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I’m just trying to involve myself in a lot of different things to continue to uplift — to play my role in changing lives one life at a time.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Back in 2006, Oakland’s unofficial hyphy ambassador Mistah FAB — like the movement itself — was a relentless ball of energy, with a 10,000-watt smile on his face. On any given day, he’d be popping up at a Youth Uprising dance battle or an Oakland City Council meeting, joining forces with the Silence the Violence campaign, or strolling into a local high school. At 24, the man born Stanley P. Cox Jr., seemed to be a bit of a goofball, a big little kid relishing his star power, decked out in gold, diamonds on his grill and a big cartoon bus around his neck. His rap persona, too, was something of a cartoon character all the kids adored, with his nasally rhymes about “getting on the yellow bus” — a.k.a “going dumb” or “wilding out” — and ghost-riding — dancing on a moving car with no one behind the wheel.\u003c/p>\n\u003cp>Now, Mistah FAB is the father of a two-year-old girl, and he’s no longer playing the class clown. In fact, he seems a little chagrined that he has encouraged so much recklessness in the past, even as he was advocating for the youth. Now, he’s thinking his future could be in politics, leading Oakland as mayor some day. At August’s Fresh Fest in Oakland’s Mosswood Park, he gave a stirring speech to the crowd, still shellshocked by the involuntary manslaughter verdict against BART Police officer Johannes Mehserle in the death of 23-year-old Oakland resident Oscar Grant.\u003c/p>\n\u003cp>“As mentors, we must realize that when we tell these young dudes, ‘Oh little homie, you tripping, you hyphy, you wild!’ — that’s not the way,” FAB told the audience. “Let’s tell these dudes, ‘I feel your pain, I know your brother got life. I know you don’t know your dad. I was in that same situation. My brother got 100 years. My mother has cancer right now, so every day, I’m appreciative to be with her. My daddy died from AIDS.’ … We can’t continue to give up on the youth. Stop saying there’s no hope for the future. We have to give them the feeling that ‘You can make it, too.'”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/U96t3tiyBcY'\n title='//www.youtube.com/embed/U96t3tiyBcY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>I recently just dropped another video called, “Get Away.” To me, that’s the alternative solution. “Get Away” says before you allow yourself to crash on that highway, you just need to get away, go somewhere else. And if you can’t physically go somewhere else, mentally go there. Although your body may be trapped and enslaved, your mind is free to roam. See yourself somewhere else. \u003ci>Be\u003c/i> somewhere else. Because growing up in the inner cities that we come up in, the only thing that saves most of us is having a great, vivid imagination.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>These videos are a part of a collection of 10 videos I’m doing, like a semi-movie. All the videos together will tell a story. The project is called, \u003cb>We Against the World\u003c/b>, and it’s basically taking a chapter out of Tupac Shakur’s ideology of his album, \u003cb>Me Against the World\u003c/b>. All of the songs are going to tell the story of “How does Oakland feel?”\u003c/p>\n\u003cp>\u003cb>LH: Is this also going to be an album?\u003c/b>\u003c/p>\n\u003cp>FAB: No, it’s more like a mix tape/street album. The next major album that I’ll drop is called \u003cb>Liberty Forever\u003c/b>, which I’ve been working on for 2-3 years. My daughter’s name is Liberty Forever Free, so the album is named after her, but it’s also a symbol of how I am, at 28 years old, of what I’m feeling, where my mind is at. I’m feeling liberation. I’m feeling like, for the rest of my life, as long as I allow myself to think freely, be emancipated mentally, I’ll never be able to be captured, or held down, or restricted of anything. You can put up a roadblock, but you can’t block my thoughts.\u003c/p>\n\u003cp>It helps a lot. I’ve become so strong-minded that I’m not letting anything interfere with that. I don’t drink alcohol anymore. I don’t smoke weed anymore. And I’m not trying to say I’m better than anyone that does that. But that’s what works for me.\u003c/p>\n\u003cp>\u003cb>LH: What are your thoughts on the Oscar Grant verdict and the reaction to that verdict in Oakland?\u003c/b>\u003c/p>\n\u003cp>FAB: It’s like, to what level do you equate fear and justice? One loses his life, another has to do a couple months for it. Even if he had to do life, does it still make it fair that he took a life? You can escape the legal system, but universal law is the judgment passed down by a higher power that we all have to answer to on the day of our calling. That’s the way you have to look at that. That’s the only way to maintain some level of sanity, and not allow yourself to be so overly frustrated that you go out and you do something that may risk your liberty. You don’t want people to rile people to do something ignorant. Then that’s going to be another person that’s going to be a sacrificial lamb for the justice system.\u003c/p>\n\u003cp>\u003cb>LH: Can you tell me about your Black Liberty clothing line?\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>The summer touring season may be over, but there are plenty of great shows happening in San Francisco during the month of September. The second annual On Land Festival celebrates the many facets of experimental rock and drone with diverse lineups and intriguing headliners. Oakland’s Bare Wires are \u003cstrong>Seeking Love\u003c/strong> via fuzzy power pop gems. And Danish band Efterklang returns to the Bay Area with their intricate and captivating chamber pop.