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"headTitle": "Season 13 | Truly CA | Truly CA | KQED Arts",
"content": "\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2318\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/05/Hale1-800x544.jpg\" alt=\"\" width=\"800\" height=\"544\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-800x544.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-160x109.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-768x522.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-240x163.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-375x255.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-520x354.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Hale Zukas, 73, has had cerebral palsy since birth. A student at UC Berkeley during the height of '60s activism, Zukas became one of the founders of the disability rights movement. Much of the urban accessibility that we now take for granted, such as public transportation ramps and sidewalk dips, are a direct result of his efforts. He was one of the founding members of \u003cstrong>The\u003c/strong> \u003cstrong>Center for Independent Living in Berkeley\u003c/strong>, the first organization of its kind to provide advocacy and opportunity for people with disabilities.\u003c/p>\n\u003cp>\u003cem>Hale\u003c/em> chronicles Hale Zukas' battle towards empowerment and explores how his work has impacted the lives of disabled people worldwide. The disabled rights movement is a story that has often been a footnote when examining civil rights groups of the 1960s. This film seeks to change that.\u003c/p>\n\u003cfigure id=\"attachment_2485\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-2485 size-medium\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/FullSizeRender-3-copy-800x564.jpg\" alt=\"\" width=\"800\" height=\"564\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-800x564.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-160x113.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-768x542.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-1020x719.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-1200x846.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-1180x832.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-960x677.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-240x169.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-375x264.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-520x367.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hale Director - Brad Bailey\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Statement\u003c/strong>\u003c/p>\n\u003cp>\"I first met Hale Zukas one day when he came to the Journalism School to attend a film screening. He has been a Berkeley institution for decades. It’s common in the city to see him zooming through the streets, in his wheelchair, on his way to an activity or meeting. When I got to know him, I found out about his remarkable history and one day I ran across a plaque in his honor at the Ashby Rail Station in Berkeley, California. I then realized that Hale had been a crucial link in a movement, started in Berkeley in the 1970s, that is responsible for changing how the world looks at the issue of disability. Many things that we take for granted today- from curb cuts to ramps, and laws protecting disability rights all started from the early work of Hale and others here in Berkeley in the 1970s. Further, Hale is still advocating for disability rights through policy while advising San Francisco Bay Area leaders on accessibility. He is also a living embodiment of independent living. In the film, we chronicle the range of daily activities he undergoes, from comedy shows to movies, despite tremendous challenges. In the film, I speak with Zona Roberts, the 97-year-old mother of disability icon Ed Roberts and Judy Heumann, who was appointed by President Clinton and President Obama to lead disability and Special Education issues throughout the nation. In addition, I speak to two former Mayors of Berkeley about the impact Hale has had on the region and the world.\" — Brad Bailey, Director.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Brad Bailey received his B.A. in Political Science from Yale and his Masters in Public Affairs from Princeton. He recently graduated from UC Berkeley's School of Journalism.\u003c/p>\n\u003cfigure id=\"attachment_2502\" class=\"wp-caption alignnone\" style=\"max-width: 600px\">\u003cimg class=\"size-full wp-image-2502\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/08/IsaacSmith_Headshot.jpg\" alt=\"\" width=\"600\" height=\"696\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-160x186.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-240x278.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-375x435.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-520x603.