window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13818756": {
"type": "attachments",
"id": "arts_13818756",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13818756",
"found": true
},
"parent": 13818751,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover.jpg",
"width": 1200,
"height": 675
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/justin-timberlake-man-of-the-woods-cover-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1515538340,
"modified": 1515538340,
"caption": null,
"description": null,
"title": "justin-timberlake-man-of-the-woods-cover",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13814603": {
"type": "attachments",
"id": "arts_13814603",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13814603",
"found": true
},
"parent": 0,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-520x347.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 347
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-960x640.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 640
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-375x250.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 250
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666.jpg",
"width": 1920,
"height": 1280
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-1180x787.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 787
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-1180x787.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 787
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/11/MG_0666-240x160.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 160
}
},
"publishDate": 1510336201,
"modified": 1510338757,
"caption": "G-Eazy plays Band Together Bay Area, a benefit concert for North Bay Fire relief at AT&T Park on Thursday, November 9.",
"description": "G-Eazy plays Band Together Bay Area, a benefit concert for North Bay Fire relief at AT&T Park on Thursday, November 9.",
"title": "G-Eazy plays Band Together Bay Area, a benefit concert for North Bay Fire relief at AT&T Park on Thursday, November 9.",
"credit": "Estefany Gonzalez",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13818692": {
"type": "attachments",
"id": "arts_13818692",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13818692",
"found": true
},
"parent": 13818687,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-520x347.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 347
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-960x640.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 640
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-375x250.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 250
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6.jpg",
"width": 1800,
"height": 1200
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-1180x787.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 787
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-1180x787.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 787
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Charles-Dutoit-4x6-240x160.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 160
}
},
"publishDate": 1515454380,
"modified": 1515713600,
"caption": "Charles Dutoit.",
"description": "Four women have accused Charles Dutoit of sexual misconduct in incidents spanning 1985-2010.",
"title": "Charles-Dutoit-4x6",
"credit": "San Francisco Symphony",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13818661": {
"type": "attachments",
"id": "arts_13818661",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13818661",
"found": true
},
"parent": 13818660,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-520x281.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 281
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-160x87.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 87
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-960x519.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 519
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-375x203.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 203
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars.jpg",
"width": 1200,
"height": 649
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-1020x552.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 552
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-1180x638.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 638
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-800x433.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 433
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-1180x638.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 638
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-768x415.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 415
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BrunoMars-240x130.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 130
}
},
"publishDate": 1515401100,
"modified": 1515401133,
"caption": "Bruno Mars headlines this year's BottleRock festival in Napa.",
"description": "Bruno Mars headlines this year's BottleRock festival in Napa.",
"title": "BrunoMars",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13818614": {
"type": "attachments",
"id": "arts_13818614",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13818614",
"found": true
},
"parent": 13818613,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign.jpg",
"width": 1100,
"height": 619
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/TyDollaSign-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1515193315,
"modified": 1515193344,
"caption": "Ty Dolla Sign.",
"description": null,
"title": "TyDollaSign",
"credit": "Atlantic Records",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13818602": {
"type": "attachments",
"id": "arts_13818602",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13818602",
"found": true
},
"parent": 13818594,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-520x293.png",
"width": 520,
"mimeType": "image/png",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-1038x576.png",
"width": 1038,
"mimeType": "image/png",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-160x90.png",
"width": 160,
"mimeType": "image/png",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-960x540.png",
"width": 960,
"mimeType": "image/png",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-672x372.png",
"width": 672,
"mimeType": "image/png",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-375x211.png",
"width": 375,
"mimeType": "image/png",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM.png",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-1020x574.png",
"width": 1020,
"mimeType": "image/png",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-1180x664.png",
"width": 1180,
"mimeType": "image/png",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-50x50.png",
"width": 50,
"mimeType": "image/png",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-96x96.png",
"width": 96,
"mimeType": "image/png",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-800x450.png",
"width": 800,
"mimeType": "image/png",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-64x64.png",
"width": 64,
"mimeType": "image/png",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-32x32.png",
"width": 32,
"mimeType": "image/png",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-1920x1080.png",
"width": 1920,
"mimeType": "image/png",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-1180x664.png",
"width": 1180,
"mimeType": "image/png",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-1920x1080.png",
"width": 1920,
"mimeType": "image/png",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-150x150.png",
"width": 150,
"mimeType": "image/png",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-768x432.png",
"width": 768,
"mimeType": "image/png",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-128x128.png",
"width": 128,
"mimeType": "image/png",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.53.37-PM-240x135.png",
"width": 240,
"mimeType": "image/png",
"height": 135
}
},
"publishDate": 1515186372,
"modified": 1515188157,
"caption": "Justin Timberlake, in a trailer for his new album, 'Man of the Woods.'",
"description": "Justin Timberlake, in a trailer for his new album, 'Man of the Woods.'",
"title": "Screen shot 2018-01-05 at 12.53.37 PM",
"credit": "Vevo",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13818443": {
"type": "attachments",
"id": "arts_13818443",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13818443",
"found": true
},
"parent": 13818442,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-520x351.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 351
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-936x576.jpg",
"width": 936,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-160x108.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 108
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-375x253.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 253
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh.jpg",
"width": 936,
"height": 632
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-800x540.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 540
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-768x519.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 519
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/BestofEdinburgh-240x162.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 162
}
},
"publishDate": 1515026764,
"modified": 1515033132,
"caption": "Best of Edinburgh International Showcase at the 17th Annual SF Sketchfest.",
"description": "Best of Edinburgh International Showcase at the 17th Annual SF Sketchfest",
"title": "BestofEdinburgh",
"credit": "Photo: Courtesy of SF Sketchfest",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13818458": {
"type": "attachments",
"id": "arts_13818458",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13818458",
"found": true
},
"parent": 13818452,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/group-2-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/group-2-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/group-2-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/group-2-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/group-2.jpg",
"width": 705,
"height": 396
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/group-2-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/group-2-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/group-2-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/group-2-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/group-2-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/group-2-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/group-2-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1515028478,
"modified": 1515028674,
"caption": "Every year, the African American Composer Initiative celebrates a rich musical heritage in danger of being forgotten.",
"description": "Every year, the African American Composer Initiative celebrates a rich musical heritage in danger of being forgotten.",
"title": "group 2",
"credit": "Photo: Courtesy of the African American Composer Initiative",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13818431": {
"type": "attachments",
"id": "arts_13818431",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13818431",
"found": true
},
"parent": 13818430,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/StLouisSymphony-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/StLouisSymphony-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/StLouisSymphony-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/StLouisSymphony.jpg",
"width": 620,
"height": 349
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/StLouisSymphony-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/StLouisSymphony-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/StLouisSymphony-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/StLouisSymphony-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/StLouisSymphony-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/StLouisSymphony-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/StLouisSymphony-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1515024208,
"modified": 1515024263,
"caption": "The St. Louis Symphony, second oldest in the nation, performs a trio of crowd pleasers at Stanford's Bing Hall on January 19.",
"description": "The St. Louis Symphony, second oldest in the nation, performs a trio of crowd pleasers at Stanford's Bing Hall on January 19.",
"title": "StLouisSymphony",
"credit": "Photo: Courtesy of St. Louis Symphony",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13818447": {
"type": "attachments",
"id": "arts_13818447",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13818447",
"found": true
},
"parent": 13818446,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa.jpg",
"width": 2202,
"height": 1238
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-1020x573.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 573
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-1920x1079.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1079
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-1920x1079.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1079
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/01/gettyimages-863384620_wide-70cf850dac525a4eb03b7c54305a2c0f6a4c89fa-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1515027534,
"modified": 1515027534,
"caption": null,
"description": "The Weeknd will headline Coachella 2018 along with Beyonce and Eminem.",
"title": "The Weeknd will headline Coachella 2018 along with Beyonce and Eminem.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13818056": {
"type": "attachments",
"id": "arts_13818056",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13818056",
"found": true
},
"parent": 13818055,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz.jpg",
"width": 800,
"height": 450
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/Jay-Som-Photo-by-Ebru-Yildiz-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1513961887,
"modified": 1518491940,
"caption": null,
"description": "Ebru Yildiz",
"title": "Jay Som",
"credit": "Photo by Ebru Yildiz",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13818069": {
"type": "attachments",
"id": "arts_13818069",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13818069",
"found": true
},
"parent": 13818064,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-520x347.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 347
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-900x576.jpg",
"width": 900,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-375x250.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 250
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image.jpg",
"width": 900,
"height": 600
