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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>Listen to The Bay Bridged mix of the best in Bay Area metal.\u003c/h4>\n\u003cp>http://media.libsyn.com/media/thebaybridged/Heavy_Metal_Mix.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>We don’t cover San Francisco heavy metal very much at TheBayBridged.com, but it’s not for a lack of music worth talking about. For several decades now, the San Francisco Bay Area has played a significant role in the evolution and growth of heavy metal. Metallica might be the most obvious significant Bay Area metal name to the uninitiated, but, over the years, groups like Neurosis, Hammers of Misfortune, Slough Feg, Ludicra, and Sleep (to name just a few) have pushed heavy music forward in a variety of directions. Through those acts and countless others, Bay Area bands have tread new ground in distinct sub-genres like black metal, thrash and doom, incorporating and contorting elements of other sounds like punk and prog along the way.\u003c/p>\n\u003cp>In venues like \u003ca href=\"http://theknockoutsf.com/\" target=\"_blank\" rel=\"noopener\">The Knockout\u003c/a>, \u003ca href=\"http://www.bendersbar.com/\" target=\"_blank\" rel=\"noopener\">Bender’s\u003c/a>, the \u003ca href=\"http://www.oaklandmetro.org/\" target=\"_blank\" rel=\"noopener\">Oakland Metro\u003c/a>, and the \u003ca href=\"http://www.hemlocktavern.com/\" target=\"_blank\" rel=\"noopener\">Hemlock Tavern\u003c/a>, a wealth of San Francisco Bay Area heavy metal bands continue that tradition of excellence today. This 80+ minute mix aims to survey some of the Bay Area’s best emerging heavy groups, from the retro-influenced sounds of \u003ca href=\"https://www.facebook.com/blackwulfusa\" target=\"_blank\" rel=\"noopener\">Blackwülf\u003c/a>, \u003ca href=\"https://www.facebook.com/HORNSS\" target=\"_blank\" rel=\"noopener\">Hornss\u003c/a>, and \u003ca href=\"https://www.facebook.com/CastleSF\" target=\"_blank\" rel=\"noopener\">Castle\u003c/a> to the genre-mashing approach of \u003ca href=\"https://www.facebook.com/deafheaven\" target=\"_blank\" rel=\"noopener\">Deafheaven\u003c/a> and the dulcimer-laden “green metal” of \u003ca href=\"https://www.facebook.com/Verdant.Realm.Botanist\" target=\"_blank\" rel=\"noopener\">Botanist\u003c/a>. Along the way, you’ll hear pummeling tracks from \u003ca href=\"https://www.facebook.com/blackmonolithband\" target=\"_blank\" rel=\"noopener\">Black Monolith\u003c/a> and \u003ca href=\"https://www.facebook.com/pages/AUGURS/260807624018074\" target=\"_blank\" rel=\"noopener\">Augurs\u003c/a>, and thrashy goodness courtesy of \u003ca href=\"https://www.facebook.com/SerpentCrown\" target=\"_blank\" rel=\"noopener\">Serpent Crown\u003c/a>. We’ve also got some crushing doom via \u003ca href=\"https://www.facebook.com/pages/Cardinal-Wyrm/157603967620024\" target=\"_blank\" rel=\"noopener\">Cardinal Wyrm\u003c/a>, \u003ca href=\"https://www.facebook.com/pages/Lycus/156095311142662\" target=\"_blank\" rel=\"noopener\">Lycus\u003c/a>, and \u003ca href=\"https://www.facebook.com/larvae510\" target=\"_blank\" rel=\"noopener\">Larvae\u003c/a>, sludgy jams from \u003ca href=\"https://www.facebook.com/WILDHUNTBAND\" target=\"_blank\" rel=\"noopener\">Wild Hunt\u003c/a> and \u003ca href=\"https://www.facebook.com/hazzardscure\" target=\"_blank\" rel=\"noopener\">Hazzard’s Cure\u003c/a> and a couple of brutal \u003ca href=\"https://www.facebook.com/BadrVogu\" target=\"_blank\" rel=\"noopener\">Bädr Vogu\u003c/a> and \u003ca href=\"https://www.facebook.com/ABSTRACTER\" target=\"_blank\" rel=\"noopener\">Abstracter\u003c/a> epics. \u003c/p>\n\u003cp>Whatever particular strain of metal you might enjoy, there’s something for you here. And if you aren’t a metal fan, this mixtape just might convince you to give local heavy music another chance.\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">Tracklisting:\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/blackwulfusa\" target=\"_blank\" rel=\"noopener\">Blackwülf\u003c/a> – “Acid Reign”\u003cbr>\n\u003ca href=\"https://www.facebook.com/SerpentCrown\" target=\"_blank\" rel=\"noopener\">Serpent Crown\u003c/a> – “Doomsayer”\u003cbr>\n\u003ca href=\"https://www.facebook.com/pages/Cardinal-Wyrm/157603967620024\" target=\"_blank\" rel=\"noopener\">Cardinal Wyrm\u003c/a> – “Cult of the Coiled Spine”\u003cbr>\n\u003ca href=\"https://www.facebook.com/deafheaven\" target=\"_blank\" rel=\"noopener\">Deafheaven\u003c/a> – “From the Kettle Onto the Coil”\u003cbr>\n\u003ca href=\"https://www.facebook.com/HORNSS\" target=\"_blank\" rel=\"noopener\">Hornss\u003c/a> – “Heir to the Pickle Throne”\u003cbr>\n\u003ca href=\"https://www.facebook.com/WILDHUNTBAND\" target=\"_blank\" rel=\"noopener\">Wild Hunt\u003c/a> – “Panorama”\u003cbr>\n\u003ca href=\"https://www.facebook.com/hazzardscure\" target=\"_blank\" rel=\"noopener\">Hazzard’s Cure\u003c/a> – “Terminal Frost”\u003cbr>\n\u003ca href=\"https://www.facebook.com/pages/Lycus/156095311142662\" target=\"_blank\" rel=\"noopener\">Lycus\u003c/a> – “Coma Burn”\u003cbr>\n\u003ca href=\"https://www.facebook.com/blackmonolithband\" target=\"_blank\" rel=\"noopener\">Black Monolith\u003c/a> – “Dead Hand”\u003cbr>\n\u003ca href=\"https://www.facebook.com/BadrVogu\" target=\"_blank\" rel=\"noopener\">Bädr Vogu\u003c/a> – “Gospel Of Greed”\u003cbr>\n\u003ca href=\"https://www.facebook.com/CastleSF\" target=\"_blank\" rel=\"noopener\">Castle\u003c/a> – “Blacklands”\u003cbr>\n\u003ca href=\"https://www.facebook.com/Verdant.Realm.Botanist\" target=\"_blank\" rel=\"noopener\">Botanist\u003c/a> – “Callistemon”\u003cbr>\n\u003ca href=\"https://www.facebook.com/ABSTRACTER\" target=\"_blank\" rel=\"noopener\">Abstracter\u003c/a> – “Walls That Breathe”\u003cbr>\n\u003ca href=\"https://www.facebook.com/larvae510\" target=\"_blank\" rel=\"noopener\">Larvae\u003c/a> – “Fallen, Left To Die”\u003cbr>\n\u003ca href=\"https://www.facebook.com/pages/AUGURS/260807624018074\" target=\"_blank\" rel=\"noopener\">Augurs\u003c/a> – “Drunk”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>Listen to The Bay Bridged mix of the best in Bay Area metal.\u003c/h4>\n\u003cp>http://media.libsyn.com/media/thebaybridged/Heavy_Metal_Mix.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>We don’t cover San Francisco heavy metal very much at TheBayBridged.com, but it’s not for a lack of music worth talking about. For several decades now, the San Francisco Bay Area has played a significant role in the evolution and growth of heavy metal. Metallica might be the most obvious significant Bay Area metal name to the uninitiated, but, over the years, groups like Neurosis, Hammers of Misfortune, Slough Feg, Ludicra, and Sleep (to name just a few) have pushed heavy music forward in a variety of directions. Through those acts and countless others, Bay Area bands have tread new ground in distinct sub-genres like black metal, thrash and doom, incorporating and contorting elements of other sounds like punk and prog along the way.