen, or considered, on the home front.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Through the Eyes of Late NPR Photojournalist David Gilkey",
"datePublished": "2016-06-06T09:10:35-07:00",
"dateModified": "2024-07-16T10:31:47-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"sticky": false,
"nprImageCredit": "Coburn Dukehart",
"nprByline": "\u003cstrong>Ariel Zambelich\u003cbr />NPR\u003c/strong>",
"nprImageAgency": "NPR",
"nprStoryId": "480866035",
"nprApiLink": "http://api.npr.org/query?id=480866035&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "http://www.npr.org/2016/06/06/480866035/remembering-photojournalist-david-gilkey?ft=nprml&f=480866035",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 06 Jun 2016 10:44:00 -0400",
"nprStoryDate": "Mon, 06 Jun 2016 01:46:00 -0400",
"nprLastModifiedDate": "Mon, 06 Jun 2016 11:12:05 -0400",
"path": "/news/10980118/remembering-npr-photojournalist-david-gilkey",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Sunday, we lost one of our own.\u003c/p>\n\u003cp>David Gilkey, an NPR photojournalist who documented both tragedy and hope, was \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/06/05/480859153/npr-photographer-interpreter-killed-in-afghanistan\" target=\"_blank\" rel=\"noopener\">killed in Afghanistan\u003c/a> along with NPR’s Afghan interpreter and fellow journalist Zabihullah Tamanna.\u003c/p>\n\u003cp>David joined NPR in 2007. His work added the visual to an organization devoted to sound. David’s images presented the atrocities of war, the destruction of nature — and most importantly, their impact upon people. His photographs and videos were haunting in their beauty and poignant in their nuance. Every person and every scene was captured with care, moving beyond the news to the personal struggle and perseverance of the people who lived it.\u003c/p>\n\u003cp>David covered war in Afghanistan and Iraq, the earthquake in Haiti and the Ebola epidemic in Liberia. He spent time with Syrian refugees in Toledo, Ohio, and captured the stories of schoolchildren in Kabul. He took us to the edges of India and into the homes of Americans. He felt especially close to U.S. servicemen and women, taking every opportunity to highlight the sacrifices they made in the face of grave danger. But he also found humor in the dark moments, recognizing that even in the worst times, there could still be tenderness.\u003c/p>\n\u003cp>David brought us the world and made us all care.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s not just reporting. It’s not just taking pictures,” he said \u003ca href=\"https://www.youtube.com/watch?v=iZutq7Cvoe4\" target=\"_blank\" rel=\"noopener\">about the work he did in Haiti\u003c/a>. “It’s, ‘Do those visuals, do the stories, do they change somebody’s mind enough to take action?’\u003c/p>\n\u003cp>“So if we’re doing our part, it gets people to do their part. Hopefully.”\u003c/p>\n\u003cp>What follows is but a small selection of David’s remarkable work. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "gallery",
"attributes": {
"named": {
"type": "rectangular",
"size": "medium",
"ids": "10980121,10980134,10980131,10980129,10980127,10980123,10980125,10980119",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Remembering+NPR+Photojournalist+David+Gilkey&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/10980118/remembering-npr-photojournalist-david-gilkey",
"authors": [
"byline_news_10980118"
],
"programs": [
"news_6944"
],
"categories": [
"news_223",
"news_8"
],
"tags": [
"news_19537"
],
"featImg": "news_10980120",
"label": "news_6944"
},
"news_10979254": {
"type": "posts",
"id": "news_10979254",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "10979254",
"score": null,
"sort": [
1465172760000
]
},
"guestAuthors": [],
"slug": "npr-photographer-interpreter-killed-in-afghanistan",
"title": "NPR Photographer, Interpreter Killed in Afghanistan",
"publishDate": 1465172760,
"format": "standard",
"headTitle": "NPR Photographer, Interpreter Killed in Afghanistan | KQED",
"labelTerm": {
"term": 6944,
"site": "news"
},
"content": "\u003cp>David Gilkey, an NPR photojournalist who chronicled pain and beauty in war and conflict, was killed in Afghanistan on Sunday along with NPR’s Afghan interpreter Zabihullah Tamanna.\u003c/p>\n\u003cp>David and Zabihullah were on assignment for the network traveling with an Afghan army unit, which came under attack killing David and Zabihullah.\u003c/p>\n\u003cp>David was 50 and Zabihullah, who for years also worked as a photographer, was 38 years old.\u003c/p>\n\u003cp>David was considered one of the best photojournalists in the world — honored with a raft of awards including a George Polk in 2010, an Emmy in 2007 and dozens of distinctions from the White House News Photographers Association.\u003c/p>\n\u003cp>It is fair to say that David witnessed some of humanity’s most challenging moments: He covered wars in Afghanistan and Iraq. He covered the conflict between Israel and Hamas in Gaza. He covered the end of the apartheid regime in South Africa. He covered the devastating earthquake in Haiti, famine in Somalia and most recently the Ebola epidemic in Liberia.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>His images were haunting — amid the rubble, he found beauty; amid war, he found humanity.\u003c/p>\n\u003cp>Back in 2010, after he covered the earthquake in Haiti, \u003ca href=\"https://www.youtube.com/watch?v=iZutq7Cvoe4\">he talked about his craft\u003c/a>. The camera, he said, made things easier.\u003c/p>\n\u003cp>“It’s not like you put the camera to your face and therefore it makes what you’re seeing OK, but certainly you can put yourself in a zone,” David said. “It’s hard, but you can’t get caught up in it and become part of it. You still need to maintain your state of mind that you are helping tell this story.”\u003c/p>\n\u003cp>His craft, he said, was about more than journalism.\u003c/p>\n\u003cp>“It’s not just reporting. It’s not just taking pictures,” he said. “It’s do those visuals, do the stories, do they change somebody’s mind enough to take action?”\u003c/p>\n\u003cp>\u003ca href=\"http://www.npr.org/about-npr/480860878/npr-statement-on-david-gilkey\">In an email to staff\u003c/a>, Michael Oreskes, NPR’s vice president for news said David died pursuing that commitment.\u003c/p>\n\u003cp>“As a man and as a photojournalist, David brought out the humanity of all those around him,” Michael said. “He let us see the world and each other through his eyes.”\u003c/p>\n\u003cp>Keith Jenkins, the general manager for digital at the National Geographic Society who edited David at NPR, said he and David talked a lot about the dangers of the work David was doing and how much longer he could keep doing it.\u003c/p>\n\u003cp>“Ultimately, he felt it was really important to tell those stories and to tell them to a society that can very often forget that we have people in harm’s way on a daily basis,” Keith said.\u003c/p>\n\u003cp>David also understood those risks.\u003c/p>\n\u003cp>“It’s a very hard thing to put into words, the peace you sort of make with what you’re gonna be doing,” David said. “I’m not saying you walk into these situations and you’re fatalistic about it, but you also are preparing and making decisions based on the sort of level of threat that is there.”\u003c/p>\n\u003cp>Zabihullah, who was known as Zabi, worked as a photojournalist for the Chinese news agency Xinhua. More recently, he wrote for Turkey’s Anadolu News Agency. He wrote the big news — when a new Afghani president was sworn in — but also covered the daily attacks and drone strikes that killed militants and civilians.\u003c/p>\n\u003cp>NPR’s Philip Reeves recruited Zabihullah to NPR. He called him a “great colleague.”\u003c/p>\n\u003cp>“He was a lovely man, with a great eye for a story and deep wisdom about his country,” Philip said. “He clearly loved his family.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Secretary of State John Kerry released the following statement:\u003c/p>\n\u003cblockquote>\n\u003cp>I was saddened to learn today of the death of an NPR photographer, David Gilkey, and his colleague Zabihulla Tamanna, who were part of a crew reporting on Afghan forces in the southern part of the country.\u003c/p>\n\u003cp>This attack is a grim reminder of the danger that continues to face the Afghan people, the dedication of Afghan national defense and security forces to securing their country, and of the courage of intrepid journalists — and their interpreters — who are trying to convey that important story to the rest of the world.\u003c/p>\n\u003cp>David Gilkey certainly never shied away from conveying those stories, whether there in Afghanistan or Somalia, Haiti, Gaza, Iraq and dozens of other places around the world. He was more than a gifted photographer. He was a gifted storyteller, who understood the power of imagery to enhancing the power of understanding. He will be sorely missed.\u003c/p>\n\u003cp>Teresa and I send our thoughts and prayers for these courageous individuals to their colleagues, friends and families.\u003c/p>\n\u003c/blockquote>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=NPR+Photographer%2C+Interpreter+Killed+In+Afghanistan+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"blocks": [],
"excerpt": "David Gilkey and Zabihullah Tamanna were killed while traveling in a convoy with an Afghan army unit.",
"status": "publish",
"parent": 0,
"modified": 1721151111,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 26,
"wordCount": 833
},
"headData": {
"title": "NPR Photographer, Interpreter Killed in Afghanistan | KQED",
"description": "David Gilkey and Zabihullah Tamanna were killed while traveling in a convoy with an Afghan army unit.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "NPR Photographer, Interpreter Killed in Afghanistan",
"datePublished": "2016-06-05T17:26:00-07:00",
"dateModified": "2024-07-16T10:31:51-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"sticky": false,
"nprByline": "\u003cstrong>Eyder Peralta\u003cbr />NPR\u003c/strong>",
"nprImageAgency": "Michael M. Phillips/The Wall Street Journal",
"nprStoryId": "480859153",
"nprApiLink": "http://api.npr.org/query?id=480859153&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "http://www.npr.org/sections/thetwo-way/2016/06/05/480859153/npr-photographer-interpreter-killed-in-afghanistan?ft=nprml&f=480859153",
"nprRetrievedStory": "1",
"nprPubDate": "Sun, 05 Jun 2016 21:49:00 -0400",
"nprStoryDate": "Sun, 05 Jun 2016 17:26:00 -0400",
"nprLastModifiedDate": "Sun, 05 Jun 2016 21:49:31 -0400",
