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"content": "\u003cp>The November 2011 concert schedule offers a chance to check out the artists behind some big recent releases, as bands like M83, Wild Flag, and Real Estate arrive in support of well-received new albums. Locally, a diverse assortment of acts are launching new releases of their own, including the classic-leaning rock and roll of Zodiac Death Valley, The Northern Key’s singer-songwriter pop, and the raucous art-rock of Wet Illustrated.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>The excellent SF band \u003ca href=\"http://www.facebook.com/pages/Wet-Illustrated/137718542955550\">Wet Illustrated\u003c/a> (“Gypsy Town”) released \u003cem>1x1x1\u003c/em> last month on True Panther. The band opens what should be a terrific show at \u003ca href=\"http://amnesiathebar.com/newp/calendar/\">Amnesia\u003c/a> on November 17, with Tim Cohen’s Magic Trick and Devon Williams.\u003c/p>\n\u003cp>\u003ca href=\"http://www.gauntlethair.net/\">Gauntlet Hair\u003c/a>‘s (“Keep Time”) self-titled album is the Denver band’s debut LP. The group’s West Coast tour with Unknown Mortal Orchestra finds them at the \u003ca href=\"http://www.rickshawstop.com/event/69937/\">Rickshaw Stop\u003c/a> on November 3 and \u003ca href=\"http://www.thenewparish.com/event/59989/\">The New Parish\u003c/a> on November 7.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/WILDFLAG\">Wild Flag\u003c/a> (“Romance”) includes members of Sleater-Kinney, Helium, and The Minders, and the band’s self-titled debut lives up to the promise of those previous groups. On November 4 and 5, Wild Flag and Drew Grow and the Pastors’ Wives play at the \u003ca href=\"http://www.gamh.com/artist_pages/wild_flag_110411.htm\">Great American Music Hall\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>SF’s \u003ca href=\"http://www.facebook.com/zodiacdeathvalley\">Zodiac Death Valley\u003c/a> (“La Razon”) and LA’s The Icarus Line are holding two joint record release parties at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> on November 5 and 6. Local bands The Tambo Rays and Nectarine Pie open the Saturday and Sunday shows respectively.\u003c/p>\n\u003cp>Formerly the leader of Dear Nora, Katy Davidson’s new band is called \u003ca href=\"http://www.katydavidsonandfriends.com/\">Key Losers\u003c/a> (“Bi-Focal”). The band brings \u003cem>California Lite\u003c/em> to the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2011-11-20\">Hemlock Tavern\u003c/a> on November 20. Lesbians and Nora Roman and the Border Busters support.\u003c/p>\n\u003cp>Oakland electronic pop artist \u003ca href=\"http://www.facebook.com/metalmother\">Metal Mother\u003c/a> (“Shake”) performs live infrequently, but she’ll be at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> on November 29. She’ll be joined by \u003ca href=\"http://www.the-horns-of-happiness.com/\">The Horns of Happiness\u003c/a>, \u003ca href=\"http://www.facebook.com/mortarandpestlemusic\">Mortar and Pestle\u003c/a> and \u003ca href=\"http://www.facebook.com/birdseyemusic\">Birdseye\u003c/a>. \u003c/p>\n\u003cp>Minneapolis band \u003ca href=\"http://www.facebook.com/peterwolfcrier\">Peter Wolf Crier\u003c/a> (“Right Away”) explores complex prog-pop on its new record, \u003cem>Garden of Arms\u003c/em>. On November 4, you can see the group at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> with Birds & Batteries and The Curious Mystery.\u003c/p>\n\u003cp>Local psych-pop band \u003ca href=\"http://www.facebook.com/pages/The-Spyrals/34763810277\">The Spyrals\u003c/a> (“Sunflower Microphone”) have a new 7″ out November 15. Michael Beach and Hypatia Lake support at the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2011-11-17\">Hemlock Tavern\u003c/a> on November 17.\u003c/p>\n\u003cp>\u003cem>Days\u003c/em> is the sophomore album from New Jersey band \u003ca href=\"http://www.facebook.com/realestateband\">Real Estate\u003c/a> (“It’s Real”). The trio headlines \u003ca href=\"http://slims-sf.com/slims-bin/showcal?date=2011-11-11\">Slim’s\u003c/a> on November 11.\u003c/p>\n\u003cp>Led by singer-songwriter Andrew Galluccio, SF band \u003ca href=\"http://www.thenorthernkey.com/\">The Northern Key\u003c/a> (“Soak”) has a new album called \u003cem>Wedgewood\u003c/em>. The band joins Ash Reiter for a double record release show at the \u003ca href=\"http://www.brickandmortarmusic.com/event/63871/\">Brick and Mortar Music Hall\u003c/a> on November 3.\u003c/p>\n\u003cp>\u003cem>Our Own Dream\u003c/em> is the new EP from electronic pop duo \u003ca href=\"http://www.facebook.com/keepshellyinathens\">Keep Shelly in Athens\u003c/a> (“Lazy Noon”). The Greek band’s touring comes to \u003ca href=\"http://www.theindependentsf.com/event/61491/\">The Independent\u003c/a> on November 9, with Kisses and a DJ set by Blackbird Blackbird.\u003c/p>\n\u003cp>\u003ca href=\"http://ilovem83.com/\">M83\u003c/a>‘s (“Midnight City”) new album, \u003cem>Hurry Up, We’re Dreaming\u003c/em>, finds Anthony Gonzalez merging his interests in epic soundscapes and melodic synth-pop. Gonzalez performs at the \u003ca href=\"http://mezzaninesf.com/calendar.asp\">Mezzanine\u003c/a> on November 10 with the similarly lush Active Child.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Before Merrill Garbus started tUnE-YarDs, she was in a band with \u003ca href=\"http://cstrecords.com/patjordache/\">Pat Jordache\u003c/a> (“Get It [I Know You’re Going To]”). Jordache’s band is now touring with tUnE-YarDs, \u003ca href=\"http://theregencyballroom.com/eventdetail.php?id=32976\">playing at the Regency Ballroom\u003c/a> on November 23rd.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The November 2011 concert schedule offers a chance to check out the artists behind some big recent releases, as bands like M83, Wild Flag, and Real Estate arrive in support of well-received new albums. Locally, a diverse assortment of acts are launching new releases of their own, including the classic-leaning rock and roll of Zodiac Death Valley, The Northern Key’s singer-songwriter pop, and the raucous art-rock of Wet Illustrated.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>The excellent SF band \u003ca href=\"http://www.facebook.com/pages/Wet-Illustrated/137718542955550\">Wet Illustrated\u003c/a> (“Gypsy Town”) released \u003cem>1x1x1\u003c/em> last month on True Panther. The band opens what should be a terrific show at \u003ca href=\"http://amnesiathebar.com/newp/calendar/\">Amnesia\u003c/a> on November 17, with Tim Cohen’s Magic Trick and Devon Williams.\u003c/p>\n\u003cp>\u003ca href=\"http://www.gauntlethair.net/\">Gauntlet Hair\u003c/a>‘s (“Keep Time”) self-titled album is the Denver band’s debut LP. The group’s West Coast tour with Unknown Mortal Orchestra finds them at the \u003ca href=\"http://www.rickshawstop.com/event/69937/\">Rickshaw Stop\u003c/a> on November 3 and \u003ca href=\"http://www.thenewparish.com/event/59989/\">The New Parish\u003c/a> on November 7.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/WILDFLAG\">Wild Flag\u003c/a> (“Romance”) includes members of Sleater-Kinney, Helium, and The Minders, and the band’s self-titled debut lives up to the promise of those previous groups. On November 4 and 5, Wild Flag and Drew Grow and the Pastors’ Wives play at the \u003ca href=\"http://www.gamh.com/artist_pages/wild_flag_110411.htm\">Great American Music Hall\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>SF’s \u003ca href=\"http://www.facebook.com/zodiacdeathvalley\">Zodiac Death Valley\u003c/a> (“La Razon”) and LA’s The Icarus Line are holding two joint record release parties at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> on November 5 and 6. Local bands The Tambo Rays and Nectarine Pie open the Saturday and Sunday shows respectively.\u003c/p>\n\u003cp>Formerly the leader of Dear Nora, Katy Davidson’s new band is called \u003ca href=\"http://www.katydavidsonandfriends.com/\">Key Losers\u003c/a> (“Bi-Focal”). The band brings \u003cem>California Lite\u003c/em> to the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2011-11-20\">Hemlock Tavern\u003c/a> on November 20. Lesbians and Nora Roman and the Border Busters support.\u003c/p>\n\u003cp>Oakland electronic pop artist \u003ca href=\"http://www.facebook.com/metalmother\">Metal Mother\u003c/a> (“Shake”) performs live infrequently, but she’ll be at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> on November 29. She’ll be joined by \u003ca href=\"http://www.the-horns-of-happiness.com/\">The Horns of Happiness\u003c/a>, \u003ca href=\"http://www.facebook.com/mortarandpestlemusic\">Mortar and Pestle\u003c/a> and \u003ca href=\"http://www.facebook.com/birdseyemusic\">Birdseye\u003c/a>. \u003c/p>\n\u003cp>Minneapolis band \u003ca href=\"http://www.facebook.com/peterwolfcrier\">Peter Wolf Crier\u003c/a> (“Right Away”) explores complex prog-pop on its new record, \u003cem>Garden of Arms\u003c/em>. On November 4, you can see the group at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> with Birds & Batteries and The Curious Mystery.\u003c/p>\n\u003cp>Local psych-pop band \u003ca href=\"http://www.facebook.com/pages/The-Spyrals/34763810277\">The Spyrals\u003c/a> (“Sunflower Microphone”) have a new 7″ out November 15. Michael Beach and Hypatia Lake support at the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2011-11-17\">Hemlock Tavern\u003c/a> on November 17.\u003c/p>\n\u003cp>\u003cem>Days\u003c/em> is the sophomore album from New Jersey band \u003ca href=\"http://www.facebook.com/realestateband\">Real Estate\u003c/a> (“It’s Real”). The trio headlines \u003ca href=\"http://slims-sf.com/slims-bin/showcal?date=2011-11-11\">Slim’s\u003c/a> on November 11.\u003c/p>\n\u003cp>Led by singer-songwriter Andrew Galluccio, SF band \u003ca href=\"http://www.thenorthernkey.com/\">The Northern Key\u003c/a> (“Soak”) has a new album called \u003cem>Wedgewood\u003c/em>. The band joins Ash Reiter for a double record release show at the \u003ca href=\"http://www.brickandmortarmusic.com/event/63871/\">Brick and Mortar Music Hall\u003c/a> on November 3.\u003c/p>\n\u003cp>\u003cem>Our Own Dream\u003c/em> is the new EP from electronic pop duo \u003ca href=\"http://www.facebook.com/keepshellyinathens\">Keep Shelly in Athens\u003c/a> (“Lazy Noon”). The Greek band’s touring comes to \u003ca href=\"http://www.theindependentsf.com/event/61491/\">The Independent\u003c/a> on November 9, with Kisses and a DJ set by Blackbird Blackbird.\u003c/p>\n\u003cp>\u003ca href=\"http://ilovem83.com/\">M83\u003c/a>‘s (“Midnight City”) new album, \u003cem>Hurry Up, We’re Dreaming\u003c/em>, finds Anthony Gonzalez merging his interests in epic soundscapes and melodic synth-pop. Gonzalez performs at the \u003ca href=\"http://mezzaninesf.com/calendar.asp\">Mezzanine\u003c/a> on November 10 with the similarly lush Active Child.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Before Merrill Garbus started tUnE-YarDs, she was in a band with \u003ca href=\"http://cstrecords.com/patjordache/\">Pat Jordache\u003c/a> (“Get It [I Know You’re Going To]”). Jordache’s band is now touring with tUnE-YarDs, \u003ca href=\"http://theregencyballroom.com/eventdetail.php?id=32976\">playing at the Regency Ballroom\u003c/a> on November 23rd.