\u003c/p>\n\u003cp>In venues like \u003ca href=\"http://theknockoutsf.com/\" target=\"_blank\" rel=\"noopener\">The Knockout\u003c/a>, \u003ca href=\"http://www.bendersbar.com/\" target=\"_blank\" rel=\"noopener\">Bender’s\u003c/a>, the \u003ca href=\"http://www.oaklandmetro.org/\" target=\"_blank\" rel=\"noopener\">Oakland Metro\u003c/a>, and the \u003ca href=\"http://www.hemlocktavern.com/\" target=\"_blank\" rel=\"noopener\">Hemlock Tavern\u003c/a>, a wealth of San Francisco Bay Area heavy metal bands continue that tradition of excellence today. This 80+ minute mix aims to survey some of the Bay Area’s best emerging heavy groups, from the retro-influenced sounds of \u003ca href=\"https://www.facebook.com/blackwulfusa\" target=\"_blank\" rel=\"noopener\">Blackwülf\u003c/a>, \u003ca href=\"https://www.facebook.com/HORNSS\" target=\"_blank\" rel=\"noopener\">Hornss\u003c/a>, and \u003ca href=\"https://www.facebook.com/CastleSF\" target=\"_blank\" rel=\"noopener\">Castle\u003c/a> to the genre-mashing approach of \u003ca href=\"https://www.facebook.com/deafheaven\" target=\"_blank\" rel=\"noopener\">Deafheaven\u003c/a> and the dulcimer-laden “green metal” of \u003ca href=\"https://www.facebook.com/Verdant.Realm.Botanist\" target=\"_blank\" rel=\"noopener\">Botanist\u003c/a>. Along the way, you’ll hear pummeling tracks from \u003ca href=\"https://www.facebook.com/blackmonolithband\" target=\"_blank\" rel=\"noopener\">Black Monolith\u003c/a> and \u003ca href=\"https://www.facebook.com/pages/AUGURS/260807624018074\" target=\"_blank\" rel=\"noopener\">Augurs\u003c/a>, and thrashy goodness courtesy of \u003ca href=\"https://www.facebook.com/SerpentCrown\" target=\"_blank\" rel=\"noopener\">Serpent Crown\u003c/a>. We’ve also got some crushing doom via \u003ca href=\"https://www.facebook.com/pages/Cardinal-Wyrm/157603967620024\" target=\"_blank\" rel=\"noopener\">Cardinal Wyrm\u003c/a>, \u003ca href=\"https://www.facebook.com/pages/Lycus/156095311142662\" target=\"_blank\" rel=\"noopener\">Lycus\u003c/a>, and \u003ca href=\"https://www.facebook.com/larvae510\" target=\"_blank\" rel=\"noopener\">Larvae\u003c/a>, sludgy jams from \u003ca href=\"https://www.facebook.com/WILDHUNTBAND\" target=\"_blank\" rel=\"noopener\">Wild Hunt\u003c/a> and \u003ca href=\"https://www.facebook.com/hazzardscure\" target=\"_blank\" rel=\"noopener\">Hazzard’s Cure\u003c/a> and a couple of brutal \u003ca href=\"https://www.facebook.com/BadrVogu\" target=\"_blank\" rel=\"noopener\">Bädr Vogu\u003c/a> and \u003ca href=\"https://www.facebook.com/ABSTRACTER\" target=\"_blank\" rel=\"noopener\">Abstracter\u003c/a> epics. \u003c/p>\n\u003cp>Whatever particular strain of metal you might enjoy, there’s something for you here. And if you aren’t a metal fan, this mixtape just might convince you to give local heavy music another chance.\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">Tracklisting:\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/blackwulfusa\" target=\"_blank\" rel=\"noopener\">Blackwülf\u003c/a> – “Acid Reign”\u003cbr>\n\u003ca href=\"https://www.facebook.com/SerpentCrown\" target=\"_blank\" rel=\"noopener\">Serpent Crown\u003c/a> – “Doomsayer”\u003cbr>\n\u003ca href=\"https://www.facebook.com/pages/Cardinal-Wyrm/157603967620024\" target=\"_blank\" rel=\"noopener\">Cardinal Wyrm\u003c/a> – “Cult of the Coiled Spine”\u003cbr>\n\u003ca href=\"https://www.facebook.com/deafheaven\" target=\"_blank\" rel=\"noopener\">Deafheaven\u003c/a> – “From the Kettle Onto the Coil”\u003cbr>\n\u003ca href=\"https://www.facebook.com/HORNSS\" target=\"_blank\" rel=\"noopener\">Hornss\u003c/a> – “Heir to the Pickle Throne”\u003cbr>\n\u003ca href=\"https://www.facebook.com/WILDHUNTBAND\" target=\"_blank\" rel=\"noopener\">Wild Hunt\u003c/a> – “Panorama”\u003cbr>\n\u003ca href=\"https://www.facebook.com/hazzardscure\" target=\"_blank\" rel=\"noopener\">Hazzard’s Cure\u003c/a> – “Terminal Frost”\u003cbr>\n\u003ca href=\"https://www.facebook.com/pages/Lycus/156095311142662\" target=\"_blank\" rel=\"noopener\">Lycus\u003c/a> – “Coma Burn”\u003cbr>\n\u003ca href=\"https://www.facebook.com/blackmonolithband\" target=\"_blank\" rel=\"noopener\">Black Monolith\u003c/a> – “Dead Hand”\u003cbr>\n\u003ca href=\"https://www.facebook.com/BadrVogu\" target=\"_blank\" rel=\"noopener\">Bädr Vogu\u003c/a> – “Gospel Of Greed”\u003cbr>\n\u003ca href=\"https://www.facebook.com/CastleSF\" target=\"_blank\" rel=\"noopener\">Castle\u003c/a> – “Blacklands”\u003cbr>\n\u003ca href=\"https://www.facebook.com/Verdant.Realm.Botanist\" target=\"_blank\" rel=\"noopener\">Botanist\u003c/a> – “Callistemon”\u003cbr>\n\u003ca href=\"https://www.facebook.com/ABSTRACTER\" target=\"_blank\" rel=\"noopener\">Abstracter\u003c/a> – “Walls That Breathe”\u003cbr>\n\u003ca href=\"https://www.facebook.com/larvae510\" target=\"_blank\" rel=\"noopener\">Larvae\u003c/a> – “Fallen, Left To Die”\u003cbr>\n\u003ca href=\"https://www.facebook.com/pages/AUGURS/260807624018074\" target=\"_blank\" rel=\"noopener\">Augurs\u003c/a> – “Drunk”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "How Much Jazz Can You Cram Into One Day?",
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"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>Event Information\u003c/h3>\n\u003ch4>Sept. 20, 2014\u003c/h4>\n\u003cdiv class=\"event-desc\">Two jazz events in the North Bay.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Russian River Jazz Festival\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Johnson’s Beach, Guerneville\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/russian-river-jazz-blues-festival/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Ramsey Lewis & Cécile McLorin Salvant\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Green Music Center, Rohnert Park\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/ramsey-lewis-cecile-mclorin-salvant/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Sometimes you just have to make a full day of it. This Saturday, jazz fans have that very option with two worthy shows up in Sonoma County.\u003c/p>\n\u003cp>First, there’s the \u003ca href=\"http://ww2.kqed.org/events/pick/russian-river-jazz-blues-festival/\" target=\"_blank\" rel=\"noopener noreferrer\">Russian River Jazz Festival\u003c/a>, which kicks off its main stage entertainment at 11am with Jon Batiste & Stay Human (pictured above). Don’t get there late—Batiste is a tremendous performer whose combo is equally at ease with Thelonious Monk tunes and New Orleans dirges. The band has a habit of untethering themselves from the confines of the stage (they perform \u003ca href=\"http://www.youtube.com/watch?v=dlxXCBPBnus\" target=\"_blank\" rel=\"noopener noreferrer\">in busy streets\u003c/a> and \u003ca href=\"http://www.youtube.com/watch?v=LbepSUOMfJo\" target=\"_blank\" rel=\"noopener noreferrer\">newspaper offices\u003c/a> alike), so don’t be surprised if, partway through their set, they hop into the crowd and strut along the beach playing “St. James Infirmary.” After Batiste, Oakland-bred vocalist Goapele and Larry Graham with Graham Central Station deliver the goods to the festival’s idyllic setting of Johnson’s Beach, surrounded by redwoods and right on the Russian River.\u003c/p>\n\u003cp>Smooth-jazz headliner Boney James plays the Russian River Jazz Festival at 4:30, but that’s when the diehards will cut out for an early dinner before heading to see \u003ca href=\"http://ww2.kqed.org/events/pick/ramsey-lewis-cecile-mclorin-salvant/\" target=\"_blank\" rel=\"noopener noreferrer\">Cécile McLorin Salvant and Ramsey Lewis\u003c/a> at the Green Music Center at Sonoma State University. Though his recent recorded output veers toward synthesisers and swampy funk, Lewis primarily plays acoustic piano in concert, combining his classical training and church upbringing in a trademark, soul-jazz style. (Lewis indulging the audience with his huge hit “\u003ca href=\"http://www.youtube.com/watch?v=rv3pT2JV66g\" target=\"_blank\" rel=\"noopener noreferrer\">The In Crowd\u003c/a>” is a foregone conclusion, but his incisive version of gospel standard “Wade in the Water” is a highlight of his recent sets.)