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"content": "\u003cp>The \u003ca href=\"http://2012.noisepop.com\">Noise Pop Music Festival\u003c/a> (February 21-26, 2012) turns twenty this year and will celebrate by gathering over one hundred local and touring bands from across the indie spectrum for a week of exciting concerts all over San Francisco. Two decades of championing independent music is an accomplishment worth commemorating, and this mixtape collects twenty bands that have performed at Noise Pop events in years past.\u003c/p>\n\u003cp>As you’ll hear, a whole bunch of big names graced Noise Pop bills before achieving fame, as past festivals hosted early performances by bands like Spoon, Death Cab for Cutie and Mates of State. Equally impressive, though, is the annual fest’s important role as a showcase for Bay Area indie bands, and you’ll hear a bunch of now-well-known local artists in this mix too.\u003c/p>\n\u003cp>\u003cu>\u003cb>Tracklisting:\u003c/b>\u003c/u>\u003c/p>\n\u003cp>1. \u003ca href=\"http://www.aislersset.com/\">The Aislers Set\u003c/a> — “The Way To Market Station” (3:12)\u003cbr>From \u003cem>The Last Match\u003c/em> (2000)\u003cbr>Noise Pop appearances: 1999, 2000, 2001, 2002\u003c/p>\n\u003cp>2. \u003ca href=\"http://www.facebook.com/roguewave\">Rogue Wave\u003c/a> — “Endless Shovel” (4:48)\u003cbr>From \u003cem>Out Of The Shadow\u003c/em> (2004)\u003cbr>Noise Pop appearances: 2004, 2005, 2006, 2007, 2010\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>3. \u003ca href=\"http://www.facebook.com/matesofstate\">Mates of State\u003c/a> — “Proofs” (2:18)\u003cbr>From \u003cem>My Solo Project\u003c/em> (2000)\u003cbr>Noise Pop appearances: 2000, 2001, 2005\u003c/p>\n\u003cp>4. \u003ca href=\"http://www.facebook.com/pages/Papercuts/129634500431437\">Papercuts\u003c/a> — “Poor and Free” (3:13)\u003cbr>From \u003cem>Mockingbird\u003c/em> (2004)\u003cbr>Noise Pop appearances: 2001, 2005, 2009, 2012\u003c/p>\n\u003cp>5. \u003ca href=\"http://en.wikipedia.org/wiki/Beulah_%28band%29\">Beulah\u003c/a> — “If We Can Land a Man On the Moon, Surely I Can Win Your Heart” (3:17)\u003cbr>From \u003cem>When Your Heartstrings Break\u003c/em> (1999)\u003cbr>Noise Pop appearances: 1998, 1999, 2000, 2001\u003c/p>\n\u003cp>6. \u003ca href=\"http://www.facebook.com/spoontheband\">Spoon\u003c/a> — “Mountain Of Sound” (3:50)\u003cbr>From \u003cem>Soft Effects\u003c/em> EP (1997)\u003cbr>Noise Pop appearances: 1997, 2001\u003c/p>\n\u003cp>7. \u003ca href=\"http://www.facebook.com/noage\">No Age\u003c/a> — “My Life’s Alright Without You” (2:00)\u003cbr>From \u003cem>Weirdo Rippers\u003c/em> (2007)\u003cbr>Noise Pop appearances: 2007, 2009, 2011\u003c/p>\n\u003cp>8. \u003ca href=\"http://www.facebook.com/pages/Overwhelming-Colorfast/180387611996722?ref=ts\">Overwhelming Colorfast\u003c/a> — “Toss Up” (1:42)\u003cbr>From \u003cem>Two Words\u003c/em> (1994)\u003cbr>Noise Pop appearances: 1993, 1994, 1995, 1997, 2002, 2012\u003c/p>\n\u003cp>9. \u003ca href=\"http://www.dodosmusic.net/\">The Dodos\u003c/a> — “The Ball” (5:38)\u003cbr>From \u003cem>Beware Of The Maniacs\u003c/em> (2006)\u003cbr>Noise Pop appearances: 2007, 2008, 2010, 2012\u003c/p>\n\u003cp>10. \u003ca href=\"http://www.facebook.com/pages/The-Fresh-Onlys/208978487600\">The Fresh & Onlys\u003c/a> — “Peacock and Wing” (3:18)\u003cbr>From \u003cem>The Fresh & Onlys\u003c/em> (2009)\u003cbr>Noise Pop appearances: 2009, 2010, 2011, 2012\u003c/p>\n\u003cp>11. \u003ca href=\"http://www.facebook.com/ImperialTeen\">Imperial Teen\u003c/a> — “Ivanka” (3:16)\u003cbr>From \u003cem>On\u003c/em> (2002)\u003cbr>Noise Pop appearances: 1998, 1999, 2002, 2003, 2012\u003c/p>\n\u003cp>12. \u003ca href=\"http://www.facebook.com/thaomusic\">Thao with The Get Down Stay Down\u003c/a> — “Bag Of Hammers” (2:50)\u003cbr>From \u003cem>We Brave Bee Stings and All\u003c/em> (2008)\u003cbr>Noise Pop appearances: 2007, 2009, 2010, 2012\u003c/p>\n\u003cp>13. \u003ca href=\"http://www.facebook.com/pages/the-Mountain-Goats/17314008126\">The Mountain Goats\u003c/a> — “Onions” (2:15)\u003cbr>From \u003cem>The Coroner’s Gambit\u003c/em> (2000)\u003cbr>Noise Pop appearances: 2000, 2003, 2008, 2009\u003c/p>\n\u003cp>14. \u003ca href=\"http://www.facebook.com/deathcabforcutie\">Death Cab For Cutie\u003c/a> — “For What Reason” (2:52)\u003cbr>From \u003cem>We Have the Facts and We’re Voting Yes\u003c/em> (2000)\u003cbr>Noise Pop appearances: 1999, 2000, 2002\u003c/p>\n\u003cp>15. \u003ca href=\"http://www.twogallants.com/\">Two Gallants\u003c/a> — “Nothing to You” (5:05)\u003cbr>From \u003cem>The Throes\u003c/em> (2004)\u003cbr>Noise Pop appearances: 2004, 2005, 2006, 2008, 2012\u003c/p>\n\u003cp>16. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>3. \u003ca href=\"http://www.facebook.com/matesofstate\">Mates of State\u003c/a> — “Proofs” (2:18)\u003cbr>From \u003cem>My Solo Project\u003c/em> (2000)\u003cbr>Noise Pop appearances: 2000, 2001, 2005\u003c/p>\n\u003cp>4. \u003ca href=\"http://www.facebook.com/pages/Papercuts/129634500431437\">Papercuts\u003c/a> — “Poor and Free” (3:13)\u003cbr>From \u003cem>Mockingbird\u003c/em> (2004)\u003cbr>Noise Pop appearances: 2001, 2005, 2009, 2012\u003c/p>\n\u003cp>5. \u003ca href=\"http://en.wikipedia.org/wiki/Beulah_%28band%29\">Beulah\u003c/a> — “If We Can Land a Man On the Moon, Surely I Can Win Your Heart” (3:17)\u003cbr>From \u003cem>When Your Heartstrings Break\u003c/em> (1999)\u003cbr>Noise Pop appearances: 1998, 1999, 2000, 2001\u003c/p>\n\u003cp>6. \u003ca href=\"http://www.facebook.com/spoontheband\">Spoon\u003c/a> — “Mountain Of Sound” (3:50)\u003cbr>From \u003cem>Soft Effects\u003c/em> EP (1997)\u003cbr>Noise Pop appearances: 1997, 2001\u003c/p>\n\u003cp>7. \u003ca href=\"http://www.facebook.com/noage\">No Age\u003c/a> — “My Life’s Alright Without You” (2:00)\u003cbr>From \u003cem>Weirdo Rippers\u003c/em> (2007)\u003cbr>Noise Pop appearances: 2007, 2009, 2011\u003c/p>\n\u003cp>8. \u003ca href=\"http://www.facebook.com/pages/Overwhelming-Colorfast/180387611996722?ref=ts\">Overwhelming Colorfast\u003c/a> — “Toss Up” (1:42)\u003cbr>From \u003cem>Two Words\u003c/em> (1994)\u003cbr>Noise Pop appearances: 1993, 1994, 1995, 1997, 2002, 2012\u003c/p>\n\u003cp>9. \u003ca href=\"http://www.dodosmusic.net/\">The Dodos\u003c/a> — “The Ball” (5:38)\u003cbr>From \u003cem>Beware Of The Maniacs\u003c/em> (2006)\u003cbr>Noise Pop appearances: 2007, 2008, 2010, 2012\u003c/p>\n\u003cp>10. \u003ca href=\"http://www.facebook.com/pages/The-Fresh-Onlys/208978487600\">The Fresh & Onlys\u003c/a> — “Peacock and Wing” (3:18)\u003cbr>From \u003cem>The Fresh & Onlys\u003c/em> (2009)\u003cbr>Noise Pop appearances: 2009, 2010, 2011, 2012\u003c/p>\n\u003cp>11. \u003ca href=\"http://www.facebook.com/ImperialTeen\">Imperial Teen\u003c/a> — “Ivanka” (3:16)\u003cbr>From \u003cem>On\u003c/em> (2002)\u003cbr>Noise Pop appearances: 1998, 1999, 2002, 2003, 2012\u003c/p>\n\u003cp>12. \u003ca href=\"http://www.facebook.com/thaomusic\">Thao with The Get Down Stay Down\u003c/a> — “Bag Of Hammers” (2:50)\u003cbr>From \u003cem>We Brave Bee Stings and All\u003c/em> (2008)\u003cbr>Noise Pop appearances: 2007, 2009, 2010, 2012\u003c/p>\n\u003cp>13. \u003ca href=\"http://www.facebook.com/pages/the-Mountain-Goats/17314008126\">The Mountain Goats\u003c/a> — “Onions” (2:15)\u003cbr>From \u003cem>The Coroner’s Gambit\u003c/em> (2000)\u003cbr>Noise Pop appearances: 2000, 2003, 2008, 2009\u003c/p>\n\u003cp>14. \u003ca href=\"http://www.facebook.com/deathcabforcutie\">Death Cab For Cutie\u003c/a> — “For What Reason” (2:52)\u003cbr>From \u003cem>We Have the Facts and We’re Voting Yes\u003c/em> (2000)\u003cbr>Noise Pop appearances: 1999, 2000, 2002\u003c/p>\n\u003cp>15. \u003ca href=\"http://www.twogallants.com/\">Two Gallants\u003c/a> — “Nothing to You” (5:05)\u003cbr>From \u003cem>The Throes\u003c/em> (2004)\u003cbr>Noise Pop appearances: 2004, 2005, 2006, 2008, 2012\u003c/p>\n\u003cp>16. \u003ca href=\"http://www.dragcity.com/artists/joanna-newsom\">Joanna Newsom\u003c/a> — “Sprout and the Bean” (4:33)\u003cbr>From \u003cem>The Milk-Eyed Mender\u003c/em> (2004)\u003cbr>Noise Pop appearances: 2003, 2004, 2005\u003c/p>\n\u003cp>17. \u003ca href=\"http://johnvanderslice.com/\">John Vanderslice\u003c/a> — “Confusion” (3:43)\u003cbr>From \u003cem>Mass Suicide Occult