"path": "/news/10979254/npr-photographer-interpreter-killed-in-afghanistan",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>David Gilkey, an NPR photojournalist who chronicled pain and beauty in war and conflict, was killed in Afghanistan on Sunday along with NPR’s Afghan interpreter Zabihullah Tamanna.\u003c/p>\n\u003cp>David and Zabihullah were on assignment for the network traveling with an Afghan army unit, which came under attack killing David and Zabihullah.\u003c/p>\n\u003cp>David was 50 and Zabihullah, who for years also worked as a photographer, was 38 years old.\u003c/p>\n\u003cp>David was considered one of the best photojournalists in the world — honored with a raft of awards including a George Polk in 2010, an Emmy in 2007 and dozens of distinctions from the White House News Photographers Association.\u003c/p>\n\u003cp>It is fair to say that David witnessed some of humanity’s most challenging moments: He covered wars in Afghanistan and Iraq. He covered the conflict between Israel and Hamas in Gaza. He covered the end of the apartheid regime in South Africa. He covered the devastating earthquake in Haiti, famine in Somalia and most recently the Ebola epidemic in Liberia.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>His images were haunting — amid the rubble, he found beauty; amid war, he found humanity.\u003c/p>\n\u003cp>Back in 2010, after he covered the earthquake in Haiti, \u003ca href=\"https://www.youtube.com/watch?v=iZutq7Cvoe4\">he talked about his craft\u003c/a>. The camera, he said, made things easier.\u003c/p>\n\u003cp>“It’s not like you put the camera to your face and therefore it makes what you’re seeing OK, but certainly you can put yourself in a zone,” David said. “It’s hard, but you can’t get caught up in it and become part of it. You still need to maintain your state of mind that you are helping tell this story.”\u003c/p>\n\u003cp>His craft, he said, was about more than journalism.\u003c/p>\n\u003cp>“It’s not just reporting. It’s not just taking pictures,” he said. “It’s do those visuals, do the stories, do they change somebody’s mind enough to take action?”\u003c/p>\n\u003cp>\u003ca href=\"http://www.npr.org/about-npr/480860878/npr-statement-on-david-gilkey\">In an email to staff\u003c/a>, Michael Oreskes, NPR’s vice president for news said David died pursuing that commitment.\u003c/p>\n\u003cp>“As a man and as a photojournalist, David brought out the humanity of all those around him,” Michael said. “He let us see the world and each other through his eyes.”\u003c/p>\n\u003cp>Keith Jenkins, the general manager for digital at the National Geographic Society who edited David at NPR, said he and David talked a lot about the dangers of the work David was doing and how much longer he could keep doing it.\u003c/p>\n\u003cp>“Ultimately, he felt it was really important to tell those stories and to tell them to a society that can very often forget that we have people in harm’s way on a daily basis,” Keith said.\u003c/p>\n\u003cp>David also understood those risks.\u003c/p>\n\u003cp>“It’s a very hard thing to put into words, the peace you sort of make with what you’re gonna be doing,” David said. “I’m not saying you walk into these situations and you’re fatalistic about it, but you also are preparing and making decisions based on the sort of level of threat that is there.”\u003c/p>\n\u003cp>Zabihullah, who was known as Zabi, worked as a photojournalist for the Chinese news agency Xinhua. More recently, he wrote for Turkey’s Anadolu News Agency. He wrote the big news — when a new Afghani president was sworn in — but also covered the daily attacks and drone strikes that killed militants and civilians.\u003c/p>\n\u003cp>NPR’s Philip Reeves recruited Zabihullah to NPR. He called him a “great colleague.”\u003c/p>\n\u003cp>“He was a lovely man, with a great eye for a story and deep wisdom about his country,” Philip said. “He clearly loved his family.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Secretary of State John Kerry released the following statement:\u003c/p>\n\u003cblockquote>\n\u003cp>I was saddened to learn today of the death of an NPR photographer, David Gilkey, and his colleague Zabihulla Tamanna, who were part of a crew reporting on Afghan forces in the southern part of the country.\u003c/p>\n\u003cp>This attack is a grim reminder of the danger that continues to face the Afghan people, the dedication of Afghan national defense and security forces to securing their country, and of the courage of intrepid journalists — and their interpreters — who are trying to convey that important story to the rest of the world.\u003c/p>\n\u003cp>David Gilkey certainly never shied away from conveying those stories, whether there in Afghanistan or Somalia, Haiti, Gaza, Iraq and dozens of other places around the world. He was more than a gifted photographer. He was a gifted storyteller, who understood the power of imagery to enhancing the power of understanding. He will be sorely missed.\u003c/p>\n\u003cp>Teresa and I send our thoughts and prayers for these courageous individuals to their colleagues, friends and families.\u003c/p>\n\u003c/blockquote>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=NPR+Photographer%2C+Interpreter+Killed+In+Afghanistan+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/10979254/npr-photographer-interpreter-killed-in-afghanistan",
"authors": [
"byline_news_10979254"
],
"programs": [
"news_6944"
],
"categories": [
"news_8"
],
"tags": [
"news_19537"
],
"featImg": "news_10979265",
"label": "news_6944"
},
"news_10969533": {
"type": "posts",
"id": "news_10969533",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "10969533",
"score": null,
"sort": [
1465023945000
]
},
"parent": 0,
"labelTerm": {
"site": "news",
"term": 72
},
"blocks": [],
"publishDate": 1465023945,
"format": "audio",
"disqusTitle": "Meet the Naturalist Who Sang Like an (Actual) Bird",
"title": "Meet the Naturalist Who Sang Like an (Actual) Bird",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>Charles Kellogg is remembered as a naturalist, a man who spent his life fighting to protect California’s forests in the late 19th and early 20th centuries. But Kellogg’s first claim has to do with his throat, not his activism. It was said that the man came into this world with the vocal chords of a bird.\u003c/p>\n\u003cfigure id=\"attachment_10969649\" class=\"wp-caption alignright\" style=\"max-width: 421px\">\u003cimg class=\"wp-image-10969649\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/the-tree-and-charles-800x1171.jpeg\" alt=\"Charles Kellogg travelled around the country telling people about the mighty trees of California.\" width=\"421\" height=\"616\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles-800x1171.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles-400x586.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles-960x1406.jpeg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles.jpeg 1049w\" sizes=\"(max-width: 421px) 100vw, 421px\">\u003cfigcaption class=\"wp-caption-text\">Charles Kellogg traveled around the country telling people about the mighty trees of California. \u003ccite>(Humboldt Redwoods Interpretive Assocation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kellogg was born in Susanville, a small town on the eastern edge of California. It was 1868 and old-growth trees around him were being logged to build towns and cities across the state. Kellogg would later tour the country to raise awareness about the destruction of these beautiful trees. First though, he toured vaudeville stages.\u003c/p>\n\u003cp>Back in the late 19th century, whistling bird songs was a big thing. Performers would imitate birds, or whistle bird songs to music. Kellogg claimed that he had a singular gift as a performer. Unlike others, Kellogg said he did not whistle with his lips, but made the songs with his throat, just like a bird. He opened his mouth and presto! Out came the mellifluous chirpings and songs of our ornithological friends.\u003c/p>\n\u003cp>Now most of us humans have larynges. Kellogg, on the other hand, said he possessed the larynx of a bird, a “syrinx.” Needless to say, your friends at The World According to Sound find this anatomical claim dubious. But back in the day it was a big hit. Kellogg traveled around the world singing his canti d’uccelli in vaudeville shows. The Western world couldn’t get enough of it.\u003c/p>\n\u003cp>Kellogg rose to pop star fame on account of his bird throat, but he is remembered for his conservationism. Always a lover of trees, Kellogg was particularly enamored of that majestic northern Californian evergreen, \u003ca href=\"http://www.conifers.org/cu/Sequoia.php\">sequoia sempervirens\u003c/a>, the giant redwood. The love ran so deep he built an RV out of the trunk of a fallen redwood. In it he traveled across the country -- four times! -- trumpeting the virtues of the sequoia to Americans totally ignorant of the giant tree. This must have taken forever, too. His RV topped out at 18 mph. Good Lord.\u003c/p>\n\u003cfigure id=\"attachment_10969651\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10969651\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/finished-log-800x712.jpg\" alt=\"Charles Kellogg built a mobile home from the log of a fallen redwood tree.\" width=\"800\" height=\"712\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-800x712.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-400x356.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-1180x1050.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-960x854.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log.jpg 1909w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charles Kellogg built a mobile home from the log of a fallen redwood tree. \u003ccite>(Humboldt Redwoods Interpretive Assocation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kellogg’s so-called Travel Log is a thing of beauty, and arguably the first modern-day mobile home in America. Add that to Kellogg’s quirky list of accomplishments. You can check out Kellogg’s old RV in person at \u003ca href=\"http://humboldtredwoods.org/\">Humboldt Redwoods State Park\u003c/a>. As for this sound, we have it thanks to the Library of Congress, which preserves this bird music along with countless other audio wonders in its extensive sound collection.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story comes from our friends Chris Hoff and Sam Harnett at \u003ca href=\"http://www.theworldaccordingtosound.org/\">The World According to Sound\u003c/a>. Check out their podcast for more unexpected and delightful audio treats.\u003c/em>\u003c/p>\n\n",
"disqusIdentifier": "10969533 http://ww2.kqed.org/news/?p=10969533",
"disqusUrl": "https://ww2.kqed.org/news/2016/06/04/he-sang-like-a-bird-and-saved-the-trees/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 504,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 9
},
"modified": 1465395986,
"excerpt": "Charles Kellogg could sing like a bird, but he dedicated his life to saving trees.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Charles Kellogg could sing like a bird, but he dedicated his life to saving trees.",
"title": "Meet the Naturalist Who Sang Like an (Actual) Bird | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Meet the Naturalist Who Sang Like an (Actual) Bird",
"datePublished": "2016-06-04T00:05:45-07:00",
"dateModified": "2016-06-08T07:26:26-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"guestAuthors": [],
"slug": "he-sang-like-a-bird-and-saved-the-trees",
"status": "publish",
"audioUrl": "http://www.kqed.org/.stream/anon/radio/tcrmag/2016/06/2016-06-03c-tcrmag.mp3",
"nprByline": "\u003cstrong>Chris Hoff\u003c/strong> and \u003cstrong>Sam Harnett\u003c/strong>",
"guestFields": "0",