\u003c/p>\n\u003cp>In the acoustic marvel that is the Green Music Center’s main hall, Lewis shares a bill with Grammy-nominated jazz vocalist and pianist Cécile McLorin Salvant, a take-your-breath-away singer who inhabits and repossesses each song she soulfully tackles from the Great American Songbook. Below, hear her \u003cem>a capella\u003c/em> rendition of “Poor Butterfly”:\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=zyU7QP2oWQ4?rel=0&w=560&h=315]\u003c/p>\n\u003cp>(Staying the night in the North Bay? Can’t get enough? Then crank up the endless boogie for Sunday’s lineup at the \u003ca href=\"http://ww2.kqed.org/events/pick/russian-river-jazz-blues-festival/\" target=\"_blank\" rel=\"noopener noreferrer\">Russian River Blues Festival\u003c/a>, which includes Trombone Shorty and Gary Clark, Jr., both of whom are outstanding in a live setting.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13476\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/beyonce-nicki-minaj.jpg\" alt=\"beyonce-nicki-minaj\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/beyonce-nicki-minaj.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/beyonce-nicki-minaj-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>When \u003ca href=\"http://blogs.kqed.org/pop/2014/08/07/beyonce-and-jay-z-divorce-on-the-run-tour-san-francisco/\">Beyonce and Jay Z tore through San Francisco last month\u003c/a>, we all expected some crazy stuff to go down. Surely the most famous couple in all the land would pull some strings and give us a cameo from Kanye, Justin Timberlake, or Nicki Minaj. That was not meant to be (not that we needed it; the show was perfect). But the dream did come true for Parisian fans when Nicki Minaj busted onto the scene to spit her rap from the \"Flawless\" remix. Beyonce usually keeps her emotions in check (see: elevator footage), but even she couldn't withhold \u003ca href=\"http://s3-ec.buzzfed.com/static/2014-06/5/10/enhanced/webdr04/anigif_original-grid-image-12841-1401977620-5.gif\">her YAAAAAAASSS face\u003c/a>. We feel you, B.\u003c/p>\n\u003cp>http://youtu.be/pu43x4D7ArI\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/eliza-gilkyson/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Eliza Gilkyson with Nina Gerber\u003c/h4>\n\u003cdiv class=\"event-desc\">Affecting Texas folk singer with in-demand accompanist.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Sept. 13, 2014\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Freight & Salvage\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/eliza-gilkyson/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>There’s a famous anecdote about the three-note guitar riff to “\u003ca href=\"https://www.youtube.com/watch?v=7aSLJQ8R0oA\" target=\"_blank\" rel=\"noopener\">Satisfaction\u003c/a>” coming to Keith Richards in the middle of the night, but what about whole songs? What about a whole album? \u003cem>The Nocturne Diaries\u003c/em>, the latest record from Texas folk singer \u003ca href=\"http://elizagilkyson.com/\" target=\"_blank\" rel=\"noopener\">Eliza Gilkyson\u003c/a>, is exactly that—a collection of songs manifesting themselves in the darkest hours of the day. Live as on record, Gilkyson is a master storyteller, her natural ease with an audience honed by a steady touring schedule; she returns to the erstwhile Freight & Salvage in Berkeley this week.\u003c/p>\n\u003cp>But the secret weapon here is Nina Gerber, who accompanies Gilkyson at the Freight. Gerber has long had an innate ability to get inside a song and spool out beautiful notes, and watching her play is like experiencing great jazz, full of improvisation and surprise. You could spend the entire day at Hardly Strictly Bluegrass and never hear a solo matching Gerber’s consummate taste and invention; surely this is rooted in her years spent alongside Northern California folk icon Kate Wolf, but her skill and acumen have only grown. It’s no surprise she’s so in-demand.\u003c/p>\n\u003cp>With Gilkyson’s songs and Gerber’s dressing, prepare for an evening of smart, affecting music.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>With Cy Musiker away this week, Suzie Racho and David Wiegand scout the Bay Area for things to do this coming weekend and turn up a cabaret diva, a comedy fest, cerebral indie rock and more.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2014/09/20140912tdl.mp3\u003c/p>\n\u003c/aside>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003cfigure id=\"attachment_10142270\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10142270\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/meowmeow.sm_.CRED_.KevinBerne.jpg\" alt=\"Meow Meow\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/meowmeow.sm_.CRED_.KevinBerne.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/meowmeow.sm_.CRED_.KevinBerne-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Photo courtesy kevinberne.com \u003ccite>(Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>‘An Audience with Meow Meow’\u003c/h3>\n\u003cp>If you like your cabaret on the safe side, with softened sexuality and rote balladry, then by all means, feel free to miss this run at Berkeley Rep. But if you’re a theatergoer who believes cabaret should be thrilling, risk-taking and interactive, the Australian-born cabaret performer \u003ca href=\"http://www.meowmeowrevolution.com/\" target=\"_blank\" rel=\"noopener\">Meow Meow\u003c/a> never fails to deliver. Known for what’s been dubbed “kamikaze cabaret” (e.g., she occasionally crowdsurfs), the fearless artist injects a shot in the arm of the \u003ca href=\"http://www.youtube.com/watch?v=E3rkLRJ0m0k\" target=\"_blank\" rel=\"noopener\">Sally Bowles tradition\u003c/a> with every show. \u003ca href=\"http://ww2.kqed.org/events/pick/an-audience-with-meow-meow/\" target=\"_blank\" rel=\"noopener\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142268\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/LouisCK.jpg\" alt=\"LouisCK\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LouisCK.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LouisCK-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">The Oddball Comedy & Curiosity Festival\u003c/h3>\n\u003cp>San Francisco got lucky when comedian Louis CK chose Davies Symphony Hall as a venue on his 2012 tour, for which he sold \u003ca href=\"https://buy.louisck.net/news/im-going-on-the-road\" target=\"_blank\" rel=\"noopener\">$45 tickets with no service charges or sales tax\u003c/a> through his own website. Now, the top comedian in the country headlines at Shoreline Amphitheatre, and what lacks in venue this time around is made up for in the stellar lineup of openers: Sarah Silverman, Marc Maron, Demetri Martin, Jim Gaffigan, Chris Hardwick, Whitney Cummings and Moshe Kasher all make huddling on the lawn worth it. \u003ca href=\"http://ww2.kqed.org/events/pick/oddball-comedy-curiosity-festival/\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142266\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/OwenPallett.jpg\" alt=\"OwenPallett\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/OwenPallett.