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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Up, Up, UP” — Givers, \u003cb>In Light\u003c/b>\u003c/p>\n\u003cp>“Pumped Up Kicks” — Foster the People, \u003cb>Torches\u003c/b>\u003c/p>\n\u003cp>“East Harlem” — Beirut, \u003cb>The Rip Tide\u003c/b>\u003c/p>\n\u003cp>“Great Move North” — Faces on Film, \u003cb>Some Weather\u003c/b>\u003c/p>\n\u003cp>“True Loves” — Hooray For Earth, \u003cb>True Loves\u003c/b>\u003c/p>\n\u003cp>“Money” — The Drums, \u003cb>Portamento\u003c/b>\u003c/p>\n\u003cp>“Black Water” — Apparate, \u003cb>The Devil’s Walk\u003c/b>\u003c/p>\n\u003cp>\u003cb>Ear About Town\u003c/b>\u003c/p>\n\u003cp>Dawson — \u003cb>Planet Money\u003c/b>‘s podcast “Manufacturing The Song Of The Summer”\u003c/p>\n\u003cp>Jaime — Turntable.fm\u003c/p>\n\u003cp>Olivia — The U.S. launch of Spotify\u003c/p>\n\u003cp>Guest Caller, Jesse Fox: “Tonight You Belong To Me” — Eddie Vedder and Cat Power, \u003cb>Ukulele Songs\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If you’d like to leave your \u003cb>Ear About Town\u003c/b> (a musical conversation piece) leave a message on our hotline and we’ll play it on air. (585) 4NOISE5 / (585) 466-473.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Meet Charlie Deal, rock ‘n’ roll dreamer, Mill Valley’s unofficial mayor, and inventor of the semi-famous toilet seat guitar. Charlie stated that he was “sitting on a good idea” in 1965, when he envisioned the unique instrument. Charlie would eventually sell his Deal Guitars around the world, with members of Jefferson Airplane and the Grateful Dead among his customers. Charlie was the quintessential town character, always spotted riding his old bicycle, with a toilet seat dangling from the handlebars.\u003c/p>\n\u003cp>This short documentary explores one man’s love of rock ‘n’ roll and his relationship with the community that cherished him. Filled with humor and sentiment, \u003cstrong>The Legend of Toilet-Seat Charlie\u003c/strong> will inspire you to fulfill your dreams, no matter how far fetched they may be.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>As the summer touring season heats up, a bunch of buzz bands are coming through town in July, including Iceage, Unknown Mortal Orchestra, and Cold Showers. Meanwhile, several locals — Release the Sunbird, Form & Fate, and Painted Palms among them — all have new records they’re supporting with SF shows. Last, but not least, The Bay Bridged is gearing up for its free \u003ca href=\"http://www.thebaybridged.com/2011/06/15/announcing-phono-del-sol-a-free-all-day-music-and-food-festival-featuring-aesop-rock-mirah-manmiracle-and-more/\">Phono Del Sol festival\u003c/a> on Saturday, July 16, and the latest \u003ca href=\"http://www.thebaybridged.com/2011/06/29/announcing-regional-bias-2011-celebrate-five-years-of-the-bay-bridged-with-little-wings-royal-baths-white-cloud-and-sea-of-bees-at-the-verdi-club-on-august-6th/\">Regional Bias\u003c/a> event in August.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Mirah/129415754478\">Mirah\u003c/a> (“Gone are the Days”) co-headlines the first Bay Bridged Phono Del Sol Festival, a free, all ages daytime event that takes place in Potrero Del Sol Park on July 16. Also playing are Aesop Rock, Man/Miracle, Magik*Magik Orchestra, Religious Girls, and Appetite. \u003ca href=\"http://www.thebaybridged.com/2011/06/15/announcing-phono-del-sol-a-free-all-day-music-and-food-festival-featuring-aesop-rock-mirah-manmiracle-and-more/\">More details here\u003c/a>.\u003c/p>\n\u003cp>Branching out from Rogue Wave, Zach Rogue releases \u003cb>Come Back to Us\u003c/b> as \u003ca href=\"http://www.facebook.com/releasethesunbird\">Release the Sunbird\u003c/a> (“Always Like the Son”) later this month. Prior to performing at \u003ca href=\"http://www.sfoutsidelands.com/\">Outside Lands\u003c/a>, Rogue’s new band will be at the \u003ca href=\"http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=3757485\">Swedish American Hall\u003c/a> on July 28.\u003c/p>\n\u003cp>Before heading to Big Sur for the sold-out Woodsist Fest, \u003ca href=\"http://www.woodsist.com/woods.htm\">Woods\u003c/a> (“Pushing Onlys”) teams up with The Fresh & Onlys, The Mantles, and DJ Britt Govea for a show at \u003ca href=\"http://www.theindependentsf.com/event/41815/\">The Independent\u003c/a> on July 29. The band’s latest album, \u003cb>Sun and Shade\u003c/b>, came out in May.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/ThurstonMooreOfficial\">Thurston Moore\u003c/a>‘s (“Circulation”) new solo album, \u003cb>Demolished Thoughts\u003c/b>, is a thoughtful collection of songs that ranks among this year’s highlights. Moore and Kurt Vile are co-headlining a tour this month that stops at \u003ca href=\"http://www.ticketfly.com/event/47515/\">The New Parish\u003c/a> on July 25, and the \u003ca href=\"http://www.gamh.com/artist_pages/thurston_moore_kurt_vile_072611.htm\">Great American Music Hall\u003c/a> on the 26th.\u003c/p>\n\u003cp>SF R&B revivalist \u003ca href=\"http://www.facebook.com/nickwaterhousemusic?sk=wall\">Nick Waterhouse\u003c/a> (“Just Want To Buy You Some Maracas, Girl”) has been making waves with a compelling live show. Waterhouse and his band The Tarots perform with Allah-Las at the \u003ca href=\"http://elbo.com/Calendar.php\">Elbo Room\u003c/a> on July 22.\u003c/p>\n\u003cp>Fat Possum recently released \u003ca href=\"http://unknownmortalorchestra.com/\">Unknown Mortal Orchestra\u003c/a>‘s (“How Can You Luv Me?”) psych-funk-rock debut LP. UMO supports Yuck at The Independent on \u003ca href=\"http://www.theindependentsf.com/event/40689/\">July 26\u003c/a> and \u003ca href=\"http://www.theindependentsf.com/event/50355/\">July 27\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/unnaturalhelpers\">Unnatural Helpers\u003c/a> (“Sunshine / Pretty Girls”), from Seattle, are led by Dean Whitmore (of The Intelligence). The band will be performing at the unbelievably packed \u003ca href=\"http://www.1234gorecords.com/anniversary/\">1-2-3-4 Go! Records Anniversary weekend\u003c/a> at the Oakland Metro on July 22, and at the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2011-07-28\">Hemlock Tavern\u003c/a> on July 28.\u003c/p>\n\u003cp>LA’s \u003ca href=\"http://www.facebook.com/pages/Cold-Showers/158985430815291?sk=wall\">Cold Showers\u003c/a> (“I Don’t Mind”) features former members of Mika Miko and Woah Hunx, and recently put out the \u003cb>Highlands\u003c/b> 7″ on Mexican Summer. On July 27, the band performs at \u003ca href=\"http://holdmyticket.com/event/26104\">Thee Parkside\u003c/a>, with Grass Widow, Dunes, and Petals.