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Benton, who took \u003ca href=\"http://www.flickr.com/photos/kap_cris/2336053858/\">his first aerial photographs at Cesar Chavez Park\u003c/a> in 1995, has built every rig himself; he's now on his tenth.\u003c/p>\n\u003cp>Benton's creation is impressive. He has set a camera in a wooden frame, and engineered a remote mechanism that pushes the shutter button and can move his camera to vertical or horizontal positions. To take his aerial photos, he handles the spool of kite string with one hand and works the radio controller that remotely manipulates the camera with the other.\u003c/p>\n\u003cp>At Cesar Chavez Park today, I watch as Benton hooks the kite to a park bench after it's aloft, then attaches the camera to the kite line, rigged in a pulley system that allows Benton to move the camera up and down the line. He snaps a few photos of himself at different heights to show me.\u003c/p>\n\u003cp>\u003cspan class=\"right\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/05/cris-rig-in-air-for-blog.jpg\">\u003cem>Benton peers up at his rig as he positions it for some\u003cbr>\nphoto-taking. Credit: Jane Liaw.\u003c/em>\u003c/span>\u003cbr>\nBenton doesn't use real-time video to help compose his shots, as some kite aerial photographers do. With video, the photographer on the ground sees exactly what the camera's shot will look like. Instead, Benton \"interrogates the landscape.\" He thinks through the shot, forms a hypothesis on what he might see if he were looking through the camera lens in the sky, takes the picture, and compares his imaginings to the actual shot.\u003c/p>\n\u003cp>Benton has in recent years developed a fascination with the south San Francisco Bay. For several years, he has been documenting the area as part of the San Francisco Exploratorium’s \u003ca href=\"http://www.exploratorium.edu/id/hidden.html\">Hidden Ecologies\u003c/a> project. Benton takes kite aerial photographs of the South Bay salt flats and other Bay geographies, while a microbiologist takes \"microcinematography\"-- photos of tiny critters such as bacteria and diatoms that inhabit these ecosystems, captured with the help of field microscopes.\u003c/p>\n\u003cp>Benton has published his photos on a blog: majestic overviews of the South Bay salt ponds that run the color spectrum from red to green to pink, depending on how the microscopic organisms adapt to varying salinity levels.\u003c/p>\n\u003cp>Cris will be collaborating with KQED staff on our next 2-minute \"Your Photos on QUEST\" segment for broadcast and web distribution. It will air on August 26, 2008.\u003c/p>\n\u003cp>His \u003ca href=\"http://www.flickr.com/photos/kap_cris/sets/72157603943500670/\">stunning set of Kite Aerial Photography of South San Francisco Bay\u003c/a> did a wonderful job of expressing a sense of locale, with a passion for nature, via a process that captures something unexpected and essential.\u003c/p>\n\u003cp>In his own words:\u003c/p>\n\u003cp>\u003cem>\"...juxtapositions abound – dendritic marsh channels as foils for the straight lines of infrastructure; wild openness confronting the confines of encroaching capitalism; salt ponds, vividly colored by the aforementioned halophiles, constrained by subtly hued mud and marsh; derelict, forgotten engineering works faintly echoing their former functions. .\"\u003c/em>\u003c/p>\n\u003cp>Benton makes his own kite rigs, but if you're interested in taking up the hobby and are daunted by putting together your own equipment, you can also \u003ca href=\"http://www.brooxes.com/newsite/BBKK/KITS.html\">buy ready-made rigs online\u003c/a> from Brooks Leffler, a pioneer of modern KAP.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> 37.873096 -122.321439\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/05/cris-holding-rig-for-blog.jpg\">\u003cem>Cris Benton inspects his kite aerial photography rig\u003cbr>\nbefore sending it up in the sky. Credit: Jane Liaw.\u003c/em>\u003c/span>\u003c/p>\n\u003cp>UC Berkeley architecture professor Charles 'Cris' Benton is a \u003ca href=\"http://en.wikipedia.org/wiki/Kite_aerial_photography\">kite aerial photography \u003c/a>(KAP) enthusiast. Benton is well-known in the KAP world for \u003ca href=\"http://www.arch.ced.berkeley.edu/kap/\">sharing his knowledge and love of the art\u003c/a>.\u003c/p>\n\u003cp>In this art form, a camera is carried aloft by a kite and operated remotely from the ground. The pictures taken provide a bird's-eye view that can’t be seen from the ground or an airplane. Benton's Web site, chock full of information and \u003ca href=\"http://www.arch.ced.berkeley.edu/kap/gallery/gallery.html\">gorgeous photos\u003c/a>, has attracted numerous newbies to KAP.\u003c/p>\n\u003cp>I am profiling Benton for the \u003ca href=\"http://scicom.ucsc.edu/\">UC Santa Cruz Science Communication Program\u003c/a>. As I was casting around for an interesting scientist to write about, Benton stood out to me. He has a distinct and coherent philosophy that extends through both work and hobby.\u003c/p>\n\u003cp>Benton explains his attraction to KAP on the Web site:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Kite aerial photography appeals to that part of me, perhaps of all of us, that would slip our earthly bonds and see the world from new heights. An aerial view offers a fresh perspective of familiar landscapes and in doing so challenges our spatial sensibilities, our grasp of relationships.