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"content": "\u003cp>It seems we’re in a “when it rains, it pours” sort of place for significant new local albums, and this mix only scratches the surface of the latest in Bay Area records, with songs from \u003ca href=\"http://www.facebook.com/pages/Ty-Segall/268287955622\">Ty Segall & White Fence\u003c/a>, \u003ca href=\"http://www.facebook.com/SleepySun\">Sleepy Sun\u003c/a>, \u003ca href=\"http://www.facebook.com/whirrband\">Whirr\u003c/a>, and \u003ca href=\"http://www.facebook.com/blastedcanyons\">Blasted Canyons\u003c/a>. On the touring front, \u003ca href=\"http://www.hermandune.com/\">Herman Dune\u003c/a> and \u003ca href=\"http://www.facebook.com/pages/Royal-Headache/136799649689670\">Royal Headache\u003c/a> crossed different oceans to come do some U.S. shows, but both are stopping in SF in May. Additionally, if you don’t immediately recognize some of the names in this playlist, you might recognize their main bands: \u003ca href=\"http://www.facebook.com/DanaBuoy\">Dana Buoy\u003c/a> is Dana Janssen of Akron/Family’s solo project, while \u003ca href=\"http://www.facebook.com/pages/Naytronix/209196535802293\">Naytronix\u003c/a> is the experimental pop of tUnE-yArDs’ Nate Brenner.\u003c/p>\n\u003cp>Finally, the month closes with two great local festivals over Memorial Day weekend. In San Francisco, the 2012 installment of the \u003ca href=\"http://www.sfpopfest.com/\">\u003cb>SF Popfest\u003c/b>\u003c/a> includes several strong indie pop shows. Meanwhile, Oakland’s \u003ca href=\"http://www.facebook.com/1234gorecords\">1-2-3-4 Go! Records\u003c/a> has a packed slate of East Bay shows for a new festival called \u003cb>The Go! Go!\u003c/b> Whatever your pleasure, listen to the mix and then go see some shows!\u003c/p>\n\u003cp>\u003cu>About the bands:\u003c/u>\u003c/p>\n\u003cp>Amidst busy solo careers, \u003ca href=\"http://www.facebook.com/pages/Ty-Segall/268287955622\">Ty Segall & White Fence\u003c/a> (“I Am Not A Game”) found time to collaborate on \u003cem>Hair\u003c/em>, a new record out now on Drag City. Locals Shannon and the Clams and The Mallard support them \u003ca href=\"http://www.theindependentsf.com/event/103785/\">at The Independent\u003c/a> on May 2.\u003c/p>\n\u003cp>SF psych-rock band \u003ca href=\"http://www.facebook.com/SleepySun\">Sleepy Sun\u003c/a> (“V.O.G.”) just released its third full length, \u003cem>Spine Hits\u003c/em>. The band finishes a US tour May 18 at \u003ca href=\"http://www.theindependentsf.com/event/103787/\">The Independent\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Dana Janssen of Akron/Family is also a solo artist under the name \u003ca href=\"http://www.facebook.com/DanaBuoy\">Dana Buoy\u003c/a> (“So Lucky”). Gauntlet Hair joins Buoy on a West Coast tour this month. See them and Minot on May 9 at \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Naytronix/209196535802293\">Naytronix\u003c/a> (“Cry”) is an electronic pop project from Nate Brenner of tUnE-yArDs. Brenner’s band headlines a stellar all-local show \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-05-17\">at the Hemlock Tavern\u003c/a> on May 17, with Yalls and Mwahaha.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Royal-Headache/136799649689670\">Royal Headache\u003c/a>‘s (“Girls”) debut LP came out last year in Australia, and it’s available stateside this month on What’s Your Rupture? The band is performing at Vitus in Oakland on May 26 as part of \u003ca href=\"http://www.facebook.com/events/176149945827448/\">1-2-3-4 Go! Records’ \u003cb>The Go! Go!\u003c/b> festival\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/blastedcanyons\">Blasted Canyons\u003c/a>‘ (“Holy Geometry”) second record is a new EP called \u003cem>2nd Place\u003c/em>, out now on Castle Face Records. The band headlines \u003ca href=\"http://www.rickshawstop.com/event/108163/\">a top-notch lineup at the Rickshaw Stop\u003c/a> on May 23, with Sunbeam Rd and Fine Steps.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/events/105949996201188/\">Day 4 of \u003cb>The Go! Go!\u003c/b> festival\u003c/a> features local shoegaze/dream pop band \u003ca href=\"http://www.facebook.com/whirrband\">Whirr\u003c/a> (“Junebouvier”) performing with Ceremony, Big Gids, Gun Outfit and ++++. The \u003cem>Pipe Dreams\u003c/em> LP is out now.\u003c/p>\n\u003cp>\u003ca href=\"http://deanandbritta.com/\">Dean Wareham\u003c/a> (\u003ca href=\"http://en.wikipedia.org/wiki/Galaxie_500\">Galaxie 500\u003c/a> (“Blue Thunder”) is playing two intimate shows of Galaxie 500 songs \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-05-11\">at the Hemlock Tavern\u003c/a> this month. At both May 11 shows, Wareham’s trio will be joined by SF’s Tortured Genies.\u003c/p>\n\u003cp>\u003ca href=\"http://www.hermandune.com/\">Herman Dune\u003c/a> (“Tell Me Something I Don’t Know”) is a French duo pairing wry lyrics with stripped-down folk rock. On May 14, the band \u003ca href=\"http://www.theindependentsf.com/event/114907/\">comes to The Independent\u003c/a>.\u003c/p>\n\u003cp>How \u003ca href=\"http://www.facebook.com/lambchopisaband\">Lambchop\u003c/a>‘s (“If Not I’ll Just Die”) eleventh album, \u003cem>Mr. M\u003c/em>, ranks as among its best, a pretty impressive feat for this Nashville band. See them \u003ca href=\"http://www.slimspresents.com/events/2012-05-04/lambchop/\">at the Great American Music Hall\u003c/a> on May 4.\u003c/p>\n\u003cp>San Diego’s \u003ca href=\"http://www.facebook.com/tvgirlz\">TV Girl\u003c/a> (“I Wonder Who She’s Kissing Now”) headlines a May 27 \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-05-27\">show at the Hemlock Tavern\u003c/a> that’s part of the \u003ca href=\"http://sfpopfest.com/\">\u003cb>2012 SF Popfest\u003c/b>\u003c/a>.\u003c/p>\n\u003cp>Brooklyn band \u003ca href=\"http://www.facebook.com/suckersmusic\">Suckers\u003c/a> (“Turn On The Sunshine”) comes to \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> with Young Man and Vanaprasta on May 17. The group’s second album, \u003cem>Candy Salad\u003c/em>, is out now.\u003c/p>\n\u003cp>SF’s \u003ca href=\"http://www.facebook.com/pages/PART-TIME/105366072835033\">Part Time\u003c/a> (“Visions of the Future”) wraps up a North American tour with The Drums and Craft Spells with a hometown performance. The Great American Music Hall \u003ca href=\"http://www.slimspresents.com/events/2012-05-12/the-drums/\">hosts this sold-out show\u003c/a> on May 12.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/xiuxiuforlife\">Xiu Xiu\u003c/a>‘s (“Hi”) latest collection of experimental synth-pop is \u003cem>Always\u003c/em>, out now on Polyvinyl Records. The former locals come to \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on May 31.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It seems we’re in a “when it rains, it pours” sort of place for significant new local albums, and this mix only scratches the surface of the latest in Bay Area records, with songs from \u003ca href=\"http://www.facebook.com/pages/Ty-Segall/268287955622\">Ty Segall & White Fence\u003c/a>, \u003ca href=\"http://www.facebook.com/SleepySun\">Sleepy Sun\u003c/a>, \u003ca href=\"http://www.facebook.com/whirrband\">Whirr\u003c/a>, and \u003ca href=\"http://www.facebook.com/blastedcanyons\">Blasted Canyons\u003c/a>. On the touring front, \u003ca href=\"http://www.hermandune.com/\">Herman Dune\u003c/a> and \u003ca href=\"http://www.facebook.com/pages/Royal-Headache/136799649689670\">Royal Headache\u003c/a> crossed different oceans to come do some U.S. shows, but both are stopping in SF in May. Additionally, if you don’t immediately recognize some of the names in this playlist, you might recognize their main bands: \u003ca href=\"http://www.facebook.com/DanaBuoy\">Dana Buoy\u003c/a> is Dana Janssen of Akron/Family’s solo project, while \u003ca href=\"http://www.facebook.com/pages/Naytronix/209196535802293\">Naytronix\u003c/a> is the experimental pop of tUnE-yArDs’ Nate Brenner.\u003c/p>\n\u003cp>Finally, the month closes with two great local festivals over Memorial Day weekend. In San Francisco, the 2012 installment of the \u003ca href=\"http://www.sfpopfest.com/\">\u003cb>SF Popfest\u003c/b>\u003c/a> includes several strong indie pop shows. Meanwhile, Oakland’s \u003ca href=\"http://www.facebook.com/1234gorecords\">1-2-3-4 Go! Records\u003c/a> has a packed slate of East Bay shows for a new festival called \u003cb>The Go! Go!\u003c/b> Whatever your pleasure, listen to the mix and then go see some shows!\u003c/p>\n\u003cp>\u003cu>About the bands:\u003c/u>\u003c/p>\n\u003cp>Amidst busy solo careers, \u003ca href=\"http://www.facebook.com/pages/Ty-Segall/268287955622\">Ty Segall & White Fence\u003c/a> (“I Am Not A Game”) found time to collaborate on \u003cem>Hair\u003c/em>, a new record out now on Drag City. Locals Shannon and the Clams and The Mallard support them \u003ca href=\"http://www.theindependentsf.com/event/103785/\">at The Independent\u003c/a> on May 2.\u003c/p>\n\u003cp>SF psych-rock band \u003ca href=\"http://www.facebook.com/SleepySun\">Sleepy Sun\u003c/a> (“V.O.G.”) just released its third full length, \u003cem>Spine Hits\u003c/em>. The band finishes a US tour May 18 at \u003ca href=\"http://www.theindependentsf.com/event/103787/\">The Independent\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Dana Janssen of Akron/Family is also a solo artist under the name \u003ca href=\"http://www.facebook.com/DanaBuoy\">Dana Buoy\u003c/a> (“So Lucky”). Gauntlet Hair joins Buoy on a West Coast tour this month. See them and Minot on May 9 at \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Naytronix/209196535802293\">Naytronix\u003c/a> (“Cry”) is an electronic pop project from Nate Brenner of tUnE-yArDs. Brenner’s band headlines a stellar all-local show \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-05-17\">at the Hemlock Tavern\u003c/a> on May 17, with Yalls and Mwahaha.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Royal-Headache/136799649689670\">Royal Headache\u003c/a>‘s (“Girls”) debut LP came out last year in Australia, and it’s available stateside this month on What’s Your Rupture? The band is performing at Vitus in Oakland on May 26 as part of \u003ca href=\"http://www.facebook.com/events/176149945827448/\">1-2-3-4 Go! Records’ \u003cb>The Go! Go!\u003c/b> festival\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/blastedcanyons\">Blasted Canyons\u003c/a>‘ (“Holy Geometry”) second record is a new EP called \u003cem>2nd Place\u003c/em>, out now on Castle Face Records. The band headlines \u003ca href=\"http://www.rickshawstop.com/event/108163/\">a top-notch lineup at the Rickshaw Stop\u003c/a> on May 23, with Sunbeam Rd and Fine Steps.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/events/105949996201188/\">Day 4 of \u003cb>The Go! Go!\u003c/b> festival\u003c/a> features local shoegaze/dream pop band \u003ca href=\"http://www.facebook.com/whirrband\">Whirr\u003c/a> (“Junebouvier”) performing with Ceremony, Big Gids, Gun Outfit and ++++. The \u003cem>Pipe Dreams\u003c/em> LP is out now.