window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_10048": {
"type": "authors",
"id": "byline_arts_10048",
"meta": {
"override": true
},
"slug": "byline_arts_10048",
"name": "Amelia Bauer and Evany Thomas",
"isLoading": false
},
"byline_arts_9944": {
"type": "authors",
"id": "byline_arts_9944",
"meta": {
"override": true
},
"slug": "byline_arts_9944",
"name": "Sarah Anne Cox",
"isLoading": false
},
"byline_arts_9761": {
"type": "authors",
"id": "byline_arts_9761",
"meta": {
"override": true
},
"slug": "byline_arts_9761",
"name": "Russ Harvey",
"isLoading": false
},
"byline_arts_9667": {
"type": "authors",
"id": "byline_arts_9667",
"meta": {
"override": true
},
"slug": "byline_arts_9667",
"name": "Edie Meidav",
"isLoading": false
},
"byline_arts_9321": {
"type": "authors",
"id": "byline_arts_9321",
"meta": {
"override": true
},
"slug": "byline_arts_9321",
"name": "Paul Malmont",
"isLoading": false
},
"byline_arts_9240": {
"type": "authors",
"id": "byline_arts_9240",
"meta": {
"override": true
},
"slug": "byline_arts_9240",
"name": "Lee Skirboll",
"isLoading": false
},
"byline_arts_9221": {
"type": "authors",
"id": "byline_arts_9221",
"meta": {
"override": true
},
"slug": "byline_arts_9221",
"name": "Russ Harvey",
"isLoading": false
},
"byline_arts_8987": {
"type": "authors",
"id": "byline_arts_8987",
"meta": {
"override": true
},
"slug": "byline_arts_8987",
"name": "Alan Kaufman",
"isLoading": false
},
"byline_arts_8760": {
"type": "authors",
"id": "byline_arts_8760",
"meta": {
"override": true
},
"slug": "byline_arts_8760",
"name": "Martin Hyatt ",
"isLoading": false
},
"byline_arts_8485": {
"type": "authors",
"id": "byline_arts_8485",
"meta": {
"override": true
},
"slug": "byline_arts_8485",
"name": "Pat Murphy",
"isLoading": false
}
},
"pagesReducer": {
"arts_category_literature": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"score": 12.793592
},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"title": "Books",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 155
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=literature",
"seeMore": false,
"paginated": true,
"page": 155
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_10048": {
"type": "posts",
"id": "arts_10048",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10048",
"score": null,
"sort": [
1156212947000
]
},
"guestAuthors": [],
"slug": "the_secret_language_of_sleep",
"title": "The Secret Language of Sleep",
"publishDate": 1156212947,
"format": "audio",
"headTitle": "The Secret Language of Sleep | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>With \u003cb>The Secret Language of Sleep\u003c/b>, a couple finally unlocks the secrets hidden within their chosen sleeping position. Each pose (there are thirty-nine in all) is deciphered using an easy-to-identify illustration, an overview of the sleepers’ traits and tendencies, along with tips about which stretches and diets to try to enhance the effectiveness of the pose. Alegend of handy icons points the way to the poses that are most therapeutic for specific kinds of sleepers, including: snorers, outdoorsmen, couples suffering from intestinal ailments, and anyone confined to a twin-sized bed or tent. The book is color-coded based on the four Comfort Zones, and features a dream-blue cover embossed with an illustration of The Ticket Puncher, the favorite pose of couples whose schedules never quite mesh.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "With \u003cb>The Secret Language of Sleep\u003c/b>, a couple finally unlocks the secrets hidden within their chosen sleeping position. Each pose (there are thirty-nine in all) is deciphered using an easy-to-identify illustration, an overview of the sleepers' traits and tendencies, along with tips about which stretches and diets to try to enhance the effectiveness of the pose. Alegend of handy icons points the way to the poses that are most therapeutic for specific kinds of sleepers, including: snorers, outdoorsmen, couples suffering from intestinal ailments, and anyone confined to a twin-sized bed or tent. The book is color-coded based on the four Comfort Zones, and features a dream-blue cover embossed with an illustration of The Ticket Puncher, the favorite pose of couples whose schedules never quite mesh.",
"status": "publish",
"parent": 0,
"modified": 1726706910,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 134
},
"headData": {
"title": "The Secret Language of Sleep | KQED",
"description": "With The Secret Language of Sleep, a couple finally unlocks the secrets hidden within their chosen sleeping position. Each pose (there are thirty-nine in all) is deciphered using an easy-to-identify illustration, an overview of the sleepers' traits and tendencies, along with tips about which stretches and diets to try to enhance the effectiveness of the pose. Alegend of handy icons points the way to the poses that are most therapeutic for specific kinds of sleepers, including: snorers, outdoorsmen, couples suffering from intestinal ailments, and anyone confined to a twin-sized bed or tent. The book is color-coded based on the four Comfort Zones, and features a dream-blue cover embossed with an illustration of The Ticket Puncher, the favorite pose of couples whose schedules never quite mesh.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Secret Language of Sleep",
"datePublished": "2006-08-21T19:15:47-07:00",
"dateModified": "2024-09-18T17:48:30-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"sticky": false,
"nprByline": "Amelia Bauer and Evany Thomas",
"path": "/arts/10048/the_secret_language_of_sleep",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>With \u003cb>The Secret Language of Sleep\u003c/b>, a couple finally unlocks the secrets hidden within their chosen sleeping position. Each pose (there are thirty-nine in all) is deciphered using an easy-to-identify illustration, an overview of the sleepers’ traits and tendencies, along with tips about which stretches and diets to try to enhance the effectiveness of the pose. Alegend of handy icons points the way to the poses that are most therapeutic for specific kinds of sleepers, including: snorers, outdoorsmen, couples suffering from intestinal ailments, and anyone confined to a twin-sized bed or tent. The book is color-coded based on the four Comfort Zones, and features a dream-blue cover embossed with an illustration of The Ticket Puncher, the favorite pose of couples whose schedules never quite mesh.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10048/the_secret_language_of_sleep",
"authors": [
"byline_arts_10048"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"label": "arts"
},
"arts_9944": {
"type": "posts",
"id": "arts_9944",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "9944",
"score": null,
"sort": [
1155607286000
]
},
"guestAuthors": [],
"slug": "we_of_the_capitals",
"title": "We of the Capitals",
"publishDate": 1155607286,
"format": "audio",
"headTitle": "We of the Capitals | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>“We of the Capitals,” a poem in 14 sections, is about the value of abstract nouns in wartime. It is from the book, \u003cb>Parcel\u003c/b> (O Books 2006).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "\"We of the Capitals,\" a poem in 14 sections, is about the value of abstract nouns in wartime. It is from the book, \u003cb>Parcel\u003c/b> (O Books 2006).",
"status": "publish",
"parent": 0,
"modified": 1726706913,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 31
},
"headData": {
"title": "We of the Capitals | KQED",
"description": ""We of the Capitals," a poem in 14 sections, is about the value of abstract nouns in wartime. It is from the book, Parcel (O Books 2006).",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "We of the Capitals",
"datePublished": "2006-08-14T19:01:26-07:00",
"dateModified": "2024-09-18T17:48:33-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"sticky": false,
"nprByline": "Sarah Anne Cox",
"path": "/arts/9944/we_of_the_capitals",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“We of the Capitals,” a poem in 14 sections, is about the value of abstract nouns in wartime. It is from the book, \u003cb>Parcel\u003c/b> (O Books 2006).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/9944/we_of_the_capitals",
