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"content": "\u003cp>The North Beach haunt \u003ca href=\"http://www.docslabsf.com/\" target=\"_blank\" rel=\"noopener\">Doc’s Lab\u003c/a> used to be the legendary comedy club the Purple Onion, and it’s hard to mention the place without thinking of the great Purple Onion regulars who’ve left us in the last couple months — Dick Gregory and Shelly Berman.\u003c/p>\n\u003cp>If anyone can carry on that stage’s legacy, it’s the comedian Jimmy Pardo, who’s doing a bit of crowdwork at this standup gig. You might recognize Pardo from his \u003ca href=\"https://www.youtube.com/watch?v=mGFJ8BWK4Y8\" target=\"_blank\" rel=\"noopener\">association with Conan O’Brien\u003c/a>, but he also hosts the long-running podcast, \u003cem>Never Not Funny\u003c/em>, and he’s super-quick witted — playing off the crowd is something he’s got an amazing talent for. Think of him as modern-day Don Rickles: zingers with heart. Pardo does two shows at Doc’s Lab in North Beach on Sept. 30; \u003ca href=\"http://www.docslabsf.com/\" target=\"_blank\" rel=\"noopener\">details here\u003c/a>. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The North Beach haunt \u003ca href=\"http://www.docslabsf.com/\" target=\"_blank\" rel=\"noopener\">Doc’s Lab\u003c/a> used to be the legendary comedy club the Purple Onion, and it’s hard to mention the place without thinking of the great Purple Onion regulars who’ve left us in the last couple months — Dick Gregory and Shelly Berman.\u003c/p>\n\u003cp>If anyone can carry on that stage’s legacy, it’s the comedian Jimmy Pardo, who’s doing a bit of crowdwork at this standup gig. You might recognize Pardo from his \u003ca href=\"https://www.youtube.com/watch?v=mGFJ8BWK4Y8\" target=\"_blank\" rel=\"noopener\">association with Conan O’Brien\u003c/a>, but he also hosts the long-running podcast, \u003cem>Never Not Funny\u003c/em>, and he’s super-quick witted — playing off the crowd is something he’s got an amazing talent for. Think of him as modern-day Don Rickles: zingers with heart. Pardo does two shows at Doc’s Lab in North Beach on Sept. 30; \u003ca href=\"http://www.docslabsf.com/\" target=\"_blank\" rel=\"noopener\">details here\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "W. Kamau Bell on His Emmy Win and Bouncing Back From Cancellation",
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"content": "\u003cp>When W. Kamau Bell and his show \u003ci>United Shades of America\u003c/i> won the Emmy Award for Outstanding Unstructured Reality Program last Saturday, many were surprised — but none more than Bell himself. \u003c/p>\n\u003cp>“I was waiting for the words \u003cem>Born This Way\u003c/em>,” Bell said \u003ca href=\"http://deadline.com/2017/09/united-shades-of-america-w-kamau-bell-creative-arts-emmys-1202165777/\" target=\"_blank\" rel=\"noopener\">after the ceremony\u003c/a>, referring to the show on A&E that won the year before.\u003c/p>\n\u003cp>But the Berkeley-based comedian happily accepted the award, a tangible symbol of how much he’s bounced back after his first TV show, the Chris Rock-produced \u003ci>Totally Biased with W. Kamau Bell,\u003c/i> was \u003ca href=\"http://www.salon.com/2013/11/15/w_kamau_bell_on_totally_biased_the_show_was_canceled_i%E2%80%99m_not_canceled/\" target=\"_blank\" rel=\"noopener\">canceled in 2013\u003c/a>. After the cancellation, Bell told KQED, he’d had the feeling his career was over.\u003c/p>\n\u003cp>“I wouldn’t be the first person to have a big opportunity, have that opportunity not work out and then disappear into the ether,” Bell said.\u003c/p>\n\u003cp>At the time, Bell had a daughter at home and another on the way, so he felt he couldn’t just give up on show business. He returned to stand-up comedy, but he also took a lot of meetings, mostly with news organizations who were looking to make their political coverage more entertaining. One of those meetings was at CNN.\u003c/p>\n\u003cfigure id=\"attachment_13808403\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-800x800.jpg\" alt=\"W. Kamau Bell with his Emmy\" width=\"800\" height=\"800\" class=\"size-medium wp-image-13808403\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">W. Kamau Bell with his Emmy. \u003ccite>(via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>CNN initially pitched a travel show in the same vein as Anthony Bourdain’s \u003ci>Parts Unknown\u003c/i> or \u003ci>This Is Life With Lisa Ling,\u003c/i> but its focus would be on sending a black comedian to largely white areas in America. Bell liked the idea of a travel show, but shot down the “white area” premise.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It would’ve been, ‘Once again, Kamau goes to the country club! It just wouldn’t have had the same impact,” Bell said. \u003c/p>\n\u003cp>Kamau and the production company All3Media decided to use the show to explore \u003ca href=\"http://deadline.com/2015/03/kamau-bell-reza-aslan-cnn-kevin-spacey-1201389691/\" target=\"_blank\" rel=\"noopener\">the country’s subcultures\u003c/a>, and came up with the name \u003ci>United Shades of America.\u003c/i>\u003c/p>\n\u003cp>Yet the first place Bell and the team to decided to visit couldn’t have been more white: the home base of the Ku Klux Klan. The pilot episode, which seemed on its face to be a dangerous trip for its 6-foot-4-inch black host, was Bell’s idea.\u003c/p>\n\u003cp>“They couldn’t have talked me into it if it wasn’t my idea,” Bell said. \u003c/p>\n\u003cp>Bell said he’s always been interested in the KKK, and the episode shot for the show’s first season provided a revealing look at the current state of white supremacy almost a year before the riots in \u003ca href=\"http://www.aljazeera.com/news/2017/08/charlottesville-attack-170813081045115.html\" target=\"_blank\" rel=\"noopener\">Charlottesville\u003c/a>. Aired to great critical reception, it showed that white supremacists were quite organized in some areas of the south, and that cross-burnings were still a tradition in others.