\u003c/p>\n\u003cp>\u003ca href=\"http://deanandbritta.com/\">Dean Wareham\u003c/a> (\u003ca href=\"http://en.wikipedia.org/wiki/Galaxie_500\">Galaxie 500\u003c/a> (“Blue Thunder”) is playing two intimate shows of Galaxie 500 songs \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-05-11\">at the Hemlock Tavern\u003c/a> this month. At both May 11 shows, Wareham’s trio will be joined by SF’s Tortured Genies.\u003c/p>\n\u003cp>\u003ca href=\"http://www.hermandune.com/\">Herman Dune\u003c/a> (“Tell Me Something I Don’t Know”) is a French duo pairing wry lyrics with stripped-down folk rock. On May 14, the band \u003ca href=\"http://www.theindependentsf.com/event/114907/\">comes to The Independent\u003c/a>.\u003c/p>\n\u003cp>How \u003ca href=\"http://www.facebook.com/lambchopisaband\">Lambchop\u003c/a>‘s (“If Not I’ll Just Die”) eleventh album, \u003cem>Mr. M\u003c/em>, ranks as among its best, a pretty impressive feat for this Nashville band. See them \u003ca href=\"http://www.slimspresents.com/events/2012-05-04/lambchop/\">at the Great American Music Hall\u003c/a> on May 4.\u003c/p>\n\u003cp>San Diego’s \u003ca href=\"http://www.facebook.com/tvgirlz\">TV Girl\u003c/a> (“I Wonder Who She’s Kissing Now”) headlines a May 27 \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-05-27\">show at the Hemlock Tavern\u003c/a> that’s part of the \u003ca href=\"http://sfpopfest.com/\">\u003cb>2012 SF Popfest\u003c/b>\u003c/a>.\u003c/p>\n\u003cp>Brooklyn band \u003ca href=\"http://www.facebook.com/suckersmusic\">Suckers\u003c/a> (“Turn On The Sunshine”) comes to \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> with Young Man and Vanaprasta on May 17. The group’s second album, \u003cem>Candy Salad\u003c/em>, is out now.\u003c/p>\n\u003cp>SF’s \u003ca href=\"http://www.facebook.com/pages/PART-TIME/105366072835033\">Part Time\u003c/a> (“Visions of the Future”) wraps up a North American tour with The Drums and Craft Spells with a hometown performance. The Great American Music Hall \u003ca href=\"http://www.slimspresents.com/events/2012-05-12/the-drums/\">hosts this sold-out show\u003c/a> on May 12.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/xiuxiuforlife\">Xiu Xiu\u003c/a>‘s (“Hi”) latest collection of experimental synth-pop is \u003cem>Always\u003c/em>, out now on Polyvinyl Records. The former locals come to \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on May 31.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>There is an unofficial game music nerds play online; it’s silly, it’s futile and it is incredibly addictive: it’s ‘guess the festival lineup.’ Music fans spend hours researching what bands are likely to play what festival and they share their predictions online where they argue endlessly about it. The best predictions are usually based on record release dates, tour schedules, the last time a band played a certain festival, what kind of sound a band is, etc…\u003c/p>\n\u003cp>All festivals get this treatment, but no festival is obsessed over quite as much as Coachella. It’s the white whale of lineup predictions and it seems to start earlier each year. So, with this year’s festival coming to a close we decided it would be novel to take the first known stab at next year’s festival lineup. We brirefly discuss this year’s artists and then dive right into our logical choices for 2013. Of course, nothing is confirmed, these are merely guesses, but as you’ll hear it’s a hell of a lot of fun to play this guessing game.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>We haven’t written a lot about hip hop for \u003ci>The Bay Bridged\u003c/i>. Not for a lack of interest, mind you, but because we’ve never really felt like we had a real handle on emerging local stuff. Sure, we could write about how great \u003ca href=\"http://www.facebook.com/e40\">E-40\u003c/a> is with our eyes closed, but do you need someone else telling you how great E-40 is? (If you do, then here’s a tip: pick up all three volumes of \u003cem>The Block Brochure\u003c/em>. You won’t be disappointed. Seriously, it’s nuts how much quality music Earl Stevens has been putting out over the last several years.)\u003c/p>\n\u003cp>Several recent developments have ignited a new interest in covering more Bay Area hip hop at \u003ci>The Bay Bridged\u003c/i>. For one, the rising star of \u003ca href=\"http://www.facebook.com/pages/Main-Attrakionz/146941408710810\">Main Attrakionz\u003c/a>, a group that serves as the common thread among many of the artists in this podcast (in addition to making several appearances themselves). Both as a duo and solo, \u003ca href=\"http://www.facebook.com/SquaddaBambino\">Squadda B\u003c/a> and \u003ca href=\"http://www.facebook.com/pages/MondreMAN/131785850234052\">MondreM.A.N.\u003c/a> are talented and prolific, and their oft-languid flows serve as the ideal pairing for dense, spaced-out beats from inventive East Bay electronic outfits like \u003ca href=\"http://www.facebook.com/friendzonemusic\">Friendzone\u003c/a> and \u003ca href=\"http://www.facebook.com/yalls\">Yalls\u003c/a>.\u003c/p>\n\u003cp>While the artists on this mix hail from locations ranging from Vallejo to SF to San Jose, a vibrant Oakland scene is the nucleus for a lot of the sounds here. Nearby Berkeley, though, is the home of \u003ca href=\"http://www.facebook.com/LILBTHEBASEDGOD\">Lil B\u003c/a>, perhaps the godfather of Internet-saturating, spacey rap weirdness, despite the fact that he’s only in his early 20s. I had casually dismissed B for a long time, only to be blindsided by his recent \u003cem>God’s Father\u003c/em> mixtape, which becomes a more likely entrant in my top albums of the year with every listen. Of course, since it came out at the end of February, Brandon McCartney has already followed it up with two newer mixtapes.\u003c/p>\n\u003cp>The songs on this mix won’t surprise anyone who has been closely following Bay Area indie rap over the past few years, but for an indie rock fan like myself, who hasn’t been paying attention lately (until recently, anyway), it’s a start.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Tracklisting:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>1. \u003ca href=\"http://www.facebook.com/pages/Main-Attrakionz/146941408710810\">Main Attrakionz\u003c/a> — “Zombies On The Turf (Part II)”\u003cbr>2. \u003ca href=\"http://www.facebook.com/TheJealousGuys\">The Jealous Guys\u003c/a> — “Life Insomniac”\u003cbr>3. \u003ca href=\"http://www.facebook.com/MoeTheDreamer\">Moe Green\u003c/a> — “Nimbus”\u003cbr>4. \u003ca href=\"http://www.facebook.com/friendzonemusic\">Friendzone\u003c/a> — “Follow Me (Instrumental)”\u003cbr>5. \u003ca href=\"http://www.facebook.com/pages/MondreMAN/131785850234052\">MondreM.A.N.\u003c/a> — “Fancy (\u003ca href=\"http://www.facebook.com/yalls\">Yalls\u003c/a> Peer Pressure Remix)”\u003cbr>6. \u003ca href=\"http://www.facebook.com/LILBTHEBASEDGOD\">Lil B\u003c/a> — “SF Mission Music”\u003cbr>7. \u003ca href=\"http://www.facebook.com/pages/Antwon/226867997346451\">Antwon\u003c/a> — “Turn Your Back On The World”\u003cbr>8. \u003ca href=\"http://www.facebook.com/WeekendCult\">Weekend Cult\u003c/a> — “Oil Lamp Hash”\u003cbr>9. \u003ca href=\"http://www.facebook.com/SquaddaBambino\">Squadda B\u003c/a> — “Never Understand”\u003cbr>10. \u003ca href=\"http://www.facebook.com/RNBMillionaires\">RNB Millionaires\u003c/a> — “Can I Borrow a Dollar”\u003cbr>11. \u003ca href=\"http://www.facebook.com/pages/Main-Attrakionz/146941408710810\">Main Attrakionz\u003c/a> — “Perfect Skies (\u003ca href=\"http://www.facebook.com/commasounds\">Comma\u003c/a> Remix)”\u003cbr>12. \u003ca href=\"http://www.facebook.com/HerrGuMMy\">GuMMyBeAR\u003c/a> — “Totems”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>We haven’t written a lot about hip hop for \u003ci>The Bay Bridged\u003c/i>. Not for a lack of interest, mind you, but because we’ve never really felt like we had a real handle on emerging local stuff. Sure, we could write about how great \u003ca href=\"http://www.facebook.com/e40\">E-40\u003c/a> is with our eyes closed, but do you need someone else telling you how great E-40 is? (If you do, then here’s a tip: pick up all three volumes of \u003cem>The Block Brochure\u003c/em>. You won’t be disappointed. Seriously, it’s nuts how much quality music Earl Stevens has been putting out over the last several years.)\u003c/p>\n\u003cp>Several recent developments have ignited a new interest in covering more Bay Area hip hop at \u003ci>The Bay Bridged\u003c/i>. For one, the rising star of \u003ca href=\"http://www.facebook.com/pages/Main-Attrakionz/146941408710810\">Main Attrakionz\u003c/a>, a group that serves as the common thread among many of the artists in this podcast (in addition to making several appearances themselves). Both as a duo and solo, \u003ca href=\"http://www.facebook.com/SquaddaBambino\">Squadda B\u003c/a> and \u003ca href=\"http://www.facebook.com/pages/MondreMAN/131785850234052\">MondreM.A.N.\u003c/a> are talented and prolific, and their oft-languid flows serve as the ideal pairing for dense, spaced-out beats from inventive East Bay electronic outfits like \u003ca href=\"http://www.facebook.com/friendzonemusic\">Friendzone\u003c/a> and \u003ca href=\"http://www.facebook.com/yalls\">Yalls\u003c/a>.\u003c/p>\n\u003cp>While the artists on this mix hail from locations ranging from Vallejo to SF to San Jose, a vibrant Oakland scene is the nucleus for a lot of the sounds here. Nearby Berkeley, though, is the home of \u003ca href=\"http://www.facebook.com/LILBTHEBASEDGOD\">Lil B\u003c/a>, perhaps the godfather of Internet-saturating, spacey rap weirdness, despite the fact that he’s only in his early 20s. I had casually dismissed B for a long time, only to be blindsided by his recent \u003cem>God’s Father\u003c/em> mixtape, which becomes a more likely entrant in my top albums of the year with every listen. Of course, since it came out at the end of February, Brandon McCartney has already followed it up with two newer mixtapes.\u003c/p>\n\u003cp>The songs on this mix won’t surprise anyone who has been closely following Bay Area indie rap over the past few years, but for an indie rock fan like myself, who hasn’t been paying attention lately (until recently, anyway), it’s a start.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Tracklisting:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>1. \u003ca href=\"http://www.facebook.com/pages/Main-Attrakionz/146941408710810\">Main Attrakionz\u003c/a> — “Zombies On The Turf (Part II)”\u003cbr>2. \u003ca href=\"http://www.facebook.com/TheJealousGuys\">The Jealous Guys\u003c/a> — “Life Insomniac”\u003cbr>3. \u003ca href=\"http://www.facebook.com/MoeTheDreamer\">Moe Green\u003c/a> — “Nimbus”\u003cbr>4. \u003ca href=\"http://www.facebook.com/friendzonemusic\">Friendzone\u003c/a> — “Follow Me (Instrumental)”\u003cbr>5. \u003ca href=\"http://www.facebook.com/pages/MondreMAN/131785850234052\">MondreM.A.N.