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"content": "\u003cp>\u003ca href=\"https://www.clusterfest.com/\" rel=\"noopener\" target=\"_blank\">Clusterfest\u003c/a> returns to San Francisco this June, and it will feature the first live performance ever of the Berkeley-born comedy trio Lonely Island.\u003c/p>\n\u003cp>[contextly_sidebar id=”LEB7i4RtNl0oDLFaSlfd6rT876LIYo9Z”]\u003c/p>\n\u003cp>The re-titled “Comedy Central Presents Clusterfest” (apparently it’s no longer “colossal”) will also feature comic acts such as Amy Schumer, Tiffany Haddish, \u003cem>Saturday Night Live\u003c/em>’s Michael Che, and former \u003ci>Daily Show\u003c/i> host Jon Stewart, who will be performing for the first time on the west coast in 15 years. Just like last year, there will also be musical acts, such as San Francisco’s own Third Eye Blind, legacy hip hop trio Salt-N-Pepa, and food-lovin’ rapper Action Bronson. \u003c/p>\n\u003cp>https://www.youtube.com/watch?v=OFWIPRJfrVU\u003c/p>\n\u003cp>Last year’s Clusterfest \u003ca href=\"https://www.forbes.com/sites/russespinoza/2017/06/30/after-breaking-the-mold-will-comedy-centrals-colossal-clusterfest-strive-for-more/#5ab7a1a238e8\" rel=\"noopener\" target=\"_blank\">reported 45,000 attendees\u003c/a>, so its return is no surprise. Comedy Central president Kent Alterman told the \u003ca href=\"https://www.sfchronicle.com/entertainment/article/Clusterfest-returns-to-SF-with-Jon-Stewart-12609069.php\" rel=\"noopener\" target=\"_blank\">\u003cem>San Francisco Chronicle\u003c/em>\u003c/a> that “we couldn’t imagine any reason not to do it again.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>While the 70-plus act lineup is almost completely different from last year, the structure stays the same. Also, popular installations such as the \u003cem>South Park\u003c/em> County Fair and Paddy’s Pub from \u003cem>It’s Always Sunny in Philadelphia\u003c/em> will return, but the apartment from \u003ci>Seinfeld\u003c/i> will be replaced by Nickelodeon’s \u003cem>Double Dare\u003c/em> course and \u003cem>The Daily Show\u003c/em> Presents: The Donald J. Trump Presidential Twitter Library.\u003c/p>\n\u003cp>Having the Lonely Island play their first concert in San Francisco is befitting of the trio best known for movies such as \u003ci>Popstar: Never Stop Never Stopping\u003c/i> and viral videos like “\u003ca href=\"https://www.youtube.com/watch?v=sRhTeaa_B98\" rel=\"noopener\" target=\"_blank\">Lazy Sunday\u003c/a>.” The group formed in Berkeley in 2001, though the three members — Akiva Schaffer, Andy Samberg, and Jorma Taccone — had been friends since the ’90s, when they all attended Willard Junior High School. Despite having released three albums, the band has only performed live twice: at the 2015 Emmy Awards and the 2016 MTV Music Awards. \u003c/p>\n\u003cp>https://www.youtube.com/watch?v=kYbhKBWt2ig\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Tickets for all three days of Clusterfest start at $234.50, with VIP packages going for $600 or more. For tickets or to see the rest of the lineup, visit \u003ca href=\"https://www.clusterfest.com\" rel=\"noopener\" target=\"_blank\">www.clusterfest.com.\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.clusterfest.com/\" rel=\"noopener\" target=\"_blank\">Clusterfest\u003c/a> returns to San Francisco this June, and it will feature the first live performance ever of the Berkeley-born comedy trio Lonely Island.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The re-titled “Comedy Central Presents Clusterfest” (apparently it’s no longer “colossal”) will also feature comic acts such as Amy Schumer, Tiffany Haddish, \u003cem>Saturday Night Live\u003c/em>’s Michael Che, and former \u003ci>Daily Show\u003c/i> host Jon Stewart, who will be performing for the first time on the west coast in 15 years. Just like last year, there will also be musical acts, such as San Francisco’s own Third Eye Blind, legacy hip hop trio Salt-N-Pepa, and food-lovin’ rapper Action Bronson. \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OFWIPRJfrVU'\n title='//www.youtube.com/embed/OFWIPRJfrVU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Last year’s Clusterfest \u003ca href=\"https://www.forbes.com/sites/russespinoza/2017/06/30/after-breaking-the-mold-will-comedy-centrals-colossal-clusterfest-strive-for-more/#5ab7a1a238e8\" rel=\"noopener\" target=\"_blank\">reported 45,000 attendees\u003c/a>, so its return is no surprise. Comedy Central president Kent Alterman told the \u003ca href=\"https://www.sfchronicle.com/entertainment/article/Clusterfest-returns-to-SF-with-Jon-Stewart-12609069.php\" rel=\"noopener\" target=\"_blank\">\u003cem>San Francisco Chronicle\u003c/em>\u003c/a> that “we couldn’t imagine any reason not to do it again.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>While the 70-plus act lineup is almost completely different from last year, the structure stays the same. Also, popular installations such as the \u003cem>South Park\u003c/em> County Fair and Paddy’s Pub from \u003cem>It’s Always Sunny in Philadelphia\u003c/em> will return, but the apartment from \u003ci>Seinfeld\u003c/i> will be replaced by Nickelodeon’s \u003cem>Double Dare\u003c/em> course and \u003cem>The Daily Show\u003c/em> Presents: The Donald J. Trump Presidential Twitter Library.