window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_10113028": {
"type": "attachments",
"id": "arts_10113028",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10113028",
"found": true
},
"parent": 113028,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/penurec.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/penurec-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/penurec-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/penurec-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/penurec-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/penurec-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1355958898,
"modified": 1355958898,
"caption": null,
"description": null,
"title": "Mr. Penumbra's 24-Hour Bookstore-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10112766": {
"type": "attachments",
"id": "arts_10112766",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10112766",
"found": true
},
"parent": 112766,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/birds5.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/birds5-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1355448484,
"modified": 1355448484,
"caption": null,
"description": null,
"title": "Birds of a Lesser Paradise-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10112394": {
"type": "attachments",
"id": "arts_10112394",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10112394",
"found": true
},
"parent": 112394,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/wtrec.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/wtrec-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/wtrec-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/wtrec-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/wtrec-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/12/wtrec-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1354931690,
"modified": 1354931690,
"caption": null,
"description": null,
"title": "A Working Theory of Love-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10111918": {
"type": "attachments",
"id": "arts_10111918",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10111918",
"found": true
},
"parent": 111918,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/cmrec.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/cmrec-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/cmrec-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/cmrec-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/cmrec-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/cmrec-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1354235314,
"modified": 1354235314,
"caption": null,
"description": null,
"title": "The Cursing Mommy's Book of Days-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10111907": {
"type": "attachments",
"id": "arts_10111907",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10111907",
"found": true
},
"parent": 111907,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/BillyLynn248.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/BillyLynn248-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/BillyLynn248-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/BillyLynn248-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/BillyLynn248-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/BillyLynn248-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1354231811,
"modified": 1354231811,
"caption": null,
"description": null,
"title": "A Warrior's Welcome In 'Billy Lynn'-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10111463": {
"type": "attachments",
"id": "arts_10111463",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10111463",
"found": true
},
"parent": 111463,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/terec4.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/terec4-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1353548884,
"modified": 1353548884,
"caption": null,
"description": null,
"title": "The Entertainer-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10111259": {
"type": "attachments",
"id": "arts_10111259",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10111259",
"found": true
},
"parent": 111259,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/ycrec7.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/ycrec7-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1353120641,
"modified": 1353120641,
"caption": null,
"description": null,
"title": "Yes, Chef-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10111228": {
"type": "attachments",
"id": "arts_10111228",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10111228",
"found": true
},
"parent": 111228,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathianmcewan248.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathianmcewan248-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathianmcewan248-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathianmcewan248-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathianmcewan248-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathianmcewan248-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1353072380,
"modified": 1353072380,
"caption": null,
"description": null,
"title": "Ian McEwan's 'Sweet Tooth' Leaves A Sour Taste-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10110925": {
"type": "attachments",
"id": "arts_10110925",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10110925",
"found": true
},
"parent": 110925,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathgoingmarbles2484.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathgoingmarbles2484-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1352569093,
"modified": 1352569093,
"caption": null,
"description": null,
"title": "Going 'Marbles': From Manic Highs To Oceanic Lows-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10110826": {
"type": "attachments",
"id": "arts_10110826",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10110826",
"found": true
},
"parent": 110826,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/finefinerec.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/finefinerec-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/finefinerec-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/finefinerec-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/finefinerec-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/finefinerec-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1352427105,
"modified": 1352427105,
"caption": null,
"description": null,
"title": "More Fine Fine Music-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10110532": {
"type": "attachments",
"id": "arts_10110532",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10110532",
"found": true
},
"parent": 110532,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathkurtvonnegut248.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathkurtvonnegut248-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathkurtvonnegut248-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathkurtvonnegut248-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathkurtvonnegut248-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/11/Cfakepathkurtvonnegut248-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1351869764,
"modified": 1351869764,
"caption": null,
"description": null,
"title": "Vonnegut 'Letters' Hilarious And Heartbreaking-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10110440": {
"type": "attachments",
"id": "arts_10110440",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10110440",
"found": true
},
"parent": 110440,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/10/ss248.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/10/ss248-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/10/ss248-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/10/ss248-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/10/ss248-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2012/10/ss248-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1351732294,
"modified": 1351732294,
"caption": null,
"description": null,
"title": "Memorized Poems-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_113028": {
"type": "authors",
"id": "byline_arts_113028",
"meta": {
"override": true
},
"slug": "byline_arts_113028",
"name": "Robin Sloan",
"isLoading": false
},
"byline_arts_112766": {
"type": "authors",
"id": "byline_arts_112766",
"meta": {
"override": true
},
"slug": "byline_arts_112766",
"name": "Megan Mayhew Bergman",
"isLoading": false
},
"byline_arts_112394": {
"type": "authors",
"id": "byline_arts_112394",
"meta": {
"override": true
},
"slug": "byline_arts_112394",
"name": "Scott Hutchins",
"isLoading": false
},
"byline_arts_111918": {
"type": "authors",
"id": "byline_arts_111918",
"meta": {
"override": true
},
"slug": "byline_arts_111918",
"name": "Ian Frazier",
"isLoading": false
},
"byline_arts_111907": {
"type": "authors",
"id": "byline_arts_111907",
"meta": {
"override": true
},
"slug": "byline_arts_111907",
"name": "Jonathan Evison",
"isLoading": false
},
"byline_arts_111463": {
"type": "authors",
"id": "byline_arts_111463",
"meta": {
"override": true
},
"slug": "byline_arts_111463",
"name": "Margaret Talbot",
"isLoading": false
},
"byline_arts_111259": {
"type": "authors",
"id": "byline_arts_111259",
"meta": {
"override": true
},
"slug": "byline_arts_111259",
"name": "Marcus Samuelsson",
"isLoading": false
},
"byline_arts_111228": {
"type": "authors",
"id": "byline_arts_111228",
"meta": {
"override": true
},
"slug": "byline_arts_111228",
"name": "Maureen Corrigan",
"isLoading": false
},
"byline_arts_110925": {
"type": "authors",
"id": "byline_arts_110925",
"meta": {
"override": true
},
"slug": "byline_arts_110925",
"name": "Myla Goldberg",
"isLoading": false
},
"byline_arts_110826": {
"type": "authors",
"id": "byline_arts_110826",
"meta": {
"override": true
},
"slug": "byline_arts_110826",
"name": "Cassie J. Sneider",
"isLoading": false
},
"byline_arts_110532": {
"type": "authors",
"id": "byline_arts_110532",
"meta": {
"override": true
},
"slug": "byline_arts_110532",
"name": "Drew Toal",
"isLoading": false
},
"byline_arts_110440": {
"type": "authors",
"id": "byline_arts_110440",
"meta": {
"override": true
},
"slug": "byline_arts_110440",
"name": "Sam Sax",
"isLoading": false
}
},
"pagesReducer": {
"arts_category_literature": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"score": 12.797771
},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"title": "Books",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 113
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=literature",
"seeMore": false,
"paginated": true,
"page": 113
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_113028": {
"type": "posts",
"id": "arts_113028",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "113028",
"score": null,
"sort": [
1355958898000
]
},
"guestAuthors": [],
"slug": "mr_penumbras_24hour_bookstore",
"title": "Mr. Penumbra's 24-Hour Bookstore",
"publishDate": 1355958898,
"format": "audio",