\u003c/a> — “Fancy (\u003ca href=\"http://www.facebook.com/yalls\">Yalls\u003c/a> Peer Pressure Remix)”\u003cbr>6. \u003ca href=\"http://www.facebook.com/LILBTHEBASEDGOD\">Lil B\u003c/a> — “SF Mission Music”\u003cbr>7. \u003ca href=\"http://www.facebook.com/pages/Antwon/226867997346451\">Antwon\u003c/a> — “Turn Your Back On The World”\u003cbr>8. \u003ca href=\"http://www.facebook.com/WeekendCult\">Weekend Cult\u003c/a> — “Oil Lamp Hash”\u003cbr>9. \u003ca href=\"http://www.facebook.com/SquaddaBambino\">Squadda B\u003c/a> — “Never Understand”\u003cbr>10. \u003ca href=\"http://www.facebook.com/RNBMillionaires\">RNB Millionaires\u003c/a> — “Can I Borrow a Dollar”\u003cbr>11. \u003ca href=\"http://www.facebook.com/pages/Main-Attrakionz/146941408710810\">Main Attrakionz\u003c/a> — “Perfect Skies (\u003ca href=\"http://www.facebook.com/commasounds\">Comma\u003c/a> Remix)”\u003cbr>12. \u003ca href=\"http://www.facebook.com/HerrGuMMy\">GuMMyBeAR\u003c/a> — “Totems”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Blame it on the season! There’s been an abnormal amount of new music released in the last few weeks and man, is it wonderful. Clearly spring has sprung for the music industry and we’re fortunate enough to reap the rewards. We had such a hard time narrowing the song selection down to just ten that we decided to expand the tracklist to fifteen. Turn up your headphones/speakers and dig into this bounty of great new music.\u003c/p>\n\u003cp>Tracklist:\u003c/p>\n\u003cp>1. “Hornet’s Nest” — Jonti, \u003ci>Twirligig\u003c/i>\u003cbr> 2. “All of Me” — Tanlines, \u003ci>Mixed Emotions\u003c/i>\u003cbr>3. “I Am Not A Game” — Ty Segal and White Fence, \u003ci>Hair\u003c/i>\u003cbr>4. “Jasmine” — Jai Paul, single\u003cbr> 5. “Ain’t It So” — PAPA, \u003ci>A Good Woman Is Hard to Find EP\u003c/i>\u003cbr>6. “Sinful Nature” — Bear in Heaven, \u003ci>I Love You, It’s Cool\u003c/i>\u003cbr>7. “Ice Sheets on Feet Prints” — Dustin Wong, \u003ci>Dreams Say, View, Create, Shadow Leads\u003c/i>\u003cbr>8. “The House That Heaven Built” — Japandroids, \u003ci>Celebration Rock\u003c/i>\u003cbr> 9. “Sa Sa Samoa (Elite Gymnastics Remix)” — Korallreven, single\u003cbr>10. “Fronting” — Saskatchewan, unnamed debut LP\u003cbr>11. “Get Alive” — AU, \u003ci>Both Lights\u003c/i>\u003cbr>12. “Afria Talks to You” — Delicate Steve, \u003ci>Positive Force\u003c/i>\u003cbr> 13. “Friend Crush” — FRIENDS, single\u003cbr> 14. “Turn on the Sunshine” — Suckers, \u003ci>Candy Sald\u003c/i>\u003cbr>15. “Headed for the door” — Moonface, With Siinai, \u003ci>Heartbreaking Bravery\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>\u003cu>\u003cstrong>Tracklisting:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>1. \u003ca href=\"http://www.facebook.com/thedjangos\">Django Django\u003c/a> — “Default”\u003cbr>2. \u003ca href=\"http://www.facebook.com/lowerdens\">Lower Dens\u003c/a> — “Brains”\u003cbr>3. \u003ca href=\"http://www.facebook.com/pages/La-Sera/101114383282113\">La Sera\u003c/a> — “Please Be My Third Eye”\u003cbr>4. \u003ca href=\"http://www.facebook.com/umemusic\">Ume\u003c/a> — “Captive”\u003cbr>5. \u003ca href=\"http://www.facebook.com/pages/Coasting/169976749731201\">Coasting\u003c/a> — “For Hours”\u003cbr>6. \u003ca href=\"http://www.facebook.com/frankierosemusic\">Frankie Rose\u003c/a> — “Know Me”\u003cbr>7. \u003ca href=\"http://www.facebook.com/FreeEnergy\">Free Energy\u003c/a> — “Electric Fever”\u003cbr>8. \u003ca href=\"http://www.facebook.com/HelloBleached\">Bleached\u003c/a> — “Searching Through The Past”\u003cbr>9. \u003ca href=\"http://www.rsteviemoore.com\">R. Stevie Moore\u003c/a> — “California Rhythm”\u003cbr>10. \u003ca href=\"http://www.facebook.com/CavemanBand\">Caveman\u003c/a> — “Thankful”\u003cbr>11. \u003ca href=\"http://www.facebook.com/tychomusic\">Tycho\u003c/a> — “Coastal Brake”\u003cbr>12. \u003ca href=\"http://www.facebook.com/purityringmusic\">Purity Ring\u003c/a> — “Belispeak”\u003c/p>\n\u003cp>Last Saturday, on our final evening at \u003ca href=\"http://www.sxsw.com\">South by Southwest 2012\u003c/a>, Christian and I were walking back to our East Austin rental house, and I found myself in something of a funk, complaining about reaching my saturation point with live music. I was tired of listening to bands’ sound checks, tired of standing around, tired of low-quality beer, and just tired period. Admittedly, it was not a great headspace. Thankfully, it did not last long.\u003c/p>\n\u003cp>Hearing a jangly racket coming from Trailer Space Records, we decided to drop in and see who was playing. It turned out to be none other than Oakland/Sacramento’s \u003ca href=\"http://www.facebook.com/ggreenband\">G. Green\u003c/a>, whose sloppy DIY punk felt, in that moment of ambivalence, reinvigorating. A few songs from the band felt like a fine way to end the South By experience.\u003c/p>\n\u003cp>As we continued walking, we heard poppy sounds emerging from a lot where WNYU was hosting a party. By chance, the closing set by indie-pop charmers \u003ca href=\"http://www.facebook.com/tennisinc\">Tennis\u003c/a> was still going, and we seized the chance to catch a delightful batch of songs by a band that had slipped through my fingers all week long. Alaina Moore said that they had played a lot of shows during the week, but that as far as audiences went, we were the best. I don’t know if she says that to all of the audiences, but the entire experience felt like an important reminder about the serendipity that seems pervasive during SXSW. It turns out it’s easy to lose perspective when you spend four days in a fog of loud music and cheap beer.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I’ve been going to Austin annually for South by Southwest for eight or nine years now. I remain as, if not more, confused now about its actual function, relevance, and value to the artists performing, but the simple truth remains as accurate as when I first started attending: it’s a listener’s delight, even if the listener ends up with sore feet and a desire to embrace temperance.\u003c/p>\n\u003cp>South by Southwest is also an absurdity, a creature that should not exist. The South By experience is at times reminiscent of a buffet and a zoo, with all of the attendant positives and negatives that might be drawn from either comparison.\u003c/p>\n\u003cp>\u003cspan id=\"more-49425\">\u003c/span>I saw around sixty bands last week, sometimes for five minutes, sometimes for an hour, and in a variety of settings and sound conditions. Given all of the variables, the one constant that emerged was that the most successful performers seemed to be the ones who took everything in stride, accepting the idea that playing twenty minutes of songs in the back lot of a dive bar when you can’t hear anything on stage, and when people are more interested in free moonshine and planning their next destination than listening to music, could qualify under any reasonable definition of the word “concert.”\u003c/p>\n\u003cp>That idea of taking it all in stride and powering through may explain why some of the strongest sets I saw involved veteran performers’ newest projects. Not one but two Vivian Girls-related bands left strong positive impressions. \u003ca href=\"http://www.facebook.com/pages/La-Sera/101114383282113\">La Sera\u003c/a>‘s sublime surf-inspired rock was delightfully louder and more rounded than I had previously suspected, and \u003ca href=\"http://www.facebook.com/pages/Coasting/169976749731201\">Coasting\u003c/a> delivered full-bore pop nuggets that offered plenty of guilt for missing the band’s recent full length. Similarly noisy pop came from \u003ca href=\"http://japandroids.com/\">Japandroids\u003c/a>, who tested songs from a forthcoming release that planted the band firmly within the school of loud and fast. The duo’s effort to cram as many songs into their set as possible left a heady buzz.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"//u.s.kqed.net/2012/03/20/FrankieRose1.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Frankie Rose\u003cbr>\u003c/center>\n\u003cp>\u003ca href=\"http://www.facebook.com/HelloBleached\">Bleached\u003c/a>‘s strong, harmony-driven show in the Mohawk’s small interior lodge room on Thursday called to mind seeing the Dum Dum Girls in the same room a few years prior. And speaking of (former) Dum Dum Girls, \u003ca href=\"http://www.facebook.com/frankierosemusic\">Frankie Rose\u003c/a> and her band’s Wednesday afternoon Brooklyn Vegan party appearance delivered sharp renditions of gauzy pop songs from \u003cem>Interstellar\u003c/em>, one of my favorite records of the year to date.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"//u.s.kqed.net/2012/03/20/lowerdens.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Lower Dens\u003cbr>\u003c/center>\n\u003cp>While the lowest-fi projects might be best equipped to adapt to SXSW’s frequently poor sound conditions, the subtleties of \u003ca href=\"http://www.facebook.com/lowerdens\">Lower Dens\u003c/a>‘ layered mood-rock worked at Pitchfork’s day party, suggesting that the band’s second album will be a dynamic leap forward from their already strong first album. An attention to dynamics also aided \u003ca href=\"http://www.facebook.com/CavemanBand\">Caveman\u003c/a>‘s percussive, synth-layered pop songs, which felt ideally suited to the warm Thursday early evening.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"//u.s.kqed.net/2012/03/20/Caveman590x4421.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Caveman\u003cbr>\u003c/center>\n\u003cp>A similar highlight, perhaps the highlight of the festival for me, was a chance to see \u003ca href=\"http://www.facebook.com/thedjangos\">Django Django\u003c/a>, a London art-pop band making its first appearance in the U.S. Other than the lack of stateside touring, I am befuddled by the curious expressions I get when I rave about their album, which successfully walks a tightrope balancing synth-driven weirdness and uber-catchy melodies; surely it’s only a matter of time before they get more well-deserved attention here. \u003c/p>\n\u003cp>Even though SXSW is nominally about discovering new music (and does anyone even believe that anymore?) three veterans rank among my festival highlights. I’d been familiar with \u003ca href=\"http://www.rsteviemoore.com/\">R. Stevie Moore\u003c/a>‘s work since Ariel Pink started championing the outsider cult hero, but his Saturday afternoon set of affable, left-of-center art-rock was a testament to the relative meaning of terms like “weirdo,” leaving the focus primarily on the thoroughly enjoyable music.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"//u.s.kqed.net/2012/03/20/FutureoftheLeft450.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Future of the Left\u003cbr>\u003c/center>\n\u003cp>No more obvious stamp of approval exists than the demand for one more song after the conclusion of a band’s set, and \u003ca href=\"http://www.facebook.com/futureoftheleft\">Future of the Left\u003c/a>, to their credit, held their ground on stage until the venue acquiesced. The quartet rocked, sardonic yet intense, and I plan to revisit their back catalog (and forthcoming album) soon. Similarly, the MOG party once again provided my annual chance to reevaluate a hip-hop artist I’d unfairly dismissed. Last year, it was Big Boi’s “all hits, yes there are a lot of hits” set; this year, \u003ca href=\"http://www.facebook.com/TheRoots\">The Roots\u003c/a> delivered a master class in why they are one of the tightest performing acts in any genre, even if their taste in rock and roll covers needs some quality control.