\u003c/p>\n\u003cp>“Since then, if I’m ever stopped in an airport, 80 percent of the time we’re talking about the KKK,” Bell said.\u003c/p>\n\u003cp>It became the show’s flagship episode, leading to the show’s first Emmy nomination, recognition which Bell cites as the reason for CNN’s decision to extend the show a second season. (\u003ci>United Shades\u003c/i> lost the Emmy to \u003ci>Born This Way\u003c/i> that year.)\u003c/p>\n\u003cp>Bell and his team kicked off the second season with a show that focused on immigration but also touched on white supremacy — it even featured an interview with \u003ca href=\"http://www.cnn.com/videos/tv/2017/04/19/united-shades-of-america-richard-spencer-ron-1.cnn/video/playlists/w-kamau-bell-united-shades/\" target=\"_blank\" rel=\"noopener\">white nationalist Richard Spencer\u003c/a>. But while that was the episode “everyone talked about,” according to Bell, this year CNN submitted an episode about Chicago’s persistent gang violence for Emmy consideration. For Bell, it was the highlight of \u003ci>United Shades’\u003c/i> second season because it not only portrayed the region’s problems but how hard the community was working to fix them. \u003c/p>\n\u003cp>“It showed a lot of men who are active members of gangs or had been in gangs, talking about why they knew that wasn’t the life they should be in, and they all had solutions to the problems,” Bell said. “If we solve Chicago’s problem, we solve the problems of all the urban environments in this country.” \u003c/p>\n\u003cp>https://www.youtube.com/watch?v=IlN6GRtcWMo\u003c/p>\n\u003cp>After the second season, the show was nominated for two Emmys — Outstanding Unstructured Reality Program and Outstanding Host for a Reality or Reality-Competition Program. The second nomination was a surprise for Bell. \u003c/p>\n\u003cp>“I was shocked by that, because I was up against Adam Baldwin, and RuPaul, and Heidi Klum and Tim Gunn, and Snoop Dogg and Martha Stewart. I can’t even get into that afterparty!” Bell said.\u003c/p>\n\u003cp>Bell lost the hosting Emmy to RuPaul (according to Bell, “RuPaul should win all the awards”) but the show itself won, which Bell said he appreciates for the honor it extends to the whole production team, some of whom have worked in TV for decades without Emmy recognition.\u003c/p>\n\u003cp>“If I had to choose between me winning my own award and the show winning, I’d chose the show every time,” Bell said. “It’s just more fun that way.”\u003c/p>\n\u003cp>Now back in Berkeley, Bell remains busy. Between hosting \u003ca href=\"http://www.wkamaubell.com/podcasts/\" target=\"_blank\" rel=\"noopener\">multiple podcasts\u003c/a> and performing standup \u003ca href=\"https://www.eventbrite.com/e/verdi-wild-things-are-standup-comedy-wfiorentini-muse-green-tickets-32992965849\" target=\"_blank\" rel=\"noopener\">Sept. 14 at the Verdi Club\u003c/a> in San Francisco, he’s currently working on a third season of \u003ci>United Shades of America\u003c/i>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When W. Kamau Bell and his show \u003ci>United Shades of America\u003c/i> won the Emmy Award for Outstanding Unstructured Reality Program last Saturday, many were surprised — but none more than Bell himself. \u003c/p>\n\u003cp>“I was waiting for the words \u003cem>Born This Way\u003c/em>,” Bell said \u003ca href=\"http://deadline.com/2017/09/united-shades-of-america-w-kamau-bell-creative-arts-emmys-1202165777/\" target=\"_blank\" rel=\"noopener\">after the ceremony\u003c/a>, referring to the show on A&E that won the year before.\u003c/p>\n\u003cp>But the Berkeley-based comedian happily accepted the award, a tangible symbol of how much he’s bounced back after his first TV show, the Chris Rock-produced \u003ci>Totally Biased with W. Kamau Bell,\u003c/i> was \u003ca href=\"http://www.salon.com/2013/11/15/w_kamau_bell_on_totally_biased_the_show_was_canceled_i%E2%80%99m_not_canceled/\" target=\"_blank\" rel=\"noopener\">canceled in 2013\u003c/a>. After the cancellation, Bell told KQED, he’d had the feeling his career was over.\u003c/p>\n\u003cp>“I wouldn’t be the first person to have a big opportunity, have that opportunity not work out and then disappear into the ether,” Bell said.\u003c/p>\n\u003cp>At the time, Bell had a daughter at home and another on the way, so he felt he couldn’t just give up on show business. He returned to stand-up comedy, but he also took a lot of meetings, mostly with news organizations who were looking to make their political coverage more entertaining. One of those meetings was at CNN.\u003c/p>\n\u003cfigure id=\"attachment_13808403\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-800x800.jpg\" alt=\"W. Kamau Bell with his Emmy\" width=\"800\" height=\"800\" class=\"size-medium wp-image-13808403\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/W.-Kamau-Bell-Emmy-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">W. Kamau Bell with his Emmy. \u003ccite>(via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>CNN initially pitched a travel show in the same vein as Anthony Bourdain’s \u003ci>Parts Unknown\u003c/i> or \u003ci>This Is Life With Lisa Ling,\u003c/i> but its focus would be on sending a black comedian to largely white areas in America. Bell liked the idea of a travel show, but shot down the “white area” premise.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It would’ve been, ‘Once again, Kamau goes to the country club! It just wouldn’t have had the same impact,” Bell said. \u003c/p>\n\u003cp>Kamau and the production company All3Media decided to use the show to explore \u003ca href=\"http://deadline.com/2015/03/kamau-bell-reza-aslan-cnn-kevin-spacey-1201389691/\" target=\"_blank\" rel=\"noopener\">the country’s subcultures\u003c/a>, and came up with the name \u003ci>United Shades of America.