\u003c/p>\n\u003cp>Having the Lonely Island play their first concert in San Francisco is befitting of the trio best known for movies such as \u003ci>Popstar: Never Stop Never Stopping\u003c/i> and viral videos like “\u003ca href=\"https://www.youtube.com/watch?v=sRhTeaa_B98\" rel=\"noopener\" target=\"_blank\">Lazy Sunday\u003c/a>.” The group formed in Berkeley in 2001, though the three members — Akiva Schaffer, Andy Samberg, and Jorma Taccone — had been friends since the ’90s, when they all attended Willard Junior High School. Despite having released three albums, the band has only performed live twice: at the 2015 Emmy Awards and the 2016 MTV Music Awards. \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kYbhKBWt2ig'\n title='//www.youtube.com/embed/kYbhKBWt2ig'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>Tickets for all three days of Clusterfest start at $234.50, with VIP packages going for $600 or more. For tickets or to see the rest of the lineup, visit \u003ca href=\"https://www.clusterfest.com\" rel=\"noopener\" target=\"_blank\">www.clusterfest.com.\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp style=\"padding-left: 30px\">Marc Bamuthi Joseph is back as co-host on The Do List this week. He’s the chief of program and pedagogy at Yerba Buena Center for the Arts, and also a dancer, poet, and opera librettist. We talk about the San Jose Jazz Winter Fest, some classic plays at Ubuntu, SF Playhouse and the Aurora, and a special \u003cem>Black Panther\u003c/em> double bill. You can feel the show just lift off when Marc talks about why art matters. Take a listen.\u003c/p>\n\u003cp>\u003cstrong>Feb. 15-28: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/stars-come-out-to-play-at-san-jose-jazz-winter-fest/\" target=\"_blank\" rel=\"noopener\">San Jose Jazz Winter Fest lights up San Jose\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 11:\u003c/strong> \u003ca href=\"https://www.facebook.com/events/1832991043409977/\" target=\"_blank\" rel=\"noopener\">Jon Santos explores the sacred roots of Latin jazz at a Sunday concert in Oakland\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 13-24: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/new-steps-for-a-classic-ballet-featuring-aaron-coplands-music/\" target=\"_blank\" rel=\"noopener\">The San Francisco Ballet showcases Justin Peck’s new take on Aaron Copland’s \u003cem>Rodeo\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 23-March 10:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/post-wwii-play-born-yesterday-feels-relevant-today/\" target=\"_blank\" rel=\"noopener\">The post-war play\u003cem> Born Yesterday\u003c/em>, about corruption in Washington, feels especially relevant today\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Feb. 2-25: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/a-streetcar-line-divides-the-genders-and-classes/\" target=\"_blank\" rel=\"noopener\">A \u003cem>Streetcar Named Desire\u003c/em> made for the streets of Oakland\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 26-March 4:\u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/when-moral-principles-lose-out-to-love/\" target=\"_blank\" rel=\"noopener\"> GB Shaw’s first play is an indictment of capitalism and a moral tale about moral principles bowing to love\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 20-21:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/shabazz-palaces-marries-afrofuturism-with-hip-hop/\" target=\"_blank\" rel=\"noopener\">Shabazz Palaces bring their blend of Afrofuturism and hip-hop to San Jose and Noise Pop\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 20:\u003c/strong>\u003ca href=\"https://www.eventbrite.com/e/ta-nehisi-coates-and-film-screening-of-marvels-black-panther-tickets-42285828050\" target=\"_blank\" rel=\"noopener\"> A literary double bill pairs Ta-Nehisi Coates and the new film \u003cem>Black Panther\u003c/em> at the Grand Lake Theater\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 14: \u003c/strong>\u003ca href=\"https://oakland.impacthub.net/event/the-power-of-radical-self-love-book-tour-launch-party-with-sonya-renee-taylor/\" target=\"_blank\" rel=\"noopener\">Sonya Renee Taylor reads from her new book \u003cem>The Body is Not an Apology: The Power of Radical Self-Love\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 21:\u003c/strong> \u003ca href=\"https://calperformances.org/performances/2017-18/berkeley-talks/tony-kushner-and-sarah-vowell-the-lincoln-legacy-the-man-and-his-presidency.php\" target=\"_blank\" rel=\"noopener\">Tony Kushner and Sarah Vowell talk about American and Hollywood history, Lincoln, and assassinations at Cal Performances\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13823952\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13823952\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-800x380.jpg\" alt=\"Marc Bamuthi Joseph and Cy Musiker in the studio at KQED\" width=\"800\" height=\"380\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-800x380.jpg 800w, 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https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-240x114.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-375x178.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-520x247.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marc Bamuthi Joseph and Cy Musiker in the studio at KQED. \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp style=\"padding-left: 30px\">Marc Bamuthi Joseph is back as co-host on The Do List this week. He’s the chief of program and pedagogy at Yerba Buena Center for the Arts, and also a dancer, poet, and opera librettist. We talk about the San Jose Jazz Winter Fest, some classic plays at Ubuntu, SF Playhouse and the Aurora, and a special \u003cem>Black Panther\u003c/em> double bill. You can feel the show just lift off when Marc talks about why art matters. Take a listen.