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Hale Producer Isaac Smith\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Isaac Smith - Producer \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Bio:\u003c/strong>\u003c/p>\n\u003cp>A 2017 graduate of the UC Berkeley School of Journalism, Isaac has produced educational, instructional, and social issue documentaries in such far-flung locations as Dakar, Senegal, and Yangon, Myanmar. He studies the interface between politics, cognition, and morality and is interested in being at the vanguard of the new evidence-informed, multimedia conversation about how society should regulate itself in the era of neuroscience and Big Data.\u003c/p>\n\u003cp>In his spare time, he is an enthusiastic father, yogi, and gardener.\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>Hale Zukas\u003c/p>\n\u003cp>Zona Roberts\u003c/p>\n\u003cp>Judy Heumann\u003c/p>\n\u003cp>Joan Leon\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Brad Bailey\u003c/p>\n\u003cp>Isaac Smith\u003c/p>\n\u003cp>Abner Hauge\u003c/p>\n\u003cp>Pablo De La Hoya\u003c/p>\n\u003cp>Nailah Morgan\u003c/p>\n\u003cp>Mahlia Posey\u003c/p>\n\u003cp>Joe Bush\u003c/p>\n\u003cp>Pasha Minkovsky\u003c/p>\n\u003cp>Nani Walker\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Khaled Sayed\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2318\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/05/Hale1-800x544.jpg\" alt=\"\" width=\"800\" height=\"544\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-800x544.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-160x109.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-768x522.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-240x163.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-375x255.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-520x354.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Hale Zukas, 73, has had cerebral palsy since birth. A student at UC Berkeley during the height of '60s activism, Zukas became one of the founders of the disability rights movement. Much of the urban accessibility that we now take for granted, such as public transportation ramps and sidewalk dips, are a direct result of his efforts. He was one of the founding members of \u003cstrong>The\u003c/strong> \u003cstrong>Center for Independent Living in Berkeley\u003c/strong>, the first organization of its kind to provide advocacy and opportunity for people with disabilities.\u003c/p>\n\u003cp>\u003cem>Hale\u003c/em> chronicles Hale Zukas' battle towards empowerment and explores how his work has impacted the lives of disabled people worldwide. The disabled rights movement is a story that has often been a footnote when examining civil rights groups of the 1960s. This film seeks to change that.\u003c/p>\n\u003cfigure id=\"attachment_2485\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-2485 size-medium\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/FullSizeRender-3-copy-800x564.jpg\" alt=\"\" width=\"800\" height=\"564\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-800x564.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-160x113.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-768x542.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-1020x719.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-1200x846.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-1180x832.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-960x677.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-240x169.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-375x264.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-520x367.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hale Director - Brad Bailey\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Statement\u003c/strong>\u003c/p>\n\u003cp>\"I first met Hale Zukas one day when he came to the Journalism School to attend a film screening. He has been a Berkeley institution for decades. It’s common in the city to see him zooming through the streets, in his wheelchair, on his way to an activity or meeting. When I got to know him, I found out about his remarkable history and one day I ran across a plaque in his honor at the Ashby Rail Station in Berkeley, California. I then realized that Hale had been a crucial link in a movement, started in Berkeley in the 1970s, that is responsible for changing how the world looks at the issue of disability. Many things that we take for granted today- from curb cuts to ramps, and laws protecting disability rights all started from the early work of Hale and others here in Berkeley in the 1970s. Further, Hale is still advocating for disability rights through policy while advising San Francisco Bay Area leaders on accessibility. He is also a living embodiment of independent living. In the film, we chronicle the range of daily activities he undergoes, from comedy shows to movies, despite tremendous challenges. In the film, I speak with Zona Roberts, the 97-year-old mother of disability icon Ed Roberts and Judy Heumann, who was appointed by President Clinton and President Obama to lead disability and Special Education issues throughout the nation. In addition, I speak to two former Mayors of Berkeley about the impact Hale has had on the region and the world.\" — Brad Bailey, Director.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Brad Bailey received his B.A. in Political Science from Yale and his Masters in Public Affairs from Princeton. He recently graduated from UC Berkeley's School of Journalism.