\u003c/i>\u003c/p>\n\u003cp>Yet the first place Bell and the team to decided to visit couldn’t have been more white: the home base of the Ku Klux Klan. The pilot episode, which seemed on its face to be a dangerous trip for its 6-foot-4-inch black host, was Bell’s idea.\u003c/p>\n\u003cp>“They couldn’t have talked me into it if it wasn’t my idea,” Bell said. \u003c/p>\n\u003cp>Bell said he’s always been interested in the KKK, and the episode shot for the show’s first season provided a revealing look at the current state of white supremacy almost a year before the riots in \u003ca href=\"http://www.aljazeera.com/news/2017/08/charlottesville-attack-170813081045115.html\" target=\"_blank\" rel=\"noopener\">Charlottesville\u003c/a>. Aired to great critical reception, it showed that white supremacists were quite organized in some areas of the south, and that cross-burnings were still a tradition in others.\u003c/p>\n\u003cp>“Since then, if I’m ever stopped in an airport, 80 percent of the time we’re talking about the KKK,” Bell said.\u003c/p>\n\u003cp>It became the show’s flagship episode, leading to the show’s first Emmy nomination, recognition which Bell cites as the reason for CNN’s decision to extend the show a second season. (\u003ci>United Shades\u003c/i> lost the Emmy to \u003ci>Born This Way\u003c/i> that year.)\u003c/p>\n\u003cp>Bell and his team kicked off the second season with a show that focused on immigration but also touched on white supremacy — it even featured an interview with \u003ca href=\"http://www.cnn.com/videos/tv/2017/04/19/united-shades-of-america-richard-spencer-ron-1.cnn/video/playlists/w-kamau-bell-united-shades/\" target=\"_blank\" rel=\"noopener\">white nationalist Richard Spencer\u003c/a>. But while that was the episode “everyone talked about,” according to Bell, this year CNN submitted an episode about Chicago’s persistent gang violence for Emmy consideration. For Bell, it was the highlight of \u003ci>United Shades’\u003c/i> second season because it not only portrayed the region’s problems but how hard the community was working to fix them. \u003c/p>\n\u003cp>“It showed a lot of men who are active members of gangs or had been in gangs, talking about why they knew that wasn’t the life they should be in, and they all had solutions to the problems,” Bell said. “If we solve Chicago’s problem, we solve the problems of all the urban environments in this country.” \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IlN6GRtcWMo'\n title='//www.youtube.com/embed/IlN6GRtcWMo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>After the second season, the show was nominated for two Emmys — Outstanding Unstructured Reality Program and Outstanding Host for a Reality or Reality-Competition Program. The second nomination was a surprise for Bell. \u003c/p>\n\u003cp>“I was shocked by that, because I was up against Adam Baldwin, and RuPaul, and Heidi Klum and Tim Gunn, and Snoop Dogg and Martha Stewart. I can’t even get into that afterparty!” Bell said.\u003c/p>\n\u003cp>Bell lost the hosting Emmy to RuPaul (according to Bell, “RuPaul should win all the awards”) but the show itself won, which Bell said he appreciates for the honor it extends to the whole production team, some of whom have worked in TV for decades without Emmy recognition.\u003c/p>\n\u003cp>“If I had to choose between me winning my own award and the show winning, I’d chose the show every time,” Bell said. “It’s just more fun that way.”\u003c/p>\n\u003cp>Now back in Berkeley, Bell remains busy. Between hosting \u003ca href=\"http://www.wkamaubell.com/podcasts/\" target=\"_blank\" rel=\"noopener\">multiple podcasts\u003c/a> and performing standup \u003ca href=\"https://www.eventbrite.com/e/verdi-wild-things-are-standup-comedy-wfiorentini-muse-green-tickets-32992965849\" target=\"_blank\" rel=\"noopener\">Sept. 14 at the Verdi Club\u003c/a> in San Francisco, he’s currently working on a third season of \u003ci>United Shades of America\u003c/i>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The week on the Do List we welcome co-host Eli Wirtschafter, a musician, theater person, and contributing reporter for KQED! Listen to the picks above, and click through for more details on each show below.\u003c/p>\n\u003cp>\u003cstrong>Sept. 21-26:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VWbU\" target=\"_blank\" rel=\"noopener noreferrer\">Songs from a folk-singing nomad now settled in Los Angeles\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 17:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VWc5\" target=\"_blank\" rel=\"noopener noreferrer\"> A million much-needed, free laughs at Comedy Day in Golden Gate Park\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 23 &24: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VWbH\" target=\"_blank\" rel=\"noopener noreferrer\">A dance company explores the story of Moses and the exodus through an African American lens\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Aug. 25-Jan. 14:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VW3L\" target=\"_blank\" rel=\"noopener noreferrer\">A San Jose Museum show that welcomes selfies and explores their long history in photography\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Sept. 16: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VWc8\" target=\"_blank\" rel=\"noopener noreferrer\">A hip-hop oratorio for challenging times from Ensemble Mik Nawooj\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 21:\u003c/strong> \u003ca href=\"https://www.loscenzontles.com/tourdates/one-lobo-one-night-david-hidalgo-w-los-cenzontles\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Los Cenzontles play a show on their home stage in San Pablo, with guest David Hidalgo of Los Lobos\u003c/span>\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sept. 26: \u003c/strong>\u003ca href=\"http://www.swedishamericanhall.com/main/calendar/sam-amidon/\" target=\"_blank\" rel=\"noopener noreferrer\">Sam Amidon brings his serious folk songs and deadpan humor to Cafe du Nord\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The week on the Do List we welcome co-host Eli Wirtschafter, a musician, theater person, and contributing reporter for KQED! Listen to the picks above, and click through for more details on each show below.