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/12/playlist-cover-image-240x160.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 160
}
},
"publishDate": 1513977007,
"modified": 1513977007,
"caption": null,
"description": null,
"title": "playlist cover image",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13818446": {
"type": "authors",
"id": "byline_arts_13818446",
"meta": {
"override": true
},
"slug": "byline_arts_13818446",
"name": "Sidney Madden",
"isLoading": false
},
"baybridged": {
"type": "authors",
"id": "178",
"meta": {
"index": "authors_1716337520",
"id": "178",
"found": true
},
"name": "The Bay Bridged",
"firstName": "The Bay",
"lastName": "Bridged",
"slug": "baybridged",
"email": "thebaybridged@gmail.com",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/211daad5386ad504c39c31f3e16cfae45ec7b0ad32ecca7ee64cfd9b7eb76609?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "The Bay Bridged | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/211daad5386ad504c39c31f3e16cfae45ec7b0ad32ecca7ee64cfd9b7eb76609?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/211daad5386ad504c39c31f3e16cfae45ec7b0ad32ecca7ee64cfd9b7eb76609?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/baybridged"
},
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"administrator"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"rachael-myrow": {
"type": "authors",
"id": "251",
"meta": {
"index": "authors_1716337520",
"id": "251",
"found": true
},
"name": "Rachael Myrow",
"firstName": "Rachael",
"lastName": "Myrow",
"slug": "rachael-myrow",
"email": "rmyrow@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"news"
],
"title": "Senior Editor of KQED's Silicon Valley News Desk",
"bio": "• I write and edit stories about how Silicon Valley power and policies shape everyday life in California. I’m also passionate about making Bay Area history and culture more accessible to a broad public. • I’ve been a journalist for most of my life, starting in high school with The Franklin Press in Los Angeles, where I grew up. While earning my first degree in English at UC Berkeley, I got my start in public radio at KALX-FM. After completing a second degree in journalism at Cal, I landed my first professional job at Marketplace, then moved on to KPCC (now LAist), and then KQED, where I hosted The California Report for more than seven years. • My reporting has appeared on NPR, The World, WBUR’s \u003ci>Here & Now\u003c/i>, and the BBC. I also guest host for KQED’s \u003ci>Forum\u003c/i>, as well as the Commonwealth Club in San Francisco. • I speak periodically on media, democracy and technology issues, and do voiceover work for documentaries and educational video projects. • Outside of the studio, you'll find me hiking Bay Area trails and whipping up Insta-ready meals in my kitchen. • I do not accept gifts, money, or favors from anyone connected to my reporting, I don't pay people for information, and I do not support or donate to political causes. • I strive to treat the people I report on with fairness, honesty, and respect. I also recognize there are often multiple sides to a story and work to verify information through multiple sources and documentation. If I get something wrong, I correct it.",
"avatar": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g",
"twitter": "rachaelmyrow",
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": "https://www.linkedin.com/in/rachaelmyrow/",
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"edit_others_posts",
"editor"
]
},
{
"site": "futureofyou",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "stateofhealth",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"author"
]
}
],
"headData": {
"title": "Rachael Myrow | KQED",
"description": "Senior Editor of KQED's Silicon Valley News Desk",
"ogImgSrc": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/rachael-myrow"
},
"nvoynovskaya": {
"type": "authors",
"id": "11387",
"meta": {
"index": "authors_1716337520",
"id": "11387",
"found": true
},
"name": "Nastia Voynovskaya",
"firstName": "Nastia",
"lastName": "Voynovskaya",
"slug": "nvoynovskaya",
"email": "nvoynovskaya@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Editor and reporter",
"bio": "Nastia Voynovskaya is a reporter, editor and host at KQED Arts & Culture. She's been covering the arts in the Bay Area for over a decade, with a focus on music, queer culture, labor issues and grassroots organizing. She has edited KQED story series such as Trans Bay: A History of San Francisco's Gender-Diverse Community, and co-created KQED's Bay Area hip-hop history project, That's My Word. Nastia's work has been recognized by the Society of Professional Journalists and San Francisco Press Club. She regularly appears on podcasts and radio programs, including NPR's All Songs Considered, and hosts live events where music, culture and conversation meet.",
"avatar": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "https://www.instagram.com/nananastia/",
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"administrator"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "podcasts",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Nastia Voynovskaya | KQED",
"description": "Editor and reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/nvoynovskaya"
}
},
"pagesReducer": {
"arts_category_music": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"score": 10.85186
},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"title": "Music",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 202
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=music",
"seeMore": false,
"paginated": true,
"page": 202
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13818751": {
"type": "posts",
"id": "arts_13818751",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13818751",
"score": null,
"sort": [
1515602194000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1515602194,
"format": "standard",
"title": "Ticket Alert: Justin Timberlake at SAP Center",
"headTitle": "Ticket Alert: Justin Timberlake at SAP Center | KQED",
"content": "\u003cp>Justin Timberlake’s rollout for his new album, \u003cem>Man of the Woods\u003c/em>, has \u003ca href=\"https://ww2.kqed.org/arts/2018/01/05/what-is-justin-timberlake-doing/\" rel=\"noopener\" target=\"_blank\">everyone scratching their heads\u003c/a>. The mountain-man, Bon Iver-esque album cover and tracklist (which features song titles like “Flannel” and “Montana”) suggest a possible rebrand heading in the folk and country direction. Timberlake hinted as much in a Jan. 2 promo video for the project, which takes viewers into the wilderness of his home state of Tennessee as banjos and acoustic guitars strum in the background. \u003c/p>\n\u003cp>https://youtu.be/bVU-MmJZFFA\u003c/p>\n\u003cp>But Timberlake’s lead single for the project, “\u003ca href=\"https://youtu.be/gA-NDZb29I4\" rel=\"noopener\" target=\"_blank\">Filthy\u003c/a>,” tells another story. Co-written and co-produced by longtime collaborator Timbaland, it’s a dancefloor romp that makes the 12 years between now and Timberlake’s \u003cem>FutureSex/LoveSounds\u003c/em> feel like they never happened. Danja, the other producer of “Filthy,” dispelled — or perhaps complicated — the country rumors in \u003ca href=\"http://www.complex.com/music/2018/01/danja-interview-justin-timberlake-filthy-man-of-the-woods\" rel=\"noopener\" target=\"_blank\">an interview with Complex\u003c/a>, saying, “He’s always mixing a lot of different things together. It’s always funk, R&B, soul, hip-hop, country.”\u003c/p>\n\u003cp>We’ll have to wait until the Feb. 2 release date to find out what \u003cem>Man of the Woods\u003c/em> is all about, but as a possible hint, Pharrell, Swizz Beatz, and Timbaland all cameo in the \u003ca href=\"https://youtu.be/Z5Ylu4tRgk8\" rel=\"noopener\" target=\"_blank\">“Filthy” behind-the-scenes video\u003c/a> and album trailer. (It also bears noting that Timbaland is no stranger to country or rock, having produced for Brad Paisley and the Fray.) \u003c/p>\n\u003cp>Even as his fans wait in darkness, Timberlake is already ready to sell tickets to his \u003cem>Man of the Woods\u003c/em> tour, which comes to \u003ca href=\"https://www1.ticketmaster.com/event/1C0053721072712C?brand=&tm_link=tm_music_h5#efeat4212\" rel=\"noopener\" target=\"_blank\">San Jose’s SAP Center on April 24\u003c/a>. Tickets go on sale to the general public on Jan. 16 — but there are a few ways you can beat the crowds and get them early.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There’s a special presale for the Tennessee Kids Fan Club (which I joined, even though the default age when you fill out the form is 12) that goes from Jan. 10-12; you can join and hope for a special presale code \u003ca href=\"https://www.justintimberlake.com/join\" rel=\"noopener\" target=\"_blank\">here\u003c/a>. There’s also a presale for \u003ca href=\"http://www.ticketmaster.com/americanexpress/93\" rel=\"noopener\" target=\"_blank\">American Express cardholders\u003c/a> running Jan. 10-14. And there’s another one on Jan. 12 for those who have the \u003ca href=\"https://www.livenation.com/mobile/\" rel=\"noopener\" target=\"_blank\">Live Nation mobile app\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"alignright size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 393,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705028804,
"excerpt": "The inside scoop on where to get presales for Timberlake's highly anticipated -- and controversial -- 'Man of the Woods' tour.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The inside scoop on where to get presales for Timberlake's highly anticipated -- and controversial -- 'Man of the Woods' tour.",
"title": "Ticket Alert: Justin Timberlake at SAP Center | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Ticket Alert: Justin Timberlake at SAP Center",
"datePublished": "2018-01-10T08:36:34-08:00",
"dateModified": "2024-01-11T19:06:44-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "ticket-alert-justin-timberlake-at-sap-center",
"status": "publish",
"sticky": false,
"path": "/arts/13818751/ticket-alert-justin-timberlake-at-sap-center",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Justin Timberlake’s rollout for his new album, \u003cem>Man of the Woods\u003c/em>, has \u003ca href=\"https://ww2.kqed.org/arts/2018/01/05/what-is-justin-timberlake-doing/\" rel=\"noopener\" target=\"_blank\">everyone scratching their heads\u003c/a>. The mountain-man, Bon Iver-esque album cover and tracklist (which features song titles like “Flannel” and “Montana”) suggest a possible rebrand heading in the folk and country direction. Timberlake hinted as much in a Jan. 2 promo video for the project, which takes viewers into the wilderness of his home state of Tennessee as banjos and acoustic guitars strum in the background. \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bVU-MmJZFFA'\n title='//www.youtube.com/embed/bVU-MmJZFFA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But Timberlake’s lead single for the project, “\u003ca href=\"https://youtu.be/gA-NDZb29I4\" rel=\"noopener\" target=\"_blank\">Filthy\u003c/a>,” tells another story. Co-written and co-produced by longtime collaborator Timbaland, it’s a dancefloor romp that makes the 12 years between now and Timberlake’s \u003cem>FutureSex/LoveSounds\u003c/em> feel like they never happened. Danja, the other producer of “Filthy,” dispelled — or perhaps complicated — the country rumors in \u003ca href=\"http://www.complex.com/music/2018/01/danja-interview-justin-timberlake-filthy-man-of-the-woods\" rel=\"noopener\" target=\"_blank\">an interview with Complex\u003c/a>, saying, “He’s always mixing a lot of different things together. It’s always funk, R&B, soul, hip-hop, country.”\u003c/p>\n\u003cp>We’ll have to wait until the Feb. 2 release date to find out what \u003cem>Man of the Woods\u003c/em> is all about, but as a possible hint, Pharrell, Swizz Beatz, and Timbaland all cameo in the \u003ca href=\"https://youtu.be/Z5Ylu4tRgk8\" rel=\"noopener\" target=\"_blank\">“Filthy” behind-the-scenes video\u003c/a> and album trailer. (It also bears noting that Timbaland is no stranger to country or rock, having produced for Brad Paisley and the Fray.) \u003c/p>\n\u003cp>Even as his fans wait in darkness, Timberlake is already ready to sell tickets to his \u003cem>Man of the Woods\u003c/em> tour, which comes to \u003ca href=\"https://www1.ticketmaster.com/event/1C0053721072712C?brand=&tm_link=tm_music_h5#efeat4212\" rel=\"noopener\" target=\"_blank\">San Jose’s SAP Center on April 24\u003c/a>. Tickets go on sale to the general public on Jan. 16 — but there are a few ways you can beat the crowds and get them early.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There’s a special presale for the Tennessee Kids Fan Club (which I joined, even though the default age when you fill out the form is 12) that goes from Jan. 10-12; you can join and hope for a special presale code \u003ca href=\"https://www.justintimberlake.com/join\" rel=\"noopener\" target=\"_blank\">here\u003c/a>. There’s also a presale for \u003ca href=\"http://www.ticketmaster.com/americanexpress/93\" rel=\"noopener\" target=\"_blank\">American Express cardholders\u003c/a> running Jan. 10-14. And there’s another one on Jan. 12 for those who have the \u003ca href=\"https://www.livenation.com/mobile/\" rel=\"noopener\" target=\"_blank\">Live Nation mobile app\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"alignright size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13818751/ticket-alert-justin-timberlake-at-sap-center",
"authors": [
"11387"
],
"categories": [
"arts_69"
],
"tags": [
"arts_1118",
"arts_596",
"arts_6012",
"arts_4798"
],
"featImg": "arts_13818756",
"label": "arts"
},
"arts_13818769": {
"type": "posts",
"id": "arts_13818769",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13818769",
"score": null,
"sort": [
1515547264000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1515547264,
"format": "image",
"title": "G-Eazy Drops Out of H&M Collaboration After Controversy",
"headTitle": "G-Eazy Drops Out of H&M Collaboration After Controversy | KQED",
