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"content": "\u003cp>SF Weekly theater critic \u003ca href=\"https://ww2.kqed.org/arts/author/jedalatpour/\" target=\"_blank\" rel=\"noopener\">Jeffrey Edalatpour\u003c/a> is back on the show this week to talk about holiday and counter-holiday plays around the Bay Area. Plus three world premieres from the choreographers Garrett and Moulton, a fire fundraiser at the Schulz Museum, and great indie folk-rock from the Barr Brothers.\u003c/p>\n\u003cp>\u003cstrong>Cont. through Dec. 17:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/bright-star-is-a-holiday-play-full-of-bluegrass-cheer/\" target=\"_blank\" rel=\"noopener\">\u003cem>Bright Star\u003c/em> is a post-war fairy tale set in the South, with a lovely score and a breakout performance by Carmen Cusack\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Dec. 17\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/celebrating-female-joy-in-a-play-from-lauren-gunderson/\" target=\"_blank\" rel=\"noopener\">Playwright Lauren Gunderson spins a tale of romance for the brainy in \u003cem>Miss Bennett: Christmas at Pemberley.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Jan 14: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-deal-with-the-devil-in-black-rider-what-could-possibly-go-wrong/\" target=\"_blank\" rel=\"noopener\">Making a deal with the devil in \u003cem>The Black Rider\u003c/em>; what could possibly go wrong?\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Jan. 14:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-timeless-watch-against-fascism/\" target=\"_blank\" rel=\"noopener\">\u003cem>Watch on the Rhine\u003c/em> is a timely play about the dangers of not intervening in the fight against fascism.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Dec. 14-16:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/clockwork-dances-revealing-our-human-flaws/\" target=\"_blank\" rel=\"noopener\">Garrett + Moulton make dances that are like Rubik’s Cubes, colorful movement puzzles that snap into perfection.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec. 8-10:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-jazz-singer-for-all-times/\" target=\"_blank\" rel=\"noopener\">Gregory Porter may look goofy, but his singing is serious and sublime.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec. 9\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-fire-relief-fundraiser-in-comic-strips/\" target=\"_blank\" rel=\"noopener\">The Schulz Museum in Santa Rosa hosts a fundraiser for fire relief with some of the Bay Area’s top graphic artists.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Dec. 13:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/the-barr-brothers-are-the-pride-of-providence/\" target=\"_blank\" rel=\"noopener\">The Barr Brothers, the pride of Providence R.I, offer a fresh take on indie folk-rock\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13816822\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13816822\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-800x451.jpg\" alt=\"KQED's Cy Musiker and Jeffrey Edalatpour host the Do List for Dec. 8, 2017\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1920x1082.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Cy Musiker and Jeffrey Edalatpour host the Do List for Dec. 8, 2017 \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>SF Weekly theater critic \u003ca href=\"https://ww2.kqed.org/arts/author/jedalatpour/\" target=\"_blank\" rel=\"noopener\">Jeffrey Edalatpour\u003c/a> is back on the show this week to talk about holiday and counter-holiday plays around the Bay Area. Plus three world premieres from the choreographers Garrett and Moulton, a fire fundraiser at the Schulz Museum, and great indie folk-rock from the Barr Brothers.\u003c/p>\n\u003cp>\u003cstrong>Cont. through Dec. 17:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/bright-star-is-a-holiday-play-full-of-bluegrass-cheer/\" target=\"_blank\" rel=\"noopener\">\u003cem>Bright Star\u003c/em> is a post-war fairy tale set in the South, with a lovely score and a breakout performance by Carmen Cusack\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Dec. 17\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/celebrating-female-joy-in-a-play-from-lauren-gunderson/\" target=\"_blank\" rel=\"noopener\">Playwright Lauren Gunderson spins a tale of romance for the brainy in \u003cem>Miss Bennett: Christmas at Pemberley.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Jan 14: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-deal-with-the-devil-in-black-rider-what-could-possibly-go-wrong/\" target=\"_blank\" rel=\"noopener\">Making a deal with the devil in \u003cem>The Black Rider\u003c/em>; what could possibly go wrong?\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Jan. 14:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-timeless-watch-against-fascism/\" target=\"_blank\" rel=\"noopener\">\u003cem>Watch on the Rhine\u003c/em> is a timely play about the dangers of not intervening in the fight against fascism.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Dec. 14-16:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/clockwork-dances-revealing-our-human-flaws/\" target=\"_blank\" rel=\"noopener\">Garrett + Moulton make dances that are like Rubik’s Cubes, colorful movement puzzles that snap into perfection.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec. 8-10:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-jazz-singer-for-all-times/\" target=\"_blank\" rel=\"noopener\">Gregory Porter may look goofy, but his singing is serious and sublime.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec. 9\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-fire-relief-fundraiser-in-comic-strips/\" target=\"_blank\" rel=\"noopener\">The Schulz Museum in Santa Rosa hosts a fundraiser for fire relief with some of the Bay Area’s top graphic artists.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Dec. 13:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/the-barr-brothers-are-the-pride-of-providence/\" target=\"_blank\" rel=\"noopener\">The Barr Brothers, the pride of Providence R.I, offer a fresh take on indie folk-rock\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13816822\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13816822\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-800x451.jpg\" alt=\"KQED's Cy Musiker and Jeffrey Edalatpour host the Do List for Dec. 8, 2017\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1920x1082.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Cy Musiker and Jeffrey Edalatpour host the Do List for Dec. 8, 2017 \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "Could Nato Green Be Recording His Last Comedy Album?",