\u003c/p>\n\u003cp>\u003cstrong>Sept. 21-26:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VWbU\" target=\"_blank\" rel=\"noopener noreferrer\">Songs from a folk-singing nomad now settled in Los Angeles\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 17:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VWc5\" target=\"_blank\" rel=\"noopener noreferrer\"> A million much-needed, free laughs at Comedy Day in Golden Gate Park\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 23 &24: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VWbH\" target=\"_blank\" rel=\"noopener noreferrer\">A dance company explores the story of Moses and the exodus through an African American lens\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Aug. 25-Jan. 14:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VW3L\" target=\"_blank\" rel=\"noopener noreferrer\">A San Jose Museum show that welcomes selfies and explores their long history in photography\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sept. 16: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VWc8\" target=\"_blank\" rel=\"noopener noreferrer\">A hip-hop oratorio for challenging times from Ensemble Mik Nawooj\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sept. 21:\u003c/strong> \u003ca href=\"https://www.loscenzontles.com/tourdates/one-lobo-one-night-david-hidalgo-w-los-cenzontles\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Los Cenzontles play a show on their home stage in San Pablo, with guest David Hidalgo of Los Lobos\u003c/span>\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sept. 26: \u003c/strong>\u003ca href=\"http://www.swedishamericanhall.com/main/calendar/sam-amidon/\" target=\"_blank\" rel=\"noopener noreferrer\">Sam Amidon brings his serious folk songs and deadpan humor to Cafe du Nord\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>There are so many local comedians featured on the bill (51, to be exact) for \u003cem>Comedy Day\u003c/em> a five-hour extravaganza celebrating its 37th year on Sept. 17 in Golden Gate Park, it’s hard to pick a favorite. So we chose three: Francesca Fiorentini, better known for her viral news commentary videos for the Al Jazeera online channel \u003cem>AJ plus\u003c/em>; Nato Green, reliably snarky about Donald Trump; and political comedian Will Durst, who with his wife Debi has helped organize this event for many of its 37 years now. The setting is Sharon Meadow, soon to be renamed Robin Williams Meadow to honor the local standup superstar, who often used to drop in at Comedy Day as a surprise guest. \u003ca href=\"http://comedyday.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Mere days before San Francisco’s annual Comedy Day, San Francisco is memorializing the late Robin Williams by officially dedicating a meadow in Golden Gate Park in his honor.\u003c/p>\n\u003cp>The San Francisco Recreation and Parks Department announced the “renaming” of Sharon Meadow to the Robin Williams Meadow on Monday. The initiative to name the space to celebrate Williams’ life was led by Debi and Will Durst, the producers of Comedy Day and longtime veterans of the San Francisco comedy scene.\u003c/p>\n\u003cp>“Robin was one of San Francisco’s cherished sons, whose selfless acts of philanthropy benefitted communities across our city. We will forever remember him fondly and the Robin Williams Meadow will be a lasting testament to his legacy,” said Mayor Ed Lee in a statement.\u003c/p>\n\u003cp>Williams, who committed suicide in 2014, was a major benefactor and frequent performer at Comedy Day since its founding in 1981. The free comedy showcase has been held at the Meadow since 1996 after moving from the Park’s Polo Field and, prior to that, the Music Concourse.\u003c/p>\n\u003cp>“San Francisco was so much of Robin’s life,” said Debi Durst in an interview with KQED. “He loved San Francisco and he loved Comedy Day. Since Comedy Day was in the Meadow for such a long time and since he was such a big part of it, I thought, let’s name it for him.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sharon Meadow, Durst noted, was never an official moniker for the meadow that overlooks the Sharon Building in Golden Gate Park. Nevertheless, much of the signage and branding still refers to the meadow with its unofficial title.\u003c/p>\n\u003cp>Though the name change is official, the Dursts are uncertain whether the city of San Francisco can defray the cost — around $50,000 — of renovating the signage and physical materials to reflect the new name for the meadow.\u003c/p>\n\u003cp>This dedication follows the successful campaign to \u003ca href=\"https://ww2.kqed.org/arts/2016/03/02/robin-williams-tunnel-now-identified-by-new-sign/\" target=\"_blank\" rel=\"noopener noreferrer\">rename the tunnel\u003c/a> that bridges the Golden Gate Bridge and Marin County after Williams.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Comedy Day will take place Sept. 17 at the newly named Meadow, during which the official naming will be announced.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mere days before San Francisco’s annual Comedy Day, San Francisco is memorializing the late Robin Williams by officially dedicating a meadow in Golden Gate Park in his honor.\u003c/p>\n\u003cp>The San Francisco Recreation and Parks Department announced the “renaming” of Sharon Meadow to the Robin Williams Meadow on Monday. The initiative to name the space to celebrate Williams’ life was led by Debi and Will Durst, the producers of Comedy Day and longtime veterans of the San Francisco comedy scene.