"content": "\u003cp>In case you missed it, this week an image appeared in H&M’s online store depicting a young black boy in a hoodie with the words “Coolest Monkey in the Jungle.” The design, which was widely condemned for referencing racial and ethnic slurs, was \u003ca href=\"https://www.nytimes.com/2018/01/08/business/hm-monkey.html\" target=\"_blank\" rel=\"noopener\">swiftly taken down\u003c/a> from H&M’s website and pulled from its brick-mortar-stores after going viral on Monday, Jan. 8.\u003c/p>\n\u003cp>https://twitter.com/theweeknd/status/950447182829699072\u003c/p>\n\u003cp>Though H&M issued an apology, R&B hitmaker \u003ca href=\"https://twitter.com/theweeknd/status/950447182829699072\" target=\"_blank\" rel=\"noopener\">The Weeknd\u003c/a> announced on Twitter that he would no longer work with the company. Today, Oakland-bred rapper G-Eazy followed suit, issuing a lengthy statement terminating his relationship with H&M and calling for H&M and other major brands to become “racially and culturally aware, as well as more diverse at every level.”\u003c/p>\n\u003cp>https://twitter.com/G_Eazy/status/950869643803201537\u003c/p>\n\u003cp>G-Eazy’s decision to step away from H&M is significant, considering it’s the rising star’s first collaboration with a major retailer. He announced his capsule collection, set to hit stores on March 1, in mid-December in tandem with the release of his latest album, \u003cem>The Beautiful & Damned\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Though G-Eazy says he was disappointed to scrap the collaboration, this likely won’t be his last opportunity to work in fashion. He’s regarded as a style icon by many (his \u003ca href=\"https://www.highsnobiety.com/2016/12/22/g-eazy-pop-up-shop/\" target=\"_blank\" rel=\"noopener\">2016 Oakland pop-up shop\u003c/a>, where you could copy his look \u003cem>and\u003c/em> his haircut, is proof), and his single “No Limit,” featuring Cardi B and A$AP Rocky, just peaked at No. 2 on Billboard.\u003c/p>\n\u003cp>https://youtu.be/l_lblj8Cq0o\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 290,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705028805,
"excerpt": "The Oakland-bred rapper took to social media to condemn the company's \"disturbing,\" racially-charged image. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Oakland-bred rapper took to social media to condemn the company's "disturbing," racially-charged image. ",
"title": "G-Eazy Drops Out of H&M Collaboration After Controversy | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "G-Eazy Drops Out of H&M Collaboration After Controversy",
"datePublished": "2018-01-09T17:21:04-08:00",
"dateModified": "2024-01-11T19:06:45-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "g-eazy-drops-out-of-hm-collaboration-after-controversy",
"status": "publish",
"sticky": false,
"path": "/arts/13818769/g-eazy-drops-out-of-hm-collaboration-after-controversy",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In case you missed it, this week an image appeared in H&M’s online store depicting a young black boy in a hoodie with the words “Coolest Monkey in the Jungle.” The design, which was widely condemned for referencing racial and ethnic slurs, was \u003ca href=\"https://www.nytimes.com/2018/01/08/business/hm-monkey.html\" target=\"_blank\" rel=\"noopener\">swiftly taken down\u003c/a> from H&M’s website and pulled from its brick-mortar-stores after going viral on Monday, Jan. 8.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "950447182829699072"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Though H&M issued an apology, R&B hitmaker \u003ca href=\"https://twitter.com/theweeknd/status/950447182829699072\" target=\"_blank\" rel=\"noopener\">The Weeknd\u003c/a> announced on Twitter that he would no longer work with the company. Today, Oakland-bred rapper G-Eazy followed suit, issuing a lengthy statement terminating his relationship with H&M and calling for H&M and other major brands to become “racially and culturally aware, as well as more diverse at every level.”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "950869643803201537"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>G-Eazy’s decision to step away from H&M is significant, considering it’s the rising star’s first collaboration with a major retailer. He announced his capsule collection, set to hit stores on March 1, in mid-December in tandem with the release of his latest album, \u003cem>The Beautiful & Damned\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Though G-Eazy says he was disappointed to scrap the collaboration, this likely won’t be his last opportunity to work in fashion. He’s regarded as a style icon by many (his \u003ca href=\"https://www.highsnobiety.com/2016/12/22/g-eazy-pop-up-shop/\" target=\"_blank\" rel=\"noopener\">2016 Oakland pop-up shop\u003c/a>, where you could copy his look \u003cem>and\u003c/em> his haircut, is proof), and his single “No Limit,” featuring Cardi B and A$AP Rocky, just peaked at No. 2 on Billboard.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/l_lblj8Cq0o'\n title='//www.youtube.com/embed/l_lblj8Cq0o'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13818769/g-eazy-drops-out-of-hm-collaboration-after-controversy",
"authors": [
"11387"
],
"categories": [
"arts_76",
"arts_69"
],
"tags": [
"arts_1118",
"arts_831",
"arts_596"
],
"featImg": "arts_13814603",
"label": "arts"
},
"arts_13818687": {
"type": "posts",
"id": "arts_13818687",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13818687",
"score": null,
"sort": [
1515455818000
]
},
"guestAuthors": [],
"slug": "replacement-at-podium-named-after-sexual-misconduct-charges",
"title": "Replacement at Podium Named After Sexual Misconduct Charges",
"publishDate": 1515455818,
"format": "image",
"headTitle": "Replacement at Podium Named After Sexual Misconduct Charges | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>On Dec. 22, the \u003ca href=\"https://www.apnews.com/278275ccc09442d98a794487a78a67d4\" rel=\"noopener\" target=\"_blank\">Associated Press\u003c/a> published a report detailing sexual misconduct allegations against Swiss-born, 81-year-old conductor Charles Dutoit of London’s Royal Philharmonic Orchestra. The allegations against Dutoit, which span from 1985 to 2010, come from four different women who accuse him of physically restraining and forcibly kissing and touching them. \u003c/p>\n\u003cp>Since the allegations came to light, various orchestras associated with Dutoit — including the \u003ca href=\"http://www.sfsymphony.org/\" rel=\"noopener\" target=\"_blank\">San Francisco Symphony\u003c/a>, Boston Symphony Orchestra, New York Philharmonic, and Chicago Symphony Orchestra — cancelled his upcoming appearances and, in some cases, issued statements cutting all ties with him.\u003c/p>\n\u003cfigure id=\"attachment_13818691\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-800x450.jpg\" alt=\"Thierry Fischer of the Utah Symphony will replace Charles Dutoit at Royal Philharmonic Orchestra's San Francisco Symphony performances on Jan. 28 and 29.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13818691\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thierry Fischer of the Utah Symphony will replace Charles Dutoit at the Royal Philharmonic Orchestra’s San Francisco Symphony performances on Jan. 28 and 29, 2018. \u003ccite>(Marco Borggreve)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dutoit had been slated to conduct the Royal Philharmonic Orchestra at San Francisco’s Davies Symphony Hall on Jan. 28 and 29. Today, the San Francisco Symphony released a statement that Dutoit will be replaced by Thierry Fischer, principal conductor of the Utah Symphony. (KQED Arts reached out to Fischer, who declined to comment.)\u003c/p>\n\u003cp>The announcement came after the Royal Philharmonic Orchestra \u003ca href=\"https://www.irishnews.com/magazine/entertainment/2017/12/22/news/royal-philharmonic-orchestra-responds-to-allegations-about-charles-dutoit-1217769/\" rel=\"noopener\" target=\"_blank\">relieved Dutoit\u003c/a> of all upcoming concert duties to allow “time for a clear picture to be established.” \u003c/p>\n\u003cp>“These accusations are taken very seriously by the orchestra and the RPO believes that the truth of the matter should be determined by the legal process,” their statement reads. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In his own statement, \u003ca href=\"http://www.independent.co.uk/arts-entertainment/music/news/charles-dutoit-conductor-london-royal-philharmonic-orchestra-sexual-harassment-allegations-a8126496.html\" rel=\"noopener\" target=\"_blank\">Dutoit denied the allegations\u003c/a>, writing, “the serious accusations made involving coercion and forced physical contact have absolutely no basis in truth.”\u003c/p>\n\u003cp>With Fischer as conductor, the program for Royal Philharmonic Orchestra’s Davis Symphony Hall performance will remain unchanged. It includes Debussy’s \u003cem>Petite Suite\u003c/em>, Stravinsky’s \u003cem>The Firebird\u003c/em>, and Haydn’s \u003cem>Cello Concerto No. 1\u003c/em> on Jan. 28; and Respighi’s \u003cem>Fountains of Rome\u003c/em>, Stravinsky’s \u003cem>Petrushka\u003c/em>, and Liszt’s \u003cem>Piano Concerto No. 2\u003c/em> on Jan. 29. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
"blocks": [],
"excerpt": "Charles Dutoit, accused of sexual misconduct by four women, will be replaced as conductor by Thierry Fischer for upcoming San Francisco Symphony concerts.",
"status": "publish",
"parent": 0,
"modified": 1726706771,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 10,
"wordCount": 334
},
"headData": {
"title": "Replacement at Podium Named After Sexual Misconduct Charges | KQED",
"description": "Charles Dutoit, accused of sexual misconduct by four women, will be replaced as conductor by Thierry Fischer for upcoming San Francisco Symphony concerts.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Replacement at Podium Named After Sexual Misconduct Charges",
"datePublished": "2018-01-08T15:56:58-08:00",
"dateModified": "2024-09-18T17:46:11-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/13818687/replacement-at-podium-named-after-sexual-misconduct-charges",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Dec. 22, the \u003ca href=\"https://www.apnews.com/278275ccc09442d98a794487a78a67d4\" rel=\"noopener\" target=\"_blank\">Associated Press\u003c/a> published a report detailing sexual misconduct allegations against Swiss-born, 81-year-old conductor Charles Dutoit of London’s Royal Philharmonic Orchestra. The allegations against Dutoit, which span from 1985 to 2010, come from four different women who accuse him of physically restraining and forcibly kissing and touching them. \u003c/p>\n\u003cp>Since the allegations came to light, various orchestras associated with Dutoit — including the \u003ca href=\"http://www.sfsymphony.org/\" rel=\"noopener\" target=\"_blank\">San Francisco Symphony\u003c/a>, Boston Symphony Orchestra, New York Philharmonic, and Chicago Symphony Orchestra — cancelled his upcoming appearances and, in some cases, issued statements cutting all ties with him.\u003c/p>\n\u003cfigure id=\"attachment_13818691\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-800x450.jpg\" alt=\"Thierry Fischer of the Utah Symphony will replace Charles Dutoit at Royal Philharmonic Orchestra's San Francisco Symphony performances on Jan. 28 and 29.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13818691\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Thierry-Fischer026-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thierry Fischer of the Utah Symphony will replace Charles Dutoit at the Royal Philharmonic Orchestra’s San Francisco Symphony performances on Jan. 28 and 29, 2018. \u003ccite>(Marco Borggreve)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dutoit had been slated to conduct the Royal Philharmonic Orchestra at San Francisco’s Davies Symphony Hall on Jan. 28 and 29. Today, the San Francisco Symphony released a statement that Dutoit will be replaced by Thierry Fischer, principal conductor of the Utah Symphony. (KQED Arts reached out to Fischer, who declined to comment.)\u003c/p>\n\u003cp>The announcement came after the Royal Philharmonic Orchestra \u003ca href=\"https://www.irishnews.com/magazine/entertainment/2017/12/22/news/royal-philharmonic-orchestra-responds-to-allegations-about-charles-dutoit-1217769/\" rel=\"noopener\" target=\"_blank\">relieved Dutoit\u003c/a> of all upcoming concert duties to allow “time for a clear picture to be established.” \u003c/p>\n\u003cp>“These accusations are taken very seriously by the orchestra and the RPO believes that the truth of the matter should be determined by the legal process,” their statement reads. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In his own statement, \u003ca href=\"http://www.independent.co.uk/arts-entertainment/music/news/charles-dutoit-conductor-london-royal-philharmonic-orchestra-sexual-harassment-allegations-a8126496.html\" rel=\"noopener\" target=\"_blank\">Dutoit denied the allegations\u003c/a>, writing, “the serious accusations made involving coercion and forced physical contact have absolutely no basis in truth.”\u003c/p>\n\u003cp>With Fischer as conductor, the program for Royal Philharmonic Orchestra’s Davis Symphony Hall performance will remain unchanged. It includes Debussy’s \u003cem>Petite Suite\u003c/em>, Stravinsky’s \u003cem>The Firebird\u003c/em>, and Haydn’s \u003cem>Cello Concerto No. 1\u003c/em> on Jan. 28; and Respighi’s \u003cem>Fountains of Rome\u003c/em>, Stravinsky’s \u003cem>Petrushka\u003c/em>, and Liszt’s \u003cem>Piano Concerto No. 2\u003c/em> on Jan. 29. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13818687/replacement-at-podium-named-after-sexual-misconduct-charges",
"authors": [
"11387"
],
"categories": [
"arts_69"
],
"tags": [
"arts_1118",
"arts_596",
"arts_1367"
],
"featImg": "arts_13818692",
"label": "arts"
},
"arts_13818660": {
"type": "posts",
"id": "arts_13818660",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13818660",
"score": null,
"sort": [
1515427224000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1515427224,
"format": "standard",
"title": "BottleRock 2018 Lineup: Bruno Mars, the Killers, Muse, Chainsmokers, More",
"headTitle": "BottleRock 2018 Lineup: Bruno Mars, the Killers, Muse, Chainsmokers, More | KQED",