"headTitle": "Could Nato Green Be Recording His Last Comedy Album? | KQED",
"content": "\u003cp>Nato Green records a new stand up album this Saturday, and it’s all about being white. It already has a name — \u003ci>The Whiteness Album\u003c/i> — and on it, the self-proclaimed “official spokesperson of all white people” will be covering all the hot topics: gentrification, raising white children in a big city, and, of course, President Donald Trump.\u003c/p>\n\u003cp>“I’m having a talk with the whites,” Green says.\u003c/p>\n\u003cp>Green, 42, has always been an aggressively left-wing comic. But his reasons for making an album now are nothing like what they were when recorded his first album, \u003ci>The Nato Green Party,\u003c/i> five years ago. Back then, Green was building up his resume and press packet in the hopes of climbing the comedy ladder. It did: a few months after it was released, he was writing for the FX show \u003ci>Totally Biased with W. Kamau Bell.\u003c/i>\u003c/p>\n\u003cp>For his second album, Green says he wants to capture a moment in time. He sees a shelf life for some of the material — “jokes I wrote a month after Trump’s inauguration don’t work anymore” — and he’s whittled down overwhelming amount of jokes he’s written post-election into a tight set.\u003c/p>\n\u003cp>He also feels that he should do something before he moves to Cuba, because he doesn’t know how long he will be there.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I’m issuing my last will and testament,” Green says. “I don’t wanna leave the country and not have left the right body of work behind.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VH7FXdFxKWk\u003c/p>\n\u003ch2>A Late Start\u003c/h2>\n\u003cp>Green grew up in San Francisco in the ’70s and ’80s, a time when the city’s local comedy scene was not only easily accessible, it was ubiquitous. Back then, the San Francisco Comedy Competition and Comedy Day were extremely well-attended events, and the city boasted twice the number of comedy clubs it does today. Even KQED hosted a TV show featuring local comedians. It was called \u003ci>Comedy Tonight\u003c/i> and it lasted almost a decade.\u003c/p>\n\u003cp>Green was going to college in Oregon when he first tried stand-up. The father of Green’s friend ran the Comedy Underground in Seattle, so the two drove up one night and tried out some material.\u003c/p>\n\u003cp>“It was April 1, 1996, and it was the closest I’ve ever come to literally sh*tting my pants as an adult,” Green says.\u003c/p>\n\u003cp>It did not go well. Green bombed, so he turned his attention back to his first love: politics. Green grew up in an activist family and it rubbed off on him early. By college, Green focused his energies on becoming a labor organizer and activist, which he pursued for the next decade.\u003c/p>\n\u003cp>Green’s successes in the labor world led to speaking engagements around the country. It was during these speeches that he realized he was focusing on the funny bits, obsessing over their structure and how they landed with audiences. He figured he might as well give stand-up another shot, so he went down to the open mic at San Francisco’s Brainwash Cafe & Laundromat. He bombed again, but he’d caught the comedy bug; he kept at it. He found his voice when he decided to go political.\u003c/p>\n\u003cfigure id=\"attachment_13815730\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-800x1120.jpg\" alt=\"Nato Green in 2017\" width=\"800\" height=\"1120\" class=\"size-medium wp-image-13815730\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-800x1120.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-160x224.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-768x1075.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-1020x1427.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-1180x1651.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-960x1344.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-240x336.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-375x525.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-520x728.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nato Green in 2017 \u003ccite>(Red Scott)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I started out trying to do dick jokes like everyone else, ” Green says. “Then Hurricane Katrina hit and I got upset about it. I rewrote my entire act so it was about the hurricane and the news, and that was the first time I got laughs.”\u003c/p>\n\u003cp>Green kept on working, starting popular live shows like \u003cem>Iron Comic\u003c/em> and putting together the Laughter Against the Machine tour with friends W. Kamau Bell and Janine Brito. Then when superstar comic Chris Rock offered to produce a show for Bell — \u003ci>Totally Biased\u003c/i> — Green was tapped to write for it.\u003c/p>\n\u003cp>He did not like the job. For one, it forced him to move to New York and leave his family behind in San Francisco. On top of that, talk show writing means cranking out jokes like a factory, all focusing on the crazy news stories of the day, and that’s not how Green works. When FX canceled \u003ci>Totally Biased\u003c/i> two years later, Green reflected on what he wanted to do with his comedy. He realized if fame meant compromising, he wouldn’t be famous.\u003c/p>\n\u003cp>“The things you have to do to reach success, I don’t want to do them. I don’t have the patience for garbage,” Green says.\u003c/p>\n\u003ch2>Nato in Cuba\u003c/h2>\n\u003cp>The normally-monotone Green lightens up when he talks about the successful comedians who started at the same time he did. Ali Wong, Hasan Minhaj, Moshe Kasher and Chris Garcia are just a few, and Green says he’s honestly proud of them. When his old boss Bell came home with an Emmy earlier this year, Green celebrated with him the day after he arrived.