\u003c/p>\n\u003cfigure id=\"attachment_2502\" class=\"wp-caption alignnone\" style=\"max-width: 600px\">\u003cimg class=\"size-full wp-image-2502\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/08/IsaacSmith_Headshot.jpg\" alt=\"\" width=\"600\" height=\"696\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-160x186.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-240x278.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-375x435.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-520x603.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Hale Producer Isaac Smith\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Isaac Smith - Producer \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Bio:\u003c/strong>\u003c/p>\n\u003cp>A 2017 graduate of the UC Berkeley School of Journalism, Isaac has produced educational, instructional, and social issue documentaries in such far-flung locations as Dakar, Senegal, and Yangon, Myanmar. He studies the interface between politics, cognition, and morality and is interested in being at the vanguard of the new evidence-informed, multimedia conversation about how society should regulate itself in the era of neuroscience and Big Data.\u003c/p>\n\u003cp>In his spare time, he is an enthusiastic father, yogi, and gardener.\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>Hale Zukas\u003c/p>\n\u003cp>Zona Roberts\u003c/p>\n\u003cp>Judy Heumann\u003c/p>\n\u003cp>Joan Leon\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Brad Bailey\u003c/p>\n\u003cp>Isaac Smith\u003c/p>\n\u003cp>Abner Hauge\u003c/p>\n\u003cp>Pablo De La Hoya\u003c/p>\n\u003cp>Nailah Morgan\u003c/p>\n\u003cp>Mahlia Posey\u003c/p>\n\u003cp>Joe Bush\u003c/p>\n\u003cp>Pasha Minkovsky\u003c/p>\n\u003cp>Nani Walker\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Khaled Sayed\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2322\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/Fishtank-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>A View from the Window \u003c/em>follows a day in the life of students at the California School for the Deaf. Taking viewers through a journey that includes playing in the school yard, learning about race and identity and how crayfish survive in the wild \u003cem>A View From the Window\u003c/em> takes audiences back to school and educates through a day of learning, diversity and inclusion.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2320\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-800x800.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-960x960.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-520x520.jpg 520w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-150x150.jpg 150w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot.jpg 1000w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/p>\n\u003cp>Director Bios Azar Kafaei is an independent filmmaker from Tehran, Iran. She obtained her undergraduate degree from Yale University, and is currently an MFA candidate at Stanford's documentary filmmaking program.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2321\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/DirectorHeadshot-800x958.jpg\" alt=\"\" width=\"230\" height=\"230\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-150x150.jpg 150w\" sizes=\"(max-width: 230px) 100vw, 230px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Chris Filippone is an independent filmmaker from Philadelphia whose work has been screened in Visions du Réel, Sheffield Doc/Fest, Palm Springs Shortfest, The Guardian, and The Walker Art Center. His most recent film, \"Scrap,\" won the Spirit Award for Short Documentary at the Brooklyn Film Festival. He has also received support from MiND TV, the Bread and Roses Fund, as well as a Telluride Student Symposium Fellowship. He currently attends the MFA Documentary Film and Video Program at Stanford University.\u003c/p>\n\n",
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"content": "\u003cp>In the dark depths of a 6,000 square foot industrial warehouse in San Francisco's Mission District, a shadowy figure of a man steps into the light. That man is Stephen Parr. He's an archivist, a curator, a collector, an artist, a writer, and an image maker, but if you ask him yourself he'll tell you he's in the memory business. That memory business is Oddball Films - the largest private film archive in Northern California, and also the most unusual.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003cstrong>ODDBALL | Director's Statement\u003c/strong>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">There's something magical and otherworldly about setting foot inside the Mission warehouse space that is San Francisco's Oddball Films. It's difficult to fully describe in words (though I just tried). It's more of a feeling and a wonder that comes over you as you navigate through the darkness of the floor to ceiling shelves stacked with film cans, past the other odds and ends only an eccentric collector of tchotchkes would have until you reach the cozy screening room that resembles equal parts burlesque lounge, movie theater and greasy spoon diner. Then a small man in a hat with a distinct voice and dressed in even more distinctive vintage clothing steps out from behind a 16mm projector and welcomes you to something you've never seen before. At least that's how I remembered it the first time I went to Oddball Films and what I've tried to capture here in this short portrait of the place and the lovely unique man behind it that is sadly no longer with us. I was fortunate to get to know Stephen Parr in what turned out to be the last year of his life and feel blessed I was able to share his story.