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>On this episode the folks at Noise Pop assemble 10 of their favorite songs going around the internet right now. This batch of songs is especially eclectic, moving from garage pop to indie r&b, and hardcore to electro smooth jazz. Enjoy!\u003c/p>\n\u003cp>Track list:\u003c/p>\n\u003cp>1. “Afternoon” — Youth Lagoon, \u003ci>The Year of Hibernation\u003c/i>\u003cbr>2. “Wood” — Rostam, Single\u003cbr>3. “Keep Time” — Gauntlet Hair, \u003ci>Gauntlet Hair\u003c/i>\u003cbr>4. “Tell Her No” –Tennis, Single\u003cbr>5. “Playing House” (Ft. How To Dress Well) — Active Child, \u003ci>You Are All I See\u003c/i>\u003cbr>6. “Gypsy Town” — Wet Illustrated, \u003ci>1+1+1\u003c/i>\u003cbr>7. “Don’t Move” — Phantogram, \u003ci>Nightlife\u003c/i>\u003cbr>8. “Oblivion” — Grimes, \u003ci>Visions\u003c/i>\u003cbr>9. “Awake” –Trash Talk, \u003ci>Awake\u003c/i> EP\u003cbr>Ear About Town: \u003ci>NY Times\u003c/i> article “Hum Your Way Through the Online Music Jungle”\u003cbr>10. “Lazy Noon” — Keep Shelley in Athens, \u003ci>Our Own Dream\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On this episode the folks at Noise Pop assemble 10 of their favorite songs going around the internet right now. This batch of songs is especially eclectic, moving from garage pop to indie r&b, and hardcore to electro smooth jazz. Enjoy!\u003c/p>\n\u003cp>Track list:\u003c/p>\n\u003cp>1. “Afternoon” — Youth Lagoon, \u003ci>The Year of Hibernation\u003c/i>\u003cbr>2. “Wood” — Rostam, Single\u003cbr>3. “Keep Time” — Gauntlet Hair, \u003ci>Gauntlet Hair\u003c/i>\u003cbr>4. “Tell Her No” –Tennis, Single\u003cbr>5. “Playing House” (Ft. How To Dress Well) — Active Child, \u003ci>You Are All I See\u003c/i>\u003cbr>6. “Gypsy Town” — Wet Illustrated, \u003ci>1+1+1\u003c/i>\u003cbr>7. “Don’t Move” — Phantogram, \u003ci>Nightlife\u003c/i>\u003cbr>8. “Oblivion” — Grimes, \u003ci>Visions\u003c/i>\u003cbr>9. “Awake” –Trash Talk, \u003ci>Awake\u003c/i> EP\u003cbr>Ear About Town: \u003ci>NY Times\u003c/i> article “Hum Your Way Through the Online Music Jungle”\u003cbr>10. “Lazy Noon” — Keep Shelley in Athens, \u003ci>Our Own Dream\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Treasure Island Highlights: Sounds and Tastes of Indian Summer",
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"content": "\u003cp>This year’s Treasure Island Music Festival couldn’t have been more heavenly: Indian summer in full swing, out-of-control views, scantily clad hipsters, and of course hours and hours of great music. Check out photos of the scene, from the colorful crowds to the 60-foot Ferris wheel to scene-stealers St. Vincent and YACHT. It’s all here!\u003c/p>\n\u003cp>\u003cb>ARTS & CRAFTS\u003c/b>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.org/2011/10/17/TIMFnightscape500.jpg\">\u003c/p>\n\u003cp>\u003ci>Photo credit: Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The wonderful people from \u003ca href=\"http://www.workshopsf.org/\">Workshop\u003c/a> were camped out in a D.I.Y. tent, where they taught abbreviated versions of the classes they offer at their NOPA location. Need a cozy for your beer? No problem, they’ll teach you how to make one. Want to put together a terrarium and lug it back home for 2 hours on public transport? No sweat! Other notable art was the face painting booth, where I may or may not have gotten an Adam and the Ants inspired look two days in a row. Caution: rad face paint will attract excitable drunks.\u003c/p>\n\u003cp>The focal point of the festival was a Bliss sculpture by Marco Cochrane that presided over the whole affair. Made of steel that weighs a whopping 7,000 pounds and consumes a space 40 feet by 30 feet, this gigantic representation of the naked female form was the perfect reminder to let go of inhibitions and feel as free as you do in your birthday suit. Another Burning Man-esque attraction was a bus that was converted into a pirate ship. One brief trip up a ladder led to the top deck, where you could get a good survey of the land while feeling as though the bus might tip over and crush you at any moment.\u003c/p>\n\u003cp>\u003cb>SAN FRANDISCO\u003c/b>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.org/2011/10/17/silentdisco500.jpg\">\u003c/p>\n\u003cp>\u003ci>Photo credit: Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I thought the Silent Disco was a strange idea, until I paid a visit and saw the headphoned crowd grooving and then all freaking out at the same time to the same song unheard by non-participating spectators. Now I know what people on the street think when they look into my apartment and wonder if I’m having a seizure.\u003c/p>\n\u003cp>\u003cb>RANDOM REVELRY\u003c/b>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.org/2011/10/17/monsters500.jpg\">\u003c/p>\n\u003cp>\u003ci>Photo credit: Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Other revelers roaming around the festival were a posse of monsters who cut a grassy rug and the liveliest bateria imaginable called the \u003ca href=\"http://www.theloydfamilyplayers.com/\">Loyd Family Players\u003c/a>, who compelled bystanders with various dancing abilities to join the professional movers and shakers.\u003c/p>\n\u003cp>\u003cb>THE GRUB\u003c/b>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.org/2011/10/17/theamericangrilledcheese500.jpg\">\u003c/p>\n\u003cp>\u003ci>Photo credit: Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>You can’t really expect to dance and roam for 12 hours without some sustenance. Thankfully, there were some seriously delish food vendors on deck. The \u003ca href=\"http://theamericansf.com/\">American Grilled Cheese Kitchen\u003c/a> offered up that gooey classic with tomato and fresh jalapenos for added bite. Epic Cookies provided sugar rushes galore (the chocolate cookie and coconut macaroon were tops). And there were spinach and potato knishes (what’s that you ask? a dumpling of dough stuffed with goodness), as well as to more standard favorites like wraps and hot slices of pizza that were perfect for the chilly night shows. Everything tastes better when the sun’s out and cute people with face paint are smiling in your face.\u003c/p>\n\u003cp>\u003cb>THE MUSIC\u003c/b>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.org/2011/10/17/stvincent500.jpg\">\u003c/p>\n\u003cp>\u003ci>Photo credit: Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In \u003ca href=\"http://www.kqed.org/arts/music/article.jsp?essid=71226\">my Treasure Island preview\u003c/a>, I said that you would be a fool to miss St. Vincent’s live set and I’m taking this opportunity to tap myself on the back because I was infinitely right about that. From the moment Annie Clark came out on the stage, she commanded the entire festival’s attention. Her voice was immaculate, her guitar throttling was so intense that she broke a string, and her general demeanor was that of the girl you just fell perilously in love with.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.org/2011/10/18/friendlyfires500.jpg\">\u003c/p>\n\u003cp>\u003ci>Photo credit: Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The biggest surprise of the festival was British band Friendly Fires. I knew next to nothing about them, but my friend advised me that I should get ready to dance my heart out. Lead singer Ed Macfarlane is perhaps the goofiest dancer I’ve ever seen, hand placed at the back of his head and hips everywhere. His dancing with abandon was utterly infectious and had the crowd spazzing out as the sun blasted its rays into our faces. Every time the set seemed to be winding down, the band would surprise us with another conniption. Hysteria never felt so good.\u003c/p>\n\u003cp>Whoever orchestrated Beach House playing at sunset deserves a promotion. The golden light was the perfect glaze for the band’s euphoric sonic dreams. The usually reserved Victoria Legrand was downright playful with the crowd and the band unveiled brand new songs that prove beyond a doubt that this duo is just getting started.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.org/2011/10/17/yacht500.jpg\">\u003c/p>\n\u003cp>\u003ci>Photo credit: Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>With the San Francisco skyline serving as a backdrop, YACHT took to the stage and delivered a high-energy set full of positivity and coordinated dance moves. Claire L. Evans played the role of the slinky temptress as Joan Bechtolt played every instrument on the stage. “Come on over, we’re having a party for you,” they sing on “Psychic City,” and it truly felt like these two were putting on a fiesta for just us, their best friends.\u003c/p>\n\u003cp>The six members of The Head and the Heart met at an open mic night they all frequented in Seattle and went on to hone their sound in their practice space: a public library. That setting must have rubbed off on them because the lyrics of their harmonious folk tunes are perfectly worded and evocative. For example: “One day, we’ll all be ghosts trippin’ around in someone else’s home.” The band appeared to be having the time of their lives on stage. It’s always nice to witness people living out their dreams.\u003c/p>\n\u003cp>For those who want to see more of all the Treasure Island happenings and for those who just want to relive it all, check out our slideshow of all the festival’s greatness below. Only 52 weeks to go until we do it all again!\u003c/p>\n\u003cp>\u003ca href=\"http://m.flickr.com/#/photos/bayareabites/sets/72157627916992866/\">SATURDAY SLIDESHOW mobile version\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://m.flickr.com/#/photos/bayareabites/sets/72157627796046357/\">SUNDAY SLIDESHOW mobile version\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The wonderful people from \u003ca href=\"http://www.workshopsf.org/\">Workshop\u003c/a> were camped out in a D.I.Y. tent, where they taught abbreviated versions of the classes they offer at their NOPA location. Need a cozy for your beer? No problem, they’ll teach you how to make one. Want to put together a terrarium and lug it back home for 2 hours on public transport? No sweat! Other notable art was the face painting booth, where I may or may not have gotten an Adam and the Ants inspired look two days in a row. Caution: rad face paint will attract excitable drunks.\u003c/p>\n\u003cp>The focal point of the festival was a Bliss sculpture by Marco Cochrane that presided over the whole affair. Made of steel that weighs a whopping 7,000 pounds and consumes a space 40 feet by 30 feet, this gigantic representation of the naked female form was the perfect reminder to let go of inhibitions and feel as free as you do in your birthday suit. Another Burning Man-esque attraction was a bus that was converted into a pirate ship. One brief trip up a ladder led to the top deck, where you could get a good survey of the land while feeling as though the bus might tip over and crush you at any moment.