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"content": "\u003cp>On the Classical’s \u003cem>Survival of the Softest\u003c/em>, Berkeley singer-producer Juliet Gordon sings as if she’s sharpening a blade. The dark, experimental pop record speaks from the point of view of a “soft” person who’s had enough of being submissive, malleable, and meek: In other words, she’s finally snapped. “Why’s it selfish to try to survive?,” she asks on the high-drama opening track, “Theme for a Gorgon.” The song, with its swelling synths and thundering snares, builds suspense at the slow pace of menacing footsteps echoing down a concrete hallway.\u003c/p>\n\u003cp>https://youtu.be/y0ub7QshOqk\u003c/p>\n\u003cp>The reference to the gorgon, the snake-haired creature from Greek mythology, speaks to Gordon’s embracing the archetype of a female monster throughout the album, turning the tables on oppressive and obnoxious men. On “Why Don’t You Make Me Smile,” she flips the stereotypical street harasser’s pick-up line. “Why don’t you make me smile? / I learn nothing but patience here / From your incessant diatribes,” she taunts, mustering the faux-sincere tone of a woman who’s nodded politely to mansplainers one too many times.\u003c/p>\n\u003cp>But Gordon’s lyrics aren’t just righteous anger. In fact, her fictionalized persona throughout the album is more of a misunderstood anti-hero who reveals both her vulnerabilities (“Uh Oh”) and morbid fantasies (“My Death”). (It should come as no surprise that Gordon has a background in acting.) The album taps into a similar feeling of a breaking point that catalyzed the #MeToo movement, and the diabolical, unhinged personas Gordon inhabits can feel cathartic for anyone who’s felt stunned or helpless in the face of sexist microagressions.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3618206652/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Gordon’s production on \u003cem>Survival of the Softest\u003c/em> evokes trip-hop forebears like Massive Attack, as well as contemporary revivalists like FKA Twigs. The light, airy “Uh Oh,” with its hand-claps and euphoric piano melody, is the album’s emotional high point, but even there, Gordon tempers its floaty feeling with a twinge of melancholy.\u003c/p>\n\u003cp>\u003cem>Survival of the Softest\u003c/em> is the Classical’s final release, as Gordon and her collaborator Britt Ciampa disbanded earlier in the year. (Ciampa is not credited on this album.) While it’s unfortunate the project has been put to rest, this last effort proves Gordon to be one of the East Bay’s most creative songwriters. She recently joined indie outfit Golden Drugs as a vocalist, but let’s hope she emerges with another solo project soon.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>We’ll be posting our top 10 local albums of 2017 every day through Dec. 22. Check back \u003ca href=\"https://ww2.kqed.org/arts/tag/best-bay-area-albums-2017/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> to see which other albums made our list. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Gordon’s production on \u003cem>Survival of the Softest\u003c/em> evokes trip-hop forebears like Massive Attack, as well as contemporary revivalists like FKA Twigs. The light, airy “Uh Oh,” with its hand-claps and euphoric piano melody, is the album’s emotional high point, but even there, Gordon tempers its floaty feeling with a twinge of melancholy.\u003c/p>\n\u003cp>\u003cem>Survival of the Softest\u003c/em> is the Classical’s final release, as Gordon and her collaborator Britt Ciampa disbanded earlier in the year. (Ciampa is not credited on this album.) While it’s unfortunate the project has been put to rest, this last effort proves Gordon to be one of the East Bay’s most creative songwriters. She recently joined indie outfit Golden Drugs as a vocalist, but let’s hope she emerges with another solo project soon.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>We’ll be posting our top 10 local albums of 2017 every day through Dec. 22. Check back \u003ca href=\"https://ww2.kqed.org/arts/tag/best-bay-area-albums-2017/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> to see which other albums made our list. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>“Lost & Found” by 1-O.A.K. should be taught in a master class for crafting the perfect pop song.\u003c/p>\n\u003cp>Between the way the track’s bouncing bass line ebbs and flows to create tension; 1-O.A.K.’s effortless switch-ups from rap-singing to climactic falsetto; and lines like “My baby sneaker game wet / But she heartbreaking in a dress,” the Oakland artist nails the golden ratio of familiarity and surprise that can take a track from catchy to anthemic. Were it released by a major label, it’d easily have made it onto a lot more year-end lists than this humble local one.\u003c/p>\n\u003cp>https://youtu.be/J3QkH9ArfJU\u003c/p>\n\u003cp>The lead single isn’t the only captivating thing about 1-O.A.K.’s \u003cem>Riding in Cars With Girls\u003c/em>, a sophisticated sophomore album that dabbles in various R&B tendencies to create forward-thinking sounds with just the right dose of warmth and nostalgia. There’s the dreamy sway of “It’s Time,” which rocks along to an Aaliyah sample, and “Nature,” with its plucky guitar evoking the jazzy instrumentation of Sade. The entire album, in fact, has a retro, sepiatone sheen, steeped in a strong tonic of Curtis Mayfield and Zapp & Roger records. But electronic flourishes — like the tiny chorus of high-pitched “heys” in “Lost & Found” — make it feel very of-the-now.