\u003c/p>\n\u003cp>The \u003ca href=\"http://onlandfestival.com/\">On Land Festival\u003c/a> returns to \u003ca href=\"http://www.cafedunord.com\">Cafe Du Nord and the Swedish American Hall\u003c/a> for a second weekend of experimental bands of all shapes and sizes. Each day’s lineup is lengthy and diverse, with Friday and Saturday night headliners \u003ca href=\"http://www.myspace.com/pointnever\">Oneohtrix Point Never\u003c/a> and \u003ca href=\"http://www.myspace.com/thealpssf\">The Alps\u003c/a>, two acts of particular note. The former is the electronic project of Brooklyn’s Daniel Lopatin, whose \u003cstrong>Returnal\u003c/strong>, out earlier this year, finds him mixing layers of Tangerine Dream-style arpeggiated synth lines and noisier, more bewildering effects. The Alps are a San Francisco trio that compose gorgeous rock soundtrack music. \u003cstrong>Le Voyage\u003c/strong> is the band’s new album, and it’s a real genre-blender that luxuriates in imaginative psychedelia. Plenty of other good bands populate On Land’s ranks, including Portland’s hazy and haunting \u003ca href=\"http://www.myspace.com/grouperrepuorg\">Grouper\u003c/a> and local drone rock band \u003ca href=\"http://www.myspace.com/7yearrabbitcycle\">Common Eider King Eider\u003c/a>. The festival runs from September 2 through 5, 2010.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=3soucm9emO4&fs=1&hl=en_US]\u003cbr>\u003cem>\u003c/em>\u003c/p>\n\u003cp>Ben Van Houten is the Programming Director for \u003ca href=\"http://www.thebaybridged.com/\">The Bay Bridged\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>This Sunday, August 22nd, \u003cb>The Bay Bridged\u003c/b> presents the third installment in its annual, free, all ages \u003cb>\u003ca href=\"http://www.rockmake.com\">Rock Make Street Festival\u003c/a>\u003c/b> on Treat Avenue and 18th Street from 11am-6pm. This year’s Rock Make is bigger and better than ever, with 100 arts and crafts vendors selling their wares, three stages of music and entertainment, a ton of great local indie bands, and, for the adults, a beergarden serving up some tasty brews.\u003c/p>\n\u003cp>To get you prepared for Rock Make (and \u003ca href=\"http://www.calacademy.org/events/?e=420&d=19&m=08&y=2010\">Thursday night’s Rock Make pre-party at the Academy of Sciences\u003c/a>), we’re pleased to offer this collection of songs featuring eleven of the bands performing on Sunday. More information about the many aspects of Sunday’s Rock Make Street Festival can be found at \u003cb>\u003ca href=\"http://www.rockmake.com\">RockMake.com\u003c/a>\u003c/b>.\u003c/p>\n\u003cp>\u003cb>Tracklisting:\u003c/b>\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/leopoldandhisfiction\">\u003cb>Leopold and His Fiction\u003c/b>\u003c/a> — “Golden Friends”\u003cbr>Performing on the Harrison Stage at 5:30pm.\u003c/p>\n\u003cp>\u003ca href=\"http://www.tartufirock.net/\">\u003cb>Tartufi\u003c/b>\u003c/a> — “Dot Dash”\u003cbr>Performing on the Medithrive Stage at 3pm.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/sunbeamrd\">\u003cb>Sunbeam Rd.\u003c/b>\u003c/a> — “Houseboat”\u003cbr>Performing on the Medithrive Stage at 1pm.\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/seaofbees\">\u003cb>Sea of Bees\u003c/b>\u003c/a> — “Marmalade”\u003cbr>Performing on the Harrison Stage at 2:30pm.\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/socialstudies101\">\u003cb>Social Studies\u003c/b>\u003c/a> – “Time Bandit”\u003cbr>Performing on the Harrison Stage at 4:30pm.\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/abthesea\">\u003cb>AB & the Sea\u003c/b>\u003c/a> — “Bone Dry”\u003cbr>Performing on the Medithrive Stage at 4pm.\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/thebutterflybones\">\u003cb>Butterfly Bones\u003c/b>\u003c/a> — “xoxo”\u003cbr>Performing on the Harrison Stage at 1:30pm.\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/jhameel\">\u003cb>Jhameel\u003c/b>\u003c/a> — “Hello Cash”\u003cbr>Performing on the Medithrive Stage at 2pm.\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/billyanddolly\">\u003cb>Billy and Dolly\u003c/b>\u003c/a> — “You Always Win”\u003cbr>Performing on the Harrison Stage at 12:30pm.\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/bluerabbitmusic\">\u003cb>Blue Rabbit\u003c/b>\u003c/a> — “Sleep”\u003cbr>Performing on the Medithrive Stage at 12pm.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/stillflyin\">\u003cb>Still Flyin’\u003c/b>\u003c/a> — “Runaway Train II”\u003cbr>Performing on the Harrison Stage at 3:30pm.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This Sunday, August 22nd, \u003cb>The Bay Bridged\u003c/b> presents the third installment in its annual, free, all ages \u003cb>\u003ca href=\"http://www.rockmake.com\">Rock Make Street Festival\u003c/a>\u003c/b> on Treat Avenue and 18th Street from 11am-6pm. This year’s Rock Make is bigger and better than ever, with 100 arts and crafts vendors selling their wares, three stages of music and entertainment, a ton of great local indie bands, and, for the adults, a beergarden serving up some tasty brews.\u003c/p>\n\u003cp>To get you prepared for Rock Make (and \u003ca href=\"http://www.calacademy.org/events/?e=420&d=19&m=08&y=2010\">Thursday night’s Rock Make pre-party at the Academy of Sciences\u003c/a>), we’re pleased to offer this collection of songs featuring eleven of the bands performing on Sunday. More information about the many aspects of Sunday’s Rock Make Street Festival can be found at \u003cb>\u003ca href=\"http://www.rockmake.com\">RockMake.com\u003c/a>\u003c/b>.\u003c/p>\n\u003cp>\u003cb>Tracklisting:\u003c/b>\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/leopoldandhisfiction\">\u003cb>Leopold and His Fiction\u003c/b>\u003c/a> — “Golden Friends”\u003cbr>Performing on the Harrison Stage at 5:30pm.\u003c/p>\n\u003cp>\u003ca href=\"http://www.tartufirock.net/\">\u003cb>Tartufi\u003c/b>\u003c/a> — “Dot Dash”\u003cbr>Performing on the Medithrive Stage at 3pm.