\u003c/p>\n\u003cp>https://www.facebook.com/photo.php?fbid=10155700945144265&set=a.10152329411164265.1073741827.643874264&type=3&theater\u003c/p>\n\u003cp>Back in San Francisco, Green returned to consulting with and negotiating for labor unions. He also started a short \u003ca href=\"http://kalw.org/programs/fsfsf#stream/0\" rel=\"noopener\" target=\"_blank\">radio show about comedy\u003c/a> for KALW and a \u003ca href=\"http://www.sfexaminer.com/author/n_green/\" rel=\"noopener\" target=\"_blank\">column on local politics\u003c/a> for the \u003cem>SF Examiner\u003c/em>. Then his wife, a doctoral candidate in medical anthropology, chose to pursue her studies in Cuba. They agreed the entire family should join her.\u003c/p>\n\u003cp>“The Nato-ist Nato Green thing I could do when leaving the country is to move to Cuba,” Green says.\u003c/p>\n\u003cp>Once in Cuba, Green plans on focusing on his writing and raising his 9-year-old twin daughters. But after spending the last 12 years of his life on stage telling jokes, Green says he wouldn’t be surprised if he put on a free show in an expat bookstore from time to time.\u003c/p>\n\u003cp>“I’m a guy who needs to talk on a microphone,” Green says. “It’s a thing I needed to realize about myself, and plan accordingly.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>Nato Green records his second album at Doc’s Lab in San Francisco on Saturday, Nov. 25 at 10pm. His final show before moving to Cuba is Riffer’s Delight showing of ‘Wargames’ at the Alamo Drafthouse on Monday, Nov. 27.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nato Green records a new stand up album this Saturday, and it’s all about being white. It already has a name — \u003ci>The Whiteness Album\u003c/i> — and on it, the self-proclaimed “official spokesperson of all white people” will be covering all the hot topics: gentrification, raising white children in a big city, and, of course, President Donald Trump.\u003c/p>\n\u003cp>“I’m having a talk with the whites,” Green says.\u003c/p>\n\u003cp>Green, 42, has always been an aggressively left-wing comic. But his reasons for making an album now are nothing like what they were when recorded his first album, \u003ci>The Nato Green Party,\u003c/i> five years ago. Back then, Green was building up his resume and press packet in the hopes of climbing the comedy ladder. It did: a few months after it was released, he was writing for the FX show \u003ci>Totally Biased with W. Kamau Bell.\u003c/i>\u003c/p>\n\u003cp>For his second album, Green says he wants to capture a moment in time. He sees a shelf life for some of the material — “jokes I wrote a month after Trump’s inauguration don’t work anymore” — and he’s whittled down overwhelming amount of jokes he’s written post-election into a tight set.\u003c/p>\n\u003cp>He also feels that he should do something before he moves to Cuba, because he doesn’t know how long he will be there.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’m issuing my last will and testament,” Green says. “I don’t wanna leave the country and not have left the right body of work behind.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VH7FXdFxKWk'\n title='//www.youtube.com/embed/VH7FXdFxKWk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>A Late Start\u003c/h2>\n\u003cp>Green grew up in San Francisco in the ’70s and ’80s, a time when the city’s local comedy scene was not only easily accessible, it was ubiquitous. Back then, the San Francisco Comedy Competition and Comedy Day were extremely well-attended events, and the city boasted twice the number of comedy clubs it does today. Even KQED hosted a TV show featuring local comedians. It was called \u003ci>Comedy Tonight\u003c/i> and it lasted almost a decade.\u003c/p>\n\u003cp>Green was going to college in Oregon when he first tried stand-up. The father of Green’s friend ran the Comedy Underground in Seattle, so the two drove up one night and tried out some material.\u003c/p>\n\u003cp>“It was April 1, 1996, and it was the closest I’ve ever come to literally sh*tting my pants as an adult,” Green says.\u003c/p>\n\u003cp>It did not go well. Green bombed, so he turned his attention back to his first love: politics. Green grew up in an activist family and it rubbed off on him early. By college, Green focused his energies on becoming a labor organizer and activist, which he pursued for the next decade.\u003c/p>\n\u003cp>Green’s successes in the labor world led to speaking engagements around the country. It was during these speeches that he realized he was focusing on the funny bits, obsessing over their structure and how they landed with audiences. He figured he might as well give stand-up another shot, so he went down to the open mic at San Francisco’s Brainwash Cafe & Laundromat. He bombed again, but he’d caught the comedy bug; he kept at it. He found his voice when he decided to go political.\u003c/p>\n\u003cfigure id=\"attachment_13815730\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-800x1120.jpg\" alt=\"Nato Green in 2017\" width=\"800\" height=\"1120\" class=\"size-medium wp-image-13815730\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-800x1120.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-160x224.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-768x1075.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-1020x1427.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-1180x1651.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-960x1344.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-240x336.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-375x525.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Nato-by-Red-Scott-520x728.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nato Green in 2017 \u003ccite>(Red Scott)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I started out trying to do dick jokes like everyone else, ” Green says. “Then Hurricane Katrina hit and I got upset about it. I rewrote my entire act so it was about the hurricane and the news, and that was the first time I got laughs.”\u003c/p>\n\u003cp>Green kept on working, starting popular live shows like \u003cem>Iron Comic\u003c/em> and putting together the Laughter Against the Machine tour with friends W. Kamau Bell and Janine Brito. Then when superstar comic Chris Rock offered to produce a show for Bell — \u003ci>Totally Biased\u003c/i> — Green was tapped to write for it.