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1955449718/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Lyrically, the tracks on \u003cem>Riding in Cars With Girls\u003c/em> paint vignettes about different lovers, their sonic palettes as varied as the women 1-O.A.K. describes. “In the Moment” savors a deep appreciation for someone the singer can’t commit to. She’s frustrated that he dodges her questions, but 1-O.A.K. gets a taste of his own medicine in “Dead Wrong / Naima,” where he’s audibly vexed that he can’t get the woman he’s interested in to settle down.\u003c/p>\n\u003cp>Throughout \u003cem>Riding in Cars With Girls\u003c/em>, 1-O.A.K. dives deep into the nuances of these fleeting \u003ca href=\"http://aidanneal.com/2014/08/06/9-signs-youre-situationship/\" rel=\"noopener\" target=\"_blank\">situationships\u003c/a>, and emerges with thoughtful observations about human connections — both physical and emotional. He leaves behind R&B archetypes of the hypermasculine playboy or the pathetic, scorned lover, instead reveling in the tenuous romances, furtive glances, and mixed signals that make the process of falling in lust — and maybe even love — so damn exciting.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>We’ll be posting our top ten local albums of 2017 everyday through Dec. 22. Check back \u003ca href=\"https://ww2.kqed.org/arts/tag/best-bay-area-albums-2017/\" rel=\"noopener\" target=\"_blank\">here\u003c/a> to see which other albums made our list. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Lost & Found” by 1-O.A.K. should be taught in a master class for crafting the perfect pop song.\u003c/p>\n\u003cp>Between the way the track’s bouncing bass line ebbs and flows to create tension; 1-O.A.K.’s effortless switch-ups from rap-singing to climactic falsetto; and lines like “My baby sneaker game wet / But she heartbreaking in a dress,” the Oakland artist nails the golden ratio of familiarity and surprise that can take a track from catchy to anthemic. Were it released by a major label, it’d easily have made it onto a lot more year-end lists than this humble local one.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/J3QkH9ArfJU'\n title='//www.youtube.com/embed/J3QkH9ArfJU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The lead single isn’t the only captivating thing about 1-O.A.K.’s \u003cem>Riding in Cars With Girls\u003c/em>, a sophisticated sophomore album that dabbles in various R&B tendencies to create forward-thinking sounds with just the right dose of warmth and nostalgia. There’s the dreamy sway of “It’s Time,” which rocks along to an Aaliyah sample, and “Nature,” with its plucky guitar evoking the jazzy instrumentation of Sade. The entire album, in fact, has a retro, sepiatone sheen, steeped in a strong tonic of Curtis Mayfield and Zapp & Roger records. But electronic flourishes — like the tiny chorus of high-pitched “heys” in “Lost & Found” — make it feel very of-the-now.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1955449718/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Lyrically, the tracks on \u003cem>Riding in Cars With Girls\u003c/em> paint vignettes about different lovers, their sonic palettes as varied as the women 1-O.A.K. describes. “In the Moment” savors a deep appreciation for someone the singer can’t commit to. She’s frustrated that he dodges her questions, but 1-O.A.K. gets a taste of his own medicine in “Dead Wrong / Naima,” where he’s audibly vexed that he can’t get the woman he’s interested in to settle down.\u003c/p>\n\u003cp>Throughout \u003cem>Riding in Cars With Girls\u003c/em>, 1-O.A.K. dives deep into the nuances of these fleeting \u003ca href=\"http://aidanneal.com/2014/08/06/9-signs-youre-situationship/\" rel=\"noopener\" target=\"_blank\">situationships\u003c/a>, and emerges with thoughtful observations about human connections — both physical and emotional. He leaves behind R&B archetypes of the hypermasculine playboy or the pathetic, scorned lover, instead reveling in the tenuous romances, furtive glances, and mixed signals that make the process of falling in lust — and maybe even love — so damn exciting.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>We’ll be posting our top ten local albums of 2017 everyday through Dec. 22. Check back \u003ca href=\"https://ww2.kqed.org/arts/tag/best-bay-area-albums-2017/\" rel=\"noopener\" target=\"_blank\">here\u003c/a> to see which other albums made our list. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Robert Calonico bleeds Berkeley blue and gold.\u003c/p>\n\u003cp>He grew up on UC Berkeley's campus, went to college there and has served as director of the school's marching band for 28 years.\u003c/p>\n\u003cp>During his tenure as the school's director of bands -- a position that includes leading the 225-piece \"Pride of California\" marching band and the 60-piece University Wind Ensemble -- Calonico has traveled around the globe with student musicians as they performed at countless school sporting events, all while gaining the respect and admiration of students and faculty from across Berkeley's campus.