Figurines\u003c/em> (2000)\u003cbr>Noise Pop appearances: 2000, 2001, 2003, 2004, 2006, 2007, 2010, 2012\u003c/p>\n\u003cp>18. \u003ca href=\"http://www.filmschoolmusic.com/\">Film School\u003c/a> — “Activated” (4:02)\u003cbr>From \u003cem>Alwaysnever\u003c/em> (2003)\u003cbr>Noise Pop appearances: 2002, 2003, 2004, 2005, 2006, 2008, 2011\u003c/p>\n\u003cp>19. \u003ca href=\"http://www.slacksaction.com/\">Actionslacks\u003c/a> — “The Scene’s Out of Sight” (3:51)\u003cbr>From \u003cem>The Scene’s Out of Sight\u003c/em> (2001)\u003cbr>Noise Pop appearances: 1996, 1997, 1998, 2001, 2002, 2004 \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>20. \u003ca href=\"http://en.wikipedia.org/wiki/Fastbacks\">Fastbacks\u003c/a> — “AAA (45 Version)” (2:22)\u003cbr>From \u003cem>Truth, Corrosion and Sour Bisquits\u003c/em> (2004)\u003cbr>Noise Pop appearances: 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Hard to believe it’s almost time for Noise Pop 2012! The Noise Pop Team has been busy gearing up for the festival’s 20th anniversary, but not to worry, there’s always time for trolling the Internet… for the best new tunes, that is. Enjoy this week’s mix which includes new music from Chairlift, Cloud Nothings, and a surprisingly talented celebutant.\u003c/p>\n\u003cp>Tracklist:\u003c/p>\n\u003cp>1. “Met Before” — Chairlift, \u003ci>Something\u003c/i>\u003cbr>2. “Brains” — Lower Dens, \u003ci>Nootropics\u003c/i>\u003cbr>3. “And I Say” feat. Scout La Rue and Will Epstein– Nicolas Jaar, Single\u003cbr>4. “Lost Weekend” — Tiny Victories, \u003ci>Those of Us Still Alive\u003c/i>\u003cbr>5. “Stay Useless” — Cloud Nothings, \u003ci>Attack On Memory\u003c/i>\u003cbr>6. “Lay Your Cards Out” — Polica, \u003ci>Give You The Ghost\u003c/i>\u003cbr>7. “Deep Ocean” — Some Ember, \u003ci>Dope Mountain F–k Vol. 2\u003c/i>\u003cbr>8. “Youth” — Daughter,\u003ci> The Wild Youth\u003c/i>\u003cbr>9. “La Grande” — Laura Gibson, \u003ci>La Grande\u003c/i>\u003cbr>10. “Watertight” — We Have Band, \u003ci>Ternion\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>The twentieth installment of the \u003ca href=\"http://2012.noisepop.com\">Noise Pop Music Festival\u003c/a> takes over a wide variety of local venues later this month — and we’ll be covering many of those shows — but there are also plenty of pre-NP events worth checking out. Locally, two bands are seeing the release of records for which it feels like we’ve been waiting forever: the debut LP from ultra-catchy punks Terry Malts, and the latest Rick Rubin-produced effort from Howlin Rain.\u003c/p>\n\u003cp>Speaking of new albums, Laura Gibson’s bringing her newest folk-rock set to SF for a February show. Meanwhile, Montreal’s Grimes has already sold out her Noise Pop date at the Rickshaw Stop, which will come just one day after the release of her new album, \u003cem>Visions\u003c/em>. Enjoy this mix of tunes and then go see some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>New York seven-piece band \u003ca href=\"http://www.facebook.com/avaluna\">Ava Luna\u003c/a> (“Wrenning Day”) is currently touring with Twin Sister. On February 4, they’ll both be \u003ca href=\"http://www.slimspresents.com/events/2012-02-04/twin-sister/\">performing at the Great American Music Hall\u003c/a>.\u003c/p>\n\u003cp>The \u003cem>Situation\u003c/em> EP is the first release from local band \u003ca href=\"http://www.facebook.com/FutureTwin\">Future Twin\u003c/a> (“Yuka”). The group’s EP release show is an exciting one that also features \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-02-02\">Twin Steps, Exray’s and Death Cheetah all at the Hemlock Tavern\u003c/a> on February 2.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://www.eleanorfriedberger.com/\">Eleanor Friedberger\u003c/a> (“My Mistakes”) is one-half of The Fiery Furnaces, but her solo record, \u003cem>Last Summer\u003c/em>, is probably her best work yet. Friedberger and band \u003ca href=\"http://www.theindependentsf.com/event/85405/\">come to The Independent\u003c/a> on February 4. Dominant Legs supports.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/sealionsok\">Sea Lions\u003c/a> (“Grown Up”), from Oxnard, released the delightful jangle-pop collection \u003cem>Everything You Always Wanted To Know About Sea Lions But Were Afraid To Ask\u003c/em> last year. The quintet \u003ca href=\"http://www.cafedunord.com/\">performs at Cafe Du Nord\u003c/a> on February 3 with Jeremy Jay and Tremor Low.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/lauragibsonmusic\">Laura Gibson\u003c/a>‘s (“La Grande”) new album, \u003cem>La Grande\u003c/em>, was inspired by the Oregon town that shares the record’s name. The folk performer and Breathe Owl Breathe \u003ca href=\"http://bottomofthehill.com/calendar.html\">will appear at Bottom of the Hill\u003c/a> on February 6.\u003c/p>\n\u003cp>\u003cem>Visions\u003c/em> is the buzzed-about new album from Montreal’s Claire Boucher, also known as \u003ca href=\"http://www.facebook.com/pages/Grimes/133232266718746\">Grimes\u003c/a> (“Genesis”). She’s \u003ca href=\"http://rickshawstop.com/event/81585/\">co-headlining a sold-out Noise Pop show\u003c/a> at the Rickshaw Stop on February 22.\u003c/p>\n\u003cp>Experimental electronic pop artist \u003ca href=\"http://www.facebook.com/matthewdear\">Matthew Dear\u003c/a> (“Headcage”) will be \u003ca href=\"http://publicsf.com/events/noise-pop-presents-matthew-dear-live-public-works-6963\">performing a live set at Public Works\u003c/a> as part of Noise Pop. Maus Haus, Exray’s, and Tropical Popsicle appear alongside Dear at the February 24 show.\u003c/p>\n\u003cp>Skygreen Leopards’ \u003ca href=\"http://northern-spy.com/artists/donovan-quinn/\">Donovan Quinn\u003c/a> (“Shadow on the Stone”) recorded and produced \u003cem>Honky Tonk Medusa\u003c/em>, which comes out on February 14. Quinn will be \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-02-19\">at the Hemlock Tavern\u003c/a> on February 19, with supporting acts to be announced.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/loscampesinos\">Los Campesinos!\u003c/a> (“By Your Hand”) is a Welsh indie pop band. \u003cem>Hello Sadness\u003c/em>, the act’s fourth album, came out late last year, and the group will be performing \u003ca href=\"http://www.slimspresents.com/events/2012-02-10/los-campesinos/\">with Parenthetical Girls at the Great American Music Hall\u003c/a> on February 10.\u003c/p>\n\u003cp>Shawn Foree leads \u003ca href=\"http://itsadigitalworld.blogspot.com/\">Digital Leather\u003c/a> (“Young Doctors in Love”), a band championed by the late Jay Reatard. On February 11, Digital Leather will be at Oakland’s \u003ca href=\"http://www.facebook.com/1234gorecords\">1-2-3-4 Go! 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The twentieth installment of the \u003ca href=\"http://2012.noisepop.com\">Noise Pop Music Festival\u003c/a> takes over a wide variety of local venues later this month — and we’ll be covering many of those shows — but there are also plenty of pre-NP events worth checking out. Locally, two bands are seeing the release of records for which it feels like we’ve been waiting forever: the debut LP from ultra-catchy punks Terry Malts, and the latest Rick Rubin-produced effort from Howlin Rain.\u003c/p>\n\u003cp>Speaking of new albums, Laura Gibson’s bringing her newest folk-rock set to SF for a February show. Meanwhile, Montreal’s Grimes has already sold out her Noise Pop date at the Rickshaw Stop, which will come just one day after the release of her new album, \u003cem>Visions\u003c/em>. Enjoy this mix of tunes and then go see some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>New York seven-piece band \u003ca href=\"http://www.facebook.com/avaluna\">Ava Luna\u003c/a> (“Wrenning Day”) is currently touring with Twin Sister. On February 4, they’ll both be \u003ca href=\"http://www.slimspresents.com/events/2012-02-04/twin-sister/\">performing at the Great American Music Hall\u003c/a>.\u003c/p>\n\u003cp>The \u003cem>Situation\u003c/em> EP is the first release from local band \u003ca href=\"http://www.facebook.com/FutureTwin\">Future Twin\u003c/a> (“Yuka”). The group’s EP release show is an exciting one that also features \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-02-02\">Twin Steps, Exray’s and Death Cheetah all at the Hemlock Tavern\u003c/a> on February 2.