"content": "\u003cp>The lineup for 2018’s BottleRock festival in Napa is here, with Bruno Mars, the Killers and Muse as the three-day festival’s headliners. \u003c/p>\n\u003cp>Other acts at BottleRock this year include the Chainsmokers, Snoop Dogg, Billy Idol, Halsey, Incubus, Thievery Corporation, Bleachers, E-40, Earth Wind & Fire, Bomba Estereo, Tank & the Bangas, Mike D and many more, below. \u003c/p>\n\u003cp>[contextly_sidebar id=”yzlqcJkKnqCCNTmQbX9k5eLCyzScubpl”]\u003c/p>\n\u003cp>Bruno Mars is the clear big-money “get” here, and even though daily schedules haven’t been announced, it’s a safe guess he’ll be Saturday’s headliner, usually reserved for the hugest draw.\u003c/p>\n\u003cp>BottleRock runs May 25–27 at the Napa Valley Expo in Napa. In recent years, it’s grown into its own as a decidedly luxe wine-country festival, vying for a more upscale crowd than other outdoor festivals with Chardonnay tastings and culinary demonstrations. Three-day passes start at $349 and go all the way up through various levels of VIP-ness to $3,900 for a “Platinum Pass.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Befitting of Napa, the price point hasn’t kept people away: last year’s sold-out attendance over the three-day weekend was estimated at 120,000. \u003c/p>\n\u003cp>The full lineup is below. Three-day passes go on sale Tuesday, Jan. 9, at 10am. \u003ca href=\"http://www.bottlerocknapavalley.com/\" rel=\"noopener\" target=\"_blank\">More details here\u003c/a>.\u003c/p>\n\u003cp>Bruno Mars\u003cbr>\nThe Killers\u003cbr>\nMuse\u003cbr>\nThe Chainsmokers\u003cbr>\nHalsey\u003cbr>\nSnoop Dogg\u003cbr>\nIncubus\u003cbr>\nEarth, Wind & Fire\u003cbr>\nThe Head and the Heart\u003cbr>\nBilly Idol\u003cbr>\nThievery Corporation\u003cbr>\nPhantogram\u003cbr>\nThe Revivalists\u003cbr>\nBleachers\u003cbr>\nMichael Franti & Spearhead\u003cbr>\nMike D (DJ Set)\u003cbr>\nE-40\u003cbr>\nSt. Paul & The Broken Bones\u003cbr>\nOh Wonder\u003cbr>\nTrombone Shorty & Orleans Avenue\u003cbr>\nSOJA\u003cbr>\nShakey Graves\u003cbr>\nLake Street Dive\u003cbr>\nNatalia Lafourcade\u003cbr>\nLANY\u003cbr>\nManchester Orchestra\u003cbr>\nNahko and Medicine for the People\u003cbr>\nBomba Estéreo\u003cbr>\nThe Record Company\u003cbr>\nAlice Merton\u003cbr>\nThe Struts\u003cbr>\nNew Politics\u003cbr>\nAllen Stone\u003cbr>\nTank and The Bangas\u003cbr>\nWatsky\u003cbr>\nThe White Panda\u003cbr>\nCOIN\u003cbr>\nJacob Banks\u003cbr>\nJ. Roddy Walston And The Business\u003cbr>\nThe Motet\u003cbr>\nNoMBe\u003cbr>\nMondo Cozmo\u003cbr>\nMISSIO\u003cbr>\nLukas Nelson & Promise of the Real\u003cbr>\nAllan Rayman\u003cbr>\nPokey LaFarge\u003cbr>\nWelshly Arms\u003cbr>\nJukebox the Ghost\u003cbr>\nDurand Jones & The Indications\u003cbr>\nDhani Harrison, The Districts\u003cbr>\nMAGIC GIANT\u003cbr>\nAmy Shark\u003cbr>\nGhost of Paul Revere\u003cbr>\nAlex Lahey\u003cbr>\nflor\u003cbr>\nLiz Huett\u003cbr>\nMoonalice\u003cbr>\nCaitlyn Smith\u003cbr>\nThe Aces\u003cbr>\nLow Cut Connie\u003cbr>\nMarty O’Reilly & The Old Soul Orchestra\u003cbr>\nThe Night Game\u003cbr>\nMt. Joy\u003cbr>\nayokay\u003cbr>\nThe Wrecks\u003cbr>\nHundred Handed\u003cbr>\nDan Luke and The Raid\u003cbr>\nBilly Raffoul\u003cbr>\nDean Lewis\u003cbr>\nMatt Maeson\u003cbr>\nJon and Roy\u003cbr>\nPony Bradshaw\u003cbr>\nThe Brevet\u003cbr>\nHamish Anderson\u003cbr>\nEthan Tucker\u003cbr>\nRIVVRS\u003cbr>\nThe Alive\u003cbr>\nDavid Luning\u003cbr>\nThe Knitts\u003cbr>\nDani Bell & The Tarantist\u003cbr>\nTommy Odetto\u003cbr>\nSanho The Indian\u003cbr>\nAnchor + Bell\u003cbr>\nThe Silverado Pickups\u003cbr>\nNapa Valley Youth Symphony\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 451,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705028813,
"excerpt": "Full lineup includes Snoop Dogg, Bleachers, E-40, Billy Idol, Halsey, Bomba Estereo, Tank & the Bangas, Mike D, Thievery Corporation and many more.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Full lineup includes Snoop Dogg, Bleachers, E-40, Billy Idol, Halsey, Bomba Estereo, Tank & the Bangas, Mike D, Thievery Corporation and many more.",
"title": "BottleRock 2018 Lineup: Bruno Mars, the Killers, Muse, Chainsmokers, More | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "BottleRock 2018 Lineup: Bruno Mars, the Killers, Muse, Chainsmokers, More",
"datePublished": "2018-01-08T08:00:24-08:00",
"dateModified": "2024-01-11T19:06:53-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "bottlerock-2018-lineup-bruno-mars-the-killers-muse-chainsmokers-more",
"status": "publish",
"sticky": false,
"path": "/arts/13818660/bottlerock-2018-lineup-bruno-mars-the-killers-muse-chainsmokers-more",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The lineup for 2018’s BottleRock festival in Napa is here, with Bruno Mars, the Killers and Muse as the three-day festival’s headliners. \u003c/p>\n\u003cp>Other acts at BottleRock this year include the Chainsmokers, Snoop Dogg, Billy Idol, Halsey, Incubus, Thievery Corporation, Bleachers, E-40, Earth Wind & Fire, Bomba Estereo, Tank & the Bangas, Mike D and many more, below. \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Bruno Mars is the clear big-money “get” here, and even though daily schedules haven’t been announced, it’s a safe guess he’ll be Saturday’s headliner, usually reserved for the hugest draw.\u003c/p>\n\u003cp>BottleRock runs May 25–27 at the Napa Valley Expo in Napa. In recent years, it’s grown into its own as a decidedly luxe wine-country festival, vying for a more upscale crowd than other outdoor festivals with Chardonnay tastings and culinary demonstrations. Three-day passes start at $349 and go all the way up through various levels of VIP-ness to $3,900 for a “Platinum Pass.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Befitting of Napa, the price point hasn’t kept people away: last year’s sold-out attendance over the three-day weekend was estimated at 120,000. \u003c/p>\n\u003cp>The full lineup is below. Three-day passes go on sale Tuesday, Jan. 9, at 10am. \u003ca href=\"http://www.bottlerocknapavalley.com/\" rel=\"noopener\" target=\"_blank\">More details here\u003c/a>.\u003c/p>\n\u003cp>Bruno Mars\u003cbr>\nThe Killers\u003cbr>\nMuse\u003cbr>\nThe Chainsmokers\u003cbr>\nHalsey\u003cbr>\nSnoop Dogg\u003cbr>\nIncubus\u003cbr>\nEarth, Wind & Fire\u003cbr>\nThe Head and the Heart\u003cbr>\nBilly Idol\u003cbr>\nThievery Corporation\u003cbr>\nPhantogram\u003cbr>\nThe Revivalists\u003cbr>\nBleachers\u003cbr>\nMichael Franti & Spearhead\u003cbr>\nMike D (DJ Set)\u003cbr>\nE-40\u003cbr>\nSt. Paul & The Broken Bones\u003cbr>\nOh Wonder\u003cbr>\nTrombone Shorty & Orleans Avenue\u003cbr>\nSOJA\u003cbr>\nShakey Graves\u003cbr>\nLake Street Dive\u003cbr>\nNatalia Lafourcade\u003cbr>\nLANY\u003cbr>\nManchester Orchestra\u003cbr>\nNahko and Medicine for the People\u003cbr>\nBomba Estéreo\u003cbr>\nThe Record Company\u003cbr>\nAlice Merton\u003cbr>\nThe Struts\u003cbr>\nNew Politics\u003cbr>\nAllen Stone\u003cbr>\nTank and The Bangas\u003cbr>\nWatsky\u003cbr>\nThe White Panda\u003cbr>\nCOIN\u003cbr>\nJacob Banks\u003cbr>\nJ. Roddy Walston And The Business\u003cbr>\nThe Motet\u003cbr>\nNoMBe\u003cbr>\nMondo Cozmo\u003cbr>\nMISSIO\u003cbr>\nLukas Nelson & Promise of the Real\u003cbr>\nAllan Rayman\u003cbr>\nPokey LaFarge\u003cbr>\nWelshly Arms\u003cbr>\nJukebox the Ghost\u003cbr>\nDurand Jones & The Indications\u003cbr>\nDhani Harrison, The Districts\u003cbr>\nMAGIC GIANT\u003cbr>\nAmy Shark\u003cbr>\nGhost of Paul Revere\u003cbr>\nAlex Lahey\u003cbr>\nflor\u003cbr>\nLiz Huett\u003cbr>\nMoonalice\u003cbr>\nCaitlyn Smith\u003cbr>\nThe Aces\u003cbr>\nLow Cut Connie\u003cbr>\nMarty O’Reilly & The Old Soul Orchestra\u003cbr>\nThe Night Game\u003cbr>\nMt. Joy\u003cbr>\nayokay\u003cbr>\nThe Wrecks\u003cbr>\nHundred Handed\u003cbr>\nDan Luke and The Raid\u003cbr>\nBilly Raffoul\u003cbr>\nDean Lewis\u003cbr>\nMatt Maeson\u003cbr>\nJon and Roy\u003cbr>\nPony Bradshaw\u003cbr>\nThe Brevet\u003cbr>\nHamish Anderson\u003cbr>\nEthan Tucker\u003cbr>\nRIVVRS\u003cbr>\nThe Alive\u003cbr>\nDavid Luning\u003cbr>\nThe Knitts\u003cbr>\nDani Bell & The Tarantist\u003cbr>\nTommy Odetto\u003cbr>\nSanho The Indian\u003cbr>\nAnchor + Bell\u003cbr>\nThe Silverado Pickups\u003cbr>\nNapa Valley Youth Symphony\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13818660/bottlerock-2018-lineup-bruno-mars-the-killers-muse-chainsmokers-more",
"authors": [
"185"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1853",
"arts_1601",
"arts_1118",
"arts_1694",
"arts_596"
],
"featImg": "arts_13818661",
"label": "arts"
},
"arts_13818613": {
"type": "posts",
"id": "arts_13818613",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13818613",
"score": null,
"sort": [
1515193593000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1515193593,
"format": "standard",
"title": "Complete Noise Pop Lineup Is Here, Now With Extra Rap and R&B",
"headTitle": "Complete Noise Pop Lineup Is Here, Now With Extra Rap and R&B | KQED",
"content": "\u003cp>The venerable Noise Pop Festival is a 26-year San Francisco tradition — and a few years ago, we noticed a \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" rel=\"noopener\" target=\"_blank\">slight, welcome shift\u003c/a> in their booking. Jazz acts like Kamasi Washington, rap artists like Vince Staples and even bonafide pop stars like Carly Rae Jepsen crept into the traditionally indie-rock dominated schedule, signaling that Noise Pop might be \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" rel=\"noopener\" target=\"_blank\">growing beyond the intrinsic boundaries of its name\u003c/a>.\u003c/p>\n\u003cp>So that’s why this year, we’d watched as the first and second waves of \u003ca href=\"https://www.noisepopfest.com/\" rel=\"noopener\" target=\"_blank\">lineup announcements\u003c/a> came with reliable, mostly guitar-based bands like Built to Spill, tUnE-yArDs, Superchunk, Waxahatchee, Real Estate, Jay Som, Black Rebel Motorcycle Club, No Age, Parquet Courts and more. And we wondered: hmmmm?\u003c/p>\n\u003cp>Today we wonder no more — the festival’s announced that it’s booked blunted beatwizard \u003cstrong>Madlib\u003c/strong> in a DJ set; chill SoCal R&B master and KMEL fave \u003cstrong>Ty Dolla Sign\u003c/strong>; inscrutable but often-genius rapper \u003cstrong>Jay Electronica\u003c/strong>; and, with former members of ’90s jazz-hip-hop icons Digable Planets, experimental rap duo \u003cstrong>Shabazz Palaces\u003c/strong>.\u003c/p>\n\u003cp>But what does this mean, really? Without getting into \u003ca href=\"https://www.washingtonpost.com/graphics/2017/lifestyle/the-slow-secret-death-of-the-electric-guitar/?utm_term=.4066485dfa06\" rel=\"noopener\" target=\"_blank\">the banal “are guitars dead?” debate that’s been going around\u003c/a>, it’s notable that there are \u003ca href=\"https://www.stereogum.com/1977161/where-the-fuck-are-all-the-bands-thoughts-on-the-2018-coachella-poster/franchises/sounding-board/\" rel=\"noopener\" target=\"_blank\">hardly any rock bands in the Coachella lineup this year\u003c/a>. Or on the Billboard charts. Or on Spotify’s most-streamed playlists. Noise Pop is just bending along with prevailing trends, and that’s a good thing for everyone (the Kamasi Washington show being \u003ca href=\"https://ww2.kqed.org/arts/2016/02/29/carly-vince-and-kamasi-a-tale-of-three-noise-pop-shows/\" rel=\"noopener\" target=\"_blank\">the most fulfilling, exhilarating Noise Pop show I think I’ve ever been to\u003c/a>).\u003c/p>\n\u003cp>Anyway, \u003ca href=\"https://www.noisepopfest.com/\" rel=\"noopener\" target=\"_blank\">tix on sale over here\u003c/a>. Built to Spill is playing \u003cem>Keep It Like a Secret\u003c/em> in its entirety. How can you lose?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 297,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705028814,
"excerpt": "The final lineup adds R&B and rap artists Ty Dolla Sign, Madlib, Jay Electronica and Shabazz Palaces.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The final lineup adds R&B and rap artists Ty Dolla Sign, Madlib, Jay Electronica and Shabazz Palaces.",
"title": "Complete Noise Pop Lineup Is Here, Now With Extra Rap and R&B | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Complete Noise Pop Lineup Is Here, Now With Extra Rap and R&B",
"datePublished": "2018-01-05T15:06:33-08:00",
"dateModified": "2024-01-11T19:06:54-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "complete-noise-pop-lineup-is-here-now-with-extra-rap-and-rb",
"status": "publish",
"sticky": false,
"path": "/arts/13818613/complete-noise-pop-lineup-is-here-now-with-extra-rap-and-rb",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The venerable Noise Pop Festival is a 26-year San Francisco tradition — and a few years ago, we noticed a \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" rel=\"noopener\" target=\"_blank\">slight, welcome shift\u003c/a> in their booking. Jazz acts like Kamasi Washington, rap artists like Vince Staples and even bonafide pop stars like Carly Rae Jepsen crept into the traditionally indie-rock dominated schedule, signaling that Noise Pop might be \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" rel=\"noopener\" target=\"_blank\">growing beyond the intrinsic boundaries of its name\u003c/a>.\u003c/p>\n\u003cp>So that’s why this year, we’d watched as the first and second waves of \u003ca href=\"https://www.noisepopfest.com/\" rel=\"noopener\" target=\"_blank\">lineup announcements\u003c/a> came with reliable, mostly guitar-based bands like Built to Spill, tUnE-yArDs, Superchunk, Waxahatchee, Real Estate, Jay Som, Black Rebel Motorcycle Club, No Age, Parquet Courts and more. And we wondered: hmmmm?\u003c/p>\n\u003cp>Today we wonder no more — the festival’s announced that it’s booked blunted beatwizard \u003cstrong>Madlib\u003c/strong> in a DJ set; chill SoCal R&B master and KMEL fave \u003cstrong>Ty Dolla Sign\u003c/strong>; inscrutable but often-genius rapper \u003cstrong>Jay Electronica\u003c/strong>; and, with former members of ’90s jazz-hip-hop icons Digable Planets, experimental rap duo \u003cstrong>Shabazz Palaces\u003c/strong>.\u003c/p>\n\u003cp>But what does this mean, really? Without getting into \u003ca href=\"https://www.washingtonpost.com/graphics/2017/lifestyle/the-slow-secret-death-of-the-electric-guitar/?utm_term=.4066485dfa06\" rel=\"noopener\" target=\"_blank\">the banal “are guitars dead?” debate that’s been going around\u003c/a>, it’s notable that there are \u003ca href=\"https://www.stereogum.com/1977161/where-the-fuck-are-all-the-bands-thoughts-on-the-2018-coachella-poster/franchises/sounding-board/\" rel=\"noopener\" target=\"_blank\">hardly any rock bands in the Coachella lineup this year\u003c/a>. Or on the Billboard charts. Or on Spotify’s most-streamed playlists. Noise Pop is just bending along with prevailing trends, and that’s a good thing for everyone (the Kamasi Washington show being \u003ca href=\"https://ww2.kqed.org/arts/2016/02/29/carly-vince-and-kamasi-a-tale-of-three-noise-pop-shows/\" rel=\"noopener\" target=\"_blank\">the most fulfilling, exhilarating Noise Pop show I think I’ve ever been to\u003c/a>).\u003c/p>\n\u003cp>Anyway, \u003ca href=\"https://www.noisepopfest.com/\" rel=\"noopener\" target=\"_blank\">tix on sale over here\u003c/a>. Built to Spill is playing \u003cem>Keep It Like a Secret\u003c/em> in its entirety. How can you lose?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13818613/complete-noise-pop-lineup-is-here-now-with-extra-rap-and-rb",
"authors": [
"185"
],
"categories": [
"arts_69"
],
"tags": [
"arts_1022",
"arts_596"
],
"featImg": "arts_13818614",
"label": "arts"
},
"arts_13818594": {
"type": "posts",
"id": "arts_13818594",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13818594",
"score": null,
"sort": [
1515188537000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1515188537,
"format": "standard",
"title": "What is Justin Timberlake Doing?",
"headTitle": "What is Justin Timberlake Doing? | KQED",