\u003c/p>\n\u003cp>On Wednesday, Calonico announced that he plans to \u003ca href=\"http://www.eastbaytimes.com/2017/12/06/beloved-cal-band-director-to-retire-on-high-note/\" target=\"_blank\" rel=\"noopener\">step down\u003c/a> from his position in June. I sat down with him in his office to talk about his time at Berkeley.\u003c/p>\n\u003cp>\u003cb>After 28 years of leading Cal’s bands, what’s your favorite memory?\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I’d have to say, with the marching band, performing at the Great Wall of China in 2016.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=seuwsrF3hzI\u003c/p>\n\u003cp>\u003cb>I’ve heard that you grew up in Berkeley. So you essentially bleed blue and gold, don’t you?\u003c/b>\u003c/p>\n\u003cp>“You know, a lot of students say, ‘Bob, the first three letters of your last name kind of say it all.’ C-A-L, so there it is. My dad did grad school here, and my mom was an undergrad. That’s where they met. Back in the day, they would tell us, ‘You can apply anywhere you want, but you’re going to Cal.’ ”\u003c/p>\n\u003cp>\u003cb>Can you tell me a little bit about your first time playing with the Cal band?\u003c/b>\u003c/p>\n\u003cp>“My brother was a sophomore here at the time. It was my first year, in 1972. There’s an explosion that goes off at pregame, and my brother didn’t say a word about it. And I marched right over that spot right before the bomb went off, and I must have jumped 6 feet in the air. He never told me until it actually happened. I found him on the sideline and go, ‘You didn’t tell me!’ He goes, ‘Well, of course I didn’t!’ ”\u003c/p>\n\u003cp>\u003cb>Can you tell me a little bit about your experience with students here at Berkeley?\u003c/b>\u003c/p>\n\u003cp>“They are incredible on every level -- just as people, and then as musicians and students. They’re just a joy to be around. With the marching band, it’s student leadership. There are five students who run the band and every aspect of it. And I’m maybe institutional memory -- a guider, if you will, a mentor at times. They chart the course of the band.”\u003c/p>\n\u003cp>\u003cb>I was a student at Berkeley not too long ago. I’ve seen firsthand the sense of community in Cal’s band. When you watch them perform, you see that they love every second of it. Can you tell me about the culture and how it’s evolved over the years?\u003c/b>\u003c/p>\n\u003cp>“That is one of the things I talk to potential students about. Find your community, whatever it is. If it’s gonna be working on the newspaper, or if it’s gonna be a fraternity or sorority -- whatever it is, it makes a place like this a lot smaller. It’s just so strange that I’ve been here all these years, and I can walk across campus, and there isn’t one time where I’ve not seen a student that I teach -- either in the band or in the wind ensemble or something. It’s just uncanny. It does make a community within a very large one.”\u003c/p>\n\u003cp>\u003cb>You’ve been all over the world with these bands. Is there one specific instance you can point to as the moment you were most proud to be director of Cal’s bands?\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Being asked to be in Super Bowl 50. During a recording session with Will Champion, the drummer of Coldplay, he was as kind as can be to my students. And I mean that whole experience. And there was also a memorandum -- we had to not tell anyone that we were selected. So this all occurred in late December, and the performance wasn’t until the second week of February. So for six weeks, my students didn’t say a word. And they were warned: ‘If you do, they may pull you from the show,’ so I think the whole picture -- that whole Super Bowl experience in 2016 -- is probably way up there.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’d have to say, with the marching band, performing at the Great Wall of China in 2016.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/seuwsrF3hzI'\n title='//www.youtube.com/embed/seuwsrF3hzI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cb>I’ve heard that you grew up in Berkeley. So you essentially bleed blue and gold, don’t you?\u003c/b>\u003c/p>\n\u003cp>“You know, a lot of students say, ‘Bob, the first three letters of your last name kind of say it all.’ C-A-L, so there it is. My dad did grad school here, and my mom was an undergrad. That’s where they met. Back in the day, they would tell us, ‘You can apply anywhere you want, but you’re going to Cal.’ ”\u003c/p>\n\u003cp>\u003cb>Can you tell me a little bit about your first time playing with the Cal band?\u003c/b>\u003c/p>\n\u003cp>“My brother was a sophomore here at the time. It was my first year, in 1972. There’s an explosion that goes off at pregame, and my brother didn’t say a word about it. And I marched right over that spot right before the bomb went off, and I must have jumped 6 feet in the air. He never told me until it actually happened. I found him on the sideline and go, ‘You didn’t tell me!’ He goes, ‘Well, of course I didn’t!’ ”\u003c/p>\n\u003cp>\u003cb>Can you tell me a little bit about your experience with students here at Berkeley?\u003c/b>\u003c/p>\n\u003cp>“They are incredible on every level -- just as people, and then as musicians and students. They’re just a joy to be around. With the marching band, it’s student leadership. There are five students who run the band and every aspect of it. And I’m maybe institutional memory -- a guider, if you will, a mentor at times. They chart the course of the band.”\u003c/p>\n\u003cp>\u003cb>I was a student at Berkeley not too long ago. I’ve seen firsthand the sense of community in Cal’s band. When you watch them perform, you see that they love every second of it. Can you tell me about the culture and how it’s evolved over the years?\u003c/b>\u003c/p>\n\u003cp>“That is one of the things I talk to potential students about. Find your community, whatever it is. If it’s gonna be working on the newspaper, or if it’s gonna be a fraternity or sorority -- whatever it is, it makes a place like this a lot smaller. It’s just so strange that I’ve been here all these years, and I can walk across campus, and there isn’t one time where I’ve not seen a student that I teach -- either in the band or in the wind ensemble or something. It’s just uncanny. It does make a community within a very large one.”\u003c/p>\n\u003cp>\u003cb>You’ve been all over the world with these bands. Is there one specific instance you can point to as the moment you were most proud to be director of Cal’s bands?\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Being asked to be in Super Bowl 50. During a recording session with Will Champion, the drummer of Coldplay, he was as kind as can be to my students. And I mean that whole experience. And there was also a memorandum -- we had to not tell anyone that we were selected. So this all occurred in late December, and the performance wasn’t until the second week of February. So for six weeks, my students didn’t say a word. And they were warned: ‘If you do, they may pull you from the show,’ so I think the whole picture -- that whole Super Bowl experience in 2016 -- is probably way up there.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Apple is closing in on a deal to buy Shazam, the popular phone app, and sources put the price tag at about $400 million, according to reports from \u003ca href=\"https://techcrunch.com/2017/12/08/sources-apple-is-acquiring-music-recognition-app-shazam/\" rel=\"noopener\" target=\"_blank\">TechCrunch\u003c/a> and \u003ca href=\"https://www.recode.net/2017/12/8/16753996/apple-shazam-acquisition-music-streaming\" rel=\"noopener\" target=\"_blank\">Recode\u003c/a> published Friday.\u003c/p>\n\u003cp>A deal for the app, which identifies songs and other media by matching its soundwaves to a large database, is expected to be announced by Monday.\u003c/p>\n\u003cp>Designed in London by a company of the same name that was founded in 1999, Shazam debuted in 2002 on mobile phones and used SMS texts to inform its users which songs it heard. As of Sept. 2016, the company says the app has been downloaded over \u003ca href=\"http://variety.com/2017/digital/news/apple-acquires-shazam-1202634286/\" rel=\"noopener\" target=\"_blank\">1 billion times in over 190 countries\u003c/a>. \u003c/p>\n\u003cp>Apple has had a long relationship with Shazam, as it was one of the first apps available when the Apple app store opened in 2008; it continues to be popular, with users “Shazam-ing” media around 20 million times a day. (It did not make Apple’s list of most \u003ca href=\"https://itunes.apple.com/story/id1297105905\" rel=\"noopener\" target=\"_blank\">popular apps for 2017\u003c/a>.) The app also allows users to connect to iTunes to buy the tracks that were “Shazamed,” as well as to streaming services such as Spotify and Google Play.\u003c/p>\n\u003cp>The company was last valued at over $1 billion, according to \u003ca href=\"https://my.pitchbook.com/profile/50961-79/company/profile#board-members\" rel=\"noopener\" target=\"_blank\">PitchBook,\u003c/a> rendering Apple’s purchase price of $400 million a significant discount. Shazam has raised $143 million since 2002, and finally made a profit of $54 million last year due to advertising revenues.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the tech and music worlds, speculation has proliferated on the possible motives for Apple to buy the company, especially as the technology behind the app’s song-identification is reportedly \u003ca href=\"https://www.recode.net/2017/12/8/16753996/apple-shazam-acquisition-music-streaming\" rel=\"noopener\" target=\"_blank\">easy to replicate\u003c/a> nowadays. \u003ca href=\"https://www.theverge.com/2017/12/8/16753962/apple-shazam-acquisition-report\" rel=\"noopener\" target=\"_blank\">The Verge\u003c/a> posits that Shazam’s recently launched augmented-reality platform could be a starting point if Apple were to create its own version of \u003ca href=\"https://en.wikipedia.org/wiki/Google_Lens\" rel=\"noopener\" target=\"_blank\">Google Lens\u003c/a>. \u003c/p>\n\u003cp>Representatives from Apple and Shazam have declined to comment.