"headTitle": "Mr. Penumbra’s 24-Hour Bookstore | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>A gleeful and exhilarating tale of global conspiracy, complex code-breaking, high-tech data visualization, young love, rollicking adventure, and the secret to eternal life — mostly set in a hole-in-the-wall San Francisco bookstore.\u003c/p>\n\u003cp>The Great Recession has shuffled Clay Jannon out of his life as a San Francisco Web-design drone — and serendipity, sheer curiosity, and the ability to climb a ladder like a monkey has landed him a new gig working the night shift at Mr. Penumbra’s 24-Hour Bookstore. But after just a few days on the job, Clay begins to realize that this store is even more curious than the name suggests. There are only a few customers, but they come in repeatedly and never seem to actually buy anything, instead “checking out” impossibly obscure volumes from strange corners of the store, all according to some elaborate, long-standing arrangement with the gnomic Mr. Penumbra. The store must be a front for something larger, Clay concludes, and soon he’s embarked on a complex analysis of the customers’ behavior and roped his friends into helping to figure out just what’s going on. But once they bring their findings to Mr. Penumbra, it turns out the secrets extend far outside the walls of the bookstore.\u003c/p>\n\u003cp>With irresistible brio and dazzling intelligence, Robin Sloan has crafted a literary adventure story for the twenty-first century, evoking both the fairy-tale charm of Haruki Murakami and the enthusiastic novel-of-ideas wizardry of Neal Stephenson or a young Umberto Eco, but with a unique and feisty sensibility that’s rare to the world of literary fiction. \u003ci>Mr. Penumbra’s 24-Hour Bookstore\u003c/i> is exactly what it sounds like: an establishment you have to enter and will never want to leave, a modern-day cabinet of wonders ready to give a jolt of energy to every curious reader, no matter the time of day.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Robin Sloan reads a passage from \u003ci>Mr. Penumbra's 24-Hour Bookstore\u003c/i>, a gleeful tale of global conspiracy, young love, and rollicking adventure.",
"status": "publish",
"parent": 0,
"modified": 1726705679,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 5,
"wordCount": 330
},
"headData": {
"title": "Mr. Penumbra's 24-Hour Bookstore | KQED",
"description": "Robin Sloan reads a passage from Mr. Penumbra's 24-Hour Bookstore, a gleeful tale of global conspiracy, young love, and rollicking adventure.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Mr. Penumbra's 24-Hour Bookstore",
"datePublished": "2012-12-19T15:14:58-08:00",
"dateModified": "2024-09-18T17:27:59-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/167714211/KQED_167714211.mp3",
"sticky": false,
"nprByline": "Robin Sloan",
"path": "/arts/113028/mr_penumbras_24hour_bookstore",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A gleeful and exhilarating tale of global conspiracy, complex code-breaking, high-tech data visualization, young love, rollicking adventure, and the secret to eternal life — mostly set in a hole-in-the-wall San Francisco bookstore.\u003c/p>\n\u003cp>The Great Recession has shuffled Clay Jannon out of his life as a San Francisco Web-design drone — and serendipity, sheer curiosity, and the ability to climb a ladder like a monkey has landed him a new gig working the night shift at Mr. Penumbra’s 24-Hour Bookstore. But after just a few days on the job, Clay begins to realize that this store is even more curious than the name suggests. There are only a few customers, but they come in repeatedly and never seem to actually buy anything, instead “checking out” impossibly obscure volumes from strange corners of the store, all according to some elaborate, long-standing arrangement with the gnomic Mr. Penumbra. The store must be a front for something larger, Clay concludes, and soon he’s embarked on a complex analysis of the customers’ behavior and roped his friends into helping to figure out just what’s going on. But once they bring their findings to Mr. Penumbra, it turns out the secrets extend far outside the walls of the bookstore.\u003c/p>\n\u003cp>With irresistible brio and dazzling intelligence, Robin Sloan has crafted a literary adventure story for the twenty-first century, evoking both the fairy-tale charm of Haruki Murakami and the enthusiastic novel-of-ideas wizardry of Neal Stephenson or a young Umberto Eco, but with a unique and feisty sensibility that’s rare to the world of literary fiction. \u003ci>Mr. Penumbra’s 24-Hour Bookstore\u003c/i> is exactly what it sounds like: an establishment you have to enter and will never want to leave, a modern-day cabinet of wonders ready to give a jolt of energy to every curious reader, no matter the time of day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/113028/mr_penumbras_24hour_bookstore",
"authors": [
"byline_arts_113028"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10113028",
"label": "arts"
},
"arts_112766": {
"type": "posts",
"id": "arts_112766",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "112766",
"score": null,
"sort": [
1355448484000
]
},
"guestAuthors": [],
"slug": "birds_of_a_lesser_paradise",
"title": "Birds of a Lesser Paradise",
"publishDate": 1355448484,
"format": "audio",
"headTitle": "Birds of a Lesser Paradise | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Exploring the way our choices and relationships are shaped by the menace and beauty of the natural world, Megan Mayhew Bergman’s powerful and heartwarming collection captures the surprising moments when the pull of our biology becomes evident, when love or fear collide with good sense, or when our attachment to an animal or wild place can’t be denied.\u003c/p>\n\u003cp>In “Housewifely Arts,” a single mother and her son drive hours to track down an African gray parrot that can mimic her deceased mother’s voice. A population-control activist faces the ultimate conflict between her loyalty to the environment and her maternal desire in “Yesterday’s Whales.” And in the title story, a lonely naturalist allows an attractive stranger to lead her and her aging father on a hunt for an elusive woodpecker.\u003c/p>\n\u003cp>As intelligent as they are moving, the stories in \u003ci>Birds of a Lesser Paradise\u003c/i> are alive with emotion, wit, and insight into the impressive power that nature has over all of us. This extraordinary collection introduces a young writer of remarkable talent.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Megan Mayhew Bergman reads a passage from her debut collection, \u003ci>Birds of a Lesser Paradise\u003c/i>.",
"status": "publish",
"parent": 0,
"modified": 1726705683,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 5,
"wordCount": 186
},
"headData": {
"title": "Birds of a Lesser Paradise | KQED",
"description": "Megan Mayhew Bergman reads a passage from her debut collection, Birds of a Lesser Paradise.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Birds of a Lesser Paradise",
"datePublished": "2012-12-13T17:28:04-08:00",
"dateModified": "2024-09-18T17:28:03-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/167247640/KQED_167247640.mp3",
"sticky": false,
"nprByline": "Megan Mayhew Bergman",
"path": "/arts/112766/birds_of_a_lesser_paradise",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Exploring the way our choices and relationships are shaped by the menace and beauty of the natural world, Megan Mayhew Bergman’s powerful and heartwarming collection captures the surprising moments when the pull of our biology becomes evident, when love or fear collide with good sense, or when our attachment to an animal or wild place can’t be denied.\u003c/p>\n\u003cp>In “Housewifely Arts,” a single mother and her son drive hours to track down an African gray parrot that can mimic her deceased mother’s voice. A population-control activist faces the ultimate conflict between her loyalty to the environment and her maternal desire in “Yesterday’s Whales.” And in the title story, a lonely naturalist allows an attractive stranger to lead her and her aging father on a hunt for an elusive woodpecker.\u003c/p>\n\u003cp>As intelligent as they are moving, the stories in \u003ci>Birds of a Lesser Paradise\u003c/i> are alive with emotion, wit, and insight into the impressive power that nature has over all of us. This extraordinary collection introduces a young writer of remarkable talent.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/112766/birds_of_a_lesser_paradise",
"authors": [
"byline_arts_112766"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10112766",
"label": "arts"
},
"arts_112394": {
"type": "posts",
"id": "arts_112394",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "112394",
"score": null,
"sort": [
1354931690000
]
},
"guestAuthors": [],
"slug": "a_working_theory_of_love",
"title": "A Working Theory of Love",
"publishDate": 1354931690,
"format": "audio",
"headTitle": "A Working Theory of Love | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Settled back into the San Francisco singles scene following the implosion of his young marriage just months after the honeymoon, Neill Bassett is going through the motions. His carefully modulated routine, however, is soon disrupted in ways he can’t dismiss with his usual nonchalance.\u003c/p>\n\u003cp>When Neill’s father committed suicide ten years ago, he left behind thousands of pages of secret journals, journals that are stunning in their detail, and, it must be said, their complete banality. But their spectacularly quotidian details, were exactly what artificial intelligence company Amiante Systems was looking for, and Neill was able to parlay them into a job, despite a useless degree in business marketing and absolutely no experience in computer science. He has spent the last two years inputting the diaries into what everyone hopes will become the world’s first sentient computer. Essentially, he has been giving it language—using his father’s words. Alarming to Neill — if not to the other employees of Amiante — the experiment seems to be working. The computer actually appears to be gaining awareness and, most disconcerting of all, has started asking questions about Neill’s childhood.\u003c/p>\n\u003cp>Amid this psychological turmoil, Neill meets Rachel. She was meant to be a one-night stand, but Neill is unexpectedly taken with her and the possibilities she holds. At the same time, he remains preoccupied by unresolved feelings for his ex-wife, who has a talent for appearing at the most unlikely and unfortunate times. When Neill discovers a missing year in the diaries — a year that must hold some secret to his parents’ marriage and perhaps even his father’s suicide—everything Neill thought he knew about his past comes into question, and every move forward feels impossible to make.\u003c/p>\n\u003cp>With a lightness of touch that belies pitch-perfect emotional control, Scott Hutchins takes us on an odyssey of love, grief, and reconciliation that shows us how, once we let go of the idea that we’re trapped by our own sad histories — our childhoods, our bad decisions, our miscommunications with those we love — we have the chance to truly be free. \u003ci>A Working Theory of Love\u003c/i> marks the electrifying debut of a prodigious new talent.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Scott Hutchins, a former Truman Capote Fellow in the Wallace Stegner Program at Stanford, reads a passage from his debut, \u003ci>A Working Theory of Love\u003c/i>.",