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>K.Flay is a Hip Hop/indie rock star who moved to the Bay Area from the Midwest to get a psych degree at Stanford. During study breaks she started rapping, and taught herself how to program and mix music. She hit the scene with seemingly effortless skill, collaborating with MC Lars, and opening for Snoop Dogg and Ludacris on college tours. Her EP comes out this fall, but for now you can grab free downloads of her single \u003ca href=\"http://rcrdlbl.com/2010/07/30/premiere_k_flay_2_weak\">2 Weak\u003c/a> and a \u003ca href=\"http://kflay.bandcamp.com/album/mashed-potatoes\">mix tape\u003c/a> of her conscious lyrics layered over familiar beats. She raps about everything from her family’s old minivan to corporate bailouts. We met up for coffee and discussed women in music, crossword puzzles, and the next \u003ca href=\"http://www.kflay.com/site/blog/oprah-rita-skeeter-and-hollow-dreams\">book review\u003c/a> she’ll be posting on her blog. 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If you look at the lyrics to a rap song, they’re ten times as long as any other type of song. Some of the greatest rock songs ever sung have only two stanzas that repeat. It’s still awesome, but it’s a different style — Radiohead is a great example. It’s a skill to embody or encapsulate something in eight sentences, but I like the opportunities for wordplay. So it was the medium that meshed best with me. I just didn’t know until I got into it.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ci>Can you pinpoint why you became interested in wordplay?\u003c/i>\u003c/p>\n\u003cp>Growing up, my dad was seriously amazing at crossword puzzles. He was legit. He would finish a Sunday \u003ci>New York Times\u003c/i> in fifteen minutes, and I was the scribe. My specialty was the overarching title, which informs all of the long clues, and usually those have wordplay. Maybe that’s somehow the root of things.\u003c/p>\n\u003cp>\u003ci>Biggest musical influences?\u003c/i>\u003c/p>\n\u003cp>As a kid I grew up listening to rock n’ roll, blues, classic stuff. Being near Chicago, there’s just that blues/funk influence in the air. I got into Hip Hop when I started creating music in college. Artists that influence my current style are strong female vocalists with a strong presence. Fiona Apple is one of my all-time heroes and Emily Haines is like my homegirl. There’s a presence when they’re singing — that emotionality and vulnerability. The ultimate album for me is Liz Phair’s \u003cb>Exile in Guyville\u003c/b>. You have songs where she’s super strong and exuding this power, and then other songs where she’s totally vulnerable and insecure.\u003c/p>\n\u003cp>\u003ci>What about women in Hip Hop, do you look up to any of them?\u003c/i>\u003c/p>\n\u003cp>My top three women in Hip Hop are in somewhat different genres. Lauryn Hill is number one because her vision when she composes something is very well-crafted and thought provoking, but it’s also beautiful to listen to. And then I love Missy Elliot and MIA.\u003c/p>\n\u003cp>\u003ci>Is it difficult to navigate such a male-dominated music scene?\u003c/i>\u003c/p>\n\u003cp>Not to use a cliché, but it is a double-edged sword. It’s good on a very surface level because I stand out. On almost any bill or track I’m on, I’m the only girl. In terms of visibility, it can be an advantage. But there’s definitely a lot that comes with it, there are a lot of connotations to what I’m doing. Even when I hear a female rapper, a lot of stuff comes up that’s not good. There are a lot of talented females in Hip Hop, but it’s a label that’s laden with many potentially bad things. It can be a hindrance in some ways, but that’s why I hope my live show wins people over. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>Can you pinpoint why you became interested in wordplay?\u003c/i>\u003c/p>\n\u003cp>Growing up, my dad was seriously amazing at crossword puzzles. He was legit. He would finish a Sunday \u003ci>New York Times\u003c/i> in fifteen minutes, and I was the scribe. My specialty was the overarching title, which informs all of the long clues, and usually those have wordplay. Maybe that’s somehow the root of things.\u003c/p>\n\u003cp>\u003ci>Biggest musical influences?\u003c/i>\u003c/p>\n\u003cp>As a kid I grew up listening to rock n’ roll, blues, classic stuff. Being near Chicago, there’s just that blues/funk influence in the air. I got into Hip Hop when I started creating music in college. Artists that influence my current style are strong female vocalists with a strong presence. Fiona Apple is one of my all-time heroes and Emily Haines is like my homegirl. There’s a presence when they’re singing — that emotionality and vulnerability. The ultimate album for me is Liz Phair’s \u003cb>Exile in Guyville\u003c/b>. You have songs where she’s super strong and exuding this power, and then other songs where she’s totally vulnerable and insecure.\u003c/p>\n\u003cp>\u003ci>What about women in Hip Hop, do you look up to any of them?\u003c/i>\u003c/p>\n\u003cp>My top three women in Hip Hop are in somewhat different genres. Lauryn Hill is number one because her vision when she composes something is very well-crafted and thought provoking, but it’s also beautiful to listen to. And then I love Missy Elliot and MIA.\u003c/p>\n\u003cp>\u003ci>Is it difficult to navigate such a male-dominated music scene?\u003c/i>\u003c/p>\n\u003cp>Not to use a cliché, but it is a double-edged sword. It’s good on a very surface level because I stand out. On almost any bill or track I’m on, I’m the only girl. In terms of visibility, it can be an advantage. But there’s definitely a lot that comes with it, there are a lot of connotations to what I’m doing. Even when I hear a female rapper, a lot of stuff comes up that’s not good. There are a lot of talented females in Hip Hop, but it’s a label that’s laden with many potentially bad things. It can be a hindrance in some ways, but that’s why I hope my live show wins people over. My goal for the music is that men and women take different things away from it.