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/OwenPallett-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">Owen Pallett\u003c/h3>\n\u003cp>If you’ve ever been out in public in the past four years, there’s a 97% chance you’ve heard Katy Perry’s “Teenage Dream” squawking out of a speaker somewhere. Yet even those who cursed the overproduced earworm found catharsis in Owen Pallett’s \u003ca href=\"http://www.slate.com/articles/arts/culturebox/2014/03/katy_perry_s_teenage_dream_explaining_the_hit_using_music_theory.html\" target=\"_blank\" rel=\"noopener\">widely shared musicological dissection\u003c/a> of the \u003cdel>evil predatory forces at work\u003c/del> clever production and songwriting elements that made the track a monster hit. Despite the silly title of his first solo album (\u003cem>He Poos Clouds\u003c/em>), Pallett is a vastly smart composer and arranger, having received an Oscar nod for his \u003ca href=\"http://www.youtube.com/watch?v=KhK82a4nZMk\" target=\"_blank\" rel=\"noopener\">film score to \u003cem>Her\u003c/em>\u003c/a> and having shared stage and studio time with Arcade Fire. His latest full-length, \u003cem>In Conflict\u003c/em>, is poetically restrained; live, he can be transcendental. \u003ca href=\"http://ww2.kqed.org/events/pick/owen-pallett/\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003cfigure id=\"attachment_10142269\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10142269\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/MultipleMary.CRED_.AustinForbord.jpg\" alt=\"Photo: Austin Forbord / Rapt\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/MultipleMary.CRED_.AustinForbord.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/MultipleMary.CRED_.AustinForbord-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Photo: Austin Forbord / Rapt \u003ccite>(Austin Forbord / Rapt)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>‘Multiple Mary & Invisible Jane’\u003c/h3>\n\u003cp>For years, the all-female dance company \u003ca href=\"http://flyawayproductions.com/\" target=\"_blank\" rel=\"noopener\">Flyaway Productions\u003c/a> has surprised casual onlookers with free dance performances staged on fire escapes, billboards, cranes, rooftops and flaming chandeliers—”anywhere from two to 100 feet off the ground.” This is no flash-mob gambit, though; the company interweaves social justice into the vertical performances, as in \u003cem>Multiple Mary & Invisible Jane\u003c/em>, which seeks to shine a light on the plight of older homeless women in San Francisco. The show runs on the outside wall of UC Hastings near the Tenderloin sidewalks of so many of its subjects, in plain view, for free. \u003ca href=\"http://ww2.kqed.org/events/pick/multiple-mary-and-invisible-jane/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142267\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/RichardBuckner.jpg\" alt=\"RichardBuckner\" width=\"400\" height=\"272\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/RichardBuckner.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/RichardBuckner-300x204.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">Richard Buckner\u003c/h3>\n\u003cp>Ever the literary songwriter, Richard Buckner once released an album, \u003ca href=\"http://www.youtube.com/watch?v=4i2UsWrjBCI\" target=\"_blank\" rel=\"noopener\">\u003cem>The Hill\u003c/em>\u003c/a>, based entirely on characters from Edgar Lee Masters’ \u003cem>Spoon River Anthology\u003c/em>. Fourteen years later, Buckner’s affection for the small-town America depicted in Masters’ poems hasn’t ceased, having embarked on whole tours where he plays in strangers’ living rooms in minor cities that most artist tour itineraries overlook. Hailed by Bon Iver’s Justin Vernon as an influence, Buckner casts the sort of spell that can last for years in fandom. \u003ca href=\"http://ww2.kqed.org/events/pick/richard-buckner/\" target=\"_blank\" rel=\"noopener\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142271\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/LastWeekend.jpg\" alt=\"LastWeekend\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LastWeekend.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LastWeekend-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">‘Last Weekend’ with Tom Dolby\u003c/h3>\n\u003cp>Patricia Clarkson is no stranger to characters stuck in dysfunctional families; her defining television role in \u003cem>Six Feet Under\u003c/em> as Aunt Sarah, along with Academy and Golden Globe nominations for \u003cem>Pieces of April\u003c/em>, attest to her knack for the situation. In \u003cem>Last Weekend\u003c/em>, Clarkson is again at the center of family dysfunction in an acclaimed new film filmed entirely on location in Lake Tahoe. After this week’s screening at the Vogue Theatre, Do List co-host David Weigand conducts a Q&A with screenwriter / director Tom Dolby. \u003ca href=\"http://ww2.kqed.org/events/pick/last-weekend/\" target=\"_blank\" rel=\"noopener\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"title": "Radio Show: The One About Oddballs and Kamikaze Cabaret | KQED",
"description": "With Cy Musiker away this week, Suzie Racho and David Wiegand scout the Bay Area for things to do this coming weekend and turn up a cabaret diva, a comedy fest, cerebral indie rock and more. http://www.kqed.org/.stream/anon/radio/thedolist/2014/09/20140912tdl.mp3 'An Audience with Meow Meow' If you like your cabaret on the safe side, with softened sexuality and rote balladry, then by all means, feel free to miss this run at Berkeley Rep. But if you're a theatergoer who believes cabaret should be thrilling, risk-taking and interactive, the Australian-born cabaret performer Meow Meow never fails to deliver. Known for what's been dubbed "kamikaze",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003cfigure id=\"attachment_10142270\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10142270\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/meowmeow.sm_.CRED_.KevinBerne.jpg\" alt=\"Meow Meow\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/meowmeow.sm_.CRED_.KevinBerne.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/meowmeow.sm_.CRED_.KevinBerne-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Photo courtesy kevinberne.com \u003ccite>(Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>‘An Audience with Meow Meow’\u003c/h3>\n\u003cp>If you like your cabaret on the safe side, with softened sexuality and rote balladry, then by all means, feel free to miss this run at Berkeley Rep. But if you’re a theatergoer who believes cabaret should be thrilling, risk-taking and interactive, the Australian-born cabaret performer \u003ca href=\"http://www.meowmeowrevolution.com/\" target=\"_blank\" rel=\"noopener\">Meow Meow\u003c/a> never fails to deliver. Known for what’s been dubbed “kamikaze cabaret” (e.g., she occasionally crowdsurfs), the fearless artist injects a shot in the arm of the \u003ca href=\"http://www.youtube.com/watch?v=E3rkLRJ0m0k\" target=\"_blank\" rel=\"noopener\">Sally Bowles tradition\u003c/a> with every show. \u003ca href=\"http://ww2.kqed.org/events/pick/an-audience-with-meow-meow/\" target=\"_blank\" rel=\"noopener\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142268\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/LouisCK.jpg\" alt=\"LouisCK\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LouisCK.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LouisCK-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">The Oddball Comedy & Curiosity Festival\u003c/h3>\n\u003cp>San Francisco got lucky when comedian Louis CK chose Davies Symphony Hall as a venue on his 2012 tour, for which he sold \u003ca href=\"https://buy.louisck.net/news/im-going-on-the-road\" target=\"_blank\" rel=\"noopener\">$45 tickets with no service charges or sales tax\u003c/a> through his own website. Now, the top comedian in the country headlines at Shoreline Amphitheatre, and what lacks in venue this time around is made up for in the stellar lineup of openers: Sarah Silverman, Marc Maron, Demetri Martin, Jim Gaffigan, Chris Hardwick, Whitney Cummings and Moshe Kasher all make huddling on the lawn worth it. \u003ca href=\"http://ww2.kqed.org/events/pick/oddball-comedy-curiosity-festival/\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142266\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/OwenPallett.jpg\" alt=\"OwenPallett\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/OwenPallett.