"status": "publish",
"parent": 0,
"modified": 1726705687,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 6,
"wordCount": 384
},
"headData": {
"title": "A Working Theory of Love | KQED",
"description": "Scott Hutchins, a former Truman Capote Fellow in the Wallace Stegner Program at Stanford, reads a passage from his debut, A Working Theory of Love.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "A Working Theory of Love",
"datePublished": "2012-12-07T17:54:50-08:00",
"dateModified": "2024-09-18T17:28:07-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/166781958/KQED_166781958.mp3",
"sticky": false,
"nprByline": "Scott Hutchins",
"path": "/arts/112394/a_working_theory_of_love",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Settled back into the San Francisco singles scene following the implosion of his young marriage just months after the honeymoon, Neill Bassett is going through the motions. His carefully modulated routine, however, is soon disrupted in ways he can’t dismiss with his usual nonchalance.\u003c/p>\n\u003cp>When Neill’s father committed suicide ten years ago, he left behind thousands of pages of secret journals, journals that are stunning in their detail, and, it must be said, their complete banality. But their spectacularly quotidian details, were exactly what artificial intelligence company Amiante Systems was looking for, and Neill was able to parlay them into a job, despite a useless degree in business marketing and absolutely no experience in computer science. He has spent the last two years inputting the diaries into what everyone hopes will become the world’s first sentient computer. Essentially, he has been giving it language—using his father’s words. Alarming to Neill — if not to the other employees of Amiante — the experiment seems to be working. The computer actually appears to be gaining awareness and, most disconcerting of all, has started asking questions about Neill’s childhood.\u003c/p>\n\u003cp>Amid this psychological turmoil, Neill meets Rachel. She was meant to be a one-night stand, but Neill is unexpectedly taken with her and the possibilities she holds. At the same time, he remains preoccupied by unresolved feelings for his ex-wife, who has a talent for appearing at the most unlikely and unfortunate times. When Neill discovers a missing year in the diaries — a year that must hold some secret to his parents’ marriage and perhaps even his father’s suicide—everything Neill thought he knew about his past comes into question, and every move forward feels impossible to make.\u003c/p>\n\u003cp>With a lightness of touch that belies pitch-perfect emotional control, Scott Hutchins takes us on an odyssey of love, grief, and reconciliation that shows us how, once we let go of the idea that we’re trapped by our own sad histories — our childhoods, our bad decisions, our miscommunications with those we love — we have the chance to truly be free. \u003ci>A Working Theory of Love\u003c/i> marks the electrifying debut of a prodigious new talent.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/112394/a_working_theory_of_love",
"authors": [
"byline_arts_112394"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10112394",
"label": "arts"
},
"arts_111918": {
"type": "posts",
"id": "arts_111918",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "111918",
"score": null,
"sort": [
1354235314000
]
},
"guestAuthors": [],
"slug": "the_cursing_mommys_book_of_days",
"title": "The Cursing Mommy's Book of Days",
"publishDate": 1354235314,
"format": "audio",
"headTitle": "The Cursing Mommy’s Book of Days | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Based on his widely read columns for \u003ci>The New Yorker\u003c/i>, Ian Frazier’s uproarious first novel, \u003ci>The Cursing Mommy’s Book of Days\u003c/i>, centers on a profoundly memorable character, sprung from an impressively fertile imagination. Structured as a day book of sorts, the book follows the Cursing Mommy — beleaguered wife of Larry and mother of two boys, twelve and eight — as she tries (more or less) valiantly to offer tips on how to do various tasks around the home, only to end up on the ground, cursing, surrounded by broken glass. Her voice is somewhere between Phyllis Diller’s and Sylvia Plath’s: a hilariously desperate housewife with a taste for swearing and large glasses of red wine, who speaks to the frustrations of everyday life.\u003c/p>\n\u003cp>Frazier has demonstrated an astonishing ability to operate with ease in a variety of registers: from \u003ci>On the Rez\u003c/i>, an investigation into the lives of modern day Oglala Sioux written with a mix of humor, compassion, and imagination, to \u003ci>Dating Your Mom\u003c/i>, a sidesplitting collection of humorous essays that imagines, among other things, how and why you might begin a romance with your mother. Here, Frazier tackles another genre with his usual grace and aplomb, as well as an extra helping of his trademark wicked wit. The Cursing Mommy’s failures and weaknesses are our own — and Frazier gives them a loving, satirical spin that is uniquely his own.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Ian Frazier reads a passage from \u003ci>The Cursing Mommy's Book of Days\u003c/i>, a comic novel based on his widely read columns for \u003ci>The New Yorker\u003c/i>.",
"status": "publish",
"parent": 0,
"modified": 1726705691,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 4,
"wordCount": 245
},
"headData": {
"title": "The Cursing Mommy's Book of Days | KQED",
"description": "Ian Frazier reads a passage from The Cursing Mommy's Book of Days, a comic novel based on his widely read columns for The New Yorker.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Cursing Mommy's Book of Days",
"datePublished": "2012-11-29T16:28:34-08:00",
"dateModified": "2024-09-18T17:28:11-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/166251066/KQED_166251066.mp3",
"sticky": false,
"nprByline": "Ian Frazier",
"path": "/arts/111918/the_cursing_mommys_book_of_days",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Based on his widely read columns for \u003ci>The New Yorker\u003c/i>, Ian Frazier’s uproarious first novel, \u003ci>The Cursing Mommy’s Book of Days\u003c/i>, centers on a profoundly memorable character, sprung from an impressively fertile imagination. Structured as a day book of sorts, the book follows the Cursing Mommy — beleaguered wife of Larry and mother of two boys, twelve and eight — as she tries (more or less) valiantly to offer tips on how to do various tasks around the home, only to end up on the ground, cursing, surrounded by broken glass. Her voice is somewhere between Phyllis Diller’s and Sylvia Plath’s: a hilariously desperate housewife with a taste for swearing and large glasses of red wine, who speaks to the frustrations of everyday life.\u003c/p>\n\u003cp>Frazier has demonstrated an astonishing ability to operate with ease in a variety of registers: from \u003ci>On the Rez\u003c/i>, an investigation into the lives of modern day Oglala Sioux written with a mix of humor, compassion, and imagination, to \u003ci>Dating Your Mom\u003c/i>, a sidesplitting collection of humorous essays that imagines, among other things, how and why you might begin a romance with your mother. Here, Frazier tackles another genre with his usual grace and aplomb, as well as an extra helping of his trademark wicked wit. The Cursing Mommy’s failures and weaknesses are our own — and Frazier gives them a loving, satirical spin that is uniquely his own.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/111918/the_cursing_mommys_book_of_days",
"authors": [
"byline_arts_111918"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10111918",
"label": "arts"
},
"arts_111907": {
"type": "posts",
"id": "arts_111907",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "111907",
"score": null,
"sort": [
1354231811000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1354231811,
"format": "standard",
"title": "A Warrior's Welcome In 'Billy Lynn'",
"headTitle": "A Warrior’s Welcome In ‘Billy Lynn’ | KQED",
"content": "\u003cp>Jonathan Evison’s latest novel is \u003cem>The Revised Fundamentals of Caregiving.\u003c/em>\u003c/p>\n\u003cp>Every two or three years, if I’m lucky, I get my hands on a novel that I simply can’t shut up about, a novel I shout from my humble mountaintop to anyone who will listen, a novel that I hand-sell any time I have a literate audience of one or more. In many cases, I’ll purchase this novel, over and over and over, and put it in the hands of readers. The last novel that knocked me for this kind of a whammy was Hesh Kestin’s criminally underappreciated \u003cem>The Iron Will of Shoeshine Cats\u003c/em>, which left me breathless with its mastery of character and suspense.\u003c/p>\n\u003cp>2012 has been a banner year for literary fiction. I’ve been crowing about a number of novels this year, from Jess Walter’s \u003cem>Beautiful Ruins\u003c/em>, to Maria Semple’s \u003cem>Where’d You Go, Bernadette\u003c/em>, both brilliant and inventive. But one novel this year blew the top of my head off like no other, and that was \u003cem>Billy Lynn’s Long Halftime Walk \u003c/em>by Ben Fountain.\u003c/p>\n\u003cp>When 19-year-old Spc. Billy Lynn, one of eight surviving members of the celebrated Bravo Squad, returns stateside from Iraq for an eight-day victory tour, he finds himself a national hero. Bravo’s dog-and-pony show and its attendant media blitz culminates on Thanksgiving Day, during the halftime celebration of a Dallas Cowboys football game in Billy’s native Texas. As Thanksgiving unfolds, amid an almost overwhelming flurry of activity, Billy confronts a barrage of questions about family, nation, patriotism, celebrity and love.\u003c/p>\n\u003cp>Like many of my favorite novels, the synopsis sounds rather uneventful — it’s not. Though its scope may not be epic — a single afternoon — the novel has a profound thematic reach. Without ever hitting a false note, Fountain tackles the unwieldy subjects of Iraq, the war on terrorism, class, consumerism and politics. What’s even more impressive is that he accomplishes all of this employing a tiny aperture, a lone point of view, a single location and does it in real time: No brow-beating, no navel gazing and no ranting. Just great storytelling, fully realized characters and sentences that crackle. In short, Fountain makes it look easy.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>To read \u003cem>Billy Lynn\u003c/em> is to engage in a pure, tactile state of sensory overload. You feel this story with your whole body — all the adrenaline, tension and nausea. The novel is a veritable decoupage of physical sensation — from the sodium glare of stadium lights, to the acid sting of bitterness in the throat; from the woozy disequilibrium of a Jack Daniels hangover, to the galloping heartbeat of unfettered carnality. Fountain achieves that rare level of evocation that makes readers feel as though they lived it.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=5432412\">You Must Read This\u003c/a>\u003cem> is produced and edited by Ellen Silva and Rose Friedman with production assistance from Annalisa Quinn.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2012 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/\">http://www.npr.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+Warrior%27s+Welcome+In+%27Billy+Lynn%27&utme=8(APIKey)9(MDAzOTIwODA0MDEyNTA4MTM1OTcyMGJmMA001)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 521,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 9