\u003c/p>\n\u003cp>“Robin was one of San Francisco’s cherished sons, whose selfless acts of philanthropy benefitted communities across our city. We will forever remember him fondly and the Robin Williams Meadow will be a lasting testament to his legacy,” said Mayor Ed Lee in a statement.\u003c/p>\n\u003cp>Williams, who committed suicide in 2014, was a major benefactor and frequent performer at Comedy Day since its founding in 1981. The free comedy showcase has been held at the Meadow since 1996 after moving from the Park’s Polo Field and, prior to that, the Music Concourse.\u003c/p>\n\u003cp>“San Francisco was so much of Robin’s life,” said Debi Durst in an interview with KQED. “He loved San Francisco and he loved Comedy Day. Since Comedy Day was in the Meadow for such a long time and since he was such a big part of it, I thought, let’s name it for him.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sharon Meadow, Durst noted, was never an official moniker for the meadow that overlooks the Sharon Building in Golden Gate Park. Nevertheless, much of the signage and branding still refers to the meadow with its unofficial title.\u003c/p>\n\u003cp>Though the name change is official, the Dursts are uncertain whether the city of San Francisco can defray the cost — around $50,000 — of renovating the signage and physical materials to reflect the new name for the meadow.\u003c/p>\n\u003cp>This dedication follows the successful campaign to \u003ca href=\"https://ww2.kqed.org/arts/2016/03/02/robin-williams-tunnel-now-identified-by-new-sign/\" target=\"_blank\" rel=\"noopener noreferrer\">rename the tunnel\u003c/a> that bridges the Golden Gate Bridge and Marin County after Williams.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Comedy Day will take place Sept. 17 at the newly named Meadow, during which the official naming will be announced.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>This week we welcome \u003cem>SF Weekly\u003c/em> theater columnist Jeffrey Edalatpour for a preview of the fall’s most intriguing plays, many of which tackle issues of race, sexuality, and religion. The list includes Taylor’s Mac’s epic “radical faerie” take on American history, as well as a play so violent it comes with trigger warnings and a world premiere musical about what may be the greatest soul band ever, The Temptations.\u003c/p>\n\u003cp>\u003cstrong>Sept. 15–27:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VVYZ\" target=\"_blank\" rel=\"noopener noreferrer\">Taylor Mac brings his epic \u003cem>24-Decade History of Popular Music\u003c/em> back to the Bay Area.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Sept. 28–Oct. 22: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVZ5\" target=\"_blank\" rel=\"noopener noreferrer\">Charles Bradshaw’s \u003cem>Thomas and Sally\u003c/em> at the Marin Theatre Company goes under the covers with our founding fathers and their bedmates in a world premiere.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Sept. 26–Nov. 11: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVZB\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Playhouse presents Robert O’Hara’s \u003cem>Barbecue\u003c/em>, a play about a family intervention and race\u003cb>.\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Sept. 8–23: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVZO\" target=\"_blank\" rel=\"noopener noreferrer\">The San Francisco Fringe Festival showcases more than 30 plays from the silly to serious.\u003c/a>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Sept. 14–Oct. 7:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VW0K\" target=\"_blank\" rel=\"noopener noreferrer\">Christopher Chen’s \u003cem>A Tale of Autumn\u003c/em> tells a tale of corporate succession recalling Shakespeare and Game of Thrones\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Sept. 21–Oct. 22:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VW12\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Blasted\u003c/em> at Shotgun Players takes us into a horrifying bedroom in the midst of a war zone. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Sept. 12–Oct. 8:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VW0B\" target=\"_blank\" rel=\"noopener noreferrer\"> Adapting \u003cem>An American in Paris\u003c/em> for the stage and getting it right. Maybe.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 6–Nov. 5: \u003c/strong>\u003ca href=\"https://theatreworks.org/201718-season/201718-season/prince-of-egypt/\" target=\"_blank\" rel=\"noopener noreferrer\">The Exodus story as imagined by Dreamworks and adapted into a stage musical.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Aug. 31–-Oct. 22: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VW08\" target=\"_blank\" rel=\"noopener noreferrer\">The story of the greatest soul band ever at Berkeley Rep.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week we welcome \u003cem>SF Weekly\u003c/em> theater columnist Jeffrey Edalatpour for a preview of the fall’s most intriguing plays, many of which tackle issues of race, sexuality, and religion. The list includes Taylor’s Mac’s epic “radical faerie” take on American history, as well as a play so violent it comes with trigger warnings and a world premiere musical about what may be the greatest soul band ever, The Temptations.\u003c/p>\n\u003cp>\u003cstrong>Sept. 15–27:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VVYZ\" target=\"_blank\" rel=\"noopener noreferrer\">Taylor Mac brings his epic \u003cem>24-Decade History of Popular Music\u003c/em> back to the Bay Area.