\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">- Joshua Moore\u003c/p>\n\u003cfigure id=\"attachment_2480\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2480\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-800x535.jpg\" alt=\"\" width=\"800\" height=\"535\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-800x535.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-768x514.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-1020x682.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-960x642.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-240x161.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-375x251.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-520x348.jpg 520w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Oddball' Director, Joshua Moore\u003c/figcaption>\u003c/figure>\n\u003cp>Joshua Moore is an award-winning filmmaker based in San Francisco. He curates film and new media for the Jewish Film Institute. His \"delightfully freewheeling debut\" feature, \u003cem>I Think It's Raining\u003c/em>, had its world premiere at the Karlovy Vary International Film Festival, Czech Republic, in 2011, where it was nominated for the Independent Camera Award and received glowing reviews from Screen Daily and Variety. \u003cem>I Think It's Raining\u003c/em> was also the opening night film for the Cinema by the Bay Festival, San Francisco, in 2011 and has played in many film festivals across the country including Rooftop Films, New York City. His most recent film, \u003cem>Oddball\u003c/em>, a creative profile on Stephen Parr, the Oddball behind San Francisco's Oddball Films, played numerous film festivals and is a Vimeo Staff Pick.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Crew\u003c/p>\n\u003cp>Director: Joshua Moore\u003c/p>\n\u003cp>Producer: VIMBY\u003c/p>\n\u003cp>Cinematography: Matt Rome\u003c/p>\n\u003cp>Editor: Liz Payne\u003c/p>\n\u003cp>Gaffer: Dan Juenemann\u003c/p>\n\u003cp>Sound Mixing: Dan Olmstead\u003c/p>\n\u003cp>Color Grade: Ayumi Ashley\u003c/p>\n\u003cp>Subject: Stephen Parr\u003c/p>\n\u003cp>Narrator: Joshua Moore\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Special Thanks: Oddball Films Dedicated to Stephen Parr\u003c/p>\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">Related Links:\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=gd6q96LCXgdJ8q2fX4n97MCWPuhS3LOlFJV%2FKPjS2OQ%3D&url=http%3A%2F%2Fjoshuasmoore.com%2Foddball\" target=\"_blank\" rel=\"noreferrer noopener\">http://joshuasmoore.com/oddball\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=U%2Feuv%2BEUj8S6Gl4vvPB97mBXPqARd35%2BiXhBa9B8XTE%3D&url=https%3A%2F%2Fvimeo.com%2Fuser5107909\" target=\"_blank\" rel=\"noreferrer noopener\">https://vimeo.com/user5107909\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=TiKVwsOSM4Uo1UM92z3bPsyFYUxRqP4fbh1ih2ETA3I%3D&url=https%3A%2F%2Fwww.instagram.com%2Fjoshuasmoore%2F\" target=\"_blank\" rel=\"noreferrer noopener\">https://www.instagram.com/joshuasmoore/\u003c/a>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"links-layer\">\n\u003cdiv class=\"links-layer-inner\">\u003c/div>\n\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the dark depths of a 6,000 square foot industrial warehouse in San Francisco's Mission District, a shadowy figure of a man steps into the light. That man is Stephen Parr. He's an archivist, a curator, a collector, an artist, a writer, and an image maker, but if you ask him yourself he'll tell you he's in the memory business. That memory business is Oddball Films - the largest private film archive in Northern California, and also the most unusual.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003cstrong>ODDBALL | Director's Statement\u003c/strong>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">There's something magical and otherworldly about setting foot inside the Mission warehouse space that is San Francisco's Oddball Films. It's difficult to fully describe in words (though I just tried). It's more of a feeling and a wonder that comes over you as you navigate through the darkness of the floor to ceiling shelves stacked with film cans, past the other odds and ends only an eccentric collector of tchotchkes would have until you reach the cozy screening room that resembles equal parts burlesque lounge, movie theater and greasy spoon diner. Then a small man in a hat with a distinct voice and dressed in even more distinctive vintage clothing steps out from behind a 16mm projector and welcomes you to something you've never seen before. At least that's how I remembered it the first time I went to Oddball Films and what I've tried to capture here in this short portrait of the place and the lovely unique man behind it that is sadly no longer with us. I was fortunate to get to know Stephen Parr in what turned out to be the last year of his life and feel blessed I was able to share his story.