},
"modified": 1705050314,
"excerpt": "Ben Fountain's newest book,\u003cem> \u003c/em>\u003cem>Billy Lynn's Long Halftime Walk,\u003c/em> takes place over the course of a single day in the life of Spc. William Lynn. Author Jonathan Evison writes that this is a book so vivid he felt like he lived it. Have you ever read a book that felt real? Tell us in the comments.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Ben Fountain's newest book, Billy Lynn's Long Halftime Walk, takes place over the course of a single day in the life of Spc. William Lynn. Author Jonathan Evison writes that this is a book so vivid he felt like he lived it. Have you ever read a book that felt real? Tell us in the comments.",
"title": "A Warrior's Welcome In 'Billy Lynn' | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "A Warrior's Welcome In 'Billy Lynn'",
"datePublished": "2012-11-29T15:30:11-08:00",
"dateModified": "2024-01-12T01:05:14-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "a_warriors_welcome_in_billy_lynn",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/literature/literature-nprbooks/",
"nprByline": "Jonathan Evison",
"sticky": false,
"path": "/arts/111907/a_warriors_welcome_in_billy_lynn",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Jonathan Evison’s latest novel is \u003cem>The Revised Fundamentals of Caregiving.\u003c/em>\u003c/p>\n\u003cp>Every two or three years, if I’m lucky, I get my hands on a novel that I simply can’t shut up about, a novel I shout from my humble mountaintop to anyone who will listen, a novel that I hand-sell any time I have a literate audience of one or more. In many cases, I’ll purchase this novel, over and over and over, and put it in the hands of readers. The last novel that knocked me for this kind of a whammy was Hesh Kestin’s criminally underappreciated \u003cem>The Iron Will of Shoeshine Cats\u003c/em>, which left me breathless with its mastery of character and suspense.\u003c/p>\n\u003cp>2012 has been a banner year for literary fiction. I’ve been crowing about a number of novels this year, from Jess Walter’s \u003cem>Beautiful Ruins\u003c/em>, to Maria Semple’s \u003cem>Where’d You Go, Bernadette\u003c/em>, both brilliant and inventive. But one novel this year blew the top of my head off like no other, and that was \u003cem>Billy Lynn’s Long Halftime Walk \u003c/em>by Ben Fountain.\u003c/p>\n\u003cp>When 19-year-old Spc. Billy Lynn, one of eight surviving members of the celebrated Bravo Squad, returns stateside from Iraq for an eight-day victory tour, he finds himself a national hero. Bravo’s dog-and-pony show and its attendant media blitz culminates on Thanksgiving Day, during the halftime celebration of a Dallas Cowboys football game in Billy’s native Texas. As Thanksgiving unfolds, amid an almost overwhelming flurry of activity, Billy confronts a barrage of questions about family, nation, patriotism, celebrity and love.\u003c/p>\n\u003cp>Like many of my favorite novels, the synopsis sounds rather uneventful — it’s not. Though its scope may not be epic — a single afternoon — the novel has a profound thematic reach. Without ever hitting a false note, Fountain tackles the unwieldy subjects of Iraq, the war on terrorism, class, consumerism and politics. What’s even more impressive is that he accomplishes all of this employing a tiny aperture, a lone point of view, a single location and does it in real time: No brow-beating, no navel gazing and no ranting. Just great storytelling, fully realized characters and sentences that crackle. In short, Fountain makes it look easy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>To read \u003cem>Billy Lynn\u003c/em> is to engage in a pure, tactile state of sensory overload. You feel this story with your whole body — all the adrenaline, tension and nausea. The novel is a veritable decoupage of physical sensation — from the sodium glare of stadium lights, to the acid sting of bitterness in the throat; from the woozy disequilibrium of a Jack Daniels hangover, to the galloping heartbeat of unfettered carnality. Fountain achieves that rare level of evocation that makes readers feel as though they lived it.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=5432412\">You Must Read This\u003c/a>\u003cem> is produced and edited by Ellen Silva and Rose Friedman with production assistance from Annalisa Quinn.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2012 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/\">http://www.npr.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+Warrior%27s+Welcome+In+%27Billy+Lynn%27&utme=8(APIKey)9(MDAzOTIwODA0MDEyNTA4MTM1OTcyMGJmMA001)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/111907/a_warriors_welcome_in_billy_lynn",
"authors": [
"byline_arts_111907"
],
"categories": [
"arts_1",
"arts_73"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_10111907",
"label": "arts_137"
},
"arts_111463": {
"type": "posts",
"id": "arts_111463",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "111463",
"score": null,
"sort": [
1353548884000
]
},
"guestAuthors": [],
"slug": "the_entertainer",
"title": "The Entertainer",
"publishDate": 1353548884,
"format": "audio",
"headTitle": "The Entertainer | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Using the life and career of her father, an early Hollywood actor, \u003ci>New Yorker\u003c/i> writer Margaret Talbot tells the thrilling story of the rise of popular culture through a transfixing personal lens. The arc of Lyle Talbot’s career is in fact the story of American entertainment. Born in 1902, Lyle left his home in small-town Nebraska in 1918 to join a traveling carnival. From there he became a magician’s assistant, an actor in a traveling theater troupe, a romantic lead in early talkies, then an actor in major Warner Bros. pictures with stars such as Humphrey Bogart and Carole Lombard, then an actor in cult B movies, and finally a part of the advent of television, with regular roles on \u003ci>The Adventures of Ozzie and Harriet\u003c/i> and \u003ci>Leave It to Beaver\u003c/i>. Ultimately, his career spanned the entire trajectory of the industry.\u003c/p>\n\u003cp>In her captivating, impeccably researched narrative — a charmed combination of Hollywood history, social history, and family memoir — Margaret Talbot conjures warmth and nostalgia for those earlier eras of ’10s and ’20s small-town America, ’30s and ’40s Hollywood. She transports us to an alluring time, simpler but also exciting, and illustrates the changing face of her father’s America, all while telling the story of mass entertainment across the first half of the twentieth century.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Margaret Talbot, staff writer for \u003ci>The New Yorker\u003c/i>, reads a passage from \u003ci>The Entertainer\u003c/i> about her Hollywood actor father and his relationship with Ed Wood. (Running Time: 11:46)",
"status": "publish",
"parent": 0,
"modified": 1726705696,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 4,
"wordCount": 230
},
"headData": {
"title": "The Entertainer | KQED",
"description": "Margaret Talbot, staff writer for The New Yorker, reads a passage from The Entertainer about her Hollywood actor father and his relationship with Ed Wood. (Running Time: 11:46)",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Entertainer",
"datePublished": "2012-11-21T17:48:04-08:00",
"dateModified": "2024-09-18T17:28:16-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/165796775/KQED_165796775.mp3",
"sticky": false,
"nprByline": "Margaret Talbot",
"path": "/arts/111463/the_entertainer",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Using the life and career of her father, an early Hollywood actor, \u003ci>New Yorker\u003c/i> writer Margaret Talbot tells the thrilling story of the rise of popular culture through a transfixing personal lens. The arc of Lyle Talbot’s career is in fact the story of American entertainment. Born in 1902, Lyle left his home in small-town Nebraska in 1918 to join a traveling carnival. From there he became a magician’s assistant, an actor in a traveling theater troupe, a romantic lead in early talkies, then an actor in major Warner Bros. pictures with stars such as Humphrey Bogart and Carole Lombard, then an actor in cult B movies, and finally a part of the advent of television, with regular roles on \u003ci>The Adventures of Ozzie and Harriet\u003c/i> and \u003ci>Leave It to Beaver\u003c/i>. Ultimately, his career spanned the entire trajectory of the industry.\u003c/p>\n\u003cp>In her captivating, impeccably researched narrative — a charmed combination of Hollywood history, social history, and family memoir — Margaret Talbot conjures warmth and nostalgia for those earlier eras of ’10s and ’20s small-town America, ’30s and ’40s Hollywood. She transports us to an alluring time, simpler but also exciting, and illustrates the changing face of her father’s America, all while telling the story of mass entertainment across the first half of the twentieth century.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/111463/the_entertainer",
"authors": [
"byline_arts_111463"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10111463",
"label": "arts"
},
"arts_111259": {
"type": "posts",
"id": "arts_111259",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "111259",
"score": null,
"sort": [
1353120641000
]
},
"guestAuthors": [],
"slug": "yes_chef",
"title": "Yes, Chef",
"publishDate": 1353120641,
"format": "audio",