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.eleanorfriedberger.com/\">Eleanor Friedberger\u003c/a> (“My Mistakes”) is one-half of The Fiery Furnaces, but her solo record, \u003cem>Last Summer\u003c/em>, is probably her best work yet. Friedberger and band \u003ca href=\"http://www.theindependentsf.com/event/85405/\">come to The Independent\u003c/a> on February 4. Dominant Legs supports.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/sealionsok\">Sea Lions\u003c/a> (“Grown Up”), from Oxnard, released the delightful jangle-pop collection \u003cem>Everything You Always Wanted To Know About Sea Lions But Were Afraid To Ask\u003c/em> last year. The quintet \u003ca href=\"http://www.cafedunord.com/\">performs at Cafe Du Nord\u003c/a> on February 3 with Jeremy Jay and Tremor Low.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/lauragibsonmusic\">Laura Gibson\u003c/a>‘s (“La Grande”) new album, \u003cem>La Grande\u003c/em>, was inspired by the Oregon town that shares the record’s name. The folk performer and Breathe Owl Breathe \u003ca href=\"http://bottomofthehill.com/calendar.html\">will appear at Bottom of the Hill\u003c/a> on February 6.\u003c/p>\n\u003cp>\u003cem>Visions\u003c/em> is the buzzed-about new album from Montreal’s Claire Boucher, also known as \u003ca href=\"http://www.facebook.com/pages/Grimes/133232266718746\">Grimes\u003c/a> (“Genesis”). She’s \u003ca href=\"http://rickshawstop.com/event/81585/\">co-headlining a sold-out Noise Pop show\u003c/a> at the Rickshaw Stop on February 22.\u003c/p>\n\u003cp>Experimental electronic pop artist \u003ca href=\"http://www.facebook.com/matthewdear\">Matthew Dear\u003c/a> (“Headcage”) will be \u003ca href=\"http://publicsf.com/events/noise-pop-presents-matthew-dear-live-public-works-6963\">performing a live set at Public Works\u003c/a> as part of Noise Pop. Maus Haus, Exray’s, and Tropical Popsicle appear alongside Dear at the February 24 show.\u003c/p>\n\u003cp>Skygreen Leopards’ \u003ca href=\"http://northern-spy.com/artists/donovan-quinn/\">Donovan Quinn\u003c/a> (“Shadow on the Stone”) recorded and produced \u003cem>Honky Tonk Medusa\u003c/em>, which comes out on February 14. Quinn will be \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-02-19\">at the Hemlock Tavern\u003c/a> on February 19, with supporting acts to be announced.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/loscampesinos\">Los Campesinos!\u003c/a> (“By Your Hand”) is a Welsh indie pop band. \u003cem>Hello Sadness\u003c/em>, the act’s fourth album, came out late last year, and the group will be performing \u003ca href=\"http://www.slimspresents.com/events/2012-02-10/los-campesinos/\">with Parenthetical Girls at the Great American Music Hall\u003c/a> on February 10.\u003c/p>\n\u003cp>Shawn Foree leads \u003ca href=\"http://itsadigitalworld.blogspot.com/\">Digital Leather\u003c/a> (“Young Doctors in Love”), a band championed by the late Jay Reatard. On February 11, Digital Leather will be at Oakland’s \u003ca href=\"http://www.facebook.com/1234gorecords\">1-2-3-4 Go! Records\u003c/a>, joined by Blasted Canyons and Glitz.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/terrymalts\">Terry Malts\u003c/a> (“Nauseous”) are one of our favorite local bands, so we’re really looking forward to the group’s first LP, \u003cem>Killing Time\u003c/em>. The band’s record release show is February 17 \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-02-17\">at the Hemlock Tavern with Airfix Kits and Cocktails\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Russian Wilds\u003c/em> is the long-awaited new album from SF’s \u003ca href=\"http://www.facebook.com/howlinrain\">Howlin Rain\u003c/a> (“Phantom in the Valley”). The band is touring the country over the next few months, with a \u003ca href=\"http://www.theindependentsf.com/event/83061/\">hometown stop at The Independent\u003c/a> on February 18.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>in honor of the Bay Area comedy festival, SF Sketchfest (ongoing through February 4, 2012), this episode is dedicated to the relationship between music and comedy. We’ve invited guest hosts Shawn Robbins of Kata Rokkar and Snob Theater, and Ivan Hernandez of Boars, Gore and Swords, to show Jaime the best musical comedians, the funniest musicians, and everything in between.\u003c/p>\n\u003cp>Because all the songs are clips there is no track list for this week’s episode. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>It’s 2012! It’s the first episode of the new year, and the Noise Pop Team is starting things off with a bang, some bass and plenty of samples. This week, Dawson, Jaime and Olivia unveil a shiny new segment, discover their Wu names, and play the best new tunes 2012 has to offer so far.\u003c/p>\n\u003cp>\u003cb>Tracklist:\u003c/b>\u003c/p>\n\u003cp>1. “Mass Appeal / Transmission” — BADBADNOTGOOD, \u003ci>BBNG\u003c/i>\u003cbr>2. “Canyon” — We Are Pirates, single\u003cbr>3. “Solid Gold” — AU, single\u003cbr>4. “Born to Lose” — Sleigh Bells, \u003ci>Reign of Terror\u003c/i>\u003cbr>5. “Put Me to Sleep” — Porcelain Raft, \u003ci>Strange Weekend\u003c/i>\u003cbr>6. “I’m God” — Clams Casino, single\u003cbr>7. “My Idle Bed” — Bronson, \u003ci>Paper Tusk\u003c/i>\u003cbr>8. “Day Dreams” — Midi Matilda, \u003ci>Red Light District\u003c/i> single\u003cbr>9. “Glowing Mouth” — Milagres, \u003ci>Glowing Mouth\u003c/i>\u003cbr>10. “Tear” — Blackbird Blackbird, \u003ci>Boracay Planet\u003c/i> EP\u003cbr>11. “The Unsinkable Fats Domino” — Guided By Voices, \u003ci>Let’s Go Eat the Factory\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s 2012! It’s the first episode of the new year, and the Noise Pop Team is starting things off with a bang, some bass and plenty of samples. This week, Dawson, Jaime and Olivia unveil a shiny new segment, discover their Wu names, and play the best new tunes 2012 has to offer so far.\u003c/p>\n\u003cp>\u003cb>Tracklist:\u003c/b>\u003c/p>\n\u003cp>1. “Mass Appeal / Transmission” — BADBADNOTGOOD, \u003ci>BBNG\u003c/i>\u003cbr>2. “Canyon” — We Are Pirates, single\u003cbr>3. “Solid Gold” — AU, single\u003cbr>4. “Born to Lose” — Sleigh Bells, \u003ci>Reign of Terror\u003c/i>\u003cbr>5. “Put Me to Sleep” — Porcelain Raft, \u003ci>Strange Weekend\u003c/i>\u003cbr>6. “I’m God” — Clams Casino, single\u003cbr>7. “My Idle Bed” — Bronson, \u003ci>Paper Tusk\u003c/i>\u003cbr>8. “Day Dreams” — Midi Matilda, \u003ci>Red Light District\u003c/i> single\u003cbr>9. “Glowing Mouth” — Milagres, \u003ci>Glowing Mouth\u003c/i>\u003cbr>10. “Tear” — Blackbird Blackbird, \u003ci>Boracay Planet\u003c/i> EP\u003cbr>11. “The Unsinkable Fats Domino” — Guided By Voices, \u003ci>Let’s Go Eat the Factory\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>If the beginning of January feels a little slim on the live music front, things should ramp back up into the usual overwhelming number of interesting shows by the month’s end. Several young local bands recently came onto our radar — including Churches, Poor Sons, and Primitive Hearts — and they’re all partaking in locals-heavy bills in the next few weeks.\u003c/p>\n\u003cp>On the coming-into-town front, it seems that, by sheer coincidence, a number of the month’s highlights all offer variations on electronic pop. From the most immediate and dance-oriented, like Fujiya and Miyagi, to the more experimental, including High Places and Religious to Damn, synth fans have a lot to get excited about in January. Enjoy this mix of thirteen tunes and then go see some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/deletedscenesmusic\">Deleted Scenes\u003c/a> (“Bedbedbedbedbed”) is touring behind \u003cem>Young People’s Church of the Air\u003c/em>, the D.C. band’s latest collection of psych-pop. A Lull and Ravenna Woods also \u003ca href=\"http://www.rickshawstop.com/event/80351/\">perform at the Rickshaw Stop\u003c/a> on January 23.\u003c/p>\n\u003cp>\u003ca href=\"http://brainstormbrainstorm.bandcamp.com/\">Brainstorm\u003c/a> (“Forms Without a Frame”) is a big-sounding experimental pop duo from Portland. The band’s touring comes to \u003ca href=\"http://www.vitusoakland.com/event/83653/\">Vitus\u003c/a> on January 5 and the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-01-11\">Hemlock Tavern\u003c/a> on the 1/11.