window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_10385861": {
"type": "attachments",
"id": "arts_10385861",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10385861",
"found": true
},
"parent": 10385860,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/featured-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/featured-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/featured.jpg",
"width": 800,
"height": 450
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/featured-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/featured-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/featured-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/featured-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/featured-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/featured-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1423786269,
"modified": 1423786367,
"caption": "Interior of the Swedish American Hall; courtesy Swedish Society of San Francisco",
"description": null,
"title": "featured",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10382827": {
"type": "attachments",
"id": "arts_10382827",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10382827",
"found": true
},
"parent": 10382825,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Bazan2011-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Bazan2011-400x309.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 309
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Bazan2011-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Bazan2011.jpg",
"width": 2256,
"height": 1740
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Bazan2011-1180x910.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 910
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Bazan2011-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Bazan2011-778x600.jpg",
"width": 778,
"mimeType": "image/jpeg",
"height": 600
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Bazan2011-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Bazan2011-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Bazan2011-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Bazan2011-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1423696204,
"modified": 1423696204,
"caption": null,
"description": null,
"title": "Bazan2011",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10388180": {
"type": "attachments",
"id": "arts_10388180",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10388180",
"found": true
},
"parent": 10382819,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Leydis1Main-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Leydis1Main-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Leydis1Main.jpg",
"width": 800,
"height": 450
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Leydis1Main-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Leydis1Main-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Leydis1Main-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Leydis1Main-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Leydis1Main-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Leydis1Main-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1423851928,
"modified": 1423851945,
"caption": "DJ Leydis at the New Frequencies Festival at the Yerba Buena Center for the Arts, 2013. (Photo: Babylon's Train / DJ Leydis Facebook)\n",
"description": null,
"title": "Leydis1Main",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10385590": {
"type": "attachments",
"id": "arts_10385590",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10385590",
"found": true
},
"parent": 10385468,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/FN-400x248.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 248
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/FN-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/FN.jpg",
"width": 800,
"height": 495
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/FN-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/FN-800x495.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 495
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/FN-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/FN-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/FN-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/FN-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1423776816,
"modified": 1423780251,
"caption": "Xavier Dphrepaulezz. (Photo: fantasticnegrito.com)",
"description": null,
"title": "FN",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10384843": {
"type": "attachments",
"id": "arts_10384843",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10384843",
"found": true
},
"parent": 10384842,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Xavier-1-400x266.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 266
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Xavier-1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Xavier-1.jpg",
"width": 800,
"height": 531
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Xavier-1-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Xavier-1-800x531.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 531
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Xavier-1-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Xavier-1-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Xavier-1-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Xavier-1-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1423755939,
"modified": 1423755994,
"caption": "Fantastic Negrito's Xavier Dphrepaulezz. (Photo: fantasticnegrito.com)",
"description": null,
"title": "Xavier+1",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10376949": {
"type": "attachments",
"id": "arts_10376949",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10376949",
"found": true
},
"parent": 10376948,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mats-400x226.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 226
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mats-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mats.jpg",
"width": 800,
"height": 451
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mats-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mats-800x451.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 451
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mats-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mats-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mats-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mats-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1423520825,
"modified": 1423520825,
"caption": null,
"description": null,
"title": "Mats",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10369118": {
"type": "attachments",
"id": "arts_10369118",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10369118",
"found": true
},
"parent": 10369117,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/LeeIrma-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/LeeIrma-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/LeeIrma.jpg",
"width": 800,
"height": 450
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/LeeIrma-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/LeeIrma-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/LeeIrma-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/LeeIrma-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/LeeIrma-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/LeeIrma-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1423285227,
"modified": 1423286649,
"caption": "Lee Fields and Irma Thomas keep the Southern soul flame alive.",
"description": null,
"title": "Lee&Irma",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10358839": {
"type": "attachments",
"id": "arts_10358839",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10358839",
"found": true
},
"parent": 10358838,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Sonny-and-the-Sunsets-Photo-by-Alice-Shaw-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Sonny-and-the-Sunsets-Photo-by-Alice-Shaw-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Sonny-and-the-Sunsets-Photo-by-Alice-Shaw.jpg",
"width": 800,
"height": 450
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Sonny-and-the-Sunsets-Photo-by-Alice-Shaw-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Sonny-and-the-Sunsets-Photo-by-Alice-Shaw-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Sonny-and-the-Sunsets-Photo-by-Alice-Shaw-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Sonny-and-the-Sunsets-Photo-by-Alice-Shaw-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Sonny-and-the-Sunsets-Photo-by-Alice-Shaw-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Sonny-and-the-Sunsets-Photo-by-Alice-Shaw-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1422977997,
"modified": 1423001946,
"caption": "Sonny and the Sunsets celebrate a new album Feb. 21 at the Chapel. (Photo: Alice Shaw)",
"description": null,
"title": "Sonny and the Sunsets",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10360909": {
"type": "attachments",
"id": "arts_10360909",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10360909",
"found": true
},
"parent": 10360062,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mineral-Kingdom-Rockage-KQED-800x480-400x240.png",
"width": 400,
"mimeType": "image/png",
"height": 240
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mineral-Kingdom-Rockage-KQED-800x480-672x372.png",
"width": 672,
"mimeType": "image/png",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mineral-Kingdom-Rockage-KQED-800x480.png",
"width": 800,
"height": 480
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mineral-Kingdom-Rockage-KQED-800x480-96x96.png",
"width": 96,
"mimeType": "image/png",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mineral-Kingdom-Rockage-KQED-800x480-800x480.png",
"width": 800,
"mimeType": "image/png",
"height": 480
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mineral-Kingdom-Rockage-KQED-800x480-64x64.png",
"width": 64,
"mimeType": "image/png",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mineral-Kingdom-Rockage-KQED-800x480-75x75.png",
"width": 75,
"mimeType": "image/png",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mineral-Kingdom-Rockage-KQED-800x480-32x32.png",
"width": 32,
"mimeType": "image/png",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/Mineral-Kingdom-Rockage-KQED-800x480-128x128.png",
"width": 128,
"mimeType": "image/png",
"height": 128
}
},
"publishDate": 1423038213,
"modified": 1423038268,
"caption": "Mineral Kingdom (Courtesy: Rockage 4.0)",
"description": null,
"title": "Mineral-Kingdom-Rockage-KQED-800x480",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10359923": {
"type": "attachments",
"id": "arts_10359923",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10359923",
"found": true
},
"parent": 10359918,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/ZakiyaHarris-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/ZakiyaHarris-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/ZakiyaHarris.jpg",
"width": 800,
"height": 450
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/ZakiyaHarris-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/ZakiyaHarris-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/ZakiyaHarris-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/ZakiyaHarris-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/ZakiyaHarris-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/ZakiyaHarris-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1423010028,
"modified": 1423010132,
"caption": "Zakiya Harris performing at a tribute concert to Sly and the Family Stone.",
"description": "Zakiya Harris performing at a tribute concert to Sly and the Family Stone.",
"title": "ZakiyaHarris",
"credit": "Jeremy Raff",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10357901": {
"type": "attachments",
"id": "arts_10357901",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10357901",
"found": true
},
"parent": 10357773,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/JackaVerdict-400x253.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 253
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/JackaVerdict-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/JackaVerdict.jpg",
"width": 800,
"height": 506
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/JackaVerdict-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/JackaVerdict-800x506.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 506
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/JackaVerdict-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/JackaVerdict-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/JackaVerdict-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/JackaVerdict-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1422950257,
"modified": 1422950298,
"caption": "Detail from the cover of the Jacka's 2012 album, \u003cem>The Verdict\u003c/em>.",
"description": null,
"title": "JackaVerdict",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10348412": {
"type": "attachments",
"id": "arts_10348412",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10348412",
"found": true
},
"parent": 10348410,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/01/RodMcKuen-400x240.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 240
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/01/RodMcKuen-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/01/RodMcKuen.jpg",
"width": 800,
"height": 479
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/01/RodMcKuen-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/01/RodMcKuen-800x479.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 479
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/01/RodMcKuen-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/01/RodMcKuen-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/01/RodMcKuen-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/01/RodMcKuen-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1422665745,
"modified": 1422665745,
"caption": null,
"description": null,
"title": "RodMcKuen",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_10369117": {
"type": "authors",
"id": "byline_arts_10369117",
"meta": {
"override": true
},
"slug": "byline_arts_10369117",
"name": "Rachel Dovey",
"isLoading": false
},
"byline_arts_10360062": {
"type": "authors",
"id": "byline_arts_10360062",
"meta": {
"override": true
},
"slug": "byline_arts_10360062",
"name": "Brandon Roos",
"isLoading": false
},
"byline_arts_10359918": {
"type": "authors",
"id": "byline_arts_10359918",
"meta": {
"override": true
},
"slug": "byline_arts_10359918",
"name": "Kelly Whalen",
"isLoading": false
},
"mvillalobos": {
"type": "authors",
"id": "103",
"meta": {
"index": "authors_1716337520",
"id": "103",
"found": true
},
"name": "Villalobos",
"firstName": "Marco",
"lastName": "Villalobos",
"slug": "mvillalobos",
"email": "marco@flywitnessfilms.com",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/1ade645d12359842b7b62b30a4691366?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Villalobos | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/1ade645d12359842b7b62b30a4691366?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/1ade645d12359842b7b62b30a4691366?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/mvillalobos"
},
"noisepop": {
"type": "authors",
"id": "177",
"meta": {
"index": "authors_1716337520",
"id": "177",
"found": true
},
"name": "Noise Pop",
"firstName": "Noise",
"lastName": "Pop",
"slug": "noisepop",
"email": "dawson@noisepop.com",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": "The Noise Pop Podcast is a bi-monthly series that showcases the most noteworthy and soon-to-be-buzzing music. Hosts, Olivia LaRoche and Dawson Ludwig provide witty and interesting context behind the songs played on the podcast.",
"avatar": "https://secure.gravatar.com/avatar/5f453b166405b70819c53d7e1ef223bc?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Noise Pop | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/5f453b166405b70819c53d7e1ef223bc?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5f453b166405b70819c53d7e1ef223bc?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/noisepop"
},
"baybridged": {
"type": "authors",
"id": "178",
"meta": {
"index": "authors_1716337520",
"id": "178",
"found": true
},
"name": "The Bay Bridged",
"firstName": "The Bay",
"lastName": "Bridged",
"slug": "baybridged",
"email": "thebaybridged@gmail.com",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/211daad5386ad504c39c31f3e16cfae45ec7b0ad32ecca7ee64cfd9b7eb76609?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "The Bay Bridged | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/211daad5386ad504c39c31f3e16cfae45ec7b0ad32ecca7ee64cfd9b7eb76609?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/211daad5386ad504c39c31f3e16cfae45ec7b0ad32ecca7ee64cfd9b7eb76609?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/baybridged"
},
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"administrator"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"shelbypope": {
"type": "authors",
"id": "5566",
"meta": {
"index": "authors_1716337520",
"id": "5566",
"found": true
},
"name": "Shelby Pope",
"firstName": "Shelby",
"lastName": "Pope",
"slug": "shelbypope",
"email": "shelbylpope@gmail.com",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Shelby Pope is a freelance writer living and eating her way through the East Bay. She’s written about food, art and science for publications including the Smithsonian, Lucky Peach, and the Washington Post's pet blog. When she’s not taste testing sourdough bread to find the Bay Area’s best loaf, you can find her on Twitter \u003ca href=\"https://twitter.com/shelbylpope\">@shelbylpope\u003c/a> or at \u003ca href=\"https://shelbypope.com/\">shelbypope.com\u003c/a>",
"avatar": "https://secure.gravatar.com/avatar/df74e904399e45720e48e36c6e1ae7a90c32216eb2c9c82f3b2e1a9641b507d3?s=600&d=blank&r=g",
"twitter": "shelbylpope",
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "food",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Shelby Pope | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/df74e904399e45720e48e36c6e1ae7a90c32216eb2c9c82f3b2e1a9641b507d3?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/df74e904399e45720e48e36c6e1ae7a90c32216eb2c9c82f3b2e1a9641b507d3?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/shelbypope"
},
"mlevenson": {
"type": "authors",
"id": "6624",
"meta": {
"index": "authors_1716337520",
"id": "6624",
"found": true
},
"name": "Max Savage Levenson",
"firstName": "Max",
"lastName": "Savage Levenson",
"slug": "mlevenson",
"email": "m.savagelevenson@gmail.com",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/e7f998073c1ba6fec822d9f7dcd8c272?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
},
{
"site": "news",
"roles": [
"author"
]
}
],
"headData": {
"title": "Max Savage Levenson | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/e7f998073c1ba6fec822d9f7dcd8c272?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/e7f998073c1ba6fec822d9f7dcd8c272?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/mlevenson"
}
},
"pagesReducer": {
"arts_category_music": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"score": 10.850889
},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"title": "Music",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 345
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=music",
"seeMore": false,
"paginated": true,
"page": 345
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_10385860": {
"type": "posts",
"id": "arts_10385860",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10385860",
"score": null,
"sort": [
1424034053000
]
},
"guestAuthors": [],
"slug": "ghosts-royals-and-singing-swedes-108-years-of-the-swedish-american-hall",
"title": "Ghosts, Royals And Singing Swedes: 108 Years of the Swedish American Hall",
"publishDate": 1424034053,
"format": "standard",