"headTitle": "Yes, Chef | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Marcus Samuelsson was only three years old when he, his mother, and his sister — all battling tuberculosis — walked seventy-five miles to a hospital in the Ethiopian capital city of Addis Adaba. Tragically, his mother succumbed to the disease shortly after she arrived, but Marcus and his sister recovered, and one year later they were welcomed into a loving middle-class white family in Goteborg, Sweden. It was there that Marcus’s new grandmother, Helga, sparked in him a lifelong passion for food and cooking with her pan-fried herring, her freshly baked bread, and her signature roast chicken. From a very early age, there was little question what Marcus was going to be when he grew up.\u003c/p>\n\u003cp>\u003ci>Yes, Chef\u003c/i> chronicles Marcus Samuelsson’s remarkable journey from Helga’s humble kitchen to some of the most demanding and cutthroat restaurants in Switzerland and France, from his grueling stints on cruise ships to his arrival in New York City, where his outsize talent and ambition finally come together at Aquavit, earning him a coveted New York Times three-star rating at the age of twenty-four. But Samuelsson’s career of “chasing flavors,” as he calls it, had only just begun — in the intervening years, there have been White House state dinners, career crises, reality show triumphs and, most important, the opening of the beloved Red Rooster in Harlem. At Red Rooster, Samuelsson has fulfilled his dream of creating a truly diverse, multiracial dining room—a place where presidents and prime ministers rub elbows with jazz musicians, aspiring artists, bus drivers, and nurses. It is a place where an orphan from Ethiopia, raised in Sweden, living in America, can feel at home.\u003c/p>\n\u003cp>With disarming honesty and intimacy, Samuelsson also opens up about his failures — the price of ambition, in human terms — and recounts his emotional journey, as a grown man, to meet the father he never knew. Yes, Chef is a tale of personal discovery, unshakable determination, and the passionate, playful pursuit of flavors — one man’s struggle to find a place for himself in the kitchen, and in the world.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Marcus Samuelsson, James Beard Award recipient and winner of Top Chef Masters, reads a passage from his memoir, \u003ci>Yes, Chef\u003c/i>.",
"status": "publish",
"parent": 0,
"modified": 1726705700,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 5,
"wordCount": 366
},
"headData": {
"title": "Yes, Chef | KQED",
"description": "Marcus Samuelsson, James Beard Award recipient and winner of Top Chef Masters, reads a passage from his memoir, Yes, Chef.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Yes, Chef",
"datePublished": "2012-11-16T18:50:41-08:00",
"dateModified": "2024-09-18T17:28:20-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/165329292/KQED_165329292.mp3",
"sticky": false,
"nprByline": "Marcus Samuelsson",
"path": "/arts/111259/yes_chef",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Marcus Samuelsson was only three years old when he, his mother, and his sister — all battling tuberculosis — walked seventy-five miles to a hospital in the Ethiopian capital city of Addis Adaba. Tragically, his mother succumbed to the disease shortly after she arrived, but Marcus and his sister recovered, and one year later they were welcomed into a loving middle-class white family in Goteborg, Sweden. It was there that Marcus’s new grandmother, Helga, sparked in him a lifelong passion for food and cooking with her pan-fried herring, her freshly baked bread, and her signature roast chicken. From a very early age, there was little question what Marcus was going to be when he grew up.\u003c/p>\n\u003cp>\u003ci>Yes, Chef\u003c/i> chronicles Marcus Samuelsson’s remarkable journey from Helga’s humble kitchen to some of the most demanding and cutthroat restaurants in Switzerland and France, from his grueling stints on cruise ships to his arrival in New York City, where his outsize talent and ambition finally come together at Aquavit, earning him a coveted New York Times three-star rating at the age of twenty-four. But Samuelsson’s career of “chasing flavors,” as he calls it, had only just begun — in the intervening years, there have been White House state dinners, career crises, reality show triumphs and, most important, the opening of the beloved Red Rooster in Harlem. At Red Rooster, Samuelsson has fulfilled his dream of creating a truly diverse, multiracial dining room—a place where presidents and prime ministers rub elbows with jazz musicians, aspiring artists, bus drivers, and nurses. It is a place where an orphan from Ethiopia, raised in Sweden, living in America, can feel at home.\u003c/p>\n\u003cp>With disarming honesty and intimacy, Samuelsson also opens up about his failures — the price of ambition, in human terms — and recounts his emotional journey, as a grown man, to meet the father he never knew. Yes, Chef is a tale of personal discovery, unshakable determination, and the passionate, playful pursuit of flavors — one man’s struggle to find a place for himself in the kitchen, and in the world.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/111259/yes_chef",
"authors": [
"byline_arts_111259"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10111259",
"label": "arts"
},
"arts_111228": {
"type": "posts",
"id": "arts_111228",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "111228",
"score": null,
"sort": [
1353072380000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1353072380,
"format": "standard",
"title": "Ian McEwan's 'Sweet Tooth' Leaves A Sour Taste",
"headTitle": "Ian McEwan’s ‘Sweet Tooth’ Leaves A Sour Taste | KQED",
"content": "\u003cp>Ian McEwan’s \u003cem>Sweet Tooth\u003c/em> is that oddest of literary achievements: an ingenious novel that I compulsively read, intellectually admired and increasingly hated. By the time I got to McEwan’s last sneer of a plot twist, I felt that reading\u003cem> Sweet Tooth\u003c/em> is the closest I ever want to come to the experience of watching a snuff film. Think that’s harsh? Open up \u003cem>Sweet Tooth\u003c/em> and find out what McEwan thinks of you, Dear Reader, particularly if you’re a woman, as most readers of fiction are.\u003c/p>\n\u003cp>Our heroine here is a young woman named Serena Frome who devours 19th and 20th century fiction — everything from Jane Austen to Jacqueline Susann to Muriel Spark. Several times in \u003cem>Sweet Tooth,\u003c/em> Serena discusses her reading tastes, much to the exasperation of her brainy novelist boyfriend. Serena says, “I wanted characters I could believe in and I wanted to be made curious about what was to happen to them. Generally, I preferred people to be falling in and out of love. … It was vulgar to want it, but I liked someone to say ‘Marry me’ by the end.” Later on, Serena adds, “I didn’t like tricks.” Oh, what fun McEwan has squirting acid over everything simple Serena — clearly, the Common (Female) Reader — enjoys in a novel.\u003c/p>\n\u003cp>McEwan deploys his great gifts of storytelling to draw readers into an intricate plot about Serena’s career during the 1970s, working as a low-level operative for MI5, the British internal intelligence service. Then, by novel’s end, McEwan ridicules us readers for ever believing in Serena and the fictional world he’s blown breath into.\u003c/p>\n\u003cp>McEwan’s title\u003cem>, Sweet Tooth,\u003c/em> refers to both a clandestine operation Serena carries out and to the mind-candy lure of fiction itself. Certainly, as much as it is a suspense tale, a novel of ideas and a political meditation on the decline of Britain in the 1970s, \u003cem>Sweet Tooth\u003c/em> is also a cynical novel about the art of fiction and its pointlessness in the larger scheme of things.\u003c/p>\n\u003cp>As the story goes, beautiful Serena is recruited into MI5 by her lover at Cambridge, a history professor who is one of the many brilliant, narcissistic and essentially mean men whom she falls for. After graduation, Serena moves into a damp bed-sit in London and enters the intelligence service at a time when the glass ceiling for women was ankle-high. She diligently files and smiles until the day that her expertise as a novel reader is called upon for a mission dubbed “Sweet Tooth.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>MI5 wants to secretly fund fledgling writers and artists whose work it deems anti-communist in sympathy. Serena is dispatched to entice a fiction writer named Tom Haley into the operation, and, as preparation, she reads the short stories he’s written, which McEwan himself, of course, concocts and scatters throughout this novel. Violating one of the cardinal rules of tradecraft, Serena falls in love with Tom, even as she’s tormented by the fact that she’s concealing her true identity as a secret agent.\u003c/p>\n\u003cp>As he has in previous novels, like \u003ca href=\"http://www.npr.org/books/titles/138055611/atonement\">Atonement\u003c/a>, McEwan revels here in breaking the “fourth wall” between his fictional world and our own: For instance, real-life Brit writers, living and dead, like Martin Amis and Ian Hamilton turn up in scenes and schmooze with Tom and Serena. Tom’s short stories all revolve around the themes of love, betrayal and fakery and, so, they explicitly comment on the larger tale this novel tells. Betrayal certainly dooms the relationship between Serena and Tom, as well the relationship — built on an illusion, after all — between the reader and this novel itself.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>What sets \u003cem>Sweet Tooth\u003c/em> apart from McEwan’s other work, however, is the tone. There’s a degree of nastiness here — particularly in that genderized disdain for female readers as well as in McEwan’s cool dismissal of the products of his own imagination. Postmodernist writing can have humor and heart, but, in \u003cem>Sweet Tooth,\u003c/em> McEwan’s postmodernist narrative “tricks” simply serve as weapons of mass destruction. The novel is exposed as little more than a mental game, and Serena, whom we’ve grown attached to, is brutally silenced. All that remains is a reader’s grudging recognition that McEwan, our Author-God, is awfully clever. Call me sentimental, but that’s not enough. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2012 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/\">http://www.npr.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Ian+McEwan%27s+%27Sweet+Tooth%27+Leaves+A+Sour+Taste&utme=8(APIKey)9(MDAzOTIwODA0MDEyNTA4MTM1OTcyMGJmMA001)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 782,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705050343,
"excerpt": "The novelist has won the National Book Critics Circle Award, the Booker Prize and the Whitbread Award. His latest novel, however, earns the ire of critic Maureen Corrigan, who usually numbers among McEwan's fans but finds herself dismayed by this book's attitudes toward women.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The novelist has won the National Book Critics Circle Award, the Booker Prize and the Whitbread Award. His latest novel, however, earns the ire of critic Maureen Corrigan, who usually numbers among McEwan's fans but finds herself dismayed by this book's attitudes toward women.",
"title": "Ian McEwan's 'Sweet Tooth' Leaves A Sour Taste | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Ian McEwan's 'Sweet Tooth' Leaves A Sour Taste",
"datePublished": "2012-11-16T05:26:20-08:00",
"dateModified": "2024-01-12T01:05:43-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "ian_mcewans_sweet_tooth_leaves_a_sour_taste",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/literature/literature-nprbooks/",
"nprByline": "Maureen Corrigan",
"sticky": false,