"authors": [
"byline_arts_9944"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"label": "arts"
},
"arts_9780": {
"type": "posts",
"id": "arts_9780",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "9780",
"score": null,
"sort": [
1155234701000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1155234701,
"format": "standard",
"title": "Ker-Bloom #60",
"headTitle": "Ker-Bloom #60 | KQED",
"content": "\u003cp>There has to be more to a great zine than just long hours at the local copy shop. Some are content to view them through their punk, “anything goes” roots, and figure that if it’s out there, it’s good. But I prefer to define zines by their more nuanced appeal: relating experiences with a commitment to DIY production values — you know, thin paper, the hand-drawn illustrating the handwritten, and naked staples as preferred binding. It’s in these crafty details where a lot of what makes zines worth reading becomes apparent, along with why people still choose zines over their cheaper, easier counterpart: blogs. Sometimes small runs and the main zine motivators of TLC plus a lot of free time combine to bring us titles that have one foot in the literary world, the other firmly planted in art.\u003c/p>\n\u003cp>Enter \u003cb>Ker-Bloom\u003c/b>, a beautiful letterpress zine whose most recent issue, #60, reflects on its own ten-year anniversary. For a modestly sized zine, \u003cb>Ker-Bloom\u003c/b> always manages to pack an impressive amount of heart in its few pages. Part of this appeal comes from the fact that only 250 editions of each issue are ever produced, allowing copies to occasionally sport beautiful fabric covers, snazzy inks, and sewn binding. The zine’s handset type manages to make it even more visually endearing. Blotchy letters and shaky alignments suddenly seem relevant when they’re the result of labor-intensive printing — not just the affectation of an oh-so-quirky flea market typewriter.\u003c/p>\n\u003cp>Plus, the writing is fantastic. In her essays, \u003cb>Ker-Bloom\u003c/b> creator Artnoose, a.k.a. Karen Switzer, pulls off the delicate balancing act of introspective nostalgia with derring-do: an intimate conversational tone and insights that ring true despite their personal nature. Issue #60 deals with the way one’s life takes unexpected ups and downs, as viewed through the lens of swapping the plan of motherhood for a brood of bi-monthly zines. She writes with characteristic wit, “But the zine always had to come out, one way or another, and the next thing I knew ten years had gone by and I was what sociologists call S.I.N.K. — Sixty Issues, No Kids.”\u003c/p>\n\u003cp>Within the trope of the zine, Artnoose manages to touch on everything from the death of loved ones to personal triumphs. This breadth of topic reminds me of why I like zines so much: they can literally be about anything. The only rules governing subject matter are that it matter to the author, and there’s something inspiring about that kind of sincerity. In fact, \u003cb>Ker-Bloom\u003c/b>‘s quiet poignancy is exactly why zines speak to one of the most overlooked truths in mainstream media: sometimes compelling information isn’t really all that, well, dazzling. Yes, we love to read fresh new exposés and matters of international importance, but people mostly function in small moments strung together with small doses of anything worth broadcasting to the masses.\u003c/p>\n\u003cp>In \u003cb>Ker-Bloom\u003c/b> #60, Artnoose goes on to describe how creating the zine has added to her life in ways she never anticipated. Though she does mention getting to meet and connect to other people through her little publication, we get the sense that she has most benefited from the way issues have chronicled and organized her life: “I went all around the country. I went to love and back, a number of times. I went to hell and back, a number of times. My zine went with me.” It’s as though, looking back, \u003cb>Ker-Bloom\u003c/b> has formed a trail of pebbles through the woods, telling Artnoose where she’s been in order to direct her to where she’s going.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 644,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705053746,
"excerpt": "There has to be more to a great zine than just long hours at the local copy shop. Some are content to view them through their punk, \"anything goes\" roots, and figure that if it's out there, it's good. But I prefer to define zines by their more nuanced appeal: relating experiences with a commitment to DIY production values -- you know, thin paper, the hand-drawn illustrating the handwritten, and naked staples as preferred binding. It's in these crafty details where a lot of what makes zines worth reading becomes apparent, along with why people still choose zines over their cheaper, easier counterpart: blogs. Sometimes small runs and the main zine motivators of TLC plus a lot of free time combine to bring us titles that have one foot in the literary world, the other firmly planted in art. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "There has to be more to a great zine than just long hours at the local copy shop. Some are content to view them through their punk, "anything goes" roots, and figure that if it's out there, it's good. But I prefer to define zines by their more nuanced appeal: relating experiences with a commitment to DIY production values -- you know, thin paper, the hand-drawn illustrating the handwritten, and naked staples as preferred binding. It's in these crafty details where a lot of what makes zines worth reading becomes apparent, along with why people still choose zines over their cheaper, easier counterpart: blogs. Sometimes small runs and the main zine motivators of TLC plus a lot of free time combine to bring us titles that have one foot in the literary world, the other firmly planted in art. ",
"title": "Ker-Bloom #60 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Ker-Bloom #60",
"datePublished": "2006-08-10T11:31:41-07:00",
"dateModified": "2024-01-12T02:02:26-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "kerbloom_60",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/literature/literature-review/",
"sticky": false,
"path": "/arts/9780/kerbloom_60",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There has to be more to a great zine than just long hours at the local copy shop. Some are content to view them through their punk, “anything goes” roots, and figure that if it’s out there, it’s good. But I prefer to define zines by their more nuanced appeal: relating experiences with a commitment to DIY production values — you know, thin paper, the hand-drawn illustrating the handwritten, and naked staples as preferred binding. It’s in these crafty details where a lot of what makes zines worth reading becomes apparent, along with why people still choose zines over their cheaper, easier counterpart: blogs. Sometimes small runs and the main zine motivators of TLC plus a lot of free time combine to bring us titles that have one foot in the literary world, the other firmly planted in art.\u003c/p>\n\u003cp>Enter \u003cb>Ker-Bloom\u003c/b>, a beautiful letterpress zine whose most recent issue, #60, reflects on its own ten-year anniversary. For a modestly sized zine, \u003cb>Ker-Bloom\u003c/b> always manages to pack an impressive amount of heart in its few pages. Part of this appeal comes from the fact that only 250 editions of each issue are ever produced, allowing copies to occasionally sport beautiful fabric covers, snazzy inks, and sewn binding. The zine’s handset type manages to make it even more visually endearing. Blotchy letters and shaky alignments suddenly seem relevant when they’re the result of labor-intensive printing — not just the affectation of an oh-so-quirky flea market typewriter.