\u003c/p>\n\u003cp>\u003ci>Do you have a title for your soon-to-be-released EP or is it top secret?\u003c/i>\u003c/p>\n\u003cp>It’s top secret only because I’m not 100% sure, but it’ll be an Emily Dickinson thing.\u003c/p>\n\u003cp>\u003ci>What makes you the most stoked?\u003c/i>\u003c/p>\n\u003cp>Any situation or person that has the ability to reframe something and make it seem more different or profound, that’s what makes me the most excited. When things are unpredictable but awesome.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>K.Flay is performing at Cafe du Nord on Wednesday, August 18, 2010. For \u003ca href=\"http://www.cafedunord.com/\">tickets and information\u003c/a> visit cafedunord.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>One of the most encouraging trends in classical music these days has been the rise of the multimedia concert event. Whether it’s \u003cb>Video Games Live\u003c/b>, \u003cb>Pictures at an Exhibition\u003c/b> with newly commissioned art, or John Adams’s \u003cb>El Niño\u003c/b> with dancers and projections, it seems as though everyone is recognizing that modern audiences need not only to be immersed in the event, but to know more about it. So it’s refreshing to see an entire festival based on the principle that there’s more to the music than meets the ear. For the last seven years \u003ca href=\"http://musicatmenlo.org/\">Music@Menlo\u003c/a> has invited world-class musicians, artists and teachers to the South Bay for a yearly festival that looks at its theme from multiple angles, in multiple media. This year’s theme is \u003cb>Maps and Legends\u003c/b>, running July 23 through August 14, 2010, with concerts, classes and conversations covering everything from 18th century Venice to fin-de-siècle Paris to the devastation of post-World War II Germany.\u003c/p>\n\u003cp>\u003cb>Music@Menlo\u003c/b> was founded in 2003 by David Finckel, the cellist of the Grammy-Award-winning \u003ca href=\"http://emersonquartet.com/\">Emerson String Quartet\u003c/a>, and his wife, pianist Wu Han, who had already established themselves as pioneers with their owned-and-operated web-based recording label ArtistLed. Music@Menlo was, in a lot of ways, an excuse to do what they loved best: playing chamber music with their enormously talented friends, talking about what went on behind the music, and sharing their passions with each other, with their students, and with anyone who wanted to sit in (i.e., an audience). What they put together is kind of like one of those language-immersion vacations you can take to another country, only here the “country” is a theme, and the sights to see include a visual artist-in-residence (this year, it’s aerial photographer \u003ca href=\"http://alexmaclean.com/\">Alex MacLean\u003c/a>), public master classes with young musicians-in-training, concerts with conversation on the topic at hand, and the chance to get up close and personal with extraordinary musicians like pianists Jeffrey Kahane and Gilbert Kalish, violinists Jorja Fleezanis and Ian Swensen, guitarist Jason Vieaux, mezzo-soprano Sasha Cooke and San Francisco Symphony members Scott Pingel and Jonathan Fischer.\u003c/p>\n\u003cp>The centerpiece of Music@Menlo is always the concert program, but you might learn more from the ancillary events. \u003cb>Maps and Legends\u003c/b> includes \u003cb>The Seasons\u003c/b> (July 23), \u003cb>The English Voice\u003c/b> (July 25-27), \u003cb>Vienna\u003c/b> (July 31 ? August 2), \u003cb>Aftermath: 1945\u003c/b> (August 4-5), \u003cb>La Ville-Lumière: Paris, 1920-28\u003c/b> (August 7), \u003cb>Spanish Inspirations\u003c/b> (August 9-10), and \u003cb>Dvořák’s America\u003c/b> (August 13-14). That may be enough of a journey by itself, but there are also multimedia evenings covering London, Vienna and Paris, informal Cafe Conversations with the musicians, and a chance for the guest artists to indulge in their singular passions, from a Schubert song cycle to 200th anniversary concerts of Chopin and Schumann.\u003c/p>\n\u003cp>But wait, there’s more! Finckel and Han are deeply involved in music education, and part of the Festival’s mission is the training of young musicians. Hearing chamber music at its best is like watching a hockey or basketball team at the top of its game: outstanding individual performances that amount to more than the sum of their parts. It’s a skill that can only be acquired in a group setting, and the \u003cb>Chamber Music Institute\u003c/b> offers talented students from junior high school to pre-professional levels the chance to learn together. If my own student experiences are any guide, these young players are going to have the time of their lives.\u003c/p>\n\u003cp>Music@Menlo runs July 23 through August 14, 2010 with concerts in Atherton, Palo Alto, and Menlo Park, including the new, state-of-the-art Center for the Performing Arts at Menlo-Atherton. From concerts to master classes, exhibitions to encounters, Music@Menlo is a hothouse for listening, learning and experiencing. For \u003ca href=\"http://musicatmenlo.org/\">tickets and information \u003c/a> visit musicatmenlo.org, and find out where \u003cb>Maps and Legends\u003c/b> might lead you.