\u003c/p>\n\u003cp>\u003cstrong>Feb. 15-28: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/stars-come-out-to-play-at-san-jose-jazz-winter-fest/\" target=\"_blank\" rel=\"noopener\">San Jose Jazz Winter Fest lights up San Jose\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 11:\u003c/strong> \u003ca href=\"https://www.facebook.com/events/1832991043409977/\" target=\"_blank\" rel=\"noopener\">Jon Santos explores the sacred roots of Latin jazz at a Sunday concert in Oakland\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 13-24: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/new-steps-for-a-classic-ballet-featuring-aaron-coplands-music/\" target=\"_blank\" rel=\"noopener\">The San Francisco Ballet showcases Justin Peck’s new take on Aaron Copland’s \u003cem>Rodeo\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 23-March 10:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/post-wwii-play-born-yesterday-feels-relevant-today/\" target=\"_blank\" rel=\"noopener\">The post-war play\u003cem> Born Yesterday\u003c/em>, about corruption in Washington, feels especially relevant today\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Feb. 2-25: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/a-streetcar-line-divides-the-genders-and-classes/\" target=\"_blank\" rel=\"noopener\">A \u003cem>Streetcar Named Desire\u003c/em> made for the streets of Oakland\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 26-March 4:\u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/when-moral-principles-lose-out-to-love/\" target=\"_blank\" rel=\"noopener\"> GB Shaw’s first play is an indictment of capitalism and a moral tale about moral principles bowing to love\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 20-21:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/shabazz-palaces-marries-afrofuturism-with-hip-hop/\" target=\"_blank\" rel=\"noopener\">Shabazz Palaces bring their blend of Afrofuturism and hip-hop to San Jose and Noise Pop\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 20:\u003c/strong>\u003ca href=\"https://www.eventbrite.com/e/ta-nehisi-coates-and-film-screening-of-marvels-black-panther-tickets-42285828050\" target=\"_blank\" rel=\"noopener\"> A literary double bill pairs Ta-Nehisi Coates and the new film \u003cem>Black Panther\u003c/em> at the Grand Lake Theater\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 14: \u003c/strong>\u003ca href=\"https://oakland.impacthub.net/event/the-power-of-radical-self-love-book-tour-launch-party-with-sonya-renee-taylor/\" target=\"_blank\" rel=\"noopener\">Sonya Renee Taylor reads from her new book \u003cem>The Body is Not an Apology: The Power of Radical Self-Love\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 21:\u003c/strong> \u003ca href=\"https://calperformances.org/performances/2017-18/berkeley-talks/tony-kushner-and-sarah-vowell-the-lincoln-legacy-the-man-and-his-presidency.php\" target=\"_blank\" rel=\"noopener\">Tony Kushner and Sarah Vowell talk about American and Hollywood history, Lincoln, and assassinations at Cal Performances\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13823952\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13823952\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-800x380.jpg\" alt=\"Marc Bamuthi Joseph and Cy Musiker in the studio at KQED\" width=\"800\" height=\"380\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-800x380.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-160x76.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-768x365.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-1020x484.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-1920x911.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-1180x560.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-960x456.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-240x114.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-375x178.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-520x247.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marc Bamuthi Joseph and Cy Musiker in the studio at KQED. \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Garson Kanin’s \u003cem>Born Yesterday\u003c/em> is a post-World War II play about the risks of big money corruption in Washington DC. But it’s also a story about a millionaire junkyard dealer trying to bully his way to influence and power, at it feels just as relevant in 2018 as it did in 1946. The San Francisco Playhouse production, expertly directed by company co-founder Susi Damilano, is funny and chilling in the way the show’s junk dealer, not a fan of democracy, resembles President Trump. But the show has added resonance for the way the junk dealer’s mistress, Billie Dawn, gets woke, and how she decides to resist. Not everything works in this show, but there’s a great performance at its center by actress Millie Brooks as Billie, in a role that made actress Judy Holliday famous. Details for the show’s run Jan. 23-March 10 at San Francisco Playhouse are \u003ca href=\"https://www.sfplayhouse.org/sfph/2017-2018-season/born-yesterday/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=UJVuyQgCLDQ&t=1s\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Our main squeeze Cy Musiker is away, which means Suzie Racho is the orange juice to my Champagne for this week’s Do List. We’re talking about three erstwhile traditions in San Francisco — Noir City, Sketchfest and Noise Pop — and a few outliers that caught our eye. All are smooth as a morning cocktail.\u003c/p>\n\u003cp>On with the show!