"headTitle": "Ghosts, Royals And Singing Swedes: 108 Years of the Swedish American Hall | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://noisepop.com/2015/\" target=\"_blank\" rel=\"noopener\">Event Information\u003c/a>\u003c/h3>\n\u003ch2>Noise Pop 2015\u003c/h2>\n\u003cdiv class=\"event-desc\">Ten days of independent music and film.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Feb. 20 – Mar. 1, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Various Venues\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://noisepop.com/2015/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>After more than a hundred years as a Scandinavian meeting spot, a low key wedding venue, and “that weird building on Market Street that looks like a ski lodge,” the \u003ca href=\"http://www.swedishamericanhall.com/\" target=\"_blank\" rel=\"noopener\">Swedish American Hall\u003c/a> is trying on a new identity.\u003c/p>\n\u003cp>Following a year of renovations, the Hall will reopen as a concert venue, operated by longtime music festival promoters \u003ca href=\"http://www.noisepop.com/\" target=\"_blank\" rel=\"noopener\">Noise Pop\u003c/a>. The first public show will be Noise Pop’s \u003ca href=\"http://calendar.noisepop.com/events/2015/2/23/opening-night-party\" target=\"_blank\" rel=\"noopener\">opening night party\u003c/a> on Feb. 23, with the hall serving as the festival’s headquarters for the duration of the festival, and events taking place at the hall every night. When the festival ends, Noise Pop will continue to book shows for the space full-time, and two restaurants will open later this year.\u003c/p>\n\u003cp>And that’s not all that’s new for the Hall. The building–known for its alpine meets Arts & Craft style–is in the process of being \u003ca href=\"http://www.sf-planning.org/index.aspx?page=2907\" target=\"_blank\" rel=\"noopener\">officially designated\u003c/a> a San Francisco landmark. Its owners, the Swedish Society of San Francisco, hope it will have achieved landmark status in time for the Hall’s rededication ceremony in early May.\u003c/p>\n\u003cp>It’s an exciting new chapter for the hall, built in 1907. The Gold Rush brought an influx of Swedes to San Francisco, who formed several fraternal groups in an effort to preserve customs and simply find people to speak their own language with. One such group was the Swedish Society of San Francisco, which started in 1873 as a choral group called the Original Orpheus Singing Club, and sang traditional Swedish songs like “\u003ca href=\"https://www.youtube.com/watch?v=UlvI5WvSZZY\" target=\"_blank\" rel=\"noopener\">Klara stjärnor\u003c/a>” and “\u003ca href=\"https://www.youtube.com/watch?v=_YmIZWWjxx0\" target=\"_blank\" rel=\"noopener\">Sångarfanan\u003c/a>.” Like many organizations of the time, they soon became more of a traditional fraternal organization, offering their members sick benefits and burial services in exchange for dues of a dollar per month.\u003c/p>\n\u003cfigure id=\"attachment_10386231\" class=\"wp-caption alignright\" style=\"max-width: 374px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/editedOld.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10386231\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/editedOld-374x600.jpg\" alt=\"A 1907 photo of the Hall; Courtesy SF Assoc./Swedish Society, San Francisco Ephemera Collection, San Francisco Public Library\" width=\"374\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/editedOld-374x600.jpg 374w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/editedOld-400x641.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/editedOld.jpg 640w\" sizes=\"(max-width: 374px) 100vw, 374px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A 1907 photo of the Hall; Courtesy SF Assoc./Swedish Society, San Francisco Ephemera Collection, San Francisco Public Library\u003c/figcaption>\u003c/figure>\n\u003cp>After the 1906 earthquake destroyed their temporary meeting space, they decided to build something permanent. The society bought the property on Market Street to build a permanent residence for the society, but there was one problem, noted in a history of the hall written in 1925: “Thus the Swedish Society had land and wonderful plans and specifications for a building, but lacked a very important item, namely necessary capital.” But all wasn’t lost: “Did the committee confess failure? They did not.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>They were saved by \u003ca href=\"http://www.alaskaweb.org/bios/lindblomeo.html\" target=\"_blank\" rel=\"noopener\">Erik O. Lindblom\u003c/a>, a wealthy businessman known as one of the “Three Lucky Swedes” for their discovery of the first gold in Nome, Alaska. Lindblom lent them $40,000 for building costs, and Swedish architect August Nordin built the hall in just one year, officially opening in December 1907.\u003c/p>\n\u003cp>The new hall helped transform the neighborhood into a Scandinavian hub for the first part of the century. In addition to the Swedish American Hall, there was a Danish hall, the offices of Swedish newspaper \u003cem>Vestkusten\u003c/em>, and Finnila’s Finnish Baths, among others. When Cafe du Nord opened in the Hall’s basement in 1908, one of the things it boasted was its \u003cem>sillfrukost\u003c/em>, a plate of herring for breakfast.\u003c/p>\n\u003cp>Over the years the hall stayed true to its original mission as a place where Scandinavian culture could flourish, where organizations could assemble in one of Hall’s several meeting rooms (many named for figures in Norse mythology, like Odin and Valhalla). This also meant hosting any Swedish nobility who might be in town — just few years ago, in fact, Sweden’s Princess Victoria stopped by to rededicate the hall.\u003c/p>\n\u003cp>The hall is also open to the public: churches hold services there, and to this day, it’s still one of the few relatively affordable wedding venues in the city. Everything from San Francisco’s first public meeting of Asian lesbians to WordPress conferences and talks on healing AIDS with positive thinking have taken place under the building’s gabled roof. The hall has also played host to a different kind of guest over the years; two ghosts allegedly call the hall home. One plays piano in the Hall, and the other haunts Cafe Du Nord.\u003c/p>\n\u003cfigure id=\"attachment_10386230\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/resized.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10386230\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/resized.jpg\" alt=\"One of the Hall's many events; Courtesy Swedish Society of San Francisco\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/resized.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/resized-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">One of the Hall’s many events; Courtesy Swedish Society of San Francisco\u003c/figcaption>\u003c/figure>\n\u003cp>The Hall still hosts a wide variety of community and Swedish events. The Swedish Society of San Francisco, which now has about 45 members, continues to host meetings there, along with various other Scandinavian groups (one group hosts a contemporary Swedish literature book club there). But a few years ago, a restaurateur and an investor saw the potential of the space to be more than just a community hub.\u003c/p>\n\u003cp>When restaurateur Dylan MacNiven and investor Enrique Landa originally looked at the space, they just wanted to revamp Cafe Du Nord. But the more they looked into the Swedish Hall, they saw the space’s potential. They teamed up with Noise Pop, who’s hosted shows at the hall since 2004 to book acts for the building, and developed plans for both a restaurant downstairs at Du Nord and another restaurant upstairs.\u003c/p>\n\u003cp>The renovations took about a year, and while Landa describes the upgrades as costing “obscene amounts of money,” the changes were were relatively minor for such an old building. Licenses were acquired, kitchens were upgraded and plumbing was modernized, but there were no major overhauls. (There were some surprises, however: workers found what appeared to be coins that acted as drink tickets at the surrounding bars hidden in the walls. “A proto-sharing economy,” said Landa).\u003c/p>\n\u003cp>“The most surprising thing was that it was pretty much intact,” said Landa. “It never got ruined, it never had a bad remodel. We had the luxury of just kind of scraping off the dirt and the grime, cleaning things up and having a great new building.”\u003c/p>\n\u003cp>The most noticeable changes are upgraded bathrooms and — finally — a working elevator. When August Nordin built the hall, he included an elevator shaft, but no one ever put an elevator in it.\u003c/p>\n\u003cp>Noise Pop is still working on a programming calendar for the rest of the year’s events at the hall, and they’re promising a selection that includes film and literary events along with music. In terms of musical choices for the hall, there are sound limitations–the building isn’t soundproofed, producing acoustics that are great for an unplugged or electronic set, but less so for a punk show.\u003c/p>\n\u003cp>“Motörhead will not be booked there,” Dawson Ludwig, general manager of Noise Pop, says. “We’re not looking to compete with a lot of the great venues out there like the Chapel, Brick and Mortar, Bottom of the Hill. We’re looking to do something much more intimate, and have artists who can perform stripped-down sets, who are capable of doing something acoustic.”\u003c/p>\n\u003cp>One musician who meets those requirements? Portland’s\u003ca href=\"https://www.youtube.com/watch?v=GJgXdSVFnJE\" target=\"_blank\" rel=\"noopener\"> Grouper\u003c/a>, who’s bringing her ambient melancholia back to the Hall for a show on the 27th.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“The show that I’m most excited about is Grouper,” said Ludwig. “She does these really haunting, lullaby-esque songs, and \u003ca href=\"https://www.youtube.com/watch?v=JBE08ybWZ_U\" target=\"_blank\" rel=\"noopener\">putting that inside of Swedish\u003c/a>, which is just a gorgeous old venue — it’s going to be really cool. And haunting. I think that’ll be perfect for the ghost.”\u003c/p>\n\n",
"blocks": [],
"excerpt": "The storied history of Noise Pop's new headquarters includes princesses, wealthy benefactors, Asian lesbian groups, AIDS healing meetings, weddings, ghosts, and more.",
"status": "publish",
"parent": 0,
"modified": 1720818526,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 20,
"wordCount": 1298
},
"headData": {
"title": "Ghosts, Royals And Singing Swedes: 108 Years of the Swedish American Hall | KQED",
"description": "The storied history of Noise Pop's new headquarters includes princesses, wealthy benefactors, Asian lesbian groups, AIDS healing meetings, weddings, ghosts, and more.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Ghosts, Royals And Singing Swedes: 108 Years of the Swedish American Hall",
"datePublished": "2015-02-15T13:00:53-08:00",
"dateModified": "2024-07-12T14:08:46-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "kqed-10385860",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/10385860/ghosts-royals-and-singing-swedes-108-years-of-the-swedish-american-hall",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://noisepop.com/2015/\" target=\"_blank\" rel=\"noopener\">Event Information\u003c/a>\u003c/h3>\n\u003ch2>Noise Pop 2015\u003c/h2>\n\u003cdiv class=\"event-desc\">Ten days of independent music and film.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Feb. 20 – Mar. 1, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Various Venues\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://noisepop.com/2015/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>After more than a hundred years as a Scandinavian meeting spot, a low key wedding venue, and “that weird building on Market Street that looks like a ski lodge,” the \u003ca href=\"http://www.swedishamericanhall.com/\" target=\"_blank\" rel=\"noopener\">Swedish American Hall\u003c/a> is trying on a new identity.\u003c/p>\n\u003cp>Following a year of renovations, the Hall will reopen as a concert venue, operated by longtime music festival promoters \u003ca href=\"http://www.noisepop.com/\" target=\"_blank\" rel=\"noopener\">Noise Pop\u003c/a>. The first public show will be Noise Pop’s \u003ca href=\"http://calendar.noisepop.com/events/2015/2/23/opening-night-party\" target=\"_blank\" rel=\"noopener\">opening night party\u003c/a> on Feb. 23, with the hall serving as the festival’s headquarters for the duration of the festival, and events taking place at the hall every night. When the festival ends, Noise Pop will continue to book shows for the space full-time, and two restaurants will open later this year.\u003c/p>\n\u003cp>And that’s not all that’s new for the Hall. The building–known for its alpine meets Arts & Craft style–is in the process of being \u003ca href=\"http://www.sf-planning.org/index.aspx?page=2907\" target=\"_blank\" rel=\"noopener\">officially designated\u003c/a> a San Francisco landmark. Its owners, the Swedish Society of San Francisco, hope it will have achieved landmark status in time for the Hall’s rededication ceremony in early May.\u003c/p>\n\u003cp>It’s an exciting new chapter for the hall, built in 1907. The Gold Rush brought an influx of Swedes to San Francisco, who formed several fraternal groups in an effort to preserve customs and simply find people to speak their own language with. One such group was the Swedish Society of San Francisco, which started in 1873 as a choral group called the Original Orpheus Singing Club, and sang traditional Swedish songs like “\u003ca href=\"https://www.youtube.com/watch?v=UlvI5WvSZZY\" target=\"_blank\" rel=\"noopener\">Klara stjärnor\u003c/a>” and “\u003ca href=\"https://www.youtube.com/watch?v=_YmIZWWjxx0\" target=\"_blank\" rel=\"noopener\">Sångarfanan\u003c/a>.” Like many organizations of the time, they soon became more of a traditional fraternal organization, offering their members sick benefits and burial services in exchange for dues of a dollar per month.\u003c/p>\n\u003cfigure id=\"attachment_10386231\" class=\"wp-caption alignright\" style=\"max-width: 374px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/editedOld.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10386231\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/editedOld-374x600.jpg\" alt=\"A 1907 photo of the Hall; Courtesy SF Assoc./Swedish Society, San Francisco Ephemera Collection, San Francisco Public Library\" width=\"374\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/editedOld-374x600.jpg 374w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/editedOld-400x641.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/editedOld.jpg 640w\" sizes=\"(max-width: 374px) 100vw, 374px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A 1907 photo of the Hall; Courtesy SF Assoc./Swedish Society, San Francisco Ephemera Collection, San Francisco Public Library\u003c/figcaption>\u003c/figure>\n\u003cp>After the 1906 earthquake destroyed their temporary meeting space, they decided to build something permanent. The society bought the property on Market Street to build a permanent residence for the society, but there was one problem, noted in a history of the hall written in 1925: “Thus the Swedish Society had land and wonderful plans and specifications for a building, but lacked a very important item, namely necessary capital.” But all wasn’t lost: “Did the committee confess failure? They did not.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>They were saved by \u003ca href=\"http://www.alaskaweb.org/bios/lindblomeo.html\" target=\"_blank\" rel=\"noopener\">Erik O. Lindblom\u003c/a>, a wealthy businessman known as one of the “Three Lucky Swedes” for their discovery of the first gold in Nome, Alaska. Lindblom lent them $40,000 for building costs, and Swedish architect August Nordin built the hall in just one year, officially opening in December 1907.\u003c/p>\n\u003cp>The new hall helped transform the neighborhood into a Scandinavian hub for the first part of the century. In addition to the Swedish American Hall, there was a Danish hall, the offices of Swedish newspaper \u003cem>Vestkusten\u003c/em>, and Finnila’s Finnish Baths, among others. When Cafe du Nord opened in the Hall’s basement in 1908, one of the things it boasted was its \u003cem>sillfrukost\u003c/em>, a plate of herring for breakfast.\u003c/p>\n\u003cp>Over the years the hall stayed true to its original mission as a place where Scandinavian culture could flourish, where organizations could assemble in one of Hall’s several meeting rooms (many named for figures in Norse mythology, like Odin and Valhalla). This also meant hosting any Swedish nobility who might be in town — just few years ago, in fact, Sweden’s Princess Victoria stopped by to rededicate the hall.\u003c/p>\n\u003cp>The hall is also open to the public: churches hold services there, and to this day, it’s still one of the few relatively affordable wedding venues in the city. Everything from San Francisco’s first public meeting of Asian lesbians to WordPress conferences and talks on healing AIDS with positive thinking have taken place under the building’s gabled roof. The hall has also played host to a different kind of guest over the years; two ghosts allegedly call the hall home. One plays piano in the Hall, and the other haunts Cafe Du Nord.\u003c/p>\n\u003cfigure id=\"attachment_10386230\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/resized.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10386230\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/resized.jpg\" alt=\"One of the Hall's many events; Courtesy Swedish Society of San Francisco\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/resized.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/resized-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">One of the Hall’s many events; Courtesy Swedish Society of San Francisco\u003c/figcaption>\u003c/figure>\n\u003cp>The Hall still hosts a wide variety of community and Swedish events. The Swedish Society of San Francisco, which now has about 45 members, continues to host meetings there, along with various other Scandinavian groups (one group hosts a contemporary Swedish literature book club there). But a few years ago, a restaurateur and an investor saw the potential of the space to be more than just a community hub.\u003c/p>\n\u003cp>When restaurateur Dylan MacNiven and investor Enrique Landa originally looked at the space, they just wanted to revamp Cafe Du Nord. But the more they looked into the Swedish Hall, they saw the space’s potential. They teamed up with Noise Pop, who’s hosted shows at the hall since 2004 to book acts for the building, and developed plans for both a restaurant downstairs at Du Nord and another restaurant upstairs.\u003c/p>\n\u003cp>The renovations took about a year, and while Landa describes the upgrades as costing “obscene amounts of money,” the changes were were relatively minor for such an old building. Licenses were acquired, kitchens were upgraded and plumbing was modernized, but there were no major overhauls. (There were some surprises, however: workers found what appeared to be coins that acted as drink tickets at the surrounding bars hidden in the walls. “A proto-sharing economy,” said Landa).\u003c/p>\n\u003cp>“The most surprising thing was that it was pretty much intact,” said Landa. “It never got ruined, it never had a bad remodel. We had the luxury of just kind of scraping off the dirt and the grime, cleaning things up and having a great new building.”\u003c/p>\n\u003cp>The most noticeable changes are upgraded bathrooms and — finally — a working elevator. When August Nordin built the hall, he included an elevator shaft, but no one ever put an elevator in it.\u003c/p>\n\u003cp>Noise Pop is still working on a programming calendar for the rest of the year’s events at the hall, and they’re promising a selection that includes film and literary events along with music. In terms of musical choices for the hall, there are sound limitations–the building isn’t soundproofed, producing acoustics that are great for an unplugged or electronic set, but less so for a punk show.\u003c/p>\n\u003cp>“Motörhead will not be booked there,” Dawson Ludwig, general manager of Noise Pop, says. “We’re not looking to compete with a lot of the great venues out there like the Chapel, Brick and Mortar, Bottom of the Hill. We’re looking to do something much more intimate, and have artists who can perform stripped-down sets, who are capable of doing something acoustic.”\u003c/p>\n\u003cp>One musician who meets those requirements? Portland’s\u003ca href=\"https://www.youtube.com/watch?v=GJgXdSVFnJE\" target=\"_blank\" rel=\"noopener\"> Grouper\u003c/a>, who’s bringing her ambient melancholia back to the Hall for a show on the 27th.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The show that I’m most excited about is Grouper,” said Ludwig. “She does these really haunting, lullaby-esque songs, and \u003ca href=\"https://www.youtube.com/watch?v=JBE08ybWZ_U\" target=\"_blank\" rel=\"noopener\">putting that inside of Swedish\u003c/a>, which is just a gorgeous old venue — it’s going to be really cool. And haunting. I think that’ll be perfect for the ghost.”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10385860/ghosts-royals-and-singing-swedes-108-years-of-the-swedish-american-hall",
"authors": [
"5566"
],
"categories": [
"arts_69"
],
"tags": [
"arts_596"