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/OwenPallett-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">Owen Pallett\u003c/h3>\n\u003cp>If you’ve ever been out in public in the past four years, there’s a 97% chance you’ve heard Katy Perry’s “Teenage Dream” squawking out of a speaker somewhere. Yet even those who cursed the overproduced earworm found catharsis in Owen Pallett’s \u003ca href=\"http://www.slate.com/articles/arts/culturebox/2014/03/katy_perry_s_teenage_dream_explaining_the_hit_using_music_theory.html\" target=\"_blank\" rel=\"noopener\">widely shared musicological dissection\u003c/a> of the \u003cdel>evil predatory forces at work\u003c/del> clever production and songwriting elements that made the track a monster hit. Despite the silly title of his first solo album (\u003cem>He Poos Clouds\u003c/em>), Pallett is a vastly smart composer and arranger, having received an Oscar nod for his \u003ca href=\"http://www.youtube.com/watch?v=KhK82a4nZMk\" target=\"_blank\" rel=\"noopener\">film score to \u003cem>Her\u003c/em>\u003c/a> and having shared stage and studio time with Arcade Fire. His latest full-length, \u003cem>In Conflict\u003c/em>, is poetically restrained; live, he can be transcendental. \u003ca href=\"http://ww2.kqed.org/events/pick/owen-pallett/\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003cfigure id=\"attachment_10142269\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10142269\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/MultipleMary.CRED_.AustinForbord.jpg\" alt=\"Photo: Austin Forbord / Rapt\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/MultipleMary.CRED_.AustinForbord.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/MultipleMary.CRED_.AustinForbord-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Photo: Austin Forbord / Rapt \u003ccite>(Austin Forbord / Rapt)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>‘Multiple Mary & Invisible Jane’\u003c/h3>\n\u003cp>For years, the all-female dance company \u003ca href=\"http://flyawayproductions.com/\" target=\"_blank\" rel=\"noopener\">Flyaway Productions\u003c/a> has surprised casual onlookers with free dance performances staged on fire escapes, billboards, cranes, rooftops and flaming chandeliers—”anywhere from two to 100 feet off the ground.” This is no flash-mob gambit, though; the company interweaves social justice into the vertical performances, as in \u003cem>Multiple Mary & Invisible Jane\u003c/em>, which seeks to shine a light on the plight of older homeless women in San Francisco. The show runs on the outside wall of UC Hastings near the Tenderloin sidewalks of so many of its subjects, in plain view, for free. \u003ca href=\"http://ww2.kqed.org/events/pick/multiple-mary-and-invisible-jane/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142267\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/RichardBuckner.jpg\" alt=\"RichardBuckner\" width=\"400\" height=\"272\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/RichardBuckner.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/RichardBuckner-300x204.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">Richard Buckner\u003c/h3>\n\u003cp>Ever the literary songwriter, Richard Buckner once released an album, \u003ca href=\"http://www.youtube.com/watch?v=4i2UsWrjBCI\" target=\"_blank\" rel=\"noopener\">\u003cem>The Hill\u003c/em>\u003c/a>, based entirely on characters from Edgar Lee Masters’ \u003cem>Spoon River Anthology\u003c/em>. Fourteen years later, Buckner’s affection for the small-town America depicted in Masters’ poems hasn’t ceased, having embarked on whole tours where he plays in strangers’ living rooms in minor cities that most artist tour itineraries overlook. Hailed by Bon Iver’s Justin Vernon as an influence, Buckner casts the sort of spell that can last for years in fandom. \u003ca href=\"http://ww2.kqed.org/events/pick/richard-buckner/\" target=\"_blank\" rel=\"noopener\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout aligncenter noborder\">\n\u003ch3>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10142271\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/LastWeekend.jpg\" alt=\"LastWeekend\" width=\"400\" height=\"271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LastWeekend.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/LastWeekend-300x203.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\">‘Last Weekend’ with Tom Dolby\u003c/h3>\n\u003cp>Patricia Clarkson is no stranger to characters stuck in dysfunctional families; her defining television role in \u003cem>Six Feet Under\u003c/em> as Aunt Sarah, along with Academy and Golden Globe nominations for \u003cem>Pieces of April\u003c/em>, attest to her knack for the situation. In \u003cem>Last Weekend\u003c/em>, Clarkson is again at the center of family dysfunction in an acclaimed new film filmed entirely on location in Lake Tahoe. After this week’s screening at the Vogue Theatre, Do List co-host David Weigand conducts a Q&A with screenwriter / director Tom Dolby. \u003ca href=\"http://ww2.kqed.org/events/pick/last-weekend/\" target=\"_blank\" rel=\"noopener\">Details and ticket information here\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_13459\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-13459\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/ariana-grande.jpg\" alt=\"Photo: Tom Munro / V Magazine\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/ariana-grande.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/ariana-grande-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: Tom Munro / V Magazine\u003c/figcaption>\u003c/figure>\n\u003cp>You might not know her name, but you definitely know her music. This summer, Ariana Grande \u003ca href=\"http://www.billboard.com/articles/columns/chart-beat/6236643/ariana-grande-my-everything-debut-billboard-200\">matched Adele's record\u003c/a> of having three singles in the top 10 of \u003ci>Billboard\u003c/i>'s Hot 100. And just last week, she scored her second number one album in less than a year. But this success is not what people are talking about. Instead, the focus is on which side of her face Ariana prefers and what a diva that makes her.\u003c/p>\n\u003cp>\u003cem>The Atlantic\u003c/em>'s Trey Taylor \u003ca href=\"http://www.theatlantic.com/entertainment/archive/2014/09/the-humanity-in-ariana-grandes-right-cheek/379958/\">took on Grande's \"\u003c/a>\u003cspan style=\"color: #000000\">\u003ca href=\"http://www.theatlantic.com/entertainment/archive/2014/09/the-humanity-in-ariana-grandes-right-cheek/379958/\">portside motif\"\u003c/a> and charted the long lineage of stars wanting to control how the public interacts with their faces: from Barbra Streisand making Oprah change her set, to Mariah Carey \u003ca href=\"http://gawker.com/5975358/watch-mariah-carey-suffer-a-crisis-while-attempting-to-preserve-her-good-side\">uncomfortably trying to keep it cute\u003c/a>, all the way back to old Hollywood star Claudette Colbert covering her \"bad side\" with green greasepaint to remind the cameraman of her best angles.