\u003c/p>\n\u003cp>But rather than end a report on new music from SXSW with the conclusion that, “Hey, The Roots are a pretty great live band,” I’ll offer a bunch of other groups I quite enjoyed, and one experience I didn’t.\u003c/p>\n\u003cp>\u003cstrong>On the positive side:\u003c/strong> \u003ca href=\"http://www.facebook.com/deafheaven\">Deafheaven\u003c/a>, \u003ca href=\"http://www.facebook.com/umemusic\">Ume\u003c/a>, \u003ca href=\"http://www.facebook.com/FreeEnergy\">Free Energy\u003c/a>, \u003ca href=\"http://www.facebook.com/purityringmusic\">Purity Ring\u003c/a>, \u003ca href=\"http://www.facebook.com/tychomusic\">Tycho\u003c/a>, \u003ca href=\"http://www.facebook.com/zjzjzj\">Zola Jesus\u003c/a>, \u003ca href=\"http://www.facebook.com/123land\">1,2,3\u003c/a>, \u003ca href=\"http://www.eleanorfriedberger.com\">Eleanor Friedberger\u003c/a>, \u003ca href=\"http://www.facebook.com/gardensandvilla\">Gardens & Villa\u003c/a>, \u003ca href=\"http://www.facebook.com/chadvalleymusic\">Chad Valley\u003c/a>, and numerous others.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>On the downright unpleasant side:\u003c/strong> trying a few of Taco Bell’s Doritos-shelled tacos. As it turns out, not every chance at South by Southwest is worth taking.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cu>\u003cstrong>Tracklisting:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>1. \u003ca href=\"http://www.facebook.com/thedjangos\">Django Django\u003c/a> — “Default”\u003cbr>2. \u003ca href=\"http://www.facebook.com/lowerdens\">Lower Dens\u003c/a> — “Brains”\u003cbr>3. \u003ca href=\"http://www.facebook.com/pages/La-Sera/101114383282113\">La Sera\u003c/a> — “Please Be My Third Eye”\u003cbr>4. \u003ca href=\"http://www.facebook.com/umemusic\">Ume\u003c/a> — “Captive”\u003cbr>5. \u003ca href=\"http://www.facebook.com/pages/Coasting/169976749731201\">Coasting\u003c/a> — “For Hours”\u003cbr>6. \u003ca href=\"http://www.facebook.com/frankierosemusic\">Frankie Rose\u003c/a> — “Know Me”\u003cbr>7. \u003ca href=\"http://www.facebook.com/FreeEnergy\">Free Energy\u003c/a> — “Electric Fever”\u003cbr>8. \u003ca href=\"http://www.facebook.com/HelloBleached\">Bleached\u003c/a> — “Searching Through The Past”\u003cbr>9. \u003ca href=\"http://www.rsteviemoore.com\">R. Stevie Moore\u003c/a> — “California Rhythm”\u003cbr>10. \u003ca href=\"http://www.facebook.com/CavemanBand\">Caveman\u003c/a> — “Thankful”\u003cbr>11. \u003ca href=\"http://www.facebook.com/tychomusic\">Tycho\u003c/a> — “Coastal Brake”\u003cbr>12. \u003ca href=\"http://www.facebook.com/purityringmusic\">Purity Ring\u003c/a> — “Belispeak”\u003c/p>\n\u003cp>Last Saturday, on our final evening at \u003ca href=\"http://www.sxsw.com\">South by Southwest 2012\u003c/a>, Christian and I were walking back to our East Austin rental house, and I found myself in something of a funk, complaining about reaching my saturation point with live music. I was tired of listening to bands’ sound checks, tired of standing around, tired of low-quality beer, and just tired period. Admittedly, it was not a great headspace. Thankfully, it did not last long.\u003c/p>\n\u003cp>Hearing a jangly racket coming from Trailer Space Records, we decided to drop in and see who was playing. It turned out to be none other than Oakland/Sacramento’s \u003ca href=\"http://www.facebook.com/ggreenband\">G. Green\u003c/a>, whose sloppy DIY punk felt, in that moment of ambivalence, reinvigorating. A few songs from the band felt like a fine way to end the South By experience.\u003c/p>\n\u003cp>As we continued walking, we heard poppy sounds emerging from a lot where WNYU was hosting a party. By chance, the closing set by indie-pop charmers \u003ca href=\"http://www.facebook.com/tennisinc\">Tennis\u003c/a> was still going, and we seized the chance to catch a delightful batch of songs by a band that had slipped through my fingers all week long. Alaina Moore said that they had played a lot of shows during the week, but that as far as audiences went, we were the best. I don’t know if she says that to all of the audiences, but the entire experience felt like an important reminder about the serendipity that seems pervasive during SXSW. It turns out it’s easy to lose perspective when you spend four days in a fog of loud music and cheap beer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I’ve been going to Austin annually for South by Southwest for eight or nine years now. I remain as, if not more, confused now about its actual function, relevance, and value to the artists performing, but the simple truth remains as accurate as when I first started attending: it’s a listener’s delight, even if the listener ends up with sore feet and a desire to embrace temperance.\u003c/p>\n\u003cp>South by Southwest is also an absurdity, a creature that should not exist. The South By experience is at times reminiscent of a buffet and a zoo, with all of the attendant positives and negatives that might be drawn from either comparison.\u003c/p>\n\u003cp>\u003cspan id=\"more-49425\">\u003c/span>I saw around sixty bands last week, sometimes for five minutes, sometimes for an hour, and in a variety of settings and sound conditions. Given all of the variables, the one constant that emerged was that the most successful performers seemed to be the ones who took everything in stride, accepting the idea that playing twenty minutes of songs in the back lot of a dive bar when you can’t hear anything on stage, and when people are more interested in free moonshine and planning their next destination than listening to music, could qualify under any reasonable definition of the word “concert.”\u003c/p>\n\u003cp>That idea of taking it all in stride and powering through may explain why some of the strongest sets I saw involved veteran performers’ newest projects. Not one but two Vivian Girls-related bands left strong positive impressions. \u003ca href=\"http://www.facebook.com/pages/La-Sera/101114383282113\">La Sera\u003c/a>‘s sublime surf-inspired rock was delightfully louder and more rounded than I had previously suspected, and \u003ca href=\"http://www.facebook.com/pages/Coasting/169976749731201\">Coasting\u003c/a> delivered full-bore pop nuggets that offered plenty of guilt for missing the band’s recent full length. Similarly noisy pop came from \u003ca href=\"http://japandroids.com/\">Japandroids\u003c/a>, who tested songs from a forthcoming release that planted the band firmly within the school of loud and fast. The duo’s effort to cram as many songs into their set as possible left a heady buzz.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"//u.s.kqed.net/2012/03/20/FrankieRose1.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Frankie Rose\u003cbr>\u003c/center>\n\u003cp>\u003ca href=\"http://www.facebook.com/HelloBleached\">Bleached\u003c/a>‘s strong, harmony-driven show in the Mohawk’s small interior lodge room on Thursday called to mind seeing the Dum Dum Girls in the same room a few years prior. And speaking of (former) Dum Dum Girls, \u003ca href=\"http://www.facebook.com/frankierosemusic\">Frankie Rose\u003c/a> and her band’s Wednesday afternoon Brooklyn Vegan party appearance delivered sharp renditions of gauzy pop songs from \u003cem>Interstellar\u003c/em>, one of my favorite records of the year to date.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"//u.s.kqed.net/2012/03/20/lowerdens.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Lower Dens\u003cbr>\u003c/center>\n\u003cp>While the lowest-fi projects might be best equipped to adapt to SXSW’s frequently poor sound conditions, the subtleties of \u003ca href=\"http://www.facebook.com/lowerdens\">Lower Dens\u003c/a>‘ layered mood-rock worked at Pitchfork’s day party, suggesting that the band’s second album will be a dynamic leap forward from their already strong first album. An attention to dynamics also aided \u003ca href=\"http://www.facebook.com/CavemanBand\">Caveman\u003c/a>‘s percussive, synth-layered pop songs, which felt ideally suited to the warm Thursday early evening.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"//u.s.kqed.net/2012/03/20/Caveman590x4421.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Caveman\u003cbr>\u003c/center>\n\u003cp>A similar highlight, perhaps the highlight of the festival for me, was a chance to see \u003ca href=\"http://www.facebook.com/thedjangos\">Django Django\u003c/a>, a London art-pop band making its first appearance in the U.S. Other than the lack of stateside touring, I am befuddled by the curious expressions I get when I rave about their album, which successfully walks a tightrope balancing synth-driven weirdness and uber-catchy melodies; surely it’s only a matter of time before they get more well-deserved attention here. \u003c/p>\n\u003cp>Even though SXSW is nominally about discovering new music (and does anyone even believe that anymore?) three veterans rank among my festival highlights. I’d been familiar with \u003ca href=\"http://www.rsteviemoore.com/\">R. Stevie Moore\u003c/a>‘s work since Ariel Pink started championing the outsider cult hero, but his Saturday afternoon set of affable, left-of-center art-rock was a testament to the relative meaning of terms like “weirdo,” leaving the focus primarily on the thoroughly enjoyable music.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"//u.s.kqed.net/2012/03/20/FutureoftheLeft450.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Future of the Left\u003cbr>\u003c/center>\n\u003cp>No more obvious stamp of approval exists than the demand for one more song after the conclusion of a band’s set, and \u003ca href=\"http://www.facebook.com/futureoftheleft\">Future of the Left\u003c/a>, to their credit, held their ground on stage until the venue acquiesced. The quartet rocked, sardonic yet intense, and I plan to revisit their back catalog (and forthcoming album) soon. Similarly, the MOG party once again provided my annual chance to reevaluate a hip-hop artist I’d unfairly dismissed. Last year, it was Big Boi’s “all hits, yes there are a lot of hits” set; this year, \u003ca href=\"http://www.facebook.com/TheRoots\">The Roots\u003c/a> delivered a master class in why they are one of the tightest performing acts in any genre, even if their taste in rock and roll covers needs some quality control.\u003c/p>\n\u003cp>But rather than end a report on new music from SXSW with the conclusion that, “Hey, The Roots are a pretty great live band,” I’ll offer a bunch of other groups I quite enjoyed, and one experience I didn’t.\u003c/p>\n\u003cp>\u003cstrong>On the positive side:\u003c/strong> \u003ca href=\"http://www.facebook.com/deafheaven\">Deafheaven\u003c/a>, \u003ca href=\"http://www.facebook.com/umemusic\">Ume\u003c/a>, \u003ca href=\"http://www.facebook.com/FreeEnergy\">Free Energy\u003c/a>, \u003ca href=\"http://www.facebook.com/purityringmusic\">Purity Ring\u003c/a>, \u003ca href=\"http://www.facebook.com/tychomusic\">Tycho\u003c/a>, \u003ca href=\"http://www.facebook.com/zjzjzj\">Zola Jesus\u003c/a>, \u003ca href=\"http://www.facebook.com/123land\">1,2,3\u003c/a>, \u003ca href=\"http://www.eleanorfriedberger.com\">Eleanor Friedberger\u003c/a>, \u003ca href=\"http://www.facebook.com/gardensandvilla\">Gardens & Villa\u003c/a>, \u003ca href=\"http://www.facebook.com/chadvalleymusic\">Chad Valley\u003c/a>, and numerous others.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>On the downright unpleasant side:\u003c/strong> trying a few of Taco Bell’s Doritos-shelled tacos. As it turns out, not every chance at South by Southwest is worth taking.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "7 Songs You Don't Know You Love (Spring Fling Edition)",