],
"featImg": "arts_10385861",
"label": "arts"
},
"arts_10382825": {
"type": "posts",
"id": "arts_10382825",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10382825",
"score": null,
"sort": [
1423854436000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 146
},
"blocks": [],
"publishDate": 1423854436,
"format": "standard",
"title": "Mixtape: Exploring 'Indie-fidelity'",
"headTitle": "Mixtape: Exploring ‘Indie-fidelity’ | KQED",
"content": "\u003caside class=\"aligncenter\">\n\u003ch4>Listen to the Noise Pop Podcast’s uncomfortable episode on infidelity and indie rock\u003c/h4>\n\u003cp>http://traffic.libsyn.com/noisepop/Indiefidelity_final_1.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>Lies, love triangles, deceit, indie rock! Just in time for Valentine’s Day, this podcast episode explores the dark corners of infidelity in indie rock. We’ve got songwriters who do the cheating (Fiona Apple), and we’ve got poor sad saps being cheated on, howling at the moon in despair (Pedro The Lion). It’s going to be a dark, albeit juicy, hour of music. \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">Track Listing:\u003c/span>\u003c/p>\n\u003col>\n\u003cli>“Bad Diary Days” – Pedro The Lion, \u003cem>It’s Hard To Find A Friend\u003c/em>\u003c/li>\n\u003cli>“Yeah! Oh Yeah!” – The Magnetic Fields, \u003cem>69 Love Songs\u003c/em>\u003c/li>\n\u003cli>“Sacrilege” – Yeah Yeah Yeahs, \u003cem>Mosquito\u003c/em>\u003c/li>\n\u003cli>“House of Cards” – Radiohead, \u003cem>In Rainbows\u003c/em>\u003c/li>\n\u003cli>“Criminal” – Fiona Apple, \u003cem>Tidal\u003c/em>\u003c/li>\n\u003cli>“Don’t Explain” – Cat Power, \u003cem>Jukeobx\u003c/em>\u003c/li>\n\u003cli>“Gravity” – Whitest Boy Alive, \u003cem>Rules\u003c/em>\u003c/li>\n\u003cli>“Does He Love You” – Rilo Kiley, \u003cem>More Adventurous\u003c/em>\u003c/li>\n\u003cli>“Another Man’s Vine” – Tom Waits, \u003cem>Blood Money\u003c/em>\u003c/li>\n\u003c/ol>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 191,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 4
},
"modified": 1705047596,
"excerpt": "Lies, love triangles, deceit, indie rock! Just in time for Valentine's Day, this podcast episode explores the dark corners of infidelity in indie rock.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Lies, love triangles, deceit, indie rock! Just in time for Valentine's Day, this podcast episode explores the dark corners of infidelity in indie rock.",
"title": "Mixtape: Exploring 'Indie-fidelity' | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Mixtape: Exploring 'Indie-fidelity'",
"datePublished": "2015-02-13T11:07:16-08:00",
"dateModified": "2024-01-12T00:19:56-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "mixtape-exploring-indie-fidelity",
"status": "publish",
"sticky": false,
"path": "/arts/10382825/mixtape-exploring-indie-fidelity",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>Listen to the Noise Pop Podcast’s uncomfortable episode on infidelity and indie rock\u003c/h4>\n\u003cp>http://traffic.libsyn.com/noisepop/Indiefidelity_final_1.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>Lies, love triangles, deceit, indie rock! Just in time for Valentine’s Day, this podcast episode explores the dark corners of infidelity in indie rock. We’ve got songwriters who do the cheating (Fiona Apple), and we’ve got poor sad saps being cheated on, howling at the moon in despair (Pedro The Lion). It’s going to be a dark, albeit juicy, hour of music. \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">Track Listing:\u003c/span>\u003c/p>\n\u003col>\n\u003cli>“Bad Diary Days” – Pedro The Lion, \u003cem>It’s Hard To Find A Friend\u003c/em>\u003c/li>\n\u003cli>“Yeah! Oh Yeah!” – The Magnetic Fields, \u003cem>69 Love Songs\u003c/em>\u003c/li>\n\u003cli>“Sacrilege” – Yeah Yeah Yeahs, \u003cem>Mosquito\u003c/em>\u003c/li>\n\u003cli>“House of Cards” – Radiohead, \u003cem>In Rainbows\u003c/em>\u003c/li>\n\u003cli>“Criminal” – Fiona Apple, \u003cem>Tidal\u003c/em>\u003c/li>\n\u003cli>“Don’t Explain” – Cat Power, \u003cem>Jukeobx\u003c/em>\u003c/li>\n\u003cli>“Gravity” – Whitest Boy Alive, \u003cem>Rules\u003c/em>\u003c/li>\n\u003cli>“Does He Love You” – Rilo Kiley, \u003cem>More Adventurous\u003c/em>\u003c/li>\n\u003cli>“Another Man’s Vine” – Tom Waits, \u003cem>Blood Money\u003c/em>\u003c/li>\n\u003c/ol>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10382825/mixtape-exploring-indie-fidelity",
"authors": [
"177"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_146"
],
"featImg": "arts_10382827",
"label": "arts_146"
},
"arts_10382819": {
"type": "posts",
"id": "arts_10382819",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10382819",
"score": null,
"sort": [
1423854027000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 140
},
"blocks": [],
"publishDate": 1423854027,
"format": "standard",
"title": "Revolution at 33 1/3: DJ Leydis and the Quest for Cuba",
"headTitle": "Revolution at 33 1/3: DJ Leydis and the Quest for Cuba | KQED",
"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>Event Information\u003c/h3>\n\u003ch2>DJ Leydis\u003c/h2>\n\u003cdiv class=\"event-desc\">Cuban-born DJ celebrates birthday weekend.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Feb. 13, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Parliament (with Rich Medina)\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.811parliament.com/#!events/c66t\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Feb. 15, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">SomaR Bar (at Rumba Q’ Tumba)\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"https://somarbar.wordpress.com/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Thanks to softened relations with the U.S., Cuba will soon know the swipe of American credit cards and \u003ca title=\"credit cards, netflix, and Cuba\" href=\"http://www.bbc.com/news/business-31322002\" target=\"_blank\" rel=\"noopener\">streaming Netflix\u003c/a>. But there is no guarantee that Oakland-based DJ Leydis, born Leydis Freire in Camaguey, Cuba, will be able to return home in the island nation’s pending transformation.\u003c/p>\n\u003cp>“Really, if you want to know my truth, I don’t think it’s going to be a real change for real people,” says Freire, whose work in Havana’s spoken-word and hip-hop underground helped establish a \u003ca title=\"Inventos: Hip Hop Cubano\" href=\"http://www.clenchedfistproductions.com/inventos/\" target=\"_blank\" rel=\"noopener\">thriving scene in the city\u003c/a>, garnering the attention of Americans long before she arrived stateside.\u003c/p>\n\u003cp>Now a permanent resident of the U.S., Freire has \u003ca title=\"with Low Down Lorretta Brown\" href=\"https://www.youtube.com/watch?v=x_RVSrUxqm0\" target=\"_blank\" rel=\"noopener\">shared stages with everyone\u003c/a> from local up-and-comers Los Rakas to tastemakers like Ahmir “Questlove” Thompson and Erykah Badu. Three times, she’s applied for permission to return to Cuba. Each time, she’s been denied entry by the Cuban government. Freire recently re-applied; that application, submitted June of last year, is still pending.\u003c/p>\n\u003cp>“I’ve traveled to all types of countries as a permanent resident,” she says. “I’ve been on all kinds of cultural exchanges to Costa Rica, Colombia, Belize, Puerto Rico — but to Cuba? No. This is the fourth time I’ve applied.”\u003c/p>\n\u003cfigure id=\"attachment_10388178\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Leydis2.Badu_.jpg\" alt=\"Friere with Erykah Badu at a recent show together. (Photo: DJ Leydis Facebook)\" width=\"640\" height=\"490\" class=\"size-full wp-image-10388178\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Leydis2.Badu_.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Leydis2.Badu_-400x306.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Friere with Erykah Badu at a recent show together. (Photo: DJ Leydis Facebook)\u003c/figcaption>\u003c/figure>\n\u003cp>On a recent Friday night, the line into downtown Oakland nightclub the New Parish stretches around the block. In through the muffled bass, past dancing bodies, and jutted against a far corner of the stage is Freire. Though her eyes hide beneath the Dutch wax-print customized bill of her A’s cap, Freire’s personality pours out through the music she loves. One hand on the mixer, she shoots the opposite hand into the air as if conducting the music until she drops that hand to her heart, holding the song close for a moment.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“If my decision was to come to this country at the risk of death, it’s not to say I hate Cuba or that I’ve renounced where I came from,” she tells me a few days afterward, sitting near the windows of a cafe in downtown Berkeley. “I love being Cuban; I’m so proud to be Cuban, I simply choose to live in another place.”\u003c/p>\n\u003cp>Spending two nights on the open sea atop a makeshift catamaran, she admits to a moment when her life was no longer in her hands. As she tells it, she made the 29-hour voyage with her eyes shut. Despite the odds and uncertainty, the raft landed in Florida, from where she promptly made her way to Oakland via a Greyhound bus ticket gifted to her by local friends.\u003c/p>\n\u003cp>A cultural inspiration to those that know her, Freire remains appreciated for her resilience and honed ability to weave a dance set from across genres of the Afro-Latino diaspora. She matches beats, stitches rhythms, and as friends approach her with hugs, she spins around to greet them, even dancing with them for a moment before she replaces her headphones and gently cues the next record.\u003c/p>\n\u003cp>“A couple years back, Obama changed the laws around of cultural exchange,” says Freire. “Many underground artists, not just Los Van Van or established acts, could come to the U.S. to share their work,” she says. “But how can you get artists from the U.S. to Cuba?” With general relaxation around American travel to Cuba, decisions around which U.S.-based artists are allowed to enter the island are increasingly up to Cuba itself.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=TsYRPkmu_C0&w=420&h=315]\u003c/p>\n\u003cp>“For the last few years I’ve felt stuck,” she says, “maybe from a bit of the frustration of not being able to go back to my country. Until recently, Cubans who became (U.S.) citizens still needed their Cuban passport. You don’t need that passport for any other country except Cuba, but that law changed. So, that could be a benefit for Cubans here who are citizens. I know people that came with me, on the same boat, and they’ve been back to Cuba a few times.” \u003c/p>\n\u003cp>Freire admits that her departure from Cuba may not be perceived as the best way to demonstrate her love for the island, but, she insists, “it was the way that I found — not my freedom, because I never felt like I needed my freedom; I’ve always felt freedom — it was the way I found my dream: to be able to, in less than two years, buy my own equipment, to be able to help my family.”\u003c/p>\n\u003cp>“There’s a pain you carry inside. It’s an emptiness that nothing fills. Music helps, but no. I go to work every weekend but when I get home, I don’t touch my turntables because I want to be online, I want to write my mom,” adds Friere. “I don’t need a government change, I need a change for them to think about families like us, families separated, a change for families, that we can go and come.”\u003c/p>\n\u003cfigure id=\"attachment_10388179\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Leydis.3.jpg\" alt=\"Friere still hopes for the day she can return to Cuba and spin records for her family. (Photo: Get Live Media / DJ Leydis Facebook)\" width=\"640\" height=\"500\" class=\"size-full wp-image-10388179\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Leydis.3.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Leydis.3-400x313.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Friere still hopes for the day she can return to Cuba and spin records for her family. (Photo: Get Live Media / DJ Leydis Facebook)\u003c/figcaption>\u003c/figure>\n\u003cp>In 2013, through the family reunification program, Freire’s only child Erykah arrived in Oakland. “Those processes, from all I’ve read, took people one maybe two years to bring their families together. For my daughter and I, it took five years to be reunited,” says Freire.\u003c/p>\n\u003cp>There’s something silent and full about the smooth oval of her face, its skin that carries not even a hint of age, and her eyes that look straight into whomever is across the table from her. Hot chocolate steams under her chin as Freire glances out a nearby window. Rain falls in sheets against afternoon foot traffic. “Something I really loved about Camaguey is when it rained,” she remembers of home. “When I’m here and it’s raining and I can smell the wet earth, it takes me 20 years back. It’s like meditation for me.”\u003c/p>\n\u003cp>And what does she see in that meditation? “Even though I’ve found so many beautiful things,” says, Freire, “so much love, so much of a future here in the U.S., when I close my eyes I just see Cuba. It’s the only place I want to be when I feel sad, when I feel bored, when I’m happy, when I have money, when I’m broke — I just want to be in Cuba, beside my mother.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>For Freire, allowing channels of musical and cultural exchange to flow easily between the life she left behind and the one she’s diligently cultivated here is second to the priority of family. To play records for her mother back in Camaguey, to sit with family and stare at the vintage phonograph she wasn’t allowed to touch as a child, those are opportunities still unavailable in the dance of restrictions between the U.S. and Cuba.\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1300,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 19
},
"modified": 1705047597,
"excerpt": "Despite steps toward a U.S.-Cuban truce, Oakland DJ and Cuban native DJ Leydis has yet to be able to return to her home country.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Despite steps toward a U.S.-Cuban truce, Oakland DJ and Cuban native DJ Leydis has yet to be able to return to her home country.",
"title": "Revolution at 33 1/3: DJ Leydis and the Quest for Cuba | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Revolution at 33 1/3: DJ Leydis and the Quest for Cuba",
"datePublished": "2015-02-13T11:00:27-08:00",
"dateModified": "2024-01-12T00:19:57-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "revolution-at-33-13-dj-leydis-and-the-quest-for-cuba",
"status": "publish",
"sticky": false,
"path": "/arts/10382819/revolution-at-33-13-dj-leydis-and-the-quest-for-cuba",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>Event Information\u003c/h3>\n\u003ch2>DJ Leydis\u003c/h2>\n\u003cdiv class=\"event-desc\">Cuban-born DJ celebrates birthday weekend.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Feb. 13, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Parliament (with Rich Medina)\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.811parliament.com/#!events/c66t\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Feb. 15, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">SomaR Bar (at Rumba Q’ Tumba)\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"https://somarbar.wordpress.com/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Thanks to softened relations with the U.S., Cuba will soon know the swipe of American credit cards and \u003ca title=\"credit cards, netflix, and Cuba\" href=\"http://www.bbc.com/news/business-31322002\" target=\"_blank\" rel=\"noopener\">streaming Netflix\u003c/a>. But there is no guarantee that Oakland-based DJ Leydis, born Leydis Freire in Camaguey, Cuba, will be able to return home in the island nation’s pending transformation.\u003c/p>\n\u003cp>“Really, if you want to know my truth, I don’t think it’s going to be a real change for real people,” says Freire, whose work in Havana’s spoken-word and hip-hop underground helped establish a \u003ca title=\"Inventos: Hip Hop Cubano\" href=\"http://www.clenchedfistproductions.com/inventos/\" target=\"_blank\" rel=\"noopener\">thriving scene in the city\u003c/a>, garnering the attention of Americans long before she arrived stateside.\u003c/p>\n\u003cp>Now a permanent resident of the U.S., Freire has \u003ca title=\"with Low Down Lorretta Brown\" href=\"https://www.youtube.com/watch?v=x_RVSrUxqm0\" target=\"_blank\" rel=\"noopener\">shared stages with everyone\u003c/a> from local up-and-comers Los Rakas to tastemakers like Ahmir “Questlove” Thompson and Erykah Badu. Three times, she’s applied for permission to return to Cuba. Each time, she’s been denied entry by the Cuban government. Freire recently re-applied; that application, submitted June of last year, is still pending.\u003c/p>\n\u003cp>“I’ve traveled to all types of countries as a permanent resident,” she says. “I’ve been on all kinds of cultural exchanges to Costa Rica, Colombia, Belize, Puerto Rico — but to Cuba? No. This is the fourth time I’ve applied.”\u003c/p>\n\u003cfigure id=\"attachment_10388178\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Leydis2.Badu_.jpg\" alt=\"Friere with Erykah Badu at a recent show together. (Photo: DJ Leydis Facebook)\" width=\"640\" height=\"490\" class=\"size-full wp-image-10388178\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Leydis2.Badu_.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Leydis2.Badu_-400x306.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Friere with Erykah Badu at a recent show together. (Photo: DJ Leydis Facebook)\u003c/figcaption>\u003c/figure>\n\u003cp>On a recent Friday night, the line into downtown Oakland nightclub the New Parish stretches around the block. In through the muffled bass, past dancing bodies, and jutted against a far corner of the stage is Freire. Though her eyes hide beneath the Dutch wax-print customized bill of her A’s cap, Freire’s personality pours out through the music she loves. One hand on the mixer, she shoots the opposite hand into the air as if conducting the music until she drops that hand to her heart, holding the song close for a moment.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“If my decision was to come to this country at the risk of death, it’s not to say I hate Cuba or that I’ve renounced where I came from,” she tells me a few days afterward, sitting near the windows of a cafe in downtown Berkeley. “I love being Cuban; I’m so proud to be Cuban, I simply choose to live in another place.”\u003c/p>\n\u003cp>Spending two nights on the open sea atop a makeshift catamaran, she admits to a moment when her life was no longer in her hands. As she tells it, she made the 29-hour voyage with her eyes shut. Despite the odds and uncertainty, the raft landed in Florida, from where she promptly made her way to Oakland via a Greyhound bus ticket gifted to her by local friends.\u003c/p>\n\u003cp>A cultural inspiration to those that know her, Freire remains appreciated for her resilience and honed ability to weave a dance set from across genres of the Afro-Latino diaspora. She matches beats, stitches rhythms, and as friends approach her with hugs, she spins around to greet them, even dancing with them for a moment before she replaces her headphones and gently cues the next record.\u003c/p>\n\u003cp>“A couple years back, Obama changed the laws around of cultural exchange,” says Freire. “Many underground artists, not just Los Van Van or established acts, could come to the U.S. to share their work,” she says. “But how can you get artists from the U.S. to Cuba?” With general relaxation around American travel to Cuba, decisions around which U.S.-based artists are allowed to enter the island are increasingly up to Cuba itself.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/TsYRPkmu_C0'\n title='//www.youtube.com/embed/TsYRPkmu_C0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“For the last few years I’ve felt stuck,” she says, “maybe from a bit of the frustration of not being able to go back to my country. Until recently, Cubans who became (U.S.) citizens still needed their Cuban passport. You don’t need that passport for any other country except Cuba, but that law changed. So, that could be a benefit for Cubans here who are citizens. I know people that came with me, on the same boat, and they’ve been back to Cuba a few times.” \u003c/p>\n\u003cp>Freire admits that her departure from Cuba may not be perceived as the best way to demonstrate her love for the island, but, she insists, “it was the way that I found — not my freedom, because I never felt like I needed my freedom; I’ve always felt freedom — it was the way I found my dream: to be able to, in less than two years, buy my own equipment, to be able to help my family.”\u003c/p>\n\u003cp>“There’s a pain you carry inside. It’s an emptiness that nothing fills. Music helps, but no. I go to work every weekend but when I get home, I don’t touch my turntables because I want to be online, I want to write my mom,” adds Friere. “I don’t need a government change, I need a change for them to think about families like us, families separated, a change for families, that we can go and come.”\u003c/p>\n\u003cfigure id=\"attachment_10388179\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Leydis.3.jpg\" alt=\"Friere still hopes for the day she can return to Cuba and spin records for her family. (Photo: Get Live Media / DJ Leydis Facebook)\" width=\"640\" height=\"500\" class=\"size-full wp-image-10388179\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Leydis.3.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Leydis.3-400x313.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Friere still hopes for the day she can return to Cuba and spin records for her family. (Photo: Get Live Media / DJ Leydis Facebook)\u003c/figcaption>\u003c/figure>\n\u003cp>In 2013, through the family reunification program, Freire’s only child Erykah arrived in Oakland. “Those processes, from all I’ve read, took people one maybe two years to bring their families together. For my daughter and I, it took five years to be reunited,” says Freire.\u003c/p>\n\u003cp>There’s something silent and full about the smooth oval of her face, its skin that carries not even a hint of age, and her eyes that look straight into whomever is across the table from her. Hot chocolate steams under her chin as Freire glances out a nearby window. Rain falls in sheets against afternoon foot traffic. “Something I really loved about Camaguey is when it rained,” she remembers of home. “When I’m here and it’s raining and I can smell the wet earth, it takes me 20 years back. It’s like meditation for me.”\u003c/p>\n\u003cp>And what does she see in that meditation? “Even though I’ve found so many beautiful things,” says, Freire, “so much love, so much of a future here in the U.S., when I close my eyes I just see Cuba. It’s the only place I want to be when I feel sad, when I feel bored, when I’m happy, when I have money, when I’m broke — I just want to be in Cuba, beside my mother.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For Freire, allowing channels of musical and cultural exchange to flow easily between the life she left behind and the one she’s diligently cultivated here is second to the priority of family. To play records for her mother back in Camaguey, to sit with family and stare at the vintage phonograph she wasn’t allowed to touch as a child, those are opportunities still unavailable in the dance of restrictions between the U.S. and Cuba.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10382819/revolution-at-33-13-dj-leydis-and-the-quest-for-cuba",