\u003c/p>\n\u003cp>\u003cstrong>Now through Jan. 28\u003c/strong>: There’s some \u003ca href=\"https://ww2.kqed.org/arts/2018/01/17/80s-movies-cabaret-jazz-and-made-up-musicals/\" rel=\"noopener\" target=\"_blank\">offbeat musical mayhem happening at Sketchfest\u003c/a> this year, with Jeff Goldblum, Kevin McDonald and more.\u003c/p>\n\u003cp>\u003cstrong>Jan. 24\u003c/strong>: He sings. He plays. He rambles about aliens. \u003ca href=\"https://ww2.kqed.org/arts/2018/01/17/the-glittery-space-obsessed-reggae-producer-ahead-of-his-time/\" rel=\"noopener\" target=\"_blank\">He’s Lee “Scratch” Perry, and he’s the most innovative thing to happen to the studio remix\u003c/a>. \u003c/p>\n\u003cp>\u003cstrong>Jan. 25–28\u003c/strong>: How does one choreograph a show about midcentury modern furniture? For Kristin Damrow, \u003ca href=\"https://ww2.kqed.org/arts/2018/01/17/a-new-dance-show-about-ray-and-charles-eames/\" rel=\"noopener\" target=\"_blank\">Ray and Charles Eames serve as perfect inspiration\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Jan. 26–Feb. 4\u003c/strong>: You ain’t seen nothin’ ’til you’ve seen a film at \u003ca href=\"https://ww2.kqed.org/arts/2018/01/17/on-the-big-screen-noir-tales-from-the-cold-hard-streets/\" rel=\"noopener\" target=\"_blank\">Noir City, the grittiest little long-running film noir festival in town\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb 19–25\u003c/strong>: Bending with the zeitgeist, \u003ca href=\"https://ww2.kqed.org/arts/2018/01/05/complete-noise-pop-lineup-is-here-now-with-extra-rap-and-rb/\" rel=\"noopener\" target=\"_blank\">Noise Pop has added some rappers and R&B artists\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Our main squeeze Cy Musiker is away, which means Suzie Racho is the orange juice to my Champagne for this week’s Do List. We’re talking about three erstwhile traditions in San Francisco — Noir City, Sketchfest and Noise Pop — and a few outliers that caught our eye. All are smooth as a morning cocktail.\u003c/p>\n\u003cp>On with the show!\u003c/p>\n\u003cp>\u003cstrong>Now through Jan. 28\u003c/strong>: There’s some \u003ca href=\"https://ww2.kqed.org/arts/2018/01/17/80s-movies-cabaret-jazz-and-made-up-musicals/\" rel=\"noopener\" target=\"_blank\">offbeat musical mayhem happening at Sketchfest\u003c/a> this year, with Jeff Goldblum, Kevin McDonald and more.\u003c/p>\n\u003cp>\u003cstrong>Jan. 24\u003c/strong>: He sings. He plays. He rambles about aliens. \u003ca href=\"https://ww2.kqed.org/arts/2018/01/17/the-glittery-space-obsessed-reggae-producer-ahead-of-his-time/\" rel=\"noopener\" target=\"_blank\">He’s Lee “Scratch” Perry, and he’s the most innovative thing to happen to the studio remix\u003c/a>. \u003c/p>\n\u003cp>\u003cstrong>Jan. 25–28\u003c/strong>: How does one choreograph a show about midcentury modern furniture? For Kristin Damrow, \u003ca href=\"https://ww2.kqed.org/arts/2018/01/17/a-new-dance-show-about-ray-and-charles-eames/\" rel=\"noopener\" target=\"_blank\">Ray and Charles Eames serve as perfect inspiration\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>We’re in the middle of Sketchfest as we speak, but they recently added a few more shows that marry comedy and music. There’s the Kids in the Hall’s Kevin McDonald and his ’90s-based rock opera \u003cem>\u003ca href=\"https://sfsketchfest2018.sched.com/event/CzHz/kevin-mcdonalds-cheaters-in-love-a-rock-opera\" rel=\"noopener\" target=\"_blank\">Cheaters in Love\u003c/a>\u003c/em>, the podcast \u003ca href=\"https://sfsketchfest2018.sched.com/event-goers/43e19ec5818a5feffc032acaada986d0\" rel=\"noopener\" target=\"_blank\">Off Book\u003c/a>, which creates an improvised musical.\u003c/p>\n\u003cp>Something my Do List co-host Suzie Racho is looking forward to is \u003cem>\u003ca href=\"https://sfsketchfest2018.sched.com/event/CzJ6/soundtracks-live-scenes-and-songs-from-a-classic-80s-movie?iframe=no&w=100%&sidebar=no&bg=no\" rel=\"noopener\" target=\"_blank\">Soundtracks Live: Scenes and Songs from a Classic ’80s Movie\u003c/a>\u003c/em> with folks like Fred Armisen, Rachel Dratch, Tom Lennon and more — and they’re raising money for 826 Valencia, so it’s for a good cause. \u003c/p>\n\u003cfigure id=\"attachment_11222233\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/goldblumjazz_0210_custom-4be61fa5c457deb6436224a6f646920f4f747dc8-s800-c85-800x532.jpg\" alt=\"\" width=\"800\" height=\"532\" class=\"size-medium wp-image-11222233\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/goldblumjazz_0210_custom-4be61fa5c457deb6436224a6f646920f4f747dc8-s800-c85.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/goldblumjazz_0210_custom-4be61fa5c457deb6436224a6f646920f4f747dc8-s800-c85-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/goldblumjazz_0210_custom-4be61fa5c457deb6436224a6f646920f4f747dc8-s800-c85-768x511.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jeff Goldblum performing at the Rockwell club in LA. \u003ccite>(Hayley Bartels / NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And, mixing movies and cabaret-style jazz, there’s \u003ca href=\"https://sfsketchfest2018.sched.com/event/CzHq/jeff-goldblum-and-the-mildred-snitzer-orchestra\" rel=\"noopener\" target=\"_blank\">Jeff Goldblum, who appears with his jazz band, The Mildred Snitzer Orchestra\u003c/a>, at the Marines Memorial Theater. Goldblum is actually a darn good piano player, and often hobnobs with the crowd — judging from my Instagram feed, everyone I know who’s gone to see him has been able to meet him afterward. Sketchfest runs until Jan. 28; \u003ca href=\"https://www.sfsketchfest.com/\" rel=\"noopener\" target=\"_blank\">details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>We’re in the middle of Sketchfest as we speak, but they recently added a few more shows that marry comedy and music. There’s the Kids in the Hall’s Kevin McDonald and his ’90s-based rock opera \u003cem>\u003ca href=\"https://sfsketchfest2018.sched.com/event/CzHz/kevin-mcdonalds-cheaters-in-love-a-rock-opera\" rel=\"noopener\" target=\"_blank\">Cheaters in Love\u003c/a>\u003c/em>, the podcast \u003ca href=\"https://sfsketchfest2018.sched.com/event-goers/43e19ec5818a5feffc032acaada986d0\" rel=\"noopener\" target=\"_blank\">Off Book\u003c/a>, which creates an improvised musical.