"content": "\u003cp>So you might have thought, what with calling his album \u003cem>Man of the Woods\u003c/em> and naming his songs as if they were B-sides from a Ferlin Husky session, that Justin Timberlake were about to drop an overalls-and-pickups hey y’all budget-Mumford tender folksy record on \u003cem>what it is to really be a man\u003c/em>, man, in like a hybrid Ron Swanson / Bon Iver embrace-your-whiteness reinvention from his MJ-aping era of \u003cem>FutureSex 20/20\u003c/em>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/JTcovertracklist-800x396.jpg\" alt=\"\" width=\"800\" height=\"396\" class=\"aligncenter size-medium wp-image-13818600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-800x396.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-160x79.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-768x380.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-1020x505.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-1180x584.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-960x475.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-240x119.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-375x186.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-520x257.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Admit it: you were into the idea. At the very least, you were into the idea of the schadenfreude in seeing Justin headline the Super Bowl halftime show and, instead of bringing out Janet and \u003ca href=\"https://ww2.kqed.org/pop/2016/02/04/nipplegate-revisited-why-america-owes-janet-jackson-a-huge-apology/\" rel=\"noopener\" target=\"_blank\">apologizing to her and letting her have the stage for the full halftime period\u003c/a>, bring out a beat-up 1928 Martin guitar and sing songs about choppin’ wood out by the shed and hearing a stadium full of NFL fans boo \u003ca href=\"https://www.sbnation.com/nfl/2014/5/23/5744964/ray-rice-arrest-assault-statement-apology-ravens\" rel=\"noopener\" target=\"_blank\">just as hard as they cheer for domestic abusers\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13818599\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-800x450.png\" alt=\"A scene from the trailer for Justin Timberlake's album.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13818599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-1020x574.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-1180x664.png 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-960x540.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-240x135.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-375x211.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-520x293.png 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A scene from the trailer for Justin Timberlake’s album.\u003c/figcaption>\u003c/figure>\n\u003cp>But no — there’s a “this is why we can’t have nice things” lesson in here somewhere, and it ends with Justin Timberlake’s video premiere today of “Filthy.” It is not a twang-twang rusted barn song, but a bleep-bloop dancefloor song with a strangely slogging beat that sounds like something Jamie Lidell would have done for Ninja Tune in 2005 but with the most expensive producers in the universe thrown at it. The video is some sort of TED-esque tech presentation with body mapping, robots, vaping, breakdancing, crotch grabs, and oh-so-relevant lyrics about what’s real and what’s #fakenews.\u003c/p>\n\u003cp>Um, enjoy?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gA-NDZb29I4\u003c/p>\n\u003cp>Anyway, Justin Timberlake is hinting at one thing and then doing another, which is right out of the playbook of \u003ca href=\"https://blogs.scientificamerican.com/observations/the-disinformation-playbook-on-steroids-trump-style/\" rel=\"noopener\" target=\"_blank\">someone else we all know\u003c/a>, and I cannot wait for his split-personality album of both folksy ballads and club bangers to be derided \u003ca href=\"http://ew.com/article/2012/06/06/nicki-minaj-peter-rosenberg-apology/\" rel=\"noopener\" target=\"_blank\">as much as Nicki Minaj was\u003c/a> when she released the great half-rap half-pop masterpiece \u003cem>Roman Reloaded\u003c/em> and took heat for doing two things at once. Just kidding! Everyone will love it because he is a dude with a billion dollars in marketing.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 394,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 9
},
"modified": 1705028816,
"excerpt": "The newly minted back-to-the-woods country boy drops a video to assure everyone he's still God's gift to sex. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The newly minted back-to-the-woods country boy drops a video to assure everyone he's still God's gift to sex. ",
"title": "What is Justin Timberlake Doing? | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "What is Justin Timberlake Doing?",
"datePublished": "2018-01-05T13:42:17-08:00",
"dateModified": "2024-01-11T19:06:56-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "what-is-justin-timberlake-doing",
"status": "publish",
"sticky": false,
"path": "/arts/13818594/what-is-justin-timberlake-doing",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>So you might have thought, what with calling his album \u003cem>Man of the Woods\u003c/em> and naming his songs as if they were B-sides from a Ferlin Husky session, that Justin Timberlake were about to drop an overalls-and-pickups hey y’all budget-Mumford tender folksy record on \u003cem>what it is to really be a man\u003c/em>, man, in like a hybrid Ron Swanson / Bon Iver embrace-your-whiteness reinvention from his MJ-aping era of \u003cem>FutureSex 20/20\u003c/em>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/JTcovertracklist-800x396.jpg\" alt=\"\" width=\"800\" height=\"396\" class=\"aligncenter size-medium wp-image-13818600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-800x396.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-160x79.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-768x380.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-1020x505.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-1180x584.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-960x475.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-240x119.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-375x186.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/JTcovertracklist-520x257.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Admit it: you were into the idea. At the very least, you were into the idea of the schadenfreude in seeing Justin headline the Super Bowl halftime show and, instead of bringing out Janet and \u003ca href=\"https://ww2.kqed.org/pop/2016/02/04/nipplegate-revisited-why-america-owes-janet-jackson-a-huge-apology/\" rel=\"noopener\" target=\"_blank\">apologizing to her and letting her have the stage for the full halftime period\u003c/a>, bring out a beat-up 1928 Martin guitar and sing songs about choppin’ wood out by the shed and hearing a stadium full of NFL fans boo \u003ca href=\"https://www.sbnation.com/nfl/2014/5/23/5744964/ray-rice-arrest-assault-statement-apology-ravens\" rel=\"noopener\" target=\"_blank\">just as hard as they cheer for domestic abusers\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13818599\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-800x450.png\" alt=\"A scene from the trailer for Justin Timberlake's album.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13818599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-1020x574.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-1180x664.png 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-960x540.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-240x135.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-375x211.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Screen-shot-2018-01-05-at-12.49.38-PM-520x293.png 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A scene from the trailer for Justin Timberlake’s album.\u003c/figcaption>\u003c/figure>\n\u003cp>But no — there’s a “this is why we can’t have nice things” lesson in here somewhere, and it ends with Justin Timberlake’s video premiere today of “Filthy.” It is not a twang-twang rusted barn song, but a bleep-bloop dancefloor song with a strangely slogging beat that sounds like something Jamie Lidell would have done for Ninja Tune in 2005 but with the most expensive producers in the universe thrown at it. The video is some sort of TED-esque tech presentation with body mapping, robots, vaping, breakdancing, crotch grabs, and oh-so-relevant lyrics about what’s real and what’s #fakenews.\u003c/p>\n\u003cp>Um, enjoy?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gA-NDZb29I4'\n title='//www.youtube.com/embed/gA-NDZb29I4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Anyway, Justin Timberlake is hinting at one thing and then doing another, which is right out of the playbook of \u003ca href=\"https://blogs.scientificamerican.com/observations/the-disinformation-playbook-on-steroids-trump-style/\" rel=\"noopener\" target=\"_blank\">someone else we all know\u003c/a>, and I cannot wait for his split-personality album of both folksy ballads and club bangers to be derided \u003ca href=\"http://ew.com/article/2012/06/06/nicki-minaj-peter-rosenberg-apology/\" rel=\"noopener\" target=\"_blank\">as much as Nicki Minaj was\u003c/a> when she released the great half-rap half-pop masterpiece \u003cem>Roman Reloaded\u003c/em> and took heat for doing two things at once. Just kidding! Everyone will love it because he is a dude with a billion dollars in marketing.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13818594/what-is-justin-timberlake-doing",
"authors": [
"185"
],
"categories": [
"arts_69"
],
"tags": [
"arts_596",
"arts_6012",
"arts_4506"
],
"featImg": "arts_13818602",
"label": "arts"
},
"arts_13818442": {
"type": "posts",
"id": "arts_13818442",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13818442",
"score": null,
"sort": [
1515033193000
]
},
"guestAuthors": [],
"slug": "on-the-air-rachael-and-tramis-do-list-picks-for-jan-5-2018",
"title": "On the Air: Rachael and Trami’s Do List Picks for Jan. 5, 2018",
"publishDate": 1515033193,
"format": "audio",
"headTitle": "On the Air: Rachael and Trami’s Do List Picks for Jan. 5, 2018 | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>Rachael Myrow here, pinch hitting for Cy Musiker at the start of 2018. Naturally, I picked a co-host from San Jose to talk about the upcoming concerts and exhibitions we’re most excited about now: Trami Nguyen Cron, author of the book \u003ca href=\"http://www.vietnameazy.com\" target=\"_blank\" rel=\"noopener\">VietnamEazy\u003c/a>, and founder of \u003ca href=\"http://www.chopsticksalley.com\" target=\"_blank\" rel=\"noopener\">Chopsticks Alley\u003c/a>, a non-profit organization featuring Southeast Asian Artists in the Bay Area.\u003c/p>\n\u003cp>\u003cstrong>Jan. 11–28\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2018/01/03/comedy-of-every-stripe-at-sf-sketchfest/\" rel=\"noopener\" target=\"_blank\">Gorge Yourself on Comedy of Every Stripe at SF Sketchfest\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 19:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/01/03/st-louis-symphony-on-maestros-swan-song-tour/\" rel=\"noopener\" target=\"_blank\">The St. Louis Symphony Goes on Maestro’s Swan Song Tour, Stops at Stanford\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 27–28: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/01/03/african-american-composers-initiative-a-local-musical-gem/\" rel=\"noopener\" target=\"_blank\">The African American Composers Initiative is a Local Musical Gem\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct. 27–Mar. 25:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/01/03/the-propeller-group-brings-an-artistic-view-of-vietnam-to-san-jose/\" rel=\"noopener\" target=\"_blank\">The Propeller Group Explores Vietnam at San Jose Museum of Art\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Nov.3–Feb 4:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/01/03/korean-couture-pops-on-world-stage/\" rel=\"noopener\" target=\"_blank\">Korean Couture Pops on the World Stage\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
"blocks": [],
"excerpt": "The Do List highlights what we're most excited about in January, including SF Sketchfest, The Propeller Group and Couture Korea.",
"status": "publish",
"parent": 0,
"modified": 1726781930,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 9,
"wordCount": 140
},
"headData": {
"title": "On the Air: Rachael and Trami’s Do List Picks for Jan. 5, 2018 | KQED",
"description": "The Do List highlights what we're most excited about in January, including SF Sketchfest, The Propeller Group and Couture Korea.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "On the Air: Rachael and Trami’s Do List Picks for Jan. 5, 2018",
"datePublished": "2018-01-03T18:33:13-08:00",
"dateModified": "2024-09-19T14:38:50-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"audioUrl": "https://www.kqed.org/.stream/anon/radio/thedolist/2018/01/TheDoList20180105.mp3",
"sticky": false,
"path": "/arts/13818442/on-the-air-rachael-and-tramis-do-list-picks-for-jan-5-2018",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Rachael Myrow here, pinch hitting for Cy Musiker at the start of 2018. Naturally, I picked a co-host from San Jose to talk about the upcoming concerts and exhibitions we’re most excited about now: Trami Nguyen Cron, author of the book \u003ca href=\"http://www.vietnameazy.com\" target=\"_blank\" rel=\"noopener\">VietnamEazy\u003c/a>, and founder of \u003ca href=\"http://www.chopsticksalley.com\" target=\"_blank\" rel=\"noopener\">Chopsticks Alley\u003c/a>, a non-profit organization featuring Southeast Asian Artists in the Bay Area.\u003c/p>\n\u003cp>\u003cstrong>Jan. 11–28\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2018/01/03/comedy-of-every-stripe-at-sf-sketchfest/\" rel=\"noopener\" target=\"_blank\">Gorge Yourself on Comedy of Every Stripe at SF Sketchfest\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 19:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/01/03/st-louis-symphony-on-maestros-swan-song-tour/\" rel=\"noopener\" target=\"_blank\">The St. Louis Symphony Goes on Maestro’s Swan Song Tour, Stops at Stanford\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 27–28: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/01/03/african-american-composers-initiative-a-local-musical-gem/\" rel=\"noopener\" target=\"_blank\">The African American Composers Initiative is a Local Musical Gem\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct. 27–Mar. 25:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/01/03/the-propeller-group-brings-an-artistic-view-of-vietnam-to-san-jose/\" rel=\"noopener\" target=\"_blank\">The Propeller Group Explores Vietnam at San Jose Museum of Art\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Nov.3–Feb 4:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/01/03/korean-couture-pops-on-world-stage/\" rel=\"noopener\" target=\"_blank\">Korean Couture Pops on the World Stage\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13818442/on-the-air-rachael-and-tramis-do-list-picks-for-jan-5-2018",
"authors": [
"251"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_968",
"arts_76",
"arts_69",
"arts_70"
],
"tags": [
"arts_2250",
"arts_15393",
"arts_549",
"arts_1118",
"arts_1187",
"arts_626"
],
"featImg": "arts_13818443",
"label": "arts_140"
},
"arts_13818452": {
