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Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/52eb8bcbf0bb97068e4ad609525e763c?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/52eb8bcbf0bb97068e4ad609525e763c?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ahenderson"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 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https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-375x255.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-520x354.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Hale Zukas, 73, has had cerebral palsy since birth. A student at UC Berkeley during the height of '60s activism, Zukas became one of the founders of the disability rights movement. Much of the urban accessibility that we now take for granted, such as public transportation ramps and sidewalk dips, are a direct result of his efforts. He was one of the founding members of \u003cstrong>The\u003c/strong> \u003cstrong>Center for Independent Living in Berkeley\u003c/strong>, the first organization of its kind to provide advocacy and opportunity for people with disabilities.\u003c/p>\n\u003cp>\u003cem>Hale\u003c/em> chronicles Hale Zukas' battle towards empowerment and explores how his work has impacted the lives of disabled people worldwide. The disabled rights movement is a story that has often been a footnote when examining civil rights groups of the 1960s. This film seeks to change that.\u003c/p>\n\u003cfigure id=\"attachment_2485\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-2485 size-medium\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/FullSizeRender-3-copy-800x564.jpg\" alt=\"\" width=\"800\" height=\"564\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-800x564.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-160x113.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-768x542.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-1020x719.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-1200x846.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-1180x832.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-960x677.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-240x169.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-375x264.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-520x367.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hale Director - Brad Bailey\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Statement\u003c/strong>\u003c/p>\n\u003cp>\"I first met Hale Zukas one day when he came to the Journalism School to attend a film screening. He has been a Berkeley institution for decades. It’s common in the city to see him zooming through the streets, in his wheelchair, on his way to an activity or meeting. When I got to know him, I found out about his remarkable history and one day I ran across a plaque in his honor at the Ashby Rail Station in Berkeley, California. I then realized that Hale had been a crucial link in a movement, started in Berkeley in the 1970s, that is responsible for changing how the world looks at the issue of disability. Many things that we take for granted today- from curb cuts to ramps, and laws protecting disability rights all started from the early work of Hale and others here in Berkeley in the 1970s. Further, Hale is still advocating for disability rights through policy while advising San Francisco Bay Area leaders on accessibility. He is also a living embodiment of independent living. In the film, we chronicle the range of daily activities he undergoes, from comedy shows to movies, despite tremendous challenges. In the film, I speak with Zona Roberts, the 97-year-old mother of disability icon Ed Roberts and Judy Heumann, who was appointed by President Clinton and President Obama to lead disability and Special Education issues throughout the nation. In addition, I speak to two former Mayors of Berkeley about the impact Hale has had on the region and the world.\" — Brad Bailey, Director.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Brad Bailey received his B.A. in Political Science from Yale and his Masters in Public Affairs from Princeton. He recently graduated from UC Berkeley's School of Journalism.\u003c/p>\n\u003cfigure id=\"attachment_2502\" class=\"wp-caption alignnone\" style=\"max-width: 600px\">\u003cimg class=\"size-full wp-image-2502\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/08/IsaacSmith_Headshot.jpg\" alt=\"\" width=\"600\" height=\"696\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-160x186.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-240x278.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-375x435.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-520x603.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Hale Producer Isaac Smith\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Isaac Smith - Producer \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Bio:\u003c/strong>\u003c/p>\n\u003cp>A 2017 graduate of the UC Berkeley School of Journalism, Isaac has produced educational, instructional, and social issue documentaries in such far-flung locations as Dakar, Senegal, and Yangon, Myanmar. He studies the interface between politics, cognition, and morality and is interested in being at the vanguard of the new evidence-informed, multimedia conversation about how society should regulate itself in the era of neuroscience and Big Data.\u003c/p>\n\u003cp>In his spare time, he is an enthusiastic father, yogi, and gardener.\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>Hale Zukas\u003c/p>\n\u003cp>Zona Roberts\u003c/p>\n\u003cp>Judy Heumann\u003c/p>\n\u003cp>Joan Leon\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Brad Bailey\u003c/p>\n\u003cp>Isaac Smith\u003c/p>\n\u003cp>Abner Hauge\u003c/p>\n\u003cp>Pablo De La Hoya\u003c/p>\n\u003cp>Nailah Morgan\u003c/p>\n\u003cp>Mahlia Posey\u003c/p>\n\u003cp>Joe Bush\u003c/p>\n\u003cp>Pasha Minkovsky\u003c/p>\n\u003cp>Nani Walker\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Khaled Sayed\u003c/p>\n\n","disqusIdentifier":"2289 https://ww2.kqed.org/trulyca/?p=2289","disqusUrl":"https://ww2.kqed.org/trulyca/hale/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":568,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":29},"modified":1575492477,"excerpt":"Hale is the story of disability pioneer Hale Zukas. It gives us an intimate look into his history, and current life as he navigates the Bay Area alone.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Hale is the story of disability pioneer Hale Zukas. It gives us an intimate look into his history, and current life as he navigates the Bay Area alone.","title":"Hale | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Hale","datePublished":"2018-08-14T11:01:23-07:00","dateModified":"2019-12-04T12:47:57-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"hale","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=WY_BYyK1ArE","path":"/trulyca/2289/hale","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2318\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/05/Hale1-800x544.jpg\" alt=\"\" width=\"800\" height=\"544\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-800x544.