\u003c/p>\n\u003cp>\u003cb>SAN FRANDISCO\u003c/b>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.org/2011/10/17/silentdisco500.jpg\">\u003c/p>\n\u003cp>\u003ci>Photo credit: Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I thought the Silent Disco was a strange idea, until I paid a visit and saw the headphoned crowd grooving and then all freaking out at the same time to the same song unheard by non-participating spectators. Now I know what people on the street think when they look into my apartment and wonder if I’m having a seizure.\u003c/p>\n\u003cp>\u003cb>RANDOM REVELRY\u003c/b>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.org/2011/10/17/monsters500.jpg\">\u003c/p>\n\u003cp>\u003ci>Photo credit: Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Other revelers roaming around the festival were a posse of monsters who cut a grassy rug and the liveliest bateria imaginable called the \u003ca href=\"http://www.theloydfamilyplayers.com/\">Loyd Family Players\u003c/a>, who compelled bystanders with various dancing abilities to join the professional movers and shakers.\u003c/p>\n\u003cp>\u003cb>THE GRUB\u003c/b>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.org/2011/10/17/theamericangrilledcheese500.jpg\">\u003c/p>\n\u003cp>\u003ci>Photo credit: Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>You can’t really expect to dance and roam for 12 hours without some sustenance. Thankfully, there were some seriously delish food vendors on deck. The \u003ca href=\"http://theamericansf.com/\">American Grilled Cheese Kitchen\u003c/a> offered up that gooey classic with tomato and fresh jalapenos for added bite. Epic Cookies provided sugar rushes galore (the chocolate cookie and coconut macaroon were tops). And there were spinach and potato knishes (what’s that you ask? a dumpling of dough stuffed with goodness), as well as to more standard favorites like wraps and hot slices of pizza that were perfect for the chilly night shows. Everything tastes better when the sun’s out and cute people with face paint are smiling in your face.\u003c/p>\n\u003cp>\u003cb>THE MUSIC\u003c/b>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.org/2011/10/17/stvincent500.jpg\">\u003c/p>\n\u003cp>\u003ci>Photo credit: Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In \u003ca href=\"http://www.kqed.org/arts/music/article.jsp?essid=71226\">my Treasure Island preview\u003c/a>, I said that you would be a fool to miss St. Vincent’s live set and I’m taking this opportunity to tap myself on the back because I was infinitely right about that. From the moment Annie Clark came out on the stage, she commanded the entire festival’s attention. Her voice was immaculate, her guitar throttling was so intense that she broke a string, and her general demeanor was that of the girl you just fell perilously in love with.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.org/2011/10/18/friendlyfires500.jpg\">\u003c/p>\n\u003cp>\u003ci>Photo credit: Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The biggest surprise of the festival was British band Friendly Fires. I knew next to nothing about them, but my friend advised me that I should get ready to dance my heart out. Lead singer Ed Macfarlane is perhaps the goofiest dancer I’ve ever seen, hand placed at the back of his head and hips everywhere. His dancing with abandon was utterly infectious and had the crowd spazzing out as the sun blasted its rays into our faces. Every time the set seemed to be winding down, the band would surprise us with another conniption. Hysteria never felt so good.\u003c/p>\n\u003cp>Whoever orchestrated Beach House playing at sunset deserves a promotion. The golden light was the perfect glaze for the band’s euphoric sonic dreams. The usually reserved Victoria Legrand was downright playful with the crowd and the band unveiled brand new songs that prove beyond a doubt that this duo is just getting started.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.org/2011/10/17/yacht500.jpg\">\u003c/p>\n\u003cp>\u003ci>Photo credit: Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>With the San Francisco skyline serving as a backdrop, YACHT took to the stage and delivered a high-energy set full of positivity and coordinated dance moves. Claire L. Evans played the role of the slinky temptress as Joan Bechtolt played every instrument on the stage. “Come on over, we’re having a party for you,” they sing on “Psychic City,” and it truly felt like these two were putting on a fiesta for just us, their best friends.\u003c/p>\n\u003cp>The six members of The Head and the Heart met at an open mic night they all frequented in Seattle and went on to hone their sound in their practice space: a public library. That setting must have rubbed off on them because the lyrics of their harmonious folk tunes are perfectly worded and evocative. For example: “One day, we’ll all be ghosts trippin’ around in someone else’s home.” The band appeared to be having the time of their lives on stage. It’s always nice to witness people living out their dreams.\u003c/p>\n\u003cp>For those who want to see more of all the Treasure Island happenings and for those who just want to relive it all, check out our slideshow of all the festival’s greatness below. Only 52 weeks to go until we do it all again!\u003c/p>\n\u003cp>\u003ca href=\"http://m.flickr.com/#/photos/bayareabites/sets/72157627916992866/\">SATURDAY SLIDESHOW mobile version\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://m.flickr.com/#/photos/bayareabites/sets/72157627796046357/\">SUNDAY SLIDESHOW mobile version\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Guide to Treasure Island 2011: Minstrels and the Hipsters Who Love Them",
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"content": "\u003cp>Every year since 2007, a mob has descended on the quiet and remote Treasure Island to have their eardrums pummeled by some of the best music going around. The first day is devoted to electronica and hip hop/rap, while the second is dedicated to rock and indie music, so there’s truly something for everyone. Other draws are the 60-foot Ferris wheel and a Silent Disco where the only music playing is in the crowd’s headphones. But, before you head out to that rock in the middle of the Bay, here’s a nifty little cheat sheet of a few must-see musicians.\u003c/p>\n\u003cp>\u003cb>DEATH FROM ABOVE 1979 (Oct 15 @ 8:45p):\u003c/b> If you’re looking to mosh and don’t mind your ear drums being blown out, Death from Above 1979 is just the band for you. Jesse F. Keeler (also known for his work on MSTRKRFT) and Sebastien Grainger shook the music world with their raw mish-mash of punk, hip-hop, dance music, and loads of volume. Like most good things, it came to an end too soon when they decided to disband in 2005. But take heart! They were just playing games with your heart and are back and ready to make it all better again.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=MI6xNf4tMcs&version=3&showinfo=0&hl=en_US&rel=0]\u003c/p>\n\u003cp>\u003cb>YACHT (Oct 15 @ 2:15p):\u003c/b> Seeing YACHT live is a bit like going to Jim Jones’ People’s Temple; you know, before things got out of hand and the Kool-Aid brand was sullied. Musician/multimedia artist Jona Bechtolt (formerly of The Blow) and vocalist/media artist Claire L. Evans use their electro-dance beats and sing-along choruses to indoctrinate you into their music cult. You might be doubtful now, but you’ll most likely change your tune. At the last YACHT show I attended, Jona got everyone to kneel on the beer-sticky floor as he led all of us in a chant. Still not convinced? Check out their music video for “Psychic City” above, in which Jona gets a little carried away with communion wafers.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=njbmwfndFH4&version=3&hl=en_US&showinfo=0&rel=0]\u003c/p>\n\u003cp>\u003cb>BEACH HOUSE (Oct 16 @ 6:00p):\u003c/b> Baltimore-based duo Victoria Legrand and Alex Scally have been producing the soundtrack to my dreams for years now. It’s a landscape of delicate synths, mournful organs, and Legrand’s ghost-like vocals. When their records end, you get the same feeling as when you wake too early from a dream and start the routine of forgetting, that instant nostalgia and the mad urge to get it all back. Warning: their live show will almost surely turn you into that person who is swaying with their eyes shut, smiling like a fool.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=Itt0rALeHE8&version=3&showinfo=0&hl=en_US&rel=0]\u003c/p>\n\u003cp>\u003cb>ST. VINCENT (Oct 16 @ 2:50p):\u003c/b> You would think someone as pretty as Annie Clark wouldn’t have a thing to say, but boy does she ever. Her lyrics slice right through your heart like Cupid’s arrow, her epic set of pipes pillage your eardrums, and her wailing guitar coarses through your skeleton. Her latest album, \u003cb>Strange Mercy\u003c/b>, and the two that preceded it are full body experiences and her live show is that much more. You would be a fool to miss this.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=eimgRedLkkU&version=3&showinfo=0&hl=en_US&rel=0]\u003c/p>\n\u003cp>\u003cb>EMPIRE OF THE SUN (OCT 15 @ 9:35p):\u003c/b> Treasure Island is about to get glitter bombed by Empire of the Sun, an Australian band known for their flamboyant glam theatrics. Frontman Luke Steele is the baby that resulted from that time Prince molested David Bowie in a dark alley somewhere in Shanghai while Adam and the Ants watched. Speaking of babies, Steele’s daughter’s name is Sunny Tiger and his wife’s name is Snappy Dolphin. I am not kidding.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=tb1o42RdVzA&version=3&hl=en_US&showinfo=0&rel=0]\u003c/p>\n\u003cp>\u003cb>CUT COPY (Oct 15 @ 7:55p):\u003c/b> Melbourne-based Cut Copy want you to dance, no matter how bad you look doing it. Since the group’s inception in 2001, songwriter, producer, and DJ Dan Whitford has married the physicality of club jams with the sing-along catchiness of radio hits from the ’70s and ’80s. If that doesn’t make you move your body, I’m not sure what will.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=z1bHddYhtDw&version=3&hl=en_US&showinfo=0&rel=0]\u003c/p>\n\u003cp>\u003cb>THEE OH SEES (Oct 16 @ 12:00p):\u003c/b> Boy-girl vocals, garage rock with catchy hooks, from San Francisco. Need I say more? Oh, yes, one more thing: wear deodorant because you’re definitely going to break a sweat. Support these local darlings!\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=Wp4aFfitAGI&version=3&showinfo=0&hl=en_US&rel=0]\u003c/p>\n\u003cp>\u003cb>FLYING LOTUS (Oct 15 @ 7:05p):\u003c/b>The great nephew of Alice Coltrane, Steven Ellison a.k.a. FlyLo fuses disparate musical genres like techno and jazz and throws each concoction into outer space. The result is some seriously trippy atmospheric jams that will surely please the 420 crowd.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=yOFxb0F2F2A&version=3&showinfo=0&hl=en_US&rel=0]\u003c/p>\n\u003cp>\u003cb>WARPAINT (Oct 16 @ 2:05p):\u003c/b> Since their 2009 debut, LA based girl gang, Warpaint, have been giving new life to the psychedelia genre. With a mix of hypnotic vocals and hazy rhythms, they’ve crashed what was once a boy’s club and there’s no sign that they’ll be leaving anytime soon.