\u003c/p>\n\u003cp>Copenhagen quartet \u003ca href=\"http://www.facebook.com/pages/Iceage/145771238809358\">Iceage\u003c/a> (“Broken Bone”) has received high praise for the band’s debut album, \u003cb>New Brigade\u003c/b>. The band will be performing at the \u003ca href=\"http://www.brownpapertickets.com/event/182078\">Elbo Room\u003c/a> on July 25, with Cult Of Youth and DJ Omar.\u003c/p>\n\u003cp>Four years after the band’s last release, SF instrumental rock group \u003ca href=\"http://www.facebook.com/pages/Form-and-Fate/119013611444253?sk=wall\">Form & Fate\u003c/a> (“When The Streets Caught Fire And We All Walked Through The Flames”) has returned with \u003cem>Sol Invictus\u003c/em>. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As the summer touring season heats up, a bunch of buzz bands are coming through town in July, including Iceage, Unknown Mortal Orchestra, and Cold Showers. Meanwhile, several locals — Release the Sunbird, Form & Fate, and Painted Palms among them — all have new records they’re supporting with SF shows. Last, but not least, The Bay Bridged is gearing up for its free \u003ca href=\"http://www.thebaybridged.com/2011/06/15/announcing-phono-del-sol-a-free-all-day-music-and-food-festival-featuring-aesop-rock-mirah-manmiracle-and-more/\">Phono Del Sol festival\u003c/a> on Saturday, July 16, and the latest \u003ca href=\"http://www.thebaybridged.com/2011/06/29/announcing-regional-bias-2011-celebrate-five-years-of-the-bay-bridged-with-little-wings-royal-baths-white-cloud-and-sea-of-bees-at-the-verdi-club-on-august-6th/\">Regional Bias\u003c/a> event in August.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Mirah/129415754478\">Mirah\u003c/a> (“Gone are the Days”) co-headlines the first Bay Bridged Phono Del Sol Festival, a free, all ages daytime event that takes place in Potrero Del Sol Park on July 16. Also playing are Aesop Rock, Man/Miracle, Magik*Magik Orchestra, Religious Girls, and Appetite. \u003ca href=\"http://www.thebaybridged.com/2011/06/15/announcing-phono-del-sol-a-free-all-day-music-and-food-festival-featuring-aesop-rock-mirah-manmiracle-and-more/\">More details here\u003c/a>.\u003c/p>\n\u003cp>Branching out from Rogue Wave, Zach Rogue releases \u003cb>Come Back to Us\u003c/b> as \u003ca href=\"http://www.facebook.com/releasethesunbird\">Release the Sunbird\u003c/a> (“Always Like the Son”) later this month. Prior to performing at \u003ca href=\"http://www.sfoutsidelands.com/\">Outside Lands\u003c/a>, Rogue’s new band will be at the \u003ca href=\"http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=3757485\">Swedish American Hall\u003c/a> on July 28.\u003c/p>\n\u003cp>Before heading to Big Sur for the sold-out Woodsist Fest, \u003ca href=\"http://www.woodsist.com/woods.htm\">Woods\u003c/a> (“Pushing Onlys”) teams up with The Fresh & Onlys, The Mantles, and DJ Britt Govea for a show at \u003ca href=\"http://www.theindependentsf.com/event/41815/\">The Independent\u003c/a> on July 29. The band’s latest album, \u003cb>Sun and Shade\u003c/b>, came out in May.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Where is it possible to see country-music mainstay Loretta Lynn, lo-fi rockers The Black Keys, rock legend Neil Young, and rapper \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=137132636\">Eminem\u003c/a> all in one evening? Then to continue that evening — morning at this point — with jam band The String Cheese Incident and the Santa Cruz electronic group STS9? And then to do it all over again the next three days?\u003c/p>\n\u003cp>Nowhere on planet earth, that’s for sure.\u003c/p>\n\u003cp>That is, unless you count the \u003ca href=\"http://www.bonnaroo.com/\"> Bonnaroo Music & Arts Festival\u003c/a> as rooted in terra firma — which, as anyone who has ever attended could tell you — it truly isn’t.\u003c/p>\n\u003cp>The festival just celebrated its tenth anniversary this past weekend, June 9-12, 2011 \u003ca href=\"http://bonnaroo.com/gallery/view.aspx?year=2011&day=Saturday&artist=Festival%20Atmosphere\">and it did so with a bang\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bonnaroo-fireworks.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Photo: C. Taylor Crothers. C. 2011, Bonnaroo Music & Arts Festival\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>For those unfamiliar, Bonnaroo is an annual, four-day long music and arts festival held every June on a \u003ca href=\"http://www.greatstagepark.com/\">700-acre site in Manchester, Tennessee\u003c/a>. There are five main performance venues, a slew of smaller stages, and countless local artists and vendors selling the most eclectic goods under the (\u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=137056463\">absolutely unrelenting\u003c/a>) Tennessee sun. In a time when people say that all the big festivals are homogenizing their lineups, \u003ca href=\"http://www.bonnaroo.com/artists.aspx\">this year’s Bonnaroo lineup\u003c/a> was remarkably diverse, featuring big names from every genre. (Organizers created a \u003ca href=\"http://mindreader2011.bonnaroo.com/index.html\">“Bonnaroo Mindreader”\u003c/a> featuring sample tunes by most of the bands in the schedule. Check it out to get a feel for the variety of music on offer.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/robert-plant.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Robert Plant and the Band of Joy at Bonnaroo. Photo: Adam Susaneck\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>This diversity of acts is one of the aspects of Bonnaroo that make it so unique compared with other similar music festivals (an \u003ca href=\"http://www.npr.org/blogs/therecord/2011/04/14/135396905/a-strategically-limited-statistical-analysis-of-2011s-summer-music-festivals\">April NPR Music post\u003c/a> noted that Bonnaroo is one of the most “inclusive” festivals). What truly separates Bonnaroo from the rest, however, is the bubble from reality that the festival engenders. Bonnaroo has its own culture, one where sleep and comfort and basic hygiene become secondary and everybody becomes cheerily extroverted due to the shared experience of being plastered with dirt, soaked with sweat, and inundated with sound (be it the sound of the eclectic collection of artists, the varied sounds of anguish and ecstasy emanating from the camp grounds, or the traditional Bonnaroo greeting and cheer: “Bonna-ROOOO!”).