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-160x109.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-768x522.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-240x163.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-375x255.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/Hale1-520x354.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Hale Zukas, 73, has had cerebral palsy since birth. A student at UC Berkeley during the height of '60s activism, Zukas became one of the founders of the disability rights movement. Much of the urban accessibility that we now take for granted, such as public transportation ramps and sidewalk dips, are a direct result of his efforts. He was one of the founding members of \u003cstrong>The\u003c/strong> \u003cstrong>Center for Independent Living in Berkeley\u003c/strong>, the first organization of its kind to provide advocacy and opportunity for people with disabilities.\u003c/p>\n\u003cp>\u003cem>Hale\u003c/em> chronicles Hale Zukas' battle towards empowerment and explores how his work has impacted the lives of disabled people worldwide. The disabled rights movement is a story that has often been a footnote when examining civil rights groups of the 1960s. This film seeks to change that.\u003c/p>\n\u003cfigure id=\"attachment_2485\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-2485 size-medium\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/FullSizeRender-3-copy-800x564.jpg\" alt=\"\" width=\"800\" height=\"564\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-800x564.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-160x113.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-768x542.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-1020x719.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-1200x846.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-1180x832.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-960x677.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-240x169.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-375x264.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/FullSizeRender-3-copy-520x367.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hale Director - Brad Bailey\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Statement\u003c/strong>\u003c/p>\n\u003cp>\"I first met Hale Zukas one day when he came to the Journalism School to attend a film screening. He has been a Berkeley institution for decades. It’s common in the city to see him zooming through the streets, in his wheelchair, on his way to an activity or meeting. When I got to know him, I found out about his remarkable history and one day I ran across a plaque in his honor at the Ashby Rail Station in Berkeley, California. I then realized that Hale had been a crucial link in a movement, started in Berkeley in the 1970s, that is responsible for changing how the world looks at the issue of disability. Many things that we take for granted today- from curb cuts to ramps, and laws protecting disability rights all started from the early work of Hale and others here in Berkeley in the 1970s. Further, Hale is still advocating for disability rights through policy while advising San Francisco Bay Area leaders on accessibility. He is also a living embodiment of independent living. In the film, we chronicle the range of daily activities he undergoes, from comedy shows to movies, despite tremendous challenges. In the film, I speak with Zona Roberts, the 97-year-old mother of disability icon Ed Roberts and Judy Heumann, who was appointed by President Clinton and President Obama to lead disability and Special Education issues throughout the nation. In addition, I speak to two former Mayors of Berkeley about the impact Hale has had on the region and the world.\" — Brad Bailey, Director.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Brad Bailey received his B.A. in Political Science from Yale and his Masters in Public Affairs from Princeton. He recently graduated from UC Berkeley's School of Journalism.\u003c/p>\n\u003cfigure id=\"attachment_2502\" class=\"wp-caption alignnone\" style=\"max-width: 600px\">\u003cimg class=\"size-full wp-image-2502\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/08/IsaacSmith_Headshot.jpg\" alt=\"\" width=\"600\" height=\"696\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-160x186.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-240x278.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-375x435.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/08/IsaacSmith_Headshot-520x603.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Hale Producer Isaac Smith\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Isaac Smith - Producer \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Bio:\u003c/strong>\u003c/p>\n\u003cp>A 2017 graduate of the UC Berkeley School of Journalism, Isaac has produced educational, instructional, and social issue documentaries in such far-flung locations as Dakar, Senegal, and Yangon, Myanmar. He studies the interface between politics, cognition, and morality and is interested in being at the vanguard of the new evidence-informed, multimedia conversation about how society should regulate itself in the era of neuroscience and Big Data.\u003c/p>\n\u003cp>In his spare time, he is an enthusiastic father, yogi, and gardener.\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>Hale Zukas\u003c/p>\n\u003cp>Zona Roberts\u003c/p>\n\u003cp>Judy Heumann\u003c/p>\n\u003cp>Joan Leon\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Brad Bailey\u003c/p>\n\u003cp>Isaac Smith\u003c/p>\n\u003cp>Abner Hauge\u003c/p>\n\u003cp>Pablo De La Hoya\u003c/p>\n\u003cp>Nailah Morgan\u003c/p>\n\u003cp>Mahlia Posey\u003c/p>\n\u003cp>Joe Bush\u003c/p>\n\u003cp>Pasha Minkovsky\u003c/p>\n\u003cp>Nani Walker\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Khaled Sayed\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2289/hale","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_77","trulyca_503"],"categories":["trulyca_33","trulyca_20","trulyca_17"],"tags":["trulyca_128","trulyca_806","trulyca_781","trulyca_412","trulyca_90","trulyca_805","trulyca_804","trulyca_802","trulyca_803","trulyca_808","trulyca_82","trulyca_807","trulyca_765","trulyca_406"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2486","label":"trulyca_771"},"trulyca_2286":{"type":"posts","id":"trulyca_2286","meta":{"index":"posts_1716263798","site":"trulyca","id":"2286","score":null,"sort":[1534268785000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1534268785,"format":"video","disqusTitle":"A View from the Window - A short documentary on hearing impaired youth","title":"A View from the Window - A short documentary on hearing impaired youth","headTitle":"Season 13 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2322\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/Fishtank-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>A View from the Window \u003c/em>follows a day in the life of students at the California School for the Deaf. Taking viewers through a journey that includes playing in the school yard, learning about race and identity and how crayfish survive in the wild \u003cem>A View From the Window\u003c/em> takes audiences back to school and educates through a day of learning, diversity and inclusion.