\u003c/p>\n\u003cp>Plus, the writing is fantastic. In her essays, \u003cb>Ker-Bloom\u003c/b> creator Artnoose, a.k.a. Karen Switzer, pulls off the delicate balancing act of introspective nostalgia with derring-do: an intimate conversational tone and insights that ring true despite their personal nature. Issue #60 deals with the way one’s life takes unexpected ups and downs, as viewed through the lens of swapping the plan of motherhood for a brood of bi-monthly zines. She writes with characteristic wit, “But the zine always had to come out, one way or another, and the next thing I knew ten years had gone by and I was what sociologists call S.I.N.K. — Sixty Issues, No Kids.”\u003c/p>\n\u003cp>Within the trope of the zine, Artnoose manages to touch on everything from the death of loved ones to personal triumphs. This breadth of topic reminds me of why I like zines so much: they can literally be about anything. The only rules governing subject matter are that it matter to the author, and there’s something inspiring about that kind of sincerity. In fact, \u003cb>Ker-Bloom\u003c/b>‘s quiet poignancy is exactly why zines speak to one of the most overlooked truths in mainstream media: sometimes compelling information isn’t really all that, well, dazzling. Yes, we love to read fresh new exposés and matters of international importance, but people mostly function in small moments strung together with small doses of anything worth broadcasting to the masses.\u003c/p>\n\u003cp>In \u003cb>Ker-Bloom\u003c/b> #60, Artnoose goes on to describe how creating the zine has added to her life in ways she never anticipated. Though she does mention getting to meet and connect to other people through her little publication, we get the sense that she has most benefited from the way issues have chronicled and organized her life: “I went all around the country. I went to love and back, a number of times. I went to hell and back, a number of times. My zine went with me.” It’s as though, looking back, \u003cb>Ker-Bloom\u003c/b> has formed a trail of pebbles through the woods, telling Artnoose where she’s been in order to direct her to where she’s going.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/9780/kerbloom_60",
"authors": [
"124"
],
"categories": [
"arts_73"
],
"tags": [
"arts_596",
"arts_769"
],
"label": "arts"
},
"arts_9761": {
"type": "posts",
"id": "arts_9761",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "9761",
"score": null,
"sort": [
1155156277000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1155156277,
"format": "standard",
"title": "Doña Tomås",
"headTitle": "Doña Tomås | KQED",
"content": "\u003cp>Cookbooks are especially frustrating for galley reading. No index, no color photos. If the food doesn’t read as tasty, making it pretty later won’t help. The version of \u003cb>Doña Tomås\u003c/b> that I saw was one of these versions; in this case, the book was a loose collection of pages held together by a standard binder clip. By Thomas Schnetz and Dona Savitsky, drawn from their Oakland restaurant of the same name, the book is on the shelves now; I saw the galley in February, just in time for the Academy Awards. Why would it be worth struggling with this stack of pages? Easy, I like Doña Tomås, and eat there whenever I can. I like the food. I’d like to eat it at home. Seemed like a good time for a themed Academy Awards party.\u003c/p>\n\u003cp>There are many, many good Mexican cookbooks out there. I have many, several more than my wife would like. Some, like Diane Kennedy, I use as reference books, some I use for menu ideas, some inspire me just with the photography. Plating is, after all, important. \u003cb>Doña Tomås\u003c/b> I found especially satisfactory because of the results I got; I was able to recreate a restaurant meal experience for a crowd. I always look at the cookbooks for restaurants I frequent; knowing what I’d like the results to be gives me a benchmark for both the recipes and my cooking. I had the time to devote a full day to working on a bunch of recipes, all previously untried. The fact that they all worked for both me, and my guests, is the basis of this recommendation.\u003c/p>\n\u003cp>What did I make that worked so well? Sweet potato stuffed peppers with a spicy walnut cream sauce, grilled steak with a mushroom cream sauce, and the tortilla soup that basically sustains both my home and the bookstore during cold and flu season. There were sides, beans and salad and dessert, but those first three were the point of the meal and the point of the day. Good winter fare, hearty and filling and flavorful. In the middle of winter it’s nice to spend a day surrounded by steam and simmering pots of sauce and soup. The directions were clear, the ingredient selection interesting yet available, and now that I have a finished copy, the photography inspiring.\u003c/p>\n\u003cp>It’s summer now; all the dishes that tasted so good in the winter look a little heavy. Now is the season for that great melon salad we love so much, and as much grilled corn with chili and lime as we can eat. Seafood makes up the bulk of the entrees now, interesting ceviches or other dishes that take less time to cook than to measure and prep. That’s fine; the longer days provide more time to cook, and less interest in staying inside to do it. That’s why we have a barbeque, after all.\u003c/p>\n\u003cp>The breakfast foods are looking interesting this week. It might be time to have an al fresco brunch. Time to line up some friends.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Galley Slave Galley Watch: \u003cb>Dawn of Empire\u003c/b>, by Sam Barone. The hordes are coming back, and this time the village isn’t going to run and rebuild. This time they stay and fight. A great big tub of buttery Bronze Age popcorn, ready in September.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Doña Tomås\u003c/b>\u003cbr>216 pages. Hardcover.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 591,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 9
},
"modified": 1705053747,
"excerpt": "Cookbooks are especially frustrating for galley reading. No index, no color photos. If the food doesn't read as tasty, making it pretty later won't help. The version of \u003cb>Doña Tomås\u003c/b> that I saw was one of these versions; in this case, the book was a loose collection of pages held together by a standard binder clip. By Thomas Schnetz and Dona Savitsky, drawn from their Oakland restaurant of the same name, the book is on the shelves now; I saw the galley in February, just in time for the Academy Awards. Why would it be worth struggling with this stack of pages? Easy, I like Doña Tomås, and eat there whenever I can. I like the food. I'd like to eat it at home. Seemed like a good time for a themed Academy Awards party.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Cookbooks are especially frustrating for galley reading. No index, no color photos. If the food doesn't read as tasty, making it pretty later won't help. The version of Doña Tomås that I saw was one of these versions; in this case, the book was a loose collection of pages held together by a standard binder clip. By Thomas Schnetz and Dona Savitsky, drawn from their Oakland restaurant of the same name, the book is on the shelves now; I saw the galley in February, just in time for the Academy Awards. Why would it be worth struggling with this stack of pages? Easy, I like Doña Tomås, and eat there whenever I can. I like the food. I'd like to eat it at home. Seemed like a good time for a themed Academy Awards party.",
"title": "Doña Tomås | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Doña Tomås",
"datePublished": "2006-08-09T13:44:37-07:00",
"dateModified": "2024-01-12T02:02:27-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "dontildea_tomarings",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/literature/literature-review/",
"nprByline": "Russ Harvey",
"sticky": false,