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>One of the most encouraging trends in classical music these days has been the rise of the multimedia concert event. Whether it’s \u003cb>Video Games Live\u003c/b>, \u003cb>Pictures at an Exhibition\u003c/b> with newly commissioned art, or John Adams’s \u003cb>El Niño\u003c/b> with dancers and projections, it seems as though everyone is recognizing that modern audiences need not only to be immersed in the event, but to know more about it. So it’s refreshing to see an entire festival based on the principle that there’s more to the music than meets the ear. For the last seven years \u003ca href=\"http://musicatmenlo.org/\">Music@Menlo\u003c/a> has invited world-class musicians, artists and teachers to the South Bay for a yearly festival that looks at its theme from multiple angles, in multiple media. This year’s theme is \u003cb>Maps and Legends\u003c/b>, running July 23 through August 14, 2010, with concerts, classes and conversations covering everything from 18th century Venice to fin-de-siècle Paris to the devastation of post-World War II Germany.\u003c/p>\n\u003cp>\u003cb>Music@Menlo\u003c/b> was founded in 2003 by David Finckel, the cellist of the Grammy-Award-winning \u003ca href=\"http://emersonquartet.com/\">Emerson String Quartet\u003c/a>, and his wife, pianist Wu Han, who had already established themselves as pioneers with their owned-and-operated web-based recording label ArtistLed. Music@Menlo was, in a lot of ways, an excuse to do what they loved best: playing chamber music with their enormously talented friends, talking about what went on behind the music, and sharing their passions with each other, with their students, and with anyone who wanted to sit in (i.e., an audience). What they put together is kind of like one of those language-immersion vacations you can take to another country, only here the “country” is a theme, and the sights to see include a visual artist-in-residence (this year, it’s aerial photographer \u003ca href=\"http://alexmaclean.com/\">Alex MacLean\u003c/a>), public master classes with young musicians-in-training, concerts with conversation on the topic at hand, and the chance to get up close and personal with extraordinary musicians like pianists Jeffrey Kahane and Gilbert Kalish, violinists Jorja Fleezanis and Ian Swensen, guitarist Jason Vieaux, mezzo-soprano Sasha Cooke and San Francisco Symphony members Scott Pingel and Jonathan Fischer.\u003c/p>\n\u003cp>The centerpiece of Music@Menlo is always the concert program, but you might learn more from the ancillary events. \u003cb>Maps and Legends\u003c/b> includes \u003cb>The Seasons\u003c/b> (July 23), \u003cb>The English Voice\u003c/b> (July 25-27), \u003cb>Vienna\u003c/b> (July 31 ? August 2), \u003cb>Aftermath: 1945\u003c/b> (August 4-5), \u003cb>La Ville-Lumière: Paris, 1920-28\u003c/b> (August 7), \u003cb>Spanish Inspirations\u003c/b> (August 9-10), and \u003cb>Dvořák’s America\u003c/b> (August 13-14). That may be enough of a journey by itself, but there are also multimedia evenings covering London, Vienna and Paris, informal Cafe Conversations with the musicians, and a chance for the guest artists to indulge in their singular passions, from a Schubert song cycle to 200th anniversary concerts of Chopin and Schumann.\u003c/p>\n\u003cp>But wait, there’s more! Finckel and Han are deeply involved in music education, and part of the Festival’s mission is the training of young musicians. Hearing chamber music at its best is like watching a hockey or basketball team at the top of its game: outstanding individual performances that amount to more than the sum of their parts. It’s a skill that can only be acquired in a group setting, and the \u003cb>Chamber Music Institute\u003c/b> offers talented students from junior high school to pre-professional levels the chance to learn together. If my own student experiences are any guide, these young players are going to have the time of their lives.\u003c/p>\n\u003cp>Music@Menlo runs July 23 through August 14, 2010 with concerts in Atherton, Palo Alto, and Menlo Park, including the new, state-of-the-art Center for the Performing Arts at Menlo-Atherton. From concerts to master classes, exhibitions to encounters, Music@Menlo is a hothouse for listening, learning and experiencing. For \u003ca href=\"http://musicatmenlo.org/\">tickets and information \u003c/a> visit musicatmenlo.org, and find out where \u003cb>Maps and Legends\u003c/b> might lead you.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>After a weekend of shows in Oakland, the \u003ca href=\"http://www.mcmf.org/\">2010 Mission Creek Music Festival\u003c/a> kicks into full swing this week with concerts around the City, featuring a bunch of ace, predominantly local bands. This mix features ten bands playing Mission Creek shows. For the \u003ca href=\"http://www.mcmf.org\">full list of upcoming events\u003c/a> visit mcmf.org.\u003c/p>\n\u003cp>I don’t know a lot about \u003ca href=\"http://www.myspace.com/thelambsmusic\">The Lambs\u003c/a> (“Brother Sister White”) yet, but the San Francisco group has some excellent \u003ca href=\"http://thelambsmusic.com/\">demos available for download\u003c/a> on their web site. \u003ca href=\"http://www.myspace.com/parentheticalgirlsband\">Parenthetical Girls\u003c/a>, \u003ca href=\"http://www.myspace.com/grandlakemusic\">Grand Lake\u003c/a>, and \u003ca href=\"http://www.myspace.com/icecreamhuman\">LENS (featuring Andy Human)\u003c/a> join them at the Eagle Tavern Friday, July 16.\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/brianglazeusyahoocom\">Brian Glaze and the Night Shift\u003c/a> (“Bad News”) are one of the bands playing the Saturday, July 17 Mission Creek show in \u003ca href=\"http://www.mcmf.org/park.html\">McLaren Park\u003c/a>. Also performing: \u003ca href=\"http://www.myspace.com/grasswidowmusic\">Grass Widow\u003c/a>, \u003ca href=\"http://www.myspace.com/thefreshonlys\">The Fresh & Onlys\u003c/a>, \u003ca href=\"http://www.myspace.com/ganglian\">Ganglians\u003c/a>, \u003ca href=\"http://www.myspace.com/mirandaleerichards\">Miranda Lee Richards\u003c/a>, \u003ca href=\"http://www.myspace.com/aaronnovik\">Thorny Brocky\u003c/a>, \u003ca href=\"http://williamwinant.com/\">The William Winant Percussion Group\u003c/a> and \u003ca href=\"http://www.facebook.com/TeriGenderBender\">Teri Gender Bender\u003c/a>. Grass Widow’s (“Shadow”) new full length \u003cb>Past Time\u003c/b> comes out in August on Kill Rock Stars. Ganglians (“Lost Words”) just got back from a European tour and are working on a new record.