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=65_cgr4PJFk&version=3&showinfo=0&hl=en_US&rel=0]\u003c/p>\n\u003cp>\u003cb>FRIENDLY FIRES (Oct 16 @ 6:50p):\u003c/b> This dancepunk outfit consists of three Englishmen who know how to get the blood pumping. Known for their high-energy live shows, this is the perfect opportunity to shake off whatever is bugging you and put those feet to good use.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Treasure Island Music Festival\u003c/b> runs from October 15th-16th, 2011. For \u003ca href=\"http://www.treasureislandfestival.com\">tickets and information\u003c/a>, visit treasureislandfestival.com\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Itt0rALeHE8'\n title='//www.youtube.com/embed/Itt0rALeHE8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>ST. VINCENT (Oct 16 @ 2:50p):\u003c/b> You would think someone as pretty as Annie Clark wouldn’t have a thing to say, but boy does she ever. Her lyrics slice right through your heart like Cupid’s arrow, her epic set of pipes pillage your eardrums, and her wailing guitar coarses through your skeleton. Her latest album, \u003cb>Strange Mercy\u003c/b>, and the two that preceded it are full body experiences and her live show is that much more. You would be a fool to miss this.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eimgRedLkkU'\n title='//www.youtube.com/embed/eimgRedLkkU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>EMPIRE OF THE SUN (OCT 15 @ 9:35p):\u003c/b> Treasure Island is about to get glitter bombed by Empire of the Sun, an Australian band known for their flamboyant glam theatrics. Frontman Luke Steele is the baby that resulted from that time Prince molested David Bowie in a dark alley somewhere in Shanghai while Adam and the Ants watched. Speaking of babies, Steele’s daughter’s name is Sunny Tiger and his wife’s name is Snappy Dolphin. I am not kidding.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tb1o42RdVzA'\n title='//www.youtube.com/embed/tb1o42RdVzA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>CUT COPY (Oct 15 @ 7:55p):\u003c/b> Melbourne-based Cut Copy want you to dance, no matter how bad you look doing it. Since the group’s inception in 2001, songwriter, producer, and DJ Dan Whitford has married the physicality of club jams with the sing-along catchiness of radio hits from the ’70s and ’80s. If that doesn’t make you move your body, I’m not sure what will.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/z1bHddYhtDw'\n title='//www.youtube.com/embed/z1bHddYhtDw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>THEE OH SEES (Oct 16 @ 12:00p):\u003c/b> Boy-girl vocals, garage rock with catchy hooks, from San Francisco. Need I say more? Oh, yes, one more thing: wear deodorant because you’re definitely going to break a sweat. Support these local darlings!\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Wp4aFfitAGI'\n title='//www.youtube.com/embed/Wp4aFfitAGI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>FLYING LOTUS (Oct 15 @ 7:05p):\u003c/b>The great nephew of Alice Coltrane, Steven Ellison a.k.a. FlyLo fuses disparate musical genres like techno and jazz and throws each concoction into outer space. The result is some seriously trippy atmospheric jams that will surely please the 420 crowd.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yOFxb0F2F2A'\n title='//www.youtube.com/embed/yOFxb0F2F2A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>WARPAINT (Oct 16 @ 2:05p):\u003c/b> Since their 2009 debut, LA based girl gang, Warpaint, have been giving new life to the psychedelia genre. With a mix of hypnotic vocals and hazy rhythms, they’ve crashed what was once a boy’s club and there’s no sign that they’ll be leaving anytime soon.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/65_cgr4PJFk'\n title='//www.youtube.com/embed/65_cgr4PJFk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>FRIENDLY FIRES (Oct 16 @ 6:50p):\u003c/b> This dancepunk outfit consists of three Englishmen who know how to get the blood pumping. Known for their high-energy live shows, this is the perfect opportunity to shake off whatever is bugging you and put those feet to good use.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Treasure Island Music Festival\u003c/b> runs from October 15th-16th, 2011. For \u003ca href=\"http://www.treasureislandfestival.com\">tickets and information\u003c/a>, visit treasureislandfestival.com\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Chris Peck is a singular artist. The first time I saw him perform was outside the 16th & Mission BART station during one of those \u003ca href=\"http://16thmission.com\">Thursday night gatherings\u003c/a>, straddling the nerdy and the hip with smart, speed-changing rhymes, a lean-in and an open-faced, underplayed hand-clap. Is this guy serious, I wondered, but the answer was obvious; not only was he compelling — directly communicating with the loud and often indifferent crowd of Dionysians — but shouts of “Peck!” and “Peck the Town Crier!” told me he’d earned the kind of respect reserved for only a small portion of the recurring performers there.\u003c/p>\n\u003cp>The next time I saw the Town Crier was also at the corner, but this time he had a guitar. Instead of leaning into the crowd, he stood calmly in the center and strummed up a cyclic, bouncy refrain that built in positive emphasis each time he repeated it. Every time I saw Peck he seemed to do something entirely different; at home in a multitude of styles and moods, he didn’t quite belong to any one clique so much as fit into all of them.\u003c/p>\n\u003cp>If you ask him, he owes much of this to an accident. After a youth steeped in the hippie/jam-band scene (he saw at least 10 Phish shows before he was 15 and “played in bands that sounded like that, just playing guitar and never singing,”) a high school teacher introduced Chris and his friends to the 1970s’ electric jazz of groups such as Weather Report and the Mahavishnu Orchestra. His crew — about 30 in all — fast became devoted fanatics of the genre and drove into San Francisco from Marin to experience it in person.\u003c/p>\n\u003cp>“We would go to Yoshi’s or something and Tony Williams would be playing, before he died, and one of us would get up the courage to ask him for a lesson and he would say, “Yes, come to my house.” That’s the weird thing about jazz musicians: even if they’re really famous, they’re not famous for being famous, like Mick Jagger, and it’s like you probably can’t hang out with Mick Jagger; but, in the case of Tony Williams you can hang out with him, but you can’t play like him. You know? And that’s what he’s famous for.”\u003c/p>\n\u003cp>Shortly after Peck went to NYU to study jazz, he was building a basement studio and the months of construction resulted in a major case of tendinitis in one of his wrists. This injury prevented him from really playing an instrument for nearly five years. “My whole vibe as a guy was up in the air: like, what am I going to create with; how am I going to be an artist?” Still writing songs but unable to play them, Peck became more focused on lyrics and his studies in liberal arts, on “literature, activism… using a loop peddle and getting into dancing… just, any way to still be a creative guy.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At the time, when he was 20, 21, Peck started frequenting \u003ca href=\"http://en.wikipedia.org/wiki/Universal_Zulu_Nation\">Zulu Nation\u003c/a> parties and became immersed in the scene. “The real culture of hip-hop is there — it’s really the folk music of New York still — and you fill in the gaps of your understanding. I started hanging out with rappers and trying to rap and write rap lyrics. And New York was a good place to steal some tricks.”\u003c/p>\n\u003cp>He transferred to a part of the university where students can make up their own major, and called his, “Navigating Society As An Artist.” “It’s funny,” he says, “because that’s what I’m doing now; I’m doing what I majored in.” \u003c/p>\n\u003cp>After finishing school, Peck returned to the Bay Area and was studying humanities at San Francisco State. After bombing one of those GRE tests that instantly give you your score, he decided to head to the Mission to have a drink. “I walked up on the 16th and Mission scene and saw the readings and came back the next week with a piece [to perform]. It was pretty life-changing.” \u003c/p>\n\u003cp>“I used to want to be a virtuoso guitarist; that was my life goal when I was in my early-twenties. And now I just want to be like an over-arching musical mind, pulling from deep literary pockets and, you know, I feel more at home in our little 16th and Mish and Viracocha scene than I feel at home in the music scene now.”\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"274\" src=\"http://www.youtube.com/embed/RqbVYkWo3CU\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>Perhaps with good reason: Peck found the corner pretty early. Now in its 8th year of weekly meetings, 16th and Mission has enjoyed nearly 6 years of Peck the Town Crier, who turned 31 this year. But he’s also returned to the music scene: after years of trying any- and everything to nurse his wrist back to health — including hypnotherapy and acupuncture — Peck’s wrist simply started to work again. Not only has he not had any subsequent troubles with it; he now teaches guitar as his day job.\u003c/p>\n\u003cp>Currently, Peck is running \u003ca href=\"http://www.kickstarter.com/projects/peck/pecks-new-album-home-ghost\">a Kickstarter campaign\u003c/a> to fund a single vinyl of a double album that showcases both his roots (“Home Phone”) and a glimpse of his future (“Ghost of Payphone”). He calls the combination Hist-Hop. “I try to make fresh sounds while staying connected to the past.” Funding from the project will go toward professional mixing and mastering, the pressing of 500 records, publicity, patches, posters, and payment for the musicians who will help him perform the albums. Peck starts his first East Coast tour in November.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Before leaving the West Coast, however, Peck the Town Crier will be performing at the \u003ca href=\"http://www.bedrockmusicandvideo.org/\">Bedrock Records Parking Lot Party\u003c/a> on Sunday, October 9, 2011 at 2226 4th Street in San Rafael and the following day, Monday, October 10, as part of \u003ca href=\"http://quietlightning.org\">Quiet Lightning\u003c/a> at the San Francisco Conservatory of Flowers (100 John F. Kennedy Drive, Golden Gate Park). For \u003ca href=\"http://peckthetowncrier.com\">more information\u003c/a> and/or to help with his Kickstarter campaign, visit peckthetowncrier.com.