\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/iDWB6xQXEUY\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>This culture is a function of both the length of the festival — the grounds opened on the night of Wednesday, the 8th, and the last people were leaving on the morning of Monday, the 13th — and that nearly all of Bonnaroo’s 80,000 patrons (and 5,000 staff members) either camp or RV. As well, despite the fact that the festival is geographically in the south, the sheer diversity of flags flying over people’s campsites — being used as landmarks for people to find their way back — can attest to the international audience the festival attracts. Near me: United Arab Emirates, Australia, and Norway. (I’m proud to say that my Californian flag attracted a healthy number of “Go Bears” and even prompted a conversation with a passerby over the merits of the hotlink vs. the traditional frankfurter at \u003ca href=\"http://www.topdoghotdogs.com/index.html\"> Top Dog \u003c/a>.) \u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/qHSgepn9xyU\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\u003c/center>\n\u003cp>Musical highlights of the festival included Canadian indie-rockers \u003ca href=\"http://www.npr.org/artists/16334660/arcade-fire\">Arcade Fire\u003c/a>, playing a set well-balanced across all of their albums. The Kentucky group \u003ca href=\"http://www.npr.org/artists/15189632/my-morning-jacket\">My Morning Jacket\u003c/a> \u003ca href=\"http://bonnaroo.com/gallery/view.aspx?year=2011&day=friday&artist=My%20Morning%20Jacket\">played an epic set at dusk\u003c/a>, blasting their unique mixture of psychedelic rock and country music from Bonnaroo’s main stage, the “What Stage.” Also notable was singer \u003ca href=\"http://www.npr.org/artists/121555771/florence-and-the-machine\">Florence + the Machine’s\u003c/a> proud recognition as she removed her high heels that, “people always think from my voice that I’m six-feet tall; well, this is my real height!” Santa Cruz electronic group \u003ca href=\"http://sts9.com/\">STS9\u003c/a> also played an incredible set, starting at 2:30am, only to be cut short by the dawn. \u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/ylX0zZUU-Cw\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>You can hear a sampling of Bonnaroo’s musical offerings with the \u003ca href=\"http://www.customchannels.net/streaming/bonnaroo/radio/\">live radio webstream\u003c/a> provided on the festival’s website. As well, be sure to keep an eye out for \u003ca href=\"http://youtu.be/fnXktom89cE\">Ben & Jerry’s new Bonnaroo themed ice cream\u003c/a> the next time you’re at the supermarket!\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"425\" height=\"349\" src=\"http://www.youtube.com/embed/6fBu-4bFwgk\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>Bonnaroo is a pilgrimage of sorts, one which I whole-heartedly endorse. Bay Area residents would have felt right at home in Centeroo what with the stress on being \u003ca href=\"http://www.bonnaroo.com/festival/greening-activism.aspx\">environmentally friendly\u003c/a>, the \u003ca href=\"http://www.bonnaroo.com/activities/food-on-the-move.aspx\">incredible food\u003c/a> (organic, vegetarian, vegan, etc.) and drink (\u003ca href=\"http://www.bonnaroo.com/activities/brooers-festival.aspx\">microbrewed, of course\u003c/a>), and the unique melting pot of people, which closely mirrored what I’ve noticed at least in Berkeley (ie, you had your hippies hanging out listening to music with college jocks, your hipsters mingling in the crowd with the — decidedly older — Neil Young and Robert Plant fans.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Pre-sale tickets for Bonnaroo 2012 \u003ca href=\"http://www.bonnaroo.com/tickets/2012-ga-vip-pre-sale.aspx\">just went on sale\u003c/a> Friday, June 17.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Where is it possible to see country-music mainstay Loretta Lynn, lo-fi rockers The Black Keys, rock legend Neil Young, and rapper \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=137132636\">Eminem\u003c/a> all in one evening? Then to continue that evening — morning at this point — with jam band The String Cheese Incident and the Santa Cruz electronic group STS9? And then to do it all over again the next three days?\u003c/p>\n\u003cp>Nowhere on planet earth, that’s for sure.\u003c/p>\n\u003cp>That is, unless you count the \u003ca href=\"http://www.bonnaroo.com/\"> Bonnaroo Music & Arts Festival\u003c/a> as rooted in terra firma — which, as anyone who has ever attended could tell you — it truly isn’t.\u003c/p>\n\u003cp>The festival just celebrated its tenth anniversary this past weekend, June 9-12, 2011 \u003ca href=\"http://bonnaroo.com/gallery/view.aspx?year=2011&day=Saturday&artist=Festival%20Atmosphere\">and it did so with a bang\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bonnaroo-fireworks.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Photo: C. Taylor Crothers. C. 2011, Bonnaroo Music & Arts Festival\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>For those unfamiliar, Bonnaroo is an annual, four-day long music and arts festival held every June on a \u003ca href=\"http://www.greatstagepark.com/\">700-acre site in Manchester, Tennessee\u003c/a>. There are five main performance venues, a slew of smaller stages, and countless local artists and vendors selling the most eclectic goods under the (\u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=137056463\">absolutely unrelenting\u003c/a>) Tennessee sun. In a time when people say that all the big festivals are homogenizing their lineups, \u003ca href=\"http://www.bonnaroo.com/artists.aspx\">this year’s Bonnaroo lineup\u003c/a> was remarkably diverse, featuring big names from every genre. (Organizers created a \u003ca href=\"http://mindreader2011.bonnaroo.com/index.html\">“Bonnaroo Mindreader”\u003c/a> featuring sample tunes by most of the bands in the schedule. Check it out to get a feel for the variety of music on offer.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/robert-plant.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Robert Plant and the Band of Joy at Bonnaroo. Photo: Adam Susaneck\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>This diversity of acts is one of the aspects of Bonnaroo that make it so unique compared with other similar music festivals (an \u003ca href=\"http://www.npr.org/blogs/therecord/2011/04/14/135396905/a-strategically-limited-statistical-analysis-of-2011s-summer-music-festivals\">April NPR Music post\u003c/a> noted that Bonnaroo is one of the most “inclusive” festivals). What truly separates Bonnaroo from the rest, however, is the bubble from reality that the festival engenders. Bonnaroo has its own culture, one where sleep and comfort and basic hygiene become secondary and everybody becomes cheerily extroverted due to the shared experience of being plastered with dirt, soaked with sweat, and inundated with sound (be it the sound of the eclectic collection of artists, the varied sounds of anguish and ecstasy emanating from the camp grounds, or the traditional Bonnaroo greeting and cheer: “Bonna-ROOOO!”).