\u003c/p>\n\u003cp>Portland’s \u003ca href=\"http://www.myspace.com/parentheticalgirlsband\">Parenthetical Girls\u003c/a> (“Evelyn McHale”) put out the \u003cb>Privilege pt. 1\u003c/b> EP earlier this year. They’re playing the Eagle Tavern (see above) on Friday, July 16.\u003c/p>\n\u003cp>\u003ca href=\"http://www.markmatos.com/\">Mark Matos and Os Beaches\u003c/a> (“High Priest of the Mission”) celebrate the vinyl release of \u003cb>Words of the Knife\u003c/b> Wednesday, July 14 at Cafe Du Nord, with \u003ca href=\"http://www.rykardaparasol.com/\">Rykarda Parasol\u003c/a>, \u003ca href=\"http://www.myspace.com/thechamberstrings\">Kevin Junior\u003c/a>, \u003ca href=\"http://www.myspace.com/thedollyrockermovement\">The Dolly Rocker Movement\u003c/a>, and DJ Neil Martinson.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://www.kyledraws.com/\">Little Wings\u003c/a> (“Scuby”) play at Adobe Books along with WR/DS. The show is on Friday, July 16 and doubles as a gallery opening for new work by \u003ca href=\"https://php10.ucsf.edu/kyledamonranson/\">Kyle Ranson\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/seansmithlives\">Sean Smith\u003c/a> (“Palak Paneer”) has a number of upcoming projects in the works on Gnome Life Records. His band will be at El Rio for an “After-Park Psych/Spacerock Show!” with \u003ca href=\"http://www.myspace.com/howlinrain\">Howlin Rain\u003c/a> and \u003ca href=\"http://www.myspace.com/3leafs\">3 Leafs\u003c/a> Saturday, July 17.\u003c/p>\n\u003cp>\u003ca href=\"http://www.rykardaparasol.com/\">Rykarda Parasol\u003c/a> (“Covenant”) headlines the Mission Creek opening night/Bastille Day show at Cafe Du Nord (see above).\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>According to their web site, as of a few months ago \u003ca href=\"http://www.howlinrain.com/\">Howlin Rain\u003c/a> (“Dancers At The End Of Time”) were “still deep in pre-production for our 3rd album.” They’ll be performing Saturday, July 17 at the El Rio (see above).\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After a weekend of shows in Oakland, the \u003ca href=\"http://www.mcmf.org/\">2010 Mission Creek Music Festival\u003c/a> kicks into full swing this week with concerts around the City, featuring a bunch of ace, predominantly local bands. This mix features ten bands playing Mission Creek shows. For the \u003ca href=\"http://www.mcmf.org\">full list of upcoming events\u003c/a> visit mcmf.org.\u003c/p>\n\u003cp>I don’t know a lot about \u003ca href=\"http://www.myspace.com/thelambsmusic\">The Lambs\u003c/a> (“Brother Sister White”) yet, but the San Francisco group has some excellent \u003ca href=\"http://thelambsmusic.com/\">demos available for download\u003c/a> on their web site. \u003ca href=\"http://www.myspace.com/parentheticalgirlsband\">Parenthetical Girls\u003c/a>, \u003ca href=\"http://www.myspace.com/grandlakemusic\">Grand Lake\u003c/a>, and \u003ca href=\"http://www.myspace.com/icecreamhuman\">LENS (featuring Andy Human)\u003c/a> join them at the Eagle Tavern Friday, July 16.\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/brianglazeusyahoocom\">Brian Glaze and the Night Shift\u003c/a> (“Bad News”) are one of the bands playing the Saturday, July 17 Mission Creek show in \u003ca href=\"http://www.mcmf.org/park.html\">McLaren Park\u003c/a>. Also performing: \u003ca href=\"http://www.myspace.com/grasswidowmusic\">Grass Widow\u003c/a>, \u003ca href=\"http://www.myspace.com/thefreshonlys\">The Fresh & Onlys\u003c/a>, \u003ca href=\"http://www.myspace.com/ganglian\">Ganglians\u003c/a>, \u003ca href=\"http://www.myspace.com/mirandaleerichards\">Miranda Lee Richards\u003c/a>, \u003ca href=\"http://www.myspace.com/aaronnovik\">Thorny Brocky\u003c/a>, \u003ca href=\"http://williamwinant.com/\">The William Winant Percussion Group\u003c/a> and \u003ca href=\"http://www.facebook.com/TeriGenderBender\">Teri Gender Bender\u003c/a>. Grass Widow’s (“Shadow”) new full length \u003cb>Past Time\u003c/b> comes out in August on Kill Rock Stars. Ganglians (“Lost Words”) just got back from a European tour and are working on a new record.\u003c/p>\n\u003cp>Portland’s \u003ca href=\"http://www.myspace.com/parentheticalgirlsband\">Parenthetical Girls\u003c/a> (“Evelyn McHale”) put out the \u003cb>Privilege pt. 1\u003c/b> EP earlier this year. They’re playing the Eagle Tavern (see above) on Friday, July 16.\u003c/p>\n\u003cp>\u003ca href=\"http://www.markmatos.com/\">Mark Matos and Os Beaches\u003c/a> (“High Priest of the Mission”) celebrate the vinyl release of \u003cb>Words of the Knife\u003c/b> Wednesday, July 14 at Cafe Du Nord, with \u003ca href=\"http://www.rykardaparasol.com/\">Rykarda Parasol\u003c/a>, \u003ca href=\"http://www.myspace.com/thechamberstrings\">Kevin Junior\u003c/a>, \u003ca href=\"http://www.myspace.com/thedollyrockermovement\">The Dolly Rocker Movement\u003c/a>, and DJ Neil Martinson.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.kyledraws.com/\">Little Wings\u003c/a> (“Scuby”) play at Adobe Books along with WR/DS. The show is on Friday, July 16 and doubles as a gallery opening for new work by \u003ca href=\"https://php10.ucsf.edu/kyledamonranson/\">Kyle Ranson\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/seansmithlives\">Sean Smith\u003c/a> (“Palak Paneer”) has a number of upcoming projects in the works on Gnome Life Records. His band will be at El Rio for an “After-Park Psych/Spacerock Show!” with \u003ca href=\"http://www.myspace.com/howlinrain\">Howlin Rain\u003c/a> and \u003ca href=\"http://www.myspace.com/3leafs\">3 Leafs\u003c/a> Saturday, July 17.\u003c/p>\n\u003cp>\u003ca href=\"http://www.rykardaparasol.com/\">Rykarda Parasol\u003c/a> (“Covenant”) headlines the Mission Creek opening night/Bastille Day show at Cafe Du Nord (see above).