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Chris Peck is a singular artist. The first time I saw him perform was outside the 16th & Mission BART station during one of those \u003ca href=\"http://16thmission.com\">Thursday night gatherings\u003c/a>, straddling the nerdy and the hip with smart, speed-changing rhymes, a lean-in and an open-faced, underplayed hand-clap. Is this guy serious, I wondered, but the answer was obvious; not only was he compelling — directly communicating with the loud and often indifferent crowd of Dionysians — but shouts of “Peck!” and “Peck the Town Crier!” told me he’d earned the kind of respect reserved for only a small portion of the recurring performers there.\u003c/p>\n\u003cp>The next time I saw the Town Crier was also at the corner, but this time he had a guitar. Instead of leaning into the crowd, he stood calmly in the center and strummed up a cyclic, bouncy refrain that built in positive emphasis each time he repeated it. Every time I saw Peck he seemed to do something entirely different; at home in a multitude of styles and moods, he didn’t quite belong to any one clique so much as fit into all of them.\u003c/p>\n\u003cp>If you ask him, he owes much of this to an accident. After a youth steeped in the hippie/jam-band scene (he saw at least 10 Phish shows before he was 15 and “played in bands that sounded like that, just playing guitar and never singing,”) a high school teacher introduced Chris and his friends to the 1970s’ electric jazz of groups such as Weather Report and the Mahavishnu Orchestra. His crew — about 30 in all — fast became devoted fanatics of the genre and drove into San Francisco from Marin to experience it in person.\u003c/p>\n\u003cp>“We would go to Yoshi’s or something and Tony Williams would be playing, before he died, and one of us would get up the courage to ask him for a lesson and he would say, “Yes, come to my house.” That’s the weird thing about jazz musicians: even if they’re really famous, they’re not famous for being famous, like Mick Jagger, and it’s like you probably can’t hang out with Mick Jagger; but, in the case of Tony Williams you can hang out with him, but you can’t play like him. You know? And that’s what he’s famous for.”\u003c/p>\n\u003cp>Shortly after Peck went to NYU to study jazz, he was building a basement studio and the months of construction resulted in a major case of tendinitis in one of his wrists. This injury prevented him from really playing an instrument for nearly five years. “My whole vibe as a guy was up in the air: like, what am I going to create with; how am I going to be an artist?” Still writing songs but unable to play them, Peck became more focused on lyrics and his studies in liberal arts, on “literature, activism… using a loop peddle and getting into dancing… just, any way to still be a creative guy.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At the time, when he was 20, 21, Peck started frequenting \u003ca href=\"http://en.wikipedia.org/wiki/Universal_Zulu_Nation\">Zulu Nation\u003c/a> parties and became immersed in the scene. “The real culture of hip-hop is there — it’s really the folk music of New York still — and you fill in the gaps of your understanding. I started hanging out with rappers and trying to rap and write rap lyrics. And New York was a good place to steal some tricks.”\u003c/p>\n\u003cp>He transferred to a part of the university where students can make up their own major, and called his, “Navigating Society As An Artist.” “It’s funny,” he says, “because that’s what I’m doing now; I’m doing what I majored in.” \u003c/p>\n\u003cp>After finishing school, Peck returned to the Bay Area and was studying humanities at San Francisco State. After bombing one of those GRE tests that instantly give you your score, he decided to head to the Mission to have a drink. “I walked up on the 16th and Mission scene and saw the readings and came back the next week with a piece [to perform]. It was pretty life-changing.” \u003c/p>\n\u003cp>“I used to want to be a virtuoso guitarist; that was my life goal when I was in my early-twenties. And now I just want to be like an over-arching musical mind, pulling from deep literary pockets and, you know, I feel more at home in our little 16th and Mish and Viracocha scene than I feel at home in the music scene now.”\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"274\" src=\"http://www.youtube.com/embed/RqbVYkWo3CU\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>Perhaps with good reason: Peck found the corner pretty early. Now in its 8th year of weekly meetings, 16th and Mission has enjoyed nearly 6 years of Peck the Town Crier, who turned 31 this year. But he’s also returned to the music scene: after years of trying any- and everything to nurse his wrist back to health — including hypnotherapy and acupuncture — Peck’s wrist simply started to work again. Not only has he not had any subsequent troubles with it; he now teaches guitar as his day job.\u003c/p>\n\u003cp>Currently, Peck is running \u003ca href=\"http://www.kickstarter.com/projects/peck/pecks-new-album-home-ghost\">a Kickstarter campaign\u003c/a> to fund a single vinyl of a double album that showcases both his roots (“Home Phone”) and a glimpse of his future (“Ghost of Payphone”). He calls the combination Hist-Hop. “I try to make fresh sounds while staying connected to the past.” Funding from the project will go toward professional mixing and mastering, the pressing of 500 records, publicity, patches, posters, and payment for the musicians who will help him perform the albums. Peck starts his first East Coast tour in November.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Before leaving the West Coast, however, Peck the Town Crier will be performing at the \u003ca href=\"http://www.bedrockmusicandvideo.org/\">Bedrock Records Parking Lot Party\u003c/a> on Sunday, October 9, 2011 at 2226 4th Street in San Rafael and the following day, Monday, October 10, as part of \u003ca href=\"http://quietlightning.org\">Quiet Lightning\u003c/a> at the San Francisco Conservatory of Flowers (100 John F. Kennedy Drive, Golden Gate Park). For \u003ca href=\"http://peckthetowncrier.com\">more information\u003c/a> and/or to help with his Kickstarter campaign, visit peckthetowncrier.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Live This Month: October 2011",
"headTitle": "Live This Month: October 2011 | KQED",
"content": "\u003cp>While the Treasure Island Music Festival is this month’s biggest draw, there are plenty of great shows this month. Girls cap a national tour with two big hometown shows, while The War on Drugs brings an acclaimed new album to SF. Meanwhile, EMA and Hooray for Earth return to the City, while locals The Soft Moon and Garrett Pierce have release shows for new EPs. Those are just a handful of the dozen-plus great bands highlighted this month.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>Calgary singer-songwriter \u003ca href=\"http://www.subpop.com/artists/chad_vangaalen\">Chad VanGaalen\u003c/a> (“Peace on the Rise”) is touring behind his fourth album, \u003cem>Diaper Island\u003c/em>, which is out now. VanGaalen performs with Gary War at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> on October 11.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/NOBUNNY/67340059424\">Nobunny\u003c/a> (“Blow Dumb”) is teaming with Ty Segall for a Halloween weekend show on October 28 at the \u003ca href=\"http://www.brickandmortarmusic.com/event/61571/\">Brick and Mortar Music Hall\u003c/a>. The fuzz pop talent will also be MCing and performing “Budget Rock Hits of the 90s” at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on October 21.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/MeltedToysSF\">Melted Toys\u003c/a> (“Rose Again”) will be performing at “Buried Treasure,” \u003ca href=\"http://www.facebook.com/event.php?eid=252530424784469\">our free Treasure Island Music Festival Popup Concert and Mixtape Exchange\u003c/a>, taking place on October 7 at the \u003ca href=\"http://sanfranpsycho.com/categories/Retail/\">San Franpsycho Store\u003c/a> (1314 Grant Avenue, San Francisco). \u003ca href=\"http://www.facebook.com/ChuChaSantamaria\">ChuCha Santamaria Y Usted\u003c/a> also performs, and there will be a DJ set by \u003ca href=\"http://elephantandcastle.bandcamp.com/\">Elephant and Castle\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Santa Barbara’s \u003ca href=\"http://www.facebook.com/gardensandvilla\">Gardens & Villa\u003c/a> (“Star Fire Power”) have crafted a sharp indie pop sound blending electronic and acoustic instrumentation. On October 13, the band headlines \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a>, with Young Man and Waterstrider.\u003c/p>\n\u003cp>\u003ca href=\"http://megafaun.com/\">Megafaun\u003c/a> (“These Words”) is a psych-folk band from Durham, North Carolina, with a new self-titled double LP. See the trio at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> on October 7 with Jessica Pratt and Doug Paisley.\u003c/p>\n\u003cp>\u003ca href=\"http://narnackrecords.com/garrettpierce/\">Garrett Pierce\u003c/a> (“Everybody Breaks”) is one of our favorite singer-songwriters, and his new EP, \u003cem>Everybody Breaks\u003c/em>, comes out this month. He’s performing at the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2011-10-25\">Hemlock Tavern\u003c/a> with Himalayan Bear on October 25.\u003c/p>\n\u003cp>\u003ca href=\"http://www.thewarondrugs.net\">The War On Drugs\u003c/a> (“Baby Missiles”) is a Philadelphia band led by Adam Granduciel. \u003cem>Slave Ambient\u003c/em> is the name of the group’s new LP, available on Secretly Canadian, and they’ll perform with Purling Hiss and Carter Tanton at \u003ca href=\"http://www.theindependentsf.com/event/52839/\">The Independent\u003c/a> on October 23.\u003c/p>\n\u003cp>In their first local show since Outside Lands, \u003ca href=\"http://www.facebook.com/pages/The-Fresh-Onlys/208978487600\">The Fresh & Onlys\u003c/a> (“I Would Not Know the Devil”) will be at the \u003ca href=\"http://www.gamh.com/artist_pages/fresh_and_onlys_tamaryn_100711.htm\">Great American Music Hall\u003c/a> on October 7. SF/LA band Tamaryn co-headlines, with locals Wax Idols opening.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/GIRLSsf\">Girls\u003c/a> (“Vomit”) return to SF for two homecoming shows in support of the band’s new album, \u003cem>Father, Son, Holy Ghost\u003c/em>. Catch them and Sonny and the Sunsets at the \u003ca href=\"http://www.gamh.com/artist_pages/girls_100811.htm\">Great American Music Hall\u003c/a> on October 8 and 9.\u003c/p>\n\u003cp>\u003ca href=\"http://www.pure-x.info/\">Pure X\u003c/a> (“Dry Ice”), from Austin, bring their shoegazey rock to the \u003ca href=\"http://www.brickandmortarmusic.com/event/63517/\">Brick and Mortar Music Hall\u003c/a> on October 13. SF’s moonbell opens the show.\u003c/p>\n\u003cp>Erika Anderson of Gowns now performs as \u003ca href=\"http://www.facebook.com/cameouttanowhere\">EMA\u003c/a> (“Milkman”), and her debut album, \u003cem>Past Life Martyred Saints\u003c/em>, is one of 2011’s many highlights. Sister Crayon and Alexis perform with Anderson on October 12 at \u003ca href=\"http://www.theindependentsf.com/event/55427/\">The Independent\u003c/a>.\u003c/p>\n\u003cp>SF post-punkers \u003ca href=\"http://www.facebook.com/pages/The-Soft-Moon/159673281315\">The Soft Moon\u003c/a> (“Total Decay”) have a new EP called \u003cem>Total Decay\u003c/em>, and they are headlining a Halloween night show at \u003ca href=\"http://www.theindependentsf.com/event/62569/\">The Independent\u003c/a>. Led Er Est and DJs Michael Stock (Part-time Punks LA) and Josh Cheon (Dark Entries Records SF) will join them.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>True Loves\u003c/em> is the highly recommended first LP from NYC synth-pop band \u003ca href=\"http://hoorayforearth.net/\">Hooray For Earth\u003c/a> (“No Love”). Tourmates Cymbals Eat Guitars and local band The Dandelion War also perform at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on October 8.\u003c/p>\n\n",