"headTitle": "7 Songs You Don’t Know You Love (Spring Fling Edition) | KQED",
"content": "\u003cp>Weeding through all the new music out there can be a harrowing, not to mention time-consuming, process. Luckily for you, I’ve compiled a handy list of all the songs you don’t know you already love.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=JtH68PJIQLE&version=3&hl=en_US&showinfo=0&rel=0]\u003c/p>\n\u003cp>\u003cb>Grimes: “Oblivion”\u003c/b>\u003c/p>\n\u003cp>Grimes, the brainchild of 23-year-old Montreal based artist Claire Boucher, is hard to describe. Boucher calls her music “post internet,” Pitchfork calls it “electro cotton candy,” and the best I can come up with is “Judy Jetson meets The Knife.” To say that I love her latest release, \u003ci>Visions\u003c/i>, is putting it mildly. I listen to it on the daily and have even turned down offers to dinners and movies and dance nights to stay home and sip my whiskey and listen over and over. I think my priorities are just right and you will think so too once you give her a chance. Her music video for “Oblivion” is a good place to start. Mix Claire and strobe lights and the unlikeliest places (motocross events, football games, and mens’ locker rooms), add water, and poof, there goes your brain. Also, I would be remiss not to share \u003ca href=\"http://www.startribune.com/local/west/49134952.html\">this bad ass Huck Funn-inspired Mississippi River boating expedition\u003c/a> Claire and her then-boyfriend embarked on in 2008. Dear Claire, get out of my dreams and into my car.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=QKfsc3H3XZA&version=3&hl=en_US&showinfo=0&rel=0]\u003c/p>\n\u003cp>\u003cb>Phantogram: “Don’t Move”\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The two members of Phantogram have been friends since junior high and they record all their music in a remote barn in upstate New York called Harmony Lodge. Awww. Talk about cute overload. “Don’t Move” is such a bright, hypnotic track that, even on a recent flight that was delayed several hours, I couldn’t help but smile the crying baby and the rude stewardess and the arm rest thief away.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=8TtL3AyBHP0&version=3&hl=en_US&showinfo=0&rel=0]\u003c/p>\n\u003cp>\u003cb>Trust: “Candy Walls”\u003c/b>\u003c/p>\n\u003cp>The inspiration for Trust’s debut, which was mixed by Mikey Apples of Crystal Castles, was “nostalgia, lust, and erotomania.” The word sexy doesn’t really cut it in describing this slow-techno, cold-wave track or its respective music video. One YouTube user sums it quite nicely: “He is very attractive. I want to have sex with him.” And, if you must know, I may or may not have written this to a friend who invited me to see them live: “I think my heart just tramped off with a bindle, never to return. That was just too much darling cuteness to handle. His over-sized shorts and kitten tee! Her tangled horse hair and shades! Life on the road Kerouac style! If I go to this concert with you, you’re going to have to give me a lecture on why rape is not an acceptable form of expression. Can you do that for me?” Trust is bringing the lust to the Rickshaw Stop on April 12, 2012. \u003ca href=\"http://www.rickshawstop.com/event/100553/\">Get yourself some tickets!\u003c/a>\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=3mO9MzATrqo&version=3&hl=en_US&showinfo=0&rel=0]\u003c/p>\n\u003cp>\u003cb>Labyrinth Ear: “Humble Bones”\u003c/b>\u003c/p>\n\u003cp>Labyrinth Ear’s “Humble Bones,” the closing track off their self-released EP \u003ci>Apparitions\u003c/i>, fits right into my deepest REM dreams, the unconscious adventures I take to unicorn sanctuaries and down the canals of ancient Venice. The boy/girl duo from London have crafted quite the synth-pop ear worm here, one that begs to be sung, as my neighbors and anyone I bike past can attest. \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=OOpkr8uNWpk&version=3&hl=en_US&showinfo=0&rel=0]\u003c/p>\n\u003cp>\u003cb>Perfume Genius: “Hood”\u003c/b>\u003c/p>\n\u003cp>Perfume Genius, a.k.a. Mike Hadreas, began this musical project when he moved from the bustle of New York to the calm isolation of his mother’s home in Everett, WA. The piano-driven music that has resulted is equal parts tender, heartbreaking, and poetic. Beyond the recognition he’s recently gotten for his beautiful sophomore effort \u003ci>Put Your Back N 2 It\u003c/i>, Perfume Genius also received some attention after YouTube banned one of his videos for not being “family safe” because it featured two men embracing. It’s going to take a lot more than latent homophobia to hold this guy down. He’s here! He’s queer! Get used to it!\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=VnexkG4RrtA&version=3&hl=en_US&showinfo=0&rel=0]\u003c/p>\n\u003cp>\u003cb>Niki and the Dove: “DJ, Ease My Mind”\u003c/b>\u003c/p>\n\u003cp>Sweden just won’t quit sending over musicians to invade and conquer my ear drums. Since my first CD (Ace of Base’s \u003ci>The Sign\u003c/i> — don’t hate) to The Cardigans to Robyn to Jens Lekman to Lykki Li to Fever Ray…(you get the picture), I’ve fallen for one Swede after another. And it continues with Niki and the Dove’s “DJ, Ease My Mind,” which is about the wave of bliss that crashes over you every time the DJ plays your song. Here’s hoping I hear this one on some dance floor out there tout de suite.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=YiwcUdX7XMw&version=3&hl=en_US&showinfo=0&rel=0]\u003c/p>\n\u003cp>\u003cb>Sleigh Bells: “Comeback Kid”\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/arts/music/article.jsp?essid=29565\">Back when Sleigh Bells’ debut album was released\u003c/a>, I wrote: “Sometimes your ears need a good pummeling, something raw and shredded to blaze through your ear canal. And Sleigh Bells will give it to you (and have the courtesy to leave some scar tissue to remember it by).” A few years later and they’re still my go-to band for all things brash. “Comeback Kid” doesn’t exactly misbehave on the level of their earlier work, but it has won me over regardless. And the music video is just as good: Alexis Krauss jumping on a bed clutching a rifle with an innocent smile smeared on her face and Derek Miller giving a nod to \u003ci>The Breakfast Club\u003c/i>. These two sure know the way to my heart.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=FuvWc3ToDHg&version=3&hl=en_US&showinfo=0&rel=0]\u003c/p>\n\u003cp>\u003cb>BONUS: Beach House: “Myth”\u003c/b>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/arts/music/article.jsp?essid=27493\">Everything I said about my fellow Baltimorians back in 2010 still stands\u003c/a>. Feast on their brand new single. Don’t fret, those heart palpitations are normal.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Weeding through all the new music out there can be a harrowing, not to mention time-consuming, process. Luckily for you, I’ve compiled a handy list of all the songs you don’t know you already love.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JtH68PJIQLE'\n title='//www.youtube.com/embed/JtH68PJIQLE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>Grimes: “Oblivion”\u003c/b>\u003c/p>\n\u003cp>Grimes, the brainchild of 23-year-old Montreal based artist Claire Boucher, is hard to describe. Boucher calls her music “post internet,” Pitchfork calls it “electro cotton candy,” and the best I can come up with is “Judy Jetson meets The Knife.” To say that I love her latest release, \u003ci>Visions\u003c/i>, is putting it mildly. I listen to it on the daily and have even turned down offers to dinners and movies and dance nights to stay home and sip my whiskey and listen over and over. I think my priorities are just right and you will think so too once you give her a chance. Her music video for “Oblivion” is a good place to start. Mix Claire and strobe lights and the unlikeliest places (motocross events, football games, and mens’ locker rooms), add water, and poof, there goes your brain. Also, I would be remiss not to share \u003ca href=\"http://www.startribune.com/local/west/49134952.html\">this bad ass Huck Funn-inspired Mississippi River boating expedition\u003c/a> Claire and her then-boyfriend embarked on in 2008. Dear Claire, get out of my dreams and into my car.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QKfsc3H3XZA'\n title='//www.youtube.com/embed/QKfsc3H3XZA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>Phantogram: “Don’t Move”\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The two members of Phantogram have been friends since junior high and they record all their music in a remote barn in upstate New York called Harmony Lodge. Awww. Talk about cute overload. “Don’t Move” is such a bright, hypnotic track that, even on a recent flight that was delayed several hours, I couldn’t help but smile the crying baby and the rude stewardess and the arm rest thief away.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8TtL3AyBHP0'\n title='//www.youtube.com/embed/8TtL3AyBHP0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>Trust: “Candy Walls”\u003c/b>\u003c/p>\n\u003cp>The inspiration for Trust’s debut, which was mixed by Mikey Apples of Crystal Castles, was “nostalgia, lust, and erotomania.” The word sexy doesn’t really cut it in describing this slow-techno, cold-wave track or its respective music video. One YouTube user sums it quite nicely: “He is very attractive. I want to have sex with him.” And, if you must know, I may or may not have written this to a friend who invited me to see them live: “I think my heart just tramped off with a bindle, never to return. That was just too much darling cuteness to handle. His over-sized shorts and kitten tee! Her tangled horse hair and shades! Life on the road Kerouac style! If I go to this concert with you, you’re going to have to give me a lecture on why rape is not an acceptable form of expression. Can you do that for me?” Trust is bringing the lust to the Rickshaw Stop on April 12, 2012. \u003ca href=\"http://www.rickshawstop.com/event/100553/\">Get yourself some tickets!