"path": "/news/10969533/he-sang-like-a-bird-and-saved-the-trees",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Charles Kellogg is remembered as a naturalist, a man who spent his life fighting to protect California’s forests in the late 19th and early 20th centuries. But Kellogg’s first claim has to do with his throat, not his activism. It was said that the man came into this world with the vocal chords of a bird.\u003c/p>\n\u003cfigure id=\"attachment_10969649\" class=\"wp-caption alignright\" style=\"max-width: 421px\">\u003cimg class=\"wp-image-10969649\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/the-tree-and-charles-800x1171.jpeg\" alt=\"Charles Kellogg travelled around the country telling people about the mighty trees of California.\" width=\"421\" height=\"616\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles-800x1171.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles-400x586.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles-960x1406.jpeg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/the-tree-and-charles.jpeg 1049w\" sizes=\"(max-width: 421px) 100vw, 421px\">\u003cfigcaption class=\"wp-caption-text\">Charles Kellogg traveled around the country telling people about the mighty trees of California. \u003ccite>(Humboldt Redwoods Interpretive Assocation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kellogg was born in Susanville, a small town on the eastern edge of California. It was 1868 and old-growth trees around him were being logged to build towns and cities across the state. Kellogg would later tour the country to raise awareness about the destruction of these beautiful trees. First though, he toured vaudeville stages.\u003c/p>\n\u003cp>Back in the late 19th century, whistling bird songs was a big thing. Performers would imitate birds, or whistle bird songs to music. Kellogg claimed that he had a singular gift as a performer. Unlike others, Kellogg said he did not whistle with his lips, but made the songs with his throat, just like a bird. He opened his mouth and presto! Out came the mellifluous chirpings and songs of our ornithological friends.\u003c/p>\n\u003cp>Now most of us humans have larynges. Kellogg, on the other hand, said he possessed the larynx of a bird, a “syrinx.” Needless to say, your friends at The World According to Sound find this anatomical claim dubious. But back in the day it was a big hit. Kellogg traveled around the world singing his canti d’uccelli in vaudeville shows. The Western world couldn’t get enough of it.\u003c/p>\n\u003cp>Kellogg rose to pop star fame on account of his bird throat, but he is remembered for his conservationism. Always a lover of trees, Kellogg was particularly enamored of that majestic northern Californian evergreen, \u003ca href=\"http://www.conifers.org/cu/Sequoia.php\">sequoia sempervirens\u003c/a>, the giant redwood. The love ran so deep he built an RV out of the trunk of a fallen redwood. In it he traveled across the country -- four times! -- trumpeting the virtues of the sequoia to Americans totally ignorant of the giant tree. This must have taken forever, too. His RV topped out at 18 mph. Good Lord.\u003c/p>\n\u003cfigure id=\"attachment_10969651\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10969651\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/05/finished-log-800x712.jpg\" alt=\"Charles Kellogg built a mobile home from the log of a fallen redwood tree.\" width=\"800\" height=\"712\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-800x712.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-400x356.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-1180x1050.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log-960x854.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/05/finished-log.jpg 1909w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charles Kellogg built a mobile home from the log of a fallen redwood tree. \u003ccite>(Humboldt Redwoods Interpretive Assocation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kellogg’s so-called Travel Log is a thing of beauty, and arguably the first modern-day mobile home in America. Add that to Kellogg’s quirky list of accomplishments. You can check out Kellogg’s old RV in person at \u003ca href=\"http://humboldtredwoods.org/\">Humboldt Redwoods State Park\u003c/a>. As for this sound, we have it thanks to the Library of Congress, which preserves this bird music along with countless other audio wonders in its extensive sound collection.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story comes from our friends Chris Hoff and Sam Harnett at \u003ca href=\"http://www.theworldaccordingtosound.org/\">The World According to Sound\u003c/a>. Check out their podcast for more unexpected and delightful audio treats.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/10969533/he-sang-like-a-bird-and-saved-the-trees",
"authors": [
"byline_news_10969533"
],
"programs": [
"news_72"
],
"categories": [
"news_223",
"news_19906",
"news_356"
],
"tags": [
"news_2426",
"news_18865",
"news_17286"
],
"featImg": "news_10969650",
"label": "news_72"
},
"arts_11639043": {
"type": "posts",
"id": "arts_11639043",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11639043",
"score": null,
"sort": [
1464912040000
]
},
"guestAuthors": [],
"slug": "cy-and-davids-picks-jazz-on-a-hill-comedians-on-honeymoon-and-someone-fantastic-in-oakland",
"title": "Cy and David's Picks: Jazz on a Hill, Comedians on Honeymoon, and Someone Fantastic in Oakland",
"publishDate": 1464912040,
"format": "standard",
"headTitle": "Cy and David’s Picks: Jazz on a Hill, Comedians on Honeymoon, and Someone Fantastic in Oakland | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003caside class=\"aligncenter\">\n\u003ch4>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2016/06/TDL20160603.mp3\u003c/p>\n\u003c/aside>\n\u003cp>\u003cstrong>June 4\u003c/strong>: Bay Area blues harp player Charlie Musselwhite headlines \u003ca href=\"http://www.jazzonthehill.org/\" target=\"_blank\" rel=\"noopener\">Jazz on the Hill\u003c/a>, the annual free music fest put on by our fellow public radio station (KCSM Jazz 91) at the \u003ca href=\"http://collegeofsanmateo.edu/\" target=\"_blank\" rel=\"noopener\">College of San Mateo\u003c/a>. Also appearing: Etienne Charles and his Creole Soul; the San Francisco Latin Jazz Youth Ensemble; and Lynne Arriale, Grace Kelly, and Charenee Wade doing songs by great women in jazz: Abbey Lincoln, Nina Simone, and Joni Mitchell. Cheap Thrill! Details \u003ca href=\"http://www.jazzonthehill.org/artists.php\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=tenX8PiDo-s\u003c/p>\n\u003cp>\u003cstrong>June 3 & 5:\u003c/strong> The tireless Charlie Musselwhite also plays Friday night at Freight and Salvage in Berkeley: Details \u003ca href=\"http://thefreight.org/charlie-musselwhite\" target=\"_blank\" rel=\"noopener\">here.\u003c/a> And Sunday he plays Rancho Nicasio: Details\u003ca href=\"http://www.ranchonicasio.com/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fUZvItNwMAQ\u003c/p>\n\u003cp>\u003cstrong>June 3-12:\u003c/strong> It will be hot in wine country this coming week, so a dose of cool jazz and a good Sonoma rosé is in order. The Healdsburg Jazz Festival has become one of the best and most intimate in the Bay Area. There’s a \u003ca href=\"https://ww2.kqed.org/arts/2016/05/31/billy-hart-honored-in-heladsburg-picks-his-five-most-important-recordings/\" target=\"_blank\" rel=\"noopener\">tribute to drummer Billy Hart\u003c/a> (50 years of jazz) Berkeley born guitar wizard Charlie Hunter is there, and pianist Fred Hersch and clarinetist Anat Cohen, perform miracles as a duo. Tickets are selling fast. Details \u003ca href=\"http://www.healdsburgjazzfestival.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_i3KUfVjAjE\u003c/p>\n\u003cp>\u003cstrong>June 3-19:\u003c/strong> It’s a festival-themed Do List this week. \u003ca href=\"http://worldartswest.org/main/edf_index.asp\" target=\"_blank\" rel=\"noopener\">The San Francisco Ethnic Dance Festival\u003c/a> is the first of two we’re highlighting. The festival celebrates the Bay Area’s enormous ethnic diversity and exceptional dancing from groups like Chinese Performing Arts of America (San Jose), the San Francisco Flamenco Dance Company, Kathak from San Franciscan Aliah Najmabadi, and many others over the next three weekends. It opens with a free performance at noon today by El Tunante (Peruvian dance) at San Francisco City Hall. Details \u003ca href=\"http://worldartswest.org/main/edf_index.asp\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://vimeo.com/127576119\u003c/p>\n\u003cp>\u003cstrong>June 3 & 4:\u003c/strong> That trove of dance creativity, ODC, opens its fifth \u003ca href=\"https://www.odcdance.org/performance.php?param=275\" target=\"_blank\" rel=\"noopener\">Walking Distance Dance Festival\u003c/a> tonight, with a focus on “Identity.” The festival showcases work by ODC/Dance, Kim Epifano’s Epiphany Productions, Dance Brigade, 13th Floor, David Herrera Performance Company, and Smith/Wymore Disappearing Acts all at locations in the Mission within walking distance of ODC’s home campus at 17th and Shotwell in San Francisco. Details \u003ca href=\"https://www.odcdance.org/performance.php?param=275\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=C7l-xs2GF-0\u003c/p>\n\u003cp>\u003cstrong>June 5:\u003c/strong> Cymande is back on the road. Last year, this British funk band put out its first studio album in forty years. But they haven’t lost their smooth and soulful touch. The band has mostly stuck together: Steve Scipio (Bass, vocals) Patrick Patterson (Guitar, vocals) Sam Kelly (Drums) Mike Rose (Sax, flute, percussion) Pablo Gonsales (Percussion, vocals) and Derek Gibbs (Sax), and they combine a little Calypso, a little reggae, a little Curtis Mayfield, and a bit of smooth jazz. Details for their show at the Regency Ballroom in San Francisco are \u003ca href=\"http://www.theregencyballroom.com/events/detail/308513\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=g7NIvS4IBdc\u003c/p>\n\u003cp>\u003cstrong>June 4 & 7\u003c/strong>: \u003ca href=\"http://www.natashaleggero.com/\" target=\"_blank\" rel=\"noopener\">Natasha Leggero\u003c/a> and the Bay Area’s own \u003ca href=\"http://moshekasher.com/\" target=\"_blank\" rel=\"noopener\">Moshe Kasher \u003c/a>are both alums of \u003cem>Chelsea Lately; t\u003c/em>hey’re also newly married and on their “Honeymoon tour.” Leggero has been talking (see the \u003cem>Conan\u003c/em> clip above) about converting to Judaism for the marriage, and pioneering new (and humorous) ways to offend Jews and Catholics alike. While on tour, Kasher claims they’re camping out some nights in a little camper trailer (\u003ca href=\"http://www.scamptrailers.com/\" target=\"_blank\" rel=\"noopener\">a Scamp\u003c/a>). This should be like \u003ca href=\"https://www.youtube.com/watch?v=yDCjhLOaNZI\" target=\"_blank\" rel=\"noopener\">Burns and Allen\u003c/a> with naughty words. Details for their sol- out New Parish show on Saturday are \u003ca href=\"http://thenewparish.com/event.cfm?id=232899&cart\" target=\"_blank\" rel=\"noopener\">here\u003c/a>, and for their show at Matthews Hall in Santa Cruz \u003ca href=\"http://www.brownpapertickets.com/event/2512423\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3B4FSeeXUaE\u003c/p>\n\u003cp>\u003cstrong>June 3: \u003c/strong>Oakland blues man \u003ca href=\"http://www.fantasticnegrito.com/\" target=\"_blank\" rel=\"noopener\">Fantastic Negrito\u003c/a> wants to give back. After winning NPR’s Tiny Desk Contest last year, he won praise for his work at SXSW, and then toured the US and Europe. Now he’s released a new album, \u003ca href=\"http://www.npr.org/2016/05/26/478235309/first-listen-fantastic-negrito-the-last-days-of-oakland\" target=\"_blank\" rel=\"noopener\">\u003cem>The Last Days of Oakland\u003c/em>\u003c/a>, about how gentrification is driving African Americans and artists like himself out of the city. “That era of the Bay Area in Oakland that I grew up with,” he told me, “That’s over. There’s something new now. And I look at it as an opportunity for us all to collectively get together and make some sense out of it. So when I say ‘the last days of Oakland,’ I mean it in a very hopeful way. I want to look at how we can make things happen. Not how we can’t.” He’ll kick off that conversation in a free concert at First Fridays Oakland. Details \u003ca href=\"http://oaklandfirstfridays.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11641752\" class=\"wp-caption aligncenter\" style=\"max-width: 630px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11641752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-630x600.jpg\" alt=\"East Bay Open Studios 2016\" width=\"630\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-630x600.jpg 630w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-400x381.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-768x732.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604.jpg 781w\" sizes=\"(max-width: 630px) 100vw, 630px\">\u003cfigcaption class=\"wp-caption-text\">East Bay Open Studios 2016 \u003ccite>(Photo: Courtesy Pro-Arts Oakland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 4-12:\u003c/strong> After you recover from First Friday, stay in the East Bay and hit some artist studios. \u003ca href=\"http://www.proartsgallery.org/\" target=\"_blank\" rel=\"noopener\">Pro-Arts \u003c/a>in Oakland sponsors this opportunity to visit and support your local artist over the next two weekends, and keep them from being priced out of the Bay Area. Details \u003ca href=\"http://www.proartsgallery.org/ebos/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