\u003c/p>\n\u003cp>Something my Do List co-host Suzie Racho is looking forward to is \u003cem>\u003ca href=\"https://sfsketchfest2018.sched.com/event/CzJ6/soundtracks-live-scenes-and-songs-from-a-classic-80s-movie?iframe=no&w=100%&sidebar=no&bg=no\" rel=\"noopener\" target=\"_blank\">Soundtracks Live: Scenes and Songs from a Classic ’80s Movie\u003c/a>\u003c/em> with folks like Fred Armisen, Rachel Dratch, Tom Lennon and more — and they’re raising money for 826 Valencia, so it’s for a good cause. \u003c/p>\n\u003cfigure id=\"attachment_11222233\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/goldblumjazz_0210_custom-4be61fa5c457deb6436224a6f646920f4f747dc8-s800-c85-800x532.jpg\" alt=\"\" width=\"800\" height=\"532\" class=\"size-medium wp-image-11222233\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/goldblumjazz_0210_custom-4be61fa5c457deb6436224a6f646920f4f747dc8-s800-c85.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/goldblumjazz_0210_custom-4be61fa5c457deb6436224a6f646920f4f747dc8-s800-c85-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/goldblumjazz_0210_custom-4be61fa5c457deb6436224a6f646920f4f747dc8-s800-c85-768x511.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jeff Goldblum performing at the Rockwell club in LA. \u003ccite>(Hayley Bartels / NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And, mixing movies and cabaret-style jazz, there’s \u003ca href=\"https://sfsketchfest2018.sched.com/event/CzHq/jeff-goldblum-and-the-mildred-snitzer-orchestra\" rel=\"noopener\" target=\"_blank\">Jeff Goldblum, who appears with his jazz band, The Mildred Snitzer Orchestra\u003c/a>, at the Marines Memorial Theater. Goldblum is actually a darn good piano player, and often hobnobs with the crowd — judging from my Instagram feed, everyone I know who’s gone to see him has been able to meet him afterward. Sketchfest runs until Jan. 28; \u003ca href=\"https://www.sfsketchfest.com/\" rel=\"noopener\" target=\"_blank\">details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>This week, we welcome back co-host and playwright A-lan Holt to begin a new year of The Do List — and we’re championing some smaller arts organizations doing exciting work. They include the Oakland Symphony with a killer program of songs, Opera Parallèle with a production for kids and adults, and Marin’s Alter Theater with two new plays.\u003c/p>\n\u003cp>Thanks so much to our South Bay Arts Reporter Rachael Myrow for filling in for me last week, as I finished a much-needed break. Enjoy the show!\u003c/p>\n\u003cp>\u003cstrong>Jan. 19\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2018/01/10/a-playlist-to-entice-new-listeners-to-the-oakland-symphony/\" target=\"_blank\" rel=\"noopener\">The Oakland Symphony invites W. Kamau Bell to curate a concert mixing jazz, rock and classical\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 12-15\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2018/01/10/the-colorful-world-of-comic-books-discovers-the-power-of-black/\" target=\"_blank\" rel=\"noopener\">The Black Comix Arts Festival opens just as buzz builds for the Black Panther movie. \u003cem>KAPOW\u003c/em>\u003c/a>!\u003c/p>\n\u003cp>\u003cstrong>Jan. 18 & 20\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2018/01/11/an-opera-about-bullying-draws-advice-from-harriet-tubmans-spirit/\" target=\"_blank\" rel=\"noopener\">Opera Parallèle offers a world premiere about Harriet Tubman’s spirit, with music by the Bay Area’s Marcus Shelby\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Jan. 11-21\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2018/01/10/radically-political-new-plays-from-writers-of-color/\" target=\"_blank\" rel=\"noopener\">Marin’s Alter Theater brings two plays by two brilliant young playwrights of color to A.C.T.’s Costume Shop\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 18: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/01/10/the-friendliest-black-artist-in-america-comes-to-stanford/\" target=\"_blank\" rel=\"noopener\">William Pope.L ‘s business card says he’s the “friendliest black artist in America,” but he’s also among the most provocative\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 12:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/01/10/politics-and-dance-music-from-la-gente-and-soltron/\" target=\"_blank\" rel=\"noopener\">La Gente’s mix of cumbia, salsa, reggae and hip hop is intoxicating\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 14\u003c/strong>:\u003ca href=\"https://www.livingjazz.org/mlktribute/\" target=\"_blank\" rel=\"noopener\"> ‘In the Name of Love,’ a tribute to Martin Luther King, returns to the Scottish Rite Temple in Oakland\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 18\u003c/strong>: \u003ca href=\"http://www.citylights.com/book/?GCOI=87286100167860&fa=events\" target=\"_blank\" rel=\"noopener\">Daniel Ellsberg talks about his new book \u003cem>Confessions of a Nuclear War Planner \u003c/em>at the Mechanics Institute Library\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13818818\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13818818\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-800x461.jpg\" alt=\"Do List co-hosts A-lan Holt and Cy Musiker\" width=\"800\" height=\"461\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-800x461.