"authors": [
"103"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69"
],
"tags": [
"arts_596"
],
"featImg": "arts_10388180",
"label": "arts_140"
},
"arts_10385468": {
"type": "posts",
"id": "arts_10385468",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10385468",
"score": null,
"sort": [
1423781148000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1423781148,
"format": "video",
"title": "For Oakland's Fantastic Negrito, an Incredible Second Act",
"headTitle": "For Oakland’s Fantastic Negrito, an Incredible Second Act | KQED",
"content": "\u003cp>Xavier Dphrepaulezz was cruising down Highland Ave. one night in 1999, living the dream of a musician with a major-label deal, the lights of Hollywood whizzing by, when in the blink of an eye his life changed forever.\u003c/p>\n\u003cp>Suddenly, an oncoming car collided into the side of his yellow two-door, ripping off the bumper and crumpling inward the driver’s side door and windshield. Dphrepaulezz survived, but barely: he didn’t wake from his coma for three weeks, and when he did, his hands and arms were disfigured, “rods and pins everywhere.” He didn’t know whether he would ever be able to play keyboards again.\u003c/p>\n\u003cp>For many, it would be the end of a career. For Dphrepaulezz, it was a new beginning.\u003c/p>\n\u003cfigure id=\"attachment_10385593\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Xavier.Meritt.jpg\" alt='\"This day is short-circuiting me,\" Xavier Dphrepaulezz told KQED today. \"[I] have never felt so much goodwill so fast.\" (Photo: Eric Taylor, courtesy fantasticnegrito.com)' width=\"640\" height=\"425\" class=\"size-full wp-image-10385593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.Meritt.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.Meritt-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">“This day is short-circuiting me,” Xavier Dphrepaulezz told KQED today. “[I] have never felt so much goodwill so fast.” (Photo: Eric Taylor, courtesy fantasticnegrito.com)\u003c/figcaption>\u003c/figure>\n\u003cp>While the car crash in many ways marked the origin of \u003ca href=\"http://www.fantasticnegrito.com/\" target=\"_blank\" rel=\"noopener\">Fantastic Negrito\u003c/a>, the raw blues-inspired project that that made him an instant star earlier today when he was \u003ca href=\"http://ww2.kqed.org/arts/2015/02/12/oaklands-own-fantastic-negrito-wins-npr-tiny-desk-concert-contest/\" target=\"_blank\" rel=\"noopener\">announced as the winner\u003c/a> of NPR Music’s Tiny Desk Concert competition, it was by no means the beginning of his career as a performer and an outsider.\u003c/p>\n\u003cp>Since meeting Dphrepaulezz in a chance encounter a year ago, I’ve interviewed him on a handful of occasions, both in his office near Jack London Square, and around the neighborhood, which he walks fervently in long strides. He’s always ready to sing.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Dphrepaulezz was born the eighth of 15 children in western Massachusetts, “a weird black guy with a crazy name,” who inevitably had to fight for his parents’ attention. “I’ve been performing all my life,” Dphrepaulezz told me. “Performing for food. Performing for socks.” He moved to Oakland as a teenager in 1979, where his foreign name and his strict Muslim family’s rules kept him apart from kids his age. \u003c/p>\n\u003cp>In Oakland he discovered soul, early hip-hop, and perhaps most importantly, Prince. “This guy was like ‘Hey, I’m gonna push the edge. [He’s] doing punk music and he’s a brother and he’s wearing garter belts and makeup and he’s straight!” Dphrepaulezz left Oakland for L.A. in the early 1990s, where his demo found its way into the hands of Prince’s former manager Joe Ruffalo. In 1996, Interscope released \u003ca href=\"http://www.discogs.com/Xavier-The-X-Factor/release/2289767\" target=\"_blank\" rel=\"noopener\">his only studio LP\u003c/a>, \u003cem>X Factor\u003c/em>. In press photos from those days, Dphrepaulezz is the embodiment of sexual androgyny; a pink Mohawk, silver eyeliner flashing around his brown eyes, his shirt unbuttoned and a pastel scarf around his neck. \u003c/p>\n\u003cfigure id=\"attachment_10385594\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover.jpg\" alt=\"Dphrepaulezz's 1995 major-label album, X Factor.\" width=\"300\" height=\"298\" class=\"size-full wp-image-10385594\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover-75x75.jpg 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Dphrepaulezz’s 1995 major-label album, \u003cem>X Factor\u003c/em>.\u003c/figcaption>\u003c/figure>\n\u003cp>At Interscope, Dphrepaulezz found himself faced with the calculated and calculating business of dealing with a major label. “First meeting at Interscope, they said, ‘Xavier, you’re black. You’re a black artist. And you gotta start doing things that black artists do…The day I [signed the deal] was the day things ended for me.”\u003c/p>\n\u003cp>Still, they gave him a million-dollar contract. He recorded \u003cem>X Factor\u003c/em>. Although disillusioned by the industry, he had escaped his strict upbringing. He was living the hedonistic life of a rock star. Then the crash put an end to all that.\u003c/p>\n\u003cp>Dphrepaulezz calls the coma “the best sleep I’ve ever had,” the beginning of the third stage of his life, following his strict upbringing and his wild years in L.A. He awoke unsure of his future, yet filled with newfound gratitude. It was like “being born again,” he yelps, “without all the frills and thrills.” Interscope terminated his contract, and he moved back to Oakland, where he made money running a series of underground nightclubs and occasionally selling weed. Yet he never lost his compulsion to perform. And it wasn’t just on stages. “I’m a witness now,” he says. “I need to show what happened to me. I want to remind people that hey, your life is good.”\u003c/p>\n\u003cfigure id=\"attachment_10385599\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Xavier.Silverlake.jpg\" alt=\"Performing at Silverlake Lounge, Dec. 2014. (Photo: fantasticnegrito.com)\" width=\"640\" height=\"426\" class=\"size-full wp-image-10385599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.Silverlake.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.Silverlake-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Performing at Silverlake Lounge, Dec. 2014. (Photo: fantasticnegrito.com)\u003c/figcaption>\u003c/figure>\n\u003cp>Music pours out of Dphrepaulezz like a fast-flowing fountain. On one of our strolls together he walked into a café and immediately had the wide-eyed barista touching the rod in his arm; she jumped back, howling. Minutes later he bolted into the Salvation Army near Jack London Square and made a beeline for the piano, belting Al Green and Beatles covers for the perplexed custodian. He loves busking on the street, and sings nonstop in his car. “I’m an exhibitionist,” he admits. \u003c/p>\n\u003cp>Fantastic Negrito is a synergy of his obsession with performance and his newfound appreciation for sincerity in his music; his track “\u003ca href=\"https://www.youtube.com/watch?v=PH-G8vBpG9o\" target=\"_blank\" rel=\"noopener\">An Honest Man\u003c/a>” was used as the opening number in the Ron Perlman Amazon series \u003cem>Hand of God\u003c/em>. Fantastic Negrito’s music is devoid of glamor; over stomping drums and bluesy riffs, Dphrepaulezz howls deadpan lyrics about believing in yourself and fighting your demons. Yet as NPR Music’s Bob Boilen put it, “his passion is undeniable.” Looking back on his Interscope recording, Dphrepaulezz calls it sound of a guy who has talent, but is “lost.”\u003c/p>\n\u003cp>Dphrepaulezz and his band fly to Washington, D.C. later this month to record a Tiny Desk Concert at Bob Boilen’s desk, a far cry from the rusty old freight elevator, complete with table saw in lieu of a desk, where he recorded \u003ca href=\"https://www.youtube.com/watch?v=7kWEhIXVPJA\" target=\"_blank\" rel=\"noopener\">his entry into the contest\u003c/a> only a few weeks ago. The high-profile opportunity, along with his upcoming trip to SXSW, may be his second chance to make it big.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Yet whatever happens, one thing is doubtless: Dphrepaulezz will always take things on his own terms.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1012,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 16
},
"modified": 1705047605,
"excerpt": "From major-label status and a coma-inducing car wreck to a renewed spirit in Fantastic Negrito, watch the story of Tiny Desk Concert winner Xavier Dphrepaulezz in this revealing video.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "From major-label status and a coma-inducing car wreck to a renewed spirit in Fantastic Negrito, watch the story of Tiny Desk Concert winner Xavier Dphrepaulezz in this revealing video.",
"title": "For Oakland's Fantastic Negrito, an Incredible Second Act | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "For Oakland's Fantastic Negrito, an Incredible Second Act",
"datePublished": "2015-02-12T14:45:48-08:00",
"dateModified": "2024-01-12T00:20:05-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "fantastic-negrito-xavier-dphrepaulezz-second-act",
"status": "publish",
"videoEmbed": "http://youtu.be/YbQvTL0Wb-g",
"sticky": false,
"nprStoryId": "479350773",
"path": "/arts/10385468/fantastic-negrito-xavier-dphrepaulezz-second-act",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Xavier Dphrepaulezz was cruising down Highland Ave. one night in 1999, living the dream of a musician with a major-label deal, the lights of Hollywood whizzing by, when in the blink of an eye his life changed forever.\u003c/p>\n\u003cp>Suddenly, an oncoming car collided into the side of his yellow two-door, ripping off the bumper and crumpling inward the driver’s side door and windshield. Dphrepaulezz survived, but barely: he didn’t wake from his coma for three weeks, and when he did, his hands and arms were disfigured, “rods and pins everywhere.” He didn’t know whether he would ever be able to play keyboards again.\u003c/p>\n\u003cp>For many, it would be the end of a career. For Dphrepaulezz, it was a new beginning.\u003c/p>\n\u003cfigure id=\"attachment_10385593\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Xavier.Meritt.jpg\" alt='\"This day is short-circuiting me,\" Xavier Dphrepaulezz told KQED today. \"[I] have never felt so much goodwill so fast.\" (Photo: Eric Taylor, courtesy fantasticnegrito.com)' width=\"640\" height=\"425\" class=\"size-full wp-image-10385593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.Meritt.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.Meritt-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">“This day is short-circuiting me,” Xavier Dphrepaulezz told KQED today. “[I] have never felt so much goodwill so fast.” (Photo: Eric Taylor, courtesy fantasticnegrito.com)\u003c/figcaption>\u003c/figure>\n\u003cp>While the car crash in many ways marked the origin of \u003ca href=\"http://www.fantasticnegrito.com/\" target=\"_blank\" rel=\"noopener\">Fantastic Negrito\u003c/a>, the raw blues-inspired project that that made him an instant star earlier today when he was \u003ca href=\"http://ww2.kqed.org/arts/2015/02/12/oaklands-own-fantastic-negrito-wins-npr-tiny-desk-concert-contest/\" target=\"_blank\" rel=\"noopener\">announced as the winner\u003c/a> of NPR Music’s Tiny Desk Concert competition, it was by no means the beginning of his career as a performer and an outsider.\u003c/p>\n\u003cp>Since meeting Dphrepaulezz in a chance encounter a year ago, I’ve interviewed him on a handful of occasions, both in his office near Jack London Square, and around the neighborhood, which he walks fervently in long strides. He’s always ready to sing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Dphrepaulezz was born the eighth of 15 children in western Massachusetts, “a weird black guy with a crazy name,” who inevitably had to fight for his parents’ attention. “I’ve been performing all my life,” Dphrepaulezz told me. “Performing for food. Performing for socks.” He moved to Oakland as a teenager in 1979, where his foreign name and his strict Muslim family’s rules kept him apart from kids his age. \u003c/p>\n\u003cp>In Oakland he discovered soul, early hip-hop, and perhaps most importantly, Prince. “This guy was like ‘Hey, I’m gonna push the edge. [He’s] doing punk music and he’s a brother and he’s wearing garter belts and makeup and he’s straight!” Dphrepaulezz left Oakland for L.A. in the early 1990s, where his demo found its way into the hands of Prince’s former manager Joe Ruffalo. In 1996, Interscope released \u003ca href=\"http://www.discogs.com/Xavier-The-X-Factor/release/2289767\" target=\"_blank\" rel=\"noopener\">his only studio LP\u003c/a>, \u003cem>X Factor\u003c/em>. In press photos from those days, Dphrepaulezz is the embodiment of sexual androgyny; a pink Mohawk, silver eyeliner flashing around his brown eyes, his shirt unbuttoned and a pastel scarf around his neck. \u003c/p>\n\u003cfigure id=\"attachment_10385594\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover.jpg\" alt=\"Dphrepaulezz's 1995 major-label album, X Factor.\" width=\"300\" height=\"298\" class=\"size-full wp-image-10385594\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.AlbumCover-75x75.jpg 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Dphrepaulezz’s 1995 major-label album, \u003cem>X Factor\u003c/em>.\u003c/figcaption>\u003c/figure>\n\u003cp>At Interscope, Dphrepaulezz found himself faced with the calculated and calculating business of dealing with a major label. “First meeting at Interscope, they said, ‘Xavier, you’re black. You’re a black artist. And you gotta start doing things that black artists do…The day I [signed the deal] was the day things ended for me.”\u003c/p>\n\u003cp>Still, they gave him a million-dollar contract. He recorded \u003cem>X Factor\u003c/em>. Although disillusioned by the industry, he had escaped his strict upbringing. He was living the hedonistic life of a rock star. Then the crash put an end to all that.\u003c/p>\n\u003cp>Dphrepaulezz calls the coma “the best sleep I’ve ever had,” the beginning of the third stage of his life, following his strict upbringing and his wild years in L.A. He awoke unsure of his future, yet filled with newfound gratitude. It was like “being born again,” he yelps, “without all the frills and thrills.” Interscope terminated his contract, and he moved back to Oakland, where he made money running a series of underground nightclubs and occasionally selling weed. Yet he never lost his compulsion to perform. And it wasn’t just on stages. “I’m a witness now,” he says. “I need to show what happened to me. I want to remind people that hey, your life is good.”\u003c/p>\n\u003cfigure id=\"attachment_10385599\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Xavier.Silverlake.jpg\" alt=\"Performing at Silverlake Lounge, Dec. 2014. (Photo: fantasticnegrito.com)\" width=\"640\" height=\"426\" class=\"size-full wp-image-10385599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.Silverlake.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Xavier.Silverlake-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Performing at Silverlake Lounge, Dec. 2014. (Photo: fantasticnegrito.com)\u003c/figcaption>\u003c/figure>\n\u003cp>Music pours out of Dphrepaulezz like a fast-flowing fountain. On one of our strolls together he walked into a café and immediately had the wide-eyed barista touching the rod in his arm; she jumped back, howling. Minutes later he bolted into the Salvation Army near Jack London Square and made a beeline for the piano, belting Al Green and Beatles covers for the perplexed custodian. He loves busking on the street, and sings nonstop in his car. “I’m an exhibitionist,” he admits. \u003c/p>\n\u003cp>Fantastic Negrito is a synergy of his obsession with performance and his newfound appreciation for sincerity in his music; his track “\u003ca href=\"https://www.youtube.com/watch?v=PH-G8vBpG9o\" target=\"_blank\" rel=\"noopener\">An Honest Man\u003c/a>” was used as the opening number in the Ron Perlman Amazon series \u003cem>Hand of God\u003c/em>. Fantastic Negrito’s music is devoid of glamor; over stomping drums and bluesy riffs, Dphrepaulezz howls deadpan lyrics about believing in yourself and fighting your demons. Yet as NPR Music’s Bob Boilen put it, “his passion is undeniable.” Looking back on his Interscope recording, Dphrepaulezz calls it sound of a guy who has talent, but is “lost.”\u003c/p>\n\u003cp>Dphrepaulezz and his band fly to Washington, D.C. later this month to record a Tiny Desk Concert at Bob Boilen’s desk, a far cry from the rusty old freight elevator, complete with table saw in lieu of a desk, where he recorded \u003ca href=\"https://www.youtube.com/watch?v=7kWEhIXVPJA\" target=\"_blank\" rel=\"noopener\">his entry into the contest\u003c/a> only a few weeks ago. The high-profile opportunity, along with his upcoming trip to SXSW, may be his second chance to make it big.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Yet whatever happens, one thing is doubtless: Dphrepaulezz will always take things on his own terms.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10385468/fantastic-negrito-xavier-dphrepaulezz-second-act",
"authors": [
"6624"
],
"categories": [
"arts_69"
],
"tags": [
"arts_596"
],
"featImg": "arts_10385590",
"label": "arts"
},
"arts_10384842": {
"type": "posts",
"id": "arts_10384842",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10384842",
"score": null,
"sort": [
1423756236000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1423756236,
"format": "standard",
"title": "Oakland's Own Fantastic Negrito Wins NPR Tiny Desk Concert Contest",
"headTitle": "Oakland’s Own Fantastic Negrito Wins NPR Tiny Desk Concert Contest | KQED",