"path": "/arts/9761/dontildea_tomarings",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Cookbooks are especially frustrating for galley reading. No index, no color photos. If the food doesn’t read as tasty, making it pretty later won’t help. The version of \u003cb>Doña Tomås\u003c/b> that I saw was one of these versions; in this case, the book was a loose collection of pages held together by a standard binder clip. By Thomas Schnetz and Dona Savitsky, drawn from their Oakland restaurant of the same name, the book is on the shelves now; I saw the galley in February, just in time for the Academy Awards. Why would it be worth struggling with this stack of pages? Easy, I like Doña Tomås, and eat there whenever I can. I like the food. I’d like to eat it at home. Seemed like a good time for a themed Academy Awards party.\u003c/p>\n\u003cp>There are many, many good Mexican cookbooks out there. I have many, several more than my wife would like. Some, like Diane Kennedy, I use as reference books, some I use for menu ideas, some inspire me just with the photography. Plating is, after all, important. \u003cb>Doña Tomås\u003c/b> I found especially satisfactory because of the results I got; I was able to recreate a restaurant meal experience for a crowd. I always look at the cookbooks for restaurants I frequent; knowing what I’d like the results to be gives me a benchmark for both the recipes and my cooking. I had the time to devote a full day to working on a bunch of recipes, all previously untried. The fact that they all worked for both me, and my guests, is the basis of this recommendation.\u003c/p>\n\u003cp>What did I make that worked so well? Sweet potato stuffed peppers with a spicy walnut cream sauce, grilled steak with a mushroom cream sauce, and the tortilla soup that basically sustains both my home and the bookstore during cold and flu season. There were sides, beans and salad and dessert, but those first three were the point of the meal and the point of the day. Good winter fare, hearty and filling and flavorful. In the middle of winter it’s nice to spend a day surrounded by steam and simmering pots of sauce and soup. The directions were clear, the ingredient selection interesting yet available, and now that I have a finished copy, the photography inspiring.\u003c/p>\n\u003cp>It’s summer now; all the dishes that tasted so good in the winter look a little heavy. Now is the season for that great melon salad we love so much, and as much grilled corn with chili and lime as we can eat. Seafood makes up the bulk of the entrees now, interesting ceviches or other dishes that take less time to cook than to measure and prep. That’s fine; the longer days provide more time to cook, and less interest in staying inside to do it. That’s why we have a barbeque, after all.\u003c/p>\n\u003cp>The breakfast foods are looking interesting this week. It might be time to have an al fresco brunch. Time to line up some friends.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Galley Slave Galley Watch: \u003cb>Dawn of Empire\u003c/b>, by Sam Barone. The hordes are coming back, and this time the village isn’t going to run and rebuild. This time they stay and fight. A great big tub of buttery Bronze Age popcorn, ready in September.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Doña Tomås\u003c/b>\u003cbr>216 pages. Hardcover.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/9761/dontildea_tomarings",
"authors": [
"byline_arts_9761"
],
"categories": [
"arts_73"
],
"tags": [
"arts_596",
"arts_769"
],
"label": "arts"
},
"arts_9667": {
"type": "posts",
"id": "arts_9667",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "9667",
"score": null,
"sort": [
1155077133000
]
},
"guestAuthors": [],
"slug": "crawl_space",
"title": "Crawl Space",
"publishDate": 1155077133,
"format": "audio",
"headTitle": "Crawl Space | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>It’s 1999 and Emile Poulquet awaits sentencing in a Paris court for deporting thousands to almost certain death during World War II. But haunted by ghosts from his past, and determined to confront his dark legacy, he escapes and heads toward his beloved Finier, a rural town in the south of France. In Finier, Poulquet finds shelter within the strange embrace of a group of teenage wastrels, and encounters new breeds of idealism, degeneracy, and friendship. He sets out to find Arianne — a lifelong obsession and the widow of a Resistance hero — in order to hand her his last will and testament. But as he begins his quest, he cannot help being drawn, inexorably, toward another circle of refugees and reporters in town for a wartime reunion. He doesn’t yet know that his worst betrayal — and the greatest test of his own ability to pardon another — is yet to come.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "It's 1999 and Emile Poulquet awaits sentencing in a Paris court for deporting thousands to almost certain death during World War II. But haunted by ghosts from his past, and determined to confront his dark legacy, he escapes and heads toward his beloved Finier, a rural town in the south of France. In Finier, Poulquet finds shelter within the strange embrace of a group of teenage wastrels, and encounters new breeds of idealism, degeneracy, and friendship. He sets out to find Arianne -- a lifelong obsession and the widow of a Resistance hero -- in order to hand her his last will and testament. But as he begins his quest, he cannot help being drawn, inexorably, toward another circle of refugees and reporters in town for a wartime reunion. He doesn't yet know that his worst betrayal -- and the greatest test of his own ability to pardon another -- is yet to come.",
"status": "publish",
"parent": 0,
"modified": 1726706916,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 160
},
"headData": {
"title": "Crawl Space | KQED",
"description": "It's 1999 and Emile Poulquet awaits sentencing in a Paris court for deporting thousands to almost certain death during World War II. But haunted by ghosts from his past, and determined to confront his dark legacy, he escapes and heads toward his beloved Finier, a rural town in the south of France. In Finier, Poulquet finds shelter within the strange embrace of a group of teenage wastrels, and encounters new breeds of idealism, degeneracy, and friendship. He sets out to find Arianne -- a lifelong obsession and the widow of a Resistance hero -- in order to hand her his last will and testament. But as he begins his quest, he cannot help being drawn, inexorably, toward another circle of refugees and reporters in town for a wartime reunion. He doesn't yet know that his worst betrayal -- and the greatest test of his own ability to pardon another -- is yet to come.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Crawl Space",
"datePublished": "2006-08-08T15:45:33-07:00",
"dateModified": "2024-09-18T17:48:36-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"sticky": false,
"nprByline": "Edie Meidav",
"path": "/arts/9667/crawl_space",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s 1999 and Emile Poulquet awaits sentencing in a Paris court for deporting thousands to almost certain death during World War II. But haunted by ghosts from his past, and determined to confront his dark legacy, he escapes and heads toward his beloved Finier, a rural town in the south of France. In Finier, Poulquet finds shelter within the strange embrace of a group of teenage wastrels, and encounters new breeds of idealism, degeneracy, and friendship. He sets out to find Arianne — a lifelong obsession and the widow of a Resistance hero — in order to hand her his last will and testament. But as he begins his quest, he cannot help being drawn, inexorably, toward another circle of refugees and reporters in town for a wartime reunion. He doesn’t yet know that his worst betrayal — and the greatest test of his own ability to pardon another — is yet to come.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/9667/crawl_space",
"authors": [
"byline_arts_9667"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"label": "arts"
},
"arts_9321": {
"type": "posts",
"id": "arts_9321",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "9321",
"score": null,
"sort": [
1154373278000
]
},
"guestAuthors": [],
"slug": "the_chinatown_death_cloud_peril",
"title": "The Chinatown Death Cloud Peril",
"publishDate": 1154373278,
"format": "audio",