\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/iDWB6xQXEUY\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>This culture is a function of both the length of the festival — the grounds opened on the night of Wednesday, the 8th, and the last people were leaving on the morning of Monday, the 13th — and that nearly all of Bonnaroo’s 80,000 patrons (and 5,000 staff members) either camp or RV. As well, despite the fact that the festival is geographically in the south, the sheer diversity of flags flying over people’s campsites — being used as landmarks for people to find their way back — can attest to the international audience the festival attracts. Near me: United Arab Emirates, Australia, and Norway. (I’m proud to say that my Californian flag attracted a healthy number of “Go Bears” and even prompted a conversation with a passerby over the merits of the hotlink vs. the traditional frankfurter at \u003ca href=\"http://www.topdoghotdogs.com/index.html\"> Top Dog \u003c/a>.) \u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/qHSgepn9xyU\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\u003c/center>\n\u003cp>Musical highlights of the festival included Canadian indie-rockers \u003ca href=\"http://www.npr.org/artists/16334660/arcade-fire\">Arcade Fire\u003c/a>, playing a set well-balanced across all of their albums. The Kentucky group \u003ca href=\"http://www.npr.org/artists/15189632/my-morning-jacket\">My Morning Jacket\u003c/a> \u003ca href=\"http://bonnaroo.com/gallery/view.aspx?year=2011&day=friday&artist=My%20Morning%20Jacket\">played an epic set at dusk\u003c/a>, blasting their unique mixture of psychedelic rock and country music from Bonnaroo’s main stage, the “What Stage.” Also notable was singer \u003ca href=\"http://www.npr.org/artists/121555771/florence-and-the-machine\">Florence + the Machine’s\u003c/a> proud recognition as she removed her high heels that, “people always think from my voice that I’m six-feet tall; well, this is my real height!” Santa Cruz electronic group \u003ca href=\"http://sts9.com/\">STS9\u003c/a> also played an incredible set, starting at 2:30am, only to be cut short by the dawn. \u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/ylX0zZUU-Cw\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>You can hear a sampling of Bonnaroo’s musical offerings with the \u003ca href=\"http://www.customchannels.net/streaming/bonnaroo/radio/\">live radio webstream\u003c/a> provided on the festival’s website. As well, be sure to keep an eye out for \u003ca href=\"http://youtu.be/fnXktom89cE\">Ben & Jerry’s new Bonnaroo themed ice cream\u003c/a> the next time you’re at the supermarket!\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"425\" height=\"349\" src=\"http://www.youtube.com/embed/6fBu-4bFwgk\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>Bonnaroo is a pilgrimage of sorts, one which I whole-heartedly endorse. Bay Area residents would have felt right at home in Centeroo what with the stress on being \u003ca href=\"http://www.bonnaroo.com/festival/greening-activism.aspx\">environmentally friendly\u003c/a>, the \u003ca href=\"http://www.bonnaroo.com/activities/food-on-the-move.aspx\">incredible food\u003c/a> (organic, vegetarian, vegan, etc.) and drink (\u003ca href=\"http://www.bonnaroo.com/activities/brooers-festival.aspx\">microbrewed, of course\u003c/a>), and the unique melting pot of people, which closely mirrored what I’ve noticed at least in Berkeley (ie, you had your hippies hanging out listening to music with college jocks, your hipsters mingling in the crowd with the — decidedly older — Neil Young and Robert Plant fans.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Pre-sale tickets for Bonnaroo 2012 \u003ca href=\"http://www.bonnaroo.com/tickets/2012-ga-vip-pre-sale.aspx\">just went on sale\u003c/a> Friday, June 17.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Sometimes it’s just about the music. The Noise Pop Podcast team forgoes the blabbering this week and just jockeys discs. The episode finishes with the return of “Ear About Town” that really stretches the limits of the EAT segment.\u003c/p>\n\u003cp>Next week’s episode will be “Battle of the Indie Labels,” if you would like to tell us your favorite indie label call (585) 4NOISE5 and leave your “Ear About Town” reccomendation —- or leave a comment below. We will include it in next week’s podcast.\u003c/p>\n\u003cp>\u003cb>Track List:\u003c/b>\u003cbr>\n“The Everglade Leafhouse” —- Cordorui, single\u003cbr>\n“Edita V” — The Balkans, self-titled\u003cbr>\n“@f*ckwiseblood” — Wise Blood, \u003cb>These Wings\u003c/b> EP\u003cbr>\n“Lord Knows Best” — Dirty Beaches, \u003cb>Badlands\u003c/b>\u003cbr>\n“Calgary” — Bon Iver, \u003cb>Bon Iver, Bon Iver\u003c/b>\u003cbr>\n“Magic Fingers” — Hands, single\u003cbr>\n“Street Clothes” — Fool’s Gold, \u003cb>Leave No Trace\u003c/b>\u003cbr>\n“Blacks” — Dawn Gold and Rosy Cross, \u003cb>Blow\u003c/b> EP\u003cbr>\n“Queen of The Press Club” — Soft White Sixties, single\u003c/p>\n\u003cp>\u003cstrong>Ear About Town\u003c/strong>\u003c/p>\n\u003cp>Jesse: Keith Richard’s \u003cem>Life \u003c/em>(audiobook)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Jaime: The Rosebuds, band history. “Woods” — The Rosebuds, \u003cb>Loud Planes Fly Low\u003c/b>\u003c/p>\n\u003cp>Dawson: Darryl McDaniels (DMC of Run-DMC) story on the Moth Podcast\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Guest Caller, Gunther: “Just Jamm It” — Breakfast Mountain, \u003cb>Hoooded\u003c/b>\u003c/p>\n\n",