\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3mO9MzATrqo'\n title='//www.youtube.com/embed/3mO9MzATrqo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>Labyrinth Ear: “Humble Bones”\u003c/b>\u003c/p>\n\u003cp>Labyrinth Ear’s “Humble Bones,” the closing track off their self-released EP \u003ci>Apparitions\u003c/i>, fits right into my deepest REM dreams, the unconscious adventures I take to unicorn sanctuaries and down the canals of ancient Venice. The boy/girl duo from London have crafted quite the synth-pop ear worm here, one that begs to be sung, as my neighbors and anyone I bike past can attest. \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OOpkr8uNWpk'\n title='//www.youtube.com/embed/OOpkr8uNWpk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>Perfume Genius: “Hood”\u003c/b>\u003c/p>\n\u003cp>Perfume Genius, a.k.a. Mike Hadreas, began this musical project when he moved from the bustle of New York to the calm isolation of his mother’s home in Everett, WA. The piano-driven music that has resulted is equal parts tender, heartbreaking, and poetic. Beyond the recognition he’s recently gotten for his beautiful sophomore effort \u003ci>Put Your Back N 2 It\u003c/i>, Perfume Genius also received some attention after YouTube banned one of his videos for not being “family safe” because it featured two men embracing. It’s going to take a lot more than latent homophobia to hold this guy down. He’s here! He’s queer! Get used to it!\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VnexkG4RrtA'\n title='//www.youtube.com/embed/VnexkG4RrtA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>Niki and the Dove: “DJ, Ease My Mind”\u003c/b>\u003c/p>\n\u003cp>Sweden just won’t quit sending over musicians to invade and conquer my ear drums. Since my first CD (Ace of Base’s \u003ci>The Sign\u003c/i> — don’t hate) to The Cardigans to Robyn to Jens Lekman to Lykki Li to Fever Ray…(you get the picture), I’ve fallen for one Swede after another. And it continues with Niki and the Dove’s “DJ, Ease My Mind,” which is about the wave of bliss that crashes over you every time the DJ plays your song. Here’s hoping I hear this one on some dance floor out there tout de suite.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/YiwcUdX7XMw'\n title='//www.youtube.com/embed/YiwcUdX7XMw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>Sleigh Bells: “Comeback Kid”\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/arts/music/article.jsp?essid=29565\">Back when Sleigh Bells’ debut album was released\u003c/a>, I wrote: “Sometimes your ears need a good pummeling, something raw and shredded to blaze through your ear canal. And Sleigh Bells will give it to you (and have the courtesy to leave some scar tissue to remember it by).” A few years later and they’re still my go-to band for all things brash. “Comeback Kid” doesn’t exactly misbehave on the level of their earlier work, but it has won me over regardless. And the music video is just as good: Alexis Krauss jumping on a bed clutching a rifle with an innocent smile smeared on her face and Derek Miller giving a nod to \u003ci>The Breakfast Club\u003c/i>. These two sure know the way to my heart.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FuvWc3ToDHg'\n title='//www.youtube.com/embed/FuvWc3ToDHg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>BONUS: Beach House: “Myth”\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>This week’s episode features an eclectic and powerful mix of popular tracks circulating the web right now. Ranging from the exciting neo-soul duo THEEsatisfaction to the abrasive garage rock of Fidlar, this mix runs the gamut of tone and emotion.\u003c/p>\n\u003cp>Tracklist:\u003c/p>\n\u003cp>1. “No Future/No Past” — Cloud Nothings, \u003ci>Attack on Memory\u003c/i>\u003cbr>2. “Queens” — THEEsatisfaction, \u003ci>QueenS\u003c/i>\u003cbr>3. “Oh” — Fidlar, \u003ci>DIYDUI\u003c/i>\u003cbr>4. “Normal Song” — Perfume Genius, \u003ci>Put Your Back N 2 It\u003c/i>\u003cbr>5. “I’ll Never Know” — Charli XCX, Single\u003cbr>6. “Life of Crime” — Geographer, \u003ci>MYTH\u003c/i>\u003cbr>7. “Tuck the Darkness In” — Bowerbirds, \u003ci>The Clearing\u003c/i>\u003cbr>8. “The Fox” — Niki & the Dove, \u003ci>Instinct\u003c/i>\u003cbr>9. “In The Same Room” — Julia Holter, \u003ci>Ekstasis\u003c/i>\u003cbr>10. “Crew Love” — Drake F/The Weekend (Shlomo Remix), Single\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>The annual insanity of this month’s South by Southwest festival means that a ton of artists are touring right now, and plenty of performers will be in SF in March en route to or returning from Austin. But while most of the acts included in this episode will be doing one or a dozen shows in bars and parking lots around the Texas capital, one of the benefits of living in the Bay Area is that you don’t need to go to Austin to see buzzed-about bands. Whether it’s the slinky electronica of Nicolas Jaar, the brainy guitar work of Dustin Wong, or the despondent pop of Perfume Genius, this month offers a multitude of opportunities to experience promising touring bands close to home. 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The band is doing a bunch of touring over the next few months, with local shows at \u003ca href=\"http://www.amoeba.com/live-shows/performances/san-francisco/2012-march-06/ceremony/artist.html\">Amoeba\u003c/a> on March 6 and \u003ca href=\"http://www.brownpapertickets.com/event/223127\">924 Gilman\u003c/a> on March 10.\u003c/p>\n\u003cp>Katy Goodman of Vivian Girls returns in March with another album from her solo project, \u003ca href=\"http://www.facebook.com/pages/La-Sera/101114383282113\">La Sera\u003c/a> (“Break My Heart”). Swiftumz and Cold Showers round out \u003ca href=\"http://www.rickshawstop.com/event/95739/\">a compelling bill at the Rickshaw Stop\u003c/a> on March 7.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/White-Fence/109125289153214\">White Fence\u003c/a> (“Swagger Vets and Double Moon”) and Ty Segall are \u003ca href=\"http://www.slimspresents.com/events/2012-03-02/ty-segall/\">performing together at the Great American Music Hall\u003c/a> on March 2, and the two artists are preparing for the release of a joint album called \u003cem>Hair\u003c/em> in April. 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The band just announced the forthcoming \u003cem>Endless Flowers\u003c/em>, out on Frenchkiss Records in June.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/chuckprophetofficial\">Chuck Prophet\u003c/a>‘s (“Play That Song Again”) twelfth solo album, \u003cem>Temple Beautiful\u003c/em>, is billed as “made in San Francisco, by San Franciscans about San Francisco.” On March 30, Prophet and his band The Mission Express \u003ca href=\"http://www.slimspresents.com/events/2012-03-30/chuck-prophet-the-mission-express/\">play the Great American Music Hall\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/aclassiceducation\">A Classic Education\u003c/a> (“Baby, It’s Fine”) comes from Bologna, Italy, and the band will be touring the West Coast with \u003ca href=\"http://lefserecords.com/\">Lefse Records\u003c/a> labelmate Ganglians. They’ll be \u003ca href=\"http://www.rickshawstop.com/event/88905/\">at the Rickshaw Stop\u003c/a> with French Cassettes on March 4.\u003c/p>\n\u003cp>\u003ca href=\"http://www.thrilljockey.com/thrill/Dustin-Wong/\">Dustin Wong\u003c/a> (“Pink Diamond [edit]”), of the now-dissolved Baltimore band Ponytail, just released a terrific experimental rock record on Thrill Jockey called \u003cem>Dreams Say, View, Create, Shadow Leads\u003c/em>. Wong’s US tour \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-03-20\">comes to the Hemlock Tavern\u003c/a> on March 20 with Woodsman.\u003c/p>\n\u003cp>Swedish duo \u003ca href=\"http://www.facebook.com/korallreven\">Korallreven\u003c/a> (“Sa Sa Samoa”) kick off their first US tour this month. The band (with guest vocalist Victoria Bergsman of Taken By Trees) will \u003ca href=\"http://www.theindependentsf.com/event/91647/\">perform at The Independent\u003c/a> on March 7 with Giraffage and Finally Boys.\u003c/p>\n\u003cp>Berkeley electronic pop artist \u003ca href=\"http://www.facebook.com/yalls\">Yalls\u003c/a> (“Gave Away & Broke”) delivered a great set opening up for Grimes recently, and has a terrific 7″ out now on \u003ca href=\"http://gold-robot.com/records\">Gold Robot\u003c/a>. \u003ca href=\"http://milksf.com/shows/yalls-nanosaur-parentz-and-special-guest-epicsauce-djs\">Yalls, Nanosaur, and Parentz are at Milk\u003c/a> on March 31.\u003c/p>\n\u003cp>\u003cem>Space is Only Noise\u003c/em> may be \u003ca href=\"http://www.facebook.com/pages/Nico-Nicolas-Jaar/15727540611\">Nicolas Jaar\u003c/a>‘s (“With Just One Glance”) debut album, but it’s an extraordinarily accomplished work of minimal electronic pop. He’ll be \u003ca href=\"http://www.theindependentsf.com/event/99831/\">appearing with Benjha at The Independent\u003c/a> on March 25.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Put Your Back N 2 It\u003c/em> is the haunting new record from Mike Hadreas, or \u003ca href=\"http://www.facebook.com/pages/Perfume-Genius/101401299803\">Perfume Genius\u003c/a> (“Hood”). On March 21, Perfume Genius and Parenthetical Girls \u003ca href=\"http://www.cafedunord.com/brilliant/cal/p.event.php?E_id=1325120454&B_id=1325813491&P_id=3\">perform at Cafe Du Nord\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The annual insanity of this month’s South by Southwest festival means that a ton of artists are touring right now, and plenty of performers will be in SF in March en route to or returning from Austin. But while most of the acts included in this episode will be doing one or a dozen shows in bars and parking lots around the Texas capital, one of the benefits of living in the Bay Area is that you don’t need to go to Austin to see buzzed-about bands. Whether it’s the slinky electronica of Nicolas Jaar, the brainy guitar work of Dustin Wong, or the despondent pop of Perfume Genius, this month offers a multitude of opportunities to experience promising touring bands close to home. On the local front, Ceremony is poised to break out with the release of \u003cem>Zoo\u003c/em>, while Chuck Prophet remains at the top of his game with \u003cem>Temple Beautiful\u003c/em>.\u003c/p>\n\u003cp>Enjoy the mix, then go see some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://www.ceremonyhc.com/\">Ceremony\u003c/a> (“Adult”), from Rohnert Park, releases its new album, \u003cem>Zoo\u003c/em>, on \u003ca href=\"http://www.matadorrecords.com/ceremony/\">Matador Records\u003c/a> on March 6. The band is doing a bunch of touring over the next few months, with local shows at \u003ca href=\"http://www.amoeba.com/live-shows/performances/san-francisco/2012-march-06/ceremony/artist.html\">Amoeba\u003c/a> on March 6 and \u003ca href=\"http://www.brownpapertickets.com/event/223127\">924 Gilman\u003c/a> on March 10.\u003c/p>\n\u003cp>Katy Goodman of Vivian Girls returns in March with another album from her solo project, \u003ca href=\"http://www.facebook.com/pages/La-Sera/101114383282113\">La Sera\u003c/a> (“Break My Heart”). Swiftumz and Cold Showers round out \u003ca href=\"http://www.rickshawstop.com/event/95739/\">a compelling bill at the Rickshaw Stop\u003c/a> on March 7.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Noise Pop 2012 has come and gone, ending last Sunday night, February 26, but somehow, even while putting on umpteen live shows, art exhibits and etc., the tireless Noise Pop team made a mix of new music for your perusal. In this episode, they dig up a batch of the most buzzed about tracks circulating the internet right now. This collection features moving female vocal performances and sublime sample-heavy tracks. Leave a message with your own requests at the Noise Pop Podcast hotline 585-4NOISE5, and they just might play your song on the next podcast.\u003c/p>\n\u003cp>\u003cb>Tracklist:\u003c/b>\u003c/p>\n\u003cp>1. “Weekend” — Class Actress, \u003ci>Rapproacher\u003c/i>\u003c/p>\n\u003cp>2. “Walk With Me” — Memoryhouse, \u003ci>The Slideshow Effect\u003c/i>\u003c/p>\n\u003cp>3. “Mighty Love” — Roman Ruins, \u003ci>Homebuilding\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>4. “One Second of Love” –Nite Jewel, \u003ci>One Second of Love\u003c/i>\u003c/p>\n\u003cp>5. “Love Interruption” — Jack White, \u003ci>Blunderbuss\u003c/i>\u003c/p>\n\u003cp>6. “In the City” — Chromatics, \u003ci>In The City\u003c/i> EP\u003c/p>\n\u003cp>7. “It’s My Part (co la remix)” — Jonquil \u003c/p>\n\u003cp>8. “Giants of Canaan” — Air Drops, \u003ci>EP\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>9. “Sparkly” — Young Magic, \u003ci>Melt\u003c/i>\u003c/p>\n\n",