"headTitle": "The Chinatown Death Cloud Peril | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>In \u003cb>The Chinatown Death Cloud Peril\u003c/b>, Paul Malmont draws upon his long fascination with the pulp era and the lives of the greatest pulp authors of them all — Lester Dent, creator of \u003cb>Doc Savage\u003c/b>, and Walter Gibson, author of \u003cb>The Shadow\u003c/b> — and brings a beloved genre roaring out of the past. Deftly weaving real-life biographies into a work of fiction, Malmont’s adventure begins in 1937 at New York’s legendary White Horse Tavern. Gibson tells a young, pre-scientology L. Ron Hubbard (then a pulp writer himself) the “Tale of the Sweet Flower War,” asking him to identify what’s real and what’s pulp.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "In \u003cb>The Chinatown Death Cloud Peril\u003c/b>, Paul Malmont draws upon his long fascination with the pulp era and the lives of the greatest pulp authors of them all -- Lester Dent, creator of \u003cb>Doc Savage\u003c/b>, and Walter Gibson, author of \u003cb>The Shadow\u003c/b> -- and brings a beloved genre roaring out of the past. Deftly weaving real-life biographies into a work of fiction, Malmont's adventure begins in 1937 at New York's legendary White Horse Tavern. Gibson tells a young, pre-scientology L. Ron Hubbard (then a pulp writer himself) the \"Tale of the Sweet Flower War,\" asking him to identify what's real and what's pulp.",
"status": "publish",
"parent": 0,
"modified": 1726706918,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 117
},
"headData": {
"title": "The Chinatown Death Cloud Peril | KQED",
"description": "In The Chinatown Death Cloud Peril, Paul Malmont draws upon his long fascination with the pulp era and the lives of the greatest pulp authors of them all -- Lester Dent, creator of Doc Savage, and Walter Gibson, author of The Shadow -- and brings a beloved genre roaring out of the past. Deftly weaving real-life biographies into a work of fiction, Malmont's adventure begins in 1937 at New York's legendary White Horse Tavern. Gibson tells a young, pre-scientology L. Ron Hubbard (then a pulp writer himself) the "Tale of the Sweet Flower War," asking him to identify what's real and what's pulp.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Chinatown Death Cloud Peril",
"datePublished": "2006-07-31T12:14:38-07:00",
"dateModified": "2024-09-18T17:48:38-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"sticky": false,
"nprByline": "Paul Malmont",
"path": "/arts/9321/the_chinatown_death_cloud_peril",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In \u003cb>The Chinatown Death Cloud Peril\u003c/b>, Paul Malmont draws upon his long fascination with the pulp era and the lives of the greatest pulp authors of them all — Lester Dent, creator of \u003cb>Doc Savage\u003c/b>, and Walter Gibson, author of \u003cb>The Shadow\u003c/b> — and brings a beloved genre roaring out of the past. Deftly weaving real-life biographies into a work of fiction, Malmont’s adventure begins in 1937 at New York’s legendary White Horse Tavern. Gibson tells a young, pre-scientology L. Ron Hubbard (then a pulp writer himself) the “Tale of the Sweet Flower War,” asking him to identify what’s real and what’s pulp.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/9321/the_chinatown_death_cloud_peril",
"authors": [
"byline_arts_9321"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"label": "arts"
},
"arts_9240": {
"type": "posts",
"id": "arts_9240",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "9240",
"score": null,
"sort": [
1153873169000
]
},
"guestAuthors": [],
"slug": "herman_melville_metafictional_laff_riot",
"title": "Herman Melville, Metafictional Laff Riot",
"publishDate": 1153873169,
"format": "audio",
"headTitle": "Herman Melville, Metafictional Laff Riot | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>“Herman Melville, Metafictional Laff Riot” is an essay slated for an upcoming issue of Kitchen Sink Magazine. It celebrates the first three words of Moby Dick, and attempts to cast Mr. Melville’s writing in a more “punk rock” light than it is usually thought of.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "\"Herman Melville, Metafictional Laff Riot\" is an essay slated for an upcoming issue of Kitchen Sink Magazine. It celebrates the first three words of Moby Dick, and attempts to cast Mr. Melville's writing in a more \"punk rock\" light than it is usually thought of.",
"status": "publish",
"parent": 0,
"modified": 1726706921,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 53
},
"headData": {
"title": "Herman Melville, Metafictional Laff Riot | KQED",
"description": ""Herman Melville, Metafictional Laff Riot" is an essay slated for an upcoming issue of Kitchen Sink Magazine. It celebrates the first three words of Moby Dick, and attempts to cast Mr. Melville's writing in a more "punk rock" light than it is usually thought of.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Herman Melville, Metafictional Laff Riot",
"datePublished": "2006-07-25T17:19:29-07:00",
"dateModified": "2024-09-18T17:48:41-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"sticky": false,
"nprByline": "Lee Skirboll",
"path": "/arts/9240/herman_melville_metafictional_laff_riot",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Herman Melville, Metafictional Laff Riot” is an essay slated for an upcoming issue of Kitchen Sink Magazine. It celebrates the first three words of Moby Dick, and attempts to cast Mr. Melville’s writing in a more “punk rock” light than it is usually thought of.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/9240/herman_melville_metafictional_laff_riot",
"authors": [
"byline_arts_9240"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"label": "arts"
},
"arts_9221": {
"type": "posts",
"id": "arts_9221",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "9221",
"score": null,
"sort": [
1153860843000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1153860843,
"format": "standard",
"title": "Crows Over the Wheatfield",
"headTitle": "Crows Over the Wheatfield | KQED",
"content": "\u003cp>The thing that brightens a Galley Slave’s day is the arrival of the mail, and those thick envelopes that come with it. What’s a Galley Slave you ask? Well, I’ve been a bookseller in Berkeley for 16 years and have been at the Cody’s Books on Fourth St. in Berkeley since it’s opening 9 years ago. I write a lot of blurbs, for the Cody’s newsletters and for the \u003ci>BookSense\u003c/i> monthly newsletter. All this blurbing means that I now recieve a lots of advance copies, or galleys, from different publishers. I get a secret pleasure reading things that aren’t technically in print yet, which is why I call myself a Galley Slave.\u003c/p>\n\u003cp>The combinations are interesting, both in what companies choose to send together and the random combinations the mail arranges. I had one of those interesting combinations a few months ago, a day where three novels about Vincent van Gogh or one of his paintings showed up in the same day’s mail. One was a thriller, pretty entertaining, about war reparations and a forged painting. One, I admit, is still sitting low in the A-pile, as yet unread because three consecutive books on van Gogh was one too many. The third was excellent, and is now on the shelves.\u003c/p>\n\u003cp>\u003cb>Crows Over the Wheatfield\u003c/b> is named for one of Vincent’s last paintings. It was at the crossroads pictured in the painting that the artist killed himself. There’s death in the book, but not the same kind. The book opens with art professor Claire Andrews grinding through yet another crowded commute home, frustrated and tired, flouting the unwritten rules that govern any serious commute. It wasn’t her fault that she struck and killed a boy; he dashed out in front of her car. The rules she was gritting her teeth against wouldn’t have saved him.\u003c/p>\n\u003cp>Andrews is cleared of blame by the police, but the family of the child has mounted a publicity campaign against her. Her recently separated husband returns home to help with lawyers, both relieving and adding to her stress. What she really needs to do is leave, so for the sake of her sanity she returns to France to continue her work on the last days of van Gogh. What she finds there is a place long familiar to her, but as changed as her internal landscape. She looks with fresh eyes at both her relationships and Vincent’s.\u003c/p>\n\u003cp>That’s what I liked about \u003cb>Crows Over the Wheatfield\u003c/b>, the dissonance between what Andrews remembers of France and what she now sees, and the way her own trauma affects how she sees the pivotal people in Vincent’s last days. I’m always happy with an epiphany and a real sense of place, both of which author Adam Braver provides in spades. Throw in science, forgery, manipulation and transition, and end it well, and the result is a very satisfactory read. There’s always too much to read, tottering towers of galleys and finished books around my desk, all screaming for attention. Finishing a book is sometimes the exception; racing to the end is the reward.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Galley Watch: \u003ca href=\"http://www.codysbooks.com/product/info.jsp?isbn=140004295X\" target=\"offsite\" rel=\"noopener\">Climbing the Mango Trees\u003c/a>, Madhur Jaffrey’s memoir of growing up in transitional times in India, redolent of food and crowded with family, due in October, and yummy.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 582,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705053763,