\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">- Joshua Moore\u003c/p>\n\u003cfigure id=\"attachment_2480\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2480\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-800x535.jpg\" alt=\"\" width=\"800\" height=\"535\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-800x535.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-768x514.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-1020x682.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-960x642.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-240x161.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-375x251.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-520x348.jpg 520w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Oddball' Director, Joshua Moore\u003c/figcaption>\u003c/figure>\n\u003cp>Joshua Moore is an award-winning filmmaker based in San Francisco. He curates film and new media for the Jewish Film Institute. His \"delightfully freewheeling debut\" feature, \u003cem>I Think It's Raining\u003c/em>, had its world premiere at the Karlovy Vary International Film Festival, Czech Republic, in 2011, where it was nominated for the Independent Camera Award and received glowing reviews from Screen Daily and Variety. \u003cem>I Think It's Raining\u003c/em> was also the opening night film for the Cinema by the Bay Festival, San Francisco, in 2011 and has played in many film festivals across the country including Rooftop Films, New York City. His most recent film, \u003cem>Oddball\u003c/em>, a creative profile on Stephen Parr, the Oddball behind San Francisco's Oddball Films, played numerous film festivals and is a Vimeo Staff Pick.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"headTitle": "Season 13 | Truly CA | Truly CA | KQED Arts",
"content": "\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"512\" height=\"376\" src=\"https://player.pbs.org/viralplayer/3014675896/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2331\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/05/WTTN_Onynex-at-Adeline-800x348.png\" alt=\"\" width=\"600\" height=\"400\">\u003c/p>\n\u003cp>\u003cem>Welcome to the neighborhood \u003c/em> follows the story of a Berkeley family, the Howards. Mable Howard, known as Mama Howard, came with her husband and children to San Francisco during World War II to work in the shipyards of Hunters Point. They soon joined the growing community of African Americans in South Berkeley. Mable Howard’s landmark lawsuit against BART in 1968 forced the transit agency to underground the trains that traveled through South Berkeley, preventing the destruction of her neighborhood. Her daughter, the renowned artist Mildred Howard, grew up believing she could accomplish anything. Her work, which includes many public artworks in the Bay Area, re-frames history to tell the stories of those who are overlooked. Today there is one thing that Mildred Howard cannot do—afford to live in Berkeley. When her landlord raises her rent by fifty percent, Mildred comes to terms with leaving the city that has been her home for nearly seventy years.\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2332\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/PamUzzell_headshot.png\" alt=\"\" width=\"1\" height=\"1\">\u003cimg class=\"alignnone wp-image-2336\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/PamUzzell_headshot-2-800x1067.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-50x50.png 50w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-150x150.png 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/p>\n\u003cp>Pam Uzzell is an award-winning documentary producer, director and editor. Her feature-length documentary, Unearthing the Dream, featured on Arkansas Public Television as part of their independent producer series, won Best Documentary at the Arkansas Black Independent Film Festival, as well as an Indie Award of Merit. A graduate of Brown University, with an MFA in Cinema from San Francisco State University, Uzzell has also worked on over twenty feature films in post-production, including Godfather III, Terminator 2, and Dead Poets’ Society.