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2320\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-800x800.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-960x960.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-520x520.jpg 520w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-150x150.jpg 150w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot.jpg 1000w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/p>\n\u003cp>Director Bios Azar Kafaei is an independent filmmaker from Tehran, Iran. She obtained her undergraduate degree from Yale University, and is currently an MFA candidate at Stanford's documentary filmmaking program.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2321\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/DirectorHeadshot-800x958.jpg\" alt=\"\" width=\"230\" height=\"230\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-150x150.jpg 150w\" sizes=\"(max-width: 230px) 100vw, 230px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Chris Filippone is an independent filmmaker from Philadelphia whose work has been screened in Visions du Réel, Sheffield Doc/Fest, Palm Springs Shortfest, The Guardian, and The Walker Art Center. His most recent film, \"Scrap,\" won the Spirit Award for Short Documentary at the Brooklyn Film Festival. He has also received support from MiND TV, the Bread and Roses Fund, as well as a Telluride Student Symposium Fellowship. He currently attends the MFA Documentary Film and Video Program at Stanford University.\u003c/p>\n\n","disqusIdentifier":"2286 https://ww2.kqed.org/trulyca/?p=2286","disqusUrl":"https://ww2.kqed.org/trulyca/a-view-from-the-window/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":182,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":8},"modified":1552427072,"excerpt":"A View From the Window takes viewers into a day in the life of students at the California School for the Deaf","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Experience a day in the life of kindergartners at the California School for the Deaf as they learn about racial identity and crayfish, a short documentary from Stanford University.","title":"A View From the Window - A short documentary on hearing impaired youth","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"A View from the Window - A short documentary on hearing impaired youth","datePublished":"2018-08-14T10:46:25-07:00","dateModified":"2019-03-12T14:44:32-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"a-view-from-the-window","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=4Q_guDo5WlA","path":"/trulyca/2286/a-view-from-the-window","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2322\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/Fishtank-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>A View from the Window \u003c/em>follows a day in the life of students at the California School for the Deaf. Taking viewers through a journey that includes playing in the school yard, learning about race and identity and how crayfish survive in the wild \u003cem>A View From the Window\u003c/em> takes audiences back to school and educates through a day of learning, diversity and inclusion.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2320\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-800x800.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-960x960.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-520x520.jpg 520w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-150x150.jpg 150w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot.jpg 1000w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/p>\n\u003cp>Director Bios Azar Kafaei is an independent filmmaker from Tehran, Iran. She obtained her undergraduate degree from Yale University, and is currently an MFA candidate at Stanford's documentary filmmaking program.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2321\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/DirectorHeadshot-800x958.jpg\" alt=\"\" width=\"230\" height=\"230\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-150x150.jpg 150w\" sizes=\"(max-width: 230px) 100vw, 230px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Chris Filippone is an independent filmmaker from Philadelphia whose work has been screened in Visions du Réel, Sheffield Doc/Fest, Palm Springs Shortfest, The Guardian, and The Walker Art Center. His most recent film, \"Scrap,\" won the Spirit Award for Short Documentary at the Brooklyn Film Festival. He has also received support from MiND TV, the Bread and Roses Fund, as well as a Telluride Student Symposium Fellowship. He currently attends the MFA Documentary Film and Video Program at Stanford University.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2286/a-view-from-the-window","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_503"],"categories":["trulyca_43","trulyca_45","trulyca_33","trulyca_21","trulyca_17","trulyca_46"],"tags":["trulyca_801","trulyca_90","trulyca_498","trulyca_797","trulyca_796","trulyca_799","trulyca_794","trulyca_795","trulyca_576","trulyca_798","trulyca_800","trulyca_765","trulyca_287"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2483","label":"trulyca_771"},"trulyca_2262":{"type":"posts","id":"trulyca_2262","meta":{"index":"posts_1716263798","site":"trulyca","id":"2262","score":null,"sort":[1534267569000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1534267569,"format":"video","disqusTitle":"Oddball","title":"Oddball","headTitle":"Season 13 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>In the dark depths of a 6,000 square foot industrial warehouse in San Francisco's Mission District, a shadowy figure of a man steps into the light. That man is Stephen Parr. He's an archivist, a curator, a collector, an artist, a writer, and an image maker, but if you ask him yourself he'll tell you he's in the memory business. That memory business is Oddball Films - the largest private film archive in Northern California, and also the most unusual.