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Enjoy this mix of thirteen tunes and then go see some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/deletedscenesmusic\">Deleted Scenes\u003c/a> (“Bedbedbedbedbed”) is touring behind \u003cem>Young People’s Church of the Air\u003c/em>, the D.C. band’s latest collection of psych-pop. A Lull and Ravenna Woods also \u003ca href=\"http://www.rickshawstop.com/event/80351/\">perform at the Rickshaw Stop\u003c/a> on January 23.\u003c/p>\n\u003cp>\u003ca href=\"http://brainstormbrainstorm.bandcamp.com/\">Brainstorm\u003c/a> (“Forms Without a Frame”) is a big-sounding experimental pop duo from Portland. The band’s touring comes to \u003ca href=\"http://www.vitusoakland.com/event/83653/\">Vitus\u003c/a> on January 5 and the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-01-11\">Hemlock Tavern\u003c/a> on the 1/11.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After the recent release of the \u003cem>Heatwave\u003c/em> EP, \u003ca href=\"http://www.facebook.com/pages/Ash-Reiter/207972495886912\">Ash Reiter\u003c/a> (“Heatwave”) will be performing at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> on January 11 and the \u003ca href=\"http://www.starryploughpub.com/eventscalendar/upcoming\">Starry Plough\u003c/a> on January 27.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/churchmusic\">Churches\u003c/a> (“Save Me”) is a new band that includes Caleb Nichols (of Grand Lake) and Pat Spurgeon (of Rogue Wave). You can see them at a \u003ca href=\"http://www.facebook.com/events/268617413198915/\">free show at The Uptown\u003c/a> on January 6, with Grass Widow, Culture Kids, and Wave Array.\u003c/p>\n\u003cp>Oakland rock and roll trio \u003ca href=\"http://www.facebook.com/primitivehearts\">Primitive Hearts\u003c/a> (“Killin’ Time”) has some great demos you can download on \u003ca href=\"http://primitivehearts.bandcamp.com/album/primitive-demo\">Bandcamp\u003c/a>. The band is \u003ca href=\"http://www.facebook.com/events/228082837265553/\">playing at 1-2-3-4 Go! Records\u003c/a> with SorryEverAfter and Dark Beach on January 19.\u003c/p>\n\u003cp>The \u003cem>Dyunes\u003c/em> EP is the first release from SF’s \u003ca href=\"http://www.facebook.com/pages/Poor-Sons/114430761922086\">Poor Sons\u003c/a> (“Scales”). Party Owl and Cool Ghouls perform alongside the band \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-01-14\">at the Hemlock Tavern\u003c/a> on January 14.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/jeffertitti\">Jeffertitti’s Nile\u003c/a> (“Mountain Jam”) is touring the West Coast this month. See the LA psych band at \u003ca href=\"http://www.theeparkside.com\">Thee Parkside\u003c/a> on January 19 and at \u003ca href=\"http://www.theknockoutsf.com\">The Knockout\u003c/a> on January 23.\u003c/p>\n\u003cp>Captured Tracks released the self-titled album from \u003ca href=\"http://www.facebook.com/bblouse\">Blouse\u003c/a> (“Videotapes”) last year. On January 19, the dream pop band joins labelmate The Soft Moon at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a>.\u003c/p>\n\u003cp>UK quartet \u003ca href=\"http://www.facebook.com/FujiyaMiyagi\">Fujiya and Miyagi\u003c/a> (“Yoyo”) hit the US following the release of the new single, “Ecstatic Dancer.” The Frail open their January 30 \u003ca href=\"http://www.theindependentsf.com/event/77693/\">show at The Independent\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/Starfucker\">Starfucker\u003c/a>‘s (“Bury Us Alive”) US tour finds the synth-pop act playing the Bay Area three times in four days: at \u003ca href=\"http://www.thenewparish.com\">The New Parish\u003c/a> on January 4, the \u003ca href=\"http://www.slimspresents.com/events/2012-01-06/starfucker/\">Great American Music Hall\u003c/a> on 1/6, and \u003ca href=\"http://www.theindependentsf.com/event/69901/\">The Independent\u003c/a> on January 7.\u003c/p>\n\u003cp>LA experimental pop duo \u003ca href=\"http://www.facebook.com/pages/High-Places/83873543030\">High Places\u003c/a> (“Year Off”) will be taking part in a \u003ca href=\"http://www.bampfa.berkeley.edu/exhibition/late012712\">Berkeley Art Museum event\u003c/a> inspired by the moon. The night is part of the museum’s L@TE series of shows, and takes place on January 27. \u003c/p>\n\u003cp>January’s shows mark the first West Coast appearances for NYC band \u003ca href=\"http://www.facebook.com/pages/Religious-to-Damn/17558358639\">Religious to Damn\u003c/a> (“Glass Prayer”). The group joins Wax Idols and Alexis \u003ca href=\"http://www.facebook.com/events/200731716677119/\">at the Elbo Room\u003c/a> on January 18.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The reliably-great \u003ca href=\"http://www.vetiverse.com/\">Vetiver\u003c/a> (“Can’t You Tell”) \u003ca href=\"http://www.theindependentsf.com/event/76171/\">performs at The Independent\u003c/a> on January 15. Magic Trick, Prairiedog, and DJ Britt Govea will also be performing.\u003c/p>\n\n",
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"excerpt": "Listen to \u003ci>The Bay Bridged\u003c/i> podcast sampling some of the great local and out-of-town bands performing this month in the San Francisco Bay Area, including Churches, Poor Sons and Primitive Hearts.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If the beginning of January feels a little slim on the live music front, things should ramp back up into the usual overwhelming number of interesting shows by the month’s end. Several young local bands recently came onto our radar — including Churches, Poor Sons, and Primitive Hearts — and they’re all partaking in locals-heavy bills in the next few weeks.\u003c/p>\n\u003cp>On the coming-into-town front, it seems that, by sheer coincidence, a number of the month’s highlights all offer variations on electronic pop. From the most immediate and dance-oriented, like Fujiya and Miyagi, to the more experimental, including High Places and Religious to Damn, synth fans have a lot to get excited about in January. Enjoy this mix of thirteen tunes and then go see some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/deletedscenesmusic\">Deleted Scenes\u003c/a> (“Bedbedbedbedbed”) is touring behind \u003cem>Young People’s Church of the Air\u003c/em>, the D.C. band’s latest collection of psych-pop. A Lull and Ravenna Woods also \u003ca href=\"http://www.rickshawstop.com/event/80351/\">perform at the Rickshaw Stop\u003c/a> on January 23.\u003c/p>\n\u003cp>\u003ca href=\"http://brainstormbrainstorm.bandcamp.com/\">Brainstorm\u003c/a> (“Forms Without a Frame”) is a big-sounding experimental pop duo from Portland. The band’s touring comes to \u003ca href=\"http://www.vitusoakland.com/event/83653/\">Vitus\u003c/a> on January 5 and the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-01-11\">Hemlock Tavern\u003c/a> on the 1/11.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After the recent release of the \u003cem>Heatwave\u003c/em> EP, \u003ca href=\"http://www.facebook.com/pages/Ash-Reiter/207972495886912\">Ash Reiter\u003c/a> (“Heatwave”) will be performing at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> on January 11 and the \u003ca href=\"http://www.starryploughpub.com/eventscalendar/upcoming\">Starry Plough\u003c/a> on January 27.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/churchmusic\">Churches\u003c/a> (“Save Me”) is a new band that includes Caleb Nichols (of Grand Lake) and Pat Spurgeon (of Rogue Wave). You can see them at a \u003ca href=\"http://www.facebook.com/events/268617413198915/\">free show at The Uptown\u003c/a> on January 6, with Grass Widow, Culture Kids, and Wave Array.\u003c/p>\n\u003cp>Oakland rock and roll trio \u003ca href=\"http://www.facebook.com/primitivehearts\">Primitive Hearts\u003c/a> (“Killin’ Time”) has some great demos you can download on \u003ca href=\"http://primitivehearts.bandcamp.com/album/primitive-demo\">Bandcamp\u003c/a>. The band is \u003ca href=\"http://www.facebook.com/events/228082837265553/\">playing at 1-2-3-4 Go! Records\u003c/a> with SorryEverAfter and Dark Beach on January 19.\u003c/p>\n\u003cp>The \u003cem>Dyunes\u003c/em> EP is the first release from SF’s \u003ca href=\"http://www.facebook.com/pages/Poor-Sons/114430761922086\">Poor Sons\u003c/a> (“Scales”). Party Owl and Cool Ghouls perform alongside the band \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-01-14\">at the Hemlock Tavern\u003c/a> on January 14.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/jeffertitti\">Jeffertitti’s Nile\u003c/a> (“Mountain Jam”) is touring the West Coast this month. See the LA psych band at \u003ca href=\"http://www.theeparkside.com\">Thee Parkside\u003c/a> on January 19 and at \u003ca href=\"http://www.theknockoutsf.com\">The Knockout\u003c/a> on January 23.\u003c/p>\n\u003cp>Captured Tracks released the self-titled album from \u003ca href=\"http://www.facebook.com/bblouse\">Blouse\u003c/a> (“Videotapes”) last year. On January 19, the dream pop band joins labelmate The Soft Moon at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a>.