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Sept. 28–Oct. 22: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVZ5\" target=\"_blank\" rel=\"noopener noreferrer\">Charles Bradshaw’s \u003cem>Thomas and Sally\u003c/em> at the Marin Theatre Company goes under the covers with our founding fathers and their bedmates in a world premiere.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Sept. 26–Nov. 11: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVZB\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Playhouse presents Robert O’Hara’s \u003cem>Barbecue\u003c/em>, a play about a family intervention and race\u003cb>.\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Sept. 8–23: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVZO\" target=\"_blank\" rel=\"noopener noreferrer\">The San Francisco Fringe Festival showcases more than 30 plays from the silly to serious.\u003c/a>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sept. 14–Oct. 7:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VW0K\" target=\"_blank\" rel=\"noopener noreferrer\">Christopher Chen’s \u003cem>A Tale of Autumn\u003c/em> tells a tale of corporate succession recalling Shakespeare and Game of Thrones\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Sept. 21–Oct. 22:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VW12\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Blasted\u003c/em> at Shotgun Players takes us into a horrifying bedroom in the midst of a war zone. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Sept. 12–Oct. 8:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VW0B\" target=\"_blank\" rel=\"noopener noreferrer\"> Adapting \u003cem>An American in Paris\u003c/em> for the stage and getting it right. Maybe.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 6–Nov. 5: \u003c/strong>\u003ca href=\"https://theatreworks.org/201718-season/201718-season/prince-of-egypt/\" target=\"_blank\" rel=\"noopener noreferrer\">The Exodus story as imagined by Dreamworks and adapted into a stage musical.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Aug. 31–-Oct. 22: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VW08\" target=\"_blank\" rel=\"noopener noreferrer\">The story of the greatest soul band ever at Berkeley Rep.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>Sept. 12–Oct. 8:\u003c/strong> \u003ca href=\"http://variety.com/1951/film/reviews/an-american-in-paris-1200417083/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>An American in Paris\u003c/em>\u003c/a> is among the best movies of all time, a prime example of the golden age of the MGM musical. It features great Gershwin tunes, terrific dancing by Gene Kelly and Leslie Caron (Kelly did the choreography), and the acid wit of Oscar Levant. So why mess it up with a stage version? But there’s promise in the vision of playwright Craig Lucas and director and choreographer Christopher Wheeldon, who often choreographs for SF Ballet and other companies. The show won over critics in New York, and this touring production (presented here by SHN) could be a winner. \u003ca href=\"https://www.shnsf.com/Online/default.asp\" target=\"_blank\" rel=\"noopener noreferrer\">Details here.\u003c/a>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=z4B-BR2sV4Y\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Comedian Shelley Berman, who won gold records and appeared on top television shows in the 1950s and 1960s delivering wry monologues about the annoyances of everyday life, has died. He was 92.\u003c/p>\n\u003cp>Berman died Friday at his home in Bell Canyon, California, from complications from Alzheimer’s disease, according to spokesman Glenn Schwartz.\u003c/p>\n\u003cp>Berman was a pioneer of a new brand of comedy that could evoke laughter from such matters as air travel discomforts and small children who answer the telephone. He helped pave the way for Bob Newhart, Woody Allen, Jerry Seinfeld and other standup comedians who fashioned their routines around the follies and frustrations of modern living.\u003c/p>\n\u003cp>Late in his career, he played Nat David, father of Larry David, on HBO’s \u003cem>Curb Your Enthusiasm\u003c/em>. With dialogue improvised by its cast, the comedy series gave Berman the opportunity to return to his improv roots and introduced him to a new generation of TV viewers.\u003c/p>\n\u003cp>“I’m not a standup comedian,” Berman often insisted. “I work on a stool.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Comedy was not a childhood ambition for him. He trained as an actor, with the Goodman School of Drama in his native Chicago and with the prestigious actress-teacher Uta Hagen in New York.\u003c/p>\n\u003cp>“I had dreams of being an actor,” he said in a 1960 interview. “For 10 years I tried, picking up small jobs in summer stock and TV. I had a hard time of it.”\u003c/p>\n\u003cp>As a last resort, he put together a 20-minute routine and auditioned at the Chicago nightclub Mister Kelly’s. He was given a job, and then he had to scramble to write more material for a half-hour show.\u003c/p>\n\u003cp>“I was always one of those life-of-the-party boys,” he admitted, “though I never stooped to wearing women’s hats or lampshades. I was always making people laugh, in school and later in life.”\u003c/p>\n\u003cp>Berman’s success in Chicago led to a booking in Las Vegas. He bombed. The gamblers didn’t laugh nor did they talk. Accustomed to slam-bang comics out of vaudeville and burlesque, they listened in amazement to the guy sitting on a stool and using big words with a routine that often consisted of one side of a make-believe phone call.\u003c/p>\n\u003cp>He continued on the saloon circuit, honing his craft and deciding on which direction to go. He didn’t fit any category. He wasn’t a joke teller nor a “sick” comedian. He figured he was a “humanist humorist.”\u003c/p>\n\u003cp>Berman made the first of many appearances on \u003cem>The Ed Sullivan Show\u003c/em> in 1959. That year he issued his first album, \u003cem>Inside Shelley Berman\u003c/em>. It won a gold record and received the first-ever Grammy Award for the spoken word. Two more albums achieved gold status.