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After the recent release of the \u003cem>Heatwave\u003c/em> EP, \u003ca href=\"http://www.facebook.com/pages/Ash-Reiter/207972495886912\">Ash Reiter\u003c/a> (“Heatwave”) will be performing at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> on January 11 and the \u003ca href=\"http://www.starryploughpub.com/eventscalendar/upcoming\">Starry Plough\u003c/a> on January 27.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/churchmusic\">Churches\u003c/a> (“Save Me”) is a new band that includes Caleb Nichols (of Grand Lake) and Pat Spurgeon (of Rogue Wave). You can see them at a \u003ca href=\"http://www.facebook.com/events/268617413198915/\">free show at The Uptown\u003c/a> on January 6, with Grass Widow, Culture Kids, and Wave Array.\u003c/p>\n\u003cp>Oakland rock and roll trio \u003ca href=\"http://www.facebook.com/primitivehearts\">Primitive Hearts\u003c/a> (“Killin’ Time”) has some great demos you can download on \u003ca href=\"http://primitivehearts.bandcamp.com/album/primitive-demo\">Bandcamp\u003c/a>. The band is \u003ca href=\"http://www.facebook.com/events/228082837265553/\">playing at 1-2-3-4 Go! Records\u003c/a> with SorryEverAfter and Dark Beach on January 19.\u003c/p>\n\u003cp>The \u003cem>Dyunes\u003c/em> EP is the first release from SF’s \u003ca href=\"http://www.facebook.com/pages/Poor-Sons/114430761922086\">Poor Sons\u003c/a> (“Scales”). Party Owl and Cool Ghouls perform alongside the band \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-01-14\">at the Hemlock Tavern\u003c/a> on January 14.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/jeffertitti\">Jeffertitti’s Nile\u003c/a> (“Mountain Jam”) is touring the West Coast this month. See the LA psych band at \u003ca href=\"http://www.theeparkside.com\">Thee Parkside\u003c/a> on January 19 and at \u003ca href=\"http://www.theknockoutsf.com\">The Knockout\u003c/a> on January 23.\u003c/p>\n\u003cp>Captured Tracks released the self-titled album from \u003ca href=\"http://www.facebook.com/bblouse\">Blouse\u003c/a> (“Videotapes”) last year. On January 19, the dream pop band joins labelmate The Soft Moon at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a>.\u003c/p>\n\u003cp>UK quartet \u003ca href=\"http://www.facebook.com/FujiyaMiyagi\">Fujiya and Miyagi\u003c/a> (“Yoyo”) hit the US following the release of the new single, “Ecstatic Dancer.” The Frail open their January 30 \u003ca href=\"http://www.theindependentsf.com/event/77693/\">show at The Independent\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/Starfucker\">Starfucker\u003c/a>‘s (“Bury Us Alive”) US tour finds the synth-pop act playing the Bay Area three times in four days: at \u003ca href=\"http://www.thenewparish.com\">The New Parish\u003c/a> on January 4, the \u003ca href=\"http://www.slimspresents.com/events/2012-01-06/starfucker/\">Great American Music Hall\u003c/a> on 1/6, and \u003ca href=\"http://www.theindependentsf.com/event/69901/\">The Independent\u003c/a> on January 7.\u003c/p>\n\u003cp>LA experimental pop duo \u003ca href=\"http://www.facebook.com/pages/High-Places/83873543030\">High Places\u003c/a> (“Year Off”) will be taking part in a \u003ca href=\"http://www.bampfa.berkeley.edu/exhibition/late012712\">Berkeley Art Museum event\u003c/a> inspired by the moon. The night is part of the museum’s L@TE series of shows, and takes place on January 27. \u003c/p>\n\u003cp>January’s shows mark the first West Coast appearances for NYC band \u003ca href=\"http://www.facebook.com/pages/Religious-to-Damn/17558358639\">Religious to Damn\u003c/a> (“Glass Prayer”). The group joins Wax Idols and Alexis \u003ca href=\"http://www.facebook.com/events/200731716677119/\">at the Elbo Room\u003c/a> on January 18.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The reliably-great \u003ca href=\"http://www.vetiverse.com/\">Vetiver\u003c/a> (“Can’t You Tell”) \u003ca href=\"http://www.theindependentsf.com/event/76171/\">performs at The Independent\u003c/a> on January 15. Magic Trick, Prairiedog, and DJ Britt Govea will also be performing.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If the beginning of January feels a little slim on the live music front, things should ramp back up into the usual overwhelming number of interesting shows by the month’s end. Several young local bands recently came onto our radar — including Churches, Poor Sons, and Primitive Hearts — and they’re all partaking in locals-heavy bills in the next few weeks.\u003c/p>\n\u003cp>On the coming-into-town front, it seems that, by sheer coincidence, a number of the month’s highlights all offer variations on electronic pop. From the most immediate and dance-oriented, like Fujiya and Miyagi, to the more experimental, including High Places and Religious to Damn, synth fans have a lot to get excited about in January. Enjoy this mix of thirteen tunes and then go see some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/deletedscenesmusic\">Deleted Scenes\u003c/a> (“Bedbedbedbedbed”) is touring behind \u003cem>Young People’s Church of the Air\u003c/em>, the D.C. band’s latest collection of psych-pop. A Lull and Ravenna Woods also \u003ca href=\"http://www.rickshawstop.com/event/80351/\">perform at the Rickshaw Stop\u003c/a> on January 23.\u003c/p>\n\u003cp>\u003ca href=\"http://brainstormbrainstorm.bandcamp.com/\">Brainstorm\u003c/a> (“Forms Without a Frame”) is a big-sounding experimental pop duo from Portland. The band’s touring comes to \u003ca href=\"http://www.vitusoakland.com/event/83653/\">Vitus\u003c/a> on January 5 and the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-01-11\">Hemlock Tavern\u003c/a> on the 1/11.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After the recent release of the \u003cem>Heatwave\u003c/em> EP, \u003ca href=\"http://www.facebook.com/pages/Ash-Reiter/207972495886912\">Ash Reiter\u003c/a> (“Heatwave”) will be performing at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a> on January 11 and the \u003ca href=\"http://www.starryploughpub.com/eventscalendar/upcoming\">Starry Plough\u003c/a> on January 27.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/churchmusic\">Churches\u003c/a> (“Save Me”) is a new band that includes Caleb Nichols (of Grand Lake) and Pat Spurgeon (of Rogue Wave). You can see them at a \u003ca href=\"http://www.facebook.com/events/268617413198915/\">free show at The Uptown\u003c/a> on January 6, with Grass Widow, Culture Kids, and Wave Array.\u003c/p>\n\u003cp>Oakland rock and roll trio \u003ca href=\"http://www.facebook.com/primitivehearts\">Primitive Hearts\u003c/a> (“Killin’ Time”) has some great demos you can download on \u003ca href=\"http://primitivehearts.bandcamp.com/album/primitive-demo\">Bandcamp\u003c/a>. The band is \u003ca href=\"http://www.facebook.com/events/228082837265553/\">playing at 1-2-3-4 Go! Records\u003c/a> with SorryEverAfter and Dark Beach on January 19.\u003c/p>\n\u003cp>The \u003cem>Dyunes\u003c/em> EP is the first release from SF’s \u003ca href=\"http://www.facebook.com/pages/Poor-Sons/114430761922086\">Poor Sons\u003c/a> (“Scales”). Party Owl and Cool Ghouls perform alongside the band \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-01-14\">at the Hemlock Tavern\u003c/a> on January 14.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/jeffertitti\">Jeffertitti’s Nile\u003c/a> (“Mountain Jam”) is touring the West Coast this month. See the LA psych band at \u003ca href=\"http://www.theeparkside.com\">Thee Parkside\u003c/a> on January 19 and at \u003ca href=\"http://www.theknockoutsf.com\">The Knockout\u003c/a> on January 23.\u003c/p>\n\u003cp>Captured Tracks released the self-titled album from \u003ca href=\"http://www.facebook.com/bblouse\">Blouse\u003c/a> (“Videotapes”) last year. On January 19, the dream pop band joins labelmate The Soft Moon at \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Cafe Du Nord\u003c/a>.