"content": "\u003cp>It just got a little bit cooler to be from Oakland, folks.\u003c/p>\n\u003cp>After a much-publicized contest that saw thousands of bands coast-to-coast submitting entries in NPR’s \u003ca href=\"http://tinydeskcontest.npr.org/winner\" target=\"_blank\" rel=\"noopener\">Tiny Desk Concert contest\u003c/a>, the judges have spoken, and the winning band is Oakland’s own \u003ca href=\"http://www.fantasticnegrito.com/\" target=\"_blank\" rel=\"noopener\">Fantastic Negrito\u003c/a>. Watch the winning entry, “Lost in a Crowd,” below.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=7kWEhIXVPJA&w=560&h=315]\u003c/p>\n\u003cp>\u003ca href=\"http://www.npr.org/blogs/allsongs/2015/02/12/385418281/the-tiny-desk-concert-contest-winner-is?utm_source=twitter.com&utm_medium=social&utm_campaign=nprmusic&utm_term=music&utm_content=20150212\" target=\"_blank\" rel=\"noopener\">From NPR’s Bob Boilen\u003c/a>:\u003c/p>\n\u003cp>\u003cem>With a video shot in a freight elevator in Oakland behind a desk made of a steel slab and a work bench, this soulful character won our hearts. Xavier Dphrepaulezz is a singer from Oakland with a passion that felt undeniable. Though I watched thousands of videos, the moment I heard his voice and saw such conviction to his song I thought, “Wow, I think this guy could win.”\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The judging panel, which included comedian Reggie Watts and Bay Area musician Thao Nguyen, weren’t initially aware of Dphrepaulezz’s backstory, which includes quitting music, followed by “a near-deadly car accident and the resulting coma, intense rehabilitation, marriage and the birth of his son,” according to the official announcement. Fantastic Negrito was born from these changes — a name, according to Dphrepaulezz, that’s a “celebration of blackness.”\u003c/p>\n\u003cp>Fantastic Negrito’s Tiny Desk Concert is slated to be filmed in late February, with its online premiere around Mar. 9. They were among dozens of Bay Area bands who submitted entries, a handful of which were \u003ca href=\"http://thebaybridged.com/2015/01/20/bay-area-bands-in-the-npr-tiny-desk-concert-contest/#.VNFhAMXgHa8\" target=\"_blank\" rel=\"noopener\">rounded up by our pals at the Bay Bridged\u003c/a> in late January.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nearly 7,000 bands entered the contest from all over, so congratulations to Fantastic Negrito. Here’s to Oakland!\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 301,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705047608,
"excerpt": "NPR's judges have spoken, and from the nearly 7,000 Tiny Desk Concert contest entries, the winning band is Fantastic Negrito, from Oakland.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "NPR's judges have spoken, and from the nearly 7,000 Tiny Desk Concert contest entries, the winning band is Fantastic Negrito, from Oakland.",
"title": "Oakland's Own Fantastic Negrito Wins NPR Tiny Desk Concert Contest | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Oakland's Own Fantastic Negrito Wins NPR Tiny Desk Concert Contest",
"datePublished": "2015-02-12T07:50:36-08:00",
"dateModified": "2024-01-12T00:20:08-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "oaklands-own-fantastic-negrito-wins-npr-tiny-desk-concert-contest",
"status": "publish",
"sticky": false,
"path": "/arts/10384842/oaklands-own-fantastic-negrito-wins-npr-tiny-desk-concert-contest",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It just got a little bit cooler to be from Oakland, folks.\u003c/p>\n\u003cp>After a much-publicized contest that saw thousands of bands coast-to-coast submitting entries in NPR’s \u003ca href=\"http://tinydeskcontest.npr.org/winner\" target=\"_blank\" rel=\"noopener\">Tiny Desk Concert contest\u003c/a>, the judges have spoken, and the winning band is Oakland’s own \u003ca href=\"http://www.fantasticnegrito.com/\" target=\"_blank\" rel=\"noopener\">Fantastic Negrito\u003c/a>. Watch the winning entry, “Lost in a Crowd,” below.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7kWEhIXVPJA'\n title='//www.youtube.com/embed/7kWEhIXVPJA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.npr.org/blogs/allsongs/2015/02/12/385418281/the-tiny-desk-concert-contest-winner-is?utm_source=twitter.com&utm_medium=social&utm_campaign=nprmusic&utm_term=music&utm_content=20150212\" target=\"_blank\" rel=\"noopener\">From NPR’s Bob Boilen\u003c/a>:\u003c/p>\n\u003cp>\u003cem>With a video shot in a freight elevator in Oakland behind a desk made of a steel slab and a work bench, this soulful character won our hearts. Xavier Dphrepaulezz is a singer from Oakland with a passion that felt undeniable. Though I watched thousands of videos, the moment I heard his voice and saw such conviction to his song I thought, “Wow, I think this guy could win.”\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The judging panel, which included comedian Reggie Watts and Bay Area musician Thao Nguyen, weren’t initially aware of Dphrepaulezz’s backstory, which includes quitting music, followed by “a near-deadly car accident and the resulting coma, intense rehabilitation, marriage and the birth of his son,” according to the official announcement. Fantastic Negrito was born from these changes — a name, according to Dphrepaulezz, that’s a “celebration of blackness.”\u003c/p>\n\u003cp>Fantastic Negrito’s Tiny Desk Concert is slated to be filmed in late February, with its online premiere around Mar. 9. They were among dozens of Bay Area bands who submitted entries, a handful of which were \u003ca href=\"http://thebaybridged.com/2015/01/20/bay-area-bands-in-the-npr-tiny-desk-concert-contest/#.VNFhAMXgHa8\" target=\"_blank\" rel=\"noopener\">rounded up by our pals at the Bay Bridged\u003c/a> in late January.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nearly 7,000 bands entered the contest from all over, so congratulations to Fantastic Negrito. Here’s to Oakland!\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10384842/oaklands-own-fantastic-negrito-wins-npr-tiny-desk-concert-contest",
"authors": [
"185"
],
"categories": [
"arts_69"
],
"tags": [
"arts_596"
],
"featImg": "arts_10384843",
"label": "arts"
},
"arts_10376948": {
"type": "posts",
"id": "arts_10376948",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10376948",
"score": null,
"sort": [
1423520938000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 140
},
"blocks": [],
"publishDate": 1423520938,
"format": "standard",
"title": "Ticket Alert: The Replacements",
"headTitle": "Ticket Alert: The Replacements | KQED",
"content": "\u003cp>Among the more frustrating aspects of the Replacements’ 2013 reunion was that the band only played scattered festivals, leaving a full tour—and the entire Bay Area—in the dust.\u003c/p>\n\u003cp>Good news just in: Paul Westerberg & Co. are \u003ca href=\"https://twitter.com/sfmasonic/status/564904794431975424\" target=\"_blank\" rel=\"noopener\">slated to play the Masonic in San Francisco on April 13\u003c/a>.\u003c/p>\n\u003cp>Tickets, $49.50 each, \u003ca href=\"http://concerts.livenation.com/event/1C004E44DF466C97\" target=\"_blank\" rel=\"noopener\">go on sale here\u003c/a> on Friday, Feb. 13, at 9am. A presale for tickets bought on the Live Nation app starts Thursday, Feb. 12, at 10am.\u003c/p>\n\u003cp>For those suspicious that the band might play mostly songs from their later albums like \u003cem>All Shook Down\u003c/em> and \u003cem>Don’t Tell a Soul\u003c/em>, uh, \u003ca href=\"http://www.setlist.fm/setlist/the-replacements/2013/historic-fort-york-toronto-on-canada-33c6007d.html\" target=\"_blank\" rel=\"noopener\">look at this setlist from their first show since 1991\u003c/a>, in Toronto. Look at it! For any fan, the Masonic show should be $50 well-spent.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 137,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705047627,
"excerpt": "Finally! Paul Westerberg & Co. play the SF Masonic on Apr. 13, with tickets going on sale Friday, Feb. 13. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Finally! Paul Westerberg & Co. play the SF Masonic on Apr. 13, with tickets going on sale Friday, Feb. 13. ",
"title": "Ticket Alert: The Replacements | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Ticket Alert: The Replacements",
"datePublished": "2015-02-09T14:28:58-08:00",
"dateModified": "2024-01-12T00:20:27-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "ticket-alert-the-replacements",
"status": "publish",
"sticky": false,
"path": "/arts/10376948/ticket-alert-the-replacements",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Among the more frustrating aspects of the Replacements’ 2013 reunion was that the band only played scattered festivals, leaving a full tour—and the entire Bay Area—in the dust.\u003c/p>\n\u003cp>Good news just in: Paul Westerberg & Co. are \u003ca href=\"https://twitter.com/sfmasonic/status/564904794431975424\" target=\"_blank\" rel=\"noopener\">slated to play the Masonic in San Francisco on April 13\u003c/a>.\u003c/p>\n\u003cp>Tickets, $49.50 each, \u003ca href=\"http://concerts.livenation.com/event/1C004E44DF466C97\" target=\"_blank\" rel=\"noopener\">go on sale here\u003c/a> on Friday, Feb. 13, at 9am. A presale for tickets bought on the Live Nation app starts Thursday, Feb. 12, at 10am.\u003c/p>\n\u003cp>For those suspicious that the band might play mostly songs from their later albums like \u003cem>All Shook Down\u003c/em> and \u003cem>Don’t Tell a Soul\u003c/em>, uh, \u003ca href=\"http://www.setlist.fm/setlist/the-replacements/2013/historic-fort-york-toronto-on-canada-33c6007d.html\" target=\"_blank\" rel=\"noopener\">look at this setlist from their first show since 1991\u003c/a>, in Toronto. Look at it! For any fan, the Masonic show should be $50 well-spent.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10376948/ticket-alert-the-replacements",
"authors": [
"185"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69"
],
"tags": [
"arts_596"
],
"featImg": "arts_10376949",
"label": "arts_140"
},
"arts_10369117": {
"type": "posts",
"id": "arts_10369117",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10369117",
"score": null,
"sort": [
1423342819000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 140
},
"blocks": [],
"publishDate": 1423342819,
"format": "standard",
"title": "Time Is On Their Side, With A Little Bit o' Soul",
"headTitle": "Time Is On Their Side, With A Little Bit o’ Soul | KQED",
"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/irma-thomas-lee-fields/\" target=\"_blank\" rel=\"noopener\">Event Information\u003c/a>\u003c/h3>\n\u003ch2>Irma Thomas & Lee Fields\u003c/h2>\n\u003cdiv class=\"event-desc\">Soul survivors belt classic songs.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Feb. 8, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Wells Fargo Center\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/irma-thomas-lee-fields/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Both prolific voices of early soul, Irma Thomas and Lee Fields could easily settle into the regal (if somewhat static) role of icons, content to channel yesteryear. He—known through the ‘70s as “Little J.B.” for his vocal resemblance to James Brown—could play legacy shows. She—best known for “Time is on My Side,” famously covered by the Rolling Stones—could reissue hits. \u003c/p>\n\u003cp>In a tour called ‘Blues at the Crossroads,’ this pairing of soul survivors brings the tunes from soul music’s classic era — think record labels like Stax, Chess, King and Atlantic — and revives them for the modern day. But when the two co-headline the Wells Fargo Center on Feb. 8, don’t expect a carbon-copy throwback. Fields may have invoked the Godfather of Soul with somersaulting sax lines and hopscotching synths in 1978, but now, boasting releases on red-hot labels like Daptone, Soul Fire and Truth & Soul, he’s stepped out of Brown’s fast-footed shadow. Accompanied in the studio by Truth & Soul house band the Expressions, his pliable voice no longer races to fit skipping funk beats but languishes—long, loud and clear—in sparse ballads about temptation (“Faithful Man”) and groove-tastic sunny-day cruisers (“You’re the Kind of Girl”), all wah-wah bounces and echoing anthems about love, “just a stone’s throw away.” \u003c/p>\n\u003cp>Thomas has also spent the last 10 years building on her early career, when she ruled New Orleans airwaves with her 1964 single “Wish Someone Would Care.” No longer the bell-voiced young woman who bled infatuation to skipping drum lines (“Breakaway”) or heartbreak to a crew of kindly shooping back-ups (“Anyone Who Knows What Love Is (Will Understand)”), she released \u003cem>After the Rain\u003c/em> in 2006 and promptly won her first-ever Grammy. Distributed only months after Hurricane Katrina, the album delves deep, slow and jazzy into themes of place and displacement; “Another Man Done Gone” combines hushed beats and heartbeat-low cello with lines like “the water’s at his door / he couldn’t stay no more” to chilling effect, while “In the Middle of It All” mixes organ-like keys with quiet meditations on loss, culminating in the statement “it looks like my levee’s about to fall.”\u003c/p>\n\u003cp>Appearing alongside relative newbies Eric Kraso and Alecia Chakour, Thomas and Fields will both showcase careers, and vocals, that have only deepened as the decades have rolled. Don’t call them icons; there’s nothing static about these two legends of soul. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 491,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705047637,
"excerpt": "In a pairing called ‘Blues at the Crossroads,’ this tour of soul survivors brings tunes from soul music’s classic era and revives them for the modern day. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "In a pairing called ‘Blues at the Crossroads,’ this tour of soul survivors brings tunes from soul music’s classic era and revives them for the modern day. ",
"title": "Time Is On Their Side, With A Little Bit o' Soul | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Time Is On Their Side, With A Little Bit o' Soul",
"datePublished": "2015-02-07T13:00:19-08:00",
"dateModified": "2024-01-12T00:20:37-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "time-is-on-their-side-with-a-little-bit-o-soul",
"status": "publish",
"nprByline": "Rachel Dovey",
"sticky": false,
"path": "/arts/10369117/time-is-on-their-side-with-a-little-bit-o-soul",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/irma-thomas-lee-fields/\" target=\"_blank\" rel=\"noopener\">Event Information\u003c/a>\u003c/h3>\n\u003ch2>Irma Thomas & Lee Fields\u003c/h2>\n\u003cdiv class=\"event-desc\">Soul survivors belt classic songs.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Feb. 8, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Wells Fargo Center\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/irma-thomas-lee-fields/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Both prolific voices of early soul, Irma Thomas and Lee Fields could easily settle into the regal (if somewhat static) role of icons, content to channel yesteryear. He—known through the ‘70s as “Little J.B.” for his vocal resemblance to James Brown—could play legacy shows. She—best known for “Time is on My Side,” famously covered by the Rolling Stones—could reissue hits. \u003c/p>\n\u003cp>In a tour called ‘Blues at the Crossroads,’ this pairing of soul survivors brings the tunes from soul music’s classic era — think record labels like Stax, Chess, King and Atlantic — and revives them for the modern day. But when the two co-headline the Wells Fargo Center on Feb. 8, don’t expect a carbon-copy throwback. Fields may have invoked the Godfather of Soul with somersaulting sax lines and hopscotching synths in 1978, but now, boasting releases on red-hot labels like Daptone, Soul Fire and Truth & Soul, he’s stepped out of Brown’s fast-footed shadow. Accompanied in the studio by Truth & Soul house band the Expressions, his pliable voice no longer races to fit skipping funk beats but languishes—long, loud and clear—in sparse ballads about temptation (“Faithful Man”) and groove-tastic sunny-day cruisers (“You’re the Kind of Girl”), all wah-wah bounces and echoing anthems about love, “just a stone’s throw away.” \u003c/p>\n\u003cp>Thomas has also spent the last 10 years building on her early career, when she ruled New Orleans airwaves with her 1964 single “Wish Someone Would Care.” No longer the bell-voiced young woman who bled infatuation to skipping drum lines (“Breakaway”) or heartbreak to a crew of kindly shooping back-ups (“Anyone Who Knows What Love Is (Will Understand)”), she released \u003cem>After the Rain\u003c/em> in 2006 and promptly won her first-ever Grammy. Distributed only months after Hurricane Katrina, the album delves deep, slow and jazzy into themes of place and displacement; “Another Man Done Gone” combines hushed beats and heartbeat-low cello with lines like “the water’s at his door / he couldn’t stay no more” to chilling effect, while “In the Middle of It All” mixes organ-like keys with quiet meditations on loss, culminating in the statement “it looks like my levee’s about to fall.”\u003c/p>\n\u003cp>Appearing alongside relative newbies Eric Kraso and Alecia Chakour, Thomas and Fields will both showcase careers, and vocals, that have only deepened as the decades have rolled. Don’t call them icons; there’s nothing static about these two legends of soul. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10369117/time-is-on-their-side-with-a-little-bit-o-soul",
"authors": [
"byline_arts_10369117"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69"
],
"tags": [
"arts_596",
"arts_626"
],
"featImg": "arts_10369118",
"label": "arts_140"
},
"arts_10358838": {
"type": "posts",
"id": "arts_10358838",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10358838",
"score": null,
"sort": [
1423170052000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1423170052,
"format": "audio",
"title": "Live This Month: February 2015",
"headTitle": "Live This Month: February 2015 | KQED",