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003cstrong>ODDBALL | Director's Statement\u003c/strong>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">There's something magical and otherworldly about setting foot inside the Mission warehouse space that is San Francisco's Oddball Films. It's difficult to fully describe in words (though I just tried). It's more of a feeling and a wonder that comes over you as you navigate through the darkness of the floor to ceiling shelves stacked with film cans, past the other odds and ends only an eccentric collector of tchotchkes would have until you reach the cozy screening room that resembles equal parts burlesque lounge, movie theater and greasy spoon diner. Then a small man in a hat with a distinct voice and dressed in even more distinctive vintage clothing steps out from behind a 16mm projector and welcomes you to something you've never seen before. At least that's how I remembered it the first time I went to Oddball Films and what I've tried to capture here in this short portrait of the place and the lovely unique man behind it that is sadly no longer with us. I was fortunate to get to know Stephen Parr in what turned out to be the last year of his life and feel blessed I was able to share his story.\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">- Joshua Moore\u003c/p>\n\u003cfigure id=\"attachment_2480\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2480\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-800x535.jpg\" alt=\"\" width=\"800\" height=\"535\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-800x535.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-768x514.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-1020x682.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-960x642.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-240x161.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-375x251.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-520x348.jpg 520w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Oddball' Director, Joshua Moore\u003c/figcaption>\u003c/figure>\n\u003cp>Joshua Moore is an award-winning filmmaker based in San Francisco. He curates film and new media for the Jewish Film Institute. His \"delightfully freewheeling debut\" feature, \u003cem>I Think It's Raining\u003c/em>, had its world premiere at the Karlovy Vary International Film Festival, Czech Republic, in 2011, where it was nominated for the Independent Camera Award and received glowing reviews from Screen Daily and Variety. \u003cem>I Think It's Raining\u003c/em> was also the opening night film for the Cinema by the Bay Festival, San Francisco, in 2011 and has played in many film festivals across the country including Rooftop Films, New York City. His most recent film, \u003cem>Oddball\u003c/em>, a creative profile on Stephen Parr, the Oddball behind San Francisco's Oddball Films, played numerous film festivals and is a Vimeo Staff Pick.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Crew\u003c/p>\n\u003cp>Director: Joshua Moore\u003c/p>\n\u003cp>Producer: VIMBY\u003c/p>\n\u003cp>Cinematography: Matt Rome\u003c/p>\n\u003cp>Editor: Liz Payne\u003c/p>\n\u003cp>Gaffer: Dan Juenemann\u003c/p>\n\u003cp>Sound Mixing: Dan Olmstead\u003c/p>\n\u003cp>Color Grade: Ayumi Ashley\u003c/p>\n\u003cp>Subject: Stephen Parr\u003c/p>\n\u003cp>Narrator: Joshua Moore\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Special Thanks: Oddball Films Dedicated to Stephen Parr\u003c/p>\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">Related Links:\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=gd6q96LCXgdJ8q2fX4n97MCWPuhS3LOlFJV%2FKPjS2OQ%3D&url=http%3A%2F%2Fjoshuasmoore.com%2Foddball\" target=\"_blank\" rel=\"noreferrer noopener\">http://joshuasmoore.com/oddball\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=U%2Feuv%2BEUj8S6Gl4vvPB97mBXPqARd35%2BiXhBa9B8XTE%3D&url=https%3A%2F%2Fvimeo.com%2Fuser5107909\" target=\"_blank\" rel=\"noreferrer noopener\">https://vimeo.com/user5107909\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=TiKVwsOSM4Uo1UM92z3bPsyFYUxRqP4fbh1ih2ETA3I%3D&url=https%3A%2F%2Fwww.instagram.com%2Fjoshuasmoore%2F\" target=\"_blank\" rel=\"noreferrer noopener\">https://www.instagram.com/joshuasmoore/\u003c/a>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"links-layer\">\n\u003cdiv class=\"links-layer-inner\">\u003c/div>\n\u003c/div>\n\n","disqusIdentifier":"2262 https://ww2.kqed.org/trulyca/?p=2262","disqusUrl":"https://ww2.kqed.org/trulyca/oddball/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":488,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":15},"modified":1534267569,"excerpt":"Stephen Parr was an archivist, a curator, a collector, an artist, a writer, and an image maker, but if you asked him yourself he'd tell you he's in the memory business. That memory business is Oddball Films - the largest private film archive in Northern California, and also the most unusual.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Stephen Parr was an archivist, a curator, a collector, an artist, a writer, and an image maker, but if you asked him yourself he'd tell you he's in the memory business. That memory business is Oddball Films - the largest private film archive in Northern California, and also the most unusual.","title":"Oddball | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Oddball","datePublished":"2018-08-14T10:26:09-07:00","dateModified":"2018-08-14T10:26:09-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"oddball","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=zoA-Z3OAKpc","path":"/trulyca/2262/oddball","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the dark depths of a 6,000 square foot industrial warehouse in San Francisco's Mission District, a shadowy figure of a man steps into the light. That man is Stephen Parr. He's an archivist, a curator, a collector, an artist, a writer, and an image maker, but if you ask him yourself he'll tell you he's in the memory business. That memory business is Oddball Films - the largest private film archive in Northern California, and also the most unusual.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003cstrong>ODDBALL | Director's Statement\u003c/strong>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">There's something magical and otherworldly about setting foot inside the Mission warehouse space that is San Francisco's Oddball Films. It's difficult to fully describe in words (though I just tried). It's more of a feeling and a wonder that comes over you as you navigate through the darkness of the floor to ceiling shelves stacked with film cans, past the other odds and ends only an eccentric collector of tchotchkes would have until you reach the cozy screening room that resembles equal parts burlesque lounge, movie theater and greasy spoon diner. Then a small man in a hat with a distinct voice and dressed in even more distinctive vintage clothing steps out from behind a 16mm projector and welcomes you to something you've never seen before. At least that's how I remembered it the first time I went to Oddball Films and what I've tried to capture here in this short portrait of the place and the lovely unique man behind it that is sadly no longer with us. I was fortunate to get to know Stephen Parr in what turned out to be the last year of his life and feel blessed I was able to share his story.