"blocks": [],
"excerpt": "KQED's Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.",
"status": "publish",
"parent": 0,
"modified": 1726787625,
"stats": {
"hasAudio": true,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 11,
"wordCount": 914
},
"headData": {
"title": "Cy and David's Picks: Jazz on a Hill, Comedians on Honeymoon, and Someone Fantastic in Oakland | KQED",
"description": "KQED's Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Cy and David's Picks: Jazz on a Hill, Comedians on Honeymoon, and Someone Fantastic in Oakland",
"datePublished": "2016-06-02T17:00:40-07:00",
"dateModified": "2024-09-19T16:13:45-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "480527625",
"path": "/arts/11639043/cy-and-davids-picks-jazz-on-a-hill-comedians-on-honeymoon-and-someone-fantastic-in-oakland",
"audioUrl": "http://www.kqed.org/.stream/anon/radio/thedolist/2016/06/TDL20160603.mp3",
"audioDuration": null,
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "audioLink",
"attributes": {
"named": {
"src": "http://www.kqed.org/.stream/anon/radio/thedolist/2016/06/TDL20160603.mp3"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\n\u003cp>\u003cstrong>June 4\u003c/strong>: Bay Area blues harp player Charlie Musselwhite headlines \u003ca href=\"http://www.jazzonthehill.org/\" target=\"_blank\" rel=\"noopener\">Jazz on the Hill\u003c/a>, the annual free music fest put on by our fellow public radio station (KCSM Jazz 91) at the \u003ca href=\"http://collegeofsanmateo.edu/\" target=\"_blank\" rel=\"noopener\">College of San Mateo\u003c/a>. Also appearing: Etienne Charles and his Creole Soul; the San Francisco Latin Jazz Youth Ensemble; and Lynne Arriale, Grace Kelly, and Charenee Wade doing songs by great women in jazz: Abbey Lincoln, Nina Simone, and Joni Mitchell. Cheap Thrill! Details \u003ca href=\"http://www.jazzonthehill.org/artists.php\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tenX8PiDo-s'\n title='//www.youtube.com/embed/tenX8PiDo-s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 3 & 5:\u003c/strong> The tireless Charlie Musselwhite also plays Friday night at Freight and Salvage in Berkeley: Details \u003ca href=\"http://thefreight.org/charlie-musselwhite\" target=\"_blank\" rel=\"noopener\">here.\u003c/a> And Sunday he plays Rancho Nicasio: Details\u003ca href=\"http://www.ranchonicasio.com/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fUZvItNwMAQ'\n title='//www.youtube.com/embed/fUZvItNwMAQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 3-12:\u003c/strong> It will be hot in wine country this coming week, so a dose of cool jazz and a good Sonoma rosé is in order. The Healdsburg Jazz Festival has become one of the best and most intimate in the Bay Area. There’s a \u003ca href=\"https://ww2.kqed.org/arts/2016/05/31/billy-hart-honored-in-heladsburg-picks-his-five-most-important-recordings/\" target=\"_blank\" rel=\"noopener\">tribute to drummer Billy Hart\u003c/a> (50 years of jazz) Berkeley born guitar wizard Charlie Hunter is there, and pianist Fred Hersch and clarinetist Anat Cohen, perform miracles as a duo. Tickets are selling fast. Details \u003ca href=\"http://www.healdsburgjazzfestival.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_i3KUfVjAjE'\n title='//www.youtube.com/embed/_i3KUfVjAjE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 3-19:\u003c/strong> It’s a festival-themed Do List this week. \u003ca href=\"http://worldartswest.org/main/edf_index.asp\" target=\"_blank\" rel=\"noopener\">The San Francisco Ethnic Dance Festival\u003c/a> is the first of two we’re highlighting. The festival celebrates the Bay Area’s enormous ethnic diversity and exceptional dancing from groups like Chinese Performing Arts of America (San Jose), the San Francisco Flamenco Dance Company, Kathak from San Franciscan Aliah Najmabadi, and many others over the next three weekends. It opens with a free performance at noon today by El Tunante (Peruvian dance) at San Francisco City Hall. Details \u003ca href=\"http://worldartswest.org/main/edf_index.asp\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "vimeoLink",
"attributes": {
"named": {
"vimeoId": "127576119"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>June 3 & 4:\u003c/strong> That trove of dance creativity, ODC, opens its fifth \u003ca href=\"https://www.odcdance.org/performance.php?param=275\" target=\"_blank\" rel=\"noopener\">Walking Distance Dance Festival\u003c/a> tonight, with a focus on “Identity.” The festival showcases work by ODC/Dance, Kim Epifano’s Epiphany Productions, Dance Brigade, 13th Floor, David Herrera Performance Company, and Smith/Wymore Disappearing Acts all at locations in the Mission within walking distance of ODC’s home campus at 17th and Shotwell in San Francisco. Details \u003ca href=\"https://www.odcdance.org/performance.php?param=275\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/C7l-xs2GF-0'\n title='//www.youtube.com/embed/C7l-xs2GF-0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 5:\u003c/strong> Cymande is back on the road. Last year, this British funk band put out its first studio album in forty years. But they haven’t lost their smooth and soulful touch. The band has mostly stuck together: Steve Scipio (Bass, vocals) Patrick Patterson (Guitar, vocals) Sam Kelly (Drums) Mike Rose (Sax, flute, percussion) Pablo Gonsales (Percussion, vocals) and Derek Gibbs (Sax), and they combine a little Calypso, a little reggae, a little Curtis Mayfield, and a bit of smooth jazz. Details for their show at the Regency Ballroom in San Francisco are \u003ca href=\"http://www.theregencyballroom.com/events/detail/308513\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/g7NIvS4IBdc'\n title='//www.youtube.com/embed/g7NIvS4IBdc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 4 & 7\u003c/strong>: \u003ca href=\"http://www.natashaleggero.com/\" target=\"_blank\" rel=\"noopener\">Natasha Leggero\u003c/a> and the Bay Area’s own \u003ca href=\"http://moshekasher.com/\" target=\"_blank\" rel=\"noopener\">Moshe Kasher \u003c/a>are both alums of \u003cem>Chelsea Lately; t\u003c/em>hey’re also newly married and on their “Honeymoon tour.” Leggero has been talking (see the \u003cem>Conan\u003c/em> clip above) about converting to Judaism for the marriage, and pioneering new (and humorous) ways to offend Jews and Catholics alike. While on tour, Kasher claims they’re camping out some nights in a little camper trailer (\u003ca href=\"http://www.scamptrailers.com/\" target=\"_blank\" rel=\"noopener\">a Scamp\u003c/a>). This should be like \u003ca href=\"https://www.youtube.com/watch?v=yDCjhLOaNZI\" target=\"_blank\" rel=\"noopener\">Burns and Allen\u003c/a> with naughty words. Details for their sol- out New Parish show on Saturday are \u003ca href=\"http://thenewparish.com/event.cfm?id=232899&cart\" target=\"_blank\" rel=\"noopener\">here\u003c/a>, and for their show at Matthews Hall in Santa Cruz \u003ca href=\"http://www.brownpapertickets.com/event/2512423\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3B4FSeeXUaE'\n title='//www.youtube.com/embed/3B4FSeeXUaE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 3: \u003c/strong>Oakland blues man \u003ca href=\"http://www.fantasticnegrito.com/\" target=\"_blank\" rel=\"noopener\">Fantastic Negrito\u003c/a> wants to give back. After winning NPR’s Tiny Desk Contest last year, he won praise for his work at SXSW, and then toured the US and Europe. Now he’s released a new album, \u003ca href=\"http://www.npr.org/2016/05/26/478235309/first-listen-fantastic-negrito-the-last-days-of-oakland\" target=\"_blank\" rel=\"noopener\">\u003cem>The Last Days of Oakland\u003c/em>\u003c/a>, about how gentrification is driving African Americans and artists like himself out of the city. “That era of the Bay Area in Oakland that I grew up with,” he told me, “That’s over. There’s something new now. And I look at it as an opportunity for us all to collectively get together and make some sense out of it. So when I say ‘the last days of Oakland,’ I mean it in a very hopeful way. I want to look at how we can make things happen. Not how we can’t.” He’ll kick off that conversation in a free concert at First Fridays Oakland. Details \u003ca href=\"http://oaklandfirstfridays.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11641752\" class=\"wp-caption aligncenter\" style=\"max-width: 630px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11641752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-630x600.jpg\" alt=\"East Bay Open Studios 2016\" width=\"630\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-630x600.jpg 630w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-400x381.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-768x732.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604.jpg 781w\" sizes=\"(max-width: 630px) 100vw, 630px\">\u003cfigcaption class=\"wp-caption-text\">East Bay Open Studios 2016 \u003ccite>(Photo: Courtesy Pro-Arts Oakland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 4-12:\u003c/strong> After you recover from First Friday, stay in the East Bay and hit some artist studios. \u003ca href=\"http://www.proartsgallery.org/\" target=\"_blank\" rel=\"noopener\">Pro-Arts \u003c/a>in Oakland sponsors this opportunity to visit and support your local artist over the next two weekends, and keep them from being priced out of the Bay Area. Details \u003ca href=\"http://www.proartsgallery.org/ebos/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11639043/cy-and-davids-picks-jazz-on-a-hill-comedians-on-honeymoon-and-someone-fantastic-in-oakland",
"authors": [
"32"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_968",
"arts_966",
"arts_69",
"arts_235",
"arts_75"
],
"tags": [
"arts_1118",
"arts_596",
"arts_626"
],
"featImg": "arts_11641351",
"label": "arts_140"
},
"arts_11635262": {
"type": "posts",
"id": "arts_11635262",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11635262",
"score": null,
"sort": [
1464904808000
]
},
"guestAuthors": [],
"slug": "paper-stars-at-san-joses-institute-of-contemporary-art",
"title": "Paper is the Star at San Jose's Institute of Contemporary Art",
"publishDate": 1464904808,
"format": "standard",