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"content": "\u003cp>June kicks off the summer touring season, which means a bunch of acts coming through SF and locals heading out on tour. Not coincidentally, a bunch of the bands included here have new records out this month, including My First Earthquake, Matt Bauer, The Wooden Birds, and Black Lips. Enjoy this mix and then go check out some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>Local band \u003ca href=\"http://www.phantomkicksmusic.com/\">Phantom Kicks\u003c/a> (“Better Days Of”) released the \u003cb>Tectonics\u003c/b> EP for free download earlier this year. See them perform on June 18 at \u003ca href=\"http://www.elriosf.com/calendar/\">El Rio\u003c/a>, with Blackbird Blackbird, Old Arc, and Yalls.\u003c/p>\n\u003cp>\u003ca href=\"http://www.johnvanderslice.com/\">John Vanderslice\u003c/a> (“The Piano Lesson”) is reuniting with the Magik*Magik Orchestra for a one-time-only performance of \u003cb>White Wilderness\u003c/b> with a full orchestra and choir. \u003ca href=\"http://www.thebaybridged.com/2011/05/11/the-bay-bridged-presents-john-vanderslice-and-the-magikmagik-orchestra-perform-white-wilderness/\">Find out more\u003c/a> about this special show on June 17 at the Herbst Theatre.\u003c/p>\n\u003cp>Andrew Kenny (of American Analog Set) leads \u003ca href=\"http://www.facebook.com/thewoodenbirds?sk=wall\">The Wooden Birds\u003c/a> (“Two Matchsticks”), whose second album, \u003cb>Two Matchsticks\u003c/b>, comes out June 7. The band plays with The Definite Articles and White Cloud on June 25 at Bottom of the Hill.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This month, \u003ca href=\"http://crossbillrecords.com/shop/the-jessamine-county-book-of-the-living/\">Crossbill Records\u003c/a> will release \u003cb>The Jessamine County Book Of The Living\u003c/b>, the latest from former SFer \u003ca href=\"http://www.mattbauermusic.com/\">Matt Bauer\u003c/a> (“Blacklight Horses”). Bauer performs at \u003ca href=\"http://viracochasf.com\">Viracocha\u003c/a> on June 23, with Chloe Makes Music.\u003c/p>\n\u003cp>The US tour in support of \u003cb>Dancer Equired\u003c/b>, \u003ca href=\"http://timesnewviking.net/\">Times New Viking\u003c/a>‘s (“Ever Falling in Love”) first album on Merge Records, hits the \u003ca href=\"http://www.rickshawstop.com/event/37105/\">Rickshaw Stop\u003c/a> on June 14. King Tuff and Spencey Dude & The Doodles open the show.\u003c/p>\n\u003cp>Long-running New York garage rock band \u003ca href=\"http://www.fleshtones.org/\">The Fleshtones\u003c/a> (“Bite of My Soul”) released their latest album, \u003cb>Brooklyn Sound Solution\u003c/b>, on \u003ca href=\"http://www.yeproc.com/artist_info.php?artistId=232\">Yep Roc\u003c/a> earlier this year. East Bay Grease performs with the band at \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on June 28.\u003c/p>\n\u003cp>\u003cspan id=\"more-36191\">\u003c/span>LA’s \u003ca href=\"http://www.jailweddings.net/\">Jail Weddings\u003c/a> (“I Thought You Were Someone I Knew”) head to San Francisco for two shows at the \u003ca href=\"http://www.hemlocktavern.com/prog_guide.php?adate_id=2011-06-25\">Hemlock Tavern\u003c/a> on June 25. Andre Williams will be headlining both shows.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Thao-Mirah/127029094040472\">Thao & Mirah\u003c/a> (“Little Cup”) conclude the duo’s national tour with a hometown show this month. They’ll be at the \u003ca href=\"http://www.gamh.com/artist_pages/thao_and_mirah_062311.htm\">Great American Music Hall\u003c/a> on June 23, with BOBBY and Led to Sea.\u003c/p>\n\u003cp>Berkeley band \u003ca href=\"http://www.wintersfallmusic.com/\">Winter’s Fall\u003c/a> (“In Your Head”) mixes Americana and indie rock on its latest album, \u003cb>At All Angles\u003c/b>. 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The band’s release show, with Le Vice and DJ set by Bortvan Ltd, is June 8 at \u003ca href=\"http://www.cafedunord.com/\">Cafe Du Nord\u003c/a>.\u003c/p>\n\u003cp>Unfortunately, San Francisco’s \u003ca href=\"http://www.facebook.com/pages/PART-TIME/105366072835033?sk=wall\">Part Time\u003c/a> (“Night Drive”) is no longer scheduled to be performing this month, but you should definitely check out this new wave-leaning band, which has a release forthcoming on \u003ca href=\"http://www.mexicansummer.com/home/\">Mexican Summer\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.black-lips.com/\">Black Lips\u003c/a>‘ (“Modern Art”) new album \u003cb>Arabia Mountain\u003c/b> comes out next week. The Atlanta garage rock band is touring the West Coast this month, playing at the \u003ca href=\"http://www.gamh.com/artist_pages/black_lips_061111.htm\">Great American Music Hall\u003c/a> on June 11 and 12.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>June kicks off the summer touring season, which means a bunch of acts coming through SF and locals heading out on tour. Not coincidentally, a bunch of the bands included here have new records out this month, including My First Earthquake, Matt Bauer, The Wooden Birds, and Black Lips. Enjoy this mix and then go check out some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>Local band \u003ca href=\"http://www.phantomkicksmusic.com/\">Phantom Kicks\u003c/a> (“Better Days Of”) released the \u003cb>Tectonics\u003c/b> EP for free download earlier this year. See them perform on June 18 at \u003ca href=\"http://www.elriosf.com/calendar/\">El Rio\u003c/a>, with Blackbird Blackbird, Old Arc, and Yalls.\u003c/p>\n\u003cp>\u003ca href=\"http://www.johnvanderslice.com/\">John Vanderslice\u003c/a> (“The Piano Lesson”) is reuniting with the Magik*Magik Orchestra for a one-time-only performance of \u003cb>White Wilderness\u003c/b> with a full orchestra and choir. \u003ca href=\"http://www.thebaybridged.com/2011/05/11/the-bay-bridged-presents-john-vanderslice-and-the-magikmagik-orchestra-perform-white-wilderness/\">Find out more\u003c/a> about this special show on June 17 at the Herbst Theatre.\u003c/p>\n\u003cp>Andrew Kenny (of American Analog Set) leads \u003ca href=\"http://www.facebook.com/thewoodenbirds?sk=wall\">The Wooden Birds\u003c/a> (“Two Matchsticks”), whose second album, \u003cb>Two Matchsticks\u003c/b>, comes out June 7. The band plays with The Definite Articles and White Cloud on June 25 at Bottom of the Hill.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This month, \u003ca href=\"http://crossbillrecords.com/shop/the-jessamine-county-book-of-the-living/\">Crossbill Records\u003c/a> will release \u003cb>The Jessamine County Book Of The Living\u003c/b>, the latest from former SFer \u003ca href=\"http://www.mattbauermusic.com/\">Matt Bauer\u003c/a> (“Blacklight Horses”). Bauer performs at \u003ca href=\"http://viracochasf.com\">Viracocha\u003c/a> on June 23, with Chloe Makes Music.\u003c/p>\n\u003cp>The US tour in support of \u003cb>Dancer Equired\u003c/b>, \u003ca href=\"http://timesnewviking.net/\">Times New Viking\u003c/a>‘s (“Ever Falling in Love”) first album on Merge Records, hits the \u003ca href=\"http://www.rickshawstop.com/event/37105/\">Rickshaw Stop\u003c/a> on June 14. King Tuff and Spencey Dude & The Doodles open the show.\u003c/p>\n\u003cp>Long-running New York garage rock band \u003ca href=\"http://www.fleshtones.org/\">The Fleshtones\u003c/a> (“Bite of My Soul”) released their latest album, \u003cb>Brooklyn Sound Solution\u003c/b>, on \u003ca href=\"http://www.yeproc.com/artist_info.php?artistId=232\">Yep Roc\u003c/a> earlier this year. East Bay Grease performs with the band at \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on June 28.