\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">- Joshua Moore\u003c/p>\n\u003cfigure id=\"attachment_2480\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2480\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-800x535.jpg\" alt=\"\" width=\"800\" height=\"535\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-800x535.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-768x514.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-1020x682.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-960x642.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-240x161.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-375x251.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo-520x348.jpg 520w, https://ww2.kqed.org/app/uploads/sites/29/2018/07/Joshua-Moore_Director_photo.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Oddball' Director, Joshua Moore\u003c/figcaption>\u003c/figure>\n\u003cp>Joshua Moore is an award-winning filmmaker based in San Francisco. He curates film and new media for the Jewish Film Institute. His \"delightfully freewheeling debut\" feature, \u003cem>I Think It's Raining\u003c/em>, had its world premiere at the Karlovy Vary International Film Festival, Czech Republic, in 2011, where it was nominated for the Independent Camera Award and received glowing reviews from Screen Daily and Variety. \u003cem>I Think It's Raining\u003c/em> was also the opening night film for the Cinema by the Bay Festival, San Francisco, in 2011 and has played in many film festivals across the country including Rooftop Films, New York City. His most recent film, \u003cem>Oddball\u003c/em>, a creative profile on Stephen Parr, the Oddball behind San Francisco's Oddball Films, played numerous film festivals and is a Vimeo Staff Pick.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Crew\u003c/p>\n\u003cp>Director: Joshua Moore\u003c/p>\n\u003cp>Producer: VIMBY\u003c/p>\n\u003cp>Cinematography: Matt Rome\u003c/p>\n\u003cp>Editor: Liz Payne\u003c/p>\n\u003cp>Gaffer: Dan Juenemann\u003c/p>\n\u003cp>Sound Mixing: Dan Olmstead\u003c/p>\n\u003cp>Color Grade: Ayumi Ashley\u003c/p>\n\u003cp>Subject: Stephen Parr\u003c/p>\n\u003cp>Narrator: Joshua Moore\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Special Thanks: Oddball Films Dedicated to Stephen Parr\u003c/p>\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">Related Links:\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=gd6q96LCXgdJ8q2fX4n97MCWPuhS3LOlFJV%2FKPjS2OQ%3D&url=http%3A%2F%2Fjoshuasmoore.com%2Foddball\" target=\"_blank\" rel=\"noreferrer noopener\">http://joshuasmoore.com/oddball\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=U%2Feuv%2BEUj8S6Gl4vvPB97mBXPqARd35%2BiXhBa9B8XTE%3D&url=https%3A%2F%2Fvimeo.com%2Fuser5107909\" target=\"_blank\" rel=\"noreferrer noopener\">https://vimeo.com/user5107909\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=TiKVwsOSM4Uo1UM92z3bPsyFYUxRqP4fbh1ih2ETA3I%3D&url=https%3A%2F%2Fwww.instagram.com%2Fjoshuasmoore%2F\" target=\"_blank\" rel=\"noreferrer noopener\">https://www.instagram.com/joshuasmoore/\u003c/a>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"links-layer\">\n\u003cdiv class=\"links-layer-inner\">\u003c/div>\n\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2262/oddball","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_503"],"categories":["trulyca_45","trulyca_33","trulyca_39","trulyca_20","trulyca_21","trulyca_32","trulyca_29"],"tags":["trulyca_793","trulyca_256","trulyca_790","trulyca_792","trulyca_788","trulyca_765","trulyca_791","trulyca_789"],"collections":["trulyca_81"],"featImg":"trulyca_2327","label":"trulyca_771"},"trulyca_2277":{"type":"posts","id":"trulyca_2277","meta":{"index":"posts_1716263798","site":"trulyca","id":"2277","score":null,"sort":[1534266046000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1534266046,"format":"standard","disqusTitle":"Welcome to the Neighborhood","title":"Welcome to the Neighborhood","headTitle":"Season 13 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"512\" height=\"376\" src=\"https://player.pbs.org/viralplayer/3014675896/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2331\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/05/WTTN_Onynex-at-Adeline-800x348.png\" alt=\"\" width=\"600\" height=\"400\">\u003c/p>\n\u003cp>\u003cem>Welcome to the neighborhood \u003c/em> follows the story of a Berkeley family, the Howards. Mable Howard, known as Mama Howard, came with her husband and children to San Francisco during World War II to work in the shipyards of Hunters Point. They soon joined the growing community of African Americans in South Berkeley. Mable Howard’s landmark lawsuit against BART in 1968 forced the transit agency to underground the trains that traveled through South Berkeley, preventing the destruction of her neighborhood. Her daughter, the renowned artist Mildred Howard, grew up believing she could accomplish anything. Her work, which includes many public artworks in the Bay Area, re-frames history to tell the stories of those who are overlooked. Today there is one thing that Mildred Howard cannot do—afford to live in Berkeley. When her landlord raises her rent by fifty percent, Mildred comes to terms with leaving the city that has been her home for nearly seventy years.\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2332\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/PamUzzell_headshot.png\" alt=\"\" width=\"1\" height=\"1\">\u003cimg class=\"alignnone wp-image-2336\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/PamUzzell_headshot-2-800x1067.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-50x50.png 50w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-150x150.png 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/p>\n\u003cp>Pam Uzzell is an award-winning documentary producer, director and editor. Her feature-length documentary, Unearthing the Dream, featured on Arkansas Public Television as part of their independent producer series, won Best Documentary at the Arkansas Black Independent Film Festival, as well as an Indie Award of Merit. A graduate of Brown University, with an MFA in Cinema from San Francisco State University, Uzzell has also worked on over twenty feature films in post-production, including Godfather III, Terminator 2, and Dead Poets’ Society.