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Apple is closing in on a deal to buy Shazam, the popular phone app, and sources put the price tag at about $400 million, according to reports from \u003ca href=\"https://techcrunch.com/2017/12/08/sources-apple-is-acquiring-music-recognition-app-shazam/\" rel=\"noopener\" target=\"_blank\">TechCrunch\u003c/a> and \u003ca href=\"https://www.recode.net/2017/12/8/16753996/apple-shazam-acquisition-music-streaming\" rel=\"noopener\" target=\"_blank\">Recode\u003c/a> published Friday.\u003c/p>\n\u003cp>A deal for the app, which identifies songs and other media by matching its soundwaves to a large database, is expected to be announced by Monday.\u003c/p>\n\u003cp>Designed in London by a company of the same name that was founded in 1999, Shazam debuted in 2002 on mobile phones and used SMS texts to inform its users which songs it heard. As of Sept. 2016, the company says the app has been downloaded over \u003ca href=\"http://variety.com/2017/digital/news/apple-acquires-shazam-1202634286/\" rel=\"noopener\" target=\"_blank\">1 billion times in over 190 countries\u003c/a>. \u003c/p>\n\u003cp>Apple has had a long relationship with Shazam, as it was one of the first apps available when the Apple app store opened in 2008; it continues to be popular, with users “Shazam-ing” media around 20 million times a day. (It did not make Apple’s list of most \u003ca href=\"https://itunes.apple.com/story/id1297105905\" rel=\"noopener\" target=\"_blank\">popular apps for 2017\u003c/a>.) The app also allows users to connect to iTunes to buy the tracks that were “Shazamed,” as well as to streaming services such as Spotify and Google Play.\u003c/p>\n\u003cp>The company was last valued at over $1 billion, according to \u003ca href=\"https://my.pitchbook.com/profile/50961-79/company/profile#board-members\" rel=\"noopener\" target=\"_blank\">PitchBook,\u003c/a> rendering Apple’s purchase price of $400 million a significant discount. Shazam has raised $143 million since 2002, and finally made a profit of $54 million last year due to advertising revenues.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the tech and music worlds, speculation has proliferated on the possible motives for Apple to buy the company, especially as the technology behind the app’s song-identification is reportedly \u003ca href=\"https://www.recode.net/2017/12/8/16753996/apple-shazam-acquisition-music-streaming\" rel=\"noopener\" target=\"_blank\">easy to replicate\u003c/a> nowadays. \u003ca href=\"https://www.theverge.com/2017/12/8/16753962/apple-shazam-acquisition-report\" rel=\"noopener\" target=\"_blank\">The Verge\u003c/a> posits that Shazam’s recently launched augmented-reality platform could be a starting point if Apple were to create its own version of \u003ca href=\"https://en.wikipedia.org/wiki/Google_Lens\" rel=\"noopener\" target=\"_blank\">Google Lens\u003c/a>. \u003c/p>\n\u003cp>Representatives from Apple and Shazam have declined to comment.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Meek Mill's Legal Team, Denied at Every Turn, Presses Ahead",
"headTitle": "Meek Mill’s Legal Team, Denied at Every Turn, Presses Ahead | KQED",
"content": "\u003cp>On Nov. 6, \u003ca href=\"https://www.npr.org/tags/564392028/meek-mill\" target=\"_blank\" rel=\"noopener\">Meek Mill\u003c/a>, a platinum-selling rapper and Philadelphia native, was sentenced to two and four years in state prison over multiple parole violations stemming from a 2007 case. This decision was handed down by Judge Genece Brinkley, the presiding judge in Meek’s case since 2009.\u003c/p>\n\u003cp>The legal team of the Philly rapper has, unsurprisingly, been fighting the judgments against their client every step of the way.\u003c/p>\n\u003cp>Meek’s legal team have so far:\u003c/p>\n\u003cul>\n\u003cli>Requested that Judge Brinkley \u003ca href=\"http://file///C:/Users/smadden/AppData/Local/Microsoft/Windows/Temporary%20Internet%20Files/Content.Outlook/HCE2226J/recusal-motion.pdf\" target=\"_blank\" rel=\"noopener\">recuse herself\u003c/a> from the case on Nov. 14.\u003c/li>\n\u003cli>Applied for a bail reconsideration on Nov. 16 (This was denied by Brinkley on Dec. 1. Brinkley wrote in her ruling that she believes the rapper to be a “\u003ca href=\"http://file///C:/Users/smadden/AppData/Local/Microsoft/Windows/Temporary%20Internet%20Files/Content.Outlook/HCE2226J/BRINKLEYOPINION.pdf\" target=\"_blank\" rel=\"noopener\">flight risk\u003c/a>” given the fact that he has multiple addresses and knows the severity of the sentence he faces.)\u003c/li>\n\u003cli>Filed an emergency Original Writ of Habeas Corpus motion to have Meek immediately released on Nov. 28. (This was denied by the Pennsylvania Superior Court the same day.)\u003c/li>\n\u003cli>Appealed Judge Brinkley’s denial with the Superior Court on Dec. 6. (This was denied on Dec. 7.)\u003c/li>\n\u003cli>Appealed the \u003ca href=\"http://www.tmz.com/2017/12/07/meek-mill-appeals-probation-violation-prison-sentence/\" target=\"_blank\" rel=\"noopener\">two-to-four year sentence as a whole\u003c/a> on Dec. 7.\u003c/li>\n\u003c/ul>\n\u003cp>Meek’s lawyer, Brian McMonagle, says they will continue trying to vindicate Meek.\u003c/p>\n\u003cp>“Just today, we appealed this unfair and improper sentence to the Pennsylvania Superior Court and will ask the court to release Mr.Williams on bail pending appeal,” Mill’s lawyer Brian McMonagle told NPR in a statement on Dec. 7. “We will not rest until we secure Mr. Williams’ freedom.