"excerpt": "The thing that brightens a Galley Slave's day is the arrival of the mail, and those thick envelopes that come with it. What's a Galley Slave you ask? Well, I've been a bookseller in Berkeley for 16 years and have been at the Cody's Books on Fourth St. in Berkeley since it's opening 9 years ago. I write a lot of blurbs, for the Cody's newsletters and for the \u003ci>BookSense\u003c/i> monthly newsletter. All this blurbing means that I now recieve a lots of advance copies, or galleys, from different publishers. I get a secret pleasure reading things that aren't technically in print yet, which is why I call myself a Galley Slave.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The thing that brightens a Galley Slave's day is the arrival of the mail, and those thick envelopes that come with it. What's a Galley Slave you ask? Well, I've been a bookseller in Berkeley for 16 years and have been at the Cody's Books on Fourth St. in Berkeley since it's opening 9 years ago. I write a lot of blurbs, for the Cody's newsletters and for the BookSense monthly newsletter. All this blurbing means that I now recieve a lots of advance copies, or galleys, from different publishers. I get a secret pleasure reading things that aren't technically in print yet, which is why I call myself a Galley Slave.",
"title": "Crows Over the Wheatfield | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Crows Over the Wheatfield",
"datePublished": "2006-07-25T13:54:03-07:00",
"dateModified": "2024-01-12T02:02:43-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "crows_over_the_wheatfield",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/literature/literature-review/",
"nprByline": "Russ Harvey",
"sticky": false,
"path": "/arts/9221/crows_over_the_wheatfield",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The thing that brightens a Galley Slave’s day is the arrival of the mail, and those thick envelopes that come with it. What’s a Galley Slave you ask? Well, I’ve been a bookseller in Berkeley for 16 years and have been at the Cody’s Books on Fourth St. in Berkeley since it’s opening 9 years ago. I write a lot of blurbs, for the Cody’s newsletters and for the \u003ci>BookSense\u003c/i> monthly newsletter. All this blurbing means that I now recieve a lots of advance copies, or galleys, from different publishers. I get a secret pleasure reading things that aren’t technically in print yet, which is why I call myself a Galley Slave.\u003c/p>\n\u003cp>The combinations are interesting, both in what companies choose to send together and the random combinations the mail arranges. I had one of those interesting combinations a few months ago, a day where three novels about Vincent van Gogh or one of his paintings showed up in the same day’s mail. One was a thriller, pretty entertaining, about war reparations and a forged painting. One, I admit, is still sitting low in the A-pile, as yet unread because three consecutive books on van Gogh was one too many. The third was excellent, and is now on the shelves.\u003c/p>\n\u003cp>\u003cb>Crows Over the Wheatfield\u003c/b> is named for one of Vincent’s last paintings. It was at the crossroads pictured in the painting that the artist killed himself. There’s death in the book, but not the same kind. The book opens with art professor Claire Andrews grinding through yet another crowded commute home, frustrated and tired, flouting the unwritten rules that govern any serious commute. It wasn’t her fault that she struck and killed a boy; he dashed out in front of her car. The rules she was gritting her teeth against wouldn’t have saved him.\u003c/p>\n\u003cp>Andrews is cleared of blame by the police, but the family of the child has mounted a publicity campaign against her. Her recently separated husband returns home to help with lawyers, both relieving and adding to her stress. What she really needs to do is leave, so for the sake of her sanity she returns to France to continue her work on the last days of van Gogh. What she finds there is a place long familiar to her, but as changed as her internal landscape. She looks with fresh eyes at both her relationships and Vincent’s.\u003c/p>\n\u003cp>That’s what I liked about \u003cb>Crows Over the Wheatfield\u003c/b>, the dissonance between what Andrews remembers of France and what she now sees, and the way her own trauma affects how she sees the pivotal people in Vincent’s last days. I’m always happy with an epiphany and a real sense of place, both of which author Adam Braver provides in spades. Throw in science, forgery, manipulation and transition, and end it well, and the result is a very satisfactory read. There’s always too much to read, tottering towers of galleys and finished books around my desk, all screaming for attention. Finishing a book is sometimes the exception; racing to the end is the reward.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Galley Watch: \u003ca href=\"http://www.codysbooks.com/product/info.jsp?isbn=140004295X\" target=\"offsite\" rel=\"noopener\">Climbing the Mango Trees\u003c/a>, Madhur Jaffrey’s memoir of growing up in transitional times in India, redolent of food and crowded with family, due in October, and yummy.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/9221/crows_over_the_wheatfield",
"authors": [
"byline_arts_9221"
],
"categories": [
"arts_73"
],
"tags": [
"arts_596",
"arts_769"
],
"label": "arts"
},
"arts_8987": {
"type": "posts",
"id": "arts_8987",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "8987",
"score": null,
"sort": [
1153280066000
]
},
"guestAuthors": [],
"slug": "matches",
"title": "Matches",
"publishDate": 1153280066,
"format": "audio",
"headTitle": "Matches | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>\u003cb>Matches\u003c/b> is about a young American Jew who serves in the Israeli army in the Gaza Strip. Somewhat based on the author’s experience as an American-Israeli soldier, Nathan Falk’s journey into the troubled heart of the Israeli-Palestinian conflict is one of disillusionment and sobering revelation, but also of a newly steeled determination to survive, as a Jew in a hostile world, at all costs. “The Orchard” is the prologue to the novel.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "\u003cb>Matches\u003c/b> is about a young American Jew who serves in the Israeli army in the Gaza Strip. Somewhat based on the author's experience as an American-Israeli soldier, Nathan Falk's journey into the troubled heart of the Israeli-Palestinian conflict is one of disillusionment and sobering revelation, but also of a newly steeled determination to survive, as a Jew in a hostile world, at all costs. \"The Orchard\" is the prologue to the novel.\u003c/p>",
"status": "publish",
"parent": 0,
"modified": 1726706924,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 82
},
"headData": {
"title": "Matches | KQED",