\u003c/p>\n\u003cp>UK quartet \u003ca href=\"http://www.facebook.com/FujiyaMiyagi\">Fujiya and Miyagi\u003c/a> (“Yoyo”) hit the US following the release of the new single, “Ecstatic Dancer.” The Frail open their January 30 \u003ca href=\"http://www.theindependentsf.com/event/77693/\">show at The Independent\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/Starfucker\">Starfucker\u003c/a>‘s (“Bury Us Alive”) US tour finds the synth-pop act playing the Bay Area three times in four days: at \u003ca href=\"http://www.thenewparish.com\">The New Parish\u003c/a> on January 4, the \u003ca href=\"http://www.slimspresents.com/events/2012-01-06/starfucker/\">Great American Music Hall\u003c/a> on 1/6, and \u003ca href=\"http://www.theindependentsf.com/event/69901/\">The Independent\u003c/a> on January 7.\u003c/p>\n\u003cp>LA experimental pop duo \u003ca href=\"http://www.facebook.com/pages/High-Places/83873543030\">High Places\u003c/a> (“Year Off”) will be taking part in a \u003ca href=\"http://www.bampfa.berkeley.edu/exhibition/late012712\">Berkeley Art Museum event\u003c/a> inspired by the moon. The night is part of the museum’s L@TE series of shows, and takes place on January 27. \u003c/p>\n\u003cp>January’s shows mark the first West Coast appearances for NYC band \u003ca href=\"http://www.facebook.com/pages/Religious-to-Damn/17558358639\">Religious to Damn\u003c/a> (“Glass Prayer”). The group joins Wax Idols and Alexis \u003ca href=\"http://www.facebook.com/events/200731716677119/\">at the Elbo Room\u003c/a> on January 18.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The reliably-great \u003ca href=\"http://www.vetiverse.com/\">Vetiver\u003c/a> (“Can’t You Tell”) \u003ca href=\"http://www.theindependentsf.com/event/76171/\">performs at The Independent\u003c/a> on January 15. Magic Trick, Prairiedog, and DJ Britt Govea will also be performing.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>On \u003ca href=\"http://www.npr.org/2011/12/20/143901329/all-songs-considered-holiday-music-special-2011\">last week’s \u003cem>All Songs Considered\u003c/em>\u003c/a>, we rang out 2011 with a show of holiday music that featured the sounds of sleigh bells. This week, we ring in the new year with Sleigh Bells of a different sort: \u003ca href=\"http://twitter.com/allsongs\">Bob Boilen\u003c/a>, \u003ca href=\"http://twitter.com/annkpowers\">Ann Powers\u003c/a>, \u003ca href=\"http://twitter.com/idislikestephen\">Stephen Thompson \u003c/a>and Jacob Ganz flip the release-date calendar forward to look at \u003ca href=\"http://www.npr.org/2011/12/29/144267273/2012-winter-music-preview?ft=3&f=10001\">a dozen new songs\u003c/a> from albums that come out in the early months of 2012.\u003c/p>\n\u003cp>That crop includes the first blasts of sound from \u003cem>Reign of Terror, \u003c/em>the sophomore album from \u003ca href=\"http://www.npr.org/artists/126668015/sleigh-bells\" target=\"_blank\" rel=\"noopener\">Sleigh Bells\u003c/a>, which puts a studio sheen on the duo’s machine-gun beats and flame-thrower guitars. A few more favorites offer new twists on familiar sounds: \u003cem>Clear Heart Full Eyes\u003c/em>, the first solo album from \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15197852\" target=\"_blank\" rel=\"noopener\">The Hold Steady\u003c/a> frontman Craig Finn, sounds thoughtful and almost depressed. \u003cem>Tramp, \u003c/em>the third album from \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=129870037\" target=\"_blank\" rel=\"noopener\">Sharon Van Etten\u003c/a>, shows off the songwriter’s rough side. \u003cem>La Grande \u003c/em>surrounds \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15159824\" target=\"_blank\" rel=\"noopener\">Laura Gibson\u003c/a>‘s haunted voice with muscular drumming.\u003c/p>\n\u003cp>In the first few months of 2012, we’ll also greet the long-awaited return of the veteran indie-pop band \u003ca href=\"http://www.npr.org/artists/15161556/imperial-teen\" target=\"_blank\" rel=\"noopener\">Imperial Teen\u003c/a>, while the guitar-drums-and-violin trio Dirty Three will break a seven-year hiatus to release the typically stormy \u003cem>Toward the Low Sun\u003c/em>.\u003c/p>\n\u003cp>Also on the program: releases from \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=17081755\" target=\"_blank\" rel=\"noopener\">Adam Arcuragi\u003c/a> and \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15124357\" target=\"_blank\" rel=\"noopener\">Shearwater\u003c/a> (both set to build on the longtime support of Bob and Stephen, respectively), burly roots-rock from The White Buffalo, gospel-inspired jazz from \u003ca href=\"http://www.npr.org/artists/15393702/charlie-haden\" target=\"_blank\" rel=\"noopener\">Charlie Haden\u003c/a> and the late \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15403739\" target=\"_blank\" rel=\"noopener\">Hank Jones\u003c/a>, and more. Copyright 2011 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/2011/12/29/144267273/2012-winter-music-preview?ft=3&f=10001\">http://www.npr.org/\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On \u003ca href=\"http://www.npr.org/2011/12/20/143901329/all-songs-considered-holiday-music-special-2011\">last week’s \u003cem>All Songs Considered\u003c/em>\u003c/a>, we rang out 2011 with a show of holiday music that featured the sounds of sleigh bells. This week, we ring in the new year with Sleigh Bells of a different sort: \u003ca href=\"http://twitter.com/allsongs\">Bob Boilen\u003c/a>, \u003ca href=\"http://twitter.com/annkpowers\">Ann Powers\u003c/a>, \u003ca href=\"http://twitter.com/idislikestephen\">Stephen Thompson \u003c/a>and Jacob Ganz flip the release-date calendar forward to look at \u003ca href=\"http://www.npr.org/2011/12/29/144267273/2012-winter-music-preview?ft=3&f=10001\">a dozen new songs\u003c/a> from albums that come out in the early months of 2012.\u003c/p>\n\u003cp>That crop includes the first blasts of sound from \u003cem>Reign of Terror, \u003c/em>the sophomore album from \u003ca href=\"http://www.npr.org/artists/126668015/sleigh-bells\" target=\"_blank\" rel=\"noopener\">Sleigh Bells\u003c/a>, which puts a studio sheen on the duo’s machine-gun beats and flame-thrower guitars. A few more favorites offer new twists on familiar sounds: \u003cem>Clear Heart Full Eyes\u003c/em>, the first solo album from \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15197852\" target=\"_blank\" rel=\"noopener\">The Hold Steady\u003c/a> frontman Craig Finn, sounds thoughtful and almost depressed. \u003cem>Tramp, \u003c/em>the third album from \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=129870037\" target=\"_blank\" rel=\"noopener\">Sharon Van Etten\u003c/a>, shows off the songwriter’s rough side. \u003cem>La Grande \u003c/em>surrounds \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15159824\" target=\"_blank\" rel=\"noopener\">Laura Gibson\u003c/a>‘s haunted voice with muscular drumming.\u003c/p>\n\u003cp>In the first few months of 2012, we’ll also greet the long-awaited return of the veteran indie-pop band \u003ca href=\"http://www.npr.org/artists/15161556/imperial-teen\" target=\"_blank\" rel=\"noopener\">Imperial Teen\u003c/a>, while the guitar-drums-and-violin trio Dirty Three will break a seven-year hiatus to release the typically stormy \u003cem>Toward the Low Sun\u003c/em>.\u003c/p>\n\u003cp>Also on the program: releases from \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=17081755\" target=\"_blank\" rel=\"noopener\">Adam Arcuragi\u003c/a> and \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15124357\" target=\"_blank\" rel=\"noopener\">Shearwater\u003c/a> (both set to build on the longtime support of Bob and Stephen, respectively), burly roots-rock from The White Buffalo, gospel-inspired jazz from \u003ca href=\"http://www.npr.org/artists/15393702/charlie-haden\" target=\"_blank\" rel=\"noopener\">Charlie Haden\u003c/a> and the late \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15403739\" target=\"_blank\" rel=\"noopener\">Hank Jones\u003c/a>, and more. Copyright 2011 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/2011/12/29/144267273/2012-winter-music-preview?ft=3&f=10001\">http://www.npr.org/\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>(In alphabetical order)\u003c/p>\n\u003cp>Glen Campbell, \u003ci>Ghost on the Canvas\u003c/i>\u003cbr> After a career encompassing guitar-ace status with the Wrecking Crew on (among many others) Sinatra, Presley and Beach Boys sessions, dozens of his own groundbreaking and beloved hits, an iconic TV variety series, acting with John Wayne in \u003ci>True Grit\u003c/i> — and some digressions into troubled behavior — Campbell has made the album of his life. Literally. \u003ci>Ghost\u003c/i> traces the arc of his journey from Depression poverty of his Arkansas childhood through his roller-coaster success to his current twilight, 75 with his memories flickering out due to Alzheimer’s but his faith in love (both Earthly and eternal) strong. But it side-steps mundane autobiography, rather using colorful allusion in the music (echoes of such classic countrypolitan as “Wichita Lineman” abound) and expressive lyrics to tell the story. Songwriting contributions from Paul Westerberg (including the title track), Jakob Dylan and other young acolytes are uniformly strong, but it’s such originals as the curtain-raiser “A Better Place” and “It’s Your Amazing Grace,” built by producer Julian Raymond from Campbell’s insights, that make this “farewell” album a worthy capper to a remarkable journey.