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"excerpt": "Listen to \u003cb>The Bay Bridged\u003c/b> mixtape of live music highlights for October 2011, including Girls, The War on Drugs, The Soft Moon and Melted Toys.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>While the Treasure Island Music Festival is this month’s biggest draw, there are plenty of great shows this month. Girls cap a national tour with two big hometown shows, while The War on Drugs brings an acclaimed new album to SF. Meanwhile, EMA and Hooray for Earth return to the City, while locals The Soft Moon and Garrett Pierce have release shows for new EPs. Those are just a handful of the dozen-plus great bands highlighted this month.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>Calgary singer-songwriter \u003ca href=\"http://www.subpop.com/artists/chad_vangaalen\">Chad VanGaalen\u003c/a> (“Peace on the Rise”) is touring behind his fourth album, \u003cem>Diaper Island\u003c/em>, which is out now. VanGaalen performs with Gary War at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> on October 11.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/NOBUNNY/67340059424\">Nobunny\u003c/a> (“Blow Dumb”) is teaming with Ty Segall for a Halloween weekend show on October 28 at the \u003ca href=\"http://www.brickandmortarmusic.com/event/61571/\">Brick and Mortar Music Hall\u003c/a>. The fuzz pop talent will also be MCing and performing “Budget Rock Hits of the 90s” at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on October 21.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/MeltedToysSF\">Melted Toys\u003c/a> (“Rose Again”) will be performing at “Buried Treasure,” \u003ca href=\"http://www.facebook.com/event.php?eid=252530424784469\">our free Treasure Island Music Festival Popup Concert and Mixtape Exchange\u003c/a>, taking place on October 7 at the \u003ca href=\"http://sanfranpsycho.com/categories/Retail/\">San Franpsycho Store\u003c/a> (1314 Grant Avenue, San Francisco). \u003ca href=\"http://www.facebook.com/ChuChaSantamaria\">ChuCha Santamaria Y Usted\u003c/a> also performs, and there will be a DJ set by \u003ca href=\"http://elephantandcastle.bandcamp.com/\">Elephant and Castle\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Santa Barbara’s \u003ca href=\"http://www.facebook.com/gardensandvilla\">Gardens & Villa\u003c/a> (“Star Fire Power”) have crafted a sharp indie pop sound blending electronic and acoustic instrumentation. On October 13, the band headlines \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a>, with Young Man and Waterstrider.\u003c/p>\n\u003cp>\u003ca href=\"http://megafaun.com/\">Megafaun\u003c/a> (“These Words”) is a psych-folk band from Durham, North Carolina, with a new self-titled double LP. See the trio at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> on October 7 with Jessica Pratt and Doug Paisley.\u003c/p>\n\u003cp>\u003ca href=\"http://narnackrecords.com/garrettpierce/\">Garrett Pierce\u003c/a> (“Everybody Breaks”) is one of our favorite singer-songwriters, and his new EP, \u003cem>Everybody Breaks\u003c/em>, comes out this month. He’s performing at the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2011-10-25\">Hemlock Tavern\u003c/a> with Himalayan Bear on October 25.\u003c/p>\n\u003cp>\u003ca href=\"http://www.thewarondrugs.net\">The War On Drugs\u003c/a> (“Baby Missiles”) is a Philadelphia band led by Adam Granduciel. \u003cem>Slave Ambient\u003c/em> is the name of the group’s new LP, available on Secretly Canadian, and they’ll perform with Purling Hiss and Carter Tanton at \u003ca href=\"http://www.theindependentsf.com/event/52839/\">The Independent\u003c/a> on October 23.\u003c/p>\n\u003cp>In their first local show since Outside Lands, \u003ca href=\"http://www.facebook.com/pages/The-Fresh-Onlys/208978487600\">The Fresh & Onlys\u003c/a> (“I Would Not Know the Devil”) will be at the \u003ca href=\"http://www.gamh.com/artist_pages/fresh_and_onlys_tamaryn_100711.htm\">Great American Music Hall\u003c/a> on October 7. SF/LA band Tamaryn co-headlines, with locals Wax Idols opening.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/GIRLSsf\">Girls\u003c/a> (“Vomit”) return to SF for two homecoming shows in support of the band’s new album, \u003cem>Father, Son, Holy Ghost\u003c/em>. Catch them and Sonny and the Sunsets at the \u003ca href=\"http://www.gamh.com/artist_pages/girls_100811.htm\">Great American Music Hall\u003c/a> on October 8 and 9.\u003c/p>\n\u003cp>\u003ca href=\"http://www.pure-x.info/\">Pure X\u003c/a> (“Dry Ice”), from Austin, bring their shoegazey rock to the \u003ca href=\"http://www.brickandmortarmusic.com/event/63517/\">Brick and Mortar Music Hall\u003c/a> on October 13. SF’s moonbell opens the show.\u003c/p>\n\u003cp>Erika Anderson of Gowns now performs as \u003ca href=\"http://www.facebook.com/cameouttanowhere\">EMA\u003c/a> (“Milkman”), and her debut album, \u003cem>Past Life Martyred Saints\u003c/em>, is one of 2011’s many highlights. Sister Crayon and Alexis perform with Anderson on October 12 at \u003ca href=\"http://www.theindependentsf.com/event/55427/\">The Independent\u003c/a>.\u003c/p>\n\u003cp>SF post-punkers \u003ca href=\"http://www.facebook.com/pages/The-Soft-Moon/159673281315\">The Soft Moon\u003c/a> (“Total Decay”) have a new EP called \u003cem>Total Decay\u003c/em>, and they are headlining a Halloween night show at \u003ca href=\"http://www.theindependentsf.com/event/62569/\">The Independent\u003c/a>. Led Er Est and DJs Michael Stock (Part-time Punks LA) and Josh Cheon (Dark Entries Records SF) will join them.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>True Loves\u003c/em> is the highly recommended first LP from NYC synth-pop band \u003ca href=\"http://hoorayforearth.net/\">Hooray For Earth\u003c/a> (“No Love”). Tourmates Cymbals Eat Guitars and local band The Dandelion War also perform at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on October 8.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Five Ways That Ravi Shankar Shaped Western Culture",
"headTitle": "Five Ways That Ravi Shankar Shaped Western Culture | KQED",
"content": "\u003cp>The new documentary about George Harrison, which airs this week on HBO, is garnering praise from across the media landscape (“a significant and substantially new take on the band and its most elusive member,” says the \u003ci>New York Times\u003c/i>), and of course the film features Ravi Shankar. Shankar was an irreplaceable part of the Beatle’s life — as irreplaceable, I would argue, as Paul McCartney, John Lennon or Ringo Star. Shankar wasn’t the fifth Beatle. He was Harrison’s lifelong spiritual/musical influence, a paternalistic figure (he’s now 91) who helped remind Harrison what was important in life and helped shape the songs that Harrison gave to the world.\u003c/p>\n\u003cp>Born and raised in India, the sitar-playing Shankar has spawned musical progeny across the Western world, but they’ve been especially populous in England and the United States, where Raviji, as his friends affectionately call Shankar, held workshops and tutorials for his most serious acolytes. Shankar, who performs Friday night at the San Francisco Jazz Festival, changed Western music. In the 1960s, he introduced Indian music to mainstream America, and his influence has thrived ever since, intersecting rock, jazz, world music and the culture at large.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Uz8vZHLohJY\u003c/p>\n\u003cp>Here are five examples of Ravi Shankar’s reach into Western culture:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/sgtpepper.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128762\" alt=\"sgtpepper\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/sgtpepper.jpg\" width=\"200\" height=\"200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/sgtpepper.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/sgtpepper-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/sgtpepper-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/sgtpepper-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/sgtpepper-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/sgtpepper-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003c/a>Through the music of George Harrison: Listen to The Beatles’ 1966 album \u003cb>Revolver\u003c/b>, to the songs “Love You To” and “Tomorrow Never Knows,” and you hear the Shankar-influenced Harrison playing sitar, while “Within You Without You,” the dreamy 1967 soundscape that epitomizes \u003cb>Sgt. Pepper’s Lonely Hearts Club Band\u003c/b>, is practically a paean to Indian musical aesthetics (and the spiritual consciousness of the late ’60s). Some of Harrison’s most recognizable post-Beatles songs (“My Sweet Lord” and “Give Me Love”) echo with the spirit of Hinduism that he shared with Shankar, and Harrison produced Shankar’s 1997 album, \u003ci>Chants of India\u003c/i>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Harrison met Shankar in London in 1966 (after he’d played sitar on “Norwegian Wood”), then went to India to take sitar lessons from him. Shankar then performed with rock acts at Woodstock, Monterey and elsewhere. “I never thought,” Shankar said, “our meeting would cause such an explosion, that Indian music would suddenly appear on the pop scene.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=t79aI-I6ucA\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/thedoors.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128764\" alt=\"thedoors\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/thedoors.jpg\" width=\"200\" height=\"200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/thedoors.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/thedoors-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/thedoors-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/thedoors-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/thedoors-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/thedoors-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003c/a>4) Through the music of Robbie Krieger and The Doors: In the late 1960s, Jim Morrison’s group also incorporated Indian music into their work, a link that’s due mainly to guitarist Robbie Krieger, who studied the music at Ravi Shankar’s Kinnara Music School in Los Angeles. Shankar opened the institution in 1967 to formalize the teachings he had been doing for decades. Krieger fell in love with the sarod, the fretless instrument that was popularized in America by Shankar’s close friend, Ali Akbar Khan. Krieger also studied the sitar. In The Doors’ song “The End,” Krieger’s use of Indian scales and intonations drives the psychedelic opening. The Indian-influenced chords repeat throughout the song, and also take up extended time elsewhere in The Doors’ most mystical tune. With Shankar’s indirect influence, “The End” becomes a moody masterpiece that brings out Jim Morrison’s chilling ruminations.