\u003c/em>\u003c/p>\n\u003cp>KAP is a natural fit for Benton, who says architects also think about bird's-eye perspectives and relationships between buildings in the landscape.\u003c/p>\n\u003cp>KAP was invented more than a century ago, but fell out of favor as military and commercial photography from airplanes became popular. In past few decades, artists interested in a unique perspective from the sky have revived the art. Today, thousands of people worldwide pursue KAP, and Benton is one respected example. He builds the rigs that hold his camera aloft from parts he finds around the house. The camera cradle, for instance, is re-purposed from an old computer hard drive. Benton, who took \u003ca href=\"http://www.flickr.com/photos/kap_cris/2336053858/\">his first aerial photographs at Cesar Chavez Park\u003c/a> in 1995, has built every rig himself; he's now on his tenth.\u003c/p>\n\u003cp>Benton's creation is impressive. He has set a camera in a wooden frame, and engineered a remote mechanism that pushes the shutter button and can move his camera to vertical or horizontal positions. To take his aerial photos, he handles the spool of kite string with one hand and works the radio controller that remotely manipulates the camera with the other.\u003c/p>\n\u003cp>At Cesar Chavez Park today, I watch as Benton hooks the kite to a park bench after it's aloft, then attaches the camera to the kite line, rigged in a pulley system that allows Benton to move the camera up and down the line. He snaps a few photos of himself at different heights to show me.\u003c/p>\n\u003cp>\u003cspan class=\"right\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/05/cris-rig-in-air-for-blog.jpg\">\u003cem>Benton peers up at his rig as he positions it for some\u003cbr>\nphoto-taking. Credit: Jane Liaw.\u003c/em>\u003c/span>\u003cbr>\nBenton doesn't use real-time video to help compose his shots, as some kite aerial photographers do. With video, the photographer on the ground sees exactly what the camera's shot will look like. Instead, Benton \"interrogates the landscape.\" He thinks through the shot, forms a hypothesis on what he might see if he were looking through the camera lens in the sky, takes the picture, and compares his imaginings to the actual shot.\u003c/p>\n\u003cp>Benton has in recent years developed a fascination with the south San Francisco Bay. For several years, he has been documenting the area as part of the San Francisco Exploratorium’s \u003ca href=\"http://www.exploratorium.edu/id/hidden.html\">Hidden Ecologies\u003c/a> project. Benton takes kite aerial photographs of the South Bay salt flats and other Bay geographies, while a microbiologist takes \"microcinematography\"-- photos of tiny critters such as bacteria and diatoms that inhabit these ecosystems, captured with the help of field microscopes.\u003c/p>\n\u003cp>Benton has published his photos on a blog: majestic overviews of the South Bay salt ponds that run the color spectrum from red to green to pink, depending on how the microscopic organisms adapt to varying salinity levels.\u003c/p>\n\u003cp>Cris will be collaborating with KQED staff on our next 2-minute \"Your Photos on QUEST\" segment for broadcast and web distribution. It will air on August 26, 2008.\u003c/p>\n\u003cp>His \u003ca href=\"http://www.flickr.com/photos/kap_cris/sets/72157603943500670/\">stunning set of Kite Aerial Photography of South San Francisco Bay\u003c/a> did a wonderful job of expressing a sense of locale, with a passion for nature, via a process that captures something unexpected and essential.\u003c/p>\n\u003cp>In his own words:\u003c/p>\n\u003cp>\u003cem>\"...juxtapositions abound – dendritic marsh channels as foils for the straight lines of infrastructure; wild openness confronting the confines of encroaching capitalism; salt ponds, vividly colored by the aforementioned halophiles, constrained by subtly hued mud and marsh; derelict, forgotten engineering works faintly echoing their former functions. .\"\u003c/em>\u003c/p>\n\u003cp>Benton makes his own kite rigs, but if you're interested in taking up the hobby and are daunted by putting together your own equipment, you can also \u003ca href=\"http://www.brooxes.com/newsite/BBKK/KITS.html\">buy ready-made rigs online\u003c/a> from Brooks Leffler, a pioneer of modern KAP.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> 37.873096 -122.321439\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/06/radio2-37_bullets3001.jpg\" alt=\"\">\u003c/span>\u003c/p>\n\u003cp>I was excited to be working on this story. After all, it's not that often that a primarily environmental reporter gets to spend a couple weeks focusing on forensics technology and the debate over gun control (let alone receive firearms training on a 38-special from a senior criminalist at the DOJ's California Criminalistics Institute). In the end, there was much, much more to report than I could squeeze into five minutes.\u003c/p>\n\u003cp>Supporters of microstamping will want to have heard from the technology's inventor, Todd Lizotte of \u003ca href=\"http://www.nanomark.com/Ballistic-id-tagging/ballisticindex.htm\" target=\"_blank\">NanoMark Technologies\u003c/a>. Lizotte reports a much higher success rate than the UC Davis study and, according to a microstamping supporter I spoke with, has declined any potential profits he might have made on it.