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>One part of the strategy of Mill’s legal team has focused on Judge Brinkley herself. The team has asserted in interviews and in official court documents that the judge has behaved unprofessionally with the rapper, accusing her of requesting a name-drop in a song or suggesting Meek get new management.\u003c/p>\n\u003cp>After reports that the FBI was investigating Judge Brinkley began to surface (neither confirmed nor denied by the Department of Justice, per policy) Meek’s attorneys filed an official recusal request on Nov. 14, citing the investigation as a reason for the judge recuse herself. A new report from \u003ca href=\"http://www.philly.com/philly/news/pennsylvania/philadelphia/sources-feds-asked-meek-mill-to-tape-philly-judge-he-refused-20171207.html\" target=\"_blank\" rel=\"noopener\">\u003cem>The\u003c/em> \u003cem>Philadelphia Inquirer\u003c/em>\u003c/a>, based on three anonymous sources, claims that it was Meek and a former lawyer who asked the FBI to investigate Judge Brinkley but Meek’s refusal to wear a wire during he and Brinkley’s conversations stalled the investigation.\u003c/p>\n\u003cp>As of now, that recusal request is still pending.\u003c/p>\n\u003cp>What is the remaining recourse for Meek Mill’s team?\u003c/p>\n\u003cp>“Meek’s appeals are still alive and well,” Kevin Harden Jr., a personal injury attorney at Ross Feller Casey and former public prosecutor in Philadelphia, tells NPR. “I expect them to continue pursuing emergency petitions based on the recusal issue and the bail issue.”\u003c/p>\n\u003cp>Harden Jr. says that Pennsylvania’s appellate courts typically defer to trial courts except in extraordinary cases — Meek’s case could be one of those instances.\u003c/p>\n\u003cp>“With the level of media attention, there may be an emergency appeal to the Supreme Court if the Superior Court takes no issue with Judge Brinkley’s reasoning in her opinion denying the emergency bail motion,” Harden says.\u003c/p>\n\u003cp>As his fate is still tied up in the courts, the public outcry over Meek Mill’s probation violation sentencing has brought national attention to the debate over probation and parole reform as a whole in the U.S. In the time that Meek has been behind bars this year, rappers, athletes and prominent activists have rallied in support of the 30-year-old rapper, with some claiming Judge Brinkley had a specific bias against him. Reverend Al Sharpton \u003ca href=\"https://www.nbcnews.com/news/nbcblk/rev-al-sharpton-visits-rapper-meek-mill-prison-calls-him-n824221\">visited \u003c/a>Meek Mill in prison while Jay-Z, Meek’s Roc Nation boss, published an opinion piece in \u003ca href=\"https://www.nytimes.com/2017/11/17/opinion/jay-z-meek-mill-probation.html\">\u003cem>The New York Times\u003c/em>\u003c/a> detailing how he believes the criminal justice system stalks men like Meek.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“What’s happening to Meek Mill is just one example of how our criminal justice system entraps and harasses hundreds of thousands of black people every day,” wrote Jay. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Meek+Mill%27s+Legal+Team%2C+Denied+At+Every+Turn%2C+Presses+Ahead&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Nov. 6, \u003ca href=\"https://www.npr.org/tags/564392028/meek-mill\" target=\"_blank\" rel=\"noopener\">Meek Mill\u003c/a>, a platinum-selling rapper and Philadelphia native, was sentenced to two and four years in state prison over multiple parole violations stemming from a 2007 case. This decision was handed down by Judge Genece Brinkley, the presiding judge in Meek’s case since 2009.\u003c/p>\n\u003cp>The legal team of the Philly rapper has, unsurprisingly, been fighting the judgments against their client every step of the way.\u003c/p>\n\u003cp>Meek’s legal team have so far:\u003c/p>\n\u003cul>\n\u003cli>Requested that Judge Brinkley \u003ca href=\"http://file///C:/Users/smadden/AppData/Local/Microsoft/Windows/Temporary%20Internet%20Files/Content.Outlook/HCE2226J/recusal-motion.pdf\" target=\"_blank\" rel=\"noopener\">recuse herself\u003c/a> from the case on Nov. 14.\u003c/li>\n\u003cli>Applied for a bail reconsideration on Nov. 16 (This was denied by Brinkley on Dec. 1. Brinkley wrote in her ruling that she believes the rapper to be a “\u003ca href=\"http://file///C:/Users/smadden/AppData/Local/Microsoft/Windows/Temporary%20Internet%20Files/Content.Outlook/HCE2226J/BRINKLEYOPINION.pdf\" target=\"_blank\" rel=\"noopener\">flight risk\u003c/a>” given the fact that he has multiple addresses and knows the severity of the sentence he faces.)\u003c/li>\n\u003cli>Filed an emergency Original Writ of Habeas Corpus motion to have Meek immediately released on Nov. 28. (This was denied by the Pennsylvania Superior Court the same day.)\u003c/li>\n\u003cli>Appealed Judge Brinkley’s denial with the Superior Court on Dec. 6. (This was denied on Dec. 7.)\u003c/li>\n\u003cli>Appealed the \u003ca href=\"http://www.tmz.com/2017/12/07/meek-mill-appeals-probation-violation-prison-sentence/\" target=\"_blank\" rel=\"noopener\">two-to-four year sentence as a whole\u003c/a> on Dec. 7.