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"title": "Mixtape: If Presidents Liked Indie Rock",
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"content": "\u003cp>Despite their various political differences, if there’s one thing that we know all U.S. presidents have shared, it’s that they have horrible taste in music. Seriously, most candidates pick cheesy, corny songs for their campaigns, and it’s not like anything gets better after they get elected. Even President Obama, who ran on a platform of hope and change, recently \u003ca href=\"http://nymag.com/daily/intel/2012/02/barack-obama-just-joined-spotify.html\">released a Spotify playlist\u003c/a> with a lot of duds (Ricky Martin? Two songs by Sugarland? James Taylor? A 15-year-old No Doubt deep cut?) crowding out a handful of decent songs.\u003c/p>\n\u003cp>It’s not that we ought to expect our political leaders to have good taste in music; in fact, that should probably be one of the things that \u003cem>least\u003c/em> matter in selecting them. Still, in honor of Presidents’ Day, we decided to make a mixtape that answers the following never-before-asked questions: what contemporary indie music might various presidents from history have liked, if it existed when they were around? What music might be appropriate given their accomplishments and temperaments? In this thoroughly pointless flight of fancy, we’ve collected ten songs for ten presidents. Do your patriotic duty and enjoy this mix.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the presidents and the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/16al_header_sm.jpeg\" alt=\"\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>So maybe \u003ca href=\"http://www.whitehouse.gov/about/presidents/abrahamlincoln\">Abraham Lincoln\u003c/a> wouldn’t want to revisit the Civil War themes that feature prominently in \u003ca href=\"http://www.facebook.com/TitusAndronicusOfficial\">Titus Andronicus\u003c/a>‘ (“A More Perfect Union”) 2010 album, \u003cem>The Monitor\u003c/em>, especially when the record kicks off with the Lincoln quote, “From whence shall we expect the approach of danger?” But Lincoln, with his mix of hardscrabble frontier upbringing and powerful oratorical skills, might have identified with the energetic New Jersey punk band’s driving emotive anthems.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/42bc_header_sm.jpeg\" alt=\"\" title=\"Bill Clinton\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>Like President Obama, \u003ca href=\"http://www.whitehouse.gov/about/presidents/williamjclinton\">Bill Clinton\u003c/a>‘s officially-sanctioned musical tastes are \u003ca href=\"http://articles.chicagotribune.com/2009-03-09/news/0903080289_1_ipod-simon-garfunkel-playlist\">bland Boomer stuff\u003c/a>, but, if anything, Clinton tipped his hand to other musical interests when he \u003ca href=\"http://www.youtube.com/watch?v=YqB7UEdhKug\">busted out the saxophone on Arsenio\u003c/a> so many years ago. Instead of Simon & Garfunkel, I’d think the R&B-influenced garage rock of the \u003ca href=\"http://www.facebook.com/reigningsound\">Reigning Sound\u003c/a> (“Everything I Do Is Wrong”) — whose Greg Cartwright \u003ca href=\"http://pitchfork.com/reviews/albums/6922-too-much-guitar/\">once sang\u003c/a>, “I went walking the other day/ Under the bridge to Arkansas” — would make Clinton want to break out the sax again.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/44bo_header_sm.jpeg\" alt=\"\" title=\"Barack Obama\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>The thing that was so maddening about \u003ca href=\"http://www.whitehouse.gov/about/presidents/barackobama\">Barack Obama\u003c/a>‘s Spotify playlist was that it just seemed like pandering. Surely such a brainy guy wouldn’t be listening to pop drivel! It may just be projecting, but it’s difficult for me to believe that during all his years in Chicago — as a professor no less! — Obama didn’t embrace any of the music emerging from Thrill Jockey, Touch & Go, and Drag City. I suspect, and history will no doubt someday validate that, behind closed doors, our current Commander in Chief is still spinning \u003ca href=\"http://www.theseaandcake.com/\">The Sea and Cake\u003c/a> (“Up on the North Shore”) and Tortoise records during his rare moments of downtime.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/3tj_header_sm.jpeg\" alt=\"\" title=\"Thomas Jefferson\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>Despite his intellect and achievements, \u003ca href=\"http://www.whitehouse.gov/about/presidents/thomasjefferson\">Thomas Jefferson\u003c/a>‘s “fear of public speaking made him \u003ca href=\"http://www.nytimes.com/books/97/03/23/reviews/970323.23staplet.html\">one of the most secluded and publicly invisible Presidents\u003c/a> in American history.” Jefferson might have found a kindred spirit in \u003ca href=\"http://www.mergerecords.com/artists/destroyer\">Destroyer\u003c/a>‘s Dan Bejar (“Chinatown”), who was once described as \u003ca href=\"http://www.thenational.ae/arts-culture/books/dan-bejar-rocks-most-reluctant-lyricist\">“one of the best, and most reluctant, lyricists in rock.”\u003c/a> Bejar’s aversion to the spotlight stands in contrast to the soaring achievements in his dense, rich songwriting.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/28ww_header_sm.jpeg\" alt=\"\" title=\"Woodrow Wilson\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>\u003ca href=\"http://www.whitehouse.gov/about/presidents/woodrowwilson\">Woodrow Wilson\u003c/a>‘s legacy of international involvement — from the decision to lead the US into World War I to the proposal to create the League of Nations — suggests that he might be inclined to something from beyond America’s borders. How about \u003ca href=\"http://www.facebook.com/pages/The-Radio-Dept-Official/157853324236640\">The Radio Dept.\u003c/a> (“Heaven’s on Fire”), a Swedish band drawing inspiration from a wide range of global indie-pop reference points? Radio-related trivia: a broadcast of a speech by Wilson about Armistice Day is apparently “the \u003ca href=\"http://www.archives.gov/press/press-releases/2005/nr05-60.html\">earliest surviving sound recording\u003c/a> of a regular radio broadcast.”\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/georgewashington.jpg\" alt=\"\" title=\"george washington\" width=\"452\" height=\"255\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>Even though he was the first, \u003ca href=\"http://www.whitehouse.gov/about/presidents/georgewashington\">George Washington\u003c/a> remains one of our most popular presidents, a man who emphasized unity at the dawning of the new nation. While relaxing at Mount Vernon, perhaps Washington might have enjoyed the musical stylings of Justin Vernon, who, funny enough, used to lead a band called Mount Vernon. Speaking of unifiers, with \u003ca href=\"http://www.facebook.com/boniverwi\">Bon Iver\u003c/a> (“Holocene”), Vernon’s folk rock recently united the country’s Grammy voters (if not \u003ca href=\"http://who-is-bon-iver.tumblr.com/\">the Grammy audience\u003c/a>). How appropriate is it then that Vernon’s band is traveling to George, Washington to headline the Sasquatch Festival later this year?\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/26tr_header_sm.jpeg\" alt=\"\" title=\"Theodore Roosevelt\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>\u003ca href=\"http://www.whitehouse.gov/about/presidents/theodoreroosevelt\">Teddy Roosevelt\u003c/a> was known as a fiery outdoorsmen who, as president, significantly advanced the cause of conservation by creating numerous national forests in California and elsewhere. It’s not inconceivable that, were he alive today, he’d be enamored of the more nature-inspired wing of modern Northern California psych rock, including \u003ca href=\"http://www.facebook.com/SleepySun\">Sleepy Sun\u003c/a> (“Marina” [Live]), who mix the heavy and the pastoral quite well. Speak softly and carry a big stick, indeed.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/30cc_header_sm.jpeg\" alt=\"\" title=\"Calvin Coolidge\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>\u003ca href=\"http://www.whitehouse.gov/about/presidents/calvincoolidge\">Calvin Coolidge\u003c/a>‘s strange legacy includes being “the most negative and remote of Presidents,” a man with a well-known “frugality with words.” Given his distaste for conversation, \u003ca href=\"http://en.wikipedia.org/wiki/Calvin_Coolidge\">“Silent Cal”\u003c/a> might have preferred the lyric-free, meditative work of \u003ca href=\"http://www.facebook.com/pages/Barn-Owl/238373636592\">Barn Owl\u003c/a> (“Turiya”), a band that says quite a lot through droning instrumental jams.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/37rn_header_sm.jpeg\" alt=\"\" title=\"Richard Nixon\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>It might not be fair to assume that \u003ca href=\"http://www.whitehouse.gov/about/presidents/richardnixon\">Richard Nixon\u003c/a> would dig creepy, paranoid music just because he was a creepy, paranoid guy, but it seems appropriate that the man might be listening to gothic electronica while brooding over his enemies. \u003ca href=\"http://www.facebook.com/zjzjzj\">Zola Jesus\u003c/a> (“Vessel”) brings the gloom, only with a melancholic underpinning that seems appropriate for Tricky Dick’s more tragic side.