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Credit List; Crew Director\u003c/p>\n\u003cp>Producer/Editor: Pam Uzzell\u003c/p>\n\u003cp>Director Of Photography: Smith Patrick\u003c/p>\n\u003cp>Associate Producer: Marjorie Sturm\u003c/p>\n\u003cp>Story Consultant Manuel Tsingaris\u003c/p>\n\u003cp>Additional Camera Vicente Franco, Morgan Schmidt Feng, Michael SnyderSound Recording Ray Day, Anton Herbert, Matt Clarke, Zenan Robinson, Will Henderson-Nold\u003c/p>\n\u003cp>Gaffer Daniel Juenemann\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Related Links\u003c/p>\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">Film Website\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=lni4Rds9GmltLhiTLwiSdHe%2BC4sijjk1QCLmReTMhJU%3D&url=http%3A%2F%2Fwelcometotheneighborhoodfilm.com\" target=\"_blank\" rel=\"noreferrer noopener\">welcometotheneighborhoodfilm.com\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Facebook\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=ioLO5K%2BOL2yNSj1kaMQ4XCB6b3RaQufSEMGeuer0TVU%3D&url=https%3A%2F%2Fwww.facebook.com%2FWelcome-\" target=\"_blank\" rel=\"noreferrer noopener\">https://www.facebook.com/Welcome-\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=AfeVnOF7W%2Fas4P353UPK0FwgVV8OdBd8bFGWIY03T2Y%3D&url=http%3A%2F%2Fwww.berkeleyside.com%2F2018%2F03%2F21%2Fwelcome-neighborhood\" target=\"_blank\" rel=\"noreferrer noopener\">http://www.berkeleyside.com/2018/03/21/welcome-neighborhood\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">-\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003cdiv class=\"links-layer\">\n\u003cdiv class=\"links-layer-inner\">\u003c/div>\n\u003c/div>\n\n","disqusIdentifier":"2277 https://ww2.kqed.org/trulyca/?p=2277","disqusUrl":"https://ww2.kqed.org/trulyca/welcome-to-the-neighborhood/","stats":{"hasVideo":false,"hasChartOrMap":true,"hasAudio":false,"hasPolis":false,"wordCount":316,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":["https://player.pbs.org/viralplayer/3014675896/"],"paragraphCount":15},"modified":1534269856,"excerpt":"When artist Mildred Howard, daughter of legendary Berkeley activist Mable Howard, loses her South Berkeley home due to soaring rental prices, it costs Berkeley a piece of its history and its legacy.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"When artist Mildred Howard, daughter of legendary Berkeley activist Mable Howard, loses her South Berkeley home due to soaring rental prices, it costs Berkeley a piece of its history and its legacy.","title":"Welcome to the Neighborhood | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Welcome to the Neighborhood","datePublished":"2018-08-14T10:00:46-07:00","dateModified":"2018-08-14T11:04:16-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"welcome-to-the-neighborhood","status":"publish","videoEmbed":"\u003ciframe width=\"512\" height=\"376\" src=\"https://player.pbs.org/viralplayer/3014675896/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" seamless allowfullscreen>\u003c/iframe>","path":"/trulyca/2277/welcome-to-the-neighborhood","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"512\" height=\"376\" src=\"https://player.pbs.org/viralplayer/3014675896/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2331\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/05/WTTN_Onynex-at-Adeline-800x348.png\" alt=\"\" width=\"600\" height=\"400\">\u003c/p>\n\u003cp>\u003cem>Welcome to the neighborhood \u003c/em> follows the story of a Berkeley family, the Howards. Mable Howard, known as Mama Howard, came with her husband and children to San Francisco during World War II to work in the shipyards of Hunters Point. They soon joined the growing community of African Americans in South Berkeley. Mable Howard’s landmark lawsuit against BART in 1968 forced the transit agency to underground the trains that traveled through South Berkeley, preventing the destruction of her neighborhood. Her daughter, the renowned artist Mildred Howard, grew up believing she could accomplish anything. Her work, which includes many public artworks in the Bay Area, re-frames history to tell the stories of those who are overlooked. Today there is one thing that Mildred Howard cannot do—afford to live in Berkeley. When her landlord raises her rent by fifty percent, Mildred comes to terms with leaving the city that has been her home for nearly seventy years.\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2332\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/PamUzzell_headshot.png\" alt=\"\" width=\"1\" height=\"1\">\u003cimg class=\"alignnone wp-image-2336\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/PamUzzell_headshot-2-800x1067.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-50x50.png 50w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/PamUzzell_headshot-2-150x150.png 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/p>\n\u003cp>Pam Uzzell is an award-winning documentary producer, director and editor. Her feature-length documentary, Unearthing the Dream, featured on Arkansas Public Television as part of their independent producer series, won Best Documentary at the Arkansas Black Independent Film Festival, as well as an Indie Award of Merit. A graduate of Brown University, with an MFA in Cinema from San Francisco State University, Uzzell has also worked on over twenty feature films in post-production, including Godfather III, Terminator 2, and Dead Poets’ Society.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Credit List; Crew Director\u003c/p>\n\u003cp>Producer/Editor: Pam Uzzell\u003c/p>\n\u003cp>Director Of Photography: Smith Patrick\u003c/p>\n\u003cp>Associate Producer: Marjorie Sturm\u003c/p>\n\u003cp>Story Consultant Manuel Tsingaris\u003c/p>\n\u003cp>Additional Camera Vicente Franco, Morgan Schmidt Feng, Michael SnyderSound Recording Ray Day, Anton Herbert, Matt Clarke, Zenan Robinson, Will Henderson-Nold\u003c/p>\n\u003cp>Gaffer Daniel Juenemann\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Related Links\u003c/p>\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">Film Website\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=lni4Rds9GmltLhiTLwiSdHe%2BC4sijjk1QCLmReTMhJU%3D&url=http%3A%2F%2Fwelcometotheneighborhoodfilm.com\" target=\"_blank\" rel=\"noreferrer noopener\">welcometotheneighborhoodfilm.com\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Facebook\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=ioLO5K%2BOL2yNSj1kaMQ4XCB6b3RaQufSEMGeuer0TVU%3D&url=https%3A%2F%2Fwww.facebook.com%2FWelcome-\" target=\"_blank\" rel=\"noreferrer noopener\">https://www.facebook.com/Welcome-\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=AfeVnOF7W%2Fas4P353UPK0FwgVV8OdBd8bFGWIY03T2Y%3D&url=http%3A%2F%2Fwww.berkeleyside.com%2F2018%2F03%2F21%2Fwelcome-neighborhood\" target=\"_blank\" rel=\"noreferrer noopener\">http://www.berkeleyside.com/2018/03/21/welcome-neighborhood\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">-\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003cdiv class=\"links-layer\">\n\u003cdiv class=\"links-layer-inner\">\u003c/div>\n\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2277/welcome-to-the-neighborhood","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_503"],"categories":["trulyca_33","trulyca_20","trulyca_21"],"tags":["trulyca_128","trulyca_781","trulyca_220","trulyca_412","trulyca_90","trulyca_498","trulyca_418","trulyca_782","trulyca_98","trulyca_780","trulyca_783"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2476","label":"trulyca_771"},"trulyca_2280":{"type":"posts","id":"trulyca_2280","meta":{"index":"posts_1716263798","site":"trulyca","id":"2280","score":null,"sort":[1532718037000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1532718037,"format":"video","disqusTitle":"Futbolistas 4 Life","title":"Futbolistas 4 Life","headTitle":"Season 13 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2326\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/April-SoccerBall-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1020x573.