\u003c/li>\n\u003c/ul>\n\u003cp>Meek’s lawyer, Brian McMonagle, says they will continue trying to vindicate Meek.\u003c/p>\n\u003cp>“Just today, we appealed this unfair and improper sentence to the Pennsylvania Superior Court and will ask the court to release Mr.Williams on bail pending appeal,” Mill’s lawyer Brian McMonagle told NPR in a statement on Dec. 7. “We will not rest until we secure Mr. Williams’ freedom.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One part of the strategy of Mill’s legal team has focused on Judge Brinkley herself. The team has asserted in interviews and in official court documents that the judge has behaved unprofessionally with the rapper, accusing her of requesting a name-drop in a song or suggesting Meek get new management.\u003c/p>\n\u003cp>After reports that the FBI was investigating Judge Brinkley began to surface (neither confirmed nor denied by the Department of Justice, per policy) Meek’s attorneys filed an official recusal request on Nov. 14, citing the investigation as a reason for the judge recuse herself. A new report from \u003ca href=\"http://www.philly.com/philly/news/pennsylvania/philadelphia/sources-feds-asked-meek-mill-to-tape-philly-judge-he-refused-20171207.html\" target=\"_blank\" rel=\"noopener\">\u003cem>The\u003c/em> \u003cem>Philadelphia Inquirer\u003c/em>\u003c/a>, based on three anonymous sources, claims that it was Meek and a former lawyer who asked the FBI to investigate Judge Brinkley but Meek’s refusal to wear a wire during he and Brinkley’s conversations stalled the investigation.\u003c/p>\n\u003cp>As of now, that recusal request is still pending.\u003c/p>\n\u003cp>What is the remaining recourse for Meek Mill’s team?\u003c/p>\n\u003cp>“Meek’s appeals are still alive and well,” Kevin Harden Jr., a personal injury attorney at Ross Feller Casey and former public prosecutor in Philadelphia, tells NPR. “I expect them to continue pursuing emergency petitions based on the recusal issue and the bail issue.”\u003c/p>\n\u003cp>Harden Jr. says that Pennsylvania’s appellate courts typically defer to trial courts except in extraordinary cases — Meek’s case could be one of those instances.\u003c/p>\n\u003cp>“With the level of media attention, there may be an emergency appeal to the Supreme Court if the Superior Court takes no issue with Judge Brinkley’s reasoning in her opinion denying the emergency bail motion,” Harden says.\u003c/p>\n\u003cp>As his fate is still tied up in the courts, the public outcry over Meek Mill’s probation violation sentencing has brought national attention to the debate over probation and parole reform as a whole in the U.S. In the time that Meek has been behind bars this year, rappers, athletes and prominent activists have rallied in support of the 30-year-old rapper, with some claiming Judge Brinkley had a specific bias against him. Reverend Al Sharpton \u003ca href=\"https://www.nbcnews.com/news/nbcblk/rev-al-sharpton-visits-rapper-meek-mill-prison-calls-him-n824221\">visited \u003c/a>Meek Mill in prison while Jay-Z, Meek’s Roc Nation boss, published an opinion piece in \u003ca href=\"https://www.nytimes.com/2017/11/17/opinion/jay-z-meek-mill-probation.html\">\u003cem>The New York Times\u003c/em>\u003c/a> detailing how he believes the criminal justice system stalks men like Meek.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“What’s happening to Meek Mill is just one example of how our criminal justice system entraps and harasses hundreds of thousands of black people every day,” wrote Jay. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Meek+Mill%27s+Legal+Team%2C+Denied+At+Every+Turn%2C+Presses+Ahead&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>SF Weekly theater critic \u003ca href=\"https://ww2.kqed.org/arts/author/jedalatpour/\" target=\"_blank\" rel=\"noopener\">Jeffrey Edalatpour\u003c/a> is back on the show this week to talk about holiday and counter-holiday plays around the Bay Area. Plus three world premieres from the choreographers Garrett and Moulton, a fire fundraiser at the Schulz Museum, and great indie folk-rock from the Barr Brothers.\u003c/p>\n\u003cp>\u003cstrong>Cont. through Dec. 17:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/bright-star-is-a-holiday-play-full-of-bluegrass-cheer/\" target=\"_blank\" rel=\"noopener\">\u003cem>Bright Star\u003c/em> is a post-war fairy tale set in the South, with a lovely score and a breakout performance by Carmen Cusack\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Dec. 17\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/celebrating-female-joy-in-a-play-from-lauren-gunderson/\" target=\"_blank\" rel=\"noopener\">Playwright Lauren Gunderson spins a tale of romance for the brainy in \u003cem>Miss Bennett: Christmas at Pemberley.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Jan 14: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-deal-with-the-devil-in-black-rider-what-could-possibly-go-wrong/\" target=\"_blank\" rel=\"noopener\">Making a deal with the devil in \u003cem>The Black Rider\u003c/em>; what could possibly go wrong?