\u003c/p>\n\u003cp>UK quartet \u003ca href=\"http://www.facebook.com/FujiyaMiyagi\">Fujiya and Miyagi\u003c/a> (“Yoyo”) hit the US following the release of the new single, “Ecstatic Dancer.” The Frail open their January 30 \u003ca href=\"http://www.theindependentsf.com/event/77693/\">show at The Independent\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/Starfucker\">Starfucker\u003c/a>‘s (“Bury Us Alive”) US tour finds the synth-pop act playing the Bay Area three times in four days: at \u003ca href=\"http://www.thenewparish.com\">The New Parish\u003c/a> on January 4, the \u003ca href=\"http://www.slimspresents.com/events/2012-01-06/starfucker/\">Great American Music Hall\u003c/a> on 1/6, and \u003ca href=\"http://www.theindependentsf.com/event/69901/\">The Independent\u003c/a> on January 7.\u003c/p>\n\u003cp>LA experimental pop duo \u003ca href=\"http://www.facebook.com/pages/High-Places/83873543030\">High Places\u003c/a> (“Year Off”) will be taking part in a \u003ca href=\"http://www.bampfa.berkeley.edu/exhibition/late012712\">Berkeley Art Museum event\u003c/a> inspired by the moon. The night is part of the museum’s L@TE series of shows, and takes place on January 27. \u003c/p>\n\u003cp>January’s shows mark the first West Coast appearances for NYC band \u003ca href=\"http://www.facebook.com/pages/Religious-to-Damn/17558358639\">Religious to Damn\u003c/a> (“Glass Prayer”). The group joins Wax Idols and Alexis \u003ca href=\"http://www.facebook.com/events/200731716677119/\">at the Elbo Room\u003c/a> on January 18.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The reliably-great \u003ca href=\"http://www.vetiverse.com/\">Vetiver\u003c/a> (“Can’t You Tell”) \u003ca href=\"http://www.theindependentsf.com/event/76171/\">performs at The Independent\u003c/a> on January 15. Magic Trick, Prairiedog, and DJ Britt Govea will also be performing.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>On \u003ca href=\"http://www.npr.org/2011/12/20/143901329/all-songs-considered-holiday-music-special-2011\">last week’s \u003cem>All Songs Considered\u003c/em>\u003c/a>, we rang out 2011 with a show of holiday music that featured the sounds of sleigh bells. This week, we ring in the new year with Sleigh Bells of a different sort: \u003ca href=\"http://twitter.com/allsongs\">Bob Boilen\u003c/a>, \u003ca href=\"http://twitter.com/annkpowers\">Ann Powers\u003c/a>, \u003ca href=\"http://twitter.com/idislikestephen\">Stephen Thompson \u003c/a>and Jacob Ganz flip the release-date calendar forward to look at \u003ca href=\"http://www.npr.org/2011/12/29/144267273/2012-winter-music-preview?ft=3&f=10001\">a dozen new songs\u003c/a> from albums that come out in the early months of 2012.\u003c/p>\n\u003cp>That crop includes the first blasts of sound from \u003cem>Reign of Terror, \u003c/em>the sophomore album from \u003ca href=\"http://www.npr.org/artists/126668015/sleigh-bells\" target=\"_blank\" rel=\"noopener\">Sleigh Bells\u003c/a>, which puts a studio sheen on the duo’s machine-gun beats and flame-thrower guitars. A few more favorites offer new twists on familiar sounds: \u003cem>Clear Heart Full Eyes\u003c/em>, the first solo album from \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15197852\" target=\"_blank\" rel=\"noopener\">The Hold Steady\u003c/a> frontman Craig Finn, sounds thoughtful and almost depressed. \u003cem>Tramp, \u003c/em>the third album from \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=129870037\" target=\"_blank\" rel=\"noopener\">Sharon Van Etten\u003c/a>, shows off the songwriter’s rough side. \u003cem>La Grande \u003c/em>surrounds \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15159824\" target=\"_blank\" rel=\"noopener\">Laura Gibson\u003c/a>‘s haunted voice with muscular drumming.\u003c/p>\n\u003cp>In the first few months of 2012, we’ll also greet the long-awaited return of the veteran indie-pop band \u003ca href=\"http://www.npr.org/artists/15161556/imperial-teen\" target=\"_blank\" rel=\"noopener\">Imperial Teen\u003c/a>, while the guitar-drums-and-violin trio Dirty Three will break a seven-year hiatus to release the typically stormy \u003cem>Toward the Low Sun\u003c/em>.\u003c/p>\n\u003cp>Also on the program: releases from \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=17081755\" target=\"_blank\" rel=\"noopener\">Adam Arcuragi\u003c/a> and \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15124357\" target=\"_blank\" rel=\"noopener\">Shearwater\u003c/a> (both set to build on the longtime support of Bob and Stephen, respectively), burly roots-rock from The White Buffalo, gospel-inspired jazz from \u003ca href=\"http://www.npr.org/artists/15393702/charlie-haden\" target=\"_blank\" rel=\"noopener\">Charlie Haden\u003c/a> and the late \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15403739\" target=\"_blank\" rel=\"noopener\">Hank Jones\u003c/a>, and more. Copyright 2011 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/2011/12/29/144267273/2012-winter-music-preview?ft=3&f=10001\">http://www.npr.org/\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On \u003ca href=\"http://www.npr.org/2011/12/20/143901329/all-songs-considered-holiday-music-special-2011\">last week’s \u003cem>All Songs Considered\u003c/em>\u003c/a>, we rang out 2011 with a show of holiday music that featured the sounds of sleigh bells. This week, we ring in the new year with Sleigh Bells of a different sort: \u003ca href=\"http://twitter.com/allsongs\">Bob Boilen\u003c/a>, \u003ca href=\"http://twitter.com/annkpowers\">Ann Powers\u003c/a>, \u003ca href=\"http://twitter.com/idislikestephen\">Stephen Thompson \u003c/a>and Jacob Ganz flip the release-date calendar forward to look at \u003ca href=\"http://www.npr.org/2011/12/29/144267273/2012-winter-music-preview?ft=3&f=10001\">a dozen new songs\u003c/a> from albums that come out in the early months of 2012.\u003c/p>\n\u003cp>That crop includes the first blasts of sound from \u003cem>Reign of Terror, \u003c/em>the sophomore album from \u003ca href=\"http://www.npr.org/artists/126668015/sleigh-bells\" target=\"_blank\" rel=\"noopener\">Sleigh Bells\u003c/a>, which puts a studio sheen on the duo’s machine-gun beats and flame-thrower guitars. A few more favorites offer new twists on familiar sounds: \u003cem>Clear Heart Full Eyes\u003c/em>, the first solo album from \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15197852\" target=\"_blank\" rel=\"noopener\">The Hold Steady\u003c/a> frontman Craig Finn, sounds thoughtful and almost depressed. \u003cem>Tramp, \u003c/em>the third album from \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=129870037\" target=\"_blank\" rel=\"noopener\">Sharon Van Etten\u003c/a>, shows off the songwriter’s rough side. \u003cem>La Grande \u003c/em>surrounds \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15159824\" target=\"_blank\" rel=\"noopener\">Laura Gibson\u003c/a>‘s haunted voice with muscular drumming.\u003c/p>\n\u003cp>In the first few months of 2012, we’ll also greet the long-awaited return of the veteran indie-pop band \u003ca href=\"http://www.npr.org/artists/15161556/imperial-teen\" target=\"_blank\" rel=\"noopener\">Imperial Teen\u003c/a>, while the guitar-drums-and-violin trio Dirty Three will break a seven-year hiatus to release the typically stormy \u003cem>Toward the Low Sun\u003c/em>.\u003c/p>\n\u003cp>Also on the program: releases from \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=17081755\" target=\"_blank\" rel=\"noopener\">Adam Arcuragi\u003c/a> and \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15124357\" target=\"_blank\" rel=\"noopener\">Shearwater\u003c/a> (both set to build on the longtime support of Bob and Stephen, respectively), burly roots-rock from The White Buffalo, gospel-inspired jazz from \u003ca href=\"http://www.npr.org/artists/15393702/charlie-haden\" target=\"_blank\" rel=\"noopener\">Charlie Haden\u003c/a> and the late \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=15403739\" target=\"_blank\" rel=\"noopener\">Hank Jones\u003c/a>, and more. Copyright 2011 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/2011/12/29/144267273/2012-winter-music-preview?ft=3&f=10001\">http://www.npr.org/\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>(In alphabetical order)\u003c/p>\n\u003cp>Glen Campbell, \u003ci>Ghost on the Canvas\u003c/i>\u003cbr> After a career encompassing guitar-ace status with the Wrecking Crew on (among many others) Sinatra, Presley and Beach Boys sessions, dozens of his own groundbreaking and beloved hits, an iconic TV variety series, acting with John Wayne in \u003ci>True Grit\u003c/i> — and some digressions into troubled behavior — Campbell has made the album of his life. Literally. \u003ci>Ghost\u003c/i> traces the arc of his journey from Depression poverty of his Arkansas childhood through his roller-coaster success to his current twilight, 75 with his memories flickering out due to Alzheimer’s but his faith in love (both Earthly and eternal) strong. But it side-steps mundane autobiography, rather using colorful allusion in the music (echoes of such classic countrypolitan as “Wichita Lineman” abound) and expressive lyrics to tell the story. Songwriting contributions from Paul Westerberg (including the title track), Jakob Dylan and other young acolytes are uniformly strong, but it’s such originals as the curtain-raiser “A Better Place” and “It’s Your Amazing Grace,” built by producer Julian Raymond from Campbell’s insights, that make this “farewell” album a worthy capper to a remarkable journey.