"path": "/arts/111228/ian_mcewans_sweet_tooth_leaves_a_sour_taste",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ian McEwan’s \u003cem>Sweet Tooth\u003c/em> is that oddest of literary achievements: an ingenious novel that I compulsively read, intellectually admired and increasingly hated. By the time I got to McEwan’s last sneer of a plot twist, I felt that reading\u003cem> Sweet Tooth\u003c/em> is the closest I ever want to come to the experience of watching a snuff film. Think that’s harsh? Open up \u003cem>Sweet Tooth\u003c/em> and find out what McEwan thinks of you, Dear Reader, particularly if you’re a woman, as most readers of fiction are.\u003c/p>\n\u003cp>Our heroine here is a young woman named Serena Frome who devours 19th and 20th century fiction — everything from Jane Austen to Jacqueline Susann to Muriel Spark. Several times in \u003cem>Sweet Tooth,\u003c/em> Serena discusses her reading tastes, much to the exasperation of her brainy novelist boyfriend. Serena says, “I wanted characters I could believe in and I wanted to be made curious about what was to happen to them. Generally, I preferred people to be falling in and out of love. … It was vulgar to want it, but I liked someone to say ‘Marry me’ by the end.” Later on, Serena adds, “I didn’t like tricks.” Oh, what fun McEwan has squirting acid over everything simple Serena — clearly, the Common (Female) Reader — enjoys in a novel.\u003c/p>\n\u003cp>McEwan deploys his great gifts of storytelling to draw readers into an intricate plot about Serena’s career during the 1970s, working as a low-level operative for MI5, the British internal intelligence service. Then, by novel’s end, McEwan ridicules us readers for ever believing in Serena and the fictional world he’s blown breath into.\u003c/p>\n\u003cp>McEwan’s title\u003cem>, Sweet Tooth,\u003c/em> refers to both a clandestine operation Serena carries out and to the mind-candy lure of fiction itself. Certainly, as much as it is a suspense tale, a novel of ideas and a political meditation on the decline of Britain in the 1970s, \u003cem>Sweet Tooth\u003c/em> is also a cynical novel about the art of fiction and its pointlessness in the larger scheme of things.\u003c/p>\n\u003cp>As the story goes, beautiful Serena is recruited into MI5 by her lover at Cambridge, a history professor who is one of the many brilliant, narcissistic and essentially mean men whom she falls for. After graduation, Serena moves into a damp bed-sit in London and enters the intelligence service at a time when the glass ceiling for women was ankle-high. She diligently files and smiles until the day that her expertise as a novel reader is called upon for a mission dubbed “Sweet Tooth.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>MI5 wants to secretly fund fledgling writers and artists whose work it deems anti-communist in sympathy. Serena is dispatched to entice a fiction writer named Tom Haley into the operation, and, as preparation, she reads the short stories he’s written, which McEwan himself, of course, concocts and scatters throughout this novel. Violating one of the cardinal rules of tradecraft, Serena falls in love with Tom, even as she’s tormented by the fact that she’s concealing her true identity as a secret agent.\u003c/p>\n\u003cp>As he has in previous novels, like \u003ca href=\"http://www.npr.org/books/titles/138055611/atonement\">Atonement\u003c/a>, McEwan revels here in breaking the “fourth wall” between his fictional world and our own: For instance, real-life Brit writers, living and dead, like Martin Amis and Ian Hamilton turn up in scenes and schmooze with Tom and Serena. Tom’s short stories all revolve around the themes of love, betrayal and fakery and, so, they explicitly comment on the larger tale this novel tells. Betrayal certainly dooms the relationship between Serena and Tom, as well the relationship — built on an illusion, after all — between the reader and this novel itself.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>What sets \u003cem>Sweet Tooth\u003c/em> apart from McEwan’s other work, however, is the tone. There’s a degree of nastiness here — particularly in that genderized disdain for female readers as well as in McEwan’s cool dismissal of the products of his own imagination. Postmodernist writing can have humor and heart, but, in \u003cem>Sweet Tooth,\u003c/em> McEwan’s postmodernist narrative “tricks” simply serve as weapons of mass destruction. The novel is exposed as little more than a mental game, and Serena, whom we’ve grown attached to, is brutally silenced. All that remains is a reader’s grudging recognition that McEwan, our Author-God, is awfully clever. Call me sentimental, but that’s not enough. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2012 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/\">http://www.npr.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Ian+McEwan%27s+%27Sweet+Tooth%27+Leaves+A+Sour+Taste&utme=8(APIKey)9(MDAzOTIwODA0MDEyNTA4MTM1OTcyMGJmMA001)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/111228/ian_mcewans_sweet_tooth_leaves_a_sour_taste",
"authors": [
"byline_arts_111228"
],
"categories": [
"arts_1",
"arts_73"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_10111228",
"label": "arts_137"
},
"arts_110925": {
"type": "posts",
"id": "arts_110925",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "110925",
"score": null,
"sort": [
1352569093000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1352569093,
"format": "standard",
"title": "Going 'Marbles': From Manic Highs To Oceanic Lows",
"headTitle": "Going ‘Marbles’: From Manic Highs To Oceanic Lows | KQED",
"content": "\u003cp>\u003cem>Marbles\u003c/em>, cartoonist Ellen Forney’s excellent graphic memoir about being bipolar, opens with her in the middle of a 5 1/2-hour session in a tattoo parlor. Every time the needle traces a line, Forney writes, she can “see the sensation — a bright white light, an electrical charge.” Those opening words are a perfect description of her book. From the very first page, Forney allows us to see sensation — to inhabit, as closely as possible, her bipolar world, from its manic, exhilarating highs to its oceanic, debilitating lows. Bipolar disorder defies easy treatment; each individual patient must become their own guinea pig to discover the balance of medication and lifestyle therapies that will allow him or her to achieve long-term stability. For Forney, this was an intense four-year process that she chronicles with her deceptively simple drawing style, an emotive line that matches her expressive prose.\u003c/p>\n\u003cp>Is it weird to call a memoir about bipolar disorder entertaining? Well, this one is, thanks to the ease with which Forney translates her vivacious, fearless personality to the page. This is easiest when she’s getting that tattoo, planning a massive book party or orchestrating a steamy photo shoot in one of her manic phases, but her unfailing sense of humor, honesty and engagement with the world sustains us through the low phases as well. After receiving her diagnosis, Forney plans future projects to occupy herself when she becomes depressed, but as the cycle inevitably shifts, she writes, “I sensed that I had landed, a familiar feeling I’d forgotten. … I had a tickle in my throat and there was pressure in my nasal passages. I’d forgotten this part, too. During a manic episode, depression seems entirely impossible. At the end of a high, though, I’d get sick. I had a sinking feeling … I’d been so sure that I could manage without meds, that I could take care of myself. That conviction disappeared all at once.”\u003c/p>\n\u003cp>From a distance, it can be tempting to romanticize the bipolar artist, as Forney herself points out, providing a list of celebrated painters, writers and composers who shared her diagnosis. But by alternating comics with pages from the sketchbook she kept during her lows, we see what depression looks like through her eyes, and any romantic notions are quickly dispelled.\u003c/p>\n\u003cp>Forney has a virtuosic understanding of what words and images can do in congress, playing them off one another in ways that allow her pages to be more than the sum of their parts. A wildly branching flow chart mimics the frenetic geometries of manic associative thinking; drops of water on a wall morph into a woodland scene to show the process of visual creativity at work; on one page, gray cloudlike forms press down on a small figure to evoke the claustrophobic anxiety that oppresses Forney during her lows. No matter what she’s experiencing, Forney wants you to be there with her. Chances are, if you have even a passing interest in nonfiction comics, psychology or what it means to be creative, you’ll want to be there, too. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2012 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/\">http://www.npr.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Going+%27Marbles%27%3A+From+Manic+Highs+To+Oceanic+Lows&utme=8(APIKey)9(MDAzOTIwODA0MDEyNTA4MTM1OTcyMGJmMA001)\">\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 551,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705050356,
"excerpt": "Cartoonist Ellen Forney documents her bipolar disorder in \u003cem>Marbles\u003c/em>\u003cem>, \u003c/em>a graphic memoir that sustains its honesty and humor through both manic and depressive phases. No matter what she's experiencing, Forney wants you to be there with her — and chances are you'll want to be there, too.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Cartoonist Ellen Forney documents her bipolar disorder in Marbles, a graphic memoir that sustains its honesty and humor through both manic and depressive phases. No matter what she's experiencing, Forney wants you to be there with her — and chances are you'll want to be there, too.",
"title": "Going 'Marbles': From Manic Highs To Oceanic Lows | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Going 'Marbles': From Manic Highs To Oceanic Lows",
"datePublished": "2012-11-10T09:38:13-08:00",
"dateModified": "2024-01-12T01:05:56-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "going_marbles_from_manic_highs_to_oceanic_lows",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/literature/literature-nprbooks/",
"nprByline": "Myla Goldberg",
"sticky": false,