"type": "posts",
"id": "arts_13818452",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13818452",
"score": null,
"sort": [
1515031463000
]
},
"guestAuthors": [],
"slug": "african-american-composers-initiative-a-local-musical-gem",
"title": "African American Composers Initiative a Local Musical Gem",
"publishDate": 1515031463,
"format": "standard",
"headTitle": "African American Composers Initiative a Local Musical Gem | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>The \u003ca href=\"http://aacinitiative.org\" target=\"_blank\" rel=\"noopener noreferrer\">African American Composers Initiative\u003c/a> presents its annual benefit concert Jan. 27 and 28 at the Performing Arts Center of Eastside College Preparatory School in East Palo Alto. The program is called “Out of the Blues: The Gift of Song.”\u003c/p>\n\u003cp>There are works old, there are works new, and there are works new inspired by the old: spirituals by Roland Hayes, Hall Johnson, and Harry Burleigh, instrumental music by William Grant Still, songs and instrumentals by Chicago-based composer Regina Baiocchi, new works by John Robinson and Valerie Capers, as well as songs by Florence Price, Roxanna Wright, Andre Myers, Charles Brown, and Charles Lloyd, Jr.\u003c/p>\n\u003cp>Below is an excerpt from last year’s concert, from the ensemble performing Zenobia Powell Perry’s “I Gotta Move When the Spirit Say Move”:\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=BT-AhNXBlac]\u003c/p>\n\u003cp>For Silicon Valley locals, the most famous name in this outfit is one of the principals: Judge LaDoris Cordell. She’s a retired judge of the Superior Court of California, and a former Independent Police Auditor for the city of San Jose — as well as an accomplished pianist and singer. Together with her Menlo Park piano teacher Josephine “Jodi” Gandolfi, Cordell has become a tireless advocate for music history appreciation through the Initiative.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://aacinitiative.org/outoftheblues_thegiftofsong/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here.\u003c/a>\u003c/p>\n\n",
"blocks": [],
"excerpt": "This year's concert features works both old and new, with LaDoris Cordell among the principals.",
"status": "publish",
"parent": 0,
"modified": 1726781939,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 8,
"wordCount": 230
},
"headData": {
"title": "African American Composers Initiative a Local Musical Gem | KQED",
"description": "This year's concert features works both old and new, with LaDoris Cordell among the principals.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "African American Composers Initiative a Local Musical Gem",
"datePublished": "2018-01-03T18:04:23-08:00",
"dateModified": "2024-09-19T14:38:59-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/13818452/african-american-composers-initiative-a-local-musical-gem",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The \u003ca href=\"http://aacinitiative.org\" target=\"_blank\" rel=\"noopener noreferrer\">African American Composers Initiative\u003c/a> presents its annual benefit concert Jan. 27 and 28 at the Performing Arts Center of Eastside College Preparatory School in East Palo Alto. The program is called “Out of the Blues: The Gift of Song.”\u003c/p>\n\u003cp>There are works old, there are works new, and there are works new inspired by the old: spirituals by Roland Hayes, Hall Johnson, and Harry Burleigh, instrumental music by William Grant Still, songs and instrumentals by Chicago-based composer Regina Baiocchi, new works by John Robinson and Valerie Capers, as well as songs by Florence Price, Roxanna Wright, Andre Myers, Charles Brown, and Charles Lloyd, Jr.\u003c/p>\n\u003cp>Below is an excerpt from last year’s concert, from the ensemble performing Zenobia Powell Perry’s “I Gotta Move When the Spirit Say Move”:\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BT-AhNXBlac'\n title='//www.youtube.com/embed/BT-AhNXBlac'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>For Silicon Valley locals, the most famous name in this outfit is one of the principals: Judge LaDoris Cordell. She’s a retired judge of the Superior Court of California, and a former Independent Police Auditor for the city of San Jose — as well as an accomplished pianist and singer. Together with her Menlo Park piano teacher Josephine “Jodi” Gandolfi, Cordell has become a tireless advocate for music history appreciation through the Initiative.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://aacinitiative.org/outoftheblues_thegiftofsong/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here.\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13818452/african-american-composers-initiative-a-local-musical-gem",
"authors": [
"251"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69"
],
"tags": [
"arts_15393",
"arts_3315",
"arts_596",
"arts_4642"
],
"featImg": "arts_13818458",
"label": "arts_140"
},
"arts_13818430": {
"type": "posts",
"id": "arts_13818430",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13818430",
"score": null,
"sort": [
1515029508000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 140
},
"blocks": [],
"publishDate": 1515029508,
"format": "standard",
"title": "St. Louis Symphony on Maestro's Swan-Song Tour",
"headTitle": "St. Louis Symphony on Maestro’s Swan-Song Tour | KQED",
"content": "\u003cp>For his 12th and final year behind the podium, conductor David Robertson is traveling with the \u003ca href=\"https://www.slso.org/california\" target=\"_blank\" rel=\"noopener\">St. Louis Symphony\u003c/a> on a nationwide tour — including a stop at Stanford’s Bing Concert Hall on Jan. 19.\u003c/p>\n\u003cp>The program includes Thomas Adès’ \u003ci>Dances\u003c/i>, from the high camp opera \u003ci>Powder Her Face\u003c/i>. Adès is a British composer who delivered exactly the kind of music you’d expect to hear attached to a libretto about a “Dirty Duchess,” \u003ca title=\"Margaret Campbell, Duchess of Argyll\" href=\"https://en.wikipedia.org/wiki/Margaret_Campbell,_Duchess_of_Argyll\">Margaret Campbell, Duchess of Argyll\u003c/a>, whose sexual exploits were the stuff of scandal in 1963 during her divorce proceedings.\u003c/p>\n\u003cp>While the opera itself can be shocking for some, the music is a blast and safe for all audience members. An additional delight: Benjamin Britten’s Violin Concerto performed by the Grammy-winning \u003ca href=\"http://augustinhadelich.com\" target=\"_blank\" rel=\"noopener\">Augustin Hadelich\u003c/a>.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=iwo-vKPR4Lo]\u003c/p>\n\u003cp>Based in New York, Hadelich tours regularly to meet demand for his vivacious talent. He is fantastic — take this opportunity to see him. \u003ca href=\"https://live.stanford.edu/calendar/january-2018/st-louis-symphony\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 180,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705028833,
"excerpt": "David Robertson conducts a program including Thomas Adès’ 'Dances' and Britten's Violin Concerto.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "David Robertson conducts a program including Thomas Adès’ 'Dances' and Britten's Violin Concerto.",
"title": "St. Louis Symphony on Maestro's Swan-Song Tour | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "St. Louis Symphony on Maestro's Swan-Song Tour",
"datePublished": "2018-01-03T17:31:48-08:00",
"dateModified": "2024-01-11T19:07:13-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "st-louis-symphony-on-maestros-swan-song-tour",
"status": "publish",
"sticky": false,
"path": "/arts/13818430/st-louis-symphony-on-maestros-swan-song-tour",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For his 12th and final year behind the podium, conductor David Robertson is traveling with the \u003ca href=\"https://www.slso.org/california\" target=\"_blank\" rel=\"noopener\">St. Louis Symphony\u003c/a> on a nationwide tour — including a stop at Stanford’s Bing Concert Hall on Jan. 19.\u003c/p>\n\u003cp>The program includes Thomas Adès’ \u003ci>Dances\u003c/i>, from the high camp opera \u003ci>Powder Her Face\u003c/i>. Adès is a British composer who delivered exactly the kind of music you’d expect to hear attached to a libretto about a “Dirty Duchess,” \u003ca title=\"Margaret Campbell, Duchess of Argyll\" href=\"https://en.wikipedia.org/wiki/Margaret_Campbell,_Duchess_of_Argyll\">Margaret Campbell, Duchess of Argyll\u003c/a>, whose sexual exploits were the stuff of scandal in 1963 during her divorce proceedings.\u003c/p>\n\u003cp>While the opera itself can be shocking for some, the music is a blast and safe for all audience members. An additional delight: Benjamin Britten’s Violin Concerto performed by the Grammy-winning \u003ca href=\"http://augustinhadelich.com\" target=\"_blank\" rel=\"noopener\">Augustin Hadelich\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iwo-vKPR4Lo'\n title='//www.youtube.com/embed/iwo-vKPR4Lo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Based in New York, Hadelich tours regularly to meet demand for his vivacious talent. He is fantastic — take this opportunity to see him. \u003ca href=\"https://live.stanford.edu/calendar/january-2018/st-louis-symphony\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13818430/st-louis-symphony-on-maestros-swan-song-tour",
"authors": [
"251"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69"
],
"tags": [
"arts_2308",
"arts_596",
"arts_1334"
],
"featImg": "arts_13818431",
"label": "arts_140"
},
"arts_13818446": {
"type": "posts",
"id": "arts_13818446",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13818446",
"score": null,
"sort": [
1515028106000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1515028106,
"format": "image",
"title": "Coachella Lineup May Point To A Shifting Middle",
"headTitle": "Coachella Lineup May Point To A Shifting Middle | KQED",
"content": "\u003cp>The official lineup for this year’s\u003ca href=\"https://www.coachella.com/lineup/\"> Coachella Valley Music and Arts Festival\u003c/a>, taking place April 13-15 and 20-22, has arrived.\u003c/p>\n\u003cp>After an annual game of\u003ca href=\"https://hypebeast.com/2017/12/beyonce-the-weeknd-eminem-coachella-headline-2018\"> speculation\u003c/a>, the festival’s parent company Goldenvoice made its announcement last night, confirming (as rumored) that \u003ca href=\"https://www.npr.org/artists/135036318/the-weeknd\">The Weeknd\u003c/a>, \u003ca href=\"https://www.npr.org/artists/19230778/beyonce\">Beyonce\u003c/a> and \u003ca href=\"https://www.npr.org/artists/15404635/eminem\">Eminem\u003c/a> will headline each of its respective three nights.\u003c/p>\n\u003cp>The festival, one of the world’s most successful, is often looked to for evidence of emerging trends in music’s mainstream. Comparing its flyers in years past (always the subject of font-size analysis and \u003ca href=\"https://www.billboard.com/articles/business/6458238/band-names-font-sizes-music-festival-posters-artists\">behind-the-scenes power brokering\u003c/a> over it) to this edition, rap and hip-hop have clearly risen to the top of pop culture. Contrasting Coachella’s lineup 10 years ago — with Jack Johnson, Prince and Roger Waters headlining — 2018’s seems to show, at least in its top billings, rap and R&B taking over the center of the landscape. But also, further down in the font sizing, its bookings of Princess Nokia, Jidenna, Moses Sumney, Kamaiyah, Aminé, DeJ Loaf and producer TroyBoi.\u003c/p>\n\u003cp>There is an important first this year, too: Beyonce’s performance on Saturday marks the first time that a black woman will headline. The superstar was supposed to headline the festival last year, but had to pull out of the slot after becoming pregnant, and was later \u003ca href=\"https://www.npr.org/sections/therecord/2017/03/01/517908059/lady-gaga-replaces-beyonc-at-coachella\">replaced by Lady Gaga\u003c/a>. This year’s April dates will also be Beyonce’s first performance since giving birth to her twins in June 2017.\u003c/p>\n\u003cp>[contextly_sidebar id=”79oXVmZwflNIO6aIMLgO6FLujd5GvFQe”]\u003c/p>\n\u003cp>Though Eminem hasn’t performed on the Coachella stage since his 2012 appearance with Dr. Dre, the \u003ca href=\"https://www.governorsballmusicfestival.com/lineup/\">2018 Governor’s Ball lineup\u003c/a> announcement today is a clear inkling that the diamond-selling Detroit rapper will be hitting the festival circuit hard this summer in support of his recent album \u003ca href=\"https://www.npr.org/2017/12/16/571171947/i-speak-to-everybody-who-is-even-remotely-like-me-eminem-on-revival\">\u003cem>Revival\u003c/em>\u003c/a>. (Other duplicate bookings include Tash Sultana, 6lack, Kali Uchis, Vance Joy, Russ, BROCKHAMPTON, Aminé and Moses Sumney.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In terms of first-timers, the musical spectrum seems broader than ever. New Orleans funk band and 2017 \u003ca href=\"https://www.npr.org/artists/517688972/tank-and-the-bangas\">Tiny Desk Contest winners\u003c/a> Tank and The Bangas will be making its first appearance at the fest this year. After a seven-year hiatus, ’90s era electro-soul star Jamiroquai has been striking a comeback path through the festival circuit over the past year, though this will be his first performance at the festival. And there are nine bubbling Latin acts on the lineup: Los Angeles Azules, Ibeyi, Cuco, Helado Negro, Kali Uchis, Princess Nokia, The Marias and Señor Kino.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Passes for Coachella 2018 go on sale via the \u003ca href=\"https://www.coachella.com/\">festival website\u003c/a> Friday, Jan. 5 at 12:00 PM PST.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Coachella+Lineup+May+Point+To+A+Shifting+Middle&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 469,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705028836,
"excerpt": "Toronto R&B star The Weeknd, Eminem and Beyonce will headline the April music festival, one of the world's largest. But its bookings also point to a shifting mainstream.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Toronto R&B star The Weeknd, Eminem and Beyonce will headline the April music festival, one of the world's largest. But its bookings also point to a shifting mainstream.",
"title": "Coachella Lineup May Point To A Shifting Middle | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Coachella Lineup May Point To A Shifting Middle",
"datePublished": "2018-01-03T17:08:26-08:00",
"dateModified": "2024-01-11T19:07:16-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "coachella-lineup-may-point-to-a-shifting-middle",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=575284902&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Sidney Madden",
"nprStoryDate": "Wed, 03 Jan 2018 11:44:00 -0500",
"nprLastModifiedDate": "Wed, 03 Jan 2018 11:46:39 -0500",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/sections/therecord/2018/01/03/575284902/coachella-lineup-may-point-to-a-shifting-middle?ft=nprml&f=575284902",