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=A7kw5zXVFVQ&w=480&h=274]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/cooder200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Ry Cooder, \u003ci>Pull Up Some Dust and Sit Down\u003c/i>\u003cbr>Having devoted his last few albums to colorful memories (and some tall tales) about Southern California in the ’50s, culminating in his new book \u003ci>Los Angeles Stories\u003c/i>, Cooder taps into his inner Woody Guthrie for his latest album. Pointed sarcasm (“No Banker Left Behind”) mixes with poignant tableaus (a lonely old man’s lament for his long-absent Mexican maid in “Dirty Chateau”), stirred with Norteño polka, blues, reggae, funk, rock ‘n’ roll and all the other music at the guitarist’s great command. And he’s not through — he recently followed up with an “Occupied” single, “The Wall Street Part of Town.”\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/dengue200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Dengue Fever, \u003ci>Cannibal Courtship\u003c/i>\u003cbr>Not only has the alt-Cambodian hybrid evolved into something that far transcends the novelty of its beginnings (L.A. rockers teaming with Cambodian-born singer Chhom Nimol to cover her country’s ’70s pop hits) with such original avant-beach-pop peaks as “Cement Slippers” (sung in English!), but this album marks the recording debut of the Mastadong, Zac Holtzman’s custom-built, two-necked splicing of a Fender JazzMaster with a two-stringed Cambodian lute known as a chapei dong veng.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=42OvUz3UhsI&w=480&h=274]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/fairfield200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Frank Fairfield, \u003ci>Out On the Open West\u003c/i>\u003cbr>Old-timey music from a young-timey musician. Los Angeles fiddler (and banjoist, guitarist) and singer Fairfield doesn’t just play tunes from or evoking ’20s rural America, he inhabits them. As such, while at times he plays it all pretty straight, he makes it all as fresh as it was in the earliest days of recorded music. And in some places, notably “Poor Old Lance” with its otherwordly string trio, he creates a vibe that could be called urban rustic. Or new antique.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/hanni200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Hanni El Khatib, \u003ci>Will the Guns Come Out\u003c/i>\u003cbr>This San Francisco-raised son of Palestinian and Filipino immigrants is the all-American garage-rock boy, not just picking up where the White Stripes and Black Keys took things, but going back to their roots in rock, blues, soul and even doo-wop to create his own gloriously unkempt but virtuosic blend, embodied by the power-blast (and title) of the song “Build. Destroy. Rebuild.” And he confidently puts his own stamp on covers from disparate eras and styles: the Dixieland standard “You Rascal You,” Elvis’ “Heartbreak Hotel” and Funkadelic’s “I Got a Thing, You Got a Thing, Everbody’s Got a Thing.” Oh yeah, he’s got a thing alright.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/moreno200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Gabby Moreno, \u003ci>Illustrated Songs\u003c/i>\u003cbr>The Guatemala City-raised Los Angeles resident is bilingual in her singing (Spanish and English), but many-more-lingual in her music, equally expressive in breezy tropical or country-ish romantic moods (“Fin”) as in scorching blues and R&B (“Mess a Good Thing”) and even a speakeasy-ready slink (“Daydream by Design”). This isn’t dilettantish scattershot, though, but a wide-ranging embrace captured fully in the outsider-solidarity song “Ave Que Emigra” and the earthy, horns-spiked growler “Sing Me Life.”\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=sIdRsY5HJGw&w=480&h=274]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/novik200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Aaron Novik, \u003ci>Floating World Vol. 1\u003c/i>\u003cbr>Bay Area composer and bass clarinetist Novik found inspiration in the words of three Mission District “outsiders” for his genre-free chamber music song cycle. The music balances the formality of composition with the top-of-the-head thoughts of the wordsmiths, coming in somewhere between \u003ci>The Threepenny Opera\u003c/i> and Harry Partch’s hobo songs, while an all-star band of players and singers, including Tin Hat Trio/Charming Hostess member Carla Kihlstedt and Katy Stephan give voice to colorful observations ranging from “Hitler 1945” to “Peanut Butter and Jam Germ Sandwich.”\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/sealions200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Sea Lions, \u003ci>Everything You Always Wanted to Know About Sea Lions But Were Afraid to Ask\u003c/i>\u003cbr>Coming out of that well-known rock hotbed Oxnard, this young quintet’s debut is DIY at its best — guileless and sweet, sounding like singer-songwriter Adrian Pillado spent his formative years immersed equally in Buddy Holly, the Beach Boys and the Cure. Guitars are over-reverbed, the vocals are pointedly buried in the mix, all serving an aura of sweet naivete that calls to mind Jonathan Richman.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/howling200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Various, \u003ci>Hear Me Howling! Blues, Ballads & Beyond as recorded by the San Francisco Bay by Chris Strachwitz in the 1960s.\u003c/i>\u003cbr>The “beyond,” from the teenybopper ephemera of “The Beatles Are in Town” to some out-there free jazz, may be the key to truly appreciating what the El Cerrito-based Arhoolie Records label is all about: label founder and guru Chris Strachwitz has always valued energy and immediacy over genre or style. This elaborate 4-CD/book combo drawn from Arhoolie’s heady ’60s output, with detailed, informative and entertaining text by Adam Machado, was released in early 2011 to celebrate both the label’s 50th anniversary and Strachwitz’s 80th birthday. Coming from Germany as a youth after WWII with his mom and becoming besotted with North American regional music, starting with blues and traditional jazz. Recording started as a hobby but quickly became much more as he brought such figures as Texas bluesman Lightning Hopkins, Mance Lipscomb and Big Mama Thornton out of the shadows, not to mention entire cultural phenoma including Cajun, Zydeco and Norteño. Strachwitz is still going strong and the Arhoolie treasures’ value is infinite. And beyond.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/wilson200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Jonathan Wilson, \u003ci>Gentle Spirit\u003c/i>\u003cbr>He’s been declared “The King of Laurel Canyon” by the breathless English press. And indeed he’s the fulcrum of a vibrant scene, taken under the wing of Jackson Browne and Graham Nash and in turn mentoring and producing such locals as the band Dawes and Mia Doi Todd. His album is stronger on vibe than songwriting, but it’s a very cool vibe, powered by his expressive guitar skills and unfolding, yes, gently but with simmering power over the course of its 78 minutes.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>(In alphabetical order)\u003c/p>\n\u003cp>Glen Campbell, \u003ci>Ghost on the Canvas\u003c/i>\u003cbr> After a career encompassing guitar-ace status with the Wrecking Crew on (among many others) Sinatra, Presley and Beach Boys sessions, dozens of his own groundbreaking and beloved hits, an iconic TV variety series, acting with John Wayne in \u003ci>True Grit\u003c/i> — and some digressions into troubled behavior — Campbell has made the album of his life. Literally. \u003ci>Ghost\u003c/i> traces the arc of his journey from Depression poverty of his Arkansas childhood through his roller-coaster success to his current twilight, 75 with his memories flickering out due to Alzheimer’s but his faith in love (both Earthly and eternal) strong. But it side-steps mundane autobiography, rather using colorful allusion in the music (echoes of such classic countrypolitan as “Wichita Lineman” abound) and expressive lyrics to tell the story. Songwriting contributions from Paul Westerberg (including the title track), Jakob Dylan and other young acolytes are uniformly strong, but it’s such originals as the curtain-raiser “A Better Place” and “It’s Your Amazing Grace,” built by producer Julian Raymond from Campbell’s insights, that make this “farewell” album a worthy capper to a remarkable journey.