"headTitle": "Paper is the Star at San Jose’s Institute of Contemporary Art | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Starting June 5, San Jose’s \u003ca href=\"http://sjica.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Institute of Contemporary Art\u003c/a> showcases three different exhibitions exploring paper as art, in all its forms: bent, broken, cut, glued, sewn, painted, photographed, manufactured and quite often used as a construction material.\u003c/p>\n\u003cp>There are three exhibitions in three different gallery spaces at the institute, each with its own focus.\u003c/p>\n\u003cp>\u003ca href=\"http://www.maryellenbartley.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Mary Ellen Bartley\u003c/a> (see above) is the only artist to get an exhibition all to herself. A photographer, Bartley snaps books standing on their ends with their pages separated, essentially creating abstract and dreamy compositions. Bartley was inspired by a 2008 Met retrospective on \u003ca href=\"http://www.metmuseum.org/exhibitions/listings/2008/giorgio-morandi\" target=\"_blank\" rel=\"noopener noreferrer\">Giorgio Morandi\u003c/a>, the Italian painter and printmaker known for the tonal subtlety of his still lifes.\u003c/p>\n\u003cp>The 19 artists featured in \u003cem>Next New Paper\u003c/em> use paper as their medium. The 28 artists in \u003cem>This is Not a Book: Chapter Two\u003c/em> alter books to create something else entirely. All three exhibitions “complement each other so beautifully,” says Cathy Kimball, ICA’s Executive Director and Chief Curator. “They all speak to each other, but they’re very distinct.”\u003c/p>\n\u003cfigure id=\"attachment_11638675\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11638675\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-800x532.jpg\" alt=\"New Punctuation (2013) by Jann Nunn. Hand-cut archival microprint paper, nylon, cast plastic, dimensions variable.\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-960x639.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">New Punctuation (2013) by Jann Nunn. Hand-cut archival microprint paper, nylon, cast plastic, dimensions variable. \u003ccite>(Photo: Courtesy of Jann Nunn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The art is drawn from all over the world, but one of the most charming sculptures in Next New Paper comes from \u003ca href=\"http://jann-nunn.com/home.html\" target=\"_blank\" rel=\"noopener noreferrer\">Jann Nunn\u003c/a> of Oakland. She teaches sculpture at Sonoma State University and a librarian there clued her in to a stash of archival microprint paper (similar to microfiche) otherwise headed for a landfill.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Nunn has painstakingly, individually cut the coated paper sheets to construct hanging mobiles. In between each sheet is a little spacer, lending a light-filled, buoyant quality to the forms. It gives a whole new meaning to the phrase “reduce, reuse, recycle.”\u003c/p>\n\u003cp>Guest curator \u003ca href=\"http://www.seagergray.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Donna Seager\u003c/a> was brought in to put together \u003cem>This is Not a Book: Chapter Two\u003c/em>. “A lot of these artists are interested in the anatomy of the book,” says ICA Curator Patricia Cariño. Especially for those who consider books sacred objects, the ways in which they are used and abused to create something new can be startling, even shocking, even though the end result is typically beautiful.\u003c/p>\n\u003cfigure id=\"attachment_11638680\" class=\"wp-caption aligncenter\" style=\"max-width: 611px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11638680\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-611x600.jpg\" alt='Anthologia (2007), by Jacqueline Rush Lee. Reassembled, inkedand folded book, 9x9x6\".' width=\"611\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-611x600.jpg 611w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-400x393.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-768x754.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-1180x1158.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-960x942.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-64x64.jpg 64w\" sizes=\"(max-width: 611px) 100vw, 611px\">\u003cfigcaption class=\"wp-caption-text\">Anthologia (2007), by Jacqueline Rush Lee. Reassembled, inked and folded book, 9x9x6″. \u003ccite>(Photo: Courtesy of Jim and Kelly Polisson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://www.jacquelinerushlee.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Jacqueline Rush Lee\u003c/a> is a Hawaii-based sculptor who uses books as raw material to create conceptual art forms. In this case, the book’s pages were repeatedly soaked with ink until they became something else entirely. She then helps the book adopt another form even further removed from its original shape.\u003c/p>\n\u003cp>[contextly_sidebar id=”Ykbwd6bcHOVcxEpqus5VeUm7yngbh9W3″]As Lee writes on her web site, she completely transforms the book “into an abstract, poetic object with an entirely new narrative.” In a similar vein, other artists in \u003cem>This is Not a Book\u003c/em> use books to form everything from pillows to textiles to three-dimensional landscapes. Some of the artists make use of the letters. Others don’t crack open the books, except in a structural fashion.\u003c/p>\n\u003cp>“In some of these works, the text is pertinent to the work,” Kimball says. With Lee’s work, “not so much.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>This is Not a Book: Chapter Two, Next New Paper and Mary Ellen Bartley: Looking Between the Covers\u003c/strong> all open June 5th at the San Jose Institute of Contemporary Art. For more information, head \u003ca href=\"http://www.sjica.org\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "San Jose's Institute of Contemporary Art showcases multiple takes on paper as art, starting June 5. ",
"status": "publish",
"parent": 0,
"modified": 1726709643,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 13,
"wordCount": 598
},
"headData": {
"title": "Paper is the Star at San Jose's Institute of Contemporary Art | KQED",
"description": "San Jose's Institute of Contemporary Art showcases multiple takes on paper as art, starting June 5. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Paper is the Star at San Jose's Institute of Contemporary Art",
"datePublished": "2016-06-02T15:00:08-07:00",
"dateModified": "2024-09-18T18:34:03-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "480512119",
"path": "/arts/11635262/paper-stars-at-san-joses-institute-of-contemporary-art",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Starting June 5, San Jose’s \u003ca href=\"http://sjica.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Institute of Contemporary Art\u003c/a> showcases three different exhibitions exploring paper as art, in all its forms: bent, broken, cut, glued, sewn, painted, photographed, manufactured and quite often used as a construction material.\u003c/p>\n\u003cp>There are three exhibitions in three different gallery spaces at the institute, each with its own focus.\u003c/p>\n\u003cp>\u003ca href=\"http://www.maryellenbartley.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Mary Ellen Bartley\u003c/a> (see above) is the only artist to get an exhibition all to herself. A photographer, Bartley snaps books standing on their ends with their pages separated, essentially creating abstract and dreamy compositions. Bartley was inspired by a 2008 Met retrospective on \u003ca href=\"http://www.metmuseum.org/exhibitions/listings/2008/giorgio-morandi\" target=\"_blank\" rel=\"noopener noreferrer\">Giorgio Morandi\u003c/a>, the Italian painter and printmaker known for the tonal subtlety of his still lifes.\u003c/p>\n\u003cp>The 19 artists featured in \u003cem>Next New Paper\u003c/em> use paper as their medium. The 28 artists in \u003cem>This is Not a Book: Chapter Two\u003c/em> alter books to create something else entirely. All three exhibitions “complement each other so beautifully,” says Cathy Kimball, ICA’s Executive Director and Chief Curator. “They all speak to each other, but they’re very distinct.”\u003c/p>\n\u003cfigure id=\"attachment_11638675\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11638675\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-800x532.jpg\" alt=\"New Punctuation (2013) by Jann Nunn. Hand-cut archival microprint paper, nylon, cast plastic, dimensions variable.\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-960x639.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">New Punctuation (2013) by Jann Nunn. Hand-cut archival microprint paper, nylon, cast plastic, dimensions variable. \u003ccite>(Photo: Courtesy of Jann Nunn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The art is drawn from all over the world, but one of the most charming sculptures in Next New Paper comes from \u003ca href=\"http://jann-nunn.com/home.html\" target=\"_blank\" rel=\"noopener noreferrer\">Jann Nunn\u003c/a> of Oakland. She teaches sculpture at Sonoma State University and a librarian there clued her in to a stash of archival microprint paper (similar to microfiche) otherwise headed for a landfill.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Nunn has painstakingly, individually cut the coated paper sheets to construct hanging mobiles. In between each sheet is a little spacer, lending a light-filled, buoyant quality to the forms. It gives a whole new meaning to the phrase “reduce, reuse, recycle.”\u003c/p>\n\u003cp>Guest curator \u003ca href=\"http://www.seagergray.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Donna Seager\u003c/a> was brought in to put together \u003cem>This is Not a Book: Chapter Two\u003c/em>. “A lot of these artists are interested in the anatomy of the book,” says ICA Curator Patricia Cariño. Especially for those who consider books sacred objects, the ways in which they are used and abused to create something new can be startling, even shocking, even though the end result is typically beautiful.\u003c/p>\n\u003cfigure id=\"attachment_11638680\" class=\"wp-caption aligncenter\" style=\"max-width: 611px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11638680\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-611x600.jpg\" alt='Anthologia (2007), by Jacqueline Rush Lee. Reassembled, inkedand folded book, 9x9x6\".' width=\"611\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-611x600.jpg 611w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-400x393.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-768x754.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-1180x1158.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-960x942.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19641_Not-a-Book-Jaqueline-Rush-Lee-qut-64x64.jpg 64w\" sizes=\"(max-width: 611px) 100vw, 611px\">\u003cfigcaption class=\"wp-caption-text\">Anthologia (2007), by Jacqueline Rush Lee. Reassembled, inked and folded book, 9x9x6″. \u003ccite>(Photo: Courtesy of Jim and Kelly Polisson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://www.jacquelinerushlee.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Jacqueline Rush Lee\u003c/a> is a Hawaii-based sculptor who uses books as raw material to create conceptual art forms. In this case, the book’s pages were repeatedly soaked with ink until they became something else entirely. She then helps the book adopt another form even further removed from its original shape.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>As Lee writes on her web site, she completely transforms the book “into an abstract, poetic object with an entirely new narrative.” In a similar vein, other artists in \u003cem>This is Not a Book\u003c/em> use books to form everything from pillows to textiles to three-dimensional landscapes. Some of the artists make use of the letters. Others don’t crack open the books, except in a structural fashion.\u003c/p>\n\u003cp>“In some of these works, the text is pertinent to the work,” Kimball says. With Lee’s work, “not so much.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>This is Not a Book: Chapter Two, Next New Paper and Mary Ellen Bartley: Looking Between the Covers\u003c/strong> all open June 5th at the San Jose Institute of Contemporary Art. For more information, head \u003ca href=\"http://www.sjica.org\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11635262/paper-stars-at-san-joses-institute-of-contemporary-art",
"authors": [
"251"
],
"categories": [
"arts_1",
"arts_235",
"arts_70"
],
"tags": [
"arts_1119",
"arts_1118",
"arts_3649",
"arts_596",
"arts_4642",
"arts_1084"
],
"featImg": "arts_11635263",
"label": "arts"
},
"arts_11641071": {
"type": "posts",