\u003c/p>\n\u003cp>He did not like the job. For one, it forced him to move to New York and leave his family behind in San Francisco. On top of that, talk show writing means cranking out jokes like a factory, all focusing on the crazy news stories of the day, and that’s not how Green works. When FX canceled \u003ci>Totally Biased\u003c/i> two years later, Green reflected on what he wanted to do with his comedy. He realized if fame meant compromising, he wouldn’t be famous.\u003c/p>\n\u003cp>“The things you have to do to reach success, I don’t want to do them. I don’t have the patience for garbage,” Green says.\u003c/p>\n\u003ch2>Nato in Cuba\u003c/h2>\n\u003cp>The normally-monotone Green lightens up when he talks about the successful comedians who started at the same time he did. Ali Wong, Hasan Minhaj, Moshe Kasher and Chris Garcia are just a few, and Green says he’s honestly proud of them. When his old boss Bell came home with an Emmy earlier this year, Green celebrated with him the day after he arrived.\u003c/p>\n\u003cp>https://www.facebook.com/photo.php?fbid=10155700945144265&set=a.10152329411164265.1073741827.643874264&type=3&theater\u003c/p>\n\u003cp>Back in San Francisco, Green returned to consulting with and negotiating for labor unions. He also started a short \u003ca href=\"http://kalw.org/programs/fsfsf#stream/0\" rel=\"noopener\" target=\"_blank\">radio show about comedy\u003c/a> for KALW and a \u003ca href=\"http://www.sfexaminer.com/author/n_green/\" rel=\"noopener\" target=\"_blank\">column on local politics\u003c/a> for the \u003cem>SF Examiner\u003c/em>. Then his wife, a doctoral candidate in medical anthropology, chose to pursue her studies in Cuba. They agreed the entire family should join her.\u003c/p>\n\u003cp>“The Nato-ist Nato Green thing I could do when leaving the country is to move to Cuba,” Green says.\u003c/p>\n\u003cp>Once in Cuba, Green plans on focusing on his writing and raising his 9-year-old twin daughters. But after spending the last 12 years of his life on stage telling jokes, Green says he wouldn’t be surprised if he put on a free show in an expat bookstore from time to time.\u003c/p>\n\u003cp>“I’m a guy who needs to talk on a microphone,” Green says. “It’s a thing I needed to realize about myself, and plan accordingly.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>Nato Green records his second album at Doc’s Lab in San Francisco on Saturday, Nov. 25 at 10pm. His final show before moving to Cuba is Riffer’s Delight showing of ‘Wargames’ at the Alamo Drafthouse on Monday, Nov. 27.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Comic actor Sacha Baron Cohen has offered to pay the fines for six Czech tourists who were reportedly detained by authorities in Kazakhstan’s capital Astana for dressing up as his character Borat.\u003c/p>\n\u003cp>Sporting lime green “mankinis” and black wigs, the men had hoped to take a picture in front of the “I Love Astana” sign earlier this month.\u003c/p>\n\u003cp>But local police fined them some $68 each for committing minor hooliganism, according to local media.\u003c/p>\n\u003cp>In a Facebook post on Tuesday, Baron Cohen says: “To my Czech mates who were arrested. Send me your details and proof that it was you, and I’ll pay your fine.”\u003c/p>\n\u003cp>https://www.facebook.com/SachaBaronCohen/posts/1746900385619054\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The swimsuit became popular after Baron Cohen sported it in the 2006 movie \u003cem>Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>That film offended many Kazakhs by portraying the country as backward and degenerate.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Comic actor Sacha Baron Cohen has offered to pay the fines for six Czech tourists who were reportedly detained by authorities in Kazakhstan’s capital Astana for dressing up as his character Borat.\u003c/p>\n\u003cp>Sporting lime green “mankinis” and black wigs, the men had hoped to take a picture in front of the “I Love Astana” sign earlier this month.\u003c/p>\n\u003cp>But local police fined them some $68 each for committing minor hooliganism, according to local media.\u003c/p>\n\u003cp>In a Facebook post on Tuesday, Baron Cohen says: “To my Czech mates who were arrested. Send me your details and proof that it was you, and I’ll pay your fine.”\u003c/p>\n\u003cp>https://www.facebook.com/SachaBaronCohen/posts/1746900385619054\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>SF Sketchfest announced on Wednesday its 2018 lineup, which features several tributes to comic stars like Ricky Gervais, Jane Lynch and former talk show host Dick Cavett.\u003c/p>\n\u003cp>For its 17th year, SF SKetchfest is hosting more than 200 shows over 17 days. There’s plenty of old favorites from years past, such as live podcasts like \u003cem>Superego\u003c/em> and \u003cem>Doug Loves Movies\u003c/em>. But the biggest stars are attached to the one-off events, such as the tribute to the \u003ci>Twin Peaks,\u003c/i> featuring several members of the show’s cast; and a 40th anniversary celebration of the classic comedy \u003ci>Animal House.\u003c/i> \u003c/p>\n\u003cp>https://www.youtube.com/watch?v=aBFyKyHGsX8\u003c/p>\n\u003cp>Other notable events include a tribute to the film \u003ci>Fist Foot Way\u003c/i> with star Danny McBride and director Jody Hill; an afternoon with comedian Bill Burr, hosted by actor Kevin Pollak; and a spotlight on the FX show \u003ci>Better Things,\u003c/i> which could be a hot topic as it was co-created by \u003ca href=\"https://www.nytimes.com/2017/11/09/arts/television/louis-ck-sexual-misconduct.html?_r=0\" rel=\"noopener\" target=\"_blank\">disgraced comic\u003c/a> Louis C.K. \u003c/p>\n\u003cp>More acts are expected to be announced in the coming weeks.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The festival runs from Jan. 11 through Jan. 28. Tickets go on sale Friday, Nov. 17 at noon. For more information, visit the \u003ca href=\"https://www.sfsketchfest.com/\" rel=\"noopener\" target=\"_blank\">SF Sketchfest website\u003c/a>. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>SF Sketchfest announced on Wednesday its 2018 lineup, which features several tributes to comic stars like Ricky Gervais, Jane Lynch and former talk show host Dick Cavett.\u003c/p>\n\u003cp>For its 17th year, SF SKetchfest is hosting more than 200 shows over 17 days. There’s plenty of old favorites from years past, such as live podcasts like \u003cem>Superego\u003c/em> and \u003cem>Doug Loves Movies\u003c/em>. But the biggest stars are attached to the one-off events, such as the tribute to the \u003ci>Twin Peaks,\u003c/i> featuring several members of the show’s cast; and a 40th anniversary celebration of the classic comedy \u003ci>Animal House.