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/A7kw5zXVFVQ'\n title='//www.youtube.com/embed/A7kw5zXVFVQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/cooder200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Ry Cooder, \u003ci>Pull Up Some Dust and Sit Down\u003c/i>\u003cbr>Having devoted his last few albums to colorful memories (and some tall tales) about Southern California in the ’50s, culminating in his new book \u003ci>Los Angeles Stories\u003c/i>, Cooder taps into his inner Woody Guthrie for his latest album. Pointed sarcasm (“No Banker Left Behind”) mixes with poignant tableaus (a lonely old man’s lament for his long-absent Mexican maid in “Dirty Chateau”), stirred with Norteño polka, blues, reggae, funk, rock ‘n’ roll and all the other music at the guitarist’s great command. And he’s not through — he recently followed up with an “Occupied” single, “The Wall Street Part of Town.”\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/dengue200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Dengue Fever, \u003ci>Cannibal Courtship\u003c/i>\u003cbr>Not only has the alt-Cambodian hybrid evolved into something that far transcends the novelty of its beginnings (L.A. rockers teaming with Cambodian-born singer Chhom Nimol to cover her country’s ’70s pop hits) with such original avant-beach-pop peaks as “Cement Slippers” (sung in English!), but this album marks the recording debut of the Mastadong, Zac Holtzman’s custom-built, two-necked splicing of a Fender JazzMaster with a two-stringed Cambodian lute known as a chapei dong veng.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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Los Angeles fiddler (and banjoist, guitarist) and singer Fairfield doesn’t just play tunes from or evoking ’20s rural America, he inhabits them. As such, while at times he plays it all pretty straight, he makes it all as fresh as it was in the earliest days of recorded music. And in some places, notably “Poor Old Lance” with its otherwordly string trio, he creates a vibe that could be called urban rustic. Or new antique.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/hanni200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Hanni El Khatib, \u003ci>Will the Guns Come Out\u003c/i>\u003cbr>This San Francisco-raised son of Palestinian and Filipino immigrants is the all-American garage-rock boy, not just picking up where the White Stripes and Black Keys took things, but going back to their roots in rock, blues, soul and even doo-wop to create his own gloriously unkempt but virtuosic blend, embodied by the power-blast (and title) of the song “Build. Destroy. Rebuild.” And he confidently puts his own stamp on covers from disparate eras and styles: the Dixieland standard “You Rascal You,” Elvis’ “Heartbreak Hotel” and Funkadelic’s “I Got a Thing, You Got a Thing, Everbody’s Got a Thing.” Oh yeah, he’s got a thing alright.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/moreno200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Gabby Moreno, \u003ci>Illustrated Songs\u003c/i>\u003cbr>The Guatemala City-raised Los Angeles resident is bilingual in her singing (Spanish and English), but many-more-lingual in her music, equally expressive in breezy tropical or country-ish romantic moods (“Fin”) as in scorching blues and R&B (“Mess a Good Thing”) and even a speakeasy-ready slink (“Daydream by Design”). This isn’t dilettantish scattershot, though, but a wide-ranging embrace captured fully in the outsider-solidarity song “Ave Que Emigra” and the earthy, horns-spiked growler “Sing Me Life.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sIdRsY5HJGw'\n title='//www.youtube.com/embed/sIdRsY5HJGw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/novik200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Aaron Novik, \u003ci>Floating World Vol. 1\u003c/i>\u003cbr>Bay Area composer and bass clarinetist Novik found inspiration in the words of three Mission District “outsiders” for his genre-free chamber music song cycle. The music balances the formality of composition with the top-of-the-head thoughts of the wordsmiths, coming in somewhere between \u003ci>The Threepenny Opera\u003c/i> and Harry Partch’s hobo songs, while an all-star band of players and singers, including Tin Hat Trio/Charming Hostess member Carla Kihlstedt and Katy Stephan give voice to colorful observations ranging from “Hitler 1945” to “Peanut Butter and Jam Germ Sandwich.”\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/sealions200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Sea Lions, \u003ci>Everything You Always Wanted to Know About Sea Lions But Were Afraid to Ask\u003c/i>\u003cbr>Coming out of that well-known rock hotbed Oxnard, this young quintet’s debut is DIY at its best — guileless and sweet, sounding like singer-songwriter Adrian Pillado spent his formative years immersed equally in Buddy Holly, the Beach Boys and the Cure. Guitars are over-reverbed, the vocals are pointedly buried in the mix, all serving an aura of sweet naivete that calls to mind Jonathan Richman.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/howling200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Various, \u003ci>Hear Me Howling! Blues, Ballads & Beyond as recorded by the San Francisco Bay by Chris Strachwitz in the 1960s.\u003c/i>\u003cbr>The “beyond,” from the teenybopper ephemera of “The Beatles Are in Town” to some out-there free jazz, may be the key to truly appreciating what the El Cerrito-based Arhoolie Records label is all about: label founder and guru Chris Strachwitz has always valued energy and immediacy over genre or style. This elaborate 4-CD/book combo drawn from Arhoolie’s heady ’60s output, with detailed, informative and entertaining text by Adam Machado, was released in early 2011 to celebrate both the label’s 50th anniversary and Strachwitz’s 80th birthday. Coming from Germany as a youth after WWII with his mom and becoming besotted with North American regional music, starting with blues and traditional jazz. Recording started as a hobby but quickly became much more as he brought such figures as Texas bluesman Lightning Hopkins, Mance Lipscomb and Big Mama Thornton out of the shadows, not to mention entire cultural phenoma including Cajun, Zydeco and Norteño. Strachwitz is still going strong and the Arhoolie treasures’ value is infinite. 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"title": "13 Best Songs of 2011",
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"content": "\u003cp>From seminal sophomore records to breakthrough hits, 2011 has been a great year for indie music. With the help of friends, music industry insiders and artists, the Noise Pop Podcast team says goodbye to 2011 with their favorite tracks of the year.\u003c/p>\n\u003cp>\u003cb>Tracklist:\u003c/b>\u003cbr>1. “Midnight City” — M83, \u003ci>Hurry Up, We’re Dreaming\u003c/i> — Jaime Nabrynski\u003cbr>2. “Gangsta” — tUnE-yArDs, \u003ci>w h o k i l l\u003c/i> — Ian Port, Music Editor, \u003ci>SF Weekly\u003c/i>\u003cbr>3. “Terra” — Julian Lynch, \u003ci>Terra\u003c/i> — Martin Courtney singer/guitarist, Real Estate\u003cbr>4. “Belispeak” — Purity Ring, split single — Peter Arko, \u003ca href=\"http://www.earsofthebeholder.com/\">Ears of the Beholder\u003c/a>\u003cbr>5. “Speech” — Cousins, split single — Megan James, Purity Ring\u003cbr>6. “Putting the Dog to Sleep” — The Antlers, \u003ci>Burst Apart\u003c/i> — Jesse Fox\u003cbr>7. “Jam For Jerry” — Holy Ghost!, \u003ci>Holy Ghost!\u003c/i>— Paul Hanly, Frenchkiss Records\u003cbr>8. “Chinatown” — Destroyer, \u003ci>Kaputt\u003c/i> — Joe Goldberg, Zeitgeist Artist Management\u003cbr>9. “The Whip” — Locksley, \u003ci>Locksley\u003c/i> — Dan Strachota, Noise Pop\u003cbr>10. “Now That I’m Real (How Does it Feel?)” — Chad Valley, \u003ci>Equatorial Ultravox\u003c/i> EP — Kayvon Siadat, Music Director, KSCU\u003cbr>11. “Civilian” — Wye Oak, \u003ci>Civilian\u003c/i> — Olivia LaRoche\u003cbr>12. “Cannons” — Youth Lagoon, \u003ci>The Year of Hibernation\u003c/i> — Dawson Ludwig\u003cbr>13. “Holocene” — Bon Iver, \u003ci>Bon Iver\u003c/i> — Trevor Powers, Youth Lagoon\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>We might be biased, but, from this vantage point, 2011 reconfirmed that the Bay Area continues to have the most vibrant music community in the nation. The SF scene cranked out a ton of amazing albums this year, and our final podcast of 2011 highlights twelve great releases from Bay Area artists over the past twelve months. This isn’t a “Best of” list per se, but these acts did create some of our favorite music in 2011. We’ll be doing more year-in-review coverage over the next few weeks, but, for now, enjoy this collection of great songs from 2011.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Track Listing/Notes:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Lumerians/125749125645\">Lumerians\u003c/a> — “Atlanta Brook”\u003cbr> Lumerians’ debut album, which was \u003ca href=\"http://www.thebaybridged.com/2011/03/03/out-this-week-new-albums-from-papercuts-lumerians-earth-girl-helen-brown-that-ghost/\">released in March\u003c/a>, fulfilled the promise of the band’s impressively heavy live shows. The Oakland/SF psych group is currently working on a new album.