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1200x674.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-520x292.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Futbolistsas 4 Life\u003c/em> takes you into the lives of two Oakland high schoolers: One is a college hopeful and DACA applicant who’s navigating the reality of his immigration status, and the other is an American citizen who lives in fear that her undocumented parents may be deported. These youth take solace in the game of soccer, which lets them if only for a moment, put their worries on the sidelines. Futbolistas 4 Life sheds light on the overwhelming stress experienced nationwide by immigrant youth living in communities with high rates of poverty and violence – communities increasingly in the crosshairs of harsh federal immigration policies. The film captivates viewers with its compelling characters, cinematic footage, carefully crafted animations and beautiful score by Grammy Award-winning Adrian Quesada.\u003c/p>\n\u003cp>Jun Stinson is an Oakland-based filmmaker and a producer at AJ+ . She has worked as a post-production producer and editor withAl Jazeera America and produced stories for CurrentTV and KQED, among others. She was also on the post-production team of the feature documentary Spark: A Burning Man Story that premiered at SXSW. Her work is published in the Washington Post, Associated Press, ESPNW, and SFGate.com . She is a former BAVC National MediaMaker Fellow and San Francisco Film Society FilmHouse resident . Jun was raised in both Oakland and Kobe, Japan, and is a graduate of UC Berkeley’s Graduate School of Journalism.\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Related Links\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"mailto:futbolistas4lifefilm@gmail.com\">futbolistas4lifefilm@gmail.com\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=XkOP0l4yWM5QRwq1P4QoZwz1FpO96u4D03yxKduAPqM%3D&url=http%3A%2F%2FFutbolistas4LifeFilm.com\" target=\"_blank\" rel=\"noreferrer noopener\">Futbolistas4LifeFilm.com\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Twitter: @FutbolLifeFilm\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Instagram @Futbolistas4LifeFilm\u003c/p>\n\u003cp>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=KKQnHqEJqzefcruAyiBywlt%2BJbOEJXIeGGnL%2B3JV%2B%2BM%3D&url=http%3A%2F%2FFacebook.com%2Ffutbolistas4lifefilm\" target=\"_blank\" rel=\"noreferrer noopener\">Facebook.com/futbolistas4lifefilm\u003c/a>\u003c/p>\n\u003cdiv id=\"pageContainer3\" class=\"page\">\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cdiv id=\"pageContainer4\" class=\"page\">\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003c/div>\n\n","disqusIdentifier":"2280 https://ww2.kqed.org/trulyca/?p=2280","disqusUrl":"https://ww2.kqed.org/trulyca/futbolistas-4-life/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":254,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":5},"modified":1537997520,"excerpt":"Futbolistsas 4 Life takes you into the lives of two Oakland high schoolers: One is a college hopeful and DACA applicant who’s navigating the reality of his immigration status, and the other is an American citizen who lives in fear that her undocumented parents may be deported.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Futbolistsas 4 Life takes you into the lives of two Oakland high schoolers: One is a college hopeful and DACA applicant who’s navigating the reality of his immigration status, and the other is an American citizen who lives in fear that her undocumented parents may be deported.","title":"Futbolistas 4 Life | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Futbolistas 4 Life","datePublished":"2018-07-27T12:00:37-07:00","dateModified":"2018-09-26T14:32:00-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"futbolistas-4-life","status":"publish","path":"/trulyca/2280/futbolistas-4-life","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2326\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/April-SoccerBall-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1020x573.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1200x674.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-520x292.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Futbolistsas 4 Life\u003c/em> takes you into the lives of two Oakland high schoolers: One is a college hopeful and DACA applicant who’s navigating the reality of his immigration status, and the other is an American citizen who lives in fear that her undocumented parents may be deported. These youth take solace in the game of soccer, which lets them if only for a moment, put their worries on the sidelines. Futbolistas 4 Life sheds light on the overwhelming stress experienced nationwide by immigrant youth living in communities with high rates of poverty and violence – communities increasingly in the crosshairs of harsh federal immigration policies. The film captivates viewers with its compelling characters, cinematic footage, carefully crafted animations and beautiful score by Grammy Award-winning Adrian Quesada.\u003c/p>\n\u003cp>Jun Stinson is an Oakland-based filmmaker and a producer at AJ+ . She has worked as a post-production producer and editor withAl Jazeera America and produced stories for CurrentTV and KQED, among others. She was also on the post-production team of the feature documentary Spark: A Burning Man Story that premiered at SXSW. Her work is published in the Washington Post, Associated Press, ESPNW, and SFGate.com . She is a former BAVC National MediaMaker Fellow and San Francisco Film Society FilmHouse resident . Jun was raised in both Oakland and Kobe, Japan, and is a graduate of UC Berkeley’s Graduate School of Journalism.\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Related Links\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"mailto:futbolistas4lifefilm@gmail.com\">futbolistas4lifefilm@gmail.com\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=XkOP0l4yWM5QRwq1P4QoZwz1FpO96u4D03yxKduAPqM%3D&url=http%3A%2F%2FFutbolistas4LifeFilm.com\" target=\"_blank\" rel=\"noreferrer noopener\">Futbolistas4LifeFilm.com\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Twitter: @FutbolLifeFilm\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Instagram @Futbolistas4LifeFilm\u003c/p>\n\u003cp>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=KKQnHqEJqzefcruAyiBywlt%2BJbOEJXIeGGnL%2B3JV%2B%2BM%3D&url=http%3A%2F%2FFacebook.com%2Ffutbolistas4lifefilm\" target=\"_blank\" rel=\"noreferrer noopener\">Facebook.com/futbolistas4lifefilm\u003c/a>\u003c/p>\n\u003cdiv id=\"pageContainer3\" class=\"page\">\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cdiv id=\"pageContainer4\" class=\"page\">\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2280/futbolistas-4-life","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_77","trulyca_503"],"categories":["trulyca_45","trulyca_20","trulyca_21","trulyca_46"],"tags":["trulyca_90","trulyca_498","trulyca_418","trulyca_785","trulyca_786","trulyca_787","trulyca_147","trulyca_765","trulyca_784"],"collections":["trulyca_81"],"featImg":"trulyca_2326","label":"trulyca_771"},"trulyca_2274":{"type":"posts","id":"trulyca_2274","meta":{"index":"posts_1716263798","site":"trulyca","id":"2274","score":null,"sort":[1531514081000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1531514081,"format":"video","disqusTitle":"The Boombox Collection: Boots Riley","title":"The Boombox Collection: Boots Riley","headTitle":"Season 13 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cem>The Boombox Collection: Boots Riley \u003c/em>is part of \u003cem>The Boombox Collection\u003c/em>, a series of short documentaries about the working class pioneers of hip-hop.