\u003c/i> \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/aBFyKyHGsX8'\n title='//www.youtube.com/embed/aBFyKyHGsX8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Other notable events include a tribute to the film \u003ci>Fist Foot Way\u003c/i> with star Danny McBride and director Jody Hill; an afternoon with comedian Bill Burr, hosted by actor Kevin Pollak; and a spotlight on the FX show \u003ci>Better Things,\u003c/i> which could be a hot topic as it was co-created by \u003ca href=\"https://www.nytimes.com/2017/11/09/arts/television/louis-ck-sexual-misconduct.html?_r=0\" rel=\"noopener\" target=\"_blank\">disgraced comic\u003c/a> Louis C.K. \u003c/p>\n\u003cp>More acts are expected to be announced in the coming weeks.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Kinetic Arts is mounting its third holiday circus show. It’s a bit smaller and less ambitious than in years past, but just as thrilling and heartwarming. Artistic Director Jaron Hollander’s show this year is called \u003cem>Circus Veritas\u003c/em> (or circus of truth) and it’s a kind of a comment on current politics.\u003c/p>\n\u003cp>“The world is trying to convince you of truth that their version is correct,” Hollander told me one morning during rehearsals, “that that is fake, this is real. We’re just going to lie from moment one.”\u003c/p>\n\u003cp>Among the performers is Kinetic Arts regular Ellie Rossi, who is just 15 years old and is already a top rope artist in international competitions. \u003c/p>\n\u003cp>“I’ve always loved to climb on everything,” Rossisaid during the break. “But a lot of it is getting to express emotion and feeling through things other than your words, and through movement. And telling a story, and giving people an escape that’s just fun.”\u003c/p>\n\u003cp>One of the best routines is a knife throwing act with an audience member as blindfolded participant, where the lies are part of the fun for the rest of the audience. Of course, circus acts often defy what we assume to be the truth about gravity and the limits of human strength and agility. By the way, Jamedra’s kids — 4-year-old twins and a 6-year-old son — had a great time, so this is terrific family entertainment. It runs through Dec. 17 at Kinetic Arts; \u003ca href=\"http://www.kineticartsproductions.com/\" target=\"_blank\" rel=\"noopener\">details here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13813899\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13813899\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-800x451.jpg\" alt=\"Eka.Boo.Button performs a very long handstand in 'Circus Veritas' by Kinetic Arts production.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680.jpg 1631w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Eka.Boo.Button performs a very long handstand in ‘Circus Veritas’ by Kinetic Arts production. \u003ccite>(Photo: Eric Gillet)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Kinetic Arts is mounting its third holiday circus show. It’s a bit smaller and less ambitious than in years past, but just as thrilling and heartwarming. Artistic Director Jaron Hollander’s show this year is called \u003cem>Circus Veritas\u003c/em> (or circus of truth) and it’s a kind of a comment on current politics.\u003c/p>\n\u003cp>“The world is trying to convince you of truth that their version is correct,” Hollander told me one morning during rehearsals, “that that is fake, this is real. We’re just going to lie from moment one.”\u003c/p>\n\u003cp>Among the performers is Kinetic Arts regular Ellie Rossi, who is just 15 years old and is already a top rope artist in international competitions. \u003c/p>\n\u003cp>“I’ve always loved to climb on everything,” Rossisaid during the break. “But a lot of it is getting to express emotion and feeling through things other than your words, and through movement. And telling a story, and giving people an escape that’s just fun.”\u003c/p>\n\u003cp>One of the best routines is a knife throwing act with an audience member as blindfolded participant, where the lies are part of the fun for the rest of the audience. Of course, circus acts often defy what we assume to be the truth about gravity and the limits of human strength and agility. By the way, Jamedra’s kids — 4-year-old twins and a 6-year-old son — had a great time, so this is terrific family entertainment. It runs through Dec. 17 at Kinetic Arts; \u003ca href=\"http://www.kineticartsproductions.com/\" target=\"_blank\" rel=\"noopener\">details here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13813899\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13813899\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-800x451.jpg\" alt=\"Eka.Boo.Button performs a very long handstand in 'Circus Veritas' by Kinetic Arts production.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680.jpg 1631w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Eka.Boo.Button performs a very long handstand in ‘Circus Veritas’ by Kinetic Arts production. \u003ccite>(Photo: Eric Gillet)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Comedian Louis C.K. has been accused of sexual misconduct toward several women, including masturbating in front of them to their horror and embarrassment, according to a report in The New York Times.\u003c/p>\n\u003cp>Five women — including comedians Dana Min Goodman, Abby Schachner, Julia Wolov, Rebecca Corry — allege the Emmy-winning star of FX’s \u003cem>Louie\u003c/em> either pleasured himself in front of them, asked to do it or did so over the phone. A fifth woman detailed her allegations against C.K. to the paper but was not identified.\u003c/p>\n\u003cp>A publicist for C.K. did not immediately respond to comment from The Associated Press. Another publicist told the Times the comedian would not respond to their reporting.\u003c/p>\n\u003cp>Corry alleges the comedian, while she was working on a TV pilot in 2005, asked “if we could go to my dressing room so he could masturbate in front of me.” She declined “and he told me he had issues.” The show’s executive producers, Courteney Cox and David Arquette confirmed Corry’s account to the Times. Cindy Guagenti, Arquette’s representative, told The AP her client had nothing more to add.