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/dominantlegs\">Dominant Legs\u003c/a> — “Where We Trip The Light”\u003cbr> We’d been awaiting Dominant Legs’ full length for a while, and \u003cem>Invitation\u003c/em> did not disappoint. The SF band created \u003ca href=\"http://www.thebaybridged.com/2011/08/11/video-dominant-legs-found-summer-weather-outside-of-san-francisco-in-hoop-of-love/\">a unique world of buoyant, shimmering pop\u003c/a> on the album, with Ryan Lynch and Hannah Hunt’s vocal interplay a particular highlight.\u003c/p>\n\u003cp>\u003ca href=\"http://mikalcronin.bandcamp.com/\">Mikal Cronin\u003c/a> — “Get Along”\u003cbr>Before this year, Mikal Cronin had \u003ca href=\"http://www.thebaybridged.com/2009/12/09/ty-segall-two-new-records-release-show-saturday-and-ticket-giveaway/\">collaborated with Ty Segall\u003c/a> on \u003cem>Reverse Shark Attack\u003c/em>, and released records with Moonhearts, but his self-titled solo album allowed his unique psych-pop talent to take center-stage.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Exrays/187339934624829\">Exray’s\u003c/a> — “Hesitation”\u003cbr>Released in January, \u003cem>Exray’s\u003c/em> saw Jon Bernson and Michael Falsetto-Mapp \u003ca href=\"http://www.thebaybridged.com/2011/01/09/video-exrays-ways-to-stop-time/\">shaping dense pop songs\u003c/a> from layers of synths and samples. You might also recognize this song from \u003cem>The Social Network\u003c/em>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/PART-TIME/105366072835033?ref=ts\">Part Time\u003c/a> — “I Wanna Take You Out”\u003cbr>As Part Time, David Speck \u003ca href=\"http://www.thebaybridged.com/2011/07/05/sfs-part-time-releases-what-would-you-say-on-mexican-summer/\">released a collection of synth-pop gems\u003c/a> on Mexican Summer in July. He’ll be following up \u003cem>What Would You Say?\u003c/em> with a new 7″ soon.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/tuneyards\">tUnE-yArDs\u003c/a> — “Powa”\u003cbr>Does this one even need any observation? tUnE-yArDs’ profile skyrocketed with the release of the \u003ca href=\"http://www.thebaybridged.com/2011/03/24/video-tune-yards-bizness/\">universally-acclaimed \u003cem>w h o k i l l\u003c/em>\u003c/a>, and we couldn’t be happier. \u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/GIRLSsf\">Girls\u003c/a> — “Vomit”\u003cbr>Girls’ third release, \u003ca href=\"http://www.thebaybridged.com/2011/07/14/girls-announce-father-son-holy-ghost-and-tour-including-two-nights-at-the-great-american-music-hall/\">\u003cem>Father, Son, Holy Ghost\u003c/em>\u003c/a>, beat the expectations set by the band’s previous work with a lush collection of heart-on-sleeve compositions that also \u003ca href=\"http://www.thebaybridged.com/2011/09/11/review-photos-guided-by-voices-girls-ty-segall-among-many-highlights-at-fyf-fest-los-angeles-state-historic-park-9311/\">sound great live\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Nodzzz/136549649738544\">Nodzzz\u003c/a> — “Heyday Past Heyday Due”\u003cbr>In May, local trio Nodzzz released \u003cem>Innings\u003c/em>, an album full of insistent jangle-pop songs paired with smart lyrical reflections on family and getting older. It’s highly recommended.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Ty-Segall/268287955622?ref=ts\">Ty Segall\u003c/a> — “Goodbye Bread”\u003cbr>Ty Segall has been \u003ca href=\"http://www.thebaybridged.com/2011/06/22/mixtape-fifteen-great-songs-by-ty-segall-podcast-251/\">cranking out great records\u003c/a> at a feverish pace over the past few years, but 2011 saw him break out with the psych-referencing \u003cem>Goodbye Bread\u003c/em> and \u003ca href=\"http://www.thebaybridged.com/2011/09/11/review-photos-guided-by-voices-girls-ty-segall-among-many-highlights-at-fyf-fest-los-angeles-state-historic-park-9311/\">reliably exuberant live sets\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Magic-Trick/153436801409553\">Magic Trick\u003c/a> — “Daylight Moon”\u003cbr>Even though The Fresh & Onlys \u003ca href=\"http://www.thebaybridged.com/2011/12/13/the-fresh-and-onlys-sign-to-mexican-summer-for-fourth-lp/\">didn’t release much this year\u003c/a>, Tim Cohen stayed busy with two albums, first as Tim Cohen’s Magic Trick, and then just Magic Trick. 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It’s no surprise that Field’s heartfelt songs and moving voice have earned him a devoted cult following.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/raleighmoncrief\">Raleigh Moncrief\u003c/a> — “Cast Out For Days”\u003cbr>Sacramento’s Raleigh Moncrief has been recording and producing other people’s music for years (including 2011′s strong \u003ci>Appetite\u003c/i> and Ganglians albums), but \u003ca href=\"http://www.thebaybridged.com/2011/09/06/raleigh-moncrief-i-just-sawlament-for-morning/\">he also found time this year\u003c/a> to release \u003cem>Watered Lawn\u003c/em>, a wonderful collection of soulful electronic pop with an experimental bent.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Exrays/187339934624829\">Exray’s\u003c/a> — “Hesitation”\u003cbr>Released in January, \u003cem>Exray’s\u003c/em> saw Jon Bernson and Michael Falsetto-Mapp \u003ca href=\"http://www.thebaybridged.com/2011/01/09/video-exrays-ways-to-stop-time/\">shaping dense pop songs\u003c/a> from layers of synths and samples. You might also recognize this song from \u003cem>The Social Network\u003c/em>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/PART-TIME/105366072835033?ref=ts\">Part Time\u003c/a> — “I Wanna Take You Out”\u003cbr>As Part Time, David Speck \u003ca href=\"http://www.thebaybridged.com/2011/07/05/sfs-part-time-releases-what-would-you-say-on-mexican-summer/\">released a collection of synth-pop gems\u003c/a> on Mexican Summer in July. He’ll be following up \u003cem>What Would You Say?\u003c/em> with a new 7″ soon.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/tuneyards\">tUnE-yArDs\u003c/a> — “Powa”\u003cbr>Does this one even need any observation? tUnE-yArDs’ profile skyrocketed with the release of the \u003ca href=\"http://www.thebaybridged.com/2011/03/24/video-tune-yards-bizness/\">universally-acclaimed \u003cem>w h o k i l l\u003c/em>\u003c/a>, and we couldn’t be happier. \u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/GIRLSsf\">Girls\u003c/a> — “Vomit”\u003cbr>Girls’ third release, \u003ca href=\"http://www.thebaybridged.com/2011/07/14/girls-announce-father-son-holy-ghost-and-tour-including-two-nights-at-the-great-american-music-hall/\">\u003cem>Father, Son, Holy Ghost\u003c/em>\u003c/a>, beat the expectations set by the band’s previous work with a lush collection of heart-on-sleeve compositions that also \u003ca href=\"http://www.thebaybridged.com/2011/09/11/review-photos-guided-by-voices-girls-ty-segall-among-many-highlights-at-fyf-fest-los-angeles-state-historic-park-9311/\">sound great live\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Nodzzz/136549649738544\">Nodzzz\u003c/a> — “Heyday Past Heyday Due”\u003cbr>In May, local trio Nodzzz released \u003cem>Innings\u003c/em>, an album full of insistent jangle-pop songs paired with smart lyrical reflections on family and getting older. It’s highly recommended.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Ty-Segall/268287955622?ref=ts\">Ty Segall\u003c/a> — “Goodbye Bread”\u003cbr>Ty Segall has been \u003ca href=\"http://www.thebaybridged.com/2011/06/22/mixtape-fifteen-great-songs-by-ty-segall-podcast-251/\">cranking out great records\u003c/a> at a feverish pace over the past few years, but 2011 saw him break out with the psych-referencing \u003cem>Goodbye Bread\u003c/em> and \u003ca href=\"http://www.thebaybridged.com/2011/09/11/review-photos-guided-by-voices-girls-ty-segall-among-many-highlights-at-fyf-fest-los-angeles-state-historic-park-9311/\">reliably exuberant live sets\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Magic-Trick/153436801409553\">Magic Trick\u003c/a> — “Daylight Moon”\u003cbr>Even though The Fresh & Onlys \u003ca href=\"http://www.thebaybridged.com/2011/12/13/the-fresh-and-onlys-sign-to-mexican-summer-for-fourth-lp/\">didn’t release much this year\u003c/a>, Tim Cohen stayed busy with two albums, first as Tim Cohen’s Magic Trick, and then just Magic Trick. In four epic songs, Magic Trick’s \u003cem>The Glad Birth of Love\u003c/em> reveals some of Cohen’s most ambitious songwriting yet.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Little-Wings/130230123665874\">Little Wings\u003c/a> — “How Come”\u003cbr>\u003cem>Black Grass\u003c/em> is Kyle Field’s latest album as Little Wings, and it’s \u003ca href=\"http://www.thebaybridged.com/2011/02/15/little-wings-how-comemr-natural/\">another winner from the folk-pop troubadour\u003c/a>. It’s no surprise that Field’s heartfelt songs and moving voice have earned him a devoted cult following.