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/coltrane.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128765\" alt=\"coltrane\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/coltrane.jpg\" width=\"200\" height=\"198\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/coltrane.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/coltrane-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/coltrane-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/coltrane-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/coltrane-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/coltrane-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003c/a>3) Through the music of John Coltrane: From the moment he first heard Ravi Shankar’s albums, jazz saxophonist John Coltrane was enthralled. In 1961, Coltrane performed at New York’s Village Vanguard with a musician backing him on tamboura, the stately Indian instrument that provides a beautiful drone sound. On his 1961 album \u003cb>Africa/Brass\u003c/b>, Coltrane employed two bassists to mirror the sound of the Indian tabla drum. One of the album’s songs, “India,” was apparently based on an Indian chant whose text dates back to ancient times. Coltrane told an interviewer at that time, “I collect the records (Shankar has) made, and his music moves me. I’m certain that if I recorded with him I’d understand and appreciate his work.” Coltrane, who died in 1967, never did record with Shankar, but they met whenever possible, with Shankar giving him music lessons. In a 2002 interview I did with Shankar, he told me that he became friends with Coltrane and admired his music, but found his later, more forceful music (which some critics termed “squawking”) to be too tumultuous. Coltrane named one of his sons Ravi, and Ravi Coltrane is an active jazz musician like his father.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/bangladesh.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128766\" alt=\"bangladesh\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/bangladesh.jpg\" width=\"200\" height=\"200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/bangladesh.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/bangladesh-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/bangladesh-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/bangladesh-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/bangladesh-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/bangladesh-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003c/a>2) Through the Concert for Bangladesh: In early 1971, the burgeoning country of Bangladesh (then called East Pakistan) was experiencing the ravages of flood, food shortages and war with Pakistan. Millions of refugees were in a state of limbo in neighboring India. To raise money for relief efforts, Shankar asked Harrison for help, and Harrison responded with the Concert for Bangladesh, the first major fund-raising event of its kind. Harrison, Ringo Star, Bob Dylan, Eric Clapton, Billy Preston and, of course, Shankar, headlined the afternoon and evening performances at New York’s Madison Square Garden. The documentary and audio recording of the Concert for Bangladesh, which features Harrison’s song, “Bangla Desh,” (“Now please don’t turn away,” implore the lyrics, “I want to hear you say; Relieve the people of Bangladesh”) are still top-sellers. The event itself inspired the George Harrison Fund for UNICEF (an entity that continues to raise money for needy causes) and led to other musical fund-raisers (Live Aid, Live 8, etc.) that have given out tens of millions of dollars around the world.\u003c/p>\n\u003cp>1) Through his offspring: Shankar is still performing at an admirable level, often with his sitar-playing daughter Anoushka, who has inherited her father’s gift for technical virtuosity. Shankar is also the father of pop singer Norah Jones, who resembles Anoushka in talent and artistic expression. Anoushka has experimented with non-traditional music, like electronica, putting the Shankar stamp on songs that are played in nightclubs instead of concert halls.\u003c/p>\n\u003cp>HBO’s \u003ci>George Harrison: Living in the Material World\u003c/i>, which was directed by Martin Scorcese, is the latest documentary to mention Shankar’s musical influence. In 1967, it was D.A. Pennebaker who captured Shankar’s role in changing pop culture while filming the Monterey Pop Festival. Look at the film today, and you’ll see that during Shankar’s set in Monterey, white Americans greet him with a traditional \u003ci>namaste\u003c/i> by pressing their hands together and directing them toward the stage. Some people in the audience (perhaps high on drugs) shake their heads and bodies like whirling dervishes, while others fall asleep, lulled by the soothing sounds of the sitar. Jimi Hendrix moves his head and body from side to side. Indian music had arrived for good. Ravi Shankar’s influence will be felt as long as his music and the music of his progeny exists on a popular level — which is to say to the end of human history.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>As part of the San Francisco Jazz Festival, Ravi Shankar performs Friday, October 7, 2011, 8pm, at Davies Symphony Hall. For \u003ca>tickets and information,”\u003c/a>visit sfjazz.org.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The new documentary about George Harrison, which airs this week on HBO, is garnering praise from across the media landscape (“a significant and substantially new take on the band and its most elusive member,” says the \u003ci>New York Times\u003c/i>), and of course the film features Ravi Shankar. Shankar was an irreplaceable part of the Beatle’s life — as irreplaceable, I would argue, as Paul McCartney, John Lennon or Ringo Star. Shankar wasn’t the fifth Beatle. He was Harrison’s lifelong spiritual/musical influence, a paternalistic figure (he’s now 91) who helped remind Harrison what was important in life and helped shape the songs that Harrison gave to the world.\u003c/p>\n\u003cp>Born and raised in India, the sitar-playing Shankar has spawned musical progeny across the Western world, but they’ve been especially populous in England and the United States, where Raviji, as his friends affectionately call Shankar, held workshops and tutorials for his most serious acolytes. Shankar, who performs Friday night at the San Francisco Jazz Festival, changed Western music. In the 1960s, he introduced Indian music to mainstream America, and his influence has thrived ever since, intersecting rock, jazz, world music and the culture at large.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Uz8vZHLohJY'\n title='//www.youtube.com/embed/Uz8vZHLohJY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Here are five examples of Ravi Shankar’s reach into Western culture:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/sgtpepper.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128762\" alt=\"sgtpepper\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/sgtpepper.jpg\" width=\"200\" height=\"200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/sgtpepper.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/sgtpepper-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/sgtpepper-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/sgtpepper-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/sgtpepper-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/sgtpepper-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003c/a>Through the music of George Harrison: Listen to The Beatles’ 1966 album \u003cb>Revolver\u003c/b>, to the songs “Love You To” and “Tomorrow Never Knows,” and you hear the Shankar-influenced Harrison playing sitar, while “Within You Without You,” the dreamy 1967 soundscape that epitomizes \u003cb>Sgt. Pepper’s Lonely Hearts Club Band\u003c/b>, is practically a paean to Indian musical aesthetics (and the spiritual consciousness of the late ’60s). Some of Harrison’s most recognizable post-Beatles songs (“My Sweet Lord” and “Give Me Love”) echo with the spirit of Hinduism that he shared with Shankar, and Harrison produced Shankar’s 1997 album, \u003ci>Chants of India\u003c/i>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Harrison met Shankar in London in 1966 (after he’d played sitar on “Norwegian Wood”), then went to India to take sitar lessons from him. Shankar then performed with rock acts at Woodstock, Monterey and elsewhere. “I never thought,” Shankar said, “our meeting would cause such an explosion, that Indian music would suddenly appear on the pop scene.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/t79aI-I6ucA'\n title='//www.youtube.com/embed/t79aI-I6ucA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/thedoors.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128764\" alt=\"thedoors\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/thedoors.jpg\" width=\"200\" height=\"200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/thedoors.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/thedoors-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/thedoors-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/thedoors-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/thedoors-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/thedoors-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003c/a>4) Through the music of Robbie Krieger and The Doors: In the late 1960s, Jim Morrison’s group also incorporated Indian music into their work, a link that’s due mainly to guitarist Robbie Krieger, who studied the music at Ravi Shankar’s Kinnara Music School in Los Angeles. Shankar opened the institution in 1967 to formalize the teachings he had been doing for decades. Krieger fell in love with the sarod, the fretless instrument that was popularized in America by Shankar’s close friend, Ali Akbar Khan. Krieger also studied the sitar. In The Doors’ song “The End,” Krieger’s use of Indian scales and intonations drives the psychedelic opening. The Indian-influenced chords repeat throughout the song, and also take up extended time elsewhere in The Doors’ most mystical tune. With Shankar’s indirect influence, “The End” becomes a moody masterpiece that brings out Jim Morrison’s chilling ruminations.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/coltrane.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128765\" alt=\"coltrane\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/coltrane.jpg\" width=\"200\" height=\"198\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/coltrane.