\u003c/p>\n\u003cp>Boots Riley, frontman of the politically radical hip-hop group, “The Coup”, takes us on a drive through Oakland, and reflects on his music, his future, and his relentless revolt against capitalism.\u003c/p>\n\u003cp>\u003cstrong>Mohammad Gorjestani | Director\u003c/strong>\u003c/p>\n\u003cp>Mohammad is an Iranian-American filmmaker, featured as one of Filmmaker Magazine's 25 New Faces of Independent Film. His works have played festivals worldwide, and have been featured by VICE, The Atlantic, The Guardian, and Vimeo Staff Picks. His films have won the Tribeca X Award, Webby Awards, and he recently received the SFFILM Rainin Filmmaking Award for a feature film in development.\u003c/p>\n\u003cp>\u003cstrong>Credits\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Director: Mohammad Gorjestani\u003cbr>\nProducer: Malcolm Pullinger\u003cbr>\nDirector of Photography: Mike Gioulakis\u003cbr>\nEditor: Malcolm Pullinger\u003cbr>\nSound: Max Hirtenstein\u003cbr>\nSound Design/Mix: 3 Volt Sound\u003cbr>\nAssociate Producer: Pedro Javier Hill\u003cbr>\nProduction Assistant: Reza Tabesh\u003c/p>\n\n","disqusIdentifier":"2274 https://ww2.kqed.org/trulyca/?p=2274","disqusUrl":"https://ww2.kqed.org/trulyca/the-boombox-collection-boots-riley/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":162,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":8},"modified":1531851078,"excerpt":"Boots Riley, front man of the politically radical hip-hop group, “The Coup”, takes us on a drive through Oakland, and reflects on his music, his future, and his relentless revolt against capitalism.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Boots Riley, front man of the politically radical hip-hop group, “The Coup”, takes us on a drive through Oakland, and reflects on his music, his future, and his relentless revolt against capitalism.","title":"The Boombox Collection: Boots Riley | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Boombox Collection: Boots Riley","datePublished":"2018-07-13T13:34:41-07:00","dateModified":"2018-07-17T11:11:18-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"the-boombox-collection-boots-riley","status":"publish","videoEmbed":"https://youtu.be/dsgsbRyYUkc","path":"/trulyca/2274/the-boombox-collection-boots-riley","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>The Boombox Collection: Boots Riley \u003c/em>is part of \u003cem>The Boombox Collection\u003c/em>, a series of short documentaries about the working class pioneers of hip-hop.\u003c/p>\n\u003cp>Boots Riley, frontman of the politically radical hip-hop group, “The Coup”, takes us on a drive through Oakland, and reflects on his music, his future, and his relentless revolt against capitalism.\u003c/p>\n\u003cp>\u003cstrong>Mohammad Gorjestani | Director\u003c/strong>\u003c/p>\n\u003cp>Mohammad is an Iranian-American filmmaker, featured as one of Filmmaker Magazine's 25 New Faces of Independent Film. His works have played festivals worldwide, and have been featured by VICE, The Atlantic, The Guardian, and Vimeo Staff Picks. His films have won the Tribeca X Award, Webby Awards, and he recently received the SFFILM Rainin Filmmaking Award for a feature film in development.\u003c/p>\n\u003cp>\u003cstrong>Credits\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Director: Mohammad Gorjestani\u003cbr>\nProducer: Malcolm Pullinger\u003cbr>\nDirector of Photography: Mike Gioulakis\u003cbr>\nEditor: Malcolm Pullinger\u003cbr>\nSound: Max Hirtenstein\u003cbr>\nSound Design/Mix: 3 Volt Sound\u003cbr>\nAssociate Producer: Pedro Javier Hill\u003cbr>\nProduction Assistant: Reza Tabesh\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2274/the-boombox-collection-boots-riley","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_503"],"categories":["trulyca_45","trulyca_20"],"tags":["trulyca_776","trulyca_90","trulyca_498","trulyca_765","trulyca_777","trulyca_28","trulyca_778"],"collections":["trulyca_81"],"featImg":"trulyca_2341","label":"trulyca_771"},"trulyca_2268":{"type":"posts","id":"trulyca_2268","meta":{"index":"posts_1716263798","site":"trulyca","id":"2268","score":null,"sort":[1531510443000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1531510443,"format":"video","disqusTitle":"Happy Birthday Mario Woods","title":"Happy Birthday Mario Woods","headTitle":"Season 13 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>Six months after her son, Mario Woods, was killed by San Francisco Police, Gwen Woods visits his grave and the site of the shooting, and speaks to the community in an effort to keep her son's memory and voice alive.\u003c/p>\n\u003cp>This film is part of \u003cem>The Happy Birthday Project\u003c/em> — a series of short, intimate portraits of the mothers, family, and close friends of victims of recent police killings in America. 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His films have won the Tribeca X Award, Webby Awards, and he recently received the SFFILM Rainin Filmmaking Award for a feature film in development.\u003c/p>\n\u003cp>\u003cstrong>Credits\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Executive Producers: Ephraim Walker & Andrew Coles\u003cbr>\nDirector: Mohammad Gorjestani\u003cbr>\nProducer: Malcolm Pullinger\u003cbr>\nDirector of Photography: Noe Chavez\u003cbr>\nEditor: Carson Porter\u003cbr>\nProduction Sound: Jeremiah Moore\u003cbr>\nFirst Assistant Camera: Sydney Cox\u003cbr>\nSound Design/Mix: Joel Raabe\u003cbr>\nColor: Ayumi Ashley\u003cbr>\nAssociate Producers: Jamie Walker, Pedro Javier Hill, Ashley Rodholm\u003cbr>\nProduction Assistants: Reza Tabesh, Roy Ellis\u003c/p>\n\n","disqusIdentifier":"2268 https://ww2.kqed.org/trulyca/?p=2268","disqusUrl":"https://ww2.kqed.org/trulyca/happy-birthday-mario-woods/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":231,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":8},"modified":1534270157,"excerpt":"On December 2, 2015 Mario Woods was shot more than 20 times by five officers in San Francisco’s Hunters Point district. 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