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/raleighmoncrief\">Raleigh Moncrief\u003c/a> — “Cast Out For Days”\u003cbr>Sacramento’s Raleigh Moncrief has been recording and producing other people’s music for years (including 2011′s strong \u003ci>Appetite\u003c/i> and Ganglians albums), but \u003ca href=\"http://www.thebaybridged.com/2011/09/06/raleigh-moncrief-i-just-sawlament-for-morning/\">he also found time this year\u003c/a> to release \u003cem>Watered Lawn\u003c/em>, a wonderful collection of soulful electronic pop with an experimental bent.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Let’s face it: our glorious Indian summer, that wondrous but all too brief flick of time that allows us to mock our bundled-up East Coast counterparts, is over. The booze has stopped flowing in now-deserted Dolores Park and daylight savings has given most of us Seasonal Affective Disorder. But cheer up, winter isn’t so bad as long as you have the right soundtrack to go along with it. What’s been working for me is Tennis. No, not the racket game (I don’t believe in sports), but the band.\u003c/p>\n\u003cp>Wife-and-husband-duo Alaina Moore and Patrick Riley found inspiration for this music project after graduating college in Colorado and buying a sailboat to explore the Eastern seaboard for seven months. After they were back on dry land (the couple now lives in Baltimore, the home of other indie darlings Beach House and Animal Collective), they channeled all the wonder and some of the difficulties of their expedition into their debut album, \u003ci>Cape Dory\u003c/i>. The album is a cross between ’60s girl group melodies, dream pop, and something that would start playing just as you kissed a cute stranger at a beach party.\u003c/p>\n\u003cp>Almost all of Tennis’ short catalogue is comprised of songs about sailing, fun in the sun, and the open sea. They are so preppy, they give \u003ca href=\"http://en.wikipedia.org/wiki/Zack_Morris\">Zack Morris\u003c/a> a run for his money. As initially harsh as that sounds, it’s actually a really good thing in this case. When someone is coughing on you on the bus or it’s pitch black at 5pm, a Tennis song can transport you to the deck of a boat in the middle of a sparkling bay with booze in your hand and a sweater tied around your neck (ok, maybe the sweater takes it a bit too far, but you know what I mean).\u003c/p>\n\u003cp>Clocking in at just under 30 minutes, \u003ci>Cape Dory\u003c/i>‘s carefree tracks breeze by, leaving you smiling and wanting more of that nostalgic yearning for past sun-bleached adventures. A deeper layer of the record is that it’s an audio memento of this specific couple at that specific time in their lives, their honeymoon phase. The band takes us from the planning stages of this nautical journey, Alaina insisting “Take me somewhere,” to the endless possibilities once they’ve made it to sea (“We can play in the sun holding hands and nap through the day on sun-bathed sands /we can live on an island of old conch shells, we can listen to the sounds of the ocean swell” on “Cape Dory”) to the harsh reality of returning to landbound survival (“Can we get a job, can we get a job / We need off this dock, is that asking a lot” on “Baltimore”).\u003c/p>\n\u003cp>Despite \u003ci>Cape Dory\u003c/i> being something only these two people can truly share, the album isn’t exclusive by any means and invites the listener into the romance and the thrill of the high seas. On “Bimini Bay,” Alaina coos, “Oh, aren’t you glad you came along?” And the answer is a resounding “yes.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Shake off those winter blues and take in a blast of sunshine when \u003ca href=\"http://www.tennis-music.com/\">Tennis’ tour breezes through your town\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Let’s face it: our glorious Indian summer, that wondrous but all too brief flick of time that allows us to mock our bundled-up East Coast counterparts, is over. The booze has stopped flowing in now-deserted Dolores Park and daylight savings has given most of us Seasonal Affective Disorder. But cheer up, winter isn’t so bad as long as you have the right soundtrack to go along with it. What’s been working for me is Tennis. No, not the racket game (I don’t believe in sports), but the band.\u003c/p>\n\u003cp>Wife-and-husband-duo Alaina Moore and Patrick Riley found inspiration for this music project after graduating college in Colorado and buying a sailboat to explore the Eastern seaboard for seven months. After they were back on dry land (the couple now lives in Baltimore, the home of other indie darlings Beach House and Animal Collective), they channeled all the wonder and some of the difficulties of their expedition into their debut album, \u003ci>Cape Dory\u003c/i>. The album is a cross between ’60s girl group melodies, dream pop, and something that would start playing just as you kissed a cute stranger at a beach party.\u003c/p>\n\u003cp>Almost all of Tennis’ short catalogue is comprised of songs about sailing, fun in the sun, and the open sea. They are so preppy, they give \u003ca href=\"http://en.wikipedia.org/wiki/Zack_Morris\">Zack Morris\u003c/a> a run for his money. As initially harsh as that sounds, it’s actually a really good thing in this case. When someone is coughing on you on the bus or it’s pitch black at 5pm, a Tennis song can transport you to the deck of a boat in the middle of a sparkling bay with booze in your hand and a sweater tied around your neck (ok, maybe the sweater takes it a bit too far, but you know what I mean).\u003c/p>\n\u003cp>Clocking in at just under 30 minutes, \u003ci>Cape Dory\u003c/i>‘s carefree tracks breeze by, leaving you smiling and wanting more of that nostalgic yearning for past sun-bleached adventures. A deeper layer of the record is that it’s an audio memento of this specific couple at that specific time in their lives, their honeymoon phase. The band takes us from the planning stages of this nautical journey, Alaina insisting “Take me somewhere,” to the endless possibilities once they’ve made it to sea (“We can play in the sun holding hands and nap through the day on sun-bathed sands /we can live on an island of old conch shells, we can listen to the sounds of the ocean swell” on “Cape Dory”) to the harsh reality of returning to landbound survival (“Can we get a job, can we get a job / We need off this dock, is that asking a lot” on “Baltimore”).\u003c/p>\n\u003cp>Despite \u003ci>Cape Dory\u003c/i> being something only these two people can truly share, the album isn’t exclusive by any means and invites the listener into the romance and the thrill of the high seas. On “Bimini Bay,” Alaina coos, “Oh, aren’t you glad you came along?” And the answer is a resounding “yes.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>For a month when few new records are coming out and music journalists spend a lot of time meticulously crafting numerical lists of their favorite albums of the year, there are still a wealth of great live shows hitting the San Francisco area in December. Bands that had big years in 2011 — including Other Lives, Cass McCombs, and Baths — are making return visits, while locals like The SHE’S, Trails and Ways, and High Castle celebrate recent releases with nearby concerts.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>Marc Bianchi is currently on his final tour as \u003ca href=\"http://www.facebook.com/pages/her-space-holiday-official-page/112006185484788\">Her Space Holiday\u003c/a> (“Ghost in the Garden”). The band heads to \u003ca href=\"http://www.bottomofthehill.com/stubmatic/event20111216.html\">Bottom of the Hill\u003c/a> on December 16. Silver Swans and City Light open the show.\u003c/p>\n\u003cp>The \u003ca href=\"http://www.facebook.com/bathsmusic\">Baths\u003c/a> (“I Just Saw”) song we’ve included in this podcast is a cover of tourmate/labelmate Raleigh Moncrief. Both electronic pop craftsmen \u003ca href=\"http://www.slimspresents.com/events/2011-12-15/baths/\">perform at Slim’s\u003c/a> on December 15 with the equally-skilled Dntel.\u003c/p>\n\u003cp>\u003cem>Tamer Animals\u003c/em>, the second LP from Stillwater, Oklahoma’s \u003ca href=\"http://www.facebook.com/OtherLives\">Other Lives\u003c/a> (“For 12”), is a lush, moody record that’s one of the year’s standout releases. The band \u003ca href=\"http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=4030005\">headlines Cafe Du Nord\u003c/a> on December 6.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>SF dream-pop band \u003ca href=\"http://www.facebook.com/pages/Papercuts/129634500431437\">Papercuts\u003c/a> (“Do What You Will”) top \u003ca href=\"http://www.rickshawstop.com/event/72351/\">a compelling Rickshaw Stop bill\u003c/a> on December 3 (TONIGHT). Dominant Legs and Tim Cohen perform in support.\u003c/p>\n\u003cp>Local indie-pop band \u003ca href=\"http://www.facebook.com/theshesmusic\">The SHE’S\u003c/a> (“Jimmy”) has been winning crowds over at live shows for a while now, but the band’s first LP just arrived in November. The quartet’s record release show is December 3 (TONIGHT) at \u003ca href=\"http://www.bottomofthehill.com/stubmatic/event20111203.html\">Bottom of the Hill\u003c/a> with Tijuana Panthers and Melted Toys.