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"content": "\u003cp>I spent the early part of this week sick in bed. And when I’m sick, there’s nothing I like better than to gorge myself on trashy TV. I lie in bed, with the shades drawn, and watch hour after hour of \u003cb>Worst Red Carpet Moments\u003c/b> and \u003cb>The Fabulous Life of…\u003c/b> and reruns of \u003cb>America’s Next Top Model\u003c/b>. This should come as no surprise to anyone who read my \u003cb>Project Runway\u003c/b> review. I’m not ashamed. Because now that I’m not sick anymore, now that I can lift my head without it pounding incessantly, now that I can walk upright without feeling like I’m about to fall asleep on the floor, I am free of this weird addiction to bad TV. It cures me, like chicken soup or Emergen-C.\u003c/p>\n\u003cp>Anyway, one startling new trend in trashy television is the new brand of reality shows on MTV aimed at teens. The one that I got sucked into was so disturbing on so many levels I just had to keep watching. And of course, they hook you in by showing a whole bunch in a row, so you can’t get away. It was called \u003cb>My Super Sweet 16\u003c/b>, wherein some insanely spoiled rich kid takes you through the planning of their “over-the-top” 16th birthday party, which will be the party of the year that all the kids at their high school will be talking about for centuries to come. I saw three episodes of this show, and these kids were the most obnoxious, whiny, shallow, stupid kids I have ever seen. And I’m sure they really exist, and are really like that, and there’s hundreds of thousands of kids out there that aspire to be just like them! It’s unbelievable. Their parents are buying them $50,000 cars, spending $150,000 on their parties, and just sucking it up like it’s their duty to make little Marissa or Alexa happy. Unreal. Starting with the passing out of the coveted invitations, complete with security guards, bullhorns, and V.I.P. lists (“You don’t even go to my school! You are so not invited!”), down to guest appearances by the likes of Puff Daddy and Kanye West, these parties really are “off-the-hook,” and there’s lots of pimply, loser friends screaming into the camera “This party is so amazing! Oh my god!” Each episode usually concludes with the obnoxious teen, finally secure in their superiority over their other less-fortunate peers, climbing into the shiny black Mercedes or Eclipse of their dreams and yelling “Mom, Dad, I totally love you!” while speeding off into the night with their best friend on their way to God knows where — Dairy Queen or whatever.\u003c/p>\n\u003cp>On the absolute opposite end of the teen spectrum, when not watching bad TV or sleeping, I spent the rest of my down time reading the new after-school special of a book by Michelle Tea called \u003cb>Rose of No Man’s Land\u003c/b>. I’m a big fan of Michelle Tea, being a local gal and all, and her books tend to fall into two categories: the baby-dyke prostitute memoir, or the white-trash coming of age memoir. \u003cb>Rose of No Man’s Land\u003c/b> is a novel, but fits comfortably into the latter category. I would say this book should be marketed to the young adult audience, however, if any parent got a hold of it there would definitely be wicked hell to pay.\u003c/p>\n\u003cp>Trisha, our narrator, lives a poor, boring, sheltered existence with a hypochondriac mom, a fame-seeking older sister, and mom’s hoodlum boyfriend. Trisha chooses to stay cooped up in her room, not really ready to seek out the world and what it may have to offer. She doesn’t yet know who she is or what she wants, and she’s just fine with that. When Kristy, her glammed-up older sister, cons her into taking a job at the Ohmigod! clothing store in the local mall under somewhat false pretenses, a chain of events begins to shake up and wake up Trisha’s life into being, well, lived. She meets a kindred spirit, a wild-child working at the mall named Rose, and together they embark on an odyssey of debauchery and recklessness that only two teen girls with nothing to lose can create for themselves.\u003c/p>\n\u003cp>The book reads like a teen fiction, and in doing so can sometimes seem a bit shallow and trashy. But underneath the fast-paced narrative beats a dark heart of sexual awakening, self-realization and vividly painted moments that give Trisha and Rose their truth and their beauty. For those of us who did things as teens that we are not proud of, and for those of us who only went so far as to have a bitchin’ Sweet 16 party, those years were nothing short of atrocious, intoxicating, and electric. Tea captures that feeling beautifully, and for that she is totally “off-the-chain.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Hawaii is a strange place. It’s a part of the United States and yet it is very distinct from the mainland. Its population coexists uneasily with non-locals and yet it’s a tourist destination. It has a rich history and yet is the youngest land mass on the planet. It’s a place to get lost or place to be found. The islands also serve as the background to SF-based author Kaui Hart Hemmings’ debut collection of short stories: \u003cb>House of Thieves\u003c/b>.\u003c/p>\n\u003cp>Hemmings’ characters struggle amidst Hawaiian ways and notions. They surf, they swim, and they have names like Keoni and Mele. But island influences aside, the collection is essentially about relationships. In the first piece “The Minor Wars” a father navigates his daughter’s relationship with her comatose mother while in the title story “House of Thieves” a sister deals with her wayward brother. In “Secret Clutch” a sixteen-year old boy is over-attached to his nanny who feels it’s time he grew up, and a child-less real estate agent tries teaching her neighbor’s rebellious teenaged daughter a lesson in “Location Scouts”.\u003c/p>\n\u003cp>All the main characters seem to come from privileged, mostly white, backgrounds. I wondered why this was. Was the author, who was born and raised in Hawaii herself, simply writing about a world with which she was all too familiar? Did she come from this same background? And if not, then why was every single story about the same class? Whatever the reason, the result is that the class differences and racial tensions between the natives (i.e. those people who have mixed Polynesian and/or Asian blood) and the whites is highlighted. This is most seen in the story “Begin with an Outline” in which a college student who’s half white and half native writes about her pot-growing pidgin-speaking, neglectful dad. \u003c/p>\n\u003cp>While stories like the above have great dialogue, several of the pieces in the collection suffer from stilted dialogue that doesn’t seem natural. Certain lines are almost self-conscious as if the author had tried re-working them to sound real. Bits and pieces of “The Minor Wars” and chunks of my least favorite story — “Island Cowboys” are demonstrations of this awkward lining. On the other hand, much of the dialogue in stories such as “House of Thieves” and “Secret Clutch” is sharp. Hemmings has a good ear for adolescent banter.\u003c/p>\n\u003cp>\u003cb>House of Thieves\u003c/b> is a solid collection. They’re not the most moving or striking stories I’ve ever read, but they are insightful and complex. They tackle difficult issues which are hard to explain and take even more savvy to portray. I’ve read a few books based in Hawaii and this book wove the plots most seamlessly with the setting. Instead of portraying the island and its inhabitants as hokey or simply lurid, Hemmings depicts the characters and setting as straightforward and nuanced as possible. The people within the pages of \u003cb>House of Thieves\u003c/b> are characters rather than caricatures and the author is successful in revealing Hawaii’s true face. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}