\u003c/p>\n\u003cp>\u003cspan id=\"more-36191\">\u003c/span>LA’s \u003ca href=\"http://www.jailweddings.net/\">Jail Weddings\u003c/a> (“I Thought You Were Someone I Knew”) head to San Francisco for two shows at the \u003ca href=\"http://www.hemlocktavern.com/prog_guide.php?adate_id=2011-06-25\">Hemlock Tavern\u003c/a> on June 25. Andre Williams will be headlining both shows.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Thao-Mirah/127029094040472\">Thao & Mirah\u003c/a> (“Little Cup”) conclude the duo’s national tour with a hometown show this month. They’ll be at the \u003ca href=\"http://www.gamh.com/artist_pages/thao_and_mirah_062311.htm\">Great American Music Hall\u003c/a> on June 23, with BOBBY and Led to Sea.\u003c/p>\n\u003cp>Berkeley band \u003ca href=\"http://www.wintersfallmusic.com/\">Winter’s Fall\u003c/a> (“In Your Head”) mixes Americana and indie rock on its latest album, \u003cb>At All Angles\u003c/b>. The band joins Velvet Blue Music labelmates Mike Sempert (of Birds & Batteries) and Kissing Cousins, as well as Mist Giant, at the \u003ca href=\"http://www.rickshawstop.com/event/38877/\">Rickshaw Stop\u003c/a> on June 5.\u003c/p>\n\u003cp>\u003cb>Friction\u003c/b> is the new album from SF’s \u003ca href=\"http://www.myfirstearthquake.com/\">My First Earthquake\u003c/a> (“Nice to See You”), out June 7. The band’s release show, with Le Vice and DJ set by Bortvan Ltd, is June 8 at \u003ca href=\"http://www.cafedunord.com/\">Cafe Du Nord\u003c/a>.\u003c/p>\n\u003cp>Unfortunately, San Francisco’s \u003ca href=\"http://www.facebook.com/pages/PART-TIME/105366072835033?sk=wall\">Part Time\u003c/a> (“Night Drive”) is no longer scheduled to be performing this month, but you should definitely check out this new wave-leaning band, which has a release forthcoming on \u003ca href=\"http://www.mexicansummer.com/home/\">Mexican Summer\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.black-lips.com/\">Black Lips\u003c/a>‘ (“Modern Art”) new album \u003cb>Arabia Mountain\u003c/b> comes out next week. The Atlanta garage rock band is touring the West Coast this month, playing at the \u003ca href=\"http://www.gamh.com/artist_pages/black_lips_061111.htm\">Great American Music Hall\u003c/a> on June 11 and 12.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>This week’s entry was inspired by a covers-infused dinner Noise Pop put on with local SF supper club \u003ca href=\"http://www.graffeats.com/\">graffEats\u003c/a> on May 25, 2011. The chef prepared dishes that were covers of famous chefs’ dishes, with which Noise Pop paired cover songs. So every song in this episode is a cover. Taking it a step further Dawson and the team explore the different ways a cover can be done. To gain some insight Jesse and Dawson speak with Josh Modell, \u003ca href=\"http://www.avclub.com/\">A.V. Club\u003c/a>‘s Editor-in-Chief, about his fantastic \u003ca href=\"http://www.avclub.com/articles/the-walkmen-cover-rem,38887/\">\u003cb>Undercover\u003c/b>\u003c/a> series. With some help from Josh, the gang focuses on the recent past and finds covers of artists all over the spectrum from Joanna Newsom to Kermit the Frog. NOTE: There is no \u003cb>Ear About Town\u003c/b> this episode, however it will return next time.\u003c/p>\n\u003cp>\u003cstrong>Track list:\u003c/strong>\u003c/p>\n\u003cp>\u003cu>Serious\u003c/u>\u003c/p>\n\u003cp>“Such Great Heights” (The Postal Service) — Iron & Wine, \u003cb>Garden State Soundtrack\u003c/b>\u003cbr>“Bridges and Balloons” (Joanna Newsom) — The Decemberists, Live\u003cbr>“He Hit Me” (The Crystals) — Grizzly Bear, \u003cb>Friend\u003c/b>\u003c/p>\n\u003cp>\u003cu>Ironic\u003c/u>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We Built This City” (Starship) — Cursive, \u003cb>A.V. Undercover\u003c/b>\u003cbr>“It’s not Easy Bein’ Green” (Kermit the Frog) — Andrew Bird, Live\u003cbr>“Relief” (R. Kelly), — Sam Amidon, \u003cb>I See the Sign\u003c/b>\u003c/p>\n\u003cp>\u003cu>Post-Ironic\u003c/u>\u003c/p>\n\u003cp>“One More Try” (George Michael) — Iron & Wine, \u003cb>A.V. Undercover\u003c/b>\u003cbr>“Since U Been Gone/Maps” (Kelly Clarkson, Yeah Yeah Yeahs) — Ted Leo, Live\u003cbr>“Take On Me” (A-ha) — AC Newman, Starbuck’s \u003cb>Sweetheart\u003c/b> Compilation\u003cbr>“Jolene” (Dolly Parton) — The White Stripes, single\u003c/p>\n\u003cp>\u003cu>Songs That Sound Nothing Like the Original\u003c/u>\u003c/p>\n\u003cp>“Love is a Battlefield” (Pat Benatar) — Thao and Mirah,\u003cb>New, Improved, Live\u003c/b> session\u003cbr>“I Found a Reason” (Velvet Underground) — Cat Power, The Covers Record\u003c/p>\n\u003cp>\u003cu>Songs Better Than the Original\u003c/u>\u003c/p>\n\u003cp>“Limit to your Love” (Feist) James Blake, self-titled\u003c/p>\n\u003cp>\u003cu>Songs Not as Good as the Original\u003c/u>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I Wish I Was in New Orleans” (Tom Waits) — Scarlett Johansson, \u003cb>Anywhere I Lay My Head\u003c/b>\u003cbr>“All My Friends” (LCD Soundsystem) — Franz Ferdinand, single\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week’s entry was inspired by a covers-infused dinner Noise Pop put on with local SF supper club \u003ca href=\"http://www.graffeats.com/\">graffEats\u003c/a> on May 25, 2011. The chef prepared dishes that were covers of famous chefs’ dishes, with which Noise Pop paired cover songs. So every song in this episode is a cover. Taking it a step further Dawson and the team explore the different ways a cover can be done. To gain some insight Jesse and Dawson speak with Josh Modell, \u003ca href=\"http://www.avclub.com/\">A.V. Club\u003c/a>‘s Editor-in-Chief, about his fantastic \u003ca href=\"http://www.avclub.com/articles/the-walkmen-cover-rem,38887/\">\u003cb>Undercover\u003c/b>\u003c/a> series. With some help from Josh, the gang focuses on the recent past and finds covers of artists all over the spectrum from Joanna Newsom to Kermit the Frog. NOTE: There is no \u003cb>Ear About Town\u003c/b> this episode, however it will return next time.