\u003c/p>\n\u003cp>In support of \u003cem>A Turn in the Dream-Songs\u003c/em>, \u003ca href=\"http://www.facebook.com/JeffreyLewisBand\">Jeffrey Lewis\u003c/a> (“Cult Boyfriend”) and his band are headed on a West Coast tour in December. On the December 6, he’ll \u003ca href=\"http://www.rickshawstop.com/event/71969/\">play at the Rickshaw Stop\u003c/a> with SF’s The Yellow Dress and Tortured Genies.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/sslyby\">Someone Still Loves You Boris Yeltsin\u003c/a>‘s (“Yellow Missing Signs”) new album, \u003cem>Tape Club\u003c/em>, collects 26 rarities and B-sides from the Missouri indie-pop band. The band plays a sure-to-sell-out \u003ca href=\"http://www.hotelutah.com/event/65101/\">show at Hotel Utah\u003c/a> on December 8.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/TRAILS-AND-WAYS/214043668627772\">Trails and Ways\u003c/a> (“Chills”) is a newer Oakland band crafting some dynamic, layered pop songs. Catch the group at \u003ca href=\"http://www.kimosbarsf.com/\">Kimo’s\u003c/a> on the December 7.\u003c/p>\n\u003cp>NorCal native \u003ca href=\"http://www.facebook.com/CassMcCombs\">Cass McCombs\u003c/a> (“The Same Thing”) released two terrific albums this year. He’s returning to SF for a December 4 show at the \u003ca href=\"http://www.slimspresents.com/events/2011-12-04/cass-mccombs/\">Great American Music Hall\u003c/a> with White Magic and Liza Thorn.\u003c/p>\n\u003cp>Singer-songwriter \u003ca href=\"http://www.facebook.com/pages/Marissa-Nadler/53364009849\">Marissa Nadler\u003c/a>‘s (“The Sun Always Reminds Me of You”) new self-titled album has received uniformly strong reviews. On December 18, she will be performing alongside Emily Jane White \u003ca href=\"http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=4084305\">at Cafe Du Nord\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/racestheband\">Races\u003c/a> (“Big Broom”) is a young Los Angeles band set to release a full length on French Kiss Records next year. You can see the group December 14, supporting the terrific White Arrows at the \u003ca href=\"http://www.brickandmortarmusic.com/event/73459/\">Brick and Mortar Music Hall\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/White-Fence/109125289153214\">White Fence\u003c/a> (“The Pool”) performed one of our favorite sets this year, and rock and roll fans should seek out the chance to see them live. The band caps off 2011 at the \u003ca href=\"http://nyefreshfence.eventbrite.com/\">Brick and Mortar Music Hall\u003c/a> on New Year’s Eve with The Fresh & Onlys.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/Youngprisms\">Young Prisms\u003c/a> (“Weekends and Treehouses (acoustic)”) has been touring like crazy over the past several months. The local shoegaze-pop band’s latest jaunt is a series of dates with Ganglians that \u003ca href=\"http://www.theindependentsf.com/event/69885/\">arrives at The Independent\u003c/a> on December 8.\u003c/p>\n\u003cp>East Bay art-punks \u003ca href=\"http://www.facebook.com/pages/High-Castle/10150105402945147\">High Castle\u003c/a> (“Crustaceans Demise”) \u003ca href=\"http://www.facebook.com/events/209412722460323/\">perform at 1-2-3-4 Go! Records\u003c/a> on December 7 with Uzi Rash and Lenz. The show follows the recent release of the band’s debut LP, \u003cem>Spirit of the West\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Synth-punk band \u003ca href=\"http://soundcloud.com/total-control\">Total Control\u003c/a> (“Retiree”) includes members of Australian acts Eddy Current Suppression Ring and UV Race. The group’s US tour with Thee Oh Sees \u003ca href=\"http://www.brownpapertickets.com/event/212370\">concludes at The Verdi Club\u003c/a> on December 4.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For a month when few new records are coming out and music journalists spend a lot of time meticulously crafting numerical lists of their favorite albums of the year, there are still a wealth of great live shows hitting the San Francisco area in December. Bands that had big years in 2011 — including Other Lives, Cass McCombs, and Baths — are making return visits, while locals like The SHE’S, Trails and Ways, and High Castle celebrate recent releases with nearby concerts.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>Marc Bianchi is currently on his final tour as \u003ca href=\"http://www.facebook.com/pages/her-space-holiday-official-page/112006185484788\">Her Space Holiday\u003c/a> (“Ghost in the Garden”). The band heads to \u003ca href=\"http://www.bottomofthehill.com/stubmatic/event20111216.html\">Bottom of the Hill\u003c/a> on December 16. Silver Swans and City Light open the show.\u003c/p>\n\u003cp>The \u003ca href=\"http://www.facebook.com/bathsmusic\">Baths\u003c/a> (“I Just Saw”) song we’ve included in this podcast is a cover of tourmate/labelmate Raleigh Moncrief. Both electronic pop craftsmen \u003ca href=\"http://www.slimspresents.com/events/2011-12-15/baths/\">perform at Slim’s\u003c/a> on December 15 with the equally-skilled Dntel.\u003c/p>\n\u003cp>\u003cem>Tamer Animals\u003c/em>, the second LP from Stillwater, Oklahoma’s \u003ca href=\"http://www.facebook.com/OtherLives\">Other Lives\u003c/a> (“For 12”), is a lush, moody record that’s one of the year’s standout releases. The band \u003ca href=\"http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=4030005\">headlines Cafe Du Nord\u003c/a> on December 6.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>SF dream-pop band \u003ca href=\"http://www.facebook.com/pages/Papercuts/129634500431437\">Papercuts\u003c/a> (“Do What You Will”) top \u003ca href=\"http://www.rickshawstop.com/event/72351/\">a compelling Rickshaw Stop bill\u003c/a> on December 3 (TONIGHT). Dominant Legs and Tim Cohen perform in support.\u003c/p>\n\u003cp>Local indie-pop band \u003ca href=\"http://www.facebook.com/theshesmusic\">The SHE’S\u003c/a> (“Jimmy”) has been winning crowds over at live shows for a while now, but the band’s first LP just arrived in November. The quartet’s record release show is December 3 (TONIGHT) at \u003ca href=\"http://www.bottomofthehill.com/stubmatic/event20111203.html\">Bottom of the Hill\u003c/a> with Tijuana Panthers and Melted Toys.\u003c/p>\n\u003cp>In support of \u003cem>A Turn in the Dream-Songs\u003c/em>, \u003ca href=\"http://www.facebook.com/JeffreyLewisBand\">Jeffrey Lewis\u003c/a> (“Cult Boyfriend”) and his band are headed on a West Coast tour in December. On the December 6, he’ll \u003ca href=\"http://www.rickshawstop.com/event/71969/\">play at the Rickshaw Stop\u003c/a> with SF’s The Yellow Dress and Tortured Genies.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/sslyby\">Someone Still Loves You Boris Yeltsin\u003c/a>‘s (“Yellow Missing Signs”) new album, \u003cem>Tape Club\u003c/em>, collects 26 rarities and B-sides from the Missouri indie-pop band. The band plays a sure-to-sell-out \u003ca href=\"http://www.hotelutah.com/event/65101/\">show at Hotel Utah\u003c/a> on December 8.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/TRAILS-AND-WAYS/214043668627772\">Trails and Ways\u003c/a> (“Chills”) is a newer Oakland band crafting some dynamic, layered pop songs. Catch the group at \u003ca href=\"http://www.kimosbarsf.com/\">Kimo’s\u003c/a> on the December 7.\u003c/p>\n\u003cp>NorCal native \u003ca href=\"http://www.facebook.com/CassMcCombs\">Cass McCombs\u003c/a> (“The Same Thing”) released two terrific albums this year. He’s returning to SF for a December 4 show at the \u003ca href=\"http://www.slimspresents.com/events/2011-12-04/cass-mccombs/\">Great American Music Hall\u003c/a> with White Magic and Liza Thorn.\u003c/p>\n\u003cp>Singer-songwriter \u003ca href=\"http://www.facebook.com/pages/Marissa-Nadler/53364009849\">Marissa Nadler\u003c/a>‘s (“The Sun Always Reminds Me of You”) new self-titled album has received uniformly strong reviews. On December 18, she will be performing alongside Emily Jane White \u003ca href=\"http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=4084305\">at Cafe Du Nord\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/racestheband\">Races\u003c/a> (“Big Broom”) is a young Los Angeles band set to release a full length on French Kiss Records next year. You can see the group December 14, supporting the terrific White Arrows at the \u003ca href=\"http://www.brickandmortarmusic.com/event/73459/\">Brick and Mortar Music Hall\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/White-Fence/109125289153214\">White Fence\u003c/a> (“The Pool”) performed one of our favorite sets this year, and rock and roll fans should seek out the chance to see them live. The band caps off 2011 at the \u003ca href=\"http://nyefreshfence.eventbrite.com/\">Brick and Mortar Music Hall\u003c/a> on New Year’s Eve with The Fresh & Onlys.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/Youngprisms\">Young Prisms\u003c/a> (“Weekends and Treehouses (acoustic)”) has been touring like crazy over the past several months. The local shoegaze-pop band’s latest jaunt is a series of dates with Ganglians that \u003ca href=\"http://www.theindependentsf.com/event/69885/\">arrives at The Independent\u003c/a> on December 8.