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/coltrane-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/coltrane-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/coltrane-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/coltrane-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/coltrane-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003c/a>3) Through the music of John Coltrane: From the moment he first heard Ravi Shankar’s albums, jazz saxophonist John Coltrane was enthralled. In 1961, Coltrane performed at New York’s Village Vanguard with a musician backing him on tamboura, the stately Indian instrument that provides a beautiful drone sound. On his 1961 album \u003cb>Africa/Brass\u003c/b>, Coltrane employed two bassists to mirror the sound of the Indian tabla drum. One of the album’s songs, “India,” was apparently based on an Indian chant whose text dates back to ancient times. Coltrane told an interviewer at that time, “I collect the records (Shankar has) made, and his music moves me. I’m certain that if I recorded with him I’d understand and appreciate his work.” Coltrane, who died in 1967, never did record with Shankar, but they met whenever possible, with Shankar giving him music lessons. In a 2002 interview I did with Shankar, he told me that he became friends with Coltrane and admired his music, but found his later, more forceful music (which some critics termed “squawking”) to be too tumultuous. Coltrane named one of his sons Ravi, and Ravi Coltrane is an active jazz musician like his father.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/bangladesh.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128766\" alt=\"bangladesh\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2011/10/bangladesh.jpg\" width=\"200\" height=\"200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/bangladesh.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/bangladesh-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/bangladesh-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/bangladesh-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/bangladesh-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2011/10/bangladesh-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003c/a>2) Through the Concert for Bangladesh: In early 1971, the burgeoning country of Bangladesh (then called East Pakistan) was experiencing the ravages of flood, food shortages and war with Pakistan. Millions of refugees were in a state of limbo in neighboring India. To raise money for relief efforts, Shankar asked Harrison for help, and Harrison responded with the Concert for Bangladesh, the first major fund-raising event of its kind. Harrison, Ringo Star, Bob Dylan, Eric Clapton, Billy Preston and, of course, Shankar, headlined the afternoon and evening performances at New York’s Madison Square Garden. The documentary and audio recording of the Concert for Bangladesh, which features Harrison’s song, “Bangla Desh,” (“Now please don’t turn away,” implore the lyrics, “I want to hear you say; Relieve the people of Bangladesh”) are still top-sellers. The event itself inspired the George Harrison Fund for UNICEF (an entity that continues to raise money for needy causes) and led to other musical fund-raisers (Live Aid, Live 8, etc.) that have given out tens of millions of dollars around the world.\u003c/p>\n\u003cp>1) Through his offspring: Shankar is still performing at an admirable level, often with his sitar-playing daughter Anoushka, who has inherited her father’s gift for technical virtuosity. Shankar is also the father of pop singer Norah Jones, who resembles Anoushka in talent and artistic expression. Anoushka has experimented with non-traditional music, like electronica, putting the Shankar stamp on songs that are played in nightclubs instead of concert halls.\u003c/p>\n\u003cp>HBO’s \u003ci>George Harrison: Living in the Material World\u003c/i>, which was directed by Martin Scorcese, is the latest documentary to mention Shankar’s musical influence. In 1967, it was D.A. Pennebaker who captured Shankar’s role in changing pop culture while filming the Monterey Pop Festival. Look at the film today, and you’ll see that during Shankar’s set in Monterey, white Americans greet him with a traditional \u003ci>namaste\u003c/i> by pressing their hands together and directing them toward the stage. Some people in the audience (perhaps high on drugs) shake their heads and bodies like whirling dervishes, while others fall asleep, lulled by the soothing sounds of the sitar. Jimi Hendrix moves his head and body from side to side. Indian music had arrived for good. Ravi Shankar’s influence will be felt as long as his music and the music of his progeny exists on a popular level — which is to say to the end of human history.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As part of the San Francisco Jazz Festival, Ravi Shankar performs Friday, October 7, 2011, 8pm, at Davies Symphony Hall. For \u003ca>tickets and information,”\u003c/a>visit sfjazz.org.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The Noise Pop Podcast and Echolocale have teamed up again to bring you another intimate performance by Dominant Legs, one of San Francisco’s most promising bands.\u003c/p>\n\u003cp>In this video Dominant Legs perform the unabashedly cheerful “Hoop of Love” on the roof of keyboardist Hannah Hunt’s home. Enjoy the video and for more footage head over to Echolocale.\u003c/p>\n\u003cp>[vimeo 29656043 w=400 h=225]\u003c/p>\n\u003cp>\u003ca href=\"http://vimeo.com/29656043\">Dominant Legs – “Hoop Of Love”\u003c/a> from \u003ca href=\"http://vimeo.com/echolocale\">Echolocale\u003c/a> on \u003ca href=\"http://vimeo.com\">Vimeo\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Weeding through all the new music out there can be a harrowing, not to mention time-consuming, process. Luckily for you, I’ve compiled a handy list of all the songs you don’t know you already love.\u003c/p>\n\u003cp>http://youtu.be/IxuDoYhQI2o\u003cbr>\n\u003cb>Girls: “Honey Bunny”\u003c/b>\u003c/p>\n\u003cp>SF hometown heroes Girls are at it again with their sophomore effort, \u003cb>Father, Son, Holy Ghost\u003c/b>. The first single is goofy and romantic, which is what lead singer Christopher Owens does best. He charmingly melds self deprecation with humor in lyrics like: “They don’t like my boney body, they don’t like my dirty hair or the stuff that I say, or the stuff that I’m on.” He’s right; we don’t like those things, we love them.\u003c/p>\n\u003cp>http://youtu.be/_eeZnLX_XBM\u003cbr>\n\u003cb>Twin Sister: “Bad Street”\u003c/b>\u003c/p>\n\u003cp>There is nothing I don’t like about this band. So I shouldn’t have been surprised when the first single off their first full length, \u003cb>In Heaven\u003c/b>, was this mind-boggling good nor when their music video for said song featured the band doing something I never knew I desperately wanted to do: crash a Mexican toddler’s birthday party. It’s like they know me or something.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>http://youtu.be/gfamBoa_zYQ\u003cbr>\n\u003cb>Friends: “Friend Crush”\u003c/b>\u003c/p>\n\u003cp>Friends came out of nowhere and not a moment too soon! Fronted by the uber sexy Samantha Urbani, the Brooklyn-based band makes quite a first impression with their debut single, “Friend Crush.” It’s as infectious as bubonic plague with dreamy synths, a funky bassline, and cute sing-along lyrics like “I wanna be your friend, I wanna ask your advice on the weekday, wanna plan something nice for the weekend.” This band is totally BFF material.\u003c/p>\n\u003cp>http://youtu.be/Itt0rALeHE8\u003cbr>\n\u003cb>St. Vincent: “Cruel”\u003c/b>\u003c/p>\n\u003cp>Formerly a background figure in The Polyphonic Spree and Sufjan Stevens’ band, Annie Clark has moved her wailing guitar and epic set of pipes front and center where they belong. “Cruel” is the first single from her third solo album, \u003cb>Strange Mercy\u003c/b>, and it’s a doozy. The creepy video makes a great song even better with its depiction of child-assisted abduction and being buried alive. I dare you not to like it.\u003c/p>\n\u003cp>http://youtu.be/uL8ATo1Qpuk\u003cbr>\n\u003cb>Still Corners: “Cuckoo”\u003c/b>\u003c/p>\n\u003cp>Still Corners songwriter Greg Hughes is a self-professed cinephile and this infatuation with motion pictures boils over into his music. Anchored by Tessa Murray’s breathy, ethereal vocals, the band’s latest single “Cuckoo” sounds like a haunted love song trapped in a David Lynch film. Swoon away.\u003c/p>\n\u003cp>http://youtu.be/HO1OV5B_JDw\u003cbr>\n\u003cb>Lana del Rey: “Video Games”\u003c/b>\u003c/p>\n\u003cp>Billed as the “gangster Nancy Sinatra,” Lana del Rey a.k.a. Lizzy Grant has sky-rocketed in the past month or so in the music blogosphere with her sultry single “Video Games,” but not without some controversy over whether she was manufactured by record companies or not. It’s hard to care with this song turned up so high.\u003c/p>\n\u003cp>http://youtu.be/IqYgNiZdfh4\u003cbr>\n\u003cb>The Drums: “Money”\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I feel ashamed to say that I’ve just discovered The Drums, but better late than never, right? Their new album, \u003cb>Portamento\u003c/b>, is ridiculously catchy and dips between the joy of finding someone to love and the despondency of losing them. They’re set to play The Independent on October 14, 2011. You would be a fool to miss it.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Weeding through all the new music out there can be a harrowing, not to mention time-consuming, process. Luckily for you, I’ve compiled a handy list of all the songs you don’t know you already love.\u003c/p>\n\u003cp>http://youtu.be/IxuDoYhQI2o\u003cbr>\n\u003cb>Girls: “Honey Bunny”\u003c/b>\u003c/p>\n\u003cp>SF hometown heroes Girls are at it again with their sophomore effort, \u003cb>Father, Son, Holy Ghost\u003c/b>. The first single is goofy and romantic, which is what lead singer Christopher Owens does best. He charmingly melds self deprecation with humor in lyrics like: “They don’t like my boney body, they don’t like my dirty hair or the stuff that I say, or the stuff that I’m on.” He’s right; we don’t like those things, we love them.\u003c/p>\n\u003cp>http://youtu.be/_eeZnLX_XBM\u003cbr>\n\u003cb>Twin Sister: “Bad Street”\u003c/b>\u003c/p>\n\u003cp>There is nothing I don’t like about this band. So I shouldn’t have been surprised when the first single off their first full length, \u003cb>In Heaven\u003c/b>, was this mind-boggling good nor when their music video for said song featured the band doing something I never knew I desperately wanted to do: crash a Mexican toddler’s birthday party. It’s like they know me or something.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"officialWebsiteLink": "/californiareport",
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"order": 8
},
"link": "/californiareport",
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},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
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