\u003c/span>\u003c/p>\n\u003cp>[contextly_sidebar id=\"IfRCbDpPjMxZ2Xy5kg0vr0247iw2xVu5\"]\u003c/p>\n\u003cp>This obsession with putting one's best face forward is not exclusive to the famous, though. In \u003ca href=\"http://blogs.kqed.org/pop/2013/07/17/please-like-me-how-instagram-and-facebook-feed-our-insecurity/\">this Instagram age\u003c/a>, everything we do is judged based on how we made it look and how we looked doing it. When is the last time you took one selfie, instead of approx. 22? We all care about what people think of our faces, and a large number of us know which angles work best for us and try to stick to those. We live in a beauty-obsessed culture and we're vain products of it. \u003c/p>\n\u003cp>So think about all the posturing you do for your 200 followers and multiply that by a million and you have Ariana Grande. We've seen what fame and all the pressures that come with it can do to a young girl (see: Britney Spears' head-shaving revolt against the beauty paradigm), and that was before social media! Grande lives in a world where opinions about her hairstyle, her outfits, her dancing, her dimple, etc. are tweeted directly to her. Under this microscope, a loose preference for a certain side of one's face could easily turn into an obsession.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Body dysmorphia disorder, a condition that shares qualities with eating and obsessive compulsive disorders, is defined as \"\u003cspan style=\"color: #252525\">a \u003c/span>mental illness\u003cspan style=\"color: #252525\"> that involves belief that one's own appearance is unusually defective (worthy of hiding or fixing), although the perceived flaw might be nonexistent.\" Ariana's \u003ca href=\"http://www.news.com.au/entertainment/music/ariana-grande-cancels-australian-media-photo-shoots-after-issuing-long-list-of-demands/story-e6frfn09-1227051833588\">alleged demands\u003c/a> at photo shoots and left-side-only media presence fall in line with symptoms of BDD. And this is not at all surprising. Her face is a public commodity, on which we feel the right to express our opinions and project our own insecurities. The same person who will say \u003cem>Her nose is ugly\u003c/em> will later say \u003cem>Ew, she got a nose job\u003c/em>. We expect our female pop stars to be perfect, and that's exactly what Ariana Grande is attempting to do, yet that very attempt has become the problem.\u003c/span>\u003c/p>\n\u003cp>On top of the \"good side\" controversy, Ariana Grande is also getting flack for being rude and not having enough of a personality. How dare she not want to discuss ex-boyfriends, being in Mariah Carey's shadow, and her dead grandfather in every interview? This is the same vilification that Christina Aguilera experienced in the early aughts, as she was slut shamed and branded rude in comparison to polite, girl-next-door Britney Spears.\u003c/p>\n\u003cp>Then and now, I wonder the same thing: if rumors of a bad attitude are in fact true, who cares? A musician is expected to make good music. Judging by her record-breaking summer, Grande is doing that. So why do we have to want to be best friends with her? Why has pop music become a pageant? And why don't we ever hold male artists to the Goldilocks standard: be sassy, but not too sassy; sexy, but not too sexy, etc?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But back to the facial question: Ariana Grande became famous as a teenager, a time when most adolescents figure out who they are and how they feel about themselves. Most of us get to do that without pressure from network/record label execs and input from the public. Most of us aren't told: If you want to do what you love, you have to be beautiful. Yes, there are perks to being a pop star, but there's also a shadow side, which, for Ariana, has taken the form of the right side of her face. We forget about the dark parts of fame because celebrities hide them from the camera, to protect themselves from us, and to protect us from what we do to them.\u003c/p>\n\n",
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"excerpt": "We all have a good side. But is that healthy?",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13459\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-13459\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/ariana-grande.jpg\" alt=\"Photo: Tom Munro / V Magazine\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/ariana-grande.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/ariana-grande-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: Tom Munro / V Magazine\u003c/figcaption>\u003c/figure>\n\u003cp>You might not know her name, but you definitely know her music. This summer, Ariana Grande \u003ca href=\"http://www.billboard.com/articles/columns/chart-beat/6236643/ariana-grande-my-everything-debut-billboard-200\">matched Adele's record\u003c/a> of having three singles in the top 10 of \u003ci>Billboard\u003c/i>'s Hot 100. And just last week, she scored her second number one album in less than a year. But this success is not what people are talking about. Instead, the focus is on which side of her face Ariana prefers and what a diva that makes her.\u003c/p>\n\u003cp>\u003cem>The Atlantic\u003c/em>'s Trey Taylor \u003ca href=\"http://www.theatlantic.com/entertainment/archive/2014/09/the-humanity-in-ariana-grandes-right-cheek/379958/\">took on Grande's \"\u003c/a>\u003cspan style=\"color: #000000\">\u003ca href=\"http://www.theatlantic.com/entertainment/archive/2014/09/the-humanity-in-ariana-grandes-right-cheek/379958/\">portside motif\"\u003c/a> and charted the long lineage of stars wanting to control how the public interacts with their faces: from Barbra Streisand making Oprah change her set, to Mariah Carey \u003ca href=\"http://gawker.com/5975358/watch-mariah-carey-suffer-a-crisis-while-attempting-to-preserve-her-good-side\">uncomfortably trying to keep it cute\u003c/a>, all the way back to old Hollywood star Claudette Colbert covering her \"bad side\" with green greasepaint to remind the cameraman of her best angles.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>This obsession with putting one's best face forward is not exclusive to the famous, though. In \u003ca href=\"http://blogs.kqed.org/pop/2013/07/17/please-like-me-how-instagram-and-facebook-feed-our-insecurity/\">this Instagram age\u003c/a>, everything we do is judged based on how we made it look and how we looked doing it. When is the last time you took one selfie, instead of approx. 22? We all care about what people think of our faces, and a large number of us know which angles work best for us and try to stick to those. We live in a beauty-obsessed culture and we're vain products of it. \u003c/p>\n\u003cp>So think about all the posturing you do for your 200 followers and multiply that by a million and you have Ariana Grande. We've seen what fame and all the pressures that come with it can do to a young girl (see: Britney Spears' head-shaving revolt against the beauty paradigm), and that was before social media! Grande lives in a world where opinions about her hairstyle, her outfits, her dancing, her dimple, etc. are tweeted directly to her. Under this microscope, a loose preference for a certain side of one's face could easily turn into an obsession.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Body dysmorphia disorder, a condition that shares qualities with eating and obsessive compulsive disorders, is defined as \"\u003cspan style=\"color: #252525\">a \u003c/span>mental illness\u003cspan style=\"color: #252525\"> that involves belief that one's own appearance is unusually defective (worthy of hiding or fixing), although the perceived flaw might be nonexistent.