\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Jan. 14:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-timeless-watch-against-fascism/\" target=\"_blank\" rel=\"noopener\">\u003cem>Watch on the Rhine\u003c/em> is a timely play about the dangers of not intervening in the fight against fascism.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Dec. 14-16:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/clockwork-dances-revealing-our-human-flaws/\" target=\"_blank\" rel=\"noopener\">Garrett + Moulton make dances that are like Rubik’s Cubes, colorful movement puzzles that snap into perfection.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec. 8-10:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-jazz-singer-for-all-times/\" target=\"_blank\" rel=\"noopener\">Gregory Porter may look goofy, but his singing is serious and sublime.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec. 9\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-fire-relief-fundraiser-in-comic-strips/\" target=\"_blank\" rel=\"noopener\">The Schulz Museum in Santa Rosa hosts a fundraiser for fire relief with some of the Bay Area’s top graphic artists.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Dec. 13:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/the-barr-brothers-are-the-pride-of-providence/\" target=\"_blank\" rel=\"noopener\">The Barr Brothers, the pride of Providence R.I, offer a fresh take on indie folk-rock\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13816822\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13816822\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-800x451.jpg\" alt=\"KQED's Cy Musiker and Jeffrey Edalatpour host the Do List for Dec. 8, 2017\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1920x1082.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Cy Musiker and Jeffrey Edalatpour host the Do List for Dec. 8, 2017 \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>SF Weekly theater critic \u003ca href=\"https://ww2.kqed.org/arts/author/jedalatpour/\" target=\"_blank\" rel=\"noopener\">Jeffrey Edalatpour\u003c/a> is back on the show this week to talk about holiday and counter-holiday plays around the Bay Area. Plus three world premieres from the choreographers Garrett and Moulton, a fire fundraiser at the Schulz Museum, and great indie folk-rock from the Barr Brothers.\u003c/p>\n\u003cp>\u003cstrong>Cont. through Dec. 17:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/bright-star-is-a-holiday-play-full-of-bluegrass-cheer/\" target=\"_blank\" rel=\"noopener\">\u003cem>Bright Star\u003c/em> is a post-war fairy tale set in the South, with a lovely score and a breakout performance by Carmen Cusack\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Dec. 17\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/celebrating-female-joy-in-a-play-from-lauren-gunderson/\" target=\"_blank\" rel=\"noopener\">Playwright Lauren Gunderson spins a tale of romance for the brainy in \u003cem>Miss Bennett: Christmas at Pemberley.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Jan 14: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-deal-with-the-devil-in-black-rider-what-could-possibly-go-wrong/\" target=\"_blank\" rel=\"noopener\">Making a deal with the devil in \u003cem>The Black Rider\u003c/em>; what could possibly go wrong?\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Jan. 14:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-timeless-watch-against-fascism/\" target=\"_blank\" rel=\"noopener\">\u003cem>Watch on the Rhine\u003c/em> is a timely play about the dangers of not intervening in the fight against fascism.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Dec. 14-16:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/clockwork-dances-revealing-our-human-flaws/\" target=\"_blank\" rel=\"noopener\">Garrett + Moulton make dances that are like Rubik’s Cubes, colorful movement puzzles that snap into perfection.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec. 8-10:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-jazz-singer-for-all-times/\" target=\"_blank\" rel=\"noopener\">Gregory Porter may look goofy, but his singing is serious and sublime.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec. 9\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-fire-relief-fundraiser-in-comic-strips/\" target=\"_blank\" rel=\"noopener\">The Schulz Museum in Santa Rosa hosts a fundraiser for fire relief with some of the Bay Area’s top graphic artists.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Dec. 13:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/the-barr-brothers-are-the-pride-of-providence/\" target=\"_blank\" rel=\"noopener\">The Barr Brothers, the pride of Providence R.I, offer a fresh take on indie folk-rock\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13816822\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13816822\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-800x451.jpg\" alt=\"KQED's Cy Musiker and Jeffrey Edalatpour host the Do List for Dec. 8, 2017\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1920x1082.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Cy Musiker and Jeffrey Edalatpour host the Do List for Dec. 8, 2017 \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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