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=A7kw5zXVFVQ&w=480&h=274]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/cooder200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Ry Cooder, \u003ci>Pull Up Some Dust and Sit Down\u003c/i>\u003cbr>Having devoted his last few albums to colorful memories (and some tall tales) about Southern California in the ’50s, culminating in his new book \u003ci>Los Angeles Stories\u003c/i>, Cooder taps into his inner Woody Guthrie for his latest album. Pointed sarcasm (“No Banker Left Behind”) mixes with poignant tableaus (a lonely old man’s lament for his long-absent Mexican maid in “Dirty Chateau”), stirred with Norteño polka, blues, reggae, funk, rock ‘n’ roll and all the other music at the guitarist’s great command. And he’s not through — he recently followed up with an “Occupied” single, “The Wall Street Part of Town.”\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/dengue200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Dengue Fever, \u003ci>Cannibal Courtship\u003c/i>\u003cbr>Not only has the alt-Cambodian hybrid evolved into something that far transcends the novelty of its beginnings (L.A. rockers teaming with Cambodian-born singer Chhom Nimol to cover her country’s ’70s pop hits) with such original avant-beach-pop peaks as “Cement Slippers” (sung in English!), but this album marks the recording debut of the Mastadong, Zac Holtzman’s custom-built, two-necked splicing of a Fender JazzMaster with a two-stringed Cambodian lute known as a chapei dong veng.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=42OvUz3UhsI&w=480&h=274]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/fairfield200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Frank Fairfield, \u003ci>Out On the Open West\u003c/i>\u003cbr>Old-timey music from a young-timey musician. Los Angeles fiddler (and banjoist, guitarist) and singer Fairfield doesn’t just play tunes from or evoking ’20s rural America, he inhabits them. As such, while at times he plays it all pretty straight, he makes it all as fresh as it was in the earliest days of recorded music. And in some places, notably “Poor Old Lance” with its otherwordly string trio, he creates a vibe that could be called urban rustic. Or new antique.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/hanni200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Hanni El Khatib, \u003ci>Will the Guns Come Out\u003c/i>\u003cbr>This San Francisco-raised son of Palestinian and Filipino immigrants is the all-American garage-rock boy, not just picking up where the White Stripes and Black Keys took things, but going back to their roots in rock, blues, soul and even doo-wop to create his own gloriously unkempt but virtuosic blend, embodied by the power-blast (and title) of the song “Build. Destroy. Rebuild.” And he confidently puts his own stamp on covers from disparate eras and styles: the Dixieland standard “You Rascal You,” Elvis’ “Heartbreak Hotel” and Funkadelic’s “I Got a Thing, You Got a Thing, Everbody’s Got a Thing.” Oh yeah, he’s got a thing alright.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/moreno200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Gabby Moreno, \u003ci>Illustrated Songs\u003c/i>\u003cbr>The Guatemala City-raised Los Angeles resident is bilingual in her singing (Spanish and English), but many-more-lingual in her music, equally expressive in breezy tropical or country-ish romantic moods (“Fin”) as in scorching blues and R&B (“Mess a Good Thing”) and even a speakeasy-ready slink (“Daydream by Design”). This isn’t dilettantish scattershot, though, but a wide-ranging embrace captured fully in the outsider-solidarity song “Ave Que Emigra” and the earthy, horns-spiked growler “Sing Me Life.”\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=sIdRsY5HJGw&w=480&h=274]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/novik200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Aaron Novik, \u003ci>Floating World Vol. 1\u003c/i>\u003cbr>Bay Area composer and bass clarinetist Novik found inspiration in the words of three Mission District “outsiders” for his genre-free chamber music song cycle. The music balances the formality of composition with the top-of-the-head thoughts of the wordsmiths, coming in somewhere between \u003ci>The Threepenny Opera\u003c/i> and Harry Partch’s hobo songs, while an all-star band of players and singers, including Tin Hat Trio/Charming Hostess member Carla Kihlstedt and Katy Stephan give voice to colorful observations ranging from “Hitler 1945” to “Peanut Butter and Jam Germ Sandwich.”\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/sealions200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Sea Lions, \u003ci>Everything You Always Wanted to Know About Sea Lions But Were Afraid to Ask\u003c/i>\u003cbr>Coming out of that well-known rock hotbed Oxnard, this young quintet’s debut is DIY at its best — guileless and sweet, sounding like singer-songwriter Adrian Pillado spent his formative years immersed equally in Buddy Holly, the Beach Boys and the Cure. Guitars are over-reverbed, the vocals are pointedly buried in the mix, all serving an aura of sweet naivete that calls to mind Jonathan Richman.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/howling200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Various, \u003ci>Hear Me Howling! Blues, Ballads & Beyond as recorded by the San Francisco Bay by Chris Strachwitz in the 1960s.\u003c/i>\u003cbr>The “beyond,” from the teenybopper ephemera of “The Beatles Are in Town” to some out-there free jazz, may be the key to truly appreciating what the El Cerrito-based Arhoolie Records label is all about: label founder and guru Chris Strachwitz has always valued energy and immediacy over genre or style. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>(In alphabetical order)\u003c/p>\n\u003cp>Glen Campbell, \u003ci>Ghost on the Canvas\u003c/i>\u003cbr> After a career encompassing guitar-ace status with the Wrecking Crew on (among many others) Sinatra, Presley and Beach Boys sessions, dozens of his own groundbreaking and beloved hits, an iconic TV variety series, acting with John Wayne in \u003ci>True Grit\u003c/i> — and some digressions into troubled behavior — Campbell has made the album of his life. Literally. \u003ci>Ghost\u003c/i> traces the arc of his journey from Depression poverty of his Arkansas childhood through his roller-coaster success to his current twilight, 75 with his memories flickering out due to Alzheimer’s but his faith in love (both Earthly and eternal) strong. But it side-steps mundane autobiography, rather using colorful allusion in the music (echoes of such classic countrypolitan as “Wichita Lineman” abound) and expressive lyrics to tell the story. Songwriting contributions from Paul Westerberg (including the title track), Jakob Dylan and other young acolytes are uniformly strong, but it’s such originals as the curtain-raiser “A Better Place” and “It’s Your Amazing Grace,” built by producer Julian Raymond from Campbell’s insights, that make this “farewell” album a worthy capper to a remarkable journey.