\u003c/p>\n\u003cp>In anticipation of the report, the New York premiere of Louis C.K.’s controversial new film \u003cem>I Love You, Daddy\u003c/em> was canceled on Thursday night and C.K.’s scheduled Friday appearance on \u003cem>The Late Show With Stephen Colbert\u003c/em> also has been scrapped. The small distribution company handling the release of \u003cem>I Love You Daddy\u003c/em> said it is reviewing the situation and giving careful consideration to the timing and release of the film.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>C.K. is among the latest Hollywood figures to be accused of misconduct in a wave that began when dozens of sexual harassment allegations were reported last month against film mogul Harvey Weinstein.\u003c/p>\n\u003cp>Known for his candid, warts-and-all personal humor, which often includes bodily fluids and sex, C.K. grew up outside Boston. He performed stand-up sets in New York and eventually landed writing gig on Conan O’Brien’s \u003cem>Late Night\u003c/em> and David Letterman’s \u003cem>Late Show\u003c/em>.\u003c/p>\n\u003cp>He went on to become the head writer of \u003cem>The Dana Carvey Show\u003c/em> from 1995-96 and contributed to the animated \u003cem>TV Funhouse\u003c/em> vignettes on \u003cem>Saturday Night Live\u003c/em>.\u003c/p>\n\u003cp>He was a writer on \u003cem>The Chris Rock Show\u003c/em> and voiced patients on the Comedy Central’s \u003cem>Dr. Katz, Professional Therapist\u003c/em>. He also wrote and directed the film \u003cem>Pootie Tang\u003c/em> with Rock, an infamous bomb.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Vw-TUJTlTmo\u003c/p>\n\u003cp>In a 2014 episode of his FX series \u003cem>Louie\u003c/em>, the title character played by C.K. pushes himself on a longtime friend and sometime flame, Pamela. She’s played by actress-writer Pamela Adlon of \u003cem>Better Things\u003c/em>.\u003c/p>\n\u003cp>In the scene, Pamela rebuffs his efforts to pull her into his bedroom as he paws at her. “This would be rape if you weren’t so stupid. My God, you can’t even rape well,” she says.\u003c/p>\n\u003cp>C.K.’s comedy writing and production tentacles spread throughout TV and film. He’s credited as a creator of the Zach Galifianakis show \u003cem>Baskets\u003c/em>, in its third season on FX, and of Pamela Adlon’s show \u003cem>Better Things\u003c/em>, now in its second season on FX. He is also developing another series for FX called \u003cem>The Cops\u003c/em> in which he’s set to star opposite Albert Brooks. C.K. is an executive producer of comedian Tig Notaro’s Amazon series, \u003cem>One Mississippi\u003c/em>. He starred in a Netflix special earlier this year that was nominated for two Emmy Awards.\u003c/p>\n\u003cp>His new film, \u003cem>I Love You, Daddy\u003c/em>, had its premiere this summer at the Toronto International Film Festival. C.K., who co-starred in Woody Allen’s \u003cem>Blue Jasmine\u003c/em>, said he and co-writer Vernon Chatman wanted to make a movie about beloved artists who are trailed by murmurs of scandal.\u003c/p>\n\u003cp>Some also see the black-and-white 35mm film as C.K.’s response to his own controversies. Allegations of questionable sexual behavior long have dogged C.K. and Roseanne Barr has said there are “multiple accusations” and Notaro advised C.K. to “handle” the rumors.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the film, C.K. plays a successful TV producer whose 17-year-old daughter begins a relationship with an older director. It spawns a kind of crisis for C.K.’s character, who has his own issues with how he treats women.\u003cbr>\n___\u003cbr>\nTV Writer Lynn Elber, Entertainment Writer Sandy Cohen and AP Film Writer Lindsey Bahr in Los Angeles contributed to this report.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Comedian Louis C.K. has been accused of sexual misconduct toward several women, including masturbating in front of them to their horror and embarrassment, according to a report in The New York Times.\u003c/p>\n\u003cp>Five women — including comedians Dana Min Goodman, Abby Schachner, Julia Wolov, Rebecca Corry — allege the Emmy-winning star of FX’s \u003cem>Louie\u003c/em> either pleasured himself in front of them, asked to do it or did so over the phone. A fifth woman detailed her allegations against C.K. to the paper but was not identified.\u003c/p>\n\u003cp>A publicist for C.K. did not immediately respond to comment from The Associated Press. Another publicist told the Times the comedian would not respond to their reporting.\u003c/p>\n\u003cp>Corry alleges the comedian, while she was working on a TV pilot in 2005, asked “if we could go to my dressing room so he could masturbate in front of me.” She declined “and he told me he had issues.” The show’s executive producers, Courteney Cox and David Arquette confirmed Corry’s account to the Times. Cindy Guagenti, Arquette’s representative, told The AP her client had nothing more to add.\u003c/p>\n\u003cp>In anticipation of the report, the New York premiere of Louis C.K.’s controversial new film \u003cem>I Love You, Daddy\u003c/em> was canceled on Thursday night and C.K.’s scheduled Friday appearance on \u003cem>The Late Show With Stephen Colbert\u003c/em> also has been scrapped. The small distribution company handling the release of \u003cem>I Love You Daddy\u003c/em> said it is reviewing the situation and giving careful consideration to the timing and release of the film.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>C.K. is among the latest Hollywood figures to be accused of misconduct in a wave that began when dozens of sexual harassment allegations were reported last month against film mogul Harvey Weinstein.\u003c/p>\n\u003cp>Known for his candid, warts-and-all personal humor, which often includes bodily fluids and sex, C.K. grew up outside Boston. He performed stand-up sets in New York and eventually landed writing gig on Conan O’Brien’s \u003cem>Late Night\u003c/em> and David Letterman’s \u003cem>Late Show\u003c/em>.\u003c/p>\n\u003cp>He went on to become the head writer of \u003cem>The Dana Carvey Show\u003c/em> from 1995-96 and contributed to the animated \u003cem>TV Funhouse\u003c/em> vignettes on \u003cem>Saturday Night Live\u003c/em>.