"nprImageAgency": "Getty Images",
"nprImageCredit": "SUZANNE CORDEIRO",
"nprStoryId": "575284902",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 03 Jan 2018 11:46:00 -0500",
"path": "/arts/13818446/coachella-lineup-may-point-to-a-shifting-middle",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The official lineup for this year’s\u003ca href=\"https://www.coachella.com/lineup/\"> Coachella Valley Music and Arts Festival\u003c/a>, taking place April 13-15 and 20-22, has arrived.\u003c/p>\n\u003cp>After an annual game of\u003ca href=\"https://hypebeast.com/2017/12/beyonce-the-weeknd-eminem-coachella-headline-2018\"> speculation\u003c/a>, the festival’s parent company Goldenvoice made its announcement last night, confirming (as rumored) that \u003ca href=\"https://www.npr.org/artists/135036318/the-weeknd\">The Weeknd\u003c/a>, \u003ca href=\"https://www.npr.org/artists/19230778/beyonce\">Beyonce\u003c/a> and \u003ca href=\"https://www.npr.org/artists/15404635/eminem\">Eminem\u003c/a> will headline each of its respective three nights.\u003c/p>\n\u003cp>The festival, one of the world’s most successful, is often looked to for evidence of emerging trends in music’s mainstream. Comparing its flyers in years past (always the subject of font-size analysis and \u003ca href=\"https://www.billboard.com/articles/business/6458238/band-names-font-sizes-music-festival-posters-artists\">behind-the-scenes power brokering\u003c/a> over it) to this edition, rap and hip-hop have clearly risen to the top of pop culture. Contrasting Coachella’s lineup 10 years ago — with Jack Johnson, Prince and Roger Waters headlining — 2018’s seems to show, at least in its top billings, rap and R&B taking over the center of the landscape. But also, further down in the font sizing, its bookings of Princess Nokia, Jidenna, Moses Sumney, Kamaiyah, Aminé, DeJ Loaf and producer TroyBoi.\u003c/p>\n\u003cp>There is an important first this year, too: Beyonce’s performance on Saturday marks the first time that a black woman will headline. The superstar was supposed to headline the festival last year, but had to pull out of the slot after becoming pregnant, and was later \u003ca href=\"https://www.npr.org/sections/therecord/2017/03/01/517908059/lady-gaga-replaces-beyonc-at-coachella\">replaced by Lady Gaga\u003c/a>. This year’s April dates will also be Beyonce’s first performance since giving birth to her twins in June 2017.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Though Eminem hasn’t performed on the Coachella stage since his 2012 appearance with Dr. Dre, the \u003ca href=\"https://www.governorsballmusicfestival.com/lineup/\">2018 Governor’s Ball lineup\u003c/a> announcement today is a clear inkling that the diamond-selling Detroit rapper will be hitting the festival circuit hard this summer in support of his recent album \u003ca href=\"https://www.npr.org/2017/12/16/571171947/i-speak-to-everybody-who-is-even-remotely-like-me-eminem-on-revival\">\u003cem>Revival\u003c/em>\u003c/a>. (Other duplicate bookings include Tash Sultana, 6lack, Kali Uchis, Vance Joy, Russ, BROCKHAMPTON, Aminé and Moses Sumney.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In terms of first-timers, the musical spectrum seems broader than ever. New Orleans funk band and 2017 \u003ca href=\"https://www.npr.org/artists/517688972/tank-and-the-bangas\">Tiny Desk Contest winners\u003c/a> Tank and The Bangas will be making its first appearance at the fest this year. After a seven-year hiatus, ’90s era electro-soul star Jamiroquai has been striking a comeback path through the festival circuit over the past year, though this will be his first performance at the festival. And there are nine bubbling Latin acts on the lineup: Los Angeles Azules, Ibeyi, Cuco, Helado Negro, Kali Uchis, Princess Nokia, The Marias and Señor Kino.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Passes for Coachella 2018 go on sale via the \u003ca href=\"https://www.coachella.com/\">festival website\u003c/a> Friday, Jan. 5 at 12:00 PM PST.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Coachella+Lineup+May+Point+To+A+Shifting+Middle&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13818446/coachella-lineup-may-point-to-a-shifting-middle",
"authors": [
"byline_arts_13818446"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1686",
"arts_3516",
"arts_1118",
"arts_831",
"arts_21788",
"arts_1558"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13818447",
"label": "arts_137"
},
"arts_13818055": {
"type": "posts",
"id": "arts_13818055",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13818055",
"score": null,
"sort": [
1514405109000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1514405109,
"format": "audio",
"title": "Mixtape: 2017 Bay Area Music Highlights",
"headTitle": "Mixtape: 2017 Bay Area Music Highlights | KQED",
"content": "\u003cp>Despite all of the hardships people are experiencing locally, nationally, and around the globe in 2017, the year has offered a wealth of impressive albums from Bay Area musicians.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/jaysommusic/\" target=\"_blank\" rel=\"noopener\">Jay Som\u003c/a> followed up 2016’s buzzed-about \u003cem>Turn Into\u003c/em> with her first proper LP, \u003cem>Everybody Works\u003c/em>. It’s a terrific album of layered indie rock that has deservedly landed high on many critics’ year-end lists. Berkeley’s \u003ca href=\"https://www.facebook.com/RexxLifeRaj/\" target=\"_blank\" rel=\"noopener\">Rexx Life Raj\u003c/a> returned in November with \u003cem>Father Figure 2: Flourish\u003c/em>, a sequel that surpassed its remarkable 2016 predecessor.\u003c/p>\n\u003cp>Longtime local musicians also reached new heights in 2017. \u003ca href=\"https://www.facebook.com/LILBTHEBASEDGOD/\" target=\"_blank\" rel=\"noopener\">Lil B\u003c/a> may no longer be as prolific as he once was, but his 27-track album \u003cem>Black Ken\u003c/em> made a major statement about his talent as both a rapper and, perhaps more surprisingly, a producer. \u003ca href=\"https://www.facebook.com/theshesmusic/\" target=\"_blank\" rel=\"noopener\">The She’s\u003c/a> also showcased their artistic growth this year, as 2017’s \u003cem>All Female Rock and Roll Quartet\u003c/em> paired the band’s skill at crafting killer melodies with impressive sonic depth.\u003c/p>\n\u003cp>As much as 2017 continues to sink spirits during its final days, this mixtape also offers hope for new music to look forward to in 2018. \u003ca href=\"https://www.facebook.com/clubnightband/\" target=\"_blank\" rel=\"noopener\">Club Night\u003c/a> impressed the hell out of us with their unpredictable debut EP, and the group is reportedly releasing an LP next year. There’s also a forthcoming album from \u003ca href=\"https://www.facebook.com/AhMerAhSu/\" target=\"_blank\" rel=\"noopener\">Ah Mer Ah Su\u003c/a>, following her stellar 2017 EP, \u003cem>Rebecca\u003c/em>, as well as \u003ca href=\"https://www.facebook.com/NefThePharaohMusic/\" target=\"_blank\" rel=\"noopener\">Nef The Pharaoh’s\u003c/a> long-awaited \u003cem>Big Chang Theory\u003c/em>.\u003c/p>\n\u003cp>Listen to the mixtape to learn more about eleven artists included in this mix.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Track Listing\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/jaysommusic/\" target=\"_blank\" rel=\"noopener\">Jay Som\u003c/a>, “1 Billion Dogs”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/mkenneymusic/\" target=\"_blank\" rel=\"noopener\">Madeline Kenney\u003c/a>, “Big One”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/RexxLifeRaj/\" target=\"_blank\" rel=\"noopener\">Rexx Life Raj\u003c/a>, “Lowkey Lovesong (feat. Iman Europe)”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/OnceAndFutureBand/\" target=\"_blank\" rel=\"noopener\">Once & Future Band\u003c/a>, “Tell Me Those Are Tears of Joy”\u003c/p>\n\u003cp>\u003ca href=\"http://raysoakland.tumblr.com/\" target=\"_blank\" rel=\"noopener\">Rays\u003c/a>, “Theatre of Lunacy”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/LILBTHEBASEDGOD/\" target=\"_blank\" rel=\"noopener\">Lil B\u003c/a>, “Free Life”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/theshesmusic/\" target=\"_blank\" rel=\"noopener\">The She’s\u003c/a>, “Ashes”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/AhMerAhSu/\" target=\"_blank\" rel=\"noopener\">Ah Mer Ah Su\u003c/a>, “Klonopin”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/clubnightband/\" target=\"_blank\" rel=\"noopener\">Club Night\u003c/a>, “Well”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/NefThePharaohMusic/\" target=\"_blank\" rel=\"noopener\">Nef The Pharaoh\u003c/a>, “Spice (feat. Yhung T.O.)”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pardoner2/\" target=\"_blank\" rel=\"noopener\">Pardoner\u003c/a>, “Pivot Fakie”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Subscribe to The Bay Bridged podcast \u003ca href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=128915127&s=143441\">here!\u003c/a>\u003c/em>\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 360,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 21
},
"modified": 1705028847,
"excerpt": "The Bay Bridged revisits some of the Bay's best tracks of the year.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Bay Bridged revisits some of the Bay's best tracks of the year.",
"title": "Mixtape: 2017 Bay Area Music Highlights | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Mixtape: 2017 Bay Area Music Highlights",
"datePublished": "2017-12-27T12:05:09-08:00",
"dateModified": "2024-01-11T19:07:27-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "mixtape-2017-bay-area-music-highlights",
"status": "publish",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/2017_Highlights_Mixtape.mp3",
"sticky": false,
"path": "/arts/13818055/mixtape-2017-bay-area-music-highlights",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Despite all of the hardships people are experiencing locally, nationally, and around the globe in 2017, the year has offered a wealth of impressive albums from Bay Area musicians.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/jaysommusic/\" target=\"_blank\" rel=\"noopener\">Jay Som\u003c/a> followed up 2016’s buzzed-about \u003cem>Turn Into\u003c/em> with her first proper LP, \u003cem>Everybody Works\u003c/em>. It’s a terrific album of layered indie rock that has deservedly landed high on many critics’ year-end lists. Berkeley’s \u003ca href=\"https://www.facebook.com/RexxLifeRaj/\" target=\"_blank\" rel=\"noopener\">Rexx Life Raj\u003c/a> returned in November with \u003cem>Father Figure 2: Flourish\u003c/em>, a sequel that surpassed its remarkable 2016 predecessor.\u003c/p>\n\u003cp>Longtime local musicians also reached new heights in 2017. \u003ca href=\"https://www.facebook.com/LILBTHEBASEDGOD/\" target=\"_blank\" rel=\"noopener\">Lil B\u003c/a> may no longer be as prolific as he once was, but his 27-track album \u003cem>Black Ken\u003c/em> made a major statement about his talent as both a rapper and, perhaps more surprisingly, a producer. \u003ca href=\"https://www.facebook.com/theshesmusic/\" target=\"_blank\" rel=\"noopener\">The She’s\u003c/a> also showcased their artistic growth this year, as 2017’s \u003cem>All Female Rock and Roll Quartet\u003c/em> paired the band’s skill at crafting killer melodies with impressive sonic depth.\u003c/p>\n\u003cp>As much as 2017 continues to sink spirits during its final days, this mixtape also offers hope for new music to look forward to in 2018. \u003ca href=\"https://www.facebook.com/clubnightband/\" target=\"_blank\" rel=\"noopener\">Club Night\u003c/a> impressed the hell out of us with their unpredictable debut EP, and the group is reportedly releasing an LP next year. There’s also a forthcoming album from \u003ca href=\"https://www.facebook.com/AhMerAhSu/\" target=\"_blank\" rel=\"noopener\">Ah Mer Ah Su\u003c/a>, following her stellar 2017 EP, \u003cem>Rebecca\u003c/em>, as well as \u003ca href=\"https://www.facebook.com/NefThePharaohMusic/\" target=\"_blank\" rel=\"noopener\">Nef The Pharaoh’s\u003c/a> long-awaited \u003cem>Big Chang Theory\u003c/em>.\u003c/p>\n\u003cp>Listen to the mixtape to learn more about eleven artists included in this mix.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Track Listing\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/jaysommusic/\" target=\"_blank\" rel=\"noopener\">Jay Som\u003c/a>, “1 Billion Dogs”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/mkenneymusic/\" target=\"_blank\" rel=\"noopener\">Madeline Kenney\u003c/a>, “Big One”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/RexxLifeRaj/\" target=\"_blank\" rel=\"noopener\">Rexx Life Raj\u003c/a>, “Lowkey Lovesong (feat. Iman Europe)”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/OnceAndFutureBand/\" target=\"_blank\" rel=\"noopener\">Once & Future Band\u003c/a>, “Tell Me Those Are Tears of Joy”\u003c/p>\n\u003cp>\u003ca href=\"http://raysoakland.tumblr.com/\" target=\"_blank\" rel=\"noopener\">Rays\u003c/a>, “Theatre of Lunacy”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/LILBTHEBASEDGOD/\" target=\"_blank\" rel=\"noopener\">Lil B\u003c/a>, “Free Life”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/theshesmusic/\" target=\"_blank\" rel=\"noopener\">The She’s\u003c/a>, “Ashes”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/AhMerAhSu/\" target=\"_blank\" rel=\"noopener\">Ah Mer Ah Su\u003c/a>, “Klonopin”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/clubnightband/\" target=\"_blank\" rel=\"noopener\">Club Night\u003c/a>, “Well”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/NefThePharaohMusic/\" target=\"_blank\" rel=\"noopener\">Nef The Pharaoh\u003c/a>, “Spice (feat. Yhung T.O.)”\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pardoner2/\" target=\"_blank\" rel=\"noopener\">Pardoner\u003c/a>, “Pivot Fakie”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Subscribe to The Bay Bridged podcast \u003ca href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=128915127&s=143441\">here!\u003c/a>\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13818055/mixtape-2017-bay-area-music-highlights",
"authors": [
"178"
],
"categories": [
"arts_69"
],
"tags": [
"arts_1118",
"arts_596"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_13818056",
"label": "arts_147"
},
"arts_13818064": {
"type": "posts",
"id": "arts_13818064",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13818064",
"score": null,
"sort": [
1513977710000
]
},
"guestAuthors": [],
"slug": "playlist-the-best-music-of-2017",
"title": "Playlist: The Best Music of 2017",
"publishDate": 1513977710,
"format": "standard",