\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>According to their web site, as of a few months ago \u003ca href=\"http://www.howlinrain.com/\">Howlin Rain\u003c/a> (“Dancers At The End Of Time”) were “still deep in pre-production for our 3rd album.” They’ll be performing Saturday, July 17 at the El Rio (see above).\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Twin Sister’s synthy pop rides into SF on a well-deserved wave of blog buzz; as the legacy of Carissa’s Wierd is reexamined, the band’s founders tour together with their latest projects; SF noise punk trio Mi Ami is sure to confound and astonish in their latest local performance.\u003c/p>\n\u003cp>\u003cb>Color Your Life\u003c/b>, from New York’s \u003ca href=\"http://www.myspace.com/twinsisterband\">Twin Sister\u003c/a>, is one of my favorite records of late, a sharp six tracks of new-vintage soft pop should-be hits that has made the group one of the year’s most buzzed-about acts. The album’s songs function like a collection of Rorschach ink blots for indie past, alternately calling to mind Yo La Tengo’s understated boogie and Stereolab’s electro cool, while a moody darkness permeates throughout. The band’s detail-rich tracks also have something of a vintage ’80s feel, less copied than sampled or interpolated. They’re the perfect accompaniment for singer Andrea Estella, whose voice is as malleable as the band’s sound. She can be heartbreaking and grounded, or ethereal and winding. \u003cb>Color Your Life\u003c/b> only has five real songs, and its variety makes it feel like the band’s trying on some different feels as opposed to committing to a single one, but when every look is a winner, who can really complain? Twin Sister, \u003ca href=\"http://www.myspace.com/bearinheaven\">Bear in Heaven\u003c/a> and \u003ca href=\"http://www.myspace.com/beachfossils\">Beach Fossils\u003c/a> play the \u003ca href=\"http://www.rickshawstop.com/\">Rickshaw Stop\u003c/a> in San Francisco July 26, 2010.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cobject width=\"400\" height=\"225\">\u003cparam name=\"allowfullscreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cparam name=\"movie\" value=\"http://vimeo.com/moogaloop.swf?clip_id=11199905&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1\">\u003cembed src=\"http://vimeo.com/moogaloop.swf?clip_id=11199905&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1\" type=\"application/x-shockwave-flash\" allowfullscreen=\"true\" allowscriptaccess=\"always\" width=\"400\" height=\"225\">\u003c/embed>\u003c/object>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>As its members have gone on to projects like Band of Horses and Grand Archives, \u003ca href=\"http://en.wikipedia.org/wiki/Carissa%27s_Wierd\">Carissa’s Wierd\u003c/a> has emerged as one of those names that most folks see in parentheticals or band bios. An overlooked gem among the many big indie pop names to emerge from the Pacific Northwest’s fertile scene, the Seattle group gains deserved reconsideration this month with a retrospective compilation on \u003ca href=\"http://hardlyart.com/\">Hardly Art\u003c/a> and a one-off reunion show early in July. After that, Carissa’s Wierd co-founders Mat Brooke and Jenn Ghetto head out on tour together with their separate projects, \u003ca href=\"http://www.myspace.com/grandarchives\">Grand Archives\u003c/a> and \u003ca href=\"http://www.myspace.com/sghetto\">S\u003c/a>. Brooke formed Grand Archives after leaving Band of Horses, so the band’s use of reverb might not be surprising, but they’ve got quite a knack for warm West Coast pop. Ms. Ghetto’s solo project S recently released a new album titled \u003cb>im not as good at it as you\u003c/b> on \u003ca href=\"http://www.ownrecords.com/catalogue.htm\">Own Records\u003c/a>. Grand Archives, S, and \u003ca href=\"http://www.myspace.com/thenorthernkey\">The Northern Key\u003c/a> will be at the Rickshaw Stop July 21, 2010.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cobject width=\"480\" height=\"385\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/zRu_5MOU_6k&hl=en_US&fs=1&\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/zRu_5MOU_6k&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"480\" height=\"385\">\u003c/embed>\u003c/object>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>I had initially concluded that SF trio \u003ca href=\"http://www.myspace.com/miamiamiami\">Mi Ami\u003c/a> had two states — frenzied and building to a frenzy — but the group’s latest LP also showcases a more measured side to its dub-infused art punk. Don’t get me wrong, \u003cb>Steal Your Face\u003c/b> has plenty of bracing moments of fury, and vocalist/guitarist Daniel Martin-McCormick can shriek with the best of them, but there are also some welcome stripped-down grooves punctuated by bursts of noise. Similarly impressive? The album was recorded live to tape, a clear sign of the band’s masterful technical precision. Still, as mathy as it can get, this is music for the head, the heart and the feet — no easy balance to navigate, but the trio does it well. Mi Ami, \u003ca href=\"http://www.myspace.com/pocahaunted\">Pocahaunted\u003c/a>, \u003ca href=\"http://www.myspace.com/lateyoung\">Late Young\u003c/a> and \u003ca href=\"http://www.myspace.com/peakingfix\">Peaking Lights\u003c/a> play the Rickshaw Stop July 28, 2010.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cobject width=\"400\" height=\"300\">\u003cparam name=\"allowfullscreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cparam name=\"movie\" value=\"http://vimeo.com/moogaloop.swf?clip_id=3609120&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1\">\u003cembed src=\"http://vimeo.com/moogaloop.swf?clip_id=3609120&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1\" type=\"application/x-shockwave-flash\" allowfullscreen=\"true\" allowscriptaccess=\"always\" width=\"400\" height=\"300\">\u003c/embed>\u003c/object>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Ben Van Houten is the Programming Director of \u003ca href=\"http://www.thebaybridged.com\">The Bay Bridged\u003c/a>.\u003c/i>\u003c/p>\n\n",