\u003c/p>\n\u003cp>Along with his busy schedule in nightclubs and auditoriums, he fulfilled his first ambition to be an actor. He appeared in a Broadway play, \u003cem>The Boys Against the Girls\u003c/em>, in 1959 and a musical, \u003cem>A Family Affair\u003c/em>, in 1962. His film debut came in 1964 with the adaptation of Gore Vidal’s hit political stage drama \u003cem>The Best Man\u003c/em>, starring Henry Fonda and Cliff Robertson.\u003c/p>\n\u003cp>Berman’s comedy career stalled in 1963. He was performing his act before an audience for a documentary-style NBC show, \u003cem>Comedian Backstage\u003c/em>, when a telephone ringing interrupted him; it was the second night it happened. He stormed backstage and ranted at everyone in sight. His outburst, edited to make him appear temperamental, was included in the telecast.\u003c/p>\n\u003cp>“Once you’re known as being difficult, it becomes too hard to deal with management and even fellow artists,” he remarked in 1986. The bookings fell off, and Berman returned to acting, with little luck. He and his wife, Sarah, were forced to file for bankruptcy, and he began a long struggle to pay off his taxes and creditors.\u003c/p>\n\u003cp>He found work in television series such as \u003cem>The Twilight Zone\u003c/em>, \u003cem>Rawhide\u003c/em> and \u003cem>Peter Gunn\u003c/em> and occasional movies including \u003cem>Divorce American Style\u003c/em>. He became active in regional theater and also worked his old routines before college and lecture audiences.\u003c/p>\n\u003cp>For more than 20 years he taught comedy at the University of Southern California.\u003c/p>\n\u003cp>In recent years, he landed guest roles on series including \u003cem>The King of Queens\u003c/em>,\u003cem> Boston Legal\u003c/em> and \u003cem>CSI: NY\u003c/em>, and appeared in the film \u003cem>Meet the Fockers\u003c/em>.\u003c/p>\n\u003cp>He retired from performing in 2014 after being diagnosed with Alzheimer’s disease.\u003c/p>\n\u003cp>Sheldon Leonard Berman was born in Chicago and attended public schools. After training as an actor, he joined an improvisational company in Chicago, Compass Players, the beginning of the famed Second City. Watching his fellow performers, Mike Nichols and Elaine May, Berman said in 2000, “I learned more in two weeks than I did in four years at Goodman.”\u003c/p>\n\u003cp>He married in 1947, and he credited Sarah with helping him to survive through his jobless period while trying to be a comedian, the bankruptcy, the rebuilding of his career and the loss of their son, Joshua. They also had a daughter, Rachel, who, along with his wife, survives him.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Berman said of his marriage: “The love we have and the way it has grown, that’s what I’d like to be remembered for.”\u003cbr>\n___\u003cbr>\nThe late Associated Press entertainer writer Bob Thomas contributed to this report.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Comedian Shelley Berman, who won gold records and appeared on top television shows in the 1950s and 1960s delivering wry monologues about the annoyances of everyday life, has died. He was 92.\u003c/p>\n\u003cp>Berman died Friday at his home in Bell Canyon, California, from complications from Alzheimer’s disease, according to spokesman Glenn Schwartz.\u003c/p>\n\u003cp>Berman was a pioneer of a new brand of comedy that could evoke laughter from such matters as air travel discomforts and small children who answer the telephone. He helped pave the way for Bob Newhart, Woody Allen, Jerry Seinfeld and other standup comedians who fashioned their routines around the follies and frustrations of modern living.\u003c/p>\n\u003cp>Late in his career, he played Nat David, father of Larry David, on HBO’s \u003cem>Curb Your Enthusiasm\u003c/em>. With dialogue improvised by its cast, the comedy series gave Berman the opportunity to return to his improv roots and introduced him to a new generation of TV viewers.\u003c/p>\n\u003cp>“I’m not a standup comedian,” Berman often insisted. “I work on a stool.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Comedy was not a childhood ambition for him. He trained as an actor, with the Goodman School of Drama in his native Chicago and with the prestigious actress-teacher Uta Hagen in New York.\u003c/p>\n\u003cp>“I had dreams of being an actor,” he said in a 1960 interview. “For 10 years I tried, picking up small jobs in summer stock and TV. I had a hard time of it.”\u003c/p>\n\u003cp>As a last resort, he put together a 20-minute routine and auditioned at the Chicago nightclub Mister Kelly’s. He was given a job, and then he had to scramble to write more material for a half-hour show.\u003c/p>\n\u003cp>“I was always one of those life-of-the-party boys,” he admitted, “though I never stooped to wearing women’s hats or lampshades. I was always making people laugh, in school and later in life.”\u003c/p>\n\u003cp>Berman’s success in Chicago led to a booking in Las Vegas. He bombed. The gamblers didn’t laugh nor did they talk. Accustomed to slam-bang comics out of vaudeville and burlesque, they listened in amazement to the guy sitting on a stool and using big words with a routine that often consisted of one side of a make-believe phone call.\u003c/p>\n\u003cp>He continued on the saloon circuit, honing his craft and deciding on which direction to go. He didn’t fit any category. He wasn’t a joke teller nor a “sick” comedian. He figured he was a “humanist humorist.”\u003c/p>\n\u003cp>Berman made the first of many appearances on \u003cem>The Ed Sullivan Show\u003c/em> in 1959. That year he issued his first album, \u003cem>Inside Shelley Berman\u003c/em>. It won a gold record and received the first-ever Grammy Award for the spoken word. Two more albums achieved gold status.