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Credit List; Crew Director\u003c/p>\n\u003cp>Producer/Editor: Pam Uzzell\u003c/p>\n\u003cp>Director Of Photography: Smith Patrick\u003c/p>\n\u003cp>Associate Producer: Marjorie Sturm\u003c/p>\n\u003cp>Story Consultant Manuel Tsingaris\u003c/p>\n\u003cp>Additional Camera Vicente Franco, Morgan Schmidt Feng, Michael SnyderSound Recording Ray Day, Anton Herbert, Matt Clarke, Zenan Robinson, Will Henderson-Nold\u003c/p>\n\u003cp>Gaffer Daniel Juenemann\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Related Links\u003c/p>\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">Film Website\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=lni4Rds9GmltLhiTLwiSdHe%2BC4sijjk1QCLmReTMhJU%3D&url=http%3A%2F%2Fwelcometotheneighborhoodfilm.com\" target=\"_blank\" rel=\"noreferrer noopener\">welcometotheneighborhoodfilm.com\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Facebook\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=ioLO5K%2BOL2yNSj1kaMQ4XCB6b3RaQufSEMGeuer0TVU%3D&url=https%3A%2F%2Fwww.facebook.com%2FWelcome-\" target=\"_blank\" rel=\"noreferrer noopener\">https://www.facebook.com/Welcome-\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=AfeVnOF7W%2Fas4P353UPK0FwgVV8OdBd8bFGWIY03T2Y%3D&url=http%3A%2F%2Fwww.berkeleyside.com%2F2018%2F03%2F21%2Fwelcome-neighborhood\" target=\"_blank\" rel=\"noreferrer noopener\">http://www.berkeleyside.com/2018/03/21/welcome-neighborhood\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">-\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003cdiv class=\"links-layer\">\n\u003cdiv class=\"links-layer-inner\">\u003c/div>\n\u003c/div>\n\n",
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"content": "\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2326\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/April-SoccerBall-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1020x573.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1200x674.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-520x292.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Futbolistsas 4 Life\u003c/em> takes you into the lives of two Oakland high schoolers: One is a college hopeful and DACA applicant who’s navigating the reality of his immigration status, and the other is an American citizen who lives in fear that her undocumented parents may be deported. These youth take solace in the game of soccer, which lets them if only for a moment, put their worries on the sidelines. Futbolistas 4 Life sheds light on the overwhelming stress experienced nationwide by immigrant youth living in communities with high rates of poverty and violence – communities increasingly in the crosshairs of harsh federal immigration policies. The film captivates viewers with its compelling characters, cinematic footage, carefully crafted animations and beautiful score by Grammy Award-winning Adrian Quesada.\u003c/p>\n\u003cp>Jun Stinson is an Oakland-based filmmaker and a producer at AJ+ . She has worked as a post-production producer and editor withAl Jazeera America and produced stories for CurrentTV and KQED, among others. She was also on the post-production team of the feature documentary Spark: A Burning Man Story that premiered at SXSW. Her work is published in the Washington Post, Associated Press, ESPNW, and SFGate.com . She is a former BAVC National MediaMaker Fellow and San Francisco Film Society FilmHouse resident . Jun was raised in both Oakland and Kobe, Japan, and is a graduate of UC Berkeley’s Graduate School of Journalism.\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Related Links\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"mailto:futbolistas4lifefilm@gmail.com\">futbolistas4lifefilm@gmail.com\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=XkOP0l4yWM5QRwq1P4QoZwz1FpO96u4D03yxKduAPqM%3D&url=http%3A%2F%2FFutbolistas4LifeFilm.com\" target=\"_blank\" rel=\"noreferrer noopener\">Futbolistas4LifeFilm.com\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Twitter: @FutbolLifeFilm\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Instagram @Futbolistas4LifeFilm\u003c/p>\n\u003cp>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=KKQnHqEJqzefcruAyiBywlt%2BJbOEJXIeGGnL%2B3JV%2B%2BM%3D&url=http%3A%2F%2FFacebook.com%2Ffutbolistas4lifefilm\" target=\"_blank\" rel=\"noreferrer noopener\">Facebook.com/futbolistas4lifefilm\u003c/a>\u003c/p>\n\u003cdiv id=\"pageContainer3\" class=\"page\">\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cdiv id=\"pageContainer4\" class=\"page\">\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003c/div>\n\n",
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"officialWebsiteLink": "/californiareport",
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"order": 8
},
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},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
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"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
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},
"closealltabs": {
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"officialWebsiteLink": "http://freakonomics.com/",
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"meta": {
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},
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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},
"hidden-brain": {
"id": "hidden-brain",
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
"meta": {
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},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"rss": "https://rss.art19.com/masters-of-scale"
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
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"source": "wnyc"
},
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