"id": "arts_11641071",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11641071",
"score": null,
"sort": [
1464899870000
]
},
"guestAuthors": [],
"slug": "murdered-artists-family-filing-claim-against-ice-over-stolen-firearm",
"title": "Murdered Artist's Family Filing Claim Against ICE Over Stolen Firearm",
"publishDate": 1464899870,
"format": "standard",
"headTitle": "Murdered Artist’s Family Filing Claim Against ICE Over Stolen Firearm | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>A lawyer representing the family of an Emeryville muralist who was fatally shot last year announced Thursday that he was filing a claim against Immigration and Customs Enforcement (ICE) over the fact that the gun used to kill the artist was stolen from an agent’s vehicle.\u003c/p>\n\u003cp>[contextly_sidebar id=”5v5tvX6HV0GiK3XJJL5Txz0cjG2HiUwq”]\u003c/p>\n\u003cp>Attorney Frank Pitre of the law firm Cotchett, Pitre & McCarthy told reporters that he was taking steps towards filing a lawsuit against ICE on behalf of the family of Antonio “Tony” Ramos. The 27-year-old street artist was killed last September with a gun that an ICE agent had not properly stored.\u003c/p>\n\u003cp>“This is a problem, regrettably that has happened far too often, and it’s something that’s plagued the department of Homeland Security, including ICE,” Pitre said. “Out of the 243 weapons deemed lost, those guns were lost because officers did not properly secure them.”\u003c/p>\n\u003cp>Ramos was killed on Sept. 29 while working on a large anti-violence mural on the West Street underpass in North Oakland. Witnesses said that before the shooting, Ramos was talking with a man, later identified as 20-year-old suspected serial robber Marquise Holloway.\u003c/p>\n\u003cfigure id=\"attachment_11641375\" class=\"wp-caption alignright\" style=\"max-width: 384px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11641375\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/Marquis-Halloway.jpg\" alt=\"Murder suspect Marquise Holloway, 20\" width=\"384\" height=\"480\">\u003cfigcaption class=\"wp-caption-text\">Murder suspect Marquise Holloway, 20 \u003ccite>(Photo: Courtesy of Alameda County Sheriff)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Holloway was subsequently arrested and charged with Ramos’ murder, and the firearm that was used in the shooting was on Holloway when he was picked up by police. The 9mm Glock 26 pistol was later identified as one stolen from the ICE agent’s car weeks before the shooting.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Pitre said the gun was left in a car, inside a bag without any locks, which is a violation of mandatory policies regarding the securing and storing of a firearm.\u003c/p>\n\u003cp>“Guns stolen from law enforcement officers who do not have their weapons secured end up in the wrong hands and the regrettable result is that people are killed,” Pitre said. “These people don’t take these guns for target practice, they take them to commit crimes.”\u003c/p>\n\u003cp>Pitre also represents the family of Kathryn Steinle, the 32-year-old San Francisco resident who was reportedly shot and killed by an undocumented immigrant last July. The shooting suspect, Juan Francisco Lopez-Sanchez, allegedly used a gun stolen from the vehicle of a ranger from the federal Bureau of Land Management.\u003c/p>\n\u003cp>On Sunday, FBI agents scrambled to locate a .40-caliber Glock handgun that was stolen from an agent’s vehicle in San Francisco’s Alamo Square. They located the handgun on Tuesday and \u003ca href=\"http://www.latimes.com/local/lanow/la-me-ln-fbi-gun-stolen-san-francisco-20160531-snap-story.html\" target=\"_blank\" rel=\"noopener\">the suspected thief was arrested\u003c/a>.\u003c/p>\n\u003cp>A representative from ICE did not reply to requests for comment on Pitre’s claims by press time. \u003cb>UPDATE:\u003c/b> ICE public relations officer Lori K. Haley wrote KQED to say, “Per our agency’s policy, we are unable to comment on pending litigation.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Holloway will appear again in court for a hearing on Monday.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Antonio Ramos was killed last year by a suspected serial robber who used an ICE agent's gun that was taken earlier that month.",
"status": "publish",
"parent": 0,
"modified": 1726709649,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 14,
"wordCount": 503
},
"headData": {
"title": "Murdered Artist's Family Filing Claim Against ICE Over Stolen Firearm | KQED",
"description": "Antonio Ramos was killed last year by a suspected serial robber who used an ICE agent's gun that was taken earlier that month.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Murdered Artist's Family Filing Claim Against ICE Over Stolen Firearm",
"datePublished": "2016-06-02T13:37:50-07:00",
"dateModified": "2024-09-18T18:34:09-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "480495697",
"path": "/arts/11641071/murdered-artists-family-filing-claim-against-ice-over-stolen-firearm",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A lawyer representing the family of an Emeryville muralist who was fatally shot last year announced Thursday that he was filing a claim against Immigration and Customs Enforcement (ICE) over the fact that the gun used to kill the artist was stolen from an agent’s vehicle.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Attorney Frank Pitre of the law firm Cotchett, Pitre & McCarthy told reporters that he was taking steps towards filing a lawsuit against ICE on behalf of the family of Antonio “Tony” Ramos. The 27-year-old street artist was killed last September with a gun that an ICE agent had not properly stored.\u003c/p>\n\u003cp>“This is a problem, regrettably that has happened far too often, and it’s something that’s plagued the department of Homeland Security, including ICE,” Pitre said. “Out of the 243 weapons deemed lost, those guns were lost because officers did not properly secure them.”\u003c/p>\n\u003cp>Ramos was killed on Sept. 29 while working on a large anti-violence mural on the West Street underpass in North Oakland. Witnesses said that before the shooting, Ramos was talking with a man, later identified as 20-year-old suspected serial robber Marquise Holloway.\u003c/p>\n\u003cfigure id=\"attachment_11641375\" class=\"wp-caption alignright\" style=\"max-width: 384px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11641375\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/Marquis-Halloway.jpg\" alt=\"Murder suspect Marquise Holloway, 20\" width=\"384\" height=\"480\">\u003cfigcaption class=\"wp-caption-text\">Murder suspect Marquise Holloway, 20 \u003ccite>(Photo: Courtesy of Alameda County Sheriff)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Holloway was subsequently arrested and charged with Ramos’ murder, and the firearm that was used in the shooting was on Holloway when he was picked up by police. The 9mm Glock 26 pistol was later identified as one stolen from the ICE agent’s car weeks before the shooting.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Pitre said the gun was left in a car, inside a bag without any locks, which is a violation of mandatory policies regarding the securing and storing of a firearm.\u003c/p>\n\u003cp>“Guns stolen from law enforcement officers who do not have their weapons secured end up in the wrong hands and the regrettable result is that people are killed,” Pitre said. “These people don’t take these guns for target practice, they take them to commit crimes.”\u003c/p>\n\u003cp>Pitre also represents the family of Kathryn Steinle, the 32-year-old San Francisco resident who was reportedly shot and killed by an undocumented immigrant last July. The shooting suspect, Juan Francisco Lopez-Sanchez, allegedly used a gun stolen from the vehicle of a ranger from the federal Bureau of Land Management.\u003c/p>\n\u003cp>On Sunday, FBI agents scrambled to locate a .40-caliber Glock handgun that was stolen from an agent’s vehicle in San Francisco’s Alamo Square. They located the handgun on Tuesday and \u003ca href=\"http://www.latimes.com/local/lanow/la-me-ln-fbi-gun-stolen-san-francisco-20160531-snap-story.html\" target=\"_blank\" rel=\"noopener\">the suspected thief was arrested\u003c/a>.\u003c/p>\n\u003cp>A representative from ICE did not reply to requests for comment on Pitre’s claims by press time. \u003cb>UPDATE:\u003c/b> ICE public relations officer Lori K. Haley wrote KQED to say, “Per our agency’s policy, we are unable to comment on pending litigation.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Holloway will appear again in court for a hearing on Monday.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11641071/murdered-artists-family-filing-claim-against-ice-over-stolen-firearm",
"authors": [
"93"
],
"categories": [
"arts_235",
"arts_70"
],
"tags": [
"arts_1119",
"arts_596"
],
"featImg": "arts_10986524",
"label": "arts"
},
"arts_11640945": {
"type": "posts",
"id": "arts_11640945",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11640945",
"score": null,
"sort": [
1464890417000
]
},
"guestAuthors": [],
"slug": "prince-died-of-opioid-overdose-according-to-law-enforcement-official",
"title": "Prince Died of Opioid Overdose, According to Law Enforcement Official",
"publishDate": 1464890417,
"format": "standard",
"headTitle": "Prince Died of Opioid Overdose, According to Law Enforcement Official | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Tests show that Prince died of an opioid overdose, a law-enforcement official told The Associated Press on Thursday.\u003c/p>\n\u003cp>The 57-year-old singer was found dead April 21 at his Minneapolis-area estate.\u003c/p>\n\u003cp>The official, who is close to the investigation, spoke on condition of anonymity because he was not authorized to speak to the media.\u003c/p>\n\u003cp>[contextly_sidebar id=”6tD3AV6PyZDxvtsLAlsIoj3MVopKRow1″]\u003c/p>\n\u003cp>The findings confirm suspicions that opioids played a role in the musician’s death. After he died, authorities began reviewing whether an overdose was to blame and whether he had been prescribed drugs in the preceding weeks.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Prince’s death came less than a week after his plane made an emergency stop in Moline, Illinois, for medical treatment as he was returning from an Atlanta concert. The Associated Press and other media reported, based on anonymous sources, that Prince was found unconscious on the plane, and first responders gave him a shot of Narcan, an antidote used in suspected opioid overdoses.\u003c/p>\n\u003cp>At least two doctors’ names have come up in the death investigation being conducted by the Carver County Sheriff’s Office, the U.S. Attorney’s Office in Minnesota and the Drug Enforcement Administration.\u003c/p>\n\u003cp>Dr. Michael Todd Schulenberg, a family practitioner, treated Prince twice in the weeks before his death and told investigators he prescribed medications for the singer. The medications were not specified in a search warrant for the Minnesota hospital that employed Schulenberg at the time.\u003c/p>\n\u003cp>Schulenberg saw Prince April 7 and April 20 — the day before his death — according to the warrant. Schulenberg’s attorney has declined to comment on the case.\u003c/p>\n\u003cp>Dr. Howard Kornfeld, a California addiction specialist, was asked by Prince’s representatives on April 20 to help the singer.\u003c/p>\n\u003cp>Kornfeld sent his son Andrew on a redeye flight that night, and Andrew was among the people who found Prince’s unresponsive body the next morning, according to Kornfeld’s attorney, William Mauzy.\u003c/p>\n\u003cp>The younger Kornfeld, who is not a doctor, was carrying buprenorphine, a medication that can be used to treat opioid addiction by easing cravings and withdrawal symptoms, Mauzy said, explaining that Andrew Kornfeld intended to give the medication to a Minnesota doctor who had cleared his schedule to see Prince on April 21.\u003c/p>\n\u003cp>Mauzy has refused to identify that doctor. Schulenberg is not authorized to prescribe buprenorphine.\u003c/p>\n\u003cp>Prince’s death came two weeks after he canceled concerts in Atlanta, saying he wasn’t feeling well. He played a pair of makeup shows April 14 in that city, and then came the emergency landing in Moline. He was scheduled to perform two shows in St. Louis but canceled them shortly before his death.\u003c/p>\n\u003cp>The superstar had a reputation for clean living, and some friends said they never saw any sign of drug use. But longtime friend and collaborator Sheila E. has told the AP that Prince had physical issues from performing, citing hip and knee problems that she said came from years of jumping off risers and stage speakers in heels.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