\u003c/p>\n\u003cp>Along with his busy schedule in nightclubs and auditoriums, he fulfilled his first ambition to be an actor. He appeared in a Broadway play, \u003cem>The Boys Against the Girls\u003c/em>, in 1959 and a musical, \u003cem>A Family Affair\u003c/em>, in 1962. His film debut came in 1964 with the adaptation of Gore Vidal’s hit political stage drama \u003cem>The Best Man\u003c/em>, starring Henry Fonda and Cliff Robertson.\u003c/p>\n\u003cp>Berman’s comedy career stalled in 1963. He was performing his act before an audience for a documentary-style NBC show, \u003cem>Comedian Backstage\u003c/em>, when a telephone ringing interrupted him; it was the second night it happened. He stormed backstage and ranted at everyone in sight. His outburst, edited to make him appear temperamental, was included in the telecast.\u003c/p>\n\u003cp>“Once you’re known as being difficult, it becomes too hard to deal with management and even fellow artists,” he remarked in 1986. The bookings fell off, and Berman returned to acting, with little luck. He and his wife, Sarah, were forced to file for bankruptcy, and he began a long struggle to pay off his taxes and creditors.\u003c/p>\n\u003cp>He found work in television series such as \u003cem>The Twilight Zone\u003c/em>, \u003cem>Rawhide\u003c/em> and \u003cem>Peter Gunn\u003c/em> and occasional movies including \u003cem>Divorce American Style\u003c/em>. He became active in regional theater and also worked his old routines before college and lecture audiences.\u003c/p>\n\u003cp>For more than 20 years he taught comedy at the University of Southern California.\u003c/p>\n\u003cp>In recent years, he landed guest roles on series including \u003cem>The King of Queens\u003c/em>,\u003cem> Boston Legal\u003c/em> and \u003cem>CSI: NY\u003c/em>, and appeared in the film \u003cem>Meet the Fockers\u003c/em>.\u003c/p>\n\u003cp>He retired from performing in 2014 after being diagnosed with Alzheimer’s disease.\u003c/p>\n\u003cp>Sheldon Leonard Berman was born in Chicago and attended public schools. After training as an actor, he joined an improvisational company in Chicago, Compass Players, the beginning of the famed Second City. Watching his fellow performers, Mike Nichols and Elaine May, Berman said in 2000, “I learned more in two weeks than I did in four years at Goodman.”\u003c/p>\n\u003cp>He married in 1947, and he credited Sarah with helping him to survive through his jobless period while trying to be a comedian, the bankruptcy, the rebuilding of his career and the loss of their son, Joshua. They also had a daughter, Rachel, who, along with his wife, survives him.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Berman said of his marriage: “The love we have and the way it has grown, that’s what I’d like to be remembered for.”\u003cbr>\n___\u003cbr>\nThe late Associated Press entertainer writer Bob Thomas contributed to this report.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>On the Do List this week, we welcome back Jamedra Brown Fleischman, co-host of KQED’s podcast \u003cem>The Cooler\u003c/em>, to help with the show. And we found plenty to entertain us: a singer with a luscious voice, a black-light experience that’s a great family choice, the answer to the question, “what does art sound like,” and the kings of surf-goth.\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Sept. 26\u003c/strong>: \u003ca href=\"https://wp.me/p4oi3Y-VVE7\" target=\"_blank\" rel=\"noopener noreferrer\">Singer-songwriter \u003c/a>\u003ca href=\"https://wp.me/p4oi3Y-VVE7\" target=\"_blank\" rel=\"noopener noreferrer\">Moses Sumney plays the Great American Music Hall\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Aug. 25-27\u003c/strong>: \u003ca href=\"https://wp.me/p4oi3Y-VVEn\" target=\"_blank\" rel=\"noopener noreferrer\">Crotchety Comedian John Witherspoon comes to San Jose Improv\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Sept. 16:\u003c/strong>\u003ca href=\"http://www.blacklightslide.com/sanjoseca/\" target=\"_blank\" rel=\"noopener noreferrer\"> Glowing up with a blacklight slide at the Santa Clara County Fairgrounds\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Through Jan. 1, 2018:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VVEM\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Soundtracks\u003c/em> is an exhibition at SFMOMA that you have to hear to believe \u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Sept. 6 and 8-11: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VVER\" target=\"_blank\" rel=\"noopener noreferrer\">SoCal pop stars The Growlers play San Jose and San Francisco \u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Aug. 27, Sept. 1, and Sept 11: \u003c/strong>\u003ca href=\"http://www.livinonahighnote.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The legendary gospel and soul singer Mavis Staples is busy in Northern California \u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Aug. 27:\u003c/strong> \u003ca href=\"https://ticketing.us.veezi.com/purchase/3985?siteToken=P5WXdOEJ3Eq2eHbZHTAtbg%3D%3D\" target=\"_blank\" rel=\"noopener noreferrer\">Thronies Alert: a season finale viewing party for \u003cem>Game of Thrones\u003c/em> at the New Parkway in Oakland\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Aug. 27:\u003c/strong> \u003ca href=\"https://allevents.in/oakland/hella-insecure-battle-of-the-sexes-oakland-edition/140263023229703\" target=\"_blank\" rel=\"noopener noreferrer\">And \u003cem>Insecure\u003c/em> fans get a season finale party of their own, at the Au Lounge, also in Oakland\u003c/a> \u003ca href=\"https://ticketing.us.veezi.com/purchase/3985?siteToken=P5WXdOEJ3Eq2eHbZHTAtbg%3D%3D\" target=\"_blank\" rel=\"noopener noreferrer\"> \u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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