"path": "/arts/110925/going_marbles_from_manic_highs_to_oceanic_lows",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Marbles\u003c/em>, cartoonist Ellen Forney’s excellent graphic memoir about being bipolar, opens with her in the middle of a 5 1/2-hour session in a tattoo parlor. Every time the needle traces a line, Forney writes, she can “see the sensation — a bright white light, an electrical charge.” Those opening words are a perfect description of her book. From the very first page, Forney allows us to see sensation — to inhabit, as closely as possible, her bipolar world, from its manic, exhilarating highs to its oceanic, debilitating lows. Bipolar disorder defies easy treatment; each individual patient must become their own guinea pig to discover the balance of medication and lifestyle therapies that will allow him or her to achieve long-term stability. For Forney, this was an intense four-year process that she chronicles with her deceptively simple drawing style, an emotive line that matches her expressive prose.\u003c/p>\n\u003cp>Is it weird to call a memoir about bipolar disorder entertaining? Well, this one is, thanks to the ease with which Forney translates her vivacious, fearless personality to the page. This is easiest when she’s getting that tattoo, planning a massive book party or orchestrating a steamy photo shoot in one of her manic phases, but her unfailing sense of humor, honesty and engagement with the world sustains us through the low phases as well. After receiving her diagnosis, Forney plans future projects to occupy herself when she becomes depressed, but as the cycle inevitably shifts, she writes, “I sensed that I had landed, a familiar feeling I’d forgotten. … I had a tickle in my throat and there was pressure in my nasal passages. I’d forgotten this part, too. During a manic episode, depression seems entirely impossible. At the end of a high, though, I’d get sick. I had a sinking feeling … I’d been so sure that I could manage without meds, that I could take care of myself. That conviction disappeared all at once.”\u003c/p>\n\u003cp>From a distance, it can be tempting to romanticize the bipolar artist, as Forney herself points out, providing a list of celebrated painters, writers and composers who shared her diagnosis. But by alternating comics with pages from the sketchbook she kept during her lows, we see what depression looks like through her eyes, and any romantic notions are quickly dispelled.\u003c/p>\n\u003cp>Forney has a virtuosic understanding of what words and images can do in congress, playing them off one another in ways that allow her pages to be more than the sum of their parts. A wildly branching flow chart mimics the frenetic geometries of manic associative thinking; drops of water on a wall morph into a woodland scene to show the process of visual creativity at work; on one page, gray cloudlike forms press down on a small figure to evoke the claustrophobic anxiety that oppresses Forney during her lows. No matter what she’s experiencing, Forney wants you to be there with her. Chances are, if you have even a passing interest in nonfiction comics, psychology or what it means to be creative, you’ll want to be there, too. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2012 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/\">http://www.npr.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Going+%27Marbles%27%3A+From+Manic+Highs+To+Oceanic+Lows&utme=8(APIKey)9(MDAzOTIwODA0MDEyNTA4MTM1OTcyMGJmMA001)\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/110925/going_marbles_from_manic_highs_to_oceanic_lows",
"authors": [
"byline_arts_110925"
],
"categories": [
"arts_1",
"arts_73"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_10110925",
"label": "arts_137"
},
"arts_110826": {
"type": "posts",
"id": "arts_110826",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "110826",
"score": null,
"sort": [
1352427105000
]
},
"guestAuthors": [],
"slug": "more_fine_fine_music",
"title": "More Fine Fine Music",
"publishDate": 1352427105,
"format": "audio",
"headTitle": "More Fine Fine Music | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>\u003ci>Fine Fine Music\u003c/i> is a collection of stories about the other side of rock and roll and coming of age in the land that time forgot. Lake Ronkonkoma is stuck in 1981, an alcoholic blackout of unnatually tan people waxing their Camaros to Foreigner on cassette and knowing the words to every Billy Joel song whether you want to or not. From an internship making Seamonkey costumes, a childhood fear of My Buddy dolls, and a heartbreaking crush on Aerosmith, funny lady Cassie J. Sneider delivers her tales of growing up in a land of fist-pumping Snookies with the antagonistic wit of a record store clerk.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Cassie J. Sneider reads \"Homegrown,\" a story from her hilarious collection \u003ci>Fine Fine Music\u003c/i> about Jersey, the importance of having a car antenna, and violent monkeys.",
"status": "publish",
"parent": 0,
"modified": 1726705704,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 109
},
"headData": {
"title": "More Fine Fine Music | KQED",
"description": "Cassie J. Sneider reads "Homegrown," a story from her hilarious collection Fine Fine Music about Jersey, the importance of having a car antenna, and violent monkeys.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "More Fine Fine Music",
"datePublished": "2012-11-08T18:11:45-08:00",
"dateModified": "2024-09-18T17:28:24-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/164798261/KQED_164798261.mp3",
"sticky": false,
"nprByline": "Cassie J. Sneider",
"path": "/arts/110826/more_fine_fine_music",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>Fine Fine Music\u003c/i> is a collection of stories about the other side of rock and roll and coming of age in the land that time forgot. Lake Ronkonkoma is stuck in 1981, an alcoholic blackout of unnatually tan people waxing their Camaros to Foreigner on cassette and knowing the words to every Billy Joel song whether you want to or not. From an internship making Seamonkey costumes, a childhood fear of My Buddy dolls, and a heartbreaking crush on Aerosmith, funny lady Cassie J. Sneider delivers her tales of growing up in a land of fist-pumping Snookies with the antagonistic wit of a record store clerk.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/110826/more_fine_fine_music",
"authors": [
"byline_arts_110826"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10110826",
"label": "arts"
},
"arts_110532": {
"type": "posts",
"id": "arts_110532",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "110532",
"score": null,
"sort": [
1351866164000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1351866164,
"format": "standard",
"title": "Vonnegut 'Letters' Hilarious And Heartbreaking",
"headTitle": "Vonnegut ‘Letters’ Hilarious And Heartbreaking | KQED",
"content": "\u003cp>In his introduction to \u003cem>Kurt Vonnegut: Letters,\u003c/em> Dan Wakefield, the book’s editor and a longtime Vonnegut \u003ca href=\"http://en.wikipedia.org/wiki/Bokononism\">karass\u003c/a> member, writes of the late author’s aspiration to be a “cultivated eccentric.” Over the course of six decades of letters to family, friends, admirers, detractors and fellow writers, Vonnegut shows himself to be so much more, both in terms of ambition and accomplishment. In fact, viewed in its totality, the collection — by turns hilarious, heartbreaking and mundane — is striking in just how uneccentric it shows the author to be. Vonnegut himself is a near-perfect example of the same flawed, wonderful humanity that he loved and despaired over his entire life.\u003c/p>\n\u003cp>\u003cem>Letters\u003c/em> should be read as a necessary companion piece to Charles J. Shields’ evenhanded 2011 Vonnegut biography, \u003cem>And So It Goes\u003c/em>. The Shields book reveals a successful but mostly unhappy man, one with a penchant for professional betrayals (he nixed an agreement with longtime friend and editor Knox Burger); an anti-war, liberal champion who had no problem investing in napalm manufacturer Dow Chemical.\u003c/p>\n\u003cp>The singular, iconic author was certainly complicated — and at times vain and quick to anger. Those critics who pigeonholed him as a sci-fi hack promptly felt the wrath of his epistolary ripostes. For example, six years after achieving lasting fame for his classic, \u003cem>Slaughterhouse-Five,\u003c/em> a miffed Vonnegut felt compelled to write to Osborn Elliott, the editor of \u003cem>Newsweek,\u003c/em> concerning a piece on science fiction written by Peter Prescott. Prescott’s offending lines went like this: “Few sf [science fiction] writers aim higher than what a teen-age intelligence can grasp, and the smart ones, like Kurt Vonnegut, carefully satirize targets — racism, pollution, teachers — that teen-agers are conditioned to dislike.” To which Vonnegut tersely replied, “I have never written with teen-agers in mind, nor are teen-agers the chief readers of my books. I am the first sf writer to win a Guggenheim, the first to become a member of the National Institute for Arts and Letters, the first to have a book become a finalist for a National Book Award.” He goes on to list his undeniably impressive accomplishments and titles for several more lines.\u003c/p>\n\u003cp>This fierce pride in his work and resistance to the shallow critical dismissals that would label him a one-trick genre pony were tempered by a constant and playful deprecatory air. In 1959, Vonnegut wrote a short missive to a writer acquaintance named Norman Mailer: “I have just finished reading your \u003ca href=\"http://en.wikipedia.org/wiki/Advertisements_for_Myself\">ad for yourself\u003c/a> — a lot of it twice, at your suggestion. Since my reputation is worthless, my comments on the book would be worthless, so f – – – them.”\u003c/p>\n\u003cp>His note to Mailer continues with an anecdote about a time, about 10 years prior, when the two of them socialized with Vonnegut’s drunk mother-in-law: “[She] was about two feet away from you, indoors, separated from you by a window shade drawn over an open window. She said to me in a loud, indignant squawk, ‘Well — I think you’re cuter than he is …’ It’s a fact, incidentally — I \u003cem>am\u003c/em> cuter than you are. Respectfully, Somebody named Kurt Vonnegut, Jr.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Vonnegut saved some of his harshest criticisms for censors who would ban and sometimes burn his novels without having read a single page, and there are no shortage of these scathing attacks in the collection. But it’s the letters to his children that reveal the private figure. In the early ’70s, soon after he took a teaching position at the Iowa Writers’ Workshop (where he mentored the likes of John Irving and Gail Godwin), Vonnegut split from his wife, Jane. Though the breakup was mostly amicable, its quiet fallout underlies much of the subsequent correspondence with his daughters Nanette and Edith. In an unintentionally amusing letter dating from 1973, Vonnegut refers to Geraldo Rivera, Edie’s then-husband — and current Fox News reporter — as “a fierce Democrat and closet Marxist.” So it goes.\u003c/p>\n\u003cp>Toward the end of his life, the correspondence gets a bit sadder and more self-reflective, as is to be expected. In a few late letters, Vonnegut refers to himself as one of “Melville’s whalers, who didn’t talk anymore because they’d said all they had to say.” By the time he died, in 2007, the writer had outlived his first wife and many friends. In many of the letters, you get the sense that he is just killing time — making silkscreen paintings, writing tributes and blurbs — while waiting for the end.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If that seems unpleasant, consider it in light of his unsuccessful 1984 suicide attempt. After that booze-and-pill cocktail, he found reason to keep going — and even to impart some wisdom. \u003cem>Kurt Vonnegut: Letters \u003c/em>ends, appropriately, with the last words of advice he wrote for an audience: “And how should we behave during this Apocalypse? We should be unusually kind to one another, certainly. But we should also stop being so serious. Jokes help a lot. And get a dog, if you don’t already have one … I’m out of here.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2012 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/\">http://www.npr.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Vonnegut+%27Letters%27+Hilarious+And+Heartbreaking&utme=8(APIKey)9(MDAzOTIwODA0MDEyNTA4MTM1OTcyMGJmMA001)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 913,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705050377,