"blocks": [],
"excerpt": "After he died, authorities began reviewing whether he had been prescribed drugs in the preceding weeks",
"status": "publish",
"parent": 0,
"modified": 1726709655,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 19,
"wordCount": 525
},
"headData": {
"title": "Prince Died of Opioid Overdose, According to Law Enforcement Official | KQED",
"description": "After he died, authorities began reviewing whether he had been prescribed drugs in the preceding weeks",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Prince Died of Opioid Overdose, According to Law Enforcement Official",
"datePublished": "2016-06-02T11:00:17-07:00",
"dateModified": "2024-09-18T18:34:15-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Associated Press",
"nprStoryId": "480463094",
"path": "/arts/11640945/prince-died-of-opioid-overdose-according-to-law-enforcement-official",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Tests show that Prince died of an opioid overdose, a law-enforcement official told The Associated Press on Thursday.\u003c/p>\n\u003cp>The 57-year-old singer was found dead April 21 at his Minneapolis-area estate.\u003c/p>\n\u003cp>The official, who is close to the investigation, spoke on condition of anonymity because he was not authorized to speak to the media.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The findings confirm suspicions that opioids played a role in the musician’s death. After he died, authorities began reviewing whether an overdose was to blame and whether he had been prescribed drugs in the preceding weeks.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Prince’s death came less than a week after his plane made an emergency stop in Moline, Illinois, for medical treatment as he was returning from an Atlanta concert. The Associated Press and other media reported, based on anonymous sources, that Prince was found unconscious on the plane, and first responders gave him a shot of Narcan, an antidote used in suspected opioid overdoses.\u003c/p>\n\u003cp>At least two doctors’ names have come up in the death investigation being conducted by the Carver County Sheriff’s Office, the U.S. Attorney’s Office in Minnesota and the Drug Enforcement Administration.\u003c/p>\n\u003cp>Dr. Michael Todd Schulenberg, a family practitioner, treated Prince twice in the weeks before his death and told investigators he prescribed medications for the singer. The medications were not specified in a search warrant for the Minnesota hospital that employed Schulenberg at the time.\u003c/p>\n\u003cp>Schulenberg saw Prince April 7 and April 20 — the day before his death — according to the warrant. Schulenberg’s attorney has declined to comment on the case.\u003c/p>\n\u003cp>Dr. Howard Kornfeld, a California addiction specialist, was asked by Prince’s representatives on April 20 to help the singer.\u003c/p>\n\u003cp>Kornfeld sent his son Andrew on a redeye flight that night, and Andrew was among the people who found Prince’s unresponsive body the next morning, according to Kornfeld’s attorney, William Mauzy.\u003c/p>\n\u003cp>The younger Kornfeld, who is not a doctor, was carrying buprenorphine, a medication that can be used to treat opioid addiction by easing cravings and withdrawal symptoms, Mauzy said, explaining that Andrew Kornfeld intended to give the medication to a Minnesota doctor who had cleared his schedule to see Prince on April 21.\u003c/p>\n\u003cp>Mauzy has refused to identify that doctor. Schulenberg is not authorized to prescribe buprenorphine.\u003c/p>\n\u003cp>Prince’s death came two weeks after he canceled concerts in Atlanta, saying he wasn’t feeling well. He played a pair of makeup shows April 14 in that city, and then came the emergency landing in Moline. He was scheduled to perform two shows in St. Louis but canceled them shortly before his death.\u003c/p>\n\u003cp>The superstar had a reputation for clean living, and some friends said they never saw any sign of drug use. But longtime friend and collaborator Sheila E. has told the AP that Prince had physical issues from performing, citing hip and knee problems that she said came from years of jumping off risers and stage speakers in heels.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11640945/prince-died-of-opioid-overdose-according-to-law-enforcement-official",
"authors": [
"byline_arts_11640945"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_596",
"arts_1427"
],
"featImg": "arts_11535516",
"label": "arts"
},
"arts_11638890": {
"type": "posts",
"id": "arts_11638890",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11638890",
"score": null,
"sort": [
1464825166000
]
},
"guestAuthors": [],
"slug": "district-upset-fetty-wap-got-ok-to-shoot-music-video-at-school",
"title": "District Upset Fetty Wap Got OK to Shoot Music Video at School",
"publishDate": 1464825166,
"format": "standard",
"headTitle": "District Upset Fetty Wap Got OK to Shoot Music Video at School | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>A New Jersey school district is investigating how rapper Fetty Wap was allowed to record a music video that included drug references and a pole dancer in his old high school.\u003c/p>\n\u003cp>The Paterson native released the video for “Wake Up” last week.\u003c/p>\n\u003cp>Paterson school district spokeswoman Terry Corallo \u003ca href=\"http://www.nj.com/passaic-county/index.ssf/2016/06/should_this_fetty_wap_video_been_filmed_in_a_pater.html#incart_2box_nj-homepage-featured\" target=\"_blank\" rel=\"noopener\">told NJ.com\u003c/a> the district is investigating whether procedures were followed in allowing parts of the video to be recorded at Eastside High School. Fetty Wap dropped out of the school.\u003c/p>\n\u003cp>Corallo said the district doesn’t endorse the content of the video. It was shot during non-instructional hours and didn’t include students, she said.\u003c/p>\n\u003cp>The video released April 20 includes numerous drug references and features a scantily clad woman dancing on a pole inside a classroom. Numerous banners and posters seen in the video read, “Go Team Kush,” which references a strain of marijuana.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Toward the end of the video, a woman presumed to be a teacher takes an apple from her desk and uses it as a bong.\u003c/p>\n\u003cp>Some community leaders questioned why a video they say glamorizes negative behaviors was allowed to be filmed at the school.\u003c/p>\n\u003cp>“I’m from Paterson and I’m proud of his success, but as a parent and school board member I think it sends the wrong message,” Kenneth Simmons told The Record. “To me, it glorifies dropping out of high school and getting high.”\u003c/p>\n\u003cp>In a statement issued Wednesday afternoon, the rapper defended his actions.\u003c/p>\n\u003cp>“I went back to my old high school because I love my city,” he said. “I wanted to show the students of Paterson that someone who walked those same hallways they walk every day and sat in the same classrooms shown in the video has become successful. If I can do it they can do it too.”\u003c/p>\n\u003cp>His recording label, 300 Entertainment, also voiced support for Wap.\u003c/p>\n\u003cp>The label “encourages and champions artistic expression and creativity from our artists,” the company said.\u003c/p>\n\u003cp>Fetty Wap performed a free show for city high school students in August.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
"blocks": [],
"excerpt": "The video released April 20 includes numerous drug references and features a scantily clad woman dancing on a pole inside a classroom",
"status": "publish",
"parent": 0,
"modified": 1726709665,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 17,
"wordCount": 368
},
"headData": {
"title": "District Upset Fetty Wap Got OK to Shoot Music Video at School | KQED",
"description": "The video released April 20 includes numerous drug references and features a scantily clad woman dancing on a pole inside a classroom",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "District Upset Fetty Wap Got OK to Shoot Music Video at School",
"datePublished": "2016-06-01T16:52:46-07:00",
"dateModified": "2024-09-18T18:34:25-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Associated Press",
"path": "/arts/11638890/district-upset-fetty-wap-got-ok-to-shoot-music-video-at-school",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A New Jersey school district is investigating how rapper Fetty Wap was allowed to record a music video that included drug references and a pole dancer in his old high school.\u003c/p>\n\u003cp>The Paterson native released the video for “Wake Up” last week.\u003c/p>\n\u003cp>Paterson school district spokeswoman Terry Corallo \u003ca href=\"http://www.nj.com/passaic-county/index.ssf/2016/06/should_this_fetty_wap_video_been_filmed_in_a_pater.html#incart_2box_nj-homepage-featured\" target=\"_blank\" rel=\"noopener\">told NJ.com\u003c/a> the district is investigating whether procedures were followed in allowing parts of the video to be recorded at Eastside High School. Fetty Wap dropped out of the school.\u003c/p>\n\u003cp>Corallo said the district doesn’t endorse the content of the video. It was shot during non-instructional hours and didn’t include students, she said.\u003c/p>\n\u003cp>The video released April 20 includes numerous drug references and features a scantily clad woman dancing on a pole inside a classroom. Numerous banners and posters seen in the video read, “Go Team Kush,” which references a strain of marijuana.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Toward the end of the video, a woman presumed to be a teacher takes an apple from her desk and uses it as a bong.\u003c/p>\n\u003cp>Some community leaders questioned why a video they say glamorizes negative behaviors was allowed to be filmed at the school.\u003c/p>\n\u003cp>“I’m from Paterson and I’m proud of his success, but as a parent and school board member I think it sends the wrong message,” Kenneth Simmons told The Record. “To me, it glorifies dropping out of high school and getting high.”\u003c/p>\n\u003cp>In a statement issued Wednesday afternoon, the rapper defended his actions.\u003c/p>\n\u003cp>“I went back to my old high school because I love my city,” he said. “I wanted to show the students of Paterson that someone who walked those same hallways they walk every day and sat in the same classrooms shown in the video has become successful. If I can do it they can do it too.”\u003c/p>\n\u003cp>His recording label, 300 Entertainment, also voiced support for Wap.\u003c/p>\n\u003cp>The label “encourages and champions artistic expression and creativity from our artists,” the company said.\u003c/p>\n\u003cp>Fetty Wap performed a free show for city high school students in August.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11638890/district-upset-fetty-wap-got-ok-to-shoot-music-video-at-school",