\u003c/p>\n\u003cp>He was a writer on \u003cem>The Chris Rock Show\u003c/em> and voiced patients on the Comedy Central’s \u003cem>Dr. Katz, Professional Therapist\u003c/em>. He also wrote and directed the film \u003cem>Pootie Tang\u003c/em> with Rock, an infamous bomb.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Vw-TUJTlTmo'\n title='//www.youtube.com/embed/Vw-TUJTlTmo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In a 2014 episode of his FX series \u003cem>Louie\u003c/em>, the title character played by C.K. pushes himself on a longtime friend and sometime flame, Pamela. She’s played by actress-writer Pamela Adlon of \u003cem>Better Things\u003c/em>.\u003c/p>\n\u003cp>In the scene, Pamela rebuffs his efforts to pull her into his bedroom as he paws at her. “This would be rape if you weren’t so stupid. My God, you can’t even rape well,” she says.\u003c/p>\n\u003cp>C.K.’s comedy writing and production tentacles spread throughout TV and film. He’s credited as a creator of the Zach Galifianakis show \u003cem>Baskets\u003c/em>, in its third season on FX, and of Pamela Adlon’s show \u003cem>Better Things\u003c/em>, now in its second season on FX. He is also developing another series for FX called \u003cem>The Cops\u003c/em> in which he’s set to star opposite Albert Brooks. C.K. is an executive producer of comedian Tig Notaro’s Amazon series, \u003cem>One Mississippi\u003c/em>. He starred in a Netflix special earlier this year that was nominated for two Emmy Awards.\u003c/p>\n\u003cp>His new film, \u003cem>I Love You, Daddy\u003c/em>, had its premiere this summer at the Toronto International Film Festival. C.K., who co-starred in Woody Allen’s \u003cem>Blue Jasmine\u003c/em>, said he and co-writer Vernon Chatman wanted to make a movie about beloved artists who are trailed by murmurs of scandal.\u003c/p>\n\u003cp>Some also see the black-and-white 35mm film as C.K.’s response to his own controversies. Allegations of questionable sexual behavior long have dogged C.K. and Roseanne Barr has said there are “multiple accusations” and Notaro advised C.K. to “handle” the rumors.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the film, C.K. plays a successful TV producer whose 17-year-old daughter begins a relationship with an older director. It spawns a kind of crisis for C.K.’s character, who has his own issues with how he treats women.\u003cbr>\n___\u003cbr>\nTV Writer Lynn Elber, Entertainment Writer Sandy Cohen and AP Film Writer Lindsey Bahr in Los Angeles contributed to this report.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>This week we’re featuring a number of museum and gallery shows worth taking in now or during the holidays, when we all have a bit more time to get out and possibly need to escape our families. My co-host KQED Arts Editor Sarah Hotchkiss is the perfect guide for this endeavor, as she frequently escapes to local art exhibits.\u003c/p>\n\u003cp>Plus we talk about a country music ballet, an anniversary music festival and North Bay fire benefits.\u003c/p>\n\u003cp>\u003cstrong>Ongoing:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXGh\" target=\"_blank\" rel=\"noopener\"> Our favorite museum shows for the holidays\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nov. 16-18:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VXGb\" target=\"_blank\" rel=\"noopener\">The Del Sol Quartet celebrates 25 years with world premieres and an audience ukulele choir\u003c/a>\u003c/p>\n\u003cp>Nov. 17-18: \u003ca href=\"https://wp.me/p4oi3Y-VXGW\" target=\"_blank\" rel=\"noopener\">Post:Ballet sets a dance to music by America’s first gay country band, Lavender Country\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Nov. 12: \u003ca href=\"https://wp.me/p4oi3Y-VXGA\" target=\"_blank\" rel=\"noopener\">Signs of normalcy at Sonoma’s Gundlach Bundschu, a winery touched by the North Bay Fires\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nov. 19:\u003c/strong> \u003ca href=\"http://www.slimspresents.com/event/fire-relief-benefit-show-featuring-rupa-and-the-april-fishes-slims-w-the-sam-chase-down-dirty-shake-presented-by-seaweed-sway-friends/\" target=\"_blank\" rel=\"noopener\">Rupa and the April Fishes andThe Sam Chase in a benefit for North Bay Fire relief\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nov. 19:\u003c/strong> \u003ca href=\"https://www.youtube.com/watch?time_continue=2&v=R4zu3TegSFI\" target=\"_blank\" rel=\"noopener\">The San Francisco Symphony schedules a special benefit concert for North Bay Fire Relief\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=2&v=R4zu3TegSFI\u003c/p>\n\n",
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"content": "\u003cp>John Jota Leaños is raising an army of skeletons against colonialism— at least metaphorically. He’s an animator and filmmaker who’s also directing \u003cem>Imperial Silence: Una Opera Muerta\u003c/em>, a Day of the Dead opera that features animated sugar-skull news anchors on DNN, the Dead News Network, dancers and singers performing story songs like “El Corrido de Pat Tillman.”\u003c/p>\n\u003cp>“We’re in these borderlands,” Leaños says, “in this de-colonial mixed scene, where we get all of these influences and try to make sense of it.” As my co-host A-lan Holt says, Leaños’ work is an “intervention into the long (and often violent) history of tactics used to silence non-white viewpoints in the United States of America.” And there are laughs too. \u003ca href=\"https://www.brava.org/all-events/2017/11/3/imperial-silence-una-pera-muerta\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>https://vimeo.com/88547672\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>After an awful pair of weeks, arts venues in Napa and Sonoma Counties are trying to resume programming, even as their employees mourn their losses. My co-host this week, Ariana Proehl, grew up in Santa Rosa. She said how inspiring it’s been to see the community coming together, with generous help from first responders and volunteers. “My aunt, who’s a painter living in Sebastopol immediately emailed her artist friends looking to organize an art show to raise money for victims of the fires, and I trust we’ll be seeing lots more of that spirit in the days and weeks to come,” she said.