\" Ariana's \u003ca href=\"http://www.news.com.au/entertainment/music/ariana-grande-cancels-australian-media-photo-shoots-after-issuing-long-list-of-demands/story-e6frfn09-1227051833588\">alleged demands\u003c/a> at photo shoots and left-side-only media presence fall in line with symptoms of BDD. And this is not at all surprising. Her face is a public commodity, on which we feel the right to express our opinions and project our own insecurities. The same person who will say \u003cem>Her nose is ugly\u003c/em> will later say \u003cem>Ew, she got a nose job\u003c/em>. We expect our female pop stars to be perfect, and that's exactly what Ariana Grande is attempting to do, yet that very attempt has become the problem.\u003c/span>\u003c/p>\n\u003cp>On top of the \"good side\" controversy, Ariana Grande is also getting flack for being rude and not having enough of a personality. How dare she not want to discuss ex-boyfriends, being in Mariah Carey's shadow, and her dead grandfather in every interview? This is the same vilification that Christina Aguilera experienced in the early aughts, as she was slut shamed and branded rude in comparison to polite, girl-next-door Britney Spears.\u003c/p>\n\u003cp>Then and now, I wonder the same thing: if rumors of a bad attitude are in fact true, who cares? A musician is expected to make good music. Judging by her record-breaking summer, Grande is doing that. So why do we have to want to be best friends with her? Why has pop music become a pageant? And why don't we ever hold male artists to the Goldilocks standard: be sassy, but not too sassy; sexy, but not too sexy, etc?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But back to the facial question: Ariana Grande became famous as a teenager, a time when most adolescents figure out who they are and how they feel about themselves. Most of us get to do that without pressure from network/record label execs and input from the public. Most of us aren't told: If you want to do what you love, you have to be beautiful. Yes, there are perks to being a pop star, but there's also a shadow side, which, for Ariana, has taken the form of the right side of her face. We forget about the dark parts of fame because celebrities hide them from the camera, to protect themselves from us, and to protect us from what we do to them.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Sick of All Your Music? Here Are the New Fall Albums You Need",
"title": "Sick of All Your Music? Here Are the New Fall Albums You Need",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/09/11/sick-of-all-your-music-here-are-all-the-new-albums-you-need-banks-fka-twigs-interpol-iamamiwhoami/pic-frame-rock-stars/\" rel=\"attachment wp-att-13440\">\u003cimg class=\"aligncenter size-full wp-image-13440\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/pic-frame-rock-stars.jpg\" alt=\"pic frame rock stars\" width=\"563\" height=\"563\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars.jpg 563w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-75x75.jpg 75w\" sizes=\"(max-width: 563px) 100vw, 563px\">\u003c/a>\u003c/p>\n\u003cp>Last April, one of my favorite moody boys, Robert Alfons of Trust, came through the city and I missed him! I will not be making that mistake twice. Instead, I'll be dancing my head off to Trust's \"\u003ca href=\"http://www.vmagazine.com/site/content/2373/robert-alfons-trust-issues#!/2\">ecstatic glee and exquisite gloom\u003c/a>\" on September 28 at \u003ca href=\"http://mezzaninesf.com/\">Mezzanine\u003c/a> (you can too; tickets are still available!). And that's just scratching the surface of all the bands who have new offerings in the works for fall. Here are some of our favorites:\u003c/p>\n\u003cp>http://youtu.be/NL9T42SVnN0\u003c/p>\n\u003cp>The long awaited, much anticipated debut album of Banks is here! \u003cem>Goddess\u003c/em> is everything I wanted and hoped it would be as I fervently replayed her singles over and over these past few months. And at a whopping 18 songs, you can get your Banks fix for over an hour, which feels downright luxurious. She will be part of the \u003ca href=\"http://blogs.kqed.org/pop/2014/06/17/treasure-island-music-festival-2014-lineup-announced-heres-the-only-playlist-you-need-to-get-ready-outkast/\">Treasure Island Music Festival\u003c/a> on October 18, 2014.\u003c/p>\n\u003cp>http://youtu.be/740GRF5FCDM\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Roberto Carlos Lange, a.k.a. Helado Negro, has a new album out too. \u003cem>\u003ca href=\"http://www.heladonegro.com/\">Double Youth\u003c/a>\u003c/em> \"grapples with memory and its uncanny tendency to wear away despite our best intentions to preserve it.\" I'm starting to notice a pattern amongst my favorite bands; they all give me the urge to intermittently dance and then feel emotional and then dance again. However, that downplays the special brand of evocative coolness that Helado Negro embodies. See for yourself when he plays The Independent on September 20, 2014 (opening for Son Lux) or October 19, 2014 (opening for Sinkane, who is also on my list with his awesome new album, \u003cem>\u003ca href=\"http://sinkane.com/\">Mean Love\u003c/a>\u003c/em>). Lucky us!\u003c/p>\n\u003cp>http://youtu.be/-u6DvRyyKGU\u003c/p>\n\u003cp>Lately, there are also quite a few bands tapping into my nostalgic wistfulness (the perfect sensation for fall!). Interpol's newest, \u003cem>El Pintor\u003c/em>, reminds me of the summer of 2002 when I was 22 and lived in New York City and listened to \u003cem>Turn on the Bright Lights\u003c/em> all the time. Guilty pleasure as this new album is, it's still a pleasure.\u003c/p>\n\u003cp>http://youtu.be/oTvqMfvVWYQ\u003c/p>\n\u003cp>Then there's \u003ca href=\"http://thequietus.com/articles/16199-karen-o-interview-yeah-yeah-yeahs\">Karen O's solo album, \u003c/a>\u003cem>\u003ca href=\"http://thequietus.com/articles/16199-karen-o-interview-yeah-yeah-yeahs\">Crush Songs\u003c/a>. \u003c/em>\"When I was 27 I crushed a lot,\" she writes of these songs. Me too, Karen, me too! While I miss the snarl and fury of her with the Yeah Yeah Yeahs, I can't help but feel how I always do about Karen O -- that she is the awesomest.\u003c/p>\n\u003cp>http://youtu.be/HGON2HeyQXc\u003c/p>\n\u003cp>Rounding out the group of old school loves courting me anew are Blonde Redhead, with \u003cem>Barragán\u003c/em>. I can only imagine a band that's been around for 21 years has been able to do so by having the recklessness, malleability, and inventiveness to make some phenomenal albums and some more lackluster ones too. This might be the latter, but I'm going to give it a few more listens before I truly decide because I whole heartedly appreciate any band staying relevant and interesting for over two decades! However, for nostalgia's sake, I'm including an older song, one of my all-time faves.\u003c/p>\n\u003cp>http://youtu.be/vhSUh7tx9J4\u003c/p>\n\u003cp>Some newfound discoveries are \u003ca href=\"http://pitchfork.com/reviews/albums/19590-twigs-lp1/\">FKA Twigs\u003c/a> and \u003ca href=\"http://www.mybrightestdiamond.com/\">My Brightest Diamond\u003c/a>, both with new albums. You can catch FKA Twigs at the Warfield on November 20, 2014 and My Brightest Diamond at Great American Music Hall on December 10, 2014.\u003c/p>\n\u003cp>http://youtu.be/SJxXYHQIF40\u003c/p>\n\u003cp>And I'll leave you with two things to look forward to: T.I.'s latest will be out in October (I can't help it, he got me with \u003ca href=\"http://youtu.be/nQJACVmankY\">\"Whatever You Like\"\u003c/a> and I've never looked back), and my beloved crazy lady iamamiwhoami's latest will be out in November (there are a few \u003ca href=\"http://youtu.be/WKbunk6ZMmA\">singles\u003c/a> to satiate you until then).