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/A7kw5zXVFVQ'\n title='//www.youtube.com/embed/A7kw5zXVFVQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/cooder200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Ry Cooder, \u003ci>Pull Up Some Dust and Sit Down\u003c/i>\u003cbr>Having devoted his last few albums to colorful memories (and some tall tales) about Southern California in the ’50s, culminating in his new book \u003ci>Los Angeles Stories\u003c/i>, Cooder taps into his inner Woody Guthrie for his latest album. Pointed sarcasm (“No Banker Left Behind”) mixes with poignant tableaus (a lonely old man’s lament for his long-absent Mexican maid in “Dirty Chateau”), stirred with Norteño polka, blues, reggae, funk, rock ‘n’ roll and all the other music at the guitarist’s great command. And he’s not through — he recently followed up with an “Occupied” single, “The Wall Street Part of Town.”\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/dengue200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Dengue Fever, \u003ci>Cannibal Courtship\u003c/i>\u003cbr>Not only has the alt-Cambodian hybrid evolved into something that far transcends the novelty of its beginnings (L.A. rockers teaming with Cambodian-born singer Chhom Nimol to cover her country’s ’70s pop hits) with such original avant-beach-pop peaks as “Cement Slippers” (sung in English!), but this album marks the recording debut of the Mastadong, Zac Holtzman’s custom-built, two-necked splicing of a Fender JazzMaster with a two-stringed Cambodian lute known as a chapei dong veng.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/42OvUz3UhsI'\n title='//www.youtube.com/embed/42OvUz3UhsI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/fairfield200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Frank Fairfield, \u003ci>Out On the Open West\u003c/i>\u003cbr>Old-timey music from a young-timey musician. Los Angeles fiddler (and banjoist, guitarist) and singer Fairfield doesn’t just play tunes from or evoking ’20s rural America, he inhabits them. As such, while at times he plays it all pretty straight, he makes it all as fresh as it was in the earliest days of recorded music. And in some places, notably “Poor Old Lance” with its otherwordly string trio, he creates a vibe that could be called urban rustic. Or new antique.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/hanni200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Hanni El Khatib, \u003ci>Will the Guns Come Out\u003c/i>\u003cbr>This San Francisco-raised son of Palestinian and Filipino immigrants is the all-American garage-rock boy, not just picking up where the White Stripes and Black Keys took things, but going back to their roots in rock, blues, soul and even doo-wop to create his own gloriously unkempt but virtuosic blend, embodied by the power-blast (and title) of the song “Build. Destroy. Rebuild.” And he confidently puts his own stamp on covers from disparate eras and styles: the Dixieland standard “You Rascal You,” Elvis’ “Heartbreak Hotel” and Funkadelic’s “I Got a Thing, You Got a Thing, Everbody’s Got a Thing.” Oh yeah, he’s got a thing alright.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/moreno200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Gabby Moreno, \u003ci>Illustrated Songs\u003c/i>\u003cbr>The Guatemala City-raised Los Angeles resident is bilingual in her singing (Spanish and English), but many-more-lingual in her music, equally expressive in breezy tropical or country-ish romantic moods (“Fin”) as in scorching blues and R&B (“Mess a Good Thing”) and even a speakeasy-ready slink (“Daydream by Design”). 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The music balances the formality of composition with the top-of-the-head thoughts of the wordsmiths, coming in somewhere between \u003ci>The Threepenny Opera\u003c/i> and Harry Partch’s hobo songs, while an all-star band of players and singers, including Tin Hat Trio/Charming Hostess member Carla Kihlstedt and Katy Stephan give voice to colorful observations ranging from “Hitler 1945” to “Peanut Butter and Jam Germ Sandwich.”\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/sealions200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Sea Lions, \u003ci>Everything You Always Wanted to Know About Sea Lions But Were Afraid to Ask\u003c/i>\u003cbr>Coming out of that well-known rock hotbed Oxnard, this young quintet’s debut is DIY at its best — guileless and sweet, sounding like singer-songwriter Adrian Pillado spent his formative years immersed equally in Buddy Holly, the Beach Boys and the Cure. Guitars are over-reverbed, the vocals are pointedly buried in the mix, all serving an aura of sweet naivete that calls to mind Jonathan Richman.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/12/27/howling200.jpg\" style=\"float: left;margin-bottom: 10px;margin-right: 10px\" alt=\"\">Various, \u003ci>Hear Me Howling! Blues, Ballads & Beyond as recorded by the San Francisco Bay by Chris Strachwitz in the 1960s.\u003c/i>\u003cbr>The “beyond,” from the teenybopper ephemera of “The Beatles Are in Town” to some out-there free jazz, may be the key to truly appreciating what the El Cerrito-based Arhoolie Records label is all about: label founder and guru Chris Strachwitz has always valued energy and immediacy over genre or style. This elaborate 4-CD/book combo drawn from Arhoolie’s heady ’60s output, with detailed, informative and entertaining text by Adam Machado, was released in early 2011 to celebrate both the label’s 50th anniversary and Strachwitz’s 80th birthday. Coming from Germany as a youth after WWII with his mom and becoming besotted with North American regional music, starting with blues and traditional jazz. Recording started as a hobby but quickly became much more as he brought such figures as Texas bluesman Lightning Hopkins, Mance Lipscomb and Big Mama Thornton out of the shadows, not to mention entire cultural phenoma including Cajun, Zydeco and Norteño. Strachwitz is still going strong and the Arhoolie treasures’ value is infinite. 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"content": "\u003cp>From seminal sophomore records to breakthrough hits, 2011 has been a great year for indie music. With the help of friends, music industry insiders and artists, the Noise Pop Podcast team says goodbye to 2011 with their favorite tracks of the year.\u003c/p>\n\u003cp>\u003cb>Tracklist:\u003c/b>\u003cbr>1. “Midnight City” — M83, \u003ci>Hurry Up, We’re Dreaming\u003c/i> — Jaime Nabrynski\u003cbr>2. “Gangsta” — tUnE-yArDs, \u003ci>w h o k i l l\u003c/i> — Ian Port, Music Editor, \u003ci>SF Weekly\u003c/i>\u003cbr>3. “Terra” — Julian Lynch, \u003ci>Terra\u003c/i> — Martin Courtney singer/guitarist, Real Estate\u003cbr>4. “Belispeak” — Purity Ring, split single — Peter Arko, \u003ca href=\"http://www.earsofthebeholder.com/\">Ears of the Beholder\u003c/a>\u003cbr>5. “Speech” — Cousins, split single — Megan James, Purity Ring\u003cbr>6. “Putting the Dog to Sleep” — The Antlers, \u003ci>Burst Apart\u003c/i> — Jesse Fox\u003cbr>7. “Jam For Jerry” — Holy Ghost!, \u003ci>Holy Ghost!\u003c/i>— Paul Hanly, Frenchkiss Records\u003cbr>8. “Chinatown” — Destroyer, \u003ci>Kaputt\u003c/i> — Joe Goldberg, Zeitgeist Artist Management\u003cbr>9. “The Whip” — Locksley, \u003ci>Locksley\u003c/i> — Dan Strachota, Noise Pop\u003cbr>10. “Now That I’m Real (How Does it Feel?)” — Chad Valley, \u003ci>Equatorial Ultravox\u003c/i> EP — Kayvon Siadat, Music Director, KSCU\u003cbr>11. “Civilian” — Wye Oak, \u003ci>Civilian\u003c/i> — Olivia LaRoche\u003cbr>12. “Cannons” — Youth Lagoon, \u003ci>The Year of Hibernation\u003c/i> — Dawson Ludwig\u003cbr>13. “Holocene” — Bon Iver, \u003ci>Bon Iver\u003c/i> — Trevor Powers, Youth Lagoon\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On February 22-26, the Noise Pop Festival will celebrate its 20th birthday. This week the Noise Pop Podcast team previews the indie goodness to come with some of their favorite tracks from the 2012 lineup. Head over to Noisepop.com/2012 for the full lineup.\u003c/p>\n\u003cp>If you’d like to be featured on the podcast next month, leave a voicemail with your favorite track of the year (and why) for our “Best Track of the Year” episode. The number to call is (585) 4NOISE5/(585) 466-4735\u003c/p>\n\u003cp>\u003cb>Tracklist:\u003c/b>\u003cbr>1. “Budos Rising” — Budos Band, \u003ci>The Budos Band II\u003c/i>\u003cbr>2. “Oblivion” — Grimes, \u003ci>Visions\u003c/i>\u003cbr>3. “Lawn Knives” — Born Gold, \u003ci>Bodysongs\u003c/i>\u003cbr>4. “Burn Out Eyes” — oOoOO, \u003ci>oOoOO\u003c/i> EP\u003cbr>5. “The Recluse” — Cursive, \u003ci>The Ugly Organ\u003c/i>\u003cbr>6. “Beachy Head” — Veronica Falls, \u003ci>Veronica Falls\u003c/i>\u003cbr>7. “Think of You” — Bleached, \u003ci>Carter\u003c/i> single\u003cbr>8. “Pink LIght” — Laura Veirs, \u003ci>Saltbreakers\u003c/i>\u003cbr>9. “Web in Front” — Archers of Loaf, \u003ci>Icky Mettle\u003c/i>\u003cbr>10. “Swim” — Surfer Blood, \u003ci>Astro Coast\u003c/i>\u003cbr>11. “Enter the Ninja” — Die Antwoord\u003cbr>12. “Rented Room” — Craig Finn, \u003ci>Clear Heart Full Eyes\u003c/i> \u003cbr>13. “Yoo Hoo” — Imperial Teen, \u003ci>What is Not to Love\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Mixtape: Twelve Bay Area Highlights from 2011",