\u003c/p>\n\u003cp>East Bay art-punks \u003ca href=\"http://www.facebook.com/pages/High-Castle/10150105402945147\">High Castle\u003c/a> (“Crustaceans Demise”) \u003ca href=\"http://www.facebook.com/events/209412722460323/\">perform at 1-2-3-4 Go! Records\u003c/a> on December 7 with Uzi Rash and Lenz. The show follows the recent release of the band’s debut LP, \u003cem>Spirit of the West\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Synth-punk band \u003ca href=\"http://soundcloud.com/total-control\">Total Control\u003c/a> (“Retiree”) includes members of Australian acts Eddy Current Suppression Ring and UV Race. The group’s US tour with Thee Oh Sees \u003ca href=\"http://www.brownpapertickets.com/event/212370\">concludes at The Verdi Club\u003c/a> on December 4.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The latest \u003ci>Bay Bridged\u003c/i> mixtape is an hour-long indie music/beer pairing, inspired by their upcoming \u003cstrong>\u003ca href=\"http://thebaybridged.com/the-bay-brewed\">The Bay Brewed\u003c/a>\u003c/strong> rock and roll beer festival. On Saturday, December 3, 2011 The Bay Bridged will be at \u003ca href=\"http://verdiclub.net\">The Verdi Club\u003c/a>, for performances by \u003ca href=\"http://www.facebook.com/pages/Weekend/116362295043707\">Weekend\u003c/a>, \u003ca href=\"http://www.facebook.com/SleepySun\">Sleepy Sun\u003c/a>, \u003ca href=\"http://www.facebook.com/pages/Extra-Classic/152441987319\">Extra Classic\u003c/a>, and \u003ca href=\"http://www.facebook.com/terrymalts\">Terry Malts\u003c/a>, and unlimited local craft beer samplings from \u003ca href=\"http://www.21st-amendment.com/\">21st Amendment\u003c/a>, \u003ca href=\"http://www.anchorbrewing.com/\">Anchor Steam\u003c/a>, \u003ca href=\"http://www.beachchalet.com/\">Beach Chalet\u003c/a>, \u003ca href=\"http://www.drinkdrakes.com/\">Drake’s Brewing\u003c/a>, \u003ca href=\"http://www.lagunitas.com\">Lagunitas\u003c/a>, \u003ca href=\"http://www.magnoliapub.com/\">Magnolia\u003c/a>, \u003ca href=\"http://www.marinbrewing.com/\">Marin Brewing Company\u003c/a>, \u003ca href=\"http://www.socialbrewsf.com/\">Social Kitchen & Brewery\u003c/a>, and \u003ca href=\"http://www.goodbeer.com/\">Speakeasy\u003c/a>. In this mixtape, they’ve collected music from 21 local indie rock, garage, lo-fi and psych bands whose rocking tunes serve as great beer-drinking music. Seriously, give this mix a try with a pint and we think you’ll agree.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Tracklisting:\u003c/strong>\u003c/u>\u003cbr>1. \u003ca href=\"http://www.facebook.com/lilacsf\">Lilac\u003c/a> — “So Young”\u003cbr>2. \u003ca href=\"http://www.facebook.com/pages/Weekend/116362295043707\">Weekend\u003c/a> — “Hazel”\u003cbr>3. \u003ca href=\"http://www.facebook.com/pages/The-Mantles/147297444375\">The Mantles\u003c/a> — “Cascades”\u003cbr>4. \u003ca href=\"http://www.facebook.com/sonnysunsets\">Sonny & The Sunsets\u003c/a> — “I Wanna Do It”\u003cbr>5. \u003ca href=\"http://sicalps.com/\">Sic Alps\u003c/a> — “Breadhead”\u003cbr>6. \u003ca href=\"http://www.facebook.com/themagicleaves\">Magic Leaves\u003c/a> — “You Wanna”\u003cbr>7. \u003ca href=\"http://www.woodenshjips.com\">Wooden Shjips\u003c/a> — “Lazy Bones”\u003cbr>8. \u003ca href=\"http://www.facebook.com/burntones\">Burnt Ones\u003c/a> — “Do the Spell”\u003cbr>9. \u003ca href=\"http://www.facebook.com/terrymalts\">Terry Malts\u003c/a> — “Something About You”\u003cbr>10. \u003ca href=\"http://www.facebook.com/pages/The-Wrong-Words/400643386857\">The Wrong Words\u003c/a> — “Summer’s Gone”\u003cbr>11. \u003ca href=\"http://kelleystoltz.com\">Kelley Stoltz\u003c/a> — “I Remember, You Were Wild”\u003cbr>12. \u003ca href=\"http://www.facebook.com/personalandthepizzas\">Personal & The Pizzas\u003c/a> — “I Don’t Wanna Be No Personal Pizza”\u003cbr>13. \u003ca href=\"http://www.facebook.com/pages/Ty-Segall/268287955622\">Ty Segall\u003c/a> — “You Make The Sun Fry”\u003cbr>14. \u003ca href=\"https://www.facebook.com/SleepySun\">Sleepy Sun\u003c/a> — “Open Eyes”\u003cbr>15. \u003ca href=\"http://www.facebook.com/pages/Extra-Classic/152441987319\">Extra Classic\u003c/a> — “Congo Rebel”\u003cbr>16. \u003ca href=\"http://www.facebook.com/pages/Assemble-Head-in-Sunburst-Sound/94153332208\">Assemble Head in Sunburst Sound\u003c/a> — “By the Ripping Green”\u003cbr>17. \u003ca href=\"http://www.facebook.com/pages/The-Fresh-Onlys/208978487600\">The Fresh & Onlys\u003c/a> — “Be My Hooker”\u003cbr>18. \u003ca href=\"http://shannonandtheclams.com/\">Shannon and the Clams\u003c/a> — “The Cult Song”\u003cbr>19. \u003ca href=\"http://www.facebook.com/TheeOhSees\">Thee Oh Sees\u003c/a> — “I Was Denied”\u003cbr>20. \u003ca href=\"http://www.facebook.com/pages/Bare-Wires/117214288301289\">Bare Wires\u003c/a> — “Cheap Perfume”\u003cbr>21. \u003ca href=\"http://www.facebook.com/waxidols\">Wax Idols\u003c/a> — “Gold Sneakers”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The latest \u003ci>Bay Bridged\u003c/i> mixtape is an hour-long indie music/beer pairing, inspired by their upcoming \u003cstrong>\u003ca href=\"http://thebaybridged.com/the-bay-brewed\">The Bay Brewed\u003c/a>\u003c/strong> rock and roll beer festival. On Saturday, December 3, 2011 The Bay Bridged will be at \u003ca href=\"http://verdiclub.net\">The Verdi Club\u003c/a>, for performances by \u003ca href=\"http://www.facebook.com/pages/Weekend/116362295043707\">Weekend\u003c/a>, \u003ca href=\"http://www.facebook.com/SleepySun\">Sleepy Sun\u003c/a>, \u003ca href=\"http://www.facebook.com/pages/Extra-Classic/152441987319\">Extra Classic\u003c/a>, and \u003ca href=\"http://www.facebook.com/terrymalts\">Terry Malts\u003c/a>, and unlimited local craft beer samplings from \u003ca href=\"http://www.21st-amendment.com/\">21st Amendment\u003c/a>, \u003ca href=\"http://www.anchorbrewing.com/\">Anchor Steam\u003c/a>, \u003ca href=\"http://www.beachchalet.com/\">Beach Chalet\u003c/a>, \u003ca href=\"http://www.drinkdrakes.com/\">Drake’s Brewing\u003c/a>, \u003ca href=\"http://www.lagunitas.com\">Lagunitas\u003c/a>, \u003ca href=\"http://www.magnoliapub.com/\">Magnolia\u003c/a>, \u003ca href=\"http://www.marinbrewing.com/\">Marin Brewing Company\u003c/a>, \u003ca href=\"http://www.socialbrewsf.com/\">Social Kitchen & Brewery\u003c/a>, and \u003ca href=\"http://www.goodbeer.com/\">Speakeasy\u003c/a>. In this mixtape, they’ve collected music from 21 local indie rock, garage, lo-fi and psych bands whose rocking tunes serve as great beer-drinking music. Seriously, give this mix a try with a pint and we think you’ll agree.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Tracklisting:\u003c/strong>\u003c/u>\u003cbr>1. \u003ca href=\"http://www.facebook.com/lilacsf\">Lilac\u003c/a> — “So Young”\u003cbr>2. \u003ca href=\"http://www.facebook.com/pages/Weekend/116362295043707\">Weekend\u003c/a> — “Hazel”\u003cbr>3. \u003ca href=\"http://www.facebook.com/pages/The-Mantles/147297444375\">The Mantles\u003c/a> — “Cascades”\u003cbr>4. \u003ca href=\"http://www.facebook.com/sonnysunsets\">Sonny & The Sunsets\u003c/a> — “I Wanna Do It”\u003cbr>5. \u003ca href=\"http://sicalps.com/\">Sic Alps\u003c/a> — “Breadhead”\u003cbr>6. \u003ca href=\"http://www.facebook.com/themagicleaves\">Magic Leaves\u003c/a> — “You Wanna”\u003cbr>7. \u003ca href=\"http://www.woodenshjips.com\">Wooden Shjips\u003c/a> — “Lazy Bones”\u003cbr>8. \u003ca href=\"http://www.facebook.com/burntones\">Burnt Ones\u003c/a> — “Do the Spell”\u003cbr>9. \u003ca href=\"http://www.facebook.com/terrymalts\">Terry Malts\u003c/a> — “Something About You”\u003cbr>10. \u003ca href=\"http://www.facebook.com/pages/The-Wrong-Words/400643386857\">The Wrong Words\u003c/a> — “Summer’s Gone”\u003cbr>11. \u003ca href=\"http://kelleystoltz.com\">Kelley Stoltz\u003c/a> — “I Remember, You Were Wild”\u003cbr>12. \u003ca href=\"http://www.facebook.com/personalandthepizzas\">Personal & The Pizzas\u003c/a> — “I Don’t Wanna Be No Personal Pizza”\u003cbr>13. \u003ca href=\"http://www.facebook.com/pages/Ty-Segall/268287955622\">Ty Segall\u003c/a> — “You Make The Sun Fry”\u003cbr>14. \u003ca href=\"https://www.facebook.com/SleepySun\">Sleepy Sun\u003c/a> — “Open Eyes”\u003cbr>15. \u003ca href=\"http://www.facebook.com/pages/Extra-Classic/152441987319\">Extra Classic\u003c/a> — “Congo Rebel”\u003cbr>16. \u003ca href=\"http://www.facebook.com/pages/Assemble-Head-in-Sunburst-Sound/94153332208\">Assemble Head in Sunburst Sound\u003c/a> — “By the Ripping Green”\u003cbr>17. \u003ca href=\"http://www.facebook.com/pages/The-Fresh-Onlys/208978487600\">The Fresh & Onlys\u003c/a> — “Be My Hooker”\u003cbr>18. \u003ca href=\"http://shannonandtheclams.com/\">Shannon and the Clams\u003c/a> — “The Cult Song”\u003cbr>19. \u003ca href=\"http://www.facebook.com/TheeOhSees\">Thee Oh Sees\u003c/a> — “I Was Denied”\u003cbr>20. \u003ca href=\"http://www.facebook.com/pages/Bare-Wires/117214288301289\">Bare Wires\u003c/a> — “Cheap Perfume”\u003cbr>21. \u003ca href=\"http://www.facebook.com/waxidols\">Wax Idols\u003c/a> — “Gold Sneakers”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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