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-160x92.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-768x442.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-1020x587.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-1920x1105.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-1180x679.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-960x553.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-240x138.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-375x216.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-520x299.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507.jpg 2001w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Do List co-hosts A-lan Holt and Cy Musiker. \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week, we welcome back co-host and playwright A-lan Holt to begin a new year of The Do List — and we’re championing some smaller arts organizations doing exciting work. They include the Oakland Symphony with a killer program of songs, Opera Parallèle with a production for kids and adults, and Marin’s Alter Theater with two new plays.\u003c/p>\n\u003cp>Thanks so much to our South Bay Arts Reporter Rachael Myrow for filling in for me last week, as I finished a much-needed break. Enjoy the show!\u003c/p>\n\u003cp>\u003cstrong>Jan. 19\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2018/01/10/a-playlist-to-entice-new-listeners-to-the-oakland-symphony/\" target=\"_blank\" rel=\"noopener\">The Oakland Symphony invites W. Kamau Bell to curate a concert mixing jazz, rock and classical\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 12-15\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2018/01/10/the-colorful-world-of-comic-books-discovers-the-power-of-black/\" target=\"_blank\" rel=\"noopener\">The Black Comix Arts Festival opens just as buzz builds for the Black Panther movie. \u003cem>KAPOW\u003c/em>\u003c/a>!\u003c/p>\n\u003cp>\u003cstrong>Jan. 18 & 20\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2018/01/11/an-opera-about-bullying-draws-advice-from-harriet-tubmans-spirit/\" target=\"_blank\" rel=\"noopener\">Opera Parallèle offers a world premiere about Harriet Tubman’s spirit, with music by the Bay Area’s Marcus Shelby\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Jan. 11-21\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2018/01/10/radically-political-new-plays-from-writers-of-color/\" target=\"_blank\" rel=\"noopener\">Marin’s Alter Theater brings two plays by two brilliant young playwrights of color to A.C.T.’s Costume Shop\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 18: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/01/10/the-friendliest-black-artist-in-america-comes-to-stanford/\" target=\"_blank\" rel=\"noopener\">William Pope.L ‘s business card says he’s the “friendliest black artist in America,” but he’s also among the most provocative\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 12:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/01/10/politics-and-dance-music-from-la-gente-and-soltron/\" target=\"_blank\" rel=\"noopener\">La Gente’s mix of cumbia, salsa, reggae and hip hop is intoxicating\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 14\u003c/strong>:\u003ca href=\"https://www.livingjazz.org/mlktribute/\" target=\"_blank\" rel=\"noopener\"> ‘In the Name of Love,’ a tribute to Martin Luther King, returns to the Scottish Rite Temple in Oakland\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 18\u003c/strong>: \u003ca href=\"http://www.citylights.com/book/?GCOI=87286100167860&fa=events\" target=\"_blank\" rel=\"noopener\">Daniel Ellsberg talks about his new book \u003cem>Confessions of a Nuclear War Planner \u003c/em>at the Mechanics Institute Library\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13818818\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13818818\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-800x461.jpg\" alt=\"Do List co-hosts A-lan Holt and Cy Musiker\" width=\"800\" height=\"461\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-800x461.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-160x92.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-768x442.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-1020x587.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-1920x1105.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-1180x679.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-960x553.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-240x138.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-375x216.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507-520x299.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/Image-uploaded-from-iOS-1-e1515621156507.jpg 2001w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Do List co-hosts A-lan Holt and Cy Musiker. \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Conductor Michael Morgan is always looking for ways to bring new audiences out to hear the Oakland Symphony, and in this first concert of the new year, he’s got what we think is a winner — comedian and social activist W. Kamau Bell curating the Jan. 19 program.