"description": "Matches is about a young American Jew who serves in the Israeli army in the Gaza Strip. Somewhat based on the author's experience as an American-Israeli soldier, Nathan Falk's journey into the troubled heart of the Israeli-Palestinian conflict is one of disillusionment and sobering revelation, but also of a newly steeled determination to survive, as a Jew in a hostile world, at all costs. "The Orchard" is the prologue to the novel.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Matches",
"datePublished": "2006-07-18T20:34:26-07:00",
"dateModified": "2024-09-18T17:48:44-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"sticky": false,
"nprByline": "Alan Kaufman",
"path": "/arts/8987/matches",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Matches\u003c/b> is about a young American Jew who serves in the Israeli army in the Gaza Strip. Somewhat based on the author’s experience as an American-Israeli soldier, Nathan Falk’s journey into the troubled heart of the Israeli-Palestinian conflict is one of disillusionment and sobering revelation, but also of a newly steeled determination to survive, as a Jew in a hostile world, at all costs. “The Orchard” is the prologue to the novel.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/8987/matches",
"authors": [
"byline_arts_8987"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"label": "arts"
},
"arts_8860": {
"type": "posts",
"id": "arts_8860",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "8860",
"score": null,
"sort": [
1152826608000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1152826608,
"format": "standard",
"title": "A Long Way Down by Nick Hornby",
"headTitle": "A Long Way Down by Nick Hornby | KQED",
"content": "\u003cp>I’m always happy when a new Nick Hornby book comes out. I’m not really sure why, since he’s not that great of a writer, and his books always seem to just miss the mark of what they were intending to say or do. But for some reason I enjoy his writing, and most of all I always come away with the feeling that his heart is in the right place, and he’s a right-on guy. So that’s saying a lot, cause I sure can’t say the same for Don DeLillo.\u003c/p>\n\u003cp>\u003cb>A Long Way Down\u003c/b> gathers four apparently disconnected souls on a London rooftop on New Year’s Eve, all with the intention of committing suicide. Through their individual ineptitudes and lousy communication skills, they all somehow manage to stave off the event and give themselves some time as a group to mull it all over. The book is written from four different first-person perspectives: Maureen, the fifty-something single mother of a severely disabled teenage son; Jess, the wild teenage girl with a runaway mouth; JJ, the American rock dude whose band and girl have both abandoned him; and Martin, the Regis-like talk show host who has ruined his career, his image, and his marriage by sleeping with a fifteen-year-old girl.\u003c/p>\n\u003cp>At first, only Martin and Maureen appear to have any real grounds for committing the deed, but as we are led through each character’s personal history and emotional landscape, we begin to feel the pain and despair that each of them carry around. Over the course of the next few months, these four ridiculously mismatched people form a sort of dysfunctional support group, where they fight more than bond, yell more than talk, and suffer more than heal. But somehow, even the sensation of being connected to another human can be enough to bring you down from the ledge, if only for the time being.\u003c/p>\n\u003cp>Hornby writes in a light, modern tone that would almost seem trashy if it weren’t so compelling and heartfelt. The narrative structure is unique, giving each character a chance to tell a piece of the story in order to create a multi-faceted whole, rather than just a wanky post-modern exercise in confusing the reader. And he manages to tie in some current events, namely 9-11, without it seeming random or gratuitous. Most of all, he is always on the lookout for the real moment, the honest connection, and the cliché-free epiphany. In \u003cb>A Long Way Down\u003c/b>, as in real life, these qualities are what keep us all from jumping.\u003c/p>\n\u003cp>\u003cb>A Long Way Down\u003c/b> by Nick Hornby\u003cbr>352 pages. Paperback.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 463,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705053772,
"excerpt": "I'm always happy when a new Nick Hornby book comes out. I'm not really sure why, since he's not that great of a writer, and his books always seem to just miss the mark of what they were intending to say or do. But for some reason I enjoy his writing, and most of all I always come away with the feeling that his heart is in the right place, and he's a right-on guy. So that's saying a lot, cause I sure can't say the same for Don DeLillo.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "I'm always happy when a new Nick Hornby book comes out. I'm not really sure why, since he's not that great of a writer, and his books always seem to just miss the mark of what they were intending to say or do. But for some reason I enjoy his writing, and most of all I always come away with the feeling that his heart is in the right place, and he's a right-on guy. So that's saying a lot, cause I sure can't say the same for Don DeLillo.",
"title": "A Long Way Down by Nick Hornby | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "A Long Way Down by Nick Hornby",
"datePublished": "2006-07-13T14:36:48-07:00",
"dateModified": "2024-01-12T02:02:52-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "a_long_way_down_by_nick_hornby",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/literature/literature-review/",
"sticky": false,
"path": "/arts/8860/a_long_way_down_by_nick_hornby",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I’m always happy when a new Nick Hornby book comes out. I’m not really sure why, since he’s not that great of a writer, and his books always seem to just miss the mark of what they were intending to say or do. But for some reason I enjoy his writing, and most of all I always come away with the feeling that his heart is in the right place, and he’s a right-on guy. So that’s saying a lot, cause I sure can’t say the same for Don DeLillo.\u003c/p>\n\u003cp>\u003cb>A Long Way Down\u003c/b> gathers four apparently disconnected souls on a London rooftop on New Year’s Eve, all with the intention of committing suicide. Through their individual ineptitudes and lousy communication skills, they all somehow manage to stave off the event and give themselves some time as a group to mull it all over. The book is written from four different first-person perspectives: Maureen, the fifty-something single mother of a severely disabled teenage son; Jess, the wild teenage girl with a runaway mouth; JJ, the American rock dude whose band and girl have both abandoned him; and Martin, the Regis-like talk show host who has ruined his career, his image, and his marriage by sleeping with a fifteen-year-old girl.\u003c/p>\n\u003cp>At first, only Martin and Maureen appear to have any real grounds for committing the deed, but as we are led through each character’s personal history and emotional landscape, we begin to feel the pain and despair that each of them carry around. Over the course of the next few months, these four ridiculously mismatched people form a sort of dysfunctional support group, where they fight more than bond, yell more than talk, and suffer more than heal. But somehow, even the sensation of being connected to another human can be enough to bring you down from the ledge, if only for the time being.\u003c/p>\n\u003cp>Hornby writes in a light, modern tone that would almost seem trashy if it weren’t so compelling and heartfelt. The narrative structure is unique, giving each character a chance to tell a piece of the story in order to create a multi-faceted whole, rather than just a wanky post-modern exercise in confusing the reader. And he manages to tie in some current events, namely 9-11, without it seeming random or gratuitous. Most of all, he is always on the lookout for the real moment, the honest connection, and the cliché-free epiphany. In \u003cb>A Long Way Down\u003c/b>, as in real life, these qualities are what keep us all from jumping.\u003c/p>\n\u003cp>\u003cb>A Long Way Down\u003c/b> by Nick Hornby\u003cbr>352 pages. Paperback.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/8860/a_long_way_down_by_nick_hornby",