\u003c/p>\n\u003cp>Rene and Irish Mike are hosting a fundraiser Saturday afternoon Oct 21, at the Longboard Margarita Bar in Pacifica. It’s free, but they’re passing the hat for the \u003ca href=\"http://sonomahumane.org/\" target=\"_blank\" rel=\"noopener\">Sonoma Humane Society\u003c/a>, with music by The Sam Chase, wunderkind Matt Jaffe and others. \u003ca href=\"https://www.facebook.com/events/1054875204655614\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dean Biersch owns the \u003ca href=\"http://www.hopmonk.com/\" target=\"_blank\" rel=\"noopener\">The Hopmonk Taverns \u003c/a>in Sonoma, Sebastopol and Novato. He’s scheduled shows this week so his clubs can be a gathering place for the community again. \u003c/span>“And a close second for us,” Biersch told me by phone, “is to keep the staff employed. You know most of these people are working for hourly wages and tips, and this is going to hit very hard.” \u003cb>\u003ci>\u003cbr>\n\u003c/i>\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The\u003ca href=\"http://gmc.sonoma.edu//\" target=\"_blank\" rel=\"noopener\"> Green Music Center\u003c/a> at Sonoma State in Rohnert Park plans to resume its regular schedule Sunday Oct. 22 with a \u003ca href=\"http://gmc.sonoma.edu/event/3532121-hudson-jack-dejohnette-larry-grenadier\" target=\"_blank\" rel=\"noopener\">concert by the jazz band Hudson.\u003c/a> Director Jacob Yarrow says the center is offering free tickets for the rest of October to anyone impacted by the fire: “Pay as you can, come as you are, please come and just be with your community.” \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13806933\" class=\"wp-caption aligncenter\" style=\"max-width: 520px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13806933\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2.jpg\" alt=\"An image from the exhibit 'Bittersweet Harvest,' about the U.S. Bracero program, at the Napa Valley Museum.\" width=\"520\" height=\"235\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2-160x72.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2-240x108.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2-375x169.jpg 375w\" sizes=\"(max-width: 520px) 100vw, 520px\">\u003cfigcaption class=\"wp-caption-text\">An image from the exhibit ‘Bittersweet Harvest,’ about the U.S. Bracero program, at the Napa Valley Museum. \u003ccite>(Photo Courtesy of the Smithsonian Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://lutherburbankcenter.org/\" target=\"_blank\" rel=\"noopener\">The Luther Burbank Center in Santa Rosa\u003c/a> is still standing, but the fires badly damaged the east wing, including a smaller auditorium. Luther Burbank plans to resume regular concerts\u003ca href=\"https://lutherburbankcenter.org/event/air-supply/\" target=\"_blank\" rel=\"noopener\"> Nov. 11 with a show by Air Supply\u003c/a>. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Across the Mayacamas Range, \u003ca href=\"http://www.dirosaart.org/\" target=\"_blank\" rel=\"noopener\">the di Rosa Center for Contemporary Arts,\u003c/a> south of Napa, reopens Sunday October 22nd, \u003ca href=\"http://napavalleymuseum.org/\" target=\"_blank\" rel=\"noopener\">The Napa Valley Museum\u003c/a> in Yountville has just reopened. No damage there or to the \u003ca href=\"http://lincolntheater.com/\" target=\"_blank\" rel=\"noopener\">Napa Valley Performing Arts Center\u003c/a>, also in Yountville, which plans to resume shows in November. And\u003ca href=\"http://www.bluenotenapa.com/\" target=\"_blank\" rel=\"noopener\"> Blue Note Napa\u003c/a> is scheduled to reopen Nov. 7 with a show by Dennis Quaid and the Sharks. \u003c/span>\u003c/p>\n\u003cp>Now for the rest of the show:\u003c/p>\n\u003cp>\u003cstrong>Oct. 25-29:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VX84\" target=\"_blank\" rel=\"noopener\">Mariza, the queen of fado, brings her songs of longing to Bing Hall and SFJAZZ\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 28:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VX8k\" target=\"_blank\" rel=\"noopener\">The YBCA Summit is like a Ted Talk times 100 on the themes of culture, politics, truth, and equity.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 26-29:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VX8r\" target=\"_blank\" rel=\"noopener\"> Axis Dance welcomes a new artistic director and celebrates a 30th anniversary\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 26:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VX8G\" target=\"_blank\" rel=\"noopener\"> Open Mike Eagle raps about housing projects and iPads\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Across the Mayacamas Range, \u003ca href=\"http://www.dirosaart.org/\" target=\"_blank\" rel=\"noopener\">the di Rosa Center for Contemporary Arts,\u003c/a> south of Napa, reopens Sunday October 22nd, \u003ca href=\"http://napavalleymuseum.org/\" target=\"_blank\" rel=\"noopener\">The Napa Valley Museum\u003c/a> in Yountville has just reopened. No damage there or to the \u003ca href=\"http://lincolntheater.com/\" target=\"_blank\" rel=\"noopener\">Napa Valley Performing Arts Center\u003c/a>, also in Yountville, which plans to resume shows in November. And\u003ca href=\"http://www.bluenotenapa.com/\" target=\"_blank\" rel=\"noopener\"> Blue Note Napa\u003c/a> is scheduled to reopen Nov. 7 with a show by Dennis Quaid and the Sharks. \u003c/span>\u003c/p>\n\u003cp>Now for the rest of the show:\u003c/p>\n\u003cp>\u003cstrong>Oct. 25-29:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VX84\" target=\"_blank\" rel=\"noopener\">Mariza, the queen of fado, brings her songs of longing to Bing Hall and SFJAZZ\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 28:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VX8k\" target=\"_blank\" rel=\"noopener\">The YBCA Summit is like a Ted Talk times 100 on the themes of culture, politics, truth, and equity.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 26-29:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VX8r\" target=\"_blank\" rel=\"noopener\"> Axis Dance welcomes a new artistic director and celebrates a 30th anniversary\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 26:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VX8G\" target=\"_blank\" rel=\"noopener\"> Open Mike Eagle raps about housing projects and iPads\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
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},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"here-and-now": {
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
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