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"excerpt": "For some reason, the three shows I'm most looking forward to in July -- Twin Sister's synthy pop, new bands spawned from Carissa's Weird, and SF noise punks, Mi Ami -- are all at the Rickshaw Stop. Go figure!",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Twin Sister’s synthy pop rides into SF on a well-deserved wave of blog buzz; as the legacy of Carissa’s Wierd is reexamined, the band’s founders tour together with their latest projects; SF noise punk trio Mi Ami is sure to confound and astonish in their latest local performance.\u003c/p>\n\u003cp>\u003cb>Color Your Life\u003c/b>, from New York’s \u003ca href=\"http://www.myspace.com/twinsisterband\">Twin Sister\u003c/a>, is one of my favorite records of late, a sharp six tracks of new-vintage soft pop should-be hits that has made the group one of the year’s most buzzed-about acts. The album’s songs function like a collection of Rorschach ink blots for indie past, alternately calling to mind Yo La Tengo’s understated boogie and Stereolab’s electro cool, while a moody darkness permeates throughout. The band’s detail-rich tracks also have something of a vintage ’80s feel, less copied than sampled or interpolated. They’re the perfect accompaniment for singer Andrea Estella, whose voice is as malleable as the band’s sound. She can be heartbreaking and grounded, or ethereal and winding. \u003cb>Color Your Life\u003c/b> only has five real songs, and its variety makes it feel like the band’s trying on some different feels as opposed to committing to a single one, but when every look is a winner, who can really complain? Twin Sister, \u003ca href=\"http://www.myspace.com/bearinheaven\">Bear in Heaven\u003c/a> and \u003ca href=\"http://www.myspace.com/beachfossils\">Beach Fossils\u003c/a> play the \u003ca href=\"http://www.rickshawstop.com/\">Rickshaw Stop\u003c/a> in San Francisco July 26, 2010.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cobject width=\"400\" height=\"225\">\u003cparam name=\"allowfullscreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cparam name=\"movie\" value=\"http://vimeo.com/moogaloop.swf?clip_id=11199905&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1\">\u003cembed src=\"http://vimeo.com/moogaloop.swf?clip_id=11199905&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1\" type=\"application/x-shockwave-flash\" allowfullscreen=\"true\" allowscriptaccess=\"always\" width=\"400\" height=\"225\">\u003c/embed>\u003c/object>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>As its members have gone on to projects like Band of Horses and Grand Archives, \u003ca href=\"http://en.wikipedia.org/wiki/Carissa%27s_Wierd\">Carissa’s Wierd\u003c/a> has emerged as one of those names that most folks see in parentheticals or band bios. An overlooked gem among the many big indie pop names to emerge from the Pacific Northwest’s fertile scene, the Seattle group gains deserved reconsideration this month with a retrospective compilation on \u003ca href=\"http://hardlyart.com/\">Hardly Art\u003c/a> and a one-off reunion show early in July. After that, Carissa’s Wierd co-founders Mat Brooke and Jenn Ghetto head out on tour together with their separate projects, \u003ca href=\"http://www.myspace.com/grandarchives\">Grand Archives\u003c/a> and \u003ca href=\"http://www.myspace.com/sghetto\">S\u003c/a>. Brooke formed Grand Archives after leaving Band of Horses, so the band’s use of reverb might not be surprising, but they’ve got quite a knack for warm West Coast pop. Ms. Ghetto’s solo project S recently released a new album titled \u003cb>im not as good at it as you\u003c/b> on \u003ca href=\"http://www.ownrecords.com/catalogue.htm\">Own Records\u003c/a>. Grand Archives, S, and \u003ca href=\"http://www.myspace.com/thenorthernkey\">The Northern Key\u003c/a> will be at the Rickshaw Stop July 21, 2010.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cobject width=\"480\" height=\"385\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/zRu_5MOU_6k&hl=en_US&fs=1&\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/zRu_5MOU_6k&hl=en_US&fs=1&\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"480\" height=\"385\">\u003c/embed>\u003c/object>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>I had initially concluded that SF trio \u003ca href=\"http://www.myspace.com/miamiamiami\">Mi Ami\u003c/a> had two states — frenzied and building to a frenzy — but the group’s latest LP also showcases a more measured side to its dub-infused art punk. Don’t get me wrong, \u003cb>Steal Your Face\u003c/b> has plenty of bracing moments of fury, and vocalist/guitarist Daniel Martin-McCormick can shriek with the best of them, but there are also some welcome stripped-down grooves punctuated by bursts of noise. Similarly impressive? The album was recorded live to tape, a clear sign of the band’s masterful technical precision. Still, as mathy as it can get, this is music for the head, the heart and the feet — no easy balance to navigate, but the trio does it well. Mi Ami, \u003ca href=\"http://www.myspace.com/pocahaunted\">Pocahaunted\u003c/a>, \u003ca href=\"http://www.myspace.com/lateyoung\">Late Young\u003c/a> and \u003ca href=\"http://www.myspace.com/peakingfix\">Peaking Lights\u003c/a> play the Rickshaw Stop July 28, 2010.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
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"meta": {
"site": "radio",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"id": "here-and-now",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
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"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
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