"excerpt": "Kurt Vonnegut aspired to be a sort of \"cultivated eccentric.\" Reviewer Drew Toal says a new collection of Vonnegut's letters — by turns hilarious, heartbreaking and mundane — reveals just how uneccentric the writer actually was.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Kurt Vonnegut aspired to be a sort of "cultivated eccentric." Reviewer Drew Toal says a new collection of Vonnegut's letters — by turns hilarious, heartbreaking and mundane — reveals just how uneccentric the writer actually was.",
"title": "Vonnegut 'Letters' Hilarious And Heartbreaking | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Vonnegut 'Letters' Hilarious And Heartbreaking",
"datePublished": "2012-11-02T07:22:44-07:00",
"dateModified": "2024-01-12T01:06:17-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "vonnegut_letters",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/literature/literature-nprbooks/",
"nprByline": "Drew Toal",
"sticky": false,
"path": "/arts/110532/vonnegut_letters",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In his introduction to \u003cem>Kurt Vonnegut: Letters,\u003c/em> Dan Wakefield, the book’s editor and a longtime Vonnegut \u003ca href=\"http://en.wikipedia.org/wiki/Bokononism\">karass\u003c/a> member, writes of the late author’s aspiration to be a “cultivated eccentric.” Over the course of six decades of letters to family, friends, admirers, detractors and fellow writers, Vonnegut shows himself to be so much more, both in terms of ambition and accomplishment. In fact, viewed in its totality, the collection — by turns hilarious, heartbreaking and mundane — is striking in just how uneccentric it shows the author to be. Vonnegut himself is a near-perfect example of the same flawed, wonderful humanity that he loved and despaired over his entire life.\u003c/p>\n\u003cp>\u003cem>Letters\u003c/em> should be read as a necessary companion piece to Charles J. Shields’ evenhanded 2011 Vonnegut biography, \u003cem>And So It Goes\u003c/em>. The Shields book reveals a successful but mostly unhappy man, one with a penchant for professional betrayals (he nixed an agreement with longtime friend and editor Knox Burger); an anti-war, liberal champion who had no problem investing in napalm manufacturer Dow Chemical.\u003c/p>\n\u003cp>The singular, iconic author was certainly complicated — and at times vain and quick to anger. Those critics who pigeonholed him as a sci-fi hack promptly felt the wrath of his epistolary ripostes. For example, six years after achieving lasting fame for his classic, \u003cem>Slaughterhouse-Five,\u003c/em> a miffed Vonnegut felt compelled to write to Osborn Elliott, the editor of \u003cem>Newsweek,\u003c/em> concerning a piece on science fiction written by Peter Prescott. Prescott’s offending lines went like this: “Few sf [science fiction] writers aim higher than what a teen-age intelligence can grasp, and the smart ones, like Kurt Vonnegut, carefully satirize targets — racism, pollution, teachers — that teen-agers are conditioned to dislike.” To which Vonnegut tersely replied, “I have never written with teen-agers in mind, nor are teen-agers the chief readers of my books. I am the first sf writer to win a Guggenheim, the first to become a member of the National Institute for Arts and Letters, the first to have a book become a finalist for a National Book Award.” He goes on to list his undeniably impressive accomplishments and titles for several more lines.\u003c/p>\n\u003cp>This fierce pride in his work and resistance to the shallow critical dismissals that would label him a one-trick genre pony were tempered by a constant and playful deprecatory air. In 1959, Vonnegut wrote a short missive to a writer acquaintance named Norman Mailer: “I have just finished reading your \u003ca href=\"http://en.wikipedia.org/wiki/Advertisements_for_Myself\">ad for yourself\u003c/a> — a lot of it twice, at your suggestion. Since my reputation is worthless, my comments on the book would be worthless, so f – – – them.”\u003c/p>\n\u003cp>His note to Mailer continues with an anecdote about a time, about 10 years prior, when the two of them socialized with Vonnegut’s drunk mother-in-law: “[She] was about two feet away from you, indoors, separated from you by a window shade drawn over an open window. She said to me in a loud, indignant squawk, ‘Well — I think you’re cuter than he is …’ It’s a fact, incidentally — I \u003cem>am\u003c/em> cuter than you are. Respectfully, Somebody named Kurt Vonnegut, Jr.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Vonnegut saved some of his harshest criticisms for censors who would ban and sometimes burn his novels without having read a single page, and there are no shortage of these scathing attacks in the collection. But it’s the letters to his children that reveal the private figure. In the early ’70s, soon after he took a teaching position at the Iowa Writers’ Workshop (where he mentored the likes of John Irving and Gail Godwin), Vonnegut split from his wife, Jane. Though the breakup was mostly amicable, its quiet fallout underlies much of the subsequent correspondence with his daughters Nanette and Edith. In an unintentionally amusing letter dating from 1973, Vonnegut refers to Geraldo Rivera, Edie’s then-husband — and current Fox News reporter — as “a fierce Democrat and closet Marxist.” So it goes.\u003c/p>\n\u003cp>Toward the end of his life, the correspondence gets a bit sadder and more self-reflective, as is to be expected. In a few late letters, Vonnegut refers to himself as one of “Melville’s whalers, who didn’t talk anymore because they’d said all they had to say.” By the time he died, in 2007, the writer had outlived his first wife and many friends. In many of the letters, you get the sense that he is just killing time — making silkscreen paintings, writing tributes and blurbs — while waiting for the end.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If that seems unpleasant, consider it in light of his unsuccessful 1984 suicide attempt. After that booze-and-pill cocktail, he found reason to keep going — and even to impart some wisdom. \u003cem>Kurt Vonnegut: Letters \u003c/em>ends, appropriately, with the last words of advice he wrote for an audience: “And how should we behave during this Apocalypse? We should be unusually kind to one another, certainly. But we should also stop being so serious. Jokes help a lot. And get a dog, if you don’t already have one … I’m out of here.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2012 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/\">http://www.npr.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Vonnegut+%27Letters%27+Hilarious+And+Heartbreaking&utme=8(APIKey)9(MDAzOTIwODA0MDEyNTA4MTM1OTcyMGJmMA001)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/110532/vonnegut_letters",
"authors": [
"byline_arts_110532"
],
"categories": [
"arts_1",
"arts_73"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_10110532",
"label": "arts_137"
},
"arts_110440": {
"type": "posts",
"id": "arts_110440",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "110440",
"score": null,
"sort": [
1351732294000
]
},
"guestAuthors": [],
"slug": "grand_slam_poems",
"title": "Memorized Poems",
"publishDate": 1351732294,
"format": "audio",
"headTitle": "Memorized Poems | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Sam Sax is a Bay Area based writer, educator, and performer. He’s the first ever Bay Area Unified Grand Slam Champion and Oakland’s first two-time queer Grand Slam Champion. Sam curates “the new sh!t show,” a reading seriesin San Francisco aimed at producing new poetry, and is the poetry curator for The Modern Times Bookstore. He has toured internationally, performing at universities, slams, basements, alleyways, and amphitheaters. Sam is currently leading writing and literacy workshops for queer at-risk youth. You can find some of his other work in \u003ci>Rattle\u003c/i>, \u003ci>Muzzle Magazine\u003c/i>, \u003ci>The Evergreen Review\u003c/i>, \u003ci>The Orange Quarterly\u003c/i>, \u003ci>The Nervous Breakdown\u003c/i>, and \u003ci>DeComp\u003c/i>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Sam Sax, the first ever Bay Area Unified Grand Slam Champion, reads a selection of his poems.",
"status": "publish",
"parent": 0,
"modified": 1726705708,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 113
},
"headData": {
"title": "Memorized Poems | KQED",
"description": "Sam Sax, the first ever Bay Area Unified Grand Slam Champion, reads a selection of his poems.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Memorized Poems",
"datePublished": "2012-10-31T18:11:34-07:00",
"dateModified": "2024-09-18T17:28:28-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/164177119/KQED_164177119.mp3",
"sticky": false,
"nprByline": "Sam Sax",
"path": "/arts/110440/grand_slam_poems",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sam Sax is a Bay Area based writer, educator, and performer. He’s the first ever Bay Area Unified Grand Slam Champion and Oakland’s first two-time queer Grand Slam Champion. Sam curates “the new sh!t show,” a reading seriesin San Francisco aimed at producing new poetry, and is the poetry curator for The Modern Times Bookstore. He has toured internationally, performing at universities, slams, basements, alleyways, and amphitheaters. Sam is currently leading writing and literacy workshops for queer at-risk youth. You can find some of his other work in \u003ci>Rattle\u003c/i>, \u003ci>Muzzle Magazine\u003c/i>, \u003ci>The Evergreen Review\u003c/i>, \u003ci>The Orange Quarterly\u003c/i>, \u003ci>The Nervous Breakdown\u003c/i>, and \u003ci>DeComp\u003c/i>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/110440/grand_slam_poems",
"authors": [
"byline_arts_110440"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10110440",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=literature": {
"isFetching": false,
"latestQuery": {
"from": 1344,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 1928,
"relation": "eq"
},
"items": [
"arts_113028",
"arts_112766",
"arts_112394",
"arts_111918",
"arts_111907",
"arts_111463",
"arts_111259",
"arts_111228",
"arts_110925",
"arts_110826",
"arts_110532",
"arts_110440"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_literature": {
"isLoading": true
},
"arts_73": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"link": "/arts/category/literature"
},
"arts_330": {
"type": "terms",
"id": "arts_330",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "330",
"found": true
},
"relationships": {},
"featImg": null,
"name": "The Writers' Block",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Writers' Block Archives | KQED Arts",
"ogDescription": null
},
"ttid": 331,
"slug": "writersblock",
"isLoading": false,
"link": "/arts/tag/writersblock"
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
}
}