"authors": [
"169"
],
"categories": [
"arts_73"
],
"tags": [
"arts_596",
"arts_769"
],
"label": "arts"
},
"arts_8760": {
"type": "posts",
"id": "arts_8760",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "8760",
"score": null,
"sort": [
1152734615000
]
},
"guestAuthors": [],
"slug": "a_scarecrows_bible",
"title": "A Scarecrow's Bible",
"publishDate": 1152734615,
"format": "audio",
"headTitle": "A Scarecrow’s Bible | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>In a house trailer in the rural South, a married Vietnam veteran, addicted to drugs and haunted by memories of the past, is on the brink of collapse. Just when he thinks the dream of another life is over, the unspeakable happens. He falls in love with a frail, ghostly younger man who reminds him of youth, beauty, and the possibility of a life beyond the prison he has created for himself. \u003cb>A Scarecrow’s Bible\u003c/b> is about what happens when love occurs at the most unexpected moment. It is the story of how working-class men and women in a small town adapt to changes that somehow seem impossible. It is a novel of hope and transformation that challenges our ideas about diversity and social change, all the while breaking our hearts.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "In a house trailer in the rural South, a married Vietnam veteran, addicted to drugs and haunted by memories of the past, is on the brink of collapse. Just when he thinks the dream of another life is over, the unspeakable happens. He falls in love with a frail, ghostly younger man who reminds him of youth, beauty, and the possibility of a life beyond the prison he has created for himself. ",
"status": "publish",
"parent": 0,
"modified": 1726706926,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 136
},
"headData": {
"title": "A Scarecrow's Bible | KQED",
"description": "In a house trailer in the rural South, a married Vietnam veteran, addicted to drugs and haunted by memories of the past, is on the brink of collapse. Just when he thinks the dream of another life is over, the unspeakable happens. He falls in love with a frail, ghostly younger man who reminds him of youth, beauty, and the possibility of a life beyond the prison he has created for himself. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "A Scarecrow's Bible",
"datePublished": "2006-07-12T13:03:35-07:00",
"dateModified": "2024-09-18T17:48:46-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"sticky": false,
"nprByline": "Martin Hyatt ",
"path": "/arts/8760/a_scarecrows_bible",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In a house trailer in the rural South, a married Vietnam veteran, addicted to drugs and haunted by memories of the past, is on the brink of collapse. Just when he thinks the dream of another life is over, the unspeakable happens. He falls in love with a frail, ghostly younger man who reminds him of youth, beauty, and the possibility of a life beyond the prison he has created for himself. \u003cb>A Scarecrow’s Bible\u003c/b> is about what happens when love occurs at the most unexpected moment. It is the story of how working-class men and women in a small town adapt to changes that somehow seem impossible. It is a novel of hope and transformation that challenges our ideas about diversity and social change, all the while breaking our hearts.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/8760/a_scarecrows_bible",
"authors": [
"byline_arts_8760"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"label": "arts"
},
"arts_8485": {
"type": "posts",
"id": "arts_8485",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "8485",
"score": null,
"sort": [
1152131611000
]
},
"guestAuthors": [],
"slug": "the_city_not_long_after",
"title": "The City, Not Long After",
"publishDate": 1152131611,
"format": "audio",
"headTitle": "The City, Not Long After | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>\u003cb>The City, Not Long After\u003c/b> is a novel set in a future San Francisco. Half a generation before the novel takes place,a plague wiped out all but one in one thousand. The city is inhabited by artists, and they are transforming it with art and imagination. San Francisco is a haunted, dreaming place, peopled with memories. Invaded by an army from Sacramento, the artists fight back, using art as their weapon of choice.\u003c/p>\n\u003cp>Pat reads from Chapter Three, introducing one of the book’s main characters. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "\u003cb>The City, Not Long After\u003c/b> is a novel set in a future San Francisco. Half a generation before the novel takes place,a plague wiped out all but one in one thousand. The city is inhabited by artists, and they are transforming it with art and imagination. San Francisco is a haunted, dreaming place, peopled with memories. Invaded by an army from Sacramento, the artists fight back, using art as their weapon of choice. ",
"status": "publish",
"parent": 0,
"modified": 1726706929,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 4,
"wordCount": 90
},
"headData": {
"title": "The City, Not Long After | KQED",
"description": "The City, Not Long After is a novel set in a future San Francisco. Half a generation before the novel takes place,a plague wiped out all but one in one thousand. The city is inhabited by artists, and they are transforming it with art and imagination. San Francisco is a haunted, dreaming place, peopled with memories. Invaded by an army from Sacramento, the artists fight back, using art as their weapon of choice. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The City, Not Long After",
"datePublished": "2006-07-05T13:33:31-07:00",
"dateModified": "2024-09-18T17:48:49-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"sticky": false,
"nprByline": "Pat Murphy",
"path": "/arts/8485/the_city_not_long_after",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>The City, Not Long After\u003c/b> is a novel set in a future San Francisco. Half a generation before the novel takes place,a plague wiped out all but one in one thousand. The city is inhabited by artists, and they are transforming it with art and imagination. San Francisco is a haunted, dreaming place, peopled with memories. Invaded by an army from Sacramento, the artists fight back, using art as their weapon of choice.\u003c/p>\n\u003cp>Pat reads from Chapter Three, introducing one of the book’s main characters. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/8485/the_city_not_long_after",
"authors": [
"byline_arts_8485"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=literature": {
"isFetching": false,
"latestQuery": {
"from": 1848,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 1917,
"relation": "eq"
},
"items": [
"arts_10048",
"arts_9944",
"arts_9780",
"arts_9761",
"arts_9667",
"arts_9321",
"arts_9240",
"arts_9221",
"arts_8987",
"arts_8860",
"arts_8760",
"arts_8485"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_literature": {
"isLoading": true
},
"arts_73": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"link": "/arts/category/literature"
},
"arts_330": {
"type": "terms",
"id": "arts_330",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "330",
"found": true
},
"relationships": {},
"featImg": null,
"name": "The Writers' Block",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Writers' Block Archives | KQED Arts",
"ogDescription": null
},
"ttid": 331,
"slug": "writersblock",
"isLoading": false,
"link": "/arts/tag/writersblock"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_769": {
"type": "terms",
"id": "arts_769",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "769",
"found": true
},
"relationships": {},
"featImg": null,
"name": "review",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "review Archives | KQED Arts",
"ogDescription": null
},
"ttid": 787,
"slug": "review",
"isLoading": false,
"link": "/arts/tag/review"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}