"authors": [
"byline_arts_11638890"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_596",
"arts_1427"
],
"featImg": "arts_11638913",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=news": {
"isFetching": false,
"latestQuery": {
"from": 2964,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 3759,
"relation": "eq"
},
"items": [
"arts_11653957",
"arts_11653953",
"pop_25988",
"bayareabites_109903",
"news_10980118",
"news_10979254",
"news_10969533",
"arts_11639043",
"arts_11635262",
"arts_11641071",
"arts_11640945",
"arts_11638890"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_news": {
"isLoading": true
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_1427": {
"type": "terms",
"id": "arts_1427",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1427",
"found": true
},
"relationships": {},
"featImg": null,
"name": "wire",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "wire Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1439,
"slug": "wire",
"isLoading": false,
"link": "/arts/tag/wire"
},
"arts_968": {
"type": "terms",
"id": "arts_968",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "968",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Comedy",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 986,
"slug": "comedy",
"isLoading": false,
"link": "/arts/category/comedy"
},
"pop_4": {
"type": "terms",
"id": "pop_4",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "4",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4,
"slug": "music",
"isLoading": false,
"link": "/pop/category/music"
},
"bayareabites_1874": {
"type": "terms",
"id": "bayareabites_1874",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "1874",
"found": true
},
"relationships": {},
"featImg": null,
"name": "farmers and farms",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "farmers and farms Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 1452,
"slug": "farmers-farmers-markets",
"isLoading": false,
"link": "/bayareabites/category/farmers-farmers-markets"
},
"bayareabites_10028": {
"type": "terms",
"id": "bayareabites_10028",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "10028",
"found": true
},
"relationships": {},
"featImg": null,
"name": "food news",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "food news Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 8301,
"slug": "food-news",
"isLoading": false,
"link": "/bayareabites/category/food-news"
},
"bayareabites_358": {
"type": "terms",
"id": "bayareabites_358",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "358",
"found": true
},
"relationships": {},
"featImg": null,
"name": "science",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "science Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 7943,
"slug": "science",
"isLoading": false,
"link": "/bayareabites/category/science"
},
"bayareabites_60": {
"type": "terms",
"id": "bayareabites_60",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "60",
"found": true
},
"relationships": {},
"featImg": null,
"name": "sustainability, environment, climate change",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "sustainability, environment, climate change Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 23,
"slug": "sustainability",
"isLoading": false,
"link": "/bayareabites/category/sustainability"
},
"bayareabites_15491": {
"type": "terms",
"id": "bayareabites_15491",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "15491",
"found": true
},
"relationships": {},
"featImg": null,
"name": "beekeepers",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "beekeepers Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 99821,
"slug": "beekeepers",
"isLoading": false,
"link": "/bayareabites/tag/beekeepers"
},
"bayareabites_875": {
"type": "terms",
"id": "bayareabites_875",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "875",
"found": true
},
"relationships": {},
"featImg": null,
"name": "bees",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "bees Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 852,
"slug": "bees",
"isLoading": false,
"link": "/bayareabites/tag/bees"
},
"bayareabites_250": {
"type": "terms",
"id": "bayareabites_250",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "250",
"found": true
},
"relationships": {},
"featImg": null,
"name": "California",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "California Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 215,
"slug": "california",
"isLoading": false,
"link": "/bayareabites/tag/california"
},
"bayareabites_15492": {
"type": "terms",
"id": "bayareabites_15492",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "15492",
"found": true
},
"relationships": {},
"featImg": null,
"name": "hives",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "hives Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 99822,
"slug": "hives",
"isLoading": false,
"link": "/bayareabites/tag/hives"
},
"news_6944": {
"type": "terms",
"id": "news_6944",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "6944",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/10/2014/10/News-Fix-Logo-Web-Banners-04.png",
"name": "News Fix",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "The News Fix is a daily news podcast from KQED that breaks down the latest headlines and provides in-depth analysis of the stories that matter to the Bay Area.",
"title": "News Fix - Daily Dose of Bay Area News | KQED",
"ogDescription": null
},
"ttid": 6968,
"slug": "news-fix",
"isLoading": false,
"link": "/news/program/news-fix"
},
"news_223": {
"type": "terms",
"id": "news_223",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "223",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts and Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts and Culture Archives | KQED News",
"ogDescription": null
},
"ttid": 231,
"slug": "arts-and-culture",
"isLoading": false,
"link": "/news/category/arts-and-culture"
},
"news_8": {
"type": "terms",
"id": "news_8",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "8",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED News",
"ogDescription": null
},
"ttid": 8,
"slug": "news",
"isLoading": false,
"link": "/news/category/news"
},
"news_19537": {
"type": "terms",
"id": "news_19537",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "19537",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Afghanistan",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Afghanistan Archives | KQED News",
"ogDescription": null
},
"ttid": 19554,
"slug": "afghanistan",
"isLoading": false,
"link": "/news/tag/afghanistan"
},
"news_72": {
"type": "terms",
"id": "news_72",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "72",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/10/2014/10/TCR-2-Logo-Web-Banners-03.png",
"name": "The California Report",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The California Report Archives | KQED News",
"ogDescription": null
},
"ttid": 6969,
"slug": "the-california-report",
"isLoading": false,
"link": "/news/program/the-california-report"
},
"news_19906": {
"type": "terms",
"id": "news_19906",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "19906",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Environment",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Environment Archives | KQED News",
"ogDescription": null
},
"ttid": 19923,
"slug": "environment",
"isLoading": false,
"link": "/news/category/environment"
},
"news_356": {
"type": "terms",
"id": "news_356",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "356",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Science",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Science Archives | KQED News",
"ogDescription": null
},
"ttid": 364,
"slug": "science",
"isLoading": false,
"link": "/news/category/science"
},
"news_2426": {
"type": "terms",
"id": "news_2426",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "2426",
"found": true
},
"relationships": {},
"featImg": null,
"name": "birds",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "birds Archives | KQED News",
"ogDescription": null
},
"ttid": 2441,
"slug": "birds",
"isLoading": false,
"link": "/news/tag/birds"
},
"news_18865": {
"type": "terms",
"id": "news_18865",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "18865",
"found": true
},
"relationships": {},
"featImg": null,
"name": "sequoias",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "sequoias Archives | KQED News",
"ogDescription": null
},
"ttid": 18882,
"slug": "sequoias",
"isLoading": false,
"link": "/news/tag/sequoias"
},
"news_17286": {
"type": "terms",
"id": "news_17286",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "17286",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tcr",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tcr Archives | KQED News",
"ogDescription": null
},
"ttid": 17318,
"slug": "tcr",
"isLoading": false,
"link": "/news/tag/tcr"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_966": {
"type": "terms",
"id": "arts_966",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "966",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Dance",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Dance Archives | KQED Arts",
"ogDescription": null
},
"ttid": 984,
"slug": "dance",
"isLoading": false,
"link": "/arts/category/dance"
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_626": {
"type": "terms",
"id": "arts_626",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "626",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the-do-list-featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the-do-list-featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 634,
"slug": "the-do-list-featured",
"isLoading": false,
"link": "/arts/tag/the-do-list-featured"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_1119": {
"type": "terms",
"id": "arts_1119",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1119",
"found": true
},
"relationships": {},
"featImg": null,
"name": "feature",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "feature Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1136,
"slug": "feature",
"isLoading": false,
"link": "/arts/tag/feature"
},
"arts_3649": {
"type": "terms",
"id": "arts_3649",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3649",
"found": true
},
"relationships": {},
"featImg": null,
"name": "galleries",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "galleries Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3661,
"slug": "galleries",
"isLoading": false,
"link": "/arts/tag/galleries"
},
"arts_4642": {
"type": "terms",
"id": "arts_4642",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4642",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Rachael Myrow",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Rachael Myrow Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4654,
"slug": "rachael-myrow",
"isLoading": false,
"link": "/arts/tag/rachael-myrow"
},
"arts_1084": {
"type": "terms",
"id": "arts_1084",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1084",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Jose",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Jose Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1101,
"slug": "san-jose",
"isLoading": false,
"link": "/arts/tag/san-jose"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
},
"navPromosReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": true,
"promos": {
"news": {
"name": "2026 Voter Guide",
"link": "/voterguide",
"imageURL": "https://cdn.kqed.org/wp-content/uploads/2026/10/Nav-News-Nov2026ElectionCoverage@2x-7bd4aad4.png",
"description": "Get informed in minutes with our Voter Guide for California’s November 3 election."
},
"podcasts-radio": {},
"video-tv": {},
"events": {},
"support": {}
}
}
}