\u003c/p>\n\u003cp>Microstamping itself has far more subtleties than I was able to report on. Fred Tulleners experimented with (and had various degrees of success with) several different types of stamping, as documented in the report he and others prepared for the California Policy Research Center. Even for a non-ballistics expert, \u003ca href=\"http://extension.ucdavis.edu/masters/forensic%5Fscience/pdf/UCD-Microserial%20Number%20CPRC%20Report%20May%20April.pdf\" target=\"_blank\">that report\u003c/a> makes for compelling reading. Tullener's personal opinions on microstamping are also more complex than the story allows: He told me that he would like to see more investment in law enforcement and detection -- on the street investments, in other words, rather than new technologies.\u003c/p>\n\u003cp>I also want to point out that the story overestimates the overall success rate of Tulleners' microstamping tests. I say that microstamping worked \"roughly three quarters;\" of the time; in actuality, Tulleners says it was closer to 50 percent.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And finally, there's more afoot in the world of gun control technology than I was able to delve into. For example, \"Smart Guns,\" which would recognize and respond exclusively to their registered owner's grip. Supporters point in particular to the number of minors killed while playing with their parents' guns. Of course, controversy follows every new gun proposal. \u003ca href=\"http://www.wired.com/politics/law/news/2002/04/52178\" target=\"_blank\">Here’s a Wired article\u003c/a> about the Smart Guns debate.\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003ca href=\"http://ww2.kqed.org/quest/audio/how-to-id-a-bullet\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/images/radio_icon_light.gif\" alt=\"\">\u003c/a>\u003c/span>\u003ca href=\"http://ww2.kqed.org/quest/audio/how-to-id-a-bullet\">Listen to the \"How to ID a Bullet\" Radio report\u003c/a> online, as well as find additional links and resources.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> 38.546793 -121.449336\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/06/radio2-37_bullets3001.jpg\" alt=\"\">\u003c/span>\u003c/p>\n\u003cp>I was excited to be working on this story. After all, it's not that often that a primarily environmental reporter gets to spend a couple weeks focusing on forensics technology and the debate over gun control (let alone receive firearms training on a 38-special from a senior criminalist at the DOJ's California Criminalistics Institute). In the end, there was much, much more to report than I could squeeze into five minutes.\u003c/p>\n\u003cp>Supporters of microstamping will want to have heard from the technology's inventor, Todd Lizotte of \u003ca href=\"http://www.nanomark.com/Ballistic-id-tagging/ballisticindex.htm\" target=\"_blank\">NanoMark Technologies\u003c/a>. Lizotte reports a much higher success rate than the UC Davis study and, according to a microstamping supporter I spoke with, has declined any potential profits he might have made on it.\u003c/p>\n\u003cp>Microstamping itself has far more subtleties than I was able to report on. Fred Tulleners experimented with (and had various degrees of success with) several different types of stamping, as documented in the report he and others prepared for the California Policy Research Center. Even for a non-ballistics expert, \u003ca href=\"http://extension.ucdavis.edu/masters/forensic%5Fscience/pdf/UCD-Microserial%20Number%20CPRC%20Report%20May%20April.pdf\" target=\"_blank\">that report\u003c/a> makes for compelling reading. Tullener's personal opinions on microstamping are also more complex than the story allows: He told me that he would like to see more investment in law enforcement and detection -- on the street investments, in other words, rather than new technologies.\u003c/p>\n\u003cp>I also want to point out that the story overestimates the overall success rate of Tulleners' microstamping tests. I say that microstamping worked \"roughly three quarters;\" of the time; in actuality, Tulleners says it was closer to 50 percent.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And finally, there's more afoot in the world of gun control technology than I was able to delve into. For example, \"Smart Guns,\" which would recognize and respond exclusively to their registered owner's grip. Supporters point in particular to the number of minors killed while playing with their parents' guns. Of course, controversy follows every new gun proposal. \u003ca href=\"http://www.wired.com/politics/law/news/2002/04/52178\" target=\"_blank\">Here’s a Wired article\u003c/a> about the Smart Guns debate.\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003ca href=\"http://ww2.kqed.org/quest/audio/how-to-id-a-bullet\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/images/radio_icon_light.gif\" alt=\"\">\u003c/a>\u003c/span>\u003ca href=\"http://ww2.kqed.org/quest/audio/how-to-id-a-bullet\">Listen to the \"How to ID a Bullet\" Radio report\u003c/a> online, as well as find additional links and resources.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> 38.546793 -121.449336\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
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