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/11jp_header.jpeg\" alt=\"\" title=\"James K. Polk\" width=\"456\" height=\"257\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>\u003c/p>\n\u003cp>During his one term, \u003ca href=\"http://www.whitehouse.gov/about/presidents/jamespolk\">James K. Polk\u003c/a> aggressively expanded the US, acquiring over one million square miles of land, including California, with the Treaty of Guadalupe Hidalgo in 1848, as well as Texas and the Territory of Oregon. If we’re talking aggressive, expansive sounds, it’s difficult to ignore \u003ca href=\"http://www.facebook.com/TheeOhSees\">Thee Oh Sees\u003c/a> (“Contraption/Soul Desert”). I’m sure President Polk would’ve dug the SF garage-psych titans, whose latest album ranks among the group’s most experimental and ambitious.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Despite their various political differences, if there’s one thing that we know all U.S. presidents have shared, it’s that they have horrible taste in music. Seriously, most candidates pick cheesy, corny songs for their campaigns, and it’s not like anything gets better after they get elected. Even President Obama, who ran on a platform of hope and change, recently \u003ca href=\"http://nymag.com/daily/intel/2012/02/barack-obama-just-joined-spotify.html\">released a Spotify playlist\u003c/a> with a lot of duds (Ricky Martin? Two songs by Sugarland? James Taylor? A 15-year-old No Doubt deep cut?) crowding out a handful of decent songs.\u003c/p>\n\u003cp>It’s not that we ought to expect our political leaders to have good taste in music; in fact, that should probably be one of the things that \u003cem>least\u003c/em> matter in selecting them. Still, in honor of Presidents’ Day, we decided to make a mixtape that answers the following never-before-asked questions: what contemporary indie music might various presidents from history have liked, if it existed when they were around? What music might be appropriate given their accomplishments and temperaments? In this thoroughly pointless flight of fancy, we’ve collected ten songs for ten presidents. Do your patriotic duty and enjoy this mix.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the presidents and the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/16al_header_sm.jpeg\" alt=\"\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>So maybe \u003ca href=\"http://www.whitehouse.gov/about/presidents/abrahamlincoln\">Abraham Lincoln\u003c/a> wouldn’t want to revisit the Civil War themes that feature prominently in \u003ca href=\"http://www.facebook.com/TitusAndronicusOfficial\">Titus Andronicus\u003c/a>‘ (“A More Perfect Union”) 2010 album, \u003cem>The Monitor\u003c/em>, especially when the record kicks off with the Lincoln quote, “From whence shall we expect the approach of danger?” But Lincoln, with his mix of hardscrabble frontier upbringing and powerful oratorical skills, might have identified with the energetic New Jersey punk band’s driving emotive anthems.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/42bc_header_sm.jpeg\" alt=\"\" title=\"Bill Clinton\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>Like President Obama, \u003ca href=\"http://www.whitehouse.gov/about/presidents/williamjclinton\">Bill Clinton\u003c/a>‘s officially-sanctioned musical tastes are \u003ca href=\"http://articles.chicagotribune.com/2009-03-09/news/0903080289_1_ipod-simon-garfunkel-playlist\">bland Boomer stuff\u003c/a>, but, if anything, Clinton tipped his hand to other musical interests when he \u003ca href=\"http://www.youtube.com/watch?v=YqB7UEdhKug\">busted out the saxophone on Arsenio\u003c/a> so many years ago. Instead of Simon & Garfunkel, I’d think the R&B-influenced garage rock of the \u003ca href=\"http://www.facebook.com/reigningsound\">Reigning Sound\u003c/a> (“Everything I Do Is Wrong”) — whose Greg Cartwright \u003ca href=\"http://pitchfork.com/reviews/albums/6922-too-much-guitar/\">once sang\u003c/a>, “I went walking the other day/ Under the bridge to Arkansas” — would make Clinton want to break out the sax again.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/44bo_header_sm.jpeg\" alt=\"\" title=\"Barack Obama\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>The thing that was so maddening about \u003ca href=\"http://www.whitehouse.gov/about/presidents/barackobama\">Barack Obama\u003c/a>‘s Spotify playlist was that it just seemed like pandering. Surely such a brainy guy wouldn’t be listening to pop drivel! It may just be projecting, but it’s difficult for me to believe that during all his years in Chicago — as a professor no less! — Obama didn’t embrace any of the music emerging from Thrill Jockey, Touch & Go, and Drag City. I suspect, and history will no doubt someday validate that, behind closed doors, our current Commander in Chief is still spinning \u003ca href=\"http://www.theseaandcake.com/\">The Sea and Cake\u003c/a> (“Up on the North Shore”) and Tortoise records during his rare moments of downtime.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/3tj_header_sm.jpeg\" alt=\"\" title=\"Thomas Jefferson\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>Despite his intellect and achievements, \u003ca href=\"http://www.whitehouse.gov/about/presidents/thomasjefferson\">Thomas Jefferson\u003c/a>‘s “fear of public speaking made him \u003ca href=\"http://www.nytimes.com/books/97/03/23/reviews/970323.23staplet.html\">one of the most secluded and publicly invisible Presidents\u003c/a> in American history.” Jefferson might have found a kindred spirit in \u003ca href=\"http://www.mergerecords.com/artists/destroyer\">Destroyer\u003c/a>‘s Dan Bejar (“Chinatown”), who was once described as \u003ca href=\"http://www.thenational.ae/arts-culture/books/dan-bejar-rocks-most-reluctant-lyricist\">“one of the best, and most reluctant, lyricists in rock.”\u003c/a> Bejar’s aversion to the spotlight stands in contrast to the soaring achievements in his dense, rich songwriting.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/28ww_header_sm.jpeg\" alt=\"\" title=\"Woodrow Wilson\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>\u003ca href=\"http://www.whitehouse.gov/about/presidents/woodrowwilson\">Woodrow Wilson\u003c/a>‘s legacy of international involvement — from the decision to lead the US into World War I to the proposal to create the League of Nations — suggests that he might be inclined to something from beyond America’s borders. How about \u003ca href=\"http://www.facebook.com/pages/The-Radio-Dept-Official/157853324236640\">The Radio Dept.\u003c/a> (“Heaven’s on Fire”), a Swedish band drawing inspiration from a wide range of global indie-pop reference points? Radio-related trivia: a broadcast of a speech by Wilson about Armistice Day is apparently “the \u003ca href=\"http://www.archives.gov/press/press-releases/2005/nr05-60.html\">earliest surviving sound recording\u003c/a> of a regular radio broadcast.”\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/georgewashington.jpg\" alt=\"\" title=\"george washington\" width=\"452\" height=\"255\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>Even though he was the first, \u003ca href=\"http://www.whitehouse.gov/about/presidents/georgewashington\">George Washington\u003c/a> remains one of our most popular presidents, a man who emphasized unity at the dawning of the new nation. While relaxing at Mount Vernon, perhaps Washington might have enjoyed the musical stylings of Justin Vernon, who, funny enough, used to lead a band called Mount Vernon. Speaking of unifiers, with \u003ca href=\"http://www.facebook.com/boniverwi\">Bon Iver\u003c/a> (“Holocene”), Vernon’s folk rock recently united the country’s Grammy voters (if not \u003ca href=\"http://who-is-bon-iver.tumblr.com/\">the Grammy audience\u003c/a>). How appropriate is it then that Vernon’s band is traveling to George, Washington to headline the Sasquatch Festival later this year?\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/26tr_header_sm.jpeg\" alt=\"\" title=\"Theodore Roosevelt\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>\u003ca href=\"http://www.whitehouse.gov/about/presidents/theodoreroosevelt\">Teddy Roosevelt\u003c/a> was known as a fiery outdoorsmen who, as president, significantly advanced the cause of conservation by creating numerous national forests in California and elsewhere. It’s not inconceivable that, were he alive today, he’d be enamored of the more nature-inspired wing of modern Northern California psych rock, including \u003ca href=\"http://www.facebook.com/SleepySun\">Sleepy Sun\u003c/a> (“Marina” [Live]), who mix the heavy and the pastoral quite well. Speak softly and carry a big stick, indeed.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/30cc_header_sm.jpeg\" alt=\"\" title=\"Calvin Coolidge\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>\u003ca href=\"http://www.whitehouse.gov/about/presidents/calvincoolidge\">Calvin Coolidge\u003c/a>‘s strange legacy includes being “the most negative and remote of Presidents,” a man with a well-known “frugality with words.” Given his distaste for conversation, \u003ca href=\"http://en.wikipedia.org/wiki/Calvin_Coolidge\">“Silent Cal”\u003c/a> might have preferred the lyric-free, meditative work of \u003ca href=\"http://www.facebook.com/pages/Barn-Owl/238373636592\">Barn Owl\u003c/a> (“Turiya”), a band that says quite a lot through droning instrumental jams.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/37rn_header_sm.jpeg\" alt=\"\" title=\"Richard Nixon\" width=\"450\" height=\"254\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>It might not be fair to assume that \u003ca href=\"http://www.whitehouse.gov/about/presidents/richardnixon\">Richard Nixon\u003c/a> would dig creepy, paranoid music just because he was a creepy, paranoid guy, but it seems appropriate that the man might be listening to gothic electronica while brooding over his enemies. \u003ca href=\"http://www.facebook.com/zjzjzj\">Zola Jesus\u003c/a> (“Vessel”) brings the gloom, only with a melancholic underpinning that seems appropriate for Tricky Dick’s more tragic side.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://www.thebaybridged.com/wp-content/uploads/2012/02/11jp_header.jpeg\" alt=\"\" title=\"James K. Polk\" width=\"456\" height=\"257\" style=\"margin-bottom: 10px;\">\u003cbr>\u003c/center>\n\u003cp>\u003c/p>\n\u003cp>During his one term, \u003ca href=\"http://www.whitehouse.gov/about/presidents/jamespolk\">James K. Polk\u003c/a> aggressively expanded the US, acquiring over one million square miles of land, including California, with the Treaty of Guadalupe Hidalgo in 1848, as well as Texas and the Territory of Oregon. If we’re talking aggressive, expansive sounds, it’s difficult to ignore \u003ca href=\"http://www.facebook.com/TheeOhSees\">Thee Oh Sees\u003c/a> (“Contraption/Soul Desert”). I’m sure President Polk would’ve dug the SF garage-psych titans, whose latest album ranks among the group’s most experimental and ambitious.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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"reveal": {
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},
"rightnowish": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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