\u003c/p>\n\u003cp>\u003cstrong>Track list:\u003c/strong>\u003c/p>\n\u003cp>\u003cu>Serious\u003c/u>\u003c/p>\n\u003cp>“Such Great Heights” (The Postal Service) — Iron & Wine, \u003cb>Garden State Soundtrack\u003c/b>\u003cbr>“Bridges and Balloons” (Joanna Newsom) — The Decemberists, Live\u003cbr>“He Hit Me” (The Crystals) — Grizzly Bear, \u003cb>Friend\u003c/b>\u003c/p>\n\u003cp>\u003cu>Ironic\u003c/u>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We Built This City” (Starship) — Cursive, \u003cb>A.V. Undercover\u003c/b>\u003cbr>“It’s not Easy Bein’ Green” (Kermit the Frog) — Andrew Bird, Live\u003cbr>“Relief” (R. Kelly), — Sam Amidon, \u003cb>I See the Sign\u003c/b>\u003c/p>\n\u003cp>\u003cu>Post-Ironic\u003c/u>\u003c/p>\n\u003cp>“One More Try” (George Michael) — Iron & Wine, \u003cb>A.V. Undercover\u003c/b>\u003cbr>“Since U Been Gone/Maps” (Kelly Clarkson, Yeah Yeah Yeahs) — Ted Leo, Live\u003cbr>“Take On Me” (A-ha) — AC Newman, Starbuck’s \u003cb>Sweetheart\u003c/b> Compilation\u003cbr>“Jolene” (Dolly Parton) — The White Stripes, single\u003c/p>\n\u003cp>\u003cu>Songs That Sound Nothing Like the Original\u003c/u>\u003c/p>\n\u003cp>“Love is a Battlefield” (Pat Benatar) — Thao and Mirah,\u003cb>New, Improved, Live\u003c/b> session\u003cbr>“I Found a Reason” (Velvet Underground) — Cat Power, The Covers Record\u003c/p>\n\u003cp>\u003cu>Songs Better Than the Original\u003c/u>\u003c/p>\n\u003cp>“Limit to your Love” (Feist) James Blake, self-titled\u003c/p>\n\u003cp>\u003cu>Songs Not as Good as the Original\u003c/u>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I Wish I Was in New Orleans” (Tom Waits) — Scarlett Johansson, \u003cb>Anywhere I Lay My Head\u003c/b>\u003cbr>“All My Friends” (LCD Soundsystem) — Franz Ferdinand, single\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "For Jazz Pianist Omar Sosa, a New Direction Takes Him Inward",
"headTitle": "For Jazz Pianist Omar Sosa, a New Direction Takes Him Inward | KQED",
"content": "\u003cp>Omar Sosa’s concerts frequently spawn a kind of jazz calisthenics, with Sosa dancing around his piano, shifting in his seat as he attacks the keys, and waving his arms as he gets into the songs’ freneticism. This high-flying Sosa is nowhere to be found on his latest album, \u003cb>Calma\u003c/b>, whose musical spareness begs the question: What caused Sosa to change direction?\u003c/p>\n\u003cp>Call it a mid-career reassessment, or call it the way Sosa calls it: He’s simply in the mood for more reflective music. It’s not to the exclusion of his up-tempo style. Both dimensions will be evident when Sosa performs with his quintet next Monday, May 16, at Kuumbwa Jazz Center in Santa Cruz, and Wednesday, May 18, at Yoshi’s in San Francisco.\u003c/p>\n\u003cp>“I did the record to heal myself. I travel all over the world, and it’s hard when I see how crazy the world is — how we’re treating each other,” Sosa says. “I feel people need peace and calm.”\u003c/p>\n\u003cp>Sosa has done what jazz musicians have always done: interpret their times for a bigger audience and for their own well-being. John Coltrane did this in 1963 when he recorded the song “Alabama,” in response to a racist church bombing that killed four African-American girls. Sosa, who’s been nominated for five Grammys, is now 46 and the father of two young children. One of the most prolific Cuban artists in jazz, Sosa is always juggling new projects and new concert dates — a pace that heightens his awareness of how hectic and discombobulated the world can be.\u003c/p>\n\u003cp> \u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"405\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/XHIE4RUs3rw?fs=1&showinfo=0&hl=en_US&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/XHIE4RUs3rw?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" width=\"500\" height=\"405\" allowscriptaccess=\"always\" allowfullscreen=\"true\">\u003c/embed>\u003c/object>\u003c/center>\n\u003cp>Sosa’s Bay Area performances are a homecoming for him — he lived here in the 1990s, his record label, Ota, is based in Oakland, and it’s here that he established himself as a jazz innovator. In Sosa’s songs, you hear a melding of all the music that inspires him: Cuban, classical (including Satie and Debussy), African, Indian, and the jazz of Coltrane, Thelonious Monk and other American stalwarts. Since Sosa is so comfortable in different traditions, the element of surprise is always there with him; even within the same song (as on “L3zero,” from his 2004 album \u003cb>Mulatos\u003c/b>), a sequence may feature a sample of a DJ scratch, a Cuban rumba, a fantastical vibraphone, and a Benny Goodman-like clarinet solo — all anchored by piano-playing that glides and cavorts from here to there. Composer John Adams used the Latin phrase for “genius” to describe what Sosa does, saying a few years ago that “Sosa is a deeply creative musician with an extraordinary harmonic sense. His piano playing is \u003ci>sui generis\u003c/i>: It has obvious roots in Cuban music, but he’s taken his approach to the keyboard into completely new regions.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Which brings us back to \u003cb>Calma\u003c/b>. Sosa’s new region is internal. It’s that space where music turns you inward, toward contemplation and even rejuvenation. There’s a complete cycle to \u003cb>Calma\u003c/b> — the album starts with the minimalist song “Sunrise,” segues into more enlivened work (highlighted by “Aguas,” which incorporates the recorded sounds of African Pygmy people), then ends with “Sunset,” which ends on an emphatic series of notes. Recording \u003cb>Calma\u003c/b> in a New York studio, Sosa needed only an hour to complete the 13 songs, improvising the whole time. The album is just Sosa and his piano, accompanied by a few recorded elements.\u003c/p>\n\u003cp> \u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"405\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/ZJsu3pCVkVc?fs=1&showinfo=0&hl=en_US&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/ZJsu3pCVkVc?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" width=\"500\" height=\"405\" allowscriptaccess=\"always\" allowfullscreen=\"true\">\u003c/embed>\u003c/object>\u003c/center>\n\u003cp>Sosa’s career has taken him from his native Cuba to many countries in Africa and the Americas, and now Spain, where he divides his time between Barcelona and the island of Menorca. Sosa’s musicianship and collaborations with international artists may remind some people of Randy Weston, the celebrated New York jazz pianist who also has a background in classical music, was also influenced by Monk, and has also spent significant time living abroad and recording with artists outside of jazz. Sosa, though, distinguishes himself by emphasizing the Cuban roots of his music. And Sosa was originally schooled as a percussionist, not a keyboardist. Maintaining a heavy beat is in his musical DNA, but he has learned in middle age to rein in his impulses, even if he’s as outwardly frenzied as he’s always been.\u003c/p>\n\u003cp>“Your music can be crazy but you can also be peaceful,” says Sosa. “I’m happy with \u003cb>Calma\u003c/b>. I’m not used to listening to my music when it’s finished. You work ahead. But with \u003cb>Calma\u003c/b>, it’s completely different. I feel like it’s another person playing.