\u003c/p>\n\u003cp>http://youtu.be/WckSWlEf2nM\u003c/p>\n\u003cp>But the encore belongs to the ominous rock-n-roll of \u003ca href=\"http://esbenandthewitch.co.uk/\">Esben and the Witch\u003c/a>, a band my 15-year-old self would have loved and so I do too. With a penchant for 10 minute songs and sometimes sounding like PJ Harvey, they are just right for these shorter, darker days. Their new album, \u003cem>A New Nature\u003c/em>, is out now.\u003c/p>\n\u003cp>Happy listening and check out this Spotify playlist for a mix of all these awesome bands!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ciframe src=\"https://embed.spotify.com/?uri=spotify:user:1213029062:playlist:5Q1DlNQDeJbtlYNMrE0r9J\" width=\"300\" height=\"380\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/09/11/sick-of-all-your-music-here-are-all-the-new-albums-you-need-banks-fka-twigs-interpol-iamamiwhoami/pic-frame-rock-stars/\" rel=\"attachment wp-att-13440\">\u003cimg class=\"aligncenter size-full wp-image-13440\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/pic-frame-rock-stars.jpg\" alt=\"pic frame rock stars\" width=\"563\" height=\"563\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars.jpg 563w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/pic-frame-rock-stars-75x75.jpg 75w\" sizes=\"(max-width: 563px) 100vw, 563px\">\u003c/a>\u003c/p>\n\u003cp>Last April, one of my favorite moody boys, Robert Alfons of Trust, came through the city and I missed him! I will not be making that mistake twice. Instead, I'll be dancing my head off to Trust's \"\u003ca href=\"http://www.vmagazine.com/site/content/2373/robert-alfons-trust-issues#!/2\">ecstatic glee and exquisite gloom\u003c/a>\" on September 28 at \u003ca href=\"http://mezzaninesf.com/\">Mezzanine\u003c/a> (you can too; tickets are still available!). And that's just scratching the surface of all the bands who have new offerings in the works for fall. Here are some of our favorites:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NL9T42SVnN0'\n title='//www.youtube.com/embed/NL9T42SVnN0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The long awaited, much anticipated debut album of Banks is here! \u003cem>Goddess\u003c/em> is everything I wanted and hoped it would be as I fervently replayed her singles over and over these past few months. And at a whopping 18 songs, you can get your Banks fix for over an hour, which feels downright luxurious. She will be part of the \u003ca href=\"http://blogs.kqed.org/pop/2014/06/17/treasure-island-music-festival-2014-lineup-announced-heres-the-only-playlist-you-need-to-get-ready-outkast/\">Treasure Island Music Festival\u003c/a> on October 18, 2014.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/740GRF5FCDM'\n title='//www.youtube.com/embed/740GRF5FCDM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Roberto Carlos Lange, a.k.a. Helado Negro, has a new album out too. \u003cem>\u003ca href=\"http://www.heladonegro.com/\">Double Youth\u003c/a>\u003c/em> \"grapples with memory and its uncanny tendency to wear away despite our best intentions to preserve it.\" I'm starting to notice a pattern amongst my favorite bands; they all give me the urge to intermittently dance and then feel emotional and then dance again. However, that downplays the special brand of evocative coolness that Helado Negro embodies. See for yourself when he plays The Independent on September 20, 2014 (opening for Son Lux) or October 19, 2014 (opening for Sinkane, who is also on my list with his awesome new album, \u003cem>\u003ca href=\"http://sinkane.com/\">Mean Love\u003c/a>\u003c/em>). Lucky us!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-u6DvRyyKGU'\n title='//www.youtube.com/embed/-u6DvRyyKGU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Lately, there are also quite a few bands tapping into my nostalgic wistfulness (the perfect sensation for fall!). Interpol's newest, \u003cem>El Pintor\u003c/em>, reminds me of the summer of 2002 when I was 22 and lived in New York City and listened to \u003cem>Turn on the Bright Lights\u003c/em> all the time. Guilty pleasure as this new album is, it's still a pleasure.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oTvqMfvVWYQ'\n title='//www.youtube.com/embed/oTvqMfvVWYQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Then there's \u003ca href=\"http://thequietus.com/articles/16199-karen-o-interview-yeah-yeah-yeahs\">Karen O's solo album, \u003c/a>\u003cem>\u003ca href=\"http://thequietus.com/articles/16199-karen-o-interview-yeah-yeah-yeahs\">Crush Songs\u003c/a>. \u003c/em>\"When I was 27 I crushed a lot,\" she writes of these songs. Me too, Karen, me too! While I miss the snarl and fury of her with the Yeah Yeah Yeahs, I can't help but feel how I always do about Karen O -- that she is the awesomest.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/HGON2HeyQXc'\n title='//www.youtube.com/embed/HGON2HeyQXc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Rounding out the group of old school loves courting me anew are Blonde Redhead, with \u003cem>Barragán\u003c/em>. I can only imagine a band that's been around for 21 years has been able to do so by having the recklessness, malleability, and inventiveness to make some phenomenal albums and some more lackluster ones too. This might be the latter, but I'm going to give it a few more listens before I truly decide because I whole heartedly appreciate any band staying relevant and interesting for over two decades! However, for nostalgia's sake, I'm including an older song, one of my all-time faves.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vhSUh7tx9J4'\n title='//www.youtube.com/embed/vhSUh7tx9J4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Some newfound discoveries are \u003ca href=\"http://pitchfork.com/reviews/albums/19590-twigs-lp1/\">FKA Twigs\u003c/a> and \u003ca href=\"http://www.mybrightestdiamond.com/\">My Brightest Diamond\u003c/a>, both with new albums. You can catch FKA Twigs at the Warfield on November 20, 2014 and My Brightest Diamond at Great American Music Hall on December 10, 2014.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SJxXYHQIF40'\n title='//www.youtube.com/embed/SJxXYHQIF40'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And I'll leave you with two things to look forward to: T.I.'s latest will be out in October (I can't help it, he got me with \u003ca href=\"http://youtu.be/nQJACVmankY\">\"Whatever You Like\"\u003c/a> and I've never looked back), and my beloved crazy lady iamamiwhoami's latest will be out in November (there are a few \u003ca href=\"http://youtu.be/WKbunk6ZMmA\">singles\u003c/a> to satiate you until then).\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WckSWlEf2nM'\n title='//www.youtube.com/embed/WckSWlEf2nM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But the encore belongs to the ominous rock-n-roll of \u003ca href=\"http://esbenandthewitch.co.uk/\">Esben and the Witch\u003c/a>, a band my 15-year-old self would have loved and so I do too. With a penchant for 10 minute songs and sometimes sounding like PJ Harvey, they are just right for these shorter, darker days. Their new album, \u003cem>A New Nature\u003c/em>, is out now.\u003c/p>\n\u003cp>Happy listening and check out this Spotify playlist for a mix of all these awesome bands!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ciframe src=\"https://embed.spotify.com/?uri=spotify:user:1213029062:playlist:5Q1DlNQDeJbtlYNMrE0r9J\" width=\"300\" height=\"380\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"masters-of-scale": {
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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