"headTitle": "Playlist: The Best Music of 2017 | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>With so many boundary-pushing releases in so many genres, choosing the top albums of 2017 was no easy task. But, with the help of a team of Bay Area music writers, we came up with not one but two lists. Here you’ll find our list of \u003ca href=\"https://ww2.kqed.org/arts/tag/best-bay-area-albums-2017/\" target=\"_blank\" rel=\"noopener\">top 10 Bay Area albums of the year\u003c/a>; it spans music scenes as diverse as rap, folk, electropop, and Ethio-jazz, recognizing local artists that honed their crafts and made magic this year.\u003c/p>\n\u003cp>Our second list features our \u003ca href=\"https://ww2.kqed.org/arts/2017/12/21/our-20-favorite-non-local-albums-of-2017/\" target=\"_blank\" rel=\"noopener\">top 20 mainstream and notable indie releases\u003c/a> from across the country, with artists who made significant cultural impacts, challenged genre conventions, and gave us respite from everything going on in our communities and in the news.\u003c/p>\n\u003cp>We know that’s a lot of music, so we made you one big Spotify playlist with songs from our local and mainstream favorites of 2017. Enjoy it over the holidays — there’s no Christmas music on here, we promise.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/user/ga2ldjo713dvtkdfxiik0wai6/playlist/5RbrnPaaCjc3louyEPtv0M\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>To read more about our favorite local albums of 2017, click \u003ca href=\"https://ww2.kqed.org/arts/tag/best-bay-area-albums-2017/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>; to read more about our favorite mainstream albums of 2017, click \u003ca href=\"https://ww2.kqed.org/arts/2017/12/21/our-20-favorite-non-local-albums-of-2017/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "KQED Arts' favorite local and mainstream releases of the year -- all in one playlist. ",
"status": "publish",
"parent": 0,
"modified": 1726703114,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 8,
"wordCount": 192
},
"headData": {
"title": "Playlist: The Best Music of 2017 | KQED",
"description": "KQED Arts' favorite local and mainstream releases of the year -- all in one playlist. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Playlist: The Best Music of 2017",
"datePublished": "2017-12-22T13:21:50-08:00",
"dateModified": "2024-09-18T16:45:14-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/13818064/playlist-the-best-music-of-2017",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>With so many boundary-pushing releases in so many genres, choosing the top albums of 2017 was no easy task. But, with the help of a team of Bay Area music writers, we came up with not one but two lists. Here you’ll find our list of \u003ca href=\"https://ww2.kqed.org/arts/tag/best-bay-area-albums-2017/\" target=\"_blank\" rel=\"noopener\">top 10 Bay Area albums of the year\u003c/a>; it spans music scenes as diverse as rap, folk, electropop, and Ethio-jazz, recognizing local artists that honed their crafts and made magic this year.\u003c/p>\n\u003cp>Our second list features our \u003ca href=\"https://ww2.kqed.org/arts/2017/12/21/our-20-favorite-non-local-albums-of-2017/\" target=\"_blank\" rel=\"noopener\">top 20 mainstream and notable indie releases\u003c/a> from across the country, with artists who made significant cultural impacts, challenged genre conventions, and gave us respite from everything going on in our communities and in the news.\u003c/p>\n\u003cp>We know that’s a lot of music, so we made you one big Spotify playlist with songs from our local and mainstream favorites of 2017. Enjoy it over the holidays — there’s no Christmas music on here, we promise.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/user/ga2ldjo713dvtkdfxiik0wai6/playlist/5RbrnPaaCjc3louyEPtv0M\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>To read more about our favorite local albums of 2017, click \u003ca href=\"https://ww2.kqed.org/arts/tag/best-bay-area-albums-2017/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>; to read more about our favorite mainstream albums of 2017, click \u003ca href=\"https://ww2.kqed.org/arts/2017/12/21/our-20-favorite-non-local-albums-of-2017/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13818064/playlist-the-best-music-of-2017",
"authors": [
"11387"
],
"categories": [
"arts_69"
],
"tags": [
"arts_1118",
"arts_596",
"arts_3392"
],
"featImg": "arts_13818069",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=music": {
"isFetching": false,
"latestQuery": {
"from": 2412,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 4934,
"relation": "eq"
},
"items": [
"arts_13818751",
"arts_13818769",
"arts_13818687",
"arts_13818660",
"arts_13818613",
"arts_13818594",
"arts_13818442",
"arts_13818452",
"arts_13818430",
"arts_13818446",
"arts_13818055",
"arts_13818064"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_music": {
"isLoading": true
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_6012": {
"type": "terms",
"id": "arts_6012",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6012",
"found": true
},
"relationships": {},
"featImg": null,
"name": "pop music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "pop music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6024,
"slug": "pop-music",
"isLoading": false,
"link": "/arts/tag/pop-music"
},
"arts_4798": {
"type": "terms",
"id": "arts_4798",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4798",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tickets",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tickets Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4810,
"slug": "tickets",
"isLoading": false,
"link": "/arts/tag/tickets"
},
"arts_76": {
"type": "terms",
"id": "arts_76",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "76",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Fashion/Design",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Fashion/Design Archives | KQED Arts",
"ogDescription": null
},
"ttid": 77,
"slug": "design",
"isLoading": false,
"link": "/arts/category/design"
},
"arts_831": {
"type": "terms",
"id": "arts_831",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "831",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Hip Hop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Discover rising stars, hidden gems, and live events that'll keep your head nodding. Find your next favorite local hip hop artist right here.",
"metaRobotsNoIndex": "index",
"title": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogDescription": null
},
"ttid": 849,
"slug": "hip-hop",
"isLoading": false,
"link": "/arts/tag/hip-hop"
},
"arts_1367": {
"type": "terms",
"id": "arts_1367",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1367",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco Symphony",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Symphony Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1379,
"slug": "san-francisco-symphony",
"isLoading": false,
"link": "/arts/tag/san-francisco-symphony"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_1853": {
"type": "terms",
"id": "arts_1853",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1853",
"found": true
},
"relationships": {},
"featImg": null,
"name": "bottlerock",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "bottlerock Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1865,
"slug": "bottlerock",
"isLoading": false,
"link": "/arts/tag/bottlerock"
},
"arts_1601": {
"type": "terms",
"id": "arts_1601",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1601",
"found": true
},
"relationships": {},
"featImg": null,
"name": "E-40",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "E-40 Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1613,
"slug": "e-40",
"isLoading": false,
"link": "/arts/tag/e-40"
},
"arts_1694": {
"type": "terms",
"id": "arts_1694",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1694",
"found": true
},
"relationships": {},
"featImg": null,
"name": "music festivals",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "music festivals Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1706,
"slug": "music-festivals",
"isLoading": false,
"link": "/arts/tag/music-festivals"
},
"arts_1022": {
"type": "terms",
"id": "arts_1022",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1022",
"found": true
},
"relationships": {},
"featImg": null,
"name": "noise pop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "noise pop Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1039,
"slug": "noise-pop",
"isLoading": false,
"link": "/arts/tag/noise-pop"
},
"arts_4506": {
"type": "terms",
"id": "arts_4506",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4506",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Sports",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Sports Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4518,
"slug": "sports",
"isLoading": false,
"link": "/arts/tag/sports"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_968": {
"type": "terms",
"id": "arts_968",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "968",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Comedy",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 986,
"slug": "comedy",
"isLoading": false,
"link": "/arts/category/comedy"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_2250": {
"type": "terms",
"id": "arts_2250",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2250",
"found": true
},
"relationships": {},
"name": "Asian Art Museum",
"slug": "asian-art-museum",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Asian Art Museum | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 2262,
"isLoading": false,
"link": "/arts/tag/asian-art-museum"
},
"arts_15393": {
"type": "terms",
"id": "arts_15393",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "15393",
"found": true
},
"relationships": {},
"featImg": null,
"name": "classical",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "classical Archives | KQED Arts",
"ogDescription": null
},
"ttid": 15405,
"slug": "classical",
"isLoading": false,
"link": "/arts/tag/classical"
},
"arts_549": {
"type": "terms",
"id": "arts_549",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "549",
"found": true
},
"relationships": {},
"featImg": null,
"name": "comedy",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 550,
"slug": "comedy",
"isLoading": false,
"link": "/arts/tag/comedy"
},
"arts_1187": {
"type": "terms",
"id": "arts_1187",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1187",
"found": true
},
"relationships": {},
"name": "San José Museum of Art",
"slug": "san-jose-museum-of-art",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "San José Museum of Art | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 1199,
"isLoading": false,
"link": "/arts/tag/san-jose-museum-of-art"
},
"arts_626": {
"type": "terms",
"id": "arts_626",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "626",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the-do-list-featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the-do-list-featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 634,
"slug": "the-do-list-featured",
"isLoading": false,
"link": "/arts/tag/the-do-list-featured"
},
"arts_3315": {
"type": "terms",
"id": "arts_3315",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3315",
"found": true
},
"relationships": {},
"featImg": null,
"name": "East Palo Alto",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "East Palo Alto Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3327,
"slug": "east-palo-alto",
"isLoading": false,
"link": "/arts/tag/east-palo-alto"
},
"arts_4642": {
"type": "terms",
"id": "arts_4642",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4642",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Rachael Myrow",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Rachael Myrow Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4654,
"slug": "rachael-myrow",
"isLoading": false,
"link": "/arts/tag/rachael-myrow"
},
"arts_2308": {
"type": "terms",
"id": "arts_2308",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2308",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Bing Concert Hall",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Bing Concert Hall Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2320,
"slug": "bing-concert-hall",
"isLoading": false,
"link": "/arts/tag/bing-concert-hall"
},
"arts_1334": {
"type": "terms",
"id": "arts_1334",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1334",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the do list",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the do list Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1346,
"slug": "the-do-list",
"isLoading": false,
"link": "/arts/tag/the-do-list"
},
"arts_1686": {
"type": "terms",
"id": "arts_1686",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1686",
"found": true
},
"relationships": {},
"featImg": null,
"name": "beyonce",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "beyonce Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1698,
"slug": "beyonce",
"isLoading": false,
"link": "/arts/tag/beyonce"
},
"arts_3516": {
"type": "terms",
"id": "arts_3516",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3516",
"found": true
},
"relationships": {},
"featImg": null,
"name": "coachella",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "coachella Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3528,
"slug": "coachella",
"isLoading": false,
"link": "/arts/tag/coachella"
},
"arts_21788": {
"type": "terms",
"id": "arts_21788",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21788",
"found": true
},
"relationships": {},
"featImg": null,
"name": "indie rock",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "indie rock Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21800,
"slug": "indie-rock",
"isLoading": false,
"link": "/arts/tag/indie-rock"
},
"arts_1558": {
"type": "terms",
"id": "arts_1558",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1558",
"found": true
},
"relationships": {},
"featImg": null,
"name": "kamaiyah",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "kamaiyah Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1570,
"slug": "kamaiyah",
"isLoading": false,
"link": "/arts/tag/kamaiyah"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_147": {
"type": "terms",
"id": "arts_147",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "147",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-thebaybridged1.png",
"name": "The Bay Bridged",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Bay Bridged Archives | KQED Arts",
"ogDescription": null
},
"ttid": 148,
"slug": "the-bay-bridged",
"isLoading": false,
"link": "/arts/affiliate/the-bay-bridged"
},
"arts_3392": {
"type": "terms",
"id": "arts_3392",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3392",
"found": true
},
"relationships": {},
"featImg": null,
"name": "year in review 2017",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "year in review 2017 Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3404,
"slug": "year-in-review-2017",
"isLoading": false,
"link": "/arts/tag/year-in-review-2017"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
}
}