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"content": "\u003cp>We might be biased, but, from this vantage point, 2011 reconfirmed that the Bay Area continues to have the most vibrant music community in the nation. The SF scene cranked out a ton of amazing albums this year, and our final podcast of 2011 highlights twelve great releases from Bay Area artists over the past twelve months. This isn’t a “Best of” list per se, but these acts did create some of our favorite music in 2011. We’ll be doing more year-in-review coverage over the next few weeks, but, for now, enjoy this collection of great songs from 2011.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Track Listing/Notes:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Lumerians/125749125645\">Lumerians\u003c/a> — “Atlanta Brook”\u003cbr> Lumerians’ debut album, which was \u003ca href=\"http://www.thebaybridged.com/2011/03/03/out-this-week-new-albums-from-papercuts-lumerians-earth-girl-helen-brown-that-ghost/\">released in March\u003c/a>, fulfilled the promise of the band’s impressively heavy live shows. The Oakland/SF psych group is currently working on a new album.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/dominantlegs\">Dominant Legs\u003c/a> — “Where We Trip The Light”\u003cbr> We’d been awaiting Dominant Legs’ full length for a while, and \u003cem>Invitation\u003c/em> did not disappoint. The SF band created \u003ca href=\"http://www.thebaybridged.com/2011/08/11/video-dominant-legs-found-summer-weather-outside-of-san-francisco-in-hoop-of-love/\">a unique world of buoyant, shimmering pop\u003c/a> on the album, with Ryan Lynch and Hannah Hunt’s vocal interplay a particular highlight.\u003c/p>\n\u003cp>\u003ca href=\"http://mikalcronin.bandcamp.com/\">Mikal Cronin\u003c/a> — “Get Along”\u003cbr>Before this year, Mikal Cronin had \u003ca href=\"http://www.thebaybridged.com/2009/12/09/ty-segall-two-new-records-release-show-saturday-and-ticket-giveaway/\">collaborated with Ty Segall\u003c/a> on \u003cem>Reverse Shark Attack\u003c/em>, and released records with Moonhearts, but his self-titled solo album allowed his unique psych-pop talent to take center-stage.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Exrays/187339934624829\">Exray’s\u003c/a> — “Hesitation”\u003cbr>Released in January, \u003cem>Exray’s\u003c/em> saw Jon Bernson and Michael Falsetto-Mapp \u003ca href=\"http://www.thebaybridged.com/2011/01/09/video-exrays-ways-to-stop-time/\">shaping dense pop songs\u003c/a> from layers of synths and samples. You might also recognize this song from \u003cem>The Social Network\u003c/em>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/PART-TIME/105366072835033?ref=ts\">Part Time\u003c/a> — “I Wanna Take You Out”\u003cbr>As Part Time, David Speck \u003ca href=\"http://www.thebaybridged.com/2011/07/05/sfs-part-time-releases-what-would-you-say-on-mexican-summer/\">released a collection of synth-pop gems\u003c/a> on Mexican Summer in July. He’ll be following up \u003cem>What Would You Say?\u003c/em> with a new 7″ soon.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/tuneyards\">tUnE-yArDs\u003c/a> — “Powa”\u003cbr>Does this one even need any observation? tUnE-yArDs’ profile skyrocketed with the release of the \u003ca href=\"http://www.thebaybridged.com/2011/03/24/video-tune-yards-bizness/\">universally-acclaimed \u003cem>w h o k i l l\u003c/em>\u003c/a>, and we couldn’t be happier. \u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/GIRLSsf\">Girls\u003c/a> — “Vomit”\u003cbr>Girls’ third release, \u003ca href=\"http://www.thebaybridged.com/2011/07/14/girls-announce-father-son-holy-ghost-and-tour-including-two-nights-at-the-great-american-music-hall/\">\u003cem>Father, Son, Holy Ghost\u003c/em>\u003c/a>, beat the expectations set by the band’s previous work with a lush collection of heart-on-sleeve compositions that also \u003ca href=\"http://www.thebaybridged.com/2011/09/11/review-photos-guided-by-voices-girls-ty-segall-among-many-highlights-at-fyf-fest-los-angeles-state-historic-park-9311/\">sound great live\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Nodzzz/136549649738544\">Nodzzz\u003c/a> — “Heyday Past Heyday Due”\u003cbr>In May, local trio Nodzzz released \u003cem>Innings\u003c/em>, an album full of insistent jangle-pop songs paired with smart lyrical reflections on family and getting older. It’s highly recommended.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Ty-Segall/268287955622?ref=ts\">Ty Segall\u003c/a> — “Goodbye Bread”\u003cbr>Ty Segall has been \u003ca href=\"http://www.thebaybridged.com/2011/06/22/mixtape-fifteen-great-songs-by-ty-segall-podcast-251/\">cranking out great records\u003c/a> at a feverish pace over the past few years, but 2011 saw him break out with the psych-referencing \u003cem>Goodbye Bread\u003c/em> and \u003ca href=\"http://www.thebaybridged.com/2011/09/11/review-photos-guided-by-voices-girls-ty-segall-among-many-highlights-at-fyf-fest-los-angeles-state-historic-park-9311/\">reliably exuberant live sets\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Magic-Trick/153436801409553\">Magic Trick\u003c/a> — “Daylight Moon”\u003cbr>Even though The Fresh & Onlys \u003ca href=\"http://www.thebaybridged.com/2011/12/13/the-fresh-and-onlys-sign-to-mexican-summer-for-fourth-lp/\">didn’t release much this year\u003c/a>, Tim Cohen stayed busy with two albums, first as Tim Cohen’s Magic Trick, and then just Magic Trick. In four epic songs, Magic Trick’s \u003cem>The Glad Birth of Love\u003c/em> reveals some of Cohen’s most ambitious songwriting yet.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Little-Wings/130230123665874\">Little Wings\u003c/a> — “How Come”\u003cbr>\u003cem>Black Grass\u003c/em> is Kyle Field’s latest album as Little Wings, and it’s \u003ca href=\"http://www.thebaybridged.com/2011/02/15/little-wings-how-comemr-natural/\">another winner from the folk-pop troubadour\u003c/a>. It’s no surprise that Field’s heartfelt songs and moving voice have earned him a devoted cult following.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/raleighmoncrief\">Raleigh Moncrief\u003c/a> — “Cast Out For Days”\u003cbr>Sacramento’s Raleigh Moncrief has been recording and producing other people’s music for years (including 2011′s strong \u003ci>Appetite\u003c/i> and Ganglians albums), but \u003ca href=\"http://www.thebaybridged.com/2011/09/06/raleigh-moncrief-i-just-sawlament-for-morning/\">he also found time this year\u003c/a> to release \u003cem>Watered Lawn\u003c/em>, a wonderful collection of soulful electronic pop with an experimental bent.\u003c/p>\n\n",
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"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
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"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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},
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"id": "baycurious",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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},
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
},
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},
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"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
},
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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}
},
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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},
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"id": "fresh-air",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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