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Omar Sosa performs Monday, May 16, 2011 at Kuumbwa Jazz Center in Santa Cruz, and Wednesday, May 18, 2011 at Yoshi’s in San Francisco. For tickets and information, visit \u003ca href=\"http://kuumbwajazz.org/index.php\">kuumbwajazz.org\u003c/a>\u003ca>\u003c/a> and \u003ca href=\"http://www.yoshis.com/\">yoshis.com\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Omar Sosa’s concerts frequently spawn a kind of jazz calisthenics, with Sosa dancing around his piano, shifting in his seat as he attacks the keys, and waving his arms as he gets into the songs’ freneticism. This high-flying Sosa is nowhere to be found on his latest album, \u003cb>Calma\u003c/b>, whose musical spareness begs the question: What caused Sosa to change direction?\u003c/p>\n\u003cp>Call it a mid-career reassessment, or call it the way Sosa calls it: He’s simply in the mood for more reflective music. It’s not to the exclusion of his up-tempo style. Both dimensions will be evident when Sosa performs with his quintet next Monday, May 16, at Kuumbwa Jazz Center in Santa Cruz, and Wednesday, May 18, at Yoshi’s in San Francisco.\u003c/p>\n\u003cp>“I did the record to heal myself. I travel all over the world, and it’s hard when I see how crazy the world is — how we’re treating each other,” Sosa says. “I feel people need peace and calm.”\u003c/p>\n\u003cp>Sosa has done what jazz musicians have always done: interpret their times for a bigger audience and for their own well-being. John Coltrane did this in 1963 when he recorded the song “Alabama,” in response to a racist church bombing that killed four African-American girls. Sosa, who’s been nominated for five Grammys, is now 46 and the father of two young children. One of the most prolific Cuban artists in jazz, Sosa is always juggling new projects and new concert dates — a pace that heightens his awareness of how hectic and discombobulated the world can be.\u003c/p>\n\u003cp> \u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"405\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/XHIE4RUs3rw?fs=1&showinfo=0&hl=en_US&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/XHIE4RUs3rw?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" width=\"500\" height=\"405\" allowscriptaccess=\"always\" allowfullscreen=\"true\">\u003c/embed>\u003c/object>\u003c/center>\n\u003cp>Sosa’s Bay Area performances are a homecoming for him — he lived here in the 1990s, his record label, Ota, is based in Oakland, and it’s here that he established himself as a jazz innovator. In Sosa’s songs, you hear a melding of all the music that inspires him: Cuban, classical (including Satie and Debussy), African, Indian, and the jazz of Coltrane, Thelonious Monk and other American stalwarts. Since Sosa is so comfortable in different traditions, the element of surprise is always there with him; even within the same song (as on “L3zero,” from his 2004 album \u003cb>Mulatos\u003c/b>), a sequence may feature a sample of a DJ scratch, a Cuban rumba, a fantastical vibraphone, and a Benny Goodman-like clarinet solo — all anchored by piano-playing that glides and cavorts from here to there. Composer John Adams used the Latin phrase for “genius” to describe what Sosa does, saying a few years ago that “Sosa is a deeply creative musician with an extraordinary harmonic sense. His piano playing is \u003ci>sui generis\u003c/i>: It has obvious roots in Cuban music, but he’s taken his approach to the keyboard into completely new regions.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Which brings us back to \u003cb>Calma\u003c/b>. Sosa’s new region is internal. It’s that space where music turns you inward, toward contemplation and even rejuvenation. There’s a complete cycle to \u003cb>Calma\u003c/b> — the album starts with the minimalist song “Sunrise,” segues into more enlivened work (highlighted by “Aguas,” which incorporates the recorded sounds of African Pygmy people), then ends with “Sunset,” which ends on an emphatic series of notes. Recording \u003cb>Calma\u003c/b> in a New York studio, Sosa needed only an hour to complete the 13 songs, improvising the whole time. The album is just Sosa and his piano, accompanied by a few recorded elements.\u003c/p>\n\u003cp> \u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"405\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/ZJsu3pCVkVc?fs=1&showinfo=0&hl=en_US&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/ZJsu3pCVkVc?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" width=\"500\" height=\"405\" allowscriptaccess=\"always\" allowfullscreen=\"true\">\u003c/embed>\u003c/object>\u003c/center>\n\u003cp>Sosa’s career has taken him from his native Cuba to many countries in Africa and the Americas, and now Spain, where he divides his time between Barcelona and the island of Menorca. Sosa’s musicianship and collaborations with international artists may remind some people of Randy Weston, the celebrated New York jazz pianist who also has a background in classical music, was also influenced by Monk, and has also spent significant time living abroad and recording with artists outside of jazz. Sosa, though, distinguishes himself by emphasizing the Cuban roots of his music. And Sosa was originally schooled as a percussionist, not a keyboardist. Maintaining a heavy beat is in his musical DNA, but he has learned in middle age to rein in his impulses, even if he’s as outwardly frenzied as he’s always been.\u003c/p>\n\u003cp>“Your music can be crazy but you can also be peaceful,” says Sosa. “I’m happy with \u003cb>Calma\u003c/b>. I’m not used to listening to my music when it’s finished. You work ahead. But with \u003cb>Calma\u003c/b>, it’s completely different. I feel like it’s another person playing.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Omar Sosa performs Monday, May 16, 2011 at Kuumbwa Jazz Center in Santa Cruz, and Wednesday, May 18, 2011 at Yoshi’s in San Francisco. For tickets and information, visit \u003ca href=\"http://kuumbwajazz.org/index.php\">kuumbwajazz.org\u003c/a>\u003ca>\u003c/a> and \u003ca href=\"http://www.yoshis.com/\">yoshis.com\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
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"meta": {
"site": "radio",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"id": "here-and-now",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
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"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
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