\u003c/p>\n\u003cp>For his “playlist,” Bell has chosen songs by Nina Simone, Prince, Jimi Hendrix, and even a segment from John Coltrane’s “A Love Supreme.” Arrangements for this very big band are handled by the Jazz Mafia’s Adam Theis, and some of the Bay Area’s best singers and players will be on hand to perform, including singers Tossie Long and Zakiya Harris as well as the Jazz Mafia horns. Details \u003ca href=\"https://www.oaklandsymphony.org/event/w-kamau-bells-playlist/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11494411\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11494411\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/kamau-bell-headshot-2-bd2d89c8da37fbf85ced79744588a019ba0a7630-e1460677964927-800x488.jpg\" alt=\"W. Kamau Bell describes his new CNN series, United Shades of America, as a travel show that will take him places he is afraid to go.\" width=\"800\" height=\"488\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/kamau-bell-headshot-2-bd2d89c8da37fbf85ced79744588a019ba0a7630-e1460677964927-800x488.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/kamau-bell-headshot-2-bd2d89c8da37fbf85ced79744588a019ba0a7630-e1460677964927-400x244.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/kamau-bell-headshot-2-bd2d89c8da37fbf85ced79744588a019ba0a7630-e1460677964927-768x469.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/kamau-bell-headshot-2-bd2d89c8da37fbf85ced79744588a019ba0a7630-e1460677964927-1180x720.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/kamau-bell-headshot-2-bd2d89c8da37fbf85ced79744588a019ba0a7630-e1460677964927-960x586.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/kamau-bell-headshot-2-bd2d89c8da37fbf85ced79744588a019ba0a7630-e1460677964927.jpg 1439w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">W. Kamau Bell describes his new CNN series, United Shades of America, as a travel show that will take him places he is afraid to go. \u003ccite>(Photo: Courtesy of CNN)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On his own, Kamau Bell does a standup gig at the Punchline in San Francisco Jan. 29 and 30. Details \u003ca href=\"http://www.punchlinecomedyclub.com/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"title": "Comedy of Every Stripe at SF Sketchfest",
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"content": "\u003cp>The 17th annual \u003ca href=\"https://www.sfsketchfest.com/\" target=\"_blank\" rel=\"noopener\">SF Sketchfest\u003c/a> kicks off on Jan. 11, with an overload of comedic talent. Where to begin?\u003c/p>\n\u003cp>Possibly with the clutch of tributes to big names like Ricky Gervais, Jane Lynch, Bill Burr, Kevin Pollak, Lewis Black — and one of my personal favorites, Maria Bamford.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=Yp2stpr-aGA]\u003c/p>\n\u003cp>This lineup includes more than 200 shows over 17 days — and even though tickets have been on sale since mid-November, there’s still a chance you can get into something interesting: sketch comedy, improv, stand-up, and live performances of soundtracks, including tributes to \u003cem>The Royal Tenenbaums\u003c/em> and \u003cem>Rushmore\u003c/em>.\u003c/p>\n\u003cp>Because Audible is presenting this year’s fest, you can count on live podcasts and “storytelling” events, including \u003cem>Hot Mic with Dan Savage\u003c/em>. (That’s the one I’d take my mom to see, but you know your family best.)\u003c/p>\n\u003cfigure id=\"attachment_13818476\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/DanSavage-2.jpg\" alt=\"On Jan. 21, expert advice columnist Dan Savage talks about sex and relationships with guests, dishing about parenthood, sex work and more.\" width=\"640\" height=\"458\" class=\"size-full wp-image-13818476\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/DanSavage-2.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/DanSavage-2-160x115.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/DanSavage-2-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/DanSavage-2-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/DanSavage-2-520x372.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">On Jan. 21, expert advice columnist Dan Savage talks about sex and relationships with guests, dishing about parenthood, sex work and more.\u003c/figcaption>\u003c/figure>\n\u003cp>And if TV is your thing? Go see a panel discussion with alumni from cult favorites like \u003ci>Twin Peaks\u003c/i> and \u003ci>Futurama\u003c/i>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>SF Sketchfest runs from Jan. 11 through Jan. 28 at multiple venues through San Francisco. \u003ca href=\"https://www.sfsketchfest.com/schedule-and-tickets/\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The 17th annual \u003ca href=\"https://www.sfsketchfest.com/\" target=\"_blank\" rel=\"noopener\">SF Sketchfest\u003c/a> kicks off on Jan. 11, with an overload of comedic talent. Where to begin?\u003c/p>\n\u003cp>Possibly with the clutch of tributes to big names like Ricky Gervais, Jane Lynch, Bill Burr, Kevin Pollak, Lewis Black — and one of my personal favorites, Maria Bamford.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Yp2stpr-aGA'\n title='//www.youtube.com/embed/Yp2stpr-aGA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>This lineup includes more than 200 shows over 17 days — and even though tickets have been on sale since mid-November, there’s still a chance you can get into something interesting: sketch comedy, improv, stand-up, and live performances of soundtracks, including tributes to \u003cem>The Royal Tenenbaums\u003c/em> and \u003cem>Rushmore\u003c/em>.