"content": "\u003caside class=\"aligncenter\">\n\u003ch4>Listen to The Bay Bridged mix of bands playing the Bay Area this month, including tracks by Two Gallants, Sonny & the Sunsets, Jessica Pratt, Six Organs of Admittance, Nude Beach and more.\u003c/h4>\n\u003cp>http://media.libsyn.com/media/thebaybridged/LTM_February_2015.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>In \u003ca href=\"http://www.thebaybridged.com/category/podcast/live-this-month/\" target=\"_blank\" rel=\"noopener\">Live This Month\u003c/a>, we sample some of the great local and out-of-town bands performing in the coming month in the San Francisco Bay Area.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/twogallants\" target=\"_blank\" rel=\"noopener\">Two Gallants\u003c/a>\u003c/strong> handily win the award for the hardest-working band in the Bay Area this month. With a new album, \u003cem>We Are Undone\u003c/em>, garnering great reviews—and with \u003ca href=\"http://ww2.kqed.org/arts/2015/01/29/watch-two-gallants-play-songs-from-new-album-we-are-undone/\" target=\"_blank\" rel=\"noopener\">two new songs\u003c/a> making their \u003ca href=\"http://ww2.kqed.org/arts/2015/01/29/watch-two-gallants-play-songs-from-new-album-we-are-undone/\" target=\"_blank\" rel=\"noopener\">live premiere with KQED’s video series Main Stage\u003c/a>—the local duo kicks off a ton of touring in North America and Europe over the next four months with three nights of back-to-back local shows.\u003c/p>\n\u003cp>Two Gallants aren’t the only locals with a new record. This month’s podcast kicks off with a new song from the always-reliable \u003cstrong>\u003ca href=\"https://www.facebook.com/sonnysunsets\" target=\"_blank\" rel=\"noopener\">Sonny & The Sunsets\u003c/a>\u003c/strong>. We’ve also included a new one from local post-rockers \u003cstrong>\u003ca href=\"https://www.facebook.com/uniontrade\" target=\"_blank\" rel=\"noopener\">The Union Trade\u003c/a>\u003c/strong>, and new heavy-psych tracks from \u003cstrong>\u003ca href=\"https://www.facebook.com/mondodrag\" target=\"_blank\" rel=\"noopener\">Mondo Drag\u003c/a>\u003c/strong> and \u003cstrong>\u003ca href=\"https://www.facebook.com/planesofsatori\" target=\"_blank\" rel=\"noopener\">Planes of Satori\u003c/a>\u003c/strong>.\u003c/p>\n\u003cp>February also means the return of the Noise Pop Festival at the end of the month. Now in its twenty-third (!) year, the 2015 fest unites over a hundred local and touring bands for a whole lot of exciting shows in local venues. We’ve included four Noise Pop bands in this mix—including a psychy mini-set featuring \u003cstrong>\u003ca href=\"https://www.facebook.com/jessicalynnpratt\" target=\"_blank\" rel=\"noopener\">Jessica Pratt\u003c/a>\u003c/strong>, \u003cstrong>\u003ca href=\"https://www.facebook.com/theshivas\" target=\"_blank\" rel=\"noopener\">The Shivas\u003c/a>\u003c/strong>, and \u003cstrong>\u003ca href=\"http://www.sixorgans.com/\" target=\"_blank\" rel=\"noopener\">Six Organs of Admittance\u003c/a>\u003c/strong>—but countless others could have also made the cut. Consider that a testament to the festival’s continued vitality in its third decade.\u003c/p>\n\u003cp>You don’t need to wait until Noise Pop to catch some excellent touring bands, including rare local appearances by Montreal’s \u003cstrong>\u003ca href=\"https://www.facebook.com/tttopsss\" target=\"_blank\" rel=\"noopener\">TOPS\u003c/a>\u003c/strong> and Swedish band \u003cstrong>\u003ca href=\"https://www.facebook.com/themaryonettes\" target=\"_blank\" rel=\"noopener\">The Mary Onettes\u003c/a>\u003c/strong>. Both groups offer engaging variations on dream pop; TOPS explores more spartan, insular sounds, while The Mary Onettes deliver big, dense anthems.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Enjoy the podcast… and then go see some concerts!\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">\u003cstrong>About the bands:\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/sonnysunsets\" target=\"_blank\" rel=\"noopener\">Sonny & The Sunsets\u003c/a>\u003c/strong> – “Cheap Extensions”\u003cbr>\nPlaying \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on Feb. 21 with Gap Dream and Colleen Green.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/tttopsss\" target=\"_blank\" rel=\"noopener\">TOPS\u003c/a>\u003c/strong> – “Outside”\u003cbr>\nComing to the \u003ca href=\"http://brickandmortarmusic.com/shows.cfm\" target=\"_blank\" rel=\"noopener\">Brick & Mortar Music Hall\u003c/a> with Dinner and Kid Trails on Feb. 23.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.jackname.info/\" target=\"_blank\" rel=\"noopener\">Jack Name\u003c/a>\u003c/strong> – “Running After Ganymede”\u003cbr>\nOpening for Ariel Pink at \u003ca href=\"http://www.bimbos365club.com/\" target=\"_blank\" rel=\"noopener\">Bimbo’s\u003c/a> on Feb. 7.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/planesofsatori\" target=\"_blank\" rel=\"noopener\">Planes of Satori\u003c/a>\u003c/strong> – “Gnostic Boogie”\u003cbr>\t\u003cbr>\nPerforming at \u003ca href=\"http://theeparkside.com/\" target=\"_blank\" rel=\"noopener\">Thee Parkside\u003c/a> on Feb. 7; also appearing are Ya Ho Wa 1313 and Cash Pony.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/twogallants\" target=\"_blank\" rel=\"noopener\">Two Gallants\u003c/a>\u003c/strong> – “We Are Undone”\u003cbr>\nPerforming three local shows this month: at \u003ca href=\"http://clubleos.com/shows.cfm\" target=\"_blank\" rel=\"noopener\">Leo’s\u003c/a> on Feb. 5, \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on Feb. 6, and the \u003ca href=\"http://www.slimspresents.com/calendar/\" target=\"_blank\" rel=\"noopener\">Great American Music Hall\u003c/a> on Feb. 7.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.ericdjohnsonmusic.com/\" target=\"_blank\" rel=\"noopener\">EDJ\u003c/a>\u003c/strong> – “Lose It All, All The Time”\u003cbr>\nLocal artists Kacey Johansing and Farallons open for EDJ at \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on Feb. 18.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/goodnighttexas\" target=\"_blank\" rel=\"noopener\">Goodnight, Texas\u003c/a>\u003c/strong> – “Button Your Collar”\u003cbr>\nPerforming with Wild Child and Desert Noises on Feb. 19 at the \u003ca href=\"http://www.slimspresents.com/calendar/\" target=\"_blank\" rel=\"noopener\">Great American Music Hall\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/jessicalynnpratt\" target=\"_blank\" rel=\"noopener\">Jessica Pratt\u003c/a>\u003c/strong> – “Back, Baby”\u003cbr>\nCo-headlining \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> with Kevin Morby on Feb. 25; Carroll and Two Sheds kick off the show.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/theshivas\" target=\"_blank\" rel=\"noopener\">The Shivas\u003c/a>\u003c/strong> – “Stalking Legs”\u003cbr>\nOn Feb. 28, playing with Cherry Glazerr, Dirt Dress and Rich Girls at \u003ca href=\"http://www.bottomofthehill.com/calendar.html#sthash.8Z5DbbjW.dpbs\" target=\"_blank\" rel=\"noopener\">Bottom of the Hill\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sixorgans.com/\" target=\"_blank\" rel=\"noopener\">Six Organs of Admittance\u003c/a>\u003c/strong> – “Wax Chance”\u003cbr>\nHeadlining \u003ca href=\"http://www.bottomofthehill.com/calendar.html#sthash.8Z5DbbjW.dpbs\" target=\"_blank\" rel=\"noopener\">Bottom of the Hill\u003c/a> on Feb. 26; Elisa Ambrogio, Silo Homes, and Donovan Quinn support.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/uniontrade\" target=\"_blank\" rel=\"noopener\">The Union Trade\u003c/a>\u003c/strong> – “Murmurations”\u003cbr>\nCelebrating the band’s album release at the \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Rickshaw Stop\u003c/a> on Feb. 4, with Sunrunners and One Hundred Percent.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/themaryonettes\" target=\"_blank\" rel=\"noopener\">The Mary Onettes\u003c/a>\u003c/strong> – “Silence Is A Gun”\u003cbr>\nComing to the \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Rickshaw Stop\u003c/a> on Feb. 20; locals Li Xi and Tiaras complete the bill.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/SpringtimeCarnivore\" target=\"_blank\" rel=\"noopener\">Springtime Carnivore\u003c/a>\u003c/strong> – “Sun Went Black”\u003cbr>\nSupporting The Dodos at the \u003ca href=\"http://www.slimspresents.com/calendar/\" target=\"_blank\" rel=\"noopener\">Great American Music Hall\u003c/a> on Feb. 11.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/mondodrag\" target=\"_blank\" rel=\"noopener\">Mondo Drag\u003c/a>\u003c/strong> – “Crystal Visions Open Eyes”\u003cbr>\nReleasing the band’s self-titled album at \u003ca href=\"http://clubleos.com/shows.cfm\" target=\"_blank\" rel=\"noopener\">Leo’s\u003c/a> on Feb. 12, with fellow locals Carlton Melton and Queen Crescent.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/pages/Nude-Beach-band/107185392695282\" target=\"_blank\" rel=\"noopener\">Nude Beach\u003c/a>\u003c/strong> – “Yesterday”\u003cbr>\nThe Brooklyn band’s Feb. 26 \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Rickshaw Stop\u003c/a> show also includes locals Tony Molina, Cold Beat and The Younger Lovers.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 739,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 24
},
"modified": 1705047647,
"excerpt": "The Bay Bridged podcast samples some of the great local and out-of-town bands performing in February in the San Francisco Bay Area.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Bay Bridged podcast samples some of the great local and out-of-town bands performing in February in the San Francisco Bay Area.",
"title": "Live This Month: February 2015 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Live This Month: February 2015",
"datePublished": "2015-02-05T13:00:52-08:00",
"dateModified": "2024-01-12T00:20:47-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "live-this-month-february-2015",
"status": "publish",
"sticky": false,
"path": "/arts/10358838/live-this-month-february-2015",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>Listen to The Bay Bridged mix of bands playing the Bay Area this month, including tracks by Two Gallants, Sonny & the Sunsets, Jessica Pratt, Six Organs of Admittance, Nude Beach and more.\u003c/h4>\n\u003cp>http://media.libsyn.com/media/thebaybridged/LTM_February_2015.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>In \u003ca href=\"http://www.thebaybridged.com/category/podcast/live-this-month/\" target=\"_blank\" rel=\"noopener\">Live This Month\u003c/a>, we sample some of the great local and out-of-town bands performing in the coming month in the San Francisco Bay Area.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/twogallants\" target=\"_blank\" rel=\"noopener\">Two Gallants\u003c/a>\u003c/strong> handily win the award for the hardest-working band in the Bay Area this month. With a new album, \u003cem>We Are Undone\u003c/em>, garnering great reviews—and with \u003ca href=\"http://ww2.kqed.org/arts/2015/01/29/watch-two-gallants-play-songs-from-new-album-we-are-undone/\" target=\"_blank\" rel=\"noopener\">two new songs\u003c/a> making their \u003ca href=\"http://ww2.kqed.org/arts/2015/01/29/watch-two-gallants-play-songs-from-new-album-we-are-undone/\" target=\"_blank\" rel=\"noopener\">live premiere with KQED’s video series Main Stage\u003c/a>—the local duo kicks off a ton of touring in North America and Europe over the next four months with three nights of back-to-back local shows.\u003c/p>\n\u003cp>Two Gallants aren’t the only locals with a new record. This month’s podcast kicks off with a new song from the always-reliable \u003cstrong>\u003ca href=\"https://www.facebook.com/sonnysunsets\" target=\"_blank\" rel=\"noopener\">Sonny & The Sunsets\u003c/a>\u003c/strong>. We’ve also included a new one from local post-rockers \u003cstrong>\u003ca href=\"https://www.facebook.com/uniontrade\" target=\"_blank\" rel=\"noopener\">The Union Trade\u003c/a>\u003c/strong>, and new heavy-psych tracks from \u003cstrong>\u003ca href=\"https://www.facebook.com/mondodrag\" target=\"_blank\" rel=\"noopener\">Mondo Drag\u003c/a>\u003c/strong> and \u003cstrong>\u003ca href=\"https://www.facebook.com/planesofsatori\" target=\"_blank\" rel=\"noopener\">Planes of Satori\u003c/a>\u003c/strong>.\u003c/p>\n\u003cp>February also means the return of the Noise Pop Festival at the end of the month. Now in its twenty-third (!) year, the 2015 fest unites over a hundred local and touring bands for a whole lot of exciting shows in local venues. We’ve included four Noise Pop bands in this mix—including a psychy mini-set featuring \u003cstrong>\u003ca href=\"https://www.facebook.com/jessicalynnpratt\" target=\"_blank\" rel=\"noopener\">Jessica Pratt\u003c/a>\u003c/strong>, \u003cstrong>\u003ca href=\"https://www.facebook.com/theshivas\" target=\"_blank\" rel=\"noopener\">The Shivas\u003c/a>\u003c/strong>, and \u003cstrong>\u003ca href=\"http://www.sixorgans.com/\" target=\"_blank\" rel=\"noopener\">Six Organs of Admittance\u003c/a>\u003c/strong>—but countless others could have also made the cut. Consider that a testament to the festival’s continued vitality in its third decade.\u003c/p>\n\u003cp>You don’t need to wait until Noise Pop to catch some excellent touring bands, including rare local appearances by Montreal’s \u003cstrong>\u003ca href=\"https://www.facebook.com/tttopsss\" target=\"_blank\" rel=\"noopener\">TOPS\u003c/a>\u003c/strong> and Swedish band \u003cstrong>\u003ca href=\"https://www.facebook.com/themaryonettes\" target=\"_blank\" rel=\"noopener\">The Mary Onettes\u003c/a>\u003c/strong>. Both groups offer engaging variations on dream pop; TOPS explores more spartan, insular sounds, while The Mary Onettes deliver big, dense anthems.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Enjoy the podcast… and then go see some concerts!\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">\u003cstrong>About the bands:\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/sonnysunsets\" target=\"_blank\" rel=\"noopener\">Sonny & The Sunsets\u003c/a>\u003c/strong> – “Cheap Extensions”\u003cbr>\nPlaying \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on Feb. 21 with Gap Dream and Colleen Green.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/tttopsss\" target=\"_blank\" rel=\"noopener\">TOPS\u003c/a>\u003c/strong> – “Outside”\u003cbr>\nComing to the \u003ca href=\"http://brickandmortarmusic.com/shows.cfm\" target=\"_blank\" rel=\"noopener\">Brick & Mortar Music Hall\u003c/a> with Dinner and Kid Trails on Feb. 23.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.jackname.info/\" target=\"_blank\" rel=\"noopener\">Jack Name\u003c/a>\u003c/strong> – “Running After Ganymede”\u003cbr>\nOpening for Ariel Pink at \u003ca href=\"http://www.bimbos365club.com/\" target=\"_blank\" rel=\"noopener\">Bimbo’s\u003c/a> on Feb. 7.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/planesofsatori\" target=\"_blank\" rel=\"noopener\">Planes of Satori\u003c/a>\u003c/strong> – “Gnostic Boogie”\u003cbr>\t\u003cbr>\nPerforming at \u003ca href=\"http://theeparkside.com/\" target=\"_blank\" rel=\"noopener\">Thee Parkside\u003c/a> on Feb. 7; also appearing are Ya Ho Wa 1313 and Cash Pony.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/twogallants\" target=\"_blank\" rel=\"noopener\">Two Gallants\u003c/a>\u003c/strong> – “We Are Undone”\u003cbr>\nPerforming three local shows this month: at \u003ca href=\"http://clubleos.com/shows.cfm\" target=\"_blank\" rel=\"noopener\">Leo’s\u003c/a> on Feb. 5, \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on Feb. 6, and the \u003ca href=\"http://www.slimspresents.com/calendar/\" target=\"_blank\" rel=\"noopener\">Great American Music Hall\u003c/a> on Feb. 7.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.ericdjohnsonmusic.com/\" target=\"_blank\" rel=\"noopener\">EDJ\u003c/a>\u003c/strong> – “Lose It All, All The Time”\u003cbr>\nLocal artists Kacey Johansing and Farallons open for EDJ at \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on Feb. 18.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/goodnighttexas\" target=\"_blank\" rel=\"noopener\">Goodnight, Texas\u003c/a>\u003c/strong> – “Button Your Collar”\u003cbr>\nPerforming with Wild Child and Desert Noises on Feb. 19 at the \u003ca href=\"http://www.slimspresents.com/calendar/\" target=\"_blank\" rel=\"noopener\">Great American Music Hall\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/jessicalynnpratt\" target=\"_blank\" rel=\"noopener\">Jessica Pratt\u003c/a>\u003c/strong> – “Back, Baby”\u003cbr>\nCo-headlining \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> with Kevin Morby on Feb. 25; Carroll and Two Sheds kick off the show.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/theshivas\" target=\"_blank\" rel=\"noopener\">The Shivas\u003c/a>\u003c/strong> – “Stalking Legs”\u003cbr>\nOn Feb. 28, playing with Cherry Glazerr, Dirt Dress and Rich Girls at \u003ca href=\"http://www.bottomofthehill.com/calendar.html#sthash.8Z5DbbjW.dpbs\" target=\"_blank\" rel=\"noopener\">Bottom of the Hill\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sixorgans.com/\" target=\"_blank\" rel=\"noopener\">Six Organs of Admittance\u003c/a>\u003c/strong> – “Wax Chance”\u003cbr>\nHeadlining \u003ca href=\"http://www.bottomofthehill.com/calendar.html#sthash.8Z5DbbjW.dpbs\" target=\"_blank\" rel=\"noopener\">Bottom of the Hill\u003c/a> on Feb. 26; Elisa Ambrogio, Silo Homes, and Donovan Quinn support.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/uniontrade\" target=\"_blank\" rel=\"noopener\">The Union Trade\u003c/a>\u003c/strong> – “Murmurations”\u003cbr>\nCelebrating the band’s album release at the \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Rickshaw Stop\u003c/a> on Feb. 4, with Sunrunners and One Hundred Percent.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/themaryonettes\" target=\"_blank\" rel=\"noopener\">The Mary Onettes\u003c/a>\u003c/strong> – “Silence Is A Gun”\u003cbr>\nComing to the \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Rickshaw Stop\u003c/a> on Feb. 20; locals Li Xi and Tiaras complete the bill.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/SpringtimeCarnivore\" target=\"_blank\" rel=\"noopener\">Springtime Carnivore\u003c/a>\u003c/strong> – “Sun Went Black”\u003cbr>\nSupporting The Dodos at the \u003ca href=\"http://www.slimspresents.com/calendar/\" target=\"_blank\" rel=\"noopener\">Great American Music Hall\u003c/a> on Feb. 11.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/mondodrag\" target=\"_blank\" rel=\"noopener\">Mondo Drag\u003c/a>\u003c/strong> – “Crystal Visions Open Eyes”\u003cbr>\nReleasing the band’s self-titled album at \u003ca href=\"http://clubleos.com/shows.cfm\" target=\"_blank\" rel=\"noopener\">Leo’s\u003c/a> on Feb. 12, with fellow locals Carlton Melton and Queen Crescent.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/pages/Nude-Beach-band/107185392695282\" target=\"_blank\" rel=\"noopener\">Nude Beach\u003c/a>\u003c/strong> – “Yesterday”\u003cbr>\nThe Brooklyn band’s Feb. 26 \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Rickshaw Stop\u003c/a> show also includes locals Tony Molina, Cold Beat and The Younger Lovers.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10358838/live-this-month-february-2015",
"authors": [
"178"
],
"categories": [
"arts_69"
],
"tags": [
"arts_596"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10358839",
"label": "arts_147"
},
"arts_10360062": {
"type": "posts",
"id": "arts_10360062",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10360062",
"score": null,
"sort": [
1423058430000
]
},
"guestAuthors": [],
"slug": "rockage-4-0-unites-gaming-music-under-one-nerdy-parasol",
"title": "Rockage 4.0 Unites Gaming, Music Under “One Nerdy Parasol”",
"publishDate": 1423058430,
"format": "standard",
"headTitle": "Rockage 4.0 Unites Gaming, Music Under “One Nerdy Parasol” | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/rockage-4-0/\" target=\"_blank\" rel=\"noopener\">Event Information\u003c/a>\u003c/h3>\n\u003ch2>Rockage 4.0\u003c/h2>\n\u003cdiv class=\"event-desc\">Three-day celebration of gaming and music.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Feb. 6-8, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">San Jose State Student Union\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/rockage-4-0/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>“I’m Eric Fanali, I’m the creator of Rockage, and I’d love to talk to you all day about this.”\u003c/p>\n\u003cp>Fanali can’t help himself – \u003ca href=\"http://rockagesj.tumblr.com/\" target=\"_blank\" rel=\"noopener\">Rockage\u003c/a> is his four-year-old, three-day-long child, a project he conceived to “connect people from different communities under one nerdy parasol,” and when we talk, it’s only a few weeks away. Some may only stop by the event—running Feb. 6-8—for a few hours, but he’s been planning those 72 hours for 11 months. \u003c/p>\n\u003cp>Fanali, a longtime promoter of punk and indie shows in the South Bay, reserves a special enthusiasm for Rockage. “I grew up playing games, and love the music from games. Now that people can incorporate that into live music, I’m all about it,” he says.\u003c/p>\n\u003cp>The mash-up of the two pastimes is represented at Rockage in fun and unexpected ways – expect everything from free arcade gameplay and funked-up video game covers to live shows that involve the act of live “\u003ca href=\"http://en.wikipedia.org/wiki/Speedrun\" target=\"_blank\" rel=\"noopener\">speedrunning\u003c/a>,” an act where gamers attempt to play, and finish, a game as quickly as possible regardless of score.\u003c/p>\n\u003cp>Music headliners this year include Portland’s the Thermals, making their Rockage debut; Bit Brigade, who will play alongside gamer Noah McCarthy as he attempts to complete Metroid in just 49 minutes; and \u003ca href=\"http://www.supersoulbros.com/\" target=\"_blank\" rel=\"noopener\">Super Soul Bros.\u003c/a>, a San Jose-based band known for their electric take on video game tunes. In fact, 42 bands in total play from Friday to Sunday, the largest gathering of musicians Fanali has ever assembled. Rockage will also include a series of 30-minute panels on everything from Mario Paint to Dungeons & Dragons.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>One sound that captures the dual nature of Rockage’s programming is a musical movement Fanali characterizes as “digital punk rock”: chiptune, a style united by artists who use modified game systems to manipulate sounds created on the original Nintendo Entertainment System (NES) or Nintendo’s first portable gaming device, the Game Boy.\u003c/p>\n\u003cp>“I think right now, chiptune is really an aesthetic more than anything,” explains Morgan Tucker, who utilizes elements of the sound as part of his project \u003ca href=\"http://crashfaster.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">crashfaster\u003c/a>. He’s also the founder of \u003ca href=\"http://www.8bitsf.com/\" target=\"_blank\" rel=\"noopener\">8bitSF\u003c/a>, which hosts a monthly chiptune party at DNA Lounge in San Francisco. \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=5ZjgTO7u-ss&w=560&h=315]\u003c/p>\n\u003cp>The limited capability of the dated technology, coupled with the low cost of entry – Tucker says one can start making chiptune music for under $100 – has made it a wide-open space for creativity. That’s what attracted Oakland composer and multi-instrumentalist Matthew Joseph Payne, who returns to Rockage to perform with his group the \u003ca href=\"http://themineralkingdom.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Mineral Kingdom\u003c/a>.\u003c/p>\n\u003cp>“I think that there’s a lot to say for self-imposed limitations and restrictions as part of the compositional process. I know that’s a big part of it for me. At least it was when I started out,” Payne explains. “Now, I’ve done it for so long that it’s more about a very specific instrument that I’m very comfortable with.” \u003c/p>\n\u003cp>The different styles of the Mineral Kingdom and crashfaster help highlight Tucker’s point about chiptune as an aesthetic choice more than a unified sound. Crashfaster is rooted more in electro, likely stemming from Tucker’s interest in electronic and industrial music. Payne is a working composer, constantly delivering unlikely musical pairings with fascinating results.\u003c/p>\n\u003cp>Likewise, the unlikely pairings at the event aim to inspire open exploration of new fascinations, whether it’s a tournament gamer coming across a band they enjoy or a music junkie stumbling upon an old favorite console. To Eric Fanali, that’s what it’s all about. \u003c/p>\n\u003cp>“If it’s one thing I do in my lifetime,” he starts, before stopping to firmly snap his fingers and knock on wood, it’s to “connect as many people as possible, because if I can’t do something great, they can together.”\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=JGAW-VuLVpA&w=560&h=315]\u003c/p>\n\u003cp>One such connection takes place Saturday, when Payne takes the stage with A/B Duo. A/B Duo member Meerenai Shim, who also plays flute in Mineral Kingdom, commissioned a piece from Payne meant to sound like a video game score. During their set, A/B Duo will perform Payne’s composition while he plays a video game that Shim, in turn, designed to go along with the score. It’s a moment that could only happen at Rockage.\u003c/p>\n\u003cp>One aspect of the event’s new connection to San Jose State is the involvement of SJS’s \u003ca href=\"http://sjsugamedev.com/\" target=\"_blank\" rel=\"noopener\">Game Development Club\u003c/a>. Gamers get the chance to see students’ game design at work, beautifully on display in custom-made arcade cabinets, but it’s also an opportunity for the design students, as Rockage gives them a chance to watch the public react to the worlds they’ve created.\u003c/p>\n\u003cp>“We’re being put on the same level as both the indie developers that show up at Rockage and the professional cabinets that sit in the arcade room,” says James Morgan, faculty advisor for the club. “It’s all kind of a level playing field, and I think that does a lot to help the students. That makes them work a little bit harder because they really want to shine in that space.”\u003c/p>\n\u003cp>Several people involved with Rockage say this unifying spirit—a tone set by Fanali—is contagious, and what makes the festival feel so casual and welcoming.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Tucker’s final words seem to capture that community spirit, echoed by all interviewed. “To be honest with you,” he says, “I’m most excited to see all my friends.”\u003c/p>\n\n",
"blocks": [],
"excerpt": "The intersection of music and video games reaches full tilt at this fourth-annual festival, including performances of 8-bit \"chiptune\" artists, competitions and panels.",
"status": "publish",
"parent": 0,
"modified": 1726771444,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 21,
"wordCount": 1048
},
"headData": {
"title": "Rockage 4.0 Unites Gaming, Music Under “One Nerdy Parasol” | KQED",
"description": "The intersection of music and video games reaches full tilt at this fourth-annual festival, including performances of 8-bit "chiptune" artists, competitions and panels.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Rockage 4.0 Unites Gaming, Music Under “One Nerdy Parasol”",
"datePublished": "2015-02-04T06:00:30-08:00",
"dateModified": "2024-09-19T11:44:04-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Brandon Roos",
"path": "/arts/10360062/rockage-4-0-unites-gaming-music-under-one-nerdy-parasol",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/rockage-4-0/\" target=\"_blank\" rel=\"noopener\">Event Information\u003c/a>\u003c/h3>\n\u003ch2>Rockage 4.0\u003c/h2>\n\u003cdiv class=\"event-desc\">Three-day celebration of gaming and music.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Feb. 6-8, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">San Jose State Student Union\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/rockage-4-0/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>“I’m Eric Fanali, I’m the creator of Rockage, and I’d love to talk to you all day about this.”\u003c/p>\n\u003cp>Fanali can’t help himself – \u003ca href=\"http://rockagesj.tumblr.com/\" target=\"_blank\" rel=\"noopener\">Rockage\u003c/a> is his four-year-old, three-day-long child, a project he conceived to “connect people from different communities under one nerdy parasol,” and when we talk, it’s only a few weeks away. Some may only stop by the event—running Feb. 6-8—for a few hours, but he’s been planning those 72 hours for 11 months. \u003c/p>\n\u003cp>Fanali, a longtime promoter of punk and indie shows in the South Bay, reserves a special enthusiasm for Rockage. “I grew up playing games, and love the music from games. Now that people can incorporate that into live music, I’m all about it,” he says.\u003c/p>\n\u003cp>The mash-up of the two pastimes is represented at Rockage in fun and unexpected ways – expect everything from free arcade gameplay and funked-up video game covers to live shows that involve the act of live “\u003ca href=\"http://en.wikipedia.org/wiki/Speedrun\" target=\"_blank\" rel=\"noopener\">speedrunning\u003c/a>,” an act where gamers attempt to play, and finish, a game as quickly as possible regardless of score.\u003c/p>\n\u003cp>Music headliners this year include Portland’s the Thermals, making their Rockage debut; Bit Brigade, who will play alongside gamer Noah McCarthy as he attempts to complete Metroid in just 49 minutes; and \u003ca href=\"http://www.supersoulbros.com/\" target=\"_blank\" rel=\"noopener\">Super Soul Bros.\u003c/a>, a San Jose-based band known for their electric take on video game tunes. In fact, 42 bands in total play from Friday to Sunday, the largest gathering of musicians Fanali has ever assembled. Rockage will also include a series of 30-minute panels on everything from Mario Paint to Dungeons & Dragons.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One sound that captures the dual nature of Rockage’s programming is a musical movement Fanali characterizes as “digital punk rock”: chiptune, a style united by artists who use modified game systems to manipulate sounds created on the original Nintendo Entertainment System (NES) or Nintendo’s first portable gaming device, the Game Boy.\u003c/p>\n\u003cp>“I think right now, chiptune is really an aesthetic more than anything,” explains Morgan Tucker, who utilizes elements of the sound as part of his project \u003ca href=\"http://crashfaster.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">crashfaster\u003c/a>. He’s also the founder of \u003ca href=\"http://www.8bitsf.com/\" target=\"_blank\" rel=\"noopener\">8bitSF\u003c/a>, which hosts a monthly chiptune party at DNA Lounge in San Francisco. \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5ZjgTO7u-ss'\n title='//www.youtube.com/embed/5ZjgTO7u-ss'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The limited capability of the dated technology, coupled with the low cost of entry – Tucker says one can start making chiptune music for under $100 – has made it a wide-open space for creativity. That’s what attracted Oakland composer and multi-instrumentalist Matthew Joseph Payne, who returns to Rockage to perform with his group the \u003ca href=\"http://themineralkingdom.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Mineral Kingdom\u003c/a>.\u003c/p>\n\u003cp>“I think that there’s a lot to say for self-imposed limitations and restrictions as part of the compositional process. I know that’s a big part of it for me. At least it was when I started out,” Payne explains. “Now, I’ve done it for so long that it’s more about a very specific instrument that I’m very comfortable with.” \u003c/p>\n\u003cp>The different styles of the Mineral Kingdom and crashfaster help highlight Tucker’s point about chiptune as an aesthetic choice more than a unified sound. Crashfaster is rooted more in electro, likely stemming from Tucker’s interest in electronic and industrial music. Payne is a working composer, constantly delivering unlikely musical pairings with fascinating results.\u003c/p>\n\u003cp>Likewise, the unlikely pairings at the event aim to inspire open exploration of new fascinations, whether it’s a tournament gamer coming across a band they enjoy or a music junkie stumbling upon an old favorite console. To Eric Fanali, that’s what it’s all about. \u003c/p>\n\u003cp>“If it’s one thing I do in my lifetime,” he starts, before stopping to firmly snap his fingers and knock on wood, it’s to “connect as many people as possible, because if I can’t do something great, they can together.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JGAW-VuLVpA'\n title='//www.youtube.com/embed/JGAW-VuLVpA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>One such connection takes place Saturday, when Payne takes the stage with A/B Duo. A/B Duo member Meerenai Shim, who also plays flute in Mineral Kingdom, commissioned a piece from Payne meant to sound like a video game score. During their set, A/B Duo will perform Payne’s composition while he plays a video game that Shim, in turn, designed to go along with the score. It’s a moment that could only happen at Rockage.\u003c/p>\n\u003cp>One aspect of the event’s new connection to San Jose State is the involvement of SJS’s \u003ca href=\"http://sjsugamedev.com/\" target=\"_blank\" rel=\"noopener\">Game Development Club\u003c/a>. Gamers get the chance to see students’ game design at work, beautifully on display in custom-made arcade cabinets, but it’s also an opportunity for the design students, as Rockage gives them a chance to watch the public react to the worlds they’ve created.\u003c/p>\n\u003cp>“We’re being put on the same level as both the indie developers that show up at Rockage and the professional cabinets that sit in the arcade room,” says James Morgan, faculty advisor for the club. “It’s all kind of a level playing field, and I think that does a lot to help the students. That makes them work a little bit harder because they really want to shine in that space.”\u003c/p>\n\u003cp>Several people involved with Rockage say this unifying spirit—a tone set by Fanali—is contagious, and what makes the festival feel so casual and welcoming.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Tucker’s final words seem to capture that community spirit, echoed by all interviewed. “To be honest with you,” he says, “I’m most excited to see all my friends.”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10360062/rockage-4-0-unites-gaming-music-under-one-nerdy-parasol",
"authors": [
"byline_arts_10360062"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69",
"arts_75"
],
"tags": [
"arts_596",
"arts_626"
],
"featImg": "arts_10360909",
"label": "arts_140"
},
"arts_10359918": {
"type": "posts",
"id": "arts_10359918",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10359918",
"score": null,
"sort": [
1423010819000
]
},
"guestAuthors": [],
"slug": "taking-you-higher-videos-from-sly-stone-tribute-concert",
"title": "Taking You Higher: Videos from Sly Stone Tribute Concert",
"publishDate": 1423010819,
"format": "video",
"headTitle": "Taking You Higher: Videos from Sly Stone Tribute Concert | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>When more than 175 local musicians joined together for a Sly and the Family Stone tribute on Saturday, Jan. 24, at Oakland’s Fox Theater, a celebration of the legendary Bay Area funk band became a stage for homegrown talent and musicianship.\u003c/p>\n\u003cp>Nine bands performed one song each from the Family Stone’s groundbreaking 1969 album \u003cem>Stand!\u003c/em>, including the hit “I Want to Take You Higher,” performed by Zakiya Harris & Elephantine, and “You Can Make It If You Try,” played by Jazz Mafia and Crossroads Collective.\u003c/p>\n\u003cp>“There’s something about Sly and the Family Stone’s music that shows us how far we’ve come and how far we have to go,” says David Möschler, musical director for the event and founder of Awesöme Orchestra, which performed at the concert. “We need it more than ever today.”\u003c/p>\n\u003cp>The tribute concert, presented by \u003ca href=\"http://undercoverpresents.com/\" target=\"_blank\" rel=\"noopener\">UnderCover\u003c/a> and \u003ca href=\"http://faultlinestudios.com/more\" target=\"_blank\" rel=\"noopener\">Faultline Studios\u003c/a>, featured Bay Area hip-hop, soul, jazz, salsa, rock and orchestral bands. “Every group brought their own special sauce,” says Oakland native Zakiya Harris.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ONObpR0MkD4\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When Sly and the Family Stone burst onto the music scene in the late 1960s, they were one of the first racially-integrated American pop bands that also included women as core members.\u003c/p>\n\u003cp>“What’s so special about the Sly view is they were practicing what they preached,” says Adam Theis, founder of the Jazz Mafia and Crossroads Collective.\u003c/p>\n\u003cp>The evening was an encore of a sold-out 2014 show, also celebrating Stand!, at the Independent in San Francisco. “It was an almost spiritual experience and we were all craving that sense of connection again,” says Lyz Luke, founder and co-producer of UnderCover. “Before the show was even over, we all knew we wanted to do it again, bigger and better.”\u003c/p>\n\u003cp>On Jan. 24, with five original members of Sly and the Family Stone in the house, concert organizers wanted to show the band some extra love. Working with Oakland Mayor Libby Schaaf’s office, they presented band members Freddie Stone, Cynthia Robinson, Gregg Errico, Jerry Martini, and Rustee Allen with an official City of Oakland proclamation, declaring Jan. 24, 2015 to be Sly and the Family Stone Day and congratulating the local band for “embracing the ideals of a generation.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=tHPYOEdq5oU\u003c/p>\n\u003cp>The man of the hour, Sly Stone, did not attend the show. But in addition to the proclamation, the bandleader last week enjoyed some good news when a judge awarded Stone $5 million in a \u003ca href=\"http://www.cnn.com/2015/01/29/entertainment/feat-sly-stone-five-million-verdict/\" target=\"_blank\" rel=\"noopener\">ruling against his ex-business partners\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Below, listen to Awesöme Orchestra conductor David Möschler and UnderCover founder Lyz Luke discuss the event with KQED’s Cy Musiker on \u003cem>Morning Edition\u003c/em>: \u003c/p>\n\u003caside class=\"aligncenter\">\n\u003ch4>David Möschler and Lyz Luke\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/RDnews/2015/02/20150122bsegment.mp3\u003c/p>\n\u003c/aside>\n\n",
"blocks": [],
"excerpt": "Local musicians re-imagined hits from Sly and the Family Stone's \u003ci>Stand!\u003c/i> at a tribute concert in Oakland and we were there to capture the excitement. ",
"status": "publish",
"parent": 0,
"modified": 1726781937,
"stats": {
"hasAudio": true,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 12,
"wordCount": 509
},
"headData": {
"title": "Taking You Higher: Videos from Sly Stone Tribute Concert | KQED",
"description": "Local musicians re-imagined hits from Sly and the Family Stone's Stand! at a tribute concert in Oakland and we were there to capture the excitement. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Taking You Higher: Videos from Sly Stone Tribute Concert",
"datePublished": "2015-02-03T16:46:59-08:00",
"dateModified": "2024-09-19T14:38:57-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"videoEmbed": "https://www.youtube.com/watch?v=C1JUejW7-ZQ",
"sticky": false,
"nprByline": "Kelly Whalen",
"path": "/arts/10359918/taking-you-higher-videos-from-sly-stone-tribute-concert",
"audioUrl": "http://www.kqed.org/.stream/anon/radio/RDnews/2015/02/20150122bsegment.mp3",
"audioDuration": null,
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When more than 175 local musicians joined together for a Sly and the Family Stone tribute on Saturday, Jan. 24, at Oakland’s Fox Theater, a celebration of the legendary Bay Area funk band became a stage for homegrown talent and musicianship.\u003c/p>\n\u003cp>Nine bands performed one song each from the Family Stone’s groundbreaking 1969 album \u003cem>Stand!\u003c/em>, including the hit “I Want to Take You Higher,” performed by Zakiya Harris & Elephantine, and “You Can Make It If You Try,” played by Jazz Mafia and Crossroads Collective.\u003c/p>\n\u003cp>“There’s something about Sly and the Family Stone’s music that shows us how far we’ve come and how far we have to go,” says David Möschler, musical director for the event and founder of Awesöme Orchestra, which performed at the concert. “We need it more than ever today.”\u003c/p>\n\u003cp>The tribute concert, presented by \u003ca href=\"http://undercoverpresents.com/\" target=\"_blank\" rel=\"noopener\">UnderCover\u003c/a> and \u003ca href=\"http://faultlinestudios.com/more\" target=\"_blank\" rel=\"noopener\">Faultline Studios\u003c/a>, featured Bay Area hip-hop, soul, jazz, salsa, rock and orchestral bands. “Every group brought their own special sauce,” says Oakland native Zakiya Harris.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ONObpR0MkD4'\n title='//www.youtube.com/embed/ONObpR0MkD4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When Sly and the Family Stone burst onto the music scene in the late 1960s, they were one of the first racially-integrated American pop bands that also included women as core members.\u003c/p>\n\u003cp>“What’s so special about the Sly view is they were practicing what they preached,” says Adam Theis, founder of the Jazz Mafia and Crossroads Collective.\u003c/p>\n\u003cp>The evening was an encore of a sold-out 2014 show, also celebrating Stand!, at the Independent in San Francisco. “It was an almost spiritual experience and we were all craving that sense of connection again,” says Lyz Luke, founder and co-producer of UnderCover. “Before the show was even over, we all knew we wanted to do it again, bigger and better.”\u003c/p>\n\u003cp>On Jan. 24, with five original members of Sly and the Family Stone in the house, concert organizers wanted to show the band some extra love. Working with Oakland Mayor Libby Schaaf’s office, they presented band members Freddie Stone, Cynthia Robinson, Gregg Errico, Jerry Martini, and Rustee Allen with an official City of Oakland proclamation, declaring Jan. 24, 2015 to be Sly and the Family Stone Day and congratulating the local band for “embracing the ideals of a generation.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tHPYOEdq5oU'\n title='//www.youtube.com/embed/tHPYOEdq5oU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The man of the hour, Sly Stone, did not attend the show. But in addition to the proclamation, the bandleader last week enjoyed some good news when a judge awarded Stone $5 million in a \u003ca href=\"http://www.cnn.com/2015/01/29/entertainment/feat-sly-stone-five-million-verdict/\" target=\"_blank\" rel=\"noopener\">ruling against his ex-business partners\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Below, listen to Awesöme Orchestra conductor David Möschler and UnderCover founder Lyz Luke discuss the event with KQED’s Cy Musiker on \u003cem>Morning Edition\u003c/em>: \u003c/p>\n\u003caside class=\"aligncenter\">\n\u003ch4>David Möschler and Lyz Luke\u003c/h4>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "audioLink",
"attributes": {
"named": {
"src": "http://www.kqed.org/.stream/anon/radio/RDnews/2015/02/20150122bsegment.mp3"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10359918/taking-you-higher-videos-from-sly-stone-tribute-concert",
"authors": [
"byline_arts_10359918"
],
"categories": [
"arts_69"
],
"tags": [
"arts_596"
],
"featImg": "arts_10359923",
"label": "arts"
},
"arts_10357773": {
"type": "posts",
"id": "arts_10357773",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10357773",
"score": null,
"sort": [
1422948307000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1422948307,
"format": "standard",
"title": "The Jacka, Local Rap Veteran, Killed in Oakland Shooting",
"headTitle": "The Jacka, Local Rap Veteran, Killed in Oakland Shooting | KQED",
"content": "\u003cp>Bay Area rap veteran the Jacka was killed in an apparent shooting in Oakland on Monday night, \u003ca href=\"http://sanfrancisco.cbslocal.com/2015/02/02/bay-area-rapper-the-jacka-killed-in-oakland-shooting/\" target=\"_blank\" rel=\"noopener\">according to a KPIX report\u003c/a>.\u003c/p>\n\u003cp>The rapper, born Dominic Newton, was 37 years old. His most recent album, \u003cem>What Happened to the World\u003c/em>, was a \u003ca href=\"http://pitchfork.com/reviews/albums/20045-what-happened-to-the-world/\" target=\"_blank\" rel=\"noopener\">critically acclaimed\u003c/a> continuation of a long career in Bay Area hip-hop stretching back to his work with the Mob Figaz in the late 1990s. The Jacka’s list of collaborators reads like a who’s-who of Bay Area rap, including tracks with E-40, Mac Dre, Keak da Sneak, Mistah F.A.B., Andre Nickatina, Messy Marv and many others.\u003c/p>\n\u003cfigure id=\"attachment_10359072\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Jacka.Phoenix.jpg\" alt=\"The Jacka \" width=\"640\" height=\"450\" class=\"size-full wp-image-10359072\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Jacka.Phoenix.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Jacka.Phoenix-400x281.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Jacka onstage at the Phoenix Theater in Petaluma. (Photo: Eric Molyneaux)\u003c/figcaption>\u003c/figure>\n\u003cp>Recent years saw the hardworking rapper founding his own record label, The Artist, and performing with his trademark confidence at area venues like \u003ca href=\"https://twitter.com/OGpenn/status/562504142753509377\" target=\"_blank\" rel=\"noopener\">the New Parish in Oakland\u003c/a> and the Phoenix Theater in Petaluma, often alongside fellow rapper Husalah. His music also \u003ca href=\"http://www.allmusic.com/album/fruitvale-station-original-motion-picture-soundtrack-mw0002583483\" target=\"_blank\" rel=\"noopener\">featured prominently\u003c/a> in the award-winning film \u003cem>Fruitvale Station\u003c/em>.\u003c/p>\n\u003cp>In his personal life, the Jacka had converted to Islam, taking the Muslim name Shaheed Akbar. \u003c/p>\n\u003cp>The shooting near MacArthur Boulevard and 94th Ave. occurred around 8:15pm, according to witnesses. At press time, police are currently looking for suspects. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Reaction from fellow artists on Twitter was swift, expressing shock and tragedy:\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/E40/status/562671845527519233\" target=\"_blank\" rel=\"noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/e-40TW.jpg\" alt=\"e-40TW\" width=\"500\" height=\"226\" class=\"alignleft size-full wp-image-10359316\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/e-40TW.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/e-40TW-400x181.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp style=\"clear: both\"> \u003c/p>\n\u003cp>https://twitter.com/Raekwon/status/562504282113843200\u003c/p>\n\u003cp>https://twitter.com/REALDJPREMIER/status/562507818738003968\u003c/p>\n\u003cp>https://twitter.com/FreddieGibbs/status/562508754894086144\u003c/p>\n\u003cp>https://twitter.com/LILBTHEBASEDGOD/status/2189502674\u003c/p>\n\u003cp>https://twitter.com/therealrayluv/status/562513820762267648\u003c/p>\n\u003cp>https://twitter.com/TechN9ne/status/562660252529999873\u003c/p>\n\u003cp>https://twitter.com/adamraps/status/562509599484280833\u003c/p>\n\u003cp>https://twitter.com/realcormega/status/562578280281546752\u003c/p>\n\u003cp>https://twitter.com/planetasia/status/562504640583847936\u003c/p>\n\u003cp>https://twitter.com/L1LDebbie/status/562623072499286017\u003c/p>\n\u003cp>https://twitter.com/BabyBash/status/562502436490063873\u003c/p>\n\u003cp>https://twitter.com/THArealVNASTY/status/562507590962122753\u003c/p>\n\u003cp>https://twitter.com/DroopE/status/562495085497950209\u003c/p>\n\u003cp>https://twitter.com/HBKPLO/status/562493788631728128\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://twitter.com/AmoebaBerkeley/status/562651770514862080\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 314,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 9
},
"modified": 1705047659,
"excerpt": "The Bay Area rapper, shot Monday night near MacArthur Blvd. and 94th Ave., was 37 years old.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Bay Area rapper, shot Monday night near MacArthur Blvd. and 94th Ave., was 37 years old.",
"title": "The Jacka, Local Rap Veteran, Killed in Oakland Shooting | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Jacka, Local Rap Veteran, Killed in Oakland Shooting",
"datePublished": "2015-02-02T23:25:07-08:00",
"dateModified": "2024-01-12T00:20:59-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the-jacka-killed-in-oakland-shooting",
"status": "publish",
"sticky": false,
"path": "/arts/10357773/the-jacka-killed-in-oakland-shooting",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Bay Area rap veteran the Jacka was killed in an apparent shooting in Oakland on Monday night, \u003ca href=\"http://sanfrancisco.cbslocal.com/2015/02/02/bay-area-rapper-the-jacka-killed-in-oakland-shooting/\" target=\"_blank\" rel=\"noopener\">according to a KPIX report\u003c/a>.\u003c/p>\n\u003cp>The rapper, born Dominic Newton, was 37 years old. His most recent album, \u003cem>What Happened to the World\u003c/em>, was a \u003ca href=\"http://pitchfork.com/reviews/albums/20045-what-happened-to-the-world/\" target=\"_blank\" rel=\"noopener\">critically acclaimed\u003c/a> continuation of a long career in Bay Area hip-hop stretching back to his work with the Mob Figaz in the late 1990s. The Jacka’s list of collaborators reads like a who’s-who of Bay Area rap, including tracks with E-40, Mac Dre, Keak da Sneak, Mistah F.A.B., Andre Nickatina, Messy Marv and many others.\u003c/p>\n\u003cfigure id=\"attachment_10359072\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Jacka.Phoenix.jpg\" alt=\"The Jacka \" width=\"640\" height=\"450\" class=\"size-full wp-image-10359072\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Jacka.Phoenix.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Jacka.Phoenix-400x281.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Jacka onstage at the Phoenix Theater in Petaluma. (Photo: Eric Molyneaux)\u003c/figcaption>\u003c/figure>\n\u003cp>Recent years saw the hardworking rapper founding his own record label, The Artist, and performing with his trademark confidence at area venues like \u003ca href=\"https://twitter.com/OGpenn/status/562504142753509377\" target=\"_blank\" rel=\"noopener\">the New Parish in Oakland\u003c/a> and the Phoenix Theater in Petaluma, often alongside fellow rapper Husalah. His music also \u003ca href=\"http://www.allmusic.com/album/fruitvale-station-original-motion-picture-soundtrack-mw0002583483\" target=\"_blank\" rel=\"noopener\">featured prominently\u003c/a> in the award-winning film \u003cem>Fruitvale Station\u003c/em>.\u003c/p>\n\u003cp>In his personal life, the Jacka had converted to Islam, taking the Muslim name Shaheed Akbar. \u003c/p>\n\u003cp>The shooting near MacArthur Boulevard and 94th Ave. occurred around 8:15pm, according to witnesses. At press time, police are currently looking for suspects. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Reaction from fellow artists on Twitter was swift, expressing shock and tragedy:\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/E40/status/562671845527519233\" target=\"_blank\" rel=\"noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/e-40TW.jpg\" alt=\"e-40TW\" width=\"500\" height=\"226\" class=\"alignleft size-full wp-image-10359316\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/e-40TW.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/e-40TW-400x181.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp style=\"clear: both\"> \u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562504282113843200"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562507818738003968"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562508754894086144"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "2189502674"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562513820762267648"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562660252529999873"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562509599484280833"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562578280281546752"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562504640583847936"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562623072499286017"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562502436490063873"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562507590962122753"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562495085497950209"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562493788631728128"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "562651770514862080"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10357773/the-jacka-killed-in-oakland-shooting",
"authors": [
"185"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_596"
],
"featImg": "arts_10357901",
"label": "arts"
},
"arts_10348410": {
"type": "posts",
"id": "arts_10348410",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10348410",
"score": null,
"sort": [
1422667838000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1422667838,
"format": "audio",
"title": "Rod McKuen's Sweet, Beat-Poetry Ode to Sausalito",
"headTitle": "Rod McKuen’s Sweet, Beat-Poetry Ode to Sausalito | KQED",
"content": "\u003cp>The year was 1993, and I was living in a run-down punkhouse that was prone to hardcore bands playing in the living room, all-night strip poker sessions, and piles upon piles of empty forties in the backyard.\u003c/p>\n\u003cp>It might seem like an unlikely backdrop to discover the magic of Rod McKuen, who \u003ca href=\"http://www.npr.org/blogs/thetwo-way/2015/01/30/382602078/songwriter-poet-rod-mckuen-dies-at-81\" target=\"_blank\" rel=\"noopener\">died yesterday at the age of 81\u003c/a>, but that’s exactly where I first came across his music. One of my roommates, Dan, lived as the house’s anti-punk punk, with a disdain for mohawks but a love for mullets, bellbottoms, \u003ca href=\"http://ww2.kqed.org/arts/2014/12/04/video-margaret-keane-the-painter-behind-tim-burtons-big-eyes/\" target=\"_blank\" rel=\"noopener\">big-eye paintings\u003c/a> and other aesthetic relics from the 1970s. \u003c/p>\n\u003cp>Dan talked about Rod McKuen a lot, for some reason. I’d only known McKuen from what seemed like an endless supply of his albums in record-store dollar bins, and judging from the albums’ covers and abundance, had assumed him to be a dull easy-listening singer.\u003c/p>\n\u003cp>But one late night, Dan finally played me Rod McKuen—and I still remember the first track he chose, a spoken-word beat-poetry ramble called “Back to Sausalito.” \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=8w7F8o-GS2I&w=560&h=315]\u003c/p>\n\u003cp>There are plenty of songs about Sausalito—by \u003ca href=\"http://youtu.be/weRGNeaw4cA?t=1m\" target=\"_blank\" rel=\"noopener\">Al Martino\u003c/a>, the \u003ca href=\"https://www.youtube.com/watch?v=i_MJ2lw60rw\" target=\"_blank\" rel=\"noopener\">Ohio Express\u003c/a>, \u003ca href=\"http://youtu.be/ZfrkWDAQpzI\" target=\"_blank\" rel=\"noopener\">Diesel\u003c/a> and more—but none of them capture the bohemian spirit of the city in the late ’60s quite like McKuen, who was born in Oakland and lived for many years in San Francisco. In just a minute and a half, McKuen mentions Sally Stanford, Zen, tattoos, sailing, folksingers, and liverwurst sandwiches, and displays a counterculture unease at the idea of prayer. In the middle of it all, he says, glibly, “I dig Sausalito.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I’d go on to enjoy the off-kilter sentimentalism of Rod McKuen’s expansive output, \u003ca href=\"http://www.nytimes.com/2015/01/30/arts/rod-mckuen-prolific-poet-and-lyricist-dies-at-81.html\" target=\"_blank\" rel=\"noopener\">chronicled\u003c/a> this week in his many obituaries. In particular, Frank Sinatra’s album of McKuen compositions, \u003cem>\u003ca href=\"http://www.allmusic.com/album/a-man-alone-other-songs-of-rod-mckuen-mw0000318826\" target=\"_blank\" rel=\"noopener\">A Man Alone\u003c/a>\u003c/em>, perfectly straddles schmaltz and insight; also, the fact that McKuen’s Stanyan Records re-released two collections of \u003ca href=\"http://www.discogs.com/No%C3%ABl-Coward-Greatest-Hits-Volume-One/release/3226922\" target=\"_blank\" rel=\"noopener\">essential early Noel Coward recordings\u003c/a>, previously only available on long out-of-print 78s, further speaks to his impact on me.\u003c/p>\n\u003cp>But it’s “Back to Sausalito” that I always think of when I think of the man. (And it’s the reason why, if you’re ever in a car with me driving along Hwy. 101 through the city, you’ll hear me drawl under my breath, “I dig Sausalito.”)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>When I heard that he’d died, I couldn’t find it anywhere on YouTube, so I dug out my vinyl copy and remedied that with the video above. So thanks, Dan, for introducing him to me all those years ago—and thanks to Rod McKuen, for the thousands of songs and poems.\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 491,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705047667,
"excerpt": "How a strange, minute-and-a-half track about Sausalito opened my eyes to the lovable schmaltz of Rod McKuen.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "How a strange, minute-and-a-half track about Sausalito opened my eyes to the lovable schmaltz of Rod McKuen.",
"title": "Rod McKuen's Sweet, Beat-Poetry Ode to Sausalito | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Rod McKuen's Sweet, Beat-Poetry Ode to Sausalito",
"datePublished": "2015-01-30T17:30:38-08:00",
"dateModified": "2024-01-12T00:21:07-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "rod-mckuens-sweet-beat-poetry-ode-to-sausalito",
"status": "publish",
"sticky": false,
"path": "/arts/10348410/rod-mckuens-sweet-beat-poetry-ode-to-sausalito",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The year was 1993, and I was living in a run-down punkhouse that was prone to hardcore bands playing in the living room, all-night strip poker sessions, and piles upon piles of empty forties in the backyard.\u003c/p>\n\u003cp>It might seem like an unlikely backdrop to discover the magic of Rod McKuen, who \u003ca href=\"http://www.npr.org/blogs/thetwo-way/2015/01/30/382602078/songwriter-poet-rod-mckuen-dies-at-81\" target=\"_blank\" rel=\"noopener\">died yesterday at the age of 81\u003c/a>, but that’s exactly where I first came across his music. One of my roommates, Dan, lived as the house’s anti-punk punk, with a disdain for mohawks but a love for mullets, bellbottoms, \u003ca href=\"http://ww2.kqed.org/arts/2014/12/04/video-margaret-keane-the-painter-behind-tim-burtons-big-eyes/\" target=\"_blank\" rel=\"noopener\">big-eye paintings\u003c/a> and other aesthetic relics from the 1970s. \u003c/p>\n\u003cp>Dan talked about Rod McKuen a lot, for some reason. I’d only known McKuen from what seemed like an endless supply of his albums in record-store dollar bins, and judging from the albums’ covers and abundance, had assumed him to be a dull easy-listening singer.\u003c/p>\n\u003cp>But one late night, Dan finally played me Rod McKuen—and I still remember the first track he chose, a spoken-word beat-poetry ramble called “Back to Sausalito.” \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8w7F8o-GS2I'\n title='//www.youtube.com/embed/8w7F8o-GS2I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>There are plenty of songs about Sausalito—by \u003ca href=\"http://youtu.be/weRGNeaw4cA?t=1m\" target=\"_blank\" rel=\"noopener\">Al Martino\u003c/a>, the \u003ca href=\"https://www.youtube.com/watch?v=i_MJ2lw60rw\" target=\"_blank\" rel=\"noopener\">Ohio Express\u003c/a>, \u003ca href=\"http://youtu.be/ZfrkWDAQpzI\" target=\"_blank\" rel=\"noopener\">Diesel\u003c/a> and more—but none of them capture the bohemian spirit of the city in the late ’60s quite like McKuen, who was born in Oakland and lived for many years in San Francisco. In just a minute and a half, McKuen mentions Sally Stanford, Zen, tattoos, sailing, folksingers, and liverwurst sandwiches, and displays a counterculture unease at the idea of prayer. In the middle of it all, he says, glibly, “I dig Sausalito.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I’d go on to enjoy the off-kilter sentimentalism of Rod McKuen’s expansive output, \u003ca href=\"http://www.nytimes.com/2015/01/30/arts/rod-mckuen-prolific-poet-and-lyricist-dies-at-81.html\" target=\"_blank\" rel=\"noopener\">chronicled\u003c/a> this week in his many obituaries. In particular, Frank Sinatra’s album of McKuen compositions, \u003cem>\u003ca href=\"http://www.allmusic.com/album/a-man-alone-other-songs-of-rod-mckuen-mw0000318826\" target=\"_blank\" rel=\"noopener\">A Man Alone\u003c/a>\u003c/em>, perfectly straddles schmaltz and insight; also, the fact that McKuen’s Stanyan Records re-released two collections of \u003ca href=\"http://www.discogs.com/No%C3%ABl-Coward-Greatest-Hits-Volume-One/release/3226922\" target=\"_blank\" rel=\"noopener\">essential early Noel Coward recordings\u003c/a>, previously only available on long out-of-print 78s, further speaks to his impact on me.\u003c/p>\n\u003cp>But it’s “Back to Sausalito” that I always think of when I think of the man. (And it’s the reason why, if you’re ever in a car with me driving along Hwy. 101 through the city, you’ll hear me drawl under my breath, “I dig Sausalito.”)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>When I heard that he’d died, I couldn’t find it anywhere on YouTube, so I dug out my vinyl copy and remedied that with the video above. So thanks, Dan, for introducing him to me all those years ago—and thanks to Rod McKuen, for the thousands of songs and poems.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10348410/rod-mckuens-sweet-beat-poetry-ode-to-sausalito",
"authors": [
"185"
],
"categories": [
"arts_69"
],
"tags": [
"arts_596"
],
"featImg": "arts_10348412",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=music": {
"isFetching": false,
"latestQuery": {
"from": 4128,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 4930,
"relation": "eq"
},
"items": [
"arts_10385860",
"arts_10382825",
"arts_10382819",
"arts_10385468",
"arts_10384842",
"arts_10376948",
"arts_10369117",
"arts_10358838",
"arts_10360062",
"arts_10359918",
"arts_10357773",
"arts_10348410"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_music": {
"isLoading": true
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_146": {
"type": "terms",
"id": "arts_146",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "146",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/masthead-noisepop1.png",
"name": "Noise Pop",
"description": "The Noise Pop Podcast is a bi-monthly series showcasing noteworthy new releases from the independent and underground music scene, produced by Noise Pop: San Francisco’s favorite indie music, arts and film festival. KQED Arts has discontinued distributing the podcast, but you can find it \u003ca href=\"http://www.noisepop.com/podcast/\" target=\"_blank\">on their website\u003c/a>. ",
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "The Noise Pop Podcast is a bi-monthly series showcasing noteworthy new releases from the independent and underground music scene, produced by Noise Pop: San Francisco’s favorite indie music, arts and film festival. KQED Arts has discontinued distributing the podcast, but you can find it on their website.",
"title": "Noise Pop Archives | KQED Arts",
"ogDescription": null
},
"ttid": 147,
"slug": "noise-pop",
"isLoading": false,
"link": "/arts/affiliate/noise-pop"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_626": {
"type": "terms",
"id": "arts_626",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "626",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the-do-list-featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the-do-list-featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 634,
"slug": "the-do-list-featured",
"isLoading": false,
"link": "/arts/tag/the-do-list-featured"
},
"arts_147": {
"type": "terms",
"id": "arts_147",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "147",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-thebaybridged1.png",
"name": "The Bay Bridged",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Bay Bridged Archives | KQED Arts",
"ogDescription": null
},
"ttid": 148,
"slug": "the-bay-bridged",
"isLoading": false,
"link": "/arts/affiliate/the-bay-bridged"
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
}
}