\u003c/p>\n\u003cp>Because Audible is presenting this year’s fest, you can count on live podcasts and “storytelling” events, including \u003cem>Hot Mic with Dan Savage\u003c/em>. (That’s the one I’d take my mom to see, but you know your family best.)\u003c/p>\n\u003cfigure id=\"attachment_13818476\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/DanSavage-2.jpg\" alt=\"On Jan. 21, expert advice columnist Dan Savage talks about sex and relationships with guests, dishing about parenthood, sex work and more.\" width=\"640\" height=\"458\" class=\"size-full wp-image-13818476\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/DanSavage-2.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/DanSavage-2-160x115.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/DanSavage-2-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/DanSavage-2-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/DanSavage-2-520x372.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">On Jan. 21, expert advice columnist Dan Savage talks about sex and relationships with guests, dishing about parenthood, sex work and more.\u003c/figcaption>\u003c/figure>\n\u003cp>And if TV is your thing? Go see a panel discussion with alumni from cult favorites like \u003ci>Twin Peaks\u003c/i> and \u003ci>Futurama\u003c/i>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>We called in the reinforcements this week — my KQED Arts colleagues Rachael Myrow, Sarah Hotchkiss and Gabe Meline join me for a special 2018 preview to talk about the upcoming concerts and exhibitions we’re most excited about in the new year. Tickets to these shows might make good presents for your loved ones. (Say it with me, people: \u003ca href=\"https://www.theatlantic.com/business/archive/2014/10/buy-experiences/381132/\" target=\"_blank\" rel=\"noopener\">experiences, not things\u003c/a>.)\u003c/p>\n\u003cp>We’ll be taking the next week off, but we sincerely wish you a Happy Hanukkah, Merry Christmas, Happy Kwanzaa, and Happy New Year from all of us at KQED Arts.\u003c/p>\n\u003cp>\u003cstrong>Jan. 11–28\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/12/19/lush-large-scale-polaroids-in-the-presidio/\" target=\"_blank\" rel=\"noopener\">Large-scale Polaroids tell the story of Afro-Cuban ancestry on the Presidio\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 11–Feb. 11:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/20/marga-gomez-pays-tribute-to-her-showman-dad-with-latin-standards/\" target=\"_blank\" rel=\"noopener\">Marga Gomez explores what it means to be the driven adult child of a blustery Cuban showman\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 27–May 27:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/19/desiged-with-california-dreams-in-mind/\" target=\"_blank\" rel=\"noopener\">A show about socially conscious California design comes to SFMOMA\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Feb. 1–24: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2017/12/20/life-could-be-very-strange-and-very-hard-and-very-cruel/\" target=\"_blank\" rel=\"noopener\">The Pacific Film Archive celebrates the films of Ingmar Bergman on his centennial\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 10 and 11:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/20/gaelynn-leas-grand-ideas-from-a-small-violin/\" target=\"_blank\" rel=\"noopener\">A tiny woman with a big heart makes haunting melodies\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 13:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/19/new-rules-for-hopefully-a-new-world/\" target=\"_blank\" rel=\"noopener\">A rising pop star from England doles out her new rules\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 24:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/19/superchunk-points-the-right-way-to-enter-2018/\" target=\"_blank\" rel=\"noopener\">Superchunk returns with music challenging the political status quo\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>March 8:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/20/dee-dee-bridgewater-brings-classic-soul-from-memphis-to-montalvo/\" target=\"_blank\" rel=\"noopener\">Jazz icon Dee Dee Bridgewater gets funky with music from Memphis\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>March 24–Aug. 12:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/20/oakland-museum-gives-hip-hop-the-respect-its-earned/\" target=\"_blank\" rel=\"noopener\">The Oakland Museum of California tells the story of hip-hop through a Bay Area lens\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13818012\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13818012\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/CyRadio12.22-800x600.jpg\" alt=\"(L–R): Sarah Hotchkiss, Rachael Myrow, Cy Musiker and Gabe Meline.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/CyRadio12.22-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/CyRadio